CUIUUIUCCNI HCRAARCHTN CETIITECTLE ERUUREOCS
VIN PORTF CENTOLIO VE-OFWO LASCO RK
UURBAN NIINFILL PPROJECT
URBAN INFILL PROJECT COMMON GROUNDS + RESIDENCES ON WALNUT ADVISOR: CARL LEWIS DOWNTOWN CHAMPAIGN, IL 2008 - EARL PRIZE WINNER GLASS BOX REVISITED - to create a mixed-use, urban infill space while acknowledging the site’s historical context is a challenge to architects. this project is intended to create a contemporary market/coffee shop and residence building while still relating to the buildings surrounding it. floors are stacked organically, as if the structure undergone major renovations, similar to its adjacent counterparts. a somewhat organized grid - but never fully achieved - system is employed, relating back to champaign-urbana, illinois’ historical conflict with population growth. finally, this project employs contemporary green techniques to create a future-forward building, contrasting with structures found in downtown champaign.
BALCONY
INDOOR PLAZA
EXISTING BUILDING UP
COFFEE SHOP
A
UPSTAIRS EATING AREA
COMMON GROUNDS MARKET
EXISTING BUILDING
UP
UP
BATH DN
DN
BATH OPEN TO BELOW
OPEN TO BELOW
BALCONY
LIVE/WORK
UP DN
MEZZANINE FLOOR PLAN
SECOND FLOOR PLAN SHARED BALCONY BALCONY
CLOSET
CLOSET
BEDROOM 2
OUTDOOR PLAZA
BEDROOM 3
STUDIO
BATH KITCHEN BALCONY
LIVING SPACE
B’
GROUND FLOOR PLAN
UP
LIVING SPACE
KITCHEN
BALCONY
BATH
KITCHEN
DN
OPEN TO BELOW
THIRD + FOURTH FLOOR PLAN
GARDEN OPEN TO RESIDENTS 3RD FLOOR/ OPEN TO BELOW 4TH FLOOR
UP
BATH
OPEN TO BELOW
MASTER BEDROOM
DN
WALK-IN CLOSET
CLOSET
BALCONY
MASTER BEDROOM
BATH
WEST ELEVATION
BEDROOM 2
BATH
EXISTING BUILDING
SECTION B-B’
CLOSET
UP
FIFTH FLOOR PLAN
SOUTH ELEVATION
PROGRAM LAYOUT/NOTES 1ST FLOOR: MARKET/COFFEE SHOP 2ND FLOOR: LIVE/WORK: 2, STUDIO: 1, ONE BEDROOM: 1 3RD FLOOR: TWO BEDROOM: 1, STUDIO: 1 4TH FLOOR: TWO BEDROOM: 1, STUDIO: 1 5TH FLOOR: THREE BEDROOM: 1 ALL BALCONIES CONTAIN GARAGE DOOR TYPE OPENINGS PERMITTING VIEWS TO DOWNTOWN CHAMPAIGN
PRE. ccHOTEL ARCH CCAPSTONE PPROJECT cHOTELCHICAGO ARCH 475 CAPSTONE PROJECT ADVISOR: JOHN STALLMEYER CHICAGO, IL 2009
A CELL WALL MODEL - the capstone studio is a comprehensive studio that focuses on the design of one building, integrating and incorportaing all systems of the design into one semester. as a boutique hotel, the structure resembles the order and rigidity of a plant cell, while maintaining a character of its own. a rectangular, grid pattern gives both a highly efďŹ cient program and building. the lounge and bar space is an ideal place to meet new friens or old acquaintances and have visitors have the option to eat outside at the curb or in a seculded backyard.
LAUNDRY
S
UP
DN
VERTICAL C H A I S E
S T A F F B R E A K R O O M
IN T U ER N
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W UP
RAINWATER>
M I N I MARKET
<SUPPLY RETURN>
MEN STORAGE
SHOWER+SINKS>
WOMEN
CHECK-IN
S E CTION B-B’
S2
KITCHEN PRE P A RE A
SHOWER+SINKS>
UP
RAINWATER>
LOUNGE SEATING
<RETURN SUPPLY>
---
S3
CURBSIDE SEATING
S E CTION C-C’
K I T C H E N >
P5 OUTDOOR P A T I O
BICYCLE PARKING S1
S E CTION A-A’
KITCHEN CHAISE
P6
F 2SE C O N D
N
FL O O R PL AN
SC AL E : 1 /8 ” = 1 ’0” cHOTELCHICAGO contains features that help make it an efficient and structurally sound building. these include: F 3 -required 5 - greywater recycling system to reduce the amount of water in a typical hotel setting - three vertical gardens, two on the west and east side of the facade, and a third containing unique planters SE C Tbuilding I O N A- A’ S 1 SC AL E � 1 /8 ” = 1 ’0” - solar pv cells above that reduce electricity usage of approximately 20-25 percent CTION B-B’ S 2 SE SC AL E � environment 1 /2 ” = 1 ’0” - green roof to keep the building cool while providing a pleasant F 1 FS CI RASLTE :F L1 /O8O”R=P1L’ 0A ”N SE C T I O N C - C ’ S 3SC AL E � 1 /2 ” = 1 ’0” - regular, 22’ x 22’ structural grid for easy assembly - structural and decorative columns in groups of 1-4 with skylights exposing the center of some of these groups UT H E L E VAT ION F 2SS EC CA OL EN:D 1 /F8L ”O O= R1 ’ 0P L” A N E 1 SO SC AL E � 1 /8 ” = 1 ’0” - a waffle slab-like ceiling in the ground floor to provide both structural and aesthetic qualities to the space E AST E L E VAT I O N F3-5 SC AL E � 1 /8well-insulated ” = 1 ’0” - a back-ventilated facade for the guest rooms to keep theE 2room and to provide shading during critical months N
THIRD TO FIFTH FLOOR PLAN S CALE: 1/8” = 1’0” N
N
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P U B L I C RESTROOM
SEWAGECOLLECTION
P3 <IRRIGATION GREYWATER>
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P 3F R O N T A G E P 4R O O F
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P 6QUAD
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P 7 NIGHT
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D 1 USAGE
DIAGRAM
D 3STRUCTURAL D2
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D 8LOBBY
PERSPECTIVE
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BAR
CCHICAGO AANIMATION SSTUDIO the CRE.ART ADVISOR: THERESE TIERNEY CHAMPAIGN, IL 2010
REANIMATING PROGRAM - The cre.art is an animation studio + learning center located in the Chinatown District in Chicago. Designed to house a large scale animation firm, the cre.art has capability to grow across the railroad tracks. The public amenities this facility offers are a Children’s Creative Learning Center, Restaurant, Cafe and Gallery Space. The central atrium houses the Render Farm/IT department, where the most important component of a digital animation studio is showcased on a raised platform. Ramps assist the business visitors around the campus, while a central circulation corridor with private thoroughfares and nooks provide movement and contemplation for the employees of the firm.
15Conference Room 16Projection Room 17Render Farm/IT Office 18Private Outdoor Balcony
First Floor Plan
^north + scale: 1/32in = 1ft
Second Floor Plan ^north + scale: 1/32in = 1ft
North Elevation scale: no scale
DN
South Elevation
17 16
scale: no scale
DN UP
East Elevation
15 DN
scale: no scale
08
(open to below)
West Elevation scale: no scale
12
DN (open to below)
DN
Longitudinal Section
18 (open to below)
scale: approx. 1/32in = 1ft
Transverse Section Series scale: no scale
02 UP
01
UP
Interior Perspective 1
M
W
Interior Perspective 2 Exploded Axonometric Perspective 1 Perspective 2 Perspective 3 Perspective 4 Animation Sequence concept progression
06 03
01Public Gallery 02Cafe 03Kids’ Creative Workshop 04Restaurant 05Climbing Wall 06Theatre 07PreProduction Offices 08Archive Room 09Executive Offices 10Screening Room 11PostProduction Offices 12Private Meeting Rooms 13Copy Room/Storage 14Loading Dock 15Conference Room 16Projection Room 17Render Farm/IT Office 18Private Outdoor Balcony
14
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UP
11 13 11
Aerial View
Floor Plan Because of the unique buildingFirst program, the cre.art utilizes a design Exterior Renderings Second Floor Plan the use of voronoi “cells” to based on square footages needed and Interior Rendering Elevation to the surroundings and linkcreate the basic silhouette. A North relation Interior Rendering ages within the structural system carve the circulation shell. South Elevation scale: no scale
top to bottom: north entry; south entry
public lobby
second floor private balcony
Exterior Rendering
view from neighboring office building
^north + scale: 1/32in = 1ft
^north + scale: 1/32in = 1ft
scale: no scale
scale: no scale
East Elevation scale: no scale
West Elevation scale: no scale
Longitudinal Section scale: approx. 1/32in = 1ft
Transverse Section Series scale: no scale
Interior Perspective 1 Interior Perspective 2 Exploded Axonometric Perspective 1 Perspective 2 Perspective 3 Perspective 4 Animation Sequence concept progression
Aerial View scale: no scale
[[REMOTE] MMARINA ICCITY [REMOTE] MARINA CITY ADVISOR: ERIK HEMINGWAY CHAMPAIGN, IL 2010 - CHICAGO PRIZE NOMINEE
PROJECTING SCALE - The Marina City materials studio project is a full semester group project that deals with retrofitting Marina City in Chicago with “upgrades” that keep the superstructure current with the urban fabric. In the final project, a single construct was produced, with all scales simlutaneously contained within it. Rather than merely stating where loopholes could be sought in building codes, my final intervention introduced users to participate in changing manipulating such codes to their advantage. Situated on the “virtual” 1/4 scale, I handcrafted an optical system that lit onto the 1/8 scale model and onto a “1:1” scale projection on the wall. Small slides explaining each project’s work were placed into a holder, and people were invited to write their own intervention, similar to the game of “mad libs”. This strategy enables designers to be cognizant of the ultimate determinant of their design, the public sphere and to design according to their needs.
N
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R This architectural periscope reflects and multiplies looking at several parallel processes that sight lines. It exposes and delivers scenes not usu- may seem disparate at first. An overriding process that will almost always influence a ally visible to visitors. Unlike the cinematic gaze, project is the use of building codes. the relationship between the viewer and the observed is reversible: the observed An attempt was made to understand how codes are con can look back at the viewer. It structed through a covert implementation on the overall proj R ect, while recontextualizing this understanding into different changes the way we look, the way modes of thinking. This creates layers of information that exist we relate to their environments and both in the physical and virtual realm, and finally relates back s u r r o u n d i n g s . t o t h e v i eV w e r
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Considered a luxury amenity at the time of Marina MaCity’s conception in the 1960’s, the distribution of the electrical power through the grid has fallen into disrepair in the subsequent decades, as hundreds of additional power lines are added to the system per year to keep up with demand. Through the introduction of technology, “smart grid” systems have allowed for an emphasis to be placed on quality, rather than quantity. As a result, individual apartment units are able to monitor their consumption on an hourly basis, adjusting to avoid peak hours and reduce the overall load, while also Ma responding to lower prices. In the introverted relationship of the high rise tower, supply and demand allows for electrical power to become a tangible commodity, capable of being sold and traded between the residents. Using the stock trade in New York as a model, the Marina City Resource Exchange will become a means for residents to sell the power generated within their unit to other users across the city without placing any additional load on the established power grid.
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OBJECTIVE_input is the initial phase of automated architecture that future of the built environment. The input of information is obtained
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The solar wall is located within the parking decksresponsive_parasite : future anticipation of smart architecture creating an architectural interface that interacts to human density and move moveof the towers. Parking spaces become tempo-ment patterns; The floor plates would harness energy from vibrations. rary work/rest areas for visitors to park andA futuristic response to Bertrand Goldberg’s Chicago ‘Marina City’ within a city’. recharge their electric car batteries, laptops, cell‘City phones, and various electronic3 phases of physicality: anticipates the devices. The wall’s energy is stored1. floor plate 2. transitions through audio, into a battery within the station for3. capsule that taps into energized floor system (energy taken from visitors to simply plug, charge, andvibration of movement) d e p a r t .
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Photon Scale
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R This architectural periscope reflects and multiplies looking at several parallel processes that sight lines. It exposes and delivers scenes not usu- may seem disparate at first. An overriding process that will almost always influence a ally visible to visitors. Unlike the cinematic gaze, project is the use of building codes. the relationship between the viewer and the observed is reversible: the observed An attempt was made to understand how codes are con can look back at the viewer. It structed through a covert implementation on the overall proj R ect, while recontextualizing this understanding into different changes the way we look, the way modes of thinking. This creates layers of information that exist we relate to their environments and both in the physical and virtual realm, and finally relates back s u r r o u n d i n g s . t o t h e v i eV w e r
Model Scale
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My project challenges the current state of technology, society, and commodity. We the present, self- we temporary renewal is a flexible and self dwell comfortably in a purgatorial state of mind. How can we learn from the previous deploying solar cell wall that responds to natural purgatory, to brew an heaven-ist or evolutionary design culture? How might my, or your, totalitarian voice influence a new standard of living? Using Marina City as a universal thesis, I daylight. During periods of daylight, Marina propose an environmental open system. City’s floor plates expand vertically to increase The idea is to understand how an open system works. This concept relates to how matter or the area of the solar cell wall to collect more energy can flow into and out of a system. Which can be very similar to human-environmental relationships. This open system allows for the collaboration of smaller systems to fuel, filter, and energy. At night, the plates collapse to return supply the immediate environment through small tidal stream generators, pyroelectricity, and biomass collections. In this evolutionary design culture recyclability will be an everyday fabric. This the cell wall to its condensed state. open system idea has been knighted as the re-gurigator.
URBANIST/DOMESTIC
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OBJECTIVE_input is the initial phase of automated architecture that anticipates the future of the built environment. The input of information is obtained through audio, visual, and tactile triggers that create a memory record within the archiMo This record then goes through CRITICAL_analysis in which it is ana- T h i s p r Ko j e c t w a s tecture. i n t e n d e d t o p r o v i d e t lyzed for commonalities, occupant habits, and user preferences. Based e x p e r i e n c e o f t h e M a a C i y Kt on the analyzed record an AUTOMATED_response is delivered in which n T o w e r b y c r e a t i n g i t s n the architecture transforms itself to better suit the complex interaction be- t i v e v o l u m e o n a h u m a n s Mo a l e tween itself and the human condition. The system Mo then repeats itself c V City requires until overall variance approaches zero. Reconstructing Marina
SCALES ARE SINGULAR POINTS OF REFERENCE; META-SCALE GIVES CONTINUITY
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Observer Scale
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This architectural periscope reflects and multiplies looking at several parallel processes that R sight lines. It exposes and delivers scenes not usu- may seem disparate at first. An overriding process that will almost always influence a ally visible to visitors. Unlike the cinematic gaze, project is the use of building codes. the relationship between the viewer and the observed is reversible: the observed An attempt was made to understand how codes are con structed through a covert implementation on the overall proj can look back at the viewer. It R ect, while recontextualizing this understanding into different changes the way we look, the way modes of thinking. This creates layers of information that exist we relate to their environments and both in the physical and virtual realm, and finally relates back s u r r o u n d i n g s . t o t h e v i eV w e r
aM
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OBJECTIVE_input is the initial phase of automated architecture that anticipates the future of the built environment. The input of information is obtained through audio, visual, and tactile triggers that create a memory record within the archiMo This record then goes through CRITICAL_analysis in which it is ana- T h i s p r Ko j e c t w a s tecture. i n t e n d e d t o p r o v i d e t lyzed for commonalities, occupant habits, and user preferences. Based e x p e r i e n c e o f t h e M a a C i y on the analyzed record an AUTOMATED_response is delivered in which n Kt T o w e r b y c r e a t i n g i t s n the architecture transforms itself to better suit the complex interaction be- t i v e v o l u m e o n a h u m a n s Mo condition. The system then repeats itself c a l e tween itself and the human Mo until overall variance approaches zero. Reconstructing Marina V City requires
h e r i
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T h i s p r o j e c t w a s - The construct studies the transitions of the mechanical deformation of i n t e n d e d t o p r o v i d e t h e kinematic surfaces. The translation and rotation that the plates undergo is in e x p e r i e n c e o f t h e M a r i response to movement deformation n a C i t y acting on the surface. T o w e r b y c r e a t i n g i t s n e g a t i v e v o l u m e o n a h u m a n s c a l e graft_marina city aims to change the viewer
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perception of marinaA city improving and
V City requires updating its outward appearance. a skeletal Reconstructing Marina looking at several parallel processes that “skin” wraps around the towers with the dual function of cleansing the existing concrete and may seem disparate at first. An overriding creating visual interest by giving marina A city a process that will almost always influence a defined facade. what once was void has grafted. project is the use of building codes. been
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An attempt was made to understand how codes are con- points generated by an algorithm that describe marina city’s outermost edges. a structed through a covert implementation on the overall proj- random sampling of these points serves as the ect, while recontextualizing this understanding into different anchor points for a pattern that mimics the natural division of cells with nuclei, or a modes of thinking. This creates layers of information that exist section cut through many soap bubbles. this both in the physical and virtual realm, and finally relates back constitutes the new “life pattern” for marina i t y . t o t h e v i eV w e rc
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ES TIC
OBJECTIVE_input is the initial phase of automated architecture that anticipates the future of the built environment. The input of information is obtained through audio, visual, and tactile triggers that create a memory record within the archiMo This record then goes through CRITICAL_analysis in which it is ana- T h i s p r Ko j e c t w a s tecture. i n t e n d e d t o p r o v i d e t lyzed for commonalities, occupant habits, and user preferences. Based e x p e r i e n c e o f t h e M a n a C i y Kt on the analyzed record DRAWINGS an AUTOMATED_rBREATHE; esponse is delivered in which CODES DENY.T oLET’S w e BREAK r b y c THE r e aCYCLE. t i n g i t s n the architecture transforms itself to better suit the complex interaction be- t i v e v o l u m e o n a h u m a n s Mo a l e tween itself and the human condition. The system Mo then repeats itself c V City requires until overall variance approaches zero. Reconstructing Marina
Considered a luxury amenity at the time of Marina MaCity’s conception in the 1960’s, the distribution of the electrical power through the grid has fallen into disrepair in the subsequent decades, as hundreds of additional power lines are added to the system per year to keep up with demand. Through the introduction of technology, “smart grid” systems have allowed for an emphasis to be placed on quality, rather than quantity. As a result, individual apartment units are able to monitor their consumption on an hourly basis, adjusting to avoid peak hours and reduce the overall load, while also responding to Ma lower prices. In the introverted relationship of the high rise tower, supply and demand allows for electrical power to become a tangible commodity, capable of being sold and traded between the residents. Using the stock trade in New York as a model, the Marina City Resource Exchange will become a means for residents to sell the power generated within their unit to other users across the city without placing any additional load on the established power grid.
COVERT~RECURSION
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MaCity’s conception in the 1960’s, the distribution Considered a luxury amenity at the time of Marina of the electrical power through the grid has fallen into disrepair in the subsequent decades, as hunhun dreds of additional power lines are added to the system per year to keep up with demand. Through the introduction of technology, “smart grid” systems have allowed for an emphasis to be placed on quality, rather than quantity. As a result, individual apartment units are able to monitor their concon sumption on anMa hourly basis, adjusting to avoid peak hours and reduce the overall load, while also responding to lower prices. In the introverted relationship of the high rise tower, supply and demand allows for electrical power to become a tangible commodity, capable of being sold and traded between the residents. Using the stock trade in New York as a model, the Marina City Resource Exchange will become a means for residents to sell the power generated within their unit to other users across the city without placing any additional load on the established power grid.
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CODE INVERSION
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If the landlord makes a good-faith effort to re-rent the dwelling unit at a fair rental and is unsuccessful, the tenant shall be _______ for the rent due for the period of the rental agreement. The tenant shall also be liable for ________________________ _______________________in seeking to re-rent the dwelling unit.
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If the landlord makes a good-faith effort to re-rent the dwelling unit at a fair rental and is unsuccessful, the tenant shall be liable for the rent due for the period of the rental agreement. The tenant shall also be liable for the r e a s o n a b l e advertising costs incurred by the landlord in seeking to re-rent the dwelling unit.
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If the landlord succeeds in re-renting the dwelling unit at a fair rental, the tenant shall be ________ for the amount by which the rent due from the date of premature termination to the termination of the initial rental agreement _______ the fair rental subsequently received by the landlord from the date of premature _________ to the termination of the initial rental agreement.
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The landlord shall _____________ a reasonable sublease proposed by the _________ without an assessment of additional fees or charges.
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If the landlord succeeds in re-renting the dwelling unit at a fair rental, the tenant shall be liable for the amount by which the rent due from the date of premature termination to the termination of the initial rental agreement exceeds the fair rental subsequently received by the landlord from the date of premature termination to the termination of the initial rental agreement.
If the tenant ____________ the rental agreement prior to its expiration date, except for cause authorized by this chapter, the landlord shall make a good faith effort to _____________________, which shall be the rent charged for comparable dwelling units in the premises or in the same neighborhood.
21
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The landlord shall accept a reasonable sublease proposed by the tenant without an assessment of additional fees or charges.
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If the tenant terminates the rental agreement prior to its expiration date, except for cause authorized by this chapter, the landlord shall make a good faith effort to re-rent the tenant’s dwelling unit at a fair rental, which shall be the rent charged for comparable dwelling units in the premises or in the same neighborhood.
My role also included curating and designing the large format, wayfinding poster to graphically describe our projects onto a two-dimensional plane. Describing my intervention, I designed the background as text describing that particular building in Chicago. Viewing this text further away reveals the skyline Marina City is situated in. Each number corresponded to the studio individual’s portion in our book. The drawings on this page refer to my section in the studio book.
Public Entrance Public Entran Foyer y Public P Pub b Entrance Foyer y Lobby/rec L Lobby/reception/security e n Lobby/reception/security by/reception/ y/reception/s curiity M+W W Washrooms m M+W Washroo Washrooms rooms oomss Private Pr Priv riva vate Entran Entrance Entranc nt Foyer o Private E Entrance En ntrance Foy Foyer Se Security curii Secur Securit Security S ty M+W M +W W Wash Wa Washrooms Washro shroom M+W +W W Wash W Washrooms rooms Conference Con fere ere e ren en enc e nce Room Ro m Conference C nference feren fere enc nce e Room R Ro Meeting Me Meet ting ng R Rooms ooms oms om m Meeting Rooms oms ms Pub Public blic Ga G Gallery ery P Public Gallery ery Café/Employee /Emp oye oyee y Co C Coffe Coffee ee A Area ea a Café/Emplo Café afé/Emplo mployee mp m pl plo Coffee offee ffee e Area A ea R a Restaurant R stau Restaurant t Prepro pr Offices ices ces Prepro Pre ro Offic Offices Offi Off Of ices cess 10 0 small 110 sm small mall 1 large la l rge 1 la large larg lar arge Prepr Pre repr epro pro Art Artroom A oom m Prepro Pre Pr ep Artro Artroom A Ar Postp Pos ostp stpro o CGI C IC CG Cubicles Cu ub bicles bicle i l Postpro ostp stpr pro C CGI Cubicles le ess e Recr Recre Re R ecre creation reat ation tion ion Spa Space(s a e(s)) Recreation Recreatio Re ation t Space(s)) Ba Basket ketball ket bal alllll C Court urt Basketball ball Cou Court C ourt Clim Climbing Cli C Climbing mbing Wa Wall W l Cli Cl Clim Climbing mbing Wall Wa al Film lm m Thea hea eatre ea atr Film F ilm The Theatre eatre Se Seating S atin ting g for fo orr 150 o 1 0p persons rson Seating Seating ting forr 150 1 persons ersons rson Projection ojec ecti ction n Room Room A large portion of my design approach is through a thorough visual analysis using diagrammatic techniques. I dediProjectio Projec Projection Projection Project jection ion on Room m Scree Scr Scre cre cree reening ee g Room o Scree Scr creening cr reen ee Roo Room oom o om cated a section of my portfolio to diagramming not only because it shows design intention, but also to higlight Screen arBackstage Back Backstage age e Area r w// Load Loading Loa ading g Do D Dock ck Backstage Area Bac Ba ea w w/ Loading adin ng Do Dock k chitecture as an information gathering, research and evidence based process. Copy C opy Room, m, ssto stor torage, orage, ge, ttr trash tra rash Copy opy Room, m,, sst sto storage, tra trash h Private Ou P Outdoorr C Courtyard Cou rd Private Priv P ivat ate Ou Outdoor O tdoor door Cou d Courty urtyard rd d Public Out P Outdoor or Sp Space S P bli Public blic c Outdoor Out O Outdoo Ou Outd tdo door door or Space Space Spac ace ce Passen asse assen ass senger se nge Drop-off Drop p-off a at entran rance ranc an nc Passsenge Passen Passeng Passenger P senger ng ger er Drop Drop-off D Dro op off ff at a entranc e anc ance n Gu Guest Parkin arki kin king kin ng ga and/or Parking ark ng gL Lott Guest Gues Parkin Park arkin rk rkin king an kin and and/or nd/o /orr Parking P Park k g Lot Lo MuseumWalk M eu Wa Muse useumWalk seumWa seum eumWalk m Kids Creative Creattive iv Works Worksho Wo Workshop kshop Kidss Creative r re W Worksho rksh kshop ksho hop R Render nde Far Farm/IT rm m/IT spac space ce c e Render derr Farm/ Farm/IT space
DDIAGRAMMMING ADVISORS: VARIOUS
TOILETS
STORAGE
Arthritis
420,000
Program Requirements Needed
STORAGE
CLOAKROOMS Respiratory Illness
410,000
Program Requirements Needed
Fitness Center Outpatient Cardiac Care Center Outpatient Respiratory Therapy Imaging
Back Pain
350,000
Heart Condition
345,000
Mental Illness
250,000 Diabetes
190,000
Program Requirements Needed
Outpatient Ambulatory Care Rehabilitation Imaging
The programs needed to best suit Ebbw Vale’s needs are: Fitness Center Public Education/Community Outreach Outpatient Cardiac Care Center Outpatient Respiratory Mental Health Unit
OUTDOOR SPACES
EXHIBITION
VERTICAL ACCESSIBILITY CIRCULATION
Fitness Center Rehabilitation Public Education/Community Outreach Imaging
RESTAURANT
KITCHEN
TOILETS
OUTDOOR SPACES
VERTICAL ACCESSIBILITY CIRCULATION
CLOAKROOMS
RESTAURANT
KITCHEN RESTAURANT
TOILETS
HOUSE MANAGER
TELEPHONE MAIL BOONKINGS
ENTRANCE FOYER
FIRST AID
CRECHE
TOILETS + CLOAKROOMS
TOILETS
ENTRANCE FOYER
SHOP(S) ENTRANCE FOYER
BOX OFFICE RECEPTION
CAR PARK
PUBLIC ENTRANCE
PUBLIC ENTRANCE
SND LCK STORAGE CTRL RM TOILETS V CIRCUL ACCESS FOYER
OUTDR REST FOYER
CTRL RM AUDIT
RESTAURANT
OUTDOOR SPACES
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PERFORMANCE AREA
CTRL RM
PERFORMANCE AREA
PLACES TO EAT AND DRINK
FOYER
TOILETS
CONTROL ROOM
AUDIT
LOBBY
SOUND LOCK STORAGE
STORAGE
PERFORM REST FOYER
MEETING ROOMS
PERFORMANCE AREA
OUTDR KITCHEN
CONTROL ROOM
AUDITORIUM
FOYER
SOUND LOCK STORAGE
AUDIT PERFORM OUTDR V CIRCUL ACCESS CLOAK REST TOILETS SHOP ENTER
AUDIT PERFORM OUTDR V CIRCUL ACCESS CLOAK REST TOILETS SHOP ENTER
Fitness Center Public Education/Community Outreach Oupatient Cardiac Care Center Renal Dialysis Outpatient Ambulatory Care
OUTDR
Program Requirements Needed
PERFORMANCE AREA
OUTDR KITCHEN
AUDITORIUM
AUDITORIUM
FOYER
AUDITORIUM
650,000
REST FOYER
High Blood Pressure
ENTRANCE FOYER
Program Outcomes
SND LCK STORAGE CTRL RM TOILETS V CIRCUL ACCESS FOYER
Average Hospital Stay
CANOPY
Program Requirements Needed
Fitness Center Public Education/Community Outreach Outpatient Cardiac Care Center Outpatient Respiratory Therapy
Program Requirements Needed
Fitness Center Public Education/Community Outreach Mental Health Unit
Program Requirements Needed
Fitness Center Renal Dialysis Oupatient Cardiac Care Center
Diagrams on this page - Clockwise from top left: 1. Program Outcomes: Evidence-Based Design to match a population’s health needs to program requirements needed for a hospital 2. Theatre: Utilizing block-and-stack diagrams to create advanced adjacencies to develop a rough building format 3. Crash.: Reinterpreting the movie Crash into a triptych of elements mapping characters, position in space, and temporal sequence in the movie 4. Transportation: Gathering and visualising data to interpret transportation usage in a town in Wales 5. Schematic Design: General concept of mass transit research project on 2-5km 24% 10-20km 12% network-linked subway kisosks using a bike (0.5%) other: train/taxi/motorcycle (1%) riding in a bus/minibus/coach (2%) as passenger in car (8%) on foot (10%)
30-40km 2%
60km+ 2% by car (43%)
distance traveled to work
less than 2 km
38%
5-10km 5%
20-30km 6%
40-60km 2%
SSTRUCTTURAL AANALYSIS ADVISOR: MARCI UIHLEIN
In addition to developing architectural designs, I also have a concentration in structures. This enables me to be a well-rounded, strong architecture/engineering candidate that can think both creatively and analytically. My unique capability to step back and refine a design structurally gives me an advantage to other architects. My advisor, through several classes offered, has taught me several programs that would assist me in efficiently realizing a structure, such as RAM Structural Analysis, SAP2000, and RISA-3D. I am also sufficiently able to verify computer calculations by hand.
Images on this page - Clockwise from top left: 1. SAP2000 models, Observation tower: The first SAP2000 model was created to analyze an observation tower with unique, repeating steel modules. Using a high level of redundancy, this tower is capable of being built using HSS sections 2. RAM Analysis: For an AISC steel competition, we used RAM Structural System to create a preliminary analysis of the structure to obtain initial member sections 2. RISA-3D Analysis: I analyzed a diagrid-type structure under RISA-3D to understand loading and meet diflection criteria 3-4. Renderings of observation towers from the first image
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