By Agatha Christie
SEPT. 9 - OCT. 7, 2018 2 3 2 s out h e l m s t r eet, g r een s b o r o l W W W. TRIADSTAGE . ORG l 336. 272. 0160 SEASON SPONSORS
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Preston Lane Founding Artistic Director
Richard Whittington Founding Managing Director
aGATHA CHRISTIE
AND THEN THERE WERE NONE Directed by Preston Lane∞◊◉ Scenic Design by Robin Vest§
Costume Design by Bill Brewer§◉
Lighting Design by Oliver Wason§
Sound Design by G. Clausen◉
Resident Vocal Coach Christine Morris◊
Resident Movement Coach Denise Gabriel◊
Fight Choreographer Dale Girard∞◉
Casting by Cindi Rush Casting
Dramaturgy by Sarah Hankins◊
Stage Manager Tara Kelly*
Assistant Stage Manager Ellen McCauley*◊
“And Then There Were None” is presented by special arrangement with SAMUEL FRENCH, INC. © 1939, 1943 Agatha Christie Limited All rights reserved. ‘AGATHA CHRISTIE’ and the Agatha Christie Signature Mark are trademarks of Agatha Christie Ltd.. All rights reserved. The rights to this play are controlled by Agatha Christie Ltd.. For further information about this play, others by Agatha Christie and about other stage adaptations of her stories, please visit: http://www.agathachristie.com 4
CAST
(in alphabetical order) William Henry Blore ............................................................................ Tim Artz* Fred Narracott .................................................................................... Zach Koch General MacKenzie .................................................................. Art McFarland* Sir Lawrence Wargrave ........................................................... Phil McGlaston* Mrs. Rogers ............................................................................. Christine Morris* Emily Brent ...................................................................................... Beth Ritson* Phillip Lombard ......................................................................... Renaldy Smith* Dr. Armstrong ................................................................................ Lee Spencer* Anthony Marston ....................................................................... Caleb Swindell Vera Claythorne .................................................................... Mari Vial-Golden* Rogers ................................................................................................ Jeffery West*
SETTING The living room of a house on Soldier Island, off the coast of Devon, England, 1939.
THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION OR DISTRIBUTING RECORDINGS ON ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: WWW.SAMUELFRENCH.COM/WHITEPAPER 5
Tim Artz* (William Henry Blore) This is my first production at Triad Stage and I am thrilled to be a part of And Then There Were None. Favorite roles include “Stanley Kowalski” in A Streetcar Named Desire, “Angelo Ravagli” in A Moon to Dance By, “Otis ‘Beef ’ Midzusky” in The Big Doolie and “Bloody Five” in A Man’s a Man. Film/Television credits include: The Manchurian Candidate, Stonewall, Borough of Kings, Law and Order, Law and Order: SVU, Law and Order: Criminal Intent, Person of Interest, and recurring roles on One Life to Live and Guiding Light. Zach Koch◊ (Fred Narracott) Currently in pursuit of his theatre degree at UNCG, Zach delves into Triad seeking guidance from the big fish in his debut. He lives for shock and awe moments. He embraces the label “weird” as a compliment. And, more than anything, wishes you a spectacular experience at the theatre. Art McFarland* (General MacKenzie) originated the title role in Amiri Baraka’s The Most Dangerous Man in America at the New Federal Theater in New York, where he was also part of the ensemble for Martin Duberman’s In White America. He did a season at the Milwaukee Repertory Theater, performed as “T.T.” in Carson McCullers’ The Member of the Wedding at the Alliance Theater and “Othello” in the Atlanta production of the musical Catch My Soul. Television credits include The Break with Michelle Wolf and House of Cards on Netflix, and Political Animals on USA Network. Phil McGlaston* (Sir Lawrence Wargrave) Broadway: The Little Foxes. Select Off-Broadway: Some Old Black Man with Wendell Pierce (Berkshire Playwrights Lab at 59E59); Orphans Home Cycle (Signature Theatre); Home (Melting Pot Theatre). Select Regional: Crumbs From the Table of Joy (Triad Stage); Fences directed by Phylicia Rashad (McCarter Theatre); Our Town (Long Wharf Theatre); A Streetcar Named Desire (Hartford Stage); Repairing a Nation (Cross Roads Theatre); participant 2015 National Black Theatre Festival. Select Film and Television: Little Children; Brawl in Cell Block 99; Song One; Elementary; The Unbreakable Kimmy Schmidt; Madam Secretary. MFA, Rutgers University, MGSA. Christine Morris*◊ (Mrs. Rogers) Triad Stage: “Dr. Mildred Grant” in Actions and Objectives, “Silda Grauman” in Other Desert Cities, “Marthy Owen” in Anna Christie, “Taw Avery” in New Music: Better Days; “Cordie Grindstaff ” in Providence Gap, “Mme. Pernelle” in Tartuffe, multiple roles in Bloody Blackbeard, “Sister Aloysius” in Doubt (Appalachian Summer Festival). New York: New York Shakespeare Festival; The Public Theatre; The Actors Studio. Regional: Asolo Theatre; Playmakers Rep; Archipelago Theatre; Manbites Dog; Profile Theatre (Portland, OR); The Tennessee Williams Center (Sewanee). Originated role of “The Woman” in Romulus Linney’s one-woman play Silver River, performed variously around the US including 6
at the Horton Foote Festival of American Playwrights in Texas. Film: Elephant Sighs. Resident vocal coach for Triad Stage; UNCG theatre faculty. Memberships: Actors’ Equity Association (since 1983); SAG-AFTRA; Voice and Speech Trainers Association (VASTA). Beth Ritson* (Emily Brent) Triad Stage: Arms and the Man, Radiunt Abundunt, A Christmas Carol (2013-2015), All’s Well that Ends Well, Steel Magnolias, Night of the Iguana, Picnic, Bus Stop, Brother Wolf, Tobacco Road, Our Town and The Rainmaker. She has also appeared with The Paper Lantern Theatre Company in their productions of Dead Man’s Cell Phone, This Wide Night and A Bright New Boise, and has performed at The Bartlett Theatre in their production of The Seagull. Beth is currently an Adjunct Professor at Guilford College in the Theatre Studies Program. Renaldy Smith*◉ (Phillip Lombard) Off-Broadway: “William Clark” in Harbored (Engarde Arts); “Vince” in The Poor Itch (Public Theater); “Michael Goliad” in Anchor (Living Image Arts); Kingdom (National Alliance for Musical Theatre). Film/TV: Broad City (Comedy Central); What Would You Do (ABC); The Fourth Day (short film directed by Cai Hall). Education: University of North Carolina School of the Arts. Instagram: @ThatActorSmith Lee Spencer* (Dr. Armstrong) Triad Stage: Arms and the Man, A Christmas Carol (2015-2017), Reverse Psychology, Trouble In Mind, A Doll House, Oleanna, Dracula, The Little Foxes. Paper Lantern Theatre: End Days, Time Stands Still, A Bright New Boise. Film/TV: The Peanut Butter Falcon; The Resident; Underground; Six (5 episodes); Devious Maids; Under the Dome; Halt and Catch Fire; The Originals; The Vampire Diaries; Banshee; Identity Thief; One Tree Hill; Drop Dead Diva; TURN: Washington Spies; Cold Case; Without A Trace; The Taking of Deborah Logan; Profiler; Enterprise; The Young and the Restless; Charmed; Unfabulous; The District; Matlock; Teenage Mutant Ninja Turtles II. Education: American Academy of Dramatic Arts, NYC. Caleb Swindell◊ (Anthony Marston) Triad Stage debut. Educational: “Ensemble” in Heathers: The Musical, “Oliver” in As You Like It, “M.C. Dog” in Go, Dog. Go!, “Cliff ” in Crazy Eights, “Gilbert” in Hairspray (UNCG). Education: Current BFA Acting student, UNCG. Mari Vial-Golden* (Vera Claythorne) Triad Stage: Wit, Common Enemy. Off-Broadway and Regional credits include: Heartland (Geva Theatre Center); Kate Hamill’s Pride and Prejudice (Hangar Theatre Company); Echoes and White Rabbit Red Rabbit (Urbanite Theatre); Strait of Gibraltar (American Stage); Pentecost and Serious Money (Atlantic Stage 2). Other: The Little Black Fish (Maaa Theater); Land 7
Without Words (American Premiere, Middlebury College); Cymbeline (Ovalhouse Theatre, London). Education: BA, Middlebury College; British American Drama Academy. marivialgolden.com Jeffery West* (Rogers) Triad Stage: Deathtrap, All’s Well that Ends Well, New Music, The Woman in Black, Providence Gap, Ghosts, Bloody Blackbeard, On Golden Pond. Directing: Red. Regional: August: Osage County (HSN/Theatre Raleigh); True West, Death of a Saleman, King Lear, The Miser (PlayMakers Repertory Company); The Night Before Christmas Carol (Temple Theatre and Raleigh Ensemble Players); Angels in America (AEA Guest Artist, Duke University); How I Learned to Drive (Manbites Dog Theater); Showboat, Gypsy, 42nd Street, Big River (North Carolina Theatre). Television: Underground, All My Children, Guiding Light, Surface, Dawson’s Creek, One Tree Hill, Brookfield (pilot). Artistic Director, Raleigh Ensemble Players, 1993-1997. Faculty UNC-Chapel Hill, Duke University, UNCG, Elon University, Greensboro College. Education: BA, College of William and Mary; MFA, University of Virginia. Proud member of AEA and SAG/AFTRA. Agatha Christie is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in English with another billion in foreign languages. She is the most widely published author of all time and, in many languages, outsold only by the Bible and Shakespeare. She is the author of 66 crime novels, 150 short story collections, over 20 plays, and six novels written under the name Mary Westmacott. Her work includes Murder on the Orient Express, Death on the Nile, and the genre-defining And Then There Were None. Agatha Christie’s first novel, The Mysterious Affair at Styles, was written towards the end of the First World War, in which she served in the VAD. In it she created Hercule Poirot, the little Belgian detective who was destined to become the most popular detective in crime fiction since Sherlock Holmes. It was published by Bodley Head in 1920. In 1926, after averaging a book a year, Agatha Christie wrote her first masterpiece. The Murder of Roger Ackroyd was the first of her books to be published by Collins and marked the beginning of an author-publisher relationship that lasted for 50 years and well over 70 books. “Ackroyd” was also the first of Agatha Christie’s books to be dramatized under the title Alibi and to have a successful run in London’s West End. By 1930, Agatha had introduced a new character to act as detective. When she created Miss Marple, Agatha did not expect her to become Poirot’s rival, but with The Murder at the Vicarage, Miss Marple’s first outing, it appeared she had produced another popular and enduring character. The Mousetrap, her most successful play of all, opened in 1952 and is the longestrunning play in history. Agatha Christie was made a dame in 1971. She died in 1976. Visit www.agathachristie.com for more information. 8
Preston Lane∞◊◉ (Director/Triad Stage Founding Artistic Director) Preston grew up in the Blue Ridge mountains of North Carolina with Appalachian ancestry stretching all the way back to Tidence Lane, the first Baptist preacher in what would become Tennessee. His childhood dream was to live in a NC Piedmont city where he could hear trains and interact daily with such big city trappings as revolving doors and escalators. He frequently checked out recorded plays on albums from the old Watauga County Public Library and spent many afternoons listening to Marat/ Sade, Who’s Afraid of Virginia Wolf, and A Streetcar Named Desire. His central conflict as a child was that on Saturday evenings his parents wanted to watch The Lawrence Welk Show and he wanted to watch Hee Haw. This conflict still dominates much of his work. Besides a brief fascination with being a dump truck driver, Preston never considered any other career than as a theater maker. He became aware of himself as an artist at UNCSA, developed a passion for visual storytelling at Yale School of Drama, and is deeply indebted to a long line of collaborative partners. He is also thankful for amazing teachers from Miriam Darnell, Sandra Daye, John Foster West, Yury Belov, Earle Gister, Barney Hammond, Lesley Hunt, Ming Cho Lee, Nick Martin and many many others. Preston is honored to pass on the tradition they entrusted to him to the next generation. Gerald Freedman took him under his wing and Richard Hamburger gave him his first real job and mentored him. He founded Triad Stage with Rich Whittington to explore how theater can engage with a community. He’s directed nearly 100 shows, written almost a dozen, and is an honorary citizen of Hawboro, NC. He believes that theater can make our community stronger by exploring stories that unite and challenge us. Preston is grateful to be a theater maker in North Carolina. Robin Vest§ (Scenic Designer) Triad Stage: South Pacific, The Mystery of Irma Vep, Beautiful Star: An Appalachian Nativity (2015-2017), Abundance, Crimes of the Heart, All’s Well that Ends Well, Mirandolina, The Rainmaker, Dracula, The Diary of Anne Frank, Brother Wolf (2006); The Little Foxes, Bell, Book and Candle, Black Pearl Sings. NYC: MTC, MCC, Playwright’s Horizons, Lincoln Center LCT3, Second Stage Uptown, Juilliard’s Drama Division, Barnard, TACT, Clubbed Thumb, 13p, and WET. Regional: Yentl (Cleveland Playhouse); Animal Crackers (The Goodman); The Mystery of Irma Vep (The Old Globe); Animal Crackers, One Slight Hitch, The Bluebird, A Servant to Two Masters (Williamstown Theatre Festival); Hansel and Gretel (Washington National Opera); Ariadne Auf Naxos (Utah Opera, Vancouver Opera); It Pays to Advertise (Yale Rep). Education: Yale School of Drama. Other: Faculty for Guilford College’s Theatre Studies program. Bill Brewer§◉ (Costume Designer) Bill designs for theatre, ballet, opera, film and television across the country and abroad. Recently at Triad Stage: South Pacific, Arms and the Man, Radiunt Abundunt, Snow Queen, Wait Until Dark, Kingdom of Earth, Trouble in Mind, The Illusion, Ain’t Misbehavin’: The “Fats” Waller Musical Show, and New Music Trilogy. United States: Berkeley Rep; Minnesota Rep; Pioneer Theatre Company; Pittsburgh Ballet Theatre; American Stage; Lucas Film; Sweeney Todd, starring Jean Stapleton; Peter Pan, starring Cathy Rigby. Abroad: ballet, contemporary dance and film 9
in Paris; ballet in Milan; designs featured in World Stage Design and Prague Quadrennial exhibits. As a director and producer, Bill’s award-winning production of Side by Side by Sondheim ran in San Francisco for two years. Bill teaches costume design at UNCSA and is a member of United Scenic Artists 829. Oliver Wason§ (Lighting Designer) Recent works: The Christians, Tartuffe (Playmakers Rep); Peer Gynt and the Norwegian Hapa Band, Among the Dead, House Rules (Ma-Yi); Sagittarius Ponderosa (NAATCO); Stones in his Pockets (Shanghai Dramatic Arts Center); Little Shop of Horrors, Bells Are Ringing, A Little Night Music (Berkshire Theater Festival); Carmen, Butterfly (Heartbeat Opera), Lucia di Lammermoor, Dido and Aeneas, Kafka Fragments, Daphnis and Chloe (Heartbeat Opera); peerless (Yale Rep, Barrington Stage, Cherry Lane); Accidental Death of an Anarchist (Berkeley Rep, Yale Rep); Wonderland (Atlantic Theater Co. / Atlantic for Kids); Agrippina ( Juilliard Opera); Empty the House (Curtis Opera); Erismena (Yale Baroque Opera); The Pen, The Booty Call, The Other Room, Grace (Inner Voices); Tar Beach (Luna Stage). Education: BA Hunter College, MFA Yale. oliverwason.com G. Clausen◉ (Sound Designer) is a sound designer, composer, and music producer based at G Quality Studio in Winston Salem, NC. He has a BS in History from Iowa State University and a MFA in Sound Design from UNC School of the Arts. His theatrical sound design credits include The 39 Steps, Member of the Wedding, Dirty Blonde, Fences, Don Juan, The Mystery of Irma Vep, and A Christmas Carol (Triad Stage); The Snowy Day and Other Stories (Children’s Theatre of Charlotte); The Hound of Baskerville (Cape Fear Regional Theatre); A Raisin in the Sun, Hooded, or Being Black for Dummies, and Intimate Apparel (Pyramid Theatre Company); Born Bad and Time Stands Still (Paper Lantern Theatre Company); Dead Man’s Cell Phone, Godspell, Misalliance, Woyzeck, In the Red and Brown Water, She Kills Monsters, Everybody, and Standing on Ceremony (Guilford College); Tripping Over Roots (Rites and Reason Theatre); The Winter’s Tale (UNC School of the Arts). He is currently a visiting faculty member at UNC School of the Arts. Denise Gabriel∞◊ (Resident Movement Coach) At Triad Stage since 2009 where she has been movement coach on numerous productions including Actions and Objectives, Don Juan, Radiunt Abundunt, Cat on a Hot Tin Roof, Snow Queen, and The Glass Menagerie. In 2015 she joined Living Pictures, UK as an Artistic Associate. Co-producing credits in Triad’s Upstage Cabaret include: Diary of a Madman (Robert Bowman, Living Pictures UK) and Desire Under the Elms (Abrahamse-Meyer Theatre Company and Provincetown Tennessee Williams Theatre Festival) Other credits include: Resident Movement Director at Alabama Shakespeare Festival (over 30 productions); A Midsummer Night’s Dream and The Comedy of Errors (Old Globe Theatre); Alchemy of Desire/Deadman’s Blues and King Lear (Cincinnati Playhouse); Romeo and Juliet, The Three Sisters and Nora (Clarence Brown Theatre); Ascension Day (Working Theatre NY). International: Shanghai Theatre, Schloss Leopoldskron Salzburg Austria, and Artscape Theatre Center and Dance for All (Cape Town South Africa). Denise is an Associate Professor at UNCG, a founding board member of American Theatre for Movement Educators, and Associate Member of Stage Directors and Choreographers Society. 10
Dale Girard∞◉ (Fight Choreographer) is an award winning Fight Director, Stunt Coordinator and author of the stage combat manual Actors On Guard. His credits include productions at the Metropolitan Opera, New York City Opera, Folger Theatre, Signature Theatre, Actors Theatre, Yale Repertory Theatre, Hartford Stage, Denver Center Theatre, American Repertory Theatre, Opera Carolina, Long Warf Theatre, Pioneer Theatre, Studio Arena Theatre and San Diego Opera. Stunt coordinator film credits include Shifting Gears, One & Two, Sleeping Around and the critically acclaimed Junebug. Sarah Hankins◊ (Dramaturg) Associate Artistic Director of Triad Stage. Triad Stage: Director for A Christmas Carol (2016, 2017); assistant director for The 39 Steps, Cat on a Hot Tin Roof, Vrooommm! and A Christmas Carol (2015); actor in The Passion of Teresa Rae King. Former Artistic Director of Green Theatre Collective in NYC, where she directed The Tempest, As You Like It, It’s a Wonderful Life, and Shakespeare’s Heart of Hearts. Sarah was an Associate Artist, director, and actor at Orlando Shakespeare Theatre for six seasons, playing such roles as Ophelia, Portia, and Desdemona. NYC directing credits include A Comedy of Errors, Supernova, and Much Ado About Nothing. At UNCG: Mr. Burns, a post-electric play; Frankie and Johnny in the Clair de Lune; Iphigenia 2.0; The Lover; Home Free!. Training: UNCG MFA in Directing, BA Davidson College. Sarah has taught at UNCG, Greensboro College, GTCC, and The College of St. Elizabeth. Cindi Rush (Casting Director) New York: Silence! The Musical, My Mother’s Jewish Lesbian Wiccan Wedding (NYMF Winner 2010), Jay Alan Zimmerman’s Incredibly Deaf Musical, Bonnie and Clyde, Rooms, Jacques Brel, Six Dance Lessons, The Thing About Men, Urinetown, The Hurricane Katrina Comedy Festival. Regional: Penguin Rep, Triad Stage, Act II Playhouse, Arena Stage, Goodman, Humanafest. Film: Ghoul, The Woman (Top 9 Sundance 2011), In the Family, Offspring, Jack Ketchum’s The Girl Next Door, Headspace. Tours: “Barney”, “Curious George”, “Kidz Bop.” Tara Kelly* (Stage Manager) thinks it’s killer to be back at Triad Stage working on And Then There Were None. Selected credits: A Raisin in the Sun (Triad Stage); Newsies (NC Theatre); Mamma Mia!, A Night with Janis Joplin (Capital Rep); 42nd Street (Engeman Theater); Smokey Joe’s Café, Crowns, Always… Patsy Cline, A Chorus Line (Arkansas Rep); The Fantasticks, Damn Yankees, South Pacific (Allenberry Playhouse); Secret Garden (Stages St. Louis); Beauty and the Beast (Mountain Playhouse); Atlantic Theater Company; Maine State Music Theatre. “We’re all stories in the end… just make it a good one, eh?” – The Doctor. Ellen McCauley*◊ (Assistant Stage Manager) Triad Stage: Radiunt Abundunt (ASM), Snow Queen (ASM); Westport Country Playhouse: Camelot (PA); Berkshire Theatre Group: 2016 Production Management Apprentice, Stone Witch (PA); Peppercorn: Lost & Found (PSM), Learn to Speak Doll (PSM); BFA in Production from UNCG.
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Richard Whittington (Triad Stage Founding Managing Director) has served as Managing Director of Triad Stage since its inception. Rich earned an MFA in Theatre Management from the Yale School of Drama and has a BFA in Acting and Directing from Marymount Manhattan College. Rich served for nine years on the board of the NC Arts Council, where he participated as a member of the Executive Committee. He has previously served on the boards of ArtsNC and Downtown Greensboro, Inc. and has served on numerous grant panels. Rich has taught Theatre Management at Greensboro College and NC A&T University and has guest lectured at UNC Chapel Hill, UNC School of the Arts, Wake Forest University and UNCG. A native of Dallas, Texas, Rich served as Artistic Administrator for the Dallas Theater Center and Associate Producer of Dallas’ The Big D Festival of the Unexpected. His experience also includes work at the Roundabout Theatre in New York and StageWest in Springfield, Massachusetts. In 2010, Preston and Rich were honored with Downtown Greensboro, Inc.’s J. Edward Kitchen Leadership Award. In 2013, they received the Adelaide F. Holderness/H. Michael Weaver Award from UNCG for distinguished public service. Rich was a 2016 Artist in Residence at UNCG. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ◊ Faculty member, student or alumnus of the University of North Carolina at Greensboro ◉ Faculty member or alumnus of the University of North Carolina School of the Arts § Member of USA (United Scenic Artists) ∞ Member of SDC (Stage Directors and Choreographers) ACTORS’ EQUITY ASSOCIATION
Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
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House Rules and Other Helpful Information •
Food and beverages purchased at the lobby bar are allowed inside the theater, but we ask that you are respectful of your fellow audience members and enjoy them quietly.
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Smoking is strictly prohibited throughout the building.
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Latecomers are seated at the discretion of the House Manager.
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Personal electronic devices, including cellular phones, must be turned off prior to the performance.
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Listening assistance devices are available at the Box Office.
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Photographing or sound recording of the performance is expressly prohibited by law. So, no cameras or recorders, please. Your cooperation is appreciated.
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For the enjoyment of all audience members, every attendee must have a ticket and sit in his or her own seat (no “babes in arms” or children in laps).
Thank you for respecting all Triad Stage facilities. If you have any questions, please ask the bartender, House Manager or a Box Office Associate for clarification.
Triad Stage is very proud of the name of our theater building — The Pyrle Theater — made possible by a generous donation by Tobee and Leonard Kaplan in honor of Tobee’s mother, Pyrle Gibson.
Pyrle Gibson (1909-2000) was a
woman with a great sense of humor, who found goodness in all people and beauty in the world around her. Her family always came first in her life and with them she shared her love of theater, music and the thrill of sports. The theater is named for her in loving memory by the children, grandchildren and great-grandchildren of the Kaplan family with whom she shared her love, wisdom and joy of life. 13
Triad Stage began as a dream... Co-founders Preston Lane and Richard Whittington forged their artistic partnership as graduate students at the Yale School of Drama. After managing a theater in Connecticut for two years, they undertook the three-year task of opening their own theater in the heart of historic Greensboro. In September 1999, Triad Stage purchased the former Montgomery Ward building, which had been built in 1936 and sat vacant for almost 40 years. Renovations transformed the five-story building into a world-class theater center now called The Pyrle Theater, complete with a 300-seat theater and thrust stage, rehearsal hall, offices, two spacious lobbies and other audience amenities. Photo courtesy of Greensboro Historical Museum
The Grand Opening took place in January 2002 with Tennessee Williams’ modern classic Suddenly Last Summer.
In 2008, Triad Stage finished a second round of renovations to The Pyrle. A scene shop annex was added in the basement. The top floor underwent major construction to create the 90-seat UpStage Cabaret performance space, the Sloan Rehearsal Hall, and the studio and office facilities of WUNC Public Radio’s new Greensboro Bureau. In 2011, Triad Stage purchased a 30,000 square foot building near the Greensboro Coliseum Complex to serve as the theater’s new production facility, relocating its scene, costume and properties shops as well as its warehouse. In 2013, with significant support from The Arts Council of Winston-Salem and Forsyth County, Triad Stage announced a major expansion of programming to be produced at the Hanesbrands Theatre in downtown Winston-Salem.
The Pyrle Theater, Greensboro
Hanesbrands Theatre, Winston-Salem
Now in its 18th season, Triad Stage has over 3,000 Season Passholders and more than 700 annual donors. The company has received accolades on national, state and local levels, including being named “One of the 10 Most Promising Emerging Theatre Companies” by the American Theatre Wing and “One of the Best Regional Theaters in America” by the Drama League of New York. Triad Stage has been voted the Triad’s “Best Live Theater” by the readers of the News & Record’s GoTriad thirteen years in a row and named “Professional Theatre of the Year” by the North Carolina Theatre Conference in 2003 and 2011. Its production of Tobacco Road was listed among the “Best of 2007” by The Wall Street Journal, its production of The Glass Menagerie was named “Best North Carolina Production of 2010” by Triangle Arts & Entertainment, and 2012’s production of Reynolds Price’s New Music trilogy was named among the “Best Productions” of the year in Triangle Theatre by Independent Weekly. 14
Core Values
Triad Stage is guided by core values that inspire all aspects of our operations. These core values are a daily reminder to our entire company of why and how we produce theater for our community.
Excellence
We strive for bold, daring excellence in all of our endeavors as we seek to create professional theater with regional and national impact.
Artistic Risk
Striving to constantly challenge ourselves, we reserve the right to take artistic risks and make mistakes.
Imagination
Triad Stage delights in the imaginative process. We uphold freedom of expression as indispensable to the power of imagination.
Community
As individuals are united in their shared experience of the theatrical event, strangers become friends, common ground is discovered, and dialogue begins. In imagining the lives of others, our capacity for empathy is strengthened.
Learning
Theater is a valuable part of a lifetime of learning. Our work and the dialogue it creates should spark curiosity and inspire creative ways of thinking for our artists, staff and audience.
Inclusion
Our community’s varied diversity must not only reflect itself in Triad Stage’s casting and staffing, but also in the selection of the stories we choose to tell.
Collaboration
We celebrate and encourage an artistic process rooted in collaboration. We seek to mirror this process in all aspects of our operations and actively seek partnerships with other organizations to benefit the well-being of our communities.
Rejuvenation
We are committed to revitalizing our historic downtowns by greatly enhancing the cultural life of the Piedmont Triad through entertainment and by providing an economic impact benefiting other area businesses.
A Southern Voice
By placing the best of Southern writing in juxtaposition with classic and contemporary world drama, we foster a unique Southern voice, allowing our audience the pride of saying, “This theater is ours.”
North Carolina
We seek to play a leading role in the North Carolina arts community. We actively work to create an artistic home for artists with North Carolina connections and to provide a bridge to the profession for emerging artists. 15
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Retirement can be whatever you make it and our community provides you with the ability to stretch your imagination. Our numerous activities, clubs (including an active drama group) and social events let you decide the direction you want to take your retirement. We offer amenities like elegant dining, a 9-hole golf course, an indoor pool and �itness classes that include Yoga. Plus, we are adding a 2-story Wellness Center with an indoor walking track.
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Call 336-668-4900 to schedule a tour today.
Largest Triad-Based Accounting Firm Greensboro | Winston-Salem | Raleigh www.brccpa.com riverlandingsr.org
Member of a Global Association of Independent Accounting Firms
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Jane in her sunroom.
Beauty Grows Here
A
S A LONGTIME AND AVID GARDENER,
United Methodist Retirement Community
Jane loves the picturesque natural splendor that helps make Arbor Acres alive with beauty. But you’ll more likely find her planting and tending flowers than simply enjoying them. “I like getting my hands in the dirt. For me, working in a garden is as satisfying as the blooms.” At Arbor Acres, along with unparalleled comfort and security, our residents celebrate the endless variations and possibilities of beauty. What is beautiful to you?
www.arboracres.org 1240 Arbor Road, Winston-Salem, NC 27104
336 -724 -7921
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Don’t stand offstage during your retirement... be a part of the active cast at Friends Homes
When searching for the right retirement living option, you must consider many factors - housing choices, amenities, activities and cost. At Friends Homes, you will experience the kind of retirement you’ve been dreaming about with several pricing options available. We offer amenities like an indoor pool, fitness classes, drama and music groups, a woodworking shop and much more.
Call 336-369-4313 to schedule a tour today.
friendshomes.org
For more information and to enroll Contact: Denise Gabriel at dlgabri2@uncg.edu or Michael Newman at mjnewman@uncg.edu
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Be the wellspring of
your new start.
A wellspring is an abundant source. And that’s what our dynamic, active community feels like — a continual offering of new opportunities and friendships, growth and connections. Well•Spring offers not only a maintenance-free lifestyle, but also security and peace of mind for the future — which means you’ll have the freedom and independence to create and enjoy your next chapter.
Start today — call us at 336.645.9847 or visit our website at Well-Spring.org
November 9, 2018 @ 7:30 p.m. November 11, 2018 @ 2:00 p.m. UNCG Auditorium (408 Tate St.) FREE Parking
Puccini’s
MADAMA BUTTERFLY
Tickets: $15 - $85 (336) 272-0160 GreensboroOpera.org
We know that you have dreams—large or small—for yourself, for your family, and for your community. We’d be honored to help you achieve them.
Meet Your Local Dream Makers at GREENSBORO 101 NORTH SPRING STREET
LOCALFIRSTBANK.COM
Equal Housing Lender. Member FDIC.
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When you support ArtsGreensboro, you not only make tonight's performance possible, you also help support hundreds of other arts events, exhibits, and exci�ng projects across Greensboro, including the North Carolina Folk Fes�val and the Sternberger Ar�sts Center. Visit our website at artsgreensboro.org to connect with the thriving arts scene of a great city. Together, we put the Arts first in Greensboro. Whether you're renewing your gi� or are a first-�me donor, give securely online now at artsgreensboro.org, or simply give us a call weekdays at 336.373.7523. Thank you.
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Institutional Supporters Triad Stage wishes to thank the following corporations and organizations that have generously contributed.
UNDERWRITERS ($20,000+)
STARS ($10,000-19,999) • Lincoln Financial Foundation Zuraw Financial Advisors The Cemala Foundation
•
Piedmont Natural Gas
DIRECTORs ($5,000-9,999) Arbor Acres United Methodist Retirement Community • Banyan Consulting Group Bernard Robinson & Company, LLP • Cone Health • O.Henry Hotel • Triad Tech Services Well•Spring BENEFACTORs ($2,500-4,999) First Bank • Friends Homes • The Fresh Market
•
River Landing at Sandy Ridge
ANGELS ($1,000-2,499) Action Greensboro • American Premium Beverage • BB&T The Community Foundation of Greater Greensboro
MEDIA PARTNERS Graffiti Ads • News & Record/GoTriad 88.5 WFDD • 91.5 WUNC
•
O.Henry Magazine
•
Triad City Beat
•
Yes! Weekly
Triad Stage is proud to be a member of the following organizations:
To learn about supporting Triad Stage through donations or sponsorships, please contact:
TR I A D ST A GE
Justin Nichols | Development Manager justin@triadstage.org | 336.274.0067 ext. 201 Triad Stage is a 501(c)(3) not-for-profit organization. Donations are tax-deductible to the extent provided by law. Financial information about this organization and a copy of its license are available from the State Solicitation Licensing Branch at 919-807-2214. The license is not an endorsement by the State.
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Annual Campaign Contributors Please consider joining the following individuals, corporations, and foundations who have contributed generously to Triad Stage’s 2018 Annual Campaign. Annual Campaign Donors as of August 26, 2018
PRODUCERS CIRCLE ($10,000+) The Arts Council of WinstonSalem & Forsyth County ArtsGreensboro Lindsey & Frank Auman Suzanne & Bud Baker Bluezoom Vanessa & Roy Carroll The Carroll Companies The Cemala Foundation Clem & Hayes Clement Cynthia & William Graham The City of Greensboro Sally Pagliai & Kyle Jackson Kathy Manning & Randall Kaplan Lincoln Financial Foundation Mercedes-Benz of Winston-Salem The Michel Family Foundation North Carolina Arts Council Lynne & Glenn Ogden Piedmont Natural Gas Sylvia & Norman Samet The Shubert Foundation Linda & Tom Sloan Pam & David Sprinkle Ken Steele Elizabeth & Robert Strickland VF Corporation Susan & Eric Wiseman The Louis DeJoy & Aldona Wos Family Foundation Zuraw Financial Advisors CENTER STAGE ($5,000-$9,999) Anonymous Arbor Acres United Methodist Retirement Center Banyan Consulting Group
Bernard Robinson & Company Brandon Bensley Jeb Brooks Joseph M. Bryan, Jr. Janis & Marc Bush Rebecca & Rick Craig Cone Health Rob DaVanzo Ginger & Haynes Griffin Maureen & Bob Ihrie J.A. King Barbara Kretzer Kathryn & Bobby Long O.Henry Hotel The Roberts Family Foundation Triad Tech Services Martha & Harrison Turner Well•Spring FRONT ROW ($2,500-$4,999) Kate R. Barrett Mary Katherine & Durant Bell Louise & Jim Brady Linda & Jim Carlisle Joann & Bill Cassell Anna Reilly & Matt Cullinan Candace & Roger Cummings Jean & Ralph Davison First Bank Friends Homes The Fresh Market Christine & Chris Hobson Laura & Alan Irvin Shelby & Ernest Lane Carol & Seymour Levin Julie Olin Kelly Sigle & George Marple Cathleen & Ray McKinney Deborah Hayes & Gregg Nelson Erica & Bo Parker Margaret & Brad Penn 31
Debby L. Reynolds River Landing at Sandy Ridge Ron Johnson & Bill Roane Dabney & Walker Sanders Cheryl Feltgen & Chris Sheehan William R. Soles, Jr. Willie Taylor Ruthie & Alan Tutterow Jane & Jonathan Ward Judy & Len White STAGE HAND ($1,000-$2,499) Action Greensboro American Premium Beverage BB&T Ben Baker Betty & Dennis Barry Marianne & Jim Bennett Paula Stober & Bill Bucklen The Community Foundation of Greater Greensboro Pat & Pete Cross Carol & David DeVries Ruth Heyd & Stephanie Frazier Joe & Karen Grady Robert Hanson Beth & Edward Harrington Dina & Burney Jennings Linda Morris & George Johnson Emily & David Johnston Ashley & Frankie Jones Leslie & Robert Ketner Leigh Ann & Steve Klee Lex & Brent Kulman Preston Lane Vicky Larkin Gail & Gene LeBauer Barbara R. Morgenstern Jane & Ron Norwood Randi Palmer Mindy & Chad Oakley
Cissy & Bill Parham Richard A. Parker Nancy & Gordon Peterson Barbara & Dale Phipps Kim & Todd Rangel Claudia Babb Reich John Riley Adrian Smith Steve Stonecypher in loving memory of Matthew Sergio May Toms Lydia & Keith Vaughan Shirley & Jeffrey Vestal Courtney & Richard Whittington Judy & Bob Wicker Wallace & Greg Williams Woodruff Family Law Group GALLERY ($500-$999) Alicia & Bill Allred Lee & John Atkinson Phil Barrineau Annette Benson Catherine & Peter Bergstrom Frances & Frank Bullock Kenneth L. Caneva Leanne Willis & James Caress Locke T. Clifford Karen Dyer Kathy & Jim Gallucci Dionis & Gordon Griffin Kay & Chip Hagan Cynthia Soemita & Tony Hooimeijer Hoke Huss Carroll Johnson Harriette & Bob Knox Shelby & Ernest Lane in honor of Sherry Barr Greg & Barb Laskow Mimi Levin Leslie & J.J. Marus Dolly McGinn Jane & Dan Moore Rod & Linda Mortenson Eberhard Mueller-Heubach
Nancy & Brian Napier Marlene Sanford & Janet Parris Jane & Lloyd Peterson Susan & Tarrell Preston Sandy & Tom Pugh Lynn Wooten & Paul Russ Heather & Mark Setzler Kim & Bassam Smir Kathleen Smith Linda & Jim Starmer Michiko Stavert Maggie & Tom Styers Ernestine & Stewart Taylor Carmen & Bob Wood PATRON ($250-$499) Alexa Aycock Heather Benson Mary & Frank Biggerstaff Barbara & Tony Blake Louise & Jerry Boothby Bruce & Dora Brodie Jerry Cunningham & Terry Brown Hodges & Joe Carroll Harvey Colchamiro Benita & Ron Cole Karen & David Condon Janet & David Craft Janet Ward Black & Gerard Davidson Caroline & Brian DeWyer Kathi & John Dubel Susan Heiss & Lawrence English Nancy & Richard Evans Bert & Debbie Fields Barbara Doughten & Wiley Fisher Patti & Douglass Gilbert The Green/McCauley Charitable Fund Sherry & Bob Harris Judith & Cyril Harvey Cindi & Dave Hewitt Donna & Robert Hoekstra Tomasita & Sam Jacubowitz 32
Randall Thomas Johnson Justin Nichols & Ryan Kelly Ray & Doris Kiszely Diana Knox Susan & George Little Sandra & Francis LoNano Nancy Y. Madden Johanna & George Martin David & Kathy Mazzola Amanda McGehee Lou & Don McMillion B.J. Weatherby & Verne Nielsen Judith Page John Poole Caroline Post Kathryn Ramsay Cary Root Kate Callahan & Jake Ruddiman Susan & Jerry Schwartz Susan & John Small Joan & Doug Stone Steve Sumerford Susan B. Wall Karen & John Whiteside Carol & Tom Wood FRIEND ($100-$249) Anonymous (4) John & Virginia Achey Rose & Victor Ackermann Ann & Trip Adams Martha Albertson Carolyn Aldridge Gary & Linda Anderson Leanne Angell Margaret & Carl Aquilino Margaret & Howard Arbuckle Pat & Michael Artman Jamie & Carl Ashby Laverne M. Bass Jerry & Milton Bates Susan & Richard Beard Fred & Sally Beck Elizabeth Bennett Martha Bergman Martha Jane & Wilis Bonkemeyer
Chester Brown Jr. Mary Brugler Cheryl & Richard Bullard Elizabeth & George Burfeind Maureen Burns Betty Byron Nancy & Bill Carter Bob & Kathy Caso Kathy Cissna Amanda Clark AnnMarie & David Clark Louann A. Clarke Lori & Murray Clayton Faye & Michael Collins Diane Conrad Brian Cook Kate & Lee Cummings Jacobi Daley Deborah & Charles Delcambre Georgetta Denhardt Rudy Diamond Tonya & Glenn Dobrogosz Marie Dow Debra Dykes Lexi & John Eagles Mona & Emanuel Edwards Martha E. Eller Dennis & Inez Elliott Peggy & John Fersner Becky Fligel Martha H. Fowler Alane & William Frakes Marcia Freed Deborah Friedman Wilma & Sheldon Glick Betty Godwin Linda & A.J. Grogan Linda & Mark Hale Brenda C. Hampton David Cohen & Judy Hampton Ron & Becky Hampton Anne & Bill Hardin Jerry & Melissa Harrelson Wanda Harris Angela Hays Pat & Dana Hester Rose & Wes Hood
Mary Louise Smith & Cheryl Hopkins Donna Moran & Garnett Hughes Clint Jackson in honor of Tiffany Albright Jenna & Henry Johnson Sue & Jim Keith Virginia & David King Mark & Susan Lang Chia Ni & Eric Lee Carol & Harry Lejda Carolyn C. Lester Michele & Pat Levy Annabel Link Jack MacDowall Doranne & Robert Mattoon Reba & Bud Maxson Bonnie & Dan McAlister Eleanor & Donald McCrickard Dana & Doug McLeroy Tracy Nash & George Michel Nancy & Gary Miller Ninevah & Dan Murray John & Jenny Naples Lee Ann & Drew Naylor Margaret & Vernon Newlin Wendy & Jay Nitsos Jim & Barbara North Nan & Roger Poplin Janet & Dick Potter Eleanor Procton Ron & Jean Pudlo Wendell & Phoenix Putney Fern Ragan Jennifer & Tommy Robards George & Bobbie Roberts Judy Hyman & Dr. Richard Rosen Ira Ross Debbie & Eugene Russell Kathryn Lochra & Rett Saslow Jim & Nancy Sands Beatrice Schall Mary Ellen Shiflett Joyce & Bob Shuman David Byrd & Jeff Stanley 33
Marylou & Glenn Strohl Robert Struble Janice & John Sullivan Lee Templeton Jean L. Toms Louis Allen & Maggie Tripplette Melanie & Charles Tuttle Diane & Gary Upham Barbara Van Cleve Dean & Kate Wahlberg Bob Walker Peggy & Leon Wessel Chris Williams Cindy & Ken Williams Dave Clark & Susan Wilson Mary & Terry Woodrow Melissa & Ray Workman Lynette Wrenn Kay & Charlie Zimmerman MATCHING GIFTS Amazon Smile American Express Johnson & Johnson Family of Companies Lincoln Financial Foundation SunTrust Mid-Atlantic Foundation LEGACY CIRCLE Tobee & Leonard Kaplan Bill Roane & Ron Johnson Claire King Sylvia & Norman Samet Linda & Tom Sloan Martha & Harrison Turner Ruthie & Alan Tutterow Legacy Circle Donors have made bequests on behalf of Triad Stage
Proud supporter of Triad Stage
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CARROLL M A N A G E M E N T C O M PA N Y
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Welcome Apprentices! 2018-2019 Apprentice Company Each season Triad Stage welcomes a new class of apprentices into our Professional Training Program. We are proud to serve as a bridge to the theater profession for these emerging professionals, as well as for local university students who earn their first professional theater credits here. To learn more about the Professional Training Program and all of our other educational programs, visit triadstage.org/learning.
SUBSCRIPTIONS avaIlaBle
To SubScribe: 336-617-0090 o r e m a i l D a r l e n e S Ta r k @ g m a i l . c o m 37
Board of Trustees
TRiad Stage Staff
Officers Dabney Sanders, Chair Deborah Hayes, Chair Elect Leigh Ann Klee, Treasurer Kate Barrett, Secretary Mindy Oakley, Immediate Past Chair Linda Sloan, Founding Chair Frankie Jones, Jr., At-Large Erica Parker, At-Large Preston Lane, Founding Artistic Director Richard Whittington, Founding Managing Director
Artistic Preston Lane, Founding Artistic Director Sarah Hankins, Associate Artistic Director Lauren Smith, Learning Director Simone Becker, Education Apprentice Virginia Hirsch, Artistic Apprentice Administration Richard Whittington, Founding Managing Director Jason Bogden, General Manager Ramon Perez, Company Manager Bobby Pittman, Facilities/Rentals Coordinator Justin Nichols, Development Manager Tiffany Albright, Marketing Manager Stacy Calfo, Graphic Designer Mackie Raymond, Marketing/Development Apprentice Allie Stubbs, Administrative Apprentice
Members at Large Donna Baldwin-Bradby, Vanessa Carroll, Karen Dyer, Ruth Heyd, Chris Hobson, Tomasita Jacubowitz, George Johnson, Sujay Kumar, Leslie Marus, John Poole, Cissy Parham, Nancy Peterson, Todd Rangel, Sarah Saint, Adrian Smith, Steve Sumerford, Ernestine Taylor, Lydia Vaughan
Audience Services Daniel Benzing, Audience Services Manager Mary Reading, Lead Box Office Associate Josh Kellum, Box Office & Lobby Bar Associate Annalee Glatus, Martha Latta, Nikki Tomeo, Clarice Weiseman, Box Office Associates
Winston-Salem Advisory Council Lydia Vaughan, Chair Mary Walker Fry, Drew Hancock, Joia Johnson, Susan Little, Cathleen McKinney, Angie Murphrey, Tog Newman, Randi Palmer, Gordon Peterson, Nancy Peterson, Milton Rhodes, Keith Vaughan, Sue Wall
Production Katie O’Kelly, Production Manager Tannis Boyajian, Technical Director T.J. Scott, Master Carpenter Eric Hart, Props Master Jennifer Speciale Stanley, Costume Shop Manager Grace Schmitz, Assistant Costume Shop Manager Troy Morelli, Master Electrician Jessica Holcombe, Scenic Charge Kali Grau, Production/Stage Management Apprentice Sophia Gutkowski, Lighting/Sound Apprentice Eliza Knopps, Carpentry Apprentice Caitlin O’Brien, Costumes/Wardrobe Apprentice Victoria Ross, Props Apprentice
Greensboro Advisory Council Judy Wicker, Chair Hayes Clement, Ralph Davison, Sandra Hughes, Lesley Hunt, Ron Johnson, Ancella Livers, Dennis Quaintance, Sylvia Samet, Joy Shavitz, Tom Sloan, Harrison Turner, Alan Tutterow
For AND THEN THERE WERE NONE Kali Grau, Ellen McCauley, Assistant Stage Managers Virginia Hirsch, Assistant Dramaturg Bill Miller, Assistant Lighting Designer Maria Wurttele, Sound Supervisor Caitlin O’Brien, Wardrobe Supervisor Sophia Gutkowski, Light Board Operator Mary Crockett, Angelina Rodriguez, Scenic Artists
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GOSLEN
PRINTING Established 1872
3301 Healy Drive, Winston-Salem, NC 27103 336.768.5775 www.goslenprinting.com
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A year of events examining a decade that changed everything. FOR A FULL LIST OF EVENTS VISIT
SIXTIES.UNCG.EDU