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MOREHOUSE ROBOTIGERS PAGE 6

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GRANT HILL PAGE 16

By: James Parker

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CAMPUS NEWS

STAFF SENIOR MANAGEMENT Darren Martin Editor-in-Chief Darrenmartin884@gmail.com

WEEK OF 3/6 - 3/13

THE SERIOUS SIDE OF THE GALA

Jared Loggins Managing Editor Jared.loggins@yahoo.com Michael Martin Editor-at-Large michael.martin@morehouse.edu Matthew Guthrie Business Manager Mguthrie93@gmail.com Bryan Burke Executive Producer bryan_a_burke@yahoo.com Kristen Harris Internal Relations Director kharri35@scmail.spelman.edu MT EDITORIAL TEAM Jayson Overby Fashion Jebar King Arts and Entertainment Jerrel Floyd Features Kristopher Colley Sports SEnior STAFF WRITERS Christine Slaughter Opinions D’Shonda Brown Arts and Entertainement Jonathan Thibeaux Columnist Michael Scott World and Local Annick Laurent Campus News STAFF WRITERS Brianna Gaulding Arts and Entertainment Teddy Holliday Sports Ugochukwu Unigwe World and Local Lonnell Mackey Fashion/Campus News Brianna Gaulding Arts and Entertainment Copy Edit Associate Copy Editors Isaiah Avent ikeavent@gmail.com Stephen Fisher Stephen8fisher@yahoo.com

James Parker Campus News Editor Jamesjr.parker@gmail. com

and recent dining renovations, Wilson also plans drastic infrastructure upgrades including new residence halls, sporting venues and a student center.

After searching for sponsored tickets to the annual Candle in the Dark gala, students eat, dance, and hang out until the after party and after-after-parties shut down.

However, amid the socializing and sometimes professional networking, Morehouse alumni and administrators are working to stabilize the College.

The College recently launched a mobile giving program allowing donors to text the word “MOREHOUSE” to the number 80077 and make a $10 donation.

Charges will appear on the donor’s phone bill or be deducted from his prepaid balance.

The gala, which costs $150 for students and $350 for all other guests, is the biggest fundraiser of the year. Honorees also make undisclosed contributions to the College. The total funding received from last month’s gala has not been released.

Whatever the amount, the donations of generous alums are essential.

“Our most urgent financial need is not unlike that of most small liberal arts colleges and all HBCUs,” President John Wilson said through email. “We need more unrestricted scholarship aid and a significantly larger endowment.

And those two needs have been real and urgent for 148 years.”

In addition to the scholarship needs

In the most recently published annual giving report in 2013, the College reported that alumni giving had reached $5.2 million in that fiscal year alone. This amounted to a 46 percent alumni participation rate.

The average participation rate for 2011 and 2012 for Morehouse alumni was 29.3 percent.

A ranking by US News & World Report lists Florida College as having the largest percentage of alumni giving in the nation with 64.7 percent of their graduates participating.

Spelman College had 7,060 alumni supporting the school during fiscal year 2014 resulting in a 41 percent participation rate, according to its website.

Last Tuesday, Howard University (HU) – which has not published recent giving figures – announced a very different financial initiative.

The president and board of trustees voted to freeze its tuition for all undergraduate and graduate programs except the College of Pharmacy.

For this reason, HU’s tuition will not increase next year.

Also, “to incentivize completion,” the school will now provide tuition rebates to early and on-time graduates, according to its website.

“The rebate – 50% off of the final semester’s tuition – will be offered on direct payments (cash, credit card or installment plan) made by any on-time or early graduate.”

In a third initiative to financially support students, HU will “pay the remaining tuition and selected mandatory fees for highest need students who are on track for graduation.”

Wilson responded to the Howard University plan by stating, “As Provost (Garikai) Campbell said recently, just about each and every college or university that has frozen tuition has eventually, sometimes quickly, reversed that policy. Why? Because it is not a cure. It is not the answer to the

tipping-point pricing in higher education today. It is more like a gimmick or a temporary bandage on a bad wound.

“At Morehouse, we have a more serious approach to the problem.

We are trying to fundamentally change our financial model in such a way that it becomes instructive for the rest of higher education.”

He added that the solution to high tuition is to lower the costs and not just freeze them, but if the administration finds that a price freeze can serve as a “bridge” to the “real solution,” then it may be implemented.

At Morehouse, the current cost of tuition is $23,966 and the estimated total cost of attending the College is $41,912. According to the College’s 2013-2014 fact book, in that academic year students accumulated $14.5 million in student loans. Parent loans equaled $49.7 million.

In a statement released last week, HU President Wayne Frederick said that a large part of the university’s commitment to addressing the academic needs of the African-American community includes “ensuring that the cost of attendance is not a barrier for students to turn their highest dreams into reality.”

CAMPUS NEWS

WEEK OF 3/6 - 3/13

Wilson Responds to Moot

Court Plea for Support

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STAFF Ralph Jean ralphjean1212@gmail.com BUSINEss TEAM Amber Johnson Public Relations Director ajohn175@scmail.spelman.edu Danyelle Carter Project Manager, Project Y-Axis Brianna Gaulding PR & Marketing Associate Corey Smith PR & Marketing Associate Kailyn Brooks PR & Marketing Associate Naya Coard PR & Marketing Associate

Best Uchehara Staff Writer buchehara@yahoo.com Last week, the Maroon Tiger published an article entitled, “Administration Nearly Stifles Moot Court’s Historic Success,” highlighting the Moot Court team’s difficulty obtaining financial support from the College. the administration’s lack of attention towards the Moot Court prior to it becoming the no. 1 team in the country. According to Professor Winfield Murray, who founded the team and led them to becoming the number one team in the country this year, the members had suffered tremendously due to inadequate funding.

This week, President John Wilson responded to the requests of the Moot Court. He spoke greatly about the importance that the team’s success has made on Morehouse and the significance of the brainpower of its students.

“That fact our guys were able to win with little or no central backing from the college

is just a testament to their drive, grit, smarts, and ambition,” said Wilson. “And, since they have so clearly proven themselves worthy of investment, we will figure out how to invest in them.”

According to Wilson, this financial support will not only come from Morehouse, but also from appeals he has made to alumni who are also impressed by the team’s accomplishments.

Professor Murray said the Moot Court team was elated by the response of Dr. Wilson. Despite the team’s incredible success in competition, it remains in its infancy stage, which can mean vulnerability if not funded adequately.

“Without the financial backing of Morehouse, I fear, that the other schools would have used their financial resources to simply copy and perfect all of the nuances that make our style of argument unique,” said Murray. “The Morehouse team deserves the ability to begin the competition without having one hand tied behind our back and, thankfully, President Wilson is granting us our wish.”

Increased support will enable the Moot Court team to participate in qualifiers, invitationals, and scrimmages, which the team has never been able to attend before. Murray also said that the team will enter a more balanced playing field once it has access to some of the advantages that have been afforded to every other team in the competition. Such advantages include: access to practicing judges and attorneys, cutting edge resources, and practice with other schools before meaningful competitions.

Moving forward, the group’s focus will be on growing and developing more competitive teams. According to Murray, Moot Court argumentation is a skill set that is readily transferable to both law school and life as a practicing attorney.

“Every student at Morehouse that is considering going to law school should be standing in line to take this course,” said Murray. “Students who enroll in Moot Court will ultimately be far better prepared for the rigors of law school than those who do not.”

Ramon Johnson PR & Marketing Associate K’Mani Dowe PR & Marketing Associate Photography/NEW MEDIA Kenneth Greenwood Lead Photographer/Editor Deshon Leek Photography Monet Lockhard Photography Deverick Morgan Photography, Graphic Design Winston Cash Photography TIGER TV Jason Perry Associate Producer Keon McKay Associate Producer Deshon Leek Assistant Producer, Videographer Eboni Ellis Editor Grant Nelson Reporter Jonathan Thibeaux Assistant Producer Winston Cash Videogrpaher Zoe Wade Assistant Producer, Editor All Creatives By: Ahmad Barber Ron Thomas Advisor Ron.thomas@morehouse.edu

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WEEK OF 3/6 - 3/13

FEATURES

Jerrel Floyd Features Editor jfloyd134@gmail.com During the past couple years in the month of Feb the students of the Atlanta University Center journey to Morehouse College campus to be serenaded by the sweet sounds of artists like Billy Holiday and to become lost in the immortal words of writers like Langston Hughes. A Night in Harlem is an evening of reverence to the success, innovation, and artistry of the Harlem Renaissance. For viewers it can literally be seen as an experience of Harlem Renaissance music, poetry, dance, and drama all portrayed by students of the Atlanta University Center.

For participators in A Night in Harlem however, the event is more than a complex black history showcase. For them A Night in Harlem is an awakening into emotional and artistic expression.

Beginning as a program in the lobby of Wiley A. Perdue Hall with student Quinterrence Bell and Residential Director Jeff Murphy, A Night in Harlem eventually moved to George Sale Hall and has since grown into a massive production that was one of the first student productions to pack out the Ray Charles Performance Arts Center and also one of the first student events that Morehouse College President John Silvanus Wilson Jr. attended.

Though through the years many students have been

rewarded with the privilege of serving on the executive staff of A Night in Harlem, each individual had to go through the process of directly being a part of the presentation whether as a performer or in production. The present director of the show, sophomore Brandon Abreu, was a performer his freshman year at Morehouse College.

“It felt comfortable, being involved” Abreu said. “It felt like family.”

On top of creating an entertaining and artistic production, the A Night in Harlem team manages to bring in emotions, and family into their performances as well as their interactions with one another. Distinctly this results from the breakthrough or emotional breakdown process of the rehearsals.

Every year prior to the actual showcase, the performers and executive staff gather together and attempt to open up emotionally so that the performers are more raw and personal when they walk on stage in front of the crowd.

This involves performers sharing emotional experiences and finding a relationship between their personal life and the piece they plan to perform.

“Allowing people to feel that trust is important” Artistic Director Tatiana Hobson said. “It truly is a family; it is truly a safe space.”

Though attempting to get people to open up is a massive

task alone, there are still immense amounts of logistics that go along with finalizing A Night in Harlem. Thankfully Morehouse College alumnus Terrence Pryor II came in as a Show Consultant for the new executive staff.

“As we coached the actors, he coached us” Hobson said.

“Terrence came in like a father figure and picked us up and kept us moving.”

Starting off as a stage manager and transitioning to a codirector, Pryor has been with A Night in Harlem since its beginnings in Perdue Hall and has remained as a helping hand to ensure that the tradition of a great show remains intact.

“A Night in Harlem is an experience” Pryor said. “It is blackness, family, truth, homage.”

Falling under the umbrella theme of “black lives do matter,” this years’ A Night in Harlem highlights self-worth and selfidentity.

“I hope they feel more of a strong sense of self through the whole course of the show in total” Hobson said. “I hope they leave with a stronger value of self.”Special Thanks to: President Wilson, Dr. Leah Creque, Mrs. Anita Whatley, Mr. Jeff Murphy, Terrence Pryor, Britny Horton, Ulato Sam, QuinTerrence Bell, Jireh Holder, Mike Gary, Dean Washington, Chauncey Moon, Tony Larkin, and Miss Maroon and White and her court.

The Morehouse College RoboTigers

Jerrel Floyd Features Editor jfloyd134@gmail.com Stepping into the first floor hallway of Claude B. Dansby Hall on a Monday night, faint murmurs of conversation can be heard echoing down the hallway originating from room 110. Consisting of students almost filling up all of the open tables in the long spacious laboratory, it is during this hour that Associate Professor of Physics Dr. Aakhut Bak’s evening lab takes place.

On the right side of the room however, a table covered with various small green gears, mechanical parts, a laptop, and a Chick-Fil-A bag, seems to host an above average amount of students in comparison the rest of the lab tables. This specific collection of students all seem to be gathered focusing on a suspended green four-wheeled exposed wire object sitting directly in the center of the table with a giant claw.

This two meter long and half meter wide green table covered with a clutter of objects serves as the present but temporary

meeting space for The Morehouse College RoboTigers.

“I’m interested in robotics and I knew I couldn’t be the only one on campus who was” junior Physics major and founder of The RoboTigers Terrell Glenn said.

During the 2014 spring semester, after hosting an interest meeting in room 200 of Dansby Hall Glenn became inspired while being confronted with an impactful amount of potential robotics enthusiasts.

“It drove me to want to try to turn it to something that was possible” Glenn said.

Now Glenn finds himself consuming Chick-Fil-A while simultaneously facilitating the building of a remote controlled robot, or Claw-Bot, that will be used in the Skyrise portion of the VEX Robotics Competition. Spending several weeks working on the construction of the competition robot, the team faced challenges like issues with the use of the remote control.

“We spent a good two-three weeks working

on it” junior Chemistry major Montez Joseph said. “But we looked online and finally found a way to do it.”

With finally reaching the closing coding process of the construction of the Claw-Bot, the team attempted to do a test run of the robot on the cluttered green table.

“Why isn’t the arm working” Glenn said.

Though the wheels were fully functional, the actual claw that would be used during the competition was not moving on command. However after a few minutes of reexamining the codes on the laptop and the wires that protruded out of the robot, the claw eventually began to move on command.

“I like being able to run into problems” sophomore Applied Physics major Joshua Pulliam said. “I have a deep appreciation for teamwork and problem-solving.”

After hours spent bonding over STEM courses, integration, Calculus II, and life experiences in general, the teamwork and genuine brotherhood in the building process

of the robot allowed for the Claw-Bot to come off of its position on the table and to an actual test run on the floor of room 110.

Laughing with each motion of the claw, the team could barely contain their enthusiasm as their time consuming project went into action during the closing hour of their Monday meeting.

“These guys are the ones who really have invested a lot of time.” Glenn said. “I appreciate them.”

Though the club has come a long way since its interest meeting in room 200 of Dansby Hall, thanks to the influence of the chair of the Physics department Willie Rockward the team still hopes to establish a lot more success.

“Five-ten years down the line I want to see the robotics team go abroad” Glenn said.

Only time will detail just how successful the Morehouse College RoboTigers will be.

However, the amount of genuine friendship that exists within the club will more than likely compensate for the time spent transforming the team’s hopes into reality.

WEEK OF 3/6 - 3/13

OPINIONS

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Black History is American History

Tiffany Pennamon Opinions Editor tpennamo@scmail.spelman.edu

As the month of February came to a close, Black History Month’s elaborate posts and acknowledgement of Blacks in our country died down. However, the question always arises each year: Why is Black History only confined to one month – the shortest one at that?

Black History Month became a national month of celebrating our cultural history in the early 1920s. It was given the name “Negro History Week” in 1926 by historian Carter G. Woodson, and it commemorated the birthday of Abraham Lincoln and Frederick Douglass.

Over the century, the celebration of our history expanded from just a week to a month-long celebration. After attending an HBCU, Black history has come to mean so much more than just what is learned in the 28 days made into a national celebration.

Students in the AUC took to social media sites such as Facebook, Instagram, and Twitter to post daily images and facts about African Americans and their contribution to our society and country as a whole. These posts were very insightful and enlightened many people that only had a surface level knowledge of some individuals.

If you can recall last year’s almost mocking of Black History Month with different memes and satirical posts, this year was almost an embracing and enlightening one. After the recent racially charged deaths of Mike Brown, Eric Garner, Rekia Boyd, and Aiyana Stanley-Jones, there is almost a greater sense of embracing our Black culture in our community. I am unsure if these deaths – along with the exploitation of our culture – have allowed us to really look at all of the things that make us Black and beautiful, but I feel that we are now taking Black history more seriously.

President Barack Obama said at the White House’s Black History Month Reception, “Now, as always, this month is a chance to celebrate the central role that African Americans have played in every aspect of American life – marching for freedom and equality, jobs and justice – making a profound contribution to our culture. And here at the White House, we’re committed to honoring that legacy.”

I ask why can’t Black history be celebrated every month and each day of the year? Black people have made America what is; our history is American history.

As a student in the Atlanta University Center, Black History is every day for us. It is past, present, and future. I am Black 365 days of the year, my history, my culture, and my identity should be celebrated every single day.

The Real Truth About Study Abroad Tiffany Pennamon Opinions Editor tpennamo@scmail.spelman.edu Tyra A. Seals Staff Writer tseals2@scmail.spelman.edu No matter if you’re trying to travel to South America, Western Europe, or anywhere in between, studying abroad is a great way to make it happen. We would recommend that everyone travel abroad at least once in your life. The saying that you learn so much about yourself from traveling is definitely true. In a sense, we both came back a more enlightened version of ourselves. However, there are a few things that Spelman’s STS 100 (Study Abroad) class did not cover before departure: Pre-Departure: After you have finalized your plans for traveling abroad, research as much as you can about your country – its culture, politics, religion, and views on different issues.

Read blogs of past students who visited the county you are traveling to, travel advice for the country, and different packing lists according to the climate. It is best to draw from a variety of sources while not expecting your experience to be exactly like that of those you are reading. Taylor Ulmer, senior at Spelman College and Marshall Scholar, wrote a very insightful piece for the infamous Travel Noire (travelnoire.com) titled “14 Tips for Study Abroad.” And, of course, keeping an open mind will help you receive everything your adventure has to offer.

Fundraising: Do not procrastinate – fundraising for a large trip in a short amount of time is stressful. Usually deposits for programs are due within a certain time period after your acceptance into the program itself. Because so many students count out Study Abroad as a whole because of the hefty cost, planning how you will finance your deposits and airfare would be wise.

Travel Noire features another helpful article about effectively saving money for travel titled “How to Start a Travel Fund” for those who are unsure of how to begin. If you have a marketable skill, use it to your full advantage in this instance. Asking family, friends, or anyone you can to donate money for your trip never fails; you never know if you don’t ask.

With some programs, the financial aid you receive at your home institution covers the cost of the tuition of the study abroad program.

Academics: There is a slight misconception about the “study” part in the phrase Study Abroad. Yes, you do have to go to classes. Yes, there’s homework (some more than classes taken at Spelman and Morehouse). And sometimes, you may be at your study abroad

center all day. However, the professors understand the fact that you are in a new country to experience the culture as well as for educational purposes. The class field trips and the learning environment may be a lot more relaxed abroad, which makes the study part all the more fun. Be mindful that this is all relative to your program; some programs will have different class hours and schedules. Do your research to determine which classes you would like to take abroad and which program suits your major.

Internships: Your program may or may not offer internships in addition to your academic classes. However, for the programs that do, international internships are great because you are living, learning, and working with people who potentially think and work with a different perspective than you. Some internships range from non-profit, to teaching English, or even to working with national programs. As a participant in these opportunities, use them to their full potential and go into them ready to learn.

Safety: Safety is relative to your country of travel and it varies according to gender.

The main rules of practice are to never go anywhere alone – if you do, send family and/ or program directors where you plan to go and keep them posted on your location. If you do outside traveling on the weekends, send travel itineraries, hostel addresses, and which tourist attractions you will be going to that day. In Morocco, catcalling women is a major issue that goes unchecked by the government. But for the most part, I (Tiffany) felt safe the entire semester.

Race Relations: In 2015, instances of colorism and racism still permeate different cultures outside of America. Some places are more discriminatory than others, whereas others are fully accepting. Most of the questions you may receive about race come from a lack of understanding and from seeing inaccurate representations of persons of color in the media.

As a Black person in North Africa, I (Tiffany) was asked if I was Sub-Saharan or if my parents were African; no one believed me when I told them I was American. I was called the N-word once out of ignorance, not as a blatant attack. I was also the only Black person in my program.

Factors such as these may or may not affect your travels. Do not let race-related issues deter you from going anywhere. However, make sure to research interactions of people of color and the local residents in the country.

These tips are just surface level points about experiencing a new culture abroad. Each place will have different perspectives, different cultural codes, and different ways of living. Your full experience cannot be accurately put in words; it is something you will always cherish forever if you make the most out of it. If you would like more information, attend one of the upcoming study abroad informationals and roundtables or visit your study abroad office on campus.

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OPINIONS

WEEK OF 3/6 - 3/13

Danyelle Carter Contributing Writer dcarterj@scmail.spelman.edu

this a popular phrase, but when Morris Brown was around, you could be dating someone at Spelman or Clark, and have a “side piece” at Morris Brown. A “side chick” is often referred to as a woman on the side of your relationship, someone you call up at 2 a.m. with no attachments” according to urbandictonary.com.

We’ve all heard this phrase – “Date ‘em at Clark and marry ‘em at Spelman.” Many of us have quoted it with laughs, and some of us have probably lived by it. However, very few of us have spoken up about how problematic the phrase truly is.

It also gives some men who attend Morehouse the power to feel as though we are here to be selected and service them when the time is convenient. Here’s a fun fact: We’re not.

The phrase states that a Morehouse man should date a woman at Clark Atlanta, but should not marry her because she is not “marriage material.” On the other end, the Morehouse man should marry a Spelman woman when the time comes, but not date her while in undergrad because she will take the relationship “too seriously.” Many people do acknowledge that the phrase perpetuates the negative stereotypes of Clark and Spelman women unfairly.

While it’s fun to think about being a Sparkhouse or Spelhouse couple, it is not OK to contribute to the degradation of someone else. For my Spelman sisters who echo this phrase, we are not an institution that only lifts up one another, but all women – poor women, uneducated women, queer, depressed, sex working women, “ghetto” women, transwomen, and all the women you think you’re too good to be associated with.

The issue is so controversial that you can find YouTube videos on the topic and even panel discussions about it. After hearing people talk about the phrase, online and physically on campus, there still doesn’t seem to be any resolution as it is still being tossed in the mouths of current students and incoming students. Ugh.

I am a Spelman woman, but even I don’t fit the stereotypical image of a Spelman woman: light skinned, “slimthick,” and from a wealthy background. In fact, I am overweight and come from a single income home. There’s one thing for certain that most people agree on about Spelman women, and that’s that we are committed to academic excellence and positive social change through service.

No one seems to know exactly when the phrase came about, but one thing for certain is that it continues to widen the divide between women who attend Spelman and women who attend Clark Atlanta. I was able to talk to several Spelman alumnae and traced the phrase as far back as 1999, 16 years ago. In my interviews, there was a consensus that not only was

Regardless of the institution that we attend, Spelman, Clark, and Morehouse students should have the choice to date and marry whomever they choose as long as that person is right for them. If an ignorant phrase determines who you choose to date, then maybe you shouldn’t be dating at all.

Courtnee Brinker Contributing Writer cbrinker@scmail.spelman.edu Every year, Valentine’s Day is a holiday that supposedly makes or breaks your relationship.

This year seemed to be no different. Despite trite comments from cynics that it is a day solely to generate money for the greeting card industry, it is a day that nearly everyone notices.

If you’re single, it reminds you that you’re not in a relationship, and if you’re in a relationship, sometimes the stress of picking just the right gift for your significant other makes you want to go hide under the covers until the day is over.

Valentine’s Day is also a time for empowerment and self-love. Today’s college student is busier than ever with campus involvements, resume perfecting, GRE prep courses, and trying to maintain some semblance of a social life. It’s fair to say that more often that not, college students are overworked, stretched thin, and sometimes ignoring the basic needs of our bodies, like food and sleep.

Valentine’s Day is a time to ameliorate all of that. It’s a day to go to the spa, take yourself to a nice dinner, or just spend your evening catching up on your favorite Netflix show. It’s a day that encourages self-care, chocolate, and flowers: things the world just doesn’t have enough of.

Every year, one of my favorite things to do is check social media in the days prior to Valentine’s Day to see who is practically begging for a Valentine. You know the posts: “If you like me, now is the time to say something.” Millennials are really online trying to get someone to buy them dinner the night before Valentine’s Day. My other issue with these desperate attempts for Valentine’s plans is this: I want need someone secure enough in himself, and confident enough to let me know his interest in me, his intentions, and why I should give him the time of day. I can’t see how a relationship can thrive if one person is fishing online for dates and the other is just biting at whatever they can get.

If you post last-minute Valentine’s updates about wanting a date and begging people who like you to come out of the closet and profess their love, you’re also a person who tends to post things that allow people to rate you (which is physically driven), to allow exes easy reentry to your life via and in my opinion, you’re the people who need to take a step back and love yourself first.

My Valentine’s Day this year was special. My long-distance boyfriend sent roses to my job, made me feel incredibly special, and even made my co-workers a little jealous. Part two of my gift is coming soon. We realized that we both had a bit of anxiety surrounding the gift giving, but those shared experiences brought us closer. The point is, relationships take time to cultivate. Love yourself, love Instagram, but don’t find last-minute “love” on Instagram.

Photography BY: Winston Cash, MT Photography

ART & ENTERTAINMENT

WEEK OF 3/6 - 3/13

Justin Jones CONTRIBUTING WRITER Justin.Jones@morehouse.edu First off, I do not plan on dying anytime soon—at least in the existential sense.

However, we should all be clamoring to embrace the death of our former selves. It is this race toward Death that in a paradoxical turn gives Life. A life filled with riches that only a dead man can truly appreciate. By now you probably think I’m talking crazy, but I ask that you stay with me for a little while longer.

I had the pleasure of hearing Cornel West speak at the 148th Founder’s Day Crown Forum celebration of Morehouse College. Dr. West gave a riveting address to the radical love and commitment that Morehouse and its constituents have and, dare I say, MUST make to this world.

One point of his speech rang especially loud in my mind. West asserted that we must live toward death. For the uncritical person, this

may be a task that one may not so willfully fulfill. But for those that have a little training in the philosophical realm, you will note that West speaks to a Heideggerian understanding of the capricious thing we call Life. Held as one of greatest philosophical contributions to society, German philosopher, Martin Heideggar writes “Sein und Zeit” translanted as “Being and Time” in 1927. I won’t go into detail on this work, but in it Heideggar speaks on “Dasein” (Being). He claims that we are thrown into the world and hence must learn to live as beings toward death.

This is not to say that one needs to lay in the street and wait for the inevitable to happen.

No, it means that one must orient their life in such a manner that they live toward an authentic purpose. Death is the constant driving force. For without death, there can be no life. Many of us never think of death in such a way. We see it as something to fear and to disassociate ourselves with, but when we approach death in this sense we see that it is something worth embracing.

In a market driven, capitalistic society focused on branding one’s self and “living” in the material sense, we have grown stagnant and complacent. We have not challenged ourselves, and subsequently the institutions that uphold this society.

Cornel West charged us to wrestle with 4 powerful questions posited by the great public intellectual, W.E.B. Dubois. The following questions from Du Bois’ 1957 fictional Black Fame Trilogy, The Ordeal of Mansart: (1)How should integrity face oppression?, (2) What does honesty do in the face of deception?, (3) What does decency do in the face of insult?, and (4) How does virtue meet brute force? Each question powerful in it’s own right; though, I fear, inadequately answered for those still running from the obscure presence of Death.

Integrity is not born of good will and right intention, but it is nurtured in the womb of suffering and fed by the radical love of

Truth. This process is not one of comfort nor pleasure. To live a life of Truth, one, sometimes, must bear the sting of 1000 lashes. And even through all of it, head bloody, yet unbowed—one must speak with Truth. Our generation needs more people willing to die socially, politically, and spiritually to live a life dedicated to Truth, for in Truth one finds solace in their soul and Death becomes something worthy of acceptance.

We must recognize Death as Life, Life as Integrity, Integrity as Faith, and Faith as Courage. Having the courage to stand in the face of adversity, the courage to live unwavering and uncompromised, the courage to ultimately die; that courage is needed in our generation more than ever.

We have allowed ourselves to live, in such a manner, that we may as well be clinically dead. So I say, die a different death, and be born again so that when you truly have to look Death in the face for the last time, you can welcome it with a smile and warm embrace.

The Morehouse History Club presents

” E R I F n o E S U O “H

D!

AR E H E B O ERNS T

A TOWN

ONC C R U O OR Y F TH G N I T 9 E 1 E H M C MAR HALL

A CALL FOR TOPICS TO DISCUSS!

WE WILL HOLD THE FLOOR OPEN FOR TWO MORE SUBJECTS WHICH ARE OPEN FOR SUBMISSION BY STUDENTS 1.

RELIGIOUS FREEDOM vs PUBLIC FREEDOM

2.

??????

3.

??????

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EMAIL SUBMISSIONS to MOREHOUSE.HISTORYCLUB@GMAIL.COM

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FEatures

MT STAFF Mtigeronline@gmail.com Spring break is a time for relaxation, fun memories (or no memories at all), and aligning yourself after a rough first portion of the semester. Arguably one of the most revered traditions of college life is the annual Spring Break trips planned by millions of students alike. We’ve compiled a list of suggestions to keep you yourself during #SB2015.

1. Don’t go anywhere by yourself.

You’re grown, we know, but ensuring your safety doesn’t mean that you’re a child. Having at least one person you came on the trip with you at all times increases the chance of safety and awareness. Don’t venture off alone.

2. Safe Sex

Use a condom. It’s really that simple. More importantly, if your libations have taken over your night—you may need to save that good time for another day.

3. Don’t Drink Everything

You don’t have to be a vacuum cleaner to impress your friends.

Drink what you or a friend have prepared. While we do not shun drinks from strangers (who doesn’t like a free drink?), we do suggest being mindful of who you take a drink from.

4. Park in Safe Spots

Pay for parking if you can, it’ll save you much less worry in the end.

5. Always have a designated driver or taxi

With the invention of Uber and Lyft, the excuses for drunk driving are almost to none. Don’t drink and drive. Don’t drink and drive.

DON’T DRINK AND DRIVE!

6. Always be mindful of your surroundings

Know where you are and know who you came with. Check landmarks and ensure you can define where you are in a sentence or less. Also, if this is your first time going out to a certain part of your vacationing state or country, share your location with friends so that there is a constant barrier of protection.

7. Don’t get caught on camera

You’re a student first. Don’t ruin that investment wildin’ out on camera. No seriously.

8. Try to do some community service

If you’re not going out, go visit the local part of the state or country you are visiting. Community service could be as small as talking to someone and giving them words of advice. Remember where you came from, you’re vacationing in cities and countries that, somewhere in their geography, needs you.

9. Stay alert during any taxi, Uber, Lyft, etc. ride.

Follow along on Google maps or some sort of navigation service that allows you to be in the know of your location at all times. This ensures legitimate taxi service.

10. Know Your Limits

THE MOST IMPORTANT. Don’t be a hero. If you are of drinking age, you have all the right to drink if you want. However, know how many drinks you can consume and don’t “go [TOO] hard” because it’s Spring Break. Be turnt, not tired. No one likes throw up on their shoes in the club…

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ART & ENTERTAINMENT

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“Artist Spotlight: ChakkRa Tara

Speaks on Life, Art and Inspirations”

Corey D Smith Staff Writer Corey.Smith@morehouse.edu

‘gassed up’. I’ve lived around hard music critics my whole life. I knew if the songs weren’t good, someone would always tell me. I was brought up the ‘right way’ I guess you could say. From there, I moved forward and made something of myself, something my family could be proud of.

From the cover art to the hard-hitting tracks… Nathaniel Lynch -better known as ‘Chakkra Tara’- didn’t fail to be exclusively creative in establishing his first solo project ‘DAHLIA’ (out on sound-cloud now). Maroon Tiger representative Corey D. Smith caught up with Chakkra to gain some insight on who he is and why it is he creates his art.

Corey: Are you ‘secure’ in your potential?

Corey: So let’s jump right in… Who is Nathaniel Lynch?

Chakkra: Who is Nate…? Nate is a student, a son, a brother and an artist that just wants to be heard on a broader scale… Not just in the U.S but other countries as well. This isn’t a “Chakkra” thing; it’s a global thing. I want to make the music that people wake up to.

I want to be next to the greats. I want to be known for something, not just hidden in the crowd.

Corey: Dreaming BIG no doubt… So I’m interested in how the alias “Chakkra Tara” came about?

Chakkra: Chakkra Tara stands for ‘Gods Gift’ (my actual name means God’s Gift as well), I discovered this sophomore year of high school. I knew I had to make the name change; I had to switch it up you know? My name at the time represented the ‘immature time’, I was impatient then…and naive. I understand more now. Chakkra Tara is essentially who I am… it’s how I express my art.

Corey: Interesting…now, what drives or motivates you?

Chakkra: Knowing that I have the potential to do more than the next men... even do more for those around me. Finding out I have a talent, then pushing it forward… past everyone’s expectations… That’s something to look forward to right?

Corey: Right, I definitely commend you for that. Now, we all have something that we live by, a quote, scripture, something… what is Chakkra’s?

Chakkra: “Apply yourself to supply your wealth, the only limitations you have are the ones that you place upon yourself.”

Corey: Go ahead and copyright that, because I will definitely be using it…

Chakkra: *laughs* Well it’s not exactly mine… Just something I live by.

Corey: When did you realize your potential?

Chakkra: Well… I realized my potential after releasing multiple projects. I was told that I had (have) the potential to leave a mark on the history of Hip-hop itself. I wasn’t being

Chakkra: I could say that I’m secure in terms of who I will become. I’m not worried about anyone else. I peep other artistry, but other than that I wish not to bask in the ‘success’ of others. There are not many people to trust out here, let alone work with. I only trust 2 people in this industry currently, that’s my engineer/producer, and my God. Nothing more, nothing less…

Corey: I can definitely understand where you are coming from…what is a message that you want your listeners to receive?

Chakkra: If you’re willing, you are able... Let your gifts be shared with the world in order to restore what has been tainted in the world we live in today.

Corey: and that’s not even to be deep… that’s just real! Tell me, who inspires you?

Chakkra: I honestly am influenced by a countless numbers of artists. Poets like: Common, Talib Kweli, Big L, Big Pun, Elzhi, Black Milk, B.I.G, Pharoahe Monch, just to name a few… Most of my influences came from years of listening to various types of music.

My parents and older brothers gave me a catalog to go through. It’s more than just music though.

Corey: ‘musical activist’… Now, is Chakkra working on any new projects?

Chakkra: YES! Currently I am working on my second project titled “In Good Company”, so be on the look out for that. I’m not going to give deep details on it because I’m currently in the process of putting it all together, but it definitely will be something to look forward to.

Corey: Well ‘Dahlia’ was definitely a banger so we’ll keep our ears up for this one! Last question and I’ll let you go… How can your listeners keep up with you?

Chakkra: Thanks for listening man! It is greatly appreciated… But those who wish to keep up with me can go to my Sound-Cloud and/or Twitter pages: both are ‘@chakkratara’. Or to be more direct… head to my website www.chakkratara.com Corey: Well all-right man, it was great talking to you today! Keep the music coming!Chakkra: Will do! Thank you.And there you have it folks, Chakkra obviously doesn’t plan on stopping anytime soon! This brother is driven, talented, and most importantly educated! A triple threat for a society built against us no doubt. For more info on Chakkra, check out his ‘Cue the Music’ interview via TigerTV.

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FASHION

Darion McCuller and Nick Martin Contributing Writes Mccullerdarion@gmail.com The Oscars is the event that movie stars and moviegoers alike wait for, along with red carpet appearances. The Academy Awards, held in its usual location of Los Angeles, was the setting for the worst and best-dressed fashion of 2015. Beginning the evening,“50 shades of Grey” star Dakota Johnson wore a one-shouldered Saint Laurent gown with a sleek ponytail, and minimal jewelry.

An event like the Oscars, where everybody is going to wear a tuxedo on the red carpet, with a strict dress code, puts a lot of men in a classic black lapel number. It’s not a bad thing (as long as it fits properly), but at the Academy Awards plenty of guys donned

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shawl collar jackets. All of them looked great, and each was a fitting ode to old school Hollywood. As an alternative tuxedo, the shawl collar is the celebrity-endorsed move for the tuxedo season. ​ Other stars who relied on a silhouette, did so to admirable success: Reese Witherspoon, in a monochromatic Tom Ford, Lady Gaga, in custom Alaïa gown (this is the designers first delight for the awards ceremony) took 25 people and two weeks to create. Lupita Nyong’o wore a heavenly, entirely pearl-encrusted gown made by Fransisco Costa of Calvin Klein Collection, a modern-day Goddess.

This year, Nyong’o didn’t have the pressure of a nomination, but she didn’t slack in the dress department. The dress, studded with natural pearls, compiled of 6,000 pearls, according to published reports. Nyong’o, by now a veteran warrior of the red-carpet wars, proved that she is ready every time she steps on the red carpet.

ART & ENTERTAINMENT

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Brianna Gaulding STAFF WRITER BNGauld@gmail.com Sunday, Feb. 22nd 2015, ABC Network presented the 87th Academy Awards Ceremony, live at Hollywood, California’s Dolby Theatre. It was indeed an evening full of, as host Neil Patrick Harris quipped, the celebration produced work in 2014.

The Oscars began in the 1920s and certainly seem, based the demographic of this year’s nominees, that old. The predominantly white male nominee pool mirrored the demographic of The Academy of Motion Picture Arts and Sciences itself. Thankfully, the show was updated with snarky pop culture jokes and progressive, inspirational speeches.

John Legend and Common’s Glory performance was a glimmering display and the subsequent speech upon receiving the Oscar for Best Original Song highlighted realities around police brutality. Legend stated that in the United States, “more black men [are] under correctional control today than were under slavery in 1850”. This shocking statistical note coupled with the emotional performance that preceded it drew even more necessary attention to America’s abusive race relationship.

In another quality, capturing moment, screenwriter Graham Moore won Best Adapted Screenplay for The mathematician who was forced to remain closeted while working to crack German war codes to protect England during World War II. In his speech, Moore gave inspiration to young people whose identities make them feel isolated. He contrasted his Oscars moment to the time in his life when he attempted suicide, Moore urged young listeners to “pass this message along” when it becomes their turn to be recognized and accepted.

Patricia Arquette gave a call for wage equality that was stellar on stage for about two minutes. The tailspin came immediately behind the curtain, when Arquette expounded, urging “all the men…gay people, and all [women] now”. The comments were, at best, nonsensical.

At worst, the core of her statement is that the Great White Feminist Hope of America has eradicated economic oppression for peoples of color and queer citizens. Shame on queer, trans, and heterosexual men and women of color for forgetting to show solidarity for privileged white women!

Maybe the Oscar winner for Best Supporting Actress in Alexis Arquette, who is a trans woman faces. Perhaps

Arquette couldn’t see over her pile of $24 million in net worth to the 68 cents that Black women earn compared to white women’s 78 on white men’s whole dollar.

It’s possible that Arquette simply forgot intersectional thought and failed to notice that women are part of queer communities and peoples of color; it is a tricky fact to recall.

In other critical-thinking free moments, Sean Penn quipped about why Birdman director Alejandro G. Iñárritu was allowed to have a Green Card – he’s Mexican – before presenting him with the Best Picture award.

Then, Chiwetel Ejiofor and Nicole Kidman presented the award for Best Foreign Language Film and read their teleprompter speech that claimed movies aren’t about cultural differences, “they’re about being human”. This was written by creators of an award show that nominated not a single Black actor, actress, or director this year. The claim begs inquiry to the Academy about why awarding movies can’t be about humanity and be fully multicultural.

To pile more on, Neil Patrick Harris made an unentertained David Oyelowo read an off color joke about Quvenzhané Wallis leading in Annie and the day following the ceremony, Gawker reporter Caity Weaver deemed Chris Pine as the “face of the Civil Rights Movement” because of the single tear that inched down his face during Glory. The Colorblind and Racially Insensitive Brigade was in rare form Sunday evening.

Many people, especially those plugged into social media anticipated the lack of consciousness and as a result, the since 2009 – around 15% fewer people watched the 2015 Oscars as compared to the show in 2014.

It is suspected that the drop in ratings is due to Twitter user April Reign’s #OscarsSoWhite hashtag phenomenon that had participation of up to 95,000 tweets per hour that even late night talk show host Jimmy Fallon participated in, tweeting “This year’s Oscar nominees are so white, they just became the frontrunner for the 2016 Republican nomination”.

However, despite the blinding whiteness, there wasn’t a lack of talent and artistry. Eddie Redmayne won Best Leading Actor for his portrayal of Stephen Hawking in The Theory of Everything and, for her performance in Still Alice, Julianne Moore earned Best Leading Actress. J.K Simmons won Best Supporting Actor for Whiplash and in his acceptance speech, urged everyone who is “lucky enough to have two parents alive on this planet…[to] call [them] on the phone. The bit of advice was a lovely Oscars moment.

There could be even more outstanding moments in the Academy Awards hereafter, if only racially exclusionary Academy and its awards.

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FASHION

Jayson Overby Fashion Editor Jayson.overby@morehouse.edu The bags that we tote around can say a lot about us - I mean everything. The ladies constantly hopping from plane to plane toting around a classic Louis Vuitton Neverfull—swift. Versus the college student, toting around their academia woes in Longchamp and luxury leather brief cases—serious.

This new world of bags is nothing to play with, nevertheless, and a serious matter. ​ Ladies, there is nothing more important than the bag that carry’s your spring break outfits and emotional woes. There are a few traditional bags that come to mind: Louis Vuitton Neverfull, Longchamp Le Pilage, and J.Crew Downing Tote. Options are given and options should be taken.

Fellas, is it any way possible to give the gaudy

MCM backpacks a rest? (No shade thrown and none taken). We’re young adults and I think it’s about time we start looking the part. In particularly, bags such as Herschel Supply’s Hudson Messenger, Louis Vuitton Mick MM, Jack Spade Nolan Leather Slim Supply Brief, and Coach Bleecker Backpack in leather. Although, the classic leather briefcase will stick with you as you climb the ranks, don’t look like the guy who looks like he’s going to an interview everyday. ​ I still tote around an old Louis Vuitton Messenger I’ve had for four years and it still looks just as new. You can spend $45 on a bag, and it may be stylish--but chances are three years from now it will not look intact and neither will your outfit. It’s all about investing in quality pieces; your bag should be a primitive investment.

I’m still working for the Louis Vuitton Keep All 45 Bandouliere, lets get real. Be willing to spend a little, and just a little bit more.

“CANDLE IN THE DARK” STYLE with the evening gown she wore—stellar. Our second honoree, Shawnise Benajmin stole the evening in an all black gown with a staple neckpiece stepped into the venue and demanded all eyes. Remaining untouchable in and out of the class, Professor. Jamila Lynn, receives the candle for professor of the evening as she wore an evening gown tapered to the body.

Jayson Overby Fashion Editor Jayson.overby@morehouse.edu

A black-tie event designed to highlight leading entrepreneurs and to pay tribute to national Africa Americans in their respective field, turned into an evening that unconsciously highlighted pioneers of the fashion game via Instagram. Women and men alike were donned in bespoke and ill-fitted tuxedos and evening gowns tapered to fit the figure like a bodycon dress. Instead of highlighting the honorees, we’ve taken the time to honor the best dressed of the event who are obviously the real winners. ​ onorees will be presented with candles held at high ranks H similar to those awarded at the Gala—Candle In Footwear, Candle For Elegance, Candle in Tuxedo, Candle For Professor of The Evening and Candle In Bespoke and Fit. ​

“I only went to wear designer garments if we’re being completely honest,” Nate Suarez said, a sophomore business marketing major. ​ ur first honoree, Cheryl Smith, receives the Candle O in Footwear award. Donned in a pair of Christian Louboutins, Smith’s pair in particular had a lace structure and capote affirmed she was a woman with high heels and even higher standards, synonymous

​ “Had I known that women were stepping out in their best for the event I would have thought a bit harder,” Monee Hill said, sophomore English major at Spelman College.

“I told my mom my prom dress, it looked great, but those women were so elegant.” ​ Men wore tuxedos and suits dressing better than the women. Considering the men wore tuxedos and suits, as alternatives, in the traditional style, all black and navy blue they’re the real winners. Striding in shoes designed by respectable fashion houses—Del Toro, Alexander McQueen, and Ralph Lauren—there is no easy way to award the candle to one single person. Guys like Jonathan Thibeaux and Artimeaus wore a velour blazer as an alternative to the traditional, showing their sense of style and diversity. However, guys like Shaquan Lewis, Deron Cooper, and Nate Suarez easily wore their bespoke suits with ease winning the candle award. There were other guys who were sartorially spectacular, unfortunately there’s not enough space to talk

about those guys. ​

“Considering I seen all of my good friends posting photos on Instagram looking dope, I wouldn’t mind going next year to stunt”, Brandon Corlew said. ​Social events are integral to the college matriculation.

The Gala is an event that highlights pioneering students donned in respective evening wear. Beside academia jargon and thoroughly written introductions, the Gala will continue to sustain its prime role in the fashion hierarchy at Morehouse College. Everything you’ve ever known about tuxedos was wrong, but it starts now to figure out how you’ll blow out the game next year.

Bennie awards, bestowed upon alumni, offer recognition in the categories of service, achievement and trailblazing. The award is named in honor of Dr. Benjamin E. Mays, who served as Morehouse’s president from 1940 to 1967.

Candle recipients, who are not Morehouse graduates, are honored for excellence in a variety of fields including the arts, athletics, business, education, entertainment, government, law, medicine, the military, religion, and science and technology.

The Gala has grossed more than $7.6 million since its inception, with proceeds benefitting the Morehouse College General Scholarship Fund.

ART & ENTERTAINMENT

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Celebrity Selfie of the Week Besos for her Instababies! Former Cheetah Girl and co-host of The Daytime Talk Show, “THE REAL”, Adrienne Bailon gives cheers to a flawless selfie. Her rose pink lipstick perfectly matches the array of lips dancing across her shirt. We all know Ms. Bailon cannot wait until the beautiful day where she receives the most important kiss of all: the kiss that transforms her into Mrs. Lenny S. on her much anticipated wedding day!

67.5K Likes The Gram has been touched by an angel named Kendall Jenner!

The second youngest of the Kardashian clan captioned the superlative selfie with, “Ask and you shall receive. Selfie for all 20 mill of you.

Thanks for all the love,” followed by a kissy-face emoji. The abundance of beauty within this one picture would not make any follower think twice about flipping their camera sideways to view the horizontally-tilted photograph. Absolutely stunning, Kendall!

1.9M Likes

27K Likes

Before we tune into the premiere of her self-entitled show, “Turned Up”, we must remember that she must turn down sometimes for her mommy duties. Christina Milian takes this adorable selfie with her fave, and it’s neither celebrity BFF Karruche nor boyfriend Lil’ Wayne. It’s her daughter, Violet Madison! Well, it’s her feet. Milian dedicates this good morning post to her daughter by calling her “My #1 Onesie”. How adorable is that?

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SPORTS

Amber Johnson Contributing Sports Writer/PR Director Ajohn175@scmail.spelman.edu “As you help others, others tend to help you,” former NBA All-Star Grant Hill said during the Reflections program before the 27th Annual “Candle in the Dark” gala. For his charisma, dedication, and commitment to service, Morehouse awarded Hill the Candle in Sports and Entertainment.

Many know Hill as the 6-foot-8 forward who starred for four teams, but few know that he has a love for art.

“If I, as a celebrity or whatever, can expose young boys and girls of color to art, I can make an impact,” Hill said.

Grant turned a lifelong love of art into what may be his most benevolent endeavors off the court. Grant sponsored a seven-city tour of his personal art collection entitled “Something All Our Own: The Grant Hill Collection of African American Art.” Additionally, he has created the “Something All Our Own” scholarship that provides educational assistance to college students who are interested in pursuing a degree in visual arts.

He has provided numerous opportunities for students to fund their post-secondary education and his efforts off the court are comparable to all that he has done with a basketball in hand.

Since stepping off the court, the 42-year-old has introduced a different side of Grant Hill – one who enjoys educating both the general public and youth about African-American art, and one who has also encouraged many to accomplish their major goals by investing in their businesses. Hill exemplifies what athletes should strive to offer after their playing time has ended.

“The Freshest Freshman”

Malcolm Banks Senior Staff Writer Banks812@gmail.com

In recent years, fans of the Morehouse Maroon Tigers have enjoyed and been fortunate to watch top SIAC athletes such as Darrius Williams and Andrae Nelson display their abilities at the highest level in their junior and senior basketball seasons. Fast forward to 2015, in comes a freshman point guard from Atlanta named Tyrius Walker, who has no plans of waiting to show his dominance. He’s doing it now.

The 2014-2015 season for the Maroon Tigers has been solid and attendance in Forbes Arena is getting better, but what has garnered the most attention thus far is the exceptional play of Walker. The 6-foot-1 point guard and product of Atlanta’s Grady High School has been very entertaining as he puts pressure on defenses with his quick first step.

“It’s actually been a tough transition coming in as a freshman, starting and playing big minutes and being a leader,” Walker said. “Coach told me to just be patient and my time will come.”

If the transition has been truly tough for Walker, then he’s disguised it from the public. In 26 games this year, we have seen a bolt of excitement from him as his averages of 14 points, four rebounds and three assists were instrumental in the Tigers’ success.

They earned the No. 2 seed in this week’s SIAC tournament with records of 13-6 in the conference and 15-11 overall.

Walker was named SIAC Freshman of the Year, and he and Tyrone Brown, second in SIAC rebounding with 7.8 per game, made the All-SIAC team.

On Feb. 21 against rival Clark Atlanta University, the Morehouse community got a taste of what to expect in the coming seasons. “That was a nice experience, coming in, there was a big crowd, but there was no pressure,” Walker said.

games. Due to his high level of production excitement is in the air.

“We clinched the second seed in the tournament and that is a big accomplishment for us,” Walker said.

The tournament this year will be fascinating and Morehouse certainly plans on making a deep push.”

Bringing a championship will mean everything because we have so many doubters,” Walker said. “We have to bring a championship to Morehouse. We have to.”

With his talent and confidence, it’s evident the Maroon Tigers will be in the title conversation the next three to four years.

He played like there was no pressure, ending the Clark game When speaking about his future, Walker keeps his with an impressive stat line of 20 points, five assists and aspirations high. “Ten years from now, hopefully I’ll have a eight rebounds. Making a statement. career in the NBA or overseas.”

Going into tournament time (March 2-7 at the Crossplex in But for now, we are all satisfied that Walker refuses to wait Birmingham, Ala.), Walker is playing his best ball of the for his moment. season after scoring at least 20 points in four of his last six