Vittorio Monti
Czárdás arranged for xylophone solo and percussion ensemble by Stephen Primatic
Czárdás by Vittorio Monti, arranged by Stephen Primatic © 2012 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCE-70
Program Notes This well-known gypsy violin piece is often used as an encore. Based on the Hungarian Csårdås, the piece opens with a rhapsodic statement in D-minor which leads into a brisk Vivace showcasing the performer’s technique. A romantic interlude in the key of D-major follows, and the piece ends with a return of the Vivace section that gradually accelerates to a rousing conclusion.
Performance Notes This arrangement features a xylophone soloist, but it can also be performed on a marimba. The soloist should use soft (rubber for xylophone) mallets for the opening and switch to something a bit harder for the Vivace section at letter B. In the original version, the soloist plays at letter D. However, this arrangement moves the melody to the vibraphone. The marimba parts at letter E should approximate the sound of a single player performing a broken or rolled chord. The rolls in the bell part should be light and delicate. Also, at letter E the soloist should play directly over the nodal points of the bars to achieve as thin a sound as possible, returning to normal playing position at letter F. It is possible for one player to perform the percussion part.
Instrumentation (8-9 players) Xylophone (soloist) Glockenspiel Vibraphone Marimba 1 (low A) Marimba 2 (low A) Marimba 3 (5-octave) (marimba parts 1 and 3 can be played on one 5-octave instrument) Timpani (3 drums) Percussion (crash cymbals, tambourine, triangle)
Suggested Setup
Level: Medium Approx. playing time: 4’30”
Czárdás
for xylophone solo and percussion ensemble
Vittorio Monti arr. Stephen Primatic
Largo maestoso q = 60
Solo
Glockenspiel
2U & b4 Œ
U Œ
U Œ
U ff
U ff
U j U f f ‰ f #f U U f f
2 & b4
f
Vibraphone
U f
2U & b4 f f
Marimba 1
Uæ 2 æ & b 4 ff
Marimba 2
U 2 fææ b & 4f f
Marimba 3
U f ? b 42 f ææ ? b 42 U f
U f ææf U Œ
2U / 4Œ
U Œ
f
Timpani
f
Percussion
> f U f >f f ææ #fJ ‰
U f f ææ Uæ fæ f
f
Œ
U ff #fj ‰ æ >f Uæ fæ >f ‰ f fJ
solo - freely
∑
4Ó 4
∑
4 4
6
f f f f #f f #f
U f™
>f
‰™ Œ
‰™
U U Œ fj ‰ > cr. cym. U ¿. U Œ J ‰
∑
4 4f >
f
Œ
Ó
f
fÓf
ff
ff
Œ
Ó
p
4 r 4 f f >f >f r 44 >f >ff
∑
j fff f p
f f f f
p
∑ ∑ Œ
Œ
Œ
Πf f
ff
ff
f
ff
Œ
Ó
Œ Œ
p
4 4
∑
∑
4 4
∑
∑
=
molto rall. 6
Solo
F
∑
4Π4
∑
roll 8th notes and longer
‰
&b f f f f F
f
f f f #f f
fff
cresc.
j F f f f f f f# f f f f f n fj f f
ffff
ff
ffF
f
f f f f# f
f ™ fj f f f f f ™# f Œ f f
G
&b
∑
∑
∑
∑
∑
∑
∑
V
&b
∑
∑
∑
∑
∑
∑
∑
Πf ff Πf
Πf ff Πf
Πf Πf f f
Œ
Œ
M1
& b Œ ff ff Œ
Œ
& b Πf ff Πf
Œ
cresc.
M2
cresc.
M3
T
P
?b f Œ Ó f ?b /
cresc.
#f #f
ff Πff
Œ
Œ
Œ
f
# ff
Œ ff Œ
f f
ff
f
ff
ff
Œ
Ó
Œ Œ
f ff
fŒ Ó f
Œ
ff ff
f Œ Ó f
Œ
Œ
Œ
f
#f Π#f
# ff
f Πf
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
f f f ™# f f
Œ
f
ff
ff ff
f f
f f
f
f
© 2012 Tapspace Publications, LLC, Portland, OR. (ASCAP) International copyright secured. All rights reserved.
∑ ∑
Œ
fΠf
2
Czárdás – arr. Primatic
A
A tempo 3
13
Solo
&b
nf f mf
3
nf f f ™f f ™ f f f f f f f f ™#f F fff
G
&b
∑
V
&b F
f
f
f™
& b Πff
Œ
ff
Œ
&b Œ
Œ
mf
M2
ff
f f #f
#f f f fnf f 3
∑
mf
M1
3
ff
Œ
ff
f f f f f f f f#f f f
f
f
f™
Πff
Πf f
Œ
ff
Œ
Œ
Œ
Œ
f
Uf ffreely f ff f f f#f f f f
∑
F
ff
f
Œ
# ff
∑ j f F
∑
ff Œ
ff f
ff
Œ
Ó
Œ
Πf f f f
U Œ
Œ
U Œ
f f
U Œ
?b f Πf
<n>f <n> f
T
?b
∑
∑
∑
∑
∑
P
/
∑
∑
∑
∑
∑
M3
mf
Œ
f f
f Π#f Πf #f
Œ
Œ
f f
3
7
∑
j f F f
f
f f
f Πf f f
= U f & b f f f#f f f f f ™ f
Solo
ff
Œ f f f f fnf f f f f f f f f f ™ fj f f f f f ™# f f
&b
∑
∑
V
&b
∑
∑
M2
M3
T
P
U Œ
& b Œ ff ff &b Œ
U Œ
f ff
U Œ
?b f ΠΠf ?b /
∑
ΠΠ#f #f
ff f Œ ∑
U Œ f f Œ Ó > >f f U Ó Œ f ff Œ Ó > > f >f >f U #f f Œ Ó f f f ™# f f Ó
Œ f Œ
f
# ff
ff
f Πf
f f Ó
f ff ff >f f f f >f f f f
∑
Ó
f >f
U Œ Ó
U f Œ Ó >f f > U Œ f f Œ Ó > f
∑
∑
f
G
M1
B Vivace q = 135
molto rall.
18
> > U Œ ¿ ¿ Œ Ó
cr. cym.
f
j ™™42 f f ‰ fJ ‰ f ‰ fj fj fææ j fæ fj ‰ > #f sf p roll where indicated
™™42 ™™42
∑
∑
∑
∑
∑
∑
∑
∑
™™42
ff ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j ff ff ff ff ff ff ff ff
™™42
f f
sf p
™™42 ff ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j f f f f f f f f sf p
sf
™™42
p
∑
f f ∑
f
f ∑
f f ∑
™™42 œ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ J J J J J J J tamb.
sf p
TSPCE-70
3
Czárdás – arr. Primatic
& b f f f f f f f f f f f f f f f f fj fææ #fj fææ fj ‰ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ffff > f nf #f f
26
Solo
f
G
&b
∑
∑
V
&b
∑
∑
M1
p
∑
cresc.
∑
fff ffff f ‰ J
M3
∑
∑
∑
Œ
∑
∑
∑
∑ ‰
f f #f J
j j j j j j j j & b ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰
j ‰ j ff f #f
f
f
M2
∑
&b ‰ ?b
p
j ‰ j ‰ j ‰ j ‰ fj ‰ fj ‰ fj ‰ fj ‰ j ‰ fj ‰ fj ‰ fj ‰ j ‰ j ‰ j ‰ j ‰ f f f f f f f f f f f f f f f f f
f
cresc.
f
f
f
p
f
f
f
f
f
f
f
f
p
f
f
f
f
P
/ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰
∑
∑
∑
f
f
cresc.
?b
∑
cresc.
f
f
T
∑
j ‰ j f f
∑
∑
∑
∑
p
œ ‰ œ J J
cresc.
= 35
Solo
& b bf f f f f f f fj fææ j f Œ #f > #f
G
&b
∑
∑
V
& b f f f #f f Œ
∑
M1
M2
M3
∑
™™ ™™
<n> f f
™™ ™™ ™™ ™™
C
<n> f n f f mf
j j & b ‰ fj ‰ f ‰ ffj ‰ f ‰ ffj ‰ ffj ™™ ™™ #f #f &b ‰
‰
? b #f
T
?b
P
/
TSPCE-70
f ∑
f f ∑
f f ∑
‰ œ ‰ œ ‰ œ‰ œ ‰ œœ J J J J J
™™ ™™ ™™ ™™ ™™ ™™
‰
f nf f
∑
f mf
j ‰ j ‰ j ‰ j ‰ j ‰ j ™™ ™™ f f f f f f
fffff f f
f™ f
∑
j f
#f f f f f f f # f p
∑ j f F
f f J
∑ f ™ #f
f
f
j ‰ j ff f <n> f
‰
j ff ‰ ffj
‰ fj ‰ fj ‰ fj ‰ fj f f f f
‰
j j ff ‰ # f f p
j ‰ j f ff
‰
j ‰ j f ff
‰
j ‰ j ‰ j‰ j ff ff ff ff
‰
j ‰ j f f p
f
f
f
f
#f
f
<n> f
mf
ææ j f f‰ f f fff
f
mf
œ
<b> f f f
∑
mf
mf
fffff
∑ œ ‰ œ J
∑ œ
œ ‰ œ J
f ∑
f
p
f ∑
œ œ ‰ œ ‰ œ‰ œ J J J
p
œ p
∑ œ
‰ œJ
4
Czárdás – arr. Primatic
43
Solo
G
V
M1
M2
M3
&b
j f
æ j‰ f f f f fj f f fæ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f n f # f f f f f f f # # f f n f f #f f f #f f f cresc. pp
&b &b
∑
f
∑
∑
j f f
#f
f
f
f
pp
f
∑
j f F
f
f
f
∑
#f
f
∑
∑
j ‰ j ff f #f
‰
j ff
‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ f f f f f f f f f f f
&b ‰
j ‰ j f f
‰
j f
‰
T
?b
P
/
#f
f
œ
œ
j ‰ j ‰ j ‰ fj ‰ fj ‰ fj ‰ fj ‰ j ‰ j ‰ j ‰ j ‰ f f f f f f f f f f f f f
∑ œ
j ‰ j f # f cresc.ff j ‰ j f cresc.f
pp
f
‰ œJ
mp cresc.
pp
f
∑
f f #f J
‰
&b ‰
?b
f
cresc.
œ
f
f
f
pp
∑
∑
∑
‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ
f
f
f
f
f
f
∑
∑
∑
‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ
pp
f
cresc.
œ œ œ J
‰
cresc.
= 51
Solo
G
V
M1
M2
M3
T
P
& b f f f f f f f fj fææ j f Œ #f > > #f f &b f
#f
f f #f F J J f
& b f f f #f
f f #f F J J
j & b ‰ j ‰ fj ‰ ffj ‰#ff ff Œ #f f f & b ‰ j ‰ j ‰ j ‰ fj f Œ f f f f f ? b #f
f
f
?b
∑
/
‰ œJ œ œ
f
f
f
Œ
f
∑
∑
‰ œJ ‰ œJ œ Œ
∑
∑
∑
™™ ## f f <n>f f f F f f <n> f <#>f f f f ™ f f f f™ f f f F ™™ ## <#>f f ™ f f f f ff f f f f#f f f ™™ ##
ff
f
™ ## <#>ff
&™
<#>ff ff
™™ ## f Œ f f
™™ ## f Œ ™™
Π#f f
Œ
Œ
Œ
#f
ff
<#>f Π<#>f
f f
Œ
f Œ
f
Œ
f
∑
ff
∑
∑
∑
f f™
p
ff
f™ f f ™ ff f f f <n>f f f
ff f
Œ
Œ
p
ff
Œ
ff
p
f f
f f f f
f f
Πf
Œ
f Œ
f
p
∑
Œ
fΠf f f f
∑
j ff f f f f f f f f ™ f ff f p ™ f f f™ ff f f f f f f f f f ff ™™ f ff f f J
Œ ff Œ
∑ f™
f
f
∑
f
™™ ##
D molto meno q = 70
p
∑
∑
∑
ff
ff
Œ
f Πf
Œ
f f
∑
∑ TSPCE-70
5
Czárdás – arr. Primatic
E meno quasi lento q = 55
∑
∑
∑
Œ
f f
# f &#f f f f
Œ
Œ
ff
M3
? ## f Πf
f Πf
? ## f Œ
f Œ
#f
Œ
f f
Πff ff
ff
Œ
f
ff
ff
ff ff
f Πf
f f
Œ
æ Fæ
f f f f f
f
Œ
f
f
‰ j Œ f f ‰ ff f Œ J f
f f f
f
T
‰ j Œ ff ff
ff
æ Fæ
f f ææ
f f
ffff ffff ff
pp
F F æ ff
pp
ff ff
ff ff
f ff
ff #ff f f
f ff
f f f f
pp
ff ff
pp
f
f f f f
ff ff f f
f
pp
‰ fj f Œ
f
f f ææ
f ææf
∏∏∏∏ ∏∏∏∏
Π#f f
#f #æf æ
F ææF
∏∏∏ ∏∏∏∏
f ## f ff &
f ff fff Œ f ff ffff ff ff f f™ f f f f f f f ff f f f f ff f Œ f f f
∏∏∏
M2
∑
∏∏∏∏ ∏∏∏∏
f f f f f f f ff F #f f ff f f f f f f f f f f F #f f
f
∑
pp
# & # ff f ™ f ™ f f f f ## f ff ™™ ff & f
M1
∑
∏∏∏ ∏∏∏
V
∑
∏∏∏ ∏∏∏
G
∑
∏∏∏ ∏∏∏
Solo
(play on nodes) frollfall™ notes ffff f F f fff f f™ f f f ff ffff F
∏∏∏ ∏∏∏
# &#
62
∑
∑
∑
∑
f
∑
/
P
∑
∑
∑
∑
∑
∑
∑
tri.
Π1
Œ
pp
Œ
1
1
1
1
=
T
P
TSPCE-70
/
F ææF p f f
f ææf
#f #f æ
F ææF f f <n>f f f f f f F
∏∏∏
ff
ff ff
∏∏∏ ∏∏
ff ff
∏∏∏∏ ∏∏∏
∏∏∏ ∏∏∏
#ff
∏∏∏ ∏∏∏
∏∏∏ ∏∏∏∏
∏∏∏ ∏∏∏
f f
f f
ff ff
ff
p
f f
f
ff
ff
f
ff
f
ff ff f
ff f f
ff ff f f
f f p
∑ 1
Œ
1
∑ Œ
1
∑
b
ppp
Uæ f f f f Fæ
b
U ff ‰ fj ææ f FF ppp U ‰ j æ ff ff f ff FFæ f ppp U f j ææ ‰ f f f f FF ff ff
b ?
1 1 1 1 1
∑ Œ
1
Œ
∑
∑
∑
1
1 1
1 1
∑ Œ
1
∑ Œ
∑
1 1 U ! ppp
b b
ppp
∑
p
f
U F æ
∏∏∏
ff
∏∏∏
∏∏∏ ∏∏∏
f f
ff ff
f f
∏∏∏
∏∏∏
ff ff
f
f f™ f f f f
∏∏∏
ff f f
∏∏∏ ∏∏∏
ff ff
∏∏∏
ff
<n>f <n> f
ppp
∏∏∏ ∏∏∏
ff ff
∏∏∏ ∏∏∏
∏∏∏ ∏∏∏
∏∏∏ ∏∏∏
ff ff
ff ff
b
ppp
f f f ææ ææf
∏∏∏ ∏∏∏
F F ææ f f f #f F
∏∏∏ ∏∏∏∏
f ææf
p
∑ Œ
p
p
? ## f ? ##
f f ææ
f f™ f f f F f f™ f f f f f f f f f F ff ffff
∏∏∏∏ ∏∏∏
M3
# & # ff
ff
f f f ææf ææ ffff
∏∏∏
M2
# ff &#
∏∏∏
M1
∏∏∏
V
∏∏∏
G
æ ## Fæ & F f™ ## f f f &
∏∏∏
Solo
U f f™ f f f f f f™ f f f f f f f f f F f ffff F molto rall.
## f ™™ f f f ff f f f f f f #f F & f f f f f f f f f f #f F
74
b
6
Czárdás – arr. Primatic
F 86
Solo
& b <n> f f
Vivace q = 135
normal striking position (roll where indicated)
æ j fæ f ‰ f bf f f f f f bf f f f f f f f <n> f n f f f nf f bf f f f f mf
G
&b
V
&b
<b>f
&b
‰
M1
M2
M3
T
P
?
mf
∑
∑ f™
f <n> f
œ
∑ f ™ #f f
f
p
‰
f <n>ff J ‰ J
‰
ff f J ‰ J
‰
f J
‰ fJ
‰
f
f
f
f
mf
∑
f f ‰ fJ ‰ fJ ‰ ffJ ‰ ffJ f
f
f ∑
œ ‰ œ J
œ
f
f
∑
œ ‰ œ J
∑
œ œ ‰ œ ‰ œ‰ œ J J J
p
#f p
œ
f f #f f nf #f f f ∑ j f f
j f
j ‰ j ff f #f
‰
j ff
‰ fj f
‰ fJ
‰
f J
‰ fJ
f J
#f
f
f
∑ ‰ œJ
p
j f
#f
∑
œ
fnf f f
∑
j j ff ‰ # f f p
tamb.
mf
f #f f #f
‰
mf
/
j f
j j j j j f ‰ fj ‰ <n>f ‰ f ‰ f ‰ f f f f f f f
<n> f
?b
j f F
fnf f f
‰
‰
?b
∑
f f J
f
f #f f #f p
j j f ‰ ff <n> f mf
b
∑
j f
œ
œ
∑ ‰ œJ
œ
œ
‰ œJ
= G
æ & b fæ fj ‰ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f
93
Solo
pp
mf
G
V
&b &b
∑
mp
f
f
pp
∑
F
mf
M1
T
P
cresc.
f
f
mp
∑
f
∑
f ∑
# fcresc. ‰
‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ f f f f f f
f f ? b ‰ fJ ‰ fJ ‰ fJ ‰ fJ
ff ff ‰ J ‰ J ‰ fJ ‰ fJ ‰ fJ ‰ fJ
?b
f
pp
mf
M3
f
# bf f#f f f fnf#f # fJ ‰ Œ f f f f nf #f ff
j j & b ‰ ffj ‰ ffj ‰ ff ‰ ff mf
M2
<b>f
?b
f f
mf
pp
f
f
mp
mp
f
pp
∑
∑
‰
f
f
#f
f f #f J f f #f f
mp cresc.
mp
f
f
∑
## F f
cresc.
f ‰ f ‰ f ‰ f J J J J
## ‰<#>ff ‰ ff ‰ ff ‰ ff J J J J
f
#f
∑
f
f
f
## f f
f
f f f
∑
## f
f
f f
f
f
/ ‰ œJ ‰ œJ ‰ œJ ‰ œJ mf
pp
‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ mp
‰
∑
## ‰<#>fj ‰ fj ‰ fj ‰ fj f f f f
f
∑
∑
j ‰ j ‰ j‰ j f ff ff #f #f
cresc.
∑
∑
f
## F f
cresc.
f
f
Allegretto q = 150
œ œ œ œ œ œ œ J
cresc.
œ œ‰œ ‰œ‰œ J J J
f
TSPCE-70
7
Czárdás – arr. Primatic
>f > ## f ææ <n>æfJ fJ æf <#>f f >f f f f f f f f f f f f f f f f f f f f f >f #f f f f f f f f f f f f f f f f f f f J ææ J ææ J ‰ æ J J ææ J ææ J ‰ & J
102
Solo
G
V
M1
p
mf
# &#
∑
∑
∑
mf
∑
# > & # fj f <n>Jf fJ f <#>fj fj f j F > > f mf
∑
∑
∑
∑
∑
∑
p
f
f
f
f
cresc. to H
# & # ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj ‰ fj f f f f f f mf
cresc. to H
? ## ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ ff J J J J J J J J J J J J J J J J J J
‰ ff ‰ ff J J
cresc. to H
? ## f f f
f f f
f f f
f f f
f f
f
cresc. to H
? ## f f
f f
f f
f f
f
f
mf
p
mf
T
∑
mf
mf
M3
cresc. to H
∑
j f f #fj F >
p
M2
p
mf
p
p
p
mf
f f
f
f
f
p
f f
f
f
mf
f
f
mf
f
f
f p
f
f
/
P
p
mf
p
p
f f
f
cresc. to H
1 œ1 œ 1 œ1 œ 1 œ1 œ 1 œ1 œ 1 œ 1 œ 1 œ 1 œ 1 œ1 œ 1 œ1 œ 1 œ 1 œ ‰ J‰J ‰J‰J ‰ J‰J ‰J‰J ‰ J ‰ J ‰ J ‰ J ‰ J‰J ‰J‰J ‰ J ‰ J
mf tamb.
j ‰ j ff ff
f
f
tri.
‰
1 œ 1 œ ‰ J ‰ J
cresc. to H
= H
>f > > ## f f f f f f f f f f f f f f f f f f#f f f f f f f f#f f f f f f fJ æf æf fJ æf j fj ææ æ J æ f f & poco rall.
112
Solo
f
stentato
G
V
M1
M2
M3
T
# &# # &#
∑
f
f
∑ f
f
∑ f
∑ f
#f
∑ f
f <n>f
? ##
P
TSPCE-70
/
f f
f f
f
f
f f
1 œ 1 œ 1 œ 1 œ ‰ J ‰ J ‰ J ‰ J
#f
f
f
f
1 œ 1 œ ‰ J ‰ J
f f
f f
> ‰ f f f f fj j f f fj F J J> > f > j f f f f fj j f f fj F J J> f >
∑ f f
# j j j j & # ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ fj ‰ #ff ‰ fj ‰ fj ‰ f ‰ f ‰ f ‰ f f f f f f f ? ## ‰ ff ‰ ff ‰ ff ‰ ff ‰ #ff ‰ f ‰ #ff ‰ ff ‰ ff ‰ ff ‰ ff ‰ J J J J J J J J J J J ? ##
>f f > æJ J ææf fJ f >f f f f ‰ J ææ J ææ J
più presto q = 160
f
j f ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj ‰ ffj f f
ff J
‰ ffJ ‰ ffJ ‰ ffJ ‰ ffJ ‰ ffJ ‰ ffJ ‰ ffJ ‰ ffJ f
<n>f f <n>f
f ff f
f f
f
f f f
f f f
f f f
f f
ffff
f
f
f f
f f
f f
1 œ 1 œ 1œ œ 1 œ 1œ œ 1 œ ‰ J ‰ J ‰J ‰J
f
f
1 œ1 œ 1 œ1 œ 1 œ1 œ 1 œ1 œ ‰ J‰J ‰J‰J ‰ J‰J ‰J‰J
f
8
Czárdás – arr. Primatic molto più vivo q = 165
# f f f f f f f f f f f f f f f fJ >f ææ &#f
#f æf J æ
# &#
∑
∑
j #f F
F
# &#
∑
∑
j #f F
f
122
Solo
G
V
M1
M2
M3
T
P
j f f mf >
# &#‰
j ff
‰
j ff
‰
j ff
‰
j ff
? ## ‰
ff J
‰
ff J
‰
ff J
‰
ff J
? ## f f ? ## f /
1 ‰
œ J
j f f mf > ‰
‰ ff ‰ ff J J
‰ ff ‰ ff J J
f f
f
f
f
f
f
f
f
f
f
f
œ J
1 ‰
œ J
1 ‰
œ J
f f f f f f f f f f f f f f f f
j ‰ j ‰ j ‰ j ‰ ff ff ff ff
f
1 ‰
f ‰ J
1 œ 1 œ ‰ J ‰ J
‰
F
j ff
‰
j ff
‰
j ff
‰
j ff
ff J
‰
ff J
‰
ff J
‰
ff J
f
f
f
f
f
f
1 œ 1 œ ‰ J ‰ J
1 ‰
f
f
f
œ J
f
f
f
f
1 ‰
œ J
1 ‰
œ J
1 ‰
Œ
>f f
Œ
Uæ Fæ
œ J
= string. sempre q = 175
f ## f f f f f f f f f f f f f f f f f #f f f f f f f f f #f f f f f f &
128
Solo
G
V
M1
M2
M3
T
# &#F # &#
F
f
‰
? ## ‰
ff J
‰
f
f
f
f
j ff
‰
ff J
‰
j ff
‰
ff J
‰
f
f
j ff
‰
ff J
‰
j ff
‰
ff J
‰
j ff
‰
ff J
‰
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f j ff
? ##
f
Œ
>f f
ff
Œ
ff
# &#‰
? ##
f
f
f
f
ff
j ff
‰
ff J
‰
j ff ff J
ff ff
Œ Œ
>f f
ff
>f f
ff
Œ Œ
ff
Œ
>f f
f
f
f
f
f
Œ
>f
Œ
/
1 ‰
œ J
1 ‰
œ J
1 ‰
œ J
1 ‰
œ J
1 ‰
œ J
1 ‰
œ J
1 ‰
œ J
1 ‰
œ J
1œ
Œ Œ
1œ ff
Uæ Fæ F
U FF ææ
Uæ FFæ
ff
Œ
ff
P
ff
ff
ff
Œ
U F F
ff
ff
Œ
U F F
U F ææ ff
Œ
U !œ ff
ΠTSPCE-70
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