Kim Jaeil | Visual and Perception

Page 1

KIM JAEIL



KIM JAEIL

VISUAL AND PERCEPTION

SUNDARAM TAGORE SINGAPORE FEBRUARY 14 – APRIL 11, 2020



GALLERY MISSION Sundaram Tagore Gallery is devoted to examining the exchange of ideas between Western and non-Western cultures. With spaces in Hong Kong, Singapore and New York City (in Chelsea and on Madison Avenue), the gallery was the first to focus exclusively on the rise of globalization in contemporary art. The gallery represents painters, sculptors and photographers from around the world. They each work in different mediums and use diverse techniques, but share a passion for cross-cultural dialogue. The gallery is renowned for its support of cultural activities—including poetry readings, book launches, music performances and film screenings—that further its mission of East-West exchange.



VISUAL AND PERCEPTION Sundaram Tagore is pleased to present new and recent work by Korean artist Kim Jaeil, who produces radiant sculptural paintings cast from resin. This is the artist’s first solo show in Singapore. Raised and educated in Seoul, Kim Jaeil works in a manner similar to an earlier generation of artists who lived through the Korean War. Beginning in the 1970s, those artists began producing abstract works in a conscious shift away from the realist painting style favored at the time. This influential era of artistic development in South Korea marked the early stages of the Dansaekhwa (monochromatic painting) movement, which challenged the prevailing aesthetic of traditional Korean art. Produced using minimal palettes with a focus on negative space, this non-figurative style of painting emphasized process and materiality, as well as inner exploration over visual expression. Although Kim’s work references pioneering Dansaekhwa figures such as Park Seo-Bo and Chung Sang-Hwa, he cites Western art, including relief work by American artist Lee Bontecou and the spatial theories of Italian painter Lucio Fontana, as his primary influences. To create his punctured, cast-resin works, Kim uses his own unique process of intaglio, a centuries-old printing technique that incises a form into a surface. He begins by sketching a composition on a flat surface. Once it’s finalized, Kim builds a form out of clay in three connected layers, into which he pours resin. Once hardened, Kim carves the resin structure and applies acrylic paint, producing a mesh of circular pockets illuminated with vibrant, light-reflecting hues. Each painting can take up to a month to produce, depending on the size and complexity. Kim’s compositions vary. Some are inspired by forms found in nature, such as waves or stars; others are more abstract, such as Vestige (Glimmer), a configuration of circles shaped by hundreds of carved dimples highlighted in jewel-tone blue and purple pigment. The result is an optical illusion created by the convergence of the cubic and planar layers, with the negative space accentuating the hollowed-out forms. Kim’s luminous hollows, strung together by an unseen connective tissue, compel the viewer to examine the work closely to discover its hidden depths. For the artist, these mystical spheres embody both the microstructure of human cells and a galaxy of stars across the sky.

7


Vestige (moving-violet), 2016, acrylic on fiberglass resin, 39.4 x 35.4 x 1.8 inches/100 x 90 x 4.5 cm

8


9


Vestige (horizon-blue), 2016, acrylic on fiberglass resin, 31.5 x 59 x 1.8 inches/80 x 150 x 4.5 cm 10


11


Vestige (ray-silver), 2018, acrylic on fiberglass resin, 22.8 x 34.6 x 1.8 inches/58 x 88 x 4.5 cm 12


13


Vestige (circular space-green), 2018, acrylic on fiberglass resin, 47.2 x 43.3 x 1.8 inches/120 x 110 x 4.5 cm

14


15


Vestige (divine-blue), 2018, acrylic on fiberglass resin, 44.1 x 63.8 x 1.8 inches/112 x 162 x 4.5 cm 16


17


Vestige (blue-earth 2), 2019, acrylic on fiberglass resin, 47.2 x 43.3 x 1.8 inches/120 x 110 x 4.5 cm 18


Vestige (galaxy-gold 2), 2019, acrylic on fiberglass resin, 35.4 x 39.4 x 1.8 inches/90 x 100 x 4.5 cm 19


Vestige (pour), 2019, acrylic on, fiberglass resin, 44.1 x 63.8 x 1.8 inches/112 x 162 x 4.5 cm

20


21


Vestige (rising-gold+white), 2019, acrylic on fiberglass resin, 47.2 x 43.3 x 1.8 inches/120 x 110 x 4.5 cm

22


23


Vestige (edd-gold), 2019, acrylic on fiberglass resin, 34.7 x 22.4 x 1.8 inches/88 x 57 x 4.5 cm 24


25


Vestige (halo-gold), 2019, acrylic on fiberglass resin, 59.1 x 59.1 x 1.8 inches/150 x 150 x 4.5 cm 26


Vestige (space-silver), 2019, acrylic on fiberglass resin, 51.2 x 51.2 x 1.8 inches/130 x 130 x 4.5 cm 27


Vestige (ray-blue), 2019, acrylic on fiberglass resin, 34.7 x 22.4 x 1.8 inches/88 x 57 x 4.5 cm 28


29


Vestige (halo-red), 2018, acrylic, pearl powder on fiberglass resin, 23.6 x 23.6 x 1.8 inches/60 x 60 x 4.5 cm 30


Vestige (halo-blue), 2017, acrylic, pearl powder on fiberglass resin, 23.6 x 23.6 x 1.8 inches/60 x 60 x 4.5 cm 31


Vestige (glimmer), 2019, acrylic on fiberglass resin, 51.2 x 51.2 x 1.8 inches/130 x 130 x 4.5 cm

32


33


Vestige (big bang-gold), 2018, acrylic on fiberglass resin, 47.2 x 35.8 x 1.8 inches/120 x 91 x 4.5 cm 34


35


Vestige (rising-blue+purple), 2019, acrylic on fiberglass resin, 35.5 x 28.7 x 1.8 inches/90.2 x 73 x 4.5 cm

36


37


Vestige (divine-blue), 2018, acrylic on fiberglass resin, 35.6 x 28.7 x 1.8 inches/90.5 x 73 x 4.5 cm

38


39


Vestige (rising tide-deep silver), 2019, acrylic on fiberglass resin, 34.7 x 22.4 x 1.8 inches/88 x 57 x 4.5 cm 40


41


Vestige (yin & yang-gold), 2018, acrylic on fiberglass resin, 35.6 x 28.4 x 1.8 inches/90.3 x 72 x 4.5 cm

42


43


Vestige (appearing-gold+copper), 2019, acrylic on fiberglass resin, 47.2 x 35.8 x 1.8 inches/120 x 91 x 4.5 cm 44


45


Vestige (collision-white), 2019, acrylic on fiberglass resin, 51.2 x 51.2 x 1.8 inches/130 x 130 x 4.5 cm

46


47



KIM JAEIL Born in Seoul in 1969, Kim Jaeil has a B.F.A and M.F.A from Hongik University, Seoul. He has exhibited his work in numerous solo and group exhibits throughout Europe, Asia and the United States, including at the Seoul Museum of Art; the London Art Fair; Art Cologne; Fountain Art Fair, New York and Miami; and Art Osaka. He is the recipient of the Special Prize in the Misul Segye Art Contest, awarded by the Seoul Museum of Art. Kim lives and works in Seoul.


SUNDARAM TAGORE GALLERIES singapore

5 Lock Road 01-05, Gillman Barracks, Singapore 108933 • tel 65 6694 3378 singapore@sundaramtagore.com

new york

Chelsea: 547 West 27th Street, New York, NY 10001 • tel 212 677 4520 Madison Avenue: 1100 Madison Avenue, New York, NY 10028 • tel 212 288 2889 gallery@sundaramtagore.com

hong kong

4/F, 57-59 Hollywood Road, Central, Hong Kong • tel 852 2581 9678 hongkong@sundaramtagore.com President and curator: Sundaram Tagore Director, New York: Susan McCaffrey Director, Singapore: Melanie Taylor Registrar: Julia Occhiogrosso Designer: Russell Whitehead Editor: Kieran Doherty

WWW.SUNDARAMTAGORE.COM Text © 2020 Sundaram Tagore Gallery Photographs © 2020 Kim Jaeil All rights reserved under international copyright conventions. No part of this catalogue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the publisher. Cover: Vestige (circular space-green), 2018, acrylic on fiberglass resin, 47.2 x 43.3 x 1.8 inches/120 x 110 x 4.5 cm




Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.