Slanted #9 Stencil. Type.

028/029

2 c christopher rist er wooll Since 1988 galleries and museums from all over the world have paid attention to Christopher Wool’s large format Paintings. He often uses black to paint or spray patterns, words and Sentence fragments onto aluminium plates.

028 Folio : Executive 45 Light (10 pt) Headline : NeoParts S9 Swirls (72 /70 pt) NeoParts S9 Regular (72 /70 pt) Subhead : Executive 45 Light (10,5 /13,5 pt) Executive 65 Medium (10,5 /13,5 pt) Type Caption : Executive 55 Regular (6 /9 pt)

029 Caption : Executive 35 Thin (7 /9,5 pt) Executive 36 Thin Italic (7 /9,5 pt) Running Title : Executive 35 Thin (10,5 /13,5 pt) Executive 65 Medium (10,5 /13,5 pt)

STENCIL SLANTED #9 / WINTER 2009

Slanted #9 Stencil. Type.

Published on Dec 14, 2009

Slanted Publishers

About

In “Stencil. Type.” we look into stencil fonts and their modern applications to produce evidence that this type features special and often misjudjed aesthetics.Slanted presents the innovative work of Gavillet & Rust and their fontlabel Optimo (Geneva), the large format paintings of Christopher Wool (New York), an impressive photo series of Francois Fleruy (Paris) and many more. The sections “Fontlabels, Fonts & Families”, “Fontnames Illustrated” and “Typolyrics” introduce contemporary fonts and designers from all over the world, followed by interviews with John Boardley, Kouga Hirano and Chip Kidd and an interesting type essay by Hannes von Döhren.Furthermore Slanted Magazine introduces numerous stencil-works of professionals and students (Hauser, Schwarz, Mind Design, Ko Sliggers, Autobahn, etc.).Slanted Magazine #9Stencil. Type.Winter 2009 164 pages

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Slanted #9 ­ Stencil. Type.

Slanted #9 Stencil. Type.