Pasatiempo, January 3, 2014 by The New Mexican

The New Mexicanâ&#x20AC;&#x2122;s Weekly Magazine of Arts, Entertainment & Culture

something

January 3, 2014

YOUR PATH TO A BETTER FUTURE JUST GOT

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Santa Fe now has affordable associate, bachelor’s and master’s degree programs available in one location.

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happy new year!

CLOSED JANUARY 5TH RE-OPENING JANUARY 8TH

2013 WAS ANOTHER INCREDIBLE YEAR, THANK YOU ALL

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PASATIEMPO I January 3 - 9, 2014

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In Pursuit of Cultural Freedom

A lecture series on political, economic, environmental, and human rights issues featuring social justice activists, writers, journalists, and scholars discussing critical topics of our day.

SPRING GET AWAY!!!

TROPICAL BOTANICAL ART WORKSHOP

BRYAN STEVENSON with LILIANA

SEGURA

WEDNESDAY 15 JANUARY AT 7PM LENSIC PERFORMING ARTS CENTER One of the great tragedies in this country was that we had generations of people who were raised and taught and told that they were better than other people because of the color of their skin. And there is nothing more abusive that you can do to a child or to a community than to persuade them that their worldview should be shaped by a lie, and that they should experience everything and interpret everything through that lie. And because we haven’t talked about that lie, a lot of what we say and what we do reﬂects an identity that is complicated and compromised by this history. — Bryan Stevenson, www.AL.com, 31 December 2012

Bryan Stevenson is the founder and executive director of the Equal Justice Initiative (EJI), a nonproﬁt organization headquartered in Montgomery, Alabama, and a professor at New York University School of Law. He has gained national acclaim for his work challenging the U.S. legal system’s biases against the incarcerated, the poor and people of color. EJI recently won a historic ruling in the U.S. Supreme Court, holding that mandatory life imprisonment without parole sentences for children seventeen years or younger is unconstitutional. Stevenson has been awarded the ACLU National Medal of Liberty, the National Public Interest Lawyer of the Year Award and the NAACP Ming Award for Advocacy for his work. His appearance with Lannan

Beach front hotel in Grenada, West Indies March 16 - 20 2014 Contact Lisa for more info: Cell: 315.256.8639 • Lisa@LisaCoddington.com

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LIFE BEGINS AT RETIREMENT THROUGH OUR ASSISTED LIVING SERVICES, our professional staff assists residents in maintaining a comfortable, dignified lifestyle. Our assisted living providers are trained in the skills necessary to provide excellent care. We work hard to foster a comfortable and engaging environment where older people thrive, where community is alive, and where adult children can feel secure in knowing their parents are safe and fulfilled.

coincides with the 85th birthday of Dr. Martin Luther King, Jr. TICKETS ON SALE NOW

ticketssantafe.org or call 505.988.1234 $6 general/$3 students/seniors with ID Video and audio recordings of Lannan events are available at:

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PASATIEMPO I January 3 - 9, 2014

Serenata of Santa Fe presents

Harpsichord Fandango SUNDAY, JANUARY 5, 2014, 3:00PM El Museo Cultural PREMIERE BY RON MCKEAN WITH WORKS BY RAVEL, HAHN, VAUGHAN WILLIAMS, DIES & J.S. BACH

featuring Kathleen McIntosh with Guest artist, Mezzo-Soprano Consuelo Sañudo and Stephen Redfield and Kathie Jarrett, violins | Marlow Fisher, viola Sally Guenther, cello | Pamela Epple, oboe

All Chamber Music, All the Time

FOR TICKETS VISIT: SERENATAOFSANTAFE.ORG OR CALL the Lensic Box office: (505) 988-1234. For program details: (505) 989-7988.

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PASATIEMPOMAGAZINE.COM

THE SANTA FE NEW MEXICAN

January 3 - 9, 2014

www.pasatiempomagazine.com

On the cOver 17 thirtysomething Thirtysomething years ago the mighty New Mexican pondered its arts coverage and thought: Let’s kick it up a notch. Although the paper had for many years hosted a culture section on Fridays (printed on pink newsprint for reasons we don’t entirely understand), the decision was made to go tabloid, use staples, and put out a magazine. At first it was called Weekend, later renamed Pasatiempo. It was the ’80s, and Nuevo-Santa Fe style had permeated the arts: painting, sculpture, and — ill-advisedly, as we now know — interior decorating. Was this trend the inspiration for a new publishing venture? It’s probably best that nobody around our offices can remember. But whatever the reason, the rest is Pasatiempo. This special issue delivers glimpses of Pasa’s pages, from its beginnings through the current year. Kudos and applause to Pasa’s staff — especially designer Lori Johnson, who pored over the stacks, seeking morsels for this week’s pages.

cAlenDAr

MUSIc AnD perFOrMAnce 15 Onstage Jennifer Jasper speaks her mind

58 pasa Week

MOvInG IMAGeS

AnD

48 The Wolf of Wall Street 50 Enzo Avitabile: Music Life 52 pasa pics

11 Mixed Media 13 Star codes 56 restaurant review

ADvertISInG: 505-995-3819 santafenewmexican.com Ad deadline 5 p.m. Monday

pasatiempo is an arts, entertainment & culture magazine published every Friday by The New Mexican. Our offices are at 202 e. Marcy St. Santa Fe, nM 87501. editorial: 505-986-3019. e-mail: pasa@sfnewmexican.com pASAtIeMpO eDItOr — krIStInA Melcher 505-986-3044, kmelcher@sfnewmexican.com ■

Art Director — Marcella Sandoval 505-986-3025, msandoval@sfnewmexican.com

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Assistant editor — Madeleine nicklin 505-986-3096, mnicklin@sfnewmexican.com

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chief copy editor/Website editor — Jeff Acker 505-986-3014, jcacker@sfnewmexican.com

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Associate Art Director — lori Johnson 505-986-3046, ljohnson@sfnewmexican.com

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calendar editor — pamela Beach 505-986-3019, pambeach@sfnewmexican.com

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StAFF WrIterS Michael Abatemarco 505-986-3048, mabatemarco@sfnewmexican.com James M. keller 505-986-3079, jkeller@sfnewmexican.com Bill kohlhaase 505-986-3039, billk@sfnewmexican.com paul Weideman 505-986-3043, pweideman@sfnewmexican.com

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cOntrIBUtOrS loren Bienvenu, laurel Gladden, peg Goldstein, robert ker, Jennifer levin, robert nott, Jonathan richards, heather roan-robbins, casey Sanchez, Michael Wade Simpson, Steve terrell, khristaan D. villela

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prODUctIOn Dan Gomez Pre-Press Manager

The Santa Fe New Mexican

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Robin Martin Owner

www.pasatiempomagazine.com

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Ginny Sohn publisher

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ADvertISInG DIrectOr Tamara Hand 505-986-3007

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MArketInG DIrectOr Monica Taylor 505-995-3824

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GrAphIc DeSIGnerS Rick Artiaga, Jeana Francis, Elspeth Hilbert

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ADvertISInG SAleS - pASAtIeMpO Art trujillo 505-995-3852 Julee Clear 505-995-3825 Matthew Ellis 505-995-3844 Mike Flores 505-995-3840 Laura Harding 505-995-3841 Wendy Ortega 505-995-3892 Vince Torres 505-995-3830

Ray Rivera editor

Visit Pasatiempo on Facebook and follow us on Twitter @pasatweet

HAPPY NEW YEAR! HAPPY NEW NECK! HAPPY NEW YOU!

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RENESAN Institute For Lifelong Learning

70+ Classes, Lectures, and Trips Register January 13 at www.renesan.org Spring Semester Begins February 3

St. Johns’s United Methodist Church 1200 Old Pecos Trail, Santa Fe, NM 87501 505-982-9274 renesan@newmexico.com

Religious Freedom & the First Amendment

Grapes Galore: Wine Expert Week Ancient Jewelry: Egypt & Mesopotamia

Faulkner’s The Sound and the Fury RENESAN

Pecos Pueblo and Greer Garson’s Ranch

David Hume

Turf Wars in Santa Fe & NYC

Reading Shakespeare Aloud

RENESAN Reads!

Fracking: The Greens’ Best Friend

Southwest History

Shakespeare’s World

The Car Guys Chinese History Jazz Standards

Murder as a Fine Art

Film Discussion

The Real Oscar Wilde

Persuasion

Blair House Diplomacy

Mark Twain

Pius XII: Was He Hitler’s Pope?

Dr. Sun Yat-sen Dear Liar Astrophysics

20 Short Works of Poetry

Jane Eyre

Zombies and Neuroscience

RMS Titanic

The Black Death and The Crusades

An Evening with Joe Illick: Mendelssohn

Darwin & the Evolution Revolution

Capitalism’s Secret

Love and Friendship

Hot Spots Improv

Violence in World Religions

Richard Wagner’s Politics

Spanish Art

The New Yorker

Lunchtime Current Events

Art and the City

Balzac and Flaubert

Pro Musica’s Spring Week The Battle of Midway

Bloody Mary and Good Queen Bess SW History 14th-16th Century Shakespeare and the Civil War London’s Covent Garden

Meet El Rito Artists

Color in Society

The Turquoise Trail Opera Unveiled 2014 40 Years of Solitude: The Mythic Brontë Family Climate Change and the Oceans The Strings: From Pythagoras to Paganini International Law: Current Topics Maps, Mapmakers, and Troublemakers

New Deal Sites in Taos

is a 501(c)(3) nonprofit, volunteer organization committed to providing challenging, engaging, and enjoyable classes, lectures, and trips for adults learners.

Make this New Year special with better hearing. Special Open House Event!

Monday and Tuesday • January 6 and 7 in Santa Fe Wednesday and Thursday • January 8 and 9 in Taos

Our New Year’s gift to you: Free Hearing Exam and Consultation with Cliff

Phillips, Sandia Hearing’s Licensed Hearing Instrument Specialist – over 25 years of experience in the hearing profession.

Please contact us today, call 1-888-751-1952. Appointments are limited so call early. Experience for yourself why we are the best place to go for hearing aids!

Toll free 1 (888) 751-1952 www.SandiaHearingCenter.com

Family owned and operated • Se Habla Español

Sandia Hearing Aids is proud to have served the Santa Fe and Taos areas with care and compassion for over 55 years.

3454 Zafarano Dr. Unit B Santa Fe, NM 87507

PASATIEMPO I January 3 - 9, 2014

Santa Fe Scottish Rite Order of the Thistle & Order of the Thistle Pipes & Drums presents the:

Robert Burns Night At The Santa Fe Scottish Rite Center 463 Paseo de Peralta Featuring: Piping, Celtic Dancing, Readings & Poetry from Robert Burns. Docent tours of the Scottish Rite Center, Buffet Dinner and Silent Auction. Saturday • January 25th, 2014 | Cocktail Hour: 5:00 PM Festivities and Dinner: 6:00 PM Tickets: $40/person (before 1/4/2014) • $45/person (after 1/4/2014) For further information contact: Scottish Rite Center • 505-982-4414 secretary@nmscottishrite.org Proceeds from dinner/auction will be donated to the Scottish Rite Center to support continued preservation and operation of the facility.

Discount Home Supplies All donations and sales benefit Habitat for Humanity.

40% OFF

All Chairs, Office Chairs & Stools Friday & Saturday, January 3 & 4

JANUARY

28TH Annual Santa Fe

CALENDAR OF EVENTS TUES

3 p.m., Board Room

Call 505-473-1114 to schedule a pick up.

505-428-1148

Agenda and background materials for board meetings are at www.sfcc.edu/about_SFCC/governing_board.

THURS

Southwestern Sleepers Lecture Series: Insomnia 5:30 p.m., Room 433

505-438-3101

Learn and ask questions about sleep disorders, treatment and what’s new in sleep medicine.

TUES

SFCC Governing Board Joint Meeting with Santa Fe Public Schools 5:30 p.m., Board Room

Happy New Year!

2414 Cerrillos Road ● Monday - Saturday 9:00 am - 5:00 pm www.santaferestore.org

SFCC Governing Board Meeting

505-428-1148

Agenda and background materials for board meetings are at www.sfcc.edu/about_SFCC/governing_board.

THURS

Open Reception: Dos Pintores – Dos Senderos: Padre y Hijo: An Exhibition of Paintings 5 to 7 p.m., Visual Arts Gallery

505-428-1501

Recent work from father and son Andrés Martínez and Adrian Martínez until March 5, 2014.

Degrees and Certificates from SFCC Open Doors

Accessible … Affordable … Exceptional … EDUCATION

Through Jan. 15—“From the Inside, Part II” SFCC Faculty Artwork exhibit. Jan. 21—Spring Semester starts. MORE AT WWW.SFCC.EDU

LEARN MORE. REGISTER NOW. 505-428-1000 www.sfcc.edu EMPOWER STUDENTS, STRENGTHEN COMMUNITY. EMPODERAR A LOS ESTUDIANTES, FORTALECER A LA COMUNIDAD. PASATIEMPOMAGAZINE.COM

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The Santa Fe Concert Association presents

CommuniTy LeCTure

A wild solution to climate change Our planet’s biology and its climate are inexorably coupled. Warmer and less predictable climates will continue to 1060 Cerrillos Rd., Santa Fe diminish the planet’s biodiversity. Lectures are free and open to But biological systems can be the public. Seating is limited. part of a solution. Conservation biology pioneer Tom Lovejoy will examine the present and possible future impacts of climate change and explore how we might manage both biological and human economic systems to reduce its long-term effects.

Wednesday, January 8 7:30 p.m. James A. Little Theater

Tom Lovejoy is a senior

fellow, United Nations Foundation, and University Professor of Environmental Science and Policy, George Mason University. Tom Lovejoy

E L VIL

Music by Rossini One-hour English version

FAMILY CONCERT SERIES:

Dress Rehearsal • January 8, 6:30 pm January 10, 7:00 pm • January 11, 2:00 pm January 12, 2:00 pm Scottish Rite Center • No Tickets Required

Santa Fe Concert Association 324 Paseo de Peralta, Santa Fe, NM 87501 (505) 984-8759

PASATIEMPO I January 3 - 9, 2014

Creative Southwest Cuisine Native New Mexican Flavors Fused With Traditional American Favorites

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Emilia Clarke as Daenerys Targaryen in the HBO series Games of Thrones; right, George R.R. Martin; courtesy Jean Cocteau Cinema

www.thewoodcarespecialist.com

1273-B Calle De Comercio, Santa Fe, NM 87507 Parris McBride

Disorder in the court: Game of Thrones Three seasons of palace intrigue, changing loyalties, and dragons fill the Jean Cocteau Cinema (418 Montezuma Ave., 505-466-5528) over the course of 12 weeks with screenings of the HBO show Game of Thrones beginning Monday, Jan. 6. The cinema’s owner, George R.R. Martin, is better known as the author of A Song of Ice and Fire, the series of fantasy novels on which the TV show is based. Partly because of the production values of the show — its pilot is estimated to have cost HBO as much as $10 million — and its popularity (the third season finale drew about 5.4 million viewers), Martin thought the series would lend itself to the movie screen. “The show just looked great on the big screen,” Martin said. “And I thought, you know, it’d be great if regular people … had the opportunity to see the show on the big screen.” In addition to the experience of munching on popcorn while watching the land of Westeros come under the rule of a sadistic teenager, the screenings will also feature question-and-answer sessions with Game of Thrones cast and crew, via Skype or in person. Though Martin is still working on securing appearances, he confirmed that showrunners David Benioff and D.B. Weiss would make a Skype appearance at one of the screenings. Martin will be at as many of the screenings as possible. He’s still working on the final two books in the series. Admission to the screenings is free on a first-come, first-served basis. Screenings, at 7 p.m., begin on Jan. 6 and continue on Mondays throughout January and (more or less) weekly through March 24. See the full schedule at www.jeancocteaucinema.com. — David J. Salazar

223 N. Guadalupe Santa Fe, NM 87501 (505)982-0974

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Expires 3/31/14. Not valid with any other offer. Valid on any size mailbox, requires prepayment of one year in advance. With coupon only. Valid only at 223 N . Guadalupe location.

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PASATIEMPOMAGAZINE.COM

Happening in January

Free First Friday Gallery Talk

Continuing Exhibition

January 3 5:30 and 6:30 pm Mezzanine Gallery

Renaissance to Goya: Prints and Drawings from Spain. the only uS venue for this exhibition

of rare prints and drawings, some never on display before. (Co-presented with the British Museum, London. Closes March 9, 2014.)

Francisco de Zurbarán (1598–1664), Head of a monk, 1625–64. courtesy british MuseuM.

MuSiC at thE MuSEuM

First Friday, January 3, 5–8 pm. Enjoy Spanish classical guitar in the galleries as they remain open for the evening.

PubliC lECturE

Thursday, January 30, 6 p.m. Free. St. Francis auditorium. “indian removal and the Violent origins of Spanish and Mexican Settlement in new Mexico,” by David Correia, Ph.D. assistant Professor, american Studies, university of new Mexico. the arrival of the americans in the 1840s exacerbated land issues which have continued to be a major and contentious concern for both native and hispano communities in northern new Mexico. (Part One of a three-part lecture series co-presented with El Rancho de las Golondrinas. Next up: Wednesday, February 26, 6 p.m. and Wednesday, March 26, 6 p.m.)

New Mexico MuseuM of Art 107 w. palace ave | on the plaza in santa fe | 505.476.5072 | nmartmuseum.org |

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PASATIEMPO I January 3 - 9, 2014

In “Postcards from the Past: Fred Harvey’s Southwest,” curator Meredith Davidson describes how postcards with romantic images of people and places spurred New Mexico tourism. Receive a free vintage postcard to start your New Year’s correspondence. The museum is free from 5–8 pm.

STAR CODES

Heather Roan Robbins

Let’s pace ourselves; the astrological aspects are wild as the new year begins, and even if they’re not tap-dancing on our personal charts, they resonate around us. Children turn a developmental corner, new laws kick into place, and so much happens, or feels like it is about to happen, that we can feel stretched thin unless we husband our energies and support one another. Mercury, the sun, and Pluto conjunct in Capricorn all week and bring our minds to the real tasks of our time. Together they oppose expansive Jupiter in Cancer and square active Mars in Libra and electrifying Uranus in Aries; all form an exciting, tense, potential-filled grand square that colors the whole year ahead. Most of us will be fine and just feel tugged in different directions or challenged by some complex situation. We get an inkling of trouble spots and powerful opportunities that could erupt in April when this grand cross perfects, and we get a few months to prepare. The first full post-holiday week begins with a charge. Give everyone a few hours on Monday to acclimatize, and then kick into high gear as the moon enters assertive Aries, conjuncts Uranus, and rings that grand square like a gong.

Seeing new patients in our Santa Fe office! Appointments scheduled through Los Alamos office: 662-4351 Most insurance accepted! (not contracted with Tricare)

Expect ToMore See The Expect andDifference Get It!

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Now accepting former patients and inviting new patients. Call 466-2575

Friday, Jan. 3: We may feel energized but overbooked as Mercury opposes Jupiter; let’s try to keep it simple instead. We are opinionated, pushy but curious, and open to creative solutions as long as we’re diplomatic. Later, a tired or more formal mood can leave dinnertime subdued.

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Saturday, Jan. 4: Sleep in and avoid the grumpiness as the moon challenges Uranus and Pluto this morning. The mood becomes dreamy, imaginative, and softer-hearted as the moon enters intuitive Pisces. Low energy or shyness may curtail our plans; a tender streak keeps us more private. Do not make excuses or guilt-trip others; just listen to inner priorities and send clear signals. Watch for problems with ice or in fuel lines. Sunday, Jan. 5: It’s a sensitively optimistic morning, good for dreams, prayers, and intuitive connection as the sun opposes Jupiter. Don’t overschedule. We’re belligerent, poetic, and organized, but strong opinions can hurt feelings. Tonight, make concrete plans around recent dreams. Monday, Jan. 6: Think ahead and strategize as Mercury sextiles Saturn. Let people arrive and reconnect. Don’t expect much until the moon enters Aries around noon. Then kick into high gear. The mood gets impatient, assertive, and pushy; let’s not jerk people’s chains just for the fun of it or manipulate others into doing what we can do ourselves. Tuesday, Jan. 7: Changes are afoot; our impulse control is down and our need for spontaneity up as the moon conjuncts Uranus. Morning is more argumentative. Come to grips with an awkward limitation and make productive decisions in response. Evening asks us to passionately speak our mind in a kind, organized way as Venus conjuncts Mercury in Capricorn. Wednesday, Jan. 8: This morning unsettled, confused emotions can mix the signals as the Aries moon squares Venus and Mercury. Let the dust settle before making decisions. This afternoon, the conditions can be hard to read and the mood feisty as Mars squares Jupiter, so get centered, keep eyes open, and fight only the good fight. It’s a good time to file a lawsuit, but choose arguments carefully. Thursday, Jan. 9: Keep an easy, solid rhythm as the moon enters earthy Taurus. Be there for one another in subtle ways, and engage common sense without righteousness. Interesting karmic connections can come through for us; our good works resonate back to us. Tonight, gratitude helps us see fresh options ◀ www.roanrobbins.com

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2014 to All!

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Accessible … Affordable … Exceptional … EDUCATION 14

PASATIEMPO I January 3 - 9, 2014

5 0 5 - 4 2 8 - 1 0 0 0

ON STAGE THIS WEEK

One-sided conversation: I Can Hear You … But I’m Not Listening

Truman Buffet

The middle daughter from a family with five girls, Jennifer Jasper now ensures her voice is heard by way of a one-woman improvised monologue that explores her upbringing. Prior to moving to Seattle in the late-1980s, Jasper received a BA from the University of New Mexico for directing. In the subsequent years she built a reputation in the Seattle theater community for being outlandish and innovative. Her latest work, I Can Hear You … But I’m Not Listening, explores with humor “the dark and uncomfortable moments of growing up.” Shows take place at 8 p.m. Thursday and Friday, Jan. 9 and 10, at Teatro Paraguas Studio (3205 Calle Marie). Tickets are $18; discounts available. For reservations, call 505-424-1601. — L.B.

A program of good, down-home music — promising to offer both grit and loveliness — is set for 8 p.m. Tuesday, Jan. 7, as Quenby Landiorio, René Reyes, and Sean Devine take the stage at Cowgirl BBQ. Landiorio (aka “Q”) is a guitarist and singer specializing in the domains of country and Americana. Her Q & the WOW Band plays Mary Gauthier, Waylon Jennings, and Lucinda Williams, as well as original songs. Santa Fe’s Reyes is described as a “Latin-laced post-modern high-desert noir altcountry singer-songwriter.” Montana musician Devine carries on the country-music traditions of his great-great-grandfather. There is no cover charge for the show; Cowgirl BBQ (505-982-2565) is at 319 S. Guadalupe St. — P.W.

Andy Carrell

True grit: Roots-music trio at Cowgirl BBQ

Bach and Blake: Serenata of Santa Fe

The Spanish mezzo-soprano Consuelo Sañudo has been especially active in the field of early music, having performed and recorded with such notable groups as Sequentia, Weser Renaissance, and Las Huelgas Ensemble, but contemporary music and golden-age lieder have also staked places on her résumé. She will be the featured vocalist in a wide-ranging program by Serenata of Santa Fe at 3 p.m. on Sunday, Jan. 5, at El Museo Cultural, 555 Camino de la Familia. The concert’s capstone is Bach’s Cantata No. 199 (“Mein Herz schwimmt im Blut”), which also features Pamela Epple, the group’s oboist; and the two will also collaborate in Vaughan Williams’ “Ten Blake Songs,” composed in 1957 for a film documentary about the visionary poet and artist William Blake. The playlist also includes songs by Ravel and Reynaldo Hahn, the premiere of a new solo-harpsichord work by Ron McKean (performed by Kathleen McIntosh) as well as his “Sacred Harp Dyads” (for Baroque violin and harpsichord), and the overture from David Dies’ Hemingway-derived opera “Hills Like White Elephants.” Tickets ($25) are available through Tickets Santa Fe at the Lensic (505-988-1234, www.ticketssantafe. org) and at the door (discounts available). — J.M.K.

Blues, brews, and you: Blue Monday

Judy Steele

James T. Baker may not have sold his soul to the devil, but his blues songs still possess some of the diabolic vitality of Delta blues pioneer Robert Johnson. He stresses authenticity through simplicity in his playing, and unlike many blues guitarists who channel the legends of the past, Baker writes original material. After years as a professional horn player, he took a musical hiatus of almost 20 years to raise children — until the music of Muddy Waters yanked him into the world of blues. He explains, “The Delta blues, the old-style, this was the sound I had been looking for all my life. Simple, direct, unpretentious, real. Just a voice with a guitar, singing about the pain and disappointment of life.” Baker plays at Duel Brewing (1228 Parkway Drive, 505-474-5301, www. duelbrewing.com) at 6 p.m. Monday, Jan. 6. There is no charge for the show. — L.B.

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Take 10% off with this coupon Santa Fe Community Orchestra

Oliver Prezant, Music Director

2013-2014 Concert Season

Winter Concert

Sunday, January 12th at 2:30pm St. Francis Auditorium

New Mexico Museum of Art, 107 W. Palace Ave.

Works by Beethoven & Prezant

SFCO Side-by-Side with students from Gonzales Community School

Jody Ellis: Too Late Works by Popper & Piazzolla Dana Winograd, cello

Tchaikovsky: Symphony No. 2 Free admission - Donations appreciated This concert is sponsored in part by:

Thornburg Investment Management For more information visit our website: www.sfco.org or call 466-4879

30 Buffalo Thunder Trail sanTa fe, nM

PASATIEMPO I January 3 - 9, 2014

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SFCO projects are made possible in part by New Mexico Arts, a division of the Department of Cultural Affairs, The National Endowment for the Arts, the Santa Fe Arts Commission, and the 1% Lodger’s Tax.

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PASA MEMORIES elebrating 30 years of Pasatiempo has a special meaning for me. It was 30 years ago that I first became aware of the publication, and it has played a big part in my life since then. I first came to Santa Fe in the summer of 1983 to sing in the inaugural season of the Santa Fe Desert Chorale under founder Lawrence Bandfield. The very first day the ensemble worked together, a Santa Fe New Mexican photographer came over to Palen Hall at the Church of the Holy Faith to take pictures of the group in rehearsal. We were excited to know that the city’s main newspaper was going to cover our concerts — all performers, no matter their training or genre, are inveterate publicity hounds — and eagerly awaited the story in Pasatiempo. We religiously checked throughout the rest of that season, every time Pasa came out, to see what the preview stories and the reviews said. After that first season, I went to work for the chorale for three years, so my association with Pasa continued in a different key — as a member of the staff of a performingarts organization, helping to keep our activities in front of the publication’s eyes. As before, we assiduously courted the magazine and anxiously paid attention to the kind of coverage we received. I then spent two and a half years in Chicago but had friends send me regular shipments of The New Mexican and Pasa. Once a Santa Fean, always a Santa Fean. When I moved back to New Mexico, I wanted to continue the arts reviewing and writing I had started during my early days here. I was warned that the theneditor of Pasatiempo, Denise Kusel, was both a fine editor and a tough personality, known to sometimes eat writers alive. After some initial skirmishes, she agreed to give me a shot — and in 1990, a relationship with the publication began. I have continued through today, both as a freelancer and, for 12 lively years, as a staff member. In the 1990s, The New Mexican was located just in the main office at 202 E. Marcy St.; the current remodeled downtown building and the large printing plant south of town were far in the future. Having advertising, layout, pre-press, the newsroom, accounting, and the printing

press itself under one roof made for quarters that one might call cozy but that were actually tight to the point of having desks jammed against each other. Silence, never common currency in a newsroom, was nonexistent. Pasa was at one end of the newsroom, right up against a hall that led outside. The press was just on the other side of nearby double swinging doors, and when the newspaper was being run off, the vibrations permeated the floor and walls. Back then, stories were written using a simple computer word-processing program, with green letters on a black background. Editing sometimes took place in the program, but more often on paper printouts. A first-class (for the times) modem let reporters and freelance writers send stories in over the wires to be imported into the system. When it came time for layout, each page of Pasa was plotted out by hand, with such now-vanished tools of the newsroom as pica poles and proportional wheels. Like all the other New Mexican publications, it was laid out in “cold type” — stories printed out in long columns on special paper, which then were run through a waxing machine and affixed by hand to the master pages. Any corrections had to be run off again, and words — or single characters — carefully cut out and replaced using an X-Acto knife. “Jumps,” where a story went from its first page to another page farther back in the publication, had to be carefully planned and proofed. The cover and the few pages that used color were not laid out in cold type but came in four different printouts of negatives for four-color printing, each of which also had to be proofed. Layout day was always tense, with a sense of looming deadlines that made for irritability as well as action: We knew that the camera operator was waiting to shoot the pages so that the output could be made into metal plates to go on the press for running that evening. Fast forward to today, 23 years later. Pasatiempo is written, edited, designed, and laid out with modern equipment. The magazine is a full-color delight to read, with a careful balance of advertising and editorial content. And content is still invariably wide-ranging. There are pieces about art, opera, film, and chamber music. Jazz, ballet, flamenco, and popular music

receive coverage. Writers comment on theater, books, authors, and contemporary-art projects. Stories on historical topics, big research stories, and interviews with artists, scientists, and educators offer special viewpoints. And of course, there is the detailed and always eagerly anticipated weekly calendar, one of the magazine’s most venerated features. If it’s happening in the arts in Santa Fe, it’s going to be in Pasatiempo. Press releases come in by email these days rather than through the mail, FedEx, or UPS, but the publication still gets hundreds of communiqués each week — as many as several hundred per day. It’s something of a relief to have them in digital format rather than otherwise, though some of the attention-getting toys that came with releases, especially from movie companies, are missed. One time a press release came crumpled up in a good-sized wire wastebasket, which was both an invitation to read it and a temptation to dump it into the local circular file and keep the snazzy new basket. Another time an inflatable Christmas tree, complete with blow-up ornaments, came advertising a film. Sometimes, after a story that an organization especially appreciated, a thank-you card or even a box of candy or a bouquet of flowers would arrive. They were nice to get, but the satisfaction of knowing Pasa had done its job was generally thanks enough. Complaints came in too, of course, and still do. They are a constant in newspaper work. Through all the days and challenges, one thing has never changed. The staff works just as hard as ever, and with just as much attention to detail and accuracy. The staff’s commitment can be traced not only to their own sense of professionalism but also to the guidance of the publication’s editors. Since 1983, there have been just five editors keeping the magazine on track: Jon Bowman, Denise Kusel, Hollis Walker, Camille Flores, and, since 2002, Kristina Melcher. Their cumulative work, along with that of the staff and freelancers, has won Pasa not only the preeminent position in arts coverage in the state but also numerous statewide, regional, and national awards of note. And the real reward comes every week, when one can hear newspaper purchasers say over and over, “I read it in Pasatiempo. — Craig Smith

PASATIEMPOMAGAZINE.COM

JANUARY 14

JANUARY 22

MARCH 23

Scrap-happy: Kathamann contributes works made from objects she found in arroyos to the International Women’s Day show at the Armory for the Arts.

MAY 11

JUNE 2

JUNE 29

JULY 15 JULY 15

JULY 20 SEPTEMBER 7

Elaine Turner flexes. Storyteller Joe Hayes

Untitled work from Santa Fe’s Photo Graffiti show.

College of Santa Fe student Gigi Mills makes her directorial debut with Packard.

Pasatiempo profiles Nicholas Potter, whose bookstore and photo gallery on Palace Ave. appeals to the inquisitive mind and“requires a quiet and reflective approach.”

Digital enhancement: Space Hand 3, a ceramic work by Amber Archer, goes on display at the Artists’Gallery.

Linda Kolsky, Bob Gaylor and Lee Leibler at Rising Sun Gallery

Coup de screen: Brent Kliewer takes over the Collective Fantasy Cinema.

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PASATIEMPO I January 3-9, 2014

Rafaello Dante draws in the crowds at Cafe Riviera with his“zesty renditions of Broadway showtunes.”

‘ You blew it up — you maniacs! Theatre Mask Ensemble appears at the Armory for the Arts.

Paulette Bethel teaches master classes in“street dance” at Gotta Dance studio. Hoop dreams: Peter the Adequate (Peter Hinrichs) performs his last show in Santa Fe before heading to Dallas with the hope of making it big.

’85 was the other Year of the Cat.

Artist Stuart Sherman pays homage to Santa Fe in a performance piece incorporating a Cole Porter song,“dune-colored”carpet, and an adobe doll house with a star map on the roof.

FEBRUARY 15

APRIL 19

Just what do you think you’re doing, Dave?

JUNE 21

JUNE 28

Steve Terrell performs at the first Halloween party Sunday night at The Forge, where he’s played every Sunday night for 3½ years.

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Husband-and-wife country, blues, and folk-singing duo Bill and Bonnie Hearne perform at The Line Camp in Pojoaque.

Bill T. Jones and Arnie Zanes kick off the Armory for the Arts’1986 dance calendar.

In Paper Rabbit, Beryl Markowitz presents a sprightly, urbane rabbit created from newsprint. The work is on display at the Jean Cocteau Cinema.

The New Mexico Museum of Natural History opens in Albuquerque. Greeting visitors is a skeletal reconstruction of an allosaurus.

At the Artists’Gallery, Stuart Ashman’s punk expressionist works disclaim conventional form and finish.

Rozy, an area heavy-metal band, is a contender in Q106’s Battle of the Bands at Club West.

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JANUARY 11

FEBRUARY 14

FEBRUARY 21

Richard J. Burkard’s sculpture In The Wake is a large humanoid shape in the cake decoration style.

APRIL 19 NOVEMBER 7

DECEMBER 4

JANUARY 10

MARCH 6 MAY 15

AUGUST 7

AUGUST 14 SEPTEMBER 4 NOVEMBER 13

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New gallery Channing, Dale, Throckmorton, presents Two Women of New Mexico: Painters of the American Landscape, showcasing the work of Myrtle Stedman and Helen Blumenschein.

The filming of The Milagro Beanfield War brings with it jobs, excitement, and political intrigue.

The new-media services room at the new main branch of the Santa Fe Public Library has the latest in computer technology. Annette Funicello performs “Jamaica Ska”with Fishbone in Back to the Beach. She and Frankie Avalon are the parents this time around. Barbara Perlman’s tribute to Native American sculptor Allan Houser is published.

The Scarlet Ladies, also known as the Tap Dancing Grandmothers, strut their stuff in the 1987 Fiesta Melodrama at the Community Theater.

Of the nearly 550 movies released in 1987, Broadcast News ranked number one on many critics’lists. It was nominated for seven Oscars, but lost the best-picture contest to The Last Emperor.

The Theater of Music’s artistic director, Jinx Junkin, emphasizes the virtues of large-scale musicals such as The Music Man.

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JANUARY 1 JANUARY 22 MARCH 11

The Museum of International Folk Art commissions six Northern New Mexico woodworkers to produce doors and windows for the museum’s Hispanic Heritage Wing. Wilberto Miera’s doors were fashioned after a mid-19th century door found in the village of Arroyo Hondo.

MAY 20

JULY 8

A giant puppet is prepared for the 8th Annual All Species Day. The 1988 celebration honors naturalist Aldo Leopold.

SEPTEMBER 9

Electronic-music composer Morton Subotnick uses personalized software to compose.“It may look easy, but it’s not,”he says.“It will be someday.”

DECEMBER 9 Santa Fe’s Repertory Theater presents its second annual Space (X)mas Fine Art and Fun Toys show to raise money for the Festival Gallery.

And — worse — so is Punky Brewster Brewster, having been canceled by NBC.

David, Mary Lee, and Ama Ortiz typically cook about 2,000 burgers and an equal number of hot dogs at their booth on the Plaza during Fiestas de Santa Fe weekend.

Buffy Sainte-Marie performs at the Greer Garson Theatre in a concert to support efforts to fight Navajo and Hopi relocation and to help obtain justice for activist Leonard Peltier.

NOVEMBER 18

Betty Hall Jones returns to Santa Fe for a six-week engagement at Carmelita’s Cantina at the Sheraton. Seventy-seven-year-old Betty Blue (akaThe Mad Hatter,The Queen of Funk, andThe Grand Old Lady of Jazz), once again brings her wry humor, supple voice, jazz piano, encyclopedic memory, and outlandish hats.

Nine to five: many New Mexico musicians, including She-Bop’s Nancy Kenney, Eloise Burrell, and Elisabeth Cutler, need day jobs to survive.

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PASATIEMPO I January 3-9, 2014

‘ Willa Shallit makes a life mask of Ryan Shaening Pokrasso for Connect/US-USSR, a two-week festival at the Santa Fe Children’s Museum.

Rosalea Murphy, owner of the Pink Adobe, throws a party to celebrate 45 years in business.

Upwardly mogul: gallerist Gerald Peters in a reflective mood.

A program of eight short fims by Czech surrealist animator Jan Svankmajer includes The Extinct World of Gloves (above) and Dimensions of Dialogue, in which a giant head fashioned out of vegetables is chewed up by another head made of forks, knives, and graters.

Pasa reviews The Living Tradition of Maria Martinez, Susan Peterson’s book about the Tewa potter.

The Leaping Lizard, an art gallery for children, opens on Canyon Road, hosted by a dinosaur named It Zwibble and a moose named Fred. VHS-capades: A scene from Steven Soderbergh’s Sex, Lies, and Videotape.

MAY 5

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SEPTEMBER 8 SEPTEMBER 15

SEPTEMBER 22

Orchestra of Santa Fe founder William Kirschke.

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Prof. Joe Atteberry leaves this world better than he found it. A successful artist, his advice and guidance were always in demand by co-workers, associates, and students.

Carlos Santana rearranges our molecular structure by blending Latin percussion, mighty funk/rock grooves, soulful vocals, and wailing guitar solos at Paolo Soleri.

AbiquiĂş author Lesley Poling-Kempes puts out a call for help in recording the oral history of Ghost Ranch.

Photographer Ed Vidinghoff captures the scene at Club Floozy. Joel-Peter Witkin, whose work is described as bizarre, grotesque, and macabre, has a show at Sena East Gallery.

MARCH 23

JULY 13

PASATIEMPO I January 3-9, 2014

Restaurant reviewer Paquita Pasqual conceals her identity with wigs and a variety of dress styles. But her most effective trick is changing the color of her nail polish.

JULY 13

NOVEMBER 30

Another Christmas season, another Holiday Open House at the Museum of International Folk Art, where children and adults learn the art of origami from Yuki Revelle.

NOVEMBER 30

Cathy Smith, a technical advisor for Dances With Wolves, works on costumes to be worn by the cast.

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MARCH 8

APRIL 5

JUNE 21

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AUGUST 23 SEPTEMBER 6 SEPTEMBER 13 SEPTEMBER 13

Singer-storyteller Mirabel says that she typically tells a story many times before hearing what it has to say to her.

New Mexico resident Val Kilmer breaks on through as Jim Morrison in Oliver Stone’s The Doors.

Martha Graham (below with a young admirer) passes away on April 1, 1991.

Riva Yares Gallery, in light of the Gulf War and the recession, decides it is time for experimentation. This mixed media collage by Conrad Marca-Relli, titled C-X-15-74, is just one piece in a group show which includes work by 24 of the gallery’s artists.

Music From Angel Fire director Ida Kavafian

The Dalai Lama visits Santa Clara Pueblo.

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JANUARY 10

MARCH 6

APRIL 10

If ’60s were ’90s: Santa Fe Performing Arts Company’s production of Hair opens.

Rack ’em and stack ’em: Electronic musician and composer Bill Martin

MAY 8

AUGUST 14

Copeland-Rutherford Fine Arts opens a show of works by Stuart Ashman and Bonita Barlow; below, Ashman’s Lizard Head.

The College of Santa Fe introduces its contemporary music degree program.

OCTOBER 24

DECEMBER 25

A fundraising masquerade party for the Santa Fe Institute of Fine Arts takes place; below, gallerist Nedra Matteucci.

Me and you and a club named Luna: the popular night spot opens; below, owners Stephen Krause and Randy and Lila Mulkey.

Pasa profiles the“nearly-caffeine-addicted coffeehouse buddies”(including Karen Stern and Ron Ramsey, pictured) responsible for the West Caffeine Street newsletter.

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PASATIEMPO I January 3-9, 2014

‘ Across Generations: Hispanic Children and Folk Traditions opens at the Museum of International Folk Art.

Morethan30photogalleriesarerepresented inPhotoSantaFeattheSweeneyCenter; above,NapoleoninExilebyArthurTrees. King of controversy: Edward Albee speaks about“The PlaywrightVersus theTheater” at the Greer Garson Theatre.

Pasa celebrates the life and work of artist Pop Chalee, who died on Dec. 11.

An 1850s hog oiler features in Tools, an exhibit of 18th- and 19th-century farm and industrial implements atWill Channing’s Gallery.

Pasa profiles Juan Quezada (center), father of the Mata Ortiz pottery revival.

JANUARY 22

FEBRUARY 5

MARCH 19

MAY 28

JULY 23

DECEMBER 3

Artist William Lumpkins remembers Santa Fe’s early days as a magnet for artists.

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A workshop, symposium, and exhibit at the Institute of American Indian Art museum introduces students to digital imaging; above, Andrew Rodney’s Dog Flying Over Vancouver.

Six panels from Santa Fe are added to the AIDS Memorial Quilt, also known as the Names Project. The thunder rolls: Taos-based rock band Red Thunder’s video“Heartbeat”is played on VH-1.

Santa Fe street style: Wearable art gets its own conference.

When word gets around that Santa Fe musician Jono Manson’s car and a sizable amount of musical equipment has been stolen, the community decides that a benefit is in order.

Floor decor: the pillow room at Café Oasis.

JANUARY 21

MARCH 4

PASATIEMPO I January 3-9, 2014

Astrologer Edith Hathaway creates a Vedic chart for Steven Spielberg, who was born on Dec. 18, 1946, at 6:16 p.m. EST.

APRIL 1

APRIL 15 SEPTEMBER 9 SEPTEMBER 12

Francisco Farreras, considered one of Spain’s living master artists, begins working in wood. His new work shows for the first time in the U.S. at Peyton Wright Gallery.

OCTOBER 7

OCTOBER 21

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JUNE 16

SEPTEMBER 15

David Ellsworth’s elegant white oak, silver maple, and white ash vessels are on view at Okun Gallery. Z Gallery bills itself as a gallery for“people with short attention spans”; below, a piece by Glynis Kevan.

Beak to Work Day: New York artist John Alexander shows his paintings and mono prints at Allene Lapides Gallery.

Myrtle Stedman, named a Santa Fe Living Treasure, speaks at Friends of Open Hands’Day of Living History: Reminiscences of Old Santa Fe. Give him the Le Pew-litzer: Chuck Jones celebrates his 83rd birthday with a new limited-edition cel titled Happy 50th Pepe atThe Chuck Jones Showroom.

Peter Joseph’s Thurible Steel, featured in Insight/Onsite/ Santa Fe, which opened with a summer solstice ritual at the Center for Contemporary Arts Warehouse.

The beat goes on:“Sonny and Cher”perform at Northern New Mexico Community College in Española.

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FEBRUARY 16

MARCH 1 MARCH 8

MARCH 15

The Birdcage with Nathan Lane and Robin Williams plays in Santa Fe.

Kirsten Wilson, whose performance pieces tackle domestic violence and the objectification of women, presents, Odalisque, the final show in her trilogy at the Armory for the Arts.

MARCH 29

APRIL 5

Pasa interviews Carl Gorman who, at 88, is one of the oldest living Navajo Code Talkers.

Santa Fe Violin & Guitar Works hosts Steve Terrell and Gregg Turner playing a program of love songs, patriotic marches, and Samoan polkas.

NOVEMBER 8

Margaret Tafoya, 91-year-old matriarch and master artist of traditional Santa Clara pottery.

Modern dance soloist Margie Gillis appears at the Armory for the Arts.

Pasatiempo’s People’s Choice Awards named Bert’s Burger Bowl the big winner in the green chile cheeseburger category.

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NOVEMBER 22

‘ As gripping as the Fiesta Melodrama: Fred Willard, Catherine O’Hara, Christopher Guest, Parker Posey, and Eugene Levy in Waiting for Guffman

Sorry, I’m a little behind: Santa Fe artist Michael Conine puts the finishing touches on his cheeky bronze Crazy Girls before its unveiling at Las Vegas, Nevada’s Riviera Hotel and Casino.

Writer Cliff Simon (with a little help from Moses) answers the four questions.

The last days of Woolworth’s.

17-something: singer-songwriter Janice Ian performs at Santa Fe Music Hall.

Won’t you sit down: Susan Cantor’s mixedmedia sculpture Gertrude features in a show of the artist’s work at Fred Kline Gallery.

MARCH 14

APRIL 18

APRIL 22 MAY 2 JUNE 6

AUGUST 8

The Santa Fe Opera closes for a massive renovation that includes extending the roof, adding in-seat text displays, and improving handicapped accessibility.

AUGUST 23

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FEBRUARY 12

FEBRUARY 19

MARCH 26

The Santa Fe Children’s Museum continues to fascinate children of all ages. Ariane Silver is drawn to the world of magnets.

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MARCH 28

OCTOBER 22

OCTOBER 23

Jodi Carson, who served as assistant director or exhibitions and publications at SITE Santa Fe, is celebrated in a memorial.

James Brown plays The Pit.

Delilah Montoya’s photomural La Guadalupana goes on display at the Museum of Fine Arts.

Wise Fool Puppet Intervention’s production of Nzingai at Santa Fe Playhouse incorporates capoeira.

Vincent Price: A Daughter’s Biography by Victoria Price is released.

Karaoke fans at Punky’s Place, in the Silva Lanes bowling alley. Jazz flautist Herbie Mann, an early practitioner of world music, performs at Espiritu Canyon Road on Valentine’s Day.

Woodystock, a tribute to Santa Fe musician Woody Thompson who passed away on Feb. 6, is held at Club Alegría.

Enter the matrix at Harambe.

MARCH 1

MARCH 13

PASATIEMPO I January 3-9, 2014

The city’s Historic Design Review Board and Board of Adjustment give preliminary approval for the expansion and restoration of the historic Lensic Theater.

A tribute to Genoveva Chávez, the First Lady of Fiestas, is held at El Museo Cultural de Santa Fe. Here she is in 1997, on the day of her last Fiesta performance.

Amy Stein took action when Santa Fe public schools cut art programs. Scraping together donations and support from the community, she is able to offer 90 children a summer arts program.

3 x 5: Stories of the Americas opens at Cruz Gallery after showing in Caracas, Venezuela (it would go on to show in New York). Above, untitled photograph by Dwight Primiano used in a mixed-media composition by Primiano, Susana Endo, and Chris Sawyer.

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MARCH 4

MARCH 31

JULY 14

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AUGUST 10

Barbielupe by Katherine Wells fails to ignite an international arts crisis. Rio! Carnivale takes place. The masked ball features a tropical-punch atmosphere, a colorfully costumed waitstaff, contemporary dance music, and a midnight appearance by Madonna backup singer and dancer Donna De Lory. Lady Blue (below) is in attendance.

DECEMBER 1

DECEMBER 20

Eric Zener’s Two Lovers Submerged features in a group show at LewAllen Contemporary.

Marionette, a coil-built ceramic by Virgil Ortiz, shows at Robert F. Nichols gallery, along with more of the artist’s figurative work.

The Genoveva Chavez Community Center, designed by Edward Mazria, opens in Santa Fe.

Michael Bergt’s The Vault at Turner Carroll Gallery.

Galisteo artist Harmony Hammond is the author of Lesbian Art in America: A Contemporary History.

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‘ Authors Toni Morrison, Michael Ondaatje, and Robert Hass take part in the closing of the fourth season of the Lannan Foundation’s Readings & Conversations Series.

The Wheelwright Museum celebrates the publication of Marcella Ruch’s new book, Pablita Velarde: Painting Her People.

Collected Works Bookstore owner Dorothy Massey

Toots Thielemans and Kenny Werner appear in the opening concert of Jazz 3x2, a trio of concerts pairing jazz masters. High flyer: Amy Bertucci in Wise Fool’s production of The Curtain.

FEBRUARY 14

FEBRUARY 23

MARCH 16

The Rivals opens the College of Santa Fe’s theater season, with Peter Zapp and Sofia Antelo.

Kmart features the special-edition Route 66 Barbecue Bash Barbie.

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Drama club: Chris DeVore, Howard Korder, Danny Rubin, Joan Buck and Joan Tewkesbury participate in the Lensic’s Under Construction series, reading from their new works.

Editor Kristina Melcher and sidekick cruise the backroads of New Mexico in an Airstream (and dressed to the nines) in search of invigorating art scenes. Today they visit Silver City.

The Georgia O’Keeffe Museum exhibit Edward Weston: Photography and Modernism includes Civilian Defence (1942), above (which became an icon of modernist photography), and works by Ansel Adams, Imogen Cunningham, and Willard Van Dyke.

New Mexico’s Millicent Rogers, a bold style-setter, died one month short of her 51st birthday in 1953, at the end of what is referred to as“the golden age of couture.”

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JUNE 28

Desmond Richardson, hailed by The New York Times as “one of the most majestic dancers ever to tread the Met stage,”appears in Aspen Santa Fe Ballet’s mixedrepertory program to the music of Prince.

JULY 5

The Harwood Museum opens a trio of exhibits celebrating the Taos Moderns; above, circa 1955, from left: Doel Reed, Louise Ganthiers, Beatrice Mandelman, William Heaton, Michael Klein, Emil Bisttram, Tom Benrimo, and Gene Kloss.

Gussie Fauntleroy’s book Roxanne Swentzell: Extraordinary People, profiles the New Mexico sculptor; above, Reality Check.

JULY 12

AUGUST 16

NOVEMBER 1

FEBRUARY 1

MARCH 14 APRIL 11

Santa Fe resident and screenwriter Danny Rubin is on hand at the Lensic to celebrate the 10th anniversary of his movie Groundhog Day.

Young Celtic de Santa Fe School and Company dancers celebrate St. Patrick’s day a little early at the Duane Smith Auditorium in Los Alamos.

JUNE 13 Santa Fe Workshops presents free lectures on photography. This photo, by John Weiss, is from The Irish Mug: Portraits From Western Ireland.

In the Pecos outback, an ever-revolving group of young artists lives in a commune whose mission it is to foster imaginatiion in artists with a pioneer spirit. The outdoor stage is called Hueyhaus. This is the Hueyhaus squad.

JUNE 27

AUGUST 22

NOVEMBER 21 DECEMBER 4

JoAnne Russo’s black ash, pine needles, and porcupine quills basket shines among an extraordinary group of basketry in Morning Star Gallery’s Coiling & Twining: Diversity in Native American Basketry exhibit.

The Suzanne Farrell Ballet Company performs at the Lensic. Here she is with George Balanchine in the New York City Ballet’s production of Don Quixote, which premiered in 1965.

Santa Fe Opera’s production of Offenbach’s comedy La Belle Hélène stars Susan Graham and William Burden.

Marcia deChadenèdes and New Mexico’s mobile museum, theVan of Enchantment, take exhibits to towns, schools, and pueblos throughout the state.

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JANUARY 16

FEBRUARY 20

Members of Black Eagle perform a song from their album Flying Free, which received the Best Native American Music Album award at the 46th annual Grammys.

APRIL 23

APRIL 30

Photographer Robert Stivers’show Sestrina opens at Riva Yares Gallery.

MAY 28

SEPTEMBER 17 NOVEMBER 12

Russian bummer: while waiting for Rasputin to die from the poison they had fed him, his killers listened to a phonograph recording of George M. Cohan’s“Yankee Doodle Dandy.”

A gala dinner for arts education is held by the Santa Fe Rotary Foundation in honor of Michael Naranjo, who receives the foundation’s 2004 Distinguished Artist Award. The 10 members of Stephen Scott’s Bowed Piano Ensemble use nontraditional methods for playing the instrument. The ensemble performs at the Center for Contemporary Arts.

Pasa meets Hampton Sides, whose new book, Americana: Dispatches From the New Frontier, is a collection of 30 stories profiling the patriarchs and matriarchs of what he calls America’s“archipelago of tribes.”

J. Patrick Lannan Jr., who assumed the Lannan Foundation’s helm following his father’s death in 1983, receives the Governor’s Award for his contributions to the arts.

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PASATIEMPO I January 3-9, 2014

‘ Cinephilia: Lisa Harris, owner of Santa Fe institution Video Library, shares her passion with Pasa.

History in silver gelatin: photojournalist Carl Mydans’ retrospective opens at Monroe Gallery of Photography.

Mizria Odems Dzurec’s design for Warehouse 21’s new home in the Railyard.

Jemez Pueblo sculptor Cliff Fragua’s 7-foot Tennessee marble statue of Popé is unveiled at San Juan Pueblo before making its way to Washington, D.C., where it will permanently reside in the National Statuary Hall.

Buff Puff at Cruz Gallery features the work of artists who are“tough but still feminine.”Deborah Fleig submits an Iris print titled Godzilla.

Escape artist Sir Mark Logsdon performs at the End of Trail Wild West Jubilee & Cowboy Action Shooting World Championships in Edgewood.

JANUARY 7 APRIL 8 APRIL 29

Aspen Santa Fe Ballet dancers Sam Chittenden and Katie Dehler perform Edwaard Liang’s Flight of Angels.

MAY 20

JULY 8

DECEMBER 30

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Brent Harvey, left, and Christopher Clements in Parkside Déjeuner, part of Bench Warmers V at Santa Fe Playhouse.

Pasa reviews Paris Hilton’s Paris and Beyoncé’s B’Day. Guess whose voice is described as“nothing but a wheezing annoyance throughout.” This 1993 lithograph titled Kamahungittuq Ukpik (Audacious Owl) by Kenojuak Ashevak features in the exhibit Our Land: Contemporary Art From the Arctic at the Institute of American Indian Arts.

The“open-book”ceiling of Santa Fe Preparatory School’s new library is chock-full of greenprinciple materials and engineering. Spears Architects designed the interior.

Navajo weaver Clara Sherman, 92, receives the Governor’s Award for Excellence in the Arts.

MARCH 2

SEPTEMBER 8

PASATIEMPO I January 3-9, 2014

Mezzo-soprano Lorraine Hunt Lieberson, who passed away in July, is pictured with her husband, composer Peter Lieberson.

Gerald Peters Gallery presents Joan Miró: The Last Bronze Sculptures. Included is Chien-Oiseau (Dog-Bird), above.

SEPTEMBER 15 SEPTEMBER 22

OCTOBER 13

OCTOBER 20

DECEMBER 29

FEBRUARY 23

MARCH 23

Marcia Muth reads from her book A World Set Apart: Memory Paintings at Garcia Street Books. Below is Muth’s painting Villagra Book Store, which she painted in 2000.

Santa Fe resident Alan Arkin with the cast of Little Miss Sunshine

MAY 18

JULY 6

JULY 12

NOVEMBER 16

The Summer in the Dark 2007 film-noir festival kicks off at The Screen.

This photograph of artist Janet Lippincott, who had recently passed away, was taken by Herb Lotz in her studio in the late 1970s.

Work by Gee’s Bend quilter Mary Lee Bendolph (below, with her granddaughter)features in the Museum of International Folk Art show Gee’s Bend Quilts and Beyond. Artist Johnny Swing welds together 7,000 nickels to create Nickel Couch, which is shown at C Gallery. That’s $350 worth of Jeffersons.

Thirteen students ranging in age from 7 to 15 write and perform Palimpsest — a show that includes music, dancing, acting, and one-liners — presented by Santa Fe Opera.

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APRIL 11

JULY 11

AUGUST 1

AUGUST 15

A circa-1900 Zuni polychrome canteen features in Dwight P. Lanmon and Francis H. Harlow’s book The Pottery of Zuni Pueblo

Pasa highlights the book Ichthyo: The Architecture of Fish, a gallery of X-rays demonstrating the precisely tailored skeletal structure of underwater animals.

NOVEMBER 7 NOVEMBER 14 NOVEMBER 28

The Theater of Insects, featuring Jo Whaley’s prints of moths, butterflies, and other insects, opens at Photo-eye Gallery.

Charlotte Jackson, director of Art Santa Fe, transforms the international contemporary art fair into a yearly event. Local force: Bruce Dunlap, Alan Arkin, and Jonathan Richards take part in Poetry and Music, a Santa Fe Chamber Music Festival presentation at St. Francis Auditorium.

Sita Sings the Blues screens as part of the Santa Fe Film Festival.

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PASATIEMPO I January 3-9, 2014

The Golden Dragon Acrobats celebrate 30 years on the road with multiple performances at the Lensic.

‘ Dennis Wojtkiewicz’s good-enough-to-eat oil paintings can be seen at Peterson-Cody Gallery.

Ceylon, suckers: tea-bag fashion at the Recycle Santa Fe Art Festival.

Ruben Ochoa’s concrete slab, rebar, and dirt sculpture hummin’ ... comin’ at cha — a SITE Santa Fe commission — is on view at the art space.

The exhibition Pulling Strings: The Marionettes and Art of Gustave Baumann starts today at the New Mexico Museum of Art.

Indian love call: Pasa discusses Native stereotypes in film.

The Kayonan ( or Tree of Life), a shadow figure from central Java, can be seen in the Museum of International Folk Art Museum exhibit Dancing Shadows, Epic Tales: Wayang Kulit of Indonesia.

JANUARY 30

JUNE 19

Man as myth: the book Art for Obama: Designing “Manifest Hope” and the Campaign for Change includes Scott Siedman’s Man From Illinois.

JUNE 26

AUGUST 7

AUGUST 21

NOVEMBER 13

NOVEMBER 20

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The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture August 20 - 26, 2010

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

July 2 - 8, 2010

December 10 - 16, 2010

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Madame Butterfly Santa Fe Opera’s 54th season

Pick of the pickers: members of Bayou Seco perform at the 36th Annual Bluegrass and Old Time Music Festival.

Baton man: Oliver Prezant conducts members of the Santa Fe Community Orchestra in a concert at St. Francis Auditorium.

Los Angeles-based band Missincinatti take the stage at High Mayhem Emerging Arts.

Ruth Duckworth, 1919-2009: Modernist Sculptor opens at Bellas Artes. Above, an untitled bronze from 2002.

JULY 2

Plastic fantastic love it: Robert Gaylor’s Untitled XXXVIII (2008) features in Poetic Archaeology at Linda Durham Contemporary Art.

JULY 9

PASATIEMPO I January 3-9, 2014

Chiaroscuro Contemporary Art presents its holiday group show featuring the work of 12 gallery artists; below, Flo Perkins’Pin Muff (2006).

The new Tamarind Institute building in Albuquerque. The institute celebrates its 50th birthday this weekend.

AUGUST 27 SEPTEMBER 3

SEPTEMBER 10

OCTOBER 8

NOVEMBER 26

FEBRUARY 25

MAY 6 MAY 6

Pasa writers (including Jonathan Richards, creator of the illustration below) face off about the Oscars.

AUGUST 12 SEPTEMBER 9 SEPTEMBER 11

JUNE 3

SEPTEMBER 30

Combustible conspiracy: The 2011 Fiesta Melodrama takes on“beauty and love and that one slimeball who wants to destroy it all.”

History in harmony: Dolores Valdez de Pong, author of A New Mexican Treasury of Songs and Plays for Children, with her class at Carlos Gilbert Elementary School.

A wedding dress, circa 1900, features in the Museum of International Folk Art’s Young Brides, Old Treasures: Macedonian Embroidered Dress.

Body Burden, a play about human radiation experiments during the Cold War, opens at the Armory for the Arts; below, 1951 children’s portable playlab, with real (low-level) radioactive materials.

Techno-box rocks: Edison plays a lunchbox Monome. Bug wild: amateur entomologist Oliver Greer shares his obsession in Metamorphosis, an exhibit of insects and arachnids at the Santa Fe Children’s Museum.

Radio days: Art Encinias preaches“the gospel of Santa Fe”on Sundays in his show The Santa Fe Hometown Project on KTRC-AM 1260.

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture December 30, 2011 - January 5, 2012

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

August 5 - 11, 2011

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

December 16 - 22, 2011

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture July 1-7, 2011

Faust The Santa Fe Opera

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JANUARY 6

APRIL 20

MAY 4

JUNE 8

The Julian Pollack Jazz Trio performs at St. John’s College to benefit the Santa Fe Botanical Garden.

JULY 6

AUGUST 31

OCTOBER 19

Carol Mothner’s mixed-media work Women in Armor, Joan is part of the exhibit Armor and Companions at Gerald Peters Gallery.

The Backyard Astronomy program at the Santa Fe Community College planetarium takes New Mexicans out of this world, all the way to Pluto.

Ilan Ashkenazi’s dragon sculpture prepares to take its perch atop Ellsworth Gallery on East Palace Avenue.

Laura Stoke’s Stable anchors BINGO!, a program of experimental performances from Santa Fe Performing Arts and Meow Wolf.

New Mexico achieved statehood in 1912. One hundred years later, Pasa commemorated the occasion with a special-edition issue that is now only available from discerning collectors.

Civil War reenactors recreate the March 1862 battle at Glorieta Pass and Apache Canyon, often called the Gettysburg of the West.

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PASATIEMPO I January 3-9, 2014

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

April 00, 27, 2012 ??????

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

THIRSTY EAR FESTIVAL J.D.WILKES AND THE DIRT DAUBERS

June 1, 2012

August 24, 2012

The New Mexican’s Weekly Magazine of Arts, Entertainment & Culture

Armistead Maupin & Christopher Turner 24th AID & Comfort Gala Honorary Co-chairs

November 16, 2012

‘ Pasa discusses the book and exhibition Blues for Smoke; above, an untitled 2012 colored pencil on paper work by Rachel Harrison.

Fiat Trocks: Aspen Santa Fe Ballet presents Les Ballets Trockadero de Monte Carlo. The Jean Cocteau Cinema, under the ownership of George R.R. Martin and with Jon Bowman as manager, reopens with Orpheus, screenings of Forbidden Planet, Orpheus and Dark Star.

Singin’them prison blues: Theodore Morrison’s opera Oscar receives its first performance at Santa Fe Opera.

APRIL 15 MAY 24

JULY 27

Richard Pearce’s Women and Ledger Art: Four Contemporary Native American Artists includes work by Dolores Purdy Corcoran. Her Warrior, above, was made with pencils and ink on an 1891 clerk’s register of warrants.

AUGUST 9

The Johnny Tapia documentary Tapia runs as part of the Santa Fe Independent Film Festival.

Spine Chirstine Nofchissey McHorse’s Spine.

AUGUST 9 SEPTEMBER 24

OCTOBER 11

PASATIEMPOMAGAZINE.COM

movIng Images film reviews

Men behaving badly Jonathan Richards I For The New Mexican The Wolf of Wall Street, drama, rated R, Regal Stadium 14, 3 chiles Martin Scorsese’s celebration of chicanery and gluttony in the world of finance literally picks up where Oliver Stone’s Wall Street left off. As Stone’s “greed is good” epic was coiled in the can, awaiting its December 1987 release, the runaway market whose portrait it painted crashed on the Black Monday of Oct. 19. One of the careers it nipped in the posterior belonged to a young man named Jordan Belfort (Leonardo DiCaprio), who was beginning work at L.F. Rothschild as a licensed broker. Jordan was down but not out. He had done his apprenticeship under a scoundrel named Mark Hanna, played here by a brilliant Matthew McConaughey (still gaunt from Dallas Buyers Club). Hanna, preaching cocaine and self-abuse as the keys to success, had brushed the scales of innocent idealism from Jordan’s eyes and shown him the full glory of mammon spread out before him in the form of faceless suckers begging to be fleeced. When disaster struck, Jordan was ready to seize it as opportunity. But we, along with Scorsese, are getting ahead of ourselves. The movie, adapted by Terence Winter from Belfort’s memoir, begins with the wolf at his predatory peak, speaking directly to us from his Gatsby-esque mansion on Long Island, where he revels in ill-gotten but vastly enjoyed gains that include wall-to-wall drugs, acres of naked women, and money, money, money. He then takes us back to where it all started. When the market crashed, Jordan took a desk in a Long Island strip-mall boiler-room brokerage and showed

PASATIEMPO I January 3-9, 2014

White-collar Scarface: Leonardo DiCaprio

the yokels how to make a killing selling penny stocks to postmen and plumbers. He surrounded himself with a cadre of bright but bush-league local boys; taught them how to walk, talk, dress, and sell; and shaped them into a team that would pass as Wall Street wizards. He came up with an impressively oldmoney-sounding corporate name, Stratton Oakmont, and began piling up millions on the backs of poor schmucks whose life savings he cheerfully made his own. Stratton Oakmont employed a technique, patently illegal, known as “pump and dump,” where brokers artificially inflate the price of a cheap stock and then bail out, leaving their clients holding the empty bag. Soon Jordan and his good fellas, led by his partner in crime Donnie Azoff (Jonah Hill), were rolling in dough and partying like there was no tomorrow, which by all rights there shouldn’t have been. Among the trappings of this success were office dwarf-tossing contests, exotic cars, yachts, helicopters, and bare bottoms and breasts that served, among other things, as surfaces off of which to snort cocaine. Because Scorsese and Winter are making a nod’sas-good-as-a-wink pass at a morality tale here, there is some comeuppance to be served before it’s all over. Belfort was convicted of stock fraud, which cost him a fine of $110.4 million and 22 months in a federal prison that his cellmate Tommy Chong (of Cheech and Chong) has described as posher than a lot of Manhattan hotels. But this is not a story calculated to dissuade viewers from the evils of getting rich quick and dirty. And in truth, Belfort’s shenanigans differed only in style from the larcenous behavior that a few years later would sink some white-shoe Wall Street giants and the economy. In truth, Scorsese has no more concern for the victims than did Belfort. The Wolf of Wall Street dazzles, but it doesn’t do it consistently. The movie is astonishingly repetitious. Scorsese wows with his

filmmaking virtuosity and then goes around again with the same kind of material; after a while you’re looking at your watch and wondering how far into the three-hour running time you have made it and discovering that there are still a couple of hours to go. DiCaprio delivers phenomenal energy and talent as the rascally Belfort, but it’s hard to understand what possessed him to take on two roles within one year where he plays a shady Long Island millionaire who throws lavish parties. For the first half of the movie, when things begin to flag, they are picked up by the introduction of new characters, like Azoff and his cohorts; McConaughey’s Hanna; Jordan’s dad, Max (Rob Reiner); his Barbie-doll-sexy second wife Naomi (Margot Robbie); a sleazy Swiss banker (The Artist’s Jean Dujardin); and finally Patrick Denham (Kyle Chandler), the charmingly tenacious FBI agent who ultimately got the goods on Belfort. But after a while there is no one left on the bench, and this is where Scorsese has to work harder. There’s a storm at sea and an extended Quaalude scene that you may hear described as hilarious but that plays in excruciating slow motion if it doesn’t catch your fancy. There are numerous profanitylaced locker-room-style pep talks. A late scene showing Belfort as a quasi-saintly figure loved by his employees is a little tough to take. And of course there’s plenty of sex to distract the most jaded viewers. A friend of mine described it as “some of the classiest pornography I’ve ever witnessed,” a critique that may belong in the plus column or may just be a reflection of his experiences with the genre. If you miss any of the early scenes, don’t worry. It will all be around again. Belfort has served his time and paid the government a small portion of what he owes. Now he travels around giving expensive motivational seminars on how to get rich quick. And he should do pretty well off this movie. It’s a cautionary tale. ◀

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Figure Drawing Kevin Gorges 1:30 pm – 4:30 pm 10 weeks $209.95* Jan. 13 – March 17

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Oil Painting Michael McGuire 1:30 pm – 4:30 pm 10 weeks $209.95 Jan. 14 – March 18

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Watercolor & Oil Lee Rommel 9:30 am – 12:30 pm 10 weeks $209.95 Jan. 16 – March 20

Watercolor Michael McGuire 1:30 pm – 4:30 pm 10 weeks $209.95 Jan. 16 – March 20

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Watercolor Mell Feltman 9:30 am – 12:30 pm 10 weeks $209.95 Jan. 17 – March 21

Mixed Media collage Darlene McElroy 1:30 pm – 4:30 pm 10 weeks $209.95 Jan. 17 – March 21

Oil Painting Richard Guzman 9:30 am – 1:30 pm 8 weeks $209.95 Jan. 18 – March 8

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“Summoning up intense yet meditative string-band music suggesting life in some desert where all cultures are one culture....A WONDERFUL FILM, AS IN, IT’S FULL OF WONDERS.” ~ Alan Sherstuehl, VILLAGE VOICE

“...let your ears become an altar. You will be amazed by what happens” ~ Frederic and Mary Ann Brussat, SPIRITUALITY AND PRACTICE

Fri through Thurs at 4:00, 5:45 and 7:35

CRITIC’S PICK. AMAZING...ROBERT REDFORD GIVES THE PERFORMANCE OF HIS LIFE. ~ A.O. Scott, The New York Times

Fri through Tues at 1:45 Thurs at 1:45 Santa Fe’s #1 Movie theater, showcasing the best DOLBY in World Cinema. ®

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“Everything a worthwhile documentary should be, and then some: engaging, informative, thorough and brimming with delightful characters.” Critics’ Pick New York Times

Fri through Tues at 11:45 am Thurs at 11:45 am SANTA FE University of Art and Design 1600 St. Michael’s Dr. information: 473-6494 www.thescreensf.com

Bargain Matinees Monday through Friday (First Show ONLY) All Seats $8.00 PASATIEMPOMAGAZINE.COM

movIng Images film reviews

Notes worthy: Enzo Avitabile

Let the music play Bill Kohlhaase I The New Mexican Enzo Avitabile: Music Life, documentary, not rated, in English and Italian with subtitles, The Screen, 2.5 chiles Director Jonathan Demme’s earlier musical documentaries are all about performance. His celebrated 1984 Talking Heads film Stop Making Sense captures staging as well as sound. He’s done a trio of performance documentaries for Neil Young, made video documentaries on The Pretenders and Kenny Chesney, and directed videos for Bruce Springsteen. This film, about an Italian multi-instrumentalist and lyricist, is different. Demme’s usual focus on the music is widened to include equal time devoted to the man who makes it. Enzo Avitabile is completely obsessed with music and appears to be a worthy subject. But while he’s good at declaring this obsession, he’s not so good at explaining it. Never mind that Avitabile is virtually unknown in America. He’s recognized in Italy, a point made by the people peering through apartment windows and pausing on the street as he passes by. He’s seen working with a stellar array of world music figures — from Eliades Ochoa to Daby Touré — and displays audible passion for and knowledge about his and everyone else’s music. But he talks about his own craft like a salesman with a product. He takes us to his current apartment, the place where he composes, and tells us “this is where I keep the secret of my life” and “I got caught in the river of music.” He follows that with a line about how he fell in love with his computer software. He runs through a litany of associations and accomplishments and shows off a series of pictures with James Brown, Cesária Évoria, Randy Crawford, and Afrika Bambaataa. Whether the photos represent a true musical association or just a backstage snapshot isn’t explained. There’s little of his background revealed, even as we accompany him to the neighborhood in Naples where he was raised. A scene in his boyhood bedroom where he delivers a lecture on jazz history and his own ascent to the conservatory is just too self-conscious. The best parts of the film, the parts that make it worth seeing, are about performance, the coming together of musicians, and the making of music. His teaming with Cuban guitarist Ochoa, Palestinian vocalist Amal Murkus, and the Orchestra Sinfonica e Coro Nova Amadeus show his ear for Latin, Middle Eastern, and North African influences as well as European folk and classical traditions. Avitabile’s lyrics are pointed and delivered passionately and are often about social and political issues. Especially entrancing is a quintet with percussion, sitar, guitar, and lute. What Avitabile does in that number tells more about him than anything he might say. ◀ 50

PASATIEMPO I January 3-9, 2014

TW AS

EEK

Experience the Magic

Jan. 3 & 4, 5–8pm

$5 members, $8 non-members children 12 & under free A L S O F E AT U R I N G

Birds in the Garden

Gather around the fire, sip hot cocoa or cider, listen to live music from local performers.

International porcelain bird sculpture exhibition by artist Christy Hengst

715 Camino Lejo • 505.471.9103 Tickets available at the door or online. View the schedule of live performers. www.santafebotanicalgarden.org/events/glow

TITLE SPONSORS: Thornburg Management · Nedra Matteucci Galleries · Hutton Broadcasting, LLC · Samuel Design Group

Knowings with Chris Griscom

An informal evening of questions and answers with internationally acclaimed Spiritual Leader and Author, Chris Griscom Sundays at 4:30 P.M. following 4:00 P.M. open meditation offered by The Sanctuary of Light in Galisteo, NM For more information, fees and directions, please contact The Light Institute

505-466-1975

thelight@lightinstitute.com www.lightinstitute.com Upcoming Light Institute events: Galisteo Intensive – January 31-February 3 Baja, Mexico Whale Intensive – February 14-19

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MOVING IMAGES pasa pics

— compiled by Robert Ker

tion. It’s a charming and tantalizing tidbit, but you’ll probably leave the theater hungry and unsatisfied. Rated PG-13. 95 minutes. In French with subtitles. Center for Contemporary Arts, Santa Fe. (Laurel Gladden) PARANORMAL ACTIVITY: THE MARKED ONES The Paranormal Activity franchise started with a haunted house and hidden camera. Now, it’s expanded to be about whatever it wants to be about — in this case, a young man (Andrew Jacobs) who acquires superpowers and finds himself pursued by supernatural scaremongers. Rated R. 84 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Not reviewed) ROBERTA Fred Astaire and Ginger Rogers star in this 1935 RKO adaptation of the Broadway musical about some Americans who improbably inherit a Parisian gown shop. Whenever you see footage of these two film icons dancing, chances are good it’s to “Smoke Gets in Your Eyes” from this movie. Here’s a chance to see it on the big screen. Randolph Scott also stars. Not rated. 106 minutes. Jean Cocteau Cinema, Santa Fe. (Not reviewed)

That’s entertainment: James Cagney, left, in Footlight Parade, at the Jean Cocteau Cinema in Santa Fe

opening this week ENZO AVITABILE: MUSIC LIFE Jonathan Demme’s latest music documentary wastes a fair amount of time trying to develop multi-instrumentalist and vocalist Avitabile as a personality, without much success. But Demme continues to be the master at capturing performance. Avitabile joins forces with Latin, Middle Eastern, Indian, African, and European musicians to create rhythmically attractive, globally integrative music, often with strong social and political messages. The songs, often framed in the fascinating architecture of Southern Italy, are emotional, entrancing, and engaging. The parts between the music? Not so much. Not rated. 79 minutes. In English and Italian with subtitles. The Screen, Santa Fe. (Bill Kohlhaase) See review, Page 50. FOOTLIGHT PARADE Musical sequences don’t get much more iconic than this 1933 film’s “By a Waterfall” scene, which combines dance and synchronized swimming with extraordinary cinematography and set design. The extravagant sequence is the centerpiece to the story, about a Broadway director ( James Cagney)

PASATIEMPO I January 3-9, 2014

who clings to his job with ambitious stagings such as “Waterfall.” Rated G. 104 minutes. Jean Cocteau Cinema, Santa Fe. (Not reviewed) GAME OF THRONES MARATHON The hit HBO series Game of Thrones, based on the books by George R.R. Martin, is not typically screened in theaters. These free screenings (first come, first served) will show two or three episodes a week until March 24, when every drop of blood from the series’ first three seasons will have been splashed on-screen. Occasionally, Martin will drop by in person or a cast or crew member will appear via Skype. First three episodes screen beginning at 7 p.m. Monday, Jan. 6. Not rated, but not suitable for children. Each episode runs roughly 55 minutes. Jean Cocteau Cinema, Santa Fe. (Not reviewed) HAUTE CUISINE Not much happens in this whimsical cream puff of a film, a fictionalized version of the years Danièle Mazet-Delpeuch spent as personal chef to French president François Mitterrand. Standing in for her is Hortense Laborie (Catherine Frot), who leaves her tiny Périgord village and takes over the private kitchen at the Élysée Palace in Paris. The film easily assumes a position in the “food porn” canon, as dish after dish is prepared and presented for our apprecia-

WRONG COPS Cult director Quentin Dupieux, who made a movie about the adventures of a rogue tire (Rubber, 2010), turns his lens to this comic Bad Lieutenant riff, which is so weird that it features 1990s goth star Marilyn Manson as a troubled teen. Not rated. 83 minutes. Jean Cocteau Cinema, Santa Fe. (Not reviewed)

now in theaters ALL IS LOST A man (Robert Redford) is stranded on a crippled vessel somewhere in the Indian Ocean in this often-enthralling drama from writer and director J.C. Chandor (Margin Call). All Is Lost is basically Robert Redford against the sea, and it relies on good old-fashioned storytelling to keep you involved. It’s a gutsy project that trusts its audience to trust it back, but be warned: the final third of the film gets a bit repetitious — in a most soggy manner. Rated PG-13. 106 minutes. The Screen, Santa Fe. (Robert Nott) AMERICAN HUSTLE Irving Rosenfeld (Christian Bale) and Sydney Prosser (Amy Adams) bond over Duke Ellington at a party. This is appropriate, because David O. Russell has orchestrated his wild and wonderful riff on the 1978 Abscam sting operation like an Ellington suite. The film is an extended cinematic jazz compo-

sition, weaving themes and rhythms, tight ensemble work and electrifying solos, and building to a footstomping climax. Irving and Sydney are con artists who get ensnared into working with an unscrupulous FBI agent (Bradley Cooper). The performances are terrific, including Jennifer Lawrence as Irving’s sexy, cagey, dumb-smart wife. Rated R. 138 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. ( Jonathan Richards) ANCHORMAN 2: THE LEGEND CONTINUES This sequel to the muchloved 2004 comedy finds the Channel 4 news team (Will Ferrell, Paul Rudd, Steve Carell, David Koechner, and Christina Applegate) headed to cable news and the 1980s. It avoids the trap that sinks many comedy sequels by not getting too plot-heavy and not simply repeating the best bits of the first film. Some commentary about modern news networks slows the pace, but the crew’s Monty Python-esque approach to delivering humor in offbeat, unexpected ways carries the day, and a shark named Doby nearly steals the show. Don’t act like you’re not impressed. Rated PG-13. 119 minutes. Regal Stadium 14, Santa Fe. (Robert Ker) BLUE IS THE WARMEST COLOR Abdellatif Kechiche’s emotionally rich drama tells the story of Adèle (Adèle Exarchopoulos), a high school student whose burgeoning sexuality leads her on a journey of self-discovery after she meets Emma (Léa Seydoux), a lesbian whose openness brings Adèle out of her shell. Raw passion ignites the screen, and despite its graphic sex scenes, Blue Is the Warmest Color never strays into gimmicks or sentimentality. It’s as honest a film as you are likely to see this year. Rated NC-17. 179 minutes. In French with subtitles. Center for Contemporary Arts, Santa Fe. (Michael Abatemarco) THE BOOK THIEF In the last 10 years, few novels were as beloved or heralded as Markus Zusak’s 2005 young-adult book about a girl in Nazi Germany who helps her foster parents hide a young Jewish man. The film version stars Sophie Nélisse as the girl and Geoffrey Rush and Emily Watson as the parents. Rated PG-13. 131 minutes. Regal DeVargas, Santa Fe. (Not reviewed) ENOUGH SAID Fans of Woody Allen’s rom-coms for adult audiences should embrace this charmer about two divorced empty-nesters ( Julia Louis-Dreyfus and, in his final performance, James Gandolfini) who fall for each other and then find that middle-age

relationships come fraught with baggage and defense mechanisms. Louis-Dreyfus shows more depth and Gandolfini more softness than either one’s iconic TV roles would suggest; the two head a terrific cast. Nicole Holofcener directs them all with a generous spirit. Rated PG-13. 93 minutes. Regal DeVargas, Santa Fe. (Robert Ker) FOLLOWING THE NINTH: IN THE FOOTSTEPS OF BEETHOVEN’S FINAL SYMPHONY Karry Candaele’s film takes viewers around the world in pursuit of finding out what makes Beethoven’s Ninth Symphony so universally loved. Not rated. 90 minutes. Center for Contemporary Arts, Santa Fe. (Not reviewed) 47 RONIN In this Eastern-styled action movie, Keanu Reeves plays a half-Japanese man who was once booted from his samurai clan due to his heritage. But when the clan is broken up by deadly warlords, shapeshifters, and general villainy, it comes crawling back to Keanu. Rated PG-13. 127 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Not reviewed) FROZEN Disney’s latest animated fable is a strange one: it is a tale of misunderstanding with a complicated setup but no real villain or central conflict. Two princess sisters in a fantasy kingdom are split apart when one is revealed to have magical powers to summon cold, snow, and ice. With the help of a big lug (Jonathan Groff), the younger woman (Kristen Bell) must pull her older sis out of her wintery withdrawal from society. The film is a breeze, despite the awkward first act and uneven songs. Rated PG. 108 minutes. Screens in 2-D only at Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Robert Ker) THE GIRLS IN THE BAND Director Judy Chaikin gives an overdue ovation to female jazz instrumentalists past and present in this touching music doc, which offers the perfect blend of sometimes grainy, sometimes vivid archival footage and thoughtful interviews. From the vaudeville performers of the 1920s and ’30s and pioneering all-female big bands like The International Sweethearts of Rhythm all the way up to the most sensational players of today, the film makes the case that these women may be female jazz musicians, but they are first and foremost jazz musicians. Not rated. 87 minutes. The Screen, Santa Fe. (Loren Bienvenu)

THE GREAT BEAUTY Paolo Sorrentino’s (Il Divo) breathtaking excursion through Roman high life is a sad, funny, sexy, heartbreaking, and exquisite look at a society dancing as fast as it can to keep up with a past that can’t be caught or even quite remembered. Our guide through this funhouse labyrinth of beauty, debauchery, pretension, and yearning is Jep Gambardella (Toni Servillo), an aging writer and bon vivant who made a literary splash with a slim novel 40 years ago and hasn’t been able to think of anything worth writing about since. La Grande Bellezza is a conscious and masterful updating of Fellini. Not rated. 142 minutes. In Italian with subtitles. Center for Contemporary Arts, Santa Fe. ( Jonathan Richards) GRUDGE MATCH Sylvester Stallone and Robert De Niro rose to fame playing iconic boxers. That was more than 30 years ago. Now the two men play ex-boxers who hate each other’s guts but agree to get back in the ring for a payday and — for one of them — payback. Alan Arkin and Kevin Hart costar in this comedy. Rated PG-13. 114 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Not reviewed) THE HOBBIT: DESOLATION OF SMAUG As if in reaction to criticism that The Hobbit: An Unexpected Journey was too slow, director Peter Jackson keeps the action pumping at a brisk pace in this sequel. Given that the film is nearly three hours long, it can get exhausting. It also feels shorter than many 90-minute films, thanks to the exquisite attention to detail that is standard with the Lord of the Rings series. The story almost entirely abandons the source material and is the usual “quest to vanquish evil and preserve peace” plot. The results boast swashbuckling action, operatic drama, psychedelic sequences, and a jim-dandy of a dragon (voiced by Benedict Cumberbatch). Rated PG-13. 160 minutes. Screens in 3-D and 2-D at Regal Stadium 14, Santa Fe. Screens in 2-D only at DreamCatcher, Española. (Robert Ker) THE HUNGER GAMES: CATCHING FIRE This is a rare case of a movie that’s just as good as the book on which it’s based. Defiant Katniss ( Jennifer Lawrence) has unwittingly inspired unrest in Panem, a dystopian nation where a totalitarian government punishes its citizens for their rebellion by forcing children to compete in an annual televised battle to the death. To continued on Page 54

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dampen Katniss’ fire, sinister President Snow (Donald Sutherland) and a new Head Gamemaker (Philip Seymour Hoffman) force her back into the arena. Thankfully, the phony-looking costumes and clumsy camerawork of the first film are long gone. Rated PG-13. 146 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Laurel Gladden) JUSTIN BIEBER’S BELIEVE Every so often, the Bieb puts out a film of performance and/or interviews to raid allowances across our fair land in the name of getting young girls closer to knowing what goes on beneath that poofy pompadour. Rated PG. 91 minutes. Regal Stadium 14, Santa Fe. (Not reviewed) MANDELA: LONG WALK TO FREEDOM The timing of this film’s release may seem like a cheap cash-in on the death of one of the world’s greatest men (Nelson Mandela, played here by Idris Elba), but rest assured it was already in the pipeline. It should help educate the young’uns who didn’t know who he was until the obits ran. Rated PG-13. 139 minutes. Regal DeVargas, Santa Fe. (Not reviewed) NEBRASKA Woody Grant (Bruce Dern) has won a million dollars, or so his letter from Publishers Clearing House says, and he’s determined to go to Lincoln, Nebraska, to claim his prize. His son David (Will Forte) agrees to drive him. This is the slender setup for Alexander Payne’s sweet, biting, funny, comedy-drama of a receding American Midwest. As important as any of the characters is the gorgeous black-and-white photography, which renders the landscape in muted, evocative charcoal washes and brings out the lonely feeling of an era and a generation disappearing into the past. Rated R. 115 minutes. Regal DeVargas, Santa Fe. ( Jonathan Richards) PHILOMENA Steve Coogan plays a down-on-his-luck journalist who takes on a human-interest story by bringing an Irish woman ( Judi Dench) to America to find her long-estranged son. The film is marketed as a

spicy

medium

bland

heartburn

mild

Read Pasa Pics online at www.pasatiempomagazine.com

PASATIEMPO I January 3-9, 2014

lighthearted, odd-couple comedy — and there are laughs — but the material runs much deeper and darker than that. Before director Stephen Frears (The Queen) is done taking us on all of his unpredictable and often-rewarding turns, we’ve pondered aging, forgiveness, the existence of God, and how different perspectives paint a distorted picture of one’s life. Rated PG-13. 98 minutes. Regal DeVargas, Santa Fe. (Robert Ker) SAVING MR. BANKS Fans of Mary Poppins (the film and the book series) will probably find this biopic depicting the often contentious struggle between Walt Disney and author P.L. Travers fascinating, if disturbing. But as the film moves back and forth between the harsh reality of Travers’ childhood in the Australian outback and the fairy-tale environment of Disney’s studio, the screenplay’s arc just isn’t strong enough to carry the two tales. Still, Emma Thompson gives a beautiful turn as the strong-willed Travers, while Tom Hanks is all easygoing charm as Disney. Rated PG-13. 125 minutes. Regal Stadium 14, Santa Fe. (Robert Nott) THE SECRET LIFE OF WALTER MITTY James Thurber’s 1939 short story about an unimportant man who daydreams big was once a staple of middle-school English class. Now, Walter’s dreams are even bigger in this CGI-crazy blockbuster starring Ben Stiller in the title role (and in the director’s chair). Kristen Wiig, Shirley MacLaine, and Sean Penn co-star. Rated PG. 114 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Not reviewed) SPINNING PLATES It’s rare that foodie documentaries explore restaurants with fewer than four stars, but this film balances one such fancy-pants establishment in Chicago with a down-home eatery in Iowa and an upstart Mexican joint in Arizona to show how the mind-set of restaurateurs is the same regardless of circumstances. Well presented but ultimately repetitive, Spinning Plates is comfort food — it goes down easy and fills you up, while conforming to expectations rather than defying them. Not rated. 93 minutes. Jean Cocteau Cinema, Santa Fe. (Robert Ker) 12 YEARS A SLAVE Director Steve McQueen takes us into America’s slave trade with the same clinical observation and exquisite composition that he used in his previous features, Hunger and Shame. Alas, he tarnishes his adaptation of Solomon Northup’s 1853 autobiography — about

the free-born man’s stint as a slave after being captured and shipped south — with too many movie moments, blunting the impact and putting his intentions into question. There’s fine acting all around. Rated R. 133 minutes. Regal DeVargas, Santa Fe. (Robert Ker) TYLER PERRY’S A MADEA CHRISTMAS What would Christmas be without a new Tyler Perry’s Madea movie? Fortunately, we’ll never have to find out, because there is seemingly a new one every year. Here, Madea (Tyler Perry) takes guff from nobody once more — this time, at Christmas. Rated PG-13. 105 minutes. Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Not reviewed) WALKING WITH DINOSAURS This film, based on the BBC documentary series of the same name, attempts to use animation to present dinosaur life to us in the way that a Disneynature documentary might educate us on chimpanzees — by following a young creature through life and telling its story, although the dinos here are voiced by actors (including John Leguizamo and Justin Long). Rated PG. 87 minutes. Screens in 2-D only at Regal Stadium 14, Santa Fe; DreamCatcher, Española. (Not reviewed) THE WOLF OF WALL STREET Martin Scorsese’s celebration of chicanery and gluttony in the world of finance is based on the true story of Jordan Belfort (Leonardo DiCaprio), who fleeced his way to the top selling penny stocks and then did time in a federal prison for fraud. He was a forerunner of the Wall Street crooks who took down the economy in ’08. Scorsese has turned his story into a dazzling but repetitious movie that halfheartedly masquerades as a cautionary tale laced with dwarf-tossing contests, exotic cars, yachts, helicopters, and acres of naked women who serve, among other things, as surfaces off of which to snort cocaine. And lots of money. Rated R. 179 minutes. Regal Stadium 14, Santa Fe. ( Jonathan Richards) See review, Page 48.

other screenings Regal Stadium 14 2 p.m. Sunday, Jan. 5; 2 & 7 p.m. Wednesday, Jan. 8: Big. 8 p.m. Thursday, Jan. 9: Lone Survivor. 10 p.m. Thursday, Jan. 9: The Legend of Hercules. ◀

What’s shoWing Call theaters or check websites to confirm screening times. CCA CinemAtheque And SCreening room

1050 Old Pecos Trail, 505-982-1338, www.ccasantafe.org Blue Is The Warmest Color (NC-17) Fri. to Thurs. 1:15 p.m. Following the Ninth: In The Footsteps of Beethoven’s Final Symphony (NR) Fri. to Sun.

12:30 p.m.

The Great Beauty (NR) Fri. to Thurs. 4:45 p.m.,

7:45 p.m.

Haute Cuisine (PG-13) Fri. to Thurs. 2:15 p.m.,

6:30 p.m.

Is the Man Who Is Tall Happy? An Animated Conversation with Noam Chomsky (NR) Fri. to

Thurs. 4:15 p.m., 8:30 p.m.

JeAn CoCteAu CinemA

418 Montezuma, 505-466-5528 Footlight Parade (NR) Fri. and Sat. 2 p.m., 6:20 p.m. Sun. 6:20 p.m. Tue. to Thurs. 6:20 p.m. Game of Thrones (NR) Mon. 7 p.m. Roberta (NR) Fri. and Sat. 8:30 p.m. Sun. 2 p.m., 8:30 p.m. Tue. 8:30 p.m. Wed. and Thurs. 2 p.m. Spinning Plates (NR) Fri. to Sun. 4:15 p.m. Wed. and Thurs. 4:15 p.m. Wrong Cops (NR) Fri. and Sat. 11 p.m. Wed. and Thurs. 8:30 p.m. regAl deVArgAS

562 N. Guadalupe St., 505-988-2775, www.fandango.com 12 Years a Slave (R) Fri. and Sat. 12:50 p.m., 3:50 p.m., 7 p.m., 9:55 p.m. Sun. to Thurs. 12:50 p.m., 3:50 p.m., 7 p.m. The BookThief (PG-13) Fri. and Sat. 12:40 p.m., 3:35 p.m., 6:30 p.m., 9:25 p.m. Sun. to Thurs. 12:40 p.m., 3:35 p.m., 6:30 p.m. Enough Said (PG-13) Fri. and Sat. 12:35 p.m., 3 p.m., 5:15 p.m., 7:30 p.m., 9:45 p.m. Sun. to Thurs. 12:35 p.m., 3 p.m., 5:15 p.m., 7:30 p.m. Mandela: Long Walk to Freedom (PG-13) Fri. and Sat. 12:30 p.m., 3:40 p.m., 6:50 p.m., 10 p.m. Sun. to Thurs. 12:30 p.m., 3:40 p.m., 6:50 p.m. Nebraska (R) Fri. and Sat. 1:10 p.m., 4 p.m., 7:15 p.m., 10:10 p.m. Sun. to Thurs. 1:10 p.m., 4 p.m., 7:15 p.m. Philomena (PG-13) Fri. and Sat. 1 p.m., 3:15 p.m., 5:30 p.m., 7:45 p.m., 10:05 p.m. Sun. to Thurs. 1 p.m., 3:15 p.m., 5:30 p.m., 7:45 p.m. regAl StAdium 14

3474 Zafarano Drive, 505-424-6296, www.fandango.com Call theater or check website for times not shown. 47 Ronin (PG-13) Fri. to Sun. 1:10 p.m. 47 Ronin 3D (PG-13) Fri. to Sun. 10 a.m., 4:10 p.m., 7:15 p.m., 10:15 p.m. American Hustle (R) Fri. to Sun. 10:20 a.m., 1:25 p.m., 4:30 p.m., 7:35 p.m., 10:40 p.m. Anchorman 2:The Legend Continues (PG-13) Fri. to Sun. 11:20 a.m., 2:10 p.m., 4:50 p.m., 7:40 p.m., 10:30 p.m. Big (PG) Sun. 2 p.m. Wed. 2 p.m., 7 p.m. Frozen (PG) Fri. to Sun. 11:45 a.m., 2:40 p.m., 5:15 p.m., 7:50 p.m., 10:30 p.m. Grudge Match (PG-13) Fri. to Sun. 11 a.m., 2 p.m., 5 p.m., 7:50 p.m., 10:35 p.m. The Hobbit:The Desolation of Smaug in HFR 3D

(PG-13) Fri. to Sun. 11:05 a.m., 3 p.m., 7 p.m., 10:45 p.m. The Hobbit:The Desolation of Smaug (PG-13) Fri. to Sun. 12:05 p.m., 4:15 p.m., 8 p.m.

The Hunger Games: Catching Fire (PG-13) Fri. to Sun. 4:05 p.m., 7:25 p.m., 10:45 p.m. Justin Bieber’s Believe (PG) Fri. and Sat. 11:15 a.m., 1:40 p.m., 4:35 p.m. Sun. 11:15 a.m., 4:35 p.m., 7:10 p.m., 9:30 p.m. Paranormal Activity:The Marked Ones (R) Fri. and Sat. 10:20 a.m., 12:50 p.m., 3:10 p.m., 5:30 p.m., 7:10 p.m., 8 p.m., 9:30 p.m., 10:20 p.m. Sun. 10:20 a.m., 12:50 p.m., 3:10 p.m., 5:30 p.m., 8 p.m., 10:20 p.m. Saving Mr. Banks (PG-13) Fri. to Sun. 10:55 a.m., 1:55 p.m., 4:45 p.m., 7:45 p.m., 10:40 p.m. The Secret Life of Walter Mitty (PG) Fri. to Sun. 10:15 a.m., 1 p.m., 4 p.m., 7 p.m., 10 p.m. Tyler Perry’s A Madea Christmas (PG-13) Fri. to Sun. 12:50 p.m. Walking With Dinosaurs (PG) Fri. to Sun. 10:10 a.m., 12:30 p.m., 2:50 p.m., 5:10 p.m., 7:30 p.m. The Wolf of Wall Street (R) Fri. to Sun. 12 p.m., 4:10 p.m., 9:50 p.m., 10:10 p.m.

ALAN ROGERS, M.D., P.C.

Comprehensive .Compassionate .Patient Centered Health Care

Family Physician | Board Certified ABFM In Santa Fe since 1987

the SCreen

983-6911

Santa Fe University of Art & Design, 1600 St. Michael’s Drive, 505-473-6494, www.thescreensf.com All Is Lost (PG-13) Fri. to Tue. 1:45 p.m. Thurs. 1:45 p.m. Enzo Avitabile Music Life (NR) Fri. to Thurs. 4 p.m., 5:45 p.m., 7:35 p.m. The Girls in the Band (NR) Fri. to Tue. 11:45 a.m. Thurs. 11:45 a.m. mitChell dreAmCAtCher CinemA (eSpAñolA)

15 N.M. 106 (intersection with U.S. 84/285), 505-753-0087, www.dreamcatcher10.com 47 Ronin (PG-13) Fri. 4:25 p.m., 7 p.m., 9:35 p.m. Sat. 1:50 p.m., 4:25 p.m., 7 p.m., 9:35 p.m. Sun. 1:50 p.m., 4:25 p.m., 7 p.m. Mon. to Thurs. 4:25 p.m., 7 p.m. American Hustle (R) Fri. 4:40 p.m., 7:35 p.m., 9:40 p.m. Sat. 1:50 p.m., 4:40 p.m., 7:35 p.m., 9:40 p.m. Sun. 1:50 p.m., 4:40 p.m., 7:35 p.m. Mon. to Thurs. 4:40 p.m., 7:35 p.m. Frozen (PG) Fri. 4:35 p.m., 7:05 p.m. Sat. and Sun. 2:05 p.m., 4:35 p.m., 7:05 p.m. Mon. to Thurs. 4:35 p.m., 7:05 p.m. Grudge Match (PG-13) Fri. 4:50 p.m., 7:25 p.m., 9:50 p.m. Sat. 2:25 p.m., 4:50 p.m., 7:25 p.m., 9:50 p.m. Sun. 2:25 p.m., 4:50 p.m., 7:25 p.m. Mon. to Thurs. 4:50 p.m., 7:25 p.m. The Hobbit:The Desolation of Smaug (PG-13) Fri. 6:55 p.m. Sat. and Sun. 2:20 p.m., 6:55 p.m. Mon. to Thurs. 6:55 p.m. The Hunger Games: Catching Fire (PG-13) Fri. 6:50 p.m., 9:50 p.m. Sat. 2:30 p.m., 6:50 p.m., 9:50 p.m. Sun. 2:30 p.m., 6:50 p.m. Mon. to Thurs. 6:50 p.m. Paranormal Activity:The Marked Ones (R) Fri. 4:55 p.m., 7:30 p.m., 9:45 p.m. Sat. 2:15 p.m., 4:55 p.m., 7:30 p.m., 9:45 p.m. Sun. 2:15 p.m., 4:55 p.m., 7:30 p.m. Mon. to Thurs. 4:55 p.m., 7:30 p.m. The Secret Life of Walter Mitty (PG) Fri. 4:25 p.m., 7:15 p.m., 9:45 p.m. Sat. 1:55 p.m., 4:25 p.m., 7:15 p.m., 9:45 p.m. Sun. 1:55 p.m., 4:25 p.m., 7:15 p.m. Mon. to Thurs. 4:25 p.m., 7:15 p.m. Tyler Perry’s A Madea Christmas (PG-13) Fri. 4:45 p.m., 7:10 p.m., 10 p.m. Sat. 2:10 p.m., 4:45 p.m., 7:10 p.m., 10 p.m. Sun. 2:10 p.m., 4:45 p.m., 7:10 p.m. Mon. to Thurs. 4:45 p.m., 7:10 p.m. Walking With Dinosaurs (PG) Fri. 4:30 p.m., 7 p.m., 9:30 p.m. Sat. 2 p.m., 4:30 p.m., 7 p.m., 9:30 p.m. Sun. 2 p.m., 4:30 p.m., 7 p.m. Mon. to Thurs. 4:30 p.m., 7 p.m.

530-A Harkle Road

www.alanrogersmd.familydoctors.net

$50 Credit On Initial Visit With This Ad No longer accepting insurance, but reasonable fees.

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RESTAURANT REVIEW Laurel Gladden I For The New Mexican

A singular Wrede

Joseph’s of Santa Fe

428 Agua Fria St., 505-982-1272 Dinner 5:30-10 p.m. Sundays-Thursdays, 5:30-11 p.m. Fridays-Saturdays Takeout available Vegetarian options Noise level: tastefully boisterous Beer & wine Credit cards, no checks

•

The Short Order Joseph Wrede has had a dedicated following since he was cooking in Taos, and every night I’ve visited Joseph’s of Santa Fe, his new restaurant on the corner of Agua Fria and Market streets, the tiny, tastefully decorated dining room has been packed to the hilt with enthusiastic diners. There’s good reason. Service is quick, friendly, and utterly, consistently professional. Overall, the menu is thoughtful and creative, and some dishes soar, but when one fails, mostly due to poor execution, it’s all the more disappointing. Recommended: rock shrimp on crispy phyllo, lamb burger, “bronzed” crusted cauliflower, rabbit lasagna, lamb tagine, butterscotch pudding, and chocolate gelato.

Ratings range from 0 to 4 chiles, including half chiles. This reflects the reviewer’s experience with regard to food and drink, atmosphere, service, and value.

PASATIEMPO I January 3-9, 2014

Reviewing a restaurant run by chef Joseph Wrede is a little like writing about a Twilight movie. I can go into detail about what succeeds and what fails. But Wrede has had a dedicated following since he was helming kitchens in Taos, and every night I’ve visited his new restaurant on the corner of Agua Fria and Market streets, the tiny, tastefully decorated dining room has been packed to the hilt with enthusiastic diners. Nothing I say is going to change anyone’s mind. Don’t get me wrong. Much of what comes out of the kitchen here is quite good — and far better than any popular teen vampire franchise, though there’s plenty you’ll want to sink your teeth into. Service is quick, friendly, and utterly, consistently professional. Overall, the menu is thoughtful and creative. Some dishes soar, but when one fails — mostly because of poor execution — it’s all the more disappointing. The red chile posole, with its plentiful nuggets of elk meat, potato, and carrot, looked more like stew than traditional posole. I had to stir things around to find any actual posole kernels, but the rich broth packed an unmistakable red chile punch with just the right amount of heat. Plump rock shrimp in silken sherry beurre blanc get crisp contrast from a platform of golden phyllo. Nose-totail eaters will enjoy grilled polenta with salty prosciutto and pleasantly fatty chicken-liver mousse. The addition of a luscious poached egg makes the velvet-textured garlic soup even more voluptuous. With its tender fresh pasta and the bold, deep flavors of a sturdy ragù, the rabbit lasagna will bowl you over. Joseph’s impressed me with the number of vegetableheavy entrees, which often get short shrift in fine-dining establishments. A saucy stacked-style enchilada had a distinctly autumnal flavor profile thanks to pumpkin and local porcinis, but the overly constructed tower began to slip and slide apart the minute I cut into it, and even with hints of Indian spices, it was surprisingly bland. Demonstrating both creative thinking and fine execution is the cauliflower entree. The cruciferous florets are slathered in mildly tangy crème fraiche and mustard seeds and then “bronzed” in cast iron. The result is a slightly crunchy steaklike slab thoughtfully rounded out with well-seasoned white beans and a piquant anchovy-tomato sauce. The duck confit entree is an impressive plate — half a duck served with intriguing jewel-like cranberry chutney, earthy green lentils, and a green chile succotash. The menu describes it as “crispy,” and on our visit, that was an understatement. Beneath its crunchy golden skin, the meat was shockingly overcooked — even the dark portions were remarkably, almost inedibly dry. Joseph is famous for his duck-fat French fries. Both times we ordered them, some were perfectly golden but limp, while others were solidly crunchy and a deep russet color. Overall, they were greasy and underseasoned, though the zesty housemade ketchup perked them up a bit. The grilled pizza offers an exciting combination of savory sausage, fruity-sweet grapes, and tangy Gorgonzola. While the crust of any wood-fired or grilled pizza should sport the occasional charred spot, the entire outer edge of ours was charcoal black and burnt.

Joseph’s is spinning itself as a “culinary pub.” Supplementing the well-curated wine list is a selection of fine beers on tap, including a stout, a wheat beer, New Mexico’s Marble IPA, Durango’s smoky-bitter dark lager, and Austria’s light but hop-forward golden Stiegl pilsner. While some of the food is of the sort you’d find in an urban gastropub, this is far from a neighborhood pub in the truest sense. It’s hard to imagine locals walking down the street after work for a $14 burger, $9 fries, or a $42 steak. Made with New Mexico lamb, topped with cheese and green chile, and served on a surprisingly tender English muffin, the rather small burger is juicy and full of minerally sweet meat flavor (and worth the occasional splurge to know you’re supporting a local farm). We ate the lovely butter lettuce and spinach side salad first so it wouldn’t wilt on the too-hot-totouch plate. Beneath its soft, undercooked beige batter, the jalapeño “popper” had an eye-popping spiciness. Desserts are a mixed bag. The apple tartine — actually more like a slice of traditional apple pie — had that perfect balance of tart and sweet and just a pinch of heartwarming spice, but the fruit was in large, unwieldy chunks. The “bistro” cake was warm and chocolaty but mostly forgettable. On the other hand, dinner-table warfare nearly broke out over the wildly addictive butterscotch pudding, sweet but with a hit of mouthwatering salt. The mild milky chocolate flavor of the house-made gelato won’t overwhelm you; what might is the stuff’s otherworldly airiness and mind-blowing creaminess. I don’t live down the street from Joseph’s, but I would walk miles for more of that. ◀

Dinner for four at Joseph’s of Santa Fe:

Rock shrimp..................................................................... $ 14.00 Grilled polenta with chicken-liver mousse..................... $ 12.00 Rabbit lasagna.................................................................. $ 26.00 Vegetable enchilada......................................................... $ 22.00 New Mexican burger........................................................ $ 14.00 Duck-fat fries ................................................................... $ 9.00 Elk red chile posole.......................................................... $ 14.00 Stiegl pilsner.................................................................... $ 6.00 Durango dark lager.................................................... ..... $ 6.00 Bistro cake........................................................................ $ 10.00 Chocolate mousse............................................................ $ 9.00 TOTAL............................................................................. $142.00 (before tax and tip)

Dinner for two, another visit:

Garlic soup....................................................................... $ Grilled pizza .................................................................... $ Duck confit...................................................................... $ Bronzed cauliflower......................................................... $ Butterscotch pudding...................................................... $ Apple tartine.................................................................... $ TOTAL............................................................................. $ (before tax and tip)

8.00 12.00 28.00 18.00 12.00 10.00 88.00

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PASATIEMPOMAGAZINE.COM

pasa week

compiled by Pamela Beach, pambeach@sfnewmexican.com pasatiempomagazine.com

Friday, Jan. 3

4 Saturday

GALLERY/MUSEUM OPENINGS

BOOKS/TALKS

IAIA Writers Festival Natalie Diaz and Jon Davis read from and sign copies of their works, 6 p.m., CLE Commons, second floor, Institute of American Indian Arts, 83 Avan Nu Po Rd., no charge, series continues daily through Jan. 10.

Art Exchange Gallery 60 E. San Francisco St., 505-603-4485. Recent paintings by Brad Price, reception 4-6 p.m., through January. Manitou Galleries 123 W. Palace Ave., 505-986-0440. Calendar Art Show, works by gallery artists, reception 5-7:30 p.m., through Jan. 17. Marigold Arts 424 Canyon Rd., 505-982-4142. Group show of works by gallery artists, reception 5 p.m., through Feb. 6. Marji Gallery 453 Cerrillos Rd., 505-983-1012. New work by Peter Harrington, reception 5-7 p.m.

EVENTS

Postcards From the Past: Fred Harvey’s Southwest First-Friday gallery talk with curator Meredith Davidson, 5-8 p.m., New Mexico History Museum, 113 Lincoln Ave., no charge, 505-476-5200.

Cathy Faber’s Swingin’ Country Band Swing-dance series, 7-10 p.m., Odd Fellows Hall, 1125 Cerrillos Rd., $15 at the door, cathyfaber.com. Glow Special outdoor lighting event; exhibit by ceramic sculptor Christy Hengst on view through May, 5-8 p.m., Santa Fe Botanical Garden, 725 Camino Lejo, $8 in advance and at the door, children 12 and under no charge, santafebotanicalgarden.org, 505-471-9103. Santa Fe Farmers Market 8 a.m.-1 p.m., Railyard Plaza and Farmers Market Pavilion, 1607 Paseo de Peralta, santafefarmersmarket.com. Trader Walt’s Southwestern & International Marketplace More than 100 vendor booths with antiques, folk and fine art, books, jewelry, and snacks, 8 a.m.-3 p.m., El Museo Cultural de Santa Fe, 555 Camino de la Familia, no charge.

EVENTS

NIGHTLIFE

CLASSICAL MUSIC

TGIF organ recital Jan Worden-Lackey performs music of Bach, Robin Milford, and Paul Bryan, 5:30-6 p.m., First Presbyterian Church of Santa Fe, 208 Grant Ave., donations accepted, 505-982-8544, Ext. 16.

BOOKS/TALKS

Glow Special outdoor lighting event; includes an exhibit by ceramic sculptor Christy Hengst, 5-8 p.m., Santa Fe Botanical Garden, 725 Camino Lejo, $8 in advance and at the door, children 12 and under no charge, santafebotanicalgarden.org, 505-471-9103, lighting event concludes Saturday, exhibit on view through May.

NIGHTLIFE

(See Page 59 for addresses) Cowgirl BBQ Americana/blues guitarist Jim Almand, 5-7:30 p.m.; Americana band Bone Orchard, 8 p.m., no cover. El Farol The Gruve, classic soul and R & B, 9 p.m., call for cover. La Casa Sena Cantina Nunsense, musical comedy, 6:30 and 9:30 p.m., call for cover. La Fiesta Lounge at La Fonda R & B band The Pleasure Pilots, 8 p.m.-11 p.m.,no cover. La Posada de Santa Fe Resort and Spa Nacha Mendez Trio, pan-Latin rhythms, 6:30-9:30 p.m., no cover.

Pasa’s Little Black Book......... 59 Elsewhere............................ 60 People Who Need People..... 60 Under 21............................. 60 Pasa Kids............................ 60

PASATIEMPO I January 3-9, 2014

Tansey Contemporary, 652 Canyon Rd., shows paintings by Patrick McGrath Muñiz.

Low ’n’ Slow Lowrider Bar The Revolver Jazz Trio, 9:30 p.m., no cover. Pranzo Italian Grill Pianist Ron Newman, 6-9 p.m., call for cover. Second Street Brewery Norteño folk-rock duo Todd & The Fox, 7-10 p.m., no cover.

In the Wings....................... 61 At the Galleries.................... 62 Libraries.............................. 62 Museums & Art Spaces........ 62 Exhibitionism...................... 63

Second Street Brewery at the Railyard Country Blues Revue, 6-9 p.m., no cover. Upper Crust Pizza Country and folk duo J. Michael Combs and EagleStar, 6 p.m., no cover. Vanessie Pianists Doug Montgomery (6-8 p.m.) and Bob Finnie (8-11 p.m.), call for cover.

(See Page 59 for addresses) Anasazi Restaurant & Bar Guitarist Jesus Bas, 7-10 p.m., no cover. ¡Chispa! at El Mesón Noche de Flamenco, 7-10 p.m., call for cover. Cowgirl BBQ Mystic Lizard Band, bluegrass, 2-5 p.m.; Sean Healen Band, folksy rock, 8:30 p.m., no cover. El Farol Sister Mary Band, 9 p.m., call for cover. La Casa Sena Cantina Nunsense, musical comedy, 6:30 and 9:30 p.m., call for cover. La Fiesta Lounge at La Fonda R & B band The Pleasure Pilots, 8 p.m.-11 p.m., no cover. La Posada de Santa Fe Resort and Spa Pat Malone Trio, 6-9 p.m., no cover. Palace Restaurant & Saloon Film industry celebration with rocker Anthony Leon and his band The Chain, 9 p.m., call for cover. Second Street Brewery Local bluegrass band Mystic Lizard, 7-10 p.m., no cover. Second Street Brewery at the Railyard Folk singer-songwriter Steve Guthrie, 6-9 p.m., no cover.

calendar guidelines Please submit information and listings for Pasa Week

no later than 5 p.m. Friday, two weeks prior to the desired publication date. Resubmit recurring listings every three weeks. Send submissions by mail to Pasatiempo Calendar, 202 E. Marcy St., Santa Fe, NM, 87501, by email to pasa@sfnewmexican.com, or by fax to 820-0803. Pasatiempo does not charge for listings, but inclusion in the calendar and the return of photos cannot be guaranteed. Questions or comments about this calendar? Call Pamela Beach, Pasatiempo calendar editor, at 986-3019; or send an email to pasa@sfnewmexican.com or pambeach@sfnewmexican.com. See our calendar at www.pasatiempomagazine.com, and follow Pasatiempo on Facebook and Twitter.

Sweetwater Harvest Kitchen Hawaiian slack-key guitarist John Serkin, 6 p.m., no cover. Tiny’s Showcase karaoke with Nanci and Cyndi, 8:30 p.m., no cover. Vanessie Pianists Doug Montgomery (6-8 p.m.) and Bob Finnie (8-11 p.m.), call for cover.

5 Sunday CLASSICAL MUSIC

Serenata of Santa Fe Harpsichord Fandango, featuring Kathleen McIntosh, with mezzo-soprano Consuelo Sañudo, 3 p.m., El Museo Cultural de Santa Fe, 555 Camino de la Familia, $25, ticketssantafe.org, 505-988-1234, discounts for seniors and students available at the door.

IN CONCERT

Melanie Monsour Piano recital series; with bassist Paul Brown, jazz, Middle Eastern, and Latin music, noon2 p.m., Museum Hill Café, 710 Camino Lejo, no charge, continues every Sunday in January.

BOOKS/TALKS

IAIA Writers Festival Chris Merrill and Melissa Febos read from and sign copies of their works, 6 p.m., CLE Commons, second floor, Institute of American Indian Arts, 83 Avan Nu Po Rd., no charge, series continues daily through Jan. 10. Life Planning in New Mexico Journey Santa Fe presents authors Merri Rudd and Shannon Bulman, 11 a.m., Collected Works Bookstore, 202 Galisteo St., 505-988-4226.

NIGHTLIFE

(See addresses below) Cowgirl BBQ The Santa Fe Revue, Americana, bluegrass, and R & B, noon-3 p.m.; folk-punk singer-songwriter Ryan Dishen, 8 p.m., no cover. El Farol Pan-Latin chanteuse Nacha Mendez, 7-10 p.m., no cover. Iconik Coffee Roasters Weekly Ad Hoc Bluegrass Band, 10 a.m.-noon, no cover. Vanessie Pianist Doug Montgomery, 6:30-10:30 p.m., no cover.

6 Monday BOOKS/TALKS

Breakfast With O’Keeffe Hydrology of Lake George and Abiquiú Lake, gallery-talk series, 8:30 a.m., Georgia O’Keeffe Museum, 217 Johnson St., by museum admission, 505-946-1039. IAIA Writers Festival Gabrielle Calvocoressi and Ramona Ausubel read from and sign copies of their works, 6 p.m., CLE Commons, second floor, Institute of American Indian Arts, 83 Avan Nu Po Rd., no charge. Linda Hogan The Native poet reads from The Remedies, 6 p.m., Collected Works Bookstore, 202 Galisteo St., 505-988-4226. Southwest Seminars Ancient Sites and Ancient Stories lecture series Textiles, Baskets & Painted Wood From Pueblo Bonito-Chaco Canyon and Aztec West, 6 p.m., Santa Fe Community Foundation, 501 Halona St., $12 at the door, 505-466-2775.

EVENTS

Game of Thrones Screenings of the HBO series; Mondays at 7 p.m. through March 24, Jean Cocteau Cinema, 418 Montezuma Ave., 505-466-5528, jeancocteaucinema.com, no charge.

NIGHTLIFE

(See addresses below) Duel Brewing Blue Monday with James T. Baker, Delta blues, 6-8 p.m., no cover. El Farol Monday jazz with saxophonist Trey Keepin, 7 p.m., call for cover. La Casa Sena Cantina Best of Broadway, piano and vocals, 6-10 p.m., no cover. La Fiesta Lounge at La Fonda Country band Slow Burning, 7:30-11 p.m., no cover. Vanessie Pianist Doug Montgomery, 6:30-10:30 p.m., no cover.

7 Tuesday BOOKS/TALKS

NIGHTLIFE

(See addresses below) ¡Chispa! at El Mesón Argentine Tango Milonga, 7:30 p.m., no cover. Cowgirl BBQ Americana trio Quenby Landiorio, René Reyes, and Sean Devine, 8 p.m., no cover. Duel Brewing Bluesman Sean Loudermilk, 6-9 p.m., no cover. El Farol Canyon Road Blues Jam with Tone and Company, 8:30 p.m., no cover. La Fiesta Lounge at La Fonda Country band Slow Burning, 7:30-11 p.m., no cover. Vanessie Pianist/vocalist Bob Finnie, 6:30-10:30 p.m., no cover. Zia Diner Weekly Santa Fe bluegrass jam, 6-8 p.m., no cover.

8 Wednesday CLASSICAL MUSIC

IAIA Writers Festival Joan Kane and Chip Livingston read from and sign copies of their works, 6 p.m., CLE Commons, second floor, Institute of American Indian Arts, 83 Avan Nu Po Rd., no charge.

The Barber of Seville dress rehearsal Santa Fe Concert Association family concert and backstage/onstage tour with education director Gina Browning, 6:30 p.m., Scottish Rite Center, 463 Paseo de Peralta, no charge, santafeconcerts.org.

EVENTS

BOOKS/TALKS

International folk dances Weekly on Tuesdays, dance 8 p.m., lessons 7 p.m., Odd Fellows Hall, 1125 Cerrillos Rd., $5 donation at the door, 505-501-5081 or 505-466-2920.

Artspace survey results and community discussion A public presentation hosted by Creative Santa Fe, 6-7:30 p.m., New Mexico History Museum Auditorium, 113 Lincoln Ave., no charge, 505-989-9934, creativesantafe.org. ▶▶▶▶▶▶▶▶

317 Aztec 20-0150 317 Aztec St., 505-8 the Inn Agoyo Lounge at E. Alameda St., 3 30 a ed on the Alam 21 -21 84 5-9 50 nt & Bar Anasazi Restaura Anasazi, the of Inn d oo Rosew e., 505-988-3030 113 Washington Av Betterday Coffee 5-555-1234 50 905 W. Alameda St., nch Resort Ra e Bishop’s Lodg Lodge Rd., ps ho Bis 97 12 a & Sp 77 505-983-63 Café Café 5-466-1391 500 Sandoval St., 50 ó ay Casa Chim 5-428-0391 409 W. Water St., 50 ón es M ¡Chispa! at El 505-983-6756 e., Av ton ing ash 213 W Cowgirl BBQ , 505-982-2565 319 S. Guadalupe St. fé Den at Coyote Ca 5-983-1615 132 W. Water St., 50 Duel Brewing 5-474-5301 1228 Parkway Dr., 50 lton Hi e El Cañon at th 88-2811 5-9 50 , St. al ov nd Sa 100

Pasa’s little black book Spa Eldorado Hotel & St., 505-988-4455 o isc nc Fra 309 W. San El Farol 5-983-9912 808 Canyon Rd., 50 ill Gr & El Paseo Bar 92-2848 5-9 50 , St. teo lis Ga 208 Evangelo’s o St., 505-982-9014 200 W. San Francisc erging Arts High Mayhem Em -2047 38 5-4 50 ., 2811 Siler Ln Hotel Santa Fe ta, 505-982-1200 1501 Paseo de Peral asters Iconik Coffee Ro -0996 28 5-4 50 , St. na Le 00 16 La Boca 5-982-3433 72 W. Marcy St., 50 ina La Casa Sena Cant 5-988-9232 50 e., Av e 125 E. Palac at La Fonda La Fiesta Lounge , 505-982-5511 St. o isc 100 E. San Franc a Fe Resort nt Sa de La Posada Ave., 505-986-0000 e lac and Spa 330 E. Pa g Arts Center Lensic Performin St., 505-988-1234 o 211 W. San Francisc e Lodge Th at ge un Lo e Lodg Francis Dr., St. N. 0 75 Fe at Santa 505-992-5800

Low ’n’ Slow Lowrider Bar at Hotel Chimayó de Santa Fe 125 Washington Ave., 505-988-4900 The Matador 116 W. San Francisco St. Mine Shaft Tavern 2846 NM 14, Madrid, 505-473-0743 Molly’s Kitchen & Lounge 1611 Calle Lorca, 505-983-7577 Museum Hill Café 710 Camino Lejo, Milner Plaza, 505-984-8900 Music Room at Garrett’s Desert Inn 311 Old Santa Fe Trail, 505-982-1851 Palace Restaurant & Saloon 142 W. Palace Ave., 505-428-0690 The Pantry Restaurant 1820 Cerrillos Rd., 505-986-0022 Pranzo Italian Grill 540 Montezuma Ave., 505-984-2645 Rouge Cat 101 W. Marcy St., 505-983-6603 San Francisco Street Bar & Grill 50 E. San Francisco St., 505-982-2044 Santa Fe Community Convention Center 201 W. Marcy St., 505-955-6705

Second Street Brewer y 1814 Second St., 505-982-3030 Second Street Brewery at the Railyard 1607 Paseo de Peralta, 505-989-3278 Steaksmith at El Gancho 104-B Old Las Vegas Highway, 505-988-3333 Sweetwater Harvest Kitchen 1512-B Pacheco St., 505-795-7383 Taberna La Boca 125 Lincoln Ave., 505-988-7102 Thunderbird Bar & Grill 50 Lincoln Ave., 490-6550 Tiny’s 1005 St. Francis Dr., 505-983-9817 The Underground at Evangelo’s 200 W. San Francisco St., 505-819-1597 Upper Crust Pizza 329 Old Santa Fe Trail, 505-982-0000 Vanessie 427 W. Water St., 505-982-9966 Warehouse 21 1614 Paseo de Peralta, 505-989-4423 Zia Diner 326 S. Guadalupe St., 505-988-7008

PASATIEMPOMAGAZINE.COM

Dharma talk Presented by Joshin Brian Byrnes, 5:30-6:30 p.m., Upaya Zen Center, 1404 Cerro Gordo Rd., donations appreciated, 505-986-8518. IAIA Writers Festival Sherwin Bitsui and Ken White read from and sign copies of their works, 6 p.m., CLE Commons, second floor, Institute of American Indian Arts, 83 Avan Nu Po Rd., no charge, series continues daily through Jan. 10. Santa Fe Institute community lecture The 2014 series begins with A Wild Solution for Climate Change, with Tom Lovejoy, 7:30 p.m., James A. Little Theater, New Mexico School for the Deaf, 1060 Cerrillos Rd., no charge.

Millicent rogers Museum 1504 Millicent Rogers Rd., 575-758-2462. Open 10 a.m.- 5 p.m. Tuesday-Sunday through March. NM residents $5; nonresidents $10; seniors $8; students $6; ages 6-16 $2; Taos County residents no charge. taos Art Museum and Fechin House 227 Paseo del Pueblo Norte, 575-758-2690. The Animal World of Eugenie Glaman, etchings and paintings, through March 2. Open 10 a.m.4 p.m. Tuesday through Sunday, no charge.

OutDOOrS

Artists/Photographers

▶ People who need people

Gentle walk Flat trails ranging from one to two miles; meet at Los Alamos’ Pajarito Environmental Education Center, 9:15 a.m., 3540 Orange St., no charge, 505-662-0460, pajaritoeec.org.

NIGHtLIFE

(See Page 59 for addresses) ¡Chispa! at El Mesón Flamenco guitarist Joaquin Gallegos, 7-9 p.m., no cover. Cowgirl BBQ Wait for What?, folk rock, 8 p.m., no cover. El Farol Nacha Mendez with Santastico, 8 p.m., no cover. Iconik Coffee roasters Ravensong, monthly singer-songwriter showcase with Dave Tutin, Miguel Silva, Melissa Gail Klein, and Jose Antonio Ponce, 7 p.m., no cover. La Casa Sena Cantina Best of Broadway, piano and vocals, 6-10 p.m., no cover. La Fiesta Lounge at La Fonda Bill Hearne Trio, classic country tunes, 7:30 p.m., no cover. tiny’s 505 Electric Jam with Nick Wimett and M.C. Clymer, 8 p.m., no cover. Vanessie Pianist/vocalist Bob Finnie, 6:30-10:30 p.m., no cover.

9 Thursday tHEAtEr/DANCE

I Can Hear You ... But I’m Not Listening Jennifer Jasper presents her unscripted onewoman show, 8 p.m., Teatro Paraguas Studio, 3205 Calle Marie, $18, $15 seniors and students, 505-424-1601, Jan. 10 encore.

BOOKS/tALKS

Empire, Capitalism, and Inequality Local radio show host Craig Barnes’ lecture series, 6 p.m., Collected Works Bookstore, 202 Galisteo St., 505-989-4226. IAIA Writers Festival Linda Hogan and Santee Frazier read from and sign copies of their works, 6 p.m., student showcase follows at 8 p.m., CLE Commons, second floor, Institute of American Indian Arts, 83 Avan Nu Po Rd., no charge, series concludes Jan. 10.

NIGHtLIFE

(See Page 59 for addresses) ¡Chispa! at El Mesón Jazz pianist Bert Dalton and bassist Milo Jaramillo, 7-9 p.m., no cover. Cowgirl BBQ J.J. & The Hooligans, pop-rock and blues, 8 p.m., no cover.

PASATIEMPO I January 3-9, 2014

Bill Hearne and his trio perform Wednesday and Thursday at La Fonda’s La Fiesta Lounge.

Duel Brewing Zydeco/Tejano/juke-swing band Felix y Los Gatos, 7-10 p.m., no cover. El Farol Guitarras con Sabor, 8 p.m., call for cover. La Casa Sena Cantina Best of Broadway, piano and vocals, 6-10 p.m., no cover. La Fiesta Lounge at La Fonda Bill Hearne Trio, classic country tunes, 7:30 p.m., no cover. La Posada de Santa Fe resort and Spa Pat Malone Trio, 6-9 p.m., no cover. the Matador DJ Inky Inc. spinning soul/punk/ska, 8:30 p.m., no cover. Palace restaurant & Saloon Thursday limelight karaoke, 10 p.m., no cover. Vanessie Pianist/vocalist Bob Finnie, 6:30-10:30 p.m., no cover.

▶ Elsewhere AlbuquErquE Museums/Art Spaces

Albuquerque Museum of Art & History 2000 Mountain Rd. N.W., 505-243-7255. Open 9 a.m.-5 p.m. Tuesday-Sunday; adults $4 ($1 discount for NM residents); seniors $2; children ages 4-12 $1; 3 and under no charge; the first Wednesday of the month and 9 a.m.1 p.m. Sundays no charge. Axle Contemporary 505-670-7612 or 505-670-5854. E Pluibus Unum: Albuquerque, group photographic show and mobile photo studio, open 9 a.m.-5 p.m. Monday, Jan. 6 at La Montanita Co-op, 3500 Central Ave. S.E., visit axleart.com for van locations through Jan12. National Hispanic Cultural Center 1701 Fourth St. S.W., 505-604-6896. En la Cocina With San Pascual, works by New Mexico artists. Open 10 a.m.-5 p.m. Tuesday-Sunday, no charge.

Events/Performances

Chatter Sunday Molly Barth and Melissa Peña: flute and oboe recital, reading by poet Olivia Gatwood follows, 10:30 a.m. Sunday, Jan 5, The Kosmos, 1715 Fifth St. N.W., $15 at the door, discounts available, chatterabq.org.

los AlAmos

Bradbury Science Museum 1350 Central Ave., 505-667-4444. Open 10 a.m.-5 p.m. Tuesday-Saturday, 1-5 p.m. Sunday-Monday, no charge. Pajarito Environmental Education Center 3540 Orange St., 505-662-0460. Exhibits of flora and fauna of the Pajarito Plateau; herbarium, live amphibians, and butterfly and xeric gardens. Open noon-4 p.m. Tuesday-Friday, Saturday 10 a.m.-1 p.m., no charge, pajaritoeec.org.

TAos

E.L. Blumenschein Home and Museum 222 Ledoux St., 575-758-0505. Hacienda art from the Blumenschein family collection, European and Spanish colonial antiques. Open 10 a.m.-5 p.m. Monday-Saturday, noon5 p.m. Sunday. Adults $8, under 16 $4, children under 5 no charge. Harwood Museum of Art 238 Ledoux St., 575-758-9826. Ninetiethanniversary exhibits: The Paintings of Burt Harwood • Single Lens Reflex: The Photographs of Burt Harwood • Peter Parks: New Works, all through Jan. 26 • The Taos Municipal Schools Historic Art Collection, through Feb. 2. Open 10 a.m.-5 p.m. TuesdaySaturday, noon-5 p.m. Sunday, $10; seniors and students $8; ages 12 and under no charge; Taos County residents with ID no charge on Sunday. Kit Carson Home & Museum 113 Kit Carson Rd., 575-758-4945. Original home of Christopher Houston “Kit” and Josefa Carson. Open 10 a.m.-4 p.m. daily, $5; seniors $4; teens $3; ages 12 and under no charge.

Call for sculpture One-inch-high sculptures sought for The Royal Breadshow; sculptures will be exhibited and then baked into breads; March 31 deadline; see theroyalbreadshow.com or axleart.com or submission guidelines. MasterWorks of New Mexico 2014 Open to all New Mexico artists; accepting miniatures, pastels, watercolors, and oils/ acrylics; digital entries deadline Jan. 31; miniatures must be shipped by March 15 or hand-delivered by March 22; for prospectus and information visit masterworksnm.org. the Project Launch and review Santa Fe The local nonprofit organization Center is accepting submissions for its annual grant and juried portfolio review competition; guidelines available online at visitcenter.org; deadline Jan. 22.

Donations/Volunteers

Santa Fe Stories Project The Santa Fe V.I.P. seeks material on the post-World War II era in Santa Fe; to submit stories or images, visit santafestories.com; April deadline.

Filmmakers/Performers/Writers

Call for writers Poems, aphorisms, stories, and essays about bread sought for The Royal Breadshow; March 31 deadline; guidelines available online at royalbreadshow.com for guidelines; submit writings to info@axleart.com. teatro Paraguas auditions 6:30 p.m. Monday, Jan. 20; seeking men and women ranging in age from 25 to 55 for a production of Quiara Alegria Hudes’ play Water by the Spoonful; 505-424-1601, 3205 Calle Marie.

▶ under 21 uNDEr 21

Chill Out: the terminally Chill Concert Hip-hop and rap showcase with Trip, J-Rab, Drayz, The Big D, and others, 7-10 p.m. Saturday, Jan. 4, Warehouse 21, 1614 Paseo de Peralta, no charge, 505-989-4423.

▶ Pasa Kids Interactive train Exhibit From noon to 5 p.m. Friday-Sunday, Jan. 3-5, at the Santa Fe Children’s Museum, children can operate an antique O-gauge model train set and make their own scenery for the tracks. Santa Fe Children’s Museum, 1050 Old Pecos Trail, santafechildrensmuseum.org, by museum admission, 505-989-8359. ◀

In the wings MUSIC

Mike & Ruthy Acoustic folk rock, 7:30 p.m. Saturday, Jan. 11, Gig Performance Space, 1808-H Second St., $20 at the door, gigsantafe.com. The Sing-Along of the Nibelung Santa Fe Concert Association artistic director Joseph Illick leads a sing-along through Wagner’s Ring Cycle; experienced Wagnerians and beginners are all welcome; 7:30 p.m. Thursday, Jan. 16, United Church of Santa Fe, 1804 Arroyo Chamiso, $20, 505-988-1234, ticketssantafe.org. Mardi Gras/Carnival Concert Enchantment Chamber Music presents a program of traditional New Mexican, Latin American, and European music; featuring violinist Ellen Chávez de Leitner, and guitarists Lynn McGrath and Genevieve Leitner; 4 p.m. Saturday, Jan. 18, Immaculate Heart of Mary Retreat and Conference Center Chapel, 50 Mount Carmel Rd., $25; seniors $20; students $15; chavezdeleitner.com. Pink Martini Latin, jazz, and classic pop orchestra, 7:30 p.m. Monday, Jan. 20, Lensic Performing Arts Center, 211 W. San Francisco St., $54-$84, 505-988-1234, ticketssantafe.org. Joshua Roman The cellist performs with pianist Andrius Zlabys; presented by the Los Alamos Concert Association, 4 p.m. Friday, Jan. 24, Los Alamos High School Campus, 1300 Diamond Dr., $30, ticketssantafe.org, 505-988-1234. Santa Fe Pro Musica Classical weekend with music of Vaughan Williams, Barber, and Beethoven, featuring violinist Cármelo de los Santos, 6 p.m. Saturday, 3 p.m. Sunday, Jan. 25-26, Lensic Performing Arts Center, 211 W. San Francisco St., $20-$65, 505-988-1234, ticketssantafe.org.

cármelo de los santos performs with santa Fe pro musica saturday and sunday, Jan. 25-26

Music on the Hill Elevated St. John’s College hosts its annual jazz series beginning Jan. 25 and running monthly through March 29; performers include Kathy Kosins, Alan Pasqua, and Chase Baird, concerts begin at 7:30 p.m., Great Hall, Peterson Student Center, 1160 Camino de Cruz Blanca, $25, 505-984-6000.

Ray Wylie Hubbard Country, folk, and blues artist, 7:30 p.m. Sunday, Jan. 26, St. Francis Auditorium, New Mexico Museum of Art, 107 W. Palace Ave., $25 in advance, $29 at the door, brownpapertickets.com Santa Fe Concert Association Family Concert Series Mozart and Mendelssohn violin concertos with soloists Ezra Shcolnik and Phoenix Avalon, 4 p.m. Sunday, Jan. 26, United Church of Santa Fe, 1804 Arroyo Chamiso, $10, 505-984-8759 or 505-988-1234, ticketssantafe.org. Those Were the Days Classic-songs medley with vocalist Marvelous Maggie B, pianist Robin Holloway, bassist Andy Zadronzy, and percussionist Gerald Rodriguez, 2 p.m. Sunday, Jan. 26, Teatro Paraguas Studio, 3205 Calle Marie, $15, 505-424-1601. Ralph Stanley and the Clinch Mountain Boys The bluegrass legend’s farewell tour, 7:30 p.m. Thursday, Jan. 30, Lensic Performing Arts Center, 211 W. San Francisco St., $29-$79, 505-988-1234, ticketssantafe.org. Canticum Novum winter concerts The chorus and orchestra perform works by Mozart, Schubert, Cimarosa, Hovhaness, and Holst; lecture by Oliver Prezant one hour ahead of show, 7 p.m. Saturday, 3 p.m. Sunday, Feb. 1-2, St. Francis Auditorium, New Mexico Museum of Art, 107 W. Palace Ave., $25 and $35, ticketssantafe.org, 505-988-1234, discounts available. George Winston R & B piano recital, 7:30 p.m. Saturday, Feb. 1, Lensic Performing Arts Center, 211 W. San Francisco St., $28-$52, 505-988-1234, ticketssantafe.org. Serenata of Santa Fe Twists and Turns, music of Brahms, Herrmann, and Tower, 3 p.m. Sunday, Feb. 9, Scottish Rite Center, 463 Paseo de Peralta, $25, 505-988-1234, ticketssantafe.org. Santa Fe Symphony: In Honor of Lincoln Presentation of Copland’s Lincoln Portrait with narration by N. Scott Momaday, and Fanfare for the Common Man, 4 p.m. Sunday, Feb. 16, preconcert lecture at 3 p.m., Lensic Performing Arts Center, 211 W. San Francisco St., $20-$70, 505-988-1234, ticketssantafe.org. Legends of the Celtic Harp Acoustic trio, 7:30 p.m. Friday, Feb. 28, Gig Performance Space, 1808-H Second St., $20 at the door, gigsantafe.com. Sharon Jones and the Dap-Kings Soul and funk; Valerie June opens, 7:30 p.m. Tuesday, Mar. 18, Lensic Performing Arts Center, 211 W. San Francisco St., $34-$54, 505-988-1234, ticketssantafe.org.

Upcoming events King Laz Susana Guillaume’s one-woman show about negotiating the rocky terrain of old age, sickness, and death, 7:30 p.m. Friday and Saturday, 4 p.m. Sunday, Jan. 17-19, Santa Fe Playhouse, 142 E. De Vargas St., santafeplayhouse.org, 505-988-4262. Salt and Pepper Teatro Paraguas presents Los Alamos playwright Robert Benjamin’s comedy on maturing, 7:30 p.m. Friday and Saturday, 2 p.m. Sunday, Jan. 17-19, Teatro Paraguas Studio, 3205 Calle Marie, $18, seniors and students $15, 505-424-1601, teatroparaguas.org. Winter Dances 2014 New Mexico School for the Arts student showcase, 7 p.m. Friday and Saturday, 2 p.m. Sunday, Jan. 17-19, James A. Little Theater, New Mexico School for the Deaf, 1060 Cerrillos Rd., $10 in advance, seniors and students $5, nmschoolforthearts.org. Anna in the Tropics New Mexico School for the Arts Theater presents Nilo Cruz’s Pulitzer Prize-winning play set in a 1929 Florida Cuban-American cigar factory, 7 p.m. Thursday-Saturday, Jan. 23-25, James A. Little Theater, New Mexico School for the Deaf, 1060 Cerrillos Rd., $10, discounts available, nmschoolforthearts.org. National Theatre Live in HD Coriolanus, Donmar Warehouse’s adaptation of Shakespeare’s tragedy, 7 p.m. Friday, Jan. 31, Lensic Performing Arts Center, 211 W. San Francisco St., $22, 505-988-1234, ticketssantafe.org. Don’t Panic: It’s Only Finnegans Wake Solo performance by Adam Harvey, 7 p.m. Friday and Saturday, 2 p.m. Sunday, Jan. 31Feb. 2, Teatro Paraguas Studio, 3205 Calle Marie, $12, 505-424-1601. Benchwarmers 13 Festival of eight 15-minute playlets by local playwrights, Feb. 6-March 2, Santa Fe Playhouse, 142 E. De Vargas St., santafeplayhouse.org. Colin Quinn The stand-up comic shares his political views in Unconstitutional, 7 p.m. Friday, Feb. 7, Lensic Performing Arts Center, 211 W. San Francisco St., $15-$35, 505-988-1234, ticketssantafe.org.

HAPPENINGS

Gregg Turner’s screening party The local musician celebrates his CD Gregg Turner Plays the Hits and his video Satan’s Bride; also, short sets by guitarists Turner and Steve Terrell, 10:30 p.m. Friday, Jan 10, Jean Cocteau Cinema, 418 Montezuma Ave., no charge, 505-466-5528. Armistead Maupin The author reads from his new book The Days of Anna Madrigal, 7 p.m. Friday, Jan. 24, the Lensic, $10-$15, 505-988-1234, ticketssantafe.org. Winterbrew Annual festival of craft beers and food hosted by New Mexico breweries and local chefs, 4-9 p.m. Friday, Jan. 24, Santa Fe Farmers Market Pavilion, 1607 Paseo de Peralta, $20 includes commemorative pint glass and $5 in tokens, 505-660-2951. Souper Bowl XX Annual Food Depot fundraiser; local-chefprepared soups and recipes, noon-2 p.m. Saturday, Feb. 1, Santa Fe Community Convention Center, 201 W. Marcy St., $30 in advance, $35 at the door; children ages 6-12 $10, 505-471-1633. Lannan Literary Series Author George Saunders in conversation with New York Times Magazine deputy editor Joel Lovell, 7 p.m. Wednesday, Feb. 12, Lensic Performing Arts Center, 211 W. San Francisco St., $6; seniors and students $3, ticketssantafe.org, 505-988-1234. Let’s Dance Santa Fe Community Orchestra’s annual swing and ballroom dance event, 7-10 p.m. Saturday, Feb. 15, Santa Fe Community Convention Center, 201 W. Marcy St., donations appreciated; table reservations 505-466-4879, sfcoinfo@gmail.com. Edible Art Tour (EAT) Members of the Santa Fe Gallery Association team with local restaurants; stroll from doorway to doorway or take shuttle buses between downtown and Canyon Road; 5-8 p.m. Friday, Feb. 21, EAT $35; EAT and Fashion Feast dance party $70, artfeast.com, 505-603-4643.

THEATER/DANCE

What Happened Was Staged reading of Tom Noonan’s humorous play, 7 p.m. Tuesday, Jan. 14, Jean Cocteau Cinema, 418 Montezuma Ave., $10 suggested donation, 505-466-5528.

texaas singer/songwriter Ray Wylie Hubbard performs sunday, Jan. 26, at st. Francis Auditorium.

PASATIEMPOMAGAZINE.COM

AT THE GALLERIES Andrew Smith Gallery 122 Grant Ave., 505-984-1234. Mannequin, Lee Friedlander’s photographic series, through Sunday, Jan. 5. C2 Gallery 924 Paseo de Peralta, Suite 2, 505-603-1316. Silver-gelatin photographs by Dona Bollard, through Jan. 14. Chiaroscuro Contemporary Art 702½ Canyon Rd., 505-992-0711. Works by gallery artists, through Saturday, Jan. 4. David Richard Gallery 544 S. Guadalupe St., 505-983-9555. Unity, paintings by Leon Berkowitz, through Jan. 25. Eight Modern 231 Delgado St., 505-995-0231. Part and Parcel, paintings by Rebecca Shore, through Jan. 11. El Museo Culural de Santa Fe 555 Camino de la Familia, 505-992-0591. La Blanca Ciudad: The White City, 11 contemporary artists of Arequipa, Peru, through March. Ellsworth Gallery 215 E. Palace Ave., 505-989-7900. Kathryn Stedham: Alluvium, gestural abstract paintings, through Saturday, Jan. 4. Gebert Contemporary 558 Canyon Rd., 505-992-1100. Colin Cochran: Matter and Spirit, through Saturday, Jan. 4. Jean Cocteau Cinema 418 Montezuma Ave., 505-466-5528. Surrealistic landscapes by Mark Kane, through Jan. 23. LewAllen Galleries at the Railyard 1613 Paseo de Peralta, 505-988-3250. Now and Then, group exhibition of contemporary and historical artists, through Jan. 26. Monroe Gallery of Photography 112 Don Gaspar Ave., 505-992-0800. The Life Photographers, through Jan. 26. Peyton Wright Gallery 237 E. Palace Ave., 505-989-9888. Art of Devotion, historic art of the Americas, through March 9. Photo-eye Gallery 370-A Garcia St., 505-988-5159. Photo Objects & Small Prints, group show; REDD, contemporary jewelry designs by Rachelle Thiewes and Julia M. Barello, through Feb. 1. Red Dot Gallery 826 Canyon Rd., 505-820-7338. Third annual show featuring work by IAIA and SFCC students and faculty, through Feb. 15. Sage Creek Gallery 421 Canyon Rd., 505-988-3444. Winter Magic, group show, through Jan. 10. Santa Fe Community College School of Arts and Design Visual Arts Gallery 6401 Richards Ave., 505-428-1501. From the Inside, Part II, works by faculty members, through Jan. 15. Santa Fe Community Gallery Santa Fe Community Convention Center, 201 W. Marcy St., 505-955-6705. In/Visible Borders: New Mexico Photographers, including works by Carlan Tapp, Patrick Nagatani, and Norman Mauskopf, through Feb. 21. Scheinbaum & Russek 812 Camino Acoma, 505-988-5116. Santa Fe Legacy, prints and photographs by Gustave Baumann, Gerald Cassidy, Louie Ewing, Laura Gilpin, Kate Krasin, Eliot Porter, and Todd Webb, through January.

PASATIEMPO I January 3-9, 2014

Eight Modern, 231 Delgado St., shows work by Rebecca Shore.

Tansey Contemporary 652 Canyon Rd., 505-995-8513. Devocionales: Neo-Colonial Retablos From an Archetypal Perspective, paintings by Patrick McGrath Muñiz, through January. Than Povi Fine Art Gallery 6 Banana Ln., 10 miles north of Santa Fe off US 84/285, 505-301-3956. Linda Lomahaftewa: Works on Paper, through Jan. 10. Verve Gallery of Photography 219 E. Marcy St., 505-982-5009. La Réve, works by Susan kae Grant, Kamil Vojnar, and Krzysztof Wladyka, through Jan. 11. Vivo Contemporary 725 Canyon Rd., 505-982-1320. As Though Ice Burned, works by gallery artists, through Jan. 28. Wade Wilson Art 217 W. Water St., 505-660-4393. Review: A Gallery Revisited, group show, through Jan. 18. Ward Russell Photography 102 W. San Francisco St., second floor, 505-231-1035. Down Mexico Way, through Saturday, Jan. 4. Zane Bennett Contemporary Art 435 S. Guadalupe St., 505-982-8111. Privacy and Secrets, through Jan. 10.

LIbRARIES Beaumont and Nancy Newhall Library Santa Fe University of Art & Design, 1600 St. Michael’s Dr., 505-474-5052. Open by appointment. Catherine McElvain Library School for Advanced Research, 660 Garcia St., 505-954-7205. Open Monday-Friday, call for hours. Chase Art History Library Santa Fe University of Art & Design, 1600 St. Michael’s Dr., 505-473-6569. Open Monday-Friday, call for hours. Faith and John Meem Library St. John’s College, 1160 Camino de Cruz Blanca, 505-984-6042. Visit stjohnscollege.edu for hours of operation, $40 fee to nonstudents and nonfaculty. Fray Angélico Chávez History Library Palace of the Governors, 120 Washington Ave., 505-476-5090. Open 1-5 p.m. Tuesday-Friday. Laboratory of Anthropology Library Museum of Indian Arts & Culture, 505-476-1264. Open 1-5 p.m. Monday-Friday, by museum admission.

New Mexico State Library 1209 Camino Carlos Rey, 505-476-9700. Upstairs (state and federal documents and books) open noon-4:30 p.m. Monday-Friday; downstairs (Southwest collection, archives, and records) open 9 a.m.-4:30 p.m. MondayFriday. Quimby Memorial Library Southwestern College, 3960 San Felipe Rd., 505-467-6825. Rare books and collections of metaphysical materials. Open MondaySaturday, call for hours. Santa Fe Community College Library 6401 Richards Ave., 505-428-1352. Open Monday-Saturday, call for hours. Santa Fe Institute 1399 Hyde Park Rd., 505-984-8800. Open 1-5 p.m. MondayFriday to current students (call for details). Visit santafe.edu/library for online catalog. Santa Fe Public Library, Main Branch 145 Washington Ave., 505-955-6780. Open 10 a.m.-8 p.m. Monday-Thursday, 10 a.m.6 p.m. Friday-Saturday, 1-5 p.m. Sunday. Santa Fe Public Library, Oliver La Farge Branch 1730 Llano St., 505-955-4860. Open 10 a.m.-8 p.m. Monday-Wednesday, 10 a.m.6 p.m. Thursday-Saturday. Closed Sunday. Santa Fe Public Library, Southside Branch 6599 Jaguar Dr., 505-955-2810. Open 10 a.m.8 p.m. Monday-Thursday, 10 a.m.-6 p.m. Friday-Saturday. Closed Sunday. Supreme Court Law Library 237 Don Gaspar Ave., 505-827-4850. Online catalog available at supremecourtlawlibrary.org. Open 8 a.m.-5 p.m. Monday-Friday.

MuSEuMS & ARTSpAcES Center for Contemporary Arts 1050 Old Pecos Trail, 505-982-1338. Atomic Surplus, multidisciplinary group exhibit surveying the global nuclear legacy • Tony Price and the Black Hole, exhibit of ephemera from the Los Alamos Black Hole salvage yard and works from the estate of Tony Price, through Sunday, Jan. 5. Call for hours or see ccasantafe.org. Georgia O’Keeffe Museum 217 Johnson St., 505-946-1039. Modern Nature: Georgia O’Keeffe and Lake George, through Jan. 26. Open 10 a.m.5 p.m. Saturday-Thursday, 10 a.m.-7 p.m. Friday; $12; seniors $10; NM residents $6; students 18 and over $10; under 18 no charge; no charge for NM residents first Friday of each month. Museum of Contemporary Native Arts 108 Cathedral Place, 505-983-1666. Open 10 a.m.-5 p.m.; noon-5 p.m. Sunday; closed Tuesday. Adults $10; NM residents, seniors, and students $5; 16 and under and NM residents with ID no charge on Sundays. Museum of International Folk Art 706 Camino Lejo, Museum Hill, 505-476-1200. Let’s Talk About This: Folk Artists Respond to HIV/AIDS, collaborative community exhibit, through Sunday, Jan. 5 • Tako Kichi: Kite Crazy in Japan, exhibition of Japanese kites, through March • New World Cuisine: The Histories of Chocolate, Mate y Más • Multiple Visions: A Common Bond, international collection of toys and folk art • Brasil and Arte Popular, pieces from the museum’s Brazilian collection, through Aug. 10. Open 10 a.m.-5 p.m. TuesdaySunday. NM residents $6; nonresidents $9; ages 16 and under no charge; students with ID $1 discount; no charge for NM residents over 60 on Wednesdays; no charge for NM residents on Sundays; school groups no charge.

Museum of Spanish Colonial Art 750 Camino Lejo, Museum Hill, 505-982-2226. Filigree & Finery: The Art of Adornment in New Mexico, through spring 2014 • BeltránKropp Peruvian Art Collection, exhibit of gift items, including a permanent gift of 60 art pieces and objects from the estate of Pedro Gerardo Beltrán Espantoso, through May 27 • San Ysidro/St. Isidore the Farmer, bultos, retablos, straw appliqué, and paintings on tin • Recent Acquisitions, colonial and 19thcentury Mexican art, sculpture, and furniture; also, work by young Spanish Market artists • The Delgado Room, late-colonial-period re-creation. Open 10 a.m.-5 p.m. TuesdaySunday. $8; NM residents $4; 16 and under no charge; NM residents no charge on Sundays. New Mexico History Museum/ Palace of the Governors 113 Lincoln Ave., 505-476-5200. Water Over Mountain, Channing Huser’s photographic installation • Cowboys Real and Imagined, artifacts and photographs from the collection, through March 16 • Tall Tales of the Wild West: The Stories of Karl May, photographs and ephemera in relation to the German author, through Feb. 9 • Santa Fe Found: Fragments of Time, the archaeological and historical roots of Santa Fe. Open 10 a.m.5 p.m. Tuesday-Sunday; 5-8 p.m. Fridays. NM residents $6; nonresidents $9; 16 and younger no charge; students with ID $1 discount; school groups no charge; no charge on Wednesdays for NM residents over 60; NM residents no charge on Sundays; free admission 5-8 p.m. Fridays. New Mexico Museum of Art 107 W. Palace Ave., 505-476-5072. Back in the Saddle, collection of paintings, prints, photographs, and drawings of the Southwest, through Jan. 12 • Renaissance to Goya: Prints and Drawings from Spain • Collecting Is Curiosity/Inquiry • A Life in Pictures: Four Photography Collections, through Jan. 19 • 50 Works for 50 States: New Mexico, through April 13 • It’s About Time: 14,000 Years of Art in New Mexico, through January. Open 10 a.m.-5 p.m. Tuesday-Sunday; 5-8 p.m. Fridays. NM residents $6; nonresidents $9; 16 and younger no charge; students with ID $1 discount; school groups no charge; no charge for NM residents over 60 on Wednesdays; NM residents free on Sundays. Pablita Velarde Museum of Indian Women in the Arts 213 Cathedral Place, 505-988-8900. Gathering of Dolls: A History of Native Dolls, through April 27. Open 10 a.m.5 p.m. Tuesday-Sunday. $10 admission. Poeh Museum Poeh Museum. 78 Cities of Gold Rd., 505-455-3334. Doing Being Sharing Laughing, group show, through January. Open 8 a.m.-5 p.m. Monday-Friday; 9 a.m.4 p.m. Saturday; donations accepted. SITE Santa Fe 1606 Paseo de Peralta, 505-989-1199. Alan Shields’ installation Maze, accompanied by the film Into the Maze, through Jan. 12. Open Thursday and Saturday 10 a.m.-5 p.m., Friday 10 a.m.-7 p.m., and Sunday noon-5 p.m. $10; seniors and students $5; no charge 10 a.m.-noon Saturday; no charge Friday. Wheelwright Museum of the American Indian 704 Camino Lejo, Museum Hill, 505-982-4636. The Durango Collection: Native American Weaving in the Southwest, 1860-1880, through April 13. Open 10 a.m.5 p.m. daily, donations accepted.

exHiBitioNism

A peek at what’s showing around town

Nancy Frost Begin: Family, 2013, woodcut print. Marigold Arts (424 Canyon Road) presents a group exhibition of work in a variety of mediums, including textiles, paintings, wearable art, prints, and sculptures. Artists include Nancy Frost Begin, Connie Enzmann-Forneris, Jim McLain, and other gallery artists working in New Mexico. The reception is Friday, Jan. 3, at 5 p.m. Call 505-982-4142.

matthew Chase-Daniel and Jerry Wellman: E Pluribus Unum, 2012, portrait composed of equal portions of 566 individual portraits. Axle Contemporary revives its mobile exhibition E Pluribus Unum for a spin through Albuquerque. E Pluribus Unum is a series of portraits of members of the community in which each participant is photographed with an object of personal significance or resonance. Portraits taken in Albuquerque will be exhibited outside Axle’s van and digitally merged into a single image. Axle’s first stop is from 9 a.m. to 5 p.m. on Monday, Jan. 6, at La Montañita Food Co-op in Nob Hill (3500 Central Ave. S.E.). Visit www.axleart.com or call 505-670-7612 for updates on the gallery’s location. The photos will also be on view at 516 Arts (516 Central Ave. S.W., Albuquerque; 505-242-1445) as part of the exhibit Heart of the City, opening on Feb. 1.

Dennis Ziemienski: The Road to Chimayo, 2013, oil on canvas. Manitou Galleries (123 W. Palace Ave.) presents its Calendar Art Show, an exhibition of work featured in the gallery’s 2014 printed calendar. The show includes art by B.C. Nowlin, Fran Larsen, and Roger Hayden Johnson. Complimentary calendars are available at the opening reception, at 5 p.m. Friday, Jan. 3. Call 505-986-0440. Peter Harrington: Folly, Fate, and a Butterfly, 2013, oil on canvas. Peter Harrington finds inspiration in the koans and practices of Zen Buddhism. His paintings combine natural forms — such as cacti, leaves, animals, and trees — with man-made forms that share a visual similarity. An exhibition of new works by Harrington opens at Marji Gallery and Contemporary Projects (453 Cerrillos Road) on Friday, Jan. 3, with a 5 p.m. reception. Call 505-983-1012.

Burkhard von Harder: Man on Diving Board, 1986, photograph. Fear & Loathing is the inaugural online show of Art Photo Index (www.artphotoindex. com), a database of work by international photographers that was created by Photoeye Gallery director Rixon Reed. Fear & Loathing contains more than 100 images highlighting commonplace fears and troublesome social issues and was curated by Katherine Ware of the New Mexico Museum of Art. The exhibition will remain archived on the Art Photo Index website indefinitely. Contact Photo-eye Gallery (376 Garcia St., Suite A) at 505-988-5152.

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