Southern Theatre, Vol. 58, Issue 1

Page 8

outside

the box DESIGN/ TECH SOLUTIONS

Upcycled

Creating a Eurydice Backdrop from Plastic Bottles

by Matthew Leckenbusch, Kendra Johnson and Shannon Robert

I

n the fall of 2014, the Clemson University theatre department set a goal of

producing at least one upcycled/green show each season. The department kicked off its commitment with a production of Sarah Ruhl’s Eurydice in the spring of 2015. The objective was to promote recycling on campus by increasing awareness of plastic waste, which is substantial on college campuses across the country. Faculty, staff, theatre majors and nonmajors gathered materials that would otherwise end up in a landfill and integrated them into the play’s costume and lighting design, scenic construction and stage management for a completely upcycled production.

SCENE/LIGHTING DESIGN

This modern-day retelling of the Or-

pheus myth was staged in the 968-seat

Above: Nearly 18,000 recycled plastic bottles were used to create the backdrop for Clemson University’s spring 2015 production of Eurydice. Right: Workers strike the set. Sheer fabric recycled from an earlier event was draped behind the wall of bottles to catch light.

Brooks Theatre. The scenic plan, developed by professor and scenic designer Shannon

half of the final total. Collection boxes were

ment chair, cast members and students

Robert, was to transform plastic water

also set up around the Brooks Center, with

from many majors pitched in, some also

bottles into an enormous backdrop, lit by

the only stipulations being that containers

recruiting their friends and roommates.

ethereal colored lights that would transition

must be clear and relatively clean.

seamlessly from one setting to the next.

Planning: Back in the scene shop, team

by counting bottle caps, that about 20,000

Technical director Matthew Leckenbusch

members got advice from the university’s

bottles were processed by 124 volunteers.

and student carpenters began work early

environmental health and safety depart-

Of those, 17,814 were used in the final prod-

in the fall semester on a small-scale proof

ment on how to prepare and clean the

uct. Total hours to complete the work came

of concept. They experimented with string-

bottles. Then volunteers were recruited to

in at 584. That was less than the 800 hours

ing plastic bottles on recyclable fishing

help clean, cut and hang the bottles.

Haynes had expected based on the test

line, with quarter-inch reusable washers

strings she and Leckenbusch assembled.

to secure them. After four or five strings

technical director, keeper of statistics and

Cleaning: The first step in readying

were created, they hung them on a welding

unofficial ambassador for the project. She

the collected bottles for the project was

screen. The lights were turned off. Shining

helped mobilize Saturday work calls, jok-

to remove caps and labels. (Some of these

a flashlight through the gel onto the bottles

ingly referred to as Bottlepaloozaganzas.

were used in the costumes.) Then the team

revealed the potential of the project.

The team originally thought 12,000

used 295 gallons of tap water to wash and

Collection: The first step in creating the

bottles would be sufficient, so three Sat-

rinse the bottles in five-gallon buckets with

design was to collect bottles. Students in

urdays of work, in addition to the normal

nontoxic cleaner.

three theatre classes were invited to com-

work week, were scheduled. This estimate

Scene Construction/Load-In: Next,

pete in a friendly contest to see which group

ballooned by 40 percent and workdays

volunteers cut the bottles into small,

could collect the most bottles. The students

were added, as well as volunteers. Faculty

randomly shaped pieces. These smaller

hauled in roughly 12,000 bottles, more than

members and their children, the depart-

shards were affixed to 500 to 600 strands

6 x Southern Theatre x Winter 2017

Student Liz Haynes served as assistant

At the end, team members determined,


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