NOVELLO BARBERSHOP
Yesterday John Lennon & Paul McCartney, arr. Nicholas Hare
LY E N C O AN The arranger has endeavoured to share the interest E Mamongst all the R voice parts, but each singer should be aware at all times of who has the R use of soloists is O melody, so that it is allowed to stand out. A discreet O F SCgiven. often appropriate: some suggestions are R L E A P vital element in successful Blend and balance of the harmony S isNanother U vibrato performance of this music, and I should be kept in check, so that R E in tune. The various ‘vocalisations’ the chords are clean and perfectly E S P beUconsidered as suggestions only and varied (ah, ooh, mm, etc.) may E R conditions. according to the performance N I O L F the melody may be treated quite freely, provided This is a song N where O OT parts provide a clear beat. that the accompanying N The Novello Barbershop series offers unaccompanied arrangements
of a variety of well-loved songs, from the 40s to the 70s.
Novello/TTBB 387