Harbison GREAT GATSBY ACT I VOL 2

John Harbison

THE GREAT GATSBY OPERA IN TWO ACTS Act I, Volume 2 Scenes 3 and 4

From the Rental Library of G. Schirmer, Inc. Date of printing:_______________

Associated Music Publishers, Inc. New York, NY

THE GREAT GATSBY OPERA IN TWO ACTS Act I, Volume 2 words and music by

John Harbison after the novel by

F. Scott Fitzgerald song lyrics by

Murray Horwitz tango lyrics by

F. Scott Fitzgerald

commissioned by the Metropolitan Opera to commemorate the 25th Anniversary of James Levine’s debut.

Associated Music Publishers, Inc. New York, NY

Characters:

Daisy Buchanan, a rich young socialite .......................................................................soprano Jay Gatsby, a wealthy man of mysterious background ....................................................tenor Tom Buchanan, Daisy’s husband, a former athlete .........................................................tenor Nick Carraway, her cousin, a young stock broker ......................................................baritone Jordan Baker, her friend, a golfer ....................................................................mezzonsoprano George Wilson, a garage mechanic ...................................................................................bass Myrtle Wilson, his wife ...................................................................................mezzonsoprano Radio Singer / Band Vocalist ...........................................................................................tenor Tango Singer .................................................................................................... mezzo-soprano Meyer Wolfshiem, a shady businessman ...........................................................................bass Henry Gatz, Gatby’s father..........................................................................................baritone Minister................................................................................................................bass-baritone Chorus of party-goers

Table of Contents Act I, Volume 1: Overture . . . . . . . . . . . . . . . . 1 Scene 1 . . . . . . . . . . . . . . . . 24 Scene 2 . . . . . . . . . . . . . . . 151 Act I, Volume 2: Scene 3 . . . . . . . . . . . . . . . 238 Scene 4 . . . . . . . . . . . . . . . 370 Act II, Volume 1: Scene 1 . . . . . . . . . . . . . . . Scene 2 . . . . . . . . . . . . . . . Scene 3 . . . . . . . . . . . . . . . Act II, Volume 2: Scene 4 . . . . . . . . . . . . . . . Scene 5 . . . . . . . . . . . . . . . Scene 6 . . . . . . . . . . . . . . .

474 571 641 731 766 821

Duration: approximately 2½ hours

Instrumentation Orchestra 3 Flutes ( 3rd doubling Piccolo) 2 Oboes English Horn 3 Clarinets in B= (2nd doubling Clarinet in E=, 3rd doubling Soprano Saxophone in B=) Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in C (3rd doubling Trumpet in B=) 3 Trombones Tuba Timpani Percussion (3 players) Perc. 1: Marimba, Glockenspiel, Flexatone, Bass Drum, Brake Drum, Cowbells, Triangle, Wood Drum, Tamtam, Auto Horn Perc. 2: Xylophone, Vibraphone, Steel Drums, Suspended Cymbals, Snare Drum, Castanets, Claves Perc. 3: Chimes, Crotales, Triangle (Telephone Bell), Siren, Crash Cymbals, Temple Blocks, Slapstick, Tamtam, Maracas Piano Harp Banjo Strings

Stage Band Clarinet in B=, doubling Soprano Saxophone in B= (Clarinet 3 from Orchestra) Trumpet in B= (Trumpet 3 from Orchestra) Trombone (Trombone 3 from Orchestra) Tuba (from Orchestra) Trap Set (Percussion 3 from Orchestra) Bass Drum, Tom–tom, Castanets, Cowbells, Wood Block, Snare Drum, Hi–hat, Ride Cymbal Piano (from Orchestra) Banjo (from Orchestra) Solo Violin

238

Act I, Scene 3 Allegro

= 96

Picc.

Fl.

Ob.

a2

1 2 a2

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

E.H.

Cl. 1 in B Cl. 2 in E

3

3

3

3

3

3

3 3

3 3

3 3

3

3

Bs.Cl.

Bn.

a2

1 2

Cbn.

1 2 Hn. in F 3 4 senza sord.

Tpt. in C

1 2 3

1 2 Tbn. 3

Tuba

Timp. B.D. 1

Perc. 2

3

Piano

Harp

The party is ready to begin. S

Chorus

A

T 8

B

Allegro

= 96 unis.

I 3

3

Vn.

3

3

unis. 3

3

3

3

3

3

3

3

II 3

3

3

3

unis. Va. 3

3

pizz. Vc.

pizz. Cb.

3

3

3

3

HGG Act I, Scene 3

239

5 Picc. a2 Fl.

1 2 3

Ob.

3

3

(a2)

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

E.H.

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

Cl. 1 in B 3 3

Cl. 2 in E

3

3 3

3

3

3

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp. (B.D.) 1

Perc. 2

3

Piano

Harp

S

Chorus

A

T 8

B

I 3

3

Vn. II 3

div.

3

unis.

3

3 3

3

3

3

Va. 3

3

3

3

div.

unis.

div.

unis.

Vc.

Cb.

3

3

HGG Act I, Scene 3

240 9 Picc. (a2) Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. (B.D.) 1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Traps Perc. 3

Piano

Banjo

Solo Vn.

Band Vocalist 8

I Vn. II

Va. arco Vc.

arco Cb.

HGG Act I, Scene 3

241

13 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba Snare Dr. Perc. 3

Piano

Banjo

Solo Vn.

Band Vocalist 8

I Vn. II

Va.

Vc.

Cb.

One

foot

in,

One

foot

out,

Do

that old

“Ca

ro

li

na Shout”.

There’s noth

ing

out

of

date

a

bout

a

HGG Act I, Scene 3

242 19 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Band Vocalist 8

I Vn. II

Va.

Vc.

Cb.

hap

py

old

Sa

tur day

night

to

do.

Play

that

jazz,

play

that

rag,

grab your ba

by,

and

dance the shag.

A

HGG Act I, Scene 3

243

25 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Soprano Saxophone Sop. Sax

gl.

gl.

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba W.Blk. secco Perc. 3

Piano

Banjo

gl.

Solo Vn.

gl.

meno Band Vocalist 8

I Vn. II

Va.

Vc.

Cb.

swell

time’s al

ways

in

the bag

at

a

Sat ur

day

night

to

do.

Go

tell the lead er

of

the band

to

HGG Act I, Scene 3

244 31 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

gl.

Sop. Sax

gl.

gl.

gl.

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

gl.

gl.

Band Vocalist 8

I Vn. II

Va.

Vc.

Cb.

play

a

song

for you.

Love

may be wait ing

right

at hand,

and oh

what a

tune

can do!

HGG Act I, Scene 3

245

37 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba W.Blk.

S.D. Perc. 3

Piano

Banjo

Solo Vn.

Band Vocalist 8

I Vn. II

Va.

Vc.

Cb.

Hold her close,

hold her

tight,

she’s the one

girl

that suits you right.

To geth

er you’ll make

ev

’ry night

a

Sa tur day night to do.

246

HGG Act I, Scene 3 45

Picc. a2 Fl.

1 2

Ob.

1 2

a2

E.H.

Cl. 1 in B

Cl. 2 in E

Bs.Cl.

Bn.

(a2)

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

Sus. Cym., at rim 2 poco

Harp

Cl. 3 in B

3

3

3

3

in fuori

Tpt. 3 in B in fuori Tbn. 3 3

in fuori

3

S t a g e

B a n d

Tuba Ride Cym. S.D. Perc. 3

Piano

Banjo

Solo Vn. accomp.

stacc. S

One foot stacc.

in,

one

foot

out,

do

that old

“Ca

ro

li

na Shout”.

There’s noth

ing

out

of

date

a

bout

a

One foot stacc.

in,

one

foot

out,

do

that old

“Ca

ro

li

na Shout”.

There’s noth

ing

out

of

date

a

bout

a

One foot stacc.

in,

one

foot

out,

do

that old

“Ca

ro

li

na Shout”.

There’s noth

ing

out

of

date

a

bout

a

One

in,

one

foot

out,

do

that old

“Ca

ro

li

na Shout”.

There’s noth

ing

out

of

date

a

bout

a

A

T 8

B

foot pizz.

I Vn.

pizz. II pizz.

Va.

pizz. Vc.

pizz. Cb.

247

HGG Act I, Scene 3 51 Picc.

(a2) Fl.

1 2

Ob.

1 2

(a2)

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

(Sus. Cym., rim) 2

Harp

Cl. 3 in B

3

3

3

3

3

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

W.Blk.

Piano

Banjo

Solo Vn.

S

hap py old

Sa tur day

night to

do.

Play

that

jazz,

play that

rag,

grab your ba

by

and

dance

the shag.

A

hap py old

Sa tur day

night to

do.

Play

that

jazz,

play that

rag,

grab your ba

by

and

dance

the shag.

A

hap py old

Sa tur day

night to

do.

Play

that

jazz,

play that

rag,

grab your ba

by

and

dance

the shag.

A

hap py old

Sa tur day

night to

do.

Play

that

jazz,

play that

rag,

grab your ba

by

and

dance

the shag.

A

A

T 8

B

(pizz.) I (pizz.)

Vn. II

(pizz.) Va. (pizz.) Vc. (pizz.) Cb.

HGG Act I, Scene 3

248 57 Picc. (a2) Fl.

1 2

Ob.

1 2

(a2)

E.H.

Cl. 1 in B Cl. 2 in E Bs.Cl.

(a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Cl. 3 in B

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

W.Blk.

S.D.

Piano

Banjo

solo Solo Vn.

meno S

swell

time’s

al

ways

in

the bag

at

a

Sa tur day

night to

do.

Go

tell the lead er

of

the band

to

tell the lead er

of

the band

to

tell the lead er

of

the band

to

tell the lead er

of

the band

to

meno A

swell

time’s

al

ways

in

the bag

at

a

Sa tur day

night to

do.

Go meno

T 8

swell

time’s

al

ways

in

the bag

at

a

Sa tur day

night to

do.

Go meno

B

swell

time’s

al

ways

in

the bag

at

a

Sa tur day

night to

do.

Go arco

I Vn. arco II

Va.

Vc.

Cb.

HGG Act I, Scene 3

249

63 Picc.

Fl.

1 2

Ob.

1 2

a2

a2

E.H.

Cl. 1 in B Cl. 2 in E Bs.Cl.

Bn.

a2

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Cl. 3 in B

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

S

play

a

song

for you.

Love

may be

wait ing

right

at

hand,

and, oh,

what a

tune

can do!

play

a

song

for you.

Love

may be

wait ing

right

at

hand,

and, oh,

what a

tune

can do!

play

a

song

for you.

Love

may be

wait ing

right

at

hand,

and, oh,

what a

tune

can do!

play

a

song

for you.

Love

may be

wait ing

right

at

hand,

and, oh,

what a

tune

can do!

A

T 8

B

pizz. I Vn.

pizz. II (pizz.)

Va. (pizz.) Vc. (pizz.) Cb.

HGG Act I, Scene 3

250 69 Picc. (a2) Fl.

1 2

Ob.

1 2

(a2)

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

(a2)

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

Sus. Cym., rim 2

Harp

Cl. 3 in B 3

Tpt. 3 in B 3

3

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

S

Hold

her

close,

hold

her

tight,

she’s

the one

girl

that

suits

you right.

To

geth

er

we’ll

make

Hold

her

close,

hold

her

tight,

she’s

the one

girl

that

suits

you right.

To

geth

er

we’ll

make

Hold

her

close,

hold

her

tight,

she’s

the one

girl

that

suits

you right.

To

geth

er

we’ll

make

Hold

her

close,

hold

her

tight,

she’s

the one

girl

that

suits

you right.

To

geth

er

we’ll

make

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

251

HGG Act I, Scene 3 74

solo

Picc. (a2) Fl.

1 2 solo (a2)

Ob.

1 2 solo

E.H.

Cl. 1 in B

Cl. 2 in E Bs.Cl.

Bn.

(a2)

1 2

Cbn.

1 2 Hn. in F

al sord.

3 4

Tpt. in C

1 2

Tbn.

1 2

1. al sord. (hat), 2. al sord. (straight)

1. al sord. (hat), 2. al sord. (straight)

Timp. Glock. 1 Perc.

Vib.

(Sus. Cym., rim) 2

E F G A B C D

Harp

to Soprano Saxophone Cl. 3 in B

to cup mute Tpt. 3 in B to cup mute Tbn. 3

S t a g e

B a n d

Tuba

choke Perc. 3

Piano

Banjo

Solo Vn.

S

ev

ery

night

a

Sa

tur

day

night

to

do.

ev

ery

night

a

Sa

tur

day

night

to

do.

ev

ery

night

a

Sa

tur

day

night

to

do.

ev

ery

night

a

Sa

tur

day

night

to

do.

A

T 8

B

(pizz.)

I (pizz.)

Vn. II

(pizz.) Va. (pizz.) Vc. (pizz.) Cb.

HGG Act I, Scene 3

252

rit.

79 Picc.

1. Fl.

1 2

Ob.

1 2

(1.)

E.H.

Cl. 1 in B solo Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. (Glock.) 1 Perc.

(Vib.) 2

s., glis Harp

D

A

G C

B

E F G A B C D

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Nick and Jordan meet among the dancers. S

A

T 8

B

rit. I Vn. II

Va.

Vc.

Cb.

ib.

ia v

lasc

HGG Act I, Scene 3

Grazioso

84

253

= 88

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2 (F)

Harp

l.v.

Soprano Saxophone Sop. Sax

cup mute Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

con eleganza

Banjo

solo Solo Vn. con eleganza

Jordan

Nick,

I

thought you might

be

here.

Band Vocalist 8

Nick

Jor

Grazioso I Vn. II

Va.

Vc.

Cb.

= 88

dan,

sor ry

you

did n’t win

to

day.

HGG Act I, Scene 3

254 90 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B cup mute Tbn. 3 dolce

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

I

will,

next

week.

We

Band Vocalist 8

Nick

Have

I Vn. II

Va.

Vc.

Cb.

you

seen

our

host?

sel

dom

HGG Act I, Scene 3

255

96 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

solo Sop. Sax con eleganza

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

see

him.

A

my

ste ry.

Band Vocalist 8

3

Nick

What does he

I Vn. II

Va.

Vc.

Cb.

do,

who

HGG Act I, Scene 3

256 102 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

They say

Band Vocalist 8

Nick

is

I Vn. II

Va.

Vc.

Cb.

he?

he

was

an

Ox

ford man.

I

don’t

be

lieve

it.

HGG Act I, Scene 3

257

108 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

3

Jordan

They

say

he

was a

Ger

man

spy.

Band Vocalist 8

3

Nick

Why

I Vn. II

Va.

Vc.

Cb.

not?

You

have my

in

terest.

HGG Act I, Scene 3

258 114

rit.

= 88

a tempo

Picc. 1. Fl.

1 2

Ob.

1 2

1.

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax dim.

Tpt. 3 in B dim.

Tbn. 3 dim.

S t a g e

B a n d

Tuba

Trg.

dim.

Hi hat

Perc. 3

Piano

dim.

Banjo

Solo Vn. dim.

Jordan

They

say

he

killed

a

man

once.

dolce Band Vocalist 8

Night’s

gleam ing

the

light’s

I’m

real

beam

Nick

Now

rit. I Vn. II

Va.

Vc.

Cb.

a tempo

= 88

ly

cur

ious.

ing

and

HGG Act I, Scene 3

259

120 Picc. (1.) Fl.

1 2

Ob.

1 2

(1.)

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

W.Blk.

Cowbell

Perc. 3

Piano

Banjo

Solo Vn.

Nick and Jordan begin to dance legato Jordan

It’s

not

im

por

tant.

Let’s

dance.

To

me

he’s

just

a

Band Vocalist 8

Nick

I Vn. II

Va.

Vc.

Cb.

I’m

dream ing

of

you.

I

lie

near

the

HGG Act I, Scene 3

260 126 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

choke Perc. 3

Piano

Banjo

Solo Vn.

Jordan

man

who

gives

large

par

ties,

won

der

Band Vocalist 8

Nick

I Vn. II

Va.

Vc.

Cb.

phone,

sigh

here

a

lone,

dream ing

of

you.

ful,

in

HGG Act I, Scene 3

261

132 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Cowbell Perc. 3

Piano

Banjo

Solo Vn.

Jordan

ti

mate,

we

met,

large

par

ties.

Band Vocalist 8

Nick

I Vn. II

Va.

Vc.

Cb.

Since

can’t

for

get,

so

up

set o

ver

you,

please

come

a

way,

name

the day,

HGG Act I, Scene 3

262 138 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

S.D. Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Band Vocalist 8

Nick

I Vn. II

Va.

Vc.

Cb.

time

to

say

“I

do”

So

I’ll

leave you

a

light,

grieve through

the

HGG Act I, Scene 3

263

144 Picc.

Fl.

1 2

Ob.

1 2

1. solo

solo E.H. solo Cl. 1 in B Cl. 2 in E solo Bs.Cl. 1. Bn.

1 2 dim.

Cbn. dim.

1. solo

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

W.Blk.

dim. 3

3

3

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Band Vocalist 8

night,

dream ing

of

you.

Nick

arco I Vn.

(pizz.) II dim. (pizz.)

Va. dim. (pizz.) Vc. dim. (pizz.) Cb. dim.

arco

pizz.

3

HGG Act I, Scene 3

264 151 Picc. 1. Fl.

1 2

3

Ob.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

leggiero

(1.) 1 2

E.H.

Cl. 1 in B

3

leggiero Cl. 2 in E

Bs.Cl.

Bn.

(1.)

1 2

Cbn. (1.) 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

Sus. Cym., sft. stk. 2

Harp

Sop. Sax

via sord. Tpt. 3 in B via sord. Tbn. 3

S t a g e

B a n d

Tuba leggiero

Perc. 3

3

3

3

3

Piano

Banjo

Solo Vn.

leggiero 3

3

3

3

3

How’s a

bout a

3

3

3

3

3

S

cant. Ne

ver seen a

cu

ter

thing.

lit

tle

fling?

I’d

be hap py as

a

King,

and

A

Night’s

gleam ing

leggiero 3

3

the

light

3

beam ing 3

3

How’s a

bout a

and

I’m

dream ing

3

3

3

of 3

3

T 8

cant.

Ne

ver seen a

cu

ter

thing.

lit

tle

fling?

I’d

be hap py as

a

King,

and

B

Night’s

gleam ing arco, flaut.

I arco, flaut.

Vn. II

arco, flaut. Va.

Vc.

Cb.

the

light

beam ing

and

I’m

dream ing

of

HGG Act I, Scene 3

265

157 Picc. (1.)

3

3

leggiero Fl.

3

Ob.

3

3

3

3

3

3

3

1 2 3

(1.)

1 2

E.H. 3

Cl. 1 in B

3

3

Cl. 2 in E leggiero

3

3

Bs.Cl. 1. Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

(Sus. Cym.) 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

3

3

S t a g e

B a n d

Tuba

W.Blk.

choke

brush

Perc. 3

3

3

3

3

Piano 3

3

Banjo

Solo Vn.

3

3

3

3

3

3

3

3

S

we could get

a

long

just

dream

y.

I

was feel in’ in

the

pink,

now you’re driv in’ me

to

drink.

A

you. 3

I

lie

3

3

3

near

the

phone,

3

sigh 3

3

here

a

here

a

3

T 8

we could get

a

long

just

dream

y.

I

was feel in’ in

the

pink,

now you’re driv in’ me

to

drink.

B

you.

I

I Vn. II

Va.

(pizz.)

3

3

Vc.

(pizz.)

3

Cb. 3

lie

near

the

phone,

sigh

HGG Act I, Scene 3

266 163

3

Picc. 3

Fl.

Ob.

3

3

3

3

3

3

3

3

3

3

1.

1 2 1 2

E.H.

Cl. 1 in B 3

Cl. 2 in E

3

3

Bs.Cl.

Bn.

a2

(1.)

1 2

Cbn.

1 2 Hn. in F 3 4 1., con sord. (hat) Tpt. in C

1 2

Tbn.

1 2

1., con sord. (hat)

Timp.

1 Perc. 2

Harp

Sop. Sax

senza sord. Tpt. 3 in B 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

senza sord. Tbn. 3 3

S t a g e

B a n d

Tuba W.Blk., stick

choke

S.D., (stick)

Perc. 3

3

3

Piano

Banjo

Solo Vn.

3

3

3

3

3

3

S

gon na wind up in

the clink,

and spend my days and nights just

dream ing

of

you.

Since the night we met,

dear I

Since

can’t

can’t for get

A

lone,

dream ing 3

3

of

you. 3

3

3

3

3

we

met

3

3

for

get

3

T 8

gon na wind up in

the clink,

and spend my days and nights just

dream ing

of

you.

Since the night we met,

dear I

Since

can’t

can’t for get

B

lone,

I Vn. II

Va.

Vc.

Cb.

dream ing

of

you.

we

met

for

get

HGL Act I, Scene 3

267

169 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F

cant. 3 4

Tpt. in C

1 2

Tbn.

1 2

(1.)

1. to st. mute

(1.)

1. to st. mute

Timp.

1 Perc.

(Sus. Cym.),at center, hrd. stk. 2 sempre

Harp

Sop. Sax

Tpt. 3 in B 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

S t a g e

B a n d

Tbn. 3

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

3

3

3

3

3

3

3

S

been so darn up set o

ver

you,

so

ver

you,

oh

dear

ie,

can’t you come a

way? Won’t you name the day? Won’t you can’t you don’t you want to say “Dear

I

do.”

So

ba

by

A

up 3

set o

please come

3

3

a

way,

name 3

3

3

the day 3

time 3

3

to

say

“I

do.”

So

3

T 8

been so darn up set o

ver

you,

so

ver

you,

oh

dear

ie,

can’t you come a

way? Won’t you name the day? Won’t you can’t you don’t you want to say “Dear

I

do.”

So

ba

by

B

I Vn. II

Va. (pizz.) Vc. (pizz.) Cb.

up

set o

please come

a

way,

name

the day

time

to

say

“I

do.”

So

HGG Act I, Scene 3

268 145 Picc.

Fl.

1 2

Ob.

1 2

E.H. 3

Cl. 1 in B 3

3

3

3

3

leggiero Cl. 2 in E

3

leggiero

3

3

3

3

3

3

3

3

3

3

3

3

3 3

Bs.Cl. 3

3

3 3

leggiero Bn.

3

3

3

3

3

3

3

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

in rilievo

3

Sop. Sax 3

3

3

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba leggiero brush Perc. 3

Piano

Banjo

Solo Vn.

3

3

3

3

3

3

3

3

S

now ya got me feel in’

blue,

and my brain’s all in

a

stew,

don’t knowwhat I’mgon

na

do

to

A

I’ll

leave you 3

3

a

light,

grieve 3

3

3

through

the

night,

dream 3

3

3

ing

of 3

3

T 8

now ya got me feel in’

blue,

and my brain’s all in

a

stew,

don’t knowwhat I’mgon

na

do

to

B

I’ll

leave you flaut.

I Vn.

flaut. II flaut.

Va.

Vc.

Cb.

a

light,

grieve

through

the

night,

dream

ing

of

269

HGG Act I, Scene 3

rall. molto

181 Picc. a2 Fl.

1 2

Ob.

1 2

a2

E.H.

Cl. 1 in B

3

3

3 3

3 3

Cl. 2 in E

Bs.Cl.

Bn.

a2

1 2

Cbn.

1 2 Hn. in F

con sord. via sord. 3 4 st. mute

Tpt. in C

2. via sord.

1 2

1. (st. mute)

3

st. mute Tbn.

1 2

3

3

3

3

3

3

3

3

3

3

1. (st. mute) 2. via sord. 3

Timp.

1 Perc. (Sus. Cym., hrd. stk.) 2

gliss. E F G A B C D

Harp

gliss.

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

W.Blk.

choke

Perc. 3

Piano

Banjo

Solo Vn.

3

3

S

keep my cra zy mind from dream ing

of

you.

of

you.

A

you. 3

3

T 8

keep my cra zy mind from dream ing

B

you.

rall. molto I dim. Vn. II dim. div. Va. (pizz.) Vc. (pizz.) Cb.

HGG Act I, Scene 3

270 187

Moderato

= 112

to Flute

Picc. (a2) Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

(1.)

1. via sord.

(1.)

1. via sord.

Timp.

1 Perc. 2

Harp

l.v.

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

Castanets

Piano

Banjo

Solo Vn.

As the orchestra begins a tango, Jordan and Nick move separately among the guests. S

A

T 8

B

Moderato I Vn. II

Va.

Vc.

Cb.

= 112

1. open

1. open

HGG Act I, Scene 3 191 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

(Cast.)

Piano

Banjo

Solo Vn.

Nick encounters a stranger. S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

271

HGG Act I, Scene 3

272 195 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

Piano

Banjo pizz. Solo Vn.

Jordan

Gatsby 8

Your face is

fa

mi

liar.

Third

Di

vi

sion?

Nick

Ninth

I Vn. II

Va.

Vc.

Cb.

ba

HGG Act I, Scene 3

273

199 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

(Cast.)

Piano

Banjo (pizz.) Solo Vn.

Jordan

Gatsby 8

I

knew

I’d

seen

you

be

fore

some where.

Nick

ta

I Vn. II

Va.

Vc.

Cb.

lion.

In

some

HGG Act I, Scene 3

274

rit.

203 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax cresc.

Tpt. 3 in B cresc. Tbn. 3

B a n d

Tuba

S t a g e

cresc.

Perc. 3

cresc.

Piano

Banjo arco Solo Vn. cresc.

Jordan

Gatsby 8

And dir ty.

This

Nick

rain

soaked

French

vil lage.

Tired.

And hun

gry.

rit. I Vn. II

Va.

Vc.

Cb.

is

HGG Act I, Scene 3 209

275

a tempo

1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

3

3

3

3

3

3

Sop. Sax molto legato

3

Tpt. 3 in B

Tbn. 3 3

B a n d

Tuba

S t a g e

molto legato

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Gatsby 8

bet ter

don’t

you think,

old

sport?

Nick

Much

a tempo I Vn. II

Va.

Vc.

Cb.

bet ter

but

strange.

I

hav en’t seen our

HGG Act I, Scene 3

276 215 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

3

Sop. Sax 3

Tpt. 3 in B

3

3

3

3

molto legato

Tbn. 3 3

3

S t a g e

B a n d

Tuba

Tom–tom Perc. 3 cresc.

Piano

Banjo

Solo Vn.

Jordan

Gatsby 8

3

3

3

Nick

host

I Vn. II

Va.

Vc.

Cb.

this

Gatsby

sent

his

chauf

feur,

splen

did

in

rob

in’s egg

blue,

to

in

vite

me.

HGG Act I, Scene 3

277

221 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

3

Sop. Sax 3

Tpt. 3 in B

Tbn. 3 3

3

S t a g e

B a n d

Tuba

dim. Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Gatsby 8

I’m

Gats by.

I thought you knew,

old

sport.

Nick

You’re div. a3 I Vn.

3

3

II unis.

3

Va. 3

(pizz.) Vc.

Cb.

HGG Act I, Scene 3

278 227 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba S.D. lay stick on snare, tap with other stick Perc. 3

Piano

Banjo accomp. solo Solo Vn.

They shake hands. Jordan

legato Gatsby 8

Yes,

Nick

Gats by?

I Vn. II

Va.

Vc.

Cb.

I

did

send

my

chauf feur,

glad

to

see

you

here,

HGG Act I, Scene 3

279

231 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

pizz.

arco

Solo Vn.

Jordan approaches Nick and Gatsby. Jordan

I

see

Gatsby 8

Nick

I Vn. II

Va.

Vc.

Cb.

Car ra way.

Now that

we

have met,

I

want to

ask

a

fa

vor

you’ve found

HGG Act I, Scene 3

280 235 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Cast. Perc. 3

Piano

Banjo

pizz. Solo Vn.

A servent whispers to Gatsby. Jordan

each oth

er.

Gatsby 8

Nick

I Vn. II

Va.

Vc.

Cb.

—at an

oth

er

time.

An

y

thing you

want,

just

ask.

HGG Act I, Scene 3

281

239 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

(Cast.) Perc. 3

Piano

Banjo

(pizz.) Solo Vn.

exit Gatsby Jordan

Gatsby 8

You must

ex

cuse

me–

Chi

ca

go

is

on

the line

Nick

Chi

I Vn. II

Va.

Vc.

Cb.

ca

go?

HGG Act I, Scene 3

282 243 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

3

3

3

3

3

3

3

3

Sop. Sax legato Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

legato Tuba

Perc. 3

Piano

Banjo

arco Solo Vn.

Jordan

Wolf

shiem’s

peo ple!

Just

a

ru

mor.

Don’t

ask.

Gatsby 8

Nick

Wolf

I Vn. II

Va. 1 solo, arco Vc. 2 soli, arco Cb.

shiem!

That splen did re

as

HGG Act I, Scene 3

283

rit.

248 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

3

Sop. Sax sub.

3

Tpt. 3 in B sub.

Tbn. 3 3

sub.

3

S t a g e

B a n d

Tuba

sub.

Perc. 3

Piano

Banjo

Solo Vn. sub.

Jordan

He

Gatsby 8

3

3

Nick

sur

ing

smile

with out

it–

an

el

e

gant

rough

rit. I Vn. II

Va.

Vc.

Cb.

neck.

wants

no

troub le

with

HGG Act I, Scene 3

284 253

a tempo

1 2 Fl.

Flute 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax sub.

Tpt. 3 in B sub. Tbn. 3

B a n d

Tuba

S t a g e

sub.

Perc. 3

sub. Maracas

Piano

Banjo

Solo Vn.

Gatsby is seen, away from the others. Jordan

a

ny

one.

Tango Singer

There’d be

an

or

ches tra,

Bin

go!

ban

go!

Play ing

for

us

to

dance

the

tan

go.

Nick

Chorus

S A

There’d be

an

or

ches tra,

Bin

go!

ban

go!

Play

ing

for

us

to

dance

the

There’d be

an

or

ches tra,

Bin

go!

ban

go!

Play

ing

for

us

to

dance

the

T 8

a tempo

unis., pizz.

I Vn.

pizz. II pizz.

Va.

tutti, pizz. Vc.

tutti, pizz. Cb.

HGG Act I, Scene 3

285

257 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

(Maracas) Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Tango Singer

And

peo

ple would clap

when

we

a

rose

at

your

sweet face

and

my

new clothes.

Nick

S A Chorus

S t a g e

B a n d

Tuba

tan

go.

And

peo

ple

would clap

when we

a

rose

at

your sweet

face

and

my

new

clothes.

tan

go.

And

peo

ple

would clap

when we

a

rose

at

your sweet

face

and

my

new

clothes.

T 8

(pizz.) I Vn. (pizz.) II (pizz.) Va. (pizz.) Vc. (pizz.) Cb.

HGG Act I, Scene 3

286 261 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

in rilievo Jordan

Is

that

Gats

by

a

lone

on

Tango Singer

But

more than all

this

was

the

pro

mise you

made

that

noth ing,

noth ing

ev

er

would fade.

Nick

Chorus

S A

But

more than

all

this

was

the

prom ise

you

made

that

noth ing,

noth

ing

ev

er

would fade.

But

more than

all

this

was

the

prom ise

you

made

that

noth ing,

noth

ing

ev

er

would fade.

T 8

I Vn. II

Va.

Vc.

Cb.

the porch?

HGG Act I, Scene 3

287

265 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

dim. (Maracas)

dim.

dim.

Piano

Banjo dim. Solo Vn.

Jordan

dim. Band Vocalist 8

Win

ter

or

fall,

ev

er

would fade,

piĂš

win

ter

or

fall,

noth

ing would fade,

Nick

He

keeps

him

self

a

part,

not

drink

ing,

not

dim. Chorus

S A

Win

ter

or

fall,

win

ter

or

fall,

win

ter

or

fall,

dim. T 8

Win

ter

or

fall,

(pizz.) I dim. Vn.

(pizz.) II dim. (pizz.)

Va. dim. (pizz.) Vc. dim. (pizz.) Cb. dim.

danc

ing–

HGG Act I, Scene 3

288 269 1 2

to Piccolo

Fl. 3

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Looks

a

cross

the

bay.

No

Band Vocalist 8

Prac ti

cal

ly

no

thing at

all.

Nick

No

French

bob

on

his

shoul

der.

marc.

S A

Chorus

S t a g e

B a n d

Tuba

noth

ing

would fade.

Prac

ti

cal

ly

noth ing

at

all.

Prac

ti

cal

ly

noth ing

at

all.

marc. T 8

noth

ing

would fade. arco

I Vn. arco II

arco Va.

Vc.

Cb.

HGG Act I, Scene 3

289

rit.

273 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

Perc. 3

Piano

cresc.

8ba

Banjo

Solo Vn.

3

Jordan

girl

swoon

ing

in

his

arms.

But

we

don’t have to

im

Band Vocalist 8

Nick

S A

Chorus

S t a g e

B a n d

Tuba

T 8

rit.

div.

I cresc. Vn.

div. II cresc.

Va. cresc. arco Vc. cresc. arco

div.

Cb. cresc.

i

tate.

Let’s take

a

HGG Act I, Scene 3

290 277

Allegro con brio

= 120

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

S.D. Perc. 3 cresc.

Piano

cresc.

cresc.

cresc.

8ba

Banjo cresc.

cresc.

cresc.

cresc.

Solo Vn.

A Charleston begins.

Jordan

drive.

Nick

May

Allegro con brio

be

not.

Dai

= 120

I Vn. II

Va.

Vc. 1 solo, pizz. Cb. cresc.

cresc.

sy

tells

me

HGG Act I, Scene 3

291

283 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

I’m

care

ful.

Nick

you’re a

I Vn. II

Va.

Vc. (1 solo, pizz.) Cb.

rot ten

dri

ver.

I

doubt it.

HGG Act I, Scene 3

292 289 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3 cresc.

Piano

cresc.

cresc.

cresc.

Banjo cresc.

cresc.

cresc.

cresc.

Solo Vn.

Jordan

Well,

oth

er

peo

ple are.

Takes

two

to

Nick

I Vn. II

Va.

Vc.

Cb. cresc.

cresc.

make

an

HGG Act I, Scene 3

293

295 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3 cresc.

Piano

cresc.

Banjo cresc. Solo Vn. cresc.

Jordan

ac

ci

dent.

Nick

Sup

I Vn. II

Va.

Vc. (1 solo, pizz.) Cb. cresc.

pose

you

met

an

HGG Act I, Scene 3

294 301 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

I

Nick

oth

I Vn. II

Va.

Vc.

Cb.

er

as

care

less

as

your self?

hope

I

ne

ver will.

HGG Act I, Scene 3

295

307 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

I

Nick

I Vn. II

Va.

Vc.

Cb.

hate

care

less

peo

ple.

HGG Act I, Scene 3

296 313 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

.

.

gliss

Sop. Sax

gliss

cresc.

Tpt. 3 in B cresc. Tbn. 3

B a n d

Tuba

S t a g e

cresc.

Perc. 3

cresc.

Piano

Banjo

Solo Vn.

Jordan

That’s

why

I

like

you.

Nick

O

I Vn. II

Va.

Vc.

Cb.

kay.

HGG Act I, Scene 3

297

319 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

gliss. Sop. Sax

Tpt. 3 in B

Tbn. 3

S t a g e

B a n d

Tuba

Perc. 3

Piano

Banjo

Solo Vn.

Jordan

Let’s

go.

Nick

Let’s

go.

My

fate

is

in

your hands.

I Vn. II

Va.

Vc. tutti, pizz. Cb.

HGG Act I, Scene 3

298 325 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

2. open

2. open Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Perc. 3

Piano

Banjo

Solo Vn.

Chorus I

S A

It’s T B

S A

Chorus II

S t a g e

B a n d

Tuba

Keep

danc

ing!

T B unis., pizz. I Vn.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

unis., pizz. II pizz.

Va. pizz. Vc.

Cb.

HGG Act I, Scene 3

299

331 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2 cresc.

Tbn.

1 2 cresc.

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

Chorus I

S A

late.

It’s

T B

S A

Chorus II

S t a g e

B a n d

Tuba

It’s T B (pizz.) I

Vn. (pizz.) II (pizz.) Va. (pizz.) Vc. (pizz.) Cb.

eve

ning.

morn

ing.

HGG Act I, Scene 3

300 337 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

Chorus I

S A

The T B

S A

Chorus II

S t a g e

B a n d

Tuba

The T B

I Vn. II

Va.

Vc.

Cb.

moon’s

out.

sun

is

on

the

bay.

HGG Act I, Scene 3

301

341

Piccolo

Picc. cresc. a2 Fl.

1 2

Ob.

1 2

cresc. a2

cresc. E.H. cresc. Cl. 1 in B cresc. Cl. 2 in E cresc. Bs.Cl.

Bn.

a2

1 2

cresc.

cresc. Cbn. cresc.

Hn. in F

1 2 3 4

Tpt. in C

1 2 cresc.

Tbn.

1 2 cresc.

Timp.

1 Perc. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

cresc.

cresc.

Perc. 3

Piano

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Banjo

Solo Vn.

unis.

Chorus I

S A

We’d bet

ter

be

go

ing

be

fore

the

band

to

be

hur

picks

up

their

in

stru

ments.

unis. T B

unis. S A

Chorus II

S t a g e

B a n d

Tuba

No

need

ry

unis. T B arco

(pizz.) I cresc. Vn.

cresc. arco

(pizz.) II cresc. (pizz.)

cresc. arco

Va. cresc. (pizz.)

cresc. arco

Vc. cresc. (pizz.)

cresc. arco

Cb. cresc.

cresc.

ing

at

all.

HGG Act I, Scene 3

302 345 Picc.

cresc. (a2) Fl.

1 2 cresc. (a2)

Ob.

1 2 cresc.

E.H. cresc. Cl. 1 in B cresc. Cl. 2 in E cresc. Bs.Cl. cresc.

(a2) Bn.

1 2 cresc.

Cbn. cresc. 1 2 Hn. in F 3 4

Tpt. in C

senza sord.

1 2 cresc.

Tbn.

1 2 cresc.

Timp.

1 Perc.

Sus. Cym. 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

cresc. Cow bell Perc. 3 cresc.

Piano

cresc.

Banjo cresc.

Solo Vn. cresc.

Chorus I

S A

T B

S A

Chorus II

S t a g e

B a n d

Tuba

T B

I cresc. Vn. II cresc. Va. cresc.

Vc. cresc.

Cb. cresc.

HGG Act I, Scene 3

303

349 Picc. (cresc.) (a2) Fl.

1 2

Ob.

1 2

(cresc.) (a2)

(cresc.) E.H. (cresc.) Cl. 1 in B (cresc.) Cl. 2 in E (cresc.) Bs.Cl.

Bn.

1 2

(a2)

(cresc.)

(cresc.) Cbn. (cresc.) 1 2 Hn. in F 3 4

Tpt. in C

1 2 (cresc.)

Tbn.

1 2 (cresc.)

Timp.

1 Perc.

(Sus. Cym.) 2 sim. (damp)

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

Chorus I

S A

Let’s

go!

T B

S A

Chorus II

S t a g e

B a n d

Tuba

No! T B

I Vn. II

Va.

Vc.

Cb.

HGG Act I, Scene 3

304 353 Picc.

a2 Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 Tpt. in C

1 2

Tbn.

1 2

1.

Timp. B.D. 1 Perc. (Sus. Cym.) 2

Harp

Sop. Sax

Tpt. 3 in B

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

Chorus I

S A

What’s

that?

What’s

that?

A

crash?

A

crash?

T B

S A

Chorus II

S t a g e

B a n d

Tuba

T B

I Vn. II

Va.

Vc.

Cb.

HGG Act I, Scene 3 359 Picc.

(a2) Fl.

1 2

Ob.

1 2

E.H. Cl. 1 in B Cl. 2 in E Bs.Cl.

Bn.

1 2

(a2)

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

a2

Timp.

1 Perc.

(Sus. Cym.) 2

Harp

Sop. Sax

Tpt. 3 in B

B a n d

Tuba

S t a g e

Tbn. 3

Perc. 3

Piano

Banjo

Solo Vn.

unis.

Chorus I

S A

It’s

just

out

side.

It’s

just

out

side.

unis. T B

unis. Chorus II

S A

unis. T B

I Vn. II

Va.

Vc.

Cb.

305

HGG Act I, Scene 3

306 364 Picc.

3

Fl.

1 2

Ob.

1 2

3

3

E.H. Cl. 1 in B 6

Cl. 2 in E

3

6

6

6

6

Bs.Cl. 6

(a2) Bn.

6

1 2 6

Cbn. G

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

pedal

gliss.

(B.D.) 1 Perc.

Trg. 2

iss

E F G A B C D

l.v.

gl

Harp

.

3

Sop. Sax

Tpt. 3 in B

Perc. 3

Piano

Banjo

Solo Vn.

A party guest staggers out. S A Chorus I

S t a g e

Tuba

Ah

T B

S A

Chorus II

B a n d

Tbn. 3

Ah T B

6

I

3

6

6

6

Vn.

6 6

II

3

6

6

6

6 3

Va.

Vc.

gliss.

Cb.

gliss.

HGG Act I, Scene 3

307

368 Picc.

Fl.

1 2

Ob.

1 2

2.

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl. 2. Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. (B.D.)

Marim.

1 Perc.

Vib. 2

Harp

Sop. Sax cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Tpt. 3 in B

Tbn. 3

cresc.

cresc. 0

0

sim.

0

0

0

Perc. 3

Piano

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Banjo

Solo Vn.

unis.

Chorus I

S A

Is

he

hurt?

T B

S A

Chorus II

S t a g e

B a n d

Tuba

He’s T B

I Vn. II

Va.

Vc.

Cb.

all

HGG Act I, Scene 3

308 374 Picc.

Fl.

1 2

Ob.

1 2

2.

E.H.

Cl. 1 in B Cl. 2 in E

Bs.Cl. (2.) Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. (Marim.) (Marim.) 1 Perc. (Vib.)

B.D. 2

Harp

Sop. Sax cresc. Tpt. 3 in B cresc. Tbn. 3 cresc.

cresc. 0

0

0

0

0

Perc. 3 cresc.

cresc.

Piano

Banjo cresc.

Solo Vn. cresc.

unis.

Chorus I

S A

Driv

ing

drunk

they

unis. T B

S A

Chorus II

S t a g e

B a n d

Tuba

right! T B

I Vn. II

Va.

Vc.

Cb.

Lost

a

wheel

but

HGG Act I, Scene 3

309 poco rit.

380 Picc. 1. Fl.

1 2 cresc. cresc.

(2.) Ob.

1 2

E.H. Cl. 1 in B cresc. Cl. 2 in E Bs.Cl.

Bn.

1 2

Cbn. cresc.

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. (Marim.) 1 Perc.

(Vib.) 2

Harp

Sop. Sax cresc.

Tpt. 3 in B cresc.

Tbn. 3 cresc.

cresc. Hi–hat S.D. Perc. 3 cresc.

Piano

cresc.

Banjo cresc.

Solo Vn. cresc.

Chorus I

S A

hit

the

wall.

Might

have

been

killed.

way.

A

close

es

cape.

T B

S A

Chorus II

S t a g e

B a n d

Tuba

walked

a

T B

poco rit. I cresc. Vn. II cresc. Va. cresc. Vc. cresc.

Cb. cresc.

HGG Act I, Scene 3

310 386

Pi첫 pesante

= 104

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

Sus.Cym. 2

Harp

return to main orchestra Sop. Sax to Trumpet in C al sord (straight)

return to main orchestra

Tpt. 3 in B

return to main orchestra Tbn. 3

return to main orchestra

return to main orchestra Perc. 3

Piano

return to main orchestra

Banjo

return to main orchestra Solo Vn.

Chorus I

S A

Bad T B

S A

Chorus II

S t a g e

B a n d

Tuba

Bad

dri

Pi첫 pesante div. I Vn.

div. II

div. Va.

div. Vc. div. Cb.

vers

T B

= 104

should

not

drive

at

night.

dri

vers

should

not

drive

at

night.

HGG Act I, Scene 3

311

390 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Chorus II

Chorus I

Harp

Vn. I

Vn. II

Va.

Vc.

Cb.

Bad

Bad

dri

vers

should

not

drive

at

night.

dri

vers

should

not

drive

at

night.

HGG Act I, Scene 3

312 394 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Chorus II

Chorus I

Harp

Vn. I

Vn. II

Va.

Vc.

Cb.

Bad

Bad

driv

ers,

driv

ers,

bad

bad

driv

ers,

dri

vers,

313

HGG Act I, Scene 3 398 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E Sop. Sax. in B Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Chorus II

Chorus I

Harp

bad

bad

Vn. I

Vn. II

unis. Va. unis. Vc. unis. Cb.

dri

vers

should

not

drive

dri

at

night.

Bad

vers,

bad

dri

vers,

HGG Act I, Scene 3

314 402 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Chorus I

driv

Chorus II

Harp

bad

Vn. I

Vn. II

Va.

Vc.

Cb.

ers

should

not

drive

dri

at

vers

night.

should

not

drive

at

night.

HGG Act I, Scene 3

315

406 Picc. 6

6

6

6

a2 Fl.

1 2

6

6

6

6

6

6

a2 Ob.

6

1 2

6

6

6

6

6 6

E.H. 3

6

Cl. 1 in B

6

3

6 6

Cl. 2 in E

6

6

6

6

6

Sop. Sax in B 6

Bs.Cl. 3

6

a2 Bn.

1 2 3

Cbn.

2. 1 2 Hn. in F

4. 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

Tam. 1

Perc. 2

3

Piano

E F G A B C D

Harp

The guests leave hurriedly. In the confusion, Wolfshiem enters and approaches Gatsby. Gatsby 8

Nick

Meyer

(div.) unis.

6

6

I 6

6

Vn. (div.)

unis.

6

div. Va.

div.

Cb.

6 6

6

II

Vc.

6

6

6

6 6

6

6 6

HGG Act I, Scene 3

316 412 Picc. a2 Fl.

1 2

6

6

6 6

6

a2 Ob.

6

6

1 2

6

6

6 6

6

E.H. 6

6

6 6

6

Cl. 1 in B

6

6

6

6

Cl. 2 in E

6

6

6 6

Sop. Sax. in B 6

6

Bs.Cl. 6

Bn.

6

6

a2

1 2

Cbn. 1.

al sord.

1 2 Hn. in F

3. 3 4

1 2 Tpt. in C 3 2.

1.

1 2 Tbn. 3

Tuba

Timp.

1 Sus. Cym. Perc. 2

3

Piano

Harp

Gatsby 8

Nick

Meyer

I

6

6 6

6

II 6

unis. Va.

6

6

6 6

6

unis. Vc.

6

6 6

Cb.

6 6

6

6

6

Vn.

6

6

HGG Act I, Scene 3 417

Meno allegro

317

= 96

Picc.

Fl.

Ob.

1 2

6

6

6

6

6

6

1 2

E.H.

6

Cl. 1 in B

6

6

6

Cl. 2 in E

Sop. Sax. in B 6

6

Bs.Cl. 6

6

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 1. al sord (straight) 1 2 Tpt. in C 3

1 2 2. al sord (harmon, stem in)

Tbn. 3

Tuba

Timp.

(Tam.) 1

Perc. 2

3

Piano

Harp

C

Gatsby 8

Wolf

shiem!

Dan

ger ous

to

meet

here,

old

sport.

Nick

Meyer

Meno allegro

= 96

I 6

Vn.

6

6

6

6 6

6

II 6

div. Va. 6

6

6

6

6

div. Vc. div. pizz. Cb.

6

HGG Act I, Scene 3

318

poco rit.

422 Picc. 6

Fl.

1 2

Ob.

1 2

6

6

E.H.

Cl. 1 in B

6

6

6

6

6

6

6

6

6

6

Cl. 2 in E

Sop. Sax. in B 6

6

Bs.Cl. 6

Bn.

6

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

(Tam.) scrape with metal beater

B.D.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Nick

Meyer

Dan

6

ger ous

but

nec

es

sa

ry.

poco rit.

6

I 6

6

6

Vn. 6

6

6

6

6

6

II 6 6

Va. 6

Vc.

Cb.

6

6

6

HGG Act I, Scene 3

Moderato

427

319

= 88

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

6

6

6

6

Cl. 2 in E Sop. Sax. in B

Bs.Cl. soli Bn.

1 2

3

3

3

3

solo 3

3

3

3

3

3

Cbn.

3

3

3 3

3

3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Nick

3

3

3

3

Meyer

I would n’t have come

6

Moderato

if

it was n’t im por tant.

= 88

I 6

Vn. 6

6

II (div.)

6

(div.)

6

6

Va.

Vc.

(div. pizz.) Cb.

6

HGG Act I, Scene 3

320 431 Picc.

Fl.

1 2

Ob.

1 2 solo

E.H.

Cl. 1 in B Cl. 2 in E Sop. Sax. in B solo Bs.Cl.

Bn.

1 2 3

3 3

3

3

3

3

3

3

3

3

3

3

3 3

3

Cbn. 3

3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3 1. solo (senza sord.) 1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Nick

3

3

3

3

3

3

Meyer

Phi la del

phi a

was on

the

line.

They’re cal ling in

I Vn. II

6

Va.

6

Vc. 1 solo, arco unis. Cb.

their

chips.

So’s

De troit.

We got

HGG Act I, Scene 3

321

436 Picc. 6

Fl.

1 2

Ob.

1 2

6

6

6

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

3

3 3

Cbn.

3

con sord. 1 2 Hn. in F

(senza sord)

al sord.

3 4

2. (senza sord)

1. st. mute

1 2 Tpt. in C

2. al sord (straight) 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Not

to night,

not

to night.

Nick

3

Meyer

trou ble.

To

night!

To

night!

div., pizz. I Vn. div., pizz. II

(div.)

6

(div.)

6

6

6

Va.

6

unis., pizz.

Vc.

tutti div., pizz. Cb.

unis.

6

6

6

HGG Act I, Scene 3

322 440 Picc. 6

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B solo Bs.Cl. 3

dim. Bn.

3

3

3

3

1 2 3

3

3

Cbn. 3

3

3

3

3

3

1 2 Hn. in F 3 4 1.

1 2 Tpt. in C 3

1. solo (senza sord.) 1 2 dim.

Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Nick

legato

3

3

3

3

3

Meyer

You got to

deal

I Vn. II

6

Va.

Vc.

arco Cb.

with this

be fore it

goes too

far.

Phi la del phi a,

De troit.

I would n’t have

HGG Act I, Scene 3

323

445 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2 3 3

3

3

3 3

3

3

Cbn.

3

3

3

3

3

3 3

3

1 2 Hn. in F 3 4

Tpt. in C

(con sord.)

via sord.

con sord.

via sord.

via sord.

1 2

2. con sord. Trumpet in C, st. mute

via sord.

3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

I’ll

take

care

of

it.

Nick

3

3

3

3

Meyer

come

if

it

was

n’t

im

por

tant. 3 soli, div., arco

I dim. unis., arco

Vn. II

dim. unis. Va. dim. arco Vc. dim. div. pizz. Cb.

HGG Act I, Scene 3

324

animando

449

pi첫 mosso

rit.

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B Cl. 2 in E Sop. Sax. in B

Bs.Cl.

1 Bn.

3

cresc. 3

3

3

3

3

cresc. 3

3

3

3

3

cresc. 3

3

3

3

3

cresc.

3

3

3

3

3

3

2 3

cresc.

Cbn. 3

cresc.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Wolfshiem notices Nick. Gatsby 8

Nick

3

3

3

Meyer

See that you do.

Make sure that you do.

animando

pi첫 mosso

tutti unis., arco I Vn.

div., arco II

div., pizz. Va.

pizz. Vc.

unis. Cb.

rit.

HGG Act I, Scene 3 453

325

a tempo ( = 88)

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl. 1. Bn.

1 2 cresc.

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

cresc.

8ba

Harp

Gatsby 8

Nick

I

Meyer

Sir,

you’re look ing

at

my

cuff but

tons.

Fin

est

spe

ci

mens

of

hu

man

mo

lars.

a tempo ( = 88) pizz. I Vn.

unis., pizz.

cresc.

II unis., (pizz.)

cresc.

Va. cresc. (pizz.) Vc. cresc. (pizz.) Cb.

HGG Act I, Scene 3

326

rit.

457 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

senza sord. 1 2 Hn. in F 3 4 1., senza sord. 1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

3

3

3

3

Nick

fear

I’m in ter rup

ting.

But

yes.

That’s an

in

ter es

ting i

de

a.

Ne ver seen an

y

thing like

them.

Meyer

rit. I Vn. II

Va.

Vc.

Cb.

HGG Act I, Scene 3 461

327

a tempo

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 (1.)

1 2 Tpt. in C

2. senza sord. 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Nick

Meyer

So,

you

young

men

a tempo (pizz.) I Vn. (pizz.) II

(pizz.) Va.

(pizz.) Vc.

(pizz.) Cb.

div.

should talk

now.

I

won’t im

pose

my self

fur

ther.

But

HGG Act I, Scene 3

328 465 Picc.

Fl.

1 2

Ob.

1 2 solo

E.H.

Cl. 1 in B Cl. 2 in E Sop. Sax. in B solo Bs.Cl. 3

3

Bn.

3

3

3

3

1 2 3 3

3

3

Cbn. 3

3

3

3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3 1., solo (senza sord.) 1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Exit Wolfshiem, watched by Nick. Gatsby 8

Nick

3

3

3

Meyer

speak

with

Phil a

del phi a.

I Vn. II

Va.

arco Vc. dim. unis., arco Cb. dim.

HGG Act I, Scene 3

329

470 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

(1.)

1. al sord (harmon, stem in)

1 2 Tbn. 3

Tuba

Timp. Marim. 1

Perc. 2

3

Piano

8ba

Harp

3

3

3

Gatsby 8

Mey er

Wolf

schiem

a bus inessas so

soave 3

Nick

Wan ted to thank you

be

fore I

leave.

Who

was

that

fel low?

(pizz.) 0

0

arco

0

arco

0

arco

I cresc.

Vn.

(pizz.) 0

II cresc. (pizz.) 0

Va. cresc.

Vc. cresc. Cb.

ci ate.

HGG Act I, Scene 3

330 475 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C

senza sord. 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

3

Gatsby 8

Mey er

Wolf

shiem—

fixed the nine teen nine teen

Nick

He looks fa

mi

liar.

I’ve seen his pic ture

some where.

I Vn. II

div. Va.

Vc. cresc. Cb. cresc.

pizz.

World

Se ries

HGG Act I, Scene 3

331

480 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 1. al sord. (cup) 1 2 2. al sord. (harmon, stem in)

Tpt. in C 3

1 2 Tbn. al sord. (harmon, stem in) 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

3

3

3

Gatsby 8

the Black Sox—

he

played with

the

faith

of

fif

ty

mil lion

peo

ple.

Nick

Fixed

div. I Vn.

div. II

unis. Va.

Vc.

(pizz.) Cb.

the World

HGG Act I, Scene 3

332

rit.

485 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

harmon, stem in

via sord.

harmon, stem in

via sord.

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

3

Gatsby 8

Can’t get him,

old

sport,

too clev er.

3

Nick

Se ries?

Why

is n’t

he

in

jail?

rit.

unis.

I Vn. pizz. II div., pizz. Va.

Vc.

Cb.

HGG Act I, Scene 3 491

Cantabile = 56–66

rit.

a tempo

333 rit.

a tempo

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3 senza sord. 1 2 Tbn.

senza sord. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

3

3

Gatsby 8

Now

a bout that lit tle fa

vor—

can you in vite

Nick

Cantabile = 56–66

rit.

a tempo

rit.

I cresc.

Vn. unis., arco II

cresc. unis., arco Va. cresc.

Vc. cresc. arco Cb. cresc.

a tempo

Dai sy Bu chan an

HGG Act I, Scene 3

334 495 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

to your house some af

ter noon

and let

me come o

ver.

Nick

In vite Dai

sy?

Yes, of course, how sim ple.

I Vn. div., pizz. II

pizz. Va.

Vc.

pizz. Cb.

arco

HGG Act I, Scene 3

335

499 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

3

3

3

Gatsby 8

In vite Dai

sy

and let

me come

o

ver.

Don’t do an y

thingout of the way.

Nick

3

I Vn.

6

6

unis. (pizz.)

arco

II

div. (pizz.)

unis., arco

Va.

Vc. 6

6

3

pizz. Cb.

arco

Don’t tell her

I’m com ing

HGG Act I, Scene 3

336 503 Picc. 1. Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

appassionato

3

meno

3

Gatsby 8

Askher to tea.

I knew

her once,

old

sport.

I

want to see

her a

gain.

I

animato Nick

Yes,

yes

of

course.

div.

dim.

unis.

div.

dim. dim.

unis.

div.

div.

unis.

div.

div.

I Vn. II

dim.

unis.

Va. dim. Vc. dim.

Cb. dim.

HGG Act I, Scene 3

337

508 Picc. (1.) Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F

senza sord.

3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

3

Gatsby 8

want her to

see

my house.

I

ex

pec ted

she

might

come some

time

on

a

night like

this. animato

Nick

Cer tain ly

6

unis.

3

I Vn.

unis. II

div. Va. 3

Vc. 6

pizz. Cb.

arco

HGG Act I, Scene 3

338 512 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

That’s

Nick

I’ll

in

vite

her.

I’m

glad

to

help.

3

I cresc.

Vn. II

cresc. unis. Va. cresc. Vc. cresc. Cb. cresc.

3

her light,

a

cross the

HGG Act I, Scene 3

339

515 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

bay.

For

give

me,

I’ve

got

calls

to

make.

Nick

I Vn. II

Va.

Vc.

div. Cb.

unis.

Good

340 518

Andante

HGG Act I, Scene 3

= 76

Picc.

1 Fl. 2

Ob.

1 2

E.H. Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 cup mute 1 2 harmon, stem in

Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

Glock. 1 sempre l.v. Vib. Perc. 2 sempre l.v. Tam. 3

Piano

Harp

D

Gatsby 8

night.

Nick

Andante

= 76

I Vn. II

div. Va.

div. Vc.

Cb.

HGG Act I, Scene 3 521

rit.

a tempo to Flute

Picc.

1 Fl. 2

1. solo Ob.

1 2

E.H.

Cl. 1 in B

to Clarinet in B Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 to straight mute 1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

(Glock.) 1

(Vib.) Perc. 2 (Tam.) 3

Piano

Harp

Gatsby 8

Nick

rit.

a tempo

I Vn. II

unis. Va.

unis. Vc.

Cb.

341

HGG Act I, Scene 3

342 525

rit.

a tempo

1 2 Fl. 3

(1.) Ob.

1 2 dim.

E.H.

1 Cl. in B 2

Sop. Sax. in B

Bs.Cl.

1. Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Ev

rit.

a tempo

I dim.

Vn. II

dim. Va. dim.

Vc. dim. pizz. Cb. dim.

ery

one

was

here

HGG Act I, Scene 3

343

530 1 2 Fl. 3

Ob.

1 2

E.H.

1 Cl. in B 2

Sop. Sax. in B

Bs.Cl.

1.

dim. Bn.

1 2 dim.

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

dim. Gatsby 8

but the

one

who

mat

ters

and

I dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

Vn. II

Va.

Vc.

Cb.

she

lives

there

a

HGG Act I, Scene 3

344 535 1 2 Fl.

cresc. 3

Ob.

1 2

E.H.

1 Cl. in B

Clarinet in B 2

Sop. Sax. in B

Bs.Cl.

1. Bn.

1 2 cresc.

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

cresc. Gatsby 8

cross

the bay

by the

green

light

that

I cresc. Vn. II cresc. Va. cresc. Vc. cresc. Cb.

haunts

my

HGG Act I, Scene 3 540

rit.

345

a tempo

1 2 Fl. 3

1. solo Ob.

1 2 dim.

E.H.

1 Cl. in B 2

Sop. Sax. in B

Bs.Cl.

(1.) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

dreams.

rit.

Five

years

a tempo

I dim.

Vn. II

dim. Va. dim.

Vc. dim. arco Cb. dim.

HGG Act I, Scene 3

346 545

rit.

Poco pi첫 mosso

= 84

1 2 Fl. 3

Ob.

1 2

E.H.

1 6

6

6

6

6

6

6

6

Cl. in B

6

6

6

6

6

6

2

Sop. Sax. in B 6

Bs.Cl. 6

6

Bn.

6

6

6

6

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

(Glock.) 1

(Vib.) Perc. 2 Trg. 3

Piano

E

Harp

3

3

F

C

3

3

Gatsby 8

So

rit. I Vn. II

Va.

Vc.

Cb.

ma

ny

par ties

Poco pi첫 mosso

on these spread ing

= 84

lawns

star

light

HGG Act I, Scene 3

347

550 1 2

6 6

6

6

6

6

6 6

cresc.

Fl.

6

6

Flute 3 6

6

6

6

6

6

6

cresc.

6

6

1. solo Ob.

1 2

E.H.

1 6

Cl. in B

6

6

6 6

6

2 6 6

Sop. Sax. in B 6

6

Bs.Cl. 6

Bn.

6

1 2

Cbn.

1 2 Hn. in F 3 4 st. mute

via sord.

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

(Glock.) 1

(Vib.) Perc. 2

3

Piano

Harp

cresc.

3

3

3

Gatsby 8

I Vn. II

Va.

Vc.

Cb.

to

ca

su al

moths

but

emp

ty

of

all

mean

ing.

6

HGG Act I, Scene 3

348

rit.

555 1 2 Fl.

to Piccolo 3

(1.) Ob.

1 2 6

6

dim.

6

E.H.

6

6 6

6

1 6

3

6

6

Cl. in B

6

2

6

6

6 6

6

6

3

Sop. Sax. in B 6 6

Bs.Cl.

6

6 3

6 6

Bn.

6

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2 3

Ped.

(Trg.) 3

Piano

C D

Harp

sempre l.v.

Gatsby 8

rit. I Vn. II

Va.

Vc.

Cb.

HGG Act I, Scene 3

349

a tempo

560

rit.

Picc.

Fl.

1 2

Ob.

1 2

(1.)

5

dim.

E.H.

1 Cl. in B 2

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1 (Vib.) Perc. 2 (Ped.) 3

Piano

Harp

Gatsby 8

It’s

not

too

late.

a tempo

rit.

I dim. Vn. II dim.

Va. dim.

Vc.

dim. Cb.

dim.

HGG Act I, Scene 3

350 565

meno mosso

= 69

rit.

( = 50)

rall.

Picc.

Fl.

1 2

Ob.

1 2

E.H.

1 Cl. in B 2

Sop. Sax. in B

Bs.Cl.

Bn.

cresc.

1.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

It’s

not

meno mosso

too

late.

Ev

= 69

rit.

rall.

I cresc.

Vn. II

cresc. Va. cresc.

Vc. cresc. div. Cb. cresc.

ery thing will

be

the

way

it

was

be

( = 50)

570

HGG Act I, Scene 3

ancora meno mosso = 60

Piccolo

Picc.

a2 Fl.

1 2

Ob.

1 2

1. solo

E.H.

1 Cl. in B 2

Sop. Sax. in B

Bs.Cl.

Bn.

1.

1 2

Cbn.

*

1 2 Hn. in F

open

open

*

3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

fore.

ancora meno mosso = 60

al sord.

I Vn. al sord. II

al sord. Va.

al sord. Vc.

(div.) Cb.

*N.B.: Horns sound a fifth lower than written in bass clef.

al sord.

351

HGG Act I, Scene 3

352 575

a tempo ( = 80)

rit.

Picc. cresc.

Fl.

1 2 cresc.

(1.) Ob.

1 2 cresc.

E.H. cresc.

1 cresc.

Cl. in B

to Clarinet in E 2 cresc.

Sop. Sax. in B

Bs.Cl.

Bn.

1 2 cresc.

Cbn. cresc. cresc.

1 2 cresc. cresc.

Hn. in F 3 4

cresc. 1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Five

years

a

go

the

leaves

fal

a tempo ( = 80)

rit.

con sord. I Vn.

cresc.

dim.

cresc.

dim.

cresc.

dim.

cresc.

dim.

cresc.

dim.

cresc.

dim.

con sord. II

con sord. Va.

con sord. Vc.

con sord., Cb.

pizz.

div., pizz.

ling,

HGG Act I, Scene 3

353 cedendo

580

a tempo

Picc.

Fl.

1 2

Ob.

1 2

1.

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

cresc. Gatsby 8

the

cool

night

which comes

at

the

two

chan ges

of

the

year.

cedendo I cresc. Vn. II cresc.

Va. cresc. unis. (pizz.) Vc. cresc. (pizz.) Cb. cresc.

a tempo

HGG Act I, Scene 3

354

cedendo

585

a tempo

Picc.

Fl.

1 2

Ob.

1 2

(1.)

dolce

E.H.

Cl. 1 in B dolce Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

Dai

cedendo I Vn. II

Va.

div., 1/2 pizz. Vc. 1/2 arco

div., 1/2 pizz. Cb. 1/2 arco

sy

a tempo

and

I

came

to

a

place

with

no

HGG Act I, Scene 3

355

590 Picc.

Fl.

1 2 (1.)

Ob.

1 2 dim.

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

a2 Bn.

1 2 dim.

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

dim. Gatsby 8

trees,

the

side

walk white

in

the

moon

light:

I dim. Vn. II dim.

Va. dim. (div., 1/2 pizz., 1/2 arco) Vc.

(div., 1/2 pizz., 1/2 arco) Cb.

we

HGG Act I, Scene 3

356

rit.

595

a tempo

Picc.

Fl.

1 2

Ob.

1 2

6

(1.)

E.H.

Cl. 1 in B

Clarinet in E Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2 dim.

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

stopped

and

turned

to

rit. I dim. Vn. II dim.

Va. dim.

Vc.

Cb.

each

oth

a tempo

er.

6

HGG Act I, Scene 3

cedendo

600

357

a tempo

Picc. cresc.

Fl.

1 2 cresc. 6

Ob.

6

1 2 cresc.

E.H. cresc. Cl. 1 in B cresc.

Cl. 2 in E cresc. Sop. Sax. in B cresc.

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F

cresc. 3 4 cresc. 1 2

Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

The

cedendo

qui

et

lights

of

the

hous

es

a tempo

I cresc. Vn. II cresc.

Va. cresc. tutti arco Vc. cresc. tutti arco Cb. cresc.

HGG Act I, Scene 3

358

animando

605 Picc.

1. Fl.

1 2 dim.

Ob.

1 2

E.H.

Cl. 1 in B dim. Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

cresc. 3

3

Gatsby 8

were

hum ming

out

in

to

the

dark

ness.

animando I Vn.

dim.

dim.

dim.

dim.

dim.

dim.

II

Va.

Vc. dim.

dim.

dim.

dim.

Cb.

There was a

HGG Act I, Scene 3

poco pi첫 mosso

610

359

= 84

Picc. (1.)

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2 cresc.

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp. poco

1

Perc. 2

3

Piano

E F G A B C D

Harp

cresc.

3

Gatsby 8

stir

and

bus

tle

a

mong

the

stars.

poco pi첫 mosso I cresc.

Vn. II

cresc.

Va. cresc.

Vc. cresc.

Cb. cresc.

= 84

HGG Act I, Scene 3

360 614

a tempo ( = 76)

rit.

Picc.

1 Fl. 2

Ob.

1 2

E.H. Cl. 1 in B

Cl. 2 in E Sop. Sax. in B

Bs.Cl.

Bn.

a2

1 2

Cbn.

1 2 cresc.

Hn. in F 3 4

cresc. 1 2 Tpt. in C 3

1 2 Tbn. 3 cresc. Tuba cresc.

Timp.

Glock. 1 sempre l.v. Vib. Perc. 2

sempre l.v. Tam. 3

Piano

white key

gliss.

white key

Harp

Gatsby looks across at Daisy’s green light. Gatsby 8

a tempo ( = 76)

rit.

I Vn. II

Va.

Vc.

Cb.

gliss.

gliss. cresc.

gliss.

617

361

HGG Act I, Scene 3

a tempo

Picc.

1

Fl. 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E Sop. Sax. in B

Bs.Cl.

(a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

al sord. Tuba

Timp.

(Glock.) 1 (l.v.) (Vib.) Perc. 2

(l.v.) (Tam.) 3

Piano

Harp

3

Gatsby 8

We

a tempo I Vn. II

Va.

Vc.

Cb.

lis

tened

for

a

mo

ment

to

a

362

HGG Act I, Scene 3

molto rit.

620 Picc.

1 Fl. 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F

cresc. 3 4 cresc.

senza sord.

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

(Tam.) 3

Piano

Harp

Gatsby 8

tun

ing

fork

struck

molto rit. I Vn. II

Va.

Vc.

Cb.

up

on

those

stars.

HGG Act I, Scene 3 623

(rit.)

( = 50) a tempo

= 76

cedendo

Picc.

Fl.

1 2

Ob.

1 2

a2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

meno Gatsby 8

We

(rit.)

( = 50) a tempo

I Vn. II

Va.

Vc.

pizz. Cb.

kissed.

We

= 76

kissed.

cedendo

363

HGG Act I, Scene 3

364 628

meno mosso

= 69

Picc. 1. Fl.

1 2

Ob.

1 2

1.

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

and

meno mosso I Vn. II

Va.

Vc.

Cb.

= 69

we

will

kiss

HGG Act I, Scene 3

a tempo

633

= 76

cedendo

Picc.

Fl.

1 2

Ob.

1 2

1. solo

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp. (Glock., soft sticks) 1

(Vib.) Perc. 2

3

Piano

marc.

Harp

Gatsby 8

a

gain.

a tempo I Vn. II

Va.

Vc.

Cb.

= 76

cedendo

365

366

HGG Act I, Scene 3

Interlude: Daisy’s light and Gatsby’s silhouette gradually disappear. 638

a tempo

Picc.

Fl.

1 2 solo

Ob.

1 2

E.H. solo Cl. 1 in B

Cl. 2 in E solo Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F

4. 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

(Glsp.) 1

(Vib.) Perc. 2 Ped.

Ped.

3 8va

cresc.

Piano

❉

Harp

G A B E

Gatsby 8

a tempo I Vn. II

Va. div.

Vc. arco Cb.

❉

HGG Act I, Scene 3

367 rit.

643 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B

Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

a2 Bn.

1 2

Cbn.

1 2 Hn. in F

(4.) 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3

Tuba

Timp.

Marim. 1

Perc. 2

3

cresc.

Piano

â?‰

cresc.

Harp

Gatsby 8

rit. I Vn. II

unis.

cresc.

Va. cresc.

Vc. cresc. div. Cb.

HGG Act I, Scene 3

368 648

= 80

a tempo

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. 1 in B lontano

Cl. 2 in E lontano Sop. Sax. in B lontano Bs.Cl.

(a2) Bn.

1 2

Cbn.

1 2 sost.

Hn. in F 3 4

sost. 1 2 Tpt. in C 3

1 2 Tbn.

bucket mute

al sord. (bucket) 3

con sord., solo

(foghorn)

Tuba

gl.

gl.

gl.

Timp.

1

Perc. 2

3

Piano

Harp

Foghorns are heard on the Sound. Gatsby 8

a tempo

= 80

via sord.

senza sord.

via sord.

senza sord.

via sord.

senza sord.

via sord.

senza sord., unis.

I Vn. II

Va.

div. Vc.

via sord. Cb.

gl.

HGG Act I, Scene 3

poco rit.

653

369

Picc. cresc.

Fl.

1 2

Ob.

1 2

cresc.

E.H.

Cl. 1 in B

to Clarinet in B Cl. 2 in E

Sop. Sax. in B

Bs.Cl.

Bn.

1 2

Cbn.

cresc. 1 2 Hn. in F

cresc. 3 4

gl.

gl.

gl. gl.

Tpt. in C

1 2 cresc. 3 cresc. 1 2

Tbn.

cresc.

(bucket mute) 3

(con sord.)

gl.

Tuba

gl.

gl.

gl.

gl.

gl.

Timp.

1

Perc. 2

3

Piano

Harp

Gatsby 8

poco rit. I cresc.

Vn. II

cresc.

Va. cresc.

Vc.

senza sord., unis., pizz. Cb.

370

Act I, Scene Four Allegro

= 104 frullato

Picc.

Fl.

1 2

Ob.

1 2

(a2)

E.H. Clarinet in B

1 Cl. in B 2

Sop. Sax

Bs.Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 al sord. (straight) 1 2 Tpt. in C

al sord. (straight) 3

1 2 Tbn.

via sord. 3 via sord.

Tuba

Timp. (Marimba), soft rubber mallets 1 Xyl., soft rubber mallets Perc. 2 Maracas

prillare

3

Piano

Harp

Jordan

Nick

In Nick’s cottage. Through the window a view of Gatsby’s mansion. Rain. Jordan and Nick prepare for a visit.

Allegro

= 104