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John Harbison

THE GREAT GATSBY OPERA IN TWO ACTS Reduced orchestration by Jacques Desjardins Act I: Scenes 3 and 4 Volume 2

Full Score

From the Rental Library of G. Schirmer, Inc. Date of printing:

Associated Music Publishers, Inc. New York, NY

THE GREAT GATSBY OPERA IN TWO ACTS Act I words and music by

John Harbison after the novel by

F. Scott Fitzgerald song lyrics by

Murray Horwitz tango lyrics by

F. Scott Fitzgerald Originally commissioned by the Metropolitan Opera to commemorate the 25th Anniversary of James Levine’s debut.

The reduced orchestration for THE GREAT GATSBY was commissioned by Ensemble Parallele and Aspen Music Festival

Table of Contents Overture . . . . . . . . . . . . . . . . 1 Act I, Scene 1 . . . . . . . . . . 24 Act I, Scene 2 . . . . . . . . . 151 Act I, Scene 3 . . . . . . . . . 238 Act I, Scene 4 . . . . . . . . . 391 Act II, Scene 1 . . . . . . . . . Act II, Scene 2 . . . . . . . . . Act II, Scene 3 . . . . . . . . . Act II, Scene 4 . . . . . . . . . Act II, Scene 5 . . . . . . . . . Act II, Scene 6 . . . . . . . . .

515 612 687 777 812 867

Associated Music Publishers, Inc. New York, NY

238

Act I, Scene 3 Flute 1

1 

Più andante q = 80

   p

Flute 2

Oboe 1

Oboe 2

 

p

Cl. 2 in Bb

Tbn.

Tuba

  

 

    p

    p

p

Tpt. in C

       Bsn. 1  p    Bsn. 2  

Hn. 2 in F

  

Bs. Cl.

Hn. 1 in F

 

p

Cl. 1 in Bb



to Sop. Sax to Stage Band

p rubato

 

6

solo

     

p solo

6

    

6

p

  

   

       

 

6

     6

6

   

to Tpt in Bb to Stage Band

to Stage Band

p

   p     p

  

     



p

   

 



Claves



p

      6

6

6

Workers and guests are assembling for a party, early evening

p    Soprano  

All p

   

All

Bass

p

 Perc. 2   

Tenor

Perc. Vibr. + soft mallets

Alto

   

  Perc. 1   

Piano

 



day

 

day



  

  

 



ar - rive

the

 

 

ar - rive



the



mp

 

or - an - ges

 

mp

 

or - an - ges

  and

  

and

p   

the

le - mons p

  

the

le - mons

Act I, Scene 3 Più andante q = 80

Violin

 

 

 

   

   

   

 

 

    

   

       

div.    I 

 

 

 

 

 

 

 

   

   p

p

div.

Violin II

p

Viola

 

mp

mp

p

p

p

Violoncello

Contrabass

  

  p 

p

  

 



 pizz.

  

     p

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

4  

   

   

soli 6

 



 



p

239  6





  

 

     

Ob. 1

Ob. 2

Fl. 2

 

Cl. 1 in Bb

soli 6

6

p

 p

Bs. Cl.

Bsn. 2

Hn. 1 in F

  

pp

Tpt. in C



 (Vibr.) Perc. 1     Perc. 2

p





(Claves)

 

 

A

T

p mp                       All day ar - rive the hams, the tur - keys, the

S

p    B   

All

     

mp

day

ar - rive the hams,

          the tur - keys,

 Vn. I 

Vn. II

div.

    

Va.

div.       

Vc.

Cb.

    

           mp

           mp

the

                  

6

p





3

6

  

pas - tries. p





3

pas - tries.

 

  

unis.

p

 

unis.

    



 

  p

  p

3

3

 

6

Piano

  

   

pp

Tuba

  



p

Hn. 2 in F

Tbn.

  

rubato

 to Contrabassoon     



Bsn. 1

6

6

Cl. 2 in Bb

    





 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

240

7

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

     

Cl. 1 in Bb



p

mp



mp

3



          6 3

rubato

Cl. 2 in Bb

Bs. Cl.

 

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 (Vibr.)  

 

 

A

T

Vc.

Cb.

 

pp

 

mp

af

 

 

Late

 

Late mp

af

 -

-

 

 

ter - noon

the

 

 



ter - noon

the

 

mf





swim - mers come mf







swim - mers come



up



3

  

from the beach



up

3



  

from the beach

 

to

  dreas

    to

3

   

p

   

p

up - stairs. 3

dreas

up - stairs.

 

Va.

 

 Vn. I  

Vn. II

mp



 S  

B

   



Bsn. 2



Bsn. 1

div.    

 

mp

  

 

div. mp

  

 

  

 

 

 

 

3

mf

mf

 

 

 

 

3

 

    

 

 

  

 

 

 

3 3

     

p

   

p

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

10

241

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

3

    

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

 

 

Piano

S



  

mp

p

 



 

A

mp

    Late

T

B



6          3

Tbn.

Perc. 2

p rubato

Tpt. in C

Perc. 1

Hn. 2 in F

Tuba

mp

 

Late

 Vn. I 

 af

  -

  af

ter -noon

   -

ter -noon

 

mf



the

or

 

mf

the



3

-



or

3

-

unis.

ches

  

 ches

6

-

-

    

mp





tra

tunes,





tra

tunes,

  



sax - o - phones,

  mp



 

sax - o - phones,

   3

trum - pets,



3

 

trum - pets,

3   

vi - o 3     

vi - o -

mp

Vn. II

  

 

(div.)

Va.

mp

 

 

(div.)

Vc.

mp

Cb.

 

 

 

 

mf

mf

3

 



 

     

 

 

 

    

     



    

    

mp

 

 

 

3

mp

pizz. non div.



pp

3

3

3

3

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

242 Fl. 1

13 

Fl. 2

Ob. 1

Ob. 2

 

 



 



soli

    p

6



soli

    p

6

6

6

 

 

 





 



 



   



 

6

 

 6



 

   3

Cl. 2 in Bb

Bs. Cl.

Hn. 1 in F

  

 

Hn. 2 in F

Tbn.

Tuba

  

p

mp

Tpt. in C

  

 p

Perc. 1 Perc. 2

 

  

  

 p  



(Claves)

 S 

A

T

mf     lins,

Piano

B

3

drums

mf



lins,

drums

6

and 3

     

mf

 

 

p



 



 

 

  

mf

 p



and

3

p

 3

 



  



3



3



3

p

p



div.

  p

 

(div.) p

 

 

p





At

p

p

At

3

bas - ses.

 

At



To Picc.

 

To Eng. Hn.

mf

bas - ses.

 

Vc.

mf

Cb.

 

 

mp

Va.



At

  Vn. I   Vn. II



mf

mf

 

 



  

Timp.



 



mf

mf

Bsn. 2



3

Cl. 1 in Bb

Bsn. 1



p

p

arco

 p

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

15

243

 Fl. 1 

Ob. 1

English Horn

 

6                    6 p 6    6                  6 p  6 6

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

 Perc. 1   Perc. 2

Piano

mp 3

 

p Contrabassoon

 

p

3

3

 

f

eve

ning

-

   

 

  

   

f

  

 

f

  

f

  

 

 

f

eve

    eve f

T

eve

f

       

Va.

   

Vc.

-

f  

     Vn. I  Vn. II

-

 

A

Cb.

   

 



   S 

B

          

Wood Drum

6

  f

-

p

p

ning





 

the

lights

grow

bright - er,

the p



ning p

ning

 

lights

p

  p

  p

 p

f

p

p

 

bright - er, f

p



f

p



the

lights

grow





the

lights



grow

bright - er,

 

 

   

 

p

 



grow

f

      

bright - er,

f

p

     

 



 



  f

p

 

 

 





  f

f

f

p

p

p







Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

244 Fl. 1

18 

Picc.

    p

   p

Ob. 1

Eng. Hn.

Cl. 1 in Bb



  



3

cresc.

3

cresc.

Bs. Cl.



f

  f





  



 

 

f

f

       cresc.    

 

   

 

   f

     f

cresc.

 

Cbsn.



cresc.

      

Cl. 2 in Bb

Bsn. 1

   



cresc.

 



 

 Perc. 1 

Hn. 1 in F

Tpt. in C

Tbn.

Tuba

Piano

3

Vib.         

3

A

T



  

 Vn. I 

Vn. II

Va.

Vc.

p

f

at

eve

p

f

at

eve



p

 

at

eve

p

f

at

eve

  (div.)  p

 

  

 

f

f

  f

 p

-

-

��� f

p





laugh - ter

p

ning





laugh - ter

 

 

  

 

  

 

  

p

ning

laugh - ter p

ning



laugh - ter

 is

 is

is

 is

 

 

  

 

 

 

  

 

 

 

 

 

  

 

 

  

 

 

 





  p

f

 

-

ning

 



p

-

f

 

p

 



 

p





To Timpani

3



Cb.

          

(Wood Drum)

p

  S  

B

p

p

p

 p

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

21 

Picc.

 

Ob. 1

Eng. Hn.

 

Eng. Hn.

3

3

    p

   



   



p

 

Cl. 1 in Bb

3

6

6

6

  

p

 

 

 

   p

Bs. Cl.

Bsn. 1

 

 6

6

 6



 

 

 

6

6



 



 

6



p cresc.

 3

cresc.

  

3

 

 3



cresc.



cresc.

     

  

 

 

Cl. 2 in Bb

Cbsn.

   

p cresc.

 

 

 

 



245

  

  p

  

 

















  

 





eas

   

-

-

-

-

f

A

eas

    eas

-

-

-

-

f

T

B

Vn. I

 

-

-

-

-

f

eas

-

-

-

-

i

  i

  i

  i

p

-



er p

-



er p

-



er p

-

er

 

 

 

cresc.

f



   S  









cresc.





Tpt. in C

Piano



 



Perc. 1





   



Hn. 2 in F

Tuba





Tbn.





 

Hn. 1 in F



p



 

      p cresc.

  



 

 

   

 

 

  

f

Vn. II

f

Va.

f

Vc.

f

Cb.

 f

246

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

animato

Fl. 1

23

  

f

Picc.

  

   f

mf

  

Bsn. 1

mf

Cbsn.

Hn. 1 in F

 

 

S

mp

 

 





 p      p

and

 

and

p

 

p

 

Men

cresc.

girls



com - ing

 and





go - ing

 

like

and

  and

cresc.



girls cresc.

girls



cresc.





com - ing

com - ing

 

girls



com - ing

and





and

 and

go - ing

go - ing

Vn. II





go - ing

like

moths

 



  like

Vc.

  

 

 

 

 

the



mong

the

-

 

 



 



cresc.

cresc.

 



 

  

a

 

 



 

f

 

f

f

f

f

-

p

 

 

moths

 

 

 

 

 



a

 



 

-

p

  p

 

cresc.

 

cresc.

  a

moths f

p

 

 

cresc.

 

 

f

 

p

 

p

mong

a

 

 

  

  

 

p



 



  p

 

 

unis.

  

  

   p

Va.

 

p

div.

moths



like

  

(div.)    

f

 

animato

    Vn. I 





f

Men

   Men

T

 

A

Cb.



Men

B

Tbn.

Piano

6

 

Tpt. in C

Perc. 1

6

mf

Tuba

mp

  

6

Hn. 2 in F

6

              6 6 mp              



  



Bs. Cl.

f

Cl. 2 in Bb

to Flute

f

Cl. 1 in Bb

  

Eng. Hn.

   f

Ob. 1

p

  

p

p

p

-



mong

the



mong

the

 

 

 

 

 

 

 

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

26  

Picc.

Ob. 1

  

Eng. Hn.

6

   p

6

   

247

Flute

 

 

 

 

   

 

f

f

  

 





3

6

6



 

3

   

3

Cl. 1 in Bb

Cl. 2 in Bb

 

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Piano

   p



  

   

  

 6

6

  







  

 3

   

 

 

3

    

  

3

  





  

 -

sf

A

whis

sf 

  whis

T

  

whis

   Vn. I 

-

  

    

and

Va.

sf

  

Vc.

   sf

3 and

 

 

 

 

 

3

3

the cham -

cresc.

the cham -

 

cresc.

cresc.

the cham -

the cham -

 

3

 

cresc.

 



    

f

pagne



pagne



pagne



pagne

 

 

 

 

cresc.

and

the

the

3

and

the

3

and

the

 

 

 

 

 

 

 

 

 

cresc.

 

 

 

 





3

 cresc.

3

  

3

cresc.

 

3

and

 

3

3

3

cresc.

 

3

 

sf

3 

and

sf

    

3

per - ings

sf

Vn. II

3 and

per - ings

sf

per - ings

 -

per - ings

 -

 

f

 

whis

Cb.



sf   S 

B

6

Tbn.

Perc. 1

   

Tpt. in C

Tuba

6

f



 3

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

248 Fl. 1

 

 

 

 

 

 

 

 



 



 

Fl. 2

Ob. 1

animando    

28 

f

f

f

 

Eng. Hn.

f

 

Cl. 1 in Bb

    

 

Bsn. 1

 3

 



 



 

6



 















 



 

 

 

6

 



6

 3 3

  















3





 





  

   



 

    





    





 

3

3

  3

3

   3

3

 

 















 



 

 

 

 









   

 



 



 





 

 

 

 

 

 



       

  

  

  

 

 







 

 

 

 



 



 

 

  

stars.

 





 

 

  

 

stars.

T

 

 

f

A

B



 

Tbn.

S



  

Tpt. in C

Piano

3



f

f

Perc. 1

 

f

Tuba

3

f

 

Bs. Cl.

Hn. 1 in F

Cl. 2 in Bb

Cbsn.

 

stars.

  f

stars.

animando Vn. I

 

Vn. II

  f

 

 

  

 

 

 

 

 

 

f

Vc.

f

Cb.

 

   f

Va.

 

f

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Allegro h = 96

Fl. 1

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

  30           

ff

 

ff



ff

 

 

 

ff

f

 



3

3

3

3





To Oboe

3

   

3

        

3

3

3

 

ff

    

ff

   

ff

          

  

 



  



 



3

3

3

3

3

3

          



3

   



3

   

3

   

 f

3

  

3

  

3

    

 

    

 

  

 

  

 

  







f



3

 

 3

  

3













    

 

















3

  

3

  



3

        

  

3

  











   

   

   





 

 

   



3

    

  

 



 



3

3

 





 

f

f

  

3

  

 

f

ff

Hn. 2 in F



 

   Cbsn.   Hn. 1 in F

f



f

ff

ff

Bsn. 1



249

     

 

 

 

 

 

 

 f

  f

Tpt. in C

 

Tbn.

 

 

 

Tuba

  

 

 

 

 

 

 

 

 

 

 

  The party is ready to begin.  

 

 

Timp.       ff

Perc. 1

Piano

S

A

T

B

*

f

  

 

* It is possible to play the upper octave if the lower drum is not available.

   

 

 

 

  

 

 

  

 

 

Allegro h = 96 

  Vn. I   Vn. II

 

ff

   

Solo vln to stage band unis.

 

     

   

ff

Cb.

    

ff

 



3

3



f

 f

 3

f

ff

Vc.

f

 

f

ff

Va.



  3

unis.

  

unis.

 

 

3

3

pizz.

 pizz.

             

3

3

3

   

  

   

 

 

  



 



 



3

3

3

3

3

3

 

      

3

3

   



 

  

3

   



 

  

    



   

 

 

  

3 3

3

        

  

  

3 3

3

    

 

   

 

   

 

 

   

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

250

34    Fl. 1   Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

   

  



 

Oboe

  

   

 



 

 

  

3

  

   

3

3

3

3

 



 



 

3

3

 

3

3 3

                   

3

3 3

3

3

  

  3

  

 

   

 

3

3

   

 

   

 

3

3

   

3

3 3

3

3

              

3

3

3

3 3

 

    

 

   



   



   

     

   

 

3

 

 

 

 

 

3

  

 



  

     

3

  

3

  

3

  

  

 

  

 

3

  

 

3

  

 

  

 

3

3

3

 

  

Bsn. 1

 



Cbsn.

  



    



 

 

Hn. 2 in F

 



 

 

Tpt. in C

 

 

 

Tbn.

 

 



Tuba

  

 

 

 

 

Bs. Cl.

Hn. 1 in F

   



  (Timp.)    Perc. 1

Piano

S

A

T

B

Vc.

Cb.





 





 

 



 







 



 

 

 



 





 



   



  





     

 

 

 

 

 

 

 

 

  

 

 

 

 

 

  

 

 

  

 

 

 

  

 

   

 

   

 

 





div.

Va.

  

  Vn. I   Vn. II



    



    

 

  3

3

3

3

   

unis.

3

   

3

  

    

   

 

3 3

3

  

 

   

   

3  

 

 

3

3

 

    

3 3

3

          

3

3

3

    

 

   



   

 

 

     

 

 3

   

 

 

3

 3

        









  

 

3

  

 

3

  

 



 



 

3

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

Tbn.

38 

                 

   

       

   

    

  

  (Timp.)   

  



 

   

   

  



 



           

  

 

 



   

 







                

To English Horn

 

   

              

 

     

 

   

 

to Picc.

 

251 

 

 



 

 



 

 

 

 

 

 

 

 

                

 



 

 





  

Perc. 2

 

 

 

 

 

  

Banjo



    

Tuba

Piano

 

 Traps

 p

 

 

    

 

 

 







 

 f

 



f

 

 

  f  

   

   

Solo Vln.

 

 

 

Band Vocalist

    

 

 

 

 

  

 

 

   

 

 

 

 

S

A

T

B

Vn. I

Vn. II

Va.

Vc.

Cb.

  

  

              

   

  

  

arco

arco

 

    

   

             

    



    sf

 

   sf     sf

 

   sf     sf 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

252

42

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

  

   f

  

Tbn.

f

Tuba

   f

Perc. 2

Piano

Banjo

     

Solo Vln.

Band Vocalist

   

  

 

 

 









  

 

 

 

 

 

Snare Dr.





 



     

 

One

foot

 

    

 

 





out,



Do

  

 



sf

  

 

 

 





    

 

 



 

 

  

     that



 



 

 









sf





 





 

in,





    

 





 





 



  









 f     One foot



old

  

  

“Ca - ro - li - na

Shout”

 

  

 

  

 

    















    

    

 





  

There’s noth - ing

out

of

date

a - bout

 

 

Vn. II

Va.

A

T

B

Vn. I

Vc.

Cb.

  

 

S

  





  a

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

48

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

  

   

Tbn.

Stage Band

253

Tuba

Perc. 2

Piano

Banjo

Band Vocalist

 



 



  

 

 

 

 

      

    

 



  

Solo Vln.





  

 

 

  



 

 

  





 







  

 

 

 

 

 

 



  

 



 



  

 

 

 



  



   

      hap - py old

  

Sat - tur - day

night

  

to - do.

Play



that

 jazz,



play



that

 rag,

 

 

 

 







 

 

   

 

 

 

   

 





sf

  

 



 

 





sf

 

    

grab your ba

-

by,

  

  

and dance the

shag.

 

 

 

Vn. II

Va.

S

A

T

B

Vn. I

Vc.

Cb.

   

  A

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

254

54

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

 

Tpt. in C

Tbn.

Perc. 1

 

      Tbn.

Stage Band

Tpt. in Bb

Tuba

Perc. 2

Piano

Banjo

 

    

 





 

  

 

 

 

    

 

 

Solo Vln.

Band Vocalist

Sop. Sax. in Bb







 

 

 





 

 

 

 

   

 

  



  







    

 

       swell time's al - ways

   

in

the

bag

at





W.Blk.

  

Soprano Saxophone



f





 



a

  

Sat - tur - day night

 

 

secco

mp

  

 

mf

 

 

 

     

  to - do.

  

 

  

Solo Vln. on stage

 

 

gl.

  

 mf

f

 

gl.



mf meno f

gl.

    

 

 

  



   

Go

tell the lead - er

of

gl.

   

the

band

 

 

 

Vn. II

Va.

S

A

T

B

Vn. I

Vc.

Cb.

 

  to

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

60

255

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

 

Sop. Sax. in Bb

 Tpt. in Bb  Tbn.

Tuba

Perc. 2

Piano

Banjo

gl.







       

  gl. 





gl.



  

    

 

 

 





 





   

 

 

 

  

 



 



 



 

       play a song

 

   

for you.

 

Love

 

 

  





 

 



gl.

   

 

may be wait -ting right

  

at

hand,

     



 

Solo Vln.

Band Vocalist

f

  

   f

   f    

 

   

and oh

     f

 

 

     f





 

tune can do!

 

 

 

Vn. II

Va.

S

A

T

B

Vn. I

 

Vc.

Cb.



gl.  

what a



           

 

 

    

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

256

66

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

 

  f   Tpt. in Bb 

Sop. Sax. in Bb

Perc. 2

Piano

Banjo



     

f





 

 

 

  

 

 

    

  







 

 







S.D.

 

 

 

 

 

 

 

  

  

 

 

 f     Hold her



 



  

 

 





 

 



 

Solo Vln.

Band Vocalist

  f 

 

Tbn.

Tuba

 

  

 

    

 



close,



hold

her

tight,



 

sf







 



      

 

  





 

    





     



     the

one

sf

girl

 

    

  

  

that suits





     





  





 





 

she's

  

you right.

 







 



  

   

    



 

 



 





 

 

 

 

   

 

  



 

 

 

To - ge - ther you’ll make

ff

   

ev - ery

night

 

 

Vn. II

Va.

S

A

T

B

Vn. I

Vc.

Cb.



 



    a

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

**73b

*73a

72  

Fl. 2

Ob. 1

Ob. 2

poco rit. 

Cl. 1 in Bb

Bs. Cl.

Fl. 1

Hn. 1 in F





 

Tpt. in C

Tbn.

Perc. 1

Sop. Sax. in Bb

Tpt. in Bb

   

 

Perc. 2

Piano

Banjo

S

  W.Blk.

 

To Clarinet in Bb

 

   



 

f

    

mf

f

  



        





       

 p

 p

 p

 

   

 

  



  

 

    mf f     

f

p.

 

 

cresc.

 

 

             p. cresc.         

 

solo

 

p cresc.

 

 

 

 

        sf

f

              f sf                    

f

sf

  

     f

      f

 f

    

      

  

    

      

   

   p

  

 

poco rit. 

Vn. II

Va.

Vc.

 

a tempo

1.

2

*Play first ending if full cut is taken. **Play second ending if alternate cut or full version is taken

 

 

 

Cb.



         Sa -tur -day night to - do.

T

Vn. I

 

       

mf

 

A

B

    

Solo Vln.

Band Vocalist

  

Tbn.

Tuba

2

Bsn. 1

Cbsn.

1.

257

a tempo Vi-

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

258

78

  Fl. 1 

 

 





Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

    p 

Tbn.

Tuba



 

Sop. Sax. in Bb

Tpt. in Bb



Perc. 2

Piano

Banjo

(p)

f

 

 

cresc.

 

  

cresc.

  

 

 

 

 

                   

  

  

      sf

  f

  f

     f

    sf     

  

      

  

 

      

      sf

 

   

 

f



 

p

 p

 

 

 

 

 

f

    

p

p

cresc.

          p cresc.    

  

p cresc.

        

 

 

 

 

    

 



  







      

Va.

Vc.

 

             

Vn. II

Cb.

p

T

Vn. I

p

 

A

B

             p cresc.       

Solo Vln.

S

    

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

84

259

  Fl. 1 

 



 

















Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

 

Sop. Sax. in Bb

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

f

 

    f

        

Solo Vln.

  

f

  

 

      

  

sf       

    sf    

 

        sf

 

 

 

   

 

 

            sf        

 

sf

  

      sf

   

 

 

sf

  

    sf   

      

       sf

 

    

  

 

 

   

 

             

    

   

 

sf       

 

  

      

 

 

 

 

sf

     

   

sf

 

 

 f





  

  

 

 

 

 

    



  



Vc.



Cb.



S

A

 

T

B

Vn. I

Vn. II

Va.

 

pizz.

f

  

 

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

260

90

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

Tpt. in C

Tbn.

Perc. 1

  

Sop. Sax. in Bb

Tpt. in Bb

  

Tbn.

Tuba

Perc. 2

Piano

Banjo



  

   

                              



  

  

                  

  

 



  

 

  

       

                                                                                      



 

   

                             

 



  

  

                   

  

 

 

Vn. II

Va.

A

T

B

Vn. I

Vc.

Cb.

 

    



 

    



 

    



       

 

    



 

 

                         

 

Solo Vln.

S

 

    



Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

96

261

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C

Bsn. 1

Cbsn.

Hn. 1 in F

Tbn.

Perc. 1

  

Sop. Sax. in Bb

Tpt. in Bb

 

Tbn.

Tuba

Perc. 2

Piano

Banjo



  

    ���                            

    

                     

   

        

 

  

                  

  

 

            

Ride Cym.



   

                                                                    

  

 

              

                                       

 

 

 

Vn. II

Va.

 

A

T

Vc.

Cb.

Vn. I

 

f

B

Solo Vln.

S

 

Clarinet in Bb         f          f         

 

    



   

  

    



            

    



          

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

262

102

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.



Bsn. 1

Cbsn.

Hn. 1 in F

 

- de (alternate cut)

   

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

Perc. 1

 

    Tpt. in Bb       Tbn.

Cl. 2 in Bb

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

S

   

               

 

A

T

B

  

               

 

           

                                     

   p

  

p

            

                                                                             

 

 

  

Vn. II

    f

Vla.

Va.

   

Vc.

Cb.

  pizz.  f

      

 

   

       

 

   

     

 

 p

f

     f      f

 

 

    cresc. p               p cresc.                   

p

cresc.

      

            



 

 

p

f

Vn. I



p

  



      



p

 



p

p  p

 

 

 

 

 

 

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

108

  Fl. 1 

 

 







Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

 

Cl. 2 in Bb

Tbn.



Tuba



Perc. 2

Piano

Banjo



f

sf

 

    

   

   

 

 





          f             





p

 

 



 

cresc.

 

 

 

 

  

cresc.

  

  



 



 mp

mp

mp

mp

 

mp

    p

    p

 

   



   p



p

   p



 mp

  f

    f

sf

    sf     

  

    

  

  

 

     

    

      sf

 

f







 

 



 

   

mp

mp

f

     

f

mp

  

 

f

                 mp       

 

                            p  cresc.          



      

f



Vc.

  



  

Va.

p

           

Vn. II

Cb.

    sf       

  

T

Vn. I

f

sf      

p

             p f               f

 

A

B

  

   

Solo Vln.

S

f



f

 

          

  Tpt. in Bb 

263

      





 p

 p







 mp

mp

p

p

p

mp

 

 

 

 

 

mp

mp



 



          

    p  



               mp            

  p

 



p

  

   p

mp

mp

 

mp

mp

 

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

264

114

  Fl. 1 

 

 







Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

  

Tpt. in C

Tbn.

Perc. 1

 

  

Cl. 2 in Bb

 p

 

 

   Tpt. in Bb  p



Tbn.

Tuba

Perc. 2

Piano

Banjo

 

  p

 



 

p





Va.



Vc.



p

 p

cresc.

  

 

     cresc.  

  

Vn. II

Cb.

p

  

T

Vn. I

p



A

B

Solo Vln.

S



p

         

  

    

cresc.

 

 



  

    

 

  

p

 p

 

 



    sf     

f

 

f

  

  

      

  

 

 

 

       sf

  

  

 sf

 

 



    sf   

 



 





   

sf





mp

mp

mp

 

 

 

 

 

   

 

 sf    









sf

mp

mp

  

sf

   





      

    sf     

 



f

p

 

 sf

   sf

sf

 

 

  

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

 





 





 

Ob. 1

Ob. 2

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1 in F

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

 

Perc. 2

Piano

Banjo







            

  sf

  

   sf       

 

  

    

    

     

    



sf

    

         

   

     

 

     

 sf

  

   

sf

     

   

 

 

    

sf

       

 f





 



   

    



 

 

 

f

 

 

   

  



 

   

Vn. II



Va.



Vc.

Cb.

T

Vn. I





f

 



  

A

B



  

Solo Vln.

S

 

Tbn.

Tuba



 

Tpt. in C

Tbn.

- de (full cut)

118  

Fl. 2

Cbsn.

265



 

   

 

    sf  

sf

sf

 

sf

 

sf



  



mf



 mf 



mf

    

mf



mf

   

   

  

sf



sf



 

  

 

sf non div.

sf

 

 

arco  f arco  f

  









Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

266

122 

 Fl. 1  

Fl. 2

Ob. 1

Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F



Piccolo f

 



f

 



f Eng. Hn.

 



 



f

f

    f   

Tbn.

Perc. 1

 





 

  



  





 



  



 





 





   

  







 

  







      

 





    





           

f

 

 

 



(f)

 



      

pizz.

pizz.

 

 

3

 

   



  

  

           

out,

 

 

one foot

out,

 

 

 

   

pizz.

pizz.

 





 

 



 

 

 

     

  

     

  

“Ca - ro - li

“Ca - ro - li

     

    

“Ca - ro - li

 

  

“Ca - ro - li

 

 

 

 

 

 

 

3



  

 





  





     

            tr   

do that old

   

do that old



   

 

do that old

do that old

out,

pizz.

   

one foot



 

   

 



3

3

 



                

out,

 

 

3

one foot

one foot

in,

 Vn. I  

(f)

in,

One foot



  

in,

  

Cb.

 

   

f



       

   

in,

    One foot

Vc.

 

f



 



f accomp.

One foot

Va.

 

               tr   

  

 

 

 

f

 





 

One foot

Vn. II



 

Ride Cym S. D.

     f

 

    

in fuori



 

Susp. Cym. at rim

  

f



  

poco







 

 



 

 



       

 





  

   f      

  



  

 

 f S   

B



  

 

T

 



       

                   

  

 

 

A



 

   

f

Solo Vln.

 

  



f

f

Banjo



  



     f in fuori     Tbn.  f     Tuba   

Piano

 

  

 

f

f

 Tpt. in Bb  

Perc. 2



        

 

   

Cl. 2 in Bb

 

  

   

f

Tpt. in C

    

    

Hn. 2 in F

 

 

3





-

-

-





 



 

 



 

   

 

 

 

   

 



 

     

   

  



  

 



  

 



na Shout”

na Shout”

na Shout”

  

na Shout”

 

 



  

  

   

  

      tr   

  

  

 

  out

of

 

out

of

 

 

out

There’s noth - ing

out

of

  

of

 

   

 date



date

 

date

date



 





 





 



 

  



 

 

There’s noth - ing

     



 

There’s noth - ing

 



 

There’s noth - ing



   







 





  

 

   

  

     



          

-

  

 

  

   a - bout

   a - bout

   a - bout

   a - bout

   

   

  a

  a

  a

  a

  

  

  

 

 

 

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

Fl. 1

128  



  

   

 

 

 

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

 





 

  





  

Banjo

S

















 

 













  







 

 



 

 







 



 













 





 





 

 













   



       

  

                



 

 

       





 

       













 

 









(Sus. Cym. rim)



   

   

  

         





 



 

  

 

 

 

    

 

   

      

Sa -tur day

  

Sa -tur day

  



   

W.Blk.       

 

 

    

 

 

 

   

   

  









   

   

   

   

night to - do.







 

   

 

   

            

 

 

that

jazz,



that

jazz,





Play

that

jazz,

hap-py old

Sa -tur day

night to - do.

  

  

  

(pizz.)

Vn. II

   

  

   

(pizz.)

Va.

   

  

 



   

 

 



 

that



 

Play

3

 



night to - do.

3

  

  p

  

jazz,

  

   

   

sf

         f    

3

 

 

 

3





  

 



 

 

 

 

 

 

 

 

 

  

 

 

 

 

   

 

  



 

 

  

 





rag,

 



grab

grab

rag,

 

play that

rag,

 

 







 

 









 

 



 

grab

     

  

 

  



   





  

  

 

    

  

  

 

  

  

 

  

  

and dance

the

 

your ba-

by

your ba-

and dance

by

and dance

    

your ba-

by

   

grab

your ba-

  

    

 



 

3



play that







 

rag,





play that

play that

         

Play

 



 

sf

  

Play

night to - do.

        

Sa -tur day

(pizz.)

 

        hap-py old       

 Vn. I 

 

  

      

   

    tr  

           









  



     

  

 

  

 

  

    

 

 



hap-py old

Cb.







 

Vc.

 

     

  





 

hap-py old

B

 

 



T





 

A



 

Solo Vln.





   









 

Tbn.

Piano

  

   Tpt. in Bb   

Perc. 2

   

  

Cl. 2 in Bb

Tuba

   

        

   

Tpt. in C

Perc. 1

 

Hn. 2 in F

Tbn.



 

 

Bsn. 1

Hn. 1 in F

  

 

Bs. Cl.

Cbsn.

 

  

267

 

and dance

by

 









 

 

the

the

the

 

shag...

shag...

shag...

shag...

 

A

A

A

A

 

















Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

268

134 

 Fl. 1  Picc.

Ob. 1

Cl. 1 in Bb

Bs. Cl.

Cbsn.

Hn. 1 in F

 



 





 







 



  









  



 













 



  





  



Tpt. in C

Perc. 1



 

  

Hn. 2 in F

Tbn.

 



  

Bsn. 1





Eng. Hn..



 

  

  

  

 



  

(Sus. Cym. rim)

      

 Tuba  





 

 

 

 

 

 

 

     

 

 

 

  

 

 

 

Tbn.

Perc. 2

Piano

Banjo

  

 

  



swell time’s

 

A



swell time’s

T

B

    swell time’s  

Vn. II



swell time’s

 Vn. I 

  



 

 

 

al - ways



al - ways



the bag

   

in

the bag

   

in

the bag









 

(pizz.)

 





Vc.

 

 





a

  a

  a

   

























 

mf

mf



 

   

    

         



 

S.D.



mf

 

 

 

 

mf



 

  

  



  

 

mf

 



   

 

mf

  

mf

mf

  

 

 

 

 

 

 

  

    

    

  

  

   

  

  

    

solo

 

mf

  

 

Sa - tur -day

night

to - do.

Go

tell the lead -er

of

the band.

  

 

meno f

   

 

Sa - tur -day

night

to - do.

Go

tell the lead -er

of

  

the band.

  

 

meno f

   

  

Sa - tur -day

night

to - do.

Go

tell the lead -er

of

  

the band.

to

  

 

of

the band.

to

Sa - tur -day

  

 

a

  



the bag

at

    

 

  



  

  

 

 



���



at





      



at





  



at



in

  

in

al - ways



W.Blk.

 

   



  



     

 







Va.

Cb.



sf

  

 





al - ways







    

Solo Vln.

S



   

   

     

 

   

     

     

 Tpt. in Bb  

   

   

   

   







  

 

  

   

        

  

Cl. 2 in Bb



  

 

    



  

    

night

    

meno f

  

 

meno f

to - do.

  

Go

  

tell the lead -er





arco p arco

p

mf

mf

   

  

to

to

 

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

140 

269  

 

f

   





f





f





 

 













Timp.

   

Bsn. 1

Cbsn.

 

     

   

Fl. 1

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

Bs. Cl.

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Perc. 1

Cl. 2 in Bb

Tpt. in Bb

  

  

Tbn.

 

Tuba

Perc. 2

Piano

Banjo

  

 

 

 

 

 

 

 

 

  



 

 

  

a

a

song

song

      play a song      play

a

      

 



 

 

 



 

     



 

for you.

 

Love

  for you.

 

Love

Love

for you.

 

   

   

may be wait-ing right

Love

may be wait-ing right

may be wait-ing right

   

may be wait-ing right

for you.

p

p

mp

 Cb.  

song

 



 

 

 







      

  











 

 



 

 

      f     

 

     



f

      f       f

f

      f

f

 

   

 

  f

  

 

 

     



 tr 

 

 

f           f                

f

 f

  

      f

mp

Vc.

    

 

 Vn. I  

Va.

 

  

T

Vn. II





 



  

play

 

 



 



  

A



   

play

B

 



Solo Vln.

S



   

   



  

at

hand,

  

at

hand,

  

at

hand,

  

at

hand,

 

   

 

 

   

 

 

   

 

 

   

 

and, oh,

and, oh,

and, oh,

what a

what a

what a

and, oh,

what a

mp



 

tune can

tune can

tune can

do!

do!

do!

do!



p

p

pizz.

mp

(pizz.)

tune can

 





 

 

f

 

f pizz.

 f

 f

f

  

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

270

146 

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

 

Cl. 1 in Bb

















Banjo











  





 



 





 

  

 

























                  

  

 









 

  

       







 

  

  









        







   



 

  

  

 





 

















  





  



   

        





Sus. Cym., rim

 

f

ff



       

 ff     

Hold

        



    Hold her

 

Hold

her

close,

 

   

 



 

 

 

 

 

 

 

        

    



her

tight,







hold

her

tight,

 





    

 

      

  

   tr



    

  

the

the

the

one

 

 









   





    

        



   

   

 

 

 

 

 

tr 



  

 

  

  

 

  

 

 

that suits

 

you

you

you

right.

right.

right.

   you

 

right.

 

To - geth

To - geth

To - geth

-





  

        



     



er

 -



 

  

  

   

    

that suits

     

  

     

 

that suits



 

that suits

girl

(pizz.)

  

girl

one





     the



girl

one

 

     

girl

one



    

she’s



she’s

  

    

she’s

 



she’s

tight,



     



f

  

      tr   



  

    



tight,

her

 

  3    3

her

hold

     3



hold

 



hold

close,



   

close,

ff

 



  

close,

her

 

tr

her

ff

 Vn. I 

  

f

 

 

  

  

      

Vc.



       

 

Va.

 

  



    

Vn. II





       

  

       f        

 



 

T



   

     

 

A

 

 (Timp.)   





ff

Cb.





  

Hold

B





Solo Vln.

S





Tbn.

Piano



 Tpt. in Bb  

Perc. 2







Cl. 2 in Bb

Tuba



 

Tpt. in C

Perc. 1







Hn. 2 in F

Tbn.







Bsn. 1

Hn. 1 in F

     

Bs. Cl.

Cbsn.



er



  

 



we’ll make



we’ll make



-

 

er

we’ll make

-

er

we’ll make



 



 





To - geth

  

















Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

151

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb

  



  Bsn. 1    Cbsn.        Hn. 1 in F    

Hn. 2 in F

 



Cl. 2 in Bb

Perc. 2

Piano

Banjo

 



Vc.

Cb.

   















sf

 

 

 



(pizz.)



 







 

   



 

  

 

 

      

 

  

  

  



 

     

 

  

 

a

Sa - tur - day

night

to - do.

 

  

 

a

Sa - tur - day

night

to - do.

 

  

 

Sa - tur - day

night

to - do.

 

a

   

 

  

a

Sa - tur - day

 

   

 

 

night

 





 

 

  

choke





 

 



 

to Glock

p







to - do.

 

 

 

p

to cup mute

   



mf

 

 

Vib.

sfp to cup mute



 







 



 

 

night



 

night

  

al sord.



   f

night

  

night

 

 

 

f

   

ev - ery

 





mf



sf

ev - ery

   solo



f

sf



ff

f





 

    

solo   

    





 



 

sfp





solo   

pizz.     

Va.

(Sus. Cym., rim)

ev - ery

Vn. II

 

  

 Vn. I 



  

 

  

 

  

 sf  

 

 

  

       

T



  

 

  

  

A

 

  

ev - ery

B



   

Solo Vln.

S

  Tpt. in Bb  Tbn.

     

  (Timp.)   

Perc. 1

Tuba

  

Tpt. in C

Perc. 2

  

Bs. Cl.

Tbn.

  

271

Glock.    p

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

272

156  

 Fl. 1  

Picc.

Ob. 1

Eng. Hn..

Cl. 1 in Bb



p

mf

p

Banjo

rit.  



p

p

  mf









 mp

 











mp





 p



pp

pp



mp

 p





pp

 

pp

 p

mp

pp

     





���





 







mf

 



pp

 

 





   pp

 



 

 To Sop. Sax.

p

 

 

gliss

.

lascia vib.













Solo Vln.



  







 

mf



Tbn.

Piano

mf

 Tpt. in Bb  

Perc. 2

 

Cl. 2 in Bb

Tuba

f

 Perc. 1   Perc. 2



Tpt. in C

Tbn.

Bsn. 1

Hn. 1 in F



Bs. Cl.

Cbsn.



 mf







 





 



 





 S 



 





 Vn. I 



Vn. II



Va.







A

T

B

Vc.

Cb.

rit.

Nick and Jordan meet among the dancers.

Harbison The Great Gatsby - Reduced Orchestration Act I, Scene 3

161 Grazioso

  Fl. 1    

Picc.

   

Ob. 1

h = 88

273

   

Eng. Hn..

   

Cl. 1 in Bb

  

Bs. Cl.

  

Bsn. 1

   

Cbsn.

   

Hn. 1 in F

 

Tpt. in C

   

Tbn.

   

Perc. 1

        

  Tpt. in Bb   

Sop. Sax.

Soprano Saxophone

 















p cup mute



p

Tbn.

   

Tuba

   

Perc. 2

Piano

Banjo

pp

         

   

p con eleganza

 

   

 

 

 

 

    

solo

Solo Vln.

   



 

 

p

 

 

 

     



  

Nick,

  

I thought you might

 

 

 

 





   