Thomas EOS (GODDESS OF THE DAWN) A BALLET FOR ORCHESTRA

Augusta Read Thomas

EOS Goddess of the Dawn (A Ballet for Orchestra)

From the G. Schirmer Rental Library Date of Printing________________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

EOS Goddess of the Dawn (A Ballet for Orchestra)

Commissioned by the Utah Symphony; Thierry Fischer, music director.

G. Schirmer, Inc. New York, NY

Dedicated with admiration and gratitude to Thierry Fischer and each member of the Utah Symphony

EOS Goddess of the Dawn (A Ballet for Orchestra) In honor of Pierre Boulez Piccolo 2 Flutes 2 Oboes 1 English Horn in F 2 Clarinets in Bb 1 Bass Clarinet in Bb 1 Bassoon 2 Horns in F 3 Trumpets in C 2 Trombones 4 Percussion (see below for exact instrumentation) Piano (doubling celesta) Harp Strings SCORE IS IN C DURATION: 16’ 30” The concert program should list the composition as: EOS (Goddess of the Dawn) a Ballet for Orchestra

I: DAWN -II: DAYBRIGHT AND FIREBRIGHT -III: SHIMMERING -IV: DREAMS AND MEMORIES-V: SPRING RAIN-VI: GOLDEN CHARIOT-VII: SUNLIGHT

Augusta Read Thomas (1964)

NOTES: There are only six dynamics used in this score ([n] pp, p, mp, mf, f, ff) so that each “level” of volume has a clear meaning and sound. Very often dynamics are staggered and layered; thus it is especially important that musicians play their individual dynamics and not to be swayed to change their dynamic if someone near them on stage is playing a great deal quieter or louder. The words “sempre” and “subito” are often used to help clarify the layered dynamic textures. Occasionally, where there are short instrumental soli, the term "molto rubato" is used and means that it is not necessary to mechanically play the exact rhythm (sextuplet, quintuplet, small triplet, etc.) but rather that one can consider those rhythms more gesturally. "Molto rubato" does not mean to drastically slow down the tempo. All bowings marked by the composer are suggestions and do not need to be followed. All string Pizzicati should be L.V. Molto unless otherwise specified. Col Legno Battuto means to play with the wood of the bow. Often a reminder is given, notated as “Col Legno Battuto (wood)”. When the dynamic becomes louder and for a color change, “Col Legno Battuto (½ Hair, ½ wood)” is notated. All bass harmonics sound one octave lower than written; all bass notes sound one octave lower than written. Some Bartok Pizzicati may be too high for certain string instruments. If so, the note should be played as a regular Pizzicati by those players. It is okay, for instance, if some basses play a Bartok Pizzicato and others play a regular Pizzicato. All harp harmonics sound one octave higher than written. All harp notes should be L.V. Molto unless otherwise specified. Bass Clarinet is notated at sounding pitch. (The individual partition is transposed up a major 9th.) Piano and Celesta need to be near one another and at 90 degree angles so both can be played at once. Rolled chords start on the beat. From measure 313 to 341, if the conductor wants to rehearse the two musical lines separately, please ask the orchestra to play only the music marked with soli with a bracket. Then ask the orchestra to play everything that is not marked soli with a bracket.

PERCUSSION DETAILS PERCUSSION I: Vibraphone (motor speeds are indicated in the score and part) (2 bows needed) 1 triangle (small) every attack is “L.V. Molto” for the entire composition. Claves very resonant Wood Block very small and with nice tone 2 Bongo Drums (fairly high in pitch, i.e.: tight skins) PERCUSSION II: Crotales (2 complete octaves) every note is “L.V. Molto” for the entire composition. (2 bows needed) Tubular Chimes Please use the most “in-tune” set of chimes possible. Tubular chimes and crotales should be near one another 3 resonant suspended finger cymbals (small, medium, large) (not tinny!) please seek a sonic “cousin” to the triangles’ sounds as well as the crotales’ sounds. Every attack is “L.V. Molto” for the entire composition. . Wood Block small and with nice tone 2 Conga Drums (Lower in pitch than the Bongos) PERCUSSION III: Glockenspiel every note is “L.V. Molto” for the entire composition. Xylophone Generally speaking do not play with hard mallets. Soft to medium mallets are always preferred. Claves very resonant 2 Triangle (small, very large) every attack is “L.V. Molto” for the entire composition. PERCUSSION IV: Marimba Generally speaking do not play with hard mallets. Soft to medium mallets are always preferred. 3 Triangles (small, medium, large) every attack is “L.V. Molto” for the entire composition. Medium suspended cymbal The score calls for six triangles in the percussion parts. Care should be given to insure that each has a slightly different “pitch and color” from one another, so that each of them has a unique contribution to the overall sonic palette and so they blend elegantly with the crotales, glockenspiel, and finger cymbals. Unless otherwise specified above or on the score, use most common beater or mallet

BALLET SCENARIO NARRATIVE AND DESCRIPTION I: DAWN -Eos opening the gates of heaven for the sun to rise. -Early morning birds in nature’s muse. duration 3’45” measures 1 - 59

II: DAYBRIGHT AND FIREBRIGHT -Eos' team of horses pull her chariot across the sky (which are named in the Odyssey as Daybright and Firebright.) duration 2’40” measures 60 - 122

III: SHIMMERING -Eos welcomes Aura (Titaness of the breeze and the fresh, cool air of early morning.) duration 1’25” measures 123 -153

IV: DREAMS AND MEMORIES -Eos summonses Hypnos (God of Sleep) and Mnemosyne (Titaness of memory and remembrance, and mother of the Nine Muses) to release all those who are asleep and dreaming so that they may wake. duration 3’15” measures 154 - 194

V: SPRING RAIN -Eos embraces Iris (goddess of the rainbow), and bids the Hyades to bring spring rain. (The Hyades were Nymphs associated with the constellation Hyades, and daughters of the Titan Atlas; popularly known as “the rainy ones,” they are a sisterhood of nymphs that bring rain, and their rising marked the start of the rainy months of spring.) duration 3’30” measures 195 - 312

VI: GOLDEN CHARIOT

-Eos applauds her brother Helios (personification of the sun) as he drives his chariot of horses across the sky. duration 1’ measures 313 - 341

VII: SUNLIGHT

-Eos greets Aether (the god of the upper atmosphere and light.) -Eos thanks her mother Theia (Titaness of sight and the shining light of the clear blue sky) and her father Hyperion (Titan of light) who are also the parents Eos’ siblings: Helios (sun) and Selene (moon.) duration 1’ measures 342 - 357

with admiration and gratitude to Thierry Fischer and each member of the Utah Symphony

EOS

Goddess of the Dawn (A Ballet for Orchestra) In honor of Pierre Boulez

Augusta Read Thomas

I. Dawn Eos opening the gates of heaven for the sun to rise Delicate, spacious q = 60

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*All string bowings marked by the composer are optional.

Score is in C

Copyright © 2015 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

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∑ ≥o œ J

wo

Œ

π ∑

Ó

tutte

‰

p

3

#œ

Ó

≤ ≥ ≤ œo œo œo

≥ ≤ ≥ ≈ œo œo œo

sul A

≤ œo n

∑

Ó

π

Œ

F

#œ

solo

(Celesta)

3

o

#œ ƒ

Œ

≤ œo œo œo œo œo œo

œ

w

Œ

Œ

solo

F

f

F

#œ

# >œœ

f >o œ

Œ

≥ œo œo œo œo œo œo œo œo

P

p

˙o

3

P sempre ∑

∑

To Piano

o

solo

#œ

Ó F espr. ∑

∑

En, As

∑

Solo 1° vibrato norm.

π

Œ

≥ ≥ # >œ >œ ..

P espr.

>≥œ . œ≤ œ J J F

œ.

wO P sempre

≤ wo

≥ ≤ ≥ ≤ œo ≈ œo œo œo ˙o .

sul A

˙o

&

∑

wO ∑

p

w

f

œO # # œO œO ˙O .. p sempre

˙o

œ

(non harm.)

5

# # œO œO œO œO œO π

3

Œ

‰

3

non vibrato (# œ ) 3

Œ

J p

P

soft mallets

Marimba

Ó

o

sul D

&

#œ π

˙ ˙

sul A

tutti (non harm.) vibrato norm.

Ó

&

‰ #œ Œ J F o œ ‰ J Œ

3 soli

Œ

bowed

∑

∑

ww w

j œ F

sim.

Ó

∑

∑

o

sul A

Va.

Œ

2

Tbn.

Hp.

Œ

π

P sempre 3

wo

œo .

o ‰ œ

sul D

n

∑

∑

œo œo œo 3

4 20

∑

&

Picc.

∑

∑

# -˙ π

Ó

˙. p

echo-like

1

∑

&

∑

∑

solo

∑

# >œ

F

Fl. 2

1

&

∑

∑

∑

∑

&

∑

∑

∑

∑

Ob. 2

Eng. Hn.

1

&

w ∑

& &

Cl. 2

w p

˙

Ó

w

Œ

≈ # œ œ œ >> P

solo

w

p

in background

∑

&

melt back into orchestral texture

∑

˙

w F

π

espr.

œ J ‰ π

Œ

Ó b -˙

Ó

œ bœ

˙ ƒ

∑

-œ .

‰

˙

p

n echo-like

Œ

˙

˙ ∑

Ó

∑

∑

∑

∑

Ó

∑

∑

-˙

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

1 Hn.

melt back into orchestral texture

˙.

majestic

2

1

∑

&

∑

∑

&

∑

∑

∑ > ‰ œ. F

solo

∑

Œ π

melt back into orchestral texture

˙

π

majestic

Tpt.

2

&

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

1

?

∑

∑

∑

∑

∑

∑

2

?

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

1

&

(Vib.)

œ #œ p

Œ

œ

Œ

mallets

bœ

P

Ped.

2

Perc.

3

&

(Crotales)

&

Glockenspiel

&

Marimba

4

ã

Pno.

Hp.

Vn. 1

Vn. 2

Va.

Vc.

Cb.

via sord.

∑

Ó

Œ

∑

Ó

Œ

∑

(3 Triangles)

‰

≈

‰

≈

mallets

∑ Ó

∑

Œ

‰

3

#œ œ f 3

#œ œ f

≈ œ

œ

f

3

Œ

œœ

∑ Œ

œ

& &

∑

∑

∑

&

∑

∑

∑

∑

œ≤ .

p

f espr.

& O # O O O .. œ# œ œ œ 3

& & ?

‰

œO

˙o . wo

œO œO œO œO

≥o œ

# œ≤ .

F

œ

Ó

∑

F

Œ

P

Œ

bowed

#œ p

P

molto rubato; not mechanical

‰

3 j #œ œ œ œ π

∑

Ó

œ.

f

‰

‰

wO

≥ >≥œœ >œœ≤ # >œœ # b˙˙ .. ˙.

Œ

Ó

Ó

Œ

Ó

Œ

2 Triangles

Œ

œ œ P

Ped.

Ó

Œ

#œ œ œ œ œ Ó

Œ

medium hard mallets

∑

≈ ≈ œ

# -˙

˙.

p

œ

œ

œ

6

œ

œ

P

An

œ

F # œœ

F

optional tacet

œ

f

‰

ã

Ó

Ó

# œœ

˙˙

œ P

œ œ P œ œ œœ

‰.

Ó

ƒ Ó

∑

œ p F

Œ

œ œ

Œ

Piano

> # n œœ

∑

bowed

∑

Œ

f

∑

∑

# œœ f Œ

molto rubato; not mechanical

p ∑

mallets

˙æ p

5

∑

˙˙˙ ...

f majestic 3

≥ ˙O

wO F

wo

œo J ‰ p π

Œ

Ó

wo wo

∑

&

π

melt back into orchestral texture

π

espr.

all bass harmonics sound one octave lower than written

∑

#œ

Œ

Œ

>œ nœ

Œ Œ

&

ƒ >œ

2 soli, div. (vibrato norm.)

wo

p sempre

Œ

(Piano)

#œ

Œ

f

bœ P

Ó

Ó

∑

& ‰

Œ

Ped.

Ó

∑

>≥˙

Ó

Ped.

∑

?

Œ

π

p

∑

solo

n echo-like

n echo-like

&

‰. # œ œ œ >>> P

-œ

œ

Bass Cl.

Ó

n echo-like

Ó

Ó

Œ

-œ

Œ

∑

π

echo-like

Ó

f espr.

3

3

melt back into orchestral texture

˙

P

n >˙ . œ #œ bœ

∑ j œ ‰ Œ π

Œ π

Œ

Ó

‰

π

∑

˙o

p

π Ó π

tutti, unis. non vibrato

# # œO n

œO ..

˙o .

Œ

Œ

˙O

˙O P espr.

∑

Ó

Œ

sul A

∑

Ó

Œ

sul D

Ó

Œ

œ

( )

œO

n

∑

wO

n

P ∑

≤ œo ≤ œo n

5 poco accel. 26

&

Picc.

˙

Ó π

P

b >œ œ

#œ œ nœ & ≈ œ # œ œ œ 3 3 f ƒ solo

1 Fl.

∑ >œ b œ >œ ..

n >œ > ≈ # œ . œ R ‰.

w P

Ó

f

œ

ƒ lyrical

> # œ n œ n >w ≈ # œ œ >œ # œ

Œ

ƒ dramatic

>˙ .

Œ

w

solo

Œ

ƒ espr.

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

2

&

1

&

2

Eng. Hn.

π

1

&

π

Cl.

-˙

Œ

w

π

œ

p

echo-like

Œ π

solo

# -œ . π

∑ >œ >œ >˙

w

f

Ó

˙ ∑

solo

‰.

Œ

Ob.

œ

‰

Ó

Œ ∑

∑

‰

solo

# -œ . P

˙

&

∑

∑

∑

∑

∑

Bass Cl.

&

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

1

?

∑

∑

∑

∑

∑

2

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

2

Hn.

Tpt.

Tbn.

1

Hp.

Vn. 1

Vn. 2

Va.

Vc.

Cb.

‰

œ Œ J p P

Œ

‰

(Ped.)

Œ

‰

bowed blend into texture

j œ Ó p F

œ

bowed

Œ

p

j œ Ó p F

F

2

&

∑

3

ã

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

Perc.

Pno.

bowed blend into texture

& &

ww

˙˙

w w

˙ ˙

Ó

bowed

Œ

&

∑

∑

∑

∑

&

∑

∑

∑

∑

& O w & &

˙O ..

˙o

≥o ˙

P ˙o .

œo ≥o œ

P

& ˙O &

Œ

˙O ∑

œo

π

‰

Œ π

Ó

π

œ

( )

b œO π

œO œO œO 3

œ

≥ ˙O π

( )

wO

p

≤ wo

sul D

π

Œ

Ó

o

≥o œ.

sul D

˙

π

∑

π ≤o w

∑

œO

F

œo . J p

≈

œO ....

≥o o o o >≥o œ œ œ œ œ

sul A

p

6

P

≥o o o o >≥o œ œ œ œ œ

p

F

∑

poco accel.

≥ ≤ 3 ≤ Oœ b œO œO œO œO ≈

œœ p

Ef

≥ ≤ 3 ≤ œO œO œO ˙O

œo . J p

∑

bowed

6

P

∑

˙o

≥ 3≥ œO œO œO .. >> F

Œ

F

≈

˙O

≥ ≥ 3 b œO œO œO .. >> F

˙O

>≥o >≥o o . œœ œ

˙o

F

3

˙o

˙o

π

Ó

∑

‰ b >œ J F

solo

6 œ & J ‰ Œ π

31 Picc.

1

Ó

& w &

1

&

∑ ˙

& w

Eng. Hn.

& Œ

1 Cl.

‰

Ó

& w p

j -œ ˙ π

solo

∑

Bass Cl.

&

∑

Bn.

?

∑

1

Πp

Tpt.

˙.

w ˙ F

Œ

Ó

Œ

b -œ π

U

# -œ π

˙.

˙.

U

∑

?

b w> P

&

∑

Ó

2

&

∑

Ó

3

&

∑

∑

?

∑

∑

1

&

2

&

3

ã

(Vib.)

(Ped.)

(Crotales)

∑

Ó

∑

bowed

∑

Ó

Œ Œ Œ

Pno.

Hp.

ã

Vn. 1

b -œ π

œ bœ Œ p Pp Fp F bowed

œœ p F

∑

∑

&

∑

∑

&

∑

∑

&

∑

&

Va.

a

?

bœ

∑

& &

∑

œ ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ƒ

solo con sord.

bw p

O

œ

espr.

∑

œ ƒ

∑

If you opt to play measures 57 & 58, switch to piccolo trumpet now.

œ

Œ π

Ó

f

‰ Œ

œo

∑

∑

∑

∑

∑

œ ƒ

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

ƒ

œ ƒ Œ

(Ped.)

Dampen crotales with fingers right on the downbeat.

p

œ

resonance should blend with the string "echo"

P

∑

∑

Ó.

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U

Ó.

Œ

Ó.

Œ

U

Bf, Fn

æ œO ƒ æ œO ƒ œo

Uo

œo

Uo

œ

˙. π sempre

sul D

˙.

π sempre

(all bass harmonics sound one octave lower than written)

p

π

n

via sord.

˙

∑

sul D

F

˙

∑

˙.

sempre

# -˙

∑

Uo

π

solo

Œ

æ ˙O .. f

∑ w p

melt back into orchestral texture

w P

echo-like

Ó

Ó.

U

sul D

∑

π

∑

Resonant q = 60

tremolo at tip

U

Ó.

o

Œ

wo

wo

wo

wo

( π )

( π )

?

?

b b wO π echo-like ≥ b˙ P

echo-like

œ

≥o . ˙

wo P

œo

wO P

œO

P

wO ≤ ˙

∑

wo

≥ b ˙˙ .. F

div.

espr.

≤ ˙

unis.

≥ ˙

3 soli

∑

π

≥o ˙.

Œ œo .

3 soli

≥o ˙.

sul D

&

j œ ‰ Œ π

melt back into silence

ã

æ wO p

æ # # wO π

trem. slow to fast – each player to have independent tremolo speeds

∑

∑

w

∑

Œ

æ ˙O .. f

wO œo .

w

∑

∑

U

U

wO

∑

œ

trem. slow to fast – each player to have independent tremolo speeds

div.

b

Cb.

Œ

q = 72

p

&

Vc.

Ó

∑

∑

Œ

U

f espr.

w P

∑

Œ

∑

Ó.

U

π

∑

π

∑

Ó.

∑

-˙

˙.

w

p

∑

U

U Ó.

solo

echo-like

gently swoosh on rim with wire brush; in background, elegant; your resonance is part of the following measure

&

wo

Ó

w

∑

Ó.

∑

∑

& wO p

˙.

∑

œ ƒ

U

œ

Œ

U

P

w F

∑

Ó.

Œ

Medium Sus. Cym.

p

Vn. 2

Ó.

optional tacet if note is too low for your instrument

∑

& wO

U

˙

echo-like

w P

∑

U

Perc.

4

˙.

˙

# -œ π

∑

Œ

U

# -œ π

solo

∑

Ó.

˙.

π

Œ

∑

œ ƒ

U

b -œ

senza sord.

-œ ‰ J π

solo

Ó

echo-like

œ

˙. F

˙.

-œ π

Œ

ƒ

œ ƒ

U

Ó

œ ƒ

b -˙ . π

U

∑

1

?

U U

solo

Ó

2

œ ƒ

U

∑

Tbn.

˙.

˙.

∑

œ

ƒ

U

Resonant q = 60

Œ

p

˙.

&

1

U

U

#w π

Hn. 2

Ó.

U

∑

&

U

b ˙.

Ó

w

&

2

ƒ

#w π ƒ

Ob. 2

w f

œ F

Fl. 2

q = 72

π Ó

π

∑

B

‰ Ó

?

∑

?

∑

7

Early morning birds in nature's muse 39

&

Picc.

Playful, colorful q = 66 ∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

Fl.

Ob.

1

&

Cl.

˙

melt back into orchestral texture

˙

P

œ

π

Œ

Ó

-˙

∑

solo

˙

π

p

echo-like

b -˙

˙

solo

2

∑

&

∑

∑

˙

π

˙

p

echo-like

˙ π

˙

Bass Cl.

?

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

1

?

∑

∑

∑

∑

∑

2

?

∑

∑

∑

∑

∑

π

Hn.

Tpt.

Tbn.

1

ã

Claves

&

(Crotales)

2 Perc.

∑ ∑

4

Hp.

Vn. 1

& #œ œ œ ‰ π 3

Œ

&

Marimba

Œ

œ

π

œœœ 3

∑

Œ

‰

œ J F

Œ

j œ P F

‰

œ J f

>œ œ R f F

‰.

Œ

∑

bowed

Ó

Œ

œ

f

∑

Ó ∑

> ≈ # œ œ ≈ Œ π p 3

Ó

Ó

Œ

solo like a bird call

œ> b >œ œ bœ œ ‰ J ® F P

# œ œ >œ ≈ Ó

∑

solo

p

P

3

Ó

Œ

>œ œ b œ bœ P

>œ

œ

3

F

3

‰

‰.

b œ œ >œ P F

Œ

#œ #œ. P

Ó

solo

Œ

Ó

Œ

‰

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

?

&

∑

∑

∑

∑

∑

∑

(DCsBflEfFGA)

Playful, colorful q = 66 ˙˙æ

π

non trem.

Vn. 2

Ó

solo like a bird call

resonant

solo; like a bird call

Pno.

∑

Xylophone

3

‰

& #O # w π

Ó

Ó

Œ

wO

‰

j @ n b Oœ π

Ó ∑

tremolo at tip

æ wO

O˙

p

# # O˙

Œ

O˙æ

p

π

(non trem.)

Ó

O˙

π

Ó

∑

O˙

#œ bœ nœ

F

3

>œ f

Œ

‰

3

Œ

Ó

≈ # O .. # œ .. π

∑

∑

Vc.

?

∑

∑

∑

∑

∑

Cb.

?

∑

∑

∑

∑

∑

π

> aœ œ

Ó

B

p

≈

∑

Va.

π

Ó

o ‰ b œJ f

solo like a bird call

∑

Œ

F

b Oœ

non trem.

π

b œ œ >œ F

8 44

& Ó

Picc.

1

& Ó

Œ

P

Fl. 2

1

R ‰. f

˙

P

p

like a bird call

∑

&

∑

∑

b >œ .

P

π

‰

Œ

>œ ≈ ≈ R ‰ f b >œ ≈ ≈ R ‰ 3

∑

3

solo

R ‰. f œ. R ‰. f

Œ

Ó

Œ

Ó

bœ

solo

f

b œ œ œ # >œ

f

ƒ

3

œ #œ

œ.

œ œ bœ bœ

3

3

Œ

π

b >œ R ‰. ƒ solo . b œ. œ

‰

Ó

Œ

‰ ƒ playful b >w

Ó b œ. ≈ A œ.

≈

∑

&

∑

&

∑

Bass Cl.

?

∑

∑

Bn.

?

∑

∑

∑

1

&

∑

∑

∑

∑

2

&

∑

∑

∑

∑

1

&

∑

∑

∑

∑

2

&

∑

∑

∑

∑

3

&

∑

∑

∑

∑

1

?

∑

∑

∑

∑

2

?

∑

∑

∑

∑

1 Cl. 2

œ

˙

∑

˙

P sempre ∑

-œ

œ. R ‰. f

Œ

∑

œ

R π

‰.

Ó

Ó

‰

ƒ

F

p

∑

b -œ . ≈ J π

≈

>œ œ. œ. ≈ A œ.

f

&

Eng. Hn.

∑

f

>œ

R ‰. f # œ.

b œ. R ‰. f

sempre

∑

& Ó

œ.

R ‰.

P sempre

w

solo like a bird call

œ

&

Ob. 2

≈

˙.

œ

J π œ. œ. œ. œ . ‰

>œ

solo like a bird call

-œ

∑

∑

˙ F

∑ ‰.

Œ

&

≈ ≈ # œ. r ≈ œ ≈ n œ. . b œ. b œ. p F

playful; blend with pizz.

Hn.

Tpt.

Tbn.

Vibraphone with rattan or triangle beaters or chopsticks for five measures like a bird call

1

œ.

(Claves)

ã

f

>œ Œ

Ó

ƒ

& Ó

3

& Œ

mallet

Œ œ F resonant

(Xylo.)

Perc.

4

> ≈ ≈ # œ œ ‰

≈ # œ œ solo

F

3

bœ J F

(Mar.)

& ‰

Œ

Ó

œ P

Hp.

?

Œ

∑

a Vn. 2

Vc.

Cb.

f

≈ b œ

& O ˙ P

π

B Ó

?

ƒ ∑

π

& O ˙ P

? Ó

3

>œ

π

div.

b

Va.

œ

& O˙ P

Vn. 1

>œ

f

Œ

O˙

π

tutti, unis.

b b O˙

π

∑

bœ bœ.

Œ

Œ ¤€ >œ ‰ J f

>œ . ≈ J f

≈ ≈

>œ >œ

Ó

PF

‰ J π

Oœ

J π

ã

>œ œ f

3

Af

j ≈ b O .. b œ π

Ow Ow Ow

Oœ

Œ ∑

O˙

P

≈ Œ

p

n

Œ

‰

Œ

‰ Œ

bœ

solo

f

>œ >œ ≈ # œ ƒ

3

Œ

∑

Ó

œ J P

œ P ‰

œ

œ

ƒ

f

œ J

F

¤€

‰

r ‰. b œœ.

r

r . ‰ b b Oœ

Oœ

Oœ

Oœ ‰ .

Ó

F

R ‰. F

Oœ

R ‰. F

Oœ

R ‰. F

b œ. ≈ A œ.

œ. ≈ A œ.

pedal each note separately

‰ f playful

≈

≈

F

Ped.

Œ

‰

Oœ Ó

‰

b œ. œ.

Œ a >œ >œ ≈ solo

f

&

Œ

œ J

f

bœ œ. F resonant

Œ

Ó

œ #œ

œ

œ œ >œ

F 3

f

∑

Ó b œ. ≈ ≈ ≈ œ b œR

Fs

>O œ R ‰. f

f

∑

‰.

‰

≈

>œ. ƒ

f

‰. ‰. ‰.

#œ nœ #œ

solo

ƒ

3

r b œ. ‰

‰. √ > #œ J ƒ

b b Oœ R F

‰.

b b Oœ R F

‰.

b b Oœ R F

‰.

b b Oœ R F b b Oœ R

F

3

‰

‰

nœ J

#œ J

(the low Af should be especially resonant)

b b O˙ > P

b œ. œ.

Solo 1°

‰ f playful

≈

b œ. ≈ A œ.

œ œ R

‰.

Œ

P

tutti pizz.

bœ > F playful

b b œœ J

‰

‰

œ J

‰

P

O˙ F ≈

F

ƒ

F

F pizz.

r bœ bœ P

playful

‰

b œœ J

>œ œ. >œ œ. ≈ A œ. ≈

O˙

‰.

bœ b œ ≈ R f

Ó

˙

(tutti – (non harm.) lower half of section)

‰.

‰

Cn

Œ

loco

> b b O˙

Œ

3

∑

bœ

‰.

œœœ

P F

bœ

Œ

>O œ R f > b b Oœ R f b >Oœ R

≈

∑

r b œœ ‰ . œ. Œ

≈

œ.

>œ œ .

p

F

Ó

solo

≈

Crotales

Œ

∑

R ‰.

Oœ

j œ p

Œ

R ‰.

P

f

≈ ≈ # # œœ ‰ R 3 F

Oœ

P

F 3

3 Sus. Finger Cym.

‰

R ‰.

P

≈

œ. ≈ R ‰

. b œ. b œ

Ped.

∑

Ó

Oœ

‰

Ped.

∑

Ó Œ

‰

f

∑

f

solo like a bird call

& & Œ

Œ ∑

Ó

& Ó

Pno.

œ

3

3 Triangles

ã

‰.

b >œ

Ped.

(Crotales)

2

&

>œ œ. œ. œ. R ç f

œ P

bœ bœ

nœ

œ.

œ

nœ.

# >œ ƒ # >œ ƒ

9 48

Œ F P b >œ >œ .. & R F sempre >œ >œ .. & R F sempre &

Picc.

1 Fl. 2

A >œ b œ solo

b >œ >œ .

≈ ˙

ƒ

≈ ≈

n >œ

œ #œ #œ

1

∑

2

&

∑

Eng. Hn.

&

∑

1

&

˙

3

P

œ

b >œ R ‰. ƒ sub.

2

&

‰

Bn.

?

Œ

≈ b œ œ # >œ ‰ . . œ. f ƒ

playful

∑

Bass Cl.

r ‰. œ. œ b œ. . f ƒ

blend with pizz.

playful

‰

≈

>œ œ. # œ. Ó

œ. ƒ

≈ b œ œr ‰ . . .

œ. ≈ b œ. ≈ Œ ƒ playful # >œ R ‰. Œ ƒ

Ó

P

Œ

>œ R ‰. ƒ

Ó

Œ

Ó

≈ r ‰ n œ.

œ. R ≈ ‰ F n œ. R ≈ ‰ F

‰ ‰

> b œ. b œ. ≈ œ Œ ƒ

solo

Œ

Ó

Œ

œ. R ≈ Œ f œ. R ≈ ‰ f

‰

nœ #œ #œ

solo

n >œ . R ‰ f

ƒ

3

>œ # >œ >œ # œ ≈ n œ. Œ

solo

>œ R ‰. ƒ >œ R ‰.

Ó

‰ # œ. œ.

‰

F

‰

ƒ

f

Œ

Ó

Œ

Ó

# œ.

solo

>œ

ƒ

∑

>œ . R ‰ f

∑

∑

blend with pizz.

f

playful

œ ≈ R ‰ . ƒ F

Ó

secco; blend with basses

3

f

b œ. ≈ œ. ≈ ≈ œ. ≈ Œ ƒ F

blend with pizz.

f

œ.

∑

≈

&

œ

# œ. ≈

>œ

Œ

blend with pizz.

Cl.

Œ

∑

blend with pizz.

blend with pizz.

Ob.

Ó

Πp

>˙ .

Œ

˙

&

n >œ

∑ # œ. R ≈ Œ f

œ. œ. ‰ # œ. ≈ œ. ≈ f

n œ. ≈

œ.

f

∑ ≈

‰

# >œ R ≈ Œ ƒ

Ó

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

2

&

∑

∑

∑

∑

1

&

∑

∑

∑

∑

2

&

∑

∑

∑

∑

3

&

∑

∑

∑

∑

1

?

∑

∑

∑

∑

2

?

∑

∑

∑

∑

Hn.

Tpt.

Tbn.

1

&

œ >œ œ

‰

œ

Ó

f çf

œ >œ œ œ .

‰

2

&

Perc. 3

4

& ã

b >œœ >œœ ..

Œ

f

≈

(3 Triangles)

b >œœ >œœ .... & R f & Œ

ƒ

≈

n >œ

œ #œ #œ

p

# œœ ..

nœ #œ ‰

P

nœ J

œ # œ >œ

solo

&

?

a Vn. 1 b

&

Œ

‰

‰.

Va.

B

R F

Vc.

?

‰

?

‰

≈

ƒ

Cs

≈

œ J f

O˙

P

b >œ

‰

nœ #œ f

3

>œ ƒ

playful

j œ. > ƒ

>0 ≈ œ ƒ Ó

≈

f

3

b wO

nœ f

# >œ .

#œ

ƒ

p

P

r œ b >œ ƒ playful

divide 3 notes among players if you prefer to do so

Œ

O˙

pizz.

b >Oœ >Oœ ....

r #œ. bœ œ > f ƒ

‰.

pizz.

tutti unis.

&

Fn

3

œ œ bœ > div. ƒ playful b >O >O .. & b œ œ .. R F

Vn. 2

Cb.

∑ f ƒ blend with basses secco . n >œ ‰ n œ. # œ Ó

En

#œ. nœ > f ƒ

bœ nœ

aœ

n # >œœ ..

div.

œ f

bœ

Œ

pizz.

nœ. ≈ J ƒ

ƒ

&

n >œ . ƒ

ƒ

Œ

>œ #œ œ œ 3

To Celesta

Ó

bœ

œ

#œ

㠜 P

œœ f

Œ

&

&

#œ

nœ #œ

#œ

œ ‰

Œ

Ó ∑

œ J

nœ

#œ

&

Œ

solo

ƒ œ J

‰

>œ >œ ≈ R 3

‰

œ J f

#œ

Œ

#œ œ œ > ƒ f

‰

>œ œ œ

Œ

‰

ƒ

Ó

∑

˙

r

b Oœ ≈ ‰ f

œ ‰ R f

j nœ F

Œ

#œ F

œ

Oœ

‰

Œ #œ nœ

solo

œ

œ J ƒ

Medium Sus. Finger Cym.

ã

œ F

&

bœ œ

f > n >œ b œ n >œ

nœ

>œ ƒ

∑ Œ

Ó

∑ ∑

nœ

œ

r

Oœ ≈ Œ nœ

œ

n >œ

Oœ ≈ ‰

Oœ ≈ Œ

∑

j œ f

‰

Df, Cn, Gf

œ œ.

R

çf

F

œ

≈ œJ .

‰.

f

f

>œ

Œ

∑

#œ

F

>œ

Ó

ƒ

#œ J F

œ

‰

œ #œ bœ bœ œ bœ œ ƒ f

Celesta

arco

œ

Ó

Œ

‰

œ

solo

Œ

Oœ unis.

œ

Œ

Marimba

An

∑

nœ

f

Claves

Œ

Ó

ƒ

œ

j œ œ P F

∑

quieter than basses

Hp.

F

f

n >œ n œ. # œ. Ó 3

# >œ

w

secco

‰

?

Ó

Ó ˙˙

(loco)

œ F

Œ

3

∑

loco

Pno. /Cel.

A >œ b œ

solo

œ

fçf

Ped.

∑

œ

ƒ R

œ

‰

# >œ J

Œ

Ó

b Oœ ≈ Oœ ≈ Œ

Ó

# >œ J

Œ

Ó

>O œ ≈ Œ R ƒ

Ó

f

‰ ‰

arco

ƒ

> ƒ

ƒ

Oœ ≈ >Oœ ≈ Œ

f

Ó

ƒ

∑

?

10 >œ R ≈ ‰ ƒ

52

& ‰

Picc.

>œ >œ F

‰ # œ. œ.

>œ R ≈ Œ f

blend with pizz.

1

& Ó

f

Fl. 2

& œ. >œ œ.

solo

& Œ

ƒ

Ob. 2

ƒ

≈

∑

& . œ œ ‰. œ. . R F f

& ‰

# œ. R

‰.

‰ ‰

# œ. R

‰.

1

& Œ

2

&

∑

Bass Cl.

&

∑

Bn.

?

1

f

n œ ≈ ≈ œ

blend with pizz.

Œ

f

Ó optional bell up

Œ

n œ ≈ ≈ œ

blend with pizz.

f

-˙

Ó

π ∑

œ. ≈ œ. ≈ Ó f

œ ≈ ≈ œ

blend with pizz.

Œ

Œ

Ó

blend with pizz.

Cl.

>œ J ƒ # >œ J ƒ >œ J ƒ

‰

Œ

# œ. >œ # œ >œ # œ. ≈ ≈ ≈ ≈ ƒ f ƒ

blend with pizz.

Eng. Hn.

# œ. ≈

# œ.

∑ optional bell up

1

‰

Œ

Ó

>œ R ‰. ƒ

Œ

Ó

Œ

Ó

-˙

Œ

f

π

f

Ó # œ. R ‰. f

. . # œ. # œ # œ # œ. ‰ ƒ

blend with pizz.

‰

solo

>œ n >œ R ≈ R ‰ . ƒ

œ bœ œ

ƒ

3

∑

∑

‰

Œ

Ó

optional bell up solo

π

∑

∑

f

b -˙

Ó

>œ R ‰. ƒ n >œ R ‰. ƒ

‰

∑

. # œ. œ. n œ. b œ. b œ œ. œ. ≈ ≈ n >œ ‰ . ç ƒ

>œ >œ R ≈ R ‰ . ƒ

blend with pizz.

Ó ∑ . n œ. b œ. b œ

# œ. R f

ƒ

≈ ≈

œ. œ. n >œ œ. # œ.

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

2

&

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

‰

Œ

Hn.

Tpt.

st. metal mute blend with pizz.

. œ. . œ œ. ≈ œ ≈ # œ ‰ œ. . F P

2

& ‰

3

&

∑

∑

∑

∑

1

?

∑

∑

∑

∑

2

?

∑

∑

∑

∑

Tbn.

Œ

switch to cup mute

Vibraphone

≈ >œ œ

(Claves)

1

ã

2

& Œ

œ

f

Crotales

Perc. 3

&

Pno. /Cel.

Hp.

Vn. 1

® #œ œ f

(Xylo.)

>œ J

& ‰

‰

f

&

(Celesta)

& ‰

‰.

œ # >œ ƒ

Œ

>œ J

œ œ

œ

#œ

ƒ #œ œ.

?

unis. pizz.

J

ƒ

& ‰. & ‰

pizz.

j œ f

Œ

®

#œ

# >œ

pizz. sul D

Vc.

? ‰

œo J ƒ

0 nœ œ R f

#œ

#œ

œ

#œ

#œ

ƒ

Cb.

?

ƒ

Œ

Ó ∑

#œ

bœ ƒ

œ. ≈ J ƒ

3

œ b >œ b œ œ œ # œ œ

f

Ó

o

œ

playful

f

solo

solo

0 nœ œ R f

playful

Va.

>œ

∑

& ‰.

# œ >œ n œ # œ œ # œ >œ #œ

solo

∑

&

&

‰ #œ #œ

Œ

œ.

œ

F

# >œ J # >œ

#œ #œ #œ

3

‰.

ƒ >œ

‰.

ƒ

Œ

To Piano

Œ

nœ nœ.

aœ

Aœ

bœ nœ.

œ

‰.

Ó

Œ

Œ ∑

Œ

Œ

Œ

Œ

Œ

Œ

œ f

œ

Piano

o nœ ƒ

.

‰. nœ

ƒ

nœ

ƒ

>œ

ƒ

∑

∑

f

ord. mallets

Ó

® ‰

playful

Vn. 2

>œ R ƒ

∑

(Mar.)

4

Œ

œ

pedal each note separately blend with pizz.

œ R

‰ n >œœ

# >œ J f

solo

Œ

Ó

Œ

Ó

‰

# >œ J

ƒ

œ

n >œœ

f

ƒ

nœ R ƒ

>œ n >œ

œ

F

>œ Œ R f

‰.

Ó

Œ

œ

F

Ó

≈

b œ >œ 3

≈ Œ

˙

ƒ ∑

3 Triangles

ã

Ó

‰

Ó

#œ J

>œ bœ R ≈ n œ ‰ ƒ 3

f ∑

œ J F ‰

‰ # œ # >œ f ƒ

solo

Gn

‰. ∑

Œ

Ó

Œ

Ó ∑

&

> #œ #œ. f ƒ

#œ F

solo

Œ

œ

∑

solo

>˙˙

f

Claves

ã

Ó

Œ

‰

∑

#œ ƒ

bœ ƒ

#œ ƒ

#œ

F

‰

>œ J

‰

n >œ J

#œ ‰

>œ J

#œ

œ. ≈ J F #œ.

F

∑

∑

∑

∑

∑

∑

f

n >œ

ƒ

>œ

ƒ

n >œ

ƒ

œ J f

&

‰

œ bœ œ

solo

ƒ

3

11 56

∑

&

Picc.

1 Fl. 2

1

&

˙

Ó ˙

n >œ & R ‰. ƒ

optional bell up

& Ó

‰

2

&

∑

Eng. Hn.

&

∑

>œ œ # œ. œ. . . bœ nœ

ƒ

b œ. n œ. ≈ ≈ œ. R ‰. f ƒ

∑

&

Cl.

optional bell up

Ó

∑ ∑

Œ

# >œ R ‰. ƒ n >œ R ‰. ƒ

# >œ œ. . . . n >œ b œ n œ œ b œ. ≈ Ó

solo

>œ R ‰. ƒ

# œ.

Ó

p # œ.

blend with pizz.

Ó P

b œ. R ‰.

b œ. R ‰. f

Ó

Ob.

1

˙ blend with pizz.

Œ

b œ. ‰ . R f

blend with pizz.

Œ

Œ

Ó

Œ

Ó

œ.

œ.

œ.

œ.

œ

# >œ ‰ . R ƒ

œ

Ó

3

‰

j # >œ ƒ

solo

w F

∑

blend with pizz.

&

∑

∑

Bass Cl.

&

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

1

&

∑

∑

2

&

∑

∑

2

Œ

Ó

Ó

Œ

∑

‰

senza sord.

Hn.

Tpt.

You may opt either to play or not to play the next 2 measures. If you opt to play them, please use a smaller trumpet of your choice. The notes here are notated as concert pitches.

∑

Ó

∑

&

∑

∑

∑

∑

3

&

∑

∑

∑

∑

1

?

∑

∑

2

?

∑

∑ œ

& Ó

œ œ

f

≈

Ped.

2

>œ œ çf ã

‰

3

& ‰

# œ >œ Œ f

& Œ

ƒ œ. œ. >œ œ .

3

≈

f

f

ç f

‰

Œ

solo

3

Marimba

4

œ >œ n œœ

solo

œ J P

>œ ƒ

œ J

‰

&

∑

&

∑

∑

&

>œ

Œ

?

& &

‰ ∑

n >œ >œ

Œ

Ó

Œ

Ó ∑

b œœ J ƒ

‰ œ J

œ

≈ >œ

œ

f

ƒ

Bn

Ó

bœ f

bœ f

bœ

Dn, As

≈ (Piano)

∑

nœ.

bœ

‰.

bœ

nœ.

Va.

&

Vc.

?

∑

∑

Cb.

?

∑

∑

f

nœ f

œ

bœ

#œ œn œ R

div.

œ nœ

>œ œ. œ ≈ b œ J R ƒ f œ

f

œ b n œœ #œ

≈

Œ

bœ

> ≈ # œ œ

ƒ

‰

# >œ R ≈ ç

∑

&

ƒ

√ #œ b œœ # n œœ

ƒ œœ nœ # ≈ œ n œ

loco

>œ n œœ ƒ ‰

n >œ ƒ

n >œ

∑ Very Small Wood Block

pedal each diad separately

œ # œœ ≈ œ ƒ

blend with pizz.

Œ

f

secco

∑

∑

>œ # >œ b >œ >œ

∑

∑

Œ

solo

‰

Ó

Small Wood Block

∑

&

Ó

Perc.

Vn. 2

∑

2

1

Vn. 1

Œ

w F

&

Vibraphone

Hp.

n >œ R ‰. ƒ

j #œ > ƒ

solo

1

Tbn.

Pno.

∑ . n œ. ≈ ≈ n œ. b œ R ‰. f ƒ

# œ. R ‰.

# œ. R ‰. f

blend with pizz.

œ

∑

Œ

>œ R ‰. ƒ

œ

∑

∑

ƒ

œ

p

Ó

>œ b œ. >œ n œ. . œ. bœ b œ. ≈

œ

∑

Œ

solo

œ 3

∑ blend with pizz.

œ

ƒ nœ J

‰

Œ

ã Ó

œ œ

œ. œ.

P

f

P

œ œœ J

f œ bœ J

‰

Œ

œ # œœ œ œ œ œ

œ œ œ œ œ œ œ œ œ ≈

œ .. œœ .

œ œ œ œ œ œœ œ

p œœ

# >œ ƒ

œ

œ

ƒ

œ

f

œ

f

∑ #œ œ œ œ œ œ œ œ œ

œ 3

Œ

∑

œ f

?

∑

Cs, Ef, An

∑

Ó

Ó

?

# ˙≤

arco vibrato norm.

p

# ˙≤

dramatic crescendo

unis.

ƒ

œ 3

Œ

Ó

Œ

π

#œ œ œ œ œ œ œ œ œ

Ó

œ #œ

#œ œ œ œ œ œ œ œ

3

œœ p

œ 3

p

œœ ..

P b n œœ ..

‰

œ œ p

&

f

œœ

‰

Crotales

œ

F

use same mallet you used for vibraphone

Œ

Ó

Ó

arco vibrato norm.

p

dramatic crescendo

Œ

Ó

Ó

Œ ∑

∑ arco vibrato norm.

‰

≥ # >œ J ƒ

B

˙≤

˙

F ∑

12

II. Daybright and Firebright Capricious and energized # >œ & R ‰. ƒ # >œ & R ‰. ƒ

60 Picc.

1 Fl.

Like a chase

q = 96–100

Œ

Ó

∑

∑

∑

∑

∑

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

&

∑

∑

playful; answering bassoon

1

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

Eng. Hn.

& ˙

ƒ

Ó

∑

espr.

∑

Ó

r r ‰. œ ‰. . œ. ƒ F

playful; answering bassoon

1

&

∑

∑

2

&

∑

∑

∑

∑

&

∑

∑

∑

∑

# œ. œ. œ. ≈ Œ ƒ playful

like asking a question

Cl.

Bass Cl.

∑

Œ

. œ. . . b œ. . b œ œ. ‰ # œ œ bœ R ‰. P F like asking another question

r ‰. bœ f

blend with pizz.

∑

∑

Ó

∑ >œ b œ. n œ. b œ.

. > > > œ. œ. n œ b œ. b œ. n œ. b œ. . b œ ≈ ≈ œ œR nœ ‰. f ƒ ƒ

Ó

∑

∑

∑

∑

∑

espr.

∑

∑

∑

∑

∑

∑

Ó

solo

Œ

solo

Ó

like answering the question

Œ

solo

ƒF

&

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

1

?

∑

∑

∑

∑

∑

∑

2

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

& 2 Perc.

Very Small Triangle

>œ

Œ

ã

Ó

ƒ resonant

∑

2 Bongos

# >œ

∑

Ó

œ P

œ

F

3

&

Ó

>œ

3 Sus. Finger Cym.

Œ ƒ resonant

Ó

Œ

Ó

ƒ

∑

∑

∑

∑

&

&

your volume should be in balance with the piano, not quieter than the piano

∑

(√) # >w

∑ solo secco; pitter-patter

Œ Ó œ œ bœ F f playful; answering bassoon solo secco; pitter-patter

?

∑ F f. playful; answering bassoon œ. œ. b œ ≈ Œ Ó

∑

&

∑

∑

∑

∑

(DCsBlEfFGA)

?

Capricious and energized Like a chase

œ cut off right on downbeat Ó & RÔ ® ‰ . Œ ç œ cut off right on downbeat Ó & RÔ ® ‰ . Œ ç arco vibrato norm.

≤ B #˙ π ? ?

˙

∑

bœ ‰ J Œ f

∑

ƒ

Ó

≈

bœ œ nœ bœ F P

nœ F

P. F b œ. œ n œ. b œ. ≈ R

Œ F n œ. ‰. R ‰.

Ó

Œ

Ó

Ó

∑

ƒ

∑

Ó

∑

∑

Ó

∑

∑

Ó

Ó

Œ

∑

œ F

∑

Œ

œ#œ bœ bœ œ bœ œ P f

Œ

r œ. ‰ . f Œ

∑

Ó

∑

Œ

≈ r ‰ . œ. œ. # œ. n œ. P. f F b œ. b œ œ. b œ. Ó

∑

∑ ∑ ‰ b œj ƒ

Œ

‰

j œ ƒ

Œ

Œ

‰

j œ ƒ

Œ

Œ

Ó

‰

œ J ƒ

Œ

Œ

bœ

Ó

‰

œ J ƒ

Œ

Œ

bœ ƒ

Ó

‰

œ J ƒ

Œ

Œ

œ f

œ ƒ

∑

œ f

œ ƒ

∑

Ó

Œ

œ f

œ f

œ ƒ

∑

Ó

Œ

œ f

œ f

œ

ƒ

∑

Œ

∑

Œ

∑

Œ

Bf, Ff

∑

∑ ∑

Œ ∑

bœ

q = 96–100 ∑

Ó

pizz.

∑

Ó

pizz.

∑

Ó

pizz.

playful; answering bassoon

playful; answering bassoon

œ

playful; answering bassoon

∑

Ó

pizz.

œ

f

ƒ

œ

Œ

playful; answering bassoon

espr.

∑

œ F

œ f

blend with pizz. for attack and decay for this entire section until m. 96

espr.

Ó

bœ ‰ J Œ f resonant ‰ œ Œ J f resonant

(Marimba)

4

Ó

playful; answering bassoon

Œ

ƒ resonant

# >œ

‰ œ Œ J f resonant

secco; pitter-patter slightly in background

(Xylo.)

Cb.

playful; answering bassoon

∑

ƒ

(Crotales)

Vc.

∑

1

ã

Va.

≈ Œ

&

1

Vn. 2

œ#œ b œ. b œ. œ. b œ. œ. . . P ƒ

2

ã

Vn. 1

bell ord.

& ˙

Tbn.

Hp.

Œ

1 Hn.

Pno.

∑

. . b œ. b œ œ. b œ. œR ‰ . P ƒ

solo

? Ó

Bn.

Tpt.

Ó

r r ‰. œ ‰. . œ. ƒ F

2

∑

Ó

(unis., pizz.)

&

f

playful; answering bassoon

bœ ƒ ƒ

bœ ƒ bœ ƒ bœ ƒ

bœ ƒ

bœ

ƒ

13 66

&

∑

∑

1

&

∑

∑

2

& Ó

Œ

1

&

∑

&

∑

Picc.

Fl.

‰

j œ f

j œ Œ

blend with pizz.

‰

∑

Œ

Ó

Œ

œ ƒ

Eng. Hn.

& ‰ œ œ. # œ. œ. b œ n œ b œ œ œ ≈ > . . > . b œ. n œ. œ. b œ. > ƒf ƒ playful

≈ œ œ ≈ Œ . > fƒ

Œ

œ ≈ ≈ b œ Ó

> ‰ . b >œ œR ‰ . R ƒ

∑

solo

Œ

bell ord.

Ob. 2

Ó

Œ

∑ r œ ≈ > ç

‰

∑

solo

∑ œ. ≈ œ. œ œ. ≈ œ. œ. Ó > f çƒ

playful and punchy

∑

∑

∑

∑ j œ Œ > f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

Ó

Œ

Bass Cl.

&

∑

∑

∑

∑

Œ

Bn.

?

∑

≈ œ. ≈ œ œ ‰ Œ . bœ > . F f

1

&

∑

2

&

∑

&

∑

∑

Ó

2

&

∑

∑

Ó

3

&

∑

∑

Ó

‰ . œr bœ. > bœ œ ƒ

Œ

solo with concertmaster

Œ

Hn.

F

∑

‰

∑ Ó

Œ

>œ J f

+r

‰

Œ

≈ Ó œ. b œ >œ . f ƒ

1

Œ

‰

r œ ≈ > ç

∑

Tpt.

1

?

Ó

‰ . b >œ R ƒ

Œ

st. metal mute

∑

Œ

>œ . R‰

‰ œ. œ œ. ≈ ≈ œ. > fƒf

2

?

ã

(2 Bongos)

2

&

(Crotales)

3

&

1

playful and punchy

∑

∑

∑

4

Vn. 1

Vn. 2

Va.

Vc.

Cb.

‰

solo

Ó

Œ

r œ ≈ > ç

∑

≈

Œ

Œ

Ó ∑

>œ R ‰. f

≈ œ. ≈ œ œ ‰ Œ . bœ > . F f

Ó

∑

∑

∑

Œ

∑

∑

Œ

∑

∑

œ.

Œ

Ó

solo

≈ ≈ ≈ ‰ r ≈ b >œ œ n œ. # œ # œ. œ. > ƒ ∑

solo

œ. ≈ œ. f

œ. œ. œ. ƒ

≈ Œ

Ó

∑

∑

∑

∑

∑

∑

∑

&

∑

œ ƒ resonant

∑

∑

Œ

?

∑

∑

Ó

& Ó

Œ

?

& Ó & Ó B Ó ? Ó &

(DCsBflEfFfGA)

∑

Œ Œ Œ Œ ∑

‰

j œ ƒ

‰

j œ ƒ

‰

œ J ƒ

‰

‰

&

‰

j œ ƒ

‰

‰

Œ

œ. bœ

ƒ

Œ

‰

tutti pizz.

j œ Œ

Œ

Œ

Œ

j œ Œ

Œ ∑

f

œ ƒ

œ. bœ

ƒ

‰. bœ R ƒ

Œ

œ œ b œ n œ b œ >œ œ f ƒ

ƒ

œ. œ. R ≈ R ‰ . F

Œ

>œ œ.

ƒ

œ.

bœ Œ

ƒ

bœ Œ

œ

œ.

bœ Œ

œ

œ.

bœ

Ó Ó

œ f

œœœ > çf

œ

Œ

œœ

Œ Œ

Œ

œ. ≈ œ. œ œ. ≈ œ. œ. Œ > çƒ ∑

j ‰ nœ >

Œ

0 j ‰ nœ >

Œ

‰ ‰ ‰

‰.

‰

œŒ R

Ó

Œ

>œ0 J

Œ

oj

sul A

œ > ƒ

‰

j œ Œ

Ó Ó

‰

0 j œ Œ

Œ

Ó

œ

œ ≈ œ. b œ > . f ƒ

‰ œ. œ œ. ≈ œ. ≈ Œ > ç

‰

Ó

j œœ >

Ó

non div.

‰

j œœ >

‰

‰

‰

œ J

œ>œ ‰ J

non div.

non div.

oj

sul A

Œ

‰

Œ

>o œ ‰ J ƒ

œ > ƒ

Œ

∑

j œ >

j œ Œ Œ

œœœ > çf

‰ œœœ > çf

0

0

œ

Œ ∑

œ œbœ > f ƒ

∑

j œ >

sul D

>o œ ‰ J ƒ

play A as either a harmonic or a regular note

Œ

œ œ J

Ó

playful and punchy

œ. œ b œ. n œ. b œ . . f ƒ

&

‰

∑

∑

playful and punchy

ƒ

œ.

Œ

playful and punchy

∑

Solo 1° arco

∑

∑

>œ ≈ ≈ b >œ œ

œ

œŒ R

Ó

b >œ œ

∑

r j bœ. œ ‰. œ > bœ œ ƒ

œ J

>œ .

Œ

&

j ‰ j Œ œ œ ƒ sempre

‰.

œ Ó

∑

∑

‰

∑

F sempre playful and punchy

Perc.

Hp.

Œ

r Œ œ œ œ ‰. > . . f playful and punchy

solo

r . œ ‰ > f

r ≈ œ. ƒ

solo

playful and punchy

Tbn.

Pno.

Œ

‰

r ≈ b >œ f

∑

solo

Ó

playful and punchy cup mute

Œ

playful and punchy

œ ≈ > ç

‰

blend with pizz.

‰

playful and punchy

∑

∑

solo

Œ

∑

∑

playful and punchy (senza sord.)

‰

j œ >

optional bell up

Ó

&

blend with pizz.

‰

∑

1 Cl.

Œ

∑

‰ œ. œ œ. ≈ œ. ≈ Ó > fçf

playful and punchy

Ó

Ó

∑

Œ

ã

‰

œœ f bœ

œ > ƒ sempre

œ œ ≈ bœ f

r ‰. ‰ œ > ƒ sempre

‰

bœ

P.D.L.T.

‰

j bœ F

j bœ F

œ

j bœ F

œ

j œ œ.

Œ

‰

∑

Œ

Ó ∑

Œ

Solo 1° arco

‰.

Œ

Ó

Œ

Ó

Œ

Ó

sempre

Ó

Œ

j ‰ bœ F

œ

sempre

Ó

Œ

‰

j bœ F

œ

sempre

∑

œ œ bœ > > œ

r ≈ ≈ ≈ œ b œ ≈ œ. œ. . >œ > œ.

sempre

Ó

œ.

∑

∑

Œ

œ

∑

r œ. œ b œ ≈ > > œ. f ƒ

14 72

&

∑

1

&

∑

2

&

∑

1

&

∑

2

&

∑

Picc.

∑ œ. >œ œ. ≈ Œ f ƒ

Fl.

∑

≈ # œr ‰ . f

Eng. Hn.

1

& œ. œ. ‰ & Œ

Cl. 2

∑

∑

∑

œ ‰. œ. > f

‰

&

r # œ. Œ F

‰.

∑

Ó

Œ

Bn.

?

∑

Ó

‰

1

&

∑

‰.

2

&

∑

1

& Œ

2

&

∑

3

&

∑

Hn.

Tpt.

1 Tbn. 2

1

? ‰

solo

>œ b >œ b œ R ‰. F

œ Œ

(2 Bongos)

‰

œ

F

2 Congas

Œ

Ó secco; pitter-patter slightly in background

œ R Ó F

‰.

ã

3

& Ó

4

& ‰

œ bœ bœ > >

& ‰

œ bœ bœ > >

(Xylo.)

‰.

(Marimba)

Pno.

&

Hp.

Vn. 1

Vn. 2

Va.

&

?

& & B

rŒ #œ F

œ Ó œ >

≈

œ ‰. œ. > ∑

Gs

≈ œ. ‰ R ƒ solo

&

∑

j œ f

Œ

Œ

‰

Ó

Œ

> œ #œ ‰ ƒ

Œ

+

r # œ ‰. > ß

. ‰ # œj œR ‰ . ƒ ∑

∑

∑ ‰

+

Ó

Œ

∑

Ó

r ‰. œ > ß

∑

∑

∑ Ó

Ó

∑ Ó

Œ

L

œ œ #œ ‰ œ > f ƒ

‰

b œ. b œ

solo

ƒ

∑ > ≈ b œ œ ≈ b œ. œ. ‰ ç f

n˙

F

∑

∑

∑

∑

∑

∑

Œ

≈ œj . F

Ó

≈

Œ

œ R Ó

œ >œ # œ > ƒ

≈ œ # œ >œ bœ > f ƒ

aœ f bœ nœaœ

Ó ∑

‰

Œ

(pizz.)

Œ

(pizz.)

Œ

(pizz.)

#œ F #œ F #œ

F #œ F

j ≈ j œ. #œ F sempre

Ó

Œ

≈ œj .

aœ. >

œ

‰

#œ œ

∑

‰.

rÓ #œ f

Œ

‰

j œ #œ f

‰

j # œ ≈ œJ . F sempre

#œ

aœ. n œ. >

œ

‰ # œ œ ‰.

#œ ‰ R f

œ œ #œ nœ. > ƒ

Ó

‰.

‰

r . # œ. ≈ ≈ œR ‰ F sempre

# œ. ‰ . R

a œ ≈ ≈ œ. n >œ

‰ # œ œ. ‰ . .

# œ. ‰ R f

œ œ #œ ‰ n >œ ƒ

Ó

œ. ≈ ≈ œ. ‰ f

j #œ f

P.D.L.T.

‰

j #œ

‰

j #œ

‰

#œ J

‰

j #œ

Ó

∑

Œ

Œ

∑

∑

œ f

∑

Œ

≥ ≤ ‰ #œ œ Œ ƒ

‰ # œj œ f ƒ ∑

Œ

œ

Œ

œ

Œ

ord.

near frog

Œ

Œ

œ f

≥ ≤ ‰ #œ œ Œ ƒ

Ó

Ó

pizz.

Ó

Ó

pizz.

Ó

Ó

pizz.

F

near frog

Œ Œ Œ

arco

Œ

œ f œ

Œ

f

Œ Œ

œ f (pizz.)

œ

f

arco

‰

# ≥œ œ≤

near frog

ƒ

Œ

∑ ∑

F

œ

F

Solo 1° arco

˙≤

π Œ

f ‰

#œ J f

‰. Ó

bœ œ

œ Œ R ƒ

∑

∑

arco

bœ œ f

∑

∑

#œ

‰

(cup mute)

‰

‰

Œ

Ó

Œ

Ó

∑

r n œ. >œ œ. ≈ ≈ œ # œ >œ b œ ≈ b œ n œ a œ. ‰ . > . . . f ƒ f ∑

Ó

œ œ

Œ

Ó

Œ

∑

∑

∑

Cb.

≈ # œ œ œ f

Œ

∑

∑

tutti, pizz.

∑

Œ

Œ

∑

∑

&

œ. # œ. n œ ≈ b œ œ ‰ ƒ .

∑

∑

Vc.

optional bell up solo

> œ. ≈ # œ ≈ n œ # œ ≈ # œ œ ≈ # œ ‰ . R R œ. # œ. . œ > > ƒ ç f ƒ f ƒ

œ. ≈ ≈ œ. Œ ƒ f

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰.

Ó

∑

# >œ ‰ . R ç

œ. ≈ ≈ œ. Œ ƒ f

Ó

# œ. Ó R

∑

optional bell up solo

j #œ

‰

∑

∑

≈ œJ .

Œ

r # œ. Œ F

∑

∑

n œ >œ œ f

j #œ ‰ F b œ. œ. # œ. R ‰. f

blend with pizz.

Ó

Ó

∑

2 Perc.

≈ œ # œ b >œ > f ƒ

Ó

?

ã

Œ

‰ # œ œ. ‰ . . f

∑

∑

r r ‰. # œ. œ. ƒ

∑

playful and punchy

&

solo

∑

∑

Bass Cl.

≈ # œr ‰ . f

Œ

∑

n œ. œ. œ. ≈ ≈ œ # œ b >œ > ƒ f ƒ

∑

∑

≈ œ # œ >œ r ‰ . b œ. > ƒ f

Œ

Ob.

(solo)

Ó

∑

Œ ≥. œ Œ R ƒ

b œ. œ.

15 77

∑

&

Picc.

1

& Ó

∑ Œ

‰

Fl. 2

&

∑

1

&

∑

2

& Ó

Ob.

Eng. Hn.

ƒ

œ. œ b œ ≈ Œ . . f

Ó

Ó

‰ >œ œ b œ. n œ. œ >œ . . f ƒ

> r œ bœ ‰ œ. # œ. œ b œ. J . ƒ playful and punchy

2

& Ó

≈

∑

optional bell up solo

œ >œ œ. # œ. œ. œ. > ‰ Œ ƒ capricious and energized

≈ ≈ ‰ n œ. # œ. œr . f

Ó

Ó

r ‰ b œ. œ. œ. ‰ . f

Bn.

?

∑

∑

≈

œ >œ œ. # œ. œ. œ. > ‰ Œ ƒ capricious and energized

‰ # œ. ≈ Œ R ƒ Œ

# œ. ‰ . R ƒ

‰

j #œ f

f

œ. ≈ R ‰

Ó

ƒ

∑

bœ & œ ≈ œ. Œ F

3

&

∑

∑

1

?

∑

∑

∑

∑

2

?

∑

∑

∑

∑

œ.

œ

2

ã

Ó

3

&

œ bœ > > ƒ

4

bœ & >œ > ƒ

Ó

Œ

‰

Œ

‰

œ Œ f

Œ

bœ & œ> > ≈ œ. Œ ƒ f &

∑

&

∑

œ

f

œ

œ œ

œ

F

bœ œ œ bœ nœ f ƒ

œ nœ bœ f

bœ nœ

œ œ bœ f

‰

ƒ

. ‰ b œ. œ. œ. ≈ b œ. n œ f ƒ

Ó

‰ œj ‰ .

Ó

Perc.

œ f

Ó

∑

Ó Œ

. . ‰ b œR ≈ œR ‰ . f ƒ

Œ

œ R

Œ

Œ

Ó

Œ

‰

Œ

Ó

≈

‰ n >œ œ A œ. n œ. œ >œ . . ƒ

≈

œ. n œ b œ ≈ Œ . . f

∑

Gn

n œ œ A œ n œ œ >œ > ƒ

&

∑

Ó

arco

&

∑

Ó

arco

Ó

arco

≥ ‰ >œ œ b œ. n œ. œ >œ . . ƒ f near frog

≥ ‰ >œ œ b œ. n œ. œ >œ . . f ƒ

∑

‰

>≥œ œ. b œ. n œ. . >œ œ

Vc.

&

∑

∑

Cb.

&

∑

∑

f

ƒ

Œ

≈ j . œ bœ

œ. # œ. n œ. f

Œ

œ. œ. ‰ f ƒ

‰.

≈ b œj .

bœ.

. ≈ b œr ‰ b œ ≈ ≈ . Œ

f

œ J

. . ≈ # œ b >œ ≈ ≈ œ œ n >œ . ƒ solo

‰.

Œ

œ. R Œ F

∑ ‰

œ #œ

> . œ. ≈ # œ ≈ # œ. ≈ œ. # œ Ó

‰ #œ J ƒ

Œ

‰

œ œ œ œ œ œ œ F sempre

Œ ‰.

#œ nœ nœ œ #œ nœ œ

r #œ f

. ‰ # œ. n œ n œ. œ. # œ. œ n œ. ≈ ≈ ‰ . n œ. . f ∑

r # œ. f

nœ.

∑ Ó

f œo

nœ f

Œ

#œ

‰ #œ J ƒ

Œ

Ó

œ ƒ

0

Œ

‰

œ J ƒ

Ó

Œ

#œ

‰ #œ J ƒ

Œ

Ó

œ ƒ

Œ

‰

#œ J ƒ

Ó

Œ

‰

Œ

Ó

0

‰

j #œ Ó ƒ sempre

Œ

Ó

pizz.

Œ

pizz.

tutti, pizz.

∑

f

#œ f

#œ J ƒ

‰ #œ J ƒ

Ó ∑

r #œ f

‰.

Ó

Œ

f

L

r bœ F

∑

> œ #œ #œ

∑

‰.

Œ

Ó

œ #œ

bœ

≈ Ó

∑

#œ œ œ > #œ

b n œœ.

Œ

∑

œ œ Ó R F

b n œœ

‰

≈ Ó

Œ

Ó

‰

bœ.

∑

ƒ

Ó

> ‰ # œ ≈ Œ R F

b œ. ‰ . R ƒ

≈ j bœ .

Œ

. . œ. # œ n œ

(cup mute)

Ó Œ

Ó

solo

r # œ ‰. > F

j œ f

blend with pizz.

Ó

Œ

Œ

∑

œ J ƒ

pizz.

near frog

B

Ó

‰

Œ

near frog

Va.

œ

. > > . ≈ ≈ a œœ ≈ b œ ≈ œ ≈ ≈ œ ≈ œ. # œ. f ƒ sempre b œ. œ ? ≈ . ‰ Œ Œ ‰.

∑

≈ >œ ‰ R ç

Œ

œ b >œ œ ≈ œ ≈ œ # œ œ a >œ f ƒ sempre

œ J ƒ

Ó

b >œ ≈ œ. ≈ ≈ œ. ‰ R F f

b >œ œ ƒ sempre

‰

Œ

Ó

œ œ J

Ó

Œ

∑

‰

+

Ó

∑

∑

∑

?

(st. mute)

Œ

Œ

2

r œ b >œ ‰ œ. # œ. œ b œ. J . ƒ f ƒ

N œ. œ. ‰

∑

∑

solo

≈ >œ ≈ œ. # œ. ç œ. # œ. n œ. ƒ

≈ # œ b >œ ≈ Œ . ƒ

Œ

&

‰.

Ó

Œ

∑

1

ã

∑

Œ

œ. œ. ‰ ƒ

Ó

∑

∑

optional bell up solo

Ó

&

≈ Ó

∑

∑

2

1

∑

œ. # œ. n œ. ƒ

œ. œ. ‰ ƒ

Ó

1

Tbn.

∑

œ # œ. œ. . f ƒ

optional bell up solo

& Œ

Hn.

∑

Œ

œ. ≈ # œ œ ≈ b œ n œ ≈ Ó

blend with pizz.

œ. ≈ # œ.

≈

Ó

∑ Œ

Vn. 2

b œ n œ ≈ ≈ r n œ. b œ. œ. # œ. œ. > f f ƒ

‰.

∑

∑

optional bell up solo

∑

solo

# œ. ‰ . R ƒ

Œ

∑

∑

Vn. 1

∑

∑

∑

Hp.

Œ

Œ

&

Pno.

Ó

∑

Bass Cl.

Tpt.

œ J f

‰

∑

∑

& Œ

Œ

∑

blend with pizz.

Œ

solo

‰.

r ‰ b œ. œ. œ. ‰ . f

&

1 Cl.

. b œ. œ

∑

Ó

0

œ

ƒ

o

sul A

œ ƒ

(pizz.)

œo

ƒ

Œ Œ Œ

16 82

∑

&

Picc.

1

& Œ

2

&

. . . ≈ œ œ œ> œ # œ. ‰ f

Fl.

1

& Ó

2

&

ƒ

Œ

Œ

optional bell up

Ó

∑

2

& Ó

Bass Cl.

&

∑

Bn.

?

∑

1

&

∑

2

& œ b œ b œ ≈ Œ f

Œ

œ. œ. # œ. œ. œ. ≈ œ. ≈ f ƒ f

Ó

f

1

œ. ≈ b œ. b >œ ≈ ≈ n œ. ‰ A œ. n >œ œ >œ >œ >œ & ≈ f ƒ

2

&

∑

&

∑

bell ord. blend with pizz.

r ‰. bœ F Ó

1 Tbn. 2

?

Œ

Ó

Œ

Œ œ. ≈ b œ n œ

Ó

Ó

Œ

. ≈ n œR ‰ f

Œ

Œ ‰.

‰.

r b œ. Œ F

∑

∑

Ó

‰.

∑

∑

Œ

solo

rŒ œ. F

∑

∑

Ó

(cup mute)

b >œ >œ

≈ ≈ Œ çç

>œ R ‰. ç

Ó

-œ

F

≈

b œ. œ. b œ. f

Œ

∑

≈ # œ # œ ≈ . . ƒ

> ≈ œR ‰ f

. ≈ œR ‰ ƒ

Œ

∑

œ. ‰ . R f

œ. ‰ . R ƒ

Œ

>˙ ∑ ∑

b œ. œ. b œ.

solo

∑

∑

∑

Ó

∑

∑

∑

ƒ

+

œ

r œ. œ. R ‰ . ƒ

‰.

. . ≈ b œ. œ œ Ó

Œ

+

Ó

Œ

œ. R f

Ó

∑

œ œ. ≈ œ. > f f ƒ

∑

>œ R ‰. ƒ

solo

Œ

∑

ƒ

∑

∑

(st. mute)

∑

∑

∑

Œ

≈

# œ. n œ. œ. R ‰. F f

punchy

?

Œ

∑

∑

solo

∑

œ. # œ.

solo

∑ œ

F

∑

solo

3

œ ‰. R f

Œ

œ. œ. # œ. œ. œ. ≈ œ. ≈ f ƒ f

Ó

r œ. ‰ ƒ

‰.

-œ

Œ

solo

ƒ

œ. ≈ J ƒ

Œ

∑

∑

Ó Ó

r œ. œ. R ‰ . ƒ

‰.

optional bell up

Ó

F

. ≈ œR ‰ f

Ó œ

∑

Hn.

Tpt.

>œ R ‰. ç

-œ

Œ

∑

solo

b œ. ≈ ≈ œ. Œ

œ. ≈ Œ

optional bell up solo

Œ

∑ œ. # œ. ‰ ƒ

œ.

Œ

∑

∑

&

f

Ó

. > ‰ #œ œ Ó ƒ

∑ œ.

Ó

∑ œ. # œ. ‰ ƒ

&

∑

. > ‰ #œ œ Ó ƒ

Œ

∑

1 Cl.

Œ

∑

Ob.

Eng. Hn.

∑

cup mute

‰

f

ƒ

Œ

Ó

Œ

∑

œ

∑

œ Œ œ R

∑

playful and punchy

1

ã

2

ã

3

&

Perc.

‰.

Œ

≈ œ œ œ œ œ .

Œ

≈

Œ

(2 Congas)

(Xylo.)

nœ #œ #œ ƒ

(Marimba)

4

Pno.

Hp.

r œ Ó F

Œ

(2 Bongos)

& nœ #œ #œ ƒ

nœ œ œ œ #œ. > f ƒ

≈ œ œ œ> Ó f

n œ. œ. œ> œ. # œ. ‰ & n œ. # œ. # œ. ≈ ≈ f ƒ ƒ ? ∑

&

?

En

Œ

#œ. f

nœ

‰

# œ >œ ƒ

œ Œ œ F sempre Ó

≈

> ‰ #œ œ Ó f ƒ

∑

bœ

ƒ sempre

∑

Ó F bœ

(DCsBflEFfGA)

∑

∑

≤. >≥ ‰ #œ œ Ó ƒ

near frog

&

Œ

arco

&

∑

Œ

arco

Vn. 2

Va.

B

∑

Œ

arco

Vc.

&

∑

∑

Cb.

&

∑

∑

pizz.

bœ F

≤. >≥ ‰ #œ œ Ó ƒ

near frog

≥ # œ≤. >œ

pizz.

bœ F

near frog

‰

ƒ

œ

œ

œ

œ œ nœ #œ œ œ #œ œ œ œ ƒ sempre

n œ # œ n œ.

Ó

pizz.

bœ F

?

bœ

F

bœ F

(pizz.)

œ. # œ. œ. œ. Œ

Œ

Ó

nœ œ #œ œ œ œ œ œ bœ. ƒ sempre

# œ. ≈ ≈ n œ. ‰ # œ. >œ Ó ƒ f ∑

∑

Vn. 1

∑

∑

Œ

ƒ

œ R Ó

‰.

Œ

œ. Ó nœ

œ.

≈ œJ .

≈ œj .

‰.

Œ

≈ j . œ

∑

Œ

≈ œj .

œ. ≈ ≈ œ ‰ R

≈ œr ‰ . Œ

Œ

F

≈ œ

≈

≈

nœ

Œ

≈ b œ œ œ ≈

œ> ≈ ≈ n œ.

Œ

. . ≈ b œ. œ œ Œ

>œ . œ > bœ #œ nœ œ œ

œ. &

Œ

>œ # œ. n œ. n œ.

≈ b œ Œ œ.

Œ

b œ>œ

Ó

Œ

f Ó

Œ

œ0

Œ

Ó

Œ

non div.

œ0

Œ

Ó

Œ

non div.

Œ

Ó

Œ

Œ Œ

f f

œ

f

∑

ƒ

Ó

bœ

œ œ

?

Ó

œ>œ

∑

œ>œ

∑

ƒ ƒ

>œ

ƒ

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

bœ œ bœ

≈ N œJ . f

. ≈ N œR ‰ b œ. œ. b œ. f ≈ Œ

Œ ∑

≈ j . œ f

Œ

P.D.L.T.

b œ. ≈ œR ‰ ƒ secco

17 87

&

Picc.

˙

1

&

2

& Ó

P

Fl.

&

2

& Ó

‰

>œ .

b >œ J ƒ

‰

∑

&

Œ

optional bell up

# >œ ‰ . R ç solo

Ó

Œ

Ó

∑

∑

∑

∑

∑

Ó r œ b œ. b œ. œ n œ . . ƒ f

‰.

Œ

playful and punchy

> # >œ ‰ # œ n œ. n œ. # œ. œ. Ó f ƒ

>œ J

ƒ

‰

Œ

∑

Ó

∑

Bn.

?

∑

∑

Ó

≈

1

&

∑

∑

Ó

Œ

2

&

∑

∑

1

&

2

& Ó

Ó

# œ. f

≈

# œ.

Lr

solo

‰.

œ. ƒ

(cup mute)

Tpt.

>œ R ‰. ç

Œ

∑

1

?

∑

∑

2

?

∑

∑

1

ã

∑

∑

2

ã

∑

Œ

&

∑

‰

Tbn.

Ó

Perc. 3

4

Hp.

Vn. 1

Vn. 2

Va.

∑

&

∑

&

?

& Ó ?

& & B

‰

‰

∑

ord.

> # b œœœ resonant

(st. mute)

‰

∑

arco

∑

‰

∑

arco

∑

arco

‰

&

‰

r œ b œ. b œ. œ œ . . ƒ f

‰.

>œ J

ƒ

‰

Œ

œ œ œ

j œ F

‰.

œ Œ R

Œ

Ó

œ #œ

œ #œ œ œ nœ

Œ

> # >œ ‰ #œ nœ œ #œ œ Ó ƒ

ƒ

>œ bœ

F

f

. . . ≈ œ # œ œ œ. n œ. ≈ Œ ƒ

Ó

Ó

f

∑

≥ b >œ R ≈ Œ ƒ ≥ b >œ R ≈ Œ ƒ

Vc.

?

∑

∑

Cb.

&

∑

∑

#œ f

#œ

‰

j #œ a >œ

ƒ sempre

Œ

Es, Fs

‰

∑

Ó

>≥ # >œ ‰ # œ œ. œ. # œ. œ. Œ

Ó

>≥ # >œ ‰ # œ œ. œ. # œ. œ. Œ

Ó

>≥ # >œ ‰ # œ œ. œ. # œ. œ. Œ

near frog

f

near frog

f

near frog

f

œ

‰

pizz.

ƒ

≈ œ

‰

‰

>œ R ≈ Œ F

> ≈ b œR ‰ ç

‰

. b œ. œ . # œ. ‰ œ f ƒ

solo

Œ

‰

nœ

œ. ≈ J

Œ

‰.

≈ j bœ .

œ.

≈ b œ . J

≈ b œ. ‰ R

n œ. Œ

#œ J f

Ó

œ J F

Ó

Œ

œ J F

Ó

Œ

j #œ F

Ó

Œ

Œ ∑

Œ

‰

n œœ

#œ

œ >

œ

Ó bœ œ

œ

#œ

>œ

œ

bœ œ ‰

> . œ. # œ. ≈ œ ≈ œ. ≈ b œ ‰

≈ ≈

∑

n œœ . œ

f

œ

‰

#œ J

Œ

Ó ∑

‰

œ J

Œ

Ó

‰

œ J

Œ

Ó

‰

œ J

Œ

Ó

sempre

‰

pizz.

ƒ

œ

sempre

‰

pizz.

ƒ

œ

sempre

Ó

Œ ∑

(pizz.)

&

‰

j #œ F

b œ. œ. œ. ≈

solo

f

Ó

œ œ Ó R F sempre

œ.

œ.

œ J

Œ

. œ. œ Ó f ƒ

∑

n >œ ≈ œ. œ. ≈ ≈ ≈ ƒ sempre Œ

Œ

∑

Ó

f

Ó

∑

Œ

nœ œ > ƒ sempre >œ

> > a >œ ‰ # œ n œ. œ. # œ. œ. # œ ≈ # œ ≈ # œ. a œ ≈ . f ƒ Ó Œ ≈ œ. Ó

œ

L

∑

Ó ≈

∑

>≥œ R ≈ Œ ƒ

œ œ J

‰

b œ. n œ. œ. ≈

∑

>œ . R ‰ F

Œ

>œ # œ ≈ œ. ≈ # œ. ≈ n œ # œ ≈ œ b œ ≈ R ƒ f

∑

‰

Ó

œ. R ‰. f

œ. # œ. ‰ ƒ

ƒ

∑

∑

Œ

b œ. œ. œ. ≈

ƒ

∑

solo

‰.

f

∑

œ. ≈ ≈ R ‰

Œ

. œ. ≈ . b œ Ó œ

œ. R ‰. ƒ

∑

∑

œ #œ œ #œ nœ ƒ f

ƒ f

œ. œ. R ≈ R ‰ . f ƒ

Ó

‰

f

n >œ bœ ‰ J Œ ƒ resonant

Œ

solo

F sempre

solo

‰

Œ

œ

œ. # œ. ƒ f

&

>œ ≈ œ.

œ

>œ J ƒ

>œ bœ

Ó

bell ord.

∑

∑

∑

&

3

Pno.

f

Ó

r ‰ b œ. œ. œ. f

∑

b œ ≈ Œ œ. . b œ.

∑

optional bell up solo

Œ Œ

œ. ≈ R ‰

Hn.

≈ Œ

Ó

‰.

Œ

ƒ

∑

∑

ç

œ. # œ. ‰

Ó

∑

∑

F

œ. R ‰. ƒ

Œ

∑

œ. # œR. ‰ . ƒ f

# >œ ≈ # >œ

Ó

‰

. œ. # œ œ. # œ. n œ. ≈ Œ ƒ f

&

˙

Œ

blend with pizz.

bell ord.

Bass Cl.

˙

‰ N œj f

∑

∑

b >œ

‰

j #œ F

‰

blend with pizz.

∑

∑

∑

&

π

Œ

> # >œ ‰ # œ œ. n œ. # œ. œ. Ó f ƒ

Ó

∑

&

œ

Ó

r œ. # œR. ‰ . f

Œ Œ

˙

ƒ >œ R ≈ Œ ƒ

‰.

Œ

# >œ ‰ . R ç

Cl. 2

∑ # >œ ‰ . R ç

Ob.

1

‰

∑

1

Eng. Hn.

Ó

∑

∑

∑

∑

œ œ

œ œ

œ

œ #œ nœ bœ œ

œ

œ

œ. # œ. n œ. b œ. œ. . œ

18 92 Picc.

1

&

∑

&

∑

∑ # œ. n œ. ƒ

Fl.

&

1

& Ó

2

bœ & R ‰. f

Œ

≈

# œ. œ. # >œ f

ƒ

# œ. n œ.

‰

Œ

Ó ∑

& optional bell up solo

1 Cl.

Œ

‰

œ. # >œ

# œ. œ. # >œ œ. ≈ n œ. >œ ≈ ≈ # œ. . >œ ≈ & ≈ b œ ≈ ≈ ƒ

‰

ƒ

œ. # >œ

∑

∑

∑

∑

f

fƒ

∑

Bass Cl.

&

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

‰.

& Œ

2

&

1

& Œ

2

switch to straight metal mute . >œ Ó & ≈ b œ ≈ Œ ƒ

3

&

1 Tbn.

∑

‰

œ. # >œ œ >œ >œ >œ

f ƒ

# œ. R Œ F

∑

? ‰.

1

ã

2

ã

3

&

(Xylo.)

#œ.

#œ f

(Marimba)

4

& #œ

Œ

&

?

f # œo

r œ f

Œ

‰.

Œ

≈ œ œ œ

œ œ. Ó

r nœ œ bœ œ ƒ f

≈ # œ œ #œ > f ƒ

‰.

nœ œ bœ œ R f ƒ

≈

&

∑

≈ ≈ Œ çç

ƒ

fƒ

Vn. 2

&

>œ R ‰. ç

&

# œ œ # >œ f

ƒ

. . n œ. œ. b œ. œ. ≈ ≈ # œ œ # >œ R f ƒ f ƒ ∑

∑

Œ

# œ. n œ.

Ó

Va.

&

œ.

Œ

‰

f

Cn, Fn

#œ

n œ ≈ ≈ # œ.

Œ ∑

Gs

‰ nœ #œ > f ƒ

f

‰

‰

œ # >œ ƒ

œ. # >œ ƒ

∑

Vc.

&

bœ

Œ

Ó

Ó

Œ

bœ

Œ

Ó

Ó

Œ

arco

bœ

Œ

Ó

Ó

Œ

arco

bœ

Œ

Ó

Cb.

&

f

∑

∑

Ó

œ

Ó

#œ nœ bœ

œ œ #œ œ

‰

pizz.

Ó

pizz.

Ó

pizz.

∑

Ó

sul D

∑

Ó

(pizz.)

ƒ

≥ œ≤. # >œ

near frog

‰

ƒ

≥ œ≤. # >œ

near frog

∑

‰

Œ

Ó

ƒ

0

œ F 0

œ F 0

œ F

o

œ F œo

F

#œ

#œ

œ F ∑

Ó

#œ

# œ n œ b œ. . œ. # œ. . œ œ œ ƒ sempre

∑

≥ œ≤. # >œ

r bœ œ œ #œ œ ƒ sempre

ƒ sempre

Ó

œ

Œ

Œ Œ Œ

#œ

F

#œ

F #œ

F #œ

F

œ œ

œ.

# >œ ≈ R ‰ f

rŒ œ. F

Ó

Œ

Ó

∑

∑ œ. œ.

F

≈ œJ .

≈ œj .

Œ

œ

Œ

≈ j œ.

≈ œ

œ

œ. ≈ J

Œ

‰.

œ.

œ ≈ ≈ R ‰

r ≈ œ. ‰

≈

Œ

Œ

switch to straight metal

Ó

œ F

Œ

œ

Œ

# œ. R ‰.

f

b œ. n >œ ≈ b œ. œ. ≈ N œ. # œ. œR ‰ . ƒ f ƒ

∑

‰

b œ. b œ. ≈ œ. bell ord.

Ó

+

‰.

∑

‰.

Ó

œ Œ R F

∑

Œ

œ

+.

‰.

st. metal

solo

œ. Ó R f ∑

Ó

œ

‰.

∑

a -œ r # œ. ≈ . œ. # œ ≈ n œ œ. œ . œ ƒ F sub. f

≈ œ # œ ≈ Œ . . ƒ Œ

Œ

solo

∑

œ Œ œ F sempre

Ó

arco

f

Ó

≈ Œ œ. œ. # œ. œ œ ƒ

∑ Ó

Œ

#œ nœ.

œ R f

‰.

Œ

Ó

Ó

f

Ó

solo

via sord.

optional bell up

Ó

∑

∑

Œ

f

∑

∑

‰.

ƒ

∑

∑

‰

b œ. b œ. ≈ œ.

œ. Œ R f

Ó

# œ. ≈ R ‰ f

Ó

∑

∑

Œ

# >œ . œ. # œ œ. # œ. œ. ≈ œ. Œ

f

>œ >œ

‰

Ó

≈ Œ

Œ

near frog

Vn. 1

ƒ

Œ

solo

∑

‰.

& # œ. ≈ ≈ # œ. ‰ . f

œ.

∑

solo

Ó

Ó

œ

œ.

>œ R ‰. ç

∑

(st. mute)

‰.

Œ

punchy

(2 Bongos)

(2 Congas)

f

blend with pizz.

Ó

∑ Ó

# œ.

r ‰. œ F

Ó

∑

∑

?

Perc.

Hp.

# œ. œ. # >œ a œ. ≈ n œ. >œ ≈ ≈ # œ. ≈ f

solo

≈

(cup mute)

2

Pno.

œ. œ. b œ. œ. ≈ Œ R F f

1 Hn.

Tpt.

Ó

ƒ

j #œ > ƒ

blend with pizz.

Œ

∑

# >œ . œ. # œ œ. # œ. œ. ≈ œ. Œ

&

2

Œ

optional bell up solo

œ ≈ ≈ # œ. Œ f

# œ. ≈ R ‰ f

∑

ƒ

∑

Ó ∑

∑ Œ

Œ

∑

∑ Œ

blend with pizz.

Eng. Hn.

Œ

∑

2

Ob.

‰

j #œ ‰ F

blend with pizz.

∑

Ó

&

∑ #œ #œ >

œ r nœ

≈

œ. n œ. n œ.

# >œ

# >œ # œ.

Ó

Œ

Œ

Ó

Œ

Œ

Ó

Œ

Œ

Ó

Œ

∑

œ. œ >

&

Œ

œ

œ Œ œ

≈

œ œ. . œ.

Ó

>œ ≈ ≈ œ. Œ ≈ œ Œ œ.

œ. . ≈ œ. œ

Ó

# >œ

ƒ resonant ∑

# >œ

Œ

Ó

ƒ

# >œ

Ó

ƒ

# >œ

Ó

ƒ

Œ

∑

∑

Œ

∑

∑

‰

œ. R ≈

secco

19 97

Majestic and animated

&

∑

1

&

∑

Œ

2

&

∑

Œ

Picc.

∑

& Œ

2

& Œ

Ob.

Eng. Hn.

w

1

2

& Œ

‰

Ó

‰

> œ œ

f ƒ

∑ Ó

œ. ≈ Ó R ƒ

∑

∑

Ó

∑

∑

n œ. R ≈ Ó ƒ

∑

∑

∑

∑

∑

œ. ≈ Ó R ƒ

Ó

Œ

∑

∑

‰

∑

∑

& & Œ

Cl.

>˙ .

ƒ sempre

œ. ‰ R ≈ Ó ƒ ‰

w

ƒ sempre

Fl.

1

>˙ .

∑

Œ

‰

>œ >œ ..

œ

ƒ

> œ œ

f ƒ

Œ

w>

œ J

ƒ fanfare-like

‰

>œ J ƒ

>œ >œ >œ .

˙.

ƒ >w

w

∑

‰

∑ >œ

>œ >œ >œ .

>œ >œ >œ .

˙.

ƒ

p

œ.

ƒ sempre

˙

fanfare-like

Ó

˙ ‰

∑ >œ >œ >œ .

‰

ƒ

œ

>œ

≈ œ œ .

ß

Ó œ # >œ

≈

>œ

œ

bœ

Ó œ.

ƒ sempre

œ # >œ

≈

>œ

œ œ

∑ ‰ œ J

>œ R ≈ Œ ß ‰

Œ

‰

# >œ R ≈ ‰ ß

>œ

Œ

Bass Cl.

&

∑

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

1

b >œ œ .. & R ƒ

∑

∑

∑

∑

œ

b >œ R ≈ ß bœ

ƒ sempre

Hn.

Tpt.

˙

œ

F

Va.

œ

˙

∑

∑

∑

∑

1

?

∑

∑

∑

∑

∑

∑

2

?

∑

∑

∑

∑

∑

∑

Vibraphone

∑

Œ

>œœ ƒ

Ó

œ

Ó

∑

Ó

Œ

‰

Ped.

Very Small Triangle

Tubular Bells

2

&

3

& Œ

‰

& Œ

‰

&

& Π?

∑

Œ

‰ n œj f

& Œ

Œ

∑

optional tacet

œ J f

& Œ & Œ

Ó

>œœ J ƒ

Ó

‰ ‰

>o œ J ƒ

sul D

Vc.

&

∑

Cb.

&

∑

∑

∑

∑ ã

>˙ .. ˙

˙ æ p

slow to fast roll

ww

ƒ resonant ∑ # œ>œœ

Ó

solo

∑

Ó

‰

ƒ resonant ∑

Ó

Œ

arco

Œ Œ

≥˙ .

Œ

ƒ div.

Œ

˙˙

Ó

Ó

Œ

F resonant

En, Gn

>≥œ >œ≤ >≥œ .

w≤

>œœ

Ó

∑

p

Œ

&

Marimba

∑

Majestic and animated

>œ ‰ J ƒ div.

∑

∑

(DCBflEsFGsA)

& Œ

∑ Œ

œ≤

unis., arco

π

ƒ fanfare-like >≥œ >œ≤ >≥œ .

w

Ó

ƒ

>o œ

sul D

Ó

ƒ

∑

œ J

ƒ fanfare-like >≥œœ >œœ≤ >≥œœ ..

arco

>œœ

œ J

∑

ƒ

œœ J

‰ ‰

‰

œ >œ ƒ œ >œ

ƒ

ƒ sempre >œ ‰ œ

∑

>œ >œ >œ .

>œ

>œ >œ >œ .

>œ

>œ >œ .

Œ

œ >

fanfare-like

‰

>≥ œ≤ œ

∑

∑

∑

œ œ. R f

ƒ >œ

œ ≈

œ œ.

ƒ

>œ≤

>≥œ >œ≤ >≥œ .

>œ >œ >œ .

˙.

œ

≥ œ≤ >œ

ƒ

‰

unis.

≥ œ≤ >œ

Œ

‰

‰

>œ J

‰ # œj >

Œ

‰

# >œ J

‰

b >œ J

‰

>œ J

Œ

‰

# >œ R ≈ ‰

b >œ J

n >œ R ƒ

≈

>≥œ

Fs

‰

ƒ

arco

œ J

>w≤ >o >o >o œ œ œ.

sul D

ƒ sempre fanfare-like

b >œ J

j œ >

∑

‰.

≤ ≈ œ œ

b >œ J ß

‰

˙

∑ ∑

œ≤ .

œ # >≥œ

œ≤ .

œ # >≥œ

sempre

sempre

∑

ƒ >œ

∑

>≥œ >œ >œ >œ >œ

Œ

>œ

r œ œ. f

‰.

Œ

∑

>≥œ >œ >œ >œ >œ

‰.

Ó

sempre

‰

>œ

‰

Ped.

∑ Ó

b >œ R ≈ ß

# >œ R ≈ ‰ ß

> ‰ # œJ ß

Ó F in background

Ped.

Œ

>œ R ≈ Œ ß

∑

Ó

n >œ ‰ # œœJ Ó ƒ resonant ∑

ƒ

‰

∑

œœ

Œ

>œ

œ œ. R f

‰.

Œ

‰

∑

Medium Sus. Cym.

n >œœ R ≈ Ó f secco ∑

ƒ

>œ

‰

∑

f resonant

Ó

œ >œ

F

Œ

>œ R ≈ Œ ß

∑

ƒ fanfare-like

‰

>œ >œ >œ >œ >œ .

∑

4

Vn. 2

œ J

&

ã

Vn. 1

solo

3

p

1

Hp.

>œ >œ >œ .

w

&

&

Pno.

-˙ .

2

Tbn.

Perc.

Ó

∑

(st. mute)

Œ

Œ

Œ

≈ ≈

>œ≤ >œ≤

œ

bœ

œ œ

>œ œ.

o

˙.

w ∑

∑

?

20 œ ≈ R ‰ ƒ

103

& Ó

Picc.

w

1

&

2

&

1

& Œ

Fl.

Ob. 2

&

Eng. Hn.

&

œ f

œ #œ

>œ R ‰. ƒ >œ R ‰.

Œ

Ó

Œ

Ó

w bœ ƒ

≈ œ # œ Ó

Ó

∑

& Ó

2

&

optional tacet any or all of these four notes

Œ

w

≈ œ f

œ #œ

Œ

>œ R ‰. ƒ

&

Bn.

? ‰.

‰

bœ œ Œ ƒ

r >œ ˙ . f

echo pizz.

1

&

∑

2

&

∑

1

&

∑

2

&

j ‰ œ π

‰

# >œ J

≈ œ

# >œ

∑

∑

∑ n >œ >œ .

w

ƒ sempre

∑

∑

∑ ‰.

Ó

‰.

Ó

∑

∑

Œ

∑

Bass Cl.

Œ

∑

w

1 Cl.

≈

∑ ≈ œ # œ ƒ ≈ b œ n œ

˙.

Ó ‰.

Ó

ƒ

#œ œ J

‰

Ó

œ bœ J

‰

Ó #˙ ƒ

b >œ œ R ƒ

∑

∑ œ #œ

nœ bœ . R R ‰ ƒ

n >œ n œ R ƒ

‰

Œ

Œ

∑

. . n œ. œ n œ b œ. b œ. n œ. b œ. ƒ sempre

≈ Œ

˙

Ó

ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Ó

Ó

Œ

≈ œ. # œ. œ . f

gritty and punchy

∑

∑

∑

∑

∑

∑

∑

∑

Hn.

Tpt.