Anthony Davis
AMISTAD opera in two acts (Reduced Instrumenation)
Libretto by
Thulani Davis Full Score Act I
from the G. Schirmer Rental Library date of printing ________
G. Schirmer, Inc. New York, NY
Anthony Davis
AMISTAD opera in two acts
Libretto by
Thulani Davis Full Score Act I Overture ......................................................................... Scene 1............................................................................. Scene 2 ............................................................................ Scene 3 ........................................................................... Scene 4 ........................................................................... Scene 5 ............................................................................
OV–1 1 41 164 206 266
Cast of Characters
The Trickster God, an African deity .................................................................................... Tenor Cinque, African captives’ leader ....................................................... ........................ Bass-Baritone Rep. John Quincy Adams, lawyer for captives ......................................................................... Bass The Goddess of the Waters, an African deity ....................................................... Mezzo-Soprano The Navigator ........................................................................................................................ Tenor
Abolitionist Tappan .............................................................................................................. Tenor The Phrenologist .................................................................................................. Character Tenor Antonio, slave cabin boy .................................................................................................... Baritone Kaleh, captive, male ............................................................................................................... Tenor Margru, captive, female ...................................................................................................... Soprano Grabeau, captive, male ....................................................................................................... Baritone Burnah, captive, male ................................................................................................................ Bass Kinnah, captive, male ............................................................................................................. Tenor Bahia, captive, female .................................................................................... Lyric Mezzo-Soprano American Lieutenant, a merchant seaman ........................................................................ Baritone The Judge ........................................................................................................................... Baritone Don Pedro, a Spanish slave trader ............................................................................................ Bass The Spaniard, a government official ......................................................................................... Bass President Van Buren ............................................................................................................. Tenor Southern Senator ............................................................................................................... Baritone Abolitionist Lawyer ........................................................................................................... Baritone Ship Cook ................................................................................................................................. Bass Four Reporters ................................................................................... 2 Tenors, 1 Baritone, 1 Bass
Synopsis
ACT I Scene 1: “Cloth for the Dead” The Spanish schooner Amistad, out of Cuba, drifts off Long Island. The “ghost” ship is legendary—taken over by slaves, haunting eastern waters. Aboard ship is one who shapes their fate—a ragged, boastful African deity. The Trickster God is the spirit of rebellion, uncertainty and mischief. When humans meet him, they are apt to lose their way. This Trickster has been led astray himself, and the torturous Middle Passage journey has blinded him and weakened his powers. Claiming that he will yet prevail (Aria: “The unknown is my realm”), the Trickster asks for help from the Goddess of the Waters. He hears the ship’s two hostages, a navigator and a slaver, scheming. They tie the helm on a northerly course, as they have every night. The African leader Cinque discovers the trick and realizes they have not headed to Africa, but zigzagged north towards another fate. (Duet: “We’re drifting”) When the ship runs aground, an enterprising seaman discovers them and seizes the ship to sell the Africans as salvaged cargo. The two Spaniards tell of mutiny and murder and claim to own the Africans, who insist they are free. (Chorus: “We have come to naught”) Cinque believes they are victims of a Mende taboo: to see a god can bring danger. (Aria: “The meaning is clear”) Antonio, a lifelong slave and witness to the mutiny, has fears too. (Aria: “And me, am I save’?”) Scene 2: “Savages of Legend” Newspaper reporters watch the captives being paraded to jail, and joust over their lot. (Sextet: “So these are the savages”) Setting foot on American soil scares the Africans (Chorus: “Are they going to kill us?”) but seems to restore the god of chance. (Aria: “Yap and snap”) Scene 3: “Ankle and Wrist” As people gawk, Margru tells of her capture (Aria: “I could tell”) and the captives vow not to reveal where they are from to protect their families. Cinque recalls being caught in a net. (Chorus: “Ankle and Wrist”; Aria: “The past is a fading”) A “scientist” who studies ethnic groups examines the prisoners and gives his findings to the press. (“The base of his brain”) Scene 4: “The Greatest Liberty” (Chorus: “Jesus Saviour, pilot me”) Abolitionist Tappan comes to plead Adams to act as lead lawyer for the Africans. The former president resists because he has not been in court in years. He then muses on the young republic’s vision of liberty. (Aria: “The greatest liberty”)
Synopsis (cnt’d) ACT II Scene 1: “Posers, Dandies, Hacks” The reporters introduce the cast at court. (Sextet: “It’s quite a show”) Scene 2: “What the Navigator Saw” The Navigator tells of waking to the touch of a blade. (Aria: “The Moonlight Died”) Scene 3: “What Antonio Saw” Antonio tells of the captain’s death. (Aria: “I beg mercy”) The court turns against the Africans. Scene 4: “They Saw a God” The captives say the story begins in Africa. (Quartet: “We thought they came for salt”) Scene 5: “Skin of Clouds” The Goddess of the Waters, invoked by their tale, recalls the Middle Passage. Scene 6: “Freed by Lord and Chief” On landing in Cuba, the seeds of revolt are sown when Antonio rebukes the Trickster (Chorus: “Nansi, Brer Nansi”) and the Cook threatens the captives. Antonio tells them they are now in a new world. (Aria: “Sis Goose”) Scene 7: “The Rising” The Trickster frees the captives and starts the revolt. (Aria: “All my tricks are old”) Cinque decides to spare Antonio. (Aria: “He sleeps at his master’s feet”) Scene 8: “Bird on the Wing” Adams sums up before the court (Aria: “To own one’s life”), and the captives’ case is won. They will go home but the Trickster decides to stay in the Americas. (Aria: “Liberty is my kingdom”)
Notes on Characters (in order of appearance)
The Trickster God A master of disguise, who lives on society’s edges, he translates all tongues, especially between gods and mortals. He is amoral—appearing as many animals, who will steal, molest, or kill, and eat other animals. Offerings are made to him first to prevent any accidents. Cinque (died ca. 1879) Leader of the captives. A rice farmer who lived with his father and a wife and three children. He returned to Mende and later became an interpreter for the American Missionary Association. Rep. John Quincy Adams (1767–1848) of Massachusetts, sixth U.S. president (1825–29). At the time, the former president was in the House of Representatives. Until his death he was obsessed with exposing the corruption in the Van Buren administration found in the Amistad case. Goddess of the Waters Like the Trickster, this West African deity is known throughout the African Diaspora. They both represent culture shared by Africa with the Americas. The mother of waters is known also as the mother of all the other orisha, or gods in African Yoruba, Brazilian Santeria, and Haitian vodun. She is a mature and sensual female spirit. She likes fans made of palm leaves or peacock feathers and, in the Americas, is seen in great indigo skirts with white petticoats. Abolitionist Tappan Based on Lewis Tappan (1788–1873), member of a New York silk merchant family that helped to finance the abolitionist cause. His brother Arthur was a founder of the American AntiSlavery Society and both experienced mob violence, vandalism and hate mail for their work. In the South, a price of $100,000 was put on their heads. At the end of the trials he and others arranged for the slave Antonio (16-year-old cabin boy) to escape to Canada. President MartinVan Buren (1782–1862) Eighth U.S. President (1837–41). A Jeffersonian Democrat, Van Buren earlier served as governor of New York and Secretary of State under Andrew Jackson. Van Buren was already unpopular at the time of the case, and worried about re-election. He lost to William H. Harrison, who died a month after taking office and was succeeded by John Tyler. Van Buren ran for president two more times. The Spaniard is a composite of two Spanish officials with overlapping terms in this case: Don Angel Calderon de la Barca, Spanish minister to the U.S., in 1839–40; and Pedro Alacantara de Argaiz, minister in late 1839. The Navigator and Don Pedro are composites based on two survivors of the Amistad—Jose Ruiz and Pedro Montes—and the buyer, Pedro Martinez, a major slaver with company headquarters in West Africa where the captives were taken. The Judge represents both a Connecticut judge and the men of the Supreme Court which, at the time, had just been enlarged from six to eight justices. Five of them, including Chief Justice Taney, were southerners who had at one time or another owned slaves. One justice died during the last trial.
AMISTAD
OV-1
(Reduced Orchestration) = 52
OVERTURE
Anthony Davis
= 69
1 Fl. 2/picc
1 Ob. 2 1. Cl.
2.
1 2
Bs. Cl.
1 3
3
Bn. 2 3 3
3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibraphone 1 Chimes Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
= 69 = 52 I
Vn. II
div. Va.
Vc.
Cb.
Copyright © 1997 by G. Schirmer, Inc. (ASCAP) New York, NY This version © 2008 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.
Overture
OV-2
accel. 9 1 Fl.
Flute 2
3
1 3
Ob.
3
2
3
Cl.
1 2
Bs. Cl. 1 Bn. 2
3
3
1 Hn. 2
1 Tpt. 2
1 3
Tbn. 2
Timp.
1 (Chimes) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
accel.
div. I
Vn.
div. II
unis. Va. 3
3
3
3
3
3
Vc.
Cb.
Overture
OV-3
Tempo primo
Faster,
= 126
Faster,
= 126
15 1 3
3
3
Fl. 2
1 Ob. 2
3
2. Cl.
a2
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Chimes) Perc. 2
3
Cel.
Hp.
W.W. 1 Contra Alto Cl. in E W.W. 2
Tbn.
Drums Bass
Tempo primo
Vn. I div.
unis.
I
Vn. II
Va.
Vc.
Cb.
Overture
OV-4 21 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1
cresc.
Bn. 2
cresc. 1 Hn. 2 mute 1 Tpt.
mute
cresc.
2
cresc. 1
cresc.
Tbn. 2
cresc. Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
Vn.
II
Va.
Vc.
cresc. pizz. Cb.
cresc.
Overture
OV-5
25 1 Fl. 2
1 Ob. 2
a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
unis. I
Vn.
II
Va.
Vc.
arco Cb.
OV-6
Overture 30 1 3
Fl. 2 3
1 Ob. 2 1. Cl.
3
1 2
Bs. Cl.
1 Bn.
3
2
1 Hn. 2
1 Tpt. 2
1 cresc.
Tbn. 2
cresc.
Timp.
1 Marimba
Perc. 2 3
3
Cel.
Hp.
W.W. 1 Contra Alto Cl. in E W.W. 2
Tbn.
Drums
Bass
I 3
Vn.
II 3
Va. 3
pizz. Vc.
pizz. Cb.
Overture
OV-7
35 1 Fl. 2
1 Ob. 2 3
(1.) Cl.
a2
1 2 3
Bs. Cl. 3
1 3
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass div.
I
Vn.
div. II
Va.
(pizz.) Vc. cresc. (pizz.) Cb.
Overture
OV-8 40 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
unis. I
Vn. unis. II
Va.
Vc.
Cb.
Overture
OV-9
45 1 Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
1 3
Tpt. 3
2
1
cresc.
Tbn. 2
cresc. Timp. 3
(Vibr.) 1 3
(Mar.)
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
Vn. 3
II
Va. 3
Vc. cresc.
Cb.
Overture
OV-10 50 1 Fl. 2
1 Ob. 2
2. Cl.
1 2 cresc.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2 cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
Vn.
II
Va.
Vc.
Cb.
Overture
OV-11
Meno mosso,
55
= 108
1
Fl. 2
1 Ob. 2 a2 Cl.
a2
1.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
plunger 1 Tbn.
plunger 2
Timp. (Vib.) 1 Mar. Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. brushes
S.D. Drums 3
pizz. Bass
Meno mosso, I 3
Vn.
II 3
Va. 3
cresc.
Vc.
cresc. pizz. Cb.
= 108
Overture
OV-12 60 1
3
Fl.
3
cresc.
2
1 Ob. 2 (a2) Cl.
1.
1 2
3
dim. Bs. Cl.
1 3
3
3
3
Bn. 2 3
3 3
1 3
Hn.
3
2
1 Tpt.
dim. 2
dim. 1
cresc. Tbn. 2
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
I
dim. Vn. II
dim.
Va.
dim.
Vc.
dim. arco Cb.
3
cresc.
3
3
Overture
OV-13
63 1 Fl. 2 3
1
cresc.
3
3
3
Ob. 2 3 3
Cl.
3 3
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
3
3
Bass
cresc.
I
3 3
Vn.
II
Va.
cresc.
Vc.
cresc.
Cb.
cresc.
cresc.
3
Overture
OV-14 66 1 Fl. 2
1 Ob. 2 1. Cl.
a2
1 2
Bs. Cl.
1 Bn. 2
3
3
3
3
3
1 Hn.
3
2 3
3
1 Tpt.
3
3
2 3
1 3
Tbn.
3
2 3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
cresc.
Bass
I
Vn.
II
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
Overture
OV-15
70 1 Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
Hn.
3
3
3
3
3
3
2
cresc. 3
3
3
3
3
3
3
3
1 Tpt.
3
cresc.
3
3
3
3
3
3
3
2 3
cresc.
3
3
3
1 3 3
Tbn.
cresc.
3
3
3 3
3 3
2 3
cresc.
3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
cresc.
Bass
I
Vn.
II
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
3
Overture
OV-16 75 1
dim. Fl. 2
dim. 1 Ob. 2 a2 Cl.
1.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1
dim.
Tpt. 2
dim.
1
dim.
Tbn. 2
dim.
Timp. Vibr. 1
Perc. 2 Bs. Dr. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. solo Build solo - fill Drums
cresc. Bass
I
Vn.
II
Va.
Vc.
dim.
Cb.
dim.
solo
Overture
OV-17
79 1
dim.
Fl. 2
1 Ob. 2 1. Cl.
a2
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1
dim.
Tpt. 2
dim. 1 Tbn.
dim.
3. 2
dim.
Timp. (Vibr.) 1
Perc. 2 (Bs. Dr.) 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
I
3 3
Vn.
II
3 3
Va.
3 3
Vc.
dim. div. Cb.
dim.
Overture
OV-18 83 1
dim.
dim.
dim.
dim.
Fl. 2
1
dim.
Ob. 2 (a2) Cl.
dim. a2
1 2
dim.
dim.
Bs. Cl.
dim. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn.
dim. 2
dim.
Timp.
1
Perc. 2 (Bs. Dr.) 3
Cel.
Hp.
W.W. 1 Contra Alto Cl. in E W.W. 2
Tbn. solo Drums
dim.
dim.
Bass
I
dim.
dim.
dim.
dim.
Vn.
II
Va.
dim.
Vc.
dim.
dim.
Cb.
dim.
dim.
Overture 88 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. Al. Cl. in E ) W.W. 2
Tbn. cymbals only - brushes Drums
dim. Bass
I
Vn.
II
Va.
Vc.
Cb.
OV-19
Overture
OV-20 93 1
dim. Fl. 2
dim. 1
dim.
Ob. 2
dim. Cl.
1 2
dim. Bs. Cl.
1
dim.
Bn. 2
dim.
1 Hn.
dim. 2
dim. 1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. Al. Cl. in E ) W.W. 2
Tbn.
Drums 3
Bass
I
3
Vn.
II
3
Va. 3
Vc.
Cb.
AMISTAD
(Reduced Orchestration)
Thulani Davis
Anthony Davis
SCENE 1 (Trickster)
= 108 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc.
3
Bs. Cl.
1 Bn. 2
1 Hn.
3 3
2 mute
open
mute
open
1 3
Tpt.
3
2
1 Tbn. 2
Timp. Marimba 1 Vibraphone Perc. 2
3
Cel.
Hp.
to B Clarinet W.W. 1 Contra Alto Cl. in E W.W. 2
Tbn. Drums Drums 3
Bass
TRICKSTER
8
= 108
3
3
3
The un known is my realm
ca
la mi ty
my
king dom
Solo I Vn.
Solo II
Va. pizz. Vc. pizz. Cb.
arco
2
Scene 1
= 112
6 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2 plunger 1
Tbn.
plunger 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. Al. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
I
am
a
God,
am
I
not?
Mas
= 112 tutti I Vn.
tutti II
Va.
pizz.
arco
pizz.
arco
Vc.
Cb.
ter
Scene 1
3
10 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
3
1 Hn. 3
2
1 Tpt. 2
1 Tbn. 2
Timp. (Mar.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. Al. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
of
mor
tal
dis
as
ters
I
I
cresc.
Vn. II
Va.
cresc.
Vc.
Cb.
will
meet
this
4
Scene 1 14 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
(Mar.)
3
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. Al. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
mo
ment
I Vn. II
Va. 3
Vc.
Cb.
as
I
meet
all
oth
ers:
Scene 1
5
= 108 17 1 3
Fl. 2
1 Ob. 2
1 2
Cl.
3
Bs. Cl.
1 Bn. 2
1 3
Hn.
3
2
1 3
3
Tpt.
3
3
2
1 Tbn. 2
Timp. (Mar.) 1 (Vibr.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
stal
wart,
au
da
cious
and
bold.
= 108
I Vn. II
Va. pizz. Vc.
Cb.
What
they call
6
Scene 1
(1.)
20 1 3
Fl. 2 3
1
cresc.
3
Ob.
3
3
3
2
cresc. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Vibr. Perc. 2 3
3
Cel.
Hp.
W.W. 1 (C. Al. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
tra
ge
dy
I will make my
his
to
ry.
I will make a sto
ry
I 3
Vn. II 3
Va.
cresc. Vc. pizz. Cb.
3
3
3
to be
told
of
Scene 1
7
= 80
= 84 accel.
24 1 3
Fl. 2 3 3
1
dim.
Ob.
cresc.
3
2
dim. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Vibr.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3
3
3
3
3
3
Tr. 8
ge
nius born of ne
ces
si
ty
Of cour age
come
eas
y
when the heart
= 80
is
cold
= 84 accel.
I 3
Vn.
3
II 3
Va.
cresc. arco Vc.
Cb.
3
8
Scene 1
= 96
= 76
= 116
29 1 3
3
3
3
3
3
cresc.
Fl. 2
cresc.
1 3
Ob. 2 3
a2 Cl.
1 2 3
cresc.
3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Chimes 1 (Vibr.) Perc. 2
3
Cel.
Hp.
Solo Cl. improv. Changes? W.W. 1 Contra Alto Cl. in E W.W. 2
Tbn. Funk Groove Drums pizz. Bass
Tr. 8
= 96 unis. I 3
cresc. div. Vn. II 3
cresc. div. Va. 3
Vc.
Cb.
3
3
3
3
= 76
= 116
Scene 1
9
35 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 mute 1 Tpt.
mute 2 3
1 Tbn.
3
2
Timp. Marimba 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass 3
8
I Vn. II
Va.
Vc.
Cb.
10
Scene 1 40 1
Fl. 2
1 3
Ob. 2
3
1. 1 2
Cl.
3
Bs. Cl.
1 Bn. 2
1 Hn. 2 open 1 open
Tpt. 2
3
1 Tbn.
3
2
Timp.
1 Vibr. Perc. 2 3
3
Cel.
Hp.
to Alto Sax. in E (Scene 4) W.W. 1
W.W. 2
Tbn.
Drums
Bass 3 3
Tr. 8
I am the danc er of
all danc
ers,
li
I
cresc.
Vn. II
Va.
pizz. Vc.
pizz. Cb.
ar, thief
and
Scene 1
11
45 1 3
Fl. 2
1 Ob. 2 1. Cl.
1 2 3
Bs. Cl. 3
1 Bn.
3
2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3 3
3
3
Tr. 8
lov
er,
the one
who
I Vn. II
Va. 3
Vc.
Cb. 3
eats
when
the
fo
rest hun
gers.
12
Scene 1 49 1
Fl. 2
1 6
Ob. 2
1. Cl.
1 2
Bs. Cl. 3
1 Bn.
3
2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass 3
3
Tr. 8
When
a
mor
tal
says
there’s
a
bird
on
a
wing
they
I Vn. II 6
Va.
3
Vc.
Cb. 3
say
a prayer
to
Scene 1
13
53 1 Fl. 2
1 3
Ob. 2 3
2. Cl.
1 2 3
Bs. Cl. 3
1 Bn.
3
2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Mar. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3
3
3
3
Tr. 8
me.
When
a
I Vn. II
Va.
3
Vc.
Cb. 3
mor
tal
says
there’s
a
bird
on
a
wing
This
wi
ly
14
Scene 1 57 1 3
Fl. 2 3
1 Ob. 2
1. Cl.
2.
3
1 2 3
Bs. Cl. 3
1 Bn.
3
2
1 3
Hn.
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 C.A. Cl. W.W. 2
Tbn.
Drums
Bass 3 3
3
3
Tr. 8
god
comes
to
sing.
I
I 3
Vn. II
Va. 3 3
Vc.
Cb. 3
am the
danc
er
of
all danc
ers,
Scene 1
15
61 1 Fl. 2
1 Ob. 2
Cl.
1 2 3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
3
1 Tbn.
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3
3
3
3
Tr. 8
li
ar,
thief
I Vn. II
Va.
3
Vc.
Cb. 3
and lov
er,
the
one who
eats
when
the
for
est hun
gers
16
Scene 1 65 1
Fl. 2
1 Ob. 2 1. 1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 3
2 3
1 Tpt.
3
2 3
1 Tbn.
3
2
Timp. 6
Mar. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 3
Drums
Bass 3
3
Tr. 8
It 6
I Vn. 3
II
3
Va.
3
Vc.
Cb. 3
is
on
ly
a slight
mis
hap
Scene 1
17
69 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl. 3
1
cresc. Bn.
3
2
cresc.
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
4
Tr. 8
my
I Vn. II
Va.
3
Vc.
Cb.
3
sight’s
a
lit
tle
dazed
Is
it
on
ly
a
mo
men
18
Scene 1 73 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 3
dim.
3
dim.
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3
dim.
cresc.
3
3
Tr. 8
tar y lapse
my
pow
ers
re
tire,
but
I
do
not
fail.
I Vn. II
Va. 3
3
cresc.
Vc. 3
cresc.
dim.
cresc.
dim.
Cb. 3
Scene 1
19
77 1
dim. Fl. 2
dim. 1
dim.
Ob. 2
dim. Cl.
1 2
dim. Bs. Cl. 3
1
cresc.
Bn.
3
2
cresc.
1 Hn. 2
1 Tpt. 2
1 3
Tbn. 2
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2 3
Tbn. 3
(Drs.) Drums
3
Bass
cresc.
cresc.
3
3
Tr. 8
3
There
are the trials
a her
o
must suf
fer
to make
his sto
ry
bold.
I 3
3
3
cresc.
Vn. II
3 3
Va.
cresc. 3
Vc.
cresc.
cresc. 3
Cb.
cresc.
cresc.
3
3
20
Scene 1 82 1
Fl. 2
1
cresc.
Ob. 2
cresc. 1. Cl.
1 2
cresc. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Mar. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
Tr. 8
A mong
gods
it’s true
if
I Vn. II
Va.
arco Vc.
pizz. Cb.
arco
you live
a
hu
man
life,
Scene 1
21
88 1 Fl. 2
1
cresc.
Ob. 2
cresc. Cl.
1.
1 2
cresc.
cresc.
Bs. Cl.
1
cresc.
Bn. 2
1 Hn. 2
1 Tpt. 2 1. 1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (Drs.) Drums
cresc. Bass
3
Tr. 8
I Vn. II
Va.
Vc.
Cb.
you for
get
what a
god
knows.
If you
live
a
hu
man
life
22
Scene 1 = 100
94
Ritard.
1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl. 3
1 3
Bn.
3
3
2
1 Hn.
3
3
3
3
2 3
1 Tpt.
3
2
1 3
Tbn.
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. (Drs.) Drums
Bass
3
3
3
Tr. 8
You’ll
re
gret
it
like
they
do
Speak
= 100
ing sor row
sing ing
Ritard.
I Vn. II
3
Va. 3 3
3
Vc. 3 3
Cb.
Scene 1
23
accel.
= 88 99 1
3
3
3
cresc.
Fl.
3
3
2
1 3
Ob. 2 3
a2 Cl.
1.
1 2 3
Bs. Cl.
1
dim.
Bn.
dim.
2
dim.
Hn.
1
2
1 Tpt. 2
1 3
Tbn.
3
2
Timp. Xyl. 1 3
Vibr. Perc. 2
3
Cel.
A , B , C - D , E, F , G Hp.
D
A
E
E
3
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tr. 8
blue.
div.
= 88
accel. unis.
I
dim. div.
Vn.
unis.
II
dim. div.
unis.
Va.
dim. 3
Vc.
dim.
Cb.
dim.
24
Scene 1
fltg.
103 1 6
Fl.
fltg. 2 6
1
3
3
Ob. 2 3
1. Cl.
2.
1 2
dim. Bs. Cl.
1 (dim.)
Bn. 2
(dim.) 1 Hn. 2 mute 1 Tpt.
mute 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
A , B , C, D, E, F, G 4
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
3
Tr. 8
Men meet with di
sa
ster
no mat ter what they
I Vn. II
dim.
pizz.
4
Va.
dim. pizz. Vc.
Cb.
4
arco
Scene 1
25
108 1 Fl. 2
1 3
Ob. 2 3
2.
1.
1 2
Cl.
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Vibr. Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
4
Tr. 8
do.
The hand moves
first
and the
heart’s
sick
la
ter.
I Vn. II
arco Va.
Vc.
dim.
Cb.
dim.
They
think
their
26
Scene 1 113 1
3
Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1 Glock., soft mallet Perc. 2
3
Cel.
Hp.
W.W. 1 C.A. Cl. W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
gods
take pi ty on
them.
They think
I Vn. II
Va.
Vc.
Cb.
3
their
gods
are heart
sick,
Scene 1
27
119 1 Fl. 2
1 Ob. 2
Cl.
1 2
dim. Bs. Cl.
1
dim.
Bn. 2
dim. 1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
I Vn. II
Va.
Vc.
Cb.
too
but
gods
are great er than
men—
not
nic
er,
28
Scene 1
= 120 124 1 Fl. 2
1 Ob. 2 a2 Cl.
1.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 3
Tbn. 2 3
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. Funk groove Drums pizz. Bass
4
3
Tr. 8
I
= 120 I Vn. II
Va. pizz. Vc.
pizz. Cb.
arco
pizz.
am
the
danc
er
Scene 1
29
128 1 Fl. 2
1 Ob. 2 (1.) Cl.
a2
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 3
dim. Tbn. 2
dim.
3
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 3
W.W. 2
Tbn. 3
Drums
Bass 3
3
Tr. 8
my
I Vn. II
Va.
Vc.
Cb. 3
sight’s
a
lit
tle
dazed
30
Scene 1 132 1
Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1
cresc.
Tpt. 2
cresc. 1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
W.W. 2
Tbn. 3
Drums
Bass 3
3
Tr. 8
It
is
on
ly
a
mo
men
ta
ry lapse
I
am
the dan
cer
I Vn. II
dim.
Va.
dim. Vc.
Cb. 3
of
Scene 1
31
136 1 3
Fl. 2 3
1 3
3
3
Ob. 2
3
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2 3
3
Tbn. 3
3
Drums
Bass
3
3
3
Tr. 8
all danc ers,
li ar, thief
and
lov
er,
li
ar,thief
and
lov
I Vn.
3
II
Va.
Vc.
Cb.
3
3
3
3
32
Scene 1 141 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
W.W. 2
Tbn. 3
Drums arco Bass 3
Tr. 8
er,
li
ar, thief
and lov
er,
I
Vn. II
cresc.
Va.
3
arco
Vc.
arco Cb. 3
Scene 1
= 80
= 66
= 80
33
= 80
= 66
146 1 Fl. 2
1 Ob. 2 1. Cl.
1.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Vibr. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
God dess
= 80
of the wa
ters
= 66
Moth
= 80
= 66
er
of all
gods
Mis tress
= 80
I Vn. II
cresc. Va. 3
3 3
Vc.
Cb.
3
cresc.
of
o ceans,
34
Scene 1
= 58 152 1 Fl. 2
1 3
3
3
3
Ob. 2 (1.) Cl.
1 2 3
3 3
3 3
3
3
Bs. Cl.
1 Bn. 2
1 Hn. 3
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 Contra Alto Clarinet
3
3
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
ri
vers
I
know
you
think
me
just a
= 58 I Vn. II 3
3
cresc.
3 3
3
Va.
cresc.
3
3
3
3
3
3
3
Vc.
cresc.
cresc.
Cb. 3
3
Scene 1
35
157 1 3
Fl. 2 3 3
1 6
3
Ob.
3
3
3
3
6 6
3
2 3
3
Cl.
1 2 3
3
dim.
3
3
3
3
3
3
3
Bs. Cl.
1 3
Bn.
3
2
3
1 3
Hn.
3
3
2 3
1 Tpt. 2
1 3
3 3
Tbn. 2
Timp. (Vibr.) 1 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
small
god
a
god
un
armed
and
weak
with
on
ly
3
I 3
6
6 6
Vn. II 3 3
Va. 3
3 3
3
3 3
3
3
3
Vc. 3
Cb. 3
3
36
Scene 1 161 1 3
3
3
3
3
3
Fl. 2
1 3
3
3
3
Ob. 2 3
Cl.
1 2 3
3 3
3
3
3
3
3 3
3
3
Bs. Cl.
1 3
Bn. 2 3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
3
Tr. 8
wit
and
brain
words
and
guile
but
it
on ly seems
I
am a
board
I 3
6
Vn. II 6
Va. 3 3
3
3
3 3
3
3 3
3
Vc.
Cb. 3
3
3
3
a
Scene 1
37
165 1 Fl. 2
1 Ob. 2 2. Cl.
3
a2
1 2 3 3
3
3
3
3
3
3
3
3
3
Bs. Cl.
dim.
dim.
cresc.
1 3
Bn. 2
3 3
1 Hn.
dim. 3
2
dim.
3
3
1 Tpt.
3
3
2
cresc. 1 Tbn.
dim. 2
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
dim.
3
3
3
3
3
3
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
ship
I
can not
sail
I
will
pre
vail.
I 3
3
dim. Vn.
3
3
3
II
dim. Va. 3
6
cresc. 3
3
3
3
Vc.
dim. 3
3
3 3
Cb.
dim.
cresc.
3
3
dim. 3
3
3 3
38
Scene 1 169 1
Fl. 2
1 3
Ob. 2 3
Cl.
1 2 3
3
3
3
Bs. Cl.
dim. 1 Bn. 2
1 Hn. 2
1 Tpt.
3
2
dim. 1 Tbn.
3
3
3
3
3
3
3
2
Timp. Vibr. 1 3
Perc. 2
3
Cel.
Hp.
W.W. 1 A7( 5 11)
(C.A. Cl.)
sparsely
W.W. 2 3
3
Tbn. R.S. Shuffle Drums pizz. Bass 3
dim. 3
3
3
3
3
cresc.
3
3
3
dim.
3
3
3
Tr. 8
Mark
my words
andhear my
tale
I 3
6
dim.
Vn.
3
3
dim.
6
II 3
dim.
3
dim.
Va. 3
dim.
dim. pizz.
3
3
3
3
3
3
3
Vc. 3
3
cresc.
3
dim.
3
pizz. Cb. 3
3
3
3
cresc.
3
3
3
dim.
3
3
Scene 1
39
173 1 Fl. 2
1
dim.
Ob.
3
2 1. Cl.
1 2
dim.
3
3
3
3
3
Bs. Cl.
dim. 1 Bn. 2
1 Hn. 2 3
1 3
Tpt.
3
3
2
1 Tbn.
3
3
3
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
A7( 11)
B 7( 11)/A
A7( 5)
(even more sparse) A7 95 B 7/A 95
A whole tone
A7( 11)
B 7( 11)/A
W.W. 2
Tbn.
Drums
Bass
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Tr. 8
I
3
3
dim.
Vn. II
dim.
3
dim.
3
3
Va. 3
3
3
3
arco
Vc. 3
3
3
Cb. 3
3
3
3
3
3
3
3
3
40
Scene 1 178 1
Fl. 2
1 Ob. 2 1. Cl.
1 2 3
dim.
3
dim.
3
dim.
3
dim.
3
Bs. Cl. 3
1 Bn. 2
1 Hn.
3
2 3
3
3
1 Tpt.
dim. 2 3
3
1 3
Tbn.
3
3
3
2 3
3
3
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
cresc.
B, C, D, E, F , G, A
W.W. 1 (C.A. Cl.) A7( 9)
G m6( 7)/A
3
3
W.W. 2
Tbn.
Drums 3
Bass 3
3
Tr. 8
I Vn. II
Va.
Vc. arco Cb. 3
3
3
Bsus9
41
SCENE 2 (on ship)
( = 58) 1 3 6
Fl. 2
1 Ob. 2 1. 1 2
Cl.
Bs. Cl. 3
1 3
Bn. 2
3 3
1 Hn. 3
2 3
1
3
Tpt. 2
1 Tbn. 2 3
gliss. Timp. 3
3
Vibr.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 C.A. Cl. W.W. 2
Tbn.
Drums
Bass
( = 58)
CHORUS
S
A
T 8
gliss. 3
B Drift
ing
I Vn. II
Va. div.
gliss.
Vc. 3
Cb.
42
Scene 2
= 120
4 1 Fl. 2
1 Ob. 2 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
E, F , G, A B , C, D W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
gliss.
3
S Drift gliss.
ing
Drift
ing
3
A gliss. 3
T 8
Drift
ing
ing
B ing
= 120
gliss. I 3
Vn. gliss. II gliss.
3
Va. 3
Vc. pizz. Cb.
Scene 2
43
= 100
8
= 120
1 Fl. 2 3
1 3
Ob. 2 3
1. Cl.
1.
1 2 3
Bs. Cl.
1 Bn. 2
1 Hn. 2 mute 1 Tpt.
mute 2
1 Tbn. 2
Timp. Vibr.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
3
Nav. 8
We
may
yet get
a
way,
we’re
well
to the north now,
= 120 = 100 I
Vn.
pizz. II
Va.
Vc.
Cb.
44
Scene 2
Ritard
= 92
14 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 3
Bn.
cresc.
cresc.
3
2
cresc.
Hn.
cresc.
1
2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
cresc. Mar. Perc. 2
cresc. 3
Cel.
dim. E, F , G, A B , C, D
Hp.
3
3
W.W. 1
W.W. 2
Tbn. 4
4
Drums
cresc. Bass
3
3
3
Nav. 8
We may yet
Ritard
es
cape
if these cut throats don’t
find
us
out
= 92
I
Vn.
pizz. 3
3
arco
3
arco
3
II
cresc. pizz. Va. 3
cresc. 3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
Scene 2
45
20 1 3
cresc. Fl. 2
3
cresc. 1
3
Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
Hn.
1
2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
cresc.
Mar. Perc. 2
cresc.
African bell 1 African bell 2 Tom-tom Conga
3
cresc.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 4
4
4
4
Drums
cresc. Bass
Nav. 8
I 3
Vn. II
cresc.
Va.
cresc. Vc.
Cb.
3
46
Scene 2 25 1
Fl. 2
3
3
1 Ob. 2 2.
2. Cl.
1 2
3
3
3
3 3
Bs. Cl. 3
3
1
Bn.
3
3
2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
DON PEDRO
East
by day,
North
arco
pizz. I
3 3
Vn. II
3
3
Va. pizz. Vc. pizz. Cb.
by
night
A
ruse
3
so sim ple but
Scene 2
47
30 1
cresc.
Fl. 2
cresc. 1 Ob. 2 1. Cl.
a2
1 2
cresc.
cresc.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3 3
D.P.
3
3
bright...
You’ve saved
us with your de
ceit.
If you steered
as
they
said,
we’d be half way to
I
cresc.
cresc.
Vn. II
cresc.
cresc.
Va.
cresc. Vc. 3
Cb. 3
48
Scene 2 35 1
Fl. 2
1 Ob. 2 1. a2 1 2
Cl.
cresc. Bs. Cl.
cresc. 1 Bn. 2
1
Hn.
2
1 Tpt. 2 mute 1 Tbn.
mute 2
Timp. 3
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
D.P. A
fri
ca,
dead
meat
for
a
can
ni bal
feast.
cresc.
KINNAH
Mo
8
cresc.
GRABEAU & BURNAH
Mo
I 3
Vn. 3
II
Va.
cresc. Vc. 3
Cb. 3
Scene 2
49
38 1 Fl. 2
1 Ob. 2 2.
a2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 (mute)
Tpt. 2 (mute) 1
cresc. (mute)
Tbn. 2
cresc.
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
cresc. Tbn.
Drums
Bass
Ki, 8
yam
ba
Tem
ne,
Men
de,
Ma
no,
Mo
ro.
yam
ba
Tem
ne,
Men
de,
Ma
no,
Mo
ro.
Gr. Bu.
I Vn. II
Va.
Vc. cresc. a poco Cb.
cresc. a poco
50
Scene 2 41 1
Fl. 2
1 Ob. 2 a2
a2
1 2
Cl.
3
3
Bs. Cl.
1 Bn. 2
1
Hn.
2 (mute) 1 Tpt.
(mute) 2 (mute) 1
Tbn.
(mute) 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
MARGRU S BAHIA
Ta
pe
ta,
Ke
Ta
pe
ta,
Ke
Ta
pe
ta,
Ke
Ta
pe
ta,
Ke
A KALEH
8
Gr. Bu.
I 3 3
Vn. 3
II
dim.
Va. 3
Vc.
Cb.
3
dim.
Scene 2
51
=
43 1
cresc. Fl. 2
cresc. 1 Ob. 2 a2 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2 (mute) 1 (mute)
Tpt. 2
(mute) 1 Tbn.
(mute) 2
Timp.
1
Perc. 2
3
3
Cel.
3
3
33
3
Hp.
W.W. 1 (C.A. Cl.)
upper register multiphonics
W.W. 2
Tbn.
Drums
Bass
Mar. ne
ma,
Tem
ne,
Men
de.
ne
ma,
Tem
ne,
Men
de.
ne
ma,
Tem
ne,
Men
de.
ne
ma,
Tem
ne,
Men
de.
Ba.
Ka. 8
Gr. Bu.
=
div. I Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
3
52
Scene 2 46 1 3
3
Fl. 2 3
3
1 3
Ob. 2
3
1 2
Cl.
Bs. Cl. 1 Bn. 2
1
Hn.
2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
3
3
3
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
dim.
3
3 3
3
3
3
3
3
Hp.
W.W. 1 (C.A. Cl., upper register multiphonics) W.W. 2
Tbn.
Drums
Bass
CINQUE
3
We’re
drift
3
3
ing
and
the
wind
is
chill
S
A
T 8
B
I 3
dim. Vn. II 3
Va.
3
3
3
3
3
3
3
3
3
3
dim.
3
3
3
3
Vc.
dim. Cb.
dim.
3
3
3
dim.
3
dim.
3
3
3
3
Scene 2
53
50 1 6
Fl. 2 6
1 3
Ob. 2 3
1 2
Cl.
3
Bs. Cl. 1 Bn. 2
1 Hn.
dim.
(mute) 2
dim.
3
(mute) 1 (mute)
Tpt.
3 3
2 (mute) 1 3
dim.
(mute)
Tbn. 2
3
dim.
Timp.
1
Perc. 2
3
3
Cel.
3
cresc.
3
3
3
3
dim.
3
3
3
3
3
cresc.
3
3
3 3
3
3
3
3
3
3
3
3
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
Cin. We’re
drift
ing
and
we’re
too
far
north
3
S Drift
ing
CHORUS
3
A Drift
ing 3
T Drift
8
ing
B Drif div. I
3
3
3
3
3
cresc.
6
Vn. II 3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
Va. 3
Vc. Cb.
3
54
Scene 2 54 1
Fl. 2
1 3
Ob. 2 3
a2 1 2
Cl.
3
Bs. Cl. 1 Bn. 2
1
Hn.
2
1 3
Tpt.
3
2
1 3
Tbn. 2 3
Timp.
1
Perc. 2
3 3 3
3
cresc.
Cel.
3 3
3 3
3
dim.
3
3 3
3
3
3
3
3 3
3
3
3 3
3
3
3
Hp.
W.W. 1 (C.A. Cl.) W.W. 2 3
Tbn.
Drums
Bass
3
3
3
Cin. I
see
birds
but
they
fly
west
3
CHORUS
S Drift
ing
Drift
ing
3
A 3
T Drift
8
ing
3
B ting
I
3
3
3
cresc.
Vn.
3
3
3
dim.
3
3
3
3
3
3
II
3
3
cresc. div.
3
3
dim.
3
3 3
3
3
3 3
3
3 3
3
Va. 3
Vc.
Cb.
Scene 2
55
58 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
8
We’re
not
safe
yet DON PEDRO
Cin. Not
I Vn. II
cresc.
Va.
cresc. pizz. Vc.
pizz. Cb.
safe
yet
56
Scene 2 62 1
Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Nav. 8
Soon
as they’re
through
with us,
theywill kill
I Vn. II
cresc.
Va.
cresc. Vc.
Cb.
us
an
y
chance
they
get.
Scene 2
57
66 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 open 1 Tpt.
open 2 open 1 open
Tbn. 2
Timp. (Vibr.) 1
Perc. 2 Tom-t. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3+3
2+2+2+3
Drums
Bass
TRICKSTER Nav. 8
We’re not
safe
yet.
East
by day,
North
by night!
I Vn. II
cresc.
Va.
cresc. arco
pizz.
arco
pizz.
Vc.
Cb.
58
Scene 2 70 1
cresc. Fl. 2
cresc. 1
cresc.
Ob. 2 1. Cl.
a2
a2
1.
1.
cresc. 1.
1 2
cresc.
cresc.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 Mar. Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3+3
2+2+3
3+3
2+2+2+3
3+3
Drums
Bass
Tr. 8
They rule div.
I
Vn. II
div. Va.
Vc.
Cb.
us
yet
by
sleight.
Gut
less guile
they wield,
foul chi can er y, a dir
ty
trick!
Scene 2
59
75 1 Fl. 2
1 (cresc.) Ob. 2 (1.)
(cresc.)
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 2+2+3
2+2+2+3
3+3
Drums
Bass
Tr. 8
We should
cut their throats, MARGRU
We should
cut their
throats,
Cut
their
throats
Cut
their
throats
KALEH & KINNAH Cut
their
throats
Cut
their
throats
GRABEAU & BURNAH Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
BAHIA
T 8
I Vn. II
Va.
Vc.
Cb.
60
Scene 2 78 1
Fl. 2
1 Ob. 2 a2 1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2 gliss. 1 Tbn. 2
Timp. (Vibr.) 1 Mar. Perc. 2
Tom-t. & conga 3
cresc.
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 2+3+2 Drums
cresc. Bass
3
Tr. 8
We
should cut their throats
and chance
the
wa ter
y
roads.
Mar. Cut
their
throats
Cut
their
throats
Cut
their
throats
Ba. CHORUS TENORS
Ka. Ki. 8
Shift CHORUS BASSES
Gr. Bu. Cut
their
throats
Shift tremolo
I Vn. II
Va.
Vc.
Cb.
Scene 2 = 56
82
61
1 Fl. 2
1 3
Ob.
dim.
2 3
dim.
1 2
Cl.
3 3
3
dim. 3
3
Bs. Cl.
1 Bn. 2
1
Hn.
3
dim.
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2 3
Cel.
Hp.
W.W. 1 C.A. Cl.
3
3
W.W. 2
Tbn. 3
brushes Shuffle (
)
Drums
Bass
CINQUE
3
Tr. 8
She’s
CHORUS SOPRANOS gliss.
S CHORUS ALTOS
Drift gliss.
ing
Drift
ing
A Pitch gliss.
ing
T 8
ing
Pitch gliss.
ing
B ing
= 56 gliss.
I Vn.
6
gliss.
6
II gliss. Va.
cresc. 3
3
Vc.
cresc. 3
Cb.
3
62
Scene 2 86 1 6
Fl. 2
1 3
Ob.
3
3
dim.
3
3
2 3
2.
2. 1 2
Cl.
3 3
3
3
3
3
3
Bs. Cl.
1 3
Bn. 2
1 3
Hn.
dim.
3
3
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
W.W. 2
Tbn. (Drs. - triplet shuffle) Drums
Bass
3
3
3
3
3
Cin. 3
shift
ing
and the
sails bare
ly
fill
she’s
slow
ing
andwe’re go
ing
I Vn. II
Va. 3
3
3
3
3
3
cresc.
3
Vc. 3
Cb.
3
3
Scene 2
63
89 1 3
6
Fl. 2 3
6
1 3
Ob. 2 3
1.
2. 1 2
Cl.
3 6 3
1.
3
3
3
3
3
3
3 3
3
3
3
Bs. Cl.
cresc.
cresc.
1 3
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
Tbn. (Drs. - triplet shuffle) Drums
Bass
TRICKSTER 3
3
3
3
3
Cin. 8
no
where.
Chief,
you’ve
been
tricked
We’re
not
go ing home,
I 6
3 6
Vn. II
3 6
Va.
3 3 3
3
3
3
3 3
3
dim. 3
3
3
Vc. 3
Cb.
cresc.
3
3
3
64
Scene 2 93
3
1 3
3
3
3
Fl.
3
2 3
3
3
3
1 Ob.
3
3
3
3
2
dim. Cl.
1 2 3 3
3
3
3
3
3
3
3
3
Bs. Cl.
cresc.
3
dim.
cresc.
1 Bn. 2
1 3
Hn.
3
2
1 Tpt. 2
1 Tbn. 2 3
Timp. Vibr. 1 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
cresc. Tbn. (Drs. - triplet shuffle) Drums
Bass
3
3
3
Tr. 8
We’re
head ed North
Free the helm
take
hold of
her
CINQUE
3
3
We’re
head
ed
North?
div.
3
I Vn.
3
3
3
II 3
div.
3
Va.
cresc. 3
3 3
3
3 3
3
3
3
3
Vc.
cresc. 3
Cb.
dim. 3
3
cresc.
3
3
Scene 2
65
97 1 Fl. 2 3
1 Ob.
3
2 3
Cl.
1 2 3
3
3
3
3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1
cresc.
Tbn.
3
3
2
cresc. 3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
cresc. Tbn. (Drs. - triplet shuffle)
3
3
Drums
Bass
3
3
3
3
3
Tr. 8
Bound for chains, 3
and
head
ed
for
death.
We
go
as they de sire
3
Cin. Bound
for
where? 3
I 6
cresc.
Vn. II 3 3
3 3
Va. 3
cresc. 3
3
3
3 3
3
3
Vc. 3
3
3
cresc.
Cb. 3
3
cresc.
3
66
Scene 2 101 1 3
Fl. 2
1 3 3
Ob. 2 2.
1.
2.
3
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
1 Tpt. 2
1 3
Tbn.
3
3
3
3
2
dim.
dim. 3
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) 3
3
3
W.W. 2
dim.
dim.
Tbn. 3
3
3
Drums
dim.
3
Bass
3
3
3
3
3
3
3
Tr. 8
From mu
ti ny
to
mas
sa
cre,
from
mu ti
ny
to mas
sa cre,
I 3
Vn. II
3
Va. 3 3
3
3
3
3
Vc.
dim.
dim.
Cb.
dim.
3
dim.
from mu ti ny to
Scene 2
67
= 72 105 1 3
Fl. 2 3
1 Ob. 2
1. Cl.
a2
1 2 3
Bs. Cl.
1 Bn. 2
1.
3
1 Hn. 3
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2 Sn. Dr. & Tom-t. 3 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
mas sa
cre.
3
CINQUE
3 3
Lord,
You can
not
see
You
talk so just to rid dle me,
= 72 I 3
Vn. II 6
3
dim.
Va.
dim. Vc.
Cb.
68
Scene 2
= 112
110 1
3
Fl. 2 3
1 Ob. 2 a2
1. Cl.
a2
3
1 2 3
3
Bs. Cl.
1 3
Bn. 2 3
1 Hn.
3
2 3
1 3
Tpt. 2
3
1 3
Tbn.
3
2 3
Timp. (Vibr.) 1 3
3
cresc. Mar.
3
Perc. 2
(Sn. Dr. & Tom-t.) 3 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TRICKSTER
8
3
I
can
hear,
Chief
I can hear,
3
Now
3
do as I say,
= 112 I Vn. II
Va.
3
Vc.
pizz. Cb.
arco
pizz.
3
You can
Scene 2
69
115
= 104
1 Fl. 2
1 Ob. 2
2. 1 2
Cl.
Bs. Cl.
1
Bn. 2
1 Hn. 2
1
Tpt.
3
3
3
3
3
3
3
3
2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass CINQUE 3
Tr. 8
steer
if
you mind the
tell
tales
What’s
= 104 I Vn. II
Va.
3
Vc.
3
Cb.
that
you
70
Scene 2
= 112 119 1 Fl. 2
1 3
Ob. 2 3
Cl.
1 2 3
Bs. Cl.
1 3
Bn. 2 3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Cin. say?
Lord
Rid
dler
speaks
non
sense,
non
sense
= 112 I Vn. II
Va. pizz.
arco
Vc. 3
pizz.
arco
Cb. 3
3
Scene 2
71
122 1 3
Fl. 2 3 3
1 Ob.
3
2
Cl.
1 2 3
3
Bs. Cl. 3
1 3
Bn. 2 3
1 3
Hn.
3
3
3
3
3
3
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
TRICKSTER 3
8
They
I Vn. II
Va.
arco Vc.
arco Cb.
tell
3
3
wherethe
wind
goes
on
3
3
the
cross
and the shrouds
They
see
the
72
Scene 2
= 66
126 1 Fl.
3
3
3
3
2
1
Ob.
3
2
Cl.
1 2 3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (Drs. - shuffle) Drums
Bass 3
3
CINQUE
3
3
Tr. wind
ev
en
when
she’s
low
Tell
tales
= 66 I Vn. II 3
3
Va. 6
3
cresc. 3
3
3
3
Vc.
3
Cb. 3
3
Scene 2
73
= 126
130 1 6
Fl. 2 6
1 Ob. 2 a2 Cl.
1 2 3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Funk Drums pizz. Bass
TRICKSTER
8
It’s an 3
3
3
3
3
Cin. see the wind and the shrouds,
Lord
what
are
shrouds?
= 126 I 3
6
Vn. II
Va. 3 3
3
3
3
pizz.
Vc. pizz. 3
Cb.
3
arco
74
Scene 2 134 1
Fl. 2
1 Ob. 2
2. Cl.
1 2
Bs. Cl.
1 3
Bn. 2 3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
Eng
lish
word,
An
Eng
lish
man
word
for
cloth
I Vn. II
Va. pizz.
arco
pizz.
Vc. 3
Cb.
3
for
the
dead
Scene 2
75
137 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
cresc. Bs. Cl.
1 3
Bn. 2 3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
cresc. Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 19/8 Drums 3
Bass
Tr. 8
Chief,
you ask ques
tions
while time
is
short
I Vn. II
cresc.
Va.
cresc. arco
pizz.
Vc. 3
arco Cb.
pizz. 3
76
Scene 2 142 1
Fl. 2
1 Ob. 2 a2 Cl.
1.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Xyl.
Vibr.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8
19/8
Drums
Bass
Tr. 8
Tell the boys to climb
I Vn. II
cresc. Va.
cresc. Vc.
Cb.
up
to
see
if
the land
lies
where those birds
fly.
Scene 2
77
148 1 Fl. 2
1 Ob. 2 a2 Cl.
1 2
cresc. Bs. Cl.
1
cresc.
Bn. 2
cresc.
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
cresc.
Timp. Vibr. 1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums
Bass
Tr. 8
The bow is
in
the wind,
Chief.
I Vn. II
Va.
pizz.
arco
Vc.
cresc. pizz.
arco
Cb.
cresc.
78
Scene 2 155 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn.
cresc. 2
cresc.
1 Hn. 2
1 Tpt. 2
1 Tbn.
3
3
3
3
2
Timp. (Vibr.) 1
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8
19/8
Drums
Bass
CINQUE
3
3
Tr. 8
The sails
are luff
fing,
Turn her off
the
wind
Cloth
for
I 3
Vn. II
cresc.
Va.
cresc. arco
pizz.
pizz.
Vc.
cresc. pizz.
cresc. arco
pizz.
Cb.
cresc.
cresc.
the dead
Scene 2
79
162 1 dim.
Fl. 2
1 Ob. 2 2. Cl.
1 2
Bs. Cl.
1 Bn.
cresc.
cresc.
cresc.
cresc.
2
1 Hn. 2
1 Tpt. 2
1 3
cresc.
Tbn. 2
3
cresc. Timp.
(Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8
19/8
Drums
Bass (Deck springs to life)
3
3
Cin. Climb
the
ropes
Tell
tales
Turn from the
wind
Climb
the
ropes
div. I dim. Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
arco
pizz.
arco
pizz.
Vc.
cresc. arco
pizz.
cresc. arco
pizz.
Cb.
cresc.
cresc.
Mind
the
80
Scene 2 170 1
Fl. 2
1
dim.
Ob. 2
dim. 1 2
Cl.
Bs. Cl.
dim. 1 Bn. 2
cresc.
1 Hn. 2
1 Tpt. 2 with mute 1
cresc. Tbn.
with mute 2
cresc.
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 14/8 Drums
Bass
TRICKSTER
8
(to himself)
I
Cin. tell
tales
I Vn. II
Va. arco Vc.
cresc. Cb.
cresc.
1.
Scene 2
81
174 1 Fl. 2
1 Ob. 2
1. Cl.
1 2
Bs. Cl.
1 Bn. 2
cresc.
cresc.
1 Hn. 2 (mute) 1 (mute)
Tpt. 2 (mute) 1 Tbn.
cresc.
cresc.
cresc.
cresc.
(mute) 2
Timp. (Vibr.) 1
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 14/8 Drums
Bass
Tr. have noth ing
to
fear.
I
tell the
I Vn. II
Va.
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
wind
to
fill
the
sails.
82
Scene 2 180 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
cresc.
1 Hn. 2
1
cresc.
Tpt. 2
cresc.
1
cresc. Tbn. 2
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 14/8
14/8
Drums
Bass
3
Tr. If
for now the winds
say
they will not
bring
us
to
sail, div.
I Vn. II
cresc.
Va.
cresc. Vc. arco Cb.
pizz.
arco
pizz.
Scene 2
83
186 1 Fl. 2
1 Ob. 2 a2 Cl.
2.
1 2
cresc. Bs. Cl.
cresc. 1 Bn.
cresc. 2
cresc.
cresc.
1 Hn. 2
1 Tpt.
cresc. 2
cresc. 1 Tbn.
cresc. 2
cresc. Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 14/8
11/8
11/8
Drums
Bass
3
Tr. 8
it
is
just
for
now.
If
I Vn. II
Va.
Vc.
cresc. arco
pizz.
arco
pizz.
Cb.
cresc.
the
rain
says
she
84
Scene 2 192 1
3
Fl. 2
1 Ob. 2 2. Cl.
1 2
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
1 Bn.
cresc.
2.
2
cresc.
cresc.
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 11/8
11/8
11/8
Drums
Bass
4
3
3
Tr. 8
will not fill
thewa ter pails.
she
will heed
me
yet,
I am still
their
chief,
I 3
Vn.
cresc.
3
II
cresc.
3 3
Va. 3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
Scene 2
85
198 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
1
cresc.
Bn. 2
cresc.
cresc.
cresc.
1 Hn. 2
cresc. open 1
cresc. Tpt.
open 2
cresc.
open 1
cresc. Tbn.
open 2
cresc.
Timp. (Vibr.)
cresc.
1
Perc. 2 Bs. Dr. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc. Tbn. 11/8
Cym.
Drums
cresc. Bass
3
Tr. 8
Lord
of Il
lu
sion, and
De
ceit.
I
div. I
Vn.
div. II
3
Va.
Vc.
cresc.
cresc. arco
Cb.
cresc.
cresc.
will not be
86
Scene 2 204 1
Fl. 2
1 Ob. 2
a2 Cl.
1 2
dim. Bs. Cl.
1
dim.
Bn. 2
dim.
1 Hn. 2 mute 1 mute
Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums
Bass
3
Tr. played
a
cheat. CINQUE
(spoken): Burnah! Grabeau!
Climb the sails and look!
I Vn.
dim. II
Va.
dim. pizz. Vc. pizz. Cb.
Scene 2
87
208 1 Fl. 2
1 Ob. 2 a2 1 2
Cl.
dim. Bs. Cl.
1
cresc.
Bn. 2
cresc. 1 Hn. 2
1 Tpt.
cresc.
dim.
cresc.
dim.
2
1 Tbn.
3
3
3
3
3
dim.
2 3
dim.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums
Bass
KALEH
8
8
KINNAH
GRABEAU
3
Cloth BURNAH
dim.
Vn. II
Va.
dim. Vc.
Cb.
for
the
tales 3
Tell
tales
dead
Climb
the
ropes
Tell
tales
dead
Climb
the
ropes
Tell
tales
Turn
for
the
from
the
3
3
3
Cloth
I
3
Tell
Turn
from
the
88
Scene 2 215 1
Fl. 2
1 Ob. 2 a2
(a2) Cl.
1 2
Bs. Cl. 1
cresc. Bn. 2
cresc. 3
3
3
3
1 Hn. 2
1
cresc.
Tpt. 2
cresc. 1 3
Tbn. 2
3
Timp. (Vibr.) 1 (Mar.)
cresc.
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 19/8
3/4 Half time
Drums
cresc. Bass
3
Ka. Climb
8
the
ropes
Mind
the
tell
tales
Cloth for the
3
Ki. 8
wind
Cloth for
the
dead
the
dead
3
Gr. Climb
the
ropes
Cloth for
3
Bu. wind
Mind
the
tell
tales
I Vn. II
cresc. Va.
cresc.
dim.
arco
pizz.
Vc.
cresc. pizz. Cb.
cresc.
Scene 2
89
222 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl. 1 Bn.
cresc. 2
cresc. 1 3
Hn.
3
2
1 Tpt. 2
1 3
Tbn.
3
2
Timp. (Vibr.) 1 (Mar.) Perc. 2
cresc.
cresc.
cresc.
3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. Drums Bass
3
Ka. 5
dead
Climb
the ropes
Mind
the
tell
tales
tell
tales
tell
tales
tell
tales
3
Ki. 5
dead
Climb
the ropes
Mind
the 3
Gr. dead
Climb the ropes
Mind
the
Mind
the
3
Bu. Cloth for the
dead
Climb the
ropes
I
dim.
Vn. II
cresc.
cresc.
Va.
cresc. arco
pizz.
arco
pizz.
arco
Vc.
cresc. arco
cresc.
Cb.
cresc.
cresc.
90
Scene 2 229 1
Fl. 2
1 Ob. 2
Cl.
1 2
cresc.
cresc.
Bs. Cl. 1 Bn.
cresc.
cresc.
2
cresc. Hn.
cresc.
1
2
1 Tpt. 2
1 Tbn. 2
Timp.
(Vibr.) 1
cresc.
cresc.
cresc.
cresc.
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. Drums
Bass
Ka. Turn from the wind,
8
Turn
Ki. Turn fromthe wind
8
Wind,
Turn from the wind
Gr. Turn from the wind,
Turn
Bu. Turn fromthe wind
Wind,
Turn fromthe wind
I Vn. II
Va.
Vc.
cresc.
cresc.
cresc.
cresc.
div. Cb.
Scene 2
91
236 1 3
Fl. 2 3
1 3
Ob. 2 3
a2 Cl.
1 2 3
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 3
Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 3
(Mar.) Perc. 2
Cym. Tom-t.
3
Sn. Dr.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Drums
Bass
Ka. 8
from the wind
Mind
the
tell
tales
8
Wind
Mind
the
tell
tales
Mind
the
tell
tales
Mind
the
tell
tales
Ki.
Gr. from the wind Bu. Wind I Vn.
cresc. II
Va.
cresc.
Vc. pizz. Cb.
92
Scene 2
= 88 242 1 Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 3
Tbn.
3
cresc.
2 3
3
cresc.
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cym. Tom-t. Sn. Dr. Bs. Dr.
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
= 88 gliss.
I
cresc. Vn.
gliss.
II
cresc. 3
gliss.
Va.
cresc. 3
Vc.
arco Cb.
247
Scene 2
= 108
93
1
5
Fl. 2 5
1 3
Ob. 2
3
1. Cl.
1 2 3
Bs. Cl. 3
1 3
3
Bn. 2
3
1 3
Hn.
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass TRICKSTER
NAVIGATOR
3
3
8
Land!
we’ve
hit
Land,
land! GRABEAU
3
There’s noth
= 108
boy?
Is there
3
ing.
I Vn. II 3
5
Va. 3 3
Vc. 3
Cb.
5
94
Scene 2
= 76 252 1 3
Fl. 2
3
3
1 Ob.
3
2 1. Cl.
1 2 3
6
Bs. Cl.
1 3
3
3
3
Bn. 2
1 3
Hn.
3
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
land?
3
3
3
3
Gra. Yes land
sand and
dunes
as far
as
I
can
see
A shal
= 76 I 6
3
Vn. II 6
6
6
6
Va.
Vc.
6
Cb. 3
low
place
Scene 2
95
256 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
8
Not as
DON PEDRO
We’re
yet
3
3
3
my
friend
God
knows
where
saved
G.
I
dim. Vn. II
Va.
Vc.
Cb.
we’ve
land
ed
96
Scene 2 260
= 108
1 Fl. 2
1 Ob. 2
Cl.
1 2 3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1
Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2 Sn. Dr. & Tom-t. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
CINQUE
You
= 108 I
II
cresc.
Va.
cresc.
Cb.
us
to
this
place
Boat
6
Vn.
Vc.
run
Scene 2
97
264 1 Fl. 2 3
1 Ob. 2
Cl.
1 2 3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1
cresc. Tpt. 2
cresc. 1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Cin. man
this
is
some
trick of
yours
I
cresc.
Vn. II
cresc.
Va.
cresc.
Vc.
Cb.
98
Scene 2 267 1
Fl. 2
1 Ob. 2 2. Cl.
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1
Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(NAVIGATOR makes no response) 3
(Grabs NAVIGATOR) Cin. We
go
for
wa
ter,
Watch
them.
I Vn. II
Va.
dim.
Vc.
dim. Cb.
dim.
Scene 2
99
= 80 271 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2 6
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
DON PEDRO 3
Cin. I don’t care what place
this
is.
It
must be
A
mer i ca.
We’ll get help.
= 80 I Vn. II 6
Va.
Vc.
Cb.
100
Scene 2 276 1 3
Fl. 2 3
1 Ob. 2 (1.)
a2
1 2
Cl.
Bs. Cl.
1 Bn. 2
cresc.
cresc.
1 3
Hn.
cresc.
cresc.
cresc.
cresc.
2 3
3
1 Tpt. 2
1 3
Tbn. 2 3
Timp. (Vibr.) 1 3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
D.P. One glance and they’ll see
our
plight. div.
unis.
I
dim.
Vn.
div. II
dim. div. Va.
div. Vc.
cresc. Cb.
Scene 2
= 63
282
101
= 84
1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1
cresc. Bn. 2
cresc.
1 Hn.
cresc. 2
cresc. 1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
= 63
= 84
I
cresc.
3
3
3
3
Vn. 3
II
cresc. Va.
Vc.
Cb.
3
3
3
102
Scene 2
= 289 1 Fl. 2
1 3
Ob. 2 3
Cl.
1 2
3
Bs. Cl. 3
3
3
3
3
3
1 Bn. 2
1 Hn. 2
1
Tpt.
3
2 3
1 Tbn. 2 3
3
Timp. (Vibr.) 1 6
(Mar.) Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
LIEUTENANT (off stage) 3
3
A hoy
3
there
A
hoy
there
= I 3
3
Vn.
3
dim. 3
6
3
3
II
dim. Va. 3
Vc. 3 3
Cb.
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
103
Scene 2 292 1
3 3
3
Fl. 2
3 3
1 3
3
3
3
3
3
Ob. 2
Cl.
1 2 3
3
Bs. Cl. 3
3
1 3
Bn.
3
3
2 3
1 Hn. 2 3
1 3
Tpt.
3
2
1 Tbn. 2 3 3
Timp.
1 (Mar.) Perc. 2 3
3
3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(Climbs onto deck from off the side. From the other side,
3
Lt. how
I
say
you
lend
a
hand
3
3
Vn. II
3
cresc.
3
3
3
3
3
3
Va. 3
Vc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3 3
Cb.
3 3
3
104
Scene 2 295 1 3
Fl. 2 3
1 Ob. 2
Cl.
1 2 3
Bs. Cl.
1 3
Bn. 2
3
1 Hn. 2 3
1 3
cresc.
Tpt.
3 3 3
2 3
cresc. 1
3
3
3
Tbn.
cresc.
3
3
cresc.
3
3
2 3
Timp. (Vibr.) 1
3
3
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Coast Guard men bring CINQUE and his party back on board) Lt.
I 3
3
6 6
6
Vn. II 3
cresc.
3
3
3
3
3
3
3
3
3
cresc.
Va. 3
Vc. 3
3
3
cresc.
Cb. 3
cresc.
3
3
3
3
3
3
3
3
3
cresc.
6
105
Scene 2 298 1 3
3
3
3
Fl. 2
1 3
3
3
3
3
3
Ob. 2
Cl.
1 2
3
3
Bs. Cl. 3
1 3
Bn.
3
2 3
1 Hn. 2
1 3
Tpt.
3
3
2
1 3
Tbn. 2
Timp.
1 (Mar.) Perc. 2 3
3
3
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
Lt. This
is
a
strange
ship.
A
strange
ship
in
deed.
I 6 6
Vn. II 6
Va. 3
Vc.
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
cresc. 3
Cb.
3 3
106
Scene 2 300 1
Fl. 2
1 Ob. 2
1 2
Cl.
3
3
3
3
cresc.
3
3
Bs. Cl.
1 3
Bn. 2 3
1 3
Hn.
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
(Vibr.) 1 (Mar.)
3
3
3
3
3
3
3
3
3
Perc. 2 3
3
3
3
cresc.
3
3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Lt. You must
I
be
the
ghost
ship
Heard
of
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vn. II
Va. 3
3
3
3
3 cresc.
3
Vc.
Cb.
3
3
you
107
Scene 2 302 1 3
3
3
3
3
3
3
3
3
Fl. 2 3
1 Ob.
3
2 3 3
Cl.
3
3
3
3 3
a2 3
3
a2
3
a2
3
1 2 3
Bs. Cl. 3
3
1
3
3
Bn. 2 3
Hn.
3
1
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 3
3
3
3
3
1 3
3
(Mar.)
3 3
3
3
3
3
3
3 3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
Lt. up
I
and
down these parts.
the ship
manned by black
men
haunt ing the
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
whole
Vn. II
Va. 3
3
3
3
3
3
3
3
3
cresc.
3
Vc.
cresc. Cb.
dim.
coast.
108
Scene 2 305 1 3
Fl. 2 3
1 6
Ob. 2 6 3
Cl.
3
3
3
3
3
3
3
3
3
3
3
1 2
cresc.
cresc.
cresc.
cresc.
Bs. Cl. 3
3
3
cresc. 1
3
3
3
cresc.
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
cresc.
3
cresc.
3
3
3
3
cresc.
Bn. 2 3
cresc.
Hn.
3
cresc.
3
cresc.
1
2
1 6
Tpt.
6
2
1 Tbn. 2
Timp. (Vibr.) 3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
(Mar.) 3
3
3
cresc. 3
3
3
cresc.
3
Perc. 2 3
cresc.
3
3
cresc.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
8
3
3
I as
3
3
sure you,sir.
We are
not
3
ghosts,
on
I 6
Vn. II 6
Va. 6
Vc.
Cb.
6
ly
near
ly
so.
Scene 2
109
310 1 3
dim.
6
Fl. 2 6
3
dim. 1
6
3
Ob. 2 6
3 3
Cl.
3
3
3
3
3
3
3
3
3
3
3
3
1 2
cresc.
cresc.
3
Bs. Cl. 3
3
3
3
3
3
3
3
3
3
cresc.
3
1
3
3
3
3
3
3
3
3 3
cresc.
Bn.
cresc. 3
cresc.
3
3
cresc.
3
3
cresc.
cresc.
3
3
cresc.
3
cresc.
3
2 3
cresc.
3
cresc.
3
3
3
1
dim.
dim.
3
Hn. 3
2 3
1 Tpt.
3
2
1 3
Tbn. 2
Timp.
(Vibr.)
3
3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
cresc.
3
(Mar.) 3
3
3
3
3
3
3
3
3
3
3
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
Nav. 8
Se cure these men—
They’ve killedour
crew,
Held us
I 3
Vn.
div.
3
II 3
div. Va. 3
Vc.
Cb.
3
6
cap tive man y weeks
110
Scene 2
= 108 315 1 3
Fl. 2 3
1 3
Ob. 2 3
Cl.
3
3
3
3 3
1 2 3
cresc. Bs. Cl. 3
3
3
3
3
1 3
Bn.
3
2 3
3
3
1 Hn.
dim. 2
dim. 1 Tpt. 2
3
3
3
3
1 3
cresc.
Tbn. 2 3
3
3
Timp. (Vibr.) 3
cresc.
3
1 (Mar.) 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
LIEUTENANT 3
Nav. 8
now.
Who
are
you,
= 108
I 3
6
Vn.
3
3
3
II 3
cresc. 3
Va.
3
cresc.
3
3 3
3
Vc.
cresc. 3
Cb.
cresc.
3
pizz.
3
sir?
Scene 2
= 72
111
321 1 Fl. 2
1 Ob. 2 2. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR 3
Lt. 8
Thecap tain of this
rig
whose ship flies no
I Vn. II
Va.
Vc.
div. Cb.
flag?
Nav
i ga tor,
sir.
= 72
Our
112
Scene 2
= 84
328 1 Fl. 2
1 3
Ob. 2 3
Cl.
1 2 3
Bs. Cl. 3
1 3
Bn. 2
1 Hn. 2 3
1 Tpt.
3
2
1 3
Tbn. 2
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
Nav. 8
Cap tain
is dead.
This is the
A
mi
stad
of Span ish ti
tle,
Load ed in Cu
ba,
= 84
I 3
3
Vn. II
Va. pizz.
3
Vc. pizz. Cb. 3
Scene 2
113
333 1 Fl. 2
1 3
Ob. 2 3
1 2
Cl.
3
Bs. Cl. 3
1
Bn.
3
2
1 Hn.
3
2 3
1 3
Tpt. 2 3
1
dim. Tbn. 2 3
dim.
Timp. (Vibr.) 1 3
Perc. 2 Rim shot 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Nav. 8
tak
en
on
the
sea
by
these
slaves.
ANTONIO
Sir
I Vn. II
Va. 3
Vc.
Cb.
Ex
cept
114
Scene 2 336 1
Fl. 2
1 3
3
3
3
3 3
Ob. 2 3
3
3
3
1 2
Cl.
dim.
3
Bs. Cl. 3
dim.
3
3
3
3
3
3
3
3
1 Bn. 2
1 Hn. 2 3
3
3
3
3
3
3
1 3
Tpt.
3
3
2
1 3
Tbn.
dim.
2
Timp.
1 3
(Mar.) Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6/8 3 = Drums 3
3
3
3
Bass
3
3
3
Nav. 8
This
one.
A
lo
yal
CINQUE (to ANTONIO)
slave.
3
Not just n
3
3
du
o
n
gil
3
le
not just a
6
I 3
3
3
3
3
3
Vn. II 3
Va. pizz. 3
3
3
Vc. pizz.
3
Cb. 3
3
Scene 2
115
340 1 Fl. 2
1 6
3
3
Ob. 2 3
1.
1.
1 2
Cl.
3 6
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
Tpt.
3
2
cresc. 1 Tbn. 2
Timp. (Vibr.) 1 3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bass
(to LIEUTENANT) 3
3
3
3
3
3
3
3
Cin. slave.
A dog.
We
are
no
slaves.
We are free
I 3
Vn.
men.
Free men cap tured
6
6
dim.
dim.
3
II
cresc.
3
6
3 3
dim.
3
Va.
cresc. 3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Vc.
cresc.
cresc. 3
3
Cb. 3
cresc.
3 3
3
3
3
3
3 3
3
3
3
3
116
Scene 2 345 1 6
3
sub.
Fl. 2 6
3
sub.
1 3
3
3
3
3
3
Ob. 2 a2 Cl.
1 2 sub.
6
sub. Bs. Cl. 1 Bn. 2 3
1
dim.
Hn. 3
2
dim. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
cresc.
Tpt.
3
3
3
3
2
cresc.
cresc. 3
1
dim.
Tbn.
3
2
dim. Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 12/8 Drums 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bass
3
3
3
3
3
Cin. 3
out of Af
ri
ca.
And
bound
for
home.
We
are
not
slaves.
Not one
day.
div. I
3
dim.
6
Vn. II
3
3
3
dim.
dim.
Va. 3
dim. 3
3
3
3
3
3
3
3
dim.
3
3
3
3
3
3
Vc.
cresc. 3
3
Cb. 3
3
3
3
3
3 3
3
3
3
3
3
cresc.
117
Scene 2
= 108
349 1
3
Fl. 2 3
1 Ob. 2 a2 Cl.
1 2
3
Bs. Cl. 3
3
3
3
3
1 3
Bn. 3
2 3
Hn.
1
2 3
1 Tpt.
3
2
1 3
Tbn. 2
3
Timp. Vibr. 1 Mar. Perc. 2
Rim shot 3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
W.W. 2
Tbn.
Drums 3
Bass
LIEUTENANT 3
3
(They pull their weapon)
Cin. Chain these men.
They have a fierce look
= 108 I Vn. II
Va. 3
3
Vc. 3
Cb. 3
al
118
Scene 2 354 1
Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) 3
6 3
6
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
Lt.
3
3
right.
I pi ty these white
men
so long in their hands.
Slaves you say?
I 6
Vn. II
Va. 3
Vc.
Cb.
3
6
Scene 2
119
360 1 3
Fl. 2
3
1 3
Ob.
dim.
3
2
dim. Cl.
1 2 3
dim.
Bs. Cl. 3
1 Bn.
3
2
Hn.
1
2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
Lt. What’s
their
worth?
DON PEDRO
3
3
A
great
deal
Tell
us, sir,
where
I Vn.
div. II
Va.
Vc.
pizz. 3
Cb.
arco
have
we
120
Scene 2 364 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
3 6
Bs. Cl. 3
1 3
Bn.
3
2
1 Hn. 2
1
dim.
Tpt. 2
dim. 1 Tbn.
dim. 2
Timp.
1 (Mar.)
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums 3
pizz. Bass
3 3
Lt. You are
in
New
York.
CINQUE
3
3
3
D.P. land
ed?
Gra
beau,
Bur
nah,
I 3
6
Vn. II
Va. 3
Vc. 3
Cb. 3
pizz.
Scene 2
121
367 1 Fl. 2
1 Ob. 2 1. 1 2
Cl.
Bs. Cl. 1 Bn.
cresc.
cresc.
cresc.
cresc.
2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
(Mar.)
3
3
Perc. 2
cresc.
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
3
Drums
Bass
cresc.
3
Lt. What’s that 3
he
says DON PEDRO
3
Cin.
3
3
Kin
na,
Ka
leh,
show them the gold.
Just their bush
I 3
Vn. II
3
pizz. Va. 3
pizz. Vc.
Cb. cresc.
122
Scene 2 371 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.)
3
3
3
3
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
KINNAH 3
8
I Vn. II
Va.
Vc.
Cb.
We 3
3
lan
guage
3
They don’t talk much Eng
lish.
3
have
gold.
We have gold and goods of val
3
ue.
Scene 2
123
375 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl. 1
cresc.
Bn. 2
cresc. 1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.)
3
Perc. 2
cresc.
cresc.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
cresc.
Bass
cresc. 3
3
3
Ki. 8
You
see.
We
are
not
slaves.
LIEUTENANT
I’d have to see I
3
Vn. II
Va.
Vc.
Cb.
cresc.
that.
124
Scene 2 379 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 3
Tpt.
3
cresc.
2 3
3
cresc.
1
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
to B Clarinet
W.W. 2
Tbn.
Drums
Bass
(CINQUE tells KINNA to show him. KINNA nods and gestures for the LIEUTENANT to follow. The LIEUTENANT sends two men with him.) Lt. I’ll have to make an in ven
I Vn.
3
II
cresc. Va.
Vc. 3
Cb.
to
ry.
125
Scene 2 383
= 74
ritard.
1
dim.
Fl. 2
1
dim. Ob. 2 1. Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
dim. Perc. 2
3
Cel.
Hp.
W.W. 1 B Clarinet A whole tone/Gm9 W.W. 2
Tbn. Brushes - soft time - steady! Drums
Bass
3
Lt. I’ll have to
ritard.
see
it
all.
= 74
I Vn. II
Va.
Vc.
pizz. Cb.
dim.
Gm11( 7)
126
Scene 2 389 1
Fl. 2
1 Ob. 2 (1.) Cl.
1 2
Bs. Cl.
dim. 1
dim.
Bn. 2
dim.
1 Hn. 2
1 Tpt. 2 mute 1 Tbn.
mute 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (B Cl.) Gm11( 7)
D7alt/Gm
A whole tone/G
Gm7( 6)
Gm11( 7)
W.W. 2
Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
dim. arco Cb.
dim.
Dalt7
127
Scene 2 395 1 Fl.
dim.
dim.
dim.
dim.
2
1 Ob. 2 (1.) Cl.
1 2
dim. Bs. Cl.
dim.
dim.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (B Cl.) D7( 6)
E 7( 11)
E 7( 9)
D7( 13)
W.W. 2
Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
dim.
Cb.
dim.
dim.
D9( 11)
to Contra Alto Clarinet
128
Scene 2 401 1
dim.
Fl. 2
1
dim.
Ob. 2 a2 1 2
Cl.
dim.
dim.
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 3
(C.A. Cl.) W.W. 2
Tbn. 3
Drums pizz.
3
Bass
cresc. CINQUE
3
We MARGRU
3
3
at
last
3
have
come
3
3
3
to 3
naught,
We
at 3
3
S We CAPTIVES
BAHIA
at
last
3
have
come
3
to 3
naught,
We
at 3
3
A KALEH & KINNAH
We
at
last
3
have
come
3
to 3
naught,
We
at 3
3
T 8
We GRABEAU & BURNAH
at
last
3
have
come
to 3
3
naught,
We
at 3
3
B We
at
last
have
come
I Vn. II
Va. pizz.
3
pizz.
3
Vc.
cresc.
Cb.
cresc.
to
naught,
We
at
Scene 2
129
407 1
dim. Fl. 2
1
dim.
Ob. 2
a2 Cl.
1 2
dim.
3
3
Bs. Cl.
dim.
dim.
1 Bn. 2
1
cresc.
3
dim.
3
3
3
3
Hn. 3
dim.
2
cresc.
dim.
dim.
1 Tpt. 2
1
3
3
3
dim.
dim.
Tbn. 2 3
dim.
3
3
dim.
Timp. 1
Perc. 2 3
Cel.
Hp.
W.W. 1 3
(C.A. Cl.)
3
W.W. 2
dim.
dim.
Tbn. 3
Drums 3 3
3
Bass
dim.
cresc. 3
3
3
3
3
3
Cin. last
have
come
3
to 3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
Mar. last
have
come
3
to 3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
Ba. last
have
come
3
to 3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
Ka. Ki. 8
last
have
come
to 3
3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
Gr. Bu. last
have
come
to
naught,
We
at
last
have
I 3 3
Vn.
3
II
Va. 3
3
Vc.
cresc.
dim.
3
3
Cb.
cresc.
dim.
come
to
naught.
130
Scene 2
= 132
413 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
cresc. Bs. Cl.
cresc. 1 Bn. 2
Hn.
1
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
cresc. Mar. Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc. Tbn.
Drums
Bass
cresc. 3
3
3
Cin. tell
tales, shrouds,
a
dead man’s cloth
the
Mar. the Ba. the Ka. Ki. 8
the
Gr. Bu. the
= 132 I Vn. II
Va. arco Vc.
arco
pizz.
Cb.
cresc.
Scene 2
131
419 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc.
dim.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
Bs. Cl.
cresc. 1 Bn. 2
Hn.
1
2
1 Tpt. 2
1 Tbn. 2
Timp. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. Drums
Bass 3 3
Cin. mean
ing
is
clear
The
chains
re
turn,
the
i
rons
i
rons
i
rons
i
rons
i
rons
3
3
Mar. mean
ing
is
clear
The
chains
re
turn,
the 3
3
Ba. mean
ing
is
clear
The
chains
re
turn,
the 3
3
Ka. Ki. 8
mean
ing
is
clear
The
chains
re
turn,
the
3
3
Gr. Bu. mean
ing
is
clear
The
chains
I Vn.
re
turn,
the
3
cresc.
dim.
II
cresc.
3
cresc.
3
dim.
Va.
dim.
Vc. 3
cresc.
dim.
Cb.
cresc.
dim.
cresc.
132
Scene 2 424 1
dim. Fl. 2
dim. 1 Ob. 2
Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt.
cresc.
dim.
cresc.
dim.
2
1
cresc.
Tbn. 2
cresc. Timp. (Vibr.) 1
cresc.
(Mar.) Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 4
5
5
6
4
Drums
Bass
Cin. come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
Mar.
Ba.
Ka. Ki. 8
Gr. Bu.
I Vn. II
cresc.
Va.
cresc. Vc.
Cb.
5
5
Scene 2
133
428 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl. 1 Bn. 2
1
cresc.
Hn. 2
cresc. 1 Tpt. 2
1 Tbn.
cresc.
cresc.
cresc.
cresc.
2
Timp. (Vibr.) 1
cresc.
cresc.
(Mar.) Perc. 2
cresc.
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
4
5
5
6
4
5
5
Drums
Bass
Cin. We had a brush with the gods— Mar. We had
a
brush
with
the
gods—
We had
a
brush
with
the
gods—
we
Ba. We saw
a god
Ka. Ki. We
8
had a brush
with
the
gods—
Gr. Bu. We had a brush with the gods
I Vn. II
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
cresc.
cresc.
134
Scene 2 432 1
dim.
Fl. 2
dim. 1 Ob.
dim. 2 (1.)
Cl.
1 2
dim. Bs. Cl. 1 Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt. 2
dim. 1 Tbn.
cresc. 2
cresc. Timp. (Vibr.) 1 (Mar.)
cresc.
cresc.
cresc.
cresc.
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
4
5
5
6
4
5
5
Drums
Bass
Cin. We saw
a
god
and this has brought us down.
Mar. saw
a god
face
to
face
face
to
face
Ba. Ka. Ki. 8
We saw
We a god
saw
a
god
and this has brought us
down.
and this has brought us
down.
Gr. Bu. We saw
a
god
div. I Vn.
dim. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
135
Scene 2 436 1
cresc.
dim.
cresc.
dim.
Fl. 2
1
dim.
Ob. 2
dim.
Cl.
1 2
dim.
cresc. Bs. Cl. 1 Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt.
cresc.
dim.
cresc.
dim.
2
1
cresc.
Tbn. 2
cresc. Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 6
4
5
5
6
5
5
Drums Bass
Cin. To
be
the
prey
be
came
our
fate,
Mar. brought
us down.
To
be
the
prey
be
came
our
fate,
brought
us down.
To
be
the
prey
be
came
our
fate,
To
be
the
prey
be
came
our
fate,
To
be
the
prey
be
came
our
fate,
Ba.
Ka. Ki. 8
Gr. Bu.
I Vn.
cresc.
dim.
II
cresc. Va.
cresc. Vc.
cresc. Cb.
cresc.
dim.
136
Scene 2 440 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 4
5
5
4
5
5
Drums
Bass
3
and
we were caught and
Mar.
Ba. Ka. Ki. 8
Gr. Bu.
I Vn. II
Va.
cresc. Vc.
cresc. Cb.
starved,
sold
3
on
these
wa
ters
137
Scene 2 444 1 3
dim.
Fl. 2 3
dim.
1. 1 3
dim.
Ob. 2 3
Cl.
1 2
dim. Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 4
5
5
4
5
5
Drums
Bass
3
3
Cin. but
we
are
not
slaves,
But
Mar. We
are not
slaves,
We
are not
slaves,
Ba. Ka. Ki. We
8
are not
slaves,
Gr. Bu. We
I Vn. II
Va.
cresc. Vc.
cresc. Cb.
are
not
slaves,
we
are
not
138
Scene 2 448 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1
cresc.
Tbn. 2
cresc.
Timp.
1
Perc. 2 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc. Tbn. 4
5
5
4
5
5
4
Drums Bass
Cin. slaves
But we
Mar. We
are not
slaves—
We
are not
slaves—
Ba.
Ka. Ki. 8
We are not slaves—
Gr. Bu. We are not
slaves— 6
I
dim.
Vn.
div. II
dim. Va.
cresc. Vc.
cresc. Cb.
are
not
slaves—
Scene 2
139
453 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl. 1 Bn. 2
Hn.
1
2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. Sn. Dr. Drums
Bass
TRICKSTER
8
There (to TRICKSTER)
are
(The whites, who can’t see the TRICKSTER, are puzzled)
Cin. Tell me how to say it—
Tell me, Lord Trick
ster,
I Vn.
cresc. II
dim. Va.
cresc.
Vc.
arco Cb.
dim.
no
140
Scene 2 458 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
Hn.
1
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
Tr. 8
words
No
Cin. Tell me how to say
it—
Tell me, Lord Trick
ster— div.
I Vn. II
Va.
Vc.
Cb.
words
at
all
141
Scene 2
= 69
ritard.
463 1
Fl. 2
1
dim. Ob. 2
dim. a2 Cl.
1 2
dim. Bs. Cl.
1
dim. Bn. 2
dim.
1 Hn. 2
dim. 1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
They will not—
3
not
3
Cin. Where
are the words
that
white men un der
stand?
= 69
ritard.
I Vn. II
Va.
Vc.
dim. Cb.
dim.
here,
not
142
Scene 2 469
Subito
= 100
1 3
3
3
3
3
3
3
3
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl. 3
3
3
3
3
3
1
Bn.
3
3
2
1 Hn. 2
1 3
Tpt.
3
2
1 Tbn. 2 3
Timp. Xyl. 1 3
Mar.
3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Hands on drums Drums 3
3
3
3
Bass
DON PEDRO
3
Tr. 8
LIEUTENANT
now.
They talk 3
He’s mad,
Subito I
= 100
3
Vn. 3
II
Va.
Vc.
Cb.
too.
He
talks to the air
3
a
stern.
to
143
Scene 2 475 1 Fl.
3
3
3
3
3
3
3
3
3
3
3
3
2
1 Ob. 2 1. Cl.
1 2
3
3
Bs. Cl. 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
3
Bn.
3
3
3
3
2
cresc. 1 3
Hn.
3
2 mute
3
1 Tpt.
mute
3
2
mute 1 mute
Tbn. 2 3
3
Timp. (Vibr.) 1 (Mar.) 3
3
3
3
3
3
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. play with triplets (hands on drums) Drums
Bass
TRICKSTER
3
8
3
3
You’re as good
3
3
3
as
dead
D.P. spir
its.
Sir,
you
have
much
to
learn. div.
I 3
Vn.
3
3
div. II 3
Va. 3 3
pizz.
3
Vc. 3
3
pizz.
3 3
Cb. 3
3
3
cresc.
144
Scene 2 479 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 3
Hn.
3
3
cresc. 3
2 3
cresc.
3
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
(The men return with trunks and open them, removing a few pouches) Tr. 8
I Vn. 3
3
3
3
3
II
cresc. Va. 3
3
3
cresc.
3
Vc. 3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
Cb. 3
cresc.
3
3
Scene 2
145
482 1 3
Fl. 2 3
1 3
Ob. 2 3
a2 Cl.
1 2
3 3
Bs. Cl. 1 Bn. 2 open 1 3
Hn. 2
open 1 3
open 3
Tpt. 2
open 1 3
Tbn.
open 2 3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplet feel)
march-like funk
Drums pizz. Bass
DON PEDRO
That
gold
is
mine,
my
3
I 3
6
Vn. 3
3
II 3 3
3
Va. 3
pizz.
3
Vc. 3
3
3
3
3
3
3
3
3
3
Cb. 3
3
3
gold.
146
Scene 2 487 1
Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
3
1
cresc.
Hn.
3
2
cresc. 1
Tpt. 2
1 3
Tbn. 2 3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
D.P. 3
There
I Vn. II
Va.
Vc.
Cb.
are
more
bags
in
their
belts.
I
own
these
and
Scene 2
147
491 1 3
Fl. 2
1
dim.
Ob. 2
dim. Cl.
3
1.
1 2 3
dim.
dim.
Bs. Cl.
1 3
3
3
3
Bn. 2
3
1 Hn.
3 3
2
dim. 1 Tpt. 2
1 3
dim.
Tbn. 2
dim.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass 3
3
3
3
3
3
cresc.
3
3
3
D.P. man
y
oth
ers,
whole
bar ra coons
in Ha va
na.
He
is
mine,
too.
That
I Vn. II
Va.
3
3
3
3
Vc.
cresc. 3
Cb. 3
3
3
cresc.
148
Scene 2 495 1
Fl. 2
1 Ob. 2
3
3
1 2
Cl.
3
3
Bs. Cl. 3
3
1 3
3
3
3
3
3
3
Bn. 2 3
1 Hn. 2
1 3
Tpt.
3
2
1 3
3
Tbn. 2 3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass 3
3
3
3
3
3
cresc.
3
3
3
3
3
D.P. one.
Cin
que,
the
lea
der,
They
are
all
mine.
3
I Vn. II 3
Va. 3 3
3
3
3
3
3
3
3
3
3
Vc.
cresc. 3
Cb. 3
3
3
3
3
cresc.
3
3
3
3
Scene 2
= 120 498
149
3
= 1
Fl. 2
1
dim. Ob. 2
dim. a2
(1.)
1 2
Cl.
dim. cresc. Bs. Cl.
1 Bn. 2
1 Hn.
dim. 2
dim. 1
dim.
Tpt. 2
1 Tbn.
dim.
cresc.
dim.
cresc.
2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5
5
sim.
Drums
Bass
LIEUTENANT
I
be
lieve,
sir,
you
should
be
glad
D.P.
= 120 3
= I
dim.
Vn. II
Va.
cresc. arco Vc.
cresc.
pizz. Cb.
dim.
cresc.
150
Scene 2 502 1
dim. Fl. 2
dim. 1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
1
dim.
Tpt. 2
dim. 1
cresc.
dim.
cresc.
cresc.
dim.
cresc.
Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Lt. for
your
life.
It’s
the fear
I
of
all
slav
ers,
Fear
3 3
Vn. II
3
Va. 3
dim.
3
dim.
3
Vc.
Cb.
cresc.
dim.
cresc.
151
Scene 2 505 1
dim. Fl. 2
dim. 1
dim.
Ob. 2
dim.
a2 Cl.
1 2
dim. Bs. Cl. 1 Bn. 2
1 Hn.
cresc. 2
1 Tpt. 2
cresc.
1
cresc.
Tbn. 2
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
Lt. of all slav
ers:
a slave that
owns
him
with
a
cut
lass.
But this car
go
is
mine,
DON PEDRO
They
I Vn. II 3
Va. 3 3
Vc. 3
Cb.
cresc.
cresc.
are
all
152
Scene 2
= 126 508 1 Fl. 2
1
Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
NAVIGATOR
3
3
Lt. 8
Sal vage
of
a
ship wreck.
Help these men
to a boat
They
D.P. mine,
= 126 I
dim.
Vn. II
Va.
3 3
cresc.
Vc. 3 3
dim.
cresc. arco
Cb.
dim.
are
kil
lers!
Scene 2
153
512 1 Fl. 2
1
Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
3
1 Hn. 2
1 Tpt. 2
1
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
(NAVIGATOR and DON PEDRO exit protesting)
3
Nav. 8
They are
DON PEDRO
kil
lers 3
Lt. I
be lieve
they
sure
ly are.
Of
fi
cer,
that
is
I Vn.
3
II
cresc.
dim. 3
Va. 3
Vc.
cresc. Cb.
dim.
dim.
not
right.
154
Scene 2 518 1
cresc. Fl. 2
cresc. 1
cresc. Ob. 2
cresc. a2 Cl.
1 2
cresc. Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
LIEUTENANT
(Ignoring DON PEDRO, to his first mate)
Not a 3
D.P. They
are
mine,
all
mine.
I Vn. II
3
Va.
cresc. Vc.
div. Cb.
bad
day
Scene 2
155
524 1 Fl. 2
1 Ob. 2 a2 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Lt. Not a bad
I Vn. II
cresc.
Va.
Vc.
cresc.
Cb.
day,
I
say.
156
Scene 2 529 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
3
Lt. We’ll have to head for New
I
Vn. II
Va.
Vc.
Cb.
Lon
don.
New York
is
not
a slave
state.
They’ll
let
them
Scene 2
157
535 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1
Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Lt. go.
We sail for
port
in Con nec
ti
cut.
Slaves
they will
div. I Vn. II
Va.
cresc.
cresc.
cresc.
cresc.
Vc.
cresc.
Cb.
cresc.
cresc.
re
158
Scene 2 541 1
Fl.
to Piccolo 2
1
dim.
Ob. 2
Cl.
a2
dim.
a2 1 2
dim. Bs. Cl.
1
cresc. Bn. 2
cresc. 1 Hn. 2
1
cresc. Tpt. 2
cresc.
1
Tbn. 2
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. Drums Bass
Lt. main.
Slaves
they
will
re
main.
I
dim. Vn. II
dim.
Va.
Vc.
div. Cb.
Scene 2
159
548 Picc.
Fl. 1
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ANTONIO (Standing alone in the confusion)
And
I Vn. II
Va.
Vc. pizz. Cb.
me,
am
I
slave?
I
left Cu ba
a
slave
160
Scene 2 553
Picc.
Fl. 1
1 Ob. 2 1. Cl.
1 2
dim.
Bs. Cl.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
An. I’ll land
in A mer i ca a
slave
Not friend
nor
foe
to white or
black.
I Vn.
cresc. II
cresc. Va.
Vc.
Cb.
cresc.
I have no
Scene 2
161
557 Picc.
Fl. 1
1 Ob. 2
Cl.
1 2
Bs. Cl.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
1 Bn. 2
3
1 6
Hn. 3
2 6 3
1 Tpt.
3
2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
An. chance with my“broth ers”
here.
They’ll nev er
trust
me.
Be sides, they got no chance
I
dim. Vn. II
dim.
Va.
dim.
cresc.
Vc.
Cb.
dim.
cresc.
cresc.
at
162
Scene 2
= 80
562 Picc.
Fl. 1
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
cresc.
1 Hn. 2
1 Tpt. 2
1
cresc. Tbn. 2
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Fill Drums
cresc. Bass LIEUTENANT
all.
Take
them all
= 80 I
dim. Vn. II
dim.
Va.
dim. Vc.
cresc.
Cb.
cresc.
Scene 2
163 Flute
568
to Flute
Picc. 3
Fl. 1 3
3
cresc.
1 3
Ob.
dim.
3
2 1. Cl.
1 2 3
dim.
3
Bs. Cl.
1 3
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Glock., soft mallets 1 3
Mar.
3
3
Perc. 2
3 6
cresc.
3
Cel.
3
3
3 3 6
Hp.
dim.
cresc.
E , F , G, A B ,C ,D
(C , G )
3
dim.
3
3
3
3
cresc.
(A , E )
(G )
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(The captives are tied to one another and taken off the ship. One of them grabs the TRICKSTER and hangs on.)
I 3
Vn. II 6
Va. 3
Vc.
dim. Cb.
dim.
164
SCENE 3 (Parade) (Wharf, New England port town. The Coast Guard parades the captives through the town en route to the jail. Citizens come out to watch. Parade move to exterior of jail, circling among people waiting.)
= 120 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl.
1 Bn. 2
1 Hn. 2
1
cresc.
cresc.
cresc.
cresc.
Tpt. 2
cresc.
a2 1
Tbn.
cresc.
cresc.
cresc.
cresc.
a2 2
Timp. Glock. 1
cresc. Perc. 2 Bs. Dr.
Sn. Dr.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Snares on Drums
Bass
= 120 I
Vn. II
Va.
Vc.
Cb.
March - brushes
Scene 3 9 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
cresc. 1 Tbn. 2
Timp. (Glock.) 1
cresc. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
Cb.
165
166
Scene 3 16 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Double time brushes
5/8
Drums
cresc. Bass
I
Vn. II
Va.
Vc.
Cb.
Scene 3
167
22 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 3
3
3
Bn.
3
2 3
3
3
3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5/8
3
3
Drums 3
3
3
3
3
Bass
I
Vn. II
Va.
3
3
3
Vc.
pizz. Cb.
168
Scene 3 29 1
dim.
Fl. 2
dim. 1 Ob. 2 1. 1 2
Cl.
3
3
dim.
Bs. Cl.
1 3
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
dim. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Fill Drums
cresc. Bass
I
Vn. II
Va.
Vc.
dim.
dim. arco
Cb.
dim.
dim.
Scene 3
= 76
169
= 100
36 1 Fl. 2
1 Ob. 2
2. Cl.
1 2
Bs. Cl.
cresc.
cresc.
1
cresc.
cresc.
cresc.
cresc.
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. 8va
8va
Bass
cresc.
= 76
= 100 1 solo
I
cresc.
Vn. II 1 sola Va.
1 solo Vc.
Cb.
6
170
Scene 3 41 1
Fl. 2
1
cresc.
Ob.
cresc.
2
cresc.
cresc. 1.
Cl.
1 2
Bs. Cl.
cresc.
cresc.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc. REPORTER 1
8
So these
are the sa
va
ges
a
board
the
le
gend
ship.
Mur der ers and man
(1 solo) I Vn.
(1 solo) II
(1 sola) Va. (1 solo) Vc.
cresc. Cb.
Scene 3
171
45 1 Fl. 2
1
cresc.
Ob. 2
cresc. 2. 1 2
Cl.
Bs. Cl.
cresc.
dim.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
R.1 8
ea
ters.
They
look
ev
’ry bit of
I Vn. II
Va.
Vc.
cresc. Cb.
it.
Bring
on
the
“E
thi
o
pi
172
Scene 3 49 1
Fl. 2
1 Ob.
cresc.
cresc.
cresc.
cresc.
2
1 2
Cl.
Bs. Cl.
cresc.
cresc.
cresc.
1
cresc.
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
cresc.
3
R.1 8
an
de lin
e
a
tors�
to
make
some
new
coon
bits. tutti
(1 solo) I 3
Vn.
(1 solo)
3
tutti
II (1 sola) Va. (1 solo)
tutti
Vc.
cresc.
3
Cb.
cresc.
Scene 3
173
52 1 Fl. 2
1
cresc.
Ob. 2
cresc. Cl.
1 2
cresc. Bs. Cl.
cresc. 1
cresc. Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
5
5
6
Drums
Bass
cresc.
TENOR
8
We know BASS
fat
hap py Mam
bo
Sim ple laz y Sam
bo
Cot ton top
Un cle and
Shift
less
Coon
We know
fat
hap py Mam
bo
Sim ple laz y Sam
bo
Cot ton top
Un cle and
Shift
less
Coon
div.
unis.
I Vn.
div.
unis.
div.
II
tutte Va.
Vc.
Cb.
cresc.
174
Scene 3 55 1
Fl. 2
1 3 3
Ob. 2
1. 1 2
Cl.
Bs. Cl.
1 Bn. 2
1
Hn.
2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5
5
6
5
5
6
Drums
Bass
REPORTER 2
3
3
Would you be do cile
O
blig ing and ser
T 8
Who
are these brutes
talk ing mum bo jum
bo?
talk ing mum bo jum
bo?
B Who
are these brutes
1 solo I Vn.
1 solo II
Va. 1 solo Vc.
Cb.
vile
If
Scene 3
175
59 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2 3
1 Hn. 3
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) Vibe. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5
5
6
5
5
6
Drums
Bass 3
3 3
R.2 ripped from home and near
ly killed?
If white men
had mutin eed
and dark
T 8
Whereis Mam bo?
WewantSam
bo.
Whereis Mam bo?
WewantSam
bo.
B
(1 solo) I Vn.
(1 solo) II 1 sola
Va. 3
(1 solo) Vc.
Cb.
pizz.
arco
skins
were
Scene 3
176 63 1
cresc.
Fl. 2
1 Ob. 2
cresc. 2 1 2
Cl.
cresc. Bs. Cl.
1
Bn. 2
1
Hn.
3
2
1 3
Tpt.
3
2
1 3
Tbn.
3
2
Timp. (Vibr.) Vibe. 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. 3
5
5
6
5
5
6
Drums
Bass
R.2 killed
you would hail the lead er
a he
ro
And de mand li
ber ty for one
and
all.
3
3
S Where is Mam bo?
We want Sam bo.
and we will give 3
3
A Where is Mam bo?
We want Sam bo.
and we will give 3
3
3
3
T 8
Where is Mam bo?
We want Sam bo.
Givethem lib 3
er ty
and we will give
3
3
B Sam bo.
Givethem lib
(1 solo)
er ty
give
tutti
I Vn.
cresc. tutti
(1 solo)
3
II 3
(1 sola)
tutti
Va. 3
3
(1 solo) pizz.
arco
pizz.
3
3
cresc. tutti arco
Vc. 3
3
cresc. Cb.
3
Scene 3
177
68 1
dim. Fl. 2
dim. 1 Ob.
dim. 2
dim.
1.
1 2
Cl.
dim. Bs. Cl.
1 Bn.
dim. 2
dim. 1
Hn.
2
dim. 1
dim.
Tpt. 2
dim. 1 Tbn.
dim. 2
dim. Timp. (Vibr.) 1 Marimba Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. Drums
Bass
REPORTER 3 R.3 A
he
ro
A
mul ish Man din
S them
death.
them
death.
them
death.
them
death.
A
T 8
B 1 solo, con sord. 1 solo: al sord. I Vn.
1 solo: al sord. II
Va.
Vc.
Cb.
go
Scene 3
178 72 1
Fl. 2
1 Ob. 2 (a2) Cl.
a2
1
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
Sn. Dr. 3 Low. Tom-t.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums pizz. Bass
3
3
3
R.3 mul lah
e mir of the grec
hees
and the gul
lah.
That man’s
(1 solo)
I 1 solo, al sord. Vn. II 1 sola, pizz.
(1 sola) arco
1 solo, pizz.
(1 solo) arco
Va.
Vc.
Cb.
the
ve ry rea son
we
call
a to bac co chawa
Scene 3
179
77 1 Fl. 2
1 Ob. 2 2. 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn.
3
2 mute 1 3
Tpt.
mute 2 mute 1
Tbn. 2
Timp. (Vibr.) 1 (Marimba) Perc. 2
3
Cel.
Hp.
W.W. 1 E Contra Alto Clarinet W.W. 2
Tbn. snares on
High Hat (open)
Drums pizz.
Bass
3
3
3
R.3 nig ger head,
and a rough nut
a
nig ger toe.
Why the
nig
ger
is the black
you
take off rice
grain
Nig
ger
head,
nig
ger
Nig
ger
head,
nig
ger
Nig
ger
head,
nig
ger
Nig
ger
head,
nig
ger
S
A
T 8
B solo
I gli altri, div. tutti div.
Vn. II
tutte Va. tutti Vc.
cresc. Cb.
3
and
Scene 3
180 81 1 Fl. 2
1 3
Ob.
dim.
2 3
dim.
1 2
Cl.
3
dim.
Bs. Cl. 1 Bn. 2
cresc. 3
1 Hn.
dim. 2
dim. 1 Tpt. 2
1 Tbn. 2
Timp. 1
Perc. 2 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc. Tbn. Drums
(pizz.) Bass
cresc. 3
3
3
3
R.3 su gar cane.
He’s the
chaff
that has to go
if you want to have wheat.
S toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
A
T 8
B
tutti
3
I 3
3
Vn.
(div.) II
Va. 3
Vc.
3 3
Cb.
dim.
Scene 3
181
86 1 Fl. 2
cresc.
cresc.
cresc.
cresc.
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 5 Drums (pizz.) Bass
cresc. REPORTER 4 3
R.4 8
So
true
Why that crea ture there in the cage
He’s a
blub ber lipped nap py head sul len lout
Not half
as smart,
S Ole
Black
Joe,
Mam
bo,
Sam bo,
Mam bo,
Sam
bo,
Ole
Black
Joe,
Mam
bo,
Sam bo,
Mam bo,
Sam
bo,
Ole
Black
Joe,
Where is Mam
bo?
Ole
Black
Joe,
Where is Mam
bo?
want
Where
is
A We
want Sam bo. Where is
We
want Sam bo.
T 8
B
I Vn. II
Va.
Vc.
Cb.
Scene 3
182 91 1 Fl.
dim. 2
cresc. 1 Ob. 2
dim. 1 2
Cl.
cresc.
dim.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1
Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 7
7
Drums (pizz.)
arco
Bass
REPORTER 1 3
R.4 8
not half
as
smart
as
ev ’ry third
nig
ga
on our docks
Tru er words werenev er
S Mam bo?
We
want Sam bo.
Mam bo?
We
want Sam bo.
We
want Sam bo.
We
want Sam bo.
A
T 8
B
I Vn.
1 solo II
1 sola Va. 1 solo Vc. (pizz.) Cb.
Scene 3
183
96 1 Fl. 2
1 Ob. 2 1. Cl.
1 2 6
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
R.1 8
said
We have learned
here,
here
in A mer
i
ca
Our blacks are
1 solo I Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
cresc.
Cb.
Scene 3
184 101 1
3
Fl. 2 3
1 3
3
Ob. 2
3
3 3
1.
1 2
Cl.
3
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
cresc.
3
R.1 8
hap
pi
er.
Sub
ject
ion
does
them
good
S Give them li
ber
Give them li
ber
A
T 8
B (1 solo) I Vn.
dim.
(1 solo) II
cresc.
cresc.
cresc.
cresc.
(1 sola) Va. (1 solo) Vc.
cresc. Cb.
cresc.
Scene 3
185
105 1 Fl. 2
1 Ob. 2 1.
1.
1 2
Cl.
dim. Bs. Cl.
cresc. 1 Bn. 2
1 Hn. 2
mute 1 Tpt.
mute
cresc.
cresc.
cresc.
cresc.
2
1 Tbn. 2
Timp. 1
Perc. 2 3
Cel.
Hp.
W.W. 1 (C. A. Clar.) W.W. 2
cresc. Tbn. Cymbals - sparse Drums
Bass REPORTER 2
Who
told
you
S ty
we’ll
give
them
death.
ty
we’ll
give
them
death.
we’ll
give
them
death.
we’ll
give
them
death.
A
T 8
B
tutti
1 solo
I Vn.
tutti
1 solo
II tutte Va. tutti Vc. tutti Cb.
1 solo
that?
Scene 3
186 110 1 Fl. 2
1
3
Ob. 2 3
1 2
Cl.
3
Bs. Cl.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. A. Cl.) W.W. 2
Tbn. Cymbals - sparse Drums
3
Bass
3
3
3
3
R.2 Some “hap
py” chained
up
black?
The
slave
trade
is
a
tra
ge
dy.
We
(1 solo) I Vn.
(1 solo) II 3
3
1 sola Va. (1 solo) Vc.
Cb.
Scene 3
187
114 1
cresc. Fl. 2
cresc. 1 Ob. 2 2. Cl.
1 2
cresc. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums pizz.
pizz.
arco
Bass REPORTER 4
R.2 8
must sup port
its
fi
nal
end
They’re so keen eyed
and
shif
ty—
They ought ta
I
cresc. Vn. II
cresc. Va.
Vc.
Cb.
cresc.
be
Scene 3
188 118 1
cresc.
cresc.
cresc.
cresc.
Fl. 2
1 Ob.
dim.
dim.
dim.
dim.
2 (2.) Cl.
1 2
cresc.
cresc.
Bs. Cl.
dim.
dim.
1 Bn. 2
1 Hn. 2
dim.
mute 1
dim.
Tpt.
mute 2
dim. 1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
REPORTER 2
3
R.4 8
hog
tied
and
whipped.
Well,
I
must
a
gree,
they
get
(1 solo) I Vn.
(1 solo)
3
II (1 sola) Va. (1 solo)
cresc.
Vc.
cresc. Cb.
a lot of sym pa
Scene 3
189
122 1
cresc.
cresc.
cresc.
cresc.
Fl. 2
1 Ob.
cresc.
dim.
cresc.
dim.
2 (2) Cl.
dim.
1 2
cresc.
cresc.
Bs. Cl.
dim.
1
dim. Bn. 2
dim. 1 Hn.
dim.
dim.
dim.
dim.
dim.
dim.
2 (mute) 1
dim. Tpt.
(mute) 2
dim. 1
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc. 3
R.2 thy
more
tears
from
la dies and
fools
than
white
men
I Vn. II
dim.
Va. 3
dim.
Vc.
cresc. Cb.
e
ver
could.
Scene 3
190 126 1
cresc.
cresc.
Fl. 2
cresc.
cresc.
1 Ob. 2 (2.) 1 2
Cl.
cresc.
cresc.
Bs. Cl. 1 Bn. 2
1
Hn.
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn.
Drums
Bass
cresc. REPORTER 1
4
In
8
deed.
Cer
REPORTER 4
8
In
3
deed.
R.2 Whites
need
e
qual
just
ice
REPORTER 3
In (1 solo) I Vn.
(1 solo) II (1 sola)
Va.
dim. (1 solo) Vc.
cresc. Cb.
3
deed.
tain
lib
erals
Scene 3
191
130 1 Fl. 2
cresc.
cresc.
1 Ob. 2 1. Cl.
1.
1.
1.
1 2
cresc.
cresc.
Bs. Cl.
1 Bn. 2
cresc.
3
1
cresc.
3
3
dim.
Hn. 3
3
3
2
cresc.
dim.
1 Tpt. 2
1
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
R.1 8
you knowthe ones
I
mean,
de
fend the coons
e ven when they
kill
it’s
I 3
Vn. II 3
Va. 3
Vc.
Cb.
Scene 3
192 134 1 3
Fl. 2 3
1 Ob.
3
2 a2 Cl.
1 2
cresc.
cresc.
Bs. Cl.
1
Bn. 2
3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
cresc. 3
3
3
R.1 8
gett ing so these brutes
can run a mok,
(1 solo)
slit our throats
2 soli
and live to
tell it
get fat and
com fy,
1 solo
3
sleep ing in our
jail
tutti
I 3
Vn.
2 soli
1 solo
tutti
3
II 3
2 sole
(1 sola)
1 sola
tutte
3
Va.
cresc.
3
(1 solo)
tutti
Vc.
cresc.
Cb.
cresc.
cresc.
Scene 3
193
139 1 3
Fl. 2 3
1 3
Ob. 2 3
a2
3
1 2
Cl.
3
Bs. Cl. 3
1 Bn.
3
2
1
Hn.
2 3
1 Tpt.
3
2
1 Tbn.
3
2 3 3
3
3
3
3
3
3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
cresc.
3
3
3
3
3
Bass
3
S Give
them
3
A 3
3
3
3
3
3
3
Give
T 8
Give
them
li
ber
3
3
ty,
Give
them
li
ber
ty,
Give
them
3
3
3
li
ber
3
ty, 3
B Give
them
li
ber
ty,
Give
them
li
ber
ty,
Give
them
li
ber
ty,
I Vn.
3 3
II 3
3
Va. 3
cresc.
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
Vc. 3
cresc. 3
Cb. 3
cresc.
them
Scene 3
194 141 1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 2
1 Ob. 2
(a2)
3
3
1 2
Cl.
3
3
3
3
Bs. Cl. 1
Bn.
2 1
Hn.
2
1 Tpt. 2
1
cresc.
Tbn. 2
cresc. 3
3
3
3
3
3
3
3
3
3
3
Timp.
1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. Drums 3
3
3
3
cresc.
3
3
3
3
3
3
cresc.
Bass MARGRU
3
Are
CAPTIVES
BAHIA
they
are
they
go
ing to kill 3
KALEH & KINNAH Are
they
they
go
are
they
us,
ing to kill
go
3
3
us,
3
3
3
Are they
8
are
3
3
ing to kill
us,
GRABEAU & BURNAH
Gra. Are they,
3
3
are
3
3
they 3
S death,
Give
them
death,
WHITES
3
Give them li 3
ber
ty, 3
3
Give them
li
3
A death,
Give
3
3
3
3
3
them
death,
3
3
Give them li 3
ber
ty, 3
3
Give them
li
3
T 8
death, Give them li 3
3
ber ty, 3
Give them li
ber ty, Give them li
3
3
3
ber ty,
death,
3
3
Give them li
ber
ty,
Give them
li
3
B death, Give them li
ber ty,
Give them li
ber ty, Give them li
ber ty,
death,
Give 3
I 3
cresc.
Vn.
6
cresc. 6
3
II
cresc.
3
3
3
3
3
3
3
3
cresc.
Va. 3
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Vc.
cresc.
cresc. 3
3
Cb.
cresc.
cresc.
Scene 3
195
144 1 3
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 2
dim.
3
1 3
dim. Ob. 2
dim.
a2 1 2
Cl.
3
dim.
3
Bs. Cl. 1
Bn.
2 3
1 Hn. 3
2 3
1 Tpt. 2
1 3
3
Tbn. 2 3
3
3
3
3
3
3
3
3
3
3
Timp. 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. 3
3
3
3
3
Drums 3
3
cresc.
3
3
3
3
3
Bass 3
3
Ma. go ing to
kill
us,
CAPTIVES
3
3
Ba. go ing to 3
Ka. Kin.
Go ing to
8
kill
3
3
3
us,
go ing to
kill
us, 3
kill
us,
3
Gra. Bur. go ing to 3
kill
Do you
us,
know 3
3
3
3
3
3
3
S ber ty, Give them li
WHITES
3
ber ty,
Give them li
3
3
ber ty, Give them li
3
3
3
ber ty,
Give them 3
3
A ber ty, Give them li 3
ber ty, 3
3
Give them li
3
3
3
3
ber ty, Give them li 3
3
ber ty,
Give them
3
3
T 8
ber ty, Give them li
ber ty,
Give
them
death,
Give them li
ber ty,
Give them li
ber ty, Give them li
ber ty,
3 3
3
3
3
3
3
3
3
3
B them
death,
Give
them
death,
Give them li
ber ty,
I Vn.
them
death,
3
3
dim.
Give
II 3
3
3
3 3
3 3
3
3
3
33
3
3
3
cresc.
33
3
3
Va. 3
3 3
3 3
3
cresc.
3
3
3 3
3 3
3
3
3
3
Vc.
cresc. 3
3
Cb.
cresc.
Scene 3
196 147 1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 2
1 3
3
Ob. 2 3
3
3
3
1 2
Cl.
3
3
3
3
3
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
3
3
3
3
3
3
3
3
3
3
3
Timp.
cresc. 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. 3
3
3
3
Drums 3
cresc.
3
3
3
3
cresc.
3
Bass
CAPTIVES
Ma. Do
you
know,
Do
you
know,
Ba. Ka. Kin. 8
Are
they
Do you
go ing to
Gra. Bur.
3
3
3
3
3
3
3
Are
They
go ing to 3
3
3
3
S death,
Give them li
WHITES
3
ber ty, 3
3
3
Give
them 3
death,
Give
3
them
death,
3
Give them li 3
3
ber ty, 3
Give them
li
3
A
arco
death,
Give them li
ber ty,
3
Give
them 3
3
death, 3
Give
them
death,
3
Give them li 3
3
ber ty,
Give them
li
3
T 8
death,
Give them li 3
3
3
ber ty, Give them li 3
3
3
ber ty,
death, Give them li
ber ty, 3
3
B death
Give them li
ber ty
Give them li
ber ty, Give them li
ber ty,
death,
Give them
I 3
Vn.
3
3
cresc. 3
3
3 3
3
II 3
3
3
3
3 3
cresc. 3
3
3
3
3
3
Va. 3
cresc. 3
3
3
3
3
3
3
3
3 3
3 3
3
3
3
3
3
3
3 3
Vc.
cresc. 3
3
Cb.
cresc.
3
li
Scene 3
197
150 1 Fl. 2
1 Ob. 2 a2 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 3
Tbn.
3
2 3
3
3
Timp. (Vibr.) 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn.
Drums 3
3
3
Bass
CAPTIVES
Ma. Are
they
go ing to
slit
our
throats
Are
they
go ing to
slit
our
throats
Slit
our
throats
Slit
our
throats
Ba.
Ka. Kin. 8
know
Gra. Bur. 3
3
S ber
ty,
Give them death
WHITES
3
3
A ber
ty,
Give them death
3
3
3
3
T Give them li
8
3
ber
3
ty,
Give them death 3
3
B ber
ty, Givethem
li
ber
ty,
Give them death div.
I Vn.
3
II 3
3 3
Va.
cresc. 3
3 3
3 3
3
Vc. 3
cresc. 3
3
3
Cb.
cresc.
3
198
Scene 3 153 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 mute 1
Tpt.
cresc.
cresc.
cresc.
cresc.
mute 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
3
Tr. 8
They yap
and
snap,
snick er like
mon
keys.
Af ter so
I 3
Vn.
3
II
cresc. Va.
cresc. Vc.
Cb.
much
si
lence,
Scene 3
199
158 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl.
cresc. 1
Bn. 2
1 Hn.
dim. 2
dim. 1
cresc.
Tpt. 2
cresc. 1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc. pizz.
Bass
Scat (Whole tone) Tr. 8
so
much gloom,
the bush
re
a
wak ens me.
re a
wak ens me.
I 3
Vn. II
dim.
dim.
Va.
dim.
dim. arco
pizz.
Vc.
cresc. pizz. Cb.
Scene 3
200 164 1
Fl. 2
cresc. 1 Ob. 2
Cl.
1 2
cresc.
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 Marimba Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
D half diminished
C7( 11) or
Duet with Trickster (interact)
W.W. 2 – Tbn.
Drums
cresc.
cresc.
cresc.
Bass
F half diminished Tr. 8
I Vn. II
Va.
Vc.
Cb.
E 7( 11) or
Scene 3
201
170 1
dim. Fl. 2
cresc.
dim.
1
dim.
Ob. 2 a2
Cl.
dim.
a2
1 2
cresc.
8
dim.
Bs. Cl. 1
Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt. 2
1
dim.
Tbn. 2
dim.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 C( 9) 7 Duet continues W.W. 2
Tbn. Fill Drums
Bass
E
( 9) 7
Tr. 8
They div.
I 8
Vn. II
dim.
Va.
dim. Vc.
Cb.
Scene 3
202 175 1
3
dim.
dim.
dim.
dim.
Fl. 2 3
1 3
Ob. 2
3
(a2) Cl.
1 2
dim.
dim.
Bs. Cl.
1 Bn. 2
1 Hn.
dim.
dim.
2
dim. 1
dim.
Tpt. 2
dim. 1
dim.
Tbn. 2
dim.
Timp. (Vibr.) 1
3
Xylophone Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
squalk
and
chirp
chirp and squalk
div.
like
hun
gry
birds,
unis.
I
dim. Vn. II
cresc.
Va.
cresc. Vc.
cresc. Cb.
cresc.
Scene 3
203
180 1 Fl. 2
1 Ob. 2
a2 Cl.
1 2
cresc.
6
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Tr. 8
Like
hun
gry
birds ’round
a cook
ing
pot
I
cresc.
6
Vn. II
cresc.
Va.
Vc.
Cb.
dim.
dim.
Scene 3
204 184 1
Fl. 2
1
dim.
Ob. 2
dim.
Cl.
1 2
dim.
6
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt.
dim. 2
dim. 1
dim. Tbn. 2
dim. Timp.
(Vibr.) 1 (Xyl.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
dim.
cresc.
cresc.
pizz. Bass
3
4
3
Tr. 8
A place for a
crowd
I
like the sound of bar ter and
I 3
cresc. 4 Vn.
3 4
II
cresc.
Va.
Vc.
pizz. Cb.
dim.
noise
Scene 3
205
189 1
cresc. Fl.
3
2 3
1 Ob. 2 a2
a2 Cl.
1 2
cresc.
3
Bs. Cl. 3
1
Bn.
3
2
1 Hn.
dim. 2
dim. 1 Tpt. 2
1 Tbn.
dim. 2
Timp. (Vibr.) 1
Perc. 2 Bass Drum 3
Cel.
Hp.
W.W. 1 3
W.W. 2
Tbn. Fill Drums
cresc. Bass
no tremolo
I
cresc.
3
dim.
6
Vn.
no tremolo II
cresc.
dim.
6
no tremolo Va.
dim.
3 6 3
Vc.
dim.
Cb.
206
SCENE 4 (Jail) Jail cell, interior. (If exterior is shown, streets still jammed with people.) Blacks are in three to four cells: Women in one and CINQUE and the other men in two or three. Men wear dark striped cotton trousers and striped cotton shirts; the women, calico dresses.
Freely,
= 69
1 3
Fl. 2 3
1 3
3
3
3
Ob. 2 3
2. Cl.
1 2
Bs. Cl.
1
3
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Freely,
= 69
I
Vn. II
Va. 1 solo
3
3
3
Vc.
Cb.
3
3
dim.
dim.
3
3
3
Scene 4
207
= 84
7 1 3
3
3
3
3
dim.
cresc.
Fl. 2
cresc.
1 3
dim.
3
Ob. 2
dim. Cl.
1 2
Bs. Cl.
1 3
3
3
3
cresc.
Bn.
3
2
cresc. 1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.)
3
3
1 Marimba Perc. 2
3
Cel.
E F GA ] 3
BC D
3
3
3
cresc.3
3
3
3
3
3
3
3
3
3
3
3
Hp.
E
F W.W. 1
W.W. 2
Tbn. Sparse interjections cymbal swells (brushes) Drums
Bass
= 84 I Vn. II 3
3
solo Va. 3 3
cresc.
3
3
3
3
3
(solo)
3
Vc.
dim.
Cb.
cresc.
3
3
cresc.
3
3
3
3
3
3
Scene 4
208 13 1
3
Fl. 2
1 3
3
3
cresc.
Ob. 2 3
3
1. Cl.
1 2
Bs. Cl.
3
3
cresc.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. 3
(Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
dim. 3
Hp.
3
3
3
3
3
3
E
3
3
3
3
3
3
3
3
3
3
F
F
3
dim.
3
3
3
3
3
3
3
E
W.W. 1
W.W. 2
Tbn. (Sparse Interjections Cymbal Swells, etc.)
Brushes (triplet feel)
Drums
Bass
I Vn. II 3
3
3
Va. 3 3
dim.
3
3
3
3
3
3
3
3
3
3
3
3 3
cresc.
3
3
3
3
dim.
Vc. 3
Cb.
dim.
3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
dim.
3
Scene 4
209
18 1 3
Fl.
3
dim. 2
1 3
3
3
Ob. 2 3
dim. 2.
Cl.
1 2 3
dim.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. 3
(Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
3
3
3
3
3
3
cresc. 3
Hp.
3
3
E
3
3
3
3
3
3
3
3
3
3
3
3
F
3
3
3
3
E
F
3
3
3
3
dim.
3
3
3
3
3
3
E
3
3
F
W.W. 1
W.W. 2
Tbn.
Drums
Bass
MARGRU 3
3
3
I could tell
by their
looks,
3
3
their touch es,
the way they han
dled
me,
1 solo I Vn.
1 solo
3
II 3
metà
3
3
3
3
Va. 3
3
3
3
cresc.
3
3
3
3
3
3 3
3
3
3
3
3
3
3
dim.
metà Vc. 3
3
3
3
3
3
cresc. Cb.
3
3
3
3
3
3
3
dim.
3
3
3
3
3
Scene 4
210 23 1
dim.
Fl.
3
3
3
3
2
1 3
Ob.
3
3
3
2
dim.
Cl.
1 2 3
dim.
3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
3
cresc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
dim.
3
Hp.
3
3
3
3
3
E
F
3
3
3
3
3
F
E
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Mar. they want ed a
girl.
They thought I was 3
a
vir
gin.
E ven these
(1 solo)
I
3
dim. Vn.
(1 solo)
3
II 3
cresc.
dim.
3
3
3
Va. 3
cresc.
3
3
3
3
3
3 3
3
3
3
3
3
dim.
3
3
3
3
3
Vc. 3
Cb.
3
cresc.
3
3
3
1 solo
3
3
3
dim.
3
3
3
Scene 4
211
27 1
3
3
3
3
3
3
3
Fl. 2
3
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1
3
3
Bn. 2 3
3
3
3
1 Hn.
3
2 3
1 Tpt. 2
1 Tbn. 2
Timp. (Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
3
Cel.
3
3
3
3
3
3
3
cresc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
E
F
3
3
3
3
dim.
3
Hp.
3
3
3
3
3
F
E
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
Mar. men
here,
in
this
pris
on,
call
me
the girl.
They think
I 3
3
3
Vn.
6
3
3
II 3
3
3
dim.
3
3
3
Va. 3
cresc.
3
3
3
3
3
3 3
3
3
3
3
3
dim.
3
3
3
Vc. 3
Cb.
3
cresc.
3
3
3
3
3
3
3
dim.
3
3
3
3
I’m
Scene 4
212 31 1
6
Fl.
dim. 2
1 Ob.
3
3
3
3
2
3
Cl.
3
1 2 (2.)
3
5
Bs. Cl.
1 3
Bn. 2
1 Hn. 2
dim. 1 Tpt. 2
1 Tbn. 2
Timp. 3
(Vibr.)
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
cresc. 3
3
3
3
3
3
3
3
3
3
3
3
3
Hp.
F
W.W. 1
W.W. 2
Tbn. switch to sticks Drums
dim.
dim.
Bass
3
3
3
3
3
Mar. a
vir
gin
They
got
what they want
ed,
a slight
(1 solo) I 3 5
Vn.
dim.
(1 solo)
cresc.
3
II 3
tutti
3
3
Va.
3 3
cresc.
3
3
3
3
3
3
3
3
3
3
dim.3
3
3
dim. 3
3
3
3
tutti
Vc. 3
(1 solo)
3
cresc.
3
3
3
3
3
3
3
tutti div.
Cb.
dim.
3
3
Scene 4
213
35 1 3
3
3
dim.
Fl. 2
3
1 3
3
3 3
Ob.
3
2 3
3
1. Cl.
2.
1 2 3
3
dim.
3
3
Bs. Cl. 3
3
1 Bn. 2 3
1 Hn. 2 3
cresc.
1 3
Tpt. 2
1 Tbn. 2
Timp. 3
3
(Vibr.) 1 3
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
Mar. girl,
with
slim hips
and small breasts.
They don’t know
I left a ba
by wrapped in cloth wait ing
I Vn. II
Va. 3
dim.
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Vc. 3
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3
Cb.
dim.
cresc.
3
Scene 4
214 40 1
3
3
3
3
3
dim.
dim.
Fl. 2
3
3
3
3
3
dim.
dim.
1 3
dim.
Ob. 2 3
Cl.
dim.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. 3
(Vibr.)
3
1 (Mar.) Perc. 2
3
3
Cel.
3
3
3
3
3
3
3
3
3
cresc.
Hp.
3
3
3
3
[B C D E F G A]
3
3
3
3
D G
W.W. 1
W.W. 2
Tbn. Color with cymbals (scrape?) Drums
dim.
cresc. Bass
3
3
3
3
Mar. for his milk.
He is ly
div.
ing
in
his
cloth
on a 8va
1 solo
tutti I 3
3
3
cresc. Vn.
3
3
dim. div.
tutti
metà
3
dim.
3
3
3
II 3
3
cresc.
3
dim.
3
3
3
3
cresc.
3
metà Va. 3
3
cresc.
3
3
3 3
3
3
3
3
3
3 3
dim.
Vc. 3
Cb.
3
cresc.
3
3
3
3
3
3
dim.
3
3
3
3
3
3
3
3
cresc.
3
3
3
Scene 4
215
45 1 3
dim.
Fl. 2 3
dim.
1
Ob.
3
3
3
3
3
2
Cl.
1 2 3
Bs. Cl.
1 3
Bn. 2
3
1 Hn. 3
2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 3
3
3
3
(Mba.) Perc. 2
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
dim. Hp.
3
3
3
3
3
3
3
3
3
D
3
3
3
G
3
3
D
3
3
G
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. brushes Drums
Bass
3
3
3
3
3
3
Mar. pal
let
on
the
ground
un
der my moth
er’s
gaze
in my house
of
grass
solo on top, tutti octave below 8va
solo
tutti div.
I 6 3
Vn.
3
dim.
3
3 3
3
3
II 3 3
3
3
3
3
3
3
3
3
dim.
3
3
3
3
3
3
Va. 3
3
3
3
3
3
3
dim. Vc.
dim. Cb.
dim.
3
3
3
3
3
3
Scene 4
216 49 1
3
Fl.
dim.
3
2 3
dim.
1 3
Ob.
dim.
2 1. 2. Cl.
1 2 2.
3
Bs. Cl.
1
cresc.
Bn. 2
1 Hn.
3
cresc. 2
cresc. 1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1 3 3
(Mar.) Perc. 2
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Hp.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
Mar. in a small
round
house
on bar ren
3
heart less
soil
where the wind blows
all
but the goats
1 solo
I
3
3
3
dim. Vn.
3
3
3
II 3
dim. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Va. 3
3
3
3
3
3
3
3
3
3
3
cresc. Vc.
dim.
cresc.
Cb.
dim.
cresc.
cresc.
3
3
3
Scene 4
217
53 1
3
3
Fl.
to Piccolo 2 3
3
(1.) 1 3
3
3
3
3
3
3
3
Ob. 2
1. Cl.
1 2 3
3
Bs. Cl. 1 Bn. 2
Hn.
1
2 3
1 3
Tpt.
3
2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
dim. Hp.
3
3
3
3
3
3
3
cresc.
3
3
G
3
3
3
G 3 C
3
3
3
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
4
3
3
range
with
3
Mar. a
way.
His cloth was
o
sea
shells
on
it.
I kept
him wrapped
tutti I 6
cresc.
Vn.
3
tutti
3
3
II 3 3
3
dim.
3
3
3
3
cresc.
(metà)
Va. 3
3
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc. (metà)
Vc. 3
3
cresc.
Cb.
dim.
cresc.
3
3
3
Scene 4
218
Piccolo
57 Picc. 1
6
6
Fl. 1 3
6
1 3
3
Ob.
3
3
3
3
2 3
3
2. Cl.
1.
3
2.
1 2 3
3
3
3
3
Bs. Cl. 1 Bn.
cresc. 2
cresc.
Hn.
1
2
1 3
3 3
Tpt.
3 3
3
2
1 Tbn. 2
Timp.
1
Perc. 2
3
6
6
6
cresc.
Cel.
6
6 6
6
6
6 6
6
6 6
6
6
6
3
3
3
3
B ,C 3
6 3
3
Hp.
3
3
3
3
3
3
3
3
3
3
6
sustain
3
W.W. 1
W.W. 2
Tbn. 6 against 4 Drums 3
3
3
3
cresc. Bass
3
3
3
3
3
3
3
Mar. tight
to my back,
ex cept
that
af ter noon,
ex
I
6
6
cept
6
that
af ter noon,
when I
6
6
6
6
6
6
6
6
6
cresc.
Vn. II 6
6
6
cresc.
6
tutti Va. 3 3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
tutti Vc. 3
Cb.
3
3
3
3
3
3
3
3
cresc.
3
3
Scene 4 61
219 to Flute
Picc. 6
6
3
dim.
Fl. 1 3
6
6
dim. 1 3
Ob. 2
3
a2 Cl.
1 2 3
3
dim.
3
dim.
Bs. Cl. 1 Bn.
dim.
dim.
dim.
dim.
2
3
1 Hn. 2 3
3
1
dim. Tpt.
dim.
3 3
3
2
dim.
1
dim.
3
3
dim.
Tbn.
dim.
2 3
dim.
Timp.
1
Perc. 2 3
6
6
dim. 6
Cel.
6
6
6 6
6
6
6
3
6
6
Hp. 3
6
6
W.W. 1
W.W. 2
Tbn. 4/4 Drums 3
3
dim. Bass
3
3
3
3
3
3
Mar. went
for
food.
When
they
took
me
my
div.
I
6
6
6
6
6 3
dim. div.
Vn.
3
3
3
3
3
3
6 3
3
II 6
6
dim.
6
6
6
3
cresc.
3
div.
Va. 3 3
3
3
3
3
dim.
3
3
3
3
3
3
3
3
6
3
Vc. 3
dim.
3
3
3
3
cresc.
Cb.
dim.
dim.
cresc.
3
3
3
3
3
3
Scene 4
220
3
=
65 1
3
3
3
Fl.
Flute 2 3
1 3
3
3
Ob.
3
2 3
Cl.
2.
(2.)
1 2 3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2 3
3
1
cresc.
Tpt.
3
2
cresc. 1 3
cresc.
Tbn. 2 3
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
cresc. dim. Tbn.
Drums
Bass 3 3
3
=
3
3
3
3
Mar. milk
flowed
down
the
dirt trails,
down my
legs
and
arms
I
y
i
rons.
3
6
6
on the rust
6
Vn.
3
3
3
3
3
3
3
3
3
3
3
3
II 3
3
dim.
3
cresc.
3
3
Va. 3
3
cresc.
Vc. 3
3
3
3
dim.
3
3
3
3
3
cresc.
3
3
3
3
Cb.
dim.
cresc.
3
3
3
Scene 4
221
69 1
dim.
Fl. 2
1 Ob. 2
Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn.
cresc. 2
1
cresc.
Tpt. 2
cresc. 1
cresc.
cresc.
Tbn. 2
cresc.
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
[B C D E F G A]
cresc.
Hp.
W.W. 1
W.W. 2
cresc. Tbn. Cymbals only
Sticks
Drums
dim. Bass
Mar. And yes,
I
cresc.
Vn. II
dim.
cresc.
Va.
Vc.
dim.
cresc.
Cb.
dim.
cresc.
I helped to kill
the
Scene 4
222 74 1
dim.
dim.
dim.
dim.
Fl. 2
1
dim.
Ob. 2
Cl.
1 2
dim.
dim.
dim.
dim.
dim.
dim.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
cresc. Timp.
1
Perc. 2
3
Cel.
cresc.
Hp.
dim.
cresc.
dim.
W.W. 1 (C.A. Cl.) W.W. 2
cresc. Tbn.
Drums
cresc.
dim.
dim.
Bass
Mar. men
I
cut
one
of
those sail
ors
in
his
chest.
I
I
cresc.
Vn.
cresc.
dim.
dim.
cresc.
dim.
dim.
II
cresc.
Va.
cresc. Vc.
Cb.
dim.
dim.
Scene 4
223
79 1
dim. Fl. 2
dim. 1
dim.
Ob. 2
dim. 1. Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn.
cresc. 2
1 Tpt. 2
1
cresc.
Tbn. 2
dim.
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
cresc.
dim.
Hp.
W.W. 1
W.W. 2
dim.
cresc.
Tbn.
Drums
dim.
cresc.
Bass
Mar. was not
a
fraid
to
die.
I
was
I
dim.
cresc.
Vn. II
dim.
cresc.
Va.
cresc. Vc.
dim.
cresc.
Cb.
dim.
cresc.
a
fraid
I
could
Scene 4
224 84 1
dim.
3
cresc.
dim.
cresc.
dim.
cresc.
dim.
Fl. 2
dim.
3
1
dim.
Ob.
3
dim.
2
dim. Cl.
3
dim.
a2
1 2
dim.
3
Bs. Cl.
1 Bn. 2
1 Hn.
cresc. 2
dim.
3
dim.
1
dim.
Tpt.
dim.
2
dim.
dim.
1
cresc.
Tbn. 2
dim.
cresc.
Timp.
cresc. Xylophone 1
cresc. Marimba Perc. 2
cresc. 3
Cel.
cresc.
Hp.
cresc.
W.W. 1
W.W. 2
dim.
cresc. Tbn.
Drums
cresc.
cresc. Bass
3
Mar. not
get
back
where
I
still
live
my
life.
I Vn.
cresc.
cresc.
cresc.
cresc.
II
Va. 3
cresc.
dim.
Vc.
cresc.
dim.
Cb.
cresc.
dim.
Scene 4
225
89 1 Fl. 2
1 Ob. 2 (a2) Cl.
a2
1 2
Bs. Cl.
1 Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt. 2
1 Tbn. 2
Timp. (Xylo.) 1
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 2/4 Feel brushes Drums
Bass
3
Mar. I’m
still
caught
in
a
step
on
my
way
back
1 solo
I Vn.
1 solo II
1 sola Va.
cresc.
dim.
cresc.
dim.
cresc.
1 solo Vc.
cresc. 1 solo Cb.
cresc.
Scene 4
226 95 1 Fl. 2 4
1 3
Ob. 2
cresc. 3
Cl.
1 2 3
cresc. 3
3
3
3
3
3 3
3
cresc.
Bs. Cl. 4
1 3
3
Bn. 2
1 4
Hn.
4
2
1 Tpt. 2
1 4
3
Tbn. 2 4
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
to Tenor Saxophone in B
W.W. 2
Tbn.
Drums
Bass
4
3
3
3
3
3
3
Mar. to
a
pal
let
on
the
ground,
(1 solo) I 4
Vn.
dim.
(1 solo) II
dim.
4
(1 sola)
Va.
cresc.
cresc.
cresc.
cresc.
(1 solo) Vc. (1 solo) Cb.
Scene 4
227
101 1 Fl. 2
1 Ob. 2
2. Cl.
1.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
4
4
Mar. my
ba
I Vn. II
Va.
dim.
Vc.
dim. Cb.
dim.
by wrapped in
sea shells,
wait ing
for
his
milk.
Scene 4
228 108 1
3
3
3
3
3
3
cresc. Fl. 2
cresc. 1 Ob. 2 1. Cl.
1 2
3
cresc.
3
3
3
3
3
3
3
3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2 solo Tbn.
Drums
cresc. Bass
Mar.
tutti div. unis. I 3
3
3
3
cresc. tutti div.
cresc. Vn.
3
3
(1 solo) II 3
cresc.
3
3
3
3
3
3
3
3
3
cresc.
(1 sola) Va.
cresc. (1 solo)
cresc.
Vc.
cresc. tutti div. Cb.
cresc.
3
3
Scene 4
229 3
=
113 1 3
3
3
3
3
3
cresc.
3
3
3
3
Fl. 2
cresc. 1 Ob. 2 (1.) Cl.
3
a2
3
1 2
3
2.
cresc.
3
3
3
3
3
3
3
Bs. Cl. 1 Bn.
dim. 2
dim. 1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibraphone 1 Marimba Perc. 2 Tom Snare
3
Tom
dim.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass 3
GRABEAU
Chief, 3
div.
unis.
= I 3
3
3
3
cresc.
Vn. II
3
cresc.
3
3
3
tutti Va.
cresc. tutti Vc.
div. Cb.
cresc.
3
3
3
3
what will
be come
of
Scene 4
230 118 1
3
Fl. 2
1 Ob. 2 1. Cl.
1 2 3
Bs. Cl. 3
1 Bn. 2
1 Hn. 2
1 Tpt.
1. 2
1 Tbn. 2
Timp. Xylophone (sounds octave higher)
(Vibr.) 1
cresc. (Mar.) Perc. 2
cresc. 3
cresc.
Cel.
E F G A? B C D
Hp.
cresc. Alto Sax. in E W.W. 1 3
W.W. 2
Tbn.
Drums
cresc. Bass
3
3
3
3
Gra. us?
Sure
ly they will kill us,
pizz. I Vn.
cresc.
pizz.
II pizz.
cresc.
Va.
cresc. pizz. Vc.
cresc. Cb.
They know we’ve killed their
cap
tain
We should have killed
them all,
Scene 4
231
123 1
dim.
Fl. 2
1
dim.
Ob. 2
dim. 1 2
Cl.
dim. Bs. Cl.
dim. 1 Bn.
dim. 2
dim. 3
1
dim.
Hn.
3
2
dim. 1 Tpt. 2
1
dim.
Tbn. 2
3
dim.
Timp. (Xylo.) 1
cresc.
dim. (Mar.) Perc. 2
cresc.
dim. 3
dim.
cresc.
Cel.
dim.
Hp.
cresc. W.W. 1
W.W. 2
Tbn.
Drums
dim.
cresc.
Bass
3
KALEH
3
3
Gra. 8
dumped
them
in
to
the
sea.
Chief, CINQUE
3
We had no
3
oth
er
way.
(pizz.) I
dim. Vn.
arco
(pizz.) II
dim. (pizz.)
cresc. arco
Va.
dim.
cresc.
(pizz.) Vc. div. Cb.
dim.
dim.
my fam i ly—
Scene 4
232 128 1 3
Fl. 2
1 3
Ob. 2
3
Cl.
cresc.
1 2 3
cresc.
Bs. Cl. 3
cresc.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Xylo.) 1
cresc.
cresc.
(Mar.) Perc. 2
cresc. (Drums)
cresc.
3
cresc.
Cel.
Hp.
cresc.
cresc.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
3
3
3
Kal. 8
Will
I
e ver see them? MARGRU
3
3
Ka
leh—
we
all have
3
fam i
3
ly
help less
3
on the oth
er 3
div.
arco, div. I 3
Vn. II
cresc.
cresc.
Va.
cresc.
cresc.
Vc.
dim.
dim.
Cb.
dim.
dim.
shore.
Scene 4
233
132 1 Fl. 2
1 Ob. 2
dim. 1. Cl.
1 2 3
dim.
3
Bs. Cl.
dim. 1 Bn. 2
Hn.
1
2 3
1 Tpt. 2
1 3
Tbn. 2
Timp. (Xylo.) 1
cresc. (Mar.)
cresc.
Perc. 2
cresc.
cresc. (Drums) 3
cresc.
cresc.
Cel.
cresc.
Hp.
cresc. Alto Saxophone in E W.W. 1 3
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Mar. 8
CINQUE
3
4
3
The wo man makes a point.
We must not
say from where
we’ve
3
come,
3
Not from Men de,
or Sier ra Leo ne div.
I 6 3
Vn. II
cresc. Va.
cresc. Vc.
Cb.
Scene 4
234 136 1
cresc. Fl. 2
cresc. 1 Ob. 2 a2 Cl.
1 2
cresc. Bs. Cl.
1 Bn. 2
1 Hn. 2
1
cresc.
Tpt. 2
cresc. 1
cresc.
Tbn. 2
dim.
dim.
Timp. (Xylo)
Vibraphone
1
cresc. (Mar.)
cresc.
cresc.
cresc.
cresc.
Perc. 2
cresc. (Drums)
Chimes
3
Cel.
Hp.
cresc. W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
Cin.
I
cresc.
Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
cresc. Cb.
cresc.
= 76
Scene 4
235
141 1 3
cresc. Fl. 2
cresc. 1 Ob. 2
1 2
Cl.
3
cresc.
3
Bs. Cl. 3
cresc. 1 Bn. 2
1 Hn. 2
1
cresc.
Tpt. 2
cresc. 1
cresc.
Tbn. 2
Timp. (Vibr.) 1
cresc. Perc. 2 (Chimes) 3
Cel.
Hp.
Alto Sax. in E W.W. 1 3
3
W.W. 2
Tbn.
Drums
cresc.
CHORUS
Bass
B Ank le
= 76 I
cresc.
Vn. II
cresc.
Va.
cresc.
Vc.
cresc. Cb.
and Wrist,
Ank le
and
Wrist,
Scene 4
236 149 1 Fl. 2
1 Ob. 2 3
2. 1 2
Cl.
3
Bs. Cl. 3
1 Bn. 2
1 Hn. 2
1 3
Tpt.
3
2
1 3
3
3
3
Plunger wa dat
Tbn.
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
W.W. 2
Tbn.
Drums 3
pizz. Bass 3
CINQUE
3
3
CHORUS
The
Ank le
I
II
Vc.
Cb.
is a fad ing day
3
light
B
Vn.
Va.
past
3
and
Wrist,
Ank le
and
Wrist,
Ank le
and
Wrist,
Ank le
and
Scene 4
237
156 1 Fl. 2
1 Ob. 2 2. 1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 3
3
wa dat
Tbn.
straight
3
3
3
3 3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
3
3
3
Tenor Saxophone in B W.W. 2 5
3
Tbn.
Drums 3
3
3
3
3
3
Bass
3
3
3
3
3
3
3
3
3
3
Cin.
CHORUS
We are float ing yet still
There is on ly the catch
The past
is a 3
3
B Wrist,
Ank le
and
Wrist,
I Vn. II
Va. 3
Vc. arco 3
Cb.
er’s net,
3
Ank le
and Wrist,
fad ing day light
Scene 4
238 162 1 Fl. 2
1 Ob. 2 1. 1 2
Cl.
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 5
5
3
5
Tpt.
3
2 5
1
Tbn.
3
3
3
3
3
5
5
2 5
3
5
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1
5 3
5
(Tenor Sax.) W.W. 2
5 3
3
5
Tbn. 3 3
3
Drums 3
3
3
cresc.
3
3
Bass 3
3
cresc.
3
3
3
3
3
3
3 3
3
3
3
3
3
CHORUS
Cin. 3
3
We are float ing yet still
er’s
net
The
past
B Ank le
and Wrist,
Ank le
I Vn. II
Va. 3
Vc. 3
Cb.
There is on ly a catch
and Wrist,
Scene 4
239
= 96
167 1 Fl. 2
1 Ob. 2 (1.) 1 2
Cl.
3
dim.
3
3
Bs. Cl.
dim. 1 Bn. 2
1 Hn. 2
1 3
Tpt. 2 3
1 3 3
Tbn.
3
3
3
3
3
3
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
dim.
3
3
(Tenor Sax.) W.W. 2 3
dim.
3
3
3
Tbn. 3
rimshot Drums 3
3
3
3
Cm7 Bass 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cin.
CHORUS
is a fad ing day
light
We are float ing yet still 3
There is on ly the catch er’s net
It snares us slow ly but
3
B Ank le
and
Wrist,
= 96 I Vn. II
Va. 3
Vc. 3
Cb.
Scene 4
240 173 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 3
Tbn.
3 3
3
2
dim. Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
3
3
(Tenor Sax.) W.W. 2
Tbn. 3
Drums Fill
3
Fill
Bass 3
Cin.
CHORUS
tight T 8
Net
and
beast
The
3
B Ank
le
I Vn. II
Va.
Vc.
Cb.
dim.
and
Wrist,
Ank
le
and
Wrist,
Scene 4
241
179 1 Fl. 2
1 3
Ob. 2 3
dim. 5
2. 1 2
Cl.
3
Bs. Cl.
1 Bn. 2
1 Hn.
dim. 2
dim. 1 3
Tpt. 2
1
3
3
Tbn.
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1
cresc.
3
(Tenor Sax.) W.W. 2 3
3
3
Tbn. 3
3
3
Drums 3
cresc.
Bass 3
cresc.
3
cresc.
3
3
3
S
CHORUS
Dead men walk A 3
T 8
dead
men
walk
A
ten
days
march
Net 3
B An
kle
I Vn. II
Va.
Vc.
Cb.
dim.
and
Wrist,
An
kle
and
Wrist,
An
kle
and
Scene 4
242 184 1 Fl. 2
1 Ob. 2 (1.) 1 2
Cl.
cresc. Bs. Cl.
1 Bn. 2
1 Hn.
cresc.
dim.
cresc.
dim.
cresc.
dim.
2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
3
3
(Tenor Sax.)
W.W. 2
Tbn. 3
3
Drums D7 9
3
E7 9
Am7 9
Bass
cresc.
3 3
S out
to
sea
CHORUS
3
A out
to
sea
T 8
And
beast
And
out
to
sea
B Wrist,
I Vn. II
Va.
Vc.
Cb.
An
kle
and
Wrist,
An
kle
and
Scene 4
243
188 1 Fl. 2
1 3
3
3
3
3
3
3
3
3
dim.
Ob.
3
2
1 2
Cl.
3
3
(1.) 3
dim.
3
3
Bs. Cl.
1 Bn. 2 3
3
1
dim.
3
Hn.
dim.
3
3
3
3
3
2
dim.
dim.
1 Tpt. 2
1 3
Tbn.
3
dim.
3
3
2
3
Timp. (Vibr.) 1 3
3
3
3
dim.
3
3
Perc. 2
3
Cel.
Hp.
(Alto Sax) W.W. 1
3
(Tenor Sax) W.W. 2
3
3
Tbn. 3
3
3 3
3
3
3
3
(triplet subdivision)
Drums 3
3
3
3
Bass 3
3
3
dim. 3
3
3
3
3
3
CINQUE 3
3
S The
dead
men
CHORUS
3
First
they threw
the
A The
dead
men
walk
3
3
3
T 8
a
si
lenced
prey
B Wrist, I
6
Vn. II
Va.
Vc. arco
3
3
Cb.
dim.
3
Scene 4
244 193 1 Fl. 2
1 3
3
3
3
3
3
3
3
3
3
3
Ob. 2
Cl.
3
1 2 3
Bs. Cl.
1 Bn. 2
3
1 3
Hn.
3
2
1 Tpt. 2
1 Tbn. 2
Timp.
dim.
3
3
(Vibr.) 1 3
3
3
3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplets) Drums
Bass
3
3
3
3
3
Cin. net
snared me like a beast
I was wild,
a prey
sur prised.
They
chained my wrists
and
6
I 3
6
Vn.
div. (unis.) (div.) II 3
3
3
3
3
3
3
3
3
Va. 3
Vc. 3
Cb.
dim.
3
3
dim.
Scene 4
245
198 1
dim.
Fl. 2
dim. 1 3
3
3
3
3
3
3
3
3
3
3
Ob. 2 3
1.
a2 Cl.
1 2 3
dim.
3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
3
3
3
Timp.
cresc.
cresc.
(Vibr.) 1 3
3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplets) Drums
Bass
4
3
3
3
3
Cin. then
my
an
kles,
and kept me
in a shroud—
the
shroud,
a
cloth for
dead
men
for a ten
I 3
dim. Vn. II 3
3
3
3
3
3
3
3
Va. 3
3
Vc. 3
3 3
Cb. 3
3
3
Scene 4
246
= 76 203 1 Fl. 2
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Ob. 2 3
(1.) Cl.
1 2
Bs. Cl. 3
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
3
Timp.
dim.
3
(Vibr.)
1 3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplets) Drums 3
Bass
CINQUE, GRABEAU, & BURNAH
3
3
3
Cin. days
march.
Net
and
beast
a si
lenced
prey
The
= 76 I
3
Vn. II 3
3
3
cresc.
Va. 3 3 3
Vc. 3 3 3
Cb. 3
Scene 4
247
208 1 3
3
dim.
dim.
Fl. 2 3
3
dim.
dim.
1 3
dim.
3
dim.
3
dim. a2
3
dim.
Ob. 2
1 2
Cl.
dim.
dim. Bs. Cl. 1 Bn. 2
1
Hn.
2 mute 1 Tpt.
3
dim.
3
dim.
mute 2
1 3
Tbn.
dim.
3
3
dim.
3
3
dim.
3
2
Timp. 1
Perc. 2 3
Cel.
Hp.
Alto Sax W.W. 1 Tenor Sax W.W. 2
Tbn.
Drums pizz. Bass
3
3
Cin. Gr. Bu. past
is
3
a fad ing day
3
light
We are
3
3
float ing yet
3
still
3
3
There is on ly the
catch
3
er’s
net,
3
S net
and
beast
and
beast
The
CHORUS
3
A net
The
3
3
T 8
Dead
men walk
out
to
sea
B An
kle
and
Wrist,
An
kle
and
I 3
3
dim.
Vn.
dim.
II 3
3
3
dim.
3
dim.
Va. arco Vc. arco Cb.
dim.
dim.
Wrist,
Scene 4
248 212 1 3
Fl. 2 3
1 3
Ob. 2
3
(a2)
1 2
Cl.
Bs. Cl. 1 Bn. 2
1 3
Hn.
3
2
1 Tpt.
dim.
3
dim.
3
2
1 3
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax) W.W. 1
W.W. 2
Tbn.
Drums pizz. Bass
Cin. Gr. Bu.
3
3
The past
is
3
a
3
3
3
fad ing day light
3
3
We are float ing yet still
There is on ly the catch
3
S dead
men
walk
a
ten
days
march
ten
days
march
ten
days
march
3
CHORUS
A dead
men
walk
a 3
T 8
Dead
men
walk
a
B An
kle
I 3
Vn. II 3
Va. Vc.
Cb.
3
and
Wrist,
An
kle
and
Wrist,
3
3
3
er’s
net,
the
Scene 4
249
217 1 3
3
Fl. 2 3
1 3
3
Ob. 2 3
3
1. 1 2
Cl.
3
3
Bs. Cl. 1 Bn. 2
1 3
Hn.
dim.
3
2
dim. 1 Tpt. 2 1 3
dim.
Tbn.
3
3
3
3
3
3
2
Timp. (Vibr.) 1 3
Perc. 2 3
Cel.
Hp.
(Alto Sax) W.W. 1
3
3
dim. (Tenor Sax) W.W. 2
3
3
dim. Tbn. 3
3
3
3
3
3
Drums 3
pizz.
3
Bass 3
3
3 3
3
Cin. Gr. Bu.
past
is
a fad ing day
3
3
3
light,
3
3
3
3
S The
past
We are float ingyet still,
CHORUS
3
the
past 3
3
A The
past
float ingyet still,
the
past
3
T 8
Net
and
beast,
net
3
3
3
and
3
3
3
B An
kle
and Wrist,
An
kle
and
Wrist,
An
kle
and Wrist
I 3
Vn. II
Va. 3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
Scene 4
250 221 1 Fl. 2
1 Ob. 2 (1.) 1 2
Cl.
3
Bs. Cl. 1 Bn. 2
1
Hn.
2 (mute) 1 3
Tpt.
3
dim.
3
(mute) 2
dim.
3
1 Tbn.
3
3
3
3
3
3
3
3
3
3
2
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax) W.W. 1 3
3
dim.
(Tenor Sax) W.W. 2
3
3
dim.
Tbn. 3
3
Drums pizz.
3
3
3
3
Bass
3
3
Cin. Gr. Bu.
is
3
3
3
3
3
a fad ing day light
3
is
a fad ing day light.
3
3
3
S float ing
yet
still,
yet
still,
CHORUS
3
A
T 8
beast,
3
net
3
3
and
3
beast
B An
kle
and
Wrist,
An
kle
and
Wrist,
An
kle
and
Wrist,
I Vn. II
Va. 3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
Scene 4
251
224 1 Fl. 2
1 Ob. 2 (1.) 1 2
Cl.
3
3
Bs. Cl. 1 Bn. 2
1
Hn.
2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 to Contra Alto Clarinet W.W. 2
Tbn.
Drums 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bass
TRICKSTER Cin. Gr. Bu.
8
Sh!
CHORUS
S
A
dim. T 8
net
3
3
and
beast,
3
3
net
3
3
and
beast
3
3
B An kle
and Wrist,
An kle
and Wrist,
An kle
and Wrist,
An kle
and Wrist
I Vn. II
Va.
Vc. pizz. 3 Cb.
3
3
3
3
3
3
3
Scene 4
252 229
= 126
1 Fl. 2
1 Ob. 2 (1.) Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2 open 1 Tpt.
open
open 2
1 Tbn. 2
Timp. Glock. 1
Perc. 2 Sn. Dr. 3 Bs. Dr.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Sn. Dr. - March Drums
Bass
(CITIZENS file through, paying admisssion and gawking, communicating with CAPTIVES by handsigns. TRICKSTER wanders among them, still blind, picking their pockets, looking for food.
= 126
8
I Vn. II
Va.
Vc.
Cb.
TRICKSTER
Sh!
Scene 4
253 (PHRENOLOGIST enters)
238 1
cresc. Fl. 2
1 Ob. 2 (1.) Cl.
1 2
cresc. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
cresc. 1 Tbn. 2
Timp. (Glock.) 1
cresc. Perc. 2 Funny sound 3
Cel.
Hp.
W.W. 1 C.A. Cl. W.W. 2
Tbn.
Drums
cresc. Bass
(PHRENOLOGIST enters) I
Vn. II
Va.
Vc.
Cb.
Scene 4
254 245 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
dim.
1
dim. Bn. 2
dim. 1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums 3
dim.
3
3
pizz. Bass
1 solo I Vn. II 3
Va. 3
3 3
3
Vc. 3
div. Cb.
Scene 4
255
252 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
cresc. Bs. Cl.
cresc.
cresc.
1
cresc.
Bn. 2
cresc.
Hn.
1
cresc. 2
cresc. 1 Tpt. 2 1
cresc.
Tbn. 2
cresc. Timp. 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn. Drums
cresc.
cresc.
Bass
cresc.
cresc. MARGRU
3
Are they—
Are CAPTIVES
go ing to
BAHIA
KALEH
kill
us?
they— KINNAH
Are they—
KINNAH 3
8
Are they—
go ing to
kill
us?
Arethey— GRABEAU
BURNAH
Are they—
I Vn.
1 solo II 3
1 sola Va.
Vc. Cb.
3
Are
Scene 4
256 258 1 Fl.
dim. 2
dim. 1
dim.
Ob. 2
dim. 1 2
Cl.
cresc. Bs. Cl.
cresc.
1 Bn. 2
1 Hn.
3
2 3
1 Tpt. 3
2
1 Tbn. 2 3
Timp. Vibr. 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn.
Drums
Bass (PHRENOLOGIST makes his examination.) 3
Ma. Go ing to
kill
us?
kill
us?
kill
us?
Are they going to—
kill
us?
Are they going to—
3
Ba.
CAPTIVES
Go ing to 3
Ka. 8
Are they—
us? Go ing to 3
3
Kin. 8
go ing to kill
us? Go ing to
Gra. they—
Do you
know?
Do you
know?
3
Bu. Are they—
go ing to kill
us?
(1 solo) Vn.
I
II (1 sola) Va.
1 solo Vc.
Cb.
Scene 4
257
264 1 Fl. 2
1 Ob. 2 a2 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2 3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn.
Drums
cresc. Bass
cresc.
Ma. Do you
know?
Are they
go ing to
slit
our
throats?
Do you
know?
Are they
go ing to
slit
our
throats?
CAPTIVES
Ba.
Ka. 8
Do you
know?
slit
our
throats?
8
Do you
know?
slit
our
throats?
slit
our
throats?
Kin.
Gra. Are they
go ing to
Are they
go ing to
Bu.
I Vn. II
Va.
Vc.
Cb.
Throats
Scene 4
258
= 92
270 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Mar. Perc. 2 Tom-t. Sm. Tom-t. Bs. Dr.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
MARGRU & BAHIA
PHRENOLOGIST
(PHRENOLOGIST speaks to reporters)
8
Do you know?
The base
of his
brain
is small er than
CAPTIVES
REPORTER 4
8
KALEH & KINNAH
8
Do you know? GRABEAU & BURNAH
Base of his brain REPORTER 3
Do you know?
Base of his brain
= 92 I Vn. II
Va.
Vc.
Cb.
Base of his brain REPORTER 2
Scene 4
259
276 1
Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl. 1 Bn. 2
1
Hn.
2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums pizz. Bass
Ph. 8
oth er parts—
Parts of the brain
Lower an i mal pro pens i
ties
Do not dom i nate.
He’s not that bad.
R.4 8
What parts?
What’s
that?
What’s
that?
R.2 What parts?
Ah
ha
Ah
ha
R.3 And so (1 solo) I Vn.
(1 solo) II (1 sola)
Va. (1 solo) Vc.
Cb.
Scene 4
260 281 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
cresc. 1 Tpt. 2
gliss.
1
6
gliss.
cresc.
Tbn. 2 6
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) gliss. W.W. 2 6
Tbn.
Drums
Bass
cresc. Ph. gliss.
8
The ce
re
6
bral or
ga ni cresc.
za
tion is sup er
i
or—
Ce re bral or
ga
ni za tion
Su pe ri or?
Ce re bralor
ga
ni za tion
Su pe ri or?
Or
ga
ni za tion
Su pe ri or?
R.1 8
Oh gliss.
6
cresc.
R.2 Oh gliss.
6
R.3 Oh
I Vn.
(1 solo) II
cresc. Va.
Vc.
Cb.
You
don’t mean
Scene 4
261
286 1 3
Fl. 2 3
1 3
Ob. 2 3
1. Cl.
1 2 3
cresc. Bs. Cl. 3
cresc. 1 Bn. 2
Hn.
1
2 3
1 Tpt.
3
2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2 Tbn.
Drums
cresc. Bass
cresc.
3
3
3
Ph. 8
Su pe ri or
to most Ne groes
here
In
fact
he is rath er well bal anced
R.4 8
that
Oh
good
R.2 Good 3
R.3 Good
What did he
(1 solo) I Vn.
(1 solo) II
Va.
Vc.
Cb.
6
Scene 4
262 291 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
cresc.
Bass
3
3
4
3
Ph. 8
bet ter de vel oped
than most
per
sons—
than most be long ing
to his race.
R.4 8
What’s
that?!
What?
What’s
that?!
What?
R.2
R.3 say?
I Vn.
What? He’s a black
(1 solo)
6
(1 solo)
4
II 6
(1 sola) Va.
Vc.
Cb.
4
Scene 4
263
295 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl.
cresc. 1 Bn. 2
Hn.
1
2
1 Tpt. 2
1
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
cresc.
3
Ph. 8
His brain is good all
the
same.
the ce re
bral or
ga ni za
tion,
R.4 8
What’s
that he said?
What’s that he
What’s
that he said?
What’s that he
That he said?
That he
3
R.2 a kil
ler!
3
R.3 pi
rate (1 solo)
I
3
cresc.
Vn.
(1 solo) II 3
(1 sola) Va.
(1 solo) Vc.
Cb.
pizz.
Scene 4
264 299 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl. 1
cresc.
Bn. 2
cresc.
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
Bass
cresc.
Ph. 8
the
ce
re
bral
or
ga
ni
za
tion,
the
ce
R.4 8
said?
What did you
say?
said?
What did you
say?
R.2
R.3 said? (1 solo) I 6
Vn.
(1 solo) II (1 sola)
Va. (1 solo) Vc.
cresc. Cb.
re
bral
or
ga
Scene 4
265
= 69 302 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl.
cresc. 1 Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt. 2
1
dim.
Tbn. 2
dim.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
Ph. 8
ni
za
tion
R.4 8
R.2
R.3 How do you spell
ce
re bral?
= 69 (1 solo)
tutti
I Vn.
(1 solo)
tutti
(1 sola)
tutte
II
Va. (1 solo)
tutti arco
Vc.
dim. tutti arco Cb.
266
SCENE 5 (Transition)
= 69 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
AMERICANS
S
A 3
3
T 8
Deep
in the fes
t’ring hold
thy fa ther lies,
of his bones New Eng landpews aremade,
those are al
tar lights
that were his eyes.
of his bones New Eng landpews aremade,
those are al
tar lights
that were his eyes.
3 3
B Deep
= 69 I Vn. II
Va.
Vc.
Cb.
in the fes
t’ring hold
thy fa ther lies,
Scene 5
267
7 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
dim. Tbn.
Drums
Bass
3 3
3
3
S Je
sus Sa viour Pi lot
Me
O ver Life’s
AMERICANS
3 3
Tem pes tuous sea 3
3
A Je
3
sus Sa viour Pi lot
Me
O ver Life’s
3
T 8
Deep
in thefes
t’ring hold
thy fa ther lies,
of his bones
New Eng landpewsare made,
of his bones
New Eng landpewsare made,
3 3
B Deep
in thefes
I Vn. II
Va.
dim. Vc.
dim. Cb.
dim.
t’ring hold
3
thy fa ther lies,
Tem pes tuous sea
Scene 5
268 13 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
S
AMERICANS
Oh,
Je
sus
Sa viour Pi
lot
Me
O
A Oh,
Je
sus
Sa viour Pi
lot
Me
O 3
T 8
those
are
al
tar
lights
that were his eyes.
Deep in the fes
t’ring hold
thy
fa ther lies, 3
B those
I Vn. II
Va.
Vc.
Cb.
ver 3
are
al
tar
lights
that were his eyes.
Deep in the fes
t’ring hold
thy
fa ther lies,
ver
Scene 5
269
18 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
S
AMERICANS
life’s
tem pes tuous sea
Oh,
Je
sus Sa viour Pi
lot
me
O ver Life’s
3
3
Tem pes tuous 3
3
A life’s
tem pes tuous sea
Oh,
Je
sus Sa viour Pi
lot
me
O ver Life’s
Tem pes tuous
T 8
of his bones
New
Eng land pews are made,
those are al
tar
lights
that were his eyes.
of his bones
New
Eng land pews are made,
those are al
tar
lights
that were his eyes.
B
I Vn. II
Va.
Vc.
Cb.
Scene 5
270 23 1 Fl. 2
1 Ob. 2
1 2
Cl.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
S
AMERICANS
Sea
Oh,
Je
sus
Sa viour
Pi lot Me
O
3
ver Life’s
tem pes tuous Sea 3
3
A Sea
Oh,
Je
sus
Sa viour
Pi lot Me
O
ver Life’s
tem pes tuous Sea
3
T 8
Deep in the fes
t’ring
hold
thy fa ther lies,
of his
bones
New Eng land pews are made,
of his
bones
New Eng land pews are made,
3
B Deep in the fes
I Vn. II
Va.
Vc.
Cb.
t’ring
hold
thy fa ther lies,
Scene 5
271
28 1 Fl. 2
1 Ob. 2 a2
1.
1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
S
AMERICANS
those are
al
3
tar
lights
tar
lights
that were his
3
A those are
al
eyes.
T 8
those
are al
tar
lights
that were his
eyes.
those
are al
tar
lights
that were his
eyes.
B
I Vn. II
Va.
Vc.
dim. Cb.
dim.
eyes.
Scene 5
272
= 66 33 1 3
Fl. 2
1 Ob. 2 2. Cl.
1.
1 2 3
3
Bs. Cl.
1 Bn. 2
1 Hn.
cresc. 2
1 Tpt. 2
1 Tbn.
cresc.
cresc.
cresc.
cresc.
cresc.
2
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc.
cresc.
Tbn.
Drums
Bass
(Parlour of former President, and current Representative JOHN QUINCY ADAMS of Massachusetts. Enter Abolitionist TAPPAN and another lawyer. ADAMS welcomes them in and offers them seats. Maybe even tea.) TAPPAN
8
3
3
3
We are grate ful, sir
that
= 66
I Vn. II 3
3
Va. 3 3
Vc.
Cb.
3
you al low us
3
a
word,
to
press a
Scene 5
273
40 1 Fl. 2
1 Ob. 2
1. Cl.
1 2 6
Bs. Cl. 1 Bn. 2
1 Hn.
cresc. 2 cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
cresc. Tbn.
Drums
Bass
3
3
(Joking)
3
3
3
3
Tap. 8
cause,that you’ve
fought, too
Ah,
there we were forced.
But
weare
lu na tics
rad i cals, and fa
ADAMS 3
Not as you
3
withtorch and sword.
I
Vn. II
Va.
3
3
dim. Vc.
3
3
dim. Cb.
Scene 5
274 45 1 3
6
Fl.
3
3
3
3
2
1 3
3
Ob.
3
2
1. Cl.
2. 1.
2.
1.
1 2 3
3
3
Bs. Cl.
1 3
Bn. 2 3
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc.
cresc. Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
3
Tap. 8
I Vn.
nat ics,
thekindyou findma
3
ligned
inthe news.
It’s quiteall right.
If itmustbe a bright light
3 3
3
II 3
3 3
Va. 3
Vc.
Cb.
we shineon slav ery,
so be it.
Scene 5
275
51 1 3
Fl. 2 3
1 3
Ob. 2 3
Cl.
1 2 3
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
3
Tap. 8
But you bring us a cool
head
and a wise
re pu ta tion.
And you’ve fought to build a just and true na tion
with free states, not
I 3
Vn. II 3
Va.
3 3
3
Vc. 3 3
Cb.
3
Scene 5
276
= 120 57 1 Fl. 2
1 Ob. 2 1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
pizz. Bass
cresc.
cresc.
Tap. 8
slave,
with
free
states,
not
slave. ADAMS
Fail ing
= 120
in that—
a
ba lance.
I Vn. II
Va.
cresc.
cresc.
arco Vc.
cresc.
cresc.
cresc.
cresc.
pizz. Cb.
Scene 5
277
62 1 Fl. 2
1 6
Ob. 2 6
Cl.
1 2
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
Tap. 8
with
free
states,
not
slave.
Ad. We’re rath div. I Vn. II
Va.
Vc.
cresc.
Cb.
cresc.
er
like No
ah’s ark:
Scene 5
278 67 1 Fl. 2
1
dim. Ob. 2
dim. 1. Cl.
1 2 6
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
cresc.
3
Ad. tak
ing
two
of
each
one
slave,
one
free,
hop
I Vn. II
cresc.
cresc.
Va.
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
ing
to make
Scene 5
279
71 1 Fl. 2
1 Ob. 2
Cl.
1 2
cresc. Bs. Cl.
cresc. 1 Bn. 2
1
cresc.
Hn. 2
1
cresc.
Tpt. 2
cresc. 1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TAPPAN
8
The
Ad. room
e nough for
all.
I Vn. II
Va.
Vc.
arco Cb.
A
mi
stad
Scene 5
280 76 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 3
Hn.
3 3
3
2
1 Tpt. 2
1 3
3
Tbn. 2 3
3
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tap. 8
is
a
test
if
I Vn. 3
II 3 3
Va.
Vc.
Cb.
we
mean lib er
ty
is
for
ev
’ry
man.
Scene 5
281
81 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
Tap. 8
ADAMS
I
on
ly hope,
sir
I may be of help.
I be
lieve
your case may div.
I 3
Vn.
3
II
Va.
cresc.
Vc.
Cb.
cresc.
Scene 5
282 87 1
Fl. 2
1 3
Ob. 2 2. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tap. 8
In deed
Ad. have some chance.
The Span
iards flaunt
the ban
on slav ing a
I 3
Vn. II
Va.
Vc.
Cb.
3
cross the seas.
they do.
Scene 5
283
94 1 Fl. 2
1 Ob. 2 1.
2. Cl.
1 2
cresc. Bs. Cl.
cresc.
cresc.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Tap. 8
They sneak in to Cu ba
with slaves
by night.
Can blacks
see
jus
tice
I Vn. 3
II
cresc. 3
Va.
cresc.
Vc.
Cb.
cresc.
as
a ny oth er
men?
Scene 5
284 100 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
dim.
dim.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
dim. Tbn.
Drums
Bass
Tap. 8
But
if we give
them
to Spain
they go
in
to
cap
ti
vi
ty
I Vn. II
Va.
Vc.
dim. Cb.
dim.
Scene 5
285
106 1
Fl. 2
1
dim. Ob. 2
dim. a2
a2 Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Tap. 8
and death that
is
cer
tain.
In
Cu
ba they will die to teach a
slav
er’s
les
son.
div. I div.
Vn. II
Va.
Vc.
Cb.
Scene 5
286 112 1 Fl. 2
1 Ob. 2 1. Cl.
a2
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ADAMS
This is where the
I Vn.
(div.) II
div. Va.
Vc.
pizz. Cb.
case
lies:
these
Scene 5
287
117 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Ad. blacks
I Vn. II
Va.
Vc.
Cb.
are
nei
ther
slaves
nor
ci ti zens of Spain.
Span
ish
law
does
not
ap
ply.
Scene 5
288 121 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1
Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Ad. They were not in
I Vn. II
Va.
Vc.
Cb.
Cu
ba
long
e
nough
to
see
a
farm.
Scene 5
289
125 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
ten. 1 ten.
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Ad. Spain
at
tempts
to
I
Vn. II
Va. 3
3
Vc. 3
Cb.
3
de
ceive
with
false
pa
pers
up
Scene 5
290 128 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TAPPAN
8
3
Spain will try
for
a
set tle ment
an ar range ment
Ad. her sleeve. 3
I Vn. II
Va.
cresc. Vc.
cresc.
Cb.
with the
Pres
i
Scene 5
291
134 1 Fl. 2
1 Ob. 2
Cl.
1 2
dim.
cresc.
dim.
cresc.
Bs. Cl.
1 Bn. 2
1 Hn.
dim. 2
dim. 1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
dim.
Bass
cresc. 3
Tap. 8
dent.
You can count on it.
3
3
3
Ad. He
won’t
want to rile
a ny one
o
ver some
mu ti nous blacks.
I 3
3
Vn. II
Va. 3
arco
pizz.
Vc.
cresc. Cb.
cresc.
arco
Scene 5
292 139 1 Fl. 2
1
dim.
Ob. 2
dim. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tap. 8
Will you help us plead
this case?
Take it as far 3
as
we go
through
the courts
3
Ad. Plead this case?
I div.
I Vn. II
dim. Va.
dim. Vc. 3
Cb.
3
can
ad vise.
Scene 5
293
145 1 Fl.
to Piccolo 2
1 3
Ob. 2
Cl.
1 2
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
cresc.
3
3
3
3
Ad. Sure
ly
that is
all you want of me.
It’s been thir
ty
years
since I’ve been
in
court.
I’d be a
I 3
Vn. II
3
Va. 3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
Scene 5
294
= 63
ritard.
150 Picc.
Fl. 1
1 Ob. 2 a2
1.
1 2
Cl.
Bs. Cl. 1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
TAPPAN
3
3
3
3
Ad. 8
poor
hand
when you need one that’s sure.
ritard. I Vn. II
Va.
Vc.
arco Cb.
= 63
You’re the man for
us.
Scene 5 156
to Flute
Picc.
dim.
Fl. 1
dim.
1 Ob. 2
1. Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 Mar., soft mallets Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
3
(They shake hands and TAPPAN exits)
Tap. 8
Think on it.
I Vn. II con sord. Va.
Vc.
dim.
Cb.
dim.
295
Scene 5
296 160 1 Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn.
Drums
Bass
I Vn. II
Va.
Vc.
Cb.
Scene 5
297
163 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1
dim.
Bn. 2
dim.
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. brushes Drums
Bass
I Vn. II
Va.
Vc.
Cb.
Scene 5
298 166 1
Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I Vn. II
Va.
Vc.
Cb.
dim.
dim.
Scene 5
299
169 1
dim. Fl. 2
dim.
1
dim. Ob. 2
dim. a2 Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
dim. Vn. II
dim.
Va.
Vc.
dim. Cb.
Scene 5
300 172 1 Fl. 2
1
dim. Ob. 2
dim. 1. Cl.
1 2
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ADAMS
3
3
We’ve
had
on
ly
fif
3
3
ty
years
to
try
our
ex
per i
ment
to
heal
the blood
and
flautando
I 3
Vn.
3
cresc.
II cresc.
3
Va.
Vc.
Cb.
cresc.
cresc.
Scene 5
301
175 1
cresc.
Fl. 2
cresc. 1 Ob. 2
Cl.
1 2 3 3
Bs. Cl.
1 Bn. 2
3
1 Hn. 3
2
1 Tpt. 2
1 Tbn. 2 3
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Ad. tears
and trials
of
war
and be gin to in vent
I 3
a
na
tion
3
built on lib er ty.
3
Vn. II 3
3
Va.
Vc.
3 3
Cb.
dim.
Scene 5
302 178 1
Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Ad. On ly
I 3
Vn. II 3
Va.
Vc. 3
Cb.
dim.
fif
ty years since theBill
of
Rights.
Scene 5
303
181 1 Fl. 2
1 Ob. 2
2. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
4
3
3
Ad. We
learn
its
mean ing
on ly
from day
I 3
Vn. II
3
3
3
Va.
Vc. 3
3
Cb.
dim.
to
day.
How man
must test
what we say and do
Scene 5
304 184 1
cresc.
Fl. 2
cresc. 1 Ob. 2
Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
Ad. How
we
up
hold
this
lib er ty.
I
cresc. Vn. II
cresc.
Va.
Vc. 4
Cb.
dim.
Scene 5
305
186 1 3
Fl.
3
2
1 3
dim. Ob. 2
dim.
3
1. 3
2. Cl.
2.
1 2 3
dim. Bs. Cl.
1 Bn. 2
1 Hn. 2
1
Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
cresc. Bass
3
3
4
3
3
3
3
3
3
Ad. We dwell with sat is fac
tion
up on our dreams
and vi
sion.
yet
we
for get—
lib er ty
I 3
3
Vn.
3
II 3
3
4
Va.
Vc. 3
3
3
3
Cb.
cresc.
dim.
cresc.
Double time, = 126
Scene 5
306 189 1
dim. Fl. 2
dim. 1 Ob. 2
Cl.
1 2
dim. Bs. Cl.
1 Bn.
cresc.
cresc.
cresc.
cresc.
2
1 Hn.
dim. 2
dim. 1
dim.
Tpt. 2
dim. 1
dim.
Tbn. 2
dim. Timp.
cresc. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
4
Drums 3
Bass
3
3
4
Ad. is
pow
er,
Lib er ty
is
pow
er,
lib er ty
is
pow
4
I
3
Vn.
3
II
Va.
Vc.
Cb.
cresc.
er.
Double time, = 126
dim. 3
4
Scene 5
307
193 1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2 3
1 Hn. 3
2
1 Tpt. 2
1
Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Ad. The
na tion blessedwiththe great est lib
er ty
must
ex ert the great est pow er
to
se
cure
I 3
Vn. II 3 3
3
3
3
3
Va.
Vc.
Cb.
3
Scene 5
308 200 1 Fl. 2
1 Ob. 2 (a2) Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
cresc. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
dim.
cresc.
Bass
cresc.
dim.
Ad. lib
er ty
for one
thus lib
er ty
I 3
Vn. II
Va.
Vc.
Cb.
cresc.
dim.
for all.
And still
we
for
get,
the great est lib
er ty
Scene 5
309
206 1 Fl. 2
1
dim. Ob. 2
dim. 1. Cl.
1 2
Bs. Cl.
1 Bn.
cresc.
dim.
cresc.
dim.
2
1 Hn.
dim. 2
dim. 1 Tpt. 2
1
dim. Tbn. 2
dim.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
3
Ad. the great est
lib
er ty
brings the great
I Vn. II 5 3
Va.
3
Vc.
Cb.
est
pow
er
but on
ly to
be used
310
Half time,
ritard. 212
= 63
Scene 5
1
Fl. 2
1 Ob. 2 a2 Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Ad. for the great er
ritard.
good.
Half time,
Could God
in tend us to
= 63
I
Vn. II
Va.
Vc.
dim. div. Cb.
dim.
dim.
3
3
Scene 5
311
216 1 Fl. 2
1 Ob. 2 1. Cl.
1 2
Bs. Cl.
1 Bn. 2
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Ad. do
oth er wise?
I 3
Vn. II 3
Va.
Vc.
Cb.
dim.
3
3
Scene 5
312
ritard.
219 1
Fl. 2
1 Ob. 2
Cl.
1 2
Bs. Cl.
1
dim.
Bn. 2
dim.
1 Hn. 2
1 Tpt. 2
1 Tbn. 2
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ritard. I Vn. II
Va.
cresc.
Vc.
Cb.
dim.