Schilt Publishing July-December 2017 catalogue

Page 1

Schilt Publishing & Gallery July – December 2017



new titles 4

Cig Harvey You An Orchestra You A Bomb

6

North West – South East Jaap Mooy, the Artist and his Collector

8

PhotoCat.

Schilt Gallery 10

Vanessa Marsh Everywhere All at Once

14

memymom

backlist 18

Pavel Baňka Reflection Kirk Crippens and Gretchen LeMaistre Live Burls Giancarlo Ceraudo Destino Final Dornith Doherty Archiving Eden Lotte Fløe Christensen Constructs The Best of LensCulture Today Volume 1

19

World Press Photo 17 Evgeny Berezner, Irina Chmyreva, Natalia Tarasova & Wendy Watriss Contemporary Russian Photography FotoFest Changing Circumstances FotoFest View From Inside Maria Gruzdeva BORDER Majida Mouasher Modern and Contemporary Arab Art from the Levant Samia Halaby Drawing the Kafr Qasem Massacre Sadik Kwaish Alfraji

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Edward Thompson The Unseen Yola Monakhov Stockton The Nature of Imitation Mario Giacomelli Under the Skin of Reality Linda Dorigo and Andrea Milluzzi Rifugio David Batchelder Tideland Michel Huneault The Long Night/La longue nuit Diana Matar Evidence Sara Davidmann Ken. To be destroyed

21

Louise Baring Emmy Andriesse Leonard Freed After The War Was Over Anna Fox Resort 1 Butlin’s Bognor Regis Anna Fox Resort 2 Butlin’s Bognor Regis Elliot Ross Animal Elliot Ross Other Animals Peter Suschitzky Naked Reflections

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Distribution


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Design: LevievanderMeer, Amsterdam


Dear friends of Schilt Publishing & Gallery, Schilt Publishing is immensely proud to be the publisher of star photographer Cig Harvey. You An Orchestra You A Bomb is the brilliant sequel to her best-selling books You Look At Me Like An Emergency and Gardening At Night. You’d want to buy them just for the titles! Cig’s fascinating story continues, taking her work to yet another level of beauty. Don’t ask us how that’s possible, it just is. Act quickly if you want copies because all her books sell out fast and her fanbase is expanding at the same rate. Still, we’re consciously limiting the print run to 2,000, so... Jaap Mooy (1916-1987) was an inspirational and multi-talented artist. His work was obsessively collected by Jacques Defauwes, the orthopaedic shoemaker from Limburg, in the south of the Netherlands, and his wife Miny. It wasn’t long before a close friendship between him and the couple developed. The book North West – South East. Jaap Mooy – The Artist and His Collector provides a wonderfully comprehensive overview of Mooy’s career, spanning 50 years, while at the same time offering an intriguing and humorous insight into the passion of a collector. Which is why it has become such an essential book for anyone interested in the world of the art collector. To coincide with the book’s release, a superb exhibition in the Bonnefantenmuseum in Maastricht (October 2017 – April 2018) will be held. For our Dutch public, we will also be publishing a Dutch-language version of the book.

Up until early September, Schilt Gallery will be exhibiting a collection of unique photograms by the Californian artist Vanessa Marsh. Vanessa explores the intersections of man-made, natural and cosmological power through a mixed media process based in photography. Her finely executed artworks are of an exceptional class and this is the first time they have been able to be viewed in Europe. And from early September until early November, our walls will be graced by the intriguing and magnificent baroque-style work of the Belgian photographer’s duo Lisa de Boeck and Marilène Coolens, daughter and mother respectively. They have been working together for years in this extraordinary fashion and have created a unique archive entitled memymom. In other words, two unmissable and totally different exhibitions this fall; come one and all! As long as we all continue to refuse to accept mediocrity, a wonderful future lies ahead of us! Kindest regards, Maarten Schilt April 2017

And then, last but certainly not least, we are delighted to announce that our dream of producing a unique book on cats has finally come to fruition. PhotoCat.! We have long felt an obligation to our living legend and logo tomcat Rhubarb to create a homage to the feline race in book form. We invited professional photographers to submit their best cat photos, and of the more than 1200 we received, we – together with Sacha de Boer, chief editor of this book – selected the most inspiring. An ideal festive season gift for all cat lovers! Schilt Publishing

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Cig Harvey

You An Orchestra You A Bomb Cig Harvey’s third monograph, You An Orchestra You A Bomb, is a vibrant and bold work; possibly her most beautiful to date. It explores the photographer’s relationship with life itself. It is a book about paying attention to and appreciating the fragile present. You An Orchestra You A Bomb captures moments of awe, makes icons of the everyday, and looks at life on the threshold between magic and disaster. Cig has always experienced the world viscerally, but after having gone through a traumatic event, a raw heightened awareness of the temporary nature of life permeates this new work. Through breathless moments of beauty, her images compel us to fathom the sacred in the split seconds of every day. Cig’s photographs are interwoven with her intimate poetry in this hauntingly magnificent book.

Design: Deb Wood ISBN 978 90 5330 893 6 Format: 22.5 x 22.5 cm Hardbound with cloth cover 144 pages with approx. 80 photos in full colour World rights November 2017 £40 | $50 | €45

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Schilt Publishing


Cig Harvey’s hugely successful books

including the Museum of Fine Arts,

women. The series, You Look At Me

You Look At Me Like An Emergency

Houston, and the International

Like An Emergency, was first exhibited

(2012) and Gardening At Night (2015)

Museum of Photography, George

at the Stenersen Museum, Oslo,

both sold out rapidly. This new body of

Eastman House, Rochester, NY. She

Norway. Cig’s devotion to visual

work continues themes on family in

has been a nominee for the John

storytelling has led to innovative

Cig’s magical whimsical style. Cig’s

Gutmann fellowship and the Santa Fe

international campaigns and features

photographs have been exhibited

Prize, and a finalist for the BMW Prize

with New York Magazine, Harper’s

widely and are in the permanent

at Paris Photo and for the Prix Virginia,

Bazaar Japan, Kate Spade, and

collections of major museums,

an international photography prize for

Bloomingdales.


North West – South East Jaap Mooy, the Artist and his Collector

Design: Kummer & Herrman, Utrecht English edition: ISBN 978 90 5330 892 9 Format: 23 x 29 cm (portrait) Cloth hardcover with half dust jacket 280 pages including fold-outs etc., with approx. 200 illustrations in full colour and duotone World rights September 2017 £45 | $55 | €50 Dutch edition: Noordwest – Zuidoost Jaap Mooy, de kunstenaar en zijn verzamelaar ISBN 978 90 5330 897 4 Exhibition Bonnefantenmuseum, Maastricht (October 2017 – April 2018)

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Schilt Publishing

The work of Jaap Mooy (1916-1987) covers more than 50 years, in a period in which he constantly explored new paths and re-invented himself in terms of styles and techniques. Although Mooy became closely involved with the Cobra movement, he had no desire to become a member of the group. He was one of the first Dutch artists to use scrap metal to create sculptures. Together with Karel Appel and Lucebert, he represented the Netherlands at the Venice Biennale in 1964. As the basis for sources of inspiration in the 1970s and ’80s, he alternated between the geometrical, the conceptual and the figurative. However, throughout his work, his attitude remained unchanged, coloured by a dark vision of the human condition: a cynical view of power and those in power, a critical attitude towards society, an unshakable faith in the task of art: to choose the side of victims while maintaining the poetic nature of the image. The orthopaedic shoemaker Jacques Defauwes and his wife Miny, well-known art collectors living in the south of the Netherlands, first came into contact with Jaap Mooy in the early 1980s, and it was not long before a close relationship evolved. For the couple from Limburg, nothing was too much trouble or too costly in purchasing everything the artist and sculptor from Bergen created. Visits by the couple to Bergen were reciprocated with visits by Mooy to Ingber in ZuidLimburg. The physical distance was also bridged by an intensive correspondence by letter. These letters often revealed the extent of Jaap Mooy’s inspiration and defiance concerning art and the state of the world, and his critical view of the submissive morality of the church. But he also encouraged Jacques and Miny to look – to really look – and to read. Mooy would recommend the works of Kafka, Camus, Céline, Beckett, Peter Sloterdijk, discuss exhibitions with them, and call attention to art books on the works of artists like Botticelli, Schiele, Klimt and Rodin, as well as more modern, contemporary artists. This is how the charismatic Mooy – his work driven by engagement – came to play an influential role in their art collection and all other cultural activities they committed themselves to. In a letter to his patrons, Jaap Mooy writes: ‘You may use a shoe mould to make a shoe to continue your journey, but do not forget that the soul, the spirit, is also a mould.’


This luxurious monograph is a homage to Jaap Mooy, the artist from Bergen, situated in the North West of the Netherlands, by Jacques and Miny Defauwes, the well-known art collectors from Limburg, in the South East of the country. It provides a profound inside view into the ongoing interaction between the artist and his collector. This makes the book of great interest to any artist and collector. The texts are written by Catharien Romijn, art historian and curator of the DSM Art Collection, Cees de Boer, independent curator and publicist for the visual arts, and Hans den Hartog Jager, writer and art critic.


PhotoCat. For some time now, Schilt Publishing has had plans to publish a photography book on cats. Not just another book featuring these magnificent creatures, but a cat book like you’ve never seen before – filled with stunning photography by exceptional photographers. Cats are very important to Schilt Publishing. Schilt Publishing’s logo is a cat. Not just any cat, but our famous Rhubarb, born in our house in 2008 when Maarten was away attending the British photography festival Rhubarb Rhubarb. He still lives happily with Maarten and Maria Louise, his mother Dusha and ‘aunt’ Mirella.

Design:LevievanderMeer ISBN 978 90 5330 896 7 Format: 21 x 26 cm Hardbound

When we founded Schilt Publishing in 2009, we didn’t have to think twice about our logo. Rhubarb and his mesmerising gaze grace the spine of every book we have published. Artist Paul van der Steen drew the beautiful Rhubarb you see on the left as well as the one on page 2 of this catalogue. PhotoCat. includes images by professional photographers both famous and those only just emerging. With an introduction by Sacha de Boer, Dutch photographer, journalist, TV presenter – and of course a great cat lover!

144 pages with approx. 80 photos in full colour and duotone World rights November 2017 £30 | $40 | €35

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Photographers featured in this book are – amongst many others – Machiel Botman, Sacha de Boer, Rena Effendi, Anneke Hilhorst, Jason Houge, Martin Parr, Elliot Ross, Pentti Sammallahti, Pavel Smertin, Jindřich Štreit.

Martin Parr

Elliot Ross


Machiel Botman

Ahmed Hadrovic

Paul Tolenaar

Sacha de Boer


Schilt Gallery Vanessa Marsh Everywhere All at Once

Landscape #22, 2015

Peter Martensstraat 121 NL – 1087 na Amsterdam T +31 20 330 59 29 T +31 6 51 98 47 47 gallery@schiltpublishing.com

29-04-2017 till 03-09-2017


Landscape #32, 2016

11 Landscape #30, 2015


Landscape #21, 2014


Vanessa Marsh Everywhere All at Once

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional planes intricately layered together. When I see this light, I imagine these individual planes of landscape each moving freely along independent trajectories. In my imagination, the landscape becomes one of dislocated landmarks, geography and infrastructure, constantly changing. Within the series Everywhere All at Once, I bring to form these imagined landscapes and combine them with intensely starlit skies, highlighting both a personal as well as a collective experience of the world. My goal is to make images that are familiar and dreamlike, evocative of an almost unreachable memory. Looking out over the landscape, the night sky provides a reminder of the smallness of our existence and also the vast possibilities inherent to our experience. It provides a connection between distant individuals, a jumping off point for belief systems, and an interstellar reference that helps us to navigate our world. For me, more than anything, the night sky provides a sense of space and infinity that is at once the essence of openness and possibility, and also terrifyingly complex and unfathomable.

Creating photograms To make her original photogram negatives, Vanessa Marsh layers acetate drawings on top of light sensitive paper. She then exposes the paper to light at intervals, removing a drawing at the end of each interval. This process creates a realistic depth of field and the illusion of a real landscape, despite being constructed entirely in the darkroom. Those negatives are then scanned and the image inverted into a positive image. The final prints are archival pigment prints on cotton rag. Like the content of the images the process involves both old and new elements.

I remember as a child the first time I looked intently out into a starry sky. I was away at summer camp up in the San Juan Islands and we were sleeping outside in a field by our cabin. It was dark enough to see the Milky Way; so dense it looked like a large smudge of light across the sky. Our counsellor explained to us that the light we were seeing took so much time and crossed so much space that the stars it was coming from may not even exist anymore. I don’t remember when I fell asleep that night, but I know it was a while that I lay there staring up, my heart pounding, realizing the vastness.

Schilt Gallery

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Schilt Gallery memymom

To Force the Light upon Yourself, 2013

Peter Martensstraat 121 NL – 1087 na Amsterdam T +31 20 330 59 29 T +31 6 51 98 47 47 gallery@schiltpublishing.com

09-09-2017 till 05-11-2017


Looking for Nicolas, 2012

Schilt Gallery

15


Compassionate Leave (Whodunnit), 2012

Bath-womb (The Patient), 2012


memymom

memymom is a collaboration between two artists, a mother (Marilène Coolens, b. 1953) and her daughter (Lisa De Boeck, b. 1985). Two self-taught photographers who work and live in Brussels, Belgium. The cross-generational project began with what the pair describe as ‘The Umbilical Vein’. They are referring to their analogue image archive made from 1990 till 2003 of Marilène encouraging Lisa to express herself and to invent her own improvised theatre sketches. These semi-staged dreamscape portraits developed into a mature conversation that deals not only with metamorphosis, personal identity, a potential and a maternal relationship, but has evolved into a plea for sensual analysis and tragic romanticism. It reveals both the foundations of the close mother-daughter bond and the professional career of this artistic duo, who have worked together under the moniker memymom since 2004. The rough analogue images of a past era also form a source of inspiration for the artists’ current work, which produces an emotional aesthetic that stops just short of the erotic; inventing mystery, exercising intimacy and creating a post-modern hyperlinked narrative where anything might unfold. The mother-daughter relationship means they can often work in a highly intuitive manner that allows the results to emerge naturally, even almost automatically.

Schilt Gallery

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SELECTED backlist Check our website schiltpublishing.com for a complete overview of all our titles and special editions!

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Schilt Publishing

Pavel Baňka Reflection ISBN 978 90 5330 882 0

Kirk Crippens & Giancarlo Ceraudo Gretchen LeMaistre Destino Final Live Burls ISBN 978 90 5330 864 6

£40 | $50 | €45

Poaching the Redwoods £40 | $50 | €45 ISBN 978 90 5330 881 3 £35 | $45 | €40

Dornith Doherty Archiving Eden ISBN 9978 90 5330 884 4

Lotte Fløe Christensen Constructs

£40 | $50 | €45

ISBN 978 90 5330 883 7 £22.50 | $27.50 | €25

The Best of LensCulture Today Volume 1 150 Contemporary Photographers You Should Know ISBN 978 90 5330 880 6 £22 | $29.95 | €25


17 Dutch Edition ISBN 978 90 5330 886 8 €25

English edition (U.S.A. & Canada)

Evgeny Berezner, Irina Chmyreva, Natalia Tarasova & Wendy Watriss Contemporary Russian Photography

FotoFest Changing Circumstances Looking at the Future of the Planet

FotoFest View From Inside Contemporary Arab Photography, Video and Mixed Media Art

ISBN 978 90 5330 862 2

ISBN 978 90 5330 825 7

£45 | $60 | €50

£45 | $60 | €50

ISBN 978 90 5330 768 7 £45 | $55 | €50

ISBN 978 90 5330 887 5 $29.95

Maria Gruzdeva BORDER

Modern and Samia Halaby Contemporary Arab Drawing the Kafr Art from the Levant Qasem Massacre

Sadik Kwaish Alfraji

Essay by Salman Abu Sitta

ISBN 978 90 5330 848 6

ISBN 978 90 5330 878 3

The Majida Mouasher Collection

£30 | $40 | €35

ISBN 978 90 5330 877 6

ISBN 978 90 5330 874 5

£40 | $55 | €45

£40 | $50 | €45

A journey along the edges of Russia

Curated by Nat Muller £45 | $55 | €50

Schilt Publishing

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Edward Thompson The Unseen An Atlas of Infrared Plates

Yola Monakhov Stockton The Nature of Imitation

ISBN 978 90 5330 863 9

Text by Elisabeth Biondi

£40 | $50 | €45

ISBN 978 90 5330 845 5 £27.50 | $35 | €30

Mario Giacomelli Under the Skin of Reality Treasures from the Sassoferrato Archive

Linda Dorigo & Andrea Milluzzi Rifugio Christians of the Middle East

Edited by Katiuscia Biondi, Marina Itolli and Catia Zucchetti With an introduction by Achille Bonito Oliva

ISBN 978 90 5330 843 1 £35 | $45 | €40

ISBN 978 90 5330 813 4 £40 | $50 | €45

David Batchelder Tideland Text by David Campany ISBN 978 90 5330 856 1 £60 | $75 | €65

Michel Huneault The Long Night of Mégantic / La longue nuit de Mégantic

Schilt Publishing

ISBN 978 90 5330 842 4 £40 | $50 | €45

Sara Davidmann Ken. To be destroyed Edit and text by Val Williams

ISBN 978 90 5330 876 9

ISBN 978 90 5330 861 5

Bilingual: English/French

£45 | $55 | €50

£30 | $40 | €35

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Diana Matar Evidence


Louise Baring Emmy Andriesse Hidden Lens

Leonard Freed After The War Was Over

ISBN 978 90 5330 790 8

Jewish Life in Amsterdam in the 1950s Text by Bernadette van Woerkom

£30 | $40 | €35

ISBN 978 90 5330 857 8 £30 | $40 | €35 Dutch edition:

Leonard Freed De oorlog voorbij Joods Amsterdam in de jaren vijftig ISBN 978 90 5330 858 5 €35

Anna Fox Elliot Ross Resort 1 Animal Butlin’s Bognor Regis Text by Manfred Zollner ISBN 978 90 5330 803 5

ISBN 978 90 5330 730 4

£45 | $55 | €50

£35 | $45 | €40 Special edition

Resort 2 Butlin’s Bognor Regis

ISBN 978 90 5330 736 6

ISBN 978 90 5330 840 0

£175 | $350 | €250

Edition of 50

£45 | $55 | €50

Other Animals Text by Diana L. Daniels ISBN 978 90 5330 835 6 £35 | $45 | €40

Peter Suschitzky Naked Reflections ISBN 978 90 5330 846 2 £45 | $55 | €50

Schilt Publishing

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Representation in The Netherlands



Expected January – June 2018

Ekaterina Solovieva The Earth’s Circle: Kolodozero

& Gallery Amsterdam Peter Martensstraat 121 NL – 1087 na Amsterdam

london Yasmin Keel T +44 7794 055862

new york Amber Terranova T +1 718 954 2188

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yasmin@schiltpublishing.com press@schiltpublishing.com

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schilt@schiltpublishing.com sales@schiltpublishing.com

ISBN 978-90-5330-895-0

9 789053 308950 >


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