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ANNA S T E FA N I P O R TFO L I O

A N N A S T E FA N I

PROFIL

196 Rue de Tolbiac 75013 Paris 06 95939554 am.stefani@outlook.com linkedin.com/in/amstefani about.me/annastefani nationalité italienne 28 ans permis B

/ Designer d’intérieur / 3 ans d’expérience / Sens développé de l’esthétique et de la création d’espaces / Très bonne connaissance des matériaux et détails de construction / Très bonnes compétences dans la coordination et le suivi des travaux / Excellentes capacités relationnelles

E XPÉR I E N C E PROFESSIONNELLE

/ Designer d’Intérieur et Chef de chantier junior bad studio Milan-Turin Déc. 2013 - Oct. 2015

/ Conception des projets d’agencement d’intérieur et des scénographies: Production des dossiers pour les clients: layout et perspectives du projet; Production des dessins techniques à partir des esquisses et des croquis 3d; Production cahier des charges; Contrôle de la conformité du projet sur le chantier; Préparation et coordination des différentes phases du projet. / Dessinatrice pour les intérieurs du Motor Village Fiat à Arese: réalisation des détails techniques du show-room Jeep et Alfa Romeo. / Assistante chef de chantier pour le Club CIO à Sochi 2014 (Russie): responsable de contrôler la qualité des intérieur du Club CIO et le bon déroulement des travaux. / Chef de chantier pour la Scénographie de la Cérémonie d’Ouverture d’EXPO MILAN 2015: ordonnancement, pilotage et coordination de la réalisation et du montage de la scénographie sur le site d’EXPO.

/ Graphiste Milan 2012-2013

/ Dessinatrice perspectiviste Studio Argot Milan 2012

/ Designer d’Intérieur et Assistante universitaire Politecnico di Milano Milan Mai 2012 - Oct. 2015

/ Graphiste free-lance. Client principale: centre de recherche “Transcrime“. Responsable de la nouvelle identité visuelle du centre de recherche. / Participation à la conception du projet “Renouvellement de la place Bracci” pour dessiner le mobilier urbain et les détails du projet. / Conception, recherche de matériaux et agencement du pavement de la place. / Plans, perspectives et présentation graphique du projet. / Collaborations avec le Département de design d’intérieur pour différents projets. / Conception du pavillon “Cluster du riz“ construit pour Expo Milan 2015, avec une équipe internationale d’étudiants et de professeurs. / Assistante universitaire pour le cours “Conception d’espace“. / Graphiste de la publication “Design research on Temporary Homes. Hospitable Places for Homeless, Immigrants and Refugees”.

S TAG E S

/ Interior Designer Scandurra Studio Milan 2012

/ Dessinatrice Iosaghini Associati Bologna 2011

/ Maquettiste Cibic & Partners 2011

/ Proposition d’une nouvelle ligne des meubles pour le catalogue 2013-2014 Estel group - Mobilier pour la maison et les bureaux. / Production des plans et élévations pour la compétition «Meis, musée de l’hébraïsme et de la Shoah» ville de Ferrara. / Réalisation en équipe des 3 maquettes du projet «Rethinking Happiness» présenté à la Biennale de Venise.

PRIX / 2015

/ BEA AWARDS: 1ère place “Best Public Event 2015“ pour la Cérémonie d’Ouverture d’EXPO MILAN 2015

/ 2014

/ “Creative Award” Mondial de l’Automobile de Paris 2014: 2ème place pour le stand d’exposition de Jeep.

/ 2012

/ Compétition “Renouvellement de la place Bracci” Mairie de San Lazzaro (Bologne) 2012: 2ème place.

/ 2010

/ Compétition “Antique-Contemporaine” Salon des Antiquaires de Milan 2010: 1ère place.

F O R M AT I O N / 2012 Politecnico di Milano / 2011 École Supérieur des Beaux Arts de Lyon / 2009 Politecnico di Milano

/ MA en Design d’Intérieur. Note: 110 cum laude. / Programme d’échanges internationaux. / BA in Interior Design. Note: 108/110.

I N FO R M AT I Q U E / Photoshop, Indesign, Illustrator, AutoCAD, 3D Studio Max, VRay, SketchUp and Rhinoceros / Windows Office

/ Expert

/ Usage quotidien, excellentes connaissances

LANGUES / Italien

/ Langue maternelle

/ Français

/ Bilingue

/ Anglais

/ Courant

C E N T R E S D’I N TÉRÊT / Toujours à la pointe des nouvelles tendances, styles et matériaux / Bricolage et arts manuels / Randonnée

/ Participation active aux différentes Design Week européennes (Milan, Paris, Londres) / Maquettes pour l’architecture et mosaïque décorative / Randonnées dans les Alpes

Références sur demande

1 p a r t C O

& P E R S O N A L P R O J E C T S

G R A D UAT I O N T H E S I S: U R BA N D I S-H A R M O N I E S STATUS: GRADUATION THESIS IN CHARGE OF: CONCEPT AN D PROJECT VISUALISATION SCHOOL: POLITECNICO DI MILANO PROF ESSORS: L. CRESPI, A. REBAGLIO WHERE: MILAN Y EAR: 2012

A few objects overlap the existing public spaces building new urban landscapes. A set of objects, out of ordinary, create an imaginary space that involve people movements and emotions.

From left to right: diagram and visual of the new square; photo of the existing sqaure; plan if the new square.

T H E S H A P E O F N AT U R E

P L AY I N G C H E S S

The square in front of this church in the centre of Milan is actually a car park. The aim of the project is to give back the square to people. The old sculptural elements that marked the churchyard are now placed along the stairs of the church. The projects wants to use them as a symbolic pawn of a chessboard that redefine the square borders. The chairs become new pawns moved by people to creating spontaneous meeting places.

This page: visual of the square. Left page: plan of Santâ€™Alessandro Square.

A W I N D OW O N T H E PA S T

This monumental place once represented the religious and civic values. The project then attempts to transmit and retrieve the importance ot that square, through an intervention that involves the body and the senses. Ancient sacred forest for the Celts, returns to be a place of contemplation. A mirror path that multiplies the presence of the existing trees, leads to the eye mirror, where a sort of collective ritual of watching the sky happens.

On this page: visual of square with the mirror and the fog trees. Right page: plan of San Fedel square and drawings of the â€œessences spheresâ€?.

sorgente luminosa diffusore di essenze

IN CHARGE OF: URBAN FURNITURE AN D PROJECT VISUALISATION SCHOOL: POLITECNICO DI MILANO CLIEN T: CITY OF MILAN WHERE: MILAN

Y EAR: 2012/2013

R E N E W A L

From the top: plan and side of Lambruschini Lambruschini street: a new street; assonometric drawings of urban connection between Bovisa and elements (furniture and fences). Villapizzone stations, a fragment of From the left to right, clockwise: urban landscape in a ex-industrial assonometric scheme of the project area; area. Instead of metal stairs, a green plan of the back of the Bovisa Station hill leads to a soft mobility road, Luciano Crespi with playground area; plan of the front of with the expansion of the sidewalk Luisa Collina Bovisa Station with info points and water Osvaldo Pogliani and introduction of the 30 km/h Marino Crespi dispensers. limit. The dismantled steel of Anna theMaria Stefani stairs is used to design the new Virginia Savoini urban furniture along the sidewalk. The introduction of equipment, as seating, lighting systems and shelters makes finally this road a hospitable place. The square of Bovisa station is rearranged through the elimination of parking lots and the enhancement of urban furniture.

LEIPZIGER LEUCHTEN

girae

tam associati mario nanni 2006 corpo illuminante per esterni IP55 in acciaio inox AISI 304 disponibile nelle finiture bruno antico, nero notte, scurodivals, grigio argento. è alto 4500mm fuori terra. è dotato di morsettiera ispezionabile ed è possibile applicare diversi accessori, quali cestini portarifiuti e sedute in legno. il corpo illuminante può essere posizionato a 4375mm o anche a 3735mm da terra. i due corpi possono essere equipaggiati con kit fluo, alogenuri metallici con ottiche simmetriche, asimmetriche o stradali e possono essere montati anche a parete tramite apposita staffa. disponibile anche la versione dissuasore, fornito completo di tirafondi e led da 1W bianco, con alimentatore incluso, per una luce d’accento. IP55 rated light fitting for outdoor applications in AISI 304 stainless steel, available in antique brown, night black, scurodivals and silver grey finishes. it is 4500mm high, has an accessible terminal board and various accessories may be fitted to it, such as rubbish bins and wooden seats. the light fitting can be installed at a height of 4375mm or 3735mm from ground level. the two fittings can accommodate fluorescent kits or metal halide kits with collezione symmetrical, asymmetrical or road optics. thanks to a collection bracket they can be mounted nome prodotto also to the ceiling. in the product name bollard version rock bolt and 1W white led with power progettista e annoto create an pack included designer year accentand light are supplied.

For m giraeFFe tam associati mario nanni 2006

girae

For m giraeFFe

For m giraeFFe tam associati mario nanni 2006

codice prodotto product code

F9.178.81

descrizione

cestino rettangolare bruno antico con lucchetto

description

rectangular antique brown basket with padlock

tam associati mario nanni 2006 corpo illuminante per esterni corpo illuminante per IP55 in acciaio inox AISI 304 esterni IP55 in acciaio inox disponibile nelle finiturenelle bruno AISI 304 disponibile finiture nero antico, nero bruno notte, antico, scurodivals, scurodivals, grigio grigionotte, argento. è alto 4500mm è alto 4500mm fuori fuori argento. terra. è dotato di morsettiera terra. è dotato di morsettiera ispezionabile ed è possibile ispezionabile ed è possibile applicare diversi accessori, quali applicare diversi accessori, cestiniquali portarifiuti e sedute cestini portarifi uti ein legno. il corpo illuminante sedute in legno. il corpopuò illuminante puòaessere essere posizionato 4375mm o a 4375mm ancheposizionato a 3735mm da terra.oi due a 3735mm da terra. corpi anche possono essere equipaggiati i due corpi possono essere con kit fluo, alogenuri metallici con equipaggiati con kit fluo, ottiche simmetriche, asimmetriche alogenuri metallici con ottiche o stradali e possono essere simmetriche, asimmetriche montati anche eapossono parete tramite o stradali essere montati anche a parete anche apposita staffa. disponibile tramitedissuasore, apposita staffa. la versione fornito disponibile anche la versione completo di tirafondi e led da 1W dissuasore, fornito completo di bianco, con alimentatore incluso, tirafondi e led da 1W bianco, per una d'accento. con luce alimentatore incluso, per IP55 rated fitting for una luce light d’accento. IP55 rated light fitting for outdoor applications in AISI 304 outdoor applications stainless steel, available in in AISI antique 304 stainless steel, available brown, night black, scurodivals in antique brown, night black, and silver grey finishes. it is scurodivals and silver grey 4500mm high, has an accessible finishes. it is 4500mm high, terminal and various has board an accessible terminal accessories mayvarious be fitted to it, board and accessories may be fitted to it, such as such as rubbish bins and wooden bins and wooden seats.rubbish the light fitting can be seats. light fitting can installed atthe a height of 4375mm or be installed at a height of 3735mm from ground level. the 4375mm or 3735mm from two fittings accommodate ground can level. the two fittings fluorescent kits or metal halide can accommodate fluorescent kits with symmetrical, kits or metal halide kits with symmetrical, asymmetrical asymmetrical or road optics. thanks a or road optics. thanks to atobracket bracket they can be mounted they can be mounted also to the also to the ceiling. in the ceiling. in the bollard version rock bollard version rock bolt and bolt and 1W white led power with power 1W white led with pack pack included to create an an accent included to create light are supplied. accent light are supplied.

Viabizzuno

STATUS: COMPETITION

D I S T R I C T

VIA LAMBRUSCHINI

B O V I S A

caratteristiche / specifications peso weight (Kg)

tam associati mario nanni 2006materiale

9 acciaio inox AISI 304

material

stainless steel AISI 304 collezione

trattamento/colore

verniciato bruno antico

treatment / colour

antique brown painted product name

collection

nome prodotto progettista e anno designer and year

marcature labelling dimensioni d'ingombro overall dimensions (mm)

150x500x338 codice prodotto product code descrizione

dimensioni / dimensions interasse di fissaggio fixing centres

corpo illuminante per esterni IP55 in acciaio inox AISI 304 disponibile nelle finiture bruno antico, nero notte, scurodivals, grigio argento. è alto 4500mm fuori terra. è dotato di morsettiera ispezionabile ed è possibile applicare diversi accessori, quali cestini portarifiuti e sedute in legno. il corpo illuminante può essere posizionato a 4375mm o anche a 3735mm da terra. i due corpi possono essere equipaggiati con kit fluo, alogenuri metallici con ottiche simmetriche, asimmetriche o stradali e possono essere montati anche a parete tramite apposita staffa. disponibile anche la versione dissuasore, fornito completo di tirafondi e led da 1W bianco, con alimentatore incluso, per una luce d'accento. IP55 rated light fitting for outdoor applications in AISI 304 stainless steel, available in antique brown, night black, scurodivals and silver grey finishes. it is 4500mm high, has an accessible terminal board and various accessories may be fitted to it, such as rubbish bins and wooden

description

60mm

caratteristiche / sp peso weight (Kg) materiale material trattamento/colore treatment / colour marcature labelling dimensioni d'ingombro overall dimensions (mm)

dimensioni / dime interasse di fissaggio fixing centres

SEDUT GIARD

SED GIA

100

140

SEDUTE IN PIETRA_ GIARDINO DI PIETRA

PIANI DI APPOGGIO

PANNELLI INFORMATIVI

SEDUTE

FOLIES

140

165

Abaco Assonometria complessiva

222

130

TAVOLA

210

140

130

300

100

115

469

203

140

115

130

115

Luciano Crespi Osvaldo Pogliani

100

Anna Maria Stefani

150

Marino Crespi

300

Virginia Savoini

300

198

LANDMARK

400

250

400

COPERTURA

200

100

1200

150

300

LAND 175

350

VIA LAMBRUSCHINI

300

547

Anna Maria Stefani Luciano Crespi Virginia Luisa Collina Savoini Osvaldo Pogliani

300

273

Marino Crespi

725

B R A C C I STATUS: COMPETITION, SHORTLISTED IN CHARGE OF: PLANS, SIDES AN D 3D REN DERINGS STUDIO: ARGOT & MAISON MOBILE CLIEN T: CITY OF SAN LAZZARO WHERE: SAN LAZZARO, BOLOGNA Y EAR: 2012

S Q U A R E A new extended square, leading from a traffic arteria to a quiet park in the centre of the city. The homogeneous paving re-establish a unique public space. The project aim is to use traditional materials to renovate the city centre: “alberese” and “basaltina” are the stones for the square. The project is divided into three main areas, which group the fragmented centre of San Lazzaro: the public space around the site (the cloister of the City Hall, via San Lazzaro, via Remembranze , via Emilia and the car parks of Via Repubblica and Via Rimembranze), Bracci Square and the 2 Agosto Park. The park is designed around the existing shapes and native trees species, enriched with new autochthonous trees and native shrubbery.

R E N E W A L On this page: sections of the green areas and playgrounds. Right page: plan of the intervention area.

temporanei che richiedono l’installazione di eventuali palchi. Vengono disegnate con lo stesso materiale colorato le altre zone per la sosta lunga, mentre per l’area giochi si è scelto, secondo normativa EN 1176, una pavimentazione antitrauma di gomma colorata, di un colore simile. I colori delle pavimentazioni si distinguono in due famiglie: da una parte toni neutri (ocra-beige) e tonalità di grigio, in cui si inseriscono elementi bianchi per segnalare passaggi e connessioni di flussi, mentre nel Parco e lungo le vie laterali gli inserti in contrasto assumono colori saturi come bordeaux e terra cotta. Arredo urbano Il disegno dello spazio aperto assume una rilevanza primaria in quanto capace di generare le condizioni affinchè si moltiplichino le possibilità di incontro e di scambio. La qualità dell’arredo urbano sparso nello spazio collettivo aperto diventa quindi elemento di completamento necessario. Nel progetto sono stati inseriti una serie di arredi su misura, pensati nella loro disposizione per invogliare la socializzazione e sottolineare ancora di più il carattere unico di parco e piazza. Una serie di panche che ingloba alberi da frutto di nuovo impianto costella i limiti di Piazza Bracci, mentre una famiglia di arredi con sedute, panche e tavoli suggerisce l’idea di tanti piccoli ‘salotti urbani’. Tutti gli arredi sono ad appoggio e fissati al terreno; hanno schienali, sedute e piani in legno, mentre la struttura è in alluminio pressofuso, a eccezzione delle panche con albero la cui base è in cemento.

white alberese and grey/beige/ocher basalt

From left to right clockwise: materials used for the square; Layout and pattern of the square paving; plan and section of the square.

direttamente nel terreno. Ti

Legenda Qu

albero di nuova piantumazione Ti

Ca Pl

So So

Pl Pl

Ti Ti Ti Ti Ti

Pl Ti

Ac Ac

Ti Be

Ti Ti

Be Be

Pl Qu

Be Be Be Be Be Be

Be Qu Qu Qu Qu Be Be Qu Qu Qu Be Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Qu Pu

Pl Pl

Po Po

Ac Ac

Pl Pl

Ti Ac

Ti Ti Ti Ti Ti Ti

alberi esistenti

Po Po

Legenda Qu

albero di nuova piantumazione

alberi esistenti

From left to right clockwise: plan of the intervention area with slops diagram and trees layout; visual with a close-up of the Bracci square; plan of the project area with road praticability; technical details of the new square pavement.

PENDENZE: ipotizzato 1% eccetto 1% slope Parco 2% Piazza Bracci 1,5% Parcheggio 1,5%

Spaces are designed to maintain end enhance the previous park activities: Children playgrounds are renovated as well as the Concert Arena, a place of everyday life, where market and festivals take place.

Visual of the park.

M E I S

F E R R A R A

STATUS: COMPETITION TEAMWORK: CONCEPT AN D DRAWINGS STUDIO: IOSA GHINI ASSOCIATI CLIEN T: CITY OF FERRARA WHERE: BOLOGNA Y EAR: 2010

J E W I S H

The museum is conceived like a box covered with the same stone of the Jerusalem wailing wall. The light enters just from the top trough a red cone that represents the Jewish religion. The exhibition starts from the dark and leads to the light: a tunnel leads to museum building. On every level we can enter in the red cone and learn how the Jewish Synagogue is conceived. In the tunnel the history of the Shoah is narrated trough the voice of the most important Jewish personalities.

M U S E U M

This page: visuals of the exteriors and interiors. Right page: plans, sections and sides of the museum.

G R A P H I C S STATUS: BUILT IN CHARGE OF: GRAPHIC DESIGN CLIEN T: CMS WITH “DE AMICIS ARCHICTS” & “UGO DE BERTI PHOTOGRAPHER” WHERE: MILAN Y EAR: 2013

The “Centro Medico Santagostino” (CMS) is a new private medical centre in Milan. For the new centre I collaborated with the photographer Ugo De Berti and DeAmicis Architects to conceive and produce the graphics. In particular the concept for the windows is to show every day situations of the doctors working in the centre. The idea had a great success and it was used for the second centre opened 1 year later.

This page: photos of the interiors with the graphics and colour palette. Right page: photo of the exteriors with the window graphics.

M I N I

B A K E R Y

STATUS: COMPETITION TEAMWORK: CONCEPT STUDIO: BAD STUDIO CLIEN T: WHERE: F UORISALONE DESIGN WEEK, MILAN Y EAR: 2015

M I L A N

D E S I G N

W E E K

From left to right, clockwise: render of the MINI bakery interiors; render of the entrance; render of the MINI table; render from the top.

A N T E A S STATUS: COMPETITION, SHORTLISTED IN CHARGE OF: CONCEPT AN D VISUALISATION CLIEN T: AN TEAS WHERE: EXPO MILAN 2015 Y EAR: 2015

S T A N D

F O R

The stand for AN TEAS (an Italian voluntary association) is conceived as a working table around which people can learn about the activities and services offered. A screen shows the places where AN TEAS operates. In a second version a LCD totem connected with a camera interact with visitors showing that people make the difference.

E X P O

2 0 1 5

From left to right: render of the 1st version of the AN TEAS stand with a working table and a LED screen; render of the 2nd version of the stand with a LCD interactive totem; detail of the working table conceived with a sober design.

STATUS: UNIVERSITY PROJECT IN CHARGE OF: CONCEPT SCHOOL: ÉCOLE SUPÉRIEUR DES BEAUX ARTS DE LYON WHERE: LYON Y EAR: 2011

R Y

S T

The port Édouard Herriot, is an industrial port with a constant very high noise produced by the industrial activities. It is very hard to find a peaceful area to rest a bit before returning to work. But when you keep close to the river, down the steps that lead to the river, silence envelops you. The aim of the project is to create, resting structure near the river, where the workers can take a few minutes pause from the noisy hours.

From the left to right, clockwise: plan of the “noisy” places of the port; visual of a temporary structure; panoramic photo of the port.

H A N D

M O D E L S

D E C O R AT I V E

STATUS: COMPETITION 1st PLACE TEAMWORK: CONCEPT AN D VISUALISATION CLIEN T: SALON DES AN TIQUAIRES DE MILAN 2010

IL PROGETTO.

Oggi “contenere” e “dormire” sono nuovamente separati: le funzioni satellite vanno reintrodotte all’interno della camera.

Nel mondo dell’immateriale, in cui gli oggetti perdono la loro matericità, lo spazio della camera da letto, liberato dall’introduzione della cabina armadio viene popolato da arredi antichi. Mobili che reintroducono usi dimenticati della camera, rispondendo a bisogni del presente. Il passato e il presente si uniscono in uno spazio oramai sempre più fluido, una sorta di piattaforma in cui si inseriscono le diverse funzioni. L’immaterialità dell’oggetto contemporaneo, si unisce alla matericità dell’oggetto antico, così che due memorie diverse vengano a dialogare tra loro.

VOLUZIONE DELLA CAMERA DELLA LETTO

Letto matrimoniale: oggetto extrafunzionale perchè ci si sta insieme e ci si separa per leggere e vedere la televisione. Ugo la Pietra, insieme a Gianfranco Bettetini ed Aldo Grasso nella mostra “La casa telematica” ha rappresentato un primo e isolato esperimento di verifica e contaminazione Gianfranco Bettetini, Aldo Grasso tra la crescente memoria Ugo La Pietra, elettronica e lo spazio Memoria bidimensionale, La casa domestico. telematica, Fiera di Milano, 1982.

furnitures in the model.

1. consolle

2. scrittoio

3. sedia cinese

4. panton chair 5. sgabello tulip

M O S A I C

STATUS: ATELIER “ART-ISIA PARIS” WITH ISABELLE IATOSTI IN CHARGE OF: REALISATION OF TABLE CEN TREPIECE

A R C H I T E C T U R E

P H O T O G R A P H Y

VILLA NECCHI CAMPIGLIO ARCHITECT: PIERO PORTALUPPI Y EAR: 1932-1935

interior details.

2 p a r t I

& C O

R E

P V

O E

R N

A T T S

STATUS: BUILT

An exhibition to celebrate the 100 years of the most famous Italian tiles taylor. Two areas, one for the historical pictures and one for the historical objects, explain the success of the Marinella family. The display system is minimal, exalting the tiles and the old tools.

IN CHARGE OF: VISUALS, GRAPHIC LAYOUTS OF THE EXHIBITION AN D PRIN TING PRODUCTION STUDIO: BAD STUDIO

From the top: exhibition diagram, with the gallery and Salone dâ€™Ercole; display elements technical drawings. Right page: The Gallery with the photo exhibition.

CLIEN T: WHERE: NAPLE, PALAZZO REALE Y EAR: 2014

120

LOGO MARINELLA fresato 80

340

TOTEM fine percorso effetto noce

stampa adesiva (credits ecc.)

108 85

108

palina inizio mostra in lamierino grigio scuro (RAL )

mdf grigio scuro (RAL stampa adesiva didascalia

)con

foglio metacrilato con scritte fresate

stampe fotografiche su metacrilato

120

borchiette cromate mdf grigio scuro (RAL stampa adesiva didascalia

LOGO MARINELLA fresato 80

)con

250

200

TOTEM fine percorso effetto noce 340

scritta fresata

teca stampa adesiva (credits ecc.)

108

104

palina inizio mostra in lamierino grigio scuro (RAL )

70 65

mdf grigio scuro (RAL stampa adesiva didascalia

borchiette cromate

mdf grigio stampa a didascalia

14 21

n.5 date significative fresate

scritta fresata 200

luce stripled

foglio metacrilato con scritte fresate

250

luce stripled

)con

stampe fotografiche su metacrilato

200

effetto noce

120 126

passerella effetto noce

On this page: an old family portrait printed on a transparent plexiglass, close-up on the signature of the founder Eugenio Marinella, milled on the plexiglass and lit up by a strip led placed under the base of the plate.

From left to right: photos of people looking at the plexiglass plate during the venue.

“100 years in one exhibition”

Inaugurated on June 27 at the Palazzo Reale, the exhibition “A Century of History, a hundred years of style” recounts a slice of

Neapolitan and Italian life through the history of the company E. Marinella. The exhibition begins with a section of photos, documents and curiosity, displayed through the 3 generations of the family. The corpus of the exhibit is located in the Salone d’Ercole where the original pieces and the tools of the production E. Marinella from 1914 to date are exposed. Shirts, ties, bow ties, wool hats, walking sticks along with irons, needles, thimbles, sewing machines are witnesses of an expert craftsmanship which, combined with the creativity of Marinella family earned the success of the company that has become an ambassador of the Italian style in the world.

On this page: an old sewing paper. Left page: visual of the Salone d’Ercole with the objects exhibition; close-up of the display module with a swing machine and a pinwheel of ties.

STATUS: BUILT

Interiors for the IOC club: three floors with three different restaurants and meeting areas. The last floor hosts the event area where to celebrate the winning athletes and the Olympic Museum with the collection of the winter Olympic torches.

IN CHARGE OF: SITE MANAGER, TECHNICAL DRAWINGS STUDIO: BAD STUDIO

On this page, from the top: photo of the first floor Restaurant lounge; technical drawings of the bar counter. Right page, from the top: section of the bar counter; render of the ground floor restaurant; technical drawings of the back of the bar.

CLIEN T: IOC WHERE: SOCHI, RUSSIA Y EAR: 2015

rovere roveremordensato mordensato 82,5 82,5 80,5 80,5

acciaio acciaio satinato satinato 114,4 114,4

23 23 25,4 25,4 114,4 114,4

607,5 607,5

5 5

61 61

boiserie boiserie rovere rovere mordensato mordensato

53,2 53,2

53,2 53,2 12,5 12,5

acciaiosatinato satinato acciaio

20 20

neon foglio di policarbonato neon stripled acciaio satinato

banco frigo 3

100

pannelli scorrevoli

macchina caffe

81 87,5

27,5 66,1

186,9

66,1

186,9

27,5

foglio di policarbonato neon

LCD 50" LCD 50"

foglio di policarbonato neon stripled neon satinato acciaio stripled

260

120

neon

100

acciaio satinato pannelli scorrevoli

100

pannelli scorrevoli

539,2

540

3 F L O O R S 1 3 0 0 S Q M H I G H Q U A L I T Y C U S T O M F U R N I T U R E

President room

Vip Restaurant

Event area

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STATUS: BUILT TEAMWORK: DRAWINGS AN D VISUALS STUDIO: BAD STUDIO CLIEN T: FCA, WHERE: ARESE MOTOR VILLAGE Y EAR: 2015

Inaugurated on the 30th of June, the Motor Village Arese houses the showrooms of the brand Alfa Romeo and Jeep. The result is a unique setting that enhances the shopping experience premium car group FCA.

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This page: photo of the Alfa Romeo showroom; lighting arch and car logo shield technical drawings. Right page: showroom entrance; closeup on the car logo shield; lighting arch assembly on site; render of the showroom.

STATUS: BUILT TEAMWORK: DRAWINGS AN D SITE MANAGER STUDIO: BAD STUDIO CLIEN T: FCA, WHERE: ARESE MOTOR VILLAGE Y EAR: 2015

A place unique in the world where “the mechanics of emotions” moves the strings of old and new passions. Spread over two floors, the futuristic structure houses the showroom sale of the brands Alfa Romeo and Jeep. A new image in line with the expectations of most demanding customers.

From the left, clockwise: plan of the Jeep showroom; photo of Jeep showroom reception desk with the Seven Slot graphic; photo of the Jeep Wall.

From the left, clockwise: technical drawing of the Jeep wall ; technical drawing of the merchandise wall; photo of Jeep showroom; technical drawing of the display cases; technical drawings of the office desks.

J E E P S T A N D AT G E N E VA M O T O R S H O W 2 0 1 4 STATUS: BUILT TEAMWORK: DRAWINGS, REN DERS AN D SITE MANAGER STUDIO: BAD STUDIO CLIEN T: FCA, WHERE: GENEVA, PARIS Y EAR: 2014

The forest is the leitmotif of the stand, from the led wall that shows images off wild landscapes, the trees come out and become the pillars of the main building. The wood path is design for the reveal and invite visitors to discover the Jeep world.

From left to right: plan of the stand; renders 3d of the stand.

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STATUS: BUILT TEAMWORK: CONCEPT STUDIO: BAD STUDIO CLIEN T: FCA, Y EAR: 2015

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Responsible of the art direction for all the Fiat events during EXPO 2015. The “Fiat Arcimbolda” at Eataly, it is one of the most popular. A 500 is completely covered with vegetables and fruit and exposed in the hall of Eataly in Piazza XXV Aprile, Milan for the “500 day”, part of the “Fiat Experience for EXPO 2015”: http://www.fcaexpoguide. com/it/experiences/fiat-experience.

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From the left to right, clockwise: photo of the 500 in Piazza XXV Aprile, in front of Eataly; photo of the “Arcimbolda” inside the Eataly store; photos of the “Arcimbolda” construction process.

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STATUS: BUILT IN CHARGE OF: CONCEPT AN D SITE MANAGER

O P E N I N G

C E R E M O N Y

Set design for worldwide telecast of the opening ceremony of expo. A simple setting that refers to the topic of food with the use of corn as a scenic element.

From left to right, clockwise: photo of the wheat bundles assembly, photo of the stage the night before the ceremony, visual of the set design.

STUDIO: BAD STUDIO CLIEN T: WITH: WHERE: EXPO SITE, MILAN Y EAR: 2015

WINNERS OF THE BEA AWARDS 2015 BEST PUBLIC EVEN T OF THE Y EAR 2015

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STATUS: BUILT IN CHARGE OF: SITE MANAGER AN D VISUALS STUDIO:

& GHIGOS IDEAS

CLIEN T: WHERE: EXPO SITE, MILAN Y EAR: 2015

R I C E

The Rice Cluster appears like an out of scale rice field where the soil texture are recognizable. The colours, the smell and the shadows come with the rice’s growing and they characterize the flowing of time between the pavilions. Like the water in the rice field is a mirror that hides and disclosed, also the cluster hides another “informative landscape” ready to disclose to the visitors. From the Landscape to the Data-scape, it’s only a point of view.

C L U S T E R From left to right, clockwise: scale model of the Cluster; photo of the pavilion in May; diagram of the mirror facade and rice field; photo of the pavilion in July.

A N N A S T E FA N I 196 Rue de Tolbiac 75013 Paris 06 95939554 am.stefani@outlook.com linkedin.com/in/amstefani about.me/annastefani