Shades of Red Concerto for Mellophone and Wind Ensemble for Selena Maytum
2019
Ryan J Williams (ASCAP)
Shades of Red
Concerto for Mellophone and Wind Ensemble 1. Origin Story (3’35”) 2. Cadenza (ca. 1’00”) 3. The Omnipresent Future (6’15”) Total timing: ca. 11’
Program Note This project came to life starting from a conversation between Selena and I in mid-July of 2018, at a small sushi restaurant in Iowa City, over a bottle or two of sake. During the conversation, she and I were discussing our work with our respective drum corps, and as we got into it, one of our points of conversation settled on the mellophone. In the marching idiom, the mellophone is one of the most iconic sounds, part of the foundation of what separates marching band from sit-down band. The challenge is, for such a pivotal instrument, the mellophone is only ever a “secondary” instrument - it just doesn’t have a home in the concert (and thereby, “serious”) world. This is where she mused aloud, with a knowing glance to her composer friend, “if only there were a concerto for mellophone.” This brings us to the present piece of music. The title for the work actually came out of previous sketches for material that ended up scrapped and replaced with what came to be in the end, but through conversations, the title still stuck. There’s no hard and fast “program” for the music - just very loose associations. The first movement grew out of the warm, rich horn calls from the beginning of Jean Sibelius’s 5th Symphony. With the work highlighting the mellophone, I felt it was only appropriate to begin the work with a statement of the mellophone’s lineage in the instrument storage room, and the typical path mellophone players take to get to that horn. Thus, the beginning of the concerto begins with a simple horn call motive, shared between the soloist and the horn section. The third movement draws some inspiration from Philip Glass’s “Heroes” Symphony. Both Selena and I have a love for minimalism and post-minimalism, and after a warm afternoon listening to the Glass Symphony with the windows down, I decided to take a crack at the movement by building it on a post-minimal foundation. The movement really unfolded quickly and took its current shape as a Rondo. Throughout the work, there’s a quasi-serial treatment of a cell that might be described as (0257) - or simply, Bb-C-Eb-F. This cell becomes the basis for both melodic, harmonic, and formal material.
Instrumentation Solo Mellophone in F Piccolo 2 Flutes 2 Oboes English Horn Eb Clarinet 3 Bb Clarinets Bass Clarinet Bassoon Contrabassoon Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 4 C Trumpets 4 Horns in F 2 Tenor Trombones Bass Trombone Euphonium Tuba Piano Timpani (4 drums required) Field Snare (with snare tension rather “wet”) Concert Bass Suspended Cymbal Triangle Congas Bongos Crotales (2 octaves) Vibraphone
Mr. Ryan Williams first began composing music as a freshman in high school in Mechanicsburg, PA. Following this passion for more than 20 years, Williams has written many works for a variety of forces, both large and small, with a notable focus being on the wind band. To flesh out his craft, Williams attended West Chester University where he earned his Master of Music Theory and Composition in 2014 and his Bachelor of Music in 2003. While studying at West Chester University, he had the opportunity to work with renowned composers and scholars such as Dr. Robert Maggio, Dr. Adam Silverman, and Dr. Andrew Yozviak. Currently, Williams receives commissions for all levels of music, ranging from beginning students and middle school band to professional musicians. His works have been performed across the Eastern United States and have been described as “a cut above the rest” and “sophisticated” by American composer Mark Camphouse. In 2019, he was contracted with Woodson Publications to publish all his works. His portfolio can be previewed at www.RyanJWilliams.net. In addition to composition, Williams is a performer and technician. After five years performing with DCA and DCI drum & bugle corps, he enlisted into the Army Reserve where he served as an instrumentalist, arranger, and composer for 14 years. Since earning a Bachelor of Science in Music Education from York College in 2005, Williams has worked with dozens of competitive and noncompetitive high school bands, college bands, and drum corps across the country. Williams has served as the tuba technician and brass instructor for the Hawthorne Caballeros, the 2015 World Champion Reading Buccaneers Drum and Bugle Corps, and the 2016 Cadets Drum and Bugle Corps from Allentown, PA. In 2017, he joined the brass faculty for the Boston Crusaders Drum and Bugle Corps, where he continues to teach. As a writer and designer, he works with the Starriders Drum and Bugle Corps from Bad Münder, Germany. In addition to writing and teaching, Williams is active as an adjudicator, serving marching bands across the country. Presently, Williams lives in Columbia, SC and attends the University of South Carolina, pursuing his Doctor of Musical Arts degree in Music Composition while struggling to keep a small collection of houseplants alive.
Written for and dedicated to Selena Maytum of the US Army Field Band
Shades of Red
Ryan J Williams
1. Origin Story = 82
Mellophone in F
Piccolo
I Flute II
I Oboe II
English Horn
Clarinet in E♭
I
Clarinet in B♭ II
III
Bass Clarinet
Bassoon
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
mute I
II Trumpet in C III
IV
mute I
mute II Horn in F
mute
III
IV
mute I Trombone II
Bass Trombone
Euphonium
Tuba
Piano
(Eb, Bb, C, F) Timpani
Marching Snare Drum
Bass Drum
Scrape w/ Tri. Beater Suspended Cymbal
Percussion
Crotales
Vibraphone
Triangle
Copyright © 2019 Ryan J Williams & Ryan Williams Music www.RyanJWilliams.net All Rights Reserved. No part of this work may be reproduced without express, written consent of the composer.
2 12
Mln. in F
Picc.
I Fl.
II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
solo S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
open I
II Tpt in C III
IV
open I
open II Hn in F
open III
open
mute IV
open
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
3 24
20
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(lightly!)
(Eb to F; Bb to Ab; F to Eb)
Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
(non cresc.)
Perc.
Crot.
Vib.
Tri.
4 29
Mln. in F
Picc.
I
Fl.
II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
32
5 38
40
Poco più mosso
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
mute I
mute II Tpt in C
mute
III
mute IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
6
56 rall. 47
Mln. in F
Picc.
I Fl.
II
I Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
open I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(II: Ab to Bb) Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
Tempo I
7 57
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
open
II Tpt in C
open III
open IV
I
II Hn in F
III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
8 67
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
Sn. Dr.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
Shades of Red Ryan J Williams
2. Cadenza Freely, with motion
Mellophone in F
[1]
[1]
[1]
Copyright Š 2019 Ryan J Williams & Ryan Williams Music www.RyanJWilliams.net All Rights Reserved. No part of this work may be reproduced without express, written consent of the composer.
Shades of Red Ryan J Williams
3. The Omnipresent Future = 168
Mellophone in F
Piccolo
I Flute II
I Oboe II
English Horn
Clarinet in E♭
I
Clarinet in B♭ II
III
Bass Clarinet
Bassoon
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
I
II Trumpet in C III
IV
I
II Horn in F III
IV
I Trombone II
8vb optional
(8ba opt. continues)
Bass Trombone
cresc. cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Euphonium
Tuba
Piano
Timpani
Bass Drum
Suspended Cymbal
Congas, With timpani mallets Percussion
Crotales
Vibraphone
Triangle
Copyright © 2019 Ryan J Williams & Ryan Williams Music www.RyanJWilliams.net All Rights Reserved. No part of this work may be reproduced without express, written consent of the composer.
11 21
14
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
12 27
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
harmon mute I
harmon mute II Tpt in C
harmon mute III
harmon mute IV
mute I
mute II Hn in F
mute III
mute IV
I Tbn II
B. Tbn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Euph.
Tba
Pno
(I: F to Eb) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
13 40
41
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(IV: Eb to F) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
14 61
52
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
15 64
Mln. in F
Picc.
I
Fl.
II
I Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc.
cresc.
cresc.
cresc.
Cbsn
S. Sax.
cresc.
A. Sax.
cresc. T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
16 81
75
Mln. in F
Picc.
I
Fl.
II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc. cresc. Cbsn
cresc. cresc. S. Sax.
cresc.
A. Sax.
cresc. T. Sax.
Bar. Sax.
open I
open II Tpt in C
open III
open IV
open I
open II Hn in F
open III
open IV
I
cresc.
Tbn II
cresc. B. Tbn
cresc. cresc.
Euph.
Tba
cresc. cresc.
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
cresc.
cresc.
17 90
85
Mln. in F
Picc.
I Fl. II
I Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc. Cbsn
cresc. S. Sax.
A. Sax.
T. Sax.
cresc.
Bar. Sax.
cresc.
I
II Tpt in C III
IV
I
II
Hn in F
III
IV
I Tbn II
B. Tbn
cresc.
Euph.
Tba
cresc.
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
cresc.
18 94
95
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F
III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(D, G, D, A)
(I: D to Eb)
Timp.
B. Dr.
Sus. Cym.
Bongos, With sticks Perc.
Crot.
Hard mallets Vib.
Tri.
19 111
106
Mln. in F
Picc.
I
Fl.
II
I Ob. II
Eng. Hn
sub. Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(Eb to F) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
20 127
120
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
mute I
mute II Tpt in C
mute III
mute IV
mute I
mute II Hn in F
mute III
mute IV
mute I
Tbn
mute II
mute B. Tbn
Euph.
Tba
Pno
(Drum II) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
21 143
133
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
open I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(I: F to D; III: D to Bb) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
22 146
Mln. in F
Picc.
I Fl.
II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
open II Tpt in C
open III
open IV
open I
open II
Hn in F
open III
open IV
open
I
Tbn
open
II
open B. Tbn
Euph.
Tba
Pno
(I: D to Eb) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
23 159 Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
sub.
cresc.
cresc.
cresc.
sub.
cresc.
cresc.
cresc.
sub.
cresc.
cresc.
cresc.
Bsn
Cbsn
S. Sax.
cresc. cresc. A. Sax.
cresc. cresc. T. Sax.
Bar. Sax.
sub.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
sub. Euph.
Tba
sub.
Pno
sub.
(II: G to Ab; III: Bb to D) Timp.
B. Dr.
Sus. Cym.
Congas, with timpani mallets Perc.
Crot.
Vib.
Tri.
(IV: A to Eb)
24 179 174 172
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
cresc. cresc. Bsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Cbsn
S. Sax.
A. Sax.
cresc. cresc. T. Sax.
Bar. Sax.
cresc.
cresc.
mute I
mute II
Tpt in C
mute III
mute IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
cresc.
cresc.
25 183
Mln. in F
Picc.
I
Fl.
II
I Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Bsn
Cbsn
S. Sax.
cresc. cresc.
A. Sax.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
26 199
194
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
open I
open II
Tpt in C
open III
open IV
I
II Hn in F III
IV
I Tbn
II
B. Tbn
Euph.
Tba
Pno
(I: Eb to F) Timp.
B. Dr.
Sus. Cym.
Perc.
cresc.
Crot.
Vib.
Tri.
27 211 206
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(III: D to C) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
(II: Ab to Bb)
28 216
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
mute II Tpt in C
mute III
mute IV
mute I
mute II Hn in F
mute III
mute IV
I Tbn
mute II
B. Tbn
Euph.
Tba
Pno
(IV: Eb to D) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
29 227
225
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(IV: D to Eb) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
30 233
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(IV: Eb to D) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
31 243 242
Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
cresc. Cbsn
cresc.
cresc.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
harmon mute I
harmon mute II Tpt in C
harmon mute III
harmon mute IV
open I
open II
Hn in F
open III
open IV
I Tbn
open II
(8ba optional) B. Tbn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Euph.
Tba
Pno
(F, Ab, C, F) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
32 253
Mln. in F
Picc.
I Fl. II
I
Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II
Hn in F
III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
33 263 Mln. in F
Picc.
I Fl. II
I Ob. II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F
III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
34 278 274
Mln. in F
Picc.
I Fl. II
I
Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
cresc. S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
open I
open II Tpt in C
open III
open IV
I
II Hn in F
III
IV
I Tbn II
B. Tbn
cresc. Euph.
Tba
cresc.
Pno
Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
cresc.
35 286 Mln. in F
Picc.
I Fl.
II
I Ob.
II
Eng. Hn
Cl. in E♭
I
Cl. in B♭ II
III
B. Cl.
Bsn
Cbsn
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
Bell Tones I
Bell Tones II Tpt in C
Bell Tones
III
Bell Tones IV
I
II Hn in F III
IV
I Tbn II
B. Tbn
Euph.
Tba
Pno
(I: F to E; II: Ab to B) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
36 Prestissimo 295
Mln. in F
Picc.
cresc.
I
Fl.
cresc. cresc.
II
cresc. I Ob.
cresc.
II
cresc. Eng. Hn
cresc. Cl. in E♭
cresc. I
cresc. Cl. in B♭ II
cresc. III
cresc. B. Cl.
Bsn
Cbsn
S. Sax.
cresc. A. Sax.
cresc. T. Sax.
Bar. Sax.
I
II Tpt in C III
IV
I
II Hn in F III
IV
I
Tbn
II
B. Tbn
Euph.
Tba
Pno
(I: Eb to F) Timp.
B. Dr.
Sus. Cym.
Perc.
Crot.
Vib.
Tri.
(with sticks)