Routledge
New Titles and Key Backlist
Media, Film and TV
2008
www.routledge.com/media
Cover Image: War Room, 2004 by Tarek Al-Ghoussein and Chris Kienke. Couresy of the artists.
www.routledge.com/media Welcome to the Routledge
CONTENTS
Media, Film and TV Catalogue
Media Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
New Titles & Key Backlist 2008
Comedia Series . . . . . . . . . . . . . . . . . . . . . . . . . .11
New Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Media Ethics . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Media Management . . . . . . . . . . . . . . . . . . . . . .11 Film Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Lawrence Erlbaum Associates Titles are now part of Routledge. The LEA communication studies list is now fully integrated into Routledge, so you will find in this Routledge catalogue classic LEA titles as well as new volumes in the subject areas for which LEA is known. All future publications will bear the Routledge imprint. The joining of Routledge and LEA is a perfect fit of two successful and vibrant publishing profiles; it means, for the first time, this catalogue can include the exciting areas of Media Ethics and Media Management, and it makes our list broader and stronger than ever. Highlights of this catalogue include new editions of the bestselling textbooks Media Today by Joseph Turow (p.1) and New Media: A Critical Introduction (p.7). Also featured are a new edition of Media, Gender and Identity by David Gauntlett (p.1), and Jeremy Butler’s bestselling textbook Television (p.28).
COMPLETE CATALOGUE This catalogue only includes a selection of our titles in the Media, Film and TV. Our online catalogue gives you the power to search for any book currently in print by title, ISBN or full text. All the entries have a description of the book’s content.
British Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Genre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 World Cinema . . . . . . . . . . . . . . . . . . . . . . . . . .24 Television Studies . . . . . . . . . . . . . . . . . . . . . . . .28 Study Skills . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Order Form . . . . . . . . . . . . . . . . . . . . . . .Back Page
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MEDIA STUDIES
4TH EDITION
The Media Student’s Book Gill Branston, Cardiff University, UK and Roy Stafford Available in colour for the first time, thoroughly revised, re-ordered and completely updated, this fourth edition presents the latest must-have introduction to media studies.
David Gauntlett: Shortlisted for the THES Young Academic Author of the Year 2007
Creative Explorations New Approaches to Identities and Audiences David Gauntlett, University of Westminster, UK How do you picture identity? What happens when you ask individuals to make visual representations of their own identities, influences, and relationships?
NEW 2ND EDITION
The chapters are all supported by case studies which cover every key topic in the field, from CSI: Miami to the Ring Cycle and reality TV. The book is divided into four parts studying key concepts; media practices; media debates; and providing rich resources in the final reference section.
Media, Gender and Identity An Introduction David Gauntlett, University of Westminster, UK Popular media present a vast array of stories about women and men. What impact do these images and ideas have on people’s identities?
Stimulating and easy to use, The Media Student’s Book includes: • marginal terms, definitions, references and jokes, all allied to a full glossary • follow-up activities, suggestions for further reading, useful websites and a companion support website at www.routledge.com/textbooks/0415371430 • references and examples from advertising, TV, films, radio, newspapers, photography and the Internet. 2006: 246x189: 576pp Hb: 978-0-415-37142-1: £75.00 Pb: 978-0-415-37143-8: £19.99 • AVAILABLE AS AN INSPECTION COPY
The new edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media’s influence on gender and sexuality.
3RD EDITION
David Gauntlett discusses movies such as Knocked Up and Spiderman 3, men’s and women’s magazines, TV shows, self-help books, YouTube videos, and more, to show how the media play a role in the shaping of individual self-identities.
Media Today
The book includes:
An Introduction to Mass Communication
• a comparison of gender representations in the past and today, from James Bond to Ugly Betty
NEW
Joseph Turow Media Today puts students at the center of profound changes in the twenty-first century media world – from digital convergence to media ownership – and gives them the skills to think critically about what these changes mean for the role of media in their lives. Completely revised with updated examples, case studies, and media resources, the third edition of this innovative mass communication textbook is built upon a media systems approach that gives students an insider’s perspective on how mass media industries operate. Joseph Turow emphasizes throughout the many ways in which media convergence has blurred distinctions between and among various media. Each chapter guides students through the essential history of media industries; examines the current forces shaping their creation, distribution and exhibition; and explores the impact of emerging trends in media and society from globalization to social networking to video games.
Drawing upon an array of disciplines from neuroscience to philosophy, and art to social theory, David Gauntlett explores the ways in which researchers can embrace people’s everyday creativity in order to understand social experience. Seeking an alternative to traditional interviews and focus groups, he outlines studies in which people have been asked to make visual things – such as video, collage, and drawing – and then interpret them. This leads to an innovative project in which Gauntlett asked people to build metaphorical models of their identities in Lego. This creative reflective method provides insights into how individuals present themselves, understand their own life story, and connect with the social world. Creative Explorations is a lively and original discussion of identities, media influences, and creativity, which will be of interest to both students and academics. April 2007: 234x156: 208pp Hb: 978-0-415-39658-5: £65.00 Pb: 978-0-415-39659-2: £18.99 eBook: 978-0-203-96140-7
The Celebrity Culture Reader Edited by P. David Marshall, Northeastern University Boston, USA From the new celebrity culture that has emerged from reality television and the Internet, to the paparazzi-filled endgame of Princess Diana and the bizarre trials and tribulations of Michael Jackson, The Celebrity Culture Reader documents the significant role that celebrities occupy in contemporary culture.
• an introduction to key theorists such as Judith Butler, Anthony Giddens and Michel Foucault • an outline of creative approaches, where identities are explored with video, drawing, or Lego bricks • a website with extra articles, interviews and selected links, at www.theoryhead.com. March 2008: 234x156: 304pp Hb: 978-0-415-39660-8: £60.00 Pb: 978-0-415-39661-5: £18.99 eBook: 978-0-203-93001-4 • AVAILABLE AS AN INSPECTION COPY
Combining classic essays and contemporary writings, The Celebrity Culture Reader investigates the cultural implications of this complex contemporary phenomenon. List of Contributors: Francesco Alberoni, David L. Andrews, Frances Bonner, Daniel Boorstin, Leo Braudy, C.L. Cole, Rosemary Coombe, Richard de Cordova, Kathy Davis, Richard Dyer, Charles Fairchild, Neal Gabler, Joshua Gamson, David Giles, Lawrence Grossberg, Alison Hearn, Joke Hermes, Stephen Hinerman, Richard Johnson, Barry King, Elizabeth Arveda Kissling, John Langer, Leo Lowenthal, Catharine Lumby, P. David Marshall, Kembrew McLeod, Joe Moran, Momin Rahman, Chris Rojek, Richard Sennett, Jackie Stacey, Ernest Sternberg, John Street, Richard Tithecott, Graeme Turner, Max Weber, Jeffrey Williams 2006: 246x174: 872pp Hb: 978-0-415-33791-5: £75.00 Pb: 978-0-415-33792-2: £24.99 • AVAILABLE AS AN INSPECTION COPY
Comprehensive and engaging, Media Today features: • a three-pronged media systems approach focused on media literacy, convergence, and emerging trends in todayís media culture • up-to-date coverage of the latest political, economic, technological, and cultural issues affecting media industries • exciting new resources including an enclosed DVD with media examples and an interactive companion website featuring a full range of instructor and student materials including study podcasts at www.routledge.com/textbooks/9780415960595
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October 2008: 276x219: 640pp Hb: 978-0-415-96058-8: £85.00 Pb: 978-0-415-96059-5: £50.00
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MEDIA STUDIES
NEW
NEW
Watching Babylon
Internationalizing Media Studies
Mobile Technologies
The War in Iraq and Global Visual Culture
Impediments and Imperatives
From Telecommunications to Media
Nicholas Mirzoeff
Edited by Daya K. Thussu, University of Westminster, UK
Edited by Gerard Goggin and Larissa Hjorth, RMIT University, Australia
Series: Internationalizing Media Studies
Series: Routledge Research in Cultural and Media Studies
The explosion of transnational information flows, made possible by new technologies and institutional changes, (economic, political and legal) have profoundly affected the study of global media.
Featuring studies from China, Japan, Korea, Italy, Norway, France, Belgium, Britain, and Australia – this timely volume examines how mobiles are being incorporated into and, indeed, are changing, contemporary media – charting the social, cultural, creative, and design aspects of mobile media and discussing the development, adoption, use, and consumption of these new technologies.
This collection of essays by leading scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies, and provides much-needed material on the dynamics of the media studies field in a global context. Lively and current case studies are included within the essays to exemplify the main arguments.
This groundbreaking and compelling book illuminates the Western experience of the Iraqi war and examines the experience of watching the war against Iraq on television, on the Internet, in the cinema and in print media. 2004: 216x138: 216pp Hb: 978-0-415-34309-1: £55.00 Pb: 978-0-415-34310-7: £14.99
Cultural Chaos Journalism and Power in a Globalised World Brian McNair, University of Stirling, UK
September 2008: 234x156: 208pp Hb: 978-0-415-98986-2: £60.00
August 2008: 234x156: 256pp Hb: 978-0-415-45529-9: £70.00 Pb: 978-0-415-45530-5: £19.99
With examples drawn from media coverage of the War on Terror, the 2003 invasion of Iraq, Hurricane Katrina and the London underground bombings, Cultural Chaos explores the changing relationship between journalism and power in an increasingly globalized news culture.
NEW
Media, War & Postmodernity Philip Hammond, Southbank University, London, UK
NEW
Media, War & Postmodernity investigates how conflict and international intervention have changed since the end of the Cold War, asking why Western military operations are now conducted as high-tech media spectacles, apparently more important for their propaganda value than for any strategic aims.
International Communication: A Reader Edited by Daya K. Thussu, University of Westminster, UK This comprehensive Reader brings together seminal texts in media and communication from both traditional as well as more recent scholarship. Readings are drawn from a broad range of international scholarship and organized to reflect the growing internationalization of the field, with clearly defined sections covering key aspects of global communication. In addition to the core academic readings, key policy documents are also included to demonstrate the development of the political, economic and technological infrastructure that underpins the global system of media and communication.
Discussing the humanitarian interventions of the 1990s and the War on Terror, the book analyzes the rise of a postmodern sensibility in domestic and international politics, and explores how the projection of power abroad is undermined by a lack of cohesion and purpose at home. Drawing together debates from a variety of disciplinary and theoretical perspectives, Philip Hammond argues that contemporary warfare may be understood as ’postmodern’ in that it is driven by the collapse of grand narratives in Western societies and constitutes an attempt to recapture a sense of purpose and meaning.
Additional features include: • an annotated bibliography • a timeline of main events in global communication
October 2007: 234x156: 192pp Hb: 978-0-415-37493-4: £70.00 Pb: 978-0-415-37494-1: £18.99 eBook: 978-0-203-93417-3
• URLs of relevant websites for further research. November 2008: 246x174: 640pp Hb: 978-0-415-44455-2: £75.00 Pb: 978-0-415-44456-9: £22.99 • AVAILABLE AS AN INSPECTION COPY
In this new text, Brian McNair examines the processes of cultural, geographic and political dissolution in the post-Cold War era and the rapid evolution of information and communication technologies. He investigates the impact of these trends on domestic and international journalism and on political processes in democratic and authoritarian societies across the world. Written in a lively and accessible style, Cultural Chaos provides students with an overview of the evolution of the sociology of journalism, a critical review of current thinking within media studies and an argument for a revision and renewal of the paradigms that have dominated the field since the early twentieth century. Separate chapters are devoted to new developments such as the rise of the blogosphere and satellite television news and their impact on journalism more generally. Cultural Chaos is essential reading for all those interested in the emerging globalized news culture of the twenty-first century. 2006: 234x156: 272pp Hb: 978-0-415-33912-4: £60.00 Pb: 978-0-415-33913-1: £16.99 • AVAILABLE AS AN INSPECTION COPY
Media on the Move Global Flow and Contra-Flow Edited by Daya K. Thussu, University of Westminster, UK Series: Communication and Society Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organizations operate are becoming increasingly global. The surge in transnational traffic in media products has primarily benefited the major corporations such as Disney, AOL, Time Warner and News Corporation. However, as this book argues, new networks have emerged which buck this trend: Brazilian TV is watched in China; Indian films have a huge following in the Arab world; and Al Jazeera has become a household name in the West. Combining a theoretical perspective on contra-flow of media with grounded case studies into one up-to-date and accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon.
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2006: 234x156: 288pp Hb: 978-0-415-35457-8: £70.00 Pb: 978-0-415-35458-5: £18.99
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MEDIA STUDIES
NEW
NEW
Remaking Media
The Mediation of Power
Narrating Media History
The Struggle to Democratize Public Communication
A Critical Introduction
Edited by Michael Bailey, Leeds Metropolitan University, UK
Robert Hackett and William Carroll
Aeron Davis, Goldsmiths College, University of London, UK Series: Communication and Society The Mediation of Power investigates how those in positions of power use and are influenced by media in their everyday activities. Each chapter examines this theme through an exploration of some of the key topic areas and debates in the field. The topics covered are: • theories of media and power • media policy and the economics of information • news production and journalistic practice • public relations and media management • political communication and mediated politics • new and alternative media • interest group communications • media audiences and effects. The debates are enlivened by first-hand accounts taken from over 200 high-profile interviews with politicians, journalists, public officials, spin doctors, campaigners and captains of industry. Tim Bell, David Blunkett, Iain Duncan Smith, Simon Heffer, David Hill, Simon Hughes, Trevor Kavanagh, Neil Kinnock, Peter Riddell, Polly Toynbee, Michael White, and Ann Widdecombe are some of those cited.
Taking an innovative approach, Hackett and Carroll pay attention to an emerging social movement that appears at the cutting edge of cultural and political contention, and ground their work in three scholarly traditions that provide interpretive resources for the study of democratic media activism: • political theories of democracy • critical media scholarship • the sociology of social movements. 2006: 234x156: 256pp Hb: 978-0-415-39468-0: £70.00 Pb: 978-0-415-39469-7: £18.99 • AVAILABLE AS AN INSPECTION COPY
NEW
The Mass Media and Latino Politics
Handbook of Election Coverage Around the World
Studies of U.S. Media Content, Campaign Strategies and Survey Research: 1984–2004
Jesper Stromback, Mid Sweden University, Sundsvall, Sweden and Lynda Lee Kaid, University of Florida, USA Series: ICA Handbook Series The Handbook of Election Coverage Around the World focuses on the news coverage of national elections in democracies around the globe. It brings together and compares election news coverage within a single framework, offering a systematic consideration of various factors. Considering the prominence and power of the press in the election process, this volume will offer unique breadth in its global consideration of the topic. The volume will appeal to scholars in political communication, political science, mass media and society, and others studying elections and media coverage around the world. May 2008: 246x174: 550pp Hb: 978-0-8058-6036-8: £92.00 Pb: 978-0-8058-6037-5: £38.99
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January 2008: 234x156: 448pp Hb: 978-0-8058-5704-7: £65.00 Pb: 978-0-8058-5705-4: £27.99
2001: 198x129: 400pp Hb: 978-0-415-25549-3: £60.00 Pb: 978-0-415-25397-0: £9.99
With a focus on activism directed towards challenging and changing media content, practices and structures, the book explores the burning question: What is the political significance and potential of democratic media activism in the western world today?
NEW
The Latin-American population has become a major force in American politics in recent years, with expanding influences in local, state, and national elections. Recognizing the rising influence of the Latino population in the United States, Federico Subervi-Velez has put together this edited volume, examining various aspects of the Latino and media landscape, including media coverage in English- and Spanish-languae media, campaigns, and survey research.
Series: Routledge Classics
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July 2008: 234x156: 256pp Hb: 978-0-415-41915-4: £65.00 Pb: 978-0-415-41916-1: £18.99
Series: LEA’s Communication Series
Marshall McLuhan
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This unique and timely collection brings together leading international media history scholars, not only to identify and contrast the various interrelationships between media histories, but also to encourage dialogue between different historical, political, and theoretical perspectives including: liberalism; feminism; populism; nationalism; libertarianism; radicalism; and technological determinism.
Federico Subervi-Velez, Latinos and Media Project, USA
Understanding Media
Remaking Media is a unique and timely reading of the contemporary struggle to democratize communication.
Based on the work of media historian, James Curran, Narrating Media History explores British media history as a series of competing narratives.
Essays by distinguished academics cover television, radio, newspaper press and advertising (among others), and illustrate the particularities, affinities, strengths and weaknesses within media history. Each section includes a brief introduction by the editor, with discussion topics and suggestions for further reading, making this an invaluable guide for students of media history.
• culture and power
July 2007: 234x156: 232pp Hb: 978-0-415-40490-7: £65.00 Pb: 978-0-415-40491-4: £18.99 eBook: 978-0-203-94582-7
Series: Communication and Society
Series: Communication and Society
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MEDIA STUDIES
NEW
NEW
Messages
Iranian Media
The Media and Social Theory
The Paradox of Modernity
Edited by David Hesmondhalgh, University of Leeds, UK and Jason Toynbee, The Open University, UK
Free Expression, Media and the West from Gutenberg to Google
Gholam Khiabany, London Metropolitan University, USA Iranian Media provides an overview of the expansion of the Iranian communication system, examining the political economy of this process and arguing that the nature of Iranian media in general and the press in particular cannot be understood simply in terms of ‘Islamic ideology’ or the false dichotomy of ’modernity’ versus ’tradition’. Selected Contents: Introduction 1. Religion, State and Culture: Beyond Islamic Exceptionalism 2. Is There an Islamic Communication Theory? 3. Iranian Press: The Paradox of Modernity 4. Emerging Public Spheres and the Limits of the Press 5. Press, State and Civil Society: Illusions and Realities 6. Media Policy Under the Islamic Republic 7. The Politics of Broadcasting 8. Women’s Press and Gendered Nature of the Public Sphere. Conclusion June 2008: 234x156: 192pp Hb: 978-0-415-96289-6: £60.00
Media studies needs richer and livelier intellectual resources. This book provides some by bringing social theory to bear on the media. It brings together major and emerging international media analysts to consider key processes of media change, using a number of critical perspectives. Case studies range from reality television to professional journalism, from blogging to control of copyright, from social networking sites to indigenous media, in Europe, North America, Asia and elsewhere. Among the theoretical approaches and issues addressed are: • public sphere theory – including post-Habermasian versions • post-structuralist and neo-Foucauldian approaches to media and culture • Pierre Bourdieu and field theory • critical realism
Media Consumption and Everyday Life in Asia
• Marxist and post-Marxist theories, including contemporary critical theory
In this study, Kim argues for the centrality of the media to the transformation of Asia in the era of globalization, providing a comparative understanding of the place of the media in different nations and regions of Asia. June 2008: 234x156: 244pp Hb: 978-0-415-96245-2: £60.00
6TH EDITION
Power Without Responsibility The Press, Broadcasting and New Media in Britain James Curran and Jean Seaton The sixth edition of this successful text is a guide for all those involved with the production and consumption of the media. It includes up-to-date analysis of new media and legislation, New Labour conservatism and coverage of Scottish and Welsh devolution.
’Should be required reading for any media scholar or student trying to understand where the media come from.’ – European Journal of Communication ’The historical research is thorough and wide-ranging ... The tone is lucid, straightforward, and spiced with snarky moments.’ – International Journal of Communication Arguing that the development of the mass media has been an essential engine driving the western concept of an individual, Brian Winston examines how the right of free expression is under attack, and how the roots of media expression need to be recalled to make a case for the media’s importance for the protection of individual liberty. 2005: 234x156: 448pp Hb: 978-0-415-23222-7: £60.00 Pb: 978-0-415-36457-7: £15.99 • AVAILABLE AS AN INSPECTION COPY
• actor network theory
NEW
Youna Kim
Brian Winston, Univeristy of Lincoln, UK
Series: CRESC
• theories of democracy, antagonism and difference.
De-Westernizing Media Studies
Essential reading for undergraduate and postgraduate students and researchers of cultural studies, media studies and social theory.
Edited by James Curran and Myung-Jin Park
Selected Contents: Part 1: Power and Democracy Part 2: Spatial Inequalities Part 3: Spectacle and The Self Part 4: Media Labour and Production May 2008: 234x156: 256pp Hb: 978-0-415-44799-7: £85.00 Pb: 978-0-415-44800-0: £23.99
De-Westernizing Media Studies brings together leading media critics from around the world to address central questions in the study of media. Essential reading for anyone who wants to understand the relationship between mass communication and society.
Media Space Place, Scale and Culture in a Media Age
Series: Communication and Society
1999: 246x174: 352pp Hb: 978-0-415-19394-8: £75.00 Pb: 978-0-415-19395-5: £19.99
Media, Technology and Society
Nick Couldry and Anna McCarthy Media Space explores the importance of ideas of space and place to understanding the ways in which we experience the media in our everyday lives. 2003: 234x156: 320pp Hb: 978-0-415-29174-3: £70.00 Pb: 978-0-415-29175-0: £22.99
A History: From the Telegraph to the Internet Brian Winston 1998: 234x156: 392pp Hb: 978-0-415-14229-8: £75.00 Pb: 978-0-415-14230-4: £18.99
Media Rituals A Critical Approach Nick Couldry The media are an inescapable part of our everyday life. Drawing on sociological and anthropological approaches to the study of ritual, Nick Couldry applies the work of theorists to a number of important media arenas.
2003: 234x156: 480pp Hb: 978-0-415-24389-6: £70.00 Pb: 978-0-415-24390-2: £18.99 • AVAILABLE AS AN INSPECTION COPY
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2002: 234x156: 192pp Hb: 978-0-415-27014-4: £60.00 Pb: 978-0-415-27015-1: £17.99
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MEDIA STUDIES
NEW
NEW
NEW
Western Media Systems
2ND EDITION
Sound Media
Jonathan Hardy, University of East London, UK
Loving with a Vengeance
From Live Journalism to Musical Recording
Series: Communication and Society
Mass Produced Fantasies for Women
Lars Nyre, University of Bergen, Norway
Western Media Systems offers a concise, authoritative and critical introduction to media systems in North America and Western Europe. The book offers a wide-ranging survey and an original contribution to comparative media analysis addressing the economic, social, political, regulatory and cultural aspects of Western media systems.
Tania Modleski, University of Southern California, USA Upon its first publication, Loving with a Vengeance was a groundbreaking study of women readers and their relationship to mass-market romance fiction. Feminist scholar and cultural critic Tania Modleski has revisited her widely read book, bringing to this new edition a review of the issues that have, in the intervening years, shaped and reshaped questions of women’s reading. With her trademark acuity and understanding of the power both of the mass-produced object, film, television, or popular literature, and the complex workings of reading and reception, she offers here a framework for thinking about one of popular culture’s central issues.
Jonathan Hardy takes a thematic approach, guiding the reader through critical issues and debates, introducing key concepts and specialist literature. Western Media Systems will be essential reading for undergraduate and postgraduate students studying comparative and global media.
This edition includes a new introduction, a new chapter, and changes throughout the existing text.
June 2008: 234x156: 224pp Hb: 978-0-415-39691-2: £65.00 Pb: 978-0-415-39692-9: £18.99
Media and Cultural Theory
August 2007: 234x156: 160pp Pb: 978-0-415-97451-6: £13.99 • AVAILABLE AS AN INSPECTION COPY
Edited by James Curran and David Morley, University of London, UK
Girls Make Media
Containing new thinking and original surveys from leading international scholars, this ideal course reader uses contemporary media and film texts and case studies to address key issues and debates within media and cultural studies the world over.
From MP3 to Marconi... Everyday life is full of soundscapes created by professionals. Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre presents the contemporary cultural engagements in the field of sound studies, and works back from the soundscapes of the present day to the 1870s. Sound Media is a book for media students and scholars, music lovers and media pundits, as well as journalists, musicians, and audio engineers. It contains a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings.
Mary Celeste Kearney
2005: 234x156: 288pp Hb: 978-0-415-31704-7: £65.00 Pb: 978-0-415-31705-4: £18.99
Girls Make Media explores how young female media producers have reclaimed and reconfigured girlhood as a site for radical social, cultural, and political agency. Central to the book is an analysis of Riot Grrrl – a 1990s feminist youth movement from a fusion of punk rock and gender theory – and the girl power movement it inspired. The author also looks at the rise of girls-only media education programs, and the creation of girls’ studies.
Global Media Discourse
2006: 234x156: 388pp Hb: 978-0-415-97277-2: £50.00 Pb: 978-0-415-97278-9: £15.99
Selected Contents: 1. Theoretical Introduction to Sound Media Part 1: The Present Time 2. The Acoustic Computer: Nervous Experiments with Sound Media 3. Synthetic Music: Digital Recording in Great Detail 4. The Mobile Public: Journalism for Urban Navigators 5. Phone Radio: Personality Journalism in Voice Alone 6. Loudspeaker Living: Pop Music is Everywhere Part 2: Backwards History 7. Tape Control: A Revolution in Music Recording 1970s – 1950s 8. The Acoustic Nation: Live Journalism 1960s – 1930s 9. Microphone Moods: Music Recording 1940s – 1930s 10. The Live Public: Experiments in Broadcasting 1920s – 1900s 11. The Repeating Machine: Music Recording 1920s – 1870s June 2008: 234x156: 240pp Hb: 978-0-415-39113-9: £65.00 Pb: 978-0-415-39114-6: £17.99
A Critical Introduction
NEW
David Machin, Cardiff University, UK and Theo Van Leeuwen, University of Technology, Sydney, Australia
What a Girl Wants?
Featuring a wide range of exercises, examples, and images, this textbook provides a practical way of analyzing the discourses of the global media industries. Building on a comprehensive introduction to the history and theory of global media communication, specific case studies of lifestyle and entertainment media are explored with examples from films, global women’s magazines, Vietnamese news reporting and computer war games. Finally this book investigates how global media communication is produced, looking at the formats, languages and images used in creating media materials, both globally and in localized forms.
Fantasizing the Reclamation of Self in Postfeminism Diane Negra, University of East Anglia, UK
August 2008: 234x156: 256pp Hb: 978-0-415-45227-4: £70.00 Pb: 978-0-415-45228-1: £18.99
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May 2007: 234x156: 200pp Hb: 978-0-415-35945-0: £65.00 Pb: 978-0-415-35946-7: £17.99
At a time when the media is becoming increasingly global, often with the same films, news and television programmes shown all over the world; Global Media Discourse provides an accessible, lively introduction into how globalization is changing the language and communicative practices of the media. Integrating a range of approaches, including political economy, discourse analysis and ethnography, this book will be of particular interest to students of media and communication studies, applied linguistics, and (critical) discourse analysis.
What a Girl Wants? holds up a mirror to the contemporary female subject who finds herself the target of contemporary advertisers. Centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and femalecentered primetime TV dramas compete for her attention and spending power. Across the range of the female life cycle, girls and women of every age are now invited to celebrate their empowerment in a culture that sometimes seems dedicated to gratifying their every desire. This book asks why, at a moment of widespread and intense hype about the spectrum of female options, choices and pleasures available, so few women actually seem to find cause for celebration.
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MEDIA STUDIES
NEW
The Citizen Audience Crowds, Publics, and Individuals Richard Butsch, Rider University, USA In The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present day. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship. From descriptions of tightly packed crowds in early American theatres to the contemporary reports of distant, anonymous Internet audiences, Butsch examines how audiences were represented in contemporary discourse. He explores a broad range of sources on theatre, movies, propaganda, advertising, broadcast journalism, and much more. Butsch discovers that audiences were characterized according to three recurrent motifs: as crowds and as isolated individuals in a mass, both of which were considered bad, and as publics which were considered ideal audiences. These images were based on and reinforced class and other social hierarchies. At times though, subordinate groups challenged their negative characterization in these images, and countered with their own interpretations. A remarkable work of cultural criticism and media history, this book is essential reading for anyone seeking a historical understanding of how audiences, media and entertainment function in the American cultural and political imagination.
Routledge Introductions to Media and Communications Series Series Editor: Paul Cobley, London Metropolitan University, UK
Brands Marcel Danesi, University of Toronto, Canada Marcel Danesi’s outstanding introduction provides a clear guide to brands and brand identity, outlining their historical origins and their increasing centrality in contemporary consumer culture. He introduces: • the origins of brands • naming and brand image
News Jackie Harrison Using up-to-date case examples such as the Hutton Report and embedded journalists, from across a range of media including print, radio, television and the Internet, Jackie Harrison explains the different theoretical approaches that have been used to study the news, as well as providing an accessible introduction to how news is produced and regulated, what counts as news, and how it is selected and presented. 2005: 216x138: 304pp Hb: 978-0-415-31949-2: £65.00 Pb: 978-0-415-31950-8: £16.99 • AVAILABLE AS AN INSPECTION COPY
• how semiotic theory can be used to analyze brand image
Youth Media
• brands and consumer culture
Bill Osgerby From the days of diners, drive-ins and jukeboxes, to today’s world of iPods and the Internet, Bill Osgerby’s innovative introduction traces the development of contemporary youth culture and its relationship with the media.
• advertising campaigns • brands in the global village • the anti-brand movement. 2006: 216x138: 176pp Hb: 978-0-415-27997-0: £65.00 Pb: 978-0-415-27998-7: £16.99 • AVAILABLE AS AN INSPECTION COPY
December 2007: 234x156: 200pp Hb: 978-0-415-97789-0: £60.00 Pb: 978-0-415-97790-6: £15.99
Internet
The Audience Studies Reader
Lorenzo Cantoni and Stefano Tardini, both at the University of Lugano, Switzerland From music, gaming and information gathering, to eLearning, eCommerce and eGovernment, this absorbing introduction examines the Internet; the opportunities it affords, the limitations it imposes and the functions it allows.
Edited by Will Brooker and Deborah Jermyn Presenting for the first time key writings, forgotten pieces and classic essays combined with new research, this book suggests new ways of looking at the relationship between media texts and those who receive, consume and interpret them. 2002: 246x174: 368pp Hb: 978-0-415-25434-2: £70.00 Pb: 978-0-415-25435-9: £21.99
2004: 216x138: 320pp Hb: 978-0-415-23807-6: £65.00 Pb: 978-0-415-23808-3: £16.99 • AVAILABLE AS AN INSPECTION COPY
Videogames James Newman This lucid and engaging introduction guides the reader through the world of videogaming, providing a history of the videogame, from its origins in the computer lab to its contemporary status as a global entertainment industry.
The Audience in Everyday Life Living in a Media World S. Elizabeth Bird 2003: 234x156: 256pp Pb: 978-0-415-94258-4: £17.99 • AVAILABLE AS AN INSPECTION COPY
2006: 216x138: 240pp Hb: 978-0-415-35225-3: £65.00 Pb: 978-0-415-35227-7: £16.99 • AVAILABLE AS AN INSPECTION COPY
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2004: 216x138: 208pp Hb: 978-0-415-28191-1: £65.00 Pb: 978-0-415-28192-8: £16.99 • AVAILABLE AS AN INSPECTION COPY
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NEW MEDIA
MEDIA STUDIES
Assessing Media Education
NEW
The New Media Handbook
A Resource Handbook for Educators and Administrators
2ND EDITION
Edited by William G. Christ, Trinity University, San Antonio, USA
New Media
Andrew Dewdney, South Bank University, London, UK and Peter Ride, University of Westminster, London, UK
A Critical Introduction
Series: Media Practice
Series: LEA’s Communication Series Assessing Media Education provides guidelines for media educators and administrators in higher education media programs who are creating or improving student-learning assessment strategies. Covering the topics and categories established by the Accrediting Council on Education in Journalism and Mass Communications, this key resource guides readers through the steps of developing an assessment plan, establishing student learning outcomes in the various areas of the curriculum, and measuring those outcomes. 2006: 234x156: 600pp Hb Set: 978-0-8058-5225-7: £110.50 Pb Set: 978-0-8058-5226-4: £36.95
Jon Dovey, Seth Giddings, Iain Grant, Kieran Kelly and Martin Lister, all at the University of the West of England, UK New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which ‘new media’ really are new, assesses the claims that a media and technological revolution is underway and formulates new ways for media studies to respond to new technologies. The new edition will feature:
Component 1: Measurement
• a new introductory chapter outlining the major approaches and arguments made in the book
2006: 234x156: 160pp Pb: 978-0-8058-6092-4: £15.50
• updated case studies and examples to include greater coverage of sound, music, digital TV, the i-pod, mobile phones, videogames, etc.
Component 2: Case Studies
• a new user-friendly text design with more illustrations
2006: 234x156: 128pp Pb: 978-0-8058-6093-1: £11.95
• expanded conceptual discussions covering configuration, virtuality, mobile media and dispersal (including IPR)
Component 3: Developing an Assessment Plan 2006: 234x156: 448pp Pb: 978-0-8058-6094-8: £11.95
Through a series of edited interviews with new media practitioners including young web developers, programmers, artists, writers and producers, The New Media Handbook examines the essential diversity of new media by combining critical commentary and descriptive and historical accounts. The New Media Handbook focuses upon the key concerns of practitioners and how they create their work and develop their projects – from artists to industry professionals, web designers to computer programmers. It includes a discussion of key concepts such as digital code, information, convergence, interactivity and interface; and identifies key debates and locates the place of new media practice within contemporary culture. 2006: 234x156: 352pp Hb: 978-0-415-30711-6: £65.00 Pb: 978-0-415-30712-3: £18.99 • AVAILABLE AS AN INSPECTION COPY
NEW
• a new consolidated and updated bibliography.
Advertising and New Media
September 2008: 246x189: 448pp Hb: 978-0-415-43160-6: £70.00 Pb: 978-0-415-43161-3: £19.99 • AVAILABLE AS AN INSPECTION COPY
Christina Spurgeon, Queensland University of Technology, Australia
New Media, Old Media A History and Theory Reader Edited by Wendy Hui Kyong Chun, Brown University, USA and Thomas Keenan, Bard College, USA New Media, Old Media is a comprehensive anthology of original and classic essays that explore the tensions of old and new in digital culture. Leading international media scholars and cultural theorists interrogate new media like the Internet, digital video, and MP3s against the backdrop of earlier media such as television, film, photography, and print. The essays provide new benchmarks for evaluating all those claims; political, social, ethical, made about the digital age. Committed to historical research and to theoretical innovation, they suggest that in the light of digital programmability, seemingly forgotten moments in the history of the media we glibly call old can be rediscovered and transformed. The many topics explored in provocative volume include websites, webcams, the rise and fall of dotcom mania, Internet journalism, the open source movement, and computer viruses.
This clear and comprehensive introduction explores the evolving relationship between new media, advertising and new media consumers. Tracing the shift from ’mass’ media to ’my’ media, Advertising and New Media critically evaluates the social and cultural implications on increased interactivity and consumer creativity for the future of advertising, with examples drawn from the USA, the UK, Europe, Australia and the People’s Republic of China. Features include: • evaluation of consumer-generated advertising, including the Coke Mentos phenomenon, and comparative analysis of the Dove ‘Real Beauty’ and Axe/Lynx ‘Effect’ campaigns • interviews with industry practitioners, providing first-hand insights on the impact of new media on advertising. October 2007: 234x156: 144pp Hb: 978-0-415-43034-0: £65.00 Pb: 978-0-415-43035-7: £16.99 eBook: 978-0-203-93552-1 • AVAILABLE AS AN INSPECTION COPY
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2005: 246x174: 432pp Hb: 978-0-415-94223-2: £60.00 Pb: 978-0-415-94224-9: £21.99 • AVAILABLE AS AN INSPECTION COPY
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NEW MEDIA
Digital Encounters
NEW
NEW
Aylish Wood, University of Kent, UK
Understanding Video Games
Playing With Videogames
The Essential Introduction
James Newman, Bath Spa University College, UK
Simon Egenfeldt-Nielsen, Jonas Heide Smith, and Susana Pajares Tosca, all at IT University of Copenhagen, Denmark
Playing With Videogames provides a comprehensive account of contemporary videogame cultures, investigating the variety of activities arising from and supporting videogames.
In a world increasingly marked by proliferating technologies, the way we encounter and understand these story-worlds, game spaces and art works reveals aspects of the ways in which we organize and decode the vast amount of visual material we are bombarded with each day. Working with examples from The Incredibles, The Matrix, Tomb Raider: Legend and Bill Viola’s The Five Angels for the Millenium, Aylish Wood considers how viewers engage with the diverse interfaces of digital effects cinema, digital games and time-based installations, and argues that technologies alter human engagement, distributing our attention across a network of images and objects. April 2007: 234x156: 200pp Hb: 978-0-415-41065-6: £65.00 Pb: 978-0-415-41066-3: £18.99
NEW
The Language of New Media Design
Today millions of people around the world are playing video games at any given time. From Pong to Playstation 2 and beyond, Understanding Video Games is the first general introduction to the burgeoning field of video game studies. It traces the history of the medium, introduces the major theories developed to analyze video games, examines the core elements of game design, and addresses the major debates surrounding the medium. Authored by members of the Center for Computer Games Research, described by The New York Times as the ’hub’ of game studies research, this book is essential reading for scholars, gaming enthusiasts, aspiring game designers, and anyone interested in understanding the ways video games are reshaping popular culture and entertainment. February 2008: 246x174: 304pp Hb: 978-0-415-97720-3: £60.00 Pb: 978-0-415-97721-0: £16.99
Theory and Practice Radan Martinec, London College of Communication, UK and Theo Van Leeuwen, University of Technology, Sydney, Australia This textbook introduces the principles and methods for the analysis and design of non-linear texts, from websites to CD-Roms. Integrating theory and practice, the book explores a range of models for analyzing and constructing multimedia products. For each model, the authors outline the theoretical background and provide examples of how the models can be used from students’ coursework to commonly available websites and other multimedia products. Selected Contents: Preface. Acknowledgements. 1. Introduction 2. Simple non-Linear Models 3. Complex non-Linear Models 4. The Second Translation 5. Generic Structure 6. Case Studies 7. Afterword April 2008: 234x156: 240pp Hb: 978-0-415-37257-2: £70.00 Pb: 978-0-415-37262-6: £19.99 • AVAILABLE AS AN INSPECTION COPY
NEW
The Meaning of Video Games Gaming and Textual Studies Steven E. Jones The Meaning of Video Games takes a textual studies approach to an increasingly important form of expression in today’s culture. It begins by assuming that video games are meaningful – not just as sociological or economic or cultural evidence, but in their own right, as cultural expressions worthy of scholarly attention. In this way, this book not only makes a contribution to the study of video games, but also aims to enrich textual studies. Early video game studies scholars were quick to point out that a game should never be reduced to merely its ’story’ or narrative content and they rightly insist on the importance of studying games as games. But here Steven E. Jones demonstrates that textual studies – which grows historically out of ancient questions of textual recension, multiple versions, production, reproduction, and reception – can fruitfully be applied to the study of video games. Citing specific examples such as Myst and Lost, Katamari Damacy, Halo, Façade, Nintendo’s Wii, and Will Wright’s Spore, the book explores the ways in which textual studies concepts – authorial intention, textual variability and performance, the paratext, publishing history and the social text – can shed light on video games as more than formal systems. It treats video games as cultural forms of expression that are received as they are played, out in the world, where their meanings get made. February 2008: 234x156: 216pp Hb: 978-0-415-96055-7: £60.00 Pb: 978-0-415-96056-4: £18.99 • AVAILABLE AS AN INSPECTION COPY
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Up to 29/02/08: +44 (0)1264 343071 From 01/03/08: +44 (0)1235 400400
August 2008: 234x156: 224 Hb: 978-0-415-38522-0: £60.00 Pb: 978-0-415-38523-7: £16.99
The Video Game Theory Reader Edited by Mark J.P. Wolf and Bernard Perron In the early days of Pong and Pac Man, video games appeared to be little more than an idle pastime. Today, video games make up a multi-billion dollar industry that rivals television and film. The Video Game Theory Reader brings together exciting new work on the many ways video games are reshaping the face of entertainment and our relationship with technology. Drawing upon examples from widely popular games ranging from Space Invaders to Final Fantasy IX and Combat Flight Simulator 2, the contributors discuss the relationship between video games and other media; the shift from third- to first-person games; gamers and the gaming community; and the important sociological, cultural, industrial, and economic issues that surround gaming. 2003: 234x156: 320pp Pb: 978-0-415-96579-8: £19.99 • AVAILABLE AS AN INSPECTION COPY
NEW
The Videogames Handbook David Surman, Newport School of Art, Media and Design, UK Series: Media Practice Featuring contributions from leading figures in the videogames industry including the international games scholar Henry Jenkins, Simon and Andrew Oliver, directors of Blitz Games; and writer and broadcaster Aleks Krotoski; this book surveys both the theory and practice of this fast-growing, yet relatively new disciplinary area. Mapping the commercial process of videogame production from pre-production to games journalism, David Surman demystifies the language of technical production processes by offering the reader a review of key production roles, along with the skills required to fulfil them. Focusing on the distribution and reception of videogames as a cultural form, as well as offering broader perspectives on issues such as the place of games in education and domestic technology, Surman examines the critical perspectives that have emerged in the academic community. July 2008: 234x156: 320pp Hb: 978-0-415-38327-1: £65.00 Pb: 978-0-415-38353-0: £18.99 • AVAILABLE AS AN INSPECTION COPY
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James Newman details the rich array of activities that surround game-playing, charting the vibrant and productive practices of the vast number of videogame players and the extensive ‘shadow’ economy of walkthroughs, FAQs, art, narratives, online discussion boards and fan games, as well as the cultures of cheating, copying and piracy that have emerged.
Digital Encounters is a cross media study of digital moving images in animation, cinema, games, and installation art.
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NEW MEDIA
Video Playtime
Web Theory
NEW
The Gendering of a Leisure Technology
An Introduction
The Alternative Media Handbook
Ann Gray
Robert Burnett and David Marshall
1992: 216x138: 288pp Hb: 978-0-415-05864-3: £65.00 Pb: 978-0-415-05865-0: £19.99
Robert Burnett and David Marshall explore the key debates surrounding Internet culture, from issues of globalization and regulation to ideas of communication, identity and aesthetics.
NEW
Internationalizing Internet Studies Beyond Anglophone Paradigms Edited by Gerard Goggin and Mark McLelland, University of Wollongong, Australia This timely book will offer a mapping of the Internet as it has developed and is used internationally, providing a lively and challenging examination of the Internet and Internet studies. There is much interest among scholars and researchers in understanding the place of the Internet in cultural, social, national, and regional settings. This is the first book-length account that not only provides a range of perspectives on the international Internet, but also explores the implications of such new knowledge and accounts for concepts, methods, and themes in Internet studies. Of special interest will be the book’s fresh and up-to-date coverage of the Internet in perhaps the most dynamic region at present: Asia-Pacific. March 2008: 234x156: 224pp Hb: 978-0-415-95625-3: £50.00
Winner of The Association for Education in Journalism and Mass Communication Picard Award for Media Management and Economics 2007 Webcasting Worldwide Business Models of an Emerging Global Medium
NEW
Edited by Louisa S. Ha, Bowling Green State University, USA and Richard J. Ganahl, Bloomsburg University, USA
Codifying Cyberspace Communications Self-Regulation in the Age of Internet Convergence
Series: LEA’s Media Management and Economics Series
Damian Tambini, Danilo Leonardi and Chris Marsden Can the Internet regulate itself? Faced with a range of ’harms’ and conflicts associated with the new media – from gambling to pornography – many governments have resisted the temptation to regulate, opting instead to encourage media providers to develop codes of conduct and technical measures to regulate themselves. Codifying Cyberspace looks at media self-regulation in practice, in a variety of countries. It also examines the problems of balancing private censorship against fundamental rights to freedom of expression and privacy for media users. This book is the first full-scale study of self-regulation and codes of conduct in these fast-moving new media sectors and is the result of a three-year Oxford University study funded by the European Commission. December 2007: 234x156: 336pp Hb: 978-1-84472-145-0: £65.00 Pb: 978-1-84472-144-3: £19.99 eBook: 978-0-203-94706-7
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Webcasting Worldwide tackles one of the most timely topics in mass communication today – the delivery of audio and video content via the Web, or webcasting – employing a global perspective to explore the subject. It is unique in providing a theoretical framework by which to analyze business models of emerging media, and it also examines the business practices of leading webcasters in the world’s most developed broadband markets. With webcasting in its early development, the approaches discussed in this volume set the standards for the webcasting industry. Representing the major broadband markets in the world, this text is an authoritative and valuable reference for both researchers and practitioners. The chapters relate the business practices of webcasting to the media market environment and established media industries, such as television and radio, as well as government and non-profit organizations. A CD-ROM accompanies the book, offering PowerPoint charts for use in training, education, and research, along with tables, graphs, screenshots, and hyperlinks. For updates about the book chapters and latest commentaries on topics related to webcasting business models, please visit the Webcasting Business Models Blog at http://webcastingworldwide.blogspot.com 2006: 234x156: 464pp Hb: 978-0-8058-5915-7: £61.50 Pb: 978-0-8058-5916-4: £21.50
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2002: 234x156: 256pp Hb: 978-0-415-23833-5: £60.00 Pb: 978-0-415-23834-2: £15.99
Kate Coyer, Goldsmiths College, London, UK, Tony Dowmunt, Goldsmiths College, London, UK and Fountain Alan, Middlesex University, UK Series: Media Practice ’Alternative Media’ is the term used to describe non-mainstream media forms that are independently run and community focussed, such as zines, pirate radio, online discussion boards, community run and owned broadcasting companies, and activist publications such as Red Pepper and Corporate Watch. The book outlines the different types of ’alternative media’ and offers an overview of global alternative media activity, before moving on to provide information about alternative media production and how to get involved in it, including: • What is Alternative Media? • alternative media in practice • making media • getting involved. This book will primarily appeal to students studying media freedom, alternative media, media globalization and media production as well as anyone wishing to embark on a career in this field. December 2007: 234x156: 368pp Hb: 978-0-415-35966-5: £65.00 Pb: 978-0-415-35965-8: £18.99 • AVAILABLE AS AN INSPECTION COPY
Zero Comments Blogging and Critical Internet Culture Geert Lovink, University of Amsterdam, the Netherlands In Zero Comments, internationally renowned media theorist and ’net critic’ Geert Lovink revitalizes worn out concepts about the Internet and interrogates the latest hype surrounding blogs and social network sites. Blogs, Lovink argues, are bringing about the decay of traditional broadcast media, and they are driven by an in-crowd dynamic in which social ranking is a primary concern. The lowest rung of the new Internet hierarchy are those blogs and sites that receive no user feedback or ‘zero comments’. Zero Comments also explores other important changes to Internet culture, as well, including the silent globalization of the Net in which the West is no longer the main influence behind new media culture, as countries like India, China and Brazil expand their influence and looks forward to speculate on the Net impact of organized networks, free cooperation and distributed aesthetics. August 2007: 234x156: 256pp Hb: 978-0-415-97315-1: £60.00 Pb: 978-0-415-97316-8: £13.99
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MEDIA ETHICS
NEW
3RD EDITION
3RD EDITION
Media Law and Ethics
Controversies in Media Ethics
Roy L. Moore, Georgia College and State University, USA and Michael D. Murray
A. David Gordon, University of Wisconsin, USA, John Michael Kinttross, Emerson College, USA, John C. Merrill, University of Missouri, USA, William Babcock, California State University, USA and Michael Dorsher, University of Wisconsin, USA Controversies in Media Ethics provides alternate perspectives on a variety of issues. In each chapter, two opposing viewpoints are presented, followed by commentary. Issues covered include those of greatest concern in media: privacy, violence, pornography, and advertising content; Internet and new media issues will be addressed in the revision. June 2008: 234x156: 448pp Pb: 978-0-415-96332-9: £40.00 • AVAILABLE AS AN INSPECTION COPY
NEW
Handbook of Mass Media Ethics Edited by Lee Wilkins, University of Missouri, Columbia, USA and Clifford G. Christians, University of Illinois at Urbana-Champaign, USA This Handbook encapsulates the intellectual history of mass media ethics over the past twenty-five years. Chapters will serve as a summary of existing research and thinking in the field, as well as setting agenda items for future research.
NEW
Crime, Justice and the Media Ian Marsh and Gaynor Melville, both at Liverpool Hope University, UK
This is the first book to explicitly combine law and ethics rather than separate them as is traditionally done. Many journalism and mass communication programs now include ’ethics’ in the title for the media law course - a recognition that journalism graduates must be grounded in ethics and that a combined course is the most feasible and effective way of accomplishing this goal. Sadly, most journalism students complete their degrees with limited, if any, understanding of the symbiotic relationship between media law and ethics. Each chapter in this book includes a discussion of the ethical dimensions of that specific legal topic to demonstrate where the law ends and ethics begins. Every journalist must establish a personal code of ethics, but the standards can best be understood within the context of mass media law. The question should not be simply ’How do I avoid a lawsuit?’, but rather ’How do I do what is right?’ To help students and professors more easily grasp the concepts of the laws and the ethics surrounding them, this volume offers a supplemental student study guide, instructor’s manual, and annual updates. November 2007: 246x174: 760pp Pb: 978-0-8058-5067-3: £44.00 • AVAILABLE AS AN INSPECTION COPY
Crime, Justice and the Media examines and analyzes the relationship between the media and crime, criminals and the criminal justice system. It considers how crime and criminals have been portrayed by the media over time, applying different theoretical perspectives on the media to the way crime, criminals and justice is reported. It focuses on a number of specific areas of crime and criminal justice in terms of media representation – these areas include moral panics over specific crimes and criminals (including youth crime, cybercrime and paedophilia), the media portrayal of victims of crime and criminals and the way the media represent criminal justice agencies. The book offers a clear, accessible and comprehensive analysis of theoretical thinking on the relationship between the media, crime and criminal justice and a detailed examination of how crime, criminals and others involved in the criminal justice process are portrayed by the media. A key strength of the book is its interactive approach – throughout the text students are encouraged to respond to the material presented and think for themselves. October 2008: 246x174: 256pp Hb: 978-0-415-44489-7: £65.00 Pb: 978-0-415-44490-3: £21.99
NEW 3RD EDITION
White Victims, Black Villains
Key features include:
Media Law and Ethics Casebook
Gender, Race, and Crime News in US Culture
• up-to-date and comprehensive coverage of media ethics, one of the hottest topics in the media community
Roy L. Moore, Georgia College and State University, USA
Carol A. Stabile, University of Wisconsin, USA
This Casebook includes extended excerpts from landmark cases in communication law. This volume can be used as a supplement to Mass Media Law and Ethics, and may also be employed separately as a collection of significant cases in media law.
White Victims, Black Villains traces how race and gender have combined in news media narratives about crime and violence in US culture. The book argues that the criminalization of African Americans in US culture has been most consistently and effectively legitimized by news media deeply invested in protecting and maintaining white supremacy.
• ’one-stop shopping’ for historical and current research in media ethics • experienced, top-tier editors, advisory board, and contributors. It will be an essential reference on media ethics theory and research for scholars, graduate students, and researchers in media, mass communication, and journalism. June 2008: 246x174: 456pp Hb: 978-0-8058-6191-4: £81.00 Pb: 978-0-8058-6192-1: £33.99
March 2008: 246x174 Pb: 978-0-8058-5082-6: £22.99
An illuminating, and often shocking text, White Victims, Black Villains should be read by anyone interested in race and politics.
NEW
Crime and Media Media Ethics and Social Change
A Reader
Valerie Alia
Edited by Chris Greer, City University London, UK
This text introduces students to the challenges of media ethics and socially responsible media practice. Using US and international case studies based on real-life experiences of journalists, newsmakers, policy makers, and consumers, Valerie Alia invites readers to examine the pressing ethical and moral questions faced by the media and develop strategies for ethical problem solving and decision-making.
This engaging and timely collection gathers together for the first time key and classic readings in the ever-expanding area of crime and media. Comprising a carefully distilled selection of the most important contributions to the field, Crime and Media: A Reader tackles a wide range of issues including: theoretical perspectives; research methods; media influence; crime news and fiction; media, criminal justice and social control; and new media and surveillance technologies. Specially devised introductory and linking sections contextualize each reading and evaluate its contribution to the field, both individually and in relation to competing approaches and debates. Accessible yet challenging, and packed with additional pedagogical devices, Crime and Media: A Reader will be an invaluable resource for students and academics studying crime, media, culture, surveillance and control.
2004: 234x156: 224pp Pb: 978-0-415-97199-7: £27.95
Are all victims white? Are all villains black?
Selected Contents: Introduction 1. ’The Most Disgusting Objects of Both Sexes’: Gender and Race in the Episodic Crime News of the 1830s 2. The Cult of Dead Womanhood: Protectors, Villains, and Victims in the Origins of Serialized Crime News 3. ’The Innocent Cause of All These Troubles’: Black Victims and the 1863 Anti-Draft Riots 4. ’The Malicious and Untruthful White Press’: Lynch Narratives and Criminalization 5. Monopolists of Reason: The Demise of Sentimental Crime Reporting 6. From the War on Poverty to the War on Crime 7. Criminalizing Black Culture 2006: 234x156: 256pp Pb: 978-0-415-37492-7: £19.99
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Selected Contents: 1. Theoretical Trajectories 2. Methodological Approaches 3. Media, Crime and News 4. Media, Crime and Fiction 5. Media Influence 6. Media, Criminal Justice and Social Control 7. Crime, New Media and Surveillance/Globalisation July 2008: 246x174: 448pp Hb: 978-0-415-42238-3: £80.00 Pb: 978-0-415-42239-0: £23.99
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MEDIA MANAGEMENT/COMEDIA SERIES
NEW
NEW
4TH EDITION
Media Messages and Public Health
Media Management
A Decisions Approach to Content Analysis
A Casebook Approach
Edited by Amy Jordan, Dale Kunkel, Jennifer Manganello and Martin Fishbein
George Sylvie, University of Texas, USA, Jan LeBlank Wicks, University of Arkansas, USA, C. Ann Hollifield, University of Georgia, USA, Stephen Lacy, Michigan State University, USA and Ardyth Broadrick Sohn, University of Nevada, USA Series: LEA’s Communication Series Media Management: A Casebook Approach provides a detailed look at the major areas of responsibility that fall to the managers of media organizations, including leadership, motivation, planning, marketing, and strategic management. It provides media-based cases that promote the development of critical thinking and problem-solving skills. Addressing such topics as diversity, group cultures, progressive discipline, training, and market-driven journalism, this Casebook provides real-world scenarios that help students anticipate and prepare for experiences in their future careers. Among the additions to this fourth edition are • increased discussions on groups, vision, change, diversity, and management styles • additional media-sensitive examples within each section of the text
Comedia Series
This volume addresses the full range of methodological issues involved in content analysis research specifically focused on public health-related messages and behaviors. It has been developed in response to the increasing use of content analysis by scholars from outside of the field of communication and the changing nature of the media environment. Coverage includes:
Series Editor: David Morley, University of London, UK
Media, Modernity and Technology The Geography of the New David Morley, University of London, UK Clearly structured in five thematic sections this fascinating and readable book, from best-selling author David Morley, presents a set of interlinked essays which discuss and examine the key debates in the fields of media and cultural studies.
• the conceptual and methodological foundations involved in the practice of content analysis research use to examine public health issues • measurement challenges posed by the broad range of media • use of content analysis across multiple media types • the potential for individual differences in audience interpretation of message content • case studies that examine public health issues in the media to illustrate the decisions made when developing content analysis studies.
2006: 234x156: 288pp Hb: 978-0-415-33341-2: £65.00 Pb: 978-0-415-33342-9: £18.99
July 2008: 234x156: 296pp Hb: 978-0-8058-6024-5: £50.00 Pb: 978-0-8058-6025-2: £21.99
Watching with The Simpsons Television, Parody, and Intertextuality
• a new chapter on knowledge management
NEW
• ethics integrated into law and leadership discussions
Jonathan Gray, Fordham University, USA
• a primer in global markets, technology, and policy
2ND EDITION
• in-depth consideration into the aspects of change
Telecommunications Management
• increased emphasis on analysis.
Industry Structures and Planning Strategies
This edition also includes management scenarios in which one or more participant is a new employee or intern, making the material relevant to students while also preparing them to understand the motivations of their future employers.
Richard Gershon, Western Michigan University, USA
Using our favourite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres.
Series: LEA Telecommunications Series With today’s communications industry experiencing major changes on an almost daily basis, media managers must have a clear understanding of the different delivery platforms, as well as a grasp of critical management, planning, and economic factors in order to stay current and move their organizations forward.
October 2007: 234x156: 432pp Pb: 978-0-8058-6197-6: £27.50 • AVAILABLE AS AN INSPECTION COPY
Handbook of Media Management and Economics Edited by Alan B. Albarran, University of North Texas, USA, Sylvia M. Chan-Olmsted, University of Florida, USA and Michael O. Wirth, University of Tennessee at Knoxville, USA Series: LEA’s Media Management and Economics Series This comprehensive Handbook provides a synthesis of current work and research in media management and economics. The volume has been developed around two primary objectives: assessing the state of knowledge for the key topics in the media management and economics fields; and establishing the research agenda in these areas, ultimately pushing the field in new directions. With its unparalleled breadth of content from expert authors, the Handbook provides background knowledge of the various theoretical dimensions and historical paradigms, and establishes the direction for the next phases of research in this growing arena of study.
Telecommunications Management helps current and future media professionals understand the relationship and convergence patterns between the broadcast, cable television, telephony, and Internet communication industries. Richard Gershon examines telecommunications industry structures and the management practices and business strategies affecting the delivery of information and entertainment services to consumers. He brings in specialists to present the finer points of management and planning responsibilities. Case studies from the International Radio and Television Society (IRTS) competition supplement the main text and offer an invaluable perspective on management issues.
2005: 234x156: 216pp Hb: 978-0-415-36203-0: £70.00 Pb: 978-0-415-36202-3: £17.99
The Place of Media Power Nick Couldry This fascinating study focuses on an area neglected in previous studies of the media: the meetings between ordinary people and the media. Couldry explores what happens when people who normally consume the media witness media processes in action, or even become the object of media attention themselves.
August 2008: 234x156: 384pp Hb: 978-0-8058-6248-5: £30.00 • AVAILABLE AS AN INSPECTION COPY
1999: 234x156: 256pp Hb: 978-0-415-21314-1: £70.00 Pb: 978-0-415-21315-8: £20.99
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2005: 246x174: 248pp Hb: 978-0-8058-5003-1: £119.50 Pb: 978-0-8058-5004-8: £48.95
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COMEDIA SERIES
Media/Theory
Culture after Humanism
Spectacular Bodies
Thinking about Media and Communications
History, Culture, Subjectivity
Gender, Genre and the Action Cinema
Shaun Moores, University of Melbourne, Australia
Iain Chambers
Yvonne Tasker
Media/Theory is an accessible yet challenging guide to ways of thinking about media and communications in modern life.
2001: 234x156: 240pp Hb: 978-0-415-24755-9: £70.00 Pb: 978-0-415-24756-6: £18.99
1993: 234x156: 232pp Hb: 978-0-415-09223-4: £75.00 Pb: 978-0-415-09224-1: £17.99
Shaun Moores draws on ideas from a range of disciplines in the humanities and social sciences, and expertly connects the analysis of media and communications with key themes in contemporary social theory.
Cut `n’ Mix
Stuart Hall
Culture, Identity and Caribbean Music
Critical Dialogues in Cultural Studies
Dick Hebdige
Edited by Kuan-Hsing Chen and David Morley
1987: 216x138: 180pp Pb: 978-0-415-05875-9: £12.99
1996: 234x156: 544pp Hb: 978-0-415-08803-9: £60.00 Pb: 978-0-415-08804-6: £18.99
2005: 234x156: 208pp Hb: 978-0-415-24383-4: £60.00 Pb: 978-0-415-24384-1: £15.99
The Politics of Heritage
Family Television
Teaching the Media
Cultural Power and Domestic Leisure
Len Masterman
David Morley
1986: 216x138: 368pp Pb: 978-0-415-03974-1: £16.99
1986: 216x138: 184pp Pb: 978-0-415-03970-3: £16.99
The Legacies of Race
Television and Common Knowledge
Edited by Jo Littler and Roshi Naidoo
A Game of Two Halves
2004: 234x156: 272pp Hb: 978-0-415-32210-2: £65.00 Pb: 978-0-415-32211-9: £19.99
Football Fandom, Television and Globalisation
Advertising International
Edited by Jostein Gripsrud
Cornel Sandvoss
1999: 234x156: 224pp Hb: 978-0-415-18928-6: £65.00
2003: 234x156: 224pp Hb: 978-0-415-31484-8: £70.00 Pb: 978-0-415-31485-5: £21.99
Television Mythologies
The Privatisation of Public Space
Stars, Shows and Signs
Armand Mattelart
Home Territories
Edited by Len Masterman
1991: 234x156: 256pp Pb: 978-0-415-05064-7: £20.99
Media, Mobility and Identity
1987: 216x138: 152pp Pb: 978-0-415-03700-6: £14.99
Black British Culture and Society
2000: 234x156: 368pp Hb: 978-0-415-15764-3: £70.00 Pb: 978-0-415-15765-0: £17.99
A Text Reader Edited by Kwesi Owusu 1999: 246x174: 576pp Pb: 978-0-415-17846-4: £20.99
David Morley
Television, Ethnicity and Cultural Change Marie Gillespie
Hiding in the Light
1995: 234x156: 256pp Hb: 978-0-415-09674-4: £70.00 Pb: 978-0-415-09675-1: £17.99
On Images and Things Dick Hebdige 1988: 288pp Pb: 978-0-415-00737-5: £17.99
Jo Spence 1995: 246x189: 256pp Hb: 978-0-415-08883-1: £75.00 Pb: 978-0-415-08884-8: £21.99
Culture in the Communication Age Edited by James Lull 2000: 234x156: 240pp Hb: 978-0-415-22116-0: £70.00 Pb: 978-0-415-22117-7: £19.99
Cultures of Consumption Masculinities and Social Space in Late Twentieth-Century Britain
The Consumerist Manifesto Advertising in Postmodern Times
Impossible Bodies
Martin P. Davidson
Femininity and Masculinity at the Movies
1992: 216x138: 228pp Pb: 978-0-415-04620-6: £20.99
Christine Holmlund 2001: 234x156: 256pp Hb: 978-0-415-18575-2: £70.00 Pb: 978-0-415-18576-9: £16.99
The Dynasty Years Hollywood Television and Critical Media Studies Jostein Gripsrud
Migrancy, Culture, Identity
1995: 234x156: 336pp Hb: 978-0-415-08598-4: £75.00 Pb: 978-0-415-08599-1: £21.99
Iain Chambers 1993: 216x138: 176pp Hb: 978-0-415-08801-5: £75.00 Pb: 978-0-415-08802-2: £18.99
The Known World of Broadcast News
Frank Mort 1996: 234x156 Hb: 978-0-415-03051-9: £70.00
Open the Box
International News and the Electronic Media
About Television
Stanley Baran and Roger Wallis
Jane Root
1990: 216x138: 288pp Pb: 978-0-415-03604-7: £20.99
1987: 246x189: 128pp Pb: 978-0-906890-78-3: £15.99
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Cultural Sniping
www.routledge.com/media
FILM STUDIES
COMEDIA SERIES
The Museum Time Machine
Cyberculture: The Key Concepts
4TH EDITION
Putting Cultures on Display
David J. Bell, Brian D Loader, Nicholas Pleace and Douglas Schuler
Introduction to Film Studies
Robert Lumley
Edited by Jill Nelmes
Fully cross-referenced and with suggestions for further reading, this is the only A-Z guide available on this subject, and it provides a wide-ranging, up-to-date overview of the fast-changing and important world of cyberculture.
1988: 216x138: 256pp Pb: 978-0-415-00652-1: £18.99
The Photographic Image in Digital Culture
’This fourth edition is even more comprehensive and accessible than previous editions. It addresses new generations of students, asks new questions of film studies and rises to the radical challenge of answering those questions superbly well.’ – Pat Brereton, Dublin City University, Ireland
2004: 216x138: 232pp Hb: 978-0-415-24753-5: £60.00 Pb: 978-0-415-24754-2: £14.99
Edited by Martin Lister 1995: 234x156: 272pp Hb: 978-0-415-12156-9: £70.00 Pb: 978-0-415-12157-6: £18.99
3RD EDITION
Communication, Cultural and Media Studies: The Key Concepts
Timeshift
John Hartley
On Video Culture
Series: Routledge Key Guides
Sean Cubitt
This is the third edition of an up-to-date, multi-disciplinary glossary of the concepts you are most likely to encounter in the study of communication, culture and media, with new entries and coverage of recent developments.
1991: 216x138: 224pp Pb: 978-0-415-01678-0: £18.99
Times of the Technoculture From the Information Society to the Virtual Life
2002: 216x138: 288pp Hb: 978-0-415-26888-2: £65.00 Pb: 978-0-415-26889-9: £14.99
2ND EDITION
1999: 234x156: 328pp Hb: 978-0-415-16115-2: £70.00 Pb: 978-0-415-16116-9: £18.99
Semiotics: The Basics Daniel Chandler, University of Wales, Aberystwyth, UK
To Be Continued... Soap Operas Around the World
Series: The Basics
Robert C. Allen
This up-dated second edition provides a clear and concise introduction to the key concepts of semiotics in accessible and jargon-free language.
1994: 234x156: 408pp Hb: 978-0-415-11006-8: £55.00 Pb: 978-0-415-11007-5: £20.99
’A thoughtful and comprehensive text for analysis of motion pictures as an art form, profession and institution. The fourth edition furthers this study through revising existing chapters and adding critical new research of this compelling medium.’ – James Cho, Nevada State College, USA Lavishly illustrated with 123 up-to-date film stills and productions shots, this is the completely revised and updated fourth edition of the comprehensive leading textbook for students of cinema. Guiding students through the key issues and concepts in film studies, Introduction to Film Studies traces the historical development of film, and introduces some of the world’s key national cinemas.
Kevin Robins and Frank Webster
Each chapter is written by a subject specialist, three new authors contribute to the book, a wide range of films are analyzed and discussed, and a broad spectrum of theories and theorists are presented, from formalism to feminism, and from Eisenstein to Deleuze. Key features of the fourth edition are: • in-depth discussion of the contemporary film industry • new chapters on Rediscovering Film; Ethnicity, Race and Cinema; Documentary; Film, Form and Narrative; British Cinema; Approaches to Cinematic Authorship
January 2007: 198x129: 328pp Hb: 978-0-415-36376-1: £55.00 Pb: 978-0-415-36375-4: £9.99
Transnational Connections
• marginal key terms, notes, cross-referencing
Culture, People, Places
• website resources including updated popular case studies from previous editions, a chapter on German Cinema and links to supporting sites.
Ulf Hannerz
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March 2007: 246x189: 512pp Hb: 978-0-415-40929-2: £75.00 Pb: 978-0-415-40928-5: £22.99 • AVAILABLE AS AN INSPECTION COPY
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1996: 234x156: 216pp Hb: 978-0-415-14308-0: £70.00 Pb: 978-0-415-14309-7: £16.99
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14
FILM STUDIES
3RD EDITION
Fifty Contemporary Filmmakers
4TH EDITION
Cinema Studies: The Key Concepts
Edited by Yvonne Tasker
Film as Social Practice
Susan Hayward, University of Exeter, UK
Series: Routledge Key Guides
Graeme Turner, University of Queensland, Australia
Praise for the first edition: ’One of the most useful books ever published on the always expanding subject of cinema studies.’ – Film Waves ’An ideal one-stop encyclopedia for students ... An authoritative and – more importantly – a highly accessible work.’ – Film Review Ranging from Bollywood superstar Amitabh Bachchan to Quentin Tarantino, and from auteur theory to the Hollywood Blockbuster, Cinema Studies: The Key Concepts has firmly established itself as the essential guide for anyone interested in film. Covering an impressive range of key genres, movements, theories and production terms, this third edition includes a fully updated bibliography, and has been revised and expanded to include new topical entries such as: • female masquerade • silent cinema • art direction • national cinema • political cinema. Authoritative yet accessible, Cinema Studies: The Key Concepts is undoubtedly a must-have guide to what is both a fascinating area of study and arguably the greatest art form of modern times. 2006: 216x138: 608pp Hb: 978-0-415-36781-3: £60.00 Pb: 978-0-415-36782-0: £14.99 • AVAILABLE AS AN INSPECTION COPY
Film Studies: The Basics
• new sections dealing with debates about spectacle and special effects • an extended treatment of sound and its contribution to cinema
NEW
Video Production Techniques
• film theory’s discussion of the representation of race and ethnicity
Theory and Practice From Concept to Screen
• a thorough update of individual film references
Donald L. Diefenbach
• a revised applications chapter that includes new contemporary examples
Combining topics typically found in a number of different textbooks for video production courses, Video Production Techniques is an integration of theory and production techniques. Diefenbach covers all the basics for writing, shooting, and editing videos, and as a result, this text has the potential to be crossdisciplinary, touching on subjects within advertising, public relations, organizational communication, and education.
This engaging and accessible introduction explores the intricacies of the film world to show how anyone can gain a broader understanding and a more pleasurable experience of film.
Chapters contain objectives, key terms, assignments and questions and also include essential elements such as film stills and diagrams that are designed to provide a wide-ranging introduction to students of video production. These components give readers a basic exposure to the aesthetic elements of production, in addition to simply the mechanics, and prepare them for a more in-depth study of production in upper-level courses. The book also includes a companion DVD with original demonstrations, clips from professional works, and interviews with film and video professionals.
Addressing general questions about why and how to study film, topics discussed include:
Diefenbach’s extensive professional background is an asset to the book’s focus on practical applications for corporate video, documentary, and instruction.
• the movie industry, from Hollywood to Bollywood
September 2007: 246x174: 384pp Hb: 978-0-8058-3703-2: £39.99 • AVAILABLE AS AN INSPECTION COPY
Amy Villarejo, Cornell University, USA Series: The Basics
• who does what on a film set
With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now includes:
2002: 216x138: 480pp Hb: 978-0-415-18973-6: £65.00 Pb: 978-0-415-18974-3: £14.99
Series: LEA’s Communication Series
• exploitation cinema
This fourth edition of our bestselling classic text has been comprehensively updated and revised to include contemporary film analysis and recent films.
From Luc Besson to Quentin Tarantino, this up-to-date guide examines the work, career and influence of some of today’s most popular, original and influential cinematic voices.
• new illustrations from contemporary popular cinema. Students of film studies, film practice and film theory will find this a welcome addition to their degree course studies. 2006: 216x138: 272pp Hb: 978-0-415-37513-9: £55.00 Pb: 978-0-415-37514-6: £16.99 • AVAILABLE AS AN INSPECTION COPY
The Film Cultures Reader Edited by Graeme Turner This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
2001: 246x174: 544pp Hb: 978-0-415-25281-2: £75.00 Pb: 978-0-415-25282-9: £19.99
Projecting a Camera Language-Games in Film Theory Edward Branigan, University of California, Santa Barbara, USA
• the history, the technology and the art of cinema
2006: 234x156: 456pp Hb: 978-0-415-94253-9: £55.00 Pb: 978-0-415-94254-6: £15.99
• theories of stardom, genre and film-making. Including illustrations and examples from an international range of films drawn from over a century of movie-making and a glossary of terms for ease of reference, Film Studies: The Basics is a must-have guide for any film student or fan.
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2006: 198x129: 184pp Hb: 978-0-415-36138-5: £55.00 Pb: 978-0-415-36139-2: £9.99 eBook: 978-0-203-01203-1 • AVAILABLE AS AN INSPECTION COPY
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FILM STUDIES
Signatures of the Visible
James Cameron
NEW
Fredric Jameson
v
Alexandra Keller, Smith College, Northampton, USA
Zizek through Hitchcock
Series: Routledge Classics ’Jameson aptly demonstrates why he remains among the most significant literary theorists of the late twentieth century.’ – Philosophy and Literature In this book, one of America’s most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Fifteen years on from its original publication, this remains a piercing and original analysis of film. February 2007: 198x129 Pb: 978-0-415-77161-0: £12.99
v
Everything you Always Wanted to Know about Slavoj Zizek But Were Afraid to Ask Alfred Hitchcock v
Series: Routledge Film Guidebooks Featuring excerpts from interviews and frame-by-frame analysis of important scenes from films such as Terminator, Aliens, True Lies, and Titanic, Alexandra Keller provides the first critical study of James Cameron as an auteur.
v
Laurence Simmons, University of Auckland, New Zealand Series: Routledge Advances in Film Studies v
v
Adopting Zizek’s own tactic of counterintuitive observation, Laurence Simmons reads the corpus of v Alfred Hitchcockís films and Zizek’s idiosyncratic citation of themv in order to identify the core commitments that inform Zizek’s own work. Each chapter looks at a specific film and exploresv a key concept crucial to the elaboration and core of Zizek’s ideas. v
v
v
August 2008: 234x156: 176pp Hb: 978-0-415-95605-5: £50.00
Considering in particular his treatment of gender and preoccupation with capital, both in his films and his filmmaking practice, Keller offers an overview of Cameron’s work and its significance within cinematic history. Sections in the book include:
2ND EDITION
• chronology
Reel To Real
The Women Who Knew Too Much
Race, Sex, and Class at the Movies
Hitchcock and Feminist Theory
• key scenes
bell hooks
Tania Modleski
• sources
2005: 234x156: 200pp Pb: 978-0-415-97362-5: £13.99 • AVAILABLE AS AN INSPECTION COPY
• resources.
Trinh T. Minh-Ha, University of California-Berkeley, USA Endless travel in cyberspace, virtual reality, and the dream of limitless speed: technology changes our sense of self. In her new book, Trinh Minh-Ha explores the way technology transforms our perception of reality. ’We are all engaged in social rituals in our daily activities’, she writes, ’and by remaining unaware of their artistic ritual propensity, we remain ’in conformity’.’ Her goal, as a thinker and an artist, is to transform our understanding of technology and speed so that we are able to ’turn an instrument into a creative tool and to step out of the one-dimensional, technologically servile mind.’ The paradox that ’stillness contains speed within it’ is central to Trinh Minh-Ha’s concept of the digital apparatus. With her signature amalgam of feminism, Eastern philosophy, and practical understanding of filmmaking, Trinh MinhHa presents a much-needed advance in our concept of the real in a technological age.
NEW
Enjoy Your Symptom! Jacques Lacan in Hollywood and Out v
v
Slavoj Zizek, University of Ljubljana, Slovenia Series: Routledge Classics The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch. v
• key debates
This is a fascinating insight into the work of one of Hollywood’s top directors, and will prove invalubale to students of film studies and media studies all over the English-speaking world.
The Digital Film Event
1996: 234x156: 256pp Pb: 978-0-415-91824-4: £17.99 • AVAILABLE AS AN INSPECTION COPY
2005: 246x174: 232pp Pb: 978-0-415-97225-3: £16.99 • AVAILABLE AS AN INSPECTION COPY
v
Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ.
2006: 198x129: 208pp Hb: 978-0-415-28851-4: £55.00 Pb: 978-0-415-28852-1: £12.99
Pastiche Richard Dyer, University of Warwick, UK Writing with his customary wit and style, Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works. Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, the book explores issues of text, genre, and the use of pastiche as a resource within a work and the last chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche. 2006: 234x156: 224pp Hb: 978-0-415-34009-0: £60.00 Pb: 978-0-415-34010-6: £16.99
Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.
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September 2007: 198x129: 280pp Pb: 978-0-415-77259-4: £11.99
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FILM STUDIES
2ND EDITION
Heavenly Bodies Film Stars and Society
NEW
Narrative Comprehension and Film
Poetics of Cinema
Edward Branigan
David Bordwell, University of Wisconsin-Madison, USA
Richard Dyer Richard Dyer’s classic study of movie stars and stardom has been updated for a second edition, with a new introduction by the author discussing the rise of celebrity culture and developments in the study of stars since publication of the first edition.
2003: 234x156: 224pp Hb: 978-0-415-31026-0: £65.00 Pb: 978-0-415-31027-7: £16.99
NEW
Sociology through the Projector Bulent Diken, Lancaster University, UK and Carsten Bagge Laustsen, Aarhus University, DK Series: International Library of Sociology Sociology through the Projector takes issue with the question of how contemporary film can help answering the general, abstract but still urgent question: what is the social today? This book explains the performative relation to contemporary social theory in which cinema functions as a tool for social diagnosis. There is much to be learned about social theory through an encounter with films as they are part and parcel of the society they portray. Increasingly more lay knowledge about social problems and facts stems from cinema as it offers to large audiences a popular and pedagogical introduction to social knowledge. Social theory cannot avoid a critical engagement with cinema as cinema interprets, invents, displaces and distorts the object of sociological inquiry.
Bringing together twenty-five years of work on what he has called the ’historical poetics of cinema,’ David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.
New Vocabularies in Film Semiotics Edited by Robert Stam Series: Sightlines 1992: 234x156: 256pp Hb: 978-0-415-06594-8: £65.00 Pb: 978-0-415-06595-5: £18.99
Theology Goes to the Movies An Introduction to Critical Christian Thinking Clive Marsh, University of Nottingham, UK ’Marsh is correct! Theology is not just cognitive, but affective, aesthetic and ethical. And film has become a primary resource. Here is a helpful work-book for culturally-savy theology students and theologically-interested film-lovers.’ – Robert K. Johnston, Author of Reel Spirituality: Theology and Film in Dialogue
Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed Shohini Chaudhuri, University of Essex, UK Series: Routledge Critical Thinkers Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. Examining the new and distinctive approaches of each of these thinkers, this book provides the most detailed account so far of their ideas. It illuminates the six key concepts and demonstrates their value as tools for film analysis: • the male gaze
The authors question several dominant topics and concerns within social theory and film studies. Firstly, by cross-examining a series of concepts such as identity, representation, memory and surveillance (filming social behaviour) which are of concern to both film theory and social theory. Secondly, by trying to develop imaginative approaches to standard social concerns such as exclusion, gender roles and inequalities, power, infantilisation and commodification of the social and psychological bonds.
• the monstrous-feminine
October 2007: 234x156: 160pp Hb: 978-0-415-44597-9: £75.00 Pb: 978-0-415-44598-6: £23.99
1992: 234x156: 344pp Hb: 978-0-415-07511-4: £70.00 Pb: 978-0-415-07512-1: £19.99
October 2007: 246x174: 512pp Hb: 978-0-415-97778-4: £70.00 Pb: 978-0-415-97779-1: £27.99
This book will provide a deeper understanding of contemporary social theory as the chosen films will work as a pedagogical route into contemporary social theory. The films represent a mix of European and American blockbusters and more aesthetically orientated films.
This book will be a great resource for students and researchers of sociology, contemporary social theory, film studies and cultural studies.
Series: Sightlines
Drawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts. Cinema as a religion-like activity is explored through cognitive, affective, aesthetic and ethical levels, identifying the religious aspects in the social practice of cinema-going. Written by a leading expert in the field, Theology Goes to the Movies analyzes: • the role of cinema and Church in Western culture • the power of Christian symbols and images within popular culture • theological concepts of humanity, evil and redemption, eschatology and God.
• the female voice • technologies of gender
This is an ideal text for students seeking a new way into the study of theology.
• queering desire
February 2007: 234x156: 208pp Hb: 978-0-415-38011-9: £60.00 Pb: 978-0-415-38012-6: £18.99 eBook: 978-0-203-08883-8 • AVAILABLE AS AN INSPECTION COPY
• masculinity in crisis. 2006: 198x129: 160pp Hb: 978-0-415-32432-8: £50.00 Pb: 978-0-415-32433-5: £12.99
NEW
Film and Television After DVDs Edited by Tom Brown, University of Warwick, UK and James Bennett, London Metropolitan University, UK Series: Routledge Research in Cultural and Media Studies Film and Television After DVDs argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film, and new media studies.
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FILM STUDIES
NEW
Writing History in Film
NEW
The Religion and Film Reader
William Guynn, Sonoma State University, USA
Film, History and Cultural Citizenship
Historical film has been an important genre since the earliest silent films. The French Revolution, the American Civil War, the conquest of the New World, World War Two – all have been repeatedly represented in film. But how do we distinguish between fictionalized spectacle and authentic historical representation?
Edited by Jolyon Mitchell, University of Edinburgh, UK and S. Brent Plate, Texas Christian University, USA ’This will undoubtedly become a key text for any serious course exploring the various ways in which religion and film intersect.’ – Gordon Lynch, Professor of Sociology of Religion, Birkbeck, University of London, UK Edited by leading experts in the field, The Religion and Film Reader brings together the key writings in this exciting and dynamic discipline. In over sixty interviews, essays and reviews from numerous directors, film critics and scholars, this eagerly anticipated anthology offers the most complete survey of this emerging field to date. The Religion and Film Reader is organized into the following thematic and chronological sections, each with an introduction by the editors: • the dawn of cinema: adherents and detractors • the birth of film theory: realism, formalism, and religious vision
Writing History in Film sets out the narratological, semiological, rhetorical, and philosophical bases for understanding how film can function as a form of historical interpretation and representation. With case studies and an interdisciplinary approach, William Guynn examines the key issues facing film students and scholars, historians, and anyone interested in how we see our historical past. 2006: 234x156: 232pp Hb: 978-0-415-97923-8: £60.00 Pb: 978-0-415-97924-5: £15.99
• directors and critics: global perspectives – African and Middle-Eastern perspectives; Asian and Australisian perspectives; European perspectives; South and North American perspectives • theological and Biblical approaches to analyzing film • recent reflections on the relation between religion and film. September 2007: 234x156: 496pp Hb: 978-0-415-40494-5: £70.00 Pb: 978-0-415-40495-2: £21.99 • AVAILABLE AS AN INSPECTION COPY
History Goes to the Movies Studying History on Film Marnie Hughes-Warrington, Macquarie University, Australia From Saving Private Ryan to Picnic at Hanging Rock and Pocahontas, this book is a clear and systematic guide to the issues involved in using historical film in the study of history. Using examples ranging from late nineteenth century short films, to twenty-first century DVDs, Marnie Hughes-Warrington incorporates film analysis, advertisements, merchandize and Internet forums, and evaluates the varied ways in which filmmakers, promoters, viewers and scholars understand film as history. History Goes to the Movies is written from an international perspective and, blending theoretical and methodological issues with lots of real examples, discusses such issues as:
Sites of Production Edited by Tina Mai Chen and David S. Churchill, both at University of Manitoba, Canada Series: Routledge Studies in Cultural History This new book investigates the relationship of film to history, power, memory, and cultural citizenship. The book is concerned with two central issues: firstly, the participation of film and filmmakers in articulating and challenging projects of modernity; and, secondly, the role of film in shaping particular understandings of self and other to evoke collective notions of belonging. These issues call for interdisciplinary and multi-layered analyses that are ideally met through dialogue across place, time, identities and genres. The contributors to this volume enable this dialogue by considering the ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies. July 2007: 234x156: 256pp Hb: 978-0-415-77117-7: £70.00
NEW
NEW
Consuming History
Thinking on Screen
Jerome De Groot, University of Manchester, UK
Film as Philosophy
Non-academic history – ‘public history’ – is a complex, dynamic entity which impacts on the popular understanding of the past at all levels. There is currently a voracious audience for all things historical: cultural histories, celebrity historians, historical novels, films, TV drama, documentaries and relaity shows, as well as cultural events and historical re-enactments.
Thomas E. Wartenberg, Mount Holyoke College, USA
In Consuming History, Jerome De Groot examines how society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. It looks at the presentation and interpretation of history across a wide range of media, from blockbuster fictional narratives such as The Da Vinci Code to televised documentaries such as Simon Schama’s A History of Britain and star-studded historical films like Titanic. Jerome De Groot probes how museums have responded to the heritage debate and the way in which new technologies have brought about a shift in historical access, from online gameplaying to internet genealogy. He also discusses the often conflicted relationship between ‘public’ and academic history, and raises important questions about the theory and practice of history as a discipline.
Thinking On Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. October 2007: 234x156: 176pp Hb: 978-0-415-77430-7: £60.00 Pb: 978-0-415-77431-4: £16.99
Consuming History is an important and engaging analysis of the social consumption of history and offers an essential path through the debates for readers interested in history, cultural studies and the media. December 2008: 234x156: 288pp Hb: 978-0-415-39946-3: £75.00 Pb: 978-0-415-39945-6: £22.99
• Do historical films necessarily make bad (or good) history? • Can film be used as historical evidence? • Are documentaries more useful to historians than historical drama? History Goes to the Movies considers that history is not simply to be found in films, but in the agreements and arguments of those who make and view them. Students will find this book an invaluable addition to their reading on both history and film studies courses.
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2006: 234x156: 230pp Hb: 978-0-415-32827-2: £50.00 Pb: 978-0-415-32828-9: £15.99 • AVAILABLE AS AN INSPECTION COPY
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FILM STUDIES
2ND EDITION
Philosophy Goes to the Movies An Introduction to Philosophy Christopher Falzon, University of Newcastle, Australia ’No longer do students of philosophy have to fear dry texts filled with unreadable sentences from the masters of thought. Philosophy Goes to the Movies introduces philosophy through film ... Given the importance of the visual and powerful new movies, we can only look forward to more books like Falzon’s.’ – Times Higher Education Supplement From Metropolis to The Matrix, from Gattaca to Groundhog Day, films can help to illustrate and illuminate complex philosophical thought. Philosophy Goes to the Movies is a new kind of introduction to philosophy, that makes use of film to help us understand philosophical ideas and positions. Drawing on a wide range of films from around the world, and the ideas of a diverse selection of thinkers from Plato and Descartes to Marcuse and Foucault, Christopher Falzon introduces and discusses central areas of philosophical concern, including: • the theory of knowledge • the self and personal identity • ethics • social and political philosophy • critical thinking. March 2007: 234x156: 256pp Hb: 978-0-415-35725-8: £60.00 Pb: 978-0-415-35726-5: £17.99 • AVAILABLE AS AN INSPECTION COPY
NEW
Screening the Past
Talk to Her
Memory and Nostalgia in Cinema
Edited by Anne W. Eaton
Pam Cook
Pedro Almodovar is one of the most renowned film directors of recent years. Talk to Her is one of the most discussed and controversial of all his films. Dealing principally with the issue of rape, it also offers profound insights into the nature of love and friendship whilst raising important philosophical and moral questions in unsettling and often paradoxical ways.
• the relationship between art and morality and the problem of ’immoralism’
Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians.
• moral injury and its role in the way we form moral judgments, including the ethics of love and friendship
2004: 234x156: 264pp Hb: 978-0-415-18374-1: £55.00 Pb: 978-0-415-18375-8: £17.99
This is the first book to explore and address the philosophical aspects of Almodovar’s film. Opening with a helpful introduction by Noel Carroll that places the film in context, specially commissioned chapters examine the following topics:
• the nature of dialogue, sexual objectification and what ’listening to’ means in the context of gender • Almodovar’s use of allusion and the unmasking of appearances to explore hidden themes in human nature. Including annotated sections of further reading at the end of each chapter and a biography of Almodovar, Talk to Her is essential reading for students interested in philosophy and film as well as ethics and gender. It also provides an accessible and informative insight into philosophy for those in related disciplines such as film studies, literature and religion. May 2008: 216x138: 168pp Hb: 978-0-415-77366-9: £50.00 Pb: 978-0-415-77367-6: £15.99
NEW
The Thin Red Line Edited by David Davies, McGill University, Canada
NEW
Series: Philosophers on Film
2ND EDITION
On Film Stephen Mulhall, New College, Oxford, UK Series: Thinking in Action In this significantly expanded new edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report. The first part of the book discusses the four Alien movies. Mulhall argues that the sexual significance of the aliens themselves, and of Ripley’s resistance to them, takes us deep into the question of what it is to be human. At the heart of the book is a highly original and controversial argument that films themselves can philosophize. Mulhall then applies his interpretative model to another sequence of contemporary Hollywood movies: the Mission: Impossible series. A brand new chapter is devoted to each of the three films in the series, and to other films by the relevant directors that cast light on their individual contribution to it. In this discussion, the nature of television becomes as central a concern as the nature of cinema; and the shift in generic focus from science fiction to thriller also makes room for a detailed reading of Spielberg’s Minority Report.
From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture’s obsession with the past, offering searching and provocative analyses of a wide range of titles.
Series: Philosophers on Film
The Thin Red Line is the third film from acclaimed director Terrence Malick, set during the struggle between American and Japanese forces for Guadalcanal in the South Pacific in World War Two. It is a powerful, enigmatic and complex film that raises important philosophical questions, ranging from the existential and phenomenological to the artistic and technical. This is the first book to explore and address the philosophical aspects of Malick’s film. Opening with a helpful introduction that places the film in context, seven specially commissioned essays go on to examine the following topics:
Film Theory Critical Concepts in Media and Cultural Studies Edited by K.J. Shepherdson, Philip Simpson and Andrew Utterson Series: Critical Concepts in Media and Cultural Studies The last thirty years of the twentieth century saw the establishment of film studies as a major discipline in higher education throughout the world. Not only did film become a subject discipline in its own right, it also became a focus of study within the emergent fields of cultural studies, media studies and gender studies. This period of academic growth coincided with extensive developments in Film Theory. Film’s significance as a social and cultural practice, and as an art form, gained greater emphasis. Theories from a range of disciplines were deployedexamined in the context of film studies. This led not only to the testing and re-appraisal of traditional critical concepts such as realism, genre and narrative, but also to the application of newer theoretical perspectives including semiotics, structuralism and psychoanalysis. 2003: 234x156 Set: 978-0-415-25971-2: £650.00
The Silent Cinema Reader Edited by Lee Grieveson and Peter Kramer This is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences.
• the role of truth, immortality and ‘calm’ in the Thin Red Line • the central place of Heidegger’s thought in Malick’s work, such as authenticity and being-towards-death • metaphysics and the concept of rationality and community • Malick’s use of style and emotion to contrast the ‘natural’ world with the ‘human’ world • the centrality of the themes of vision and touch in The Thin Red Line. May 2008: 216x138: 168pp Hb: 978-0-415-77364-5: £50.00 Pb: 978-0-415-77365-2: £15.99
2003: 246x174: 448pp Hb: 978-0-415-25283-6: £75.00 Pb: 978-0-415-25284-3: £21.99 • AVAILABLE AS AN INSPECTION COPY
On Film is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.
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FILM STUDIES
Screened Out Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler.
Experimental Cinema, The Film Reader
In Focus: Routledge Film Readers Series
Edited by Gwendolyn Audrey Foster and Wheeler Winston-Dixon
Series Editors: Steven Cohan, Syracuse University, USA and Ina Rae Hark, University of South Carolina, USA
Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.
Color, The Film Reader Edited by Angela Dalle Vacche, Georgia Institute of Technology, Atlanta, USA and Brian Price, Oklahoma State University, USA From successful and well published editors, this is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including:
2005: 234x156: 416pp Pb: 978-0-415-92329-3: £15.99 • AVAILABLE AS AN INSPECTION COPY
• the development of colour technology
2002: 234x156: 368pp Hb: 978-0-415-27786-0: £70.00 Pb: 978-0-415-27787-7: £19.99 • AVAILABLE AS AN INSPECTION COPY
Hollywood and War, The Film Reader Edited by J. David Slocum, New York University, USA
• how visual style was affected by the shift from black and white to colour
NEW
Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.
• colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima
Cities and Cinema Barbara Mennel, University of Florida, USA
• colour in the films of Godard, Hitchcock, Almodovar and many more.
Series: Routledge Critical Introductions to Urbanism and the City Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies. March 2008: 234x156: 384pp Hb: 978-0-415-36445-4: £85.00 Pb: 978-0-415-36446-1: £21.99
Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course. 2006: 234x156: 214pp Hb: 978-0-415-32443-4: £70.00 Pb: 978-0-415-32442-7: £19.99 • AVAILABLE AS AN INSPECTION COPY
Topics covered include: • the early formation of war cinema • the apotheosis of the Hollywood war film • the ascendancy of ambivalence
Exhibition, The Film Reader
• Hollywood and the war since Vietnam
Edited by Ina Rae Hark
• war as a way of seeing.
Exhibition, The Film Reader explores the history, sociology and urban geography of the range of venues in which films have been shown in the course of film history.
For any student of film studies or American cultural studies, this is a valuable companion. 2006: 234x156: 384pp Hb: 978-0-415-36779-0: £70.00 Pb: 978-0-415-36780-6: £19.99 • AVAILABLE AS AN INSPECTION COPY
Hollywood Comedians, The Film Reader Edited by Frank Krutnik From Charlie Chaplin to Jim Carrey, this book brings together key writings on one of the most consistently popular genres of Hollywood cinema and looks at issues including genre, narrative, race, gender and class.
2001: 234x156: 208pp Hb: 978-0-415-23517-4: £70.00 Pb: 978-0-415-23518-1: £19.99 • AVAILABLE AS AN INSPECTION COPY
Cinema and Spectatorship Judith Mayne Series: Sightlines 1993: 234x156: 200pp Pb: 978-0-415-03416-6: £19.99 US $39.95
2002: 234x156: 224pp Hb: 978-0-415-23551-8: £70.00 Pb: 978-0-415-23552-5: £19.99 • AVAILABLE AS AN INSPECTION COPY
The Coming of Sound Douglas Gomery
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2004: 234x156: 224pp Hb: 978-0-415-96900-0: £60.00 Pb: 978-0-415-96901-7: £15.99
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FILM STUDIES
Hollywood Musicals, The Film Reader
Movie Music, The Film Reader
Technology and Culture, The Film Reader
Edited by Kay Dickinson
Edited by Steven Cohan
Edited by Andrew Utterson, Canterbury Christ Church University College, UK
Articles examine the musical in relation to its generic form and conventions, the relationship between narrative and spectacle, gender and feminism, camp production and reception, stardom, and representations of race and ethnicity.
2001: 234x156: 224pp Hb: 978-0-415-23559-4: £70.00 Pb: 978-0-415-23560-0: £19.99 • AVAILABLE AS AN INSPECTION COPY
Bringing together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.
2002: 234x156: 208pp Hb: 978-0-415-28159-1: £70.00 Pb: 978-0-415-28160-7: £19.99 • AVAILABLE AS AN INSPECTION COPY
Queer Cinema, The Film Reader Horror, The Film Reader
Edited by Harry M. Benshoff and Sean Griffin Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts.
Edited by Mark Jancovich Combining classic and recent articles, this book provides a comprehensive resource for students of horror cinema. From The Cabinet of Dr. Caligari to The Blair Witch Project, it outlines the main critical debates and traces the development of horror film
2001: 234x156: 208pp Hb: 978-0-415-23561-7: £70.00 Pb: 978-0-415-23562-4: £19.99 • AVAILABLE AS AN INSPECTION COPY
Movie Acting, The Film Reader Edited by Pamela Robertson Wojcik Movie Acting, The Film Reader explores one of the most central but often overlooked aspects of cinema: film acting. Combining classic and recent essays, it examines key issues such as: • What constitutes film acting? • How is film acting different from stage acting? • How has film acting changed over time?
Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss: • authorship – examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer Cinema • forms – exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spaces • camp – looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular culture • reception – considering three specific historical case-studies of how queer fans have interacted with media texts from Judy Garland to Star Trek.
2005: 234x156: 176pp Hb: 978-0-415-31984-3: £70.00 Pb: 978-0-415-31985-0: £19.99 • AVAILABLE AS AN INSPECTION COPY
Transnational Cinema, The Film Reader Edited by Elizabeth Ezra, University of Stirling, UK and Terry Rowden, Wooster College, Ohio, USA Transnational Cinema, The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema. Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The Reader is divided into four sections: • from national to transnational cinema • global cinema in the digital age • motion pictures: film, migration and diaspora • tourists and terrorists. 2005: 234x156: 224pp Hb: 978-0-415-37157-5: £75.00 Pb: 978-0-415-37158-2: £24.99 • AVAILABLE AS AN INSPECTION COPY
2004: 234x156: 256pp Hb: 978-0-415-31986-7: £70.00 Pb: 978-0-415-31987-4: £19.99 • AVAILABLE AS AN INSPECTION COPY
Stars, The Film Reader Edited by Lucy Fischer and Marci Landy
• What signifies realism in film acting?
From two distinguished academics, Stars, The Film Reader brings together key writings and new perspectives on stars and stardom in cinema including coverage of stars and star systems from Europe and Asia as well as Hollywood, such as Mario Lanza, Oprah Winfrey and Roseanne Barr.
• How is acting different in different genres? • What is the role of the character actor? 2004: 234x156: 256pp Hb: 978-0-415-31024-6: £70.00 Pb: 978-0-415-31025-3: £19.99 • AVAILABLE AS AN INSPECTION COPY
2004: 234x156: 320pp Hb: 978-0-415-27892-8: £70.00 Pb: 978-0-415-27893-5: £19.99 • AVAILABLE AS AN INSPECTION COPY
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AMERICAN FILM
America First
Contemporary Hollywood Cinema
Neil LaBute
Naming the Nation in US Film
Edited by Steve Neale and Murray Smith
A Casebook
Edited by Mandy Merck, Royal Holloway, University of London, UK
Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.
Gerald C. Wood, Carson-Newman College, USA
At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly ’American’. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie, and many more. March 2007: 234x156: 328pp Hb: 978-0-415-37495-8: £65.00 Pb: 978-0-415-37496-5: £18.99
Selling Entertainment in a Global Media Age Paul Grainge, University of Nottingham, UK From the growth in merchandizing and product placement to the rise of the movie franchize, branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. Outlining changes in the marketing and media environment during the 1990s and 2000s, Paul Grainge explores how the logic of branding has propelled specific kinds of approach to the status and selling of film. Analyzing the practice of branding, the poetics of corporate logos, and the industrial politics surrounding the development of branded texts, properties and spaces – including franchises ranging from Looney Tunes to Lord of the Rings and Harry Potter to The Matrix – Grainge considers the relation of branding to the emergent principle of ‘total entertainment’. Employing an interdisciplinary method drawn from film studies, cultural studies and advertising and media studies, Brand Hollywood demonstrates the complexities of selling entertainment in the global media moment, providing a fresh and engaging perspective on branding’s significance for commercial film and the industrial culture from which it is produced.
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NEW
Latin American Writers and the Rise of Hollywood Cinema
NEW
The Persistence of Whiteness Race and Contemporary Hollywood Cinema Edited by Daniel Bernardi, Arizona State University, USA The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles.
Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema. October 2007: 234x156: 416pp Hb: 978-0-415-77412-3: £65.00 Pb: 978-0-415-77413-0: £16.99 eBook: 978-0-203-93974-1 • AVAILABLE AS AN INSPECTION COPY
Jason Borge, Vanderbilt University, USA Series: Routledge Studies in Twentieth-Century Literature This book analyzes the initial engagement with Hollywood by key Latin American writers, examining the ways in which these writers seized the opportunity to reassert their relevance in the rapidly modernizing public sphere by actively – and often subversively – mediating encounters between Hollywood and local audiences. May 2008: 234x156: 192pp Hb: 978-0-415-96478-4: £60.00
Contemporary American Independent Film From the Margins to the Mainstream Edited by Christine Holmlund and Justin Wyatt From Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices. 2004: 234x156: 320pp Hb: 978-0-415-25486-1: £70.00 Pb: 978-0-415-25487-8: £18.99
NEW
Blaxploitation Films of the 1970s Blackness and Genre Novotny Lawrence, Southern Illinois University-Carbondale, USA Series: Studies in African American History and Culture During the early years of the motion picture industry, black performers were often depicted as shuckin’ and jivin’ caricatures. Specifically, black males were portrayed as toms, coons and bucks, while the mammy and tragic mulatto archetypes circumscribed black femininity. This misrepresentation began to change in the 1950s and 1960s when performers such as Dorothy Dandridge and Sidney Poitier were cast in more positive roles. These performers paved the way for the black exploitation or the blaxploitation movement, which began in 1970 and flourished until 1975. The movement is characterized by films that feature a black hero or heroine, black supporting characters, a predominately black urban setting, a display of black sexuality, excessive violence, and a contemporary rhythm and blues soundtrack. Blaxploitation films were made across varying genres, but the questionable elements of some of the pictures caused them to be referred to as ’blaxploitation’ films with little or no regard given to their generic categorization. This book examines how Cotton Comes to Harlem (1970), Blacula (1972), The Mack (1973), and Cleopatra Jones (1973), can be classified within the detective, horror, gangster, and cop action genres, respectively, and illustrates the manner in which the inclusion of ’blackness’ represents a significant revision to the aforementioned genres. November 2007: 234x156: 146pp Hb: 978-0-415-96097-7: £60.00
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Brand Hollywood
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2006: 234x156: 272pp Hb: 978-0-415-97803-3: £60.00
Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez.
NEW
November 2007: 234x156: 224pp Hb: 978-0-415-35404-2: £65.00 Pb: 978-0-415-35405-9: £18.99
1998: 234x156: 360pp Hb: 978-0-415-17009-3: £75.00 Pb: 978-0-415-17010-9: £19.99
Series: Casebooks on Modern Dramatists
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BRITISH FILM
GENRE
NEW
Genre and Cinema
Fifty Key British Films
Ireland and Transnationalism Edited by Brian McIlroy, University of British Columbia, Canada
Edited by John White, A-Level Examiner for Welsh Joint Education Commitee and Sarah Barrow, Anglia Ruskin University, UK
Series: Routledge Studies in Cultural History
Series: Routledge Key Guides
This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.
In Fifty Key British Films, Britain’s best known films such as Clockwork Orange, The Full Monty and Goldfinger are scrutinized for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film. March 2008: 216x138: 272pp Hb: 978-0-415-43329-7: £60.00 Pb: 978-0-415-43330-3: £14.99
British Popular Cinema Series Series Editors: Steve Chibnall and I.Q.Hunter, both at De Montfort University, UK
May 2007: 234x156: 304pp Hb: 978-0-415-77089-7: £65.00
British Queer Cinema
British Horror Cinema
Edited by Robin Griffiths, University of Gloucestershire, UK
Edited by Steve Chibnall and Julian Petley Going beyond the Hammer, this book investigates a wealth of horror filmmaking in Britain from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.
British Queer Cinema draws together a diverse range of innovative new essays that explore, for the first time, the provocative history of lesbian, gay and queer representation in British cinema. From the early years of ‘Pre-Gay’ film, through to the social upheaval of post-war ‘permissiveness’, Gay Liberation and the ‘post-AIDS’ queer generation, contributors examine the shifting and complex nature of queer identity, desire and spectatorship across a number of classical and contemporary British popular film genres and traditions. Through case studies of key works such as The Killing of Sister George, Prick Up Your Ears and Beautiful Thing, a reappraisal of the films of Anthony Asquith, Terence Davies and Derek Jarman, to the ‘queerness’ of the heritage film, the homoerotic ‘New Wave’, or the star performances of Dirk Bogarde, Beryl Reid and Stephen Fry, this timely collection maps the relationship between contemporary queer sexuality and its socio-historical, national and critical contexts.
Jason Mittell
2004: 234x156: 256pp Hb: 978-0-415-96902-4: £55.00 Pb: 978-0-415-96903-1: £16.99
British Science Fiction Cinema Edited by I.Q. Hunter This book explores the breadth of British sci-fi films through readings of key films, examining the factors that shaped them, and the concerns they reflect, through the postwar boom years to the more sporadic production of recent times.
Genre and Hollywood Steve Neale Series: Sightlines Steve Neale here discusses all the major concepts, theories and accounts of Hollywood and genre, as well as key genres which theorists have written about, from horror to the Western. 1999: 234x156: 344pp Hb: 978-0-415-02605-5: £70.00 Pb: 978-0-415-02606-2: £18.99
British Historical Cinema From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, this book, with a wide range of contibutors, explores the ways in which British films have represented the past on screen.
From Cop Shows to Cartoons in American Culture
2001: 234x156: 256pp Hb: 978-0-415-23003-2: £65.00 Pb: 978-0-415-23004-9: £17.99
2006: 234x156: 264pp Hb: 978-0-415-30778-9: £65.00 Pb: 978-0-415-30779-6: £17.99
Edited by Claire Monk and Amy Sargeant
Genre and Television
1999: 234x156: 240pp Hb: 978-0-415-16867-0: £65.00 Pb: 978-0-415-16868-7: £17.99
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2002: 234x156: 288pp Hb: 978-0-415-23809-0: £65.00 Pb: 978-0-415-23810-6: £17.99
www.routledge.com/media
GENRE
Unthinking Eurocentrism
3-VOLUME SET
Chick Lit
Multiculturalism and the Media
The New Woman’s Fiction
Ella Shohat and Robert Stam
Encyclopedia of the Documentary Film
Series: Sightlines
Edited by Ian Aitken, De Montfort University, UK This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective.
1994: 234x156: 432pp Hb: 978-0-415-06324-1: £75.00 Pb: 978-0-415-06325-8: £19.99
’Well-written and informative ... This is a useful resource for all film collections. Recommended for public and academic libraries.’ – Library Journal The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers’ Workers Leaving the Lumière Factory (1885) to Michael Moore’s Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation. 2005: 276x219: 1968pp Set: 978-1-57958-445-0: £350.00
2ND EDITION
Edited by Suzanne Ferriss, Nova Southeastern University, USA and Mallory Young, Tarleton State University, USA This is the first volume of its kind to examine the chick lit phenomenon from a variety of angles, accounting for both its popularity and the intense reactions-positive and negative-it has provoked. The contributors explore the characteristics that cause readers to attach the moniker ’chick’ to a particular book and what, if anything, distinguishes the category of chick lit from the works of Jane Austen on one end and Harlequin romance novels on the other. They critique the genre from a range of critical perspectives, considering its conflicted relationship with feminism and postfeminism, heterosexual romance, body image, and consumerism. The fourteen original essays gathered here also explore such trends and subgenres as ’Sistah Lit,’ ’Mommy Lit,’ and ’Chick Lit Jr.,’ as well as regional variations. 2005: 234x156: 288pp Hb: 978-0-415-97502-5: £60.00 Pb: 978-0-415-97503-2: £16.99
New Documentary Stella Bruzzi This book relates contemporary cinema to the documentary tradition, exploring questions of authorship, spectatorship and ’truth’ in the context of issues of race, gender and performance.
NEW
The Action and Adventure Cinema
Chick Flicks
Edited by Yvonne Tasker
Contemporary Women at the Movies
2004: 246x174: 432pp Hb: 978-0-415-23506-8: £65.00 Pb: 978-0-415-23507-5: £17.99
Edited by Suzanne Ferriss, Nova Southeastern University, USA and Mallory Young, Tarleton State University, USA From An Affair to Remember to Legally Blonde, ’chick flicks’ have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of ’chick culture,’ which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-class – and frequently college-educated – women, chick flicks have been accused of reinscribing traditional attitudes and reactionary roles for women. On the other hand, they have been embraced as pleasurable and potentially liberating entertainments, assisting women in negotiating the challenges of contemporary life.
2006: 234x156: 224pp Hb: 978-0-415-38525-1: £60.00 Pb: 978-0-415-38524-4: £16.99 • AVAILABLE AS AN INSPECTION COPY
NEW
The Documentary Handbook Peter Lee-Wright, Goldsmiths College, University of London, UK Series: Media Practice From the cinematic releases of Michael Moore to the low-budget Video Nation and from educational works to Big Brother, The Documentary Handbook takes a thematic approach to documentary, including chapters for all the myriad forms we watch today. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media.
A companion to the successful anthology Chick Lit: The New Woman’s Fiction, this edited volume consists of eleven original essays, prefaced by an introduction situating chick flicks within the larger context of chick culture as well as women’s cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality (heterosexual and homosexual), femininity, female friendship, age, race, ethnicity, class, consumerism, spectatorship, pleasure and gender definition. An afterword by feminist film theorist Karen Hollinger considers the chick flick’s transformation from the woman’s films of the ’40s to the friendship films of the ’80s and those of the ’return to the classics’ trend of the ’90s, while highlighting the value of the volume’s contributions to contemporary debates and sketching possibilities for further study.
NEW 2ND EDITION
Understanding Animation Paul Wells, Animation Academy, Loughborough University School of Art and Design, UK This new edition of Paul Wells’ introduction to animation as a genre and a form, has been updated in response to developments in academic debate and the recent flourishing of the genre in cinema, on TV and in videogames. Film examples discussed include features such as The Incredibles, Belleville Rendezvous and Spirited Away. Shorts include ’Father and Daughter’, ’The Wolfman’, ’Mt Head’ and ’The Last Words of Dutch Schultz’. For any student or fan of animation, this is the ideal introduction guide. June 2008: 234x156: 304pp Hb: 978-0-415-39729-2: £65.00 Pb: 978-0-415-39730-8: £18.99
The Horror Reader Edited by Ken Gelder From classic gothic literature like Frankenstein, to contemporary serial killers, horror film fanzines and lowbudget movies such as The Texas Chainsaw Massacre, this book collects twenty-nine key articles to examine the enduring resonance of horror across culture.
October 2007: 234x156: 272pp Hb: 978-0-415-96255-1: £60.00 Pb: 978-0-415-96256-8: £15.99
2000: 246x174: 432pp Hb: 978-0-415-21355-4: £70.00 Pb: 978-0-415-21356-1: £19.99
The Documentary Handbook includes: • interviews with documentary professionals • case studies, examples and illustrations • a filmography of key works • expert briefings giving clear technical advice.
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September 2008: 234x156: 272pp Hb: 978-0-415-43401-0: £65.00 Pb: 978-0-415-43402-7: £18.99 • AVAILABLE AS AN INSPECTION COPY
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WORLD CINEMA
GENRE
The Actress
Screening World Cinema
Bollywood
Hollywood Acting and the Female Star
Edited by Catherine Grant and Annette Kuhn, University of Lancaster, UK
A Guidebook to Popular Hindi Cinema
Series: The Screen Readers
Series: Routledge Film Guidebooks
Karen Hollinger, Armstrong Atlantic State University, USA 2006: 234x156: 272pp Hb: 978-0-415-97791-3: £60.00 Pb: 978-0-415-97792-0: £15.99
Tejaswini Ganti
Screening World Cinema brings together a selection of the best articles on the topic of world cinema published in the esteemed Screen journal.
Encyclopedia of Early Cinema
Available in one volume for the first time, this collection allows readers to cross-reference debates and essays that have ranged across many issues of Screen. Themes addressed include:
Edited by Richard Abel This major A-Z work explores the first twenty-five years of cinema’s development, and presents a wealth of information on early cinema history, techniques and equipment, pioneering directors, producers, individual films and the rapid growth of the movie star.
In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s.
• the relationship between ‘first’ and ‘third’ cinema and criticism
Providing information and commentary on the key players in Bollywood, including composers, directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include:
• issues of modernity and modernization
• history of Indian cinema
Hollywood Time
• questions of national and transnational cinema.
• main themes and characteristics of Hindi cinema
From Cinephile Moments to Blockbuster Memories
With a selection of articles on key contemporary ‘world’ cinemas – New Iranian, Latin American and Chinese as well, this will be a must-read for all students of world cinema.
• significant films, directors and stars
NEW
Thomas Elsaesser, University of Amsterdam, the Netherlands In Hollywood Time, one of the most influential figures in the study of classical Hollywood cinema examines various paradigms for reading Hollywood and its cinema. In chapters on the great age of melodrama, the era of ’New Hollywood’, post-classical Hollywood, and the current culture of digital Hollywood, Thomas Elsaesser considers the applicability of classical film theory and alternatives to it. Bringing together some of Eslaesser’s classic texts along with many of his never-before-published essays, this volume explores a broad range of topics from cinephilia and auteurs – Nicholas Ray, Sam Fuller, Orson Welles, Alfred Hitchcock, among others – to melodrama, digital cinema, and even time-travel films.
• the problem of defining ‘world cinema’
2006: 234x156: 248pp Hb: 978-0-415-38428-5: £60.00 Pb: 978-0-415-38429-2: £18.99 • AVAILABLE AS AN INSPECTION COPY
Queer Screen features scholarship which has contributed to the emergence of queer theory in the field of screen studies during the last fifteen years, demonstrating how writers in Screen have contributed to developments in queer theory as it relates to a wide range of popular and experimental films and videos. The book considers a wide range of case studies including popular films such as Boys Don’t Cry, Alien Resurrection, Brief Encounter, Bound, and Rope, as well as experimental films and videos by artists such as Richard Fung, Ulrike Ottinger, Sheila McLaughlin and Derek Jarman.
2004: 198x129: 264pp Hb: 978-0-415-28853-8: £55.00 Pb: 978-0-415-28854-5: £14.99
Beyond Bollywood
Texts and Contexts
The Cultural Politics of South Asian Diasporic Film
Edited by Alastair Phillips, University of Warwick, UK and Julian Stringer, Nottingham University, UK
Jigna Desai
Japanese Cinema: Texts and Contexts includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society.
A Screen Reader
Queer Screen brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.
Anyone interested in, or studying Bollywood cinema will find this a valuable purchase.
Japanese Cinema
Queer Screen
Series: The Screen Readers
Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema.
Filming the Gods Religion and Indian Cinema Rachel Dwyer, School of Oriental and African Studies, University of London, UK The exciting book explores Indian cinema’s portrayal of religion and the gods, from early film-makers’ first forays onto the silent screen to the technicolour spectacles of modern Bollywood. 2006: 234x156: 208pp Hb: 978-0-415-31424-4: £65.00 Pb: 978-0-415-31425-1: £20.99 eBook: 978-0-203-08865-4
NEW
Tamil Cinema The Cultural Politics of India’s Other Film Industry
November 2007: 234x156: 384pp Hb: 978-0-415-32847-0: £70.00 Pb: 978-0-415-32848-7: £19.99 eBook: 978-0-203-37464-1
Series: Media, Culture and Social Change in Asia Series
Edited by Selvaraj Velayutham, Macquarie University, Australia This book examines Tamil cinema, which has recently overtaken Bollywood in terms of annual output, outlining its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. February 2008: 234x156: 216pp Hb: 978-0-415-39680-6: £75.00
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Up to 29/02/08: +44 (0)1264 343071 From 01/03/08: +44 (0)1235 400400
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2003: 234x156: 296pp Hb: 978-0-415-96684-9: £60.00 Pb: 978-0-415-96685-6: £17.99
Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.
May 2007: 234x156: 320pp Hb: 978-0-415-38430-8: £60.00 Pb: 978-0-415-38431-5: £21.99 • AVAILABLE AS AN INSPECTION COPY
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• interviews with actors, directors and screenwriters.
NEW
November 2008: 234x156: 336pp Hb: 978-0-415-96813-3: £60.00 Pb: 978-0-415-96814-0: £16.99
Edited by Jackie Stacey and Sarah Street
• production and distribution of Bollywood films
2004: 246x174: 704pp Hb: 978-0-415-23440-5: £145.00
www.routledge.com/media
WORLD CINEMA
Rethinking Third Cinema
NEW
Edited by Wimal Dissanayake and Anthony Guneratne
Nation and Identity in the New German Cinema
With case studies of the cinemas of India, Iran and Hong Kong, and with contributors addressing the most challenging questions it poses, this important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations
2003: 234x156: 256pp Hb: 978-0-415-21353-0: £60.00 Pb: 978-0-415-21354-7: £18.99
NEW
Masculinity in Middle Eastern Literature and Film
National Cinemas Series
Homeless at Home
Series Editor: Susan Hayward, University of Exeter, UK
Inga Scharf, German National Academic Foundation, Germany
NEW
Series: Routledge Advances in Film Studies
2ND EDITION
Nation and Identity in the New German Cinema investigates the construction of national identity in films of the New German Cinema using – for the first time – an explicitly cultural studies methodology. Specifically, Scharf’s investigation is concerned with national identity constructions in West German film 1961–1989. According to Scharf’s cultural studies (rather than a film studies) approach, film has to be situated within a wider social context in order to be addressed, rather than articulated simply as a work of art, which needs to be analyzed for its own sake. Moreover, the national and the cinematic realm are conceptualized as imaginary spaces which overlap and constructively interpenetrate one another through complex narrative processes.
German National Cinema
May 2008: 234x156: 208pp Hb: 978-0-415-96280-3: £60.00
Edited by Lahoucine Ouzgane Series: Routledge Research in Cultural and Media Studies
Post-War Italian Cinema Daniela Treveri Gennari, Oxford Brookes University, UK Series: Routledge Advances in Film Studies Through an analysis of official documents from the Vatican and the United States Department of State, this study investigates the decisive role that American production companies played in the development of the Italian film industry, evaluating how the Italian production and distribution industries served American political and economic interests.
March 2008: 234x156: 224pp Hb: 978-0-415-95689-5: £50.00
2ND EDITION
French Film Texts and Contexts Edited by Susan Hayward and Ginette Vincendeau
September 2008: 234x156: 192pp Hb: 978-0-415-96287-2: £60.00
This excellent book analyzes key French films in their cultural context and explores their relation to literary texts and popular ideas of national history.
The Cinema of Eisenstein
1999: 234x156: 368pp Hb: 978-0-415-16117-6: £70.00 Pb: 978-0-415-16118-3: £16.99
German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany’s most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary.
NEW
The essays in this volume provide a space for rethinking current theory on gender and masculinity, linking local issues – including representations of desire and male sexuality in Islam, current political conditions in the Middle East, and the suicide bomber phenomenon – to broader issues germane to gender studies.
Sabine Hake, University of Texas at Austin, USA
This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany. October 2007: 234x156: 288pp Hb: 978-0-415-42097-6: £70.00 Pb: 978-0-415-42098-3: £18.99 • AVAILABLE AS AN INSPECTION COPY
NEW
Brazilian National Cinema Lisa Shaw, University of Liverpool, UK and Stephanie Dennison, Leeds University, UK Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002).
David Bordwell, University of Wisconsin-Madison, USA The Cinema of Eisenstein is David Bordwell’s comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema. 2005: 246x174: 344pp Pb: 978-0-415-97365-6: £15.99
Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa.
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August 2007: 234x156: 240pp Hb: 978-0-415-33815-8: £70.00 Pb: 978-0-415-33816-5: £17.99 • AVAILABLE AS AN INSPECTION COPY
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WORLD CINEMA
NEW
Mexican National Cinema
2ND EDITION
South African National Cinema
Andrea Noble
French National Cinema From Amores Perros and Y Tu Mama Tambien, this book delves into the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the ’Golden Age’ of the 1930s and 1940s and the ’nuevo cine’ of the 1960s, to the renaissance in Mexican cinema in the 1990s.
Jacqueline Maingard, University of Bristol, UK South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This significant and unique contribution establishes interrelationships between South African cinema and key points in South Africa’s history, showing cinema figures in the making, entrenching and undoing of apartheid. This study spans the twentieth century and beyond through detailed analyses of selected films, beginning with De Voortrekkers (1916) through to Mapantsula (1988) and films produced post apartheid, including Drum (2004), Tsotsi (2005) and Zulu Love Letter (2004).
Chinese National Cinema Yingjin Zhang
Illustrated throughout with excellent visual examples, this cinema history will be of value to film scholars and historians, as well as to practitioners in South Africa today.
What does it mean to be ’Chinese’? This controversial question has sparked off a never-ending process of image-making in Chinese and Chinese-speaking communities throughout the twentieth century. This introduction to Chinese national cinema, written for students by a leading scholar, covers three ’Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time.
NEW 2ND EDITION
British National Cinema
This revised and updated version of a successful and established text, French National Cinema offers a thorough and much-needed historical overview of French cinema at a time when it continues to grow in popularity with films such as Amelie and Belleville Rendez-vous. Brought wholly up to date to include political and social developments in French cinema in the 1990s, its fresh approach and groundbreaking new writing on the subject offers a much further understanding of French cinema and its relationship with the French national identity.
2005: 234x156: 240pp Hb: 978-0-415-23009-4: £75.00 Pb: 978-0-415-23010-0: £18.99 • AVAILABLE AS AN INSPECTION COPY
Jacqueline Maingard discusses how cinema reproduced and constructed a white national identity, taking readers through cinema’s role in building white Afrikaner nationalism in the 1930s and 1940s. She then moves to examine film culture and modernity in the development of black audiences from the 1920s to the 1950s, especially in a group of films that includes Jim Comes to Joburg (1949) and Come Back, Africa (1959). Jacqueline Maingard also considers the effects of the apartheid state’s film subsidy system in the 1960s and 1970s and focuses on cinema against apartheid in the 1980s. She reflects upon shifting national cinema policies following the first democratic election in 1994 and how it became possible for the first time to imagine an inclusive national film culture.
December 2007: 234x156: 240pp Hb: 978-0-415-21679-1: £70.00 Pb: 978-0-415-21680-7: £18.99 • AVAILABLE AS AN INSPECTION COPY
Susan Hayward, University of Exeter, UK
’A model of forward-looking scholarship, and a superb addition to the National Cinemas series ... Eminently suited to adoption on courses at both undergraduate and postgraduate levels.’ – Julian Stringer, University of Nottingham, UK
2005: 234x156: 408pp Hb: 978-0-415-30782-6: £70.00 Pb: 978-0-415-30783-3: £17.99 • AVAILABLE AS AN INSPECTION COPY
Irish National Cinema Ruth Barton From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores films from and about Ireland.
’All in all, Chinese National Cinema is a masterly synthesis of a vast subject.’ – The China Journal
2004: 234x156: 344pp Hb: 978-0-415-17289-9: £70.00 Pb: 978-0-415-17290-5: £17.99 • AVAILABLE AS AN INSPECTION COPY
2004: 234x156: 224pp Hb: 978-0-415-27894-2: £70.00 Pb: 978-0-415-27895-9: £17.99 • AVAILABLE AS AN INSPECTION COPY
Nordic National Cinemas Edited by Gunnar Iverson, Astrid Soderbergh Widding and Tytti Soila
Sarah Street With films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman’s Contract, Prick Up Your Ears, Ratcatcher and This Is England, British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. Describing the development of the British film industry, from the Lumière brothers’ first screening in London in 1896 through to the dominance of Hollywood and the severe financial crises which affected Goldcrest, Handmade Films and Palace Pictures in the late 1980s and 1990s, and the formation of the UK Film Council, Sarah Street explores the relationship between British cinema and British society. Using the notions of ’official’ and ’unofficial’ cinema, the author demonstrates how British cinema has been both ’respectable’ and ’disreputable’ according to the prevailing notions of what constitutes good cinema.
1998: 234x156: 272pp Hb: 978-0-415-08194-8: £70.00 Pb: 978-0-415-08195-5: £17.99 • AVAILABLE AS AN INSPECTION COPY
British National Cinema analyzes the politics of film and establishes the difficult context within which British producers and directors have worked. Illustrated with over thirty stills from classic British films, British National Cinema provides an accessible and comprehensive exploration of the fascinating development of British cinema.
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WORLD CINEMA
Spanish National Cinema
Authorship and Film
AFI Film Readers Series
Núria Triana-Toribio Using accounts of films, film magazines and documents not readily available to an English-speaking audience, as well as case studies focusing on key issues, this volume explores the complex and changing relationship between cinema and Spanish national identity.
Edited by David A. Gerstner and Janet Staiger
Series Editors: Edward Branigan and Charles Wolfe, both at University of California, Santa Barbara, USA
Black American Cinema NEW
Edited by Manthia Diawara
World Cinemas, Transnational Perspectives
1993: 234x156: 336pp Pb: 978-0-415-90397-4: £17.99 • AVAILABLE AS AN INSPECTION COPY
Edited by Natasa Durovicova and Kathleen E. Newman, both at University of Iowa, USA 2002: 234x156: 224pp Hb: 978-0-415-22059-0: £70.00 Pb: 978-0-415-22060-6: £17.99 • AVAILABLE AS AN INSPECTION COPY
The standard analytical category of ’national cinema’ has increasingly been called into question by the category of the ’transnational.’ This anthology will examine the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation states. The three sections of the book will cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images. Contributors represent a broad array of nationalities and include many of the leading scholars in the field.
Canadian National Cinema Chris Gittings
August 2008: 234x156: 320pp Hb: 978-0-415-97653-4: £50.00 Pb: 978-0-415-97654-1: £13.99
Black Women Film and Video Artists Edited by Jacqueline Bobo 1998: 234x156: 288pp Pb: 978-0-415-92042-1: £18.99 • AVAILABLE AS AN INSPECTION COPY
Classical Hollywood Comedy Edited by Henry Jenkins and Kristine Brunovska Karnick 1994: 234x156: 440pp Pb: 978-0-415-90640-1: £19.99
Disney Discourse
NEW
Producing the Magic Kingdom
European Film Theory
Edited by Eric Smoodin
Temenuga Trifonova European Film Theory presents a long overdue reassessment of European cinema and film theory, and explores how a new Europe and a new European cinema have informed one another. In this collection of newly commissioned essays, established and emerging film scholars including Thomas Elsaesser, Tom Conley, Warren Buckland, and NoÎl Carroll, explore a wide range of topics including the philosophical origins of European film theory, the challenges it poses to dominant interpretations of realism and theatricality in cinema, inquiries into the ’Europeanness’ of European film theory, its relationship with contemporary politics and culture, and the ’culture wars’ between Continental and Analytical film theory.
2001: 234x156: 352pp Hb: 978-0-415-14281-6: £70.00 Pb: 978-0-415-14282-3: £17.99 • AVAILABLE AS AN INSPECTION COPY
2002: 234x156: 328pp Hb: 978-0-415-93993-5: £65.00 Pb: 978-0-415-93994-2: £17.99
July 2008: 234x156: 352pp Hb: 978-0-415-96043-4: £60.00 Pb: 978-0-415-96044-1: £18.99
1994: 234x156: 272pp Pb: 978-0-415-90616-6: £18.99 • AVAILABLE AS AN INSPECTION COPY
East European Cinemas Edited by Anikó Imre, University of Southern California, USA 2005: 234x156: 288pp Hb: 978-0-415-97267-3: £55.00 Pb: 978-0-415-97268-0: £15.99
Fabrications Costume and the Female Body Edited by Jane M. Gaines and Charlotte Herzog 1990: 234x156: 244pp Pb: 978-0-415-90062-1: £18.99 • AVAILABLE AS AN INSPECTION COPY
NEW
Black American Cinema Reconsidered Edited by Manthia Diawara, New York University, USA and Mia Mask, Vassar College, USA Black American Cinema Reconsidered presents state-of-the-art scholarship on black filmmakers and filmmaking. This collection of ten new essays traces the changing representation of African Americans on screen, from a rereading of Birth of a Nation as a horror film to an examination of black experimental film form and community. The impressive group of film scholars gathered here, including Carroll Parrott Blue, Terri Francis, Michael B. Gillespie, Ed Guerrero, Keith Harris, Paula Massood, Charlie Musser, Mark Reid, Charlene Regester, and Robert Stam, also explore the globalization of black cinema and the on-screen treatment of major themes in African American culture such as exile and diaspora.
Home, Exile, Homeland Film, Media, and the Politics of Place Edited by Hamid Naficy 1998: 234x156: 256pp Pb: 978-0-415-91947-0: £17.99 • AVAILABLE AS AN INSPECTION COPY
Landscape and Film Edited by Martin Lefebvre, Concordia University, Canada 2006: 234x156: 376pp Hb: 978-0-415-97554-4: £60.00 Pb: 978-0-415-97555-1: £15.99
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May 2008: 234x156: 320pp Hb: 978-0-415-97454-7: £60.00 Pb: 978-0-415-97455-4: £15.99
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TELEVISION STUDIES
WORLD CINEMA
Masculinity
NEW
The Television Studies Reader
Bodies, Movies, Culture
2ND EDITION
Edited by Robert C. Allen and Annette Hill
Edited by Peter Lehman
An Introduction to Television Studies
2001: 234x156: 320pp Hb: 978-0-415-92323-1: £70.00 Pb: 978-0-415-92324-8: £17.99
Jonathan Bignell, University of Reading, UK In this comprehensive textbook, newly updated for its second edition, Jonathan Bignell provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audience research, television history and broadcasting policy, and the analytical study of individual programmes.
New Media Theories and Practices of Digitextuality Edited by Anna Everett and John T. Caldwell 2003: 234x156: 304pp Hb: 978-0-415-93995-9: £60.00 Pb: 978-0-415-93996-6: £16.99
Psychoanalysis and Cinema
Features for the second edition include:
Edited by E. Ann Kaplan
• a glossary of key terms
1989: 256pp Pb: 978-0-415-90029-4: £18.99
Sound Theory/Sound Practice Edited by Rick Altman 1992: 234x156: 304pp Pb: 978-0-415-90457-5: £18.99
Theorizing Documentary Edited by Michael Renov 1993: 234x156: 272pp Pb: 978-0-415-90382-0: £18.99 • AVAILABLE AS AN INSPECTION COPY
The Persistence of History Cinema, Television and the Modern Event
3RD EDITION
• suggestions for further reading at the end of each chapter
The Television Handbook Jonathan Bignell, University of Reading, UK and Jeremy Orlebar
• activities for use in class or as assignments • new and updated case studies discussing advertisements such as the Guinness ’Surfer’ ad, approaches to news reporting, television scheduling, and programmes such as Big Brother and Wife Swap.
August 2007: 246x174: 368pp Hb: 978-0-415-41917-8: £70.00 Pb: 978-0-415-41918-5: £18.99 • AVAILABLE AS AN INSPECTION COPY
3RD EDITION
Television Jeremy G. Butler, University of Alabama, USA
Sixties Television and Social Conflict
Series: LEA’s Communication Series
Edited by Lynn Spigel and Michael Curtin
Television introduces students to the processes through which television tells stories, presents news, and sells products to its viewers. This accessible and student-friendly text explains how television constructs meaning and encourages readers to incorporate critical thinking into their TV viewing. Television contains hundreds of illustrations from current and classic TV programs, and a companion website (www.TVcrit.com) supplements the text with colour frame grabs and illustrative video clips. New for this second edition is a chapter discussing television commercials and updated examples from recent television programs.
Edited by J. David Slocum 2000: 234x156: 288pp Hb: 978-0-415-92809-0: £65.00 Pb: 978-0-415-92810-6: £16.99
Westerns Films through History Edited by Janet Walker 2001: 234x156: 296pp Hb: 978-0-415-92423-8: £65.00 Pb: 978-0-415-92424-5: £17.99
Updated to include information and discussion on new technologies and new critical ideas, Jonathan Bignell and Jeremy Orlebar present this excellent critical introduction to the practice and theory of television, which relates media studies theories and critical approaches to practical television programme making. This third edition includes practical advice on many aspects of programme making, from initial ideas to post-production processes, and includes profiles to give insight into how people in the industry, from graduates to executives, think about their work.
The Revolution Wasn’t Televised
Violence and American Cinema
Series: Media Practice
Individual chapters address: studying television, television histories, television cultures, television texts and narratives, television and genre, television production, postmodern television, television realities, television representation, television you can’t see, shaping audiences, and television in everyday life.
Critical Methods and Applications
1997: 234x156: 320pp Hb: 978-0-415-91121-4: £60.00 Pb: 978-0-415-91122-1: £16.99
2003: 246x174: 656pp Hb: 978-0-415-28323-6: £75.00 Pb: 978-0-415-28324-3: £21.99 • AVAILABLE AS AN INSPECTION COPY
• key terms defined in margins
Edited by Vivian Sobchack 1995: 234x156: 288pp Pb: 978-0-415-91084-2: £18.99 • AVAILABLE AS AN INSPECTION COPY
This Reader brings together key writings in the expanding field of television studies, providing an overview of the discipline and addressing issues of industry, genre, audiences, production and ownership, and representation.
With debates on what is meant by ‘quality’ television, key discussions include: • the state of television today • how television in made and how production is organized • how new technology and the changing structure of the television industry will lead the medium in new directions • the rise of new formats such as Reality TV • how drama, sport and music television can be understood. Offering hugely important practical advice on working in television and securing that first vital job, The Television Handbook is an indispensable guide for every media studies student. 2005: 234x156: 336pp Hb: 978-0-415-34251-3: £65.00 Pb: 978-0-415-34252-0: £18.99 • AVAILABLE AS AN INSPECTION COPY
This text examines how videography, acting, lighting, set design, editing, and sound work together to produce the meanings that viewers take away from their television experience, while also providing critical and historical contexts to explain how critical methods have been applied to the medium.
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2006: 246x174: 528pp Pb: 978-0-8058-5415-2: £33.95 • AVAILABLE AS AN INSPECTION COPY
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TELEVISION STUDIES
NEW
NEW
Reality TV
It’s Not TV
Pimpin’ Ain’t Easy
Factual Entertainment and Television Audiences
Watching HBO in the Post-Television Era
Selling Black Entertainment Television
Annette Hill
Edited by Marc Leverette, Brian L. Ott and Cara Louise Buckley, all at Colorado State University, USA
Beretta E. Smith-Shomade, University of Arizona, USA Launched in 1980, cable network Black Entertainment Television (BET) has helped make blackness visible and profitable at levels never seen prior in the TV industry. In 2000, BET was sold by founder Robert L. Johnson, a former cable lobbyist, to media giant Viacom for 2.33 billion dollars.
Since going on the air in 1972, HBO has continually attempted to redefine television as we know it. Today, pay television (and HBO in particular) is positioned as an alternative to network offerings, consistently regarded as the premier site for what has come to be called ’quality television,’ hailed critically as well as by audiences. This book argues that HBO, as part of the leading edge of television, is at the centre of television studies’ interests in market positioning, style, content, technology, and political economy. Each essay focuses on a specific key term in television studies, drawing on a particular aspect of the ’HBO effect’ to explore new avenues by which we can write and think about what is happening in the current television climate from radical changes in broadcasting technology to shifts in viewing habits in the wake of DVR, on-demand digital cable services, and DVDs, for example. By taking a number of approaches and focusing on a number of key critical terms, this book will enable students to familiarize themselves with the vocabulary of a burgeoning field, while at once seeing these approaches put into practice via the case studies of popular programs including The Sopranos, Six Feet Under, and Sex and the City. By identifying HBO not simply as a channel, rather examining it as a phenomenon within the larger televisual context – at the height of its popularity and success – this collection is taking the pulse of contemporary culture in order to consider how television is created and consumed in the information age. It’s Not TV gives readers a space wherein they will find sustained investigations and varied responses to one of the most important sites of cultural production today. April 2008: 234x156: 256pp Hb: 978-0-415-96037-3: £60.00 Pb: 978-0-415-96038-0: £16.99
This book explores the legacy of BET: what the network has provided to the larger US television economy, and, more specifically, to its target African-American demographic. The book examines whether the company has fulfilled its stated goals and implied obligation to African-American communities. Has it changed the way African-Americans see themselves and the way others see them? Does the financial success of the network – secured in large part via the proliferation of images deemed offensive and problematic by many black communities – come at the expense of its African-American audience? This book fills a major gap in black television scholarship and should find a sizeable audience in both media studies and African-American studies.
2ND EDITION
Television Studies: The Key Concepts Bernadette Casey, College of St Mark and St John, Plymouth, UK, Liam French, College of St Mark and St John, Plymouth, UK, Justin Lewis, University of Cardiff, UK, Ben Calvert, University of Gloucestershire, UK and Neil Casey, College of St Mark and St John, Plymouth, UK Television Studies: The Key Concepts is the definitive reference guide to an area of rapidly expanding academic interest. Among those aspects of television studies covered in this comprehensive and up-to-date guide are:
Audiences and News, Documentary and Reality Genres
• theoretical perspectives which have shaped the study of television – Marxism; semiology; feminism
Annette Hill, University of Westminster, UK Addressing the wide range of programmes and formats from news, to documentary, to popular factual genres, Annette Hill’s new book examines the ways viewers navigate their way through a busy, noisy and constantly changing factual television environment.
Popular Comedy and English Cultural Identity Andy Medhurst, University of Sussex, UK Crammed full of contemporary comedy examples and house-hold names, from the music hall tradition to contemporary sitcoms, Andy Medhurst considers how English comedy reflects national concerns with class, race, gender and sexuality and traces the recurrence of themes and structures. Examining popular English comedies and comedians in the twentieth century, ranging from the Carry On films to the work of Mike Leigh and contemporary sitcoms such as The Royle Family, and from George Formby to Alan Bennett and Roy ’Chubby’ Brown, the book argues that comedy plays a pivotal role in the construction of cultural identity.
Restyling Factual TV addresses the wide range of programmes that fall within the category of ’factuality’, from politics, to natural history, to reality entertainment. Based on research with audiences of factual TV, primarily in Sweden and the UK, but with reference to other countries such as the US, this book tackles issues such as legitimacy, ethics and value in contemporary news and current affairs, documentary and reality programming. May 2007: 234x156: 280pp Hb: 978-0-415-37955-7: £65.00 Pb: 978-0-415-37956-4: £18.99 eBook: 978-0-203-09973-5 • AVAILABLE AS AN INSPECTION COPY
Part history and part polemic, A National Joke is a book that will not only entertain, it will enlighten and inform any student, scholar, or general reader of our national comedy.
for more information
E-mail: media_studies@routledge.com
• television genres - soap opera; news; science fiction • methods used for understanding television – content analysis; audience research • relevant social, economic and political phenomena – ownership; social policy. July 2007: 216x138: 360pp Hb: 978-0-415-37149-0: £60.00 Pb: 978-0-415-37150-6: £14.99 • AVAILABLE AS AN INSPECTION COPY
NEW
Living Without the Screen Marina Krcmar, Wake Forest University, USA
July 2008: 234x156: 288pp Hb: 978-0-8058-6328-4: £42.00 Pb: 978-0-8058-6329-1: £19.99
September 2007: 234x156: 240pp Hb: 978-0-415-16877-9: £60.00 Pb: 978-0-415-16878-6: £17.99
@
• concepts which have shaped the study of television – narrative; representation; bias
This book provides an in-depth study of those American families and individuals who opt not to watch television, exploring the reasons behind their choices, discussing their beliefs about television, and examining the current role of television in the American family. Author Marina Krcmar answers several questions in this volume: what is television? Who are those people that reject it? What are their reasons for doing so? How do they believe their lves are different because of this choice? What impact does this choice have on media research?
Medhurst presents case studies of comic traditions and representations, and examines key figures in English comic history, including Mike Leigh, Alan Bennett and Victoria Wood.
NEW
Restyling Factual TV
A National Joke
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2004: 234x156: 240pp Hb: 978-0-415-26151-7: £65.00 Pb: 978-0-415-26152-4: £18.99
October 2007: 234x156: 232pp Hb: 978-0-415-97678-7: £60.00 Pb: 978-0-415-97679-4: £14.99
NEW
for e-mail updates in your field
Drawing on quantitative and qualitative audience research to understand how viewers categorize the reality genre. From Animal Hospital to Big Brother, this book examines the voices of people who watch reality programmes.
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TELEVISION STUDIES
NEW
Rerun Nation
NEW
Television and Public Policy
How Repeats Invented American Television
Olympic Media
Change and Continuity in an Era of Global Liberalization
Derek Kompare
Inside the Biggest Show on Television Andrew C. Billings, Clemson University, USA
Edited by David Ward, Centre for Media Policy and Development, London, UK The significant changes that have swept the television industry over the last two decades, most notably a shift to deregulation in broadcast media, prompt a discussion on how to ensure that meaningful content is available to the viewer. Television and Public Policy analyzes the current state of television systems in a selected group of countries by exploring the political, economic, and technological factors that have shaped the sector in such a short span of time. Consequently, by positioning the television sector within issues of media policy and the regulatory framework, the book questions what these trends mean for television, and the historical, political, and cultural role in our societies. Television and Public Policy distinguishes itself in several ways: • it is a global project in its comparative scope and subject area. Contributors represent countries including Australia, Brazil, Canada, China, Egypt, India, Iran, Ireland, Israel, Italy, Japan, the Netherlands, New Zealand, Poland, the United Kingdom, and the United States
Series: Routledge Critical Studies in Sport No sporting event has a wider scope than an Olympic telecast. With this international reach comes great power and potential impact on many societies – a power that many critics claim is being misused. This is the first academic text to explore TV sports media’s output from this ’behind the scenes’ perspective including the first scholarly interviews with the influential US broadcasters and producers and sports media professionals. This unique text examines how NBC does (or doesn’t) construct its coverage with identity issues in mind. Interviews with key media personnel and analysis of the telecast processes before, during and after the Olympics provide the basis for introducing media and cultural studies theory and discussion of sports media in modern society more generally.
2004: 234x156: 264pp Hb: 978-0-415-97054-9: £55.00 Pb: 978-0-415-97055-6: £15.99 • AVAILABLE AS AN INSPECTION COPY
Understanding Reality Television Edited by Su Holmes and Deborah Jermyn Tracing the history of reality TV from Candid Camera to The Osbournes, Understanding Reality Television examines a range of programmes which claim to depict ’real life’.
• it is contemporary and filled with information largely absent in current literature
January 2008: 234x156: 200pp Hb: 978-0-415-77250-1: £75.00 Pb: 978-0-415-77251-8: £22.99 eBook: 978-0-203-93335-0
2ND EDITION
Encyclopedia of Television Edited by Horace Newcomb
• it offers original analysis of the contemporary television sector.
2004: 276x219: 2800pp Hb: 978-1-57958-394-1: £375.00
August 2007: 234x156: 328pp Hb: 978-0-8058-5644-6: £67.50 Pb: 978-0-8058-5645-3: £24.50
Television
1992: 234x156: 336pp Pb: 978-0-415-05445-4: £19.99 • AVAILABLE AS AN INSPECTION COPY
Hitch Your Antenna to the Stars Early Television and Broadcast Stardom Susan Murray Hitch Your Antenna to the Stars is the first cultural and industrial history of early television stardom. Susan Murray argues that television stars were central to the growth and development of American broadcasting. They were used not only to promote programs and the sale of television sets and advertised consumer goods, but also to established network identities. Through profiles of well-known performers including Milton Berle, Sid Caesar, Jackie Gleason, and Lucille Ball, she shows how the television industry gave birth to the idea of TV stars and established a system of star production and management notably different from the Hollywood star system of the studio era. 2005: 234x156: 240pp Hb: 978-0-415-97130-0: £55.00 Pb: 978-0-415-97131-7: £20.99
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Richard Collins 1990: 216x138: 288pp Hb: 978-0-04-445765-7: £60.00
NEW
American Icons
Television Culture
The Genesis of a National Visual Language
John Fiske
Benedikt Feldges
A comprehensive introduction to television studies. Fiske analyzes both the economic and cultural aspects of television and investigates it in terms of both theory and text based criticism.
Series: Routledge Research in Cultural and Media Studies Despite the work that has been done on the power of visual communication in general, and about the social influence of television in particular, television’s relationship with reality is still something of a black box. Even today, the convention that the screen functions as a window on reality structures much of the production and reception of televisual narratives. But as reality ought to become history at one point, what are we to do with such windows on the past?
1987: 234x156: 368pp Pb: 978-0-415-03934-5: £18.99 • AVAILABLE AS AN INSPECTION COPY
Developing and applying a highly innovative approach to the modern picture, American Icons sets out to expose the historicity of icons, to reframe the history of the screen and to dissect the visual core of a medium that is still so poorly understood. Dismantling the aura of apparently timeless icons and past spectacles with their seductive power to attract the eye, this book offers new ways of seeing the mechanisms at work in our modern pictorial culture. November 2007: 234x156: 296pp Hb: 978-0-415-95635-2: £60.00
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David Morley
Policy and Culture
2003: 234x156: 320pp Hb: 978-0-415-31794-8: £70.00 Pb: 978-0-415-31795-5: £19.99
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Television, Audiences and Cultural Studies
www.routledge.com/media
TELEVISION STUDIES
STUDY SKILLS
NEW
NEW
NEW
Television Entertainment
Television in Post-Reform China
The Basics of Essay Writing
Jonathan Gray, Fordham University, USA
Serial Dramas, Confucian Leadership and the Global Television Market
Nigel Warburton, The Open University, UK
Series: Communication and Society Television entertainment rules supreme, one of the world’s most important disseminators of information, ideas, and amusement. More than a parade of little figures in a box, it is deeply embedded in everyday life, in how we think, what we think and care about, and who we think and care about it with. But is television entertainment art? Why do so many love it and so many hate or fear it? Does it offer a window to the world, or images of a fake world? How is it political and how does it address us as citizens? What powers does it hold, and what powers do we have over it? Or, for that matter, what is television these days, in an era of rapidly developing technologies, media platforms, and globalization? Television Entertainment addresses these and other key questions that we regularly ask, or should ask, offering a lively and dynamic, thematically based overview that offers examples from recent and current television, including Lost, reality television, The Sopranos, The Simpsons, political satire, Grey’s Anatomy, The West Wing, soaps, and 24. April 2008: 234x156: 12pp Hb: 978-0-415-77223-5: £65.00 Pb: 978-0-415-77224-2: £18.99
Ying Zhu, City University of New York, USA Series: Media, Culture and Social Change in Asia Series This book examines the role of television in contemporary China, focusing on the political, economic and cultural forces shaping the transformation of Chinese primetime TV dramas, in particular the dynasty dramas which have enjoyed increasing popularity since the late 1990s. February 2008: 234x156: 176pp Hb: 978-0-415-42546-9: £75.00
‘I’ll be tackling my next essay with Nigel Warburton’s The Basics of Essay Writing in one hand and a pen in the other.’ – Higher Education Academy Network, UK Nigel Warburton, bestselling author and experienced lecturer, provides all the guidance and advice you need to dramatically improve your essay-writing skills. The book opens with a discussion of why it is so important to write a good essay, and proceeds through a step-bystep exploration of exactly what you should consider to improve your essays and marks. You will find help on how to:
‘A Nation of a Hundred Million Idiots’?
• focus on answering the question asked
A Social History of Japanese Television, 1953–1973
• build and sustain an argument
Jayson Makoto Chun, University of Hawaii, USA
• improve your writing style and tone.
Series: East Asia: History, Politics, Sociology and Culture
Written in the author’s accomplished, student-friendly style, The Basics of Essay Writing is packed full of good advice and practical exercises. Students of all ages and in every subject area will find it an easy-to-use and indispensable aid to their studies.
In a comparatively short period, the television industry helped to reconstruct not only postwar Japanese popular culture, but also the Japanese social and political landscape. This book offers a history of Japanese television audiences and the popular media culture that television helped to spawn. 2006: 234x156: 304pp Hb: 978-0-415-97660-2: £50.00
• research and plan your essay
June 2007: 172x119: 128pp Pb: 978-0-415-43404-1: £8.99
The Student’s Guide to Preparing Dissertations and Theses Brian Allison and Phil Race
NEW
Series: Routledge Study Guides
Television in India
When writing a dissertation or thesis, it is essential to produce a work that is well-structured and well-presented. Giving clear examples throughout, this book offers all the practical advice that students will need, when writing a dissertation or thesis.
Satellites, Politics and Cultural Change Edited by Nalin Mehta, La Trobe University, Australia Series: Media, Culture and Social Change in Asia Series Television in India examines the development of television in India since the early 1990s and its implications for Indian society more widely, discussing the rapid expansion in independent satellite channels, and in viewing figures, and the corresponding growth in new ways of imagining identities, conducting politics and engaging with the state.
2004: 216x138: 112pp Pb: 978-0-415-33486-0: £15.99 • AVAILABLE AS AN INSPECTION COPY
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July 2008: 234x156: 176pp Hb: 978-0-415-44759-1: £75.00
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INDEX
B Babcock, William . . . . . . . . . . . . . . . . . . . . . . .10 Bagge Laustsen, Carsten . . . . . . . . . . . . . . . . . .16 Bailey, Michael . . . . . . . . . . . . . . . . . . . . . . . . . .3 Baran, Stanley . . . . . . . . . . . . . . . . . . . . . . . . .12 Barrios, Richard . . . . . . . . . . . . . . . . . . . . . . . .19 Barrow, Sarah . . . . . . . . . . . . . . . . . . . . . . . . . .22 Barton, Ruth . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Basics of Essay Writing, The . . . . . . . . . . . . . . . . .31 Basics Series, The . . . . . . . . . . . . . . . . . . . . .13, 14 Bell, David J. . . . . . . . . . . . . . . . . . . . . . . . . . .13 Bennett, James . . . . . . . . . . . . . . . . . . . . . . . . .16 Benshoff, Harry M. . . . . . . . . . . . . . . . . . . . . .20 Bernardi, Daniel . . . . . . . . . . . . . . . . . . . . . . . .21 Beyond Bollywood . . . . . . . . . . . . . . . . . . . . . . . .24 Bignell, Jonathan . . . . . . . . . . . . . . . . . . . . . . .28 Billings, Andrew C. . . . . . . . . . . . . . . . . . . . . .30 Bird, S. Elizabeth . . . . . . . . . . . . . . . . . . . . . . . .6 Black American Cinema . . . . . . . . . . . . . . . . . . . .27 Black American Cinema Reconsidered . . . . . . . . .27 Black British Culture and Society . . . . . . . . . . . . .12 Black Women Film and Video Artists . . . . . . . . . .27 Blaxploitation Films of the 1970s . . . . . . . . . . . . .21 Bobo, Jacqueline . . . . . . . . . . . . . . . . . . . . . . . .27 Bollywood . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Bordwell, David . . . . . . . . . . . . . . . . . . . . .16, 25 Borge, Jason . . . . . . . . . . . . . . . . . . . . . . . . . .21 Brand Hollywood . . . . . . . . . . . . . . . . . . . . . . . . .21 Brands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Branigan, Edward . . . . . . . . . . . . . . . . .14, 16, 27 Branston, Gill . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Brazilian National Cinema . . . . . . . . . . . . . . . . . .25 British Historical Cinema . . . . . . . . . . . . . . . . . . .22 British Horror Cinema . . . . . . . . . . . . . . . . . . . . .22 British National Cinema . . . . . . . . . . . . . . . . . . . .26 British Popular Cinema Series . . . . . . . . . . . . . . . .22 British Queer Cinema . . . . . . . . . . . . . . . . . . . . . .22 British Science Fiction Cinema . . . . . . . . . . . . . . .22 Broadrick, Ardyth Sohn . . . . . . . . . . . . . . . . . .11 Brooker, Will . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Brown, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Brunovska Karnick, Kristine . . . . . . . . . . . . . . .27 Bruzzi, Stella . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Buckley, Cara Louise . . . . . . . . . . . . . . . . . . . .29 Burnett, Robert . . . . . . . . . . . . . . . . . . . . . . . . . .9 Butler, Jeremy G. . . . . . . . . . . . . . . . . . . . . . . .28 Butsch, Richard . . . . . . . . . . . . . . . . . . . . . . . . . .6
C Caldwell, John T. . . . . . . . . . . . . . . . . . . . . . . .28 Calvert, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Canadian National Cinema . . . . . . . . . . . . . . . . .27 Cantoni, Lorenzo . . . . . . . . . . . . . . . . . . . . . . . .6 Carroll, William . . . . . . . . . . . . . . . . . . . . . . . . . .3
➞
ORDER NOW!
D Dalle Vacche, Angela . . . . . . . . . . . . . . . . . . . .19 Danesi, Marcel . . . . . . . . . . . . . . . . . . . . . . . . . .6 Davidson, Martin P. . . . . . . . . . . . . . . . . . . . . .12 Davies, David . . . . . . . . . . . . . . . . . . . . . . . . . .18 Davis, Aeron . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 De Groot, Jerome . . . . . . . . . . . . . . . . . . . . . . .17 Dennison, Stephanie . . . . . . . . . . . . . . . . . . . .25 Desai, Jigna . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Dewdney, Andrew . . . . . . . . . . . . . . . . . . . . . . .7 De-Westernizing Media Studies . . . . . . . . . . . . . . .4 Diawara, Manthia . . . . . . . . . . . . . . . . . . . . . . .27 Dickinson, Kay . . . . . . . . . . . . . . . . . . . . . . . . .20 Diefenbach, Donald L. . . . . . . . . . . . . . . . . . . .14 Digital Encounters . . . . . . . . . . . . . . . . . . . . . . . . .8 Digital Film Event, The . . . . . . . . . . . . . . . . . . . . .15 Diken, Bulent . . . . . . . . . . . . . . . . . . . . . . . . . .16
See Order Form at the back of the catalogue
☎
Disney Discourse . . . . . . . . . . . . . . . . . . . . . . . . .27 Dissanayake, Wimal . . . . . . . . . . . . . . . . . . . . .25 Documentary Handbook, The . . . . . . . . . . . . . . .23 Dorsher, Michael . . . . . . . . . . . . . . . . . . . . . . .10 Dovey, Jon . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Dowmunt, Tony . . . . . . . . . . . . . . . . . . . . . . . . .9 Durovicova, Natasa . . . . . . . . . . . . . . . . . . . . .27 Dwyer, Rachel . . . . . . . . . . . . . . . . . . . . . . . . . .24 Dyer, Richard . . . . . . . . . . . . . . . . . . . . . . . . . .15 Dynasty Years, The . . . . . . . . . . . . . . . . . . . . . . .12
E East Asia: History, Politics, Sociology and Culture Series . . . . . . . . . . . . . . . . . . . . . . . . . .31 East European Cinemas . . . . . . . . . . . . . . . . . . . .27 Eaton, Anne W. . . . . . . . . . . . . . . . . . . . . . . . .18 Egenfeldt-Nielsen, Simon . . . . . . . . . . . . . . . . . .8 Elsaesser, Thomas . . . . . . . . . . . . . . . . . . . . . . .24 Encyclopedia of Early Cinema . . . . . . . . . . . . . . .24 Encyclopedia of Television . . . . . . . . . . . . . . . . . .30 Encyclopedia of the Documentary Film . . . . . . . . .23 Enjoy Your Symptom! . . . . . . . . . . . . . . . . . . . . .15 European Film Theory . . . . . . . . . . . . . . . . . . . . .27 Everett, Anna . . . . . . . . . . . . . . . . . . . . . . . . . .28 Exhibition, The Film Reader . . . . . . . . . . . . . . . . .19 Experimental Cinema, The Film Reader . . . . . . . .19 Ezra, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . . .20
F Fabrications . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Falzon, Christopher . . . . . . . . . . . . . . . . . . . . .18 Family Television . . . . . . . . . . . . . . . . . . . . . . . . .12 Feldges, Benedikt . . . . . . . . . . . . . . . . . . . . . . .30 Feminist Film Theorists . . . . . . . . . . . . . . . . . . . . .16 Ferriss, Suzanne . . . . . . . . . . . . . . . . . . . . . . . .23 Fifty Contemporary Filmmakers . . . . . . . . . . . . . .14 Fifty Key British Films . . . . . . . . . . . . . . . . . . . . . .22 Film and Television After DVDs . . . . . . . . . . . . . . .16 Film as Social Practice . . . . . . . . . . . . . . . . . . . . .14 Film Cultures Reader, The . . . . . . . . . . . . . . . . . .14 Film Studies: The Basics . . . . . . . . . . . . . . . . . . . .14 Film Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Film, History and Cultural Citizenship . . . . . . . . .17 Filming the Gods . . . . . . . . . . . . . . . . . . . . . . . . .24 Fischer, Lucy . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Fishbein, Martin . . . . . . . . . . . . . . . . . . . . . . . .11 Fiske, John . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 Foster, Gwendolyn Audrey . . . . . . . . . . . . . . .19 French Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 French National Cinema . . . . . . . . . . . . . . . . . . .26 French, Liam . . . . . . . . . . . . . . . . . . . . . . . . . . .29
H Ha, Louisa S. . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Hackett, Robert . . . . . . . . . . . . . . . . . . . . . . . . .3 Hake, Sabine . . . . . . . . . . . . . . . . . . . . . . . . . .25 Hammond, Philip . . . . . . . . . . . . . . . . . . . . . . . .2 Handbook of Election Coverage Around the World . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Handbook of Mass Media Ethics . . . . . . . . . . . . .10 Handbook of Media Management and Economics . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Hannerz, Ulf . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Hardy, Jonathan . . . . . . . . . . . . . . . . . . . . . . . . .5 Hark, Ina Rae . . . . . . . . . . . . . . . . . . . . . . . . . .19 Harrison, Jackie . . . . . . . . . . . . . . . . . . . . . . . . . .6 Hartley, John . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Hayward, Susan . . . . . . . . . . . . . . . . . .14, 25, 26 Heavenly Bodies . . . . . . . . . . . . . . . . . . . . . . . . .16 Hebdige, Dick . . . . . . . . . . . . . . . . . . . . . . . . . .12 Herzog, Charlotte . . . . . . . . . . . . . . . . . . . . . . .27 Hesmondhalgh, David . . . . . . . . . . . . . . . . . . . .4 Hiding in the Light . . . . . . . . . . . . . . . . . . . . . . .12 Hill, Annette . . . . . . . . . . . . . . . . . . . . . . . .28, 29 History Goes to the Movies . . . . . . . . . . . . . . . . .17 Hitch Your Antenna to the Stars . . . . . . . . . . . . .30 Hjorth, Larissa . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Hollifield, C. Ann . . . . . . . . . . . . . . . . . . . . . . .11 Hollinger, Karen . . . . . . . . . . . . . . . . . . . . . . . .24 Hollywood and War, The Film Reader . . . . . . . . . .19 Hollywood Comedians, The Film Reader . . . . . . . .19 Hollywood Musicals, The Film Reader . . . . . . . . . .20 Hollywood Time . . . . . . . . . . . . . . . . . . . . . . . . . .24 Holmes, Su . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 Holmlund, Christine . . . . . . . . . . . . . . . . . .12, 21 Home Territories . . . . . . . . . . . . . . . . . . . . . . . . .12 Home, Exile, Homeland . . . . . . . . . . . . . . . . . . . .27 Hooks, Bell . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Horror Reader, The . . . . . . . . . . . . . . . . . . . . . . .23 Horror, The Film Reader . . . . . . . . . . . . . . . . . . . .20 Hughes-Warrington, Marnie . . . . . . . . . . . . . . .17 Hunter, I.Q. . . . . . . . . . . . . . . . . . . . . . . . . . . .22
I
G Gaines, Jane M. . . . . . . . . . . . . . . . . . . . . . . . .27 Game of Two Halves, A . . . . . . . . . . . . . . . . . . . .12 Ganahl, Richard J. . . . . . . . . . . . . . . . . . . . . . . .9 Ganti, Tejaswini . . . . . . . . . . . . . . . . . . . . . . . .24 Gauntlett, David . . . . . . . . . . . . . . . . . . . . . . . . .1 Gelder, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Gennari, Daniela Treveri . . . . . . . . . . . . . . . . .25 Genre and Cinema . . . . . . . . . . . . . . . . . . . . . . .22 Genre and Hollywood . . . . . . . . . . . . . . . . . . . . .22 Genre and Television . . . . . . . . . . . . . . . . . . . . . .22 German National Cinema . . . . . . . . . . . . . . . . . .25 Gershon, Richard . . . . . . . . . . . . . . . . . . . . . . .11 Gerstner, David A. . . . . . . . . . . . . . . . . . . . . . .27 Giddings, Seth . . . . . . . . . . . . . . . . . . . . . . . . . .7 Gillespie, Marie . . . . . . . . . . . . . . . . . . . . . . . . .12 Girls Make Media . . . . . . . . . . . . . . . . . . . . . . . . .5 Gittings, Chris . . . . . . . . . . . . . . . . . . . . . . . . .27 Global Media Discourse . . . . . . . . . . . . . . . . . . . . .5 Goggin, Gerard . . . . . . . . . . . . . . . . . . . . . . .2, 9 Gomery, Douglas . . . . . . . . . . . . . . . . . . . . . . .19 Gordon, A. David . . . . . . . . . . . . . . . . . . . . . .10 Grainge, Paul . . . . . . . . . . . . . . . . . . . . . . . . . .21
Up to 29/02/08: +44 (0)1264 343071 From 01/03/08: +44 (0)1235 400400
Grant, Catherine . . . . . . . . . . . . . . . . . . . . . . . .24 Grant, Iain . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Gray, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Gray, Jonathan . . . . . . . . . . . . . . . . . . . . . . .11 31 Greer, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Grieveson, Lee . . . . . . . . . . . . . . . . . . . . . . . . .18 Griffin, Sean . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Griffiths, Robin . . . . . . . . . . . . . . . . . . . . . . . . .22 Gripsrud, Jostein . . . . . . . . . . . . . . . . . . . . . . . .12 Guneratne, Anthony . . . . . . . . . . . . . . . . . . . . .25 Guynn, William . . . . . . . . . . . . . . . . . . . . . . . . .17
ICA Handbook Series . . . . . . . . . . . . . . . . . . . . . . .3 Impossible Bodies . . . . . . . . . . . . . . . . . . . . . . . .12 Imre, Anikó . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 In Focus: Routledge Film Readers Series . . . . .19, 20 International Communication . . . . . . . . . . . . . . . .2 International Library of Sociology Series . . . . . . . .16 Internationalizing Internet Studies . . . . . . . . . . . . .9 Internationalizing Media Studies . . . . . . . . . . . . . .2 Internationalizing Media Studies Series . . . . . . . . .2 Internet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Introduction to Film Studies . . . . . . . . . . . . . . . . .13 Introduction to Television Studies, An . . . . . . . . . .28 Iranian Media . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Irish National Cinema . . . . . . . . . . . . . . . . . . . . .26 It's Not TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Iverson, Gunnar . . . . . . . . . . . . . . . . . . . . . . . .26
J James Cameron . . . . . . . . . . . . . . . . . . . . . . . . . .15 Jameson, Fredric . . . . . . . . . . . . . . . . . . . . . . . .15 Jancovich, Mark . . . . . . . . . . . . . . . . . . . . . . . .20
➞ Fax: +44 (0)20 7017 6699
Abel, Richard . . . . . . . . . . . . . . . . . . . . . . . . . .24 Action and Adventure Cinema, The . . . . . . . . . . .23 Actress, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Advertising and New Media . . . . . . . . . . . . . . . . . .7 Advertising International . . . . . . . . . . . . . . . . . . .12 AFI Film Readers Series . . . . . . . . . . . . . . . . .27, 28 Aitken, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Alan, Fountain . . . . . . . . . . . . . . . . . . . . . . . . . .9 Albarran, Alan B. . . . . . . . . . . . . . . . . . . . . . . .11 Alia, Valerie . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Allen, Robert C. . . . . . . . . . . . . . . . . . . . . . . . .28 Allison, Brian . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Alternative Media Handbook, The . . . . . . . . . . . . .9 Altman, Rick . . . . . . . . . . . . . . . . . . . . . . . . . . .28 America First . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 American Icons . . . . . . . . . . . . . . . . . . . . . . . . . .30 Assessing Media Education . . . . . . . . . . . . . . . . . .7 Audience in Everyday Life, The . . . . . . . . . . . . . . . .6 Audience Studies Reader, The . . . . . . . . . . . . . . . . .6 Authorship and Film . . . . . . . . . . . . . . . . . . . . . .27
Casebooks on Modern Dramatists Series . . . . . . .21 Casey, Bernadette . . . . . . . . . . . . . . . . . . . . . . .29 Casey, Neil . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Celebrity Culture Reader, The . . . . . . . . . . . . . . . . .1 Chambers, Iain . . . . . . . . . . . . . . . . . . . . . . . . .12 Chandler, Daniel . . . . . . . . . . . . . . . . . . . . . . . .13 Chan-Olmsted, Sylvia M. . . . . . . . . . . . . . . . . .11 Chaudhuri, Shohini . . . . . . . . . . . . . . . . . . . . .16 Chen, Kuan-Hsing . . . . . . . . . . . . . . . . . . . . . .12 Chen, Tina Mai . . . . . . . . . . . . . . . . . . . . . . . .17 Chibnall, Steve . . . . . . . . . . . . . . . . . . . . . . . . .22 Chick Flicks . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Chick Lit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Chinese National Cinema . . . . . . . . . . . . . . . . . .26 Christ, William G. . . . . . . . . . . . . . . . . . . . . . . .7 Christians, Clifford G. . . . . . . . . . . . . . . . . . . .10 Chun, Jayson Makoto . . . . . . . . . . . . . . . . . . .31 Chun, Wendy Hui Kyong . . . . . . . . . . . . . . . . . .7 Churchill, David S. . . . . . . . . . . . . . . . . . . . . . .17 Cinema and Spectatorship . . . . . . . . . . . . . . . . . .19 Cinema of Eisenstein, The . . . . . . . . . . . . . . . . . .25 Cinema Studies: The Key Concepts . . . . . . . . . . .14 Cities and Cinema . . . . . . . . . . . . . . . . . . . . . . . .19 Citizen Audience, The . . . . . . . . . . . . . . . . . . . . . .6 Classical Hollywood Comedy . . . . . . . . . . . . . . . .27 Cobley, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Codifying Cyberspace . . . . . . . . . . . . . . . . . . . . . .9 Cohan, Steven . . . . . . . . . . . . . . . . . . . . . .19, 20 Collins, Richard . . . . . . . . . . . . . . . . . . . . . . . . .30 Color, The Film Reader . . . . . . . . . . . . . . . . . . . . .19 Comedia Series . . . . . . . . . . . . . . . . . . . .11, 12, 13 Coming of Sound, The . . . . . . . . . . . . . . . . . . . . .19 Communication and Society Series . . .2, 3, 4, 5, 31 Communication, Cultural and Media Studies: The Key Concepts . . . . . . . . . . . . . . . . . . . . . . .13 Component 1: Measurement . . . . . . . . . . . . . . . . .7 Component 2: Case Studies . . . . . . . . . . . . . . . . . .7 Component 3: Developing an Assessment Plan . . .7 Consumerist Manifesto, The . . . . . . . . . . . . . . . .12 Consuming History . . . . . . . . . . . . . . . . . . . . . . .17 Contemporary American Independent Film . . . . . .21 Contemporary Hollywood Cinema . . . . . . . . . . . .21 Controversies in Media Ethics . . . . . . . . . . . . . . . .10 Cook, Pam . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Couldry, Nick . . . . . . . . . . . . . . . . . . . . . . . .4, 11 Coyer, Kate . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Creative Explorations . . . . . . . . . . . . . . . . . . . . . . .1 CRESC Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Crime and Media . . . . . . . . . . . . . . . . . . . . . . . .10 Crime, Justice and the Media . . . . . . . . . . . . . . . .10 Critical Concepts in Media and Cultural Studies Series . . . . . . . . . . . . . . . . . . . . . . . . . .18 Cubitt, Sean . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Cultural Chaos . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Cultural Sniping . . . . . . . . . . . . . . . . . . . . . . . . .12 Culture after Humanism . . . . . . . . . . . . . . . . . . .12 Culture in the Communication Age . . . . . . . . . . .12 Cultures of Consumption . . . . . . . . . . . . . . . . . . .12 Curran, James . . . . . . . . . . . . . . . . . . . . . . . . .4, 5 Curtin, Michael . . . . . . . . . . . . . . . . . . . . . . . . .28 Cut `n' Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Cyberculture: The Key Concepts . . . . . . . . . . . . . .13
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INDEX
K Kaid, Lynda Lee . . . . . . . . . . . . . . . . . . . . . . . . .3 Kaplan, E. Ann . . . . . . . . . . . . . . . . . . . . . . . . .28 Kearney, Mary Celeste . . . . . . . . . . . . . . . . . . . .5 Keenan, Thomas . . . . . . . . . . . . . . . . . . . . . . . . .7 Keller, Alexandra . . . . . . . . . . . . . . . . . . . . . . . .15 Kelly, Kieran . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Khiabany, Gholam . . . . . . . . . . . . . . . . . . . . . . .4 Kim, Youna . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Kittross, John Michael . . . . . . . . . . . . . . . . . . .10 Known World of Broadcast News, The . . . . . . . . .12 Kompare, Derek . . . . . . . . . . . . . . . . . . . . . . . .30 Kramer, Peter . . . . . . . . . . . . . . . . . . . . . . . . . .18 Krcmar, Marina . . . . . . . . . . . . . . . . . . . . . . . . .29 Krutnik, Frank . . . . . . . . . . . . . . . . . . . . . . . . . .19 Kuhn, Annette . . . . . . . . . . . . . . . . . . . . . . . . .24 Kunkel, Dale . . . . . . . . . . . . . . . . . . . . . . . . . . .11
L Lacy, Stephen . . . . . . . . . . . . . . . . . . . . . . . . . .11 Landscape and Film . . . . . . . . . . . . . . . . . . . . . . .27 Landy, Marci . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Language of New Media Design, The . . . . . . . . . .8 Latin American Writers and the Rise of Hollywood Cinema . . . . . . . . . . . . . . . . . . . . . .21 Lawrence, Novotny . . . . . . . . . . . . . . . . . . . . .21 LEA Telecommunications Series . . . . . . . . . . . . . .11 LEA's Communication Series . . . . . .3, 7, 11, 14, 28 LEA's Media Management and Economics Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9, 11 LeBlanc Wicks, Jan . . . . . . . . . . . . . . . . . . . . . .11 Lee-Wright, Peter . . . . . . . . . . . . . . . . . . . . . . .23 Lefebvre, Martin . . . . . . . . . . . . . . . . . . . . . . . .27 Lehman, Peter . . . . . . . . . . . . . . . . . . . . . . . . .28 Leonardi, Danilo . . . . . . . . . . . . . . . . . . . . . . . . .9 Leverette, Marc . . . . . . . . . . . . . . . . . . . . . . . .29 Lewis, Justin . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Lister, Martin . . . . . . . . . . . . . . . . . . . . . . . .7, 13 Littler, Jo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Living Without the Screen . . . . . . . . . . . . . . . . . .29 Loader, Brian D. . . . . . . . . . . . . . . . . . . . . . . .13 Loving with a Vengeance . . . . . . . . . . . . . . . . . . . .5 Lovink, Geert . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Lull, James . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Lumley, Robert . . . . . . . . . . . . . . . . . . . . . . . . .13
M
Machin, David . . . . . . . . . . . . . . . . . . . . . . . . . .5 Maingard, Jacqueline . . . . . . . . . . . . . . . . . . . .26 Manganello, Jennifer . . . . . . . . . . . . . . . . . . . .11 Marsden, Chris . . . . . . . . . . . . . . . . . . . . . . . . . .9 Marsh, Clive . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Marsh, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Marshall, David . . . . . . . . . . . . . . . . . . . . . . . . .9 Marshall, P. David . . . . . . . . . . . . . . . . . . . . . . .1 Martinec, Radan . . . . . . . . . . . . . . . . . . . . . . . . .8 Masculinity . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Masculinity in Middle Eastern Literature and Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Mask, Mia . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Mass Media and Latino Politics, The . . . . . . . . . . .3 Masterman, Len . . . . . . . . . . . . . . . . . . . . . . . .12 Mattelart, Armand . . . . . . . . . . . . . . . . . . . . . .12 Mayne, Judith . . . . . . . . . . . . . . . . . . . . . . . . . .19 McCarthy, Anna . . . . . . . . . . . . . . . . . . . . . . . . .4 McIlroy, Brian . . . . . . . . . . . . . . . . . . . . . . . . . .22 McLelland, Mark . . . . . . . . . . . . . . . . . . . . . . . . .9 McLuhan, Marshall . . . . . . . . . . . . . . . . . . . . . . .3 McNair, Brian . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Meaning of Video Games, The . . . . . . . . . . . . . . . .8
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Medhurst, Andy . . . . . . . . . . . . . . . . . . . . . . . .29 Media and Cultural Theory . . . . . . . . . . . . . . . . . .5 Media and Social Theory, The . . . . . . . . . . . . . . . .4 Media Consumption and Everyday Life in Asia . . . .4 Media Ethics and Social Change . . . . . . . . . . . . .10 Media, Law and Ethics . . . . . . . . . . . . . . . . . . . .10 Media Law and Ethics Casebook . . . . . . . . . . . . .10 Media Management . . . . . . . . . . . . . . . . . . . . . .11 Media Messages and Public Health . . . . . . . . . . .11 Media on the Move . . . . . . . . . . . . . . . . . . . . . . . .2 Media Practice Series . . . . . . . . . . . .7, 8, 9, 23, 28 Media Rituals . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Media Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Media Student's Book, The . . . . . . . . . . . . . . . . . .1 Media Today . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Media, Culture and Social Change in Asia Series . . . . . . . . . . . . . . . . . . . . . . . . .24, 31 Media, Gender and Identity . . . . . . . . . . . . . . . . . .1 Media, Modernity and Technology . . . . . . . . . . . .11 Media, Technology and Society . . . . . . . . . . . . . . .4 Media, War and Postmodernity . . . . . . . . . . . . . . .2 Media/Theory . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Mediation of Power, The . . . . . . . . . . . . . . . . . . . .3 Mehta, Nalin . . . . . . . . . . . . . . . . . . . . . . . . . .31 Melville, Gaynor . . . . . . . . . . . . . . . . . . . . . . . .10 Mennel, Barbara . . . . . . . . . . . . . . . . . . . . . . . .19 Merck, Mandy . . . . . . . . . . . . . . . . . . . . . . . . .21 Merrill, John C. . . . . . . . . . . . . . . . . . . . . . . . .10 Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Mexican National Cinema . . . . . . . . . . . . . . . . . .26 Minh-Ha, Trinh T. . . . . . . . . . . . . . . . . . . . . . .15 Mirzoeff, Nicholas . . . . . . . . . . . . . . . . . . . . . . .2 Mitchell, Jolyon . . . . . . . . . . . . . . . . . . . . . . . .17 Mittell, Jason . . . . . . . . . . . . . . . . . . . . . . . . . .22 Mobile Technologies . . . . . . . . . . . . . . . . . . . . . . .2 Modleski, Tania . . . . . . . . . . . . . . . . . . . . . .5, 15 Monk, Claire . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Moore, Roy L. . . . . . . . . . . . . . . . . . . . . . . . . .10 Moores, Shaun . . . . . . . . . . . . . . . . . . . . . . . . .12 Morley, David . . . . . . . . . . . . . . . . .5, 11, 12, 30 Mort, Frank . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Movie Acting, The Film Reader . . . . . . . . . . . . . . .20 Movie Music, The Film Reader . . . . . . . . . . . . . . .20 Mulhall, Stephen . . . . . . . . . . . . . . . . . . . . . . .18 Murray, Michael D. . . . . . . . . . . . . . . . . . . . . .10 Murray, Susan . . . . . . . . . . . . . . . . . . . . . . . . . .30 Museum Time Machine, The . . . . . . . . . . . . . . . .13
N Naficy, Hamid . . . . . . . . . . . . . . . . . . . . . . . . . .27 Naidoo, Roshi . . . . . . . . . . . . . . . . . . . . . . . . . .12 Narrating Media History . . . . . . . . . . . . . . . . . . . .3 Narrative Comprehension and Film . . . . . . . . . . .16 Nation and Identity in the New German Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Nation of a Hundred Million Idiots'? A . . . . . . . . .31 National Cinemas Series . . . . . . . . . . . . .25, 26, 27 National Joke, A . . . . . . . . . . . . . . . . . . . . . . . . .29 Neale, Steve . . . . . . . . . . . . . . . . . . . . . . . .21, 22 Negra, Diane . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Neil LaBute . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Nelmes, Jill . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 New Documentary . . . . . . . . . . . . . . . . . . . . . . .23 New Media . . . . . . . . . . . . . . . . . . . . . . . . . . .7, 28 New Media Handbook, The . . . . . . . . . . . . . . . . . .7 New Media, Old Media . . . . . . . . . . . . . . . . . . . . .7 New Vocabularies in Film Semiotics . . . . . . . . . . .16 Newcomb, Horace . . . . . . . . . . . . . . . . . . . . . .30 Newman, James . . . . . . . . . . . . . . . . . . . . . . .6, 8 Newman, Kathleen E. . . . . . . . . . . . . . . . . . . .27 News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Noble, Andrea . . . . . . . . . . . . . . . . . . . . . . . . .26 Nordic National Cinemas . . . . . . . . . . . . . . . . . .26 Nyre, Lars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
O Olympic Media . . . . . . . . . . . . . . . . . . . . . . . . . .30 On Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
@
Open the Box . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Orlebar, Jeremy . . . . . . . . . . . . . . . . . . . . . . . .28 Osgerby, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Ott, Brian L. . . . . . . . . . . . . . . . . . . . . . . . . . .29 Ouzgane, Lahoucine . . . . . . . . . . . . . . . . . . . . .25 Owusu, Kwesi . . . . . . . . . . . . . . . . . . . . . . . . . .12
P Park, Myung-Jin . . . . . . . . . . . . . . . . . . . . . . . . .4 Pastiche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Perron, Bernard . . . . . . . . . . . . . . . . . . . . . . . . .8 Persistence of History, The . . . . . . . . . . . . . . . . . .28 Persistence of Whiteness, The . . . . . . . . . . . . . . .21 Petley, Julian . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Phillips, Alastair . . . . . . . . . . . . . . . . . . . . . . . . .24 Philosophers on Film Series . . . . . . . . . . . . . . . . .18 Philosophy Goes to the Movies . . . . . . . . . . . . . .18 Photographic Image in Digital Culture, The . . . . .13 Pimpin' Ain't Easy . . . . . . . . . . . . . . . . . . . . . . . .29 Place of Media Power, The . . . . . . . . . . . . . . . . . .11 Plate, S. Brent . . . . . . . . . . . . . . . . . . . . . . . . .17 Playing With Videogames . . . . . . . . . . . . . . . . . . .8 Pleace, Nicholas . . . . . . . . . . . . . . . . . . . . . . .13 Poetics of Cinema . . . . . . . . . . . . . . . . . . . . . . . .16 Politics of Heritage, The . . . . . . . . . . . . . . . . . . . .12 Post-War Italian Cinema . . . . . . . . . . . . . . . . . . .25 Power Without Responsibility . . . . . . . . . . . . . . . . .4 Price, Brian . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Projecting a Camera . . . . . . . . . . . . . . . . . . . . . .14 Psychoanalysis and Cinema . . . . . . . . . . . . . . . . .28
Q Queer Cinema, The Film Reader . . . . . . . . . . . . . .20 Queer Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
R Race, Phil . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Reality TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Reel To Real . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Religion and Film Reader, The . . . . . . . . . . . . . . .17 Remaking Media . . . . . . . . . . . . . . . . . . . . . . . . . .3 Renov, Michael . . . . . . . . . . . . . . . . . . . . . . . . .28 Rerun Nation . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 Restyling Factual TV . . . . . . . . . . . . . . . . . . . . . .29 Rethinking Third Cinema . . . . . . . . . . . . . . . . . . .25 Revolution Wasn't Televised, The . . . . . . . . . . . . .28 Ride, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Robertson Wojcik, Pamela . . . . . . . . . . . . . . . .20 Robins, Kevin . . . . . . . . . . . . . . . . . . . . . . . . . .13 Root, Jane . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Routledge Advances in Film Studies Series . . .15, 25 Routledge Classics Series . . . . . . . . . . . . . . . . .3, 15 Routledge Critical Introductions to Urbanism and the City Series . . . . . . . . . . . . . . . . . . . . . .19 Routledge Critical Studies in Sport Series . . . . . . .30 Routledge Critical Thinkers Series . . . . . . . . . . . . .16 Routledge Film Guidebooks Series . . . . . . . . .15, 24 Routledge Introductions to Media and Communications Series . . . . . . . . . . . . . . . . . . .6 Routledge Key Guides Series . . . . . . . . . .13, 14, 22 Routledge Research in Cultural and Media Studies Series . . . . . . . . . . . .2, 16, 25, 30 Routledge Studies in Cultural History Series . .17, 22 Routledge Studies in Twentieth-Century Literature Series . . . . . . . . . . . . . . . . . . . . . . . .21 Routledge Study Guides Series . . . . . . . . . . . . . . .31 Rowden, Terry . . . . . . . . . . . . . . . . . . . . . . . . .20
S Sandvoss, Cornel . . . . . . . . . . . . . . . . . . . . . . .12 Sargeant, Amy . . . . . . . . . . . . . . . . . . . . . . . . .22 Scharf, Inga . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Schuler, Douglas . . . . . . . . . . . . . . . . . . . . . . . .13 Screen Readers Series, The . . . . . . . . . . . . . . . . . .24
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Japanese Cinema . . . . . . . . . . . . . . . . . . . . . . . . .24 Jenkins, Henry . . . . . . . . . . . . . . . . . . . . . . . . .27 Jermyn, Deborah . . . . . . . . . . . . . . . . . . . . .6, 30 Jones, Steven E. . . . . . . . . . . . . . . . . . . . . . . . . .8 Jordan, Amy . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Screened Out . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Screening the Past . . . . . . . . . . . . . . . . . . . . . . . .18 Screening World Cinema . . . . . . . . . . . . . . . . . . .24 Seaton, Jean . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Semiotics: The Basics . . . . . . . . . . . . . . . . . . . . . .13 Shaw, Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Shepherdson, K.J. . . . . . . . . . . . . . . . . . . . . . .18 Shohat, Ella . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Sightlines Series . . . . . . . . . . . . . . . .16, 19, 22, 23 Signatures of the Visible . . . . . . . . . . . . . . . . . . .15 Silent Cinema Reader, The . . . . . . . . . . . . . . . . . .18 Simmons, Laurence . . . . . . . . . . . . . . . . . . . . .15 Simpson, Philip . . . . . . . . . . . . . . . . . . . . . . . . .18 Slocum, J. David . . . . . . . . . . . . . . . . . . . .19, 28 Smith, Jonas Heide . . . . . . . . . . . . . . . . . . . . . .8 Smith, Murray . . . . . . . . . . . . . . . . . . . . . . . . .21 Smith-Shomade, Beretta E. . . . . . . . . . . . . . . .29 Smoodin, Eric . . . . . . . . . . . . . . . . . . . . . . . . . .27 Sobchack, Vivian . . . . . . . . . . . . . . . . . . . . . . . .28 Sociology through the Projector . . . . . . . . . . . . . .16 Soderbergh Widding, Astrid . . . . . . . . . . . . . .26 Soila, Tytti . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Sound Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Sound Theory/Sound Practice . . . . . . . . . . . . . . .28 South African National Cinema . . . . . . . . . . . . . .26 Spanish National Cinema . . . . . . . . . . . . . . . . . .27 Spectacular Bodies . . . . . . . . . . . . . . . . . . . . . . . .12 Spence, Jo . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Spigel, Lynn . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Spurgeon, Christina . . . . . . . . . . . . . . . . . . . . . .7 Stabile, Carol A. . . . . . . . . . . . . . . . . . . . . . . . .10 Stacey, Jackie . . . . . . . . . . . . . . . . . . . . . . . . . .24 Stafford, Roy . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Staiger, Janet . . . . . . . . . . . . . . . . . . . . . . . . . .27 Stam, Robert . . . . . . . . . . . . . . . . . . . . . . .16, 23 Stars, The Film Reader . . . . . . . . . . . . . . . . . . . . .20 Street, Sarah . . . . . . . . . . . . . . . . . . . . . . . .24, 26 Stringer, Julian . . . . . . . . . . . . . . . . . . . . . . . . .24 Stromback, Jesper . . . . . . . . . . . . . . . . . . . . . . . .3 Stuart Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Student's Guide to Preparing Dissertations and Theses, The . . . . . . . . . . . . . . . . . . . . . . . .31 Studies in African American History and Culture Series . . . . . . . . . . . . . . . . . . . . . . . . . .21 Subervi-Velez, Federico . . . . . . . . . . . . . . . . . . . .3 Surman, David . . . . . . . . . . . . . . . . . . . . . . . . . .8 Sylvie, George . . . . . . . . . . . . . . . . . . . . . . . . .11
T Talk to Her . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Tambini, Damian . . . . . . . . . . . . . . . . . . . . . . . .9 Tamil Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Tardini, Stefano . . . . . . . . . . . . . . . . . . . . . . . . .6 Tasker, Yvonne . . . . . . . . . . . . . . . . . . .12, 14, 23 Teaching the Media . . . . . . . . . . . . . . . . . . . . . . .12 Technology and Culture, The Film Reader . . . . . .20 Telecommunications Management . . . . . . . . . . . .11 Television . . . . . . . . . . . . . . . . . . . . . . . . . . .28, 30 Television and Common Knowledge . . . . . . . . . . .12 Television and Public Policy . . . . . . . . . . . . . . . . .30 Television Culture . . . . . . . . . . . . . . . . . . . . . . . .30 Television Entertainment . . . . . . . . . . . . . . . . . . .31 Television Handbook, The . . . . . . . . . . . . . . . . . .28 Television in India . . . . . . . . . . . . . . . . . . . . . . . .31 Television in Post-Reform China . . . . . . . . . . . . . .31 Television Mythologies . . . . . . . . . . . . . . . . . . . . .12 Television Studies Reader, The . . . . . . . . . . . . . . .28 Television Studies: The Key . . . . . . . . . . . . . . . . . .29 Television Studies: The Key Concepts . . . . . . . . . .29 Television, Audiences and Cultural Studies . . . . . .30 Television, Ethnicity and Cultural Change . . . . . . .12 Theology Goes to the Movies . . . . . . . . . . . . . . . .16 Theorizing Documentary . . . . . . . . . . . . . . . . . . .28 Thin Red Line, The . . . . . . . . . . . . . . . . . . . . . . . .18 Thinking in Action Series . . . . . . . . . . . . . . . . . . .18 Thinking on Screen . . . . . . . . . . . . . . . . . . . . . . .17 Thussu, Daya K. . . . . . . . . . . . . . . . . . . . . . . . . .2 Times of the Technoculture . . . . . . . . . . . . . . . . .13 Timeshift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 To Be Continued... . . . . . . . . . . . . . . . . . . . . . . . .13
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INDEX
Tosca, Susana Pajares . . . . . . . . . . . . . . . . . . . .8 Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . . . .4 Transnational Cinema, The Film Reader . . . . . . . .20 Transnational Connections . . . . . . . . . . . . . . . . .13 Triana-Toribio, Núria . . . . . . . . . . . . . . . . . . . . .27 Trifonova, Temenuga . . . . . . . . . . . . . . . . . . . .27 Turner, Graeme . . . . . . . . . . . . . . . . . . . . . . . .14 Turow, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . .1
U Understanding Animation . . . . . . . . . . . . . . . . . .23 Understanding Media . . . . . . . . . . . . . . . . . . . . . .3 Understanding Reality Television . . . . . . . . . . . . .30 Understanding Video Games . . . . . . . . . . . . . . . . .8 Unthinking Eurocentrism . . . . . . . . . . . . . . . . . . .23 Utterson, Andrew . . . . . . . . . . . . . . . . . . . .18, 20
V Van Leeuwen, Theo . . . . . . . . . . . . . . . . . . . .5, 8 Velayutham, Selvaraj . . . . . . . . . . . . . . . . . . . . .24 Video Game Theory Reader, The . . . . . . . . . . . . . .8 Video Playtime . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Video Production Techniques . . . . . . . . . . . . . . . .14 Videogames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Videogames Handbook, The . . . . . . . . . . . . . . . . .8 Villarejo, Amy . . . . . . . . . . . . . . . . . . . . . . . . . .14 Vincendeau, Ginette . . . . . . . . . . . . . . . . . . . . .25 Violence and American Cinema . . . . . . . . . . . . . .28
W Walker, Janet . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Wallis, Roger . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Warburton, Nigel . . . . . . . . . . . . . . . . . . . . . . .31 Ward, David . . . . . . . . . . . . . . . . . . . . . . . . . . .30 Wartenberg, Thomas E. . . . . . . . . . . . . . . . . . .17 Watching Babylon . . . . . . . . . . . . . . . . . . . . . . . . .2 Watching with The Simpsons . . . . . . . . . . . . . . . .11 Web Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Webcasting Worldwide . . . . . . . . . . . . . . . . . . . . .9 Webster, Frank . . . . . . . . . . . . . . . . . . . . . . . . .13 Wells, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Western Media Systems . . . . . . . . . . . . . . . . . . . . .5 Westerns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 What a Girl Wants? . . . . . . . . . . . . . . . . . . . . . . . .5 White Victims, Black Villains . . . . . . . . . . . . . . . . .10 White, John . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Wilkins, Lee . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Winston, Brian . . . . . . . . . . . . . . . . . . . . . . . . . .4 Winston-Dixon, Wheeler . . . . . . . . . . . . . . . . . .19 Wirth, Michael O. . . . . . . . . . . . . . . . . . . . . . . .11 Wolf, Mark J.P. . . . . . . . . . . . . . . . . . . . . . . . . . .8 Wolfe, Charles . . . . . . . . . . . . . . . . . . . . . . . . .27 Women Who Knew Too Much, The . . . . . . . . . . .15 Wood, Aylish . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Wood, Gerald C. . . . . . . . . . . . . . . . . . . . . . . .21 World Cinemas, Transnational Perspectives . . . . .27 Writing History in Film . . . . . . . . . . . . . . . . . . . . .17 Wyatt, Justin . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Y Young, Mallory . . . . . . . . . . . . . . . . . . . . . . . . .23 Youth Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Z Zero Comments . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Zhang, Yingjin . . . . . . . . . . . . . . . . . . . . . . . . .26 Zhu, Ying . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Zizek Through Hitchcock . . . . . . . . . . . . . . . . . . .15 Zizek, Slavoj . . . . . . . . . . . . . . . . . . . . . . . . . . .15 v
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