RELEASE DATES: 8.21.20/8.28.20 | ORDERS DUE BY 7.31.20/8.07.20
elliott smith ELLIOTT SMITH:
E X PA N D E D 2 5 TH A N N IV E R S A RY ED I TI O N K I L L R O C K S TA R S
THE LEMON TWIGS | BRIAN ENO & JOHN CALE | BLITZEN TRAPPER | MIRAH
Anniversary Catalog Sale CELEBRATING 15 YEARS OF CREATIVE MUSIC!
20% off select CDs. On sale now through September 30th.
Artist: Manuel Valera New Cuban Express Big Band Title: José Martí En Nueva York Catalog #: GRE-CD-1080 UPC: 186980000800 Format: CD Packaging: 6-Panel Digipak Box lot: 40
Artist: Mike Fahie Jazz Orchestra Title: Urban(e) Catalog #: GRE-CD-1077 UPC: 186980000770 Format: CD Packaging: 6-Panel Digipak Box lot: 40
Artist: Dave Douglas Title: Dizzy Atmosphere Catalog #: GRE-CD-1076 UPC: 186980000763 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Webber/Morris Big Band Title: Both Are True Catalog #: GRE-CD-1075 UPC: 186980000756 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Mareike Wiening Title: Metropolis Paradise Catalog #: GRE-CD-1073 UPC: 186980000732 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Ryan Keberle & Catharsis Title: The Hope I Hold Catalog #: GRE-CD-1072 UPC: 186980000725 Format: CD Packaging: 4-Panel Slim CD Wallet Box lot: 75
Artist: Dave Douglas, Uri Caine & Andrew Cyrille Title: Devotion Catalog #: GRE-CD-1071 UPC: 186980000718 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Greg Ward Title: Stomping Off From Greenwood Catalog #: GRE-CD-1069 UPC: 186980000695 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Rudy Royston Title: Flatbed Buggy Catalog #: GRE-CD-1065 UPC: 186980000657 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Sound Prints Title: Scandal Catalog #: GRE-CD-1063 UPC: 186980000633 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Dave Douglas Quintet Title: Brazen Heart Live at Jazz Standard - Complete Catalog #: GRE-CD-1046 UPC: 186980000466 Format: CD Packaging: 4 2x CDs shrink-wrapped Box lot: 18
Artist: Dave Douglas Quintet Title: Brazen Heart Live at Jazz Standard - Thursday Catalog #: GRE-CD-1066 UPC: 186980000664 Format: Double CD Packaging: Slim CD Wallet x2 Box lot: 70
Artist: Dave Douglas Quintet Title: Brazen Heart Live at Jazz Standard - Friday Catalog #: GRE-CD-1062 UPC: 186980000626 Format: Double CD Packaging: Slim CD Wallet x2 Box lot: 70
Artist: Dave Douglas Quintet Title: Brazen Heart Live at Jazz Standard - Saturday Catalog #: GRE-CD-1057 UPC: 186980000572 Format: Double CD Packaging: Slim CD Wallet x2 Box lot: 70
Artist: Dave Douglas Quintet Title: Brazen Heart Live at Jazz Standard - Sunday Catalog #: GRE-CD-1067 UPC: 186980000671 Format: Double CD Packaging: Slim CD Wallet x2 Box lot: 70
Artist: Dave Douglas & Frank Woeste Quartet Title: Dada People Catalog #: GRE-CD-1051 UPC: 186980000510 Format: CD Packaging: Slim Wallet Box lot: 40
Directed by Dave Douglas
Greenleaf Music
Artist: Greg Ward & 10 Tongues Title: Touch My Beloved's Thought Catalog #: GRE-CD-1050 UPC: 186980000503 Format: CD Packaging: 6-Panel Digipak Box lot: 30
Artist: Dave Douglas & High Risk Title: Dark Territory Catalog #: GRE-CD-1049 UPC: 186980000497 Format: CD Packaging: 6-Panel Digipak Box lot: 30
Artist: Ryan Keberle & Catharsis Title: Azul InďŹ nito Catalog #: GRE-CD-1047 UPC: 186980000473 Format: CD Packaging: 6-Panel Slim Wallet Box lot: 40
Artist: Dave Douglas Quintet Title: Brazen Heart Catalog #: GRE-CD-1044 UPC: 186980000442 Format: CD Packaging: 4-Panel Digipak Box lot: 40
Artist: Dave Douglas & High Risk Title: High Risk Catalog #: GRE-CD-1042 UPC: 186980000428 Format: CD Packaging: 6-Panel Digipak Box lot: 30
Artist: Donny McCaslin Title: Fast Future Catalog #: GRE-CD-1041 UPC: 186980000411 Format: CD Packaging: 6-Panel Digipak Box lot: 30
Artist: Dave Douglas & Uri Caine Duo Title: Present Joys Catalog #: GRE-CD-1037 UPC: 186980000374 Format: CD Packaging: 4-Panel Wallet Box lot: 45
Artist: Rudy Royston Title: 303 Catalog #: GRE-CD-1035 UPC: 186980000350 Format: CD Packaging: 4-Panel Digipak Box lot: 45
Artist: Dave Douglas Sextet Title: Pathways Catalog #: GRE-CD-1033 UPC: 186980000336 Format: CD Packaging: 6-Panel Digipak Box lot: 40
Artist: Donny McCaslin Title: Casting For Gravity Catalog #: GRE-CD-1028 UPC: 186980000282 Format: CD Packaging: 6-Panel Digipak Box lot: 30
Artist: Dave Douglas Quintet Title: Be Still Catalog #: GRE-CD-1027 UPC: 186980000275 Format: CD Packaging: 6-Panel Digipak Box lot: 40
Artist: Matt Ulery Title: By A Little Light Catalog #: GRE-CD-1026 UPC: 186980000268 Format: CD Packaging: 2CD Wallet Box lot: 30
Artist: Linda Oh Title: Initial Here Catalog #: GRE-CD-1024 UPC: 1 86980 00024 4 Format: CD Packaging: 4-Panel Digipak Box lot: 30
Artist: Dave Douglas & Brass Ecstasy Title: Spirit Moves Catalog #: GRE-CD-1010 UPC: 186980010106 Format: CD Packaging: Jewel case Box lot: 30
Artist: Dave Douglas & Keystone Title: Moonshine Catalog #: GRE-CD-1006 UPC: 186980000039 Format: CD Packaging: Jewel case Box lot: 30
Artist: Kneebody Title: Kneebody Catalog #: GRE-CD-1002 UPC: 186980000022 Format: CD Packaging: Jewel case Box lot: 30
ORDER FORM Street Date: 8.21.20 | Order Date: 7.31.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
634457269156
CD-YEP-2691
Prophet, Chuck
The Land That Time Forgot
CD
$10.65
$15.99
634457269132
LP-YEP-2691
Prophet, Chuck
The Land That Time Forgot
Vinyl
$13.30
$19.99
191400022928
CD-4AD-0229
Lemon Twigs, The
Songs for the General Public
CD
$10.65
$15.99
191400022911
LP-4AD-0229
Lemon Twigs, The
Songs for the General Public
Vinyl
$15.30
$22.99
191401156271
SI-OLE-1562LE
Pavement
Sensitive Euro Man b/w Brink Of The Clouds/Candylad
Vinyl
$17.30
$25.99
5060384618890
CD-WAST-009
Eno, Brian & John Cale
Wrong Way Up (30th Anniversary Reissue)
CD
$10.00
$14.99
5060384618968
CD-WAST-009X
Eno, Brian & John Cale
Wrong Way Up (30th Anniversary Reissue - Deluxe Edition)
CD
$12.00
$17.99
5060384618883
LP-WAST-009
Eno, Brian & John Cale
Wrong Way Up (30th Anniversary Reissue)
Vinyl
$16.00
$23.99
5060384618920
CD-WAST-018
Eno, Brian & Jah Wobble
Spinner (25th Anniversary Reissue)
CD
$10.00
$14.99
5060384618975
CD-WAST-018X
Eno, Brian & Jah Wobble
Spinner (25th Anniversary Reissue - Deluxe Edition)
CD
$12.00
$17.99
5060384618913
LP-WAST-018
Eno, Brian & Jah Wobble
Spinner (25th Anniversary Reissue)
Vinyl
$16.00
$23.99
781484077428
CD-DC-774
Mulaney, John & The Sack Lunch Bunch
Original Soundtrack Recording
CD
$11.30
$16.99
781484077411
LP-DC-774
Mulaney, John & The Sack Lunch Bunch
Original Soundtrack Recording
Vinyl
$20.00
$29.99
677517014525
CD-CAK-145
May, Dent
Late Checkout
CD
$9.30
$13.99
677517014518
LP-CAK-145
May, Dent
Late Checkout (BLUE VINYL)
Vinyl
$10.65
$15.99
848064011132
LP-RGM-1113
Horace Tapscott Quintet
The Giant Is Awakened (Black Vinyl Edition)
Vinyl
$15.30
$22.99
848064010883
LP-RGM-1088LE
Bukowski, Charles
Reads His Poetry (Limited 100th Birthday Vomit Vinyl Edition)
Vinyl
$15.30
$22.99
848064010777
CD-RGM-1077
Grateful Dead
Road Trips Vol. 3 No. 1--Oakland 12-28-1979
CD
$28.00
$41.99
848064010722
LP-RGM-1072LE
Tanega, Norma
Walkin’ My Cat Named Dog (Limited Sky Blue Vinyl Edition)
Vinyl
$16.65
$24.99
848064010708
LP-RGM-1070LE
Tom Tom Club
Tom Tom Club (Limited Tropical Yellow & Red Vinyl Edition)
Vinyl
$16.65
$24.99
744861012399
LP-OLE-123LE
Guided By Voices
Alien Lanes (25th Anniversary Edition)(MULTICOLORED VINYL)
Vinyl
$16.65
$24.99
887829112813
SI-RUG-1128T
Dirty Projectors
Super João
Vinyl
$11.30
$16.99
607396648221
CD-NW-6482
Naked Giants
The Shadow
CD
$8.00
$11.99
607396540716
LP-NW-5407
Naked Giants
The Shadow
Vinyl
$13.30
$19.99
607396541416
LP-NW-5414LE
Naked Giants
The Shadow
Vinyl
$13.30
$19.99
634457026445
LP-ALIVE-0175LELE
DM3 (with Dom Mariani)
West Of Anywhere
Vinyl
$13.30
$19.99
634457026438
LP-ALIVE-0177LELE
King Mud (Left Lane Cruiser, Radio Moscow)
Victory Motel Sessions
Vinyl
$13.30
$19.99
634457026421
LP-ALIVE-0171LELE
Left Lane Cruiser
Dirty Spliff Blues
Vinyl
$13.30
$19.99
634457026452
LP-ALIVE-0203LELE
Lonesome Shack
Desert Dreams
Vinyl
$13.30
$19.99
790377052428
CD-THRILL-524
Prekop, Sam
Comma
CD
$10.65
$15.99
790377052411
LP-THRILL-524
Prekop, Sam
Comma
Vinyl
$15.30
$22.99
790377524116
LP-THRILL-524A
Prekop, Sam
Comma (WHITE VINYL)
Vinyl
$16.65
$24.99
790377052626
CD-THRILL-526
Matmos
The Consuming Flame: Open Exercises in Group Form
CD
$14.65
$21.99
790377052824
CD-THRILL-528
Morgan, Sally Anne
Thread
CD
$10.65
$15.99
790377052817
LP-THRILL-528
Morgan, Sally Anne
Thread
Vinyl
$15.30
$22.99
790377528114
LP-THRILL-528A
Morgan, Sally Anne
Thread (YOLK VINYL)
Vinyl
$16.65
$24.99
790377052718
SI-THRILL-527
Bence, John
KILL (CLEAR VINYL)
Vinyl
$11.30
$16.99
5026328104553
CD-SOJR-455
Soul Jazz Records presents
Soul Jazz Records presents KALEIDOSCOPE - New Spirits Known and Unknown
CD
$15.30
$22.99
5026328204550
LP-SOJR-455
Soul Jazz Records presents
Soul Jazz Records presents KALEIDOSCOPE - New Spirits Known and Unknown
Vinyl
$26.00
$38.99
5026328004556
LP-SOJR-455-7X
Soul Jazz Records presents
Soul Jazz Records presents KALEIDOSCOPE - New Spirits Known and Unknown (Single Pressing with Bonus 7”)
Vinyl
$28.00
$41.99
DEAL
ORDER FORM Street Date: 8.21.20 | Order Date: 7.31.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
5026328704555
SI-SOJR-455LE
Cross, Theon / Pokus
Soul Jazz Records presents KALEIDOSCOPE: Theon Cross - Candace of Meroe / Pokus - Pokus One
Vinyl
$15.30
$22.99
858275060423
CD-MP-471
Hawke, Maya
Blush
CD
$8.65
$12.99
858275060416
LP-MP-471
Hawke, Maya
Blush
Vinyl
$13.30
$19.99
858275012934
LP-MP-120SP
Lucius
Wildewoman
Vinyl
$14.65
$21.99
634457025103
LP-PNKSLM-080
ShitKid
20/20 ShitKid
Vinyl
$14.00
$20.99
634457028371
LP-PNKSLM-080X
ShitKid
20/20 ShitKid
Vinyl
$14.00
$20.99
702397837428
CD-TZA-8374
Zorn, John and Jesse Harris
Songs For Petra
CD
$12.65
$18.99
4260126061378
LP-ANAF-012LE
Voz Di Sanicolau
Fundo De Maré Palinha
Vinyl
$20.00
$29.99
607618216610
LP-BBQ-2166
Freeez & John Rocca
Southern Freeez / Variations on a Theeem
Vinyl
$18.65
$27.99
708535798224
CD-SBR-7982
Winter, Johnny
Texas ‘63-’68
CD
$15.30
$22.99
5024545886825
CD-DY-031
Soft Machine
Live at the Baked Potato
CD
$6.65
$9.99
5055869572545
LP-LAUNCH-191
J. Zunz
Hibiscus
Vinyl
$20.00
$29.99
885012039961
CD-NSE-9373
Beloved, The
Happiness
CD
$11.30
$16.99
885012039954
LP-NSE-9239
Beloved, The
Happiness
Vinyl
$16.65
$24.99
634457024373
CD-FFINC-082
Nigel
Tantrum
CD
$7.30
$10.99
634457024380
LP-FFINC-082
Nigel
Tantrum
Vinyl
$14.65
$21.99
5060384618791
LP-BFR-006
Swarvy
Sunny Days Blue (LIMITED EDITION GREEN VINYL)
Vinyl
$11.30
$16.99
781484077510
LP-DC-775
AZITA
Glen Echo
Vinyl
$20.00
$29.99
309272739992
CD-NNA-127
Cradle, The
Laughing In My Sleep
CD
$8.65
$12.99
309272739244
LP-NNA-127
Cradle, The
Laughing In My Sleep
Vinyl
$12.65
$18.99
309272738247
LP-NNA-127LE
Cradle, The
Laughing In My Sleep (Coke Bottle Green)
Vinyl
$13.30
$19.99
659457244316
LP-STH-2443
Vex Ruffin
LiteAce Frequency
Vinyl
$12.00
$17.99
5051083142106
LP-ROCKACT-125
Grey Dogs
Outlaw King
Vinyl
$18.00
$26.99
309272738308
LP-BW-016
Keen, Pat
Cells Remain
Vinyl
$16.65
$24.99
5060514963999
CD-NHSS-391CD
Metrik
Ex Machina
CD
$6.00
$8.99
5060514964002
LP-NHSS-391
Metrik
Ex Machina
Vinyl
$15.30
$22.99
677517301519
SI-CHI-015
Peppers, Tony
Pamela
Vinyl
$6.65
$9.99
DEAL
Street Date: 8.28.20 | Order Date: 8.07.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
759656065627
CD-KRS-656
Smith, Elliott
Elliott Smith: Expanded 25th Anniversary Edition
CD
$17.30
$25.99
759656065610
LP-KRS-656
Smith, Elliott
Elliott Smith: Expanded 25th Anniversary Edition
Vinyl
$30.00
$44.99
759656065641
LP-KRS-656LE
Smith, Elliott
Elliott Smith: Expanded 25th Anniversary Edition (INDIE EXCLUSIVE / ELECTRIC BLUE VINYL)
Vinyl
$30.00
$44.99
634457272552
LP-YEP-2725X
Blitzen Trapper
Holy Smokes Future Jokes (INDIE EXCLUSIVE SPLATTER VINYL)
Vinyl
$15.30
$22.99
848064010845
CD-RGM-1084
Carn, Doug Featuring the Voice of Jean Carn
Spirit of the New Land (Remastered Edition)
CD
$9.30
$13.99
848064010821
LP-RGM-1082
Carn, Doug Featuring the Voice of Jean Carn
Spirit of the New Land (Remastered Vinyl Edition)
Vinyl
$16.00
$23.99
848064010814
CD-RGM-1081
Bishop Jr., Walter
Coral Keys (Remastered Edition)
CD
$9.30
$13.99
848064010784
LP-RGM-1078
Bishop Jr., Walter
Coral Keys (Remastered Vinyl Edition)
Vinyl
$16.00
$23.99
848064010876
CD-RGM-1087
Awakening, The
Hear, Sense and Feel (Remastered Edition)
CD
$9.30
$13.99
848064010852
LP-RGM-1085
Awakening, The
Hear, Sense and Feel (Remastered Vinyl Edition)
Vinyl
$16.00
$23.99
5055869593618
CD-HDB-051
Lanza, Jessy
All The Time
CD
$10.00
$14.99
5055869593601
LP-HDB-051
Lanza, Jessy
All The Time (INDIE EXCLUSIVE TURQUOISE VINYL)
Vinyl
$12.65
$18.99
5055869593748
LP-HDB-051LE
Lanza, Jessy
All The Time (INDIE EXCLUSIVE PINK VINYL)
Vinyl
$12.65
$18.99
DEAL
ORDER FORM Street Date: 8.28.20 | Order Date: 8.07.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
DEAL
781484077213
LP-DC-772
Dorji, Tashi
Stateless
Vinyl
$16.65
$24.99
5052442013495
CD-LMC-219
Penn, Dan
Living On Mercy
CD
$10.00
$14.99
5052442013549
LP-LMC-222
Dan Penn and Spooner Oldham
Moments from this Theatre
Vinyl
$16.65
$24.99
644110406927
CD-DDW-069
Mirah
You Think It’s Like This But Really It’s Like This (20 Year Anniversary Reissue)
CD
$10.00
$14.99
644110406910
LP-DDW-069
Mirah
You Think It’s Like This But Really It’s Like This (20 Year Anniversary Reissue)
Vinyl
$16.65
$24.99
623339914123
CD-NDR-9141
Knight, Aidan
Aidan Knight
CD
$8.00
$11.99
623339914116
LP-NDR-9141
Knight, Aidan
Aidan Knight
Vinyl
$16.65
$24.99
090771806529
CD-MH-065
Kennelmus
Folkstone Prism
CD
$10.00
$14.99
090771806512
LP-MH-8065
Kennelmus
Folkstone Prism
Vinyl
$16.65
$24.99
634457027671
CD-DG-216
Mitchell, Nicole and Moor Mother
Offering - Live at Le Guess Who
CD
$8.65
$12.99
5056340100752
LP-MI-0149X
Field Music
Field Music (Measure)
Vinyl
$18.65
$27.99
5056340100745
SI-MI-0591
Mush
Great Artisanal Formats
Vinyl
$8.00
$11.99
5065000444693
CD-HOUND-130
Various Artists
Alterity
CD
$8.65
$12.99
5065000444686
LP-HOUND-130
Various Artists
Alterity
Vinyl
$20.00
$29.99
857387005605
LP-BBIB-013CBS
Kikagaku Moyo
Forest of Lost Children (Clear Vinyl with Black Splatter)
Vinyl
$13.30
$19.99
186980000770
CD-GRE-1077
Fahie, Mike
Urban(e)
CD
$9.30
$13.99
186980000800
CD-GRE-1080
Manuel Valera New Cuban Express Big Band
José Martí En Nueva York
CD
$9.30
$13.99
843563128831
LP-EIS-103
Knot
Knot
Vinyl
$12.00
$17.99
634457021532
SI-PNKSLM-078
Yung
Progress
Vinyl
$6.65
$9.99
720524946683
LP-EHR-047
Suburban Living
How to be Human
Vinyl
$12.65
$18.99
720524946690
LP-EHR-047LE
Suburban Living
How to be Human (GREEN VINYL)
Vinyl
$14.00
$20.99
630808828829
CD-WWR-4762
Abbasi, Rez
Django-shift
CD
$10.00
$14.99
630808828836
LP-WWR-4762
Abbasi, Rez
Django-shift
Vinyl
$19.30
$28.99
634457010284
CD-TSR-218
Standards
Fruit Island
CD
$7.30
$10.99
634457010291
LP-TSR-218
Standards
Fruit Island
Vinyl
$13.30
$19.99
634457010277
CS-TSR-218
Standards
Fruit Island
Cassette
$6.00
$8.99
682863343632
LP-FMG-085
Barry, Jennah
Holiday
Vinyl
$12.00
$17.99
023632675019
LP-577R-5839
Astroturf Noise
Astroturf Noise
Vinyl
$12.65
$18.99
NEW RELEASES Street Date: 8.07.20 | Order Date: 7.17.20
1. BEST SHIRT ON 2. HIGH AS JOHNNY THUNDERS 3. MARATHON 4. PAYING MY RESPECTS TO THE TRAIN 5. WILLIE AND NILLI 6. FAST KID 7. LOVE DOESN’T COME FROM THE BARREL OF A GUN 8. NIXONLAND 9. MEET ME AT THE ROUNDABOUT 10. WOMANKIND 11. WAVING GOODBYE 12. GET OFF THE STAGE
STANDARD EDITION LP: ARTIST: Chuck Prophet TITLE: The Land That Time Forgot CAT #: LP-YEP-2691 UPC: 634457269132 PACKAGING: Black Vinyl in Gatefold LP BOX LOT: 30 TERRITORY: Worldwide
CD:
CHUCK PROPHET THE LAND THAT TIME FORGOT RELEASE DATE: AUGUST 21, 2020
ARTIST: Chuck6Prophet TITLE:26913 The Land That 34457 2 Time Forgot CAT #: CD-YEP-2691 UPC: 634457269156 PACKAGING: Digipak BOX LOT: 25 TERRITORY: Worldwide
6
34457 26915 6
THE LAND THAT TIME FORGOT got off the ground in the Money Belt, only to find its legs in the Borscht Belt. Musically it has deep roots, from the Southern Delta to the discos of Munich. There’s a kind of folkish inevitability to it, lots of acoustic instruments, on top of each other and side by side. But as much as folk music is the soil all music grows from, it never hurts to have a boiler room. So, there’s always a rhythm section shuffling under your feet here. Written mostly with longtime co-conspirator klipschutz, this LP steps out of Chuck Prophet’s comfort zone (“two guitars, bass, and drums”). After nailing three tracks in S.F. with Grammy-winning alchemist Matt Winegar, Prophet confesses, “We hit a wall. Schedules. Money. Towed vehicles: a thousand large to get one van out of lockup.”
HIGHLIGHTS: ☛ Uncut magazine “Americana Album of the Month” ☛ Shore Fire Media is US publicist. ☛ Brad Paul Media is handling US radio promotion at AAA and Americana. ☛ “Get Off the Stage” from the album was released in January ahead of the album’s announce and included an animated video directed by Kendra Morris (MF DOOM, Czarface, Eli Paperboy Reed).
☛ A live version of “High As Johnny Thunders” from the album was performed on
Southwest Airlines & Luck Reunion’s show “Sites & Sounds,” with Aaron Lee Tasjan.
☛ Engineered and mixed by Paul Kolderie (Dinosaur Jr., Pixies, Radiohead). ☛ Stevie Simkin’s Chuck Prophet biography, What Makes the Monkey Dance: The Life
And Music Of Chuck Prophet And Green On Red, will be released August 21, 2020.
☛ Digital download included with LP.
Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278 INFO@YEPROC.COM | YEPROC.COM | 336-578-7300
CHUCK PROPHET ARTIST SALE 10% OFF VINYL / 20% OFF CDS NOW THROUGH AUGUST 21, 2020 ASK YOUR SALES REP FOR DETAILS!
BOBBY FULLER DIED FOR YOUR SINS YEP-2490
NIGHT SURFER
NIGHT SURFER 7” BOX SET
YEP-2406 CD:
YEP-2454 LP:
CD: LP:
6
34457 24902 8
6
34457 24901 1
LP: CS:
TEMPLE BEAUTIFUL
LET FREEDOM RING
YEP-2255
YEP-2490
CD:
CD:
LP:
LP:
SOAP AND WATER YEP-2173 CD:
THE LEMON TWIGS
SONGS FOR THE GENERAL PUBLIC
Tracklist
CD/LP 1 / A1 2 / A2 3 / A3 Met) 4 / A4 5 / A5 6 / A6 7 / B1 8 / B2 9 / B3 10 / B4 11 / B6 12 / B7
Hell on Wheels Live in Favor of Tomorrow No One Holds You (Closer Than The One You Haven’t Fight Somebody Loving You Moon The One Only a Fool Hog Why Do Lovers Own Each Other? Leather Together Ashamed
LP 4AD-0229-LP
The D’Addario brothers will return this Spring with their third Lemon Twigs album, Songs For The General Public. The prodigiously-talented duo’s showstopping melodies mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff. Songs For The General Public was written, recorded and produced by the D’Addarios at their Long Island home studio, Sonora Studios in Los Angeles and New York City’s Electric Lady. TOUR: April 29 – DURHAM, NC, Motorco Music Hall April 30 – ASHEVILLE, NC, The Orange Peel May 1 – NASHVILLE, TN, Exit / In May 2 – ATLANTA, GA, Shaky Knees Festival May 5 – ST. LOUIS, MO, Off Broadway May 7 – COLUMBUS, OH, Ace of Cups May 8 – INDIANAPOLIS, IN, Hi-Fi May 9 – DETROIT, MI, El Club May 12 – TORONTO, ON, Mod Club May 13 – MONTREAL, QC, Belmont May 15 – BROOKLYN, NY, Elsewhere Hall May 16 – PHILADELPHIA, PA, Underground Arts May 17 – BOSTON, MA, Sinclair June 3 – SAN DIEGO, CA, Music Box June 5 – LOS ANGELES, CA, Troubadour June 6 – SAN FRANCISCO, CA, The Chapel June 10 – PORTLAND, OR, Wonder Ballroom June 12 – VANCOUVER, BC, Fox Cabaret June 13 – SEATTLE, WA, Crocodile June 16 – MINNEAPOLIS, MN, Fine Line June 17 – CHICAGO, IL, Lincoln Hall June 19 – WASHINGTON, DC, U Street Music Hall 505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
CD 4AD-0229-CD
“The charm of the Lemon Twigs is in the unabashed, theater-kid fun they have with their record collection, an energy that guides their work more than any particular style” - Pitchfork “When I first heard The Lemon Twigs, I felt like I was listening to music from a time that never was. The sound made by these two teenaged brothers distills pop music from the 1960s through a 21stcentury lens.” - Bob Boilen, NPR “The Lemon Twigs blend classic country twang with piano-driven glam, building steadily to a peak packed with an uproarious burst of banjo and guitar.” - Rolling Stone “The main concern, for them, is to keep working, to capitalize on a moment and chase the big, convoluted dreams they concocted back there in Hicksville. It has been a strange enough trip so far. Who knows what weird twists and turns the Lemon Twigs have in store next. But contrary to whatever you might think, they definitely aren’t fucking around.” - Stereogum “Things are most definitely happening for The Lemon Twigs, but this isn’t something they suddenly lucked into: Michael and Brian have been working towards a career in music in one way or another their whole lives.” - Vice
Available from: August 21st, 2020 May 1st, 2020 4AD 134 Grand Street, New York, New York 10013
PAVEMENT SENSITIVE EURO MAN b/w BRINK OF THE CLOUDS/CANDYLAD SELLING POINTS
PRAISE FOR WOWEE ZOWEE “A masterpiece” - Rolling Stone “The original A, stretching from “We Dance” to “Serpentine Pad”, may be the best album side Pavement ever managed” - Pitchfork “This album — and this band — is monument to camaraderie, absurdity, and the beauty of creation for creation’s sake” - Stereogum “The beloved oddball in Pavement’s discography… Lend Wowee Zowee your time and it will give you so much in return” - Consequence of Sound
134 Grand St New York, NY 10013 United States (212) 995-5882
• LIMITED TO AN EDITION OF 3,000 WORLDWIDE • BOTH TRACKS ON VINYL FOR THE FIRST TIME • ANNOUNCING AROUND THE 25TH ANNIVERSARY OF WOWEE ZOWEE • UNIQUE SHAPE DISC DESIGNED TO MATCH THE SPEECH BUBBLE ON THE COVER OF WOWEE ZOWEE • PAVEMENT HEADLINING PRIMAVERA 2020, RESCHEDULED FOR AUGUST • PART OF MATADOR REVISIONIST HISTORY 2020, FEATURING CATALOG TITLES FROM YO LA TENGO, GUIDED BY VOICES AND MORE. • BOTH TRACKS PREVIOUSLY FOUND ON WOWEE ZOWEE: SORDID SENTINELS
TRACKLIST
01 SENSITIVE EURO MAN 02 BRINK OF THE CLOUDS / CANDYLAD 7” SHAPE DISC OLE-1562-S Non-Returnable
RELEASE DATE: AUGUST 21, 2020 NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
Brian Eno & John Cale Wrong Way Up
CAT NO: WAST009LP (12”) WAST009CD (cd) WAST009CDX (ltd cd) UPC: 5060384618883 (12”) 5060384618890 (cd) 5060384618968 (ltd cd) RELEASE DATE: August 21st, 2020 Overview: “ Brian Eno and John Cale’s 1990 collaboration is an album of contention, contrasts, cycles, and pop songs so layered and euphoric it ranks among the best albums either artist has ever made.” - Pitchfork 30th-anniversary reissue of the historic coming together of two icons of leftfield music. Having both started their careers as creative forces in seminal bands (Eno’s unique synthesizer treatments in Roxy Music and Cale’s viola and bass contributions to the Velvet Underground), they’ve appeared as guest musicians on each other’s records as far back as 1974, the year in which they also made a historic live album with Nico and Kevin Ayers at the Rainbow Theatre in London. They remained ords For The friends, and the year prior to W rong Way Up, Eno produced Cale’s W Dying album. This paved the way for the pair to write and record an album together, notably the first time Eno had delivered a collection of song-based recordings since B efore And After Science in 1977. The resulting album is a triumph for both artists, containing the singles “Spinning Away” and “Been There Done That”.
Product Description: LP Black vinyl in printed inner sleeve with 1990 Eno interview and download card for full album plus two bonus tracks.
Vinyl barcode:
CD / CDX T wo bonus tracks and booklet containing a 1990 interview with Eno about the making of the album. CDX is a limited edition run in casebound packaging.
CD barcode:
Box lot: 25 Ⓟ & © 2020 All Saints Records Tracklist Side One 1. Lay My Love 2. One Word 3. In The Backroom 4. Empty Frame 5. Cordoba Side Two 1. Spinning Away 2. Footsteps 3. Been There Done That 4. Crime In The Desert 5. The River Bonus tracks accessible via download card: Grandfather’s House Palanquin non-LP tracks originally released as the b-side to the Spinning Away single
CDX barcode: Box lot: 25 Ⓟ & © 2020 All Saints Records Tracklist 01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12.
Lay My Love One Word In The Backroom Empty Frame Cordoba Spinning Away Footsteps Been There Done That Crime In The Desert The River Grandfather’s House Palanquin
Tracks 11 and 12 are non-album tracks originally released as the b-side to the Spinning Away single
Brian Eno & Jah Wobble Spinner
CAT NO: WAST018LP (12”) WAST018CD (cd) WAST018CDX (ltd cd) UPC: 5060384618913 (12”) 5060384618920 (cd) 5060384618975 (ltd cd) RELEASE DATE: August 21st, 2020
Overview: 25th anniversary reissue of this unique coming together of Brian Eno and ex-Public Image Limited bass player Jah Wobble, also featuring Jaki Liebezeit from Can on drums. Starting life as the soundtrack to Derek Jarman’s Glitterbug, Eno passed stereo mixes of the film cues to Wobble who embellished and built upon them to construct the Spinner tracks. The resulting fusion combines icy ambience with a kind of psychogeographical funk.
Product Description: LP
CD / CDX
Black vinyl in printed inner sleeve with notes from both artists and download card for full album plus two bonus tracks.
Contains two bonus tracks plus booklet with sleeve notes from both artists. CDX is a limited edition run in casebound packaging.
CD barcode: Vinyl barcode: Box lot: 25 Ⓟ & © 2020 All Saints Records Tracklist
CDX barcode:
side one 1. Where We Lived 2. Like Organza 3. Steam 4. Garden Recalled 5. Marine Radio 6. Unusual Balance
Box lot: 25 Ⓟ & © 2020 All Saints Records
side two 1. Space Diary 2. Spinner 3. Transmitter And Trumpet 4. Left Where It Fell bonus tracks accessible via download card: Stravinsky Lockdown “Stravinsky” is an original Brian Eno track from the Derek Jarman Glitterbug soundtrack. “Lockdown” is a new and exclusive track by Jah Wobble.
Tracklist 01. Where We Lived 02. Like Organza 03. Steam 04. Garden Recalled 05. Marine Radio 06. Unusual Balance 07. Space Diary 08. Spinner 09. Transmitter And Trumpet 10. Left Where It Fell 11. Stravinsky 12. Lockdown Track 11 is an original Brian Eno track from the Derek Jarman Glitterbug soundtrack. Track 12 a new and exclusive track by Jah Wobble.
DENT MAY LATE CHECKOUT
CARPARK RECORDS www.carparkrecords.com “Full speed ahead now, no more looking back.” Dent May confidently croons on his fifth LP, Late Checkout. The un-nostalgic sentiment and sobering clarity of May’s latest body of work signifies the 35-year-old songwriter from Mississippi taking a reflective rest-stop on the winding road of his now decade-long career. After relocating to Los Angeles in 2015, touring his last record Across the Multiverse around the world, and building his own Honeymoon Suite Recording Studio with friends Pat Jones and Michael Rosen, May suddenly found himself with the chance to take his time making a record. Through the dozen thematically-linked tracks on Late Checkout, May grapples with the swinging emotions of our contemporary reality with a rare optimism and distinguished sound.
TRACKLISTING 1. Hotel Stationery 2. I Could Use A Miracle 3. Didn’t Get The Invite 4. Sea Salt & Caramel 5. Bungalow Heaven 6. Bless Your Heart
7. 8. 9. 10. 11. 12.
Full Speed Ahead Easier Said Than Done L.A. River Imagination Pour Another Round Late Checkout
CATALOG NUMBER: CAK145 STREET DATE: August 21, 2020 FILE UNDER: Alternative/Indie Rock DISCOUNT: 5% on LP, 10% on CD until Sept 18, 2020 LATE CHECKOUT LP (BABY BLUE VINYL) UPC 677517014518 LATE CHECKOUT CD UPC 677517014525 ALSO AVAILABLE Across The Multiverse LP 677517012316 Across The Multiverse CD 677517012323 Warm Blanket LP 677517104219 Warm Blanket CD 677517104226 Do Things LP 677517104011 Do Things CD 677517104028
Bearing the torch of classic American songwriters that have inspired him like Harry Nilsson, Carole King, and Randy Newman, May has gingerly cultivated his iPhone note scribbles and subconscious melodies into songs that could stand the test of time. Leaving the comfort of home-recording, May set out to elevate the production quality on Late Checkout while maintaining some intimacy through sparse arrangements. After writing and performing parts for a bulk of the instruments on the album, May filled out his orchestrations by inviting string players, a horn section, background vocalists, and a pair of auxiliary drummers to play on the album. Contrary to the instant gratification permitted by modern home-recording, May made a conscious decision to slow down and pay careful attention to his songwriting on this album. He began to savor the minutiae of his daily life spent wandering around LA, not getting invited to hang with friends, and waking up in hotel rooms after DJing weddings. May drew on these moments in his lyrics and began assembling ballads at his new studio, mimicking the bittersweet tone and consistent work ethic of Motown. “I’ve been collecting stationery from almost every hotel I’ve stayed at for the past ten years.” May reveals about the album’s opener “Hotel Stationary.” “I’ve always been drawn to the nature of hotels. I think it relates to this sense of always feeling out of place and my constant wanderlust.” On Late Checkout’s first single, “I Could Use A Miracle,” May sings about the desperation of feeling down-and-out against a lush and upbeat pop instrumental. The groovy “Easier Said Than Done” is decorated with bright keys and syncopated drums while May sings about coming to the end of his journey to find love. “Sea Salt & Caramel,” spilled out of May as a saccharine love song to his girlfriend, adding pure sweetness to balance the record’s melancholy pallet. From beginning to end, May bares his soul on each track across Late Checkout, offering a reluctant goodbye to his former selves, before wandering home. BUNGALOW BULLET POINTS • North American publicity by Grandstand • College/Non-Commercial/Commercial Specialty radio by Terrorbird • Digital playlisting & positioning by Terrorbird • Sync licensing by Terrorbird • Facebook boosted posts and targeted Instagram dark posts throughout campaign • “I Could Use A Miracle” and more music videos in the works • Pressed on Baby Blue Vinyl, includes free digital download
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
SELLING POINTS • The Release of The Giant Is Awakened in 1969 on the Flying Dutchman Label Did Indeed Herald the Arrival of a Giant in West Coast Jazz • Pianist/Composer/Bandleader Horace Tapscott Went On to Form the Pan-Afrikan Peoples Arkestra, or P.A.P.A., Its Name a Homage to Tapscott’s Like-Minded Predecessor and Peer, Sun Ra • P.A.P.A. in Turn Became Part of a Larger Umbrella Arts Oranization in Southern California, Union of God’s Musicians and Artists Ascension (UGMAA), Which Enlisted Musicians, Singers, and Poets to Celebrate African-American Music • Under Tapscott’s Leadership, UGMAA Fostered the Careers of Such Notable Jazz Musicians as Arthur Blythe, David Murray, Butch Morris, Wilber Morris, Jimmy Woods, Nate Morgan, and Sinclair Greenwell, Jr. (a.k.a. Guido Sinclair) • Arthur Blythe Appears on The Giant Is Awakened Billed as Black Arthur Blythe • Fellow UGMAA Member, Writer Stanley Crouch, Contributes Liner Notes • Both P.A.P.A. and UGMAA Were Huge Influences on Kamasi Washington, Whose Vision of a Large, Los Angeles Community-Based Ensemble Owes a Lot to Tapscott • Original Copies of The Giant Is Awakened Fetch Hundreds of Dollars, and Real Gone’s First-Ever Reissue in Neon Green Vinyl Sold Out Immediately • This New Release Comes in Black Vinyl, Preferred by Many Jazz Listeners to Colored Vinyl • Pressed by Gotta Groove Records • Lacquers Cut from High-Res Audio Sources • Original Gatefold Artwork iBarcoder Trial "
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UPC: 848064011132
FORMAT: Regular Weight Black Vinyl PACKAGING: Gatefold LP Jacket BOX LOT: 30
SELLING POINTS • August 16, 2020 Marks the 100th Birthday of Legendary Writer Charles Bukowski • To Celebrate, Real Gone Music Is Releasing a Special “Vomit Vinylâ€? Edition of His 1972 Release on John Fahey’s Takoma Label, Charles Bukowski Reads His Poetry • The Album Presents a September 14, 1972 Poetry Reading • Offers Observations and Vignettes Drawn from Life’s Darker Side, Focusing on Perversions, Poverty, Drunkenness, Gambling, and Bodily Functions (Including the Bodily Function Most Mentioned in Bukowski’s Writings, Vomiting) • Shocking but Life-Affirming at the Same Time, the Material Brings Humanity to Its Transgressive Themes • And Bukowski’s Bemused Air and Self-Deprecating Humor Lend Him an Everyman Quality • Limited to 1000 Copies
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UPC: 848064010883 FORMAT: Regular Weight “Vomit� Vinyl PACKAGING: LP Jacket BOX LOT: 60
orace apscott uintet: The iant Is wakened (Limited Black Vinyl Edition) STREET DATE: AUGUST 21, 2020 The title of Horace Tapscott’s debut release is apt, if not self-referential, for indeed a giant of West Coast jazz had awakened with this, the pianist/composer/bandleader’s 1969 album for the Flying Dutchman label. Tapscott went on to form two groups crucial to the flowering of modern jazz in the Los Angeles area, the Pan Afrikan Peoples Arkestra (or P.A.P.A.; the name is an homage to Tapscott’s predecessor and peer, Sun Ra), which eventually became part of a larger umbrella organization, Union of God’s Musicians and Artists Ascension (UGMAA). Out of UGMAA came a host of LA-bred musicians, singers, and poets, including Arthur Blythe (who goes by Black Arthur Blythe on this recording), Stanley Crouch (who wrote the original liner notes), David Murray, Butch Morris, Wilber Morris, Jimmy Woods, Nate Morgan, and Sinclair Greenwell, Jr. (a.k.a. Guido Sinclair). And anchoring it all was Tapscott himself; as Kamasi Washington, whose vision of a large, Los Angeles community-based ensemble echoes that of P.A.P.A. and UGMAA, said in 2015: “Horace is one of the most important figures in the foundation of music in L.A., from both a purely musically and socially conscious perspective.� Our first, neon green vinyl release of this momentous record sold out in a heartbeat; now, we’re bringing it back in a black vinyl edition pressed at Gotta Groove Records, taken from highresolution audio sources and complete with original gatefold artwork. A foundational document of West Coast modern jazz!
SONGS
Side One 1. The Giant Is Awakened 2. For Fats
Side Two 1. The Dark Tree 2. Niger’s Theme
CHARLES BUKOWSKI READS HIS POETRY (Limited 100th Birthday Vomit Vinyl Edition) STREET DATE: AUGUST 21, 2020 “This is Charles Bukowski. Well, let me just sit here and drink beer.� Thus begins the September 14, 1972 poetry reading from which this 1980 release on John Fahey’s Takoma label is drawn. This is quintessential Bukowski, from the rude ‘n’ crude drawing that adorns the front cover to the belches that punctuate the poems. As for the work itself, it’s not really what you’d commonly conceive of as poetry, but rather observations and vignettes drawn from life’s darker side, focusing on perversions, poverty, drunkenness, gambling, and bodily functions. But Bukowski’s bemused air and self-deprecating humor blunt the shock value of the words and emphasize the universality of the themes. “I want you to hate me,� he says to the audience, but it’s hopeless—he is one of us. Now, Real Gone is celebrating the 100th birthday (8/16/20 is the date) of this largerthan-life figure with a special “vomit vinyl� pressing (of all the bodily functions, this is the one that Bukowski, um, revisited again and again in his writings). Limited to 1000 copies, and sure to go as fast as the author would drain your liquor cabinet. EXPLICIT MATERIAL.
Tracks Side One 1. Introduction 2. Creation of the Morning Line 3. Death 4. The Sex Fiends 5. “Love,� He Said 6. Piss and Shit 7. The Death of an Idiot 8. Style Side Two 1. The Worlds Greatest Loser 2. Last Day of the Suicide Kid 3. The Shoe Lace 4. Hot 5. Earthquake 6. The Rat 7. The Best Love Poem
GRATEFUL DEAD:
SELLING POINTS • The Road Trips Series Continued the Long Strange Trip the Grateful Dead Began with the Dick’s Picks Series, Offering More Beautifully-Recorded Live Shows from Various Eras in the Band’s History • Now, Real Gone Music Is Reissuing the Entire Road Trips Series Back to Front, Just Like the Label Did with the Dick’s Picks Series • None of the Road Trips Volumes Have Ever Been Available at Regular Music Retail • Road Trips Vol. 3 No.1—Oakland 12-28-1979 Captures the Group in the Middle of One of Its Cherished Year-End Bay Area Concert Stands • Great Sound Taken from Original Soundboard Reels Recorded by Betty Cantor-Jackson and Remastered by Jeffrey Norman • This Show Demonstrates the Amazing Degree to Which Brent Mydland Had Integrated Himself into the Band’s Sound by the End of 1979 • “High Time” Is a Real Highlight in the First Set, As Is “It’s All Over Now” Courtesy of Some “Phil Bombs” • Second Set Is Dominated by a TimeSuspending Medley of “Terrapin Station”/ “Playing in the Band”/ “Rhythm Devils”/ “Space”/ “Uncle John’s Band”/ “I Need a Miracle”/ “Bertha”/ “Good Lovin’” • “Casey Jones”/ “One More Saturday Night” Encore Medley Sends Everyone Home Happy
ROAD TRIPS VOL. 3 NO.1— OAKLAND 12-28-1979 (2-CD Set) STREET DATE: AUGUST 21, 2020 SONGS:
Ah, those year-end Bay Area concert runs by the Dead. Seldom was the band quite as consistently brilliant as they were during these celebratory stands, playing in familiar environs in front of audiences full of old friends. The group’s archivists already dipped into this particular set of performances with Dick’s Picks Vol. 5, which captured the December 26 show; this 2-CD set transports us two days later for another superior date which again demonstrates the astonishing degree to which keyboardist Brent Mydland had integrated himself into the band by the end of 1979. Special mention should also be made of the sound, too, taken from the original soundboard concert reels recorded by Betty Cantor-Jackson and remastered in HDCD by Jeffrey Norman; the booklet features Jay Blakesberg photos from the Oakland Auditorium shows and an essay by long-time Dead scribe Steve Silberman. As for the music, any set that includes “High Time” promises exactly that; “It’s All Over Now” drops a series of “Phil Bombs” right before it. Set two unleashes a medley that goes from revelatory to rockin’ in one time-suspending, hour-plus journey that starts with “Terrapin Station” and winds up with ”Good Lovin’.” The “Casey Jones”/”One More Saturday Night” encore brings the night to a dizzying close, sending the crowd out in the streets for a party that was no doubt just getting started. First time available at regular music retail!
DISC ONE Set One
1. Sugaree 2. Mama Tried 3. Mexicali Blues 4. Row Jimmy 5. It’s All Over Now 6. High Time 7. The Music Never Stopped
Set Two
8. Alabama Getaway 9. Greatest Story Ever Told
DISC TWO Set Two - (cont.)
1. Terrapin Station 2. Playing in the Band 3. Rhythm Devils 4. Space 5. Uncle John’s Band 6. I Need a Miracle 7. Bertha
• Full-Color Booklet Features Notes by Long-Time Dead Scribe Steve Silberman
8. Good Lovin’
• Photos from the Oakland Auditorium Shows by Jay Blakesberg
10. One More Saturday Night
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UPC: 848064010777 FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30
9. Casey Jones
NORMA TANEGA WALKIN’ MY CAT NAMED DOG
SELLING POINTS • Listeners Have Rediscovered Norma Tanega Because of “You’re Dead,” the Theme Song to What We Do in the Shadows • But She Was First Discovered While Singing at a Summer Camp in the Catskills by Producer Herb Bernstein • Bernstein Brought Her to the Attention of Four Seasons Songwriter Bob Crewe, Who Signed Her to His New Voice Label • Success Was Almost Instantaneous for Tanega, as the Title Track to Her 1966 Album Walkin’ My Cat Named Dog Went to #22 on the Charts • But the Folk-Pop Sheen of That Album Obscured the Fact That Her Material Was Not Standard Top 40 Fare • Tanega’s Voice Was Unconventional, and Her Songs Were Very Personal and Idiosyncratic, Employing Unusual Structures and Meters • In Fact, on Her American Tour to Support the Album, Her Back-Up Band The Outsiders Couldn’t Get the Hang of Her Songs, Forcing Her to Employ Session Musicians • Then, on Her Subsequent British Tour, She Met Dusty Springfield, and Her Life Changed Completely • Springfield and Tanega Began an Artistic and Romantic Partnership That Prompted Tanega to Move to London for Five Years • After the Pair Split Up, Tanega Moved to California, and Shifted to Playing Percussion in More Experimental Settings, Following the Eccentric Muse That Makes Walkin’ My Cat Named Dog Such an Entrancing Listen • Original Artwork • In Stereo • Limited Sky Blue Vinyl Pressing
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UPC: 848064010722
FORMAT: Regular Weight Sky Blue Vinyl PACKAGING: LP Jacket BOX LOT: 50
SELLING POINTS • Out of Talking Heads Came a Number of Side Projects, but None as Fun and Infectious as Chris Frantz and Tina Weymouth’s Tom Tom Club • Their 1982 Self-Titled Debut Was Made in Barbados after the Intense Album Sessions for Remain in Light • Features Adrian Belew and Steve Stanley from the Remain in Light Band • Though It Was Made as Something of a Lark, the Blend of Downtown Alternative and Hip Hop Aesthetics on Tom Tom Club Became Enormously Influential • Includes the Hit Singles “Wordy Rappinghood” and “Genius of Love” • Real Gone Music’s Reissue Features the Original, Exuberant Album Art • Limited Edition Tropical Yellow with Red Vinyl Pressing in Honor of the Album’s Barbados Roots iBarcoder Trial "
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UPC: 848064010708
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FORMAT: Regular Weight Tropical Yellow with Red Vinyl PACKAGING: LP Jacket BOX LOT: 50
(LIMITED SKY BLUE VINYL EDITION)
STREET DATE: AUGUST 21, 2020 The theme song “You’re Dead” to the FX show What We Do in the Shadows has fostered a new appreciation for the singular talent that was Norma Tanega. And it’s high time, too...Norma was discovered while singing to Catskill summer campers by producer Herb Bernstein, who brought her to Four Seasons songwriter Bob Crewe. Crewe signed her to his New Voice label, and success was instantaneous: the title song to Walkin’ My Cat Named Dog went to #22 on the charts. But, despite the album’s folk-pop trappings, Norma Tanega was not an artist destined to stay at the top of the charts for long; her voice was unconventional, and her songs were too idiosyncratic, not sticking to typical song structure or even meter (for example, “No Stranger Am I” is set to a 5/4 time signature). In fact, Tanega’s songs were so unusual that she had to hire session musicians to play them on the North American tour she took to support the album instead of her erstwhile back-up band The Outsiders! Upon returning, she then embarked on a British tour that was to change her life forever; there she met Dusty Springfield, and the two embarked on an artistic and romantic relationship that prompted Tanega to move to London for five years. After the pair broke up, Tanega wound up moving to California and shifted to playing percussion in more experimental settings, following the wayward muse that makes Walkin’ My Cat Named Dog such an entrancing and unique listening experience to this day. Our first pressing in green vinyl sold out pretty much the day it arrived in our warehouse; now we’re coming back with a sky blue vinyl edition, reissued in stereo with the original album art intact!
SONGS: Side One 1. You’re Dead 2. Treat Me Right 3. Waves 4. Jubilation 5. Don’t Touch 6. Walkin’ My Cat Named Dog Side Two 1. A Street That Rhymes at 6 A.M. 2. I’m Dreamin’ a Dream 3. What Are We Craving? 4. No Stranger Am I 5. Hey Girl 6. I’m the Sky
TOM TOM CLUB Tom Tom Club (LIMITED TROPICAL YELLOW & RED VINYL EDITION)
STREET DATE: AUGUST 21, 2020 The Talking Heads spawned a number of worthy side projects and spinoffs—David Byrne & Brian Eno’s My Life in the Bush of Ghosts, Jerry Harrison’s The Red and the Black—but none were as funky, danceable, and flat-out fun as Chris Frantz and Tina Weymouth’s Tom Tom Club. Conceived as something of a larkish break from the grandly realized intellectual and artistic pretensions of the Heads’ Remain in Light record, the duo’s self-titled 1981 debut was recorded in Barbados with Weymouth’s sisters and Adrian Belew and Steven Stanley from the Remain in Light band, and not only spawned a couple of hit singles in “Genius of Love” and “Wordy Rappinghood” but also became, in its own way, enormously influential. This was the sound of downtown New York talking, listening, and rapping to the burgeoning hip hop movement, a hybrid heard in a whole host of acts in the ‘80s and ‘90s, from Madonna to Mariah Carey to the Beastie Boys and beyond. Weymouth and Frantz went on to record several more albums under the Tom Tom Club moniker, but this remains the classic; Real Gone Music is proud to offer Tom Tom Club in a tropical yellow and red vinyl edition that pays tribute to its Barbados roots (and goes beautifully with the album’s colorful cover). Fun, natural fun!
SIDE ONE 1. 2. 3. 4.
WORDY RAPPINGHOOD GENIUS OF LOVE TOM TOM THEME L’ ELÉPHANT
SIDE TWO 1. 2. 3. 4.
AS ABOVE, SO BELOW LORELEI ON, ON, ON, ON… BOOMING AND ZOOMING
GUIDED BY VOICES ALIEN LANES (25th Anniversary Edition) SELLING POINTS
TRACKLIST
01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28
A SALTY SALUTE EVIL SPEAKERS WATCH ME JUMPSTART THEY’RE NOT WITCHES AS WE GO UP, WE GO DOWN (I WANNA BE A) DUMBCHARGER GAME OF PRICKS THE UGLY VISION A GOOD FLYING BIRD CIGARETTE TRICKS PIMPLE ZOO BIG CHIEF CHINESE RESTAURANT CLOSER YOU ARE AUDITORIUM MOTOR AWAY HIT MY VALUABLE HUNTING KNIFE GOLD HICK KING AND CAROLINE STRIPED WHITE JETS EX-SUPERMODEL BLIMPS GO 90 STRAW DOGS CHICKEN BLOWS LITTLE WHIRL MY COOL SON ALWAYS CRUSH ME ALRIGHT
134 Grand St New York, NY 10013 United States (212) 995-5882
• MULTICOLORED BLUE GREEN AND RED 25TH ANNIVERSARY VINYL • LIMITED TO 2,500 COPIES WORLDWIDE • FIRST NON-EXCLUSIVE COLORED VINYL EDITION • FIRST REISSUE TO BE FEATURED IN MATADOR’S REVISIONIST HISTORY 2020 CAMPAIGN “A brilliant collection of songs whose importance feels predestined.” - Rolling Stone “The gold standard in intoxicatedvisionary psych-pop scrapbooking... your first exposure to this band changes you forever.” - Stereogum “The greatest post-modern classic rock album ever made.” - Pitchfork “Genius, loon or mystical union of both, Pollard’s consistent songsmithery and charisma are joys to behold.” - Magnet
MULTICOLORED LP OLE-123-LP Non-Returnable
AUGUST 21, 2020 RELEASE DATE: MAY 15, 2020 NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
NAKED GIANTS THE SHADOW STREET DATE: August 21, 2020 Track listing 1. Walk Of Doom 2. High School (Don’t Like Them) 3. Take A Chance 4. Turns Blue 5. (God Damn!) What I Am 6. The Ripper 7. Unpeeled 8. Television 9. Better Not Waste My Time 10. The Shadow 11. Song For When You Sleep
vinyl
Sel. #: NW5407 UPC: 607396540716 CONFIG: 150g black Vinyl, Jacket Box Lot: 20 Count Genre: Alternative, Indie Rock, Punk 6
07396
54071
6
indie vinyl The Shadow is an album of growth. In the years since our previous album SLUFF was recorded, we have toured around the world, honed our musical skills and found our own little place in the music industry - but we have also seen our share of shadows, and it is through acknowledging these shadows that we grow the most. Each song on The Shadow examines an aspect of this growth through a different musical lens, adding up to a series of rock-and-roll vignettes of light, shadow, anxiety and responsibility. Frantic punk-scenes of information overload are contrasted by patient drones of introspection; fun, ear-worm musings of life as a young rock band are juxtaposed with the heavier responsibility of having a voice and not quite knowing what to say. The amalgam of information in the songs is complemented with a blend of sonic perspectives - we threw in all our influences, from the usual suspects of punk rock and new wave to spacedout 80’s balladry, fuzzy garage-metal and psychedelic desert folk (with synths and tape loops added to taste). And with producer Chris Funk leading the way, our somewhat scatterbrained sprawl of musical and conceptual ideas are tied together in an artful way. Chris’ quiet but steady direction pushed us to serve the songs, reigning in the guitar pedal breaks and drum solo freakouts from our live set while leaving just enough unpredictability and experimentation to give the album a liveliness of its own. All of this adds up to a swirling, dynamic, at times disorienting but ultimately honest image of modern life as young, able, and anxious people. In order to grow and create positive change in this world, we have to situate ourselves amidst all this chaos - for us this means providing the catchy choruses and stomping riffs with an edge of self-awareness and confrontation, just as the world can’t become more connected without acknowledging its deep divides. With The Shadow, we draw inspiration from the chaos and contrast, we admit that we only exist as a balance of shadow and light, and we commit to the responsibility of reflection and growth.
NakedGiants.com NewWestRecords.com
Sel. #: NW5414 UPC: 607396541416 CONFIG: 150g Coke Bottle Clear Vinyl, Jacket Box Lot: 20 Count Genre: Alternative, Indie Rock, Punk *Limit to 500* 6
07396
54141
6
cd
Sel. #: NW6482 CONFIG: Digiwallet, poster UPC: 607396648221 Box Lot: 30 Count Genre: Alternative, Indie Rock, Punk 6
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marketing points
•Produced By Chris Funk (Malkmus, Langhorne Slim) •Extensive US and International press campaigns •Non-Comm, Alt-Specialty, AAA and college radio campaigns, including radio and indie-retail in-store appearances to support release •Comprehensive social media, indie and corporate ad campaigns to support release
www.facebook.com/NKDGNTS/ www.instagram.com/naked_giants/ twitter.com/nakedgiants
COLOR VINYL! SUPER LIMITED PRESSINGS
ALIVE 0171LE-1 VINYL LP COLOR 6
34457 02642 1
UPC : 634457026421 ROCK
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34457 02645 2
UPC : 634457026452 ROCK
with MEMBERS OF
LEFT LANE CRUISER RADIO MOSCOW BLACK DIAMOND HEAVIES and
with
DOM MARIANI of DATURA4 ALIVE 0177LE-1 VINYL LP COLOR 6
34457 02643 8
UPC : 634457026438 ROCK
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34457 02644 5 ROCK
Sam Prekop Comma Thrill - 524 CD BOX LOT CD 50
79037H-052428
LP BOX LOT LP 25 Vinyl is non-returnable
79037H-052411
Limited color LP (White) BOX LOT LP 25 Vinyl is non-returnable
79037H-524116
LISTEN HERE
GENRE : Electronic FILE UNDER : “P” Prekop, Sam August 10th,21st, 20202020 Sam Prekop’s boundless imagination is guided by his strong sense of melody. RELEASE DATE : July For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop NO EXPORT (JAPAN, S. AMERICA EXPORT OK) creates a singular sound that is both inventive and warm. New album Comma takes Pekop’s electronic music experiments in a surprising new direction. Working extensively with beat programming for the first time, Prekop uses rhythm as a narrative tool, tapping into electronic music’s romantic and emotional qualities. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. It’s a modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music.
ALSO AVAILABLE : The Republic CD/LP (Thrill 384) Old Punch Card CD/LP (Thrill 248) Who’s Your New Professor CD/LP (Thrill 146) Sam Prekop CD (Thrill 061)
TRACK LISTING: 1. Park Line 2. Summer Places 3. Comma 4. September Remember 5. The New Last
6. Approaching 7. Circle Line 8. Never Met 9. Wax Wing 10. Above Our Heads
SALES POINTS Sam Prekop is also known for his work as songwriter, guitarist and vocalist for The Sea and Cake. Fans of artistss like Brian Eno & Yellow Magic Orchestra will especially enjoy this album. Prekop is also well respected visual artist whose published, shown, and sold works worldwide, and limited edition postcards featuring his photography (including the image used as the album cover) sold out over night. Shortly following single releases, the album was featured in Stereogum and Brooklyn Vegan, being called “a glistening weightless drift that might soundtrack your daily commute through some futuristic urban utopia.” Past solo releases by Sam Prekop & his work with The Sea & Cake were and remain some of Thrill Jockey’s strongest sales. Comma is more melodic than some of Prekop’s recent work, without abandoning more experimental or ambient moments. “More than 20 years into his career, the man is still keeping it interesting.” - NPR
Follow Sam Prekop Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
Matmos
The Consuming Flame Thrill - 526 3XCD BOX LOT CD
79037H-A52626
GENRE : Electronic / Experimental FILE UNDER : “M” Matmos RELEASE DATE : August 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE Matmos has a playful nature often lacking in electronic composition, bristling with a palpable sense of wide-eyed discovery undiluted across their 25 years as a band. M.C. Schmidt & Drew Daniel are long-known for their practice of unusual sampling & experimenting with conceptual restrictions. The Consuming Flame: Open Exercises In Group Form is both a tongue-in-cheek rebuttal to the backlash against “conceptronica”, & their most ambitious project to date. The record is oriented around a deceptively simple commitment. 99 different musicians were asked to contribute: they could play anything that they wanted, but the tempo of any rhythmic material had to be set at 99 beats per minute. The resulting album is a three-hour long assemblage that’s a kaleidoscope of genre, mood and density, while all synchronized to a constant underlying tempo. There’s a relentless forward-motion keeping more with traditions of pirate radio and mixtapes than the traditional album format. The Consuming Flame was composed through the act of invitation, and the album’s 99 participants are, even for Matmos, wildly eclectic. Some collaborators have worked with Matmos for years (J. Lesser, Jon “Wobbly” Leidecker, Mark Lightcap, Josh Quillen of So Percussion, Vicki Bennett) & some are near total strangers. There are players from the conservatory-trained world of “new music” (Kate Soper, Bonnie Lander, Ashot Sarkissjan, Jennifer Walshe) & figures from the extreme music underground (Blake Harrison of Pig Destroyer, Kevin Gan Yuen of Sutekh Hexen, Terence Hannum of Locrian), as well as auteurs from the world of “noise” music (Twig Harper, Moth Cock, Bromp Treb, Id M Theft Able) as well as writers (Douglas Rushkoff, Colin Dickey), and conceptual artists (Heather Kapplow). There’s distinguished alumni and contemporary luminaries of electronic music (Jan St. Werner & Andi Toma of Mouse on Mars, Daniel Lopatin, DeForrest Brown Jr., J. G. Thirlwell, Matthew Herbert, Rabit, Robin Stewart and Harry Wright of Giant Swan) & artists associated with indie rock and folk traditions (Ira Kaplan, Georgia Hubley and James McNew of Yo La Tengo, Marisa Anderson), & undergraduates who took M.C. Schmidt’s “Sound As Music” course during the final year of The San Francisco Art Institute’s existence. The resulting submissions were layered onto each other, prompting later recording sessions which then built upon the first wave of contributions. These discrete zones were then collaged into larger & larger units and more contributors were invited to join until, gradually, the “group form” of three distinct hourlong movements emerged. Part exquisite-corpse & part virtual festival, the results retain Matmos’ distinct & unique voice despite the promiscuously open nature of these collaborations.
ALSO AVAILABLE : Plastic Anniversary CD/LP (Thrill 482) Ultimate Care II CD/LP (Thrill 401) The Marriage of True Minds CD/LP (Thrill 316) The Ganzfeld EP CD/LP (Thrill 315) Follow Matmos
TRACK LISTING: Disc 1: 1. Cold Open 2. I, Voxelman 3. Moteswarm 4. Adam’s Apple 5. Athens New Guinea Gas Can Japan 6. Thyrsus 7. Circle of Swords 8. Virgin Unspotted 9. No Concept 10. In The Shape of Beasts 11. Revelatory Mint Clot 12. Western Clot Rider 13. Cocktail Party How Glad Am I 14. I’m Fine I’m Fine Disc 2: 1. Adepts 2. Maybeism 3. Garden of Tall Boys 4. Dancing Your Animal 5. Nice Men In Stable Relationships 6. Let Us In
Disc 2, cont.: 8. Io! Lavendar River Karez 9. The Void At the Center 10. I Know What I Saw 11. Sarabande 12. The Dead City of Telphar 13. Platformalism 14. Verminiatures 15. Reciprocal Realms 16. Unmastering 17. I’m On The Team Disc 3: 1. Blessed Order Of 2. Floaters 3. Goodnight Loving Bose Ikard 4. Tworivers Run 5. Boomchicka 6. Extraterrestrial 7. Circle of Shivers 8. Out of the Serpent’s Mouth 9. Warm Opening 10. Decalcomaenads 11. It Isn’t Necessarily The Case 12. Elsewards 13. All of the Powers Lie Quiet
SALES POINTS One of Matmos most ambitious works to date, it includes 99 different collaborators across a gigantic spectrum of genre, discipline, and instrumentation. Both members of Matmos are active solo musicians, M.C. Schmidt under his own name, and Drew Daniel as The Soft Pink Truth whose Shall We Go On Sinning... came out July 2020 Limited edition 3 disc set also comes in a deluxe triple gatefold package with full color 2x3ft poster. Matmos is one of the most prominent experimental electronic artists of the last decade, with some of the most significant and acclaimed albums in the genre, and their high profile collaborations and shows with artists like Bjork and Kronos Quartet have given them exposure outside of just heady electronic music. “Matmos—are best known as sound explorers and musicians. But they’ve always been gifted storytellers too. The records they’ve made over the last couple decades reflect a boundary-pushing approach to composition, taking and twisting sounds into abstract playful shapes, but the band has never just been about experimentation for its own sake. They’re conceptualists, layering the sounds they choose with weight and meaning.” - Noisey
Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
Sally Anne Morgan Thread
Thrill - 528
LISTEN HERE Sally Anne Morgan is an artist and multi-instrumentalist whose mastery of traditional folk forms is matched only by her ability to push the bounds of those forms into fresh, imaginative pastures. Known for her fiddle playing with the traditional Black Twig Pickers and the duo House and Land, Sally Anne’s debut solo album Thread establishes her as an unparalleled voice in contemporary folk. With a penchant for tuneful melodies, combined with hypnotic rhythms, the result verges on pop. The candor and austerity of Appalachian music serve as the warp to Morgan’s musical tapestries, where strands of psychedelia, rock, and experimentalism are the weft, deftly woven in intricate and beguiling patterns. Centered on interconnectivity and exploration, Thread strings together practices both ancient and modern, and brimming with simple beauties. Morgan’s artistic practices emphasize connections to the natural world and a modern reframing of rural traditions. In her music, her work as a letterpress artist, and on her rural homestead, Morgan implements conventions from bygone eras to craft work that honors and expands on those traditions. Thread traces Morgan’s myriad of influences and their deep connections, from the psychedelic leanings of Trees and the Third Ear Band, to folk singers like Jean Ritchie and Nic Jones, to Kentucky fiddler Clyde Davenport, to Pauline Oliveros and Johanna Brouk, to their roots and circling back again. The process of composing and arranging the songs across Thread found Morgan exploring the depths of her own voice, inspired as always by traditional Appalachian music, but free to explore and abandon any false notions of authenticity. Morgan spins these connections into works all her own, her original fiddle tunes, ethereal meditations, and sweeping ballads standing as timeless as their traditional counterparts. Through her elegant singing, dexterous fiddle, banjo, and guitar playing, and commanding skills as a composer, Sally Anne Morgan has established herself as an artist of singular power and grace. Those powers radiate across odes to those who have come before her, her newfound pasture, and fearless selfexploration. With Thread, Morgan has crafted a work of bountiful splendor.
ALSO AVAILABLE FROM HOUSE & LAND: Across the Field CD/LP (Thrill 486) House & Land CD/LP (Thrill 444) ALSO AVAILABLE FROM BLACK TWIG PICKERS: Seasonal Hire CD/LP (Thrill 386) Rougb Carpenters CD (Thrill 309) Ironto Special CD/LP (Thrill 249)
CD BOX LOT CD 50
79037H-A52824
LP BOX LOT LP 25 Vinyl is non-returnable
79037H-A52817
LP [YOLK color] BOX LOT LP 25 Vinyl is non-returnable
790377-528114
GENRE : Folk / Americana FILE UNDER : “M” for Morgan, Sally Anne RELEASE DATE : August 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK) TRACK LISTING: 1. Polly on the Shore 2. Garden Song 3. Sheep Shaped 4. Wintersong 5. Ellemwood Meditation
6. Thread Song 7. Sugar in the Gourd 8. Wagoner’s Lad 9. Annachie Gordon
SALES POINTS Sally Anne Morgan is an award winning fiddler, banjoist, and vocalist, known for her fiddle playing with the traditional Black Twig Pickers and the duo House and Land. Features guests drummer Nathan Bowles (previously worked with Steve Gunn, Black Twig Pickers, solo work on Pradise of Bachelors), Andrew Zinn on guitar, Joseph Dejarnette Recommended for fans of Daniel Bachman, Mountain Man, Black Twig Pickers, or Jake Xerxes Fussell. “a fascinating and deeply rewarding journey through the ages” - Uncut “House of Land are weaving intriguing new trails into tradition” - Guardian Music videos for “Thread Song” by Katrina Ohstrom and animated music video “Garden Song” features illustration by Sally Anne Morgan. Cover art is a risograph print created by artist & weaver Allie Dudley, from one of her textiles.
Follow Sally Anne Morgan Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
John Bence KILL
Thrill - 527 LP Clear BOX LOT LP 25 Vinyl is non-returnable
79037H-A52718
GENRE : Experimental FILE UNDER : “B” Bence, John RELEASE DATE : August 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE John Bence, composer and producer from Bristol, UK, tackles epic narrative themes and uncompromising sonics with a juddering emotional punch thru his work. Written during a residency at Zaragoza’s FUGA space, Bence’s visceral magnum-opus KILL unfurls as a captivating and unnerving three-part suite, which, as Bence explains, “tells the story of a murderer who kills his lover, commits suicide and then accelerates towards God to be judged”. Throughout Bence sings like a man possessed, shifting from aching operatic vocals and Gregorian chant to chilling screams, with symphonic instrumentation pounding, swelling and resolving into transfigurative calm behind him. KILL was originally released on Nicholas Jaar’s Other People imprint and Yves Tumor’s label Grooming, and available outisde the UK for the first time thru Thrill Jockey. Over a handful of releases Bence has already built a striking body of work bound by an incredible clarity of vision. His elegiac works occupy an omnivorous sound-world, assimilating elements of British avant-garde and electronic music, classical tradition and sacred medieval song into cavernous, sepulchral compositions. Struggles with alcoholism and addiction found their outlet in brooding chamber atmospheres and caustic eruptions of choral aggression on the macabre KILL. Returning to his first love, the piano, Bence explores the instrument’s deeply emotional qualities. Bence’s approach to writing is deeply intuitive. Music was virtually a second language that he learned from birth. The composer grew up surrounded by music in his family home and deeply immersed himself in Bristol’s underground electronic music scene from a young age, working at a dubplate cutting studio and being a regular punter at dances. These disparate influences were subconsciously ingested and filtered through the composer’s own experiences. COMING SOON : LOVE CD/LP (Thrill 532)
TRACK LISTING: 1. Kill/Aftermath 2. Alone/Suicide 3. Afterlife/Judgement
SALES POINTS “Kill finds [Bence] unfurl a shocking three part movement for vocals, cello and bellicose drums that should leave no one uncertain of his talents” - Boomkat Toured with Liz Harris, Grouper and Xiu Xiu, and performed at CTM Festival, Atonal and Skanu Mezs. KILL was originally released on Yves Tumor’s label Grooming, and to critical acclaim from Boomkat and The Wire amongst others. KILL is released as a special expanded version, pressed on clear vinyl and featuring a full etching on the side B. One of the most exciting new talents in experimental music, big tip for fans of everyone from Mica Levi to Grouper and Xiu Xiu. KILL will be followed by the release of John Bence’s debut LP LOVE, more details to follow. Recorded at ETOPIA, Centre for Art and Technology, Zaragoza, Spain, where Bence held a six-month residency. Release accompained by music video directed and filmed by Joe Hatt and Paul Samuel White. “Wickedly unique and ultra-abstract” - Dazed
Follow John Bence Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
Soul Jazz Records Presents
KALEIDOSCOPE New Spirits Known and Unknown
21st August 2020
Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release. As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices – and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists up until now has been Londonbased, this album shows how this movement is spread across the whole of Britain (and indeed beyond). ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists’ approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more. Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition with a bonus limited-edition single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography. Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus to coincide with the ‘Kaleidoscope’ album release.
Contact: Will Savery, 877-733-3931 x287, will@redeyeworldwide.com No shipments outside of North America.
2. Yazmin Lacey – 90 Degrees 3. Hector Plimmer – Communication Control 4. Ill Considered – Long Way Home (Live At The Crypt) 5. The Expansions – Mosaic 6. Chip Wickham – Red Planet 7. Levitation Orchestra – Odyssey 8. Emma-Jean Thackray’s WALRUS – Walrus 9. Tenderlonious and The 22a Arkestra – The Shakedown 10. Pokus – Pokus One* 11. Theon Cross – Candace Of Meroe* 12. Joe Armon-Jones & Maxwell Owin featuring Nubya Garcia – Tanner's Tango 13. Collocutor – Gozo 14. Makaya McCraven – Untitled
st
21 August 2020
Artist:
Soul Jazz Records Presents
Project1_Layout 1 05/06/2020
16. Ruby Rushton – Moonlight Woman
Title:
KALEIDOSCOPE
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17. Ebi Soda – Dimmsdale
Subtitle:
New Spirits Known and Unknown
Label:
Soul Jazz Records
Format 1:
Cat. No: SJRCD455, 2xCD, UPC: 5026328104553
Format 2:
Cat. No: SJRLP455, 3xCD, UPC: 5026328204550
Format 3:
Cat. No: SJRLP453-7, 3xLP+7” Single
Format 4:
Cat. No. SJR455-12, 12” Single, UPC: 5026328704555 Please note, the 12” format has a slightly different title / artist.
1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
Release Date:
UPC: 5026328004556
Tracklisting
15. Nat Birchall – Ancient World
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18. The Cromagnon Band – Thunder Perfect (5.12) 19. SEED Ensemble – Mirrors 20. Ishmael Ensemble – Kito's Theme**
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21. Vels Trio – Yellow Ochre (Part 1)** 3xLP+7”: All tracks except * 3xLP: All except * / ** 12” Single: * only
Following the release of Maya Hawke’s independently released A and B side singles in 2019, she returns with a deeply personal debut full-length album. Hawke, who wrote the lyrics, continued her collaboration with Grammy Award-winning songwriter Jesse Harris, who wrote the music for the album. On creating the album, Hawke says, “This album happened accidentally… Jesse and I started working together accidentally... we kept writing, kept collecting songs because it brought joy into both of our lives. Collecting them into an album and releasing it comes from a crazy, if not pathological desire to share that joy with others. From my point of view, ‘Blush’ is a collection of secret messages, hidden communications with the people in my life. ‘By Myself’ was a secret message to myself, that I hope I’ll receive someday soon.”
HIGHLIGHTS - Maya Hawke is a multi-talented actress, singer and lyricist. Her filmography includes, “Stranger Things,” “Once Upon a Time in Hollywood,” “Ladyworld,” "Little Women" and more - Hawke's first single "By Myself" has received great press from Pitchfork, MTV, Exclaim!, Happy Mag, LA Magazine & more. Past additional press from Vogue, Wall Street Journal, Harper's Bazaar, GQ, Elle, Glamour, Refinery29, TIME and more. - Maya will be on the digital cover of Nylon and will be featured in Bust Magazine TOP MARKETS: NY, LA, Chicago, Brooklyn
SALES & STREAMING: 22.5K Monthly Listeners; 13.4K Followers
SOCIALS: 3M followers
TRACK LISTING 01. Generous Heart 02. So Long 03. By Myself 04. Animal Enough 05. Coverage 06. Hold the Sun 07. River Like You 08. Bringing Me Down 09. Cricket 10. Menace 11. Goodbye Rocketship 12. Mirth ARTIST TITLE LABEL STREET DATE
3:35 3:59 2:26 3:27 3:45 2:59 2:16 2:35 3:10 3:57 3:10 2:57
Maya Hawke Blush Mom + Pop Music 08/21/20 06/19/20
CONFIGURATION LP DESCRIPTION black vinyl + lyric booklet UPC 858275060416 CATALOGUE # MP471 CONFIGURATION DESCRIPTION UPC CATALOGUE # LABEL REDEYE RADIO
Hallie Anderson Lori Miller David Jacobs
hallie@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com
WWW.MOMANDPOPMUSIC.COM
PUBLICITY TOURING
Kelly Hires Shirin Nury Jenna Adler
CD wallet 858275060423 MP471
kellyh@wk-pr.com shirin.nury@caa.com jadler@caa.com
1140 BROADWAY SUITE 1505 NEW YORK NY 10001
WWW.MAYAHAWKMUSIC.COM
Lucius developed a devout following with their 2013 critically-acclaimed debut release Wildewoman, instantly becoming NPR darlings and favorites of Rolling Stone and The New York Times. Their sophomore album Good Grief was released in 2016 with the lead single, “Born Again Teen”, featured on Cameron Crowe’s show Roadies. Other major syncs include Grey’s Anatomy, HBO’s Girls, a Samsung Galaxy TV Commercial and more. Late show appearances include Late Night with Seth Meyers, The Ellen Degeneres Show, The Late Show with Stephen Colbert, and others. Lucius has toured extensively including as part of Roger Waters’ band for the ‘Us + Them’ tour, and with Jack White, The Head and the Heart, Teganand Sara, Sara Bareilles, and more.
HIGHLIGHTS QUOTES “Sweet, soulful and smothering” - Rolling Stone “Especially gorgeous, moving...” - The New York Times “...Seemingly impossible harmonies with flawless grace” - The New Yorker SALES/STREAMING Lucius Overall Global Streams: 27MM+ Wildewoman LP Global Streams: 16MM+ US Sales: 79.6K
TOP CITIES USA New York, Los Angeles, San Francisco, Chicago, Seattle, Boston and Denver, Portland, Minneapolis, DC
TRACK LISTING 01. Wildewoman 02. Turn It Around 03. Go Home 04. Hey, Doreen 05. Tempest 06. Nothing Ordinary 07. Two of Us On The Run 08. Until We Get There 09. Don't Just Sit There 10. Monsters 11. How Loud Your Heart Gets ARTIST TITLE LABEL STREET DATE
04:10 03:28 03:19 04:41 04:09 03:01 04:35 03:28 03:51 03:29 05:43
Lucius Wildewoman Mom + Pop Music 08/21/20
CONFIGURATION Standard LP DESCRIPTION Limited Edition Yellow Tie Dye Vinyl UPC 858275012934 CATALOGUE # LP-MP-120SP
SOCIALS 72K
LABEL REDEYE RADIO
Hallie Anderson Lori Miller David Jacobs
Hallie@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com
PUBLICITY TOURING
Chloe Walsh Dave Rowan
22.8K
chloew@grandstandhq.com dave@highroadtouring.com
72K
22K
SHITKID - 20/20 SHITKID PNKSLM080 Street date: August 21, 2020 Formats: Vinyl & digital File under: Alternative / Indie UPC (vinyl): 634457025103
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34457 02510 3
Tracklist: 1. 885 (navy) 2. FARMBOY 3. cool breeze 4. waste of time 5. dying to 6. dream sequence 7. FREAK 8. stubborn signs
ShitKid is back with new full-length album 20/20 ShitKid out August 21 via PNKSLM Recordings (Les Big Byrd, Yung, Hollow Ship, Chemtrails etc), the second ShitKid full-length of 2020 following the Melvins & Paul Leary collaboration LP Duo Limbo/“Mellan himmel å helvete”. 20/20 ShitKid also marks the return of ShitKid as the solo project of Åsa Söderqvist, with bassist Lina Molarin Ericsson leaving after their US tour in support of Duo Limbo. Leaving the grunge-infused rock of Duo Limbo and the pop-punk of 2019’s [DETENTION] behind her, ShitKid’s now continuing down the path of the 2017 debut LP Fish and the This Is It EP, opting for an alternative pop infused sound ranging from synth pop to garage rock, while showcasing her growth as a songwriter and musician. Press for ShitKid “the musical equivalent of matte black nail polish and thick wing-tipped eyeliner” – The FADER “heavier and slimier than we’ve ever heard from them before, and hit like walking in from the freezing cold into a muggy venue of sweaty bodies inhabited by moody personalities, especially in contrast to their most recent pop-leaning effort” – Vinyl Me, Please (Album of the Week) “packed with DIY charm, and we can’t wait to hear more” – Pigeons & Planes “an irresistible listen” – Bandcamp Daily “outrageously fun and filthy” – The Line of Best Fit “our latest scandi obsession” – i-D ALSO AVAILABLE: PNKSLM072-LP Duo Limbo/”Mellan himmel å helvete” LP (black 12” vinyl) UPC: 634457005327
PNKSLM024-CD Fish (digipack CD) UPC: 634457777422
PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide excluding UK.
© 2020 PNKSLM Recordings
JOHN ZORN-JESSE HARRIS SONGS FOR PETRA TZA CD 8374 Archival Series Petra Haden, Julian Lage, Jorge Roeder, Kenny Wollesen, Jesse Harris. Easy Time * Listen * Nothing * The Wind In The Clouds * It Was Innocent * Kafiristan * Waiting For Christmas * All This Time * Lost In The Rain * Taking My Time * My Forbidden Tears * I Never Thought * Over Your Head Singer Petra Haden excel in this beautiful and unique program of songs penned by the songwriting team of John Zorn and Jesse Harris. Friends for many years, they began working together on The Song Project in 2012, and eight years later this CD presents the full fruits of their collaboration: thirteen Zorn compositions with original lyrics by Jesse Harris. Including selections from a wide variety of Zorn CDs (and one original that has never appeared on CD before), the melodies are catchy, the lyrics heartfelt, the grooves deep and the solos profound and exhilarating. Backed by the amazing Julian Lage, Jorge Roeder and Kenny Wollesen and produced by Jesse Harris, this is a CD that you will listen to again and again.
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02397-8374 - 2
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File Under: Jazz/Vocals
Street Date: August 21, 2020 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
Analog Africa Limited Dance Edition No.12
Voz Di Sanicolau Fundo De Marê Palinha Street StreetDate Date8/28/2020 8/21/2020
Artist: Album: Label: UPC LP: Genre: Catalog No: Box lot: Format:
Voz Di Sanicolau Fundo De Marê Palinha Analog Africa 4260126061378 World Music/Coladeira/Morna AADE12 LP:12 1xLP/Gatefold LP
Limited Edition LP in Gatefold Cover pressed on 100g high quality virgin vinyl Download for LP from Bandcamp also includes unlimited streaming of *Voz Di Sanicolau - Fundo De Marê Palinha* via the free Bandcamp app along with high-quality download in MP3, FLAC and more
In 1976, seven Cabo Verdean musicians going by the name Voz Di Sanicolau gathered in a small recording studio in Rotterdam where they laid down an album of fearsome coladeira songs inspired by the music of their home island of São Nicolau. The album took only a few days to record, which may explain the unexpected urgency that fires each track. Treblesoaked electric guitar lines snake back and forth through percussion-and-cavaquinho driven rhythms rooted in the sound of the islands established by the previous generation of Cabo Verdean émigrés; subtle keyboards wash through the background, and the vocals, traded between Joana Do Rosario and Tô-Zé, alternately push the music forward and soar above it. The resulting album is both deeply felt and fiercely executed, and in its grooves one hears the sound of some of the finest Cabo Verdean musicians of their era locked in complete unity of purpose. Forty-four years later the album sounds as fresh as it did the day it was recorded. It is unknown if dutch sound engineer Frans Rolland, who oversaw the recordings, knew he was helping to make history: during these sessions, Joana Do Rosario, whose majestic vocals were crucial to the sound of Voz Di Sanicolau, became the first Cabo Verdean woman ever to appear on a long playing record.
Tracklisting
1.Fundo De Marê Palinha 03:52 2.Italiana 02:34 3.Mare Lili 02:44 4.Nha Antonia Engracia 02:48 5.Ribera Prata 04:30 6.Abole 03:26
Redeye 505 Eno Street, Hillsborough, NC 27278 Distribution Contact: Jeep Ward / Redeye jeep@redeyeworldwide.com
Analog Africa GmbH Ottomühle 22 88662 Überlingen mail@analogafrica.com
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FREEEZ
AUGUST 21st 2020
Southern Freeez
+
JOHN ROCCA
Variations On A Theeem
▶ Beggars Arkive is excited to reissue the classic Freeez album Southern Freeez - originally released 40 years ago, along with new works by John Rocca. This is a 2XLP, remastered, on marbled and splatter vinyl. The album cover features award-winning Arctic photography by Florian Ledoux. Led by John Rocca, Freeez were a legendary group from London, known as one of the UK’s main jazzfunk bands of the early 1980s…aka Brit funk. Their debut album Southern Freeez was initially released in 1980 and contains the hit song “Southern Freeez” with guest vocals by Ingrid Mansfield Allman. John Rocca initially released the album it on his own label Pink Rythm before being signed to Beggars Banquet. A few years later, they had even more hits. Their biggest, “IOU”, was a #1 club single and was written & produced by renowned producer Arthur Baker with lyric contributions and lead vocals by Rocca and remixed by Jellybean Benitez and Baker. It was a hit in the US & UK and was used in the legendary breakdancing film Beat Street. “Pop Goes My Love” was another hit. Rocca also had a hit as a solo artist in 1984 with “I Want It To Be Real”, and his solo work under the pseudonym Midi Rain reached cult status and led to yet another #1 US Billboard Club Play dance floor hit with “Shine” in 1993. 40 years after the original release, John was inspired to go back to his roots and pulled together some of the work that he had been experimenting with over the years and enlisted some musicians (including his two nephews) to play on the tracks. He has also re-recorded a new version of “Southern Freeez” with himself on lead vocals. While they may not be a household name, if you know, you know. They have been sampled many times, by artists including Jamie xx, Coolio, Brandy, Madlib and more.
“The melancholic suburban soul of ‘Southern Freeez’ never gets tired for me....an album that has remained at the top of my Brit Funk pile!” - GILLES PETERSON
LP1/FREEEZ - blue marbled vinyl A1 Mariposa (Butterfly) A2 Caribbean Winter A3 Easy On The Onions A4 Sunset B1 Flying High B2 Southern Freeez B3 Roller Chase B4 First Love B5 Finale
LP2/John Rocca - transparent splatter A1 Southern Freeez 20+20 A2 Feeel the Music A3 Simple Breeez B1 My Name Is Love Part 1 + Part 2 B2 Slow Down (Ordinary Dawn) B3 Rain
Artist name: Freeez & John Rocca Label: Beggars Banquet Release Date: August 21st, 2020 Format: 2XLP, marbled/splatter vinyl BBQ-2166LP non-returnable
134 Grand Street, New York, NY 10013
505 Eno Street, Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
JOHNNY WINTER
’63–’68
• • • •
2 CDs / 41 Tracks / Studio Recordings—No Live Tracks 3 Previously Unreleased Tracks The Most Comprehensive Collection of the Early Years Curated By Bill Dahl
“When I first heard Johnny, I said he’s one of the greatest blues players in the business” —Muddy Waters
ROCK SIDE ETERNALLY • GONE FOR BAD YOU’LL BE THE DEATH OF ME • LEAVE MY WOMAN ALONE STAY BY MY SIDE • GONNA MISS ME WHEN I’M GONE I HAD TO CRY • BAD NEWS • PARCHMAN FARM DON’T HIDE IT • COMIN’ UP FAST (Take 2) • AVOCADO GREEN EASY LOVIN’ GIRL (Alternative Mix) • BE CAREFUL WITH A FOOL • BIRDS CAN’T ROW BOATS • MY WORLD TURNS AROUND HER • LIVIN’ IN THE BLUES (Alt. Version) HOOK YOU • TAKE A CHANCE ON MY LOVE • BAD NEWS (Includes False Starts) BLUES SIDE GANGSTER OF LOVE • HEY HEY HEY HEY
ICE CUBE • CREEPY • KIND HEARTED WOMAN • LEAVIN’ BLUES • I HAD TO CRY • PNEUMONIA BLUES • 32-30 BLUES THAT’S WHAT LOVE DOES • VOO DOO TWIST • MOTH BALLS GOIN’ DOWN SLOW • EASE MY PAIN • FIVE AFTER FOUR REELING AND ROCKING (Take 3) • TRAMP • BE CAREFUL WITH A FOOL • GONNA MISS ME WHEN I’M GONE
Johnny Winter had a singular career plan: playing music. The lightning-quick guitarist fulfilled that wish magnificently, decade after decade. He performed at a French blues festival only two days prior to his July 16, 2014 death in Zurich, Switzerland at age 70. A guitar hero without equal. Johnny has always been one of the most respected singers and guitar players in rock and the clear link between British blues-rock and American Southern rock. Throughout the ’70s and ’80s, Johnny was the unofficial torch-bearer for the blues, championing and aiding the careers of his idols like Muddy Waters and John Lee Hooker. Something of a musical child prodigy, he grew up in Beaumont, Texas, on a diet of blues and rock 'n' roll. As a teen, nearly every weekend he would hitch-hike to Louisiana to play in small night clubs. After a short college stint, he gave up his academic pursuits and devoted himself to creating music. This is the first collection of the early years to distinguish between the formative Blues roots and the push to the Rock idiom. It is the best precursor to his breakout disc The Progressive Blues Experiment and the Johnny Winter album.
• Ranked in Rolling Stone’s 100 GREATEST GUITARISTS OF ALL TIME • Inducted Into the BLUES FOUNDATION HALL OF FAME RELEASE DATE: 8/21/20 ARTIST: JOHNNY WINTER TITLE: TEXAS ’63 TO ’68 CATALOG: CD-SBR-7982 CD CONFIGURATION: 2 CD FOLDER UPC: 7-08535-79822-4 BOX LOX: 40 UNITS GENRE: ROCK / BLUES
REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com
J. Zunz Hibiscus Rocket Recordings LP (Blue Vinyl) LAUNCH191 5055869572545 Lorena Quintanilla - better known up until this point as one half of Mexican duo ‘Lorelle Meets The Obsolete’ - in her solo reinvention as J. Zunz presents ‘Hibiscus’, her second under this name after 2017’s ‘Silente’. The initial vision for the J. Zunz project was for Lorena to strip her approach down to the basics “I remember I was reading a biography of John Cage and that book detonated something in me. The author was referring to the influence of Buddhism and meditation, and modern artists like Sonia Delaunay, Lucio Fontana, Julio Le Parc, Duchamp, futirism. I was very charged with ideas.” “Lorelle is a collaboration, so every individual idea is transformed into something else. And I love that, but somehow I felt that I needed another outlet. I just needed simplicity.” Yet the strikingly confident and singular ‘Hibiscus’ marks a move on sonically from earlier comfort zones in her work, into minimal electronics, hypnotic repetition and compelling trance states, arriving at a soundworld in which cyclical synth patterns, eerie ambient textures and cathartic vocal exhortations coalesce into a beguiling atmosphere of otherworldly intensity. Although some might hear echoes amongst these songs of the like of Angelo Badalementi’s ghostly raptures, the bleak epiphanies of Nico’s ‘Marble Index’ or Fifty Foot Hose’s spare sci-fi psychedelia, both the approach and the resulting tapestry here are Lorena’s and hers alone. 1. Y (3:47) 2. Four Women and Darkness (5:28) 3. Júpiter (2:41) 4. 33:33 (4:41) 5. White Labels (4:47) 6. Overtime (3:20) 7. America Is A Continent (4:51) 8. Ouve-Me (3:16)
SWARVY
SUNNY DAYS BLUE
CAT NO: BFR006LP (Vinyl) UPC: 5060384618791 (Vinyl) RELEASE DATE: 21st August, 2020 Overview:
Philadelphian multi-instrumentalist, producer and engineer SWARVY makes his solo debut on Kamaal Williams's imprint Black Focus with a stunning new EP entitled Sunny Days Blue -- his first release as the primary vocalist. Smoked out sound beds and lofi guitars sit gently with SWARVY’s voice creating a juxtaposition of melancholic, yet sweet, melodies that loop in your mind's ear long after the record stops spinning. "Bones" opens with a stripped-back rhythm section and existential observations referencing the human condition of overthinking, a recurring theme throughout the EP. "Cool", "No Compute" and "Smile" subtly infuse Jazz, Funk and Hip-Hop elements, while "New Moon" plays out as a low slung hypnotic hymn echoing gracefully into the record's closer "Ginger"--a meditative ambient spiritual for solo piano. Since relocating to Los Angeles in 2015, SWARVY produced a variety of records via DJ House Shoes's Street Corner Music, Leaving Records and Fresh Selects. His writing & engineering credits extend to dozens of tracks by artists such as Maxo, Earl Sweatshirt, Nia Andrews, Mndsgn, Liv.e and the late, legendary Tony Allen. VINYL
Description: Limited edition green vinyl with full colour sleeve. Includes DL card. Box Lot: 25 Ⓟ & © 2020 Black Focus Vinyl Tracklisting: Side A A1 - Bones A2 - Cool A3 - No Compute Side B B1 - Lemongrass B2 - Smile B3 - New Moon B4 - Ginger
NO EXPORTS ALLOWED For more info please contact Abdullah: abdullah@warprecords.com or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
A
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glen echo
A
DC775 LP August 2020 Street Date: June 26,21, 2020
NO EXPORT TO EUROPE OR AUSTRALIA/NZ, ALL ELSE OKAY
Track Listing
Glen Echo Online Life Two Brutal Moving Parts If U Die Shooting Birds Out of the Sky Bruxism Our Baby Don’t
F
or those who find the passage of time a one-way process of attrition, here’s good news for you. In the eight years since AZITA AZITA’s last long-player, her fevered brain has barely rested, and the proof is a new album of unbounded physical and mental activity, music and entertainment, entitled Glen Echo. The worlds of the previous AZITAs have left their unmisAZITA takable essence. Her singular conception of pop music — the idiosyncratic songs, singing and playing that have graced seven acclaimed releases — is in verdant recurrence on Glen Echo, blossoming anew, cutting sharply in the spirit and image of her ever-evolving, always questioning style. AZITA is, on a very forthright level, a formalist — whether standing the lines or vaulting turnstiles, she’s aware of the proscribed lim-
DRAG CITY INCORPORATED POST OFFICE BOX 476867 CHICAGO, ILLINOIS 60647 312.455.1015 / sales@dragcity.com
its to her endeavors. That doesn’t mean she’s gonna heed them so much as add ‘em to the considerations of her art. Writing and arranging on keyboards since the time of her solo debut, AZITA focused on guitars for this set of songs. Not simply for swagger or a fresh approach to soloing, but as part of a way to elide expected singer-songwriter tropes, to democratically populate the sound-stage in equal partnership instead. This is a key aspect of the Glen Echo sound, one that determined another new choice — AZITA playing everything on the album herself! That’s the best kind of democracy. Previous long-players Enantiodromia, Life On the Fly and How Will You? were achieved via close work with players and engineers who took the compositions from the demo to a finished form. Invariably though, something would get lost in the transmigration somewhere. With Glen Echo, AZITA comes through fully, jaggedly, most vividly, owning her intention entirely in the dialogue of singing and playing her rock and rhythm and blues. The lyric sheet is riddled with language that circles, through the many moments of life, aspects of the passage of time, the preempted
dreams and strangeness of the present and the way we invent an idealized past in response to the changes, guiding the narrative... where? It’s all banded together by AZITA AZITA’s wit, equal parts droll and dire, her dispassionate view of fates and outcomes for all of us here together on the planet, textured with unique, cinematic details and sudden dives into a deeply felt, utterly OG sense of soul. In Glen Echo are a multitude of sounds — all the moments in a life: the good time grooves, acerbic exchanges in the street, shifts in community and generosity, moments of loss you know you will carry forever, reflection upon unknown futures and pasts, the dark recesses late at night that echo with a wonder you’ve never felt before. You name it, AZITA AZITA’s got some sweet and sour theme music for it. You’ve left it now, but it’s where you’re from. Take the trip back to Glen Echo — a once per lifetime getaway — fresh springs and summers of ten years ago, or an autumn eve when you were a kid. Or maybe it’s just a synaptic distortion, subbing for what your eyes pass over in the present season. Feel how you want about it, it doesn’t really matter to us; any wind that blows AZITA back into the game is a well one!
ALSO BY AZITA ON DRAG CITY ENANTIODROMIA DC239 LP/CD
LIFE ON THE FLY DC264 LP/CD
DETAIL FROM THE... DC306 CDEP
HOW WILL YOU? DC368 LP/CD
DISTURBING THE AIR DC491 LP+CD
YEAR DC510 LP
The Cradle Laughing In My Sleep Catalog #: NNA127 Release Date: August 21, 2020 Format: Digital / CD / Vinyl
634457023550 (digital) 309272739992 (cd) 309272739244 (lp, std & LE) 309272738247 (lp indie excl)
After 30 or so previous releases, Laughing in my Sleep represents a stylistic culmination--a synthesis of the many sonic flavors The Cradle has served us up since the genesis of the project in 2013. It is a sprawling, multi-faceted album that will give a first-time listener a taste of everything, from hi-fidelity, lyrical guitar-based music familiar to fans of Bag of Holding, to grimy 4-track drum machine songs a la Sense Stats, to spoken word pieces and voice memo interludes sent straight from a cell phone that may remind fans of the more esoteric live Cradle performances. Likewise, the album is thematically diverse, recorded in the spring of 2018 during a wandering period of frequent travel and change. Songs range from personal to the political, from spiteful to gracious, from frustrated to silly. Never missing, though, is the sense of exploration and wonder that has always permeated The Cradle’s work. “Singer-songwriter Paco Cathcart taps into mysticism... folksy, vaguely fantastical, and so dedicated to the hidden potential of the ordinary that at times it feels surreal.” – Pitchfork “Paco Cathcart’s music finds space in the cracks between documenting the everyday and exploring the otherwordly.” – Stereogum
RIYL Bellows DRINKS Field Medic The Microphones Mount Eerie Arthur Russell Stephen Steinbrinck Chris Weissman Francis Bebey
Vex Ruffin - LiteAce Frequency KEY SELLING POINTS
- LiteAce Frequency follows the Emilio EP
released on Stones Throw on May 1. - Vex Ruffin's music on soundtracks for HBO's "Girls" and Netflix's"Russian Doll"
- Vex Ruffin is the only artist signed to Stones Throw with an unsolicited demo
- Monthly radio show on NTS
DESCRIPTION
ARTIST TITLE CATALOG # LABEL GENRE FORMAT UPC RELEASE DATE FOR FANS OF:
TRACKLISTING
Vex Ruffin LiteAce Frequency STH2443 Stones Throw Records Alternative/Indie LP LP: 659457244316 8/21/20 Toro Y Moi, Ariel Pink, Michael Seyer, Cornelius, Dirty Beaches
1. Know Yourself 2. Hard to See 3. I’m Going Hard 4. Ikaw Lang 5. I’m Still At It 6. All I Have 7. Fili Soul Transmission 8. Hinde Naman 9. Free-quency 10. Mabuhay Boy 11. Tapang Naman 12. Easy Ka Lang 13. What Matters The Most
What is LiteAce Frequency? The Toyota LiteAce van was immensely popular in early 90s Manila, Philippines — beloved for its durability and reliability. For Vex Ruffin, it's more than his childhood memories, “it’s the vehicle that gets you going in the right direction. Hop in and tap into the LiteAce Frequency — it will guide you to the right path.” In between working two jobs and raising a family in the Inland Empire of Los Angeles, Vex cooked up his third Stones Throw LP LiteAce Frequency, a collection of songs influenced by 70s Manila Sound and Pinoy soul. Other ingredients like Japanese funk, Brazilian sounds, and hip-hop made their way into the recipe. "This album is about going with your heart. Follow your heart. Self-love. Positive things. Believe in yourself. Going for it." He compares his music to a kale salad: “It's definitely organic. It’s healthy. There’s not much music like that — healthy music. I’m not perfect — not 100% positive all the time. But my goal is to be that positive influence. When I make the music, it's for myself first and foremost, but it's going to reach people. And it might help them. In the end, I hope that's what it does.”
Music from the film by Grey Dogs Street date: 21st August 2020 OUTLAW KING is the soundtrack album from the intense Netflix medieval action drama ‘Outlaw King’, composed and performed by Grey Dogs with a host of Scotland’s musical talent. Grey Dogs is acclaimed producer Tony Doogan (Belle and Sebastian, Mogwai) and the film’s director David Mackenzie (Hell or High Water, Starred Up). Mixing simple beautiful period music with moody atmospheres, plaintive soundscapes and high intensity action score, this is a journey through the misty glens, dark castles and bloody battlefields of Robert The Bruce’s Scotland (whom the film is based on) which somehow sounds both ancient and modern.
Tracklisting: 1 Surrender 2 Requiem 3 Wallace 4 Breaking Vows 5 Sacred Ground 6 Black Knights Fanfare 7 Coronation 8 Bonny At Morn (featuring Florence Pugh) 9 Defeat 10 You're No King Of Mine 11 Compassion Is Not A Weakness 12 Waulking Song 13 Castle By Castle 14 Skies 15 Poison It 16 Prayers (featuring Florence Pugh) 17 Beasts 18 Reunion 19 Land O The Leal (featuring Kathryn Joseph) 20 Scots Wha Hae (featuring Kathryn Joseph) Double LP – ROCKACT125LP – 5051083142106 Label – Rock Action Records File Under – Soundtracks; folk
Grey Dogs is an umbrella collective designed to pull in diverse talent for making film soundtracks and other sonic landscape work. Tony Doogan and David Mackenzie are the core and a variety of top musicians come in and out including violinist Greg Lawson (Grit Orchestra) Barry Burns (Mogwai), the Scottish Session Orchestra and sax genius Raymond MacDonald. For the end of the film, Tony and David decided to work with the wonderful Kathryn Joseph (fellow Rock Action Records artist and Scottish Album of the Year winner) for her contemporary take on two Scottish folk classics - the tragic Land O’ The Leal and the rousing Scots Wha Hae (by legendary Scots poet Robert Burns about Robert the Bruce and his army on the morning of the Battle of Bannockburn) The double LP is a special edition limited to 500 pressings worldwide.
Birdwatcher Records
PAT K E E N C E L L S R E MA I N From Eau Claire, WI and now based in Minneapolis, Pat Keen has lived a few lives as a hired gun in bands such as Guerilla Toss, Ryan Power, Wei Zhongle, Ian Sweet and Humbird after cutting his teeth as a bassist and improviser at New England Conservatory. Cells Remain was recorded in Eau Claire, WI with engineer Brian Joseph (Bon Iver, Sufjan Stevens, Paul Simon). Co-producer/percussionist Shane Leonard (Field Report, Anna Tivel, Mipso), multiinstrumentalist Adelyn Strei (Adelyn Rose, Yohuna, Her Crooked Heart) and contrabass clarinetist John McCowen (Wei Zhongle, Tweakbird) add tasteful momentum with rhythm, woodwind and synth texture. Listening to the record, it’s clear that a well thought-out collaborative arrangement is just as crucial, just as engaging to listen to, as the artist’s solo explorations. That intentional two part process is fundamental to Pat Keen. At first listen it feels like a reckless intake of air rushing up a mountain, throwing off articles of clothing, then standing on top basking in a panoramic view of both the path behind and visions of possibility in the distance; “There is gold in everyone, how we roll around under the sun and every hand is warm sometimes.” As we live and learn, jettison the clutter and hold on to that solid ground, Pat is there reassuring us, “I’m around. Lost and found, I’m around.”
ALBUM COVER
Label: Birdwatcher Records Release Date: August 21st, 2020 Cat#: BW 016 Format: LP LP Barcode: 309272738308
Label Contact: Tom Abbs info@clandestinelabelservices.com
Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287
TONY PEPPERS PAMELA
COMPANY RECORDS companyrecordlabel.com
Armed with a Super-8 camera and little else, Anthony Ferraro (Astronauts, etc.) & Chaz Bear (Toro y Moi) got lost in Paris and emerged with the impressionistic short film, Pamela. Taking place after a presumed separation from a new amoureuse, the film explores the mania of being a lovelorn outsider in the old world’s most bewitching city. Featured on the soundtrack are Ferraro’s ambient score and the premiere single from Tony Peppers, written and recorded by Ferraro and Bear. TRACKLISTING 1. Metropolitan 2. Pamela’s Theme CATALOG NUMBER: CHI15 STREET DATE: August 21, 2020 FILE UNDER: Alternative/ Indie Rock DISCOUNT: 5% on 7” until Sept 18, 2020
PAMELA ● Tony Peppers is the moniker of Anthony Ferraro, of Astronauts, etc. and keyboardist in Toro y Moi ● Pamela is the score for the short film of the same name produced by Company Studio ● “Metropolitan” was written and produced by Anthony Ferraro and Chaz Bear (Toro y Moi)
PAMELA SEVEN INCH UPC 677517301519
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
NEW RELEASES Street Date: 8.14.20 | Order Date: 7.24.20
Elliott Smith
STREET DATE: August 28th, 2020
“Elliott Smith: Expanded 25th Anniversary Edition” • 25th Anniversary of this classic album • Indie Retail Exclusive Color Vinyl • 52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs • Includes earliest known live solo recording • 2CD set comes in CD sized 56 page book When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, Kill Rock Stars is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith’s friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
STANDARD VINYL LP-KRS-656 CONFIG: Black Vinyl UPC: 759656065610 Genre: Alternative NON RETURNABLE
CD CD-KRS-656 UPC: 759656065627 Genre: Alternative
WWW.KILLROCKSTARS.COM
INDIE RETAIL EXCLUSIVE VINYL LP-KRS-656X CONFIG: Electric Blue UPC: 759656065641 Genre: Alternative LIMITED EDITION 1500 NON RETURNABLE
Elliott Smith BACK CATALOG 20% OFF THRU 8/31 SPEED TRAILS 7”
NEEDLE IN THE HAY 7”
SI-KRS-266 UPC: 759656026673 NON RETURNABLE
SI-KRS-239 UPC: 759656023979 NON RETURNABLE
ALTERNATE VERSIONS FROM EITHER/OR 7”
ROMAN CANDLE CD-KRS-523 UPC: 759656052320
SI-KRS-569 UPC: 759656056977 NON RETURNABLE
LP-KRS-523180 UPC: 759656052382 NON RETURNABLE
ELLIOTT SMITH
EITHER/OR
CD-KRS-246 UPC: 759656024624
CD-KRS-269 UPC: 759656026925
LP-KRS-246 UPC: 759656024617 NON RETURNABLE
LP-KRS-269 UPC: 759656026918 NON RETURNABLE
FROM A BASEMNT ON THE HILL
NEW MOON
CD-KRS-524 UPC: 759656052429
CD-KRS-455 CONFIG: 2CD UPC: 759656045520
LP-KRS-524180 CONFIG: 180G/2LP UPC: 759656052481 NON RETURNABLE
LP-KRS-455 CONFIG: 2LP UPC: 759656045513 NON RETURNABLE
AN INTRODUCTION TO...
EITHER/OR: EXPANDED EDITON
CD-KRS-541 UPC: 759656054126
CD-KRS-620 CONFIG: 2CD UPC: 759656062022 LP-KRS-620 CONFIG: 2LP UPC: 759656062015 NON RETURNABLE
LP-KRS-541 UPC: 759656054119 NON RETURNABLE
WWW.KILLROCKSTARS.COM
INDIE EXCLUSIVE LP - EARLY RELEASE ON AUGUST 28TH 1. Baptismal 2. Bardo’s Light (Ouija, Ouija) 3. Don’t Let Me Run 4. Magical Thinking 5. Masonic Temple Microdose #1 6. Requiem 7. Holy Smokes Future Jokes 8. Sons and Unwed Mothers 9. Dead Billie Jean 10. Hazy Morning
BLITZEN TRAPPER
HOLY SMOKES FUTURE JOKES WORLDWIDE RELEASE DATE: SEPTEMBER 11TH Singer-songwriters have been tackling existential questions about life and death since time immemorial… or at least the 1960s. But when it came to Blitzen Trapper’s newest album, Holy Smokes Future Jokes, front man Eric Earley looked beyond mere existence—or even the end of it—to contend with grander cosmic explorations: namely, the intermediate period between a person’s separate lives on earth, “and what it means to escape the cycle of birth and rebirth,” he explains. Inspired by George Saunders’ 2017 experimental tome, Lincoln in the Bardo and the Tibetan Book of the Dead, Earley’s lyrics take the listener on a wild and dramatic journey through rivers of waist-high water in the aftermath of a tragic car wreck and the hazy morning before a murderous moment, and from getting blitzed to the point of extinction inside a masonic temple to a stop for chips and dip before the apocalypse.
INDIE RETAIL EXCLUSIVE LP
ITEM NUMBER: LP-YEP-2725x UPC: 634457272552 PACKAGING: Jacket, Reflective inner sleeve, download code, Blue, Red, and Yellow splatter vinyl BOXLOT: 50 EXPORT: Worldwide
6
34457 27255 2
CD and Wide LP Release on 9/11 ITEM NUMBER: CD-YEP-2725
HIGHLIGHTS ☛ Blitzen Trapper’s 10th full length album over a 20-year career ☛ Yep Roc Records debut ☛ Indie Retail Exclusive LP - features Blue, Red and Yellow splatter vinyl ☛ First Single - “Magical Thinking” - premiered at SPIN ☛ Second Single - “Masonic Temple Microdose #1” - premiered at Consequence of Sound
☛ Recorded at Long Play Recording in Portland, OR ☛ Produced and engineered by Raymond Richards (LCD Soundsystem, Local Natives) ☛ Features Michael Blake (keys), Luke Price (fiddle), Ben Latimer (saxophone), Heather Woods Broderick (backing vocals), and Haley Johnsen (backing vocals).
Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278 INFO@YEPROC.COM | YEPROC.COM 336-578-7300
ORIGINAL SOUNDTRACK RECORDING DC774 LP/CD Street Date: August 21, 2020 NO EXPORT TO EUROPE OR AUSTRALIA/NZ / SEND A NICE SACK LUNCH EVERYWHERE ELSE
Deluxe vinyl package comes with a removable “Peel Slowly and See” Colorforms vinyl on the front cover! It’s John Mulaney and the Sack Lunch Bunch Grandma’s Boyfriend Paul Algebra Song! Googy’s Theme Plain Plate of Noodles Do You Wanna Play Restaurant? Pay Attention! Do Flowers Exist at Night? I Saw a White Lady Standing on the Street Just Sobbing (and I Think About It Once a Week) Music, Music Everywhere! CD
LP
THE COMEBACK KID LP/CD DC661
KID GORGEOUS AT RADIO CITY LP/CD DC724
Emmy Award winning comedian John Mulaney aims to recapture the magic of that bygone television era when children sang songs about their feelings with celebrity guests on funky outdoor sets with John Mulaney & The Sack Lunch Bunch, a television special that premiered December 24, 2019 on Netflix. Now, Christmas is coming again like never before, with physical LP and CD editions of the soundtrack! This includes a special peelable sticker on the cover of the LP edition, allowing children of all ages to pick at it! Who are John Mulaney & The Sack Lunch Bunch and what is this album? Well, John Mulaney is a 6 ft tall comedian with many credits and two awards and he was born on a humid August night in 1982. The Sack Lunch Bunch is a group of children ages 8–13, born after the turn of the 21st century, and they are each unique human beings with way more talent than Mr. Mulaney. With the brilliant musical chameleon and Emmy nominated composer Eli Bolin, Mulaney and his co-writer Marika Sawyer put together some songs and then were joined by guests like David Byrne, Tony Award winner André De Shields, Annaleigh Ashford, Shereen Pimentel and Jake Gyllenhaal from the movie Zodiac! The sonic result is this soundtrack album. There are probable hits like “Grandma’s Boyfriend Paul,” inspired by the breezy piano pop of Carole King’s “Really Rosie.” “Plain Plate of Noodles” may be a child’s existential food lament, but you can still dance to its Three Dog Night-inspired funk. “I Saw a White Lady Standing on the Street Just Sobbing (and I Think About It Once a Week)” is a daydream made of the rich major 7th chords of Laura Nyro layered with the warm flugelhorn that seems to whisper “Burt Bacharach.” Calypso, New Orleans jazz, and even the Alan Parsons’ Project’s “Eye in the Sky” make up the DNA of other Sack Lunch songs. David Byrne lent us his time, his voice, and his whole essence for a song that demands the listener “Pay Attention.” Bolin, Byrne, Sawyer and Mulaney wrote it in 2019, but it’s also a nod to a bizarre boy back in the 1980s named John who was thunderstruck by Talking Heads’ “Warning Sign” and its command: “Pay Attention, Pay Attention/I’m talking to you and I hope you’re concentrating.” We hope anyone who listens to this is either a kid who digs it, or if you’re a grown up and can vote and stuff, that these songs take you somewhere familiar in the garage of your mind, maybe back to that time when you were smaller, had no control over your schedule, lived in fear of tarantulas, but sometimes got to rock out to loud pianos and big bright horns.
ALSO BY JOHN MULANEY ON DRAG CITY
DRAG CITY INCORPORATED P. O. BOX 476867 CHICAGO, IL 60647 • 312.455.1015 • SALES@DRAGCITY.COM
• The Oakland-Based Black Jazz Label Emerged from the Late-‘60s/Early-‘70s Movement That Led to a Number of Black-Run Artist Collectives Such as the AACM (Artists Association for the Advancement of Creative Musicians) that Spawned the Art Ensemble of Chicago • Founded by Ovation Records Owner Dick Schory and Pianist Gene Russell, Who Produced All the Black Jazz Releases • Reputed to Be the First Jazz Label Started by an AfricanAmerican Since 1921, Black Jazz’s Mission Statement Was “to Promote the Talents of Young African American Jazz Musicians and Singers” • The Label Released About 20 Albums During Its Brief (1971-1975) Existence, and Then Faded into Obscurity • But a New Generation of Crate Diggers and DJ’s Discovered the Label’s Amazing Array of Modal, Soul, Funk, and Free Jazz, Much of It Imbued with the Political and Spiritual Concerns of the Day • The Result Was That Black Jazz Is Among the Most Collectible Labels in Existence, with Original LPs Selling for Hundreds of Dollars • The Label Was Reissued on CD in Japan During the ‘90s and Early 2000s, but Virtually None of the Black Jazz Titles Have Been Reissued on LP • Now, Real Gone Music Has Obtained the Rights to Reissue the Entire Black Jazz Catalog on LP and CD • Remastered by Mike Milchner at Sonic Vision • Lacquer Cutting by Clint Holley and Dave Polster at Well Made Music
RECORDS In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, dedicated, in the words of Watts-based UGMAA (Union of God’s Musicians and Artists Ascension) founder Horace Tapscott, “[to play music} about depicting the lives of black people in their communities all over this country, where it has been turned around and people have been made to feel unworthy.” In Chicago, there was the AACM (Association for the Advancement of Creative Musicians), which spawned among many other artists the Art Ensemble of Chicago. In Brooklyn, the CBA (Collective Black Artists) included Reggie Workman, Donald Byrd, and Stanley Cowell (co-founder of the Strata East Record label) among its members. In Detroit, Wendell Harrison, Phil Ranelin, and others formed a collective called The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory. Reputed to be the first jazz record label started by an African-American since 1921, its mission statement was “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out about 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact…but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere.
• A Beyond-Timely Release That Draws a Straight Line Between What Was Happening Then and What Is Happening Now, and Reminds us of the Love and Common Humanity That Binds Us All
We at Real Gone Music first began tracking down the rights to the Black Jazz label back in 2017. Finally, after a couple of leads went cold, we were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson and decorated jazz archivist Zev Feldman, each vinyl reissue features the original black-andwhite Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now.
• Real Gone Music Will Donate $500 to the Equal Justice Initiative with the Release of Each Black Jazz Album
Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album.
• LPs Pressed at Gotta Groove Records in Black Vinyl • Added Liner Notes by Pat Thomas, Author of Listen Whitey! The Sights and Sounds of Black Power 1965-1975 • Original Album Art, Featuring, on the Early Releases, an Identical Front and Back Cover, with the Back Cover Turned “Upside Down” to Ensure Visibility of the Album Title in the Record Store Rack • Produced for Reissue by Real Gone’s Own Gordon Anderson and Decorated Jazz Archivist Zev Feldman
SELLING POINTS
• Of All the Artists Who Recorded for the Black Jazz Label, Keyboardist and Composer Doug Carn Was the Most Prolific, Releasing Four Albums for the Imprint • 1972’s Spirit of the New Land Was Recorded When Carn Was Also Working with Earth, Wind & Fire • Was His Second Black Jazz Release, but the First One (of Two) Co-Billed to His Wife, Vocalist Jean Carn • Spirit of the New Land Is Arguably the Most Collectible LP in Carn’s Catalog • Features His Knack (as on Miles Davis’ “Blue in Green”) of Adding Lyrics to Modern Jazz Standards, Set to Jean Carn’s Soaring, Five-Octave Range • Star-Studded Cast of Musicians Includes Trumpeter Charles Tolliver, Saxophonist George Harper, Trombonist Garnett Brown, Tuba Player Earl McIntyre, and Drummer Alphonse Mouzon • A Deeply Spiritual and Uplifting Album • Pat Thomas’ Liner Notes Include Excerpts from a Freewheeling Interview with Doug Carn Himself DOUG CARN Featuring the Voice of JEAN CARN: Spirit of the New Land LP iBarcoder Trial
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UPC: 848064010821 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60
iBarcoder Trial DOUG CARN Featuring the Voice of JEAN CARN: Spirit of the New Land CD
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UPC: 848064010845 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS
• Chicago-Based The Awakening Were the Only “Group” Recorded for Black Jazz, and Recorded Two of the Most Sought-After Albums in the Label’s Entire Catalog • 1972’s Hear, Sense and Feel Marked the Ensemble’s Debut • The Awakening’s Roots Were in the AACM (Association for the Advancement of Creative Musicians) Collective That Claimed The Art Ensemble of Chicago Among Its Most Esteemed Artists • Both Bassist Reggie Willis and Tenor Saxman/Flautist Ari Brown Were AACM Members • Other Members of The Awakening Hailed from the City’s Thriving Soul Jazz Scene • Co-Leaders Trumpeter Frank Gordon and Keyboardist Ken Chaney Played for Young-Holt Unlimited • Trombonist Steve Galloway Appeared on Melvin Jackson’s Soul Jazz Classic Funky Skull • Hear, Sense and Feel Inhabits That Sweet Spot Between the Free Jazz and Afrocentric Explorations of the Art Ensemble and the Rhythm-Heavy Soul Jazz Sound of Such Chicago-based Labels as Brunswick and Cadet • Original Copies Sell for Hundreds of Dollars Online if You Can Find Them at All THE AWAKENING: Hear, Sense iBarcoder Trial and Feel LP "
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UPC: 848064010852 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60
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UPC: 848064010876 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS
• Pianist Walter Bishop, Jr.’s Coral Keys Was the Second Album Released by Black Jazz (the First, Gene Russell’s New Direction, Will Be Released a Day Later on the First RSD Drop August 29) • Bishop Had Led Earlier Dates with Such Legends as Bassist Jimmy Garrison (John Coltrane) and Drummer Jimmy Cobb (Miles Davis) • With Such a Formidable Resume, Bishop Assembled an All-Star Line-Up Featuring Woody Shaw on Trumpet, Reggie Jackson on Bass, Idris Muhammad on Drums, and Harold Vick on Flute, Tenor, and Soprano Sax • All Songs Composed by Bishop, Highlighted by “Soul Turn Around,” Which Later Turned Up on Freddie Hubbard’s 1969 LP A Soul Experiment • Think Herbie Hancock’s ‘60s Blue Note Recordings Gently Polished with a Soul Jazz Sheen • Highly Collectible and Eminently Tasteful WALTER BISHOP , JR.: Coral Keys LP iBarcoder Trial "
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UPC: 848064010784 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60
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UPC: 848064010814 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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DOUG CARN Featuring the Voice of JEAN CARN: Spirit of the New Land (Remastered CD & Vinyl Edition) STREET DATE: AUGUST 28, 2020 Of all the artists who recorded for the Black Jazz label, keyboardist and composer Doug Carn was the most prolific, releasing four albums for the imprint. 1972’s Spirit of the New Land was his second Black Jazz release, but the first one (of two) to co-feature his wife, vocalist Jean Carn, in the album title; we’ve chosen to lead with this record from Carn’s catalog not only because it’s the most collectible of the bunch, but also because it showcases his innovative approach of adding lyrics to jazz standards. Thus, both Miles Davis’ “Blue in Green” and Lee Morgan’s “Search for the New Land” are blessed with spellbinding vocals from Jean Carn set to her husband’s words, while Doug Carn originals like “Arise and Shine” and “My Spirit” soar with spiritual fervor on the wings of his wife’s five-octave range. Along for the ride are a stellar cast of players, including trumpeter Charles Tolliver, co-founder of the Strata-East label; saxophonist George Harper, who played with Herbie Hancock and Jimmy Smith among others; trombonist Garnett Brown, who appears on albums by Roland Kirk, Albert Ayler, and Art Blakey among his hundreds of album credits; tuba player Earl McIntyre, whose discography spans from Carla Bley to the Band; and drummer Alphonse Mouzon, founding member of Weather Report. This beautiful, uplifting album comes with a special surprise: liner notes by Pat Thomas, author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975, that feature excerpts from a freewheeling interview recently conducted with Doug Carn himself!
LP TRACKS: Side One 1. Dwell Like a Ghost 2. My Spirit 3. Arise and Shine 4. Blue in Green Side Two 1. Trance Dance 2. Search for the New Land 3. New Moon CD TRACKS: 1. 2. 3. 4. 5. 6. 7.
Dwell Like a Ghost My Spirit Arise and Shine Blue in Green Trance Dance Search for the New Land New Moon
THE AWAKENING: Hear, Sense and Feel (Remastered CD & Vinyl Edition)
STREET DATE: AUGUST 28, 2020 The Awakening were the only “group” recorded by Black Jazz, for which they made two albums; those two releases happen to be among the most collectible in the label’s entire catalog, which, given the value Black Jazz titles command in the open market, gives one an idea just how sought-after these records are. Recorded in 1972, Hear, Sense, and Feel marked the band’s debut, and featured the same line-up that played on next year’s Mirage. Being from Chicago, The Awakening’s line-up unsurprisingly boasts a heavy connection to the AACM (Association for the Advancement of Creative Musicians) collective that claimed The Art Ensemble of Chicago among its most esteemed artists; in fact, both bassist Reggie Willis and tenor saxman/flautist Ari Brown were AACM members and appeared on albums with Muhal Richard Abrams, Lester Bowie, and Anthony Braxton among others. The other members of The Awakening, on the other hand, hailed from the city’s soul jazz scene, specifically Young Holt Unlimited, for whom co-leaders trumpeter Frank Gordon and keyboardist Ken Chaney played (trombonist Steve Galloway played on Melvin Jackson’s soul jazz classic Funky Skull). And it is that sweet spot, somewhere between the free jazz and Afrocentric explorations of the Art Ensemble and the rhythm-heavy soul jazz sound being recorded at Chicago-based labels like Brunswick and Cadet, that Hear, Sense and Feel lands. Which explains why this album sells for hundreds of dollars online if you can find it at all. A lost gem worthy of all the attention we think this reissue is going to get!
LP TRACKS: Side One 1. The AwakeningPrologue-Spring Thing 2. When Will It Ever End 3. Convulsions Side Two 1. Kera’s Dance 2. Jupiter 3. Brand New Feeling 4. Awakening-Epilogue CD TRACKS: 1. The AwakeningPrologue-Spring Thing 2. When Will It Ever End 3. Convulsions 4. Kera’s Dance 5. Jupiter 6. Brand New Feeling 7. Awakening-Epilogue
WALTER BISHOP, JR.: Coral Keys (Remastered CD & Vinyl Edition)
STREET DATE: AUGUST 28, 2020 The first release on Black Jazz was by pianist and label producer Gene Russell; for the label’s second release, Russell chose another piano man of impeccable taste, Walter Bishop, Jr. But while much of Russell’s record consisted of songs composed by others, Bishop’s record features all originals, most notably “Soul Turn Around,” a groover that later turned up on Freddie Hubbard’s 1969 LP A Soul Experiment. Bishop had helmed several releases before this one, including dates with John Coltrane bassist Jimmy Garrison and Miles Davis drummer Jimmy Cobb among others, so it’s not surprising he assembled a heavy hitting line-up for Coral Keys, including Woody Shaw on trumpet, Reggie Jackson on bass, Idris Muhammad on drums, and Harold Vick on flute, tenor, and soprano sax. Think Herbie Hancock’s ‘60s Blue Note recordings gently polished with a soul jazz sheen; this is some tasty stuff that’s been hard to find for way too long.
LP TRACKS: Side One 1. Coral Keys 2. Waltz for Zweetie 3. Track Down 4. Soul Turn Around Side Two 1. Our November 2. Three Loves 3. Freedom Suite CD TRACKS: 1. 2. 3. 4. 5. 6. 7.
Coral Keys Waltz for Zweetie Track Down Soul Turn Around Our November Three Loves Freedom Suite
www.redeyeworldwide.com
stephen@redeyeworldwide.com
JESSY LANZA ~ ALL THE TIME Catalogue Numbers Street Date Formats U PCs Box Lots
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LP-HDB-051 / CD-HDB-051 008.28.2020 7.24.2020 LIMITED COLOURED VINYL LP / CD 5055869593601 [TURQ. LP] / 5055869593748 [PINK LP] / 5055869593618 [CD]
25 [ LP ] / 35 [ CD ]
‘All The Time’, Jessy Lanza's first album since 2016's ‘Oh No’, is the most pure set of pop songs that she and creative partner Jeremy Greenspan have recorded, reflective and finessed over time and distance. Innovative juxtapositions sound natural, like rigid 808s rubbing against delicate chords in ‘Anyone Around’, subtle footwork flutter giving a nervous energy to ‘Face’, unusual underwater rushes underpinning ‘Baby Love’. The songs also sound more “live” than ever before. Jessy’s voice is treated, re-pitched and edited on songs like ‘Ice Creamy’ and gestural sounds seem to respond to her lyrics in songs such as ‘Like Fire’, which reward the listener on repeated plays. More than previous albums, the lyrics on ‘All The Time’ became an important focus for Jessy too, channelling the negativity of anger and frustration arising from some significant changes in her personal situation into the text. These lyrics sometimes process raw feelings, which aren't obvious to begin with, but are soon felt, standing in stark contrast to the cushioned settings of the music. ‘All The Time’ has ended as a triumph and an abstracted diary of a sometimes difficult, but enduring friendship and creative relationship, and it’s their best work yet.
LIMITED EDITION LP AT INDEPENDENT STORES ~ 1000 COPIES EACH ON TURQUOISE OR PINK VINYL A1. Anyone Around A2. Lick In Heaven A3. Face A4. Badly A5. Alexander B1. Ice Creamy B2. Like Fire B3. Baby Love B4. Over And Over B5. All The Time
www.hyperdub.net
STATELESS LP
DC772
TASHI DORJI STREET DATE:August July 31, 2020 STREET DATE: 28, 2020 No Export to Europe or Australia/NZ, Ship STATELESS to all other States!
In the past two decades, the government presidTashi Dorji has traveled ing over this country that a long road, recording he calls, and that we call several dozen albums and home, has taken a series touring the world, playing of intractable, entirely his guitar solo and in coldespicable positions on laboration with inspired the status of immigrants, others. Gifted with a senrefugees and foreigners sitive ear to the clarion of all kinds. On any level call of intuitive artistry, that we can imagine, this he is forever picking up is a corrupt human policy. his instrument and reachOur immigrant ancestors ing through it to find new once lived in fear – must sounds. In this, he has immigrants always? Or is distinguished himself this, as we suggest Tashi among those who listen is suggesting, the clutto improvised music as tered and sinking path of an incisive, distinctive a nation drifting into a sea player of moments. change? In this music, admisLike a sculptor, Tashi flecks away at the guitar, sion to the kingdom is percussive strikes disdetermined on a daily covering the shades of basis by what’s played. REFUSAL Parts I & II folkish melodies within, Tomorrow is a new jourwhile continuously shapney. Every time is. This STATUES CRUMBLE, ing other contours. A title of this record, though. HEROES FALL Stateless. It’s about more resourceful and vigorous than just playing your use of techniques suggest END OF STATE discourse and discorway into sometwhere. It Parts I–III dance. The scraps and invites us to perceive the hair-raising truth that ricochets begin to add up, WHAT YOU WILL LOOSE, these are free pieces in shots to the head, grazing AS ALL ARE LOST more ways than one. the side, exposing ribs We told Tashi we’d love that grin dully red. Yet THE SWELLING FRUIT for him to make a record moments of his bluntest ABOUT TO SHATTER for us and he said he’d touch yield fluidly to lithe THE HUSK OF love to do it. That was the feathering, or pivot to a THE OLD WORLD end of the discussion. No quiet focus on selected parameters. He thought strings, which threatens NOW about it a bit, decided to to rise up before a moment Parts I & II make an acoustic guitar of gentle subsiding. This record, then he made it is improv isation: the and here it is. Very beautisongs playing through fully recorded, a probing recital in which music, the tex- Tashi, beyond choices or preference. The result only ture of the instrument and the nature of the space in the of sitting and playing, no thoughts in that moment. Yet moment which it is played are all of equal significance. even the shreddiest, pluckiest, out-of-mindest moments, It’s an astonishing sequence of performances – and when feel guided, led by a hand from beyond. paired with titles like “Refusal,” “Statues Crumble, With the gravity of a rock-opera and the delicacy of a Heroes Fall,” “End of State,” and “The Swelling Fruit suite, Stateless measures the miles on the charred highAbout to Shatter the Husk of the Old World,” the music way we’re all presently stalled upon — not going home is further informed with elevated vision and purpose. again, at time on a march for no reason, other moments A native of Bhutan, Tashi has lived in Asheville, NC insensibly in the weeds, rummaging, looking for somewith his family since 2000. His career as a musician has thing. flourished during this time — even as, in recent years, We have to hope we’ll find it. DRAG CITY INCORPORATED Post Office Box 476867 Chicago, IL 60647 / 312.455.1015 / sales@dragcity.com
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ARTIST: KENNÉLMUS
“IF THE MOODY BLUES HAD BEEN STRANDED IN THE SONORA DESERT WITH NOTHING BUT PEYOTE FOR SUSTENANCE, THIS THIS THE ALBUM THEY WOULD HAVE MADE.” - RECORD COLLECTOR Maybe itʼs their proximity to all that funny-tasting cactus, but Arizona has produced more than its share of mind-bending rock combos and Kennélmus might just be the wildest of the bunch. The Chantays sand-wrestling with the Electric Prunes, refereed by Captain Beefheart almost certainly does justice to the mind-bending sound of Kennélmus. “This way-obscure Phoenix band released a late-period psychedelic album in 1971, that by the standards of self-released LPs of the time, was several layers above the usual such offering. The exotic dabs or melodica, zither, and special effects by multi-instrumentalist and songwriter Ken Walker added a cloud of eeriness; ʻI Donʼt Knowʼ has keyboards straight off the Chantaysʼ surf classic ʻPipeline,ʼ ʻGoodby Pamela Annʼ has scorching psychedelic guitar that sounds like a mating of the Electric Prunes and Haight-Ashbury, and ʻMother Of My Childrenʼ has vocals that sound like a Lee Hazlewood parody.” - ALLMUSIC.COM “This album is excellent, trippy, and mind-bending, with very surfadelic guitars and strange sounds. It is obvious that a lot of thought and planning was put into its production.” - UGLY THINGS
• OUT OF PRINT FOR OVER 25 YEARS AND NOW BOB IRWINʼS DEFINITIVE MASTER IS GETTING THE KEVIN GRAY TREATMENT! • CUT BY KEVIN GRAY AND PRESSED THIRD MAN PRESSING IN DETROIT. • LP HAS 8 PANEL BOOKLET WITH REVERSE BOARD JACKET AND SNAPPY OBI STRIP!
TITLE: FOLKSTONE PRISM BLACK VINYL LP / CD BOX LOT QUANTITY: 30 LP / 45 CD FILE UNDER: PSYCHEDELIC ROCK MH-8065 LP UPC: 090771806512 MHCD-065 UPC: 090771806529 RELEASE DATE: 6/12/20 8/28/20
TRACK LISTING I DONʼT KNOW PATTIʼS DREAM DANCING DORIS GOODBYE PAMELA ANN MONOLOGUE BLACK SUNSHINE THINK FOR YOURSELF THE BUG, THE GOAT, & THE HEARSE SHAPES OF SLEEP CLOUD OF LEAD MOTHER OF MY CHILDREN 1001 TWICE SYLVAN SHORES BULLETIN!!! THE RAVEN MODERNHARMONIC.COM
FIELD MUSIC
FIELD MUSIC (MEASURE) TEN YEAR ANNIVERSARY REISSUE
Back on vinyl for the first time since its original pressing in 2010, Field Music’s Measure is released on 180g Red and Yellow vinyl. Limited to 500 copies. A landmark in Field Music’s long and varied history, it marked their return from a self-imposed hiatus with a gloriously rich LP that entwined the brother's love of the rock music cannon with a rediscovery of some of pop's overlooked adventurers. Themes disappear and reappear. Some songs flow together, others intrude on each other. There are contradictions and ripostes. There appears to be a great deal of defiance and a fair amount of resignation.
Track listing: A1. In the Mirror A2. Them That Do Nothing A3. Each Time Is a New Time A4. Measure A5. Effortlessly
Can it make sense? Does it matter if there is no sense? What strands can hold together the dissonant funk of 'Let's Write A Book' (a call to arms for the perpetually apologetic), the mutated blues of 'Each Time Is A New Time' (a riposte to misplaced faith in repetition), the chopping and splashing pop driven through 'Them That Do Nothing' (perhaps about a valiant willingness to make mistakes), the multilayered riffery of 'The Rest Is Noise' or the epic found-sound song cycle that starts with 'See You Later'?
B1. Clear Water B2. Lights Up B3. All You'd Ever Need to Say B4. Let's Write a Book B5. You and I C1. The Rest Is Noise C2. Curves of the Needle C3. Choosing Numbers C4. The Wheels Are in Place C5. First Come the Wish
Perhaps, then, the central strand of this sprawling Tusk meets The English Settlement epic is simply that this is the album when the Brewis brothers truly became Field Music. Even on a record as varied as this their sound and approach can still be identified as their own. As David said at the time: "In the past we might not have had faith that it was sufficient just to be us. But now I think we do."
D1. Precious Plans D2. See You Later D3. Something Familiar D4. Share the Words D5. It's About Time
LTD RED / YELLOW 180g VINYL GATEFOLD SLEEVE REISSUE (+ MP3): CAT NO: MI0149LPX UPC: 5056340100752
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“Field Music’s most bounteous harvest yet.” ★★★★ MOJO “A work of incredible beauty and complexity.” ★★★★ The Sunday Times “The brothers Brewis reconvene to make a modern gem.” ★★★★★ UNCUT "A superbly off kilter record from Sunderland’s Sparks” ★★★★ Q
www.memphis-industries.com • info@memphis-industries.com
MUSH GREAT ARTISANAL FORMATS Following hot on the heels of their debut album “3D Routine”, Leeds upstarts Mush will be releasing “Great Artisanal Formats”.
Track listing 1. SNAG 2. Fear Index 3. FTA 4. Saint To Your Slave 5. Dead Beat
Mush have established themselves as one of the most inventive and exciting new guitar bands in the UK having supported Stereolab and Shame, been supported heavily at 6 Music (5 x Marc Riley sessions + daytime playlist) and played a host of high profile festivals including All Points East, The Great Escape and Transmusicales. “Great Artisanal Formats” is another collection of off kilter guitar licks and wry observational takes on modern society.
Praise for Mush’s debut album “3D Routine”:
7” EP (+ MP3): CAT NO: MI0591S UPC: 5056340100745
“Old-school indie meets 2020 attitude” 8/10 UNCUT “Wonky indie rock at its best” 8/10 Louder Than War “Mush’s riffy, funky post-punk is as cathartic as it is surreal” PASTE
www.memphis-industries.com • info@memphis-industries.com
1. 33EMYBW – Medical Fodder 2. Gooooose – We've All Been There 3. LYZZA – Rifle 4. Amazondotcom & Siete Catorce – Absent City 5. AYA – DaRE u to sour lips with me 6. Hyph11E – Owl Whispers 7. E-Saggila – Shd 8. Debit – Primal Use of Wind 9. Core Self – Suspiria 10. DRVGジラ – Funeral Flowers 11. Osheyack – SAF E 12. Deena Abdelwahed – Abbrejiyeytar 13. Lila Tirando a Violeta & Lighght – Ritual For Rusting Metals 14. Slikback – Shogai 15. Odete – Epilogue For A Banshee Cry
Artist: Title:
Various Artists Alterity
Format: Catalog No. UPC/EAN
2xLP HTH130 5065000444686
Format: Catalog No. UPC/EAN
CD HTH130CD 5065000444693
Release date: 08/28/20 Alterity is compilation of fifteen warped, experimental and deconstructed club music tracks featuring artists from almost every continent. It pieces together shared sounds that connect disparate scenes across the globe. The music is fuelled by a desire to dissolve borders and transcend perceived norms to promote the existence of alternate viewpoints, lifestyles and identities. The listener travels to a parallel plane through amorphous techno wormholes, caverns of industrial beat science and colossal panoramas of glistening hyper-stylised trance. Each creation espouses local sounds and adapts global musical styles creating a singular, holistic map of modern dancefloors that champion diversity and inclusivity. The cover art of a manipulated city shows an ordinary urban landscape remodelled as another world. It hints at an endless, borderless macrocosm concealed within. Highlights: Double coloured vinyl in gatefold packaging and printed inner sleeves Download card Designed by fabric London’s inhouse designer plusyes Three instant grat pre-release tracks from Lila Tirando a Violeta & Lighght, AYA, and 33EMYBW • 33EMYBW named in Bandcamp’s Electronic Albums of the Year 2018 • Deena Abdelwahed is the first contributor to a RA/BBC1 Mix Series collaboration, and was named as in ‘Top 10 highlights at Sonar’ 2017 in a review from New York Times • • • •
Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com
Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com
Kikagaku Moyo is the musical union between five free spirits. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice. Since 2013 the band has released 4 full lengths, an EP, and several singles. They have toured Australia, the United States, Europe, Australia and Japan extensively. Kikagaku Moyo love to connect with people through performing, whether they are playing in a barn deep in a Swedish forest, on a desolate Mediterranean beach, or beside a sleepy river at 2014’s Levitation Fest they bring out the magic in everyone present.
Kikagaku Moyo Forest of Lost Children
Label: Beyond Beyond is Beyond Records Catalog Number: BBIBR013 Format: Clear w/ Black Splatter Vinyl LP/45 RPM 857387005605
Compact Disc
888295074247
Release Date: Out Now! Territory: Worldwide File Under: K – Rock/Psychedelic RIYL: Flower Travelin’ Band, Trad Gras, CAN
Label contact: info@beyondbeyondisbeyond.com
Contact: stephen@redeyeworldwide.com
Their delicate use of melody and soft vocal harmonies contrast seamlessly with fuzzed out sitar riffs and feedback. To Kikagaku Moyo a song is like a breath of wind through the leaves or a fish jumping from the water. Their music is a conversation—sometimes delicate and tender other times explosive, but always human and always changing.
Tracklisting: 01. 02. 03. 04. 05. 06.
Semicircle Kodama Smoke and Mirrors Streets of Calcutta Hem White Moon
MIKE FAHIE JAZZ ORCHESTRA
greenleafmusic.com mikefahie.com
"… an erudite, witty composer and a trombonist with serious chops." — Stereophile New York City-based trombonist Mike Fahie (Darcy James Argue, John McNeil, Pedro Giraudo) releases the debut album from his steadfast large ensemble, the Mike Fahie Jazz Orchestra. Urban(e) (pronounced Urban, Urbane) presents a marriage of both the jazz and classical idioms. Fahie's stunning arrangements of works by seven composers celebrate the cross-pollination of these two musics, fusing them into one cohesive sound. The ensemble, which has been together since 2012, features eighteen of New York's best creative musicians, including standout soloists Chet Doxas, Quinsin Nachoff, Jennifer Wharton, and David Smith, along with Fahie himself on trombone and euphonium. Urban(e) represents over 200 years of musical invention, interpreted through a jazz lens including subtle undertones of blues, rock, and soul with interpretations of well-known works from the classical repertoire including Stravinsky's "The Firebird", a Bach Cantata, a prelude by Debussy, and perhaps the world's most well-known opera aria, Puccini's "Nessun Dorma."
A L B U M D E TA I L S
T R AC K L I S T I N G
Artist: Mike Fahie Jazz Orchestra Title: Urban(e) Label: Greenleaf Music Catalogue #: GRE-CD-1077 Format: CD Genre: Jazz UPC: 1 86980 00077 0 Street Date: 08/28
1. Prélude, Op. 28 no. 20 (Chopin) 2. "Nessun Dorma" from Turandot (Puccini) 3. Excerpts from The Firebird (Stravinsky) 4. La fille aux cheveux de lin from Préludes, Book 1 (Debussy) 5. String Quartet No. 1, III. Allegro vivace (Bartók) 6. Symphony No. 6, II. Allegro con grazia (Tchaikovsky) 7. "Seufzer, Tränen, Kummer, Not" from Cantata, BWV 21 (J. S. Bach)
L ABEL Mark Micklethwaite Greenleaf Music markmick@greenleafmusic.com
P UBLI CI TY Lydia Liebman Lydia Liebman Promotions lydia@lydialiebmanpromotions.com
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86980 00077
0
505 Eno Street Hillsborough NC 27278 stephen@redeyeworldwide.com
Manuel Valera New Cuban Express Big Band José Martí En Nueva York
greenleafmusic.com manuelvalera.com
Grammy-nominated pianist and composer Manuel Valera (Paquito D’Rivera, Arturo Sandoval, Steve Smith) presents the dynamic debut of his New Cuban Express Big Band. Inspired by José Martí, the famed Cuban writer and independence hero, José Martí En Nueva York features Valera’s song cycle of original music based on nine poems from Martí’s seminal 1891 collection, “Versos Sencillos.” Addressing a range of political and societal issues that are relevant even today, the texts are set for two unique vocalists, Sofia Rei and Camila Meza. Valera uses the broad palette of the big band to express a wide breadth of moods and emotions, touching on traditional Cuban music styles (Danzón, bolero) as well as modern Latin jazz to give Martí’s poetry new life. The album’s large ensemble features some of New York’s best creative musicians, including standout soloists Michael Rodriguez, Roman Filiu, Joel Frahm, and Mauricio Herrera. Produced by Kabir Sehgal and Doug Davis, the album is modern big band jazz with a message. Born out of the crisis of Valera’s loss of his wife to cancer last year, José Martí En Nueva York is a personal cry for freedom, justice, and an expression of passion.
Track Listing
1. Odio La Mascara Y El Vicio 2. Es Rubia, El Cabello Suelto 3. Por Sus Ojos Encendidos 4. Yo Quiero Salir Del Mundo / Yo Pienso Cuando Me Alegro 5. El Enemigo Brutal 6. Tiene El Leopardo Un Abrigo / Cultivo Una Rosa Blanca 7. Si Quiere Que De Este Mundo
Album Details
Artist: Manuel Valera New Cuban Express Big Band Title: José Martí En Nueva York Label: Greenleaf Music Catalogue #: GRE-CD-1080 Format: CD Genre: Jazz UPC: 1 86980 00080 0 Street Date: 08/28
"Manuel Valera stands in a long line of virtuoso Cuban-born musicians based in New York. As a pianist, he's established himself as a versatile first-call musician; as a bandleader, he's often found new connections between pan-Latin rhythms and modern jazz styles." — NPR
Label
Mark Micklethwaite Greenleaf Music markmick@greenleafmusic.com
Publicity
Chris DiGirolamo Two for the Show Media chris@twofortheshowmedia.com
505 Eno Street Hillsborough NC 27278 stephen@redeyeworldwide.com 1
86980 00080
0
YUNG - PROGRESS 7” PNKSLM078 Street date: August 28, 2020 Formats: 7” vinyl & digital File under: Alternative / Indie UPC (vinyl): 634457021532
6
34457 02153 2 Tracklist: A. Progress B. New Fast Song
The Danish four-piece Yung are back four years after the release of their 2016 debut LP A Youthful Dream on Fat Possum, which followed a series of EPs that brought them the attention of Pitchfork, Stereogum, NPR, The FADER and more. Now working with Stockholm, Sweden based indie label PNKSLM Recordings (ShitKid, Les Big Byrd, Hollow Ship etc) the band has refined their sound while embracing a wider palette of inspiration, coming through to the other side and reassessing their focus. The first fruit of the new partnership is the Progress 7” which features new single “Progress” alongside the exclusive b-side “New Fast Song”, which showcases the band’s more punk-infused side. “Progress” is also an early taste of the band’s upcoming second full-length which is set to arrive early 2021. Press for Yung “One of the most catchy, yet furious groups we’ve come across since discovering music made with guitars could be as infectious as the pop songs we heard on the radio as small, innocent, wide-eyed children.” – Noisey “incessantly catchy, furious, and melodic punk” – Stereogum “Yung’s music is a space of duality: innocence & experience, beauty & pain, darkness & light” – NPR Music “A band with a distinctive voice, and one well worth paying attention to” – DIY “A dreamy pop-punk lament of a heavily Rx-ed lifestyle.” – The FADER
PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide excluding UK.
© 2020 PNKSLM Recordings
Fruit Island
p: kJoe Calixto
TSR218 LP / CS / CD ^ ^ ^ “watermelon” vinyl w/ DL code
standards • For fans of CHON, Minus the Bear, American Football, Covet, Ghosts and Vodka, TTNG, toe, Delta Sleep, LITE. • US college radio campaign through Pirate Promotions (steve@piratepirate.com). • Press campaign handled by Will Osiecki (will@topshelfrecords.com). • Claymation music video planned for lead single “Special Berry”. • r/mathrock Reddit AMA scheduled. “Is Marcos Mena the best guitarist in indie rock?” -48hills “hugely technical yet hook-heavy” -Guitar World
STREET DATE August 28, 2020 LABEL Topshelf Records CATALOG # TSR218 TRACKS 12
“[B]ursting with sweet flavors and tantalizing textures just like the fruits they use for their imagery.” -Fecking Bahamas, on Friends
FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT yes
Led by the exuberant melodies of cross-tapping guitarist Marcos Mena, the duo named standards make ebullient instrumental math-rock whose effervescent riffs teem with enthusiasm for life and music. On the band's debut full-length, Fruit Island, standards deftly retool math-rock's sinister and challenging tendencies into a style that is at once danceable yet still compositionally profound.
LP UPC 6 34457 01029 1
On Fruit Island's lead single, "Special Berry," the duo blends simplicity and complexity into a charming jaunt of nimble fingertapping and agile between-the-lines drumming. Mena's energetic melodies contort and twist expertly into drummer Forrest Rice's bouncing ferocity, the springy grooves of which are equally attention demanding and rewarding. In spite of the band's technical and precise stylings, the strictly instrumental compositions are always catchy and singable, inviting listeners to join the band's dancing fruit mascots whose colorful personalities reflect the music's upbeat nature. Fruit Island's second single, "May," perfectly captures the duo's fruity alternate universe, conjuring images of anthropomorphic melons and berries bobbing along to pleasantly angular riffs and chop-heavy drums.
CD UPC 6 34457 01028 4
6
34457 01029 1 34457 01028 4
CS 6 UPC 6 34457 01027 7
6
34457 01027 7
Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like
redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com
topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com
chuck prophet
T H E L A N D T H AT T I M E F O R G O T
RELEASE DATES: 8.21.20/8.28.20 | ORDERS DUE BY 7.31.20/8.07.20
YEP ROC RECORDS
P A V E M E N T | H O R A C E TA P S C O T T Q U I N T E T | D E N T M AY