fontaines d.c. A H E R O ’ S D E AT H
RELEASE DATES: 7.24.20/7.31.20 | ORDERS DUE BY 7.03.20/7.10.20
PA RT I S A N R E C O R D S
J O N H A S S E L L | J E S S Y L A N Z A | D I R T Y P R O J E C T O R S | L A N D O F TA L K
SPOON TELEPHONO SELLING POINTS • IN PRINT FOR THE FIRST TIME SINCE ITS ORIGINAL 1996 MATADOR RELEASE • NEWLY RECUT FROM ORIGINAL MASTERS • CD INCLUDES ALBUM TRACKS AS WELL AS FIVE SONG SOFT EFFECTS EP ON ONE DISC • SOCIAL MEDIA/PRESS CAMPAIGN PLANNED TO PROMOTE CATALOG REISSUES • RECENTLY SYNCED IN NISSAN COMMERICIAL • 1.8m MONTHLY SPOTIFY LISTENERS
“One of the most astoundingly consistent discographies in the last 20 years of rock music” - The FADER
TRACKLIST 01. DON’T BUY THE REALISTIC 02. NOT TURNING OFF 03. ALL THE NEGATIVES HAVE BEEN DESTROYED 04. CVANTEZ 05. NEFARIOUS 06. CLAWS TRACKING 07. DISMEMBER 08. IDIOT DRIVER 09. TOWNER 10. WANTED TO BE YOUR 11. THEME TO WENDEL STIVERS 12. PRIMARY 13. THE GOVERNMENT DARLING 14. PLASTIC MYLAR
Coming March 20th: Spoon’s debut LP Telephono is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the 14 tracks are available as a single LP or as a CD that includes the five song 1997 EP Soft Effects.
Telephono LP OLE-1489-LP 191401148917 *Non-returnable Telephono / Soft Effects CD OLE-1537-CD
191401153720 *Non-returnable
134 Grand St New York, NY 10013 United States (212) 995-5882
JULY 24, RELEASE DATE: MARCH 20,2020 2020 NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
SPOON TELEPHONO / SOFT EFFECTS EP SELLING POINTS • IN PRINT FOR THE FIRST TIME SINCE ITS ORIGINAL MATADOR RELEASE IN 1997 • BLUE SKY COVER FEATURED AS PHYSICAL COVER FOR THE FIRST TIME EVER • NEWLY RECUT FROM THE ORIGINAL MASTERS • CD INCLUDES EP & TELEPHONO ON ONE DISC • SOCIAL MEDIA/PRESS CAMPAIGN PLANNED TO PROMOTE CATALOG REISSUES
Coming March 20th: Spoon’s first EP Soft Effects is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the EP is available on vinyl and as part of a CD compiling the five tracks with Spoon’s debut LP Telephono. Soft Effects vinyl features blue sky cover never before used in physical packaging.
“One of the most astoundingly consistent discographies in the last 20 years of rock music” - The FADER
TRACKLIST 01. MOUNTAIN TO SOUND 02. WAITING FOR THE KID TO COME OUT 03. I COULD SEE THE DUDE 04. GET OUT THE STATE 05. LOSS LEADERS
Telephono / Soft Effects CD OLE-1537-CD
191401153720 *Non-returnable Black vinyl EP OLE-1490-T 191401149013 *Non-returnable
134 Grand St New York, NY 10013 United States (212) 995-5882
RELEASE DATE: MARCH 20,2020 2020 JULY 24, NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
FATHERS DAY SALE - 20% OFF! JUNE 19 - JULY 4 Happy Father’s Day! In celebration of Dad we are offering up a 20% discount across the entire catalog of New West releases from John Hiatt, Lilly Hiatt, Steve Earle and Justin Townes Earle.
Vinyl: 607396515813 CD/DVD: 607396637720
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CD: 607396630028
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LP BOX SET: 607396535910
Vinyl: 607396538713 CD: 607396100422
Vinyl: 607396200917 Color Vinyl: 607396538812 CD: 607396101221
Vinyl: 607396518418 Color Vinyl: 607396538911 CD: 607396639526
Vinyl: 607396538713 CD: 607396100422
TALsounds
Acquiesce
Natalie Chami’s latest album as TALsounds has garnered a giant heap of glowing praise since being released in the middle of a pandemic.
Don’t miss one of this year’s best ambient releases. BANDCAMP Album of the Day –“something magical hiding just beyond the ordinary” Essential Release – “a slow burn of smooth ambient sounds” For Fans Of Feature – Sonic Boom’s All Things Being Equal PITCHFORK “deep and romantic, uniquely designed to pull you in.” CHICAGO READER “ambient music we can only dream of...” THE FADER “finds peace in her breath” POPMATTERS “offers controlled bliss” ALLMUSIC “music as a form of therapy, she guides glowing, cruising synth tones and channels her anxiety through her impassioned vocals” Catalog #: NNA123 Vinyl: 309272739442 Indie Exclusive: 309272739909
Label Contact: Caitlin Pasko caitlin@nnatapes.com
Distro Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287
ORDER FORM Street Date: 7.24.20 | Order Date: 7.03.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
887828045426
CD-WIG-454
Collins, Shirley
Heart’s Ease
CD
$9.30
$13.99
887828045419
LP-WIG-454
Collins, Shirley
Heart’s Ease
Vinyl
$15.30
$22.99
887828045433
LP-WIG-454LE
Collins, Shirley
Heart’s Ease (INDIE EXCLUSIVE)
Vinyl
$15.30
$22.99
5060384617701
CD-NDEYA-7
Hassell, Jon
Seeing Through Sound (Pentimento Volume Two)
CD
$10.00
$14.99
5060384617695
LP-NDEYA-7
Hassell, Jon
Seeing Through Sound (Pentimento Volume Two)
Vinyl
$15.30
$22.99
5055869593618
CD-HDB-051
Lanza, Jessy
All The Time
CD
$10.00
$14.99
5055869593601
LP-HDB-051
Lanza, Jessy
All The Time (INDIE EXCLUSIVE TURQUOISE VINYL)
Vinyl
$12.65
$18.99
5055869593748
LP-HDB-051LE
Lanza, Jessy
All The Time (INDIE EXCLUSIVE PINK VINYL)
Vinyl
$12.65
$18.99
5054429141733
CD-COUNT-213
Howling
Colure
CD
$9.30
$13.99
5054429141740
LP-COUNT-213
Howling
Colure
Vinyl
$18.65
$27.99
754169562243
CD-EHR-041
Thin Lear
Wooden Cave
CD
$7.30
$10.99
754169562229
LP-EHR-041
Thin Lear
Wooden Cave
Vinyl
$12.00
$17.99
5052442013525
CD-LMC-208
Kirchen, Bill
The Proper Years
CD
$12.65
$18.99
5052442013518
LP-LMC-208
Kirchen, Bill
Waxworks - The Best Of The Proper Years
Vinyl
$16.65
$24.99
191401148917
LP-OLE-1489
Spoon
Telephono
Vinyl
$15.30
$22.99
191401149013
LP-OLE-1490
Spoon
Soft Effects
Vinyl
$12.00
$12.00
843190012329
CD-BAYL-123
Pike, Laurence
Prophecy
CD
$9.30
$13.99
843190012336
LP-BAYL-123LE
Pike, Laurence
Prophecy (Limited Edition Yellow Vinyl)
Vinyl
$16.65
$24.99
5054429140392
LP-BF-080
Jameszoo & Metropole Orkest
Melkweg
Vinyl
$18.65
$27.99
781484074816
LP-DC-748
Box of Chocolates
Fearful Symmetry
Vinyl
$18.00
$26.99
4062548008845
CD-MANO-001
Jenner, Luke
1
CD
$8.00
$11.99
4062548002881
LP-MANO-001
Jenner, Luke
1
Vinyl
$15.30
$22.99
4062548008869
LP-MANO-001LE
Jenner, Luke
1 (INDIE EXCLUSIVE YELLOW VINYL)
Vinyl
$16.65
$24.99
5052442017684
CD-JDR-110
Tenderlonious
The Piccolo: Tender Plays Tubby
CD
$10.00
$14.99
5052442017677
LP-JDR-110
Tenderlonious
The Piccolo: Tender Plays Tubby
Vinyl
$20.65
$30.99
5060514964125
SI-NHSS-388
Mitekiss
Objects to Push
Vinyl
$8.00
$11.99
843563128497
LP-EIS-102
Dig Nitty
Reverse of Mastery
Vinyl
$12.00
$17.99
634457008960
LP-TSR-220
Uhlmann, Gregory
Neighborhood Watch (Red/Pink Galaxy Vinyl)
Vinyl
$13.30
$19.99
634457008984
CS-TSR-220
Uhlmann, Gregory
Neighborhood Watch
Cassette
$6.65
$9.99
195269003081
CD-MAHA-003
Perelman, Ivo & Matthew Shipp
Amalgam
CD
$6.65
$9.99
634457023161
LP-HAUSMO-100
Quicksails
Blue Rise
Vinyl
$13.30
$19.99
5052442017899
CD-TAR-03
Crack Cloud
PAIN OLYMPICS
CD
$10.00
$14.99
5052442017905
LP-TAR-03
Crack Cloud
PAIN OLYMPICS
Vinyl
$16.65
$24.99
5060514963913
SI-NHSS-382
Kings Of The Rollers
The Main Event
Vinyl
$10.65
$15.99
5051083159401
LP-VGR-060LE
Michaelson, Dan
Colourfield
Vinyl
$16.65
$24.99
702397837329
CD-TZA-8373
Zorn, John
Les Maudits
CD
$12.65
$18.99
DEAL
ORDER FORM Street Date: 7.31.20 | Order Date: 7.10.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
720841218227
CD-PTKF-2182
Fontaines D.C.
A Hero’s Death
CD
$9.30
$13.99
720841218210
LP-PTKF-2182
Fontaines D.C.
A Hero’s Death
Vinyl
$14.00
$20.99
720841218234
LP-PTKF-2182X
Fontaines D.C.
A Hero’s Death (LIMITED EDITION COLOR VINYL)
Vinyl
$14.65
$21.99
720841218289
LP-PTKF-2182LE
Fontaines D.C.
A Hero’s Death (DELUXE EDITION)
Vinyl
$21.30
$31.99
720841218241
CS-PTKF-2182
Fontaines D.C.
A Hero’s Death
Cassette
$6.00
$8.99
887829112615
LP-RUG-1126
Dirty Projectors
Flight Tower EP
Vinyl
$11.30
$16.99
648401028324
CD-LBJ-283
Land of Talk
Indistinct Conversations
CD
$9.30
$13.99
648401028317
LP-LBJ-283
Land of Talk
Indistinct Conversations
Vinyl
$13.30
$19.99
648401028331
LP-LBJ-283LE
Land of Talk
Indistinct Conversations (INDIE EXCLUSIVE)
Vinyl
$13.30
$19.99
648401028348
CS-LBJ-283
Land of Talk
Indistinct Conversations
Cassette
$5.30
$7.99
677517014426
CD-CAK-144
Kenney, Madeline
Sucker’s Lunch
CD
$9.30
$13.99
677517014419
LP-CAK-144
Kenney, Madeline
Sucker’s Lunch
Vinyl
$10.65
$15.99
090771700322
CD-ANTHRO-103
Buford, Mojo
Mojo Workin’
CD
$10.00
$14.99
090771700315
LP-ANTHRO-103
Buford, Mojo
Mojo Workin’
Vinyl
$16.65
$24.99
848064010432
LP-RGM-1043LE
Airto
Seeds on the Ground--The Natural Sounds of Airto (Limited Ocean Blue Vinyl Edition)
Vinyl
$22.00
$32.99
848064010456
LP-RGM-1045LE
Soul Asylum
Let Your Dim Light Shine (Limited Coke Clear with Blue Swirl Vinyl Edition)
Vinyl
$20.65
$30.99
848064010753
LP-RGM-1075LE
Man
Revelation (Limited Purple Vinyl Edition)
Vinyl
$17.30
$25.99
848064009375
LP-RGM-0937LE
Dunkley, Errol
Darling Ooh! (Limited & Remastered “Root Beer” Vinyl Edition)
Vinyl
$16.00
$23.99
848064010487
LP-RGM-1048LE
Eastwood, Clint
Rawhide’s Clint Eastwood Sings Cowboy Favorites (Limited 90th Birthday Red Vinyl Edition)
Vinyl
$16.00
$23.99
848064000655
CD-RGM-0065
Electric Prunes, The
The Complete Reprise Singles
CD
$12.65
$18.99
848064002895
CD-RGM-0289
Ides of March, The
Vehicle (Expanded Edition)
CD
$10.65
$15.99
848064004851
CD-RGM-0485
B-52’s, The
Live! 8.24.1979
CD
$10.00
$14.99
848064005551
CD-RGM-0555
Margret, Ann
The Definitive Collection (2-CD Set)
CD
$14.65
$21.99
848064004455
CD-RGM-0445
Beau Brummels, The
Triangle/Bradley’s Barn
CD
$12.65
$18.99
848064000730
CD-RGM-0073
Sanford & Townsend
Smoke from a Distant Fire/Nail Me to the Wall
CD
$12.65
$18.99
848064001652
CD-RGM-0165
Browns, The
Complete Pop & Country Hits
CD
$12.65
$18.99
848064001270
CD-RGM-0127
Fiedler, Arthur & the Boston Pops & Chet Atkins
The Pops Goes Country/The Pops Goes West
CD
$11.30
$16.99
090771821225
CD-MH-212
Various Artists
Girl In Gold Boots Original Motion Picture Soundtrack
CD
$12.65
$18.99
090771821218
LP-MH-8212
Various Artists
Girl In Gold Boots Original Motion Picture Soundtrack (GOLD VINYL + DVD)
Vinyl
$16.65
$24.99
090771821812
LP-MH-8218
Sun Ra
Celestial Love
Vinyl
$16.65
$24.99
090771821614
LP-MH-8216
Pulsallama
Pulsallama (PINK VINYL)
Vinyl
$16.65
$24.99
090771015921
CD-BEAT-159
Lothar And The Hand People
Come Along: The Exodus 1966
CD
$10.00
$14.99
090771015914
LP-BEAT-159
Lothar And The Hand People
Come Along: The Exodus 1966 (WHITE VINYL)
Vinyl
$16.65
$24.99
090771634320
CD-SUND-6343
Guryan, Margo
Take A Picture [Mono]
CD
$10.00
$14.99
887833012420
CD-WEIRD-124
Izenberg, Alex
Caravan Château
CD
$9.30
$13.99
887833012413
LP-WEIRD-124
Izenberg, Alex
Caravan Château
Vinyl
$14.00
$20.99
887829114879
SI-RUG-1148
Mosshart, Alison
Rise
Vinyl
$6.65
$9.99
812208014006
CD-EVE-061
Soft Palms
Soft Palms
CD
$9.30
$13.99
812208014013
LP-EVE-061
Soft Palms
Soft Palms (Yellow Vinyl)
Vinyl
$15.30
$22.99
5054429142235
CD-ZEN-268
Romare
Home
CD
$9.30
$13.99
5054429142228
LP-ZEN-268
Romare
Home
Vinyl
$18.65
$27.99
095081021020
CD-ALIVE-0210
Dirty Streets
Rough and Tumble
CD
$10.00
$14.99
DEAL
ORDER FORM Street Date: 7.31.20 | Order Date: 7.10.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
095081021013
LP-ALIVE-0210
Dirty Streets
Rough and Tumble
Vinyl
$13.30
$19.99
3700551783175
LP-ERATP-133
Rival Consoles
Articulation
Vinyl
$16.00
$23.99
4062548010220
CD-AUS-013
Cinthie
Skylines City Lights
CD
$8.65
$12.99
4062548007916
LP-AUS-013
Cinthie
Skylines City Lights
Vinyl
$20.00
$29.99
634457009073
CD-TSR-217
Iyer, Thanya
KIND
CD
$7.30
$10.99
634457009066
LP-TSR-217
Iyer, Thanya
KIND (ORANGE/WHITE SWIRL VINYL)
Vinyl
$12.65
$18.99
634457009080
CS-TSR-217
Iyer, Thanya
KIND
Cassette
$6.00
$8.99
5026328104522
CD-SOJR-452
Soul Jazz Records presents
BLACK RIOT: Early Jungle, Rave and Hardcore
CD
$15.30
$22.99
5026328004525
LP-SOJR-452
Soul Jazz Records presents
BLACK RIOT: Early Jungle, Rave and Hardcore
Vinyl
$22.00
$32.99
5026328004303
SI-SOJR-430
Wailing Souls, The
Trouble Maker / Run My People
Vinyl
$12.65
$18.99
4024572477677
CD-DEN-86
Kilimanjaro Darkjazz Ensemble, The
From the Stairwell
CD
$10.65
$15.99
4024572477653
LP-DEN-86
Kilimanjaro Darkjazz Ensemble, The
From the Stairwell (SILVER VINYL)
Vinyl
$24.00
$35.99
4059251404798
LP-DEN-86LE
Kilimanjaro Darkjazz Ensemble, The
From the Stairwell (RED VINYL)
Vinyl
$24.00
$35.99
4059251397236
CD-DEN-336
Mansur
Temple
CD
$10.65
$15.99
4059251395867
LP-DEN-336
Mansur
Temple
Vinyl
$18.00
$26.99
4059251395904
LP-DEN-336LE
Mansur
Temple (RED VINYL)
Vinyl
$18.00
$26.99
4059251395850
CD-DEN-335
Schlochtermeier, Robin
Spectral
CD
$10.65
$15.99
4059251395843
LP-DEN-335
Schlochtermeier, Robin
Spectral
Vinyl
$18.00
$26.99
4059251395881
LP-DEN-335LE
Schlochtermeier, Robin
Spectral (COLORED EDITION LP)
Vinyl
$18.00
$26.99
4059251404781
CD-DEN-338
Sankt Otten
Lieder Fur Geometrische Stunden
CD
$10.65
$15.99
4059251404767
LP-DEN-338
Sankt Otten
Lieder Fur Geometrische Stunden
Vinyl
$18.00
$26.99
4059251404774
LP-DEN-338LE
Sankt Otten
Lieder Fur Geometrische Stunden (RED VINYL)
Vinyl
$18.00
$26.99
4024572448523
LP-DEN-58LE
Mount Fuji Doomjazz Corporation, The
Succubus (CLEAR W/ BLACK AND WHITE SPLATTER)
Vinyl
$24.00
$35.99
DEAL
NEW RELEASES Street Date: 7.10.20 | Order Date: 6.19.20
SHIRLEY COLLINS HEART'S EASE
TRACKLISTING 1. The Merry Golden Tree 2. Rolling In The Dew 3. The Christmas Song 4. Locked In Ice 5. Wondrous Love 6. Barbara Allen 7. Canadee-i-o 8. Sweet Greens And Blues 9. Tell Me True 10. Whitsun Dance 11. Orange In Bloom 12. Crowlink CATALOG NUMBER: WIG454 RELEASE DATE: July 24, 2020 FILE UNDER: Alternative “S” CD Boxlot: 30 UPC: 887828045426
PRAISE FOR LODESTAR "The album isn't a comeback but a continuum, and a welcome return from a true oracle of traditional song." ALL MUSIC "That Lodestar exists at all feels like a minor miracle. That it is so exquisitely done is a small blessing on top." PITCHFORK OVERVIEW Heart's Ease is Shirley Collins' second album for Domino. Heart’s Ease follows 2017’s Lodestar, Collins’ first record in 38 years, and one that brought Shirley’s widely missed voice back to fans.
LP w/ DOWNLOAD Boxlot: 20 UPC: 887828045419
Vinyl is non-returnable
DELUXE LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828045433
Vinyl is non-returnable
Whilst Lodestar was recorded tentatively within the confines of Collins’ cottage in Lewes, allowing her the freedom and space to re-find her voice, this time, emboldened by the response to the album and its supporting live shows, a more confident Shirley and The Lodestar Band decamped to Metway Studio in Brighton to record Heart’s Ease. An album broader & brighter in tone than Lodestar, it finds Shirley exploring warmer themes and features three songs less rooted within the folk tradition; one written by Dolly Collins’ son Buz Collins (Shirley’s nephew) and two by Shirley's former husband Austin John Marshall. Heart’s Ease, named after a wild pansy, also follows the release of Collins’ second book All In The Downs which won the Penderyn Prize and the documentary The Ballad of Shirley Collins.
SELLING POINTS DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• Widely known as one of England's greatest folk singers this is Shirley Collins' second album following a 38 year absence. • Standard LP comes with download card. • Deluxe LP comes wtih gold foil jacket and download card. • Noncomm and AAA radio campagin to impact upon release.
Cat No.: NDEYA7LP / NDEYA7CD UPCs: 5060384617695 / 5060384617701 Format: LP / CD / DL Release Date: 24 July 2020
____________________________________
JON HASSELL SEEING THROUGH SOUND PENTIMENTO VOLUME TWO “Listen as if you were being told a secret” - Federico Fellini A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over” and this is evident in the innovative production style that ‘paints with sound’ using overlapping nuances to create an undefinable and intoxicating new palette. In classic Hassell fashion, the title can be interpreted in a myriad of ways, but perhaps the most pertinent at the moment is the human instinct to sing and play through a rain of difficulties. A future blues of indeterminate and ever-shifting shape. The album is buffered by two 8-minute plus epics at the beginning and the end - the hypnotic “Fearless” with it’s metronomic, almost Can-like rhythm, and blurry, noir-ish texture of sound emerging like car headlights from the fog; mirrored at the end of the record by the beautiful sci-fi lullaby of “Timeless”, a track with a gaseous, billowing quality as electronic clicks and bubbles float over a landscape of shimmering, glacially paced complexity. The bridge between those two worlds is no less compelling, from the frantic, spidery IDM sketch of “Reykjavik” to the collapsed-time ballad of “Unknown Wish”. Whilst containing seeds of classic ‘fourth world’ fusion, this record finds the artist still questing to create new forms and mutations of music, a thrilling window into what music could sound like in a world to come. Vinyl Tracklist
CD/Digital Tracklist
A1. Fearless A2. Moons Of Titan A3. Unknown Wish A4. Delicado B1. Reykjavik B2. Cool Down B3. Lunar B4. Timeless
1. Fearless 2. Moons Of Titan 3. Unknown Wish 4. Delicado 5. Reykjavik 6. Cool Down Coda 7. Lunar 8. Timeless
www.redeyeworldwide.com
stephen@redeyeworldwide.com
JESSY LANZA ~ ALL THE TIME Catalogue Numbers Street Date Formats U PCs Box Lots
: : : : :
LP-HDB-051 / CD-HDB-051 07.24.2020 LIMITED COLOURED VINYL LP / CD 5055869593601 [TURQ. LP] / 5055869593748 [PINK LP] / 5055869593618 [CD]
25 [ LP ] / 35 [ CD ]
‘All The Time’, Jessy Lanza's first album since 2016's ‘Oh No’, is the most pure set of pop songs that she and creative partner Jeremy Greenspan have recorded, reflective and finessed over time and distance. Innovative juxtapositions sound natural, like rigid 808s rubbing against delicate chords in ‘Anyone Around’, subtle footwork flutter giving a nervous energy to ‘Face’, unusual underwater rushes underpinning ‘Baby Love’. The songs also sound more “live” than ever before. Jessy’s voice is treated, re-pitched and edited on songs like ‘Ice Creamy’ and gestural sounds seem to respond to her lyrics in songs such as ‘Like Fire’, which reward the listener on repeated plays. More than previous albums, the lyrics on ‘All The Time’ became an important focus for Jessy too, channelling the negativity of anger and frustration arising from some significant changes in her personal situation into the text. These lyrics sometimes process raw feelings, which aren't obvious to begin with, but are soon felt, standing in stark contrast to the cushioned settings of the music. ‘All The Time’ has ended as a triumph and an abstracted diary of a sometimes difficult, but enduring friendship and creative relationship, and it’s their best work yet.
LIMITED EDITION LP AT INDEPENDENT STORES ~ 1000 COPIES EACH ON TURQUOISE OR PINK VINYL A1. Anyone Around A2. Lick In Heaven A3. Face A4. Badly A5. Alexander B1. Ice Creamy B2. Like Fire B3. Baby Love B4. Over And Over B5. All The Time
www.hyperdub.net
HOWLING COLURE Release Date: Friday 24 July RY X and Frank Wiedemann reunite as Howling to present ‘Colure’ the sophomore full-length record from their joint musical enterprise released via Counter Records on 17th July. RY X, solo alternative artist and member of The Acid, and Frank, one half of Âme, bring fans a bigger, sharper follow-up to their debut, ‘Sacred Ground.’ On ‘Colure’, the Berlin-based Wiedemann and Los Angeles-based RY X conjure transcendent creations out of their contrasting musical backgrounds and environments. The album is assuredly dualistic: electronic and acoustic sounds sit comfortably side-by-side, and big melodic hooks are laced into hypnotic club productions. The duo marked their debut as Howling with the release of a self-titled track in 2012, a runaway viral success that they followed with the 2015 album Sacred Ground (which was praised by Mixmag, DJ Mag, Resident Advisor and more). RY X rose to underground-folk fame with breakthrough hit ‘Berlin’ and followed up with solo albums ‘Dawn’ and 2019’s ‘Unfurl’. Wiedemann is royalty of the 4/4 scene as one half of Âme with Kristian Beyer, and head honcho of Berlin label Innervisions which he co-owns with Dixon & Kristian. The album title gestures to their binary relationship. “Colure” refers to the point, in astronomy, where two celestial poles are aligned. Echoed in the album artwork, and in the production around their new live show, it mirrors the two contrasting poles which each of them occupies. “This project is a lot about how we come together”, Ry says. “It’s the idea”, concurs Wiedemann, “that we’re two different planets, in our own orbit, but which meet when we come together to make music.”
CAT NO: COUNT213 UPC: 5054429141740 Box Lot: 15
￫ 2LP 140g black vinyl ￫ 5mm spine ￫ Vinyl sleeve with printed inner sleeve
CAT NO: COUNTCD213 UPC: 5054429141733 Box Lot: 35
￫ 1xCD ￫ Digisleeve/softpack
SIDE A Ellipses i Pieces Bind Healing SIDE B Dew Need You Now Water SIDE C Mother Mother Light On Phases SIDE D Body Inside Lover Ellipses ii
naretail@ninjatune.net ninjatune.net
LAURENCE PIKE PROPHECY street date: file under: territory:
Friday July 24 2020 Electronic/jazz World ex. Europe
CD BAY 123CD UPC 843190012329
Limited edition yellow vinyl LP BAY 123VX UPC 843190012336
Laurence Pike continues in a rich creative vein with the release of Prophecy, his third solo album in as many years. Inspired to write and record in response to the devastating wild fires in his native Australia, the percussionist, composer and producer has created a work for our times. Adopting the working formula of ‘one take’ studio performances for drum kit and sampler; channelling the moment through Pike’s singular, organic use of electronics, and intuitively constructed arrangements. There is an instinctive and emotional resonance here, driven by his reaction to the climate emergency. Laurence Pike on Prophecy: The music on Prophecy was made during an intense period of climate-related disasters in my home of Australia last summer that seemed to represent the beginning of a strange new way of existing on Earth. The pieces were developed in the space of four weeks at my home, and then captured in a single day of studio performances. As a result, the music is as much an assemblage of moments from the days leading up to the recording (stepping into my garden to be greeted by a dark pink sun against a brown sky, and ash gently raining on me) as it is a reflection of how I felt in the moment playing them live in the studio. In the short time since, we’ve gone from staying inside and wearing face masks because the city was completely surrounded by fire, and the air filled with acrid smoke, to staying indoors to stop the spread of a global pandemic… laurencepike.net instagram.com/laurenzpike facebook.com/laurencepikedrummerandfriend The Leaf Label theleaflabel.com contact@theleaflabel.com
• Prophecy is Laurence Pike’s third solo album, following Distant Early Warning (2018) and last year’s acclaimed Holy Spring • The album will be released on CD and limited edition yellow vinyl LP (700 copies), with artwork by Australian artist Gemma Smith • Prophecy will be preceded by two digital singles, ‘Nero’ and ‘Death Of Science’ • ‘Nero’ is accompanied by an interactive video by acclaimed Australian artist and filmmaker Clemens Habicht • The album features recordings by Liars’ Angus Andrew and Jack Wyllie from Portico Quartet/Szun Waves • The percussionist, composer and producer made his name with PVT, Triosk and Szun Waves, and has collaborated with Liars, Bill Callahan, Mike Nock, Burnt Friedman, D.D Dumbo, Sarah Blasko and many others • Support at BBC 6 Music from Mary Anne Hobbs, Tom Ravenscroft and Gideon Coe, at NTS from James Holden and at BBC Radio 3 from Late Junction CD: 1. 2. 3. 4. 5. 5. 6. 7. 8. 9.
LP: A1. A2. A3. A4. A5. B1. B2. B3. B4. B5.
Goldens Death Of Science Nero Heart Of Sky Ember Prophecy New Normal Born Under Saturn Rapture Echoes Of Earth
877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com
Jameszoo & Metropole Orkest (conducted by Jules Buckley) Melkweg
Release Date: July 24, 2020 This live collaborative album is a swirling blend of Brainfeeder stalwart Jameszoo’s signature organ/synth based funk accompanied by the world class, Grammy winning, Netherlands based Metropole Orkest. Jules Buckley leads the 49-piece Metropole Orkest, plus Richard Spaven (drums); Niels Broos (organs, synths, Rhodes); Frank Wienk aka Binkbeats (percussion); John Dikeman (saxophone) and Mitchel van Dinther aka Jameszoo (electronics, synths and Wurlitzer) on a truly joyful journey, elevating compositions from Jameszoo’s 2016 album “Fool” to transcendental realms. Jules Buckley describes the collaboration as “a really open and rewarding process. Mitchel’s mind rolls in a different way and so, tapping the orchestra into those avenues - for me - created some really beautiful and unusual results I’m really proud of.” CAT NO: BF080 UPC: 5054429140392 Box Lot: 20 Genre: Jazz Key Markets: Seattle, Los Angeles, Chicago, Dallas Recommended if you like: BADBADNOTGOOD, Flying Lotus, Kamasi Washington, Yussef Kamaal, Snarky Puppy
￫ 140g black double LP ￫ 5mm spined sleeve ￫ Photography by Reinout Bos. ￫ Includes download code
LP TRACKLIST: A1. (flake) A2. (lose) B1. (toots) B2. (soup) C1. (nail) C2. (flu) C3. (crumble) D1. (meat) D2. (rolrolrol)
naretail@ninjatune.net ninjatune.net
FEARFUL SYMMETRY DC748 LP Street Date: June 12, 2020
July 24, 2020
No Export to Europe or Australia/NZ, Send Chocolates to Everyone Else
I
Track Listing
CATATONIC EMPEROR’S CLOTHES GARBAGE BARGE THE WRITHE SHADOW OF THE RAT MOTHER’S HEART STIGMATAPHORIA PERDIDO GOOD SIDE THE EPHANT HAPPINESS THE PAST LIVES OF CLARENCE THOMAS THE KING TWINKLE, TWINKLE LITTLE NIGHTMARE EVERYONE’S A LOVEROD
t is as we have dared to hope and fear! Fearful Symmetry has returned to our life. When you buy this living reissue (more on that in a moment), it talks to you. Slide the sleeve out of the jacket and it says “This is not a vinyl record. It is a story.” And so — Once upon a time, it wasn’t the 90s yet, and everything that’s happened in music and everything else since then hadn’t happened yet. As it was still the 80s, the possibilities were endless! This was around the time of Desert Storm — and before you protest that indeed, this war happened in the 1990s, we must assert that standard Greco-Roman calendars don’t really tell the truth about the changing of things like guards and decades. It always takes a numerically-dictated decade a few years to get into the mode it will one day be remembered for — and so this story, while playing out in the undoubtably-distant days of ’90, occurred at the end of something, before something else began. Or something like that. As the liner notes would continue to have it: “It is a story or record of a group of artistically inclined people who haphazardly found themselves living together and who — toward the end of the arrangement — decided to record the experience in the form of songs written whilst at 140 Plymouth Street in Dumbo.” Yes, in Brooklyn. Circa 1990. Already, there’s more to the story than you would have known if you’d cracked this particular Box of Chocolates back in the early 90s. The credits listed some incredible names — Brute Rake, Mickey Hawaii, Wayne Oliphant — and indeed, those names are listed again on the all-new-artwork of this opus. But with the new artwork, and the inclusion of several pieces that weren’t there back then — or even finished back then — this has become a living, growing document of a disorganized and disheveled film cooperative (is there any other kind?), who dared to trace its name in the sands, and has come back to deepen the groove. The artwork’s been flipped about — by livestock, no less — and the tracks have been reordered too, in places. “Stigmataphoria” and “The Past Lives of Clarence Thomas,” which include much of the spirit and some of the bonafides of the initial set of songs, have been inserted for the benefit of all. And the names of the songs’ writers, singers and players, including Michael Howe, Will Oldham, Arnie Wobble (of early Phish-lore), Tony Award-winner Michael Chorney, sound-artist and ethnographer Rob Millis and others whose names we shall not speak — appear also for the first time. Along with a lode of retrospective notes whose expression adds yet another form of entertainment to the package. As this cast of dozens loft-crashed their way toward a collectivelyunknown future, these songs and visions were scrapped together — a loose assemblage of middle-period indie rock, roots-rock pastiche, punk brio, and cinema-fed abstractions, as a suggested soundtrack for the party of your choice. It sounded good and fun — enough so that it still does, even after all these years and all the little adjustments made to bring this ole Box of Chocolates freshly into the present, the story somehow all told and yet only just begun. Whether you yourself are new to your youthful journey, far from home or among it, we bring Fearful Symmetry to your life, as a needed bit of psychic Feng Shui. Fret not, and spin it on!
DRAG CITY INCORPORATED
Post Office Box 476867 Chicago, Illinois 60647 Phone 312.455.1015 / sales@dragcity.com
Neighborhood Watch • For fans of Cate le Bon, Andy Shauf, Sam Evian, Really Big Pinecone, Bill Callahan. • US college radio cammpaign through Pirate Promotions (steve@piratepirate.com). • Press campaign handled by Will Osiecki (will@topshelfrecords.com). • Music video planned for “Coupon”.
p: Maren Celest
TSR220 LP / CS ^ ^ ^ pink and neon red “galaxy” vinyl w/ DL code
Gregory Uhlmann
“…a lush brand of chamber pop, eschewing excess and eccentricity in favor of a quest for pure beauty.” -Chicago Reader, on Odd Job “Rising and falling in heavy waves of lush overdrive and hypnotizing vocals, “Spice Girls” is a raw outpouring ready for sweet release.” -Atwood Magazine, on Spice Girls Singer-songwriter and guitarist Gregory Uhlmann, a member of Perfume Genius, Fell Runner and the genre-bending improvising trio Typical Sisters, has in the past found loveliness in dark places. His acclaimed solo album of 2016, Odd Job, blended “lush, hypnotic, minimalist chamber-pop with compelling, introspective folk melancholy,” per the Big Takeover. Neighborhood Watch, also rich in melodic and textural allure, comes from a place of contentment. Consider it a meditation on domestic bliss experienced in early adulthood, an expression of the sweetness, good humor, and fond reflections Uhlmann is compelled toward at this happy place in his life. “This is a very personal project that satisfied something different for me,” the songwriter says. It’s also, somewhat ironically, a brilliant team effort involving several of Uhlmann’s favorite musicians and most trusted collaborators: Josh Johnson, keys; Anna Butterss, bass; Tim Carr, drums and voice; Matt Carroll, percussion; Lauren Baba, violin and viola; and April Guthrie on cello. On “Santa Fe,”, Uhlmann even enlists vocal help from Meg Duffy (Hand Habits). Consistent with the majority of Uhlmann’s work, the songs on Neighborhood Watch match consummate musicianship and thoughtful songcraft with an innate gift for melody, and that lyricism is channeled through Uhlmann’s unique singing voice—soft and balmy yet also direct and affecting. Ultimately, the results summon up a number of touchstones in smart, studio-conscious orchestral pop, psychedelic folk and indie-rock: Think of Van Dyke Parks, the Zombies, Cate le Bon, and Bill Callahan. Neighborhood Watch is Uhlmann’s most definitive, private, and fulfilled—effort yet. redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com
STREET DATE July 24, 2020 LABEL Topshelf Records CATALOG # TSR220 TRACKS 9 FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS DOWNLOAD CODE Yes EXPORT yes LP UPC 6 34457 82601 4
CS UPC 6 34457 82602 1
6
34457 82601 4
6
34457 82602 1
Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like
topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com
Ivo Perelman & Matthew Shipp
Amalgam
7/24/20 Mahakala Music (mahakalamusic.com) - MAHA003 // CD&DL available 6/19/20
UPC: 195269003081
"Perelman’s quartet is well on its way to ‘Classic’ status, ditto with the Perelman/Shipp duo, one of the most fruitful partnerships in current jazz" www.freejazzblog.org
“The album is like a book,” says Ivo. “Before, if you missed one chapter, you might not miss the overall flavor of the book. But that’s not the case here; each track has its own character and flavor. We’re not only getting better at playing the music, but also in creating a record that doesn’t repeat itself –one where each chapter is self-contained.
Ivo Perelman – Tenor Saxophone Matthew Shipp – Piano Track Listing: Parts 1-12
will@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278
HAUSU MOUNTAIN
Artist: Quicksails Album: Blue Rise
Label: Hausu Mountain Cat#: HAUSMO100 6 34457 02316 1 Formats: LP Release Date: 07/24/20 (click album art to stream)
Quicksails is the recording project of Chicago-based producer and multi-instrumentalist Ben Billington. Central to the Chicago experimental scene and its various veins across the midwest and national DIY circuit, Billington has been championing freak music of all stripes for over a decade at this point. The social and musical aspects of his craft are inextricably tied together in his roles as a consummate collaborator and member of bands over the years, as well as a booker, promoter, and crucial social lifeline / go-to point person for anyone touring through the region. Billington has performed as a member of numerous ensembles including ONO, ADT, Circuit Des Yeux, Tiger Hatchery, and Ryley Walker’s band. In an improvised setting, he has collaborated with a stable of musicians including John Olson (solo and with Wolf Eyes), Rhys Chatham, Mark Shippy (US Maple), Owen Gardner (Horse Lords), and Paul Flaherty. Billington’s role as a producer at Chicago avant epicenter Elastic Arts and his co-curation of the venue The Hideout’s long-running Resonance Series has paired future-facing acts from around the world with Chicago’s finest to enrich the city’s thriving progressive music scene with stimuli of the highest, headiest order. His work with Chicago nonprofit foundation Experimental Sound Studio has grown recently to include a lead role in their series The Quarantine Concerts, setting up diverse bills of international luminaries for live-streamed concert events. Billington’s integrated social/musical practice has established him as a benevolent figure to a generation of artists in various overlapping Midwest scenes and beyond, as he dedicates his life to giving others a platform for their work and providing them with room to grow in so many directions.
Doug & Max HausuMountain @gmail.com 847-220-1755
Ben Billington’s prolific solo recordings as Quicksails have run the gamut of everything from free-jazz inspired electro-acoustic production, to rhythmic synth-pulse tapestries, to music focused on what could be considered his primary instrument among the many he works with: the drum kit and auxiliary percussion. Blue Rise, his second full-length LP to appear on Hausu Mountain after Mortal, ranks in as the 100th release in the label’s catalog. With Blue Rise, Quicksails returns with an album rooted above all in detailed synthesis and electronic arrangement, rather than his more improvised, jazz-influenced leanings. While those latter influences can’t help but remain in play for any of his recordings, Billington’s approach on Blue Rise foregrounds his palette of modular and digital synthesizers, resulting in a strain of Quicksails music that brims with shimmering textures and lush, layered harmonies. More than a full-on pivot to another style, Billington enters into a complementary mode of production that highlights his melodic sensibilities and his ear for sophisticated DAW-based composition, shifting into another natural step along the wide arc of his musical trajectory. Each track on Blue Rise unfolds as a self-contained world replete with fluctuating tiers of fine-grain synthetic tones that morph in real time as they stack together into dense systems of polyrhythmic activity or smear into passages of all-consuming drift. Quicksails’ tracks generally float over central bass phrases and percussive synth elements that shift over time in their tonal qualities and the harmonies they imply, sketching out a path for the listener to follow while resisting the easy narrative of static, loop-based composition. More than ever, the spreads that Billington lays out on Blue Rise reveal vast depths of diverse, layered sounds as they come to incorporate everything from washes of piano and square waves, to tones that evoke acoustic instruments like wind chimes, shakers, and cymbals, to massive low end bursts that prod his sessions up into new levels of intensity. When Billington decides to complicate the atmosphere of his music with more dissonant synth work, or lace his production with distorted samples and disembodied voices, the results further complicate the range of discrete sonic scenes that he visits within the album’s universe. With the trained ear of a drummer, Quicksails knows how to maintain a sense of constant flow and forward motion within the context of relatively short, 4 to 6 minute tracks, resulting in pieces that end far from where they began while remaining holistically tethered to a central mood or implied rhythmic grid. Strata of percussive synth tones and prickly patches of pure texture animate Blue Rise, inching it closer at times to the realm of mid-20th century academic synth experimentation in the school of Stockhausen, Parmegiani, and Subotnick. In other moments, washes of gorgeous, consonant synth performance steer his work closer to the world of modern ambient music in the sphere of Steve Hauschildt and Oneohtrix Point Never, New Age explorations from Iasos to HausMo label mate Pulse Emitter, and cinematic grandeur in the spirit of Vangelis and Tangerine Dream. Above all, the presence of Florian Fricke and his work with Popul Vuh informs Quicksails’ vision on Blue Rise, which manifests most evidently in the composition “Florian’s Brush” — a serene yet dense pasture of synthetic choral voices in the style of the Aguirre soundtrack, subtle percussion accents, and glistening bell melodies that drip from above the treeline. Taken in total, Blue Rise lays out a menu of contrasting sentimental spaces and self-contained sonic tableaus, each of which refracts the sun’s light out across new directions and terrains. The album cements Quicksails not only as a master synthesist and arranger of farflung sound sources, but as a composer attuned to the time dilating properties and the instantaneous emotional impacts of the zones that he lays out before us.
INDIE | RELEASE DATE: 07/24/2020
CRACK CLOUD PAIN OLYMPICS
Like Psychic TV before them, Crack Cloud have a philosophy, and one that they are not afraid to wear on their sleeves. While their anarchic, phantasmagorical visuals, heavy use of symbology, and seemingly never-ending cast of colourful collaborators have often invited cult comparisons, this really does the collective no justice. There is no apocalyptic death drive here; no cult of personality; no hierarchy of power. While frontman and lyricist Zach Choy is in many ways the face of the group, the collective is one founded on equality, and in his cryptic lyrical blending of poetics, polemics and personal experience, Choy is truly the mouthpiece of something far larger than himself. Nowhere else is this more apparent than on the album’s first single, ‘The Next Fix.’
Label: TIN ANGEL Cat. no: MM003CD Format: CD Barcode: 5052442017899 Cat. no: MM003LP Format: LP Barcode: 5052442017905
What begins as a caustic, claustrophobic account of addiction swells into a sprawling, euphoric hymn as Choy is joined by a choir of seemingly endless celestial voices. Less a cult then; more a church. Listening to this song or watching its accompanying self-directed video is a truly spiritual experience, and in its building, jubilant movement it offers a glimpse of Crack Cloud’s most vital message: using community to turn adversity into hope. This isn’t just bravado; its a story born of deep, personal experience. Crack Cloud operate on the frontline of Canada’s out-of-control opiate crisis, mobilising and organizing in Vancouver’s harm reduction programmes. The group themselves have had their fair share of trauma, and the collective offers its members a vital vehicle for rehabilitation and recovery. As the tagline on the album’s back cover makes clear then, this is absolutely ‘based on true shit. Static digital ads on The Quietus and DIY plus doing a pretty heavy amount of YouTube Ads and IG ads starting on the day of the album announce Tracks: Post Truth (Birth Of A Nation) / Bastard Basket / Somethings Gotta Give / The Next Fix (A Safe Space) / Favour Your Fortune / Ouster Stew / Tunnel Vision / Angel Dust (Eternal Peace)
DANCE | RELEASE DATE: 07/24/2020
KINGS OF THE ROLLERS THE MAIN EVENT
Drum & bass heavyweights Serum, Voltage and Bladerunner, aka Kings Of The Rollers have entered the ring once again to deliver a 4-track smasher. Pushing the boundaries of D+B to the ropes, ‘The Main Event’ EP is a flawless infusion of each individual style, creating the perfect storm. A certified knockout D+B banger with an epic introduction that has been doing damage in raves worldwide, ‘XXX’ kicks off the EP with intriguing synth plucks and a sweeping yet powerfully subtle bassline. Next up is the Circuits Rewire of ‘Burnt Ends’, a deeper take from Kasra & InsideInfo of the iconic tearout bruiser. Just when you thought it couldn’t get any darker, the latest rendition of the game-changing roller packs new punches with twisted melodies and a thumping bassline from these deep D+B standouts.
Label: HOSPITAL RECORDS LTD Cat. no: NHS382EP Format: 12”EP Barcode: 5060514963913
The elegant piano melodies and the angelic notes of Lydia Plain on ‘Somebody Else’ ease the listener into the second half of ‘The Main Event’. It’s not long before crunchy wobbles and singalong vocals take centre stage. Bubbly yet dark, you’ll certainly want to keep your guard up. Rounding off the EP is ‘Solar Heat’, nostalgic arpeggios rest upon trance inducing pads before modulated reeses and rolling drums kick in to deliver a finishing blow. On top of cooking up lay out anthems, Kings Of The Rollers are renowned for their high energy sets and innovative mixing styles. The trio have headlined an array of festivals and large scale shows across the globe, including their own Royal Rumble event series. ‘The Main Event’ EP was originally destined to accompany their biggest headline show to date at London’s legendary venue Printworks. Sadly due to the 2020 COVID-19 crisis this event was postponed, but you won’t catch these guys throwing in the towel. They’ll be back with a vengeance, so make sure to keep an eye out for what these three D+B royals have in store... Tracks: “XXX” / “Burnt Ends (Circuits Rewire)” / “Somebody Else (feat. Lydia Plain)” / “Solar Heat”
Artist: Dan Michaelson Title: Colourfield Label: Village Green Recordings Format: 1 x LP, Deluxe 180g Heavyweight Vinyl Release Date: 24th July 2020 Catalogue Number: VGLP060 UPC: 5051083159401 File Under: Modern Classical, Soundtrack, Minimalism Track-listing: 1. Colourfield I 2. Colourfield II 3. Colourfield III 4. Colourfield IV 5. Colourfield V 6. Colourfield VI ‘Colourfield’ marks Dan Michaelson’s first full length release as an instrumental artist and his debut on esteemed London label Village Green Recordings. Having found support on Elizabeth Alker’s acclaimed BBC Radio 3 show Unclassified, who called it “sweeping, suspended, drone-like, but also precise", and Gilles Peterson's eclectic 6 Music show, ‘Colourfield’ draws inspiration from such diverse artists as John Luther Adams, Spiritualized, Laurie Anderson, Brian Eno and Gavin Bryars. Working closely with violist and conductor Robert Ames and violinist Galya Bisengalieva, both members of the lauded London Contemporary Orcestra the result is a vast field of sound, as informed by texture and human intervention as it is by melody. “The hope is to be lost in it, to get to the other side with no memory of where you set out from.” ‘Colourfield’ is a stunning debut from a new original voice in modern composition and will most certainly appeal to fans of Johnny Greenwood, Philip Glass, Max Richter, Johann Johannsson and A Winged Victory For The Sullen
JOHN ZORN LES MAUDITS TZA CD 8373
Archival Series John Zorn, Simon Hanes, Ches Smith, Claire Chase, Rebekah Heller, Cory Smythe, Dan Lippel, Erik Carlson, Miranda Cuckson, Kivie Cahn-Lipman, Alice Teyssier, Joshua Rubin, David Byrd-Marrow, Michael Lormand, Andrew Bove, Nathan Davis, Ross Karre, Ikue Mori, David Fulmer. Ubu * Baudelaires (Paris Spleen, Flowers of Evil, Artificial Paradises) * Oviri Les Maudits presents three dynamic chamber pieces inspired by heroic “cursed” artists of French culture. Demolishing all boundaries and pushing the artistic envelope beyond all expectations Ubu is one of Zorn’s greatest and most outrageous creations—a bizarre musical portrait of the subversive writer Alfred Jarry and his powerful Pataphyisical figure Ubu. The Ubu plays were a powerful precursor to many of the European avantgarde experiments of the early 20th century (Dada, Surrealism, Theatre of the Absurd, Futurism, postmodernism) and Zorn captures the vulgar, rebellious, gluttonous, childish and revolutionary spirit of Ubu in this major new studio composition.
7
02397-8373 - 2
9
Accompanying this work are two pieces performed by the International Contemporary Ensemble under the direction of David Fulmer. A concerto grosso in three movements inspired by the work of radical French poet Charles Baudelaire, and Oviri (“savage” in Tahitian) a touching elegy to Paul Gauguin, the influential and complex artist who helped redefine painting in the 20th century. File Under: Avant Garde/Classical
Street Date: July 24, 2020 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
NEW RELEASES Street Date: 7.17.20 | Order Date: 6.26.20
A HERO’S DEATH INFO
VALUE ADD
Artist: Fontaines D.C. Signed Print + Postcard Pack Title: A Hero’s Death matched with orders while supplies last Street Date: 7/31/2020 Label: Partisan Records Hometown: Dublin, Ireland
OVERVIEW Barely a year after the release of their acclaimed debut album Dogrel (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. A Hero’s Death’ arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty. To record A Hero’s Death, the band rejoined producer Dan Carey in his London studio. While Carey once helped them capture the raw sound of the band’s live show for Dogrel, collectively they achieved a different goal with A Hero’s Death. Citing influences from Suicide and Beach Boys and Leonard Cohen to everyone including Beach House, Broadcast, and Lee Hazlewood, the band carved out a more atmospheric, somber sound for themselves. The songs heave and drone; much of it is too wounded to approach anthemic, even while the litanies of “Love Is The Main Thing” or the surging churn of “Televised Mind” are still plenty easy to get stuck in your head.
KEY SELLING POINTS
• A Hero’s Death is the stunning follow up to their incredible debut album Dogrel (which charted Top 10 in the UK, earned a Mercury Prize nomination, a Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade)
• Dogrel scanned 6200 physical sales and streamed 5.3 million tracks • A Hero’s Death has already received great early press support from Fader, NPR, Pitchfork, Rolling Stone, Stereogum, Uproxx and others
• The title track is getting spins and adds on Sirius XMU, KEXP, WXPN, WEQX, The Current, KPNT, 101X, WCNR, WFUV, DC101, WFPK, Indie 102.3, WTTS and more • 540K Monthly Spotify listeners • 70K Instagram followers • 45K Facebook followers • 30K Twitter followers
281 North 7th Street Brooklyn NY 11211 Partisanrecords.com
DETAILS
Street date 7/31/20
Cassette - $8.99 720841218241 CS-PTKF-2182 CD - $13.99 720841218227 CD-PTKF-2182 LP - $20.99 720841218210 LP-PTKF-2182 Standard Black Vinyl LP - $21.99 720841218234 LP-PTKF-2182X Limited Edition stormy blue vinyl Deluxe LP - $31.99 720841218289 LP-PTKF-2182LE Gatefold double LP mastered and cut at 45RPM at Abbey Road Studios
505 Eno Street Hillsborough NC 27278 877.733.3931 — Redeyeworldwide.com Perry Harrell — harrellp@redeyeworldwide.com
FON TAIN E S D . C . D O G R E L OVERVIEW Last year, Fontaines D.C. released their debut album ‘Dogrel’ to widespread acclaim, garnering a legion of fans worldwide along the way. In anticipation of the release of their new album ‘A Hero’s Death’ on July 31 st the CD and LP will be on a 15% discount from July 1 st to July 31st
KEY SELLING POINTS •
The most acclaimed new rock band to come out of 2019 - their debut album ‘Dogrel’ was Top 20 overall best reviewed records of the year on Metacritic (tied with Sharon Van Etten and Ariana Grande)
•
2019 Mercury Prize nominated
•
#9 in the UK Album Chart
•
BBC 6Music’s #1 Album of the Year 2019
•
Rough Trade’s #1 Album of the Year 2019
•
Almost 100,000 records sold worldwide
•
Performance on The Tonight Show starring Jimmy Fallon (U.S.)
•
Major NY Times feature
•
8.0 Pitchfork review
281 North 7th Street Brooklyn NY 11211 Partisanrecords.com
DETAILS CD - $12.99 CD-PTKF-2166 UPC - 720841216629 (15% discount from 7/1/2020 – 7/31/2020) LP - $19.99 LP-PTKF-2166 UPC - 720841216612 (15% discount from 7/1/2020 – 7/31/2020) 505 Eno Street Hillsborough NC 27278 877.733.3931 — Redeyeworldwide.com Perry Harrell — harrellp@redeyeworldwide.com
DIRTY PROJECTORS FLIGHT TOWER EP
TRACKLISTING 01. Inner World 02. Lose Your Love 03. Self Design 04. Empty Vessel CATALOG NUMBER: RUG1126 RELEASE DATE: July 31, 2020 FILE UNDER: Alternative “D”
12" w/ DOWNLOAD Boxlot: 20 UPC: 887829112615
Vinyl is non-returnable
OVERVIEW Future-focused and resolute in the mantra that rhythm is a dancer, the Flight Tower EP is helmed by vocalist Felicia Douglass. In opener and first single 'Lose Your Love,' she declares “switch up the perspective!” And that’s exactly what these songs do: the Flight Tower EP is the most complete presentation yet of Dirty Projectors as modern vocal group. From the cascading three-part melisma of 'Inner World' to the close-second harmonies of 'Self Design' and the strong, soulful SWV homage of the 'Lose Your Love' chorus, Douglass, Slipp and Friedman sound magical together. Douglass shines, her mellow tambre glinting with confidence and passion. Aside from a supporting vocal in closer ‘Empty Vessel,’ Dave Longstreth resides on the other side of the screen, delivering inventive evolutions of the production style he began mapping on 2017’s Dirty Projectors and 2018’s Lamp Lit Prose. The feeling is effortless and casual, but this is deep new Projectors for deep times. Powering the alto role — as well as Nord and percussion — in Dirty Projectors since 2018, Felicia is a musical polymath and founding member of the Brooklyn stalwarts Ava Luna and Gemma.
SELLING POINTS DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• The Dirty Projectors catalog has scanned over 200,000 copies. • 12" comes on standard vinyl with donwload card. • AAA, specialty, and college radio campaign to impact upon release. • June 2nd live show at Thalia Hall in Chicago, IL.
P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM
LAND OF TALK Indistinct Conversations July 15th, 31st, 2020 May 2020
• Indie Exclusive vinyl limited to 500 copies pressed on red vinyl. • Featuring “Weight of That Weekend” and “Compelled.” • LP includes digital download.
Indistinct Conversations is the new album from Land of Talk - the Montreal-based band led by Elizabeth Powell. The album’s first single “Weight of That Weekend,” finds Powell delivering a soulful, impassioned plea over an expansive musical terrain. “‘Weight of That Weekend’ is a recognition of having been on the receiving end of a lifetime of sexual coercion, assault, boundary violations, and subsequent gaslighting. It all just came to light after an especially heavy weekend a few summers back,” explains Powell. “I was so sick of carrying all this weight that wasn't mine to bear. So sick of being owned by all of this. Imposed on me mostly by men. I grew so sick of suffering and being slowed-down by this weight. The song is a prayer for a lightness of being. A prayer for capital ‘L’ Love.” All 11 songs on Indistinct Conversations were written by Powell (vocals/guitar/keys), and share the hallmarks of the Land of Talk sound: her silvery vocals; masterful, at times cacophonous guitar playing; and a stream-of-conscious lyricism—here perhaps at her most emotionally vulnerable and honest. Powell produced and arranged the tracks together with her bandmates Mark “Bucky” Wheaton (drums/keys) and Christopher McCarron (bass), and the trio recorded the album in a studio built by McCarron in Wheaton’s apartment basement. Indistinct Conversations follows 2017’s acclaimed Life After Youth—at the time Land of Talk’s first album in seven years. The release saw praise from Pitchfork, Paste, The AV Club, and NPR Music, among others, with its singles earning additional highlights from The FADER, NPR Music's All Songs Considered, New York Magazine’s Vulture, Stereogum, Brooklyn Vegan, Bandcamp, WXPN, and more.
TRACK LISTING 01. Diaphanous 02. Look to You (Intro) 03. Look to You 04. Weight of That Weekend 05. Love in 2 Stages 06. Compelled 07. Footnotes 08. A/B Futures 09. Festivals 10. Now You Want to Live in the Light 11. Indistinct Conversations
Artist: Land of Talk Title: Indistinct Conversations Catalog #: LBJ-283 Formats: CD / LP / Indie Exclusive LP / Tape Street Date: May 15, 2020 Box Lot Quantity: 30 CD / 20 LP / 20 Indie Exclusive LP / 100 TAPE Genre: Alternative PRESS PROMOTION Chromatic Publicity (North America) Hector Silva - hector@chromaticpr.com Prescription PR (UK) James Parrish - james@prescriptionpr.co.uk RADIO PROMOTION College, Commercial & Specialty Radio radio@saddle-creek.com MASTER USE LICENSING jeff@saddle-creek.com INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com
LP gatefold jacket black vinyl
LP Indie Ex. gatefold jacket opaque red vinyl
CD 4 panel wallet lyric insert
TAPE 3 panel j-card red cassette
5% DISCOUNT ON CD ONLY THRU REDEYE UNTIL 5/22/2020 / NOT EXPORTABLE OUTSIDE THE US / LP NOT RETURNABLE
4:28 1:23 3:20 3:46 3:16 3:14 3:33 3:40 3:14 3:20 4:10
505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com
MADELINE KENNEY SUCKER’S LUNCH
CARPARK RECORDS www.carparkrecords.com Oakland artist Madeline Kenney bounds toward the unknown on her third album, Sucker’s Lunch, expanding on the idea of what a love song could be – a little more cautious than exuberant, more nuanced than blazing devotion. Sonically, the album expands upon Kenney’s earlier, guitar-driven sound – a definitive step forward from an artist adept at communicating universal sentiments in a voice unmistakably her own. To help realize her vision, Kenney once again enlisted Wye Oak’s Jenn Wasner and Andy Stack, previous collaborators and friends. Together, the trio carefully constructed the songs in a few compact sessions in Oakland, San Francisco, and Durham. Stack and Wasner’s rhythm section trace circles around Kenney’s off-kilter guitar, with verdant curls of synths, saxophone, and complex harmonies. Lambchop’s Kurt Wagner lends his distinctive tenor to lead single “Sucker.” The resulting songs are immediate and deeply moving, somehow feeling familiar while they defy expectations at every turn. “I’m not interested in something easy or immediately apparent,” Kenney says. “My experience writing these songs wasn’t easy, it was painful and difficult. I was terrified of falling in love, and as much as I’d like to write a sticky sweet song for someone, it doesn’t come naturally to me. Instead I wanted to explore the tiny moments; sitting alone in my room guessing what the other person was thinking, spiraling into a maze of logical reasons to bail and finding my way out again. When I spoke with friends about the theme of the ‘idiot’, it became apparent that everyone understood that feeling and was relieved to hear it echoed in someone else.”
TRACKLISTING 1. Sugar Sweat 2. Picture of You 3. Jenny 4. Tell You Everything 5. Sucker 6. Double Hearted 7. Cut The Real 8. Be That Man 9. White Window Light 10. Sweet Coffee
Thematically, Sucker’s Lunch sees Kenney soberly contrasting the risks and rewards of falling in love, eventually deciding to dive headfirst into her own foolishness and relish in the unknowing. The tracks explore new love from every angle – “Picture of You” is a soundtrack-worthy lamentation of never truly knowing what someone has been through (“growing up is so hard, I don’t know why”) while tender vulnerability shines on “Tell You Everything” (“When your eyes say ‘we’ve had a day, love’, I get to fall in”). Kenney audibly loses her mind on “Double Hearted,” where the playful arrangement and lyrics spark a firestorm of heartache and wild abandon. “Cut The Real” pairs synth drones with syncopated lyrics to work through a depressive mind state, and the neardevotional “White Window Light” accepts uncertainty as a beautiful gift.
CATALOG NUMBER: CAK144 STREET DATE: July 31, 2020 FILE UNDER: Alternative/Indie Rock DISCOUNT: 5% on LP, 10% on CD until Aug 28, 2020 LP (CUSTARD VINYL) UPC 677517014419
CD UPC 677517014426
ALSO AVAILABLE Perfect Shapes LP - 677517012910 Perfect Shapes CD - 677517012927 Night Night At The First Landing LP - 677517300819 Night Night At The First Landing CD - 677517300826
“There’s so much love in it,” Wasner says of Sucker’s Lunch. “It’s the story of someone figuring out how to be a person in the world, and how to be with another person without losing oneself.” Sucker’s Lunch shines in its ability to speak the strange, ambiguous, impossible truth – nothing less than a balanced meal for the wise fool in us all. SUCKER’S LUNCH • North American publicity by Grandstand • College/Non-Commercial/Commercial Specialty radio by Terrorbird • Digital playlisting & positioning by Terrorbird • Sync licensing by Terrorbird • Facebook boosted posts and targeted Instagram dark posts throughout campaign • Album co-produced by Kenney and Wye Oak • Lead single, “Sucker” featuring vocals from Lambchop’s Kurt Wagner • “Sucker”, “Picture of You”, and “Cut The Real” music videos in the works • Pressed on Custard Vinyl, includes free digital download
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
SELLING POINTS • Legendary Percussionist Airto Moreira’s Second and Last Album for the Buddah Label Featured the Same Personnel That Appeared on His Debut Album Natural Feelings (Also a Real Gone Reissue) • Featured Vocalist (and Wife) Flora Purim, Composer and Multi-Instrumentalist Hermeto Pascoal, and bassist Ron Carter • Contributors Included Dom Um Ramão (Who Later Replaced Airto in Weather Report) and Severino De Oliveira a.k.a. Sivuca • Though Airto Played with Miles Davis, Weather Report, and Return to Forever Right Around the Time Seeds on the Ground Was Released, This Is No Jazz-Rock Fusion Album • Instead, It’s an Utterly Unclassifiable, Ecstatic Blend of Bossa Nova, Psychedelic Rock, Brazilian Folk, Latin Jazz, Free Jazz, and World Music • Organic, Intimate, and Entrancing, Seeds on the Ground Is a Clear Highlight of Airto’s Distinguished Career • First-Ever American Reissue of This Rare Record • Original Gatefold Jacket Artwork • Ocean Blue Vinyl Pressing • Limited to 1000 Copies
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UPC: 848064010432 FORMAT: Regular Weight Ocean Blue Vinyl PACKAGING: Gatefold LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 30
AIRTO
seeds on the ground—the natural sounds of Airto (Limited Ocean Blue Vinyl Edition) STREET DATE: JULY 31, 2020 Airto’s second album, and second and last release for the Buddah label, brought back largely the same crew that appeared on his debut record Natural Feelings (also reissued by Real Gone): vocalist (and wife) Flora Purim, composer and multi-instrumentalist Hermeto Pascoal, and bassist Ron Carter, with contributions from Dom Um Ramão (who later replaced Airto in Weather Report) and Severino De Oliveira a.k.a. Sivuca. Given Airto’s connections to Miles Davis, Weather Report, and Return to Forever, Seeds on the Ground could easily get lumped into the jazz fusion category. But that would be a mistake. This totally unclassifiable (and, by the way, exceedingly rare) album was no mere blend of rock and jazz influences. Instead, Seeds on the Ground was truly a fusion, an ecstatic melding of bossa nova, psychedelic rock, Brazilian folk, Latin jazz, free jazz, and what we call nowadays “world music.” If that sounds a bit calculated or intimidating, it’s not; what makes this album so compelling is how organic and intimate it all sounds. Airto played with probably the three most legendary fusion groups in jazz history, and later released a bunch of albums, many for the CTI label. But it would be hard not to label this beautiful record as his crowning achievement. Our proud Real Gone reissue features the original gatefold cover art, and comes in an ocean blue vinyl pressing limited to 1000 copies.
SONGS: Side One 1. 2. 3. 4.
Andei (I Walked) O Sonho (Moon Dreams) Uri (Wind) Papa Furado (Jive Talking)
Side Two 1. Juntos (We Love) 2. O Galho Da Roseira (The Branches of the Rose Tree) 3. O Galho Da Roseira (The Branches of the Rose Tree) (Part II)
SELLING POINTS • Led by Songwriter and Vocalist Dave Pirner, Soul Asylum Were a Fixture in the Grunge and Alternative Rock Scene of the ‘80s & ‘90s
LE T YOUR DIM LIGH T SHINE
• Their 1995 Album Let Your Dim Light Shine Came on the Heels of Their Commercial Breakthrough Grave Dancers Union Release
(Limited Coke Clear with Blue Swirl Vinyl Edition)
• As a Result the Album Suffered from Heightened Expectations and a Lukewarm Reaction from the Alternative Music Press
STREET DATE: JULY 31, 2020
• But the Leeway Granted by the Band’s Commercial Success Allowed Them to Make Their Boldest Artistic Statement to Date
The follow-up to Soul Asylum’s 1992
• “Misery” Was the Hit, Inspiring a Weird Al Cover
breakthrough album Grave Dancers Union fell
Side One
victim to heightened expectations, but, contrary
1. 2. 3. 4. 5. 6. 7.
• But Tunes Like “Caged Rat” Broke New Stylistic Ground • Co-Produced by Butch Vig of Nevermind Fame
to the majority of criticism in the alternative music press, this was no major label sell-out.
• Being a Mid-‘90s Release, Let Your Dim Light Shine Was Only Briefly Available on Vinyl and Original Copies Go for Big Bucks
While it was true that Let Your Dim Light Shine
• Real Gone’s First-Ever Vinyl Reissue Features the Original Jacket and Inner Sleeve Art
“Misery” (you know you’ve made it when
• Coke Clear with Blue Swirl Vinyl Pressing
and the electro-acoustic ballad “Promises
• Limited to 700 Copies
Broken,” the commercial success of Grave Dancers
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boasted such radio-friendly tunes as the single Weird Al Yankovic covers one of your songs!)
Union allowed songwriter Dave Pirner the freedom to expand the stylistic reach of the band and even sneak in some genuinely experimental tracks, like “Caged Rat.” Being a mid-‘90s $
UPC: 848064010456 FORMAT: Regular Weight Coke Clear with Blue Swirl Vinyl PACKAGING: LP Jacket with Printed Inner Sleeve LIMITED EDITION: 700 Copies BOX LOT: 60
release, this album was available on vinyl for only a heartbeat; our Real Gone reissue features the original jacket and inner sleeve art, and comes in a coke clear with blue swirl vinyl edition limited to 700 copies! Co-produced by Butch Vig of Nevermind fame…
SONGS:
Misery Shut Down To My Own Devices Hopes Up Promises Broken Bittersweetheart String of Pearls
Side Two 1. 2. 3. 4. 5. 6.
Crawl Caged Rat Eyes of a Child Just Like Anyone Tell Me When Nothing to Write Home About 7. I Did My Best
MAN
REVELATION (Limited Purple Vinyl Edition)
SELLING POINTS • The Welsh Rock Band Man Made Waves with Their 1969 Debut Release Revelation • Featured the Twin-Guitar Attack of Roger “Deke” Leonard and Mike Jones That Led Some to Compare Man to Quicksilver Messenger Service • But Clive John’s Hammond Organ Stylings Pushed Their Sound Towards a Unique Psych-Prog Blend • The Track “Erotica,” Which Offered the Sounds of a Four-Minute Female Orgasm Set to a Fuzz Guitar Freak-Out, Was a European Hit and Was Banned in the UK • “Don’t Just Stand There (Come Out of the Rain)” Was Another Standout Track, Spurring Memories of the Small Faces’ “Itchycoo Park” • Headphones Highly Recommended Throughout This Head Trip of a Concept Album • First-Ever American Vinyl Reissue • Original, Pye-Label “Flipback” Packaging, Which Put the Back Album Flaps on the Outside Instead of Folded Inside the Jacket Pocket • Purple Vinyl Pressing • Limited to 1000 Copies
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UPC: 848064010753 FORMAT: Regular Weight Purple Vinyl PACKAGING: “Flipback” LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 50
STREET DATE: JULY 31, 2020 Like most “concept” albums of the period, Man’s 1969 debut release was a little short on continuity and, well, concept… but who cares when in the space of one wildly psychedelic side Revelation careened from the psychedelic pomp of “And in the Beginning…” to the banned-inthe-UK “Erotica,” which upped the ante on Jane Birkin and Serge Gainsbourg’s carryingson with the sounds of a four minute-long female orgasm set to a fuzz-guitar freak-out!? Side two is only a little bit less intense, with the coulda been/shoulda been single “Don’t Just Stand There (Come Out of the Rain)” a worthy successor to the Small Faces’ “Itchycoo Park.” Throughout, this Welsh band displays the twin guitar attack of Roger “Deke” Leonard and Mike Jones that led them to be compared to Quicksilver Messenger Service. But Clive John’s Hammond organ gives Man’s sound an extra texture that pushes them a bit in a prog direction, making Revelation exactly that (headphones highly recommended)! Real Gone Music is proud to give this overlooked late-‘60s gem its first-ever American reissue, in a “flipback” album jacket (flaps outside on back cover) that mimics its original Pye label packaging. Purple vinyl pressing limited to 1000 copies!
SONGS
SIDE ONE 1. 2. 3. 4.
And in the Beginning… Sudden Life Empty Room Puella! Puella! (Woman! Woman!) 5. Love 6. Erotica SIDE TWO 1. Blind Man 2. And Castles Rise in Children’s Eyes 3. Don’t Just Stand There (Come in Out of the Rain) 4. The Missing Pieces 5. The Future Hides Its Face
ERROL DUNKLEY
SELLING POINTS • Errol Dunkley Was an Early Reggae Star and One of the Youngest • Recorded His First Side (“My Queen”) at the Age of 12 for Prince Buster in 1964 and Scored His First Hit (“You’re Gonna Need Me”) in 1967 • Later Became a Key Figure in the ‘70s Brit-Reggae Scene, Just Missing the Top Ten in 1978 with His Remake of John Holt’s “OK Fred” • Darling Ooh! Is Dunkley’s 1972 Debut Album • First Came Out on the Gay Feet Label Under the Title Presenting Errol Dunkley and Also on the Trojan Imprint Attack the Same Year as Darling Ooh! with Different Art and an Expanded Track Listing • Our Real Gone Music Reissue Re-Creates the 1972 Attack Release with Its Fetching Album Art and Extra Tracks • Produced by Groundbreaking Female Producer Sylvia Pottenger • Features the Hit “A Little Way Different” • Newly Remastered by Mike Milchner at SonicVision • Root Beer Vinyl Pressing for a Classic Roots-Reggae Release • Limited to 1000 Copies iBarcoder Trial "
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UPC: 848064009375 FORMAT: Regular Weight Root Beer Vinyl PACKAGING: LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 60
SELLING POINTS • Clint Eastwood Is One of the Most Legendary Actors and Directors in Hollywood History • His Love and Aptitude for Music Have Been Amply Illustrated by Such Films as Bird and Play Misty for Me • In Fact, at the Beginning of His Career Clint Was Himself a Singer • He Was Fresh from His Success on the TV Series Rawhide When He Recorded Sings Cowboy Favorites in 1962 • Clint Croons Country & Western Chestnuts and Quite Competently Too on His One and Only Vocal Album • May 31, 2020 Marks Clint’s 90th Birthday • Real Gone Music’s 90th Birthday Edition Features a Red Vinyl Pressing
DARLING OOH!
(Limited & Remastered “Root Beer” Vinyl Edition) STREET DATE: JULY 31, 2020 Errol Dunkley was an early reggae star and one of the youngest, recording his first side (“My Queen”) at the age of 12 for Prince Buster in 1964 and scoring his first hit (“You’re Gonna Need Me”) in 1967. Later, he became a key performer in the ‘70s Brit-Reggae scene, just missing the Top Ten in 1978 with his remake of John Holt’s “OK Fred.” Helmed by groundbreaking female producer Sylvia Pottenger, Darling Ooh! is actually his 1972 debut album, but like a lot of records that came out on small Jamaican imprints that later got swallowed into the mammoth Trojan label, its history is complicated; this record came out on the Gay Feet label under the title Presenting Errol Dunkley and also on the Trojan imprint Attack the same year as Darling Ooh! with different art and an expanded track listing (and, just to make things more confusing, a 1979 Trojan reissue had the Gay Feet track listing and the Attack artwork). Our Real Gone reissue reproduces the 1972 Attack release with its, er, fetching cover art and expanded track listing (featuring the first appearance of the hit “A Little Way Different”); even better, we ponied up for a new remastering (by Mike Milchner at SonicVision) so this record sounds better than it ever has! Limited “root beer” vinyl pressing limited to 1000 copies, a classic roots-reggae release!
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UPC: 848064010487 FORMAT: Regular Weight Red Vinyl PACKAGING: LP Jacket LIMITED EDITION: 500 Copies BOX LOT: 30
1. 2. 3. 4. 5. 6.
Darling Ooh! Baby I Love You You’re Gonna Need Me I’m Not the Man for You It Was Nice While It Lasted Hilite Part 2
STREET DATE: JULY 31, 2020 Clint Eastwood? That Clint Eastwood? Well,
SIDE ONE
sure…Clint has demonstrated a deep love
1. 2. 3. 4. 5. 6.
and aptitude for music as both an actor and a director (e.g. Play Misty for Me; Bird) during his entire career, and here you catch
crooning (and quite competently so) a &
SIDE TWO
(Limited 90th Birthday Red Vinyl Edition)
collection of country & western favorites. "
You Never Know Movie Star Created by the Father A Little Way Different Like to Be Boosed Hilite Part 1
Rawhide’s Clint Eastwood Sings Cowboy Favorites
his success on the TV series Rawhide,
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1. 2. 3. 4. 5. 6.
CLINT EASTWOOD
him right at the beginning of it, fresh from
• Limited to 500 Copies
SIDE ONE
And since Clint’s 90th birthday falls on May 31 this year, we’ve pressed up 500 copies of the LP in red vinyl as a little birthday present for his fans. A little-known side of one of Hollywood’s biggest icons, courtesy of Real Gone Music and ABKCO Music and Records…happy birthday, Clint!
Bouquet of Roses Along the Santa Fe Trail The Last Round Up Sierra Nevada Mexicali Rose Searching for Somewhere
SIDE TWO 1. I’ll Love You More 2. Tumbling Tumbleweeds 3. Twilight on the Trail 4. San Antonio Rose 5. Don’t Fence Me In 6. Are You Satisfied
SELLING POINTS • Despite Such Boldly Experimental Albums as Mass in F Minor and Release of an Oath, The Electric Prunes Were, at Least at the Beginning, a SinglesOriented Band • In Fact, According to Lead Vocalist James Lowe, the Band’s Recording Engineers Used to Transmit Their Single Mixes to a Car Radio to Ensure They Sounded Good in that Medium • As a Result, the Prunes’ Singles Were Punchier Than Their Album Counterparts and Were Also in Mono • The Complete Reprise Singles Collects, for the First Time, All 23 of These Original Single Mixes • Spans Several Band Line-Ups and Several Legendary Producers (Dave Hassinger, David Axelrod) • Features the Hits “I Had Too Much to Dream (Last Night)” and “Get Me to the World on Time” • Richie Unterberger’s Notes Includes Track-by-Track Commentary from the Band • Booklet Features Shots of the Original Singles • Bonus Track Offers the Band’s Demonstration of the Vox Wah-Wah Pedal iBarcoder Trial
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UPC: 848064000655 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS • Along with Chicago, Blood, Sweat & Tears, and Tower of Power, The Ides of March Were One of the Great “Horn Bands” of the Late ‘60s and Early ‘70s • “The Ides” Began in a Suburban Chicago Basement on October 16, 1964 and Have Been Together Ever Since, Only Rivalled by The Rolling Stones in Their Longevity • Vehicle Was Their Commercial High Point • The Title Track Went #2 and the Album Went to #55 on the 1970 Charts • A Happy “Collision” of Garage, British Invasion, and More Progressive Sounds • Includes Four Bonus Single Tracks • Notes by Richie Unterberger Feature Quotes from the Band’s Jim Peterik and Larry Millas iBarcoder Trial "
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UPC: 848064002895 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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THE ELECTRIC PRUNES: The Complete Reprise Singles STREET DATE: JULY 31, 2020 Though the Electric Prunes were responsible for some of the boldest and most experimental pop of the late ‘60s, they always were, more than just about any band of their ilk, a singles-oriented act, at least in their earliest incarnation. In fact, according to vocalist James Lowe, the engineers at American Recording, where many of their early singles were recorded, used to transmit the single mixes to a radio in a car parked outside the studio to make sure the songs sounded good in the medium through which most people would hear them. As a result, the Prunes’ singles were punchier than their album counterparts, and were, above all, mono—yet until this release, no legitimate collection had ever compiled these singles, many of which had never been on CD in their original mix. Real Gone Music has assembled all 23 of their original single sides for Reprise, which span several band line-ups and several legendary producers (Dave Hassinger, David Axelrod) with very different visions, yet remain of remarkably consistent high quality. Richie Unterberger’s notes include track commentary from the band and shots of the original singles themselves. Special bonus: the band’s demonstration of the Vox Wah-Wah Pedal!
TRACKS: 1. Ain’t It Hard 2. Little Olive 3. I Had Too Much to Dream (Last Night) 4. Luvin’ 5. Get Me to the World on Time 6. Are You Lovin’ Me More 7. Dr. Do-Good 8. Hideaway 9. The Great Banana Hoax 10. Wind-Up Toys 11. Everybody Knows You’re Not in Love 12. You’ve Never Had It Better 13. Sanctus 14. Credo 15. Shadows 16. Help us (Our Father, Our King) 17. The Adoration 18. Hey, Mr. President 19. Flowing Smoothly 20. Violent Rose 21. Sell 22. Love Grows 23. Finders Keepers, Losers Weepers 24. Vox Wah-Wah Foot Pedal
the ides of march VEHICLE (E XPANDED EDITION) STREET DATE: JULY 31, 2020 Along with Blood, Sweat & Tears, Chicago, and Tower of Power, The Ides of March were one of the great “horn bands” of the late ‘60s and early ‘70s. “The Ides” began in a basement in the Chicago suburb of Berwyn on October 16th, 1964, and have stayed together ever since; only the Rolling Stones really rival them for longevity. And this album, Vehicle, was their commercial high-water mark; its title track went to #2 and the album to #55 on the 1970 charts. It’s a happy collision (no pun intended) of the band’s garage-y British pop influences and the more progressive sounds of Chicago and BS&T that were sweeping through FM radio at the time; our Expanded Edition features four single bonus tracks and notes by Richie Unterberger featuring quotes from the band’s Jim Peterik and Larry Millas. Highly recommended!
SONGS: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
Vehicle Factory Band The Sky Is Falling Home Wooden Ships/Dharma for One Bald Medusa Aire of Good Feeling Time for Thinking One Woman Man Symphony for Eleanor (Eleanor Rigby)
Bonus Tracks 11. High on a Hillside (WB single 7334) 12. Lead Me Home, Gently (WB single 7378) 13. Melody (WB single 7426) 14. Vehicle (single version) (WB single 7378)
ANN-MARGRET
SELLING POINTS • Ann-Margret Was the Ultimate Bombshell, a Swedish Seductress with Flame-Colored Hair, a Fulsome Figure, and a Taste for Triumph Motorcycles • But She Also Was an Incandescent Talent, So Much So That RCA Groomed Her to Be the Female Elvis • Taken from Her 1961-1966 RCA Recordings, This 30-Track Collection Captures the Highlights of Her Magical Early Career • Features Songs Taken from Nine Different Albums • Includes the Chart Hits “I Just Don’t Understand,” “It Do Me So Good,” and “What Am I Supposed to Do” • Legendary Duets with Elvis Presley in Viva Las Vegas, “You’re the Boss” and “The Lady Loves Me” • Four Tracks from Her Hit Collaboration with Trumpeter Al Hirt, Beauty and the Beard • Soundtrack Recordings from Bye Bye Birdie, Every Night at Eight, Thunderball, The Swinger, and The Pleasure Seekers, and More • Liner Notes by Joe Marchese • Vintage Album Artwork iBarcoder Trial "
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UPC: 848064005551
FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30
SELLING POINTS • Of All the “New Wave” Groups, The B-52’s Were Probably the Most Distinctive and Popular • Their Theatricality and Party-Friendly Tunes Translated Well to the Club Stage or Concert Hall • 8.24.1979 Presents Only the Second Live B-52’s Recording and the Only One to Capture Them in Their Early Years, Just Six Weeks After the Release of Their First Record • Features Such Favorites as “Private Idaho,” “Rock Lobster,” and “Dance This Mess Around” • Liner Notes by Jason Gross Include Quotes from the Band Members • Rare Photos
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UPC: 848064004851 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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THE DEFINITIVE COLLECTION (2-CD Set) STREET DATE: JULY 31, 2020 She was the ultimate bombshell, a Swedish seductress with flame-colored hair, a fulsome figure, and a taste for Triumph motorcycles. But with Ann-Margret, her irresistible beauty took a back seat to her incandescent talent; this was no mere starlet, but a performer whose singing, dancing, and acting skills—all imbued with a devil-may-care charisma— caused record execs to groom her as the female Elvis Presley. Now, finally, here is a comprehensive collection that captures those magical early days of Ann-Margret’s career, a 2-CD set that includes 30 tracks carefully chosen from her 1961-1966 RCA recordings. Among the featured tracks: chart hits like “I Just Don’t Understand,” “It Do Me So Good,” and “What Am I Supposed to Do;” her famous duets with Elvis from Viva Las Vegas, “You’re the Boss” and “The Lady Loves Me” (which, as legend has it, Col. Tom Parker withheld from commercial release because he was afraid Ann-Margret would overshadow The King); four tracks from Beauty and the Beard, her charting album with trumpeter Al Hirt; soundtrack recordings from Bye Bye Birdie, Every Night at Eight, Thunderball, The Swinger, and The Pleasure Seekers; and much more. In fact, these 30 songs—which include single sides as well—hail from nine different albums, and liner note writer Joe Marchese walks you through each and every one of them on this sumptuous package, which includes vintage album artwork. An earful and an eye-ful…viva Ann-Margret!
SONGS: Disc One 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14.
Teach Me Tonight I Just Don’t Understand It Do Me So Good Heartbreak Hotel Fever What Am I Supposed to Do Bachelor in Paradise Mr. Wonderful Let Me Entertain You How Lovely to Be a Woman Bye Bye Birdie Take All the Kisses I’m in the Mood for Love You’re the Boss (with Elvis Presley) 15. The Lady Loves Me (with Elvis Presley) Disc Two 1. Man’s Favorite Sport 2. I’m Nobody’s Baby (with Al Hirt) 3. Bill Bailey (with Al Hirt) 4. My Baby Just Cares for Me (with Al Hirt) 5. Mack the Knife (with Al Hirt) 6. Love Makes the World Go Round 7. Our Language of Love 8. The Pleasure Seekers 9. Next Time 10. Something to Think About 11. Everything Makes Music When You’re in Love 12. Mister Kiss Kiss Bang Bang 13. That Old Black Magic 14. I Wanna Be Loved 15. The Swinger
the B-52’S 8.24.1979
STREET DATE: JULY 31, 2020 Best to let the band itself describe this live album, which is only the second B-52’s concert recording and the only one to capture them during their early years: “We opened for the Talking Heads at the Berklee Center in Boston just six weeks after our first record was released. We were a little scared of the audience so we kept our heads down and focused – and we danced like mad when there was a break! Ricky was so fierce on the guitar – so intense – it was all so raw and live and we loved it.” Now, Real Gone Music is very proud to present this key live document of one of America’s most beloved and distinctive New Wave groups on CD, complete with liner notes by Jason Gross featuring fresh quotes from the band members and rare photos. From “Rock Lobster” to “Private Idaho,” you WILL dance this mess around when you hear this, we promise!
SONGS: 1. 2. 3. 4. 5. 6. 7. 8.
52 Girls (With Intro) 6060-842 Lava Private Idaho Devil in My Car Dance This Mess Around Runnin’ Around Rock Lobster (With Encore Outro) 9. Strobe Light
The Beau Brummels
SELLING POINTS • The Beau Brummels Were and Are One of the Most Underrated Bands of the ‘60s • Best Known for Their Hits “Laugh at Me” and “Just a Little,” They Were Far More Than a Singles Act • Their Catalog Includes Two of the Most Distinctive Albums of the Era, Triangle and Bradley’s Barn • Real Gone Music Puts These Two Classic Releases on a Single CD with Notes by Richie Unterberger Featuring Quotes from Songwriter Ron Elliott • Both Albums Produced by Lenny Waronker • 1967’s Triangle Was a Moody, Mysterious Masterpiece Featuring Such Haunting Songs as “Magic Hollow” and “Painter of Women” • Recorded in Nashville with Such Sidemen as Jerry Reed, David Briggs, Norbert Putnam, and Kenneth Buttrey, 1968’s Bradley’s Barn Was a Country-Rock Landmark Akin to the Byrds’ Sweetheart of the Rodeo • Features Such Twangy Tunes as “Loneliest Man in Town” and “Long Walking Down to Misery” • An Essential Twofer
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UPC: 848064004455
FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS • Though “Smoke from a Distant Fire” Was the Only Hit That Ed Sanford and John Townsend Scored Together, They Were Far from One Hit Wonders
Triangle/Bradley’s Barn STREET DATE: JULY 31, 2020
While San Francisco’s Beau Brummels are best known to casual fans for the British Invasion-style hits “Laugh, Laugh” and “Just a Little,” the two albums they cut for Warner Bros. with producer Lenny Waronker, Triangle and Bradley’s Barn, remain their most artistically ambitious and critically acclaimed records, and continue to exert an influence on modern-day rockers well beyond their modest commercial success. The group was at a low point when they recorded Triangle; they were fresh off the debacle of Beau Brummels ’66, the album of covers that was their ill-conceived Warner debut, and the original quintet had shrunk down to a trio of vocalist Sal Valentino, guitarist and principal songwriter Ron Elliott, and bassist Ron Meagher. But with Waronker as producer, the band was for the first time given the freedom to craft a coherent project from beginning to end, with help from some creative sidemen like Van Dyke Parks; the result was a moody, mysterious masterpiece that spoke to the psychedelic spirit of 1967 yet stood apart from it with such ethereal songs as “Magic Hollow” and “Painter of Women.” Triangle also had hints of the newly emerging country rock style, and for 1968’s Bradley’s Barn, the Beau Brummels (now just consisting of Valentino and Elliott with Meagher off to the military) went to Nashville to record with such crack Music City session men as Jerry Reed, David Briggs, Norbert Putnam, and Kenneth Buttrey. Unfortunately, Bradley’s Barn met the same fate as Triangle, scoring big with critics but not with audiences; today, however, highlighted by such twangy tunes as “Loneliest Man in Town” and “Long Walking Down to Misery,” it’s reckoned as a country rock landmark and a true alt-country precursor. Real Gone Music is proud to present these two classic albums together on one CD, complete with Richie Unterberger’s liner notes featuring quotes from songwriter Ron Elliott. Essential listening from perhaps the most underrated band of the ‘60s.
• Recorded with Michael McDonald and Kenny Loggins Among Others
Is there any song that sums up the late ’70s music scene like “Smoke from a Distant Fire?” It had that blue-eyed soul, high-gloss L.A.
• Guest Vocals from Loggins on “Oriental Gate” • Real Gone Music’s Release Also Features the Duo’s Other Album, 1979’s Nail Me to the Wall • Released Under the Name Sanford & Townsend Band, It Offers the Same Studio-Perfect Pop as Its Predecessor • Gene Sculatti’s Liner Notes Feature an Interview with John Townsend iBarcoder Trial "
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UPC: 848064000730 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Are You Happy? Only Dreaming Now Painter of Women The Keeper of Time It Won’t Get Better Nine Pound Hammer Magic Hollow And I’ve Seen Her Triangle The Wolf of Velvet Fortune Old Kentucky Home
Bradley’s Barn 12. Turn Around 13. An Added Attraction (Come and See Me) 14. Deep Water 15. Long Walking Down to Misery 16. Little Bird 17. Cherokee Girl 18. I’m a Sleeper 19. The Loneliest Man in Town 20. Love Can Fall a Long Way Down 21. Jessica 22. Bless You California
SMOKE FROM A DISTANT FIRE/NAIL ME TO THE WALL STREET DATE: JULY 31, 2020
• Features Production from Barry Beckett and Jerry Wexler
Triangle
SANFORD AND TOWNSEND
• The Duo Had Spent Years in the Music Business Before Hitting It Big with “Smoke”
• Their Blue-Eyed Soul Sound Informs 1977’s Smoke from a Distant Fire
SONGS:
production sound of the Doobie Brothers, Kenny Loggins and other superstars of the era, with the kind of hook only real pros could create. For, as is often the case with so-called “overnight sensations,” Ed Sanford and John Townsend had spent years in the music business before hitting it big with “Smoke.” Indeed, the sound of this record was no accident; the duo had worked with both Michael McDonald and Kenny Loggins (who repays the favor with a great vocal on “Oriental Gate”) before cutting this 1977 release, whose sound also benefited from the nonpareil production skills of the great Jerry Wexler and Barry Beckett. We’ve paired it with their 1979 album Nail Me to the Wall, which was released under the name Sanford & Townsend Band and makes its CD debut here; their final release, it didn’t enjoy the same chart success as its predecessor but does offer the same studio-perfect, West Coast ‘70s pop. Gene Sculatti’s liner notes and photos feature an interview with John Townsend, too!
Tracks: Smoke from a Distant Fire 1. Smoke from a Distant Fire 2. Moolah Moo Mazuma (Sin City Wahh-oo) 3. Oriental Gate (No Change of Changin’ My Mind) 4. Shake It to the Right 5. Squire James 6. Does It Have to Be You 7. Lou 8. Sunshine in My Heart Again 9. In for the Night 10. Rainbows Colored in Blue Nail Me to the Wall 11. Nail Me to the Wall 12. Gopher Broke 13. Every Day 14. Shady Grove 15. Jubilee 16. Just Another Lie 17. Just a Fool 18. Hour of Love 19. Tell Me How Love Survives
SELLING POINTS • The Brother-and-Sister Trio of Jim Ed, Maxine, and Bonnie Brown a.k.a. The Browns Were the #1 Country Singing Group of the Late ‘50s and Early ‘60s • Their Style Captured Two Big Movements in Popular Music of the Era, the Rise of the Lush Nashville Sound and the National Craze for Folk Music
THE BROWNS
COMPLETE POP & COUNTRY HITS JULY 31, 2020
• Add to That Smooth Sound a Clean-Cut Image and You Had an Act Ripe for Late ‘50s Superstardom
STREET DATE:
• Complete Pop and Country Hits Includes All 24 Chart-Making Songs They Recorded as The Browns, The Browns Featuring Jim Ed Brown, and Jim Edward & Maxine Brown
Every hit—both pop and country—notched by the #1 country singing group of the late 50s and early 60s! The brother-and-sister trio of Jim Ed, Maxine and Bonnie Brown personified two trends in popular music at the time, the rise of the lush Nashville Sound and the national craze for folk music, and as a result they crossed over from the country charts into pop stardom. Never before had the homespun harmonies of country music sounded so smooth and downright commercial; add to that the Browns’ clean-cut image and you had an act ripe for superstardom in late- 50s America. All 24 of their hits (billed variously as the Browns, Jim Edward & Maxine Brown, and the Browns Featuring Jim Edward Brown) are here, with pictures and annotation by Grammy-winner Colin Escott. The most complete Browns hit collection ever compiled!
• Features Such Huge Hits as “I Take the Chance,” “I Heard the Bluebirds Sing,” and “The Three Bells (Les Trios Cloches)” • Remastered by Vic Anesini at Battery Studios in New York • Liner Notes by Grammy-Winning Writer Colin Escott • Includes Photos • The Most Complete Browns Hit Collection Ever Compiled iBarcoder Trial "
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UPC: 848064001652
FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS • Arthur Fiedler Was the Ultimate “Crossover” Classical Artist • His Albums with the Boston Pops Hit the Billboard Charts 20 Times and Were Huge Successes Even Prior to the Introduction of the Albums Chart in the Mid ‘50s • 1966’s The Pops Goes Country Paired Fiedler & Orchestra with Another Artist Who Had His Finger on the Pulse of Pop Music, Chet Atkins • The Combination of Atkins’ Twangy Gretsch Guitar with the Orchestra Proved Irresistible, Powering the Album to #62 on the Charts • 1968’s The Pops Goes West Took Its Inspiration from the Western-Themed TV Shows and Films of the ‘50s and ‘60s for a Rousing Orchestral Shoot-‘Em-Up • Liner Notes by Ed Osborne • Both Albums Remastered by Vic Anesini at Battery Studios in New York • A Double-Barreled Orchestral Blast iBarcoder Trial "
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UPC: 848064001270 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
1. Looking Back to See #8 Country Hit 2. Here Today and Gone Tomorrow #7 Country Hit 3. I Take the Chance #2 Country Hit 4. Just as Long as You Love Me #11 Country Hit 5. Money #15 Country Hit 6. I Heard the Bluebirds Sing #4 Country Hit 7. Would You Care? #13 Country Hit 8. Beyond the Shadow #11 Country Hit 9. The Three Bells (Les Trios Cloches) #1 Pop Hit, #1 Country Hit 10. Scarlet Ribbons (for Her Hair) #13 Pop Hit, #7 Country Hit 11. The Old Lamplighter #5 Pop Hit, #20 Country Hit 12. Teen-Ex #47 Pop Hit 13. Blue Christmas #97 Pop Hit 14. Ground Hog #97 Pop Hit 15. Send Me the Pillow You Dream On #56 Pop Hit, #23 Country Hit 16. Oh, No! #42 Country Hit 17. Then I’ll Stop Loving You #12 Country Hit 18. Everybody’s Darlin’, Plus Mine #40 Country Hit 19. Meadowgreen #46 Country Hit 20. I’d Just Be Fool Enough #16 Country Hit 21. Coming Back to You #19 Country Hit 22. I Hear It Now #54 Country Hit 23. Big Daddy #52 Country Hit 24. I Will Bring You Water #64 Country Hit
ARTHUR FIEDLER/BOSTON POPS/ CHET ATKINS: THE POPS GOES COUNTRY/THE POPS GOES WEST STREET DATE: JULY 31, 2020 With a score of charted albums to their name, and many more before the advent of the Billboard charts, Arthur Fiedler and the Boston Pops “crossed over” from classical music into widespread popular acclaim like no other orchestra before or since. Yet, reissues of their album catalog have been spotty in the digital era, even though Fiedler had his finger firmly on the pulse of pop music throughout his tenure. And the first of the albums on our Real Gone twofer is a case in point; recorded in the mid-‘60s, at the height of the Nashville Sound, The Pops Goes Country (which hit #62 on the 1966 charts) put the architect of that sound, Chet Atkins, and
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his twangy Gretsch guitar in front of the Pops for a rousing set of mostly traditional country tunes. And 1968’s The Pops Goes West took its inspiration from the ever-popular Westernthemed films and TV shows of the ‘50s and ‘60s for its collection of classic Western tunes. Liner notes by Ed Osborne, remastered by Vic Anesini at Battery Studios in NYC…a double barreled orchestral blast!
The Pops Goes Country 1. 2. 3. 4. 5.
Country Gentleman Tennessee Waltz Alabama Jubilee Faded Love Medley: In the Pines/Wildwood Flower/On Top of Old Smoky 6. Windy and Warm 7. I’ll Fly Again 8. Adios Amigo 9. Medley: John Henry/Listen to the Mockingbird 10. Cold, Cold Heart 11. I’m Thinking Tonight of My Blue Eyes 12. Orange Blossom Special
The Pops Goes West
13. Deep in the Heart of Texas 14. High Noon (Do Not Forsake Me) 15. Sweet Betsy from Pike 16. San Antonio Rose 17. Buttons and Bows 18. Down in the Valley 19. Bonanza 20. Shenandoah 21. The Hill Country Theme 22. Mexicali Rose 23. The Streets of Laredo 24. Don’t Fence Me In
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ARTIST: GIRL IN GOLD BOOTS
TITLE: ORIGINAL MOTION PICTURE SOUNDTRACK GOLD VINYL LP+DVD / CD+DVD BOX LOT QUANTITY: 30 LP / 45 CD FILE UNDER: SOUNDTRACKS MH-8212 LP UPC: 090771821218 MHCD-212 UPC: 090771821225
A MAD MENAGERIE OF GRINDHOUSE GO-GO GROOVES! Girl In Gold Boots is Ted V. Mikels’ (The Corpse Grinders) homage to the time tested “small town girl moves to the big city to become a go-go dancer” story. And if a movie is ostensibly about go-go dancing, then we’re gonna need some music to go-go to. And that’s what this album you’re now holding is all about. From the odd psych rocker “Do You Want To Laugh Or Cry,” to a frenetic barrage of country soul. It’s got some solid harmonica groovers, an odd xmas song and of course the banger of a title track! Many of the songs here, performed by Larry Cartell, appeared on B & B’s tiny Glenolden Records label, which issued a mere seven 7” singles in ’67/‘68. Nine of the songs featured here were on those 45s - Jerry Wallace’s “That’s The Fool In Me,” Cartell’s “Girl In Gold Boots,” “Jimmy’s Girl,” “Wheels Of Love,” “My Careless Heart,” “Sin,” and “Cowboy Santa,” plus Danny Welton’s “Julie” and “Strobelights” - Welton was a harmonica player whom we’ll assume is playing on all these tracks; he also produced a few harmonica instruction LPs along with sides for Dot, Coral, and Del-Fi. Also featured is Joe Valino’s 1959 fantastic “(Everything I Touched Turned To) Gold,” which later became a hit on the Belgian Popcorn dance scene. Combine them all with some Nicholas Carras cool Crime Jazz cues and you’ve got quite a romp. Now, go don your gold boots, and get ready to boogaloo. Go, baby, go! GO!!! Pressed on colored vinyl, and includes a DVD of the entire film with lots of extras!
• FIRST EVER SOUNDTRACK TO THIS TED MIKELS AND MST 3000 CLASSIC! • CUT AND PRESSED ON COLORED VINYL AT THIRD MAN PRESSING IN DETROIT. • INCLUDES A DVD OF THE ENTIRE FILM AND LOTS OF BONUS FUN!
RELEASE DATE: 5/29/20 7/31/20
TRACK LISTING
1. THEATRICAL TRAILER 2. GIRL IN GOLD BOOTS - LARRY CARTELL 3. A LITTLE COMPANIONSHIP (DIALOG) 4. (EVERYTHING I TOUCH TURNED TO) GOLD - JOE VALINO 5. WANNA BE A PROFESSIONAL (DIALOG) 6. WHEELS OF LOVE - LARRY CARTELL 7. SNACKTIME (DIALOG) 8. MY CARELESS HEART - LARRY CARTELL 9. TAKE HIS BRAINS OUT (DIALOG) 10. KNOCKIN’ BOOTS - NICHOLAS CARRAS 11. SIN - LARRY CARTELL 12. I’M HERE TO BE A DANCER (DIALOG) 13. JULIE - DANNY WELTON 14. BAD MANNERED KIDS WITH GUNS (DIALOG) 15. COWBOY SANTA - LARRY CARTELL 16. JIMMY’S GIRL - LARRY CARTELL 17. GIRL IN GOLD BOOTS THEME - NICHOLAS CARRAS 18. THAT’S THE FOOL IN ME - JERRY WALLACE 19. SHOW OFF WHATCHA GOT, BABY (DIALOG) 20. I JUST WANT TO REST - CHRIS HOWARD 21. LET’S HEAR IT WITH MUSIC (DIALOG) 22. STROBELIGHTS - DANNY WELTON 23. WHO’S THAT? (DIALOG) 24. DO YOU WANT TO LAUGH OR CRY? - CHRIS HOWARD 25. YOU’LL FIND YOUR HOLE (DIALOG) 26. LONESOME MAN - JODY DANIELS 27. TONIGHT I SHALL GET GOOD AND DRUNK (DIALOG) 28. YOU GOTTA COME DOWN - JODY DANIELS
MODERNHARMONIC.COM
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ARTIST: SUN RA
TITLE: CELESTIAL LOVE BLACK VINYL LP / CD BOX LOT QUANTITY: 30 LP / 45 CD FILE UNDER: JAZZ / AFROFUTURISM MH-8218 LP UPC: 090771821812 FIRST EVER REISSUES OF A SATURN RECORDS FAVORITE! True studio albums of Ra with the Arkestra are rare on this planet or beyond. This studio saucer is an interplanetary interpreter, here to convert even the faintest of heart to the sounds of Sun Ra. Recorded with Arkestra veterans at the same NY studio that hosted countless Sun Ra sessions since the late 60s, this first ever reissue of Celestial Love contains the only known recordings of the titular track and “Blue Intensity,” plus a cut not on the original Saturn LP! The music here is mostly "inside Ra." In fact, it's one of the most accessible albums in the Ra canon. One of Ra's early heroes, Duke Ellington, is represented twice with "Sophisticated Lady" and "Drop Me Off In Harlem," and two other standards ("Smile" and "Sometimes I'm Happy," both sung by June Tyson) are given snappy Ra arrangements. Though Sun Ra was renowned for outrageous music and performances, Celestial Love is a reminder that he was a man of many moods, with a deep respect for jazz history. His embrace of Futurism never implied a rejection of the past. Even rocket ships were constructed with raw materials discovered eons ago.
MHCD-218 CD UPC: 090771821829 RELEASE DATE: 5/29/20 7/31/20
TRACK LISTING
• AVAILABLE ON LP FOR THE FIRST TIME IN OVER 30 YEARS, NOW ON CD FOR THE FIRST TIME EVER! • FEATURING CONTRIBUTIONS FROM THE QUEEN OF AFROFUTURISM, JUNE TYSON! • INCLUDES A BONUS CUT FROM THE SAME SESSIONS, NOT AVAILABLE ON THE ORIGINAL LP!
CELESTIAL LOVE SOMETIMES I’M HAPPY INTERSTELLARISM BLUE INTENSITY SOPHISTICATED LADY NAMELESS ONE #2 NAMELESS ONE #3 SMILE DROP ME OFF IN HARLEM MODERNHARMONIC.COM
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ARTIST: LOTHAR AND THE HAND PEOPLE
GRINDIN’ & DRIVIN’ GARAGE PUNK? This 1966 live recording provides the first evidence of Lothar And The Hand People's previous life as a feral gang of rough-hewn, guitar-based garage rockers. From ferocious turns on traditional blues tunes to the Hand People’s custom-built snarling rave-up originals, Come Along captures some of the most electrifying moments from the period before they followed their electronic inclinations down a freakier path.
Denver's Exodus club was a cut above the junior beer joints. It had already earned a reputation as a top-tier stop on the national folk music circuit, hosting everyone from Judy Collins to Bob Dylan. But the times, they were a-changin', and Lothar And The Hand People became the first rockers ever to soil the stage of the storied folk den. When the world at large met Lothar And The Hand People they were electronic rock explorers, but in their first evolutionary phase captured here, they were pounding out songs that kept patrons boozing and boogieing. The Hand People’s set runs the gamut from Van Morrison's Them-era career-maker "Gloria" and Wilson Pickett's 1965 smash "In The Midnight Hour" to the ballsy stomper of a title track that wouldn't have sounded out of place at a Velvet Underground gig, and other early originals showing that the boys were starting to write their way out of the garage.
TITLE: COME ALONG: THE EXODUS 1966 WHITE VINYL LP / CD BOX LOT QUANTITY: 30 LP / 45 CD FILE UNDER: GARAGE ROCK BR 159 LP UPC: 090771015914 BRCD 159 CD UPC: 090771015921 RELEASE DATE: 7/31/20 5/29/20
A MUSICAL PORTRAIT OF HARD-HITTING HOOLIGANS DESTINED TO GROW UP QUICKLY AND REVOLUTIONIZE ROCK!
TRACK LISTING
• PREVIOUSLY UNHEARD LIVE LOTHAR FROM THEIR EARLIEST SHOWS! • LP ON WHITE VINYL, CUT AND PRESSED AT THIRD MAN PRESSING! • A MUSICAL PORTRAIT OF HARD-HITTING HOOLIGANS DESTINED TO GROW UP QUICKLY AND REVOLUTIONIZE ROCK!
COME ALONG BABY, PLEASE DON’T GO WALKING THE DOG WILD ABOUT MY LOVIN’ IF I HAVE TO CHOOSE IN THE MIDNIGHT HOUR NOBODY KNOWS GLORIA WHO’S BEEN TALKING? THAT’S ANOTHER STORY BEATROCKET.COM
CD
ARTIST: MARGO GURYAN TITLE: TAKE A PICTURE MONO CD IN GATEFOLD PACKAGING BOX LOT QUANTITY: 60 FILE UNDER: TWEE / SOFT POP SC 6343 CD UPC: 090771634320 RELEASE DATE: 7/31/20 7/3/20 ʻ68 SOFT ROCK MASTERPIECE - UBER RARE MONO MIX! Take A Picture blends Margo's infectious and highly intelligent songcraft with her absolutely unique voice - equal parts girl group innocence and seductive touch. One of the most endearing and delicious soft rock records from its era, this unique mono mix was previously only available as a radio station promo! Margo Guryan's honeyed voice and gorgeously sweet songwriting has become a favorite of the soft-pop set. As a successful songwriter, her compositions have been recorded by the likes of Jackie DeShannon, Spanky & Our Gang, Astrid Gilberto, Claudine Longet, Oliver, Cass Elliot, Glen Campbell, Saint Etienne and Harry Belafonte. Her only solo album, the magnificent Take A Picture (featuring the hit "Sunday Morning"), has become a cult classic since its release in 1968, and no wonder: its combination of marvelously funky sunshine arrangements and Margo's delicious melodies are a heady combo. She's influenced everyone from the Wondermints to Belle and Sebastian to Oscar-winning screenwriter Diablo Cody (who listened to Take A Picture while writing Juno). At last we can hear this masterpiece in its true mono mix, once you hear it, youʼll never hear the stereo version the same again… itʼs that good.
• ONCE THOUGHT TO BE LEGEND THIS DESIGNATED MONO MIX HITS CD FOR THE FIRST TIME EVER! • ECO-CARDSTOCK PACKAGING WITH NOTES, AND A RARE PHOTO INSIDE THE GATEFOLD. • HEAR THIS CULT CLASSIC AGAIN FOR THE FIRST TIME. ONCE YOU GO MONO, YOU WONʼT GO BACK!
TRACKLISTING: SUNDAY MORNINʼ SUN LOVE SONGS THOUGHTS DONʼT GO AWAY TAKE A PICTURE WHAT CAN I GIVE YOU THINK OF RAIN CAN YOU TELL SOMEONE I KNOW LOVE
WWW.SUNDAZED.COM
ALEX IZENBERG CARAVAN CHATEAU
"There’s all these little nuances lurking in the nooks and crannies, which elevates the song’s emotional pull, not to mention making it every bit as current as anything else you’re likely to hear; it’s one of those tunes straddling the past and the present.” AUSTIN TOWN HALL [On "Disraeli Woman"]
"In classic Laurel Canyon fashion, Izenberg highlights vintage flavor as an artist plucked right from the era of sunburnt film and earnest love writing.” GIRL UNDERGROUND MUSIC
TRACKLISTING 1. Requiem 2. Sister Jade 3. Anne In Strange Furs 4. Disraeli Woman 5. Saffron Glimpse 6. Dancing Through The Turquoise 7. Bouquets Falling In The Rain 8. December 30th 9. Lady 10. Revolution Girls 11. Caravan Château
CATALOG NUMBER: WEIRD124 RELEASE DATE: July 17, 2020 July 31, 2020 FILE UNDER: Alternative “I”
CD Boxlot: 30 UPC: 887833012420
LP W/ DOWNLOAD Boxlot: 20 UPC: 887833012413
Vinyl is non-returnable
OVERVIEW Caravan Château—the beguiling 11-song reflection on the house of mirrors that is love— is the latest album from Los Angeles native singer/songwriter Alex Izenberg. Izenberg creates a sophisticated world of his own here, where songs that are somehow understated but lavish map the vagaries of our uncertain hearts the way wrinkles chronicle a lifetime of experience. With the help of a handful of collaborators including Chris Taylor (Grizzly Bear), Jonathan Rado (Foxygen, Whitney, Lemon Twigs), Ari Balouzian (Tobias Jesso Jr) and others, Izenberg creates songs that are easy to adore but hard to define. Izenberg’s sharp songs are the bait that first brings you into Caravan Château, but that deliberate ambiguity is what brings you back repeatedly, hoping to tease out the riddles of being inside these stunning tunes. Izenberg emerged in late 2016 with Harlequin, a fetching collection of hazy art-pop hymns praised for their “sweetness and heart.” Not long after the album’s release, Izenberg became emotionally unstable, though, beset by a failed relationship and inevitable post-debut questions about what came next. Diagnosed with paranoid schizophrenia in 2012, Izenberg has spent a lifetime learning to cope with and overcome fear, to turn doubt into power rather than paralysis. For Izenberg, music is a lifeline, or the lens that helps him refocus the world and make sense of his mess of feelings. He pulls art and existence together as if by tensile wires, one giving necessary support to the other. On Caravan Château, the intensity of that connection radiates through every song, Izenberg working through some of life’s hardest feelings by writing songs as soft as his heart.
SELLING POINTS • Alex Izenberg has collaborated with Chris Taylor (Grizzly Bear), Jonathan Rado (Foxygen, Whitney, Lemon Twigs), Ari Balouzian (Tobias Jesso Jr) among others. • College, non-comm and AAA radio campagin to impact upon release. • Standard LP comes with download card.
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
ALISON MOSSHART RISE OVERVIEW Fierce and fiery, a no-nonsense firestarter, Alison Mosshart is hardly a stranger to taking chances. Best known as one-half of acclaimed duo The Kills, when she’s not moonlighting as Baby Ruthless, the gnarly lead singer of blues-punk foursome The Dead Weather, Mosshart is a forever moving force. Over the years she’s collaborated with everyone from her Dead Weather bandmate Jack White to the Arctic Monkeys, Primal Scream, Gang Of Four, Cage The Elephant, Foo Fighters, James Williamson and Mini Mansions. But her new and boldest move yet finds her embracing her solo bonafides.
TRACKLISTING 1. Rise 2. It Aint Water CATALOG NUMBER: RUG1148 RELEASE DATE: July 31, 2020 FILE UNDER: Alternative “M”
7" w/ DOWNLOAD Boxlot: 20 UPC: 887829114879
For a decade and a half, The Kills have mastered that savage balance, unleashing artful detonation and subtle vocal and guitar violence. That’s five albums and four EPs where Alison and Jamie reimagined the possibilities of modern duality—alchemizing garage rock, punk, and blues into smoke clouds, psychic carnage, and a smoldering nocturnal slink—into a northwest passage between Outkast and Suicide. Their last album, Ash & Ice (2016), was universally lauded, and their most recent release—a 2018 cover of Saul Williams’ “List Of Demands” b/w Peter Tosh’s “Stepping Razor”—came timed to the band’s 15th anniversary, leaving fans ravenous for more. For Mosshart, releasing music under her name is a new experience but an entirely thrilling one. It makes sense: Mosshart has been compiling a bank of unreleased music for more than a decade now. Back in 2013, Mosshart first wrote the initial sketch of “Rise,” which finds the singer intoning, “When the sky is falling/ and the sun is black/when the sky is coming down on ya/baby don’t look back/we will rise.” Like “Rise,” recorded with Lawrence Rothman, Mosshart had been sitting on “It Ain’t Water” for some time now as well. The stunning track was recorded with Alain Johannes (Queens of the Stone Age, PJ Harvey). Every time the singer found herself battling a bout of writer’s block, she’d pick up her guitar and sing it. For a multi-disciplinary artist like Mosshart—whose paintings have been shown in galleries across the world, and who recently published her first book, CAR MA, a collection of her art, photography and writing that doubles as a love letter to automobiles—working on a variety of projects, now including her own music, is exactly how she likes it. Currently, she is working with Jamie Hince on the next Kills record and dreams of the day in the hopefully not so distant future, (pandemic-willing) when they’ll be back on the road with exciting new music to share.
SELLING POINTS DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• Alison Mosshart is one-half of the acclaimed duo The Kills. The Kills catalog has scanned over 400K copies. • Non comm and AAA radio campaign to impact. • "Rise" was recorded for and featured prominently in the Facebook Watch series Sacred Lies . • The 7" comes with a 4 page insert and down load card.
presents
“My goal was to create something that sounded like a mental hug, a sonic embrace,” says singer/guitarist Julia Kugel (The Coathangers/White Woods) about the self-titled debut album by Long Beach duo Soft Palms. “Everything can feel so wild and out of control, I really wanted to create something you could sink into and use to calm those emotions.” To achieve this goal, Kugel and drummer/ percussionist Scott Montoya (formerly of The Growlers) threaded together sock hop rock n’ roll, scrappy dream pop, and ethereal torch songs into a sultry, spacey, and sublime journey towards brighter horizons. Though the album’s eight songs were written in fits and starts over the course of nearly a decade, Soft Palms ultimately came together over a two-year period as an extension of Kugel and Montoya’s broader musical ventures. Together they book the Happy Sundays music festival, run the non-profit Studio for Schools, and organize the events calendar Long Beach POP—all in an effort to celebrate, promote, and produce art and music through community and positivity. In the moments when the wife-andhusband team aren’t elevating and empowering other artists, they’ve channeled their passion into Soft Palms. Album opener “Baddy” sets the tone for the album by laying down a simple guitar line with a grandiose vocal melody run through Phil Spector’s wall-of-sound production. The vibe continues through “Rainbow” where Kugel’s lilting voice floats against a backdrop of hypnotic upbeat instrumentation and Montoya’s dubbed out studio effects. The album continues to be a feast of rich sounds and simple, comforting melodies—from the heavenly country waltz and cosmic slide guitar on “Oh Then Then” to the gentle fingerpicked guitar and string swells of the closing ballad “Not Love.” The entire album gives off an aura of intimacy while also creating a broader, pastel colored world—a duality achieved through the meticulous recording process at the couple’s home studio COMA. But more than anything, Soft Palms captures Kugel and Montoya’s unflappable positivity and energy and serves as yet another outlet for their ongoing work to make the world a better place.
1. 2. 3. 4. 5. 6. 7. 8.
File Under: Indie / Soul Export: Worldwide Box Lots: 25 LP 30 CD LP includes download card
Baddy Ra i n b o ws O h T he n Th e n Ra i n & T h und e r Pr e tty D a nce r B o ne D r y So m e w he r e No t L o v e
Everloving Records:
Courtney Knopf courtney@everloving.com
Redeye Worldwide:
Lori Miller Lori@redeyeworldwide.com
Terrorbird Licensing: josh@terrorbird.com
LP LPeve061
8
12208 01401
CD CDeve061
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12208 01400
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ROMARE HOME Release Date: July 31, 2020 ROMARE returns with his brand new album HOME. A euphoric and uplifting record with a guarantee to be a favorite on the dancefloor. HOME will be available on 2LP, CD and Digital formats. The release of this new record comes after a lifetime of being on the move. Fairhurst spent the majority of his life moving around, and was used to the nomadic lifestyle as his career progressed. Now he has found a place he can call home forever. Romare’s extensive career has led him to join both Bonobo and Nightmares On Wax in their US tours and he has played at at iconic venues such as Terminal 5 and Output in NYC. His success has also led him to be featured on Beats 1 Radio as well as reaching #1 on US college radio charts. Previous albums received press support from Pitchfork, Billboard, Clash, Dazed, DJ Mag, The Guardian, Loud And Quiet and many more. He has also had previous club support from the likes of Moxie, Bradley Zero, Auntie Flo, Maribou State and others. “a stealthy floor-filler" - Rolling Stone
For Fans of: Left-field House, Downtempo, Soul CAT NO: ZEN268 UPC: 5054429142228 Box Lot: 15
CAT NO: ZENCD268 UPC: 5054429142235 Box Lot: 35
￫ Double 140g grey colored vinyl ￫ 5mm spine uncoated sleeve with paper inners. Original artwork by Romare. ￫ Includes download code ￫ CD in gatefold case ￫ Original artwork by Romare
SIDE A 1. Gone 2. Dreams SIDE B 1. Sunshine 2. The River 3. Deliverance SIDE C 1. High 2. You See SIDE D 1. Heaven 2. Home
Genre: Electronic Key Markets: New York, Los Angeles, San Francisco, Chicago Recommended if you like… Daphni, Four Tet, DJ Koze, John Talabot, Floating Points
naretail@ninjatune.net ninjatune.net
STREET DATE
7-31-20 6-5-20 This rough and tumble recording captures the high-energy power trio Dirty Streets live on Ditty TV, in Memphis, Tennessee. This is heavy, bluesy rock’n’roll played with heart. Crank up the volume and let it rip!
ALIVE 0210-1 VINYL LP
UPC : 095081021013 ROCK
ALIVE 0210-2 CD DIGIPAK
UPC : 095081021020 ROCK
Justin Toland (vocals/guitar), Thomas Storz (vocals/bass), and Andrew Denham (drums/percussion), go through a set of songs culled from their catalogue and throw in two previously un-recorded covers by the great Joe South, “Walk a Mile in My Shoes” and “Tell The Truth”. When it comes to taking volcanic early-70s-style blues rock to modern times, Dirty Streets are now furlongs ahead. – CLASSIC ROCK
Rival Consoles Articulation Format: 12“ clear vinyl in screenprinted PVC sleeve Extras: Download Code File under: Electronic · Box Lot: 20 LP Release Date: 07.31.2020 Ryan Lee West aka Rival Consoles announces details of his highly anticipated new album Articulation, released on Erased Tapes on 31 July 2020.
Label:
Erased Tapes
Catalogue No.:
ERATP133LP
Barcode (EAN):
3700551783175
Distributor:
Redeye
Territory:
NA
Tracklisting: 1. Vibrations on a String 2. Forwardism 3. Melodica 4. Articulation 5. Still Here 6. Sudden Awareness of Now
‘Articulation’, the lead track and album centrepiece, links the record back to the analogue fluidity and colour of 2016’s Night Melody. The division of varying time signatures, intertwined with a complex structure of notes, creates an expression of a moving structure and conjures a dreamy motorik energy. Ryan Lee West explains, "The title track is about articulation and playfulness with shape and time. Its structure is very machine-like, but I was really interested in how melody and sense of story could develop out of this, and it became an exploration of mathematical structures - patterns and shapes having a conversation. I love that something on paper can appear rigid and calculated, but then take on new meaning based on the context that surrounds it, or how it changes over time." Articulation (which follows 2018’s Persona) was conceived with a very visual way of thinking, unusual for the London musician and producer. During the writing process Ryan drew structures, shapes and patterns by hand to try and find new ways of thinking about music, giving himself a way to problem-solve away from the computer. The album title references a piece by the avant-garde contemporary composer Györgi Ligeti, though not for its music, but for the non-traditional graphic score that accompanied it. “I find electronic music is often battling to say something with integrity because technology and production can easily get in the way. I think the goal of a lot of electronic composers is to find a balance between the vision of the idea and the power of possibilities on the computer. With a pen and paper sketch you can compose and rethink ideas without technology getting in the way, so for me it acts as a very helpful tool to refresh the process.” - Ryan Lee West The idea of using analogue drawings and tools to bolster digital creations can be heard in the structure of the pieces that make up Articulation from the broody techno opener ‘Vibrations on a String’ all the way to the album’s boundless closer ‘Sudden Awareness of Now’. While the anthemic rise and fall of ‘Still Here’ and the beatless ambient meditation ‘Melodica’ evoke a certain nostalgia, ‘Forwardism’ achieves the very opposite by burying its melody within the fast-paced rhythm of its pulsating synths. Rising out of birdsong heard from his studio window, ‘Sudden Awareness of Now’ has a particular urgency about it and seems to perfectly capture a longing for escape. Built around a simple and repetitive melodic theme, expanding and retracting over the course of its seven-minute odyssey, Lee West explains; “I like the fact that if you say something over and over again in music, then over time it can become something else, something reflective.”
Official Websites: www.rivalconsoles.net/ www.erasedtapes.com PR Agent: julian@erasedtapes.com Booking Agent: debbie@lb-agency.net
Since the release of Persona, Ryan Lee West has taken his captivating live A/V set to all corners of the world. Last seen live on stage with 17 players of the London Contemporary Orchestra for a sold-out orchestral performance at Southbank Centre’s Queen Elizabeth Hall in January 2020. Meanwhile Lee West has kept busy. After contributing an exclusive track titled ‘Them Is Us’ to Adult Swim’s coveted Singles series, he recently shared the beautifully textured solo piano piece Winter’s Lament on this year’s Piano Day. He has also been in high demand as a composer, scoring Charlie Brooker’s much talked about Black Mirror episode Striking Vipers, composing original music for Secret Cinema presents Stranger Things as well as renowned choreographer Alexander’s Whitley’s groundbreaking new work Overflow which was set to premiere at London’s Sadler’s Wells Theatre this spring. Articulation will be available worldwide on 31 July, with live activities to be announced as soon as the situation allows safe event planning. Praise for 2018’s Persona: “Album Of The Day” — BBC Radio 6 Music “Ambient leaning, mind expanding electronics” — DJ Magazine “West has made a career out of evoking human emotions with digital sounds” — Pitchfork “Unequivocally Rival Consoles’ finest work to date” (8/10) — Loud & Quiet “Without doubt Rival Consoles’ best yet” (8/10) — Crack Magazine “The strongest album of his career” — A Closer Listen
Artist: Cinthie Title: Skylines City Lights Release Date: 7.31.2020 Label: Aus Music Cat. No: AUSLP013 / AUSCD013 Format: 2LP / CD Barcode – 4062548007916/ 4062548010220
Tracklist
A1. Skylines A2. Houze Muzik B1. Concentrate B2. Horizon C1. 2K Garage C2. Calling ft Gill D1. Citylights D2. Flashback 1. Skylines 2. Houze Muzik 3. Concentrate 4. 2k garage 5. Horizon 6. No One Can Take You Away From Me 7. Bassline ft Gill 8. Flashback 9. Calling ft Gill 10. City Lights 11. Mornings in Melbourne 12. 803 the meme queen Cinthie marks a milestone in her career this June with her debut album ‘Skylines – City Lights’ on Aus Music. Berlin’s Cinthie has grown to become one of the most respected purveyors of house music, both as a DJ and producer, in Europe and across the globe over the past few years. Through the numerous imprints she’s headed up, her productions, her soul-infused DJ sets and even her own record store Cinthie has become a driving force in the contemporary electronic music scene. Here we see the culmination of Cinthie’s career, which spans more than two decades, pieced together to make up her debut long player, a tribute to all the things that have inspired her over the years, from Chicago House to New York Garage, European rave, Nu-Disco and years of experience behind the booth and keeping dance floor’s moving. Across the project tracks like ‘Houze Muzik’, ‘Concentrate’, ‘Morning In Melbourne’ and ‘Bassline ‘shine a light on Cinthie’s true love, authentic, soul drenched and raw House music. ‘2k Garage’, as the name would suggest, also nods to her love of the UK Garage sound and cuts like ‘City Lights’ and ‘No One Can Take You From Me’ lean towards Disco influences old and new. Further additions see Cinthie exploring new territories for the album format, experimenting with a downtempo aesthetic on opening track ‘Skylines’, textural electronica on ‘Flashback’ and Acid House nostalgia on ‘Calling’ and ‘Horizon’. ‘Skylines – City Lights’ beautifully showcases the life and inherent passion for electronic music Cinthie has, all perfectly weaved together across twelve compositions.
KIND • For fans of Crumb, Arcade Fire, Stereolab, Moses Sumney, Noname, Portishead, Ohmme. • US college radio campaign through Pirate Promotions (steve@piratepirate.com). • Press campaign handled by Will Osiecki (will@topshelfrecords.com). • 23-minute visual album accompaniment to be released in tandem with the album. • Five-week summer tour throughout Canada and US. “[S]ongs that flow seamlessly across textures and styles, never staying in one place too long ... moments of gauzy dream-pop gradually succumb to ambient experimentation, which cycles into jazz-inflected folk. ” -NPR, on Do You Dream? “[A] gloriously skewed beast, the tempo and tone leaping between vivid moments of sparkling pop junctures, all simmering vocals and gently lapping instrumentals, and then disappearing in to a void of white-noise and experimentation, before the clouds clear once again, just long enough to feel warmth emanating through.” -GoldFlakePaint, on Do You Dream? Crucial questions around healing, cultural identity, and disability are among the many subjects visited by Thanya Iyer's sophomore album, KIND. Although represented by a concise title, KIND explores an expansive universe where Iyer and her band examine interpersonal relationships, ideas of home and destination, and our collective responsibilities to one another. To aid in this journey of big, difficult questions, Iyer enlists the help of a huge cast of musicians, with guest features ranging from brass trios, vocal sextets, flautists, and harpists. Underscoring its explorative nature, the constant movement of KIND melds the sounds of experimental pop and improv into a magical amalgam that teems with flashes of jazz and nuanced electronics. Iyer's rhythm section pulsates with genre-defying palettes of blips and skitters that twist elegantly into the melodic voices of interlocking synth, strings, and piano, all led by Iyer's enrapturing lilt. The rhythmic direction of bassist Alexander Kasirer-Smibert and percussionist Daniel Gélinas clears a navigable path in an otherwise unnavigable setting, built on the pair's understated yet intriguing expertise.
redeye distribution 505 Eno Street Hillsborough, NC 27278 harrellp@redeyeworldwide.com
p: Frederique Berube
TSR217 LP / CS / CD ^ ^ ^ orange and beige “cloudy” vinyl w/ DL code
Thanya Iyer
STREET DATE July 31, 2020 LABEL Topshelf Records CATALOG # TSR217 TRACKS 11 FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT yes LP UPC 6 34457 00906 6
CD UPC 6 34457 00907 3
6
CS 6
6
34457 00906 6
34457 00907 3
UPC 6 34457 00908 0
34457 00908 0
Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like
topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com
! Soul Jazz Records Presents
BLACK RIOT Early Jungle, Rave and Hardcore th 20 2020 31stMarch July 2020 ! ! ! ! ! ! ! ! ! ! ! ! ! !
Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy! Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more! Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style – roots and culture – from the earliest days of drum and bass. Included with the first edition of the Black Riot vinyl and CD is a very limited-edition free graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between writer Paulo Parisi and Soul Jazz Records. This new graphic story continues the story of black electronic dance music – this time set in London circa 1992 and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic dub, co-compiled by Kevin Martin (The Bug)) and ‘Mysterons Invade the Jackin’ Zone’ (about Chicago Acid & Experimental House 1986-93).
Tracklisting 1. Rhythm For Reasons – The Smokers Rhythm (5:35) 2. Babylon Timewarp – Durban Poison (5:31) 3. The Terrorist – RK1 (6:25) 4. DJ Dubplate – Tings A Go On (6:28) 5. Leviticus – Burial (Lovers Rock Mix) (6:29) 6. The Freaky – Time and Age (5:08) 7. Trip One – Snowball Remix (6:16) 8. DJ Krome & Mr. Time – Ganja Man (5:54) 9. New Vision – Way Of Life (6:12) 10. DJ Dubplate – Original Rubadubstyle (4:42) 11. Hi Fi Power – Chill Out (Raggafunks U) (4:50) 12. Nu Jacks featuring Ivory Ranks – House Sensation (5:53)
th
Release Date: 20 March 2020
! !
Artist:
Soul Jazz Records Presents
Title:
BLACK RIOT: Early Jungle, Rave and Hardcore
Label:
Soul Jazz Records
Format 1:
Cat. No: SJRCD452, CD UPC: 5026328104522
Format 2:
Cat. No: SJRLP452, Double LP UPC: 5026328004525
5
0 263 28 1 045 22
5
0 263 28 0 045 25
Redeye contact: Will Savery 877-733-3931 x287 will@redeyeworldwide.com No shipments outside of North America.
!
Soul Jazz Records presents Studio One
THE WAILING SOULS Trouble Maker / Run My People 12” Single st 131st May July2020 2020
HUGE STUDIO ONE 12” SINGLE! Two fantastic tracks from one of Jamaica's finest ever vocal groups, these heavy hitting anthems were recorded for the legendary Studio One label in the early 70s. Surprisingly both tracks have never been released as singles, previously only appearing on two different rare and long deleted Jamaican LPs. Cut super loud on a 12" single and housed in a heavyweight card Studio One sleeve, these won't be around for long – very limited edition 1000 copies worldwide!
Release Date: Artist: Title: Tracks: Label: Format:
1st May 2020 The Wailing Souls Trouble Maker / Run My People A: The Wailing Souls – Trouble Maker B: The Wailing Souls – Run My People Soul Jazz Records Cat. No: SJR430-12, 12” Single UPC: 5026328004303
Contact: Will Savery • 877-733-3931 x287 • will@redeyeworldwide.com No shipments outside of North America. !
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Album: Release:
THE KILIMANJARO DARKJAZZ ENSEMBLE FROM THE STAIRWELL 31st July 2020
Formats: CD 2LP (red, ltd.) 2LP (silver)
UPC · Box Lot 4024572477677 · 30 4059251404798 · 5 4024572477653 · 5
Artist:
50 limited vinyl reserved for Redeye Tracklist: 1. All is One 5:22 2. Giallo 6:01 3. White Eyes 8:28 4. Cocaine 11:28 5. Celladoor 7:16 6. Cotard Delusion 5:46 7. Les Etoiles Mutantes 6:17 8. Past Midnight 12:02
Highlights: · The highly praised third album ""From The Stairwell"" of the Dutch cult ensemble from 2011 finally available again on cd & vinyl. · Together with Bohren und der Club of Gore and The Dale Cooper Quartet, The Kilimanjaro Darkjazz Ensemble and The Mount Fuji Doomjazz Corporation through the years have succeeded in creating a brand new genre of music. Time to get absorbed again by this unique and fresh sound. The Kilimanjaro Darkjazz Ensemble are a project which has always been tied to films. Films are luxurious because they dispose of all these boring, unimportant, and trivial parts of our lives. This allows them to fully control our sensations, to put us in a very specific mood. Joy and sadness are occasionally OK, endless joy or endless sadness are clinical. But there is one sensation which can be persistent and unconditionally bearable at the same time. In the absence of a better alternative, let's call it ""the mood"". The mood is what TKDE are aiming at. The mood. ""From The Stairwell"" is a surprise and a logical step at the same time. It is a surprise because the songs are far less beat-driven in comparison to TKDE's earlier works, and even contain a few hopeful tints here and there. It is a logical step because in the end each song turns to have a very diverse dramaturgic flow. At times, ""From The Stairwell"" makes you think of 60's soundtracks, but the organic feeling of those is always interwoven with mechanical elements. Altogether, every single of the numerous details present in TKDE's new songs feels to be at the right place and you can either just dive into the mood or pick one of the many aspects and enjoy it on its own.
Label:
Distribution:
denovali.com · timo@denovali.com
505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com
Artist: Album: Release:
MANSUR TEMPLE 31st July 2020
Formats: CD LP (red) LP (black)
UPC · Box Lot 4059251397236 · 30 4059251395904 · 10 4059251395867 · 10
50 colored vinyl reserved for Redeye Tracklist: 1. Temple 5:12 2. Disciples 5:27 3. Temple Revisited I 4:41 4. Pentatonic Ruins 5:00 5. Leyenda 4:22
Highlights: · the new project of Jason Kohnen (ex-The Kilimanjaro Darkjazz Ensemble, ex-The Mount Fuji Doomjazz Corporation) · features many rarely heard instruments such as kalimba, violin, cello, ney, erhu, zhonghu, jinhu, kemenche, dilruba, bansuri, rammerdam, double bass and various percussive instruments such as cajon, castanets, krotal and various organic shakers MANSUR is the newly initiated project by Jason Kohnen (ex-The Kilimanjaro Darkjazz Ensemble, ex-The Mount Fuji Doomjazz Corporation) joined by Dimitry El-Demerdashi (ex-Phurpa) and introducing Martina Hórvath on vocals. The sound of MANSUR navigates between the waters of musical fantasy and reality - it morphs and blends traditional instrumentation with modern day electronica. Using kalimba, violin, cello, ney, erhu, zhonghu, jinhu, kemenche, dilruba, bansuri, rammerdam, double bass and various percussive instruments such as cajon, castanets, krotal and various organic shakers and drums MANSUR leads the listener into mystical and magical unknowns, that lie far past the realms of material perception. The result is a new unique sound which is at the same time warm, dark, misty, cosmic, mystical, cinematic and dynamic. It's an escapist journey. MANSUR are starting this trip with the five-piece debut record called "Temple" followed by the debut album "Karma" in late 2020.
Label:
Distribution:
denovali.com · timo@denovali.com
505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com
Album: Release:
ROBIN SCHLOCHTERMEIER SPECTRAL 31st July 2020
Formats: CD LP (colored) LP (black)
UPC · Box Lot 4059251395850 · 30 4059251395881 · 10 4059251395843 · 10
Artist:
50 colored vinyl reserved for Redeye Tracklist: 1. Lapping 3:03 2. Woodlouse 4:11 3. Glacial 3:20 4. Foghorn 8:02 5. Transparence 3:33 6. Flutters 2:20 7. Sonnenstaub 7:32 8. Amethyst 3:17 9. Vapours 2:29
Highlights: · Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. · Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in spring 2019. · Spectral is his first solo album. "Spectral" is the first solo album of Robin Schlochtermeier. It's a set of slow pieces that function like distant echoes of childlike experiences of the natural and material world. Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth and custom programmed sounds generated from the composer’s bank of original sample recordings. One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. “The intention was to create space and openness in the arrangements”, according to Robin. “This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub."
Label:
Distribution:
denovali.com · timo@denovali.com
505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com
Release:
SANKT OTTEN LIEDER FÜR GEOMETRISCHE STUNDEN 31st July 2020
Formats: CD LP (red) LP (black)
UPC · Box Lot 4059251404781 · 30 4059251404774 · 10 4059251404767 · 10
Artist: Album:
50 colored vinyl reserved for Redeye Tracklist: 1. Sentimentale Sequenzen 5:06 2. Wieder einer weniger 5:41 3. Du hast dem Schicksal die Show gestohlen 5:04 4. Wer trifft schon immer den Ton 6:18 5. Die Kunst des falschen Timings 6:08 6. Dann doch lieber weisse Wände 5:04 7. Die Blumen darfst Du behalten 3:36 8. Wenig Worte für ein Ende 8:00
Highlights: · The holy trinity of krautrock, ambient and contemporary electronica, but always sophisticated and unique Sankt Otten. · The 11th release of the German duo. · mastered by Rafael Anton Irisarri. A very gentle and meditativ sequence introduces us to this new creation. Is it a synthesizer or a guitar? Whatever! A floating pad passes and returns, layers and shapes are rising. At the end the interaction of man and technology merges into perfect harmony. We are heading monumentally towards a futuristic world, which is frigid and surreal with a monotonous, sometimes gloomy and dark mood. Man and machine are going hand in hand, infused by a hypnotic, motor function 808 beat, encouraging everyone to head-nodding by being almost danceable. Again, the central theme of this release is definitely the minimal, repetitive drum play of Stephan Otten, whereas Oliver Klemm’s ebow guitar drones hovers the tracks. Sankt Otten do not disappoint. With their 11th release, they give us a gem of timeless instrumental music. The holy trinity of krautrock, ambient and contemporary electronica, but always sophisticated and unique Sankt Otten.
Label:
Distribution:
denovali.com · timo@denovali.com
505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com
Album: Release:
THE MOUNT FUJI DOOMJAZZ CORPORATION SUCCUBUS 31st July 2020
Formats: CD 2LP
UPC · Box Lot 4059251115236 · 30 4024572448523 · 5
Artist:
limited clear w/ splatter vinyl available via Redeye Tracklist: 1. The Sexy Midnight Torture Show 4:28 2. Erotic Love Queen 6:34 3. Strange Dreams 4:30 4. Castles By The Sea 1:32 5. The Admirals Game 7:13 6. The Morning After 6:58 7. Perverted Pleasure Party 5:40 8. A Bad Trip 5:49 9. A Place For Fantasies 8:43 10. Murder Against Mannequins 1:57 11. Fleeing The Scene 5:18 12. Deadly Rehearsals 8:18 13. Faustine 8:29
Highlights: · 2020 Reissue of "Succubus" - the second work of The Mount Fuji Doomjazz Corporation (the improvisation alter ego of The Kilimanjaro Darkjazz Ensemble) from 2009. · Together with Bohren und der Club of Gore and The Dale Cooper Quartet, The Kilimanjaro Darkjazz Ensemble and The Mount Fuji Doomjazz Corporation through the years have succeeded in creating a brand new genre of music. Time to get absorbed again by this unique and fresh sound. Seductive but perilous, The Kilimanjaro Darkjazz Ensemble's session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation. After the corpses, the succubus. Faithful to the original The Kilimanjaro Darkjazz Ensemble concept of drawing inspiration from movies, they recording what later became “Succubus” while watching Jess Franco's film of the same name. This iconic 1969 movie, with its strong erotic mood, fragmented story line and oneiric photography encompasses perfectly the goal and means of TKDE / TMFJDC, in the way the band builds mesmerizing, deep and otherworldly atmospheres. More jazz-oriented than their heavier first album ""Doomjazz Future Corpses"", “Succubus” leaves more room to Charlotte Cegarra's vocals and Hilary Jeffery's trombone, while the narrative is still led by Gideon Kiers's drums and Jason Kohnen's bass. Additional improvised charm by Eelco Bosman on guitar and Sarah Anderson on violin. Succubus” displays the “corporation” in its most macabre yet entrancing side. Audio cinema has seldom sounded so lustful like on this album.
Label:
Distribution:
denovali.com · timo@denovali.com
505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com
shirley collins HEART’S EASE
RELEASE DATES: 7.24.20/7.31.20 | ORDERS DUE BY 7.03.20/7.10.20
DOMINO RECORD CO.
MADELINE KENNEY | HOWLING | MOJO BUFORD