Sleater-Kinney PATH OF WELLNESS MOM+POP
A S H E | P O TAT O H E A D P E O P L E & D E L A S O U L | J E B L O Y N I C H O L S RELEASE DATES:6.11.21/6.18.21 | ORDERS DUE BY 5.21.21/5.28.21
CAT POWER SUN Sun is the ninth studio album from Cat Power. Six years after her last album of original material, Chan Marshall has moved on from her collaborative forays into Memphis soul and Delta blues. She wrote, played, recorded and produced the entirety of Sun by herself, a statement of complete control that is echoed in the songs’ themes. The music on Sun employs a sweeping stylistic palette: There’s the classic Cat Power haunting guitar and provocative vocal hook in “Cherokee” (“marry me to the sky... bury me upside down”); the irresistible Latin-sounding nine-piano loop of “Ruin”; upbeat, almost dancey electronic anthems like “Real Life” and “3,6,9”; and the stirring, 8-minute epic “Nothin But Time,” featuring a vocal cameo by Iggy Pop. The
TRACKLIST
swagger of “Silent Machine” brings to mind mid-70s Jagger,
01. CHEROKEE 02. SUN 03. RUIN 04. 3,6,9 05. ALWAYS ON MY OWN 06. REAL LIFE 07. HUMAN BEING 08. MANHATTAN 09. SILENT MACHINE 10. NOTHIN BUT TIME 11. PEACE AND LOVE
134 Grand St New York, NY 10013 United States (212) 995-5882
contrasted with the unusual, sparse production of “Always on My Own.” The narrative arc of the record is deeply American in its spaciousness and optimism, but the music itself is defiantly modern and global. Mixed by Philippe Zdar (Cassius, Chromeo, Phoenix). “A personal rejuvenation.” — Pitchfork Best New Track (“Ruin”)
““Chan Marshall’s evolution from lo-fi whisperer to archetypal rock heroine is one of the last decade’s more inspiring stories.” — Spin
CD OLE-773-2 744861077329
RELEASE DATE: AVAILABLE NOW NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
DEATH CAB FOR CUTIE TRANSATLANTICISM (10th Anniversary Edition)
bark32lp
BACK IN-STOCK!
Death Cab for Cutie’s seminal album, finally back in-stock this year after a long COVIDrelated production delay!
2xLP+MP3: 6
55173 10321
NON-RETURNABLE catalog #: LP-BARK-032 upc: 655173103210 packaging: gatefold jacket + booklet box lot: 36
The high quality 180-gram double LP comes in a nice gatefold sleeve, with full-color 12-page booklet.
DEATH CAB FOR CUTIE THE GEORGIA E.P. bark198
STREET DATE: SUMMER 2021 - PREORDER NOW! Originally released in December as a 24-hour Bandcamp exclusive, the project – featuring covers of iconic artists from the state of Georgia – raised over $100K for Fair Fight Action, Stacey Abrams’ voting rights organization promoting fair elections around the country and combating voter suppression. The EP – recorded remotely over just four days in the band members’ home studios – was recently released digitally. Barsuk is excited to release it this summer. Limited to 5,000 copies worldwide, this inital pressing will be on peach-colored vinyl.
EP:
The EP includes covers of songs by Neutral Milk Hotel, Vic Chesnutt, R.E.M., TLC, and Cat Power.
NON-RETURNABLE catalog #: LP-BARK-198 upc: 655173119815 packaging: standard jacket box lot: 40
More DCfC vinyl in-stock:
We Have the Facts and We’re Voting Yes
The Blue EP EP 655173118818 $15.99 SRLP
Tracklisting: 1. Waterfalls (TLC Cover) 2. King of Carrot Flowers Pt. 1 (Neutral Milk Hotel Cover) 3. Fall On Me (R.E.M. Cover) 4. Flirted With You All My Life (Vic Chesnutt Cover) 5. Metal Heart (Cat Power Cover)
LP 655173101117 $20.99 SRLP
Something About Airplanes LP 655173100516 $20.99 SRLP
barsuk records www.barsuk.com
•
distro@barsuk.com
distributed by redeye • redeyeworldwide.com • info@redeyeworldwide.com
0
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505 Eno Street Hillsborough, NC 27278 877.733.3931 – Redeyeworldwide.com Lori Miller – lori@redeyeworldwide.com
JACQUES COURSIL MINIMAL BRASS TZA CD 8016 Composer Series Jacques Coursil. First Fanfare * Second Fanfare * Last Fanfare FOCUS ON A TZADIK CLASSIC The first recording since 1969 from one of the legends of the New York experimental music scene who has collaborated with Anthony Braxton, Sunny Murray, Perry Robinson, Albert Ayler and many others. After two astounding albums incorporating serial techniques into the angry energy of free jazz, Jacques Coursil dropped out of the music scene and returned to his native Martinique to teach linguistic theory…but he never stopped playing and never lost his connection to the music. Minimal Brass is a new beginning for this remarkable maverick, a fabulous suite incorporating sound, noise and texture into a swirling masterpiece of overdubbed trumpets. Circular breathing, French philosophy and soulful lyricism from one of modern music’s lost masters.
7
02397-8016 - 2
7
File Under: Classical/Avant Garde
Street Date: June 25, 2021 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
ORDER FORM Street Date: 6.11.21 | Order Date: 5.21.21 QTY
UPC
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TITLE
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SLP
858275061970
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Path of Wellness
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Baiman, Rachel
Cycles
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Cycles
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Potatohead People & De La Soul
Baby Got Work (feat. Posdnuos & Kapok) \[DJ Jazzy Jeff & Kaidi Tatham Remix\] (INDIE EXCLUSIVE)
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Jeb Loy
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I Love My Mom
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I Love My Mom
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St. Lenox
Ten Songs of Worship and Praise for our Tumultuous Times (Limited Edition Cloudy Clear Vinyl)
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Ixtahuele
Dharmaland
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ShitKid
Sort Stjerne!
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GWAR
Lust In Space
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Mind Maintenance
Mind Maintenance
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The Hardest Walk (SPLATTER VINYL)
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T-Model Ford
I Was Born In A Swamp (CLEAR BLUE VINYL)
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Cowboy Boy
GOOD GIRL
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Laj, Dany and the Looks
Ten Easy Pieces
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Charles
Let’s Start A Family Tonight
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Floatie
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Various Artists
Erased Tapes 20・・---0 (2 LP; INDIE EXCLUSIVE)
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Schofield, Nick
Glass Gallery
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Glass Gallery
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Status / Non Status
1, 2, 3, 4, 500 Years
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Ryder, Deb
Memphis Moonlight
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DEAL
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Noteland
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Mogwai
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Hurt, Mississippi John
Mr. Hurt Goes To Washington
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Feel Like Jumping
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In My Dreams I’m There
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In My Dreams I’m There
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In Translation
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Miracle
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Basic Rhythm
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The Lonely Hunter EP
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The Guest
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DEAL
NEW RELEASES Street Date: 6.11.21 | Order Date: 5.21.21
UNDER EMBARGO DO NOT ANNOUNCE UNTIL MAY 11TH
Sleater-Kinneyʼs 10th studio album was recorded in Portland, Oregon during the summer of 2020 – against a backdrop of social unrest, devastating wildfires, and a raging pandemic. Itʼs music for an imagined togetherness. This marks the first Sleater-Kinney album produced by the band members themselves.
HIGHLIGHTS - Previous album, 'The Center Won't Hold' debuted at #1 on the Alternative Album chart, #27 Billboard Top 200, #3 on the Current Rock Album chart, #4 on the Top Albums chart, and #1 on LP Vinyl albums chart - Single, 'Can I Go On' was Top 10 most added at AAA radio 3 weeks in a row, reaching #27 on the AAA published Chart - Performed 'Hurry On Home' live on “The Tonight Show Starring Jimmy Fallon.” - 'The Center Won't Hold' was Vinyl Me Please's essential record of the month - Fans and critics alike raved about 'The Center Won't Hold' with strong reviews from Pitchfork (7.9), Rolling Stone print/online (4/5 stars), Q Magazine (4 stars), NPR Music, Vulture, Wall Street Journal, Spin, NME (8/10), Paste (7.9), CLASH (8/10), The Guardian (4/5) and more
QUOTES "one of rock's most enduring and respected acts." - THE NEW YORK TIMES "These are some of the most immediately engaging songs of Sleater-Kinneyʼs career…” - WALL STREET JOURNAL "Sleater-Kinneyʼs ʻThe Center Wonʼt Holdʼ is a Vital Response to a Disconnected World" - ROLLING STONE PAST SALES The Center Wonʼt Hold (2018) Release to Date Sales Total: 39,090 LP: 10,362 Digital: 6,383 Other: 404
TOP SELLING MARKETS New York, NY, Los Angeles, CA, Chicago, IL, Philadelphia, PA, SF-Okland-San Jose, CA, Boston, MA, Dallas-Ft. Worth, TX, Detroit, MI, Washington D.C., Houston, TX
Store Strata Chain: 510 Independent: 17,233 Digital: 6,383 Non Traditional: 14,966
DEMOGRAPHICS Spotify (Last 28 days) TOP COUNTRIES United States, United Kingdom, Canada, Germany, Australia,
OTHER PRODUCT AVAILABLE 10% off of LPs & 15% off CDs until June 11th The Center Won't Hold LP 12" Black 180G Heavyweight Vinyl with Gatefold Jacket
LABEL REDEYE
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WWW.MOMANDPOPMUSIC.COM
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ARTIST TITLE LABEL DATE
Sleater-Kinney TBA Mom + Pop Music 06/11/21
CONFIGURATION UPC CATALOGUE # DESCRIPTION
Retail Exclusive 858275061963 LPMP535 12" Black (Opaque) Vinyl - 150gram vinyl, Gatefold Jacket - matte, Printed Inner Sleeves, Vinyl Labels, Shrink Wrap, Marketing Sticker
CONFIGURATION UPC CATALOGUE # DESCRIPTION
Indie Retail Exclusive 858275062144 LPMP535IDE 12" White (Opaque) vinyl - 150gram vinyl, Gatefold Jacket - matte, Printed Inner Sleeves, Vinyl Labels, Shrink Wrap, Marketing Sticker
CONFIGURATION UPC CATALOGUE # DESCRIPTION
CD 858275061970 CDMP535 Standard Wallet
SALES & STREAMING NUMBERS Lifetime to date catalogue streams across all DSPs - 110MM+ SPOTIFY Monthly Listeners: 291K+ Lifetime to Date Catalogue Streams: 72MM+ YOUTUBE Subscribers: 8.6K+ Lifetime to Date Worldwide Views: 1.2MM+ (YouTube channel new as of last album cycle) APPLE MUSIC Lifetime to Date Catalogue Streams: 12.4MM+
The Center Won't Hold Deluxe LP 180 gram vinyl, gatefold packaging, inner Euro sleeve, includes "Hurry On Home" 7" record and a Sticker Pack The Center Won't Hold CD 12" tri-fold CD
RADIO TOURING
david@momandpopmusic.com KSommer@wmeagency.com ABramwell@wmeagency.com
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7.3M
1M
carleen@theoriel.co
WWW.SLEATER-KINNEY.COM
N E W
F R O M
S I G N A T U R E
S O U N D S
RACHEL BAIMAN
CYCLES
On June 11th, Rachel Baiman releases her Signature Sounds debut, Cycles. An acclaimed songwriter and multiinstrumentalist, Baiman has emerged as a fearless voice of the American female experience. Her music has been featured on NPR’s “Songs We Love” and called a “Rootsy Wake-up Call” by Folk Alley. On Cycles, Baiman has found a grittier musical medium, employing a majority-female team to create hardhitting songs, replacing pretty for penetrating. At times heartbreaking, at times celebratory, Cycles is a reflection of a lot of life experienced in a relatively short amount of time and a desire to hold fast to the people we love in the wake of uncertainty. The album was coproduced by Baiman and Olivia Hally, lead singer of the Australian indie-pop band Oh Pep! and mixed by GRAMMY winning engineer Shani Gandhi.
TRACK LISTING 1. Cycles 2. Joke’s On Me 3. Rust Belt Fields 4. Wyoming Wildflowers 5. When You Bloom (Colorado) 6. Hope It Hurts 7. Young Love 8. Ships In The Night 9. No Good Time For Dying 10. The Distance
ARTIST: Rachel Baiman TITLE: Cycles LABEL: Signature Sounds Recordings GENRE: Folk KEY NORTH AMERICA MARKETS: Nashville, Chicago, Boston WILL APPEAL TO FANS OF: Regina Spektor, Sara Bareilles, Ani Difranco
Signature Sounds Recordings
32 Masonic St. Northampton, MA 01060 USA Contact: Jared Libby - jared@signaturesounds.com
FORMATS AVAILABLE: CD, LP STREET DATE: 6/11/2021 CD UPC: 701237212920 LP UPC: 701237703824 CD BOX LOT: 50 LP BOX LOT: 30 CD CAT NUMBER: SIG-CD-2129 LP CAT NUMBER: SIG-LP-7038
Redeye Worldwide
505 Eno St. Hillsbourough, NC 27278 USA Contact: Lori Miller - lori@redeyeworldwide.com
POTATOHEAD PEOPLE X DE LA SOUL
661 1121 REL EAS ED ATE :
TRACKLISTING
BABY GOT WORK FT. KAPOK DJ JAZZY JEFF & KAIDI TATHAM REMIXX 1. Baby Got Work (DJ Jazzy Jeff & Kaidi Tatham Remix) 2. Baby Got Work (original)
Special exclusive remix of Potatohead People & De La Soul's "Baby Got Work" by the one and only DJ Jazzy Jeff & Kaidi Tatham. Original track garnered raves from tastemakers, journalists and music fans from all walks of life, landing an "A" list playlist on BBC Radio 6 and was one of the most successful songs of 2020 at US non-comm/college (one of 3 Hip-Hop tracks in the top 10 most played songs all year) In addition to this project, Potatohead People have been keeping busy co-producing the second single from Phife Dawg (A Tribe Called Quest)'s posthumous solo album
After making a worldwide splash in late 2020 with their De La Soul collab "Baby Got Work" feat Kapok, Potatohead People are back with a brand new must cop release that crosses both sides of the Atlantic as the Magniicent DJ Jazzy Jeff and legendary UK producer and keyboard player Kaidi Tatham team up to remix the forementioned track. Bringing the energy up and out into a classic Hip-Hop vibe, Jeff & Kaidi infuse a head knockin' drum break complete with classic JJ scratches, synth bass, and Rhodes chords on top of Posdnuos's rhymes
contact: info@bastardjazz.com Redeye Worldwide 505 Eno St. Hillsborough, NC, 27278 STEPHEN SVACINA stephen@redeyeworldwide.com
Cat#: BJ7-32 Packaging: 7" in full color glue pocket, black vinyl
about getting your head down, putting your boots on and getting to work - helping to make the world better place for all of us. Vancouver collaborator Kapok sings aboout the shortness of our lives, and the potential in all of us to get the work done that we need to do. It's an allusion to the desperate times we're live in, with a hopeful call to action for all of us to roll up our sleeves and get down to the business of change. d The original "Baby Got Work" is included on the B-Side of the remix due to popular demand!
P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM
INDIGO DE SOUZA I Love My Mom June 11th, 2021 • Indigo De Souza’s debut album on vinyl for the first time! • Indie-exclusive LP limited to 500 copies pressed on “Skull Crack” purple splatter vinyl. • LP includes digital download. Almost all records are a snapshot, a musical ribbon bow that documents a very specific moment in time or simply ties-off everything up to that point. Indigo De Souza’s I Love My Mom, her debut LP initially released in 2018, was the latter; a collection of the best songs she’d written in the few years that preceded it, recorded quickly and breathlessly and thrown out into the world. Consisting of ten songs, I Love My Mom feels both raw and unabashed. Indigo pulled a band together for the first time, and was quickly encouraged to commit her songs to tape. Recorded at her friend’s house, they played almost everything live in just a few days, and released the record naturally, with little fanfare. That the record quickly took on a life of its own, deeply resonating with those who heard it, is a testament to Indigo’s songwriting which took inspiration from the unique worlds created by Arthur Russel, Sparklehorse, The Microphones, as well as contemporaries such as LVL UP and Happyness. Two of the songs have racked up more than a million streams each on Spotify: “Take Off Ur Pants” and “How I Get Myself Killed.” The former balances an often breezy lead vocal with gnarly undercurrents of guitar before the whole thing lets rip in its punchy chorus, while the latter, the album’s opening track, finds a different mood entirely, a slacker rock gem that repeats its chorus as a chest-beating mantra. Elsewhere, “Good Heart” furthers the dichotomy which sits at the record’s core, each moment of quiet introspection soon met by a cacophonous burst of energy. Indigo called the record I Love My Mom as a way of acknowledging the one person who’d believed in her work the most. Growing up in a conservative small town in North Carolina, Indigo struggled with bullying and being an outcast from a very early age, resulting in a crippling shyness that lasted throughout her teens. When her mom noticed her channeling these experiences into songwriting she encouraged the endeavor wholeheartedly, buying her a guitar and arranging lessons. By the age of 11 Indigo was writing her own songs. “Over time I realized that she had pushed me out of my shell completely, and performing became a thing that I naturally wanted to do,” Indigo says. “I couldn't have gotten to that point without her. It became one of the things that made me feel seen and safe.” At the age of 16, Indigo moved to Asheville and found it to be a place where unique qualities weren’t scorned but celebrated. “I was always different, and I was very aware of it. It was very difficult because I felt like people just didn’t want me there and I didn’t know why,” Indigo says of her childhood. “When I moved to Asheville I found that actually a lot of people were like me, and there are places that are so much more diverse. I realized that it was okay to be different.” In the sanctity of this exciting new town, Indigo leapt into her songwriting and began an empowering journey which would eventually lead her to the writing, recording, and self-releasing of her debut album - complete with its striking cover art which was painted by her mom; a nod to the person who played such a pivotal role in those preceding years. The album was released to immediate excitement in the local scene leading to repeated sold-out shows at the beloved Asheville venue The Mothlight. Indigo also began touring with her band, supporting the likes of Alex G and Beach Bunny. It was at one of these shows where Saddle Creek first witnessed her. The label signed Indigo soon after and will give I Love My Mom the full release it deserves - with the album pressed to vinyl for the first time in the summer of 2021 - ahead of a brand new LP a little further down the road. LP black vinyl
LP Indie Ex. purple splatter vinyl
TRACK LISTING 01. How I Get Myself Killed 02. Take Off Ur Pants 03. Good Heart 04. Smoke 05. Sick in the Head 06. What Are We Gonna Do Now 07. Home Team 08. Ghost 09. The Sun Is Bad 10. I Had to Get Out
Artist: Indigo De Souza Title: I Love My Mom Catalog #: LBJ-328 Formats: CD / LP / Indie Exclusive LP Street Date: June 11, 2021 Box Lot Quantity: 50 CD / 50 LP / 50 Ltd LP Genre: Alternative PRESS PROMOTION Grandstand (US) Eloy Lugo - Eloyl@grandstandhq.com Meghan Helsel - Meghanh@grandstandhq.com Prescription (UK) James Parrish - james@prescriptionpr.co.uk RADIO PROMOTION College, Commercial & Specialty Radio radio@saddle-creek.com MASTER USE LICENSING US - syncteam@terrorbird.com UK/Europe - dave@republicofmusic.net INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com
CD 4 panel wallet
5% DISCOUNT ON CD ONLY THRU REDEYE UNTIL 6/18/2021 / NOT EXPORTABLE OUTSIDE THE US / LP NOT RETURNABLE
3:16 3:40 2:40 3:14 3:29 3:24 3:23 4:11 2:39 4:52
505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com
ST. LENOX
TEN SONGS OF WORSHIP AND PRAISE FOR OUR TUMULTUOUS TIMES Andrew Choi is one of the most unique and powerful singer-songwriters working right now, and Ten Songs of Worship and Praise for Our Tumultuous Times is the proof. Choi’s fourth album as St. Lenox is at turns lush and raw, with gorgeous and impressionistic instrumentation orbiting around his forceful, intense vocals and the autofictional words that they carry. This is music struck with the uncertainty and passion of faith—an album about religion, belief, and cating the self amidst such weighty and intangible concepts. Just like life itself, there’s tons to discover in these ten songs, providing plenty in terms of revelation long after the record’s stopped. Choi’s released three albums of full-throated songcraft as St. Lenox: 2015’s debut Ten Songs About Memory and Hope, Ten Hymns from My American Gothic the following year, and Ten Fables of Young Ambition and Passionate Love in 2018. Worship and Praise is, as the title suggest, centered around religion and faith—but Choi stresses that this music is less about siding with political agendas many associate with religion and more about evoking the feeling of itself right down to these ten songs’ instrumentation. worship itself, “I’m not particularly religious, but I grew up in a religious household,” he explains. “It’s not that it’s important to me, but I understand why people are religious, and now felt like a good time to talk about that in my music. I think people identify religiousness with conservatism, and I understand why people move away from the church. But I also understand why people are religious. These songs are me dealing with religion, but not necessarily in a nega tive way — in a helpful way that reminds me of what I liked about religion when I was younger.” Indeed, Choi’s perspective and sense of being beams through these ten tracks, which feature his strongest songwriting and vocals to date. The stories he tells and the emotions he expresses feel lived-in, but they also possess a bold honesty under the music’s melodic framework, exploring spirituality through a queer perspective that asks many questions in search of a greater truth. You don’t need to have lived the stories Choi tells to feel this music. This album is full of striking moments that sound like a high-wire act—that is, if the wire-walker possessed an incredible voice and were able to project his every word from hundreds of stories high. Listening to Ten Songs of Worship is an immediate experience, capturing your full attention in a generous and benevolent way. You may not hear another record like it this year, and if you do, consider luck yourself lucky.
Street Date: June 11, 2021 Media: 2LP Catalog #: SUB-132-2LP UPC: 7393210134898
ÌXTAHUELE Dharmaland
Eden Ahbez's Dharmaland, arranged and performed by Ixtahuele, is the first-ever recording of this long-lost masterwork by the original hippie composer. Resurrected from Ahbez’s unrecorded sheet music, c. 1961-63. Ixtahuele has woven an enchanted tapestry of mystic exotica and experimental pop that re- establishes the songwriter as a forefather of psychedelic music and brings his work into the present. They are joined by a host of guest artists, including nine of Ahbez’s friends and former collaborators, as well as contemporary performers Kadhja Bonet, Xenia Kriisin, and King Kukulele. The composer’s own handmade drums and bamboo flutes also appear throughout the recordings.
Limited edition 300 copies 2LP on clear green vinyl. Gatefold sleeve with printed inner bags including liner notes and photos Track listing: A1. The King and Queen of Waters A2. New Anthem A3. Manna A4. Fire of the Soul B1. Dharmaland Pt. 1 and 2 B2. Grapevine B3. A Boy and a Melody C1. Dharma Man C2. The Lion and the Fox C3. The Sandal-Maker D.1. Scenes I-III D2. Bwawto
As author Domenic Priore writes: "Dharmaland is to Eden Ahbez what Smile was to Brian Wilson."
Subliminal Sounds, Kryssargatan 7, 12063 Stockholm, Sweden www.subliminalsounds.se
SHITKID - SORT STJERNE! Street date: June 11, 2021 File under: Alternative / Indie / Rock PNKSLM091-LP Format: 2LP black 12” vinyl, gatefold sleeve UPC: 634457057272
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PNKSLM091-LE Format: 2LP Indie exclusive red 12” vinyl, edition of 300 units worldwide, gatefold sleeve UPC: 634457057289
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Since her breakthrough back in 2016 Åsa Söderqvist’s ShitKid has been one of the most interesting acts around, constantly defying expectations and breaking conventions. In late 2020, after a year of two albums, one soundtrack album and one EP alongside a US tour cut short by covid-19, Söderqvist announced the end of ShitKid effective immediately. Leaving behind her life in music, Söderqvist simply moved away and disappeared, but not before spending the fall of 2020 wrapping up her final releases - the career spanning double album Sort Stjerne! The album - the final ShitKid album - collects unreleased tracks written throughout ShitKid’s career, ranging from the lo-fi pop of her first EP and the garage rock of the debut LP Fish, to the synth pop of her 2020 LP 20/20 ShitKid and the alternative pop of This Is It - a definite look into the creative world of ShitKid, never to be seen again. ALSO AVAILABLE: Press for ShitKid “the musical equivalent of matte black nail polish and thick wing-tipped PNKSLM080-LP 20/20 ShitKid LP , black vinyl eyeliner” – The FADER UPC: 634457025103 “packed with DIY charm, and we can’t wait to hear more” – Pigeons & Planes PNKSLM024-LPX “an irresistible listen” – Bandcamp Daily Fish LP , black vinyl “outrageously fun and filthy” – The Line of Best Fit UPC: 634457036505 “our latest scandi obsession” – i-D “It’s as intoxicating and chilling as the feeling of wearing a leather PNKSLM072-LP jacket and sunglasses for the first time.” – SPIN Duo Limbo/”Mellan himmel å “designed to provoke; a deadly, twisted introduction that’ll degrade helvete” LP , black vinyl your brain” – DIY UPC: 634457005327 PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide
© 2020 PNKSLM Recordings
The classic album “Lust In Space”, now available on CD from your Lords and Masters
505 Eno Street Hillsborough NC 27278
redeyeworldwide.com
Lori Miller
Lori@redeyeworldwide.com
Pit Records Jason Lekberg
Jason@lekbergenterprises.com
Benny Sings – Music June 11th, 2021
Key Selling Points •
This is a baby blue color variant of Benny Sings' 2019 album City Pop.
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City Pop has over 15 million global streams to date
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Album features Mayer Hawthorne, Cornelius, and more
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Benny will tour Europe and the US in the Autumn of 2021
Tracklisting 1. Everything I Know 2. Familiar 3. Not Enough 4. Nakameguro feat. Faberyayo 5. Duplicate feat. Mocky 6. Late At Night 7. Summerlude 8. So Far So Good 9. Dreamin’ 10. My World feat. Cornelius 11. Softly (Tokyo) Artist
Benny Sings
Title
City Pop
Cat #
STH2430-4 (Color LP)
Label
Stones Throw Records
Genre
Alternative, R&B/Soul
UPC
659457240356 (Color LP)
Formats
Color LP
Description
•
This is the first album for Stones Throw by popular Dutch artist Benny Sings
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Benny Sings socials: Instagram - 24.2k followers; Facebook - 9k fans; YouTube - 543k views; Spotify - 60.54m streams
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Press: COLORS, NPR Tiny Desk, Pitchfork, Vice, Consequence of Sound, Rolling Stone, Stereogum, etc.
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Radio: Radio: BBC Radio 6 Music, BBC Radio 1, BBC 1Xtra, KCRW, KEXP, and more
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For fans of Jordan Rakei, Tom Misch, Real Estate, Connan Mockasin, Nick Hakim etc.
Street: June 11, 2021
Self-titled LP DC778 Mind Maintenance is the duo of Joshua Abrams playing guimbri and Chad Taylor on mbira. This is where the music begins, but Mind Maintenance can’t be described with a summing of parts and players. It’s not about world music, it’s not about jazz. It’s about mind maintenance. When you put on the sound, you’ll know what we’re saying. How immediate and meditative it is. So simple, so in the room. The natural buzz of each instrument sits remarkably well against the other. The percussive qualities of each, so raw and unadorned individually, form with their shared resonance a soothing, sonorous whole. The songs of Mind Maintenance exist in a zone somewhere between composition and improv. Based in melodies that unspool over time as they move between the two instruments, they benefit from the players’ intimately enmeshed sensibility and the intensity with which they listen to each other. Chad and Joshua have been playing together forever — or, if you need to think of it more tangibly, since around 1994. Sticks and Stones was their first band. They played together on the session for the O’Rourke-produced Alan Licht/Loren Mazzacane-Connors album Hoffman Estates (on yes, Drag City) in ’98. They live in different cities, but play together whenever they can — whether it’s with Sam Prekop, Natural Information Society or Joe McPhee. Or just a jam. After trying out the guimbri–mbira combo for a show at Chicago’s MCA, they made Mind Maintenance a thing — and just in time! Boy, do we need it. Engineered by Cooper Crain, whose vibrational sensitivities have been displayed on his own Bitchin Bajas recordings (including their 2015 collab with Natural Information Society, Automaginary), Mind Maintenance captures full spectrums of playing and listening, sound and music. And something else... In 2020, we’ve got leading-edge innovations to help us with our brains virtually from the moment we wake up. Maybe “easier” isn’t the best word for what what all this tech is making our lives. Mind Maintenance, using old technology (in the form of a three-stringed lute and a thumb piano) makes a new thing for today rooted also in the way of things as they’ve been for millennia. In other words, when these sounds bounce off your cerebral cortex, the feeling you get is that of your mind breathing freely in the presence of something it has known forever. Based on our research, the pairing of guimbri and mbira is more than unusual — it appears to be without precedent! This is incredible if it’s true, but more important to the music of Mind Maintenance is the shared ground of inspiration that both instruments occupy. The guimbri is used by the Gnawa people as part of prayer and healing rituals, as well as for social and popular music. Traditional Shona mbira melodies transposed to guitar are essential to Thomas Mapfuno’s widely-loved Chimurenga music; Miles Davis sought to represent the mbira vibe in his own music when making Kind of Blue. Mind Maintenance pursue their inspirations on these instruments down similarly transformative paths. If some part of the 21st century isn’t focused on destruction, but instead, locating a place where our traditions can work together in new ways to entertain and even ensure well-being, that’s just one more incentive for all of us to consider Mind Maintenance.
NO EXPORT TO EUROPE, JAPAN OR AUSTRALIA, MAINTAIN WORLDWIDE SUPPLIES FREELY OTHERWISE
TRACK LISTING
Glow & Glimmer Entrainment The Ladder Snap Yr Teeth Cyclic Boom Valence Slack Water Complete Rain Mental Eyes
DRAG CITY INCORPORATED POST OFFICE BOX 476867 CHICAGO, ILLINOIS 60647 (312) 455-1015 sales @ dragcity.com
STREET DATE : 6/11/21
LTD PRESSING
T-MODEL FORD I Was Born In A Swamp The best of the Alive sessions. Featuring members of GravelRoad, Moreland & Arbuckle, Soledad Brothers and Outrageous Cherry. ALIVE 0215LE-1 VINYL LP COLOR 6
34457 04514
9
UPC : 634457045149 BLUES
LTD PRESSING
SOLEDAD BROTHERS
The Hardest Walk The band fifth and final studio album. OUT OF PRINT FOR MORE THAN A DECADE! ALIVE 0066LE-1 VINYL LP SPLATTER
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0
UPC : 634457041950 ROCK
CHARLES BIOGRAPHY
FULL NAME: CHARLOTTE ERCOLI COE LOCATION: LOS ANGELES, CA
RELEASE LET’S START A FAMILY TONIGHT
PERFORMING UNDER THE STAGE NAME CHARLES, CHARLOTTE ERCOLI COE BECAME A MUSICIAN THROUGH AN UNLIKELY CAREER PATH. WHILE MANY PERFORMERS USE MUSIC AS AN ENTRY TO SCORING MOVIES AND VIDEOS, SHE BEGAN CREATING MUSIC VIDEOS AS A HIGH SCHOOL STUDENT AND BECAME A MULTI-INSTRUMENTALIST TO RETAIN CREATIVE CONTROL OF HER PRODUCTIONS. “I WANTED CREDIT FOR EVERY ASPECT OF WHAT I WAS PUTTING OUT,” RECALLS COE. “THE ONLY WAY TO DO THAT WAS TO MAKE MY OWN MUSIC.” NOW COE IS ABOUT TO RELEASE HER SECOND ALBUM AS CHARLES, A LUSH AND DREAMY COLLECTION OF SONGS FROM BABE CITY RECORDS ENTITLED “LET’S START A FAMILY TONIGHT.” THE LOS ANGELES-BASED ARTIST CREATES MUSIC THAT BLURS THE LINE BETWEEN BEDROOM AND PSYCHEDELIC POP, AND HER LATEST WORK FEATURES STRONG MELODIES AND CATCHY LYRICS THAT SHIFT FROM POIGNANT ROMANCE TO TONGUE-IN-CHEEK HUMOR. SHE WROTE AND RECORDED ALL THE MUSIC, SAVE FOR A FEW GUEST APPEARANCES, PLAYING GUITAR, SYNTHESIZERS, BASS AND DRUMS. TO COE, THE PROCESS OF CREATING MUSIC IS BOTH EMOTIONALLY AGONIZING AND JOYFUL. “IT IS A DELICIOUS AGONY THAT FUELS MAKING A SONG,” SHE EXPLAINS. “MAKING MUSIC AND MUSIC VIDEOS ARE THE ONLY WAYS I CAN FEEL EMOTIONS. IT’S LIKE CAMERON DIAZ IN THE ‘BEING JOHN MALKOVICH’ TUNNEL.”
PHYSICAL STREET DATE: 6/11/2021
LABEL: BABE CITY RECORDS CATALOG # BCDC-040 TRACKS: 13 FILE UNDER: ROCK / ALTERNATIVE BOX LOT: 25 LP DOWNLOAD CODE: YES EXPORT: YES LP UPC: 634457040229
FOR FANS OF
CLAIRO, NEGATIVE GEMINI, BROADCAST, SALES, TONSTARTSSBANDHT, ONEOHTRIX POINT NEVER
BABE CITY RECORDS 349 KENTUCKY AVE SE WASHINGTON DC, 20003 JON@BABECITYRECORDS.COM REDEDYE WORLDWIDE 505 ENO STREET HILLSBOROUGH, NC 27278 HARRELP@REDEYEWORLDWIDE. COM
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PRESS CAMPAIGN MANAGER
JON WEISS - LABEL DIRECTOR JON@BABECITYRECORDS.COM
Various Artists Erased Tapes 20･･－－－0 Format: Double LP (Ltd. Edition Clear Vinyl) Extras: Download Code File under: Ambient · Box Lot: 20 LP Release Date: 12.06.21
Label:
Erased Tapes
Catalogue No.:
ERATP130LP
Barcode (EAN):
3700551783564 (LP)
Distributor: Territory:
Redeye US
Tracklist 1 −･ −−− ･･･ − ･ ･−−･ −−− −･ ･−− ･･ −･ −−･ 2 −− ･ −･･ ･ ･−･･ ･− 3 −･−･ −−− ･−･･ −−− ･･− ･−･ ･･−･ ･･ ･ ･−･･ −･･ ･･･ 4 ･･･ − ･･ ･−･･ ･−･･ ････ ･ ･−･ ･ 5 −− ･− − ･･ −･−･ 6 ･−･･ ･ − ･･ − −−･ −−− 7 −･･ ･− −･ −･−･ ･ −− ･ − −−− − ･･ ･･ ･ ･ −･ −･･ −−− ･･−･ ･−･･ −−− ･･･ −･ 8 −−･ ･− ･･ ･− 9 ･･ −･ −−− ･−･ ･･ ･･−･ ･･−− ･−･ − −･ ･−･ ･− −−･･ 10 ･−−･ −−− ･ − − ･−･ ･ ･
Official Websites: www.erasedtapes.com PR Agent: julian@erasedtapes.com
Erased Tapes release the results of their 20･･－－－0 project on June 12th 2021. "Especially in this time of isolation we need to remind ourselves of the importance of art, just how magical a medium sound is to express, to raise and answer question marks, to open and mend the soul… it’s the most universally speaking of all languages as it knows no borders." At a time of global separation, Erased Tapes founder and sonic explorer Robert Raths stitched together a project putting what is most important at the forefront — connection. This collection of works by undisclosed artists from the roster gives space and time to appreciate art at its most honest. By shedding the information noise usually attached to release cycles and by bringing music back to the magic of sound, we're presented with an opportunity for exploration when we need it most. Robert spoke to Mary Anne Hobbs of BBC 6Music about how releasing music without revealing its origin through the 20･･－－0 morse code series enabled him to share what him and the artists have been working on in real-time as opposed to the usual delays that come with releasing music. "All the information, all that noise… As much as it can help give context, it also takes something away. It tends to cloud your senses and take away from the magic of when you first hear something that’s completely unknown to your ears. How wonderful a sensation it is to just listen and let the music speak for itself without prejudice or the need for any references." — Robert Raths
Deb Ryder
Memphis Moonlight MEMPHIS MOONLIGHT, the fifth studio album by singer songwriter and vocal powerhouse Deb Ryder, is undoubtedly her best effort yet. This ever-rising blues diva shows she is in stellar form delivering superior lyrics and musical arrangements on all thirteen original songs. Produced by Grammy Award and Blues Music Award winner Tony Braunagel, Co-Producer and STREET DATE: 6/11/21 Executive Producer Ric W. Ryder, this record covers a myriad of styles from blues to roots, both traditional and contemporary, and proves why she deserves her many accolades! Ryder is once again supported by an impressive list of all-star musicians and special guests including Tony Braunagel, Johnny Lee Schell, Mike Finnigan. Travis Carlton, Pieter van/der Pluijm, Joe Sublett, and Mark Pender. Special Guests include: Ronnie Earl, Los Lobos members David Hidalgo and Steve Berlin, Alastair Greene, and Joey and Steve Delgado. “These days, Deb Ryder no longer stands on the side of the stage – she stands at the center of it. There’s no looking back and she’s ready” — Martine Ehrenclou, Rock & Blues Muse TRACKS: DEB RYDER Title: Memphis Moonlight Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - Eco Wallet Cat. # VT-DR 05 Street Date: 6/11/2021 UPC: 634457053069
1. I’m Coming Home 2. Hold On 3. These Hands 4. Get Ready 5. Blues Is All I Got 6. Love Is Gone 7. Memphis Moohlight 8. Just Be Careful 9. Devil’s Credit Line 10. Jump On It 11. Standing At The Edge 12. Second Chances 13. Most Of All
DEBRYDER.COM
Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com
NEW RELEASES Street Date: 6.18.21 | Order Date: 5.28.21
ZEROZEROZERO – A MOGWAI SOUNDTRACK TRACKLISTING Side A Visit Me I'm Not Going When I Don't Get Back Telt Chicken Guns Nose Pints Fears Of Metal Side B Space Annual Invisible Frequencies Moon In Reverse Don’t Make Me Go Out On My Own Brainbow Lesser Glasgow
Due to great demand after its digital release in 2020 and the broadcasting of the acclaimed eight-part cocaine crime drama, ZeroZeroZero worldwide, we are pleased to release Mogwai's soundtrack to the series. Available for the first time on double white vinyl and exclusively for Indie stores, also included is an MP3 download. ZeroZeroZero is an Italian crime drama television series created by Stefano Sollima, Leonardo Fasoli and Mauricio Katz for Sky Atlantic, Canal+ and Prime Video. It is based on the book of the same name by Roberto Saviano who is also the author for Gomorrah, another crime drama adapted recently for television. It stars Andrea Riseborough (Birdman, The Death of Stalin), Dane DeHaan (The Amazing Spider-Man 2, Valerian and the City of a Thousand Planets) and the Golden Globewinning and multiple Emmy and Tony nominated Gabriel Byrne (The Usual Suspects,Stigmata).
Side C Frog Marching El Dante Major Treat Rivers Wanted Summon The Sacred Beast SIDE D Modern Trolls The Winter’s Not Forever He Loved Trees Witches Of Alignment The Wife Was Touched ROCKACT134LP – DOUBLE COLOURED LP – 5400863048129 FILE UNDER: Alternative, soundtracks
MISSISSIPPI JOHN HURT n July of 1963, the Library of Congress was able to induce Mississippi John Hurt to come to the Coolidge Auditorium in DC and record dozens of songs as the crowning achievement of his legacy. Mississippi John Hurt sang with a warmth and reflective quality that made him sound like no other blues singer in the world, and these Library of Congress Recordings showcase his gospelinfluenced style beautifully.
I
• 2 CDs / 40 Tracks • The Best of the Washington D.C. Sessions
DISC ONE Candy Man • Avalon Blues • Frankie And Albert • Richland Women Blues • Stack O’ Lee • Louis Collins • Monday Morning Blues • Nobody’s Dirty Business • Slidin’ Delta • Got The Blues Can’t Be Satisfied • My Creole Belle • Spike Driver Blues Coffee Blues • Let The Mermaids Flirt With Me • Talkin’ Casey Jones • Funky Butt • Joe Turner • I’m Satisfied • Blessed Be The Name • Camp Meeting On The Old Camp Ground
DISC TWO Trouble I’ve Had All My Day • Pera Lee • Pay Day • Corrina, Corrina • Hey Baby Right Away • Pallet On The Floor • Waiting For A Train • Oh Mary Don’t You Weep • Weeping And Wailing Keep On Knocking • If You Don’t Want Me • Salty Dog Walking The Floor Over You • Cow Hooking Blues • Four O’Clock Blues • See See Rider • Poor Boy A Long Way From Home • Good Morning Miss Carrie • I Got Mine • Hot Time In The Old Town Tonight
Portion of Proceeds Will Be Donated To The National Black Child Development Institute RELEASE DATE: JUNE 18, 2021 ARTIST: MISSISSIPPI JOHN HURT TITLE: MR. HURT GOES TO WASHINGTON CATALOG #: CD-SBR-7918 UPC: 708535791225 CONFIGURATION: DIGI-PAK BOX LOT: 40 UNITS GENRE: BLUES
REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com
Soul Jazz Records presents Studio One
MARCIA GRIFFITHS Feel Like Jumping 12” Single
18th June 2021
First in a Brand New series of Limited Edition 12” of all-time Studio One party bombs now available for the first time ever on loud 12”. Marcia Griffiths’ ‘Feel Like Jumping’ is a stone-cold classic, one of the best reggae songs ever made! Includes version on the flip.
100% essential monster tune that rocks any dancefloor!
Release Date:
18th June 2021
Artist:
Marcia Griffiths
Title:
Feel Like Jumping
Tracks:
A: Marcia Griffiths – Feel Like Jumping B: Dub Specialist – Feel Like Jumping Part 2
Label:
Soul Jazz Records
Format:
Cat. No: SJR476-12, 12” Single UPC: 5026328004761
5 026328 004761
Contact: Jeep Ward • 877-733-3931 x287 • jeep@redeyeworldwide.com No shipments outside of North America.
American Dreams Records DEVIN SHAFFER IN MY DREAMS I’M THERE
“I have a million fantasies a minute,” says Chicago musician Devin Shaffer, explaining the background of her debut LP In My Dreams I’m There. “I’m a chronic daydreamer - I don’t have just one pipe dream sitting there, but possibilities that rotate constantly through my mind as a means of escape.” To a first-time listener, the album - a collection of songs that juggle folk, ambient music, and experimental traditions - may not scream “escape” so much as transversal - across land, ideas, emotions, and dreams themselves. Shaffer does this by wielding field recordings, finger-picked guitar, synthesizers, and her gentle, lullaby voice, showcasing not just one dream or locale, but a way to click through them like channels on a television. The album begins with “Drive Into Woods,” a bass-heavy song built from a field recording that rides the line between soundscape and folk, and brandishes a major theme on the album relationships. The way she tells it sounds like the dark turn in a fairy tale - a couple takes a wrong turn en route to a forest preserve and ends up on a dirt road obviously not meant for them, swallowed by brooding trees. Though fantasy as a subgenre does have some crossover with Shaffer’s world, her concerns are more rooted in the everyday where relationships can be as terrifying as any witch with a poison apple. “That song is a metaphor for the fear of love,”
she says, “unrequited romantic love or intimacy, somebody else. The best conversations I’ve being too open and then having that not be ever had come from walking somewhere with reciprocated - or just being vulnerable, and how another person.” scary that can be.” In My Dreams I’m There features several There is an arc to In My Dreams I’m There - one passages where walks or bike sounds are that starts from a place of fear and hesitance that foundational - they also represent a migration eventually ends in acceptance and beauty, but from fear to radical acceptance, like in “Carina in the early bits, beautiful though they may be, Searches for Hollow Rock” and “Heavy Baby.” there is still a lot of unease to expel. “Drive Into These pieces show what’s at stake - Carina’s Woods” transitions into “Enemy,” the album’s dialogue with Shaffer as they search through first single, and one of the most straightforward, rocks reminds us of the steadfastness and pop-oriented songs on the album. It’s another wonder in nature as well as the power of song about relationships, this time from a friendship, and feeling seen. “Heavy Baby” cheeky viewpoint, poking fun at jealousy and features a curious man and woman sharing the danger of copendency. It’s also been a staple intimate words on death, heaven, and hell that in Shaffer’s live performances for years. “It’s are oddly pacifying and reassuring. Herein is strange to have a song you’ve played live for years the simple and profound realization that life is with voice and guitar become a bigger song beautiful, and that loving, even loving music, with new elements,” she says. “You’re like, ‘this doesn’t require validation or reciprocation. isn’t what’s been playing in my head the whole time,’ and so you get used to the new versions, The album ends with the reinforcement of selfwhich now I’m really in love with.” actualization - there is a short, sweet song in the middle of meditative silence, a nod to actively This album gives you the sense of walking listening to the natural world. “There is a little through worlds, which makes sense as walking bit of magic listening to the birds, to calm, and is an important part of Shaffer’s creative and stillness,” she explains, which is where we’re left, spiritual process. For Shaffer, walking allows feeling perhaps a little warmer, a little less alone, for clear, profound communication and reverie. open to dreams, and in tune with the subtly “It would not be absurd for me to take a ten mile fantastic. We’re here. We’re there. walk,” she admits. “It enhances the experience of being in a place, especially if I’m walking with
RIYL: Grouper, claire rousay, Julianna Barwick, Labradford
CD American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world. Label Contact: Jordan Reyes jordan@american-dreams.zone
LP
Label: American Dreams Records Release Date:6/18/2021 Cat#: 21 ADR Format: LP, CD Barcodes: LP: 727431747037 CD: 727431747044
FIE CD
Peter Hammill – In Translation
FIE9141CD
5024545927023
For the first time ever, Peter has recorded a collection of cover versions. The songs come from a variety of musical worlds: Classical, American Songbook, Italian Pop and Tango. In all but three cases Peter has also translated the songs, from Italian, French and German. As strange a project as this might seem, there’s an overall sense of cohesiveness to it and it’s absolutely of this time. Two songs have lyrics by Oscar Hammerstein; the music for one is by Jerome Kern, the other by Richard Rodgers. Leiber and Stoller provided lyrics for “I who have nothing’, originally an Italian tune. Three Italian songs are at the core of the album, written (and originally performed) by Fabrizio de Andre, Luigi Tenco and Piero Ciampi. The two tango pieces were composed by Astor Piazzolla. Finally, there are two classical songs, respectively by Faure and Mahler. In Peter’s own words…. “This collection seems to fit together as a group, not least because most of these songs are to do with measures of dislocation, of loss, of some kind of imagined or anticipated future which didn’t arrive. I was unfamiliar with several of these songs before I began this project. One discovery led on to another in some kind of paper trail. The back stories to the songs are interesting and some of the writers and singers had a spectacularly dramatic time of things. I doff my hat to these sometimes complicated lives. My approach has always been to make cultural rather than strictly linguistic translations, so that the spirit of the song rather than its precise narrative is rendered. I hope I’ve addressed the material, the writers, the original performers, with due and proper respect. Inevitably though there’s spin here: mine all mine.” “Finally, these recordings were made, of course, in the time of Covid and lockdown. But also in the knowledge that Brexit was fast approaching. So these performances of, for the most part, European songs were my last as a European singer, with all the rights and privileges that has brought me for so many years.” 1 The Folks Who Live On The Hill 2 Hotel Supramonte 3 Oblivion 4 Ciao Amore 5 This Nearly Was Mine 6 After A Dream 7 Ballad For My Death 8 I Who Have Nothing 9 Il Vino 10 Lost To The World
Jacobites - Robespierre’s Velvet Basement
Troubadour CD
TRBCD033
5060446070277
Probably ‘the’ seminal album of both Kusworth & Sudden’s careers, lauded by the likes of Tom Waits, Bobby Gillespie, Alan McGee, Evan Dando. Redesigned by the man who designed the 1985 original Dave Twist, only this time with extra photos liner notes in this card gatefold package . Remastered audio of the double album it was always intended to be (it was only issued as a single Lp in 1985 due to cost restraints). Acoustic Guitar, Electric Guitar, Acoustic Bass, Organ [Chord Organ], Synthesizer, Bells, Vocals, – Nikki Sudden Acoustic Guitar, Electric Guitar, Bass, Vocals, – Dave Kusworth Acoustic Guitar, Electric Guitar, Bass, Tambourine, Sitar, Backing Vocals – Mark Lemon Drums, Tambourine, Maracas, Guitar [Lou Reed Guitar], Noises [Feedback], Piano – Epic Soundtracks Backing Vocals – Lizard Harmonica, Keyboards [Casio], Backing Vocals – Andrew Wickett Slide Guitar – Tyla Produced by Dave Kusworth, Nikki Sudden, Epic Soundtracks, Bob Lamb Originally released on Glass Records in July 1985 Disc One 1-1 Big Store 3:22 (Duffy) 1-2 Snow White 3:45 (Kusworth) 1-3 When the Rain Comes 3:55 (Sudden) 1-4 Every Girl 3:31 (Sudden) 1-5 Fortune of Fame 3.02 (Soundtracks, Sudden. Kusworth, Cartwright) 1-6 Hearts Are Like Flowers 4:13 (Kusworth) 2-1 It'll All End Up in Tears 3:00 (Kusworth) 2-2 She Never Believes 3:08 (Sudden) 2-3 Silken Sheets 3:23 (Kusworth) 24 Ambulance Station 2:42 (Sudden) 2-5 Son of A French Nobleman 3:27 (Kusworth) 2-6 Where the Rivers End 6:06 (Sudden) Disc Two 2-1 All the Dark Rags 4:58 (Sudden) 2-2 Into My Arms 3:17 (Kusworth) 2-3 If I’m Crying 1.48 (Sudden) 2-4 Country Girl 3.19 (Kusworth) 2-5 Sloth 3:21 (Swarbrick, Thompson) 2-6 Someone Who Cares 4:53 (Kusworth) 2-8 Before I Die 4:25 (Kusworth) 2-9 Pin Your Heart to Me 4:19 (Sudden, Kusworth) 2-10 Road of Broken Dreams 3:10 (Scott) 2-11 One More String of Pearls 3:41 (Sudden) 2-12 I Am Just A Broken Heart 2:57 (Kusworth) 2-13 Only Children Sleeping 4:15 (Sudden, Kusworth)
FRANCIS LUNG MIRACLE STREET DATE: 18 JUNE 2021 Miracle is the new album from Manchester singer songwriter Francis Lung, set for release on Memphis Industries on 18 June 2021.
Track listing 1. 2. 3. 4. 5.
Intro Bad Hair Day Blondes Have More Fun Miracle Empty Playgrounds, Broken Swings (Demo) 6. Don't Call Me Baby 7. Say So 8. Southern Skies 9. Want 2 Want U 10. Comedown (Again) 11. Uncommon 12. Lonesome No More 13. The Let Down
CD:
CAT NO: MI0677CD UPC: 5056340102350
The album opens with ‘Bad Hair Day’, a relentlessly catchy—and deceptively upbeat—ode to hangovers and missed connections. “I’ve been calling on you all night /But I never get through, I just get in the way” Francis laments; “I am a cloud in the sun’s light/Whatever I do, whatever I say.” Elsewhere, the title track finds him pondering the fickle nature of the music industry: “I think of [Miracle] as acknowledging and even encouraging the feelings we’re not supposed to succumb to - giving up, giving in - just because it can be comforting to hear it from someone else. ‘Why am I climbing these social ladders and jumping through the hoops of this creative industry? Does this make me happy?’” These themes of longing, and lacking, missing and being missed, reoccur throughout Miracle. “When I die/Will I be missed/Or am I missing the point?” asks ‘Say So’; while ‘Lonesome No More’, inspired by the Kurt Vonnegut book of the same name, begs the question: if loneliness was eradicated, would we miss it? By confronting these feelings, Francis is able to move forward, as triumphant album closer ‘The Let Down’ proves. Its lyrics serve as a call to action, as Francis wills himself (and the listener) to ‘Get up/Get something going/Do something, do it/Do it now’
BLACK VINYL LP:
CAT NO: MI0677LP UPC: 5056340100899
[INDIE EXCLUSIVE] LIMITED EDITION WHITE VINYL LP:
CAT NO: MI0677LPX UPC: 5056340102701
“For me, [Miracle] is about the struggle between my selfdestructive side and my problem-solving, constructive side,” says Francis. “I suppose through a lot of these songs I’m dealing with these emotional problems, acknowledging the negative aspects of my behaviour instead of burying them, and providing an alternative point of view for myself”. Despite its serious subject matter, Miracle is far from austere in sound, marrying the cinematic, dreamlike quality of Francis’s earlier music with the pared-back charm of great singer-songwriters like Judee Sill, Jeff Tweedy and Elliott Smith.
Miracle was produced by Francis in collaboration with Brendan Williams (Dutch Uncles, Matthew Halsall, Kiran Leonard) and Robin Koob (who co-arranged and performed strings). The opportunity to take creative control was one Francis relished. “I’m quite bad at delegating” he admits, noting that he played every instrument except strings on Miracle. The result is a cohesive, deeply personal record, which is as vital as it is vulnerable. “I don’t want to be defined by my anxiety, my depression or any history of substance abuse,” Francis says, “but I do want to reach out to other people who have had similar experiences, especially if it’s in a way that helps them feel a little better. To me, this music is celebrating healing as much as it focuses on the darker sides of the human psyche.”
www.memphis-industries.com • info@memphis-industries.com
Basic Rhythm Electronic Labyrinth LABEL:
PLANET MU RECORDS LTD. STREET DATE:
18th June 2021
BLACK VINYL LP: ZIQ430. BARCODE: 5055869565882. BOX COUNT 25. 3MM SPINE
Anthoney Hart returns with his second Basic Rhythm album for Planet Mu. 'Electronic Labyrinth' is a maturing of his sound that draws a line under his work as Basic Rhythm thus far.
1. 2. 3. 4. 5. 6. 7. 8.
Craft Hayward Road Acid Track Larkin Around Electronic Labyrinth Techno Palace Of The Peacock The Secret Ladder
REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931
The title itself conveys the overarching theme of the album, evoking the journey through a musical labyrinth that Hart has undertaken over the last 30 years or so, following a path through to the centre where these disparate strands have coalesced and solidified into a coherent whole. The underlying themes are of a more personal nature, intimated by the cover photo of St Fabian Tower where Hart first joined the now infamous Rude FM in the late 90s, the sometimes misleading directness of the track titles, as well as explicit references to books such as Wilson Harris’ Palace of the Peacocks, the ontological promiscuity of Harris’ writing mirrored here in Hart's own musical endeavours. What you end up with is an album that not only draws upon a wide range of influences from both the musical and literary worlds, intertwining them within a deeply personal context that imbues the music with a depth of meaning, but that is also somehow more coherent despite such a wide range of references and hidden meanings. It is at once both an album of subtexts open to interpretation, and a cohesive whole that fits together perfectly. PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / JILL WHEELER jillw@redeyeworldwide.com
HEMI HEMINGWAY - THE LONELY HUNTER PNKSLM092-LP Street date: June 18, 2021 Formats: 12” black vinyl & digital File under: Alternative / Indie UPC (vinyl): 634457056169
6
34457 05616 9
Tracklist: 1. Burnin’ Blue 2. It’s So Hard to Say Goodbye 3. The Lonely Hunter 4. Hemi’s Lament 5. Move Over Darling 6. My Lover, A Strange Her
Shaun Blackwell had been tip-toeing around the idea of a solo project like this one for a while hinting at this sound through the various prisms of different bands. Only last year, though, did he finally put an array of other musical outlets on the back burner in order to work towards what would become The Lonely Hunter. A glittering six-track ode to sixties pop, it takes its cues from both classic and contemporary influences, and embraces the timeless lovesickness of The Ronettes, The Shirelles and The Shangri-Las - subtly subverting it to focus on modern relationships, masculinity, and his own roots as a New Zealander. As Hemi Hemingway, he’s part heartbroken crooner, part emotional explorer. An experiment with a four-track recorder led him down a path he’d often hoped to traverse, reimagining the doo-wop of sixty years ago both technologically - he’d feed his taped work back into Logic - and thematically, broadening his own horizons by taking influence from the work of artists and writers who express themselves and their experiences genuinely. Sheer Mag, Angel Olsen, Aldous Harding and Shannon and the Clams - particularly Shannon Shaw’s solo album, Shannon in Nashville provided inspiration as he penned his own lyrics for The Lonely Hunter. Hemingway’s remarkable feat on The Lonely Hunter is bringing together such a diffuse collection of inspirations to produce a group of tracks that feel entirely in his own image; he nods to Isabel Allende’s Daughter of Fortune, John Waters’ Role Models and Min Jin Lee’s Pachinko as crucial texts, whilst the spirit of Orville Peck is palpable in the EP’s haunting country aesthetic - Hemi Hemingway would be very much at home on the stage of Twin Peaks’ Roadhouse.
PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide.
© 2021 PNKSLM Recordings
FLAT WORMS “The Guest” b/w “Circle” GOD#019 7" single
Release Date: June 18, 2020 NO EXPORT TO EUROPE, SEND THE GUEST EVERYWHERE ELSE
Flat Worms on 45! Just a minute late for the 1-year anniversary of Antarctica, these two tracks, culled from the Antarctica sessions at Electrical Audio, jump up from the grooves with a rush to spur you after the extended fog and furor of our collective 2020–21 blip. It’s time again — get up! The dance move called “The Guest” is a bit like The Twist, but more like The Writhe actually. There’s some horror wrapped up in the song’s meaning, so you should feel no shame — consider it earned writhing on your part! Here, Flat Worms take a DEVO-esque passivity, looking in on the actions of the real people in this world. It’s pretty scary. Start flopping, and by the time that they get to the big rave-up at the end, you’ll be aligned in time. “The Circle” belongs to that tradition of 45 tracks that may or may not allude to the 45 itself. “Find the circle! Find the center!” might serve as both timely polemic and shameless self-promotion. Or maybe not. One thing we’re not ambiguous about — the acid-glazed lead guitar that hovers like a neon apparition above the thrashing rhythm section. Antarctica was a life sentence from what feels like a lifetime ago — “The Guest” 7" is the emphatic exclamation point that brings it all back to life. GOD? RECORDS
MANUFACTURED & DISTRIBUTED BY DRAG CITY P.O. BOX 476867 CHICAGO, IL 60647 ph 312.455.1015 sales@dragcity.com
The Moons - The Lone Wolf Colorama Records
7”
RAMAVS005 5055869547840
500 only pressed on red vinyl. The Moons return with their final single "The Lone Wolf' a mellow yet contagious number soaked heavily in melody and recorded in studio 2 Abbey Road London. The single is the third release from the successful Pocket Melodies album. The Lone Wolf is an outcast. A lost soul stuck inside the narrow walls of his mind and possibly by choice. He built this world to save himself but dreams what it would be like to fit in. To be accepted. On the flip is a charming piano version of the working class love song An Ordinary Romance. The song features at the end of the Pocket Melodies documentary ‘Inside The Melodies’ and was a spontaneous live recording by Andy Crofts while sat in Black Barn Studios waiting for people to arrive for a session. Pocket Melodies Press: A masterclass from start to finish" Clash Magazine 8/10 // "A genuine talent coming of age" - Mojo Magazine 4/5 // "The Moons new album sees them perfecting their way with a perfect pop song" - Shindig Magazine // A SIDE: The Lone Wolf B SIDE - An Ordinary Romance (piano version)
The Nightingales / Stewart Lee Ten Bob Each Way / Use Your Loaf Fire Records 7”
FIRE637 0809236163776
This joint Nightingales / Stewart Lee 7" kickstarts a lengthy campaign of reissues by Robert Lloyd's combo, The Nightingales from Call Of The Void and Fire Records, in the wake of the acclaimed documentary from Fire Films, King Rocker. "Ten Bob Each Way" / "Use Your Loaf" is released in conjunction with the airing of the long-awaited Michael Cumming-directed, Stewart Lee-written film, King Rocker, which tells the tale of Robert's markedly unique four-decade career in music. Stewart Lee and Nick Pynn recorded "Use Your Loaf" in the attic of Brighton's beloved mini music café, Jane Bom-Bane's and was originally recorded for a mooted Nightingales tribute album. "Ten Bob Each Way" is a brand-new Nightingales recording, their first since recording the "Four Against Fate" album. It was recorded at Woodbine Street Studios, whose in-house producer, John Rivers, worked previously with Swell Maps and The Specials, among many others. A tale of work drudgery related through the tedium of recurring jokes "handed down like diseases", "Use Your Loaf" is the favourite of many 'gales fans and was widely praised by Mark E. Smith as "typically brilliant". Originally recorded as a single by The Nightingales way back in 1982, for Cherry Red Records. It was subsequently re-recorded for their debut album, ‘Pigs On Purpose’, which will be almost simultaneously reissued in deluxe expanded form through Call Of The Void. “One of rock's unsung heroes” Esquire // “A true outsider artist” The Quietus Side A – The Nightingales - Ten Bob Each Way Side AA – Stewart Lee w/ Nick Pynn - Use Your Loaf
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Rachel Baiman CYCLES
RELEASE DATES:6.11.21/6.18.21 | ORDERS DUE BY 5.21.21/5.28.21
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