John Hiatt with The Jerry Douglas Band LEFTOVER FEELINGS
RELEASE DATES:5.14.21/5.21.21 | ORDERS DUE BY 4.23.21/4.30.21
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TEIJI ITO WATERMILL TZA CD 8058 Composer Series Steve Gorn * Tavia Ito * Mara Purl * Ralph Samuelson * Yukio Tsuji * Zishan Ugurlu. Prelude/Introduction * Spring* Running* Summer* Nightmare* Autumn* Winter/Epilogue FOCUS ON A TZADIK CLASSIC The fifth CD in Tzadik’s initiative to make available the music of Teiji Ito presents his undisputed masterpiece Watermill. Created in 1971 for the controversial ballet by Jerome Robbins and named for the town on Long Island where Robbins had a peaceful country home, Teiji draws upon Chinese, Tibetan, African, Native American and Japanese ceremonies in creating what many consider his most profound compositional achievement. Based on the ideas of cycles—years, moons, ages and seasons, Watermill is brilliantly brought to life by Teiji colleague Steve Gorn and a brilliant ensemble that includes Teiji’s daughter Tavia Ito. This is music of deep spirituality composed by a pioneer of the New York Underground who is finally getting the recognition he has long deserved.
7
02397-8058 - 2
3
File Under: Classical/Avant Garde
Street Date: May 21, 2021 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
ORDER FORM Street Date: 5.14.21 | Order Date: 4.23.21 QTY
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Leftover Feelings
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NEW RELEASES Street Date: 5.14.21 | Order Date: 4.23.21
GRATEFUL DEAD: SELLING POINTS • Road Trips Was the Successor to the Grateful Dead’s Dick’s Picks Series, Offering Previously Unreleased Live Shows for Sale Only to the Dead’s Online Audience • Now, Real Gone Music Is Bringing the Road Trips Series to Music Retail for the First Time • Road Trips Vol. 2 No. 3—Wall of Sound Shines a Light on the Grateful Dead’s Infamous Sound System • Conceived by LSD Chemist Owsley “Bear” Stanley, The Wall of Sound Nearly Bankrupted the Band Even as It Revolutionized Concert PAs • 641 Speakers That Took Three Trucks to Transport and Five Hours to Set Up • With a PA This Loud, the Band Could Play Softer, Freeing Them to Mesh Ever More Subtly and Intricately • Indeed, as Dead Chronicler Dennis McNally Says in His Liner Notes, the Wall of Sound “Allowed the Band to Go Places They’d Only Dreamed of” • Road Trips Vol. 2 No. 3—Wall of Sound Excerpts Two Shows, 6/16/74 at the State Fairgrounds in Des Moines and 6/18/74 at Freedom Hall in Louisville • 2-CD Set with Full-Color Booklet Boasting Pictures of the Behemoth • The Des Moines “Eyes of the World” Is Simply Definitive, and the Louisville Medley of “Weather Report Suite”/”Jam”/”The Other One”/”It’s a Sin Jam”/”Stella Blue” Is One-of-a-Kind • A Trip to Treasure
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UPC: 848064012085 FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30
Road Trips Vol. 2 No. 3— Wall of Sound (2-CD Set)
STREET DATE: MAY 14, 2021 Dead chronicler Dennis McNally’s liner notes to this Road Trip are a must-read, succinctly expounding upon how Bear’s vision of creating a sound system free of distortion morphed into a 641-speaker monster (there’s a great picture of it inside the booklet) that required three trucks to transport and five hours to set up, almost bankrupting the band and causing them to retire from the road for almost two years. But it was truly a singular sonic achievement, one that, as McNally puts it, “allowed the band to go places they’d only dreamed of.” The two shows excerpted on this 2-CD set, 6/16/74 at the State Fairgrounds in Des Moines and 6/18/74 at Freedom Hall in Louisville, beautifully illustrate the point: with a PA this loud, the band could play softer, freeing them to mesh ever more subtly and intricately. The Des Moines “Eyes of the World” is simply definitive, and the Louisville medley of “Weather Report Suite”/”Jam”/”The Other One”/”It’s a Sin Jam”/”Stella Blue” is one-ofa-kind. This Trip’s a treasure…first time ever available at regular music retail!
DISC ONE 1. China Cat Sunflower 2. I Know You Rider 3. The Race Is On 4. Eyes of the World 5. Big River 6. U.S. Blues 7. Playing in the Band
DISC TWO 1. Loose Lucy 2. Eyes of the World 3. China Doll 4. Weather Report Suite: Prelude Part 1 Let It Grow 5. Jam 6. The Other One 7. It’s a Sin Jam 8. Stella Blue
Cat No.: WARPCD327 UPCs: 0801061032722 Format: 4CD Release Date: 14th May 2021
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SEEFEEL Rupt & Flex (1994 - 96) An anthology of Seefeel’s 94 - 96 work made for Warp and Rephlex, including their out-of-print studio albums Succour and (Ch-Vox), two non-album EPs, Starethrough and Fracture/Tied, and 22 bonus tracks from the Seefeel archives, many previously unreleased tracks. Housed in a bespoke package conceived by The Designer’s Republic. All bonus material remastered from original DAT transfers by Stefan Betke aka Pole. Rigid outer slipcase, 4 discs in individual card wallets, 12pp booklet
Tracklist: Disc 1: Succour 01. Meol 02. Extract 03. When Face Was Face 04. Fracture 05. Gatha 06. Ruby-Ha 07. Rupt 08. Vex 09. Cut 10. Utreat 11. Tempean
Disc 3: (Ch-Vox) Redux 01. Utreat (Complete) 02. E-hix² 03. Ch-vox 04. Hive 05. Ashdecon 06. Net 07. E-hix 5 08. E-hix 4 09. Evio 10. Avatar 11. E-hix 3 12. Ashime
Disc 2: Succour+ 01. As One 02. As If 03. As Well 04. As Track 05. As Link 06. As Such 07. Meol 2 08. Rupt (Cut Mix) 09. Fractions 2 10. Meol 3 11. Monastic 12. Burned
Disc 4: St / Fr / Sp 01. Starethrough 02. Air Eyes 03. Spangle 04. Lux1 05. Fracture (EP version) 06. Tied 07. Spangle (Autechre Remix) 08. Starethrough (Transition Mix) 09. Sp19 (Spangle extended live version) 10. Ga19 (Gatha extended live version)
Cat No.: WARPLP326 UPCs: 0801061032616 Format: Gatefold 2LP Release Date: 14th May 2021
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SEEFEEL St / Fr / Sp St / Fr / Sp compiles two non-album EPs that Seefeel recorded for Warp in 1994, Starethrough and Fracture/Tied, alongside a rare Autechre remix of “Spangle” and the unreleased Transition Mix of “Starethrough”. Housed in a gatefold sleeve conceived by The Designers Republic.
Tracklist: A1. Starethrough A2. Air Eyes
C1. Fracture (EP version) C2. Tied
B1. Spangle B2. Lux1
D1. Spangle (Autechre Remix) D2. Starethrough (Transition Mix)
Cat No.: WARPLP325 UPCs: 0801061032517 Format: Gatefold 2LP Release Date: 14th May 2021
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SEEFEEL (Ch-Vox) Redux Seefeel’s third studio album was recorded for Richard D James and Grant Wilson-Claridge’s Rephlex label, as a return favour for two remixes Aphex Twin (a huge fan of the group) did in their Too Pure period. This is the first time it has been available on vinyl since 1996 and adds an extra LP of bonus material, mastered from original DAT transfers by Stefan Betke aka Pole. Comes housed in a new gatefold sleeve by the Designers Republic. “Mark Clifford and his mates have moved through labels like Astralwerks and Warp before landing at the front door of the Richard James label Rephlex, and along the way they have scattered some wonderful pearls. For (CH-VOX), it's an especially lush match of aesthetics -- sort of a condensed version of the Aphex Twin landmark record, Selected Ambient Works II. Picking up at the tail end of Seefeel's last album, Succour, we once again hear "Utreat," a dark meditation of phrases that makes Darren Seymour's bass sound like an electric piano, or is it Clifford's electric piano that sounds like a bass? Sarah Peacock's dreamy vocals hover almost out of earshot, and possibly her guitar is plugged in somewhere, too. It's difficult to say with many of their songs what instrument we're hearing, since treatments and effects play such a major role in production. The song "E-HIX2" breathes like a cluster of bleak skyscrapers with an extremely ambient take on feedback, and the title cut, "CH-VOX," is stark, patient, and ominous -- an abandoned submarine frozen in ice. "Hive" (with wonderful vocal loop effects) has Clifford revisiting his somewhat limited palette of percussion -- a piece that teeters between beauty and agitation, and an unfortunate weak spot for the album. The album closes with "Net," which is nothing short of masterpiece -- a journey, a drive through wet streets at midnight, and a finale so captivating you'll want to hear it twice -- somewhat postponing the disappointment that the album is only 33 minutes long.” Keir Langley, All Music
Expanded edition tracklist:
A1. Utreat (Complete) A2. E-hix² A3. Ch-vox
C1. E-hix 5 C2. E-hix 4 C3. Evio
B1. Hive B2. Ashdecon B3. Net
D1. Avatar D2. E-hix 3 D3. Ashime
Cat No.: WARPLP28R UPCs:0801061802813 Format: Gatefold 3LP Release Date: 14th May 2021
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SEEFEEL SUCCOUR (REDUX) Seefeel’s second studio album and their debut for Warp. This expanded 3LP edition is the first time it has been available on vinyl since original release and adds an extra LP of bonus material, mastered from original DAT transfers by Stefan Betke aka Pole.
its most ethereal.
“On Seefeel’s 1993 debut album, Quique, the British quartet navigated a course between shoegaze and ambient dub—but by 1995, the electronic undercurrents of their sound had carried them to a very different place. Maybe it was the influence of Aphex Twin, whose remixes had honed in on the clean-lined rhythmic skeleton lurking beneath the group’s atmospheric swirl: The rolling, distorted drums of Succour’s “Fracture” and “Vex” are straight out of his playbook, and the beatless, bookending tracks “Meol” and “Utreat” both evoke Selected Ambient Works Vol. II at
While the album’s textures and titles are often reminiscent of Autechre’s Amber, which came out the year before on Warp, Seefeel never entirely cast off their post-rock roots; squint through the fog of songs like “Extract” and “Cut,” and you can just barely pick out the familiar silhouettes of guitar, bass, drums, and microphone against the murk. Still, there’s no mistaking the common cause they make with the era’s knob-twisters and brain-dancers. Despite the echoes of other touchstones of the time (“Gatha” sounds like Massive Attack being dragged deep into an underwater cavern), it’s a singular album that has no equivalent—a sound so elemental, it’s no wonder the Designers Republic chose the cover they did.” – Philip Sherburne (#30 in the Pitchfork list of 50 greatest IDM albums)
Expanded Edition Tracklist: A1. Meol A2. Extract
D1. Cut D2. Utreat D3. Tempean
B1. When Face Was Face B2. Fracture B3. Gatha
E1. As One E2. As If E3. As Well E4. As Track E5. As Link E6. As Such
C1. Ruby-Ha C2. Rupt C3. Vex
F1. Meol 2 F2. Rupt (Cut Mix) F3. Fractions 2 F4. Meol 3 F5. Monastic F6. Burned
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MH-8236/MHCD-236 Artist: Something Weird Title: The Best Of Doris Wishman Black Vinyl LP + DVD / CD + DVD Box Lot Quantity: 30 LP / 60 CD File Under: Soundtracks MH-8236 UPC: 090771823618 MHCD-236 UPC: 090771823625 Release Date: 5/14/21 Doris Wishman was one of the most prolific female filmmakers that most people have never heard of. The pint-size sleaze queen helmed a variety of oddball exploitation classics that featured unique gimmicks and unusual, sometimes shocking subject matter. The Best Of Doris Wishman features audio from theatrical trailers, original theme songs, as well as some jazzy incidental library music from legendary exploiteers in the Something Weird world that are cherished and adored for the body of work they created, plus a zine-style insert and a DVD filled with Doris’ outrageous oeuvre! LP OR CD W/ BONUS DVD! Doris Wishman’s movies have entertained, amused, shocked, and often confounded genre film fans for decades. You know you're in for a wild ride when "Produced and Directed by Doris Wishman'' appears in the opening credits. Self-taught and unencumbered by rules and expectations, Doris did her own thing, writing outrageous scripts derived from her wildly fertile imagination. The fact that she started making films at age 47 is mind-boggling in and of itself. Not very many nice middle-aged ladies in the 1960s were behind the camera shooting dirty movies. Needless to say, Doris was an iconoclast.
• BLACK VINYL CUT & PRESSED AT THIRD MAN PRESSING AND CD, BOTH LOADED WITH LINER NOTES AND BONUS DVD! • SINSATIONAL TRAILERS, BOMBASTIC BALLYHOO, & SWINGINʼ INSTRUMENTALS!
Her filmmaking style could be called different, quirky and individualistic, maverick and unencumbered by craft or rules - Wishman-esque with familiar stylistic devices and motifs she would use over and over and over. She was one of the few • ZINE STYLE INSERT women working in the male-dominated “adult” film WITH LOTS OF LINERS industry, and always held her own. Relentless and determined, Doris continued directing films until her AND OTHER GOODIES! death in 2002, once saying, “After I die I will be making movies in Hell!” We can only hope so. See you there, Doris…
A new chapter in our trashy relationship with
ALSO NOT APPROPRIATE FOR KIDS: SOMETHING WEIRD GREATEST HITS SOMETHING WEIRD SPOOK SHOW* HIGH SCHOOL CAESAR DATE BAIT PSYCHEDELIC SEX KICKS SHE DEMONS THE MINX MISSILE TO THE MOON MR PETERʼS PETS SPACE THING DRACULA THE DIRTY OLD MAN PARTY GIRLS ITʼS A REVOLUTION MOTHER *CD STILL AVAILABLE SLASH = COMPLETELY SOLD OUT!
WWW.SUNDAZED.COM
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Artist: Mother Trucker Title: Mother Trucker Blue Vinyl LP Box Lot Quantity: 30 LP File Under: Rock LP 5587 UPC: 090771558718 Release Date: 5/14/21 FIRST EVER US RELEASE!
LIMITED TO 500!
Brazen Guitar Heavy All Girl Glam! A truckload of rootsy yet lumbering cuts with funk grooves and glammy swagger. Where do you find a funked out southern rock feel without any Y chromosomes? The West London borough of Hounslow, of course. Billboard called them a “women’s lib rock group,” which fits as they were liberally liberating hooks while being proud of their sexuality. First ever US pressing, strictly limited to 500 copies all pressed on colored vinyl! This record carries a bit of mystery to it, one online reviewer said, “Classify under the Glam Girls Hall of Fame.....Mother Trucker are fine examples of Tuff Glam Crunch-a-rama in Punchin' Judy mode with extra horn(s). Signed by the US branch of Ember by John Madara, Mother Trucker was an all-girl UK outfit supposedly with a background in road haulage (yeah right...).” Were they actually truckers? Doubt it. Were they actually the women on the cover? ...depends on which cover. Depending on the territory this record was released in the lineup seemed to change. The one thing that remained constant was the powerhouse “Allman Sisters” glammy but blue collar good ol’ rock & roll. We’re proud to finally bring this lumbering rocker stateside.
TRACK LISTING
• CUT AND PRESSED ON COLLAR BLUE VINYL AT THIRD MAN! • ORIGINALLY RELEASED IN 1974, JACKKNIFING INTO THE U.S. FOR THE FIRST TIME! • A TRUCKLOAD OF ORIGINALS & A COUPLE HIGH-GRADE COV
GOIN’ BACK BIG MAMA TONIGHT FANCY DAN SHINE IT ON LOVE IN THEM THERE HILLS ROCK N’ROLL LADY WHEN I’M ALONE WITH YOU PROPELLER LOVE EXPLOSION IN MY SOUL BILLY JOHN WRAP IT UP
WWW.SUNDAZED.COM
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Artist: Annette Peacock Title: X-Dreams Gold Vinyl LP / CD Box Lot Quantity: 30 LP / 60 CD File Under: Free Jazz, Avant-garde LP 5589 UPC: 090771558916 SC 6350 UPC: 090771635020 Release Date: 5/14/21 Arriving in 1978, X-Dreams is an infatuating and resolutely feminine free-form exploration of the politics and dynamics of sex. In the pursuit to reconcile the duality of attraction & repulsion and love & cruelty, the album oscillates between an assertive opening side and a sweeter side B. Assembling a crew of 22 musicians (including Mick Ronson on guitar and Bill Bruford on drums), Peacock delivers impassioned vocal performances alongside an improvisational jazz-rock fusion masterpiece of musicianship, almost all of which was recorded in one take. Self-taught musician and composer Annette Peacock has described her early style as “free-form” songwriting. She came to prominence in New York City’s early 1960s jazz scene alongside players like Ornette Coleman, an association that puts her at the helm of what we now consider the free jazz movement. For all its complication, her approach suggests that music can and should be made by any one, in any way they want, with any one they want. She may talk-sing her lyrics through a melody like a Beat poet. She may wail out of her throat like a saxophone. She may invite another instrument to the podium to make its own statement. Or, she may rest a note out in the open, confidently enthroned on an apex of self-governance. Where most musicians riff, she creates sonic space.
FIRST EVER US REISSUES! • YOUR CHOICE OF GOLD VINYL CUT & PRESSED AT THIRD MAN PRESSING OR CD! • INCLUDES A STUNNING SET OF LINER NOTES FROM MUSIC HISTORIAN TIFFANY MINTON!
TRACK LISTING MY MAMA NEVER TAUGHT ME HOW TO COOK REAL & DEFINED ANDROGENS DEAR BELA THIS FEEL WITHIN TOO MUCH IN THE SKIES DON’T BE CRUEL (TO A HEART THAT’S TRUE) QUESTIONS
• INSTRUMENTAL BACKING COURTESY OF KING CRIMSON DRUMMER BILL BRUFORD AND DAVID BOWIE GUITARIST MICK RONSON! WWW.SUNDAZED.COM
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Artist: Annette Peacock Title: The Perfect Release Red Vinyl LP / CD Box Lot Quantity: 30 LP / 60 CD File Under: Free Jazz, Avant-garde LP 5590 UPC: 090771559012 SC 6351 UPC: 090771635129 Release Date: 5/14/21 Released in 1979, this prophetic stew of spoken word, jazz, and funk from Annette Peacock was wildly ahead of its time and is still salient today. Her unflinching examinations of capitalism, sex, religion, et al. are underscored by lengthy, gorgeous grooves. Peacock wields her voice with wild abandon, at times delivering a melody like a Beat poet while other times wailing out of her throat like a saxophone, hitting blue notes as she pleases. Where most musicians riff, she creates sonic space. Perhaps too esoteric to garner commercial praise at the time, with this reissue we’re proud to encourage the discovery and praise that The Perfect Release deserves. Annette Peacock is one of jazz’s greatest voices. She is a musician, singer, songwriter, producer, composer, and arranger. Though her mother was a professional violinist, and she did a short stint at The Juilliard School, she is considered primarily to be a self-taught musician, composing and writing since early childhood. It is her ability to occupy both worlds of formalized practice and freedom of expression that is the crux of her identity as an artist. Her music contains a duality of deep self-awareness and projecting social criticism where meaning is obscured with austerity. A distinguishing part of her vision seems to be her intention to write music that is not bound by structures of power, which precisely how she manages to remain grounded in any style at all.
FIRST EVER US REISSUES! • YOUR CHOICE OF RED VINYL CUT & PRESSED AT THIRD MAN PRESSING OR CD! • LP INCLUDES REPRODUCTION OF THE ORIGINAL LYRIC INSERT, CD INCLUDES RARELY SEEN PHOTOS!
TRACK LISTING
LOVE’S OUT TO LUNCH SOLAR SYSTEMS AMERICAN SPORT A LOSS OF CONSCIOUSNESS RUBBER HUNGER THE SUCCUBUS SURVIVAL
• TIGHT INSTRUMENTAL BACKING FROM THE SAME BAND FEATURED ON JEFF BECK’S BLOW BY BLOW! WWW.SUNDAZED.COM
OUT 14TH MAY
Cat no.: REDISC2 UPC: 5060384619958 Formats: LP elease date: 14 May 2021 R
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SPECIAL INTEREST TRUST NO WAVE A reissue of the 2016 demo tape by the New Orleans band who combine elements of no wave, glam and industrial music. First time vinyl pressing with bonus track, new sleeve designed by Studio Tape Echo and 8 page risographed zine insert. Four of the tracks here are raw early versions of songs that would appear in slightly more refined form on their debut album, 2018’s Spiralling. The other four pieces are unique to this release, including a cover version of Italian new wave band Chrisma, raging opener “Disease”, the over-saturated shoegaze-punk of “ATC'' and comedown lament “I’ll Never Do Ketamine Again”. The band’s second album The Passion Of (2020) was widely acclaimed and appeared in many album of the year lists. It was recently followed by a companion album of remixes on Boy Harsher’s Nude Club label, with all profits going to NOLA charity House Of Tulip. “A blistering vision of punk as possibility.” - Pitchfork “Members Alli Logout (vocals), Ruth Mascelli (synth and drum machine), Maria Elena (guitar), and Nathan Cassiani (bass), together manage to make their instruments and vocals sound like a fight for our existence.” - The Quietus Recorded and Mastered by Jasper Denhartigh at Bird Island Recording March-May 2016. Originally self-released on cassette in 2016. Cut by Beau Thomas at Ten Eight Seven. All songs by Special Interest except “Black Silk Stalking” written by Chrisma.
Tracklist
1LP black vinyl in 3mm spine reverse board sleeve w/ 8 page risographed zine, download card and sticker
A1. Disease A2. DISCO A3. (Fluid) Bound 2 A4. ATC B1. Art Walk B2. Service B3. Black Silk Stalking B4. I’ll Never Do Ketamine Again
Box Lot: 25 Ⓟ & © 2021 Disciples NO EXPORTS ALLOWED
For more info please contact Matthew: matthew@warprecords.com (Disciples) or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
RILEY START DOWNING IT OVER STREET DATE:
May 14, 2021
TRACK LISTING SIDE A: 1. I’m Not Ready 2. Deep Breath 3. Coleman Rose 4. Good To See Ya 5. Looking Forward 6. Start It Over
SIDE B: 1. Never Coming Home 2. Hey! Mister 3. Won’t Somebody Play 4. Doing It Wrong 5. Crazy 6. I’m Right There With You
CD
Sel. #: NTW6509 CONFIG: Digiwallet UPC: 607396650927 Box Lot: 30 Count Genre: Singer-Songwriter, Americana, Rock
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Riley Downing (The Deslondes) sat down one day and decided he wanted to record a song or two for a simple 45. The Deslondes had been on a hiatus for a while and Downing had the creative itch to put something down on record. He VINYL had been in contact with his bandmate, John James Tourville and they decided to Sel. #: NW5479 work on a split 7” with a friend. CONFIG: 1xLP, Jacket, Sea Glass and Turquoise Color Vinyl The recording session felt like a breath of fresh air and the communion of tal- UPC: 607396547913 ented musicians produced more songs than expected. Downing left the session Box Lot: 35 Count energized and continued to record and trade demo’s with Tourville. Downing and Genre: Singer-Songwriter, Americana, Tourville decided that there were enough ideas to make an album. There were not Rock going to be any rules and nothing would be discarded. All notes and lyrics would be considered. Start It Over is the result of that creative effort. An album where each song was crafted with a different idea in mind. Some of the songs are more nostalgic than others and some were just written for good ol fashion fun. There is a romantic quality in each song. One song might help someone get through a hard time while one song might contribute to a good time. One song might bring up memories of a better time or just get you far enough down the road to start over.
www.RileyDowning.com www.NewWestRecords.com
Bob Corritore & Friends
SPIDER IN MY STEW
Harmonica Ace Bob Corritore throws some wild blues parties and you are invited to enjoy his latest. SPIDER IN MY STEW continues Bob’s musical adventures with a fresh batch of 14 new selections featuring some of the greatest artists in the blues today! Amazing vocals, killer bands, memorable songs, passionate performances, and Bob’s exquisite harp!
STREET DATE: 5/14/21
With Special Guests: Sugaray Rayford, Lurrie Bell, John Primer, Alabama Mike, Diunna Greenleaf, Francine Reed, Johnny Rawls, Oscar Wilson, Willie Buch, Bill & Shy Perry, Bob Stroger, Bob Margolin, Junior Watson, Kid Ramos, Johnny Main, Jimi “Primetime” Smith, Adrianna Marie, L.A. Jones, Fred Kaplan, Doug James, and more!
1. Tennessee Woman 2. Big Mama’s Soul Food 3. Whatcha Gonna Do When Your Baby Leaves You 4. Don’t Mess With The Messer 5. Spider In My Stew 6. Wang Dang Doodle BOB CORRITORE & FRIENDS Spider In My Stew Label: VizzTone/SWMAF Genre: Blues/Americana Territory: Worldwide Compact Disc - EcoWallet Cat. # VT-SWMAF-18 Street Date: 5/14/2021 UPC: 634457045132
BOBCORRITORE.COM
7. Drop Anchor 8. Sleeping With The Blues 9. Mama Talk To Your Daughter 10. Why Am I Treated So Bad 11. Soon Forgotten 12. I Can’t Shake This Feeling 13. Look Out 14. I Shall Be Released
Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.
1. Jimmy and Crash Survey the Universe 2. Indian War Whoop 8. Radar Blues 3. Sweet Apple Cider 9. The I.W.W. Song 4. Soldier’s Joy 10. Football Blues 5. Cocaine Blues 11. Bay Rum Blues 6. Sky Divers 12. Morning Glory 7. The Second-Hand Watch
1. Fishin’ Blues 2. Rum Mountain 3. Hold The Woodpile Down 4. Random Canyon 5. Skin Game 6. Indian War Whoop 7. Uncle Joe 8. Flop Eared Mule
9. Crowley Waltz 10. Goin’ To Memphis 11. Monday Morning 12. Baltimore Fire 13. Sugar In The Gourd 14. Melinda 15. My Mind Capsized 16. Black Eyed Suzy
Plunky & Oneness of Juju - Make A Change Strut present the definitive edition of a 1977 classic, Plunky & Oneness Of Juju’s ‘Make A Change’ album featuring the international hit ‘Every Way But Loose’ and five previously unheard studio takes.
Recorded at Omega studios in Maryland, the album marked a transition for the band with lead vocalist Jackie Eka-Ete recording her last sessions with Plunky and Virtania Tillery taking over lead vocal duties. “‘Make A Change’ was always designed as a slightly more commercial entry in our discography,” says Plunky. “We approached the sessions in the same way that we had approached all of our music since the early ‘70s. We played extended jams because we would always find something within those explorations. The songs had enough organic qualities to be considered R&B and enough rhythm to be Afro funk.” After catching fire in Washington DC clubs through local record pools, the dancefloor favourite ‘Every Way But Loose’ famously became an anthem for Larry Levan at New York’s Paradise Garage, kick-starting international success for the track. Other album cuts like funk workout ‘Higher’ and the wistful stepper ‘Always Have To Say Goodbye’ have remained staples among soulful DJs worldwide. “The songs and lyrics on this album have come back around full circle,” continues Plunky. “With songs like ‘(Family Tree) Make A Change’ and ‘Every Way But Loose’, we don’t have to change one word for them to be relevant all these years later. The positive messages are universal and timeless.” This definitive edition of ‘Make A Change’ features the full original album alongside five previously unheard studio takes, all remastered by The Carvery from the original tapes. Bonus tracks include extended studio versions of ‘Every Way But Loose’ and ‘Always Have To Say Goodbye’ and a previously unheard version of ‘Time’. Package features brand new liner notes by bandleader Plunky Branch. Released on CD, 2LP, digital and streaming.
Key Points
Definitive edition of Plunky & Oneness Of Juju’s last album for Black Fire Records from 1977 Includes 5 x previously unheard studio takes of album tracks + ‘Plastic’ and ‘Time’ Features the original version and a previously unreleased version of international dancefloor hit ‘Every Way But Loose’ Package features new liner notes by bandleader Plunky Branch. Remastered from orginal tapes by The Carvery
Release Date : 14th May 2021 Artist: Plunky & Oneness of Juju Title: Make A Change Cat. No. STRUT257CD / STRUT257LP For more information, contact Adam Calman: adam@k7.com
TRACKLIST STRUT257LP
A1 FAMILY TREE (MAKE A CHANGE) A2 RUN AWAY BAY A3 LOVE’S WONDERLAND B1 EVERY WAY BUT LOOSE B2 HIGHER B3 ALWAYS HAVE TO SAY GOODBYE C1 EVERY WAY BUT LOOSE (EXTENDED VERSION) C2 RUN AWAY BAY (EXTENDED VERSION) D1 PLASTIC (PREVIOUSLY UNRELEASED VERSION) D2 TIME (PREVIOUSLY UNRELEASED VERSION) D3 ALWAYS HAVE TO SAY GOODBYE (EXTENDED VERSION)
1. (FAMILY TREE) MAKE A CHANGE 2. RUN AWAY BAY 3. LOVE’S WONDERLAND 4. EVERY WAY BUT LOOSE 5. HIGHER 6. ALWAYS HAVE TO SAY GOODBYE 7. PLASTIC (PREVIOUSLY UNRELEASED VERSION) 8. TIME (PREVIOUSLY UNRELEASED VERSION) 9. EVERY WAY BUT LOOSE (EXTENDED VERSION) 10. RUN AWAY BAY (EXTENDED VERSION)
FOR FANS OF: Larry Levan, Skyy, Roy Ayers, Black Ivory, Candido, Brass Construction, Blackbyrds, Slave, Grover Washington Jr., Players Association, Heatwave, West End Records, Crown Heights Affair
Configuration: 1CD / 2LP PACKAGING: 2LP IN SINGLE SLEEVE with 12” INSERT SHEET/ 1CD DIGIPAK with 8PP BOOKLET Bar Codes: CD - 4062548014846 / LP - 4062548016277
Weblink: black-fire-records.com
STRUT257CD
Southern Energy Ensemble Strut presents the first full international release for another lost classic from the Black Fire Records archives, ‘Southern Energy’, the only album recorded by R’n’B and jazz collective Southern Energy Ensemble in 1977. Trumpeter Marvin Daniels had been drafted into the US army in Germany during the mid-‘70s, playing in the military touring band 100% Pure Poison. Upon returning to Virginia State College, he met up with an old friend, saxophonist Al Clarke, and they began to form a new band, pulling together various students from the University including Nat Lee (keys), William “Spike” Johnson (drums and percussion) and Adolphus “Peddie” Maples (percussion and vocals). “As Southern Energy, we started playing the chitlin R’n’B circuit and ended up gigging most weekends at clubs, universities and military bases in Virginia and North and South Carolina,” remembers Daniels. After meeting Plunky Branch and Black Fire Records MD and producer, Jimmy Gray at a JuJu gig in Richmond, Virginia, Gray signed the band and they recorded some high energy sessions during 1977. “Southern Energy was tight,” continues Daniels. “We had great musicians and great vocalists in Judy Spears and Garrie Wayne, both vocal majors from Virginia State College. The album was all about positive messages and celebrating real people.” Tracks include the storming dancefloor jazz workout ‘Third House’, the optimistic ballad ‘Looking Ahead’ and the extended funk anthem ‘F-U-N-K-Y ‘Til The Day I Die’. The band would break up soon after the members left college. Daniels moved to Philadelphia to work with Evelyn “Champagne” King in 1978 before co-founding Chops horns who would go on to become one of the most in-demand US session units of the ‘80s, working with Sugarhill Gang, The Police, The Rolling Stones and more. Maples would go on to play on sessions for Oneness Of Juju. Canned following the original recording, the Southern Energy Ensemble album eventually surfaced on a limited CD and LP on Black Fire in 1993. Now receiving its first full international release, ‘Southern Energy’ has been remastered from the original tapes by The Carvery. Package features unseen photos and brand new sleeve notes by co-bandleader Marvin Daniels. Released on CD, 1LP, digital and streaming.
Key Points
Only album recorded by R’n’B / jazz group Southern Energy Ensemble for Black Fire in 1977 Package features unseen photos and new liner notes by cobandleader Marvin Daniels. Remastered from original tapes by The Carvery Features original illustrated cover artwork by Muzi Branch Part of Strut’s ongoing work reissuing the complete Black Fire independent jazz and R&B catalogue
Release Date : 14th May 2021 Artist: Southern Energy Ensemble Title: Southern Energy Ensemble Cat. No. STRUT254CD / STRUT254LP For more information, contact Adam Calman: adam@k7.com
TRACKLIST STRUT254LP A1. OPEN YOUR MIND 3.57 A2. F-U-N-K-Y ‘TIL THE DAY I DIE 4.36 A3. THIRD HOUSE 6.58 A4. LOOKING AHEAD 3.24
STRUT254CD
1. OPEN YOUR MIND 3.57 2. F-U-N-K-Y ‘TIL THE DAY I DIE 4.36 3. THIRD HOUSE 6.58 4. SEE FUNK 6.05 5. LOOKING AHEAD 3.24 6. ENERGY 6.11 7. THE BEST PART OF ME SOUTHERN ENERGY 4.32
FOR FANS OF: Roy Ayers, BT Express, Minnie Riperton, Oneness Of Juju, Lonnie Liston Smith, Positive Force, Earth Wind & Fire, Donald Byrd, Brass Construction, Blackbyrds, Pleasure, Phyllis Hyman, Pointer Sisters, Ohio Players
Configuration: 1CD / 1LP PACKAGING: 1LP IN SINGLE SLEEVE with 12” INSERT SHEET/ 1CD DIGIPAK with 8PP BOOKLET Bar Codes: CD - 4062548013627 / LP - 4062548014754
Weblink: black-fire-records.com
B1. SEE FUNK 6.05 B2. ENERGY 6.11 B3. THE BEST PART OF ME SOUTHERN ENERGY 4.32
Eomac Cracks LABEL:
PLANET MU RECORDS LTD. STREET DATE:
14th May 16th April2021 2021
LTD. ORANGE VINYL LP: ZIQ426. BARCODE: 5055869565912. BOX COUNT 25. 3MM SPINE
Ian McDonnell is an Irish producer living in Wicklow near Dublin. Alongside his solo releases as Eomac he's also one half of the duos Lakker, noeverything and Lena Andersson. 'Cracks' represents a change of scenery and a change of practice from his previous two albums which were both conceptualised from the outset and recorded while living in Berlin. In contrast 'Cracks' was made in a beautiful rural part of Ireland without any outside pressure. These circumstances allowed Ian to wipe the slate clean and make an album guided by his mood on any particular day, connecting into the subtle power of his new environment and reflecting it, rather than working to please the suffocating demands of clublife. The title 'Cracks' comes from the idea that, to quote Leonard Cohen, a crack is "how the light gets in", but also of course it's a title that bears witness to the cracks fomenting in the world right now.
1. 2. 3. 4.
Mandate For Murder Portuguese Man O’ War Ancient Self What Does Your Heart Tell You?
5. Falling Through The Cracks 6. Reasons to Live 7. Seashells 8. Canticle 9. Prophetess 10.All The Rabbits In The Tiergarten
REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931
The music comes across with depth and passion, sounding deep and mossy with Eomac's penchant for punchy, shuffling drums underpinning the emotive tracks. From the off, the furious 'Mandate For Murder' flips and repeats Akala's protest about systemic racism, rushing deep into the panicked sirens of 'Portuguese Man O' War'. The album settles into a sense of mystery, wildness and dark otherworldliness with the foggy drone and timber kick of 'Ancient Self' reflecting the awe and spiritual connections to his new environment, much like the gorgeous strings and aqueous bleeps of 'Seashells' or the pitchshifted shoegaze of 'Prophetess'. At other points it responds to the human condition, for instance the cathartic 'Falling Through the Cracks' where a broken scream is pitted against clattering drums. At other moments it simply reaches out; 'Reasons to Live's' whispered mantra of "I know you are loved by somebody" is gently insistent. It ends with a reference to a place he's left behind, seen through the lens of nature. 'All the Rabbits in the Tiergarten' could be a missing track from Aphex's Ambient Works, albeit with cut-up scissoring drums. The album is a fruitful move, inwards and forwards.
PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / WILL SAVERY will@redeyeworldwide.com
Vallens I n Era
The most fascinating and lasting artists to trip across the vast field we know as popular music are the ones who consistently allow us to ride shotgun along with them as they figure out who they are as artists. Vallens are moving along such rarified lines. On In Era, their 2nd full length LP, vocalist, guitarist, keyboardist, songwriter Robyn Phillips and the stable Vallens core of bassist/multi-instrumentalist Devon Henderson and drummer Colin J. Morgan are growing more confidently defined, if tantalizingly and willfully indistinct. In Era is a patient, sculpted piece of work that’s been obsessively “lived with” and laboured over by Vallens. But it’s also much less of a “guitar-band” record than you’d anticipate from an ensemble that established itself as fairly proficient with pedals and feedback and the like on 2016’s Consent LP and 2018’s follow-up EP Dimmed In My Display. This is a slow burn, pushing Phillips’ primary instrument – her voice – and keyboards and electronics to the forefront to establish a mood Phillips describes as “nocturnal and austere-yet-deprived” and evocative of a “romantic, coquettish letter to the Void” for the duration.
Label: Hand Drawn Dracula Territory: Worldwide Vinyl Release: May 14th, 2021 Catalogue Num: HDD080 Format: Digital, Silver Vinyl Genre: Alternative, Electronic Rock FCC: Album Clean Key Tracks: Difference Repeating, While You Are Still Waiting
Vallens “In Era” 01. In Era (3:22) 02. While You Are Still Waiting (4:33) 03. Ingrid (3:42) 04. Sheer (5:25) 05. Difference Repeating (4:36) 06. Old Flame (4:14) 07. Come Home (3:52) 08. If I Don’t (4:07) 09. Opaque Undertow (2:55) 10. Sin So Vain (5:19) RIYL: Slowdive, Zola Jesus, Purity Ring, Portishead
The first single “If I Don’t,” expertly aligns the Vallens you already know with the Vallens of the future, that perhaps most perfectly captures this moment in the band’s evolution. In Era is a transitional album for a band that’s established quite quickly that it intends to remain in transition indefinitely. And, due to current global circumstances during the COVID-19 era, its haunted “Alright, what’s next?” thematic content has wound up becoming oddly prescient. Albeit accidentally.“It’s largely about a transitional time in someone’s life where they have ended an era of their life and can see the next one forming but are floating in between two things,” says Phillips. “It was written before COVID times but it weirdly feels even more apt and appropriate now,“ It’s about being right in between, right in the limbo of two really large events, and the tenderness and weirdness and sadness and uncertainty and beauty and all of the complicated and vexing feelings that can come with that moment of being in between two things, when you can feel the heaviness of being nowhere. That’s applicable to everyone right now, with COVID. So I’m hoping it resonates with people in that regard.” “While You Are Still Waiting” listed in SELECTS “13 Songs You Should Listen To Now” - PITCHFORK “If I Don’t” (Feb 14th) play & “Difference Repeating” (March 14th) premiere - The Strombo Show / CBC Music
Hand Drawn Dracula | james@handdrawndracula.com | website facebook instagram twitter
( photo: Shelby Fenlon)
14th May 2021
Petter Carlsen- The Sum of Every Shade Function Records CD FR029LP FR029CD 7041881000256 LP 7041881000263
Hailing from the far north of Norway’s Arctic circle, Alta, Petter Carlsen creates his own unique mix of progressive rock and indie-pop without limits; fusing atmospheric vocals, melancholic soundscapes and indie guitars with a prog feeling. His new record “The Sum Of Every Shade”, is exactly that. Taking inspiration from all aspects of his career, from his prog rock explorations with Anathema's Daniel Cardoso, his epic rock duo Pil & Bue, his own solo career and his indie folk contributions with Juliet Alapnes, Petter’s broad range of influences is on full display on this record. Bringing them together with influences from Micheal Jackson to hard rock from his teenage years, into a seamless fusion of atmospheric indie rock. “The Sum Of Every Shade” is Petter's nostalgic acid trip. After moving home to the North since living in the capital of Norway, Petter contemplates growth and the experiences that made him who he is. As well as the continual growth we strive towards as humans. With longtime collaborator Kristian Olstad producing and a host of musicians he’s met through his career contributing, Petter Carlsen is now a family affair. And this stands to be their best work yet. 1/ I Love The Way You See The World 2/ Dogs 3/ Strangers 4/ Contradictions 5/ Pages 6/ Giraffes and Elephants 7/ Good News 8/ Beneath The Snow 9/ Funny Old Life 10/ The Enterprise
NEW RELEASES Street Date: 5.21.21 | Order Date: 4.30.21
STREET DATE: MAY 21, 2021 TRACK LISTING:
Long Black Electric Cadillac Mississippi Phone Booth / The Music Is Hot All The Lilacs In Ohio / I’m In Asheville Light Of The Burning Sun / Little Goodnight Buddy Boy / Changes In My Mind Keen Rambler / Sweet Dream In the midst of a global pandemic, John Hiatt walked into Historic RCA Studio B and opened up a lifetime full of leftover feelings. A half-century ago, Hiatt lived in a ratty, $15-a-week room on Nashville’s 16th Avenue, less than a mile away from the RCA and Columbia studios that were the heartbeat of what had come to be known as “Music Row.” In the ensuing 50 years, he went from a scuffling young buck to a celebrated grand master of song. With Leftover Feelings, Hiatt teamed up with multi-grammy winning artist and producer, Jerry Douglas and his band, The Jerry Douglas Band. There’s no drummer, yet these grooves are deep and true. And while the up-tempo songs are, as ever, filled with delightful internal rhyme and sly aggression, the Jerry Douglas Band’s empathetic musicianship nudges Hiatt to performances that are startlingly vulnerable. In life, leftover feelings can remain unresolved, no matter how often explored. Explicated in a place of history, a place of comfort. A sacred place, if you believe the documentation of human expression to be a holy thing. Here then, with this album, there is a meeting of bruised and triumphant American giants. Here are Hiatt and Douglas, creating the meant-to-be: Love songs and road songs, sly songs and hurt songs. Their songs, and now our songs. Leftover feelings that edify and sustain LP Sel. #: NW5505LP CONFIG: Jacket, 1x LP, Black Vinyl UPC: 607396550517 Box Lot: 20 Count Genre: Singer-Songwriter, Rock, Country
6
07396 55051 7
INDIE EXCLUSIVE LP Sel. #: NW5508LP CONFIG: Jacket, 1xLP, Blue Marble Vinyl UPC:607396550814 Box Lot: 20 Count Genre: Singer-Songwriter, Rock, Country
6
JohnHiatt.com ê JerryDouglas.com
07396 55081 4
CD Sel. #: NW6514CD CONFIG: Digiwallet, sticker UPC: 607396651429 Box Lot: 30 Count Genre: Singer-Songwriter, Rock, Country
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07396 65142 9
NewWestRecords.com
my bloody valentine mbv
TRACKLISTING 1. She Found Now 2. Only Tomorrow 3. Who Sees You 4. Is This and Yes 5. If I Am 6. New You 7. In Another Way 8. Nothing Is 9. Wonder 2 CATALOG NUMBER: REWIG160 RELEASE DATE: May 21, 2021 FILE UNDER: Alternative “M” CD Boxlot: 30 UPC: 887830016025
LP w/ DOWNLOAD Boxlot: 20 UPC: 887830016018
Vinyl is non-returnable
DELUXE LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887830016056
Vinyl is non-returnable
OVERVIEW my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most groundbreaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future. Re-emerging in 2013 after two full decades in relative hiding, their third album m b v is by turns their most experimental record but also their most melodic and immediate; proof real of their unerring desire for reinvention. Continuing to push boundaries of both music and genre, m b v is an album of astonishing music, some of which could lay claim to being of a type never been made before. Otherworldly, intimate and a visceral listen, m b v is a startling and beautiful metamorphosis of what was known of the my bloody valentine sound, pushing the boundaries of genre unlike any other band. The album’s closer, “Wonder 2” is an example of this, seeing Shields meld hypnotic guitar with drum’n’bass to astonishing result.
SELLING POINTS
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com
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my bloody valentine physical catalog has more than 500k in US sales.
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Standard version includes fully analog cuts for the first time and comes on heavyweight vinyl with gatefold sleeve, set of 5 card “artwork” prints (264mm x 264mm), and download card.
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Deluxe version includes fully analog cuts for the first time and comes on heavyweight vinyl with a gatefold tip-on and board-mounted sleeve, set of 5 card “artwork” prints (264mm x 264mm) and download card.
MDOU MOCTAR AFRIQUE VICTIME
TRACKLIST 01. CHISMITEN 02. TALIAT 03. YA HABIBTI 04. TALA TANNAM 05. UNTITLED 06. ASDIKTE AKAL 07. LAYLA 08. AFRIQUE VICTIME 09. BISMILAHI ATAGAM
SELLING POINTS • INDIE EXCLUSIVE LIMITED PURPLE VINYL EDITION • FIRST STUDIO ALBUM SINCE 2019’S ILANA (THE CREATOR) • RECENT PRESS COVERAGE FROM FADER, PITCHFORK, NPR, BANDCAMP DAILY.... • PLACED ON SPOTIFY PLAYLISTS: ‘NEO-PSYCHEDELIC ROCK’ AND ‘FOLK FABRIQUE.’ • SESSION FEATURED ON FASHION BRAND “OFF-WHITE” IG ACCOUNT (11m FOLLOWERS) • 60k SOCIAL MEDIA FOLLOWERS • FEATURED ON NEW SUPERWOLF LP “Merciless perfection.” - Uncut “Perhaps the most fiery psych-rock of the 21st century.” - NPR
“The Hendrix of the Sahara.” - Esquire
On May 21, Matador Records will release Afrique Victime, the long-awaited new album by Mdou Moctar. On Afrique Victime the prodigious Tuareg guitarist and songwriter rips a new hole in the sky ¬boldly reforging contemporary Saharan music and “rock music” by melding guitar pyrotechnics, full-blast noise, and field recordings with poetic meditations on love, religion, women’s rights inequality, and Western Africa’s exploitation at the hands of colonial powers.
134 Grand St New York, NY 10013 United States (212) 995-5882
191401161480 *Non-returnable
LTD Indie Exclusive Purple Vinyl OLE-1614-LPE
Black LP OLE-1614-LP 191401161411 *Non-returnable
191401161428
RELEASE DATE: MAY 21, 2021 NON EXPORTABLE
CD OLE-1614-CD
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
Yaeji
WHAT WE DREW 우리가 그려왔던
STREET DATE: 5/21/2021 In celebration of the one-year anniversary of What We Drew, Yaeji releases a new limited run of blue vinyl. Yaeji’s What We Drew is titled intentionally; the project is as much indebted to her own singular creative vision as it is to her network of close-knit collaborators and friends, a team she’s described as a “family business.”
Blue LP: XL-1061-LP3 File Under: Electronic Vinyl non-returnable
TRACK LISTING A1 A2 A3 A4 A5 A6 A7 B1 B2 B3 B4 B5
MY IMAGINATION WHAT WE DREW 우리가 그려왔던 IN PLACE 그자리 그대로 WHEN I GROW UP MONEY CAN’T BUY FREE INTERLUDE SPELL 주문 WAKING UP DOWN IN THE MIRROR 거울 THE TH1NG THESE DAYS 요즘 NEVER SETTLING DOWN
Although born in Flushing, Queens, in the summer of 1993, Yaeji’s roots are scattered between Seoul, Atlanta, and Long Island. She moved back to the states from Korea in 2011 to study fine arts at Carnegie Mellon University in Pittsburgh, where she broadcast her very first DJ sets at WRCT, the university’s radio station. The prospect of making music didn’t cross her mind until she joined WRCT; she’s inspired by both the Korean indie rock and electronica that she listened to as a teenager in Seoul and late ’90s and early 2000s hip hop and R&B. What We Drew is Yaeji’s first full-length release, and entirely self-produced, but she’s careful to classify it as a mixtape, which belies the way that these songs came together. “Each track is almost like a snippet of my life, a look into my diary or something, where it’s reflective of how I was specifically feeling during that time.” PRESS “one of the most trailblazing young producers in the dance music scene” – EDM.com “WHAT WE DREW… is just what the world’s been waiting for: a full-length exploration of who Yaeji is, the many voices that occupy her soul, and how she brings everything together into one endlessly dreamy experience.” – MTV News “Kathy Lee comes correct with an irresistible mixtape for XL Recordings.” – Resident Advisor SELLING POINTS • Named a Best Album of 2020 by The New Yorker, Pitchfork, Vice, Uproxx and more • Limited edition splatter vinyl sold out in a few days • 10K+ total equivalent units sold in the US including over 9 million streams • Magazine covers include Crack Magazine, Mixmag, and The FACE
134 GRAND STREET, NEW YORK, NY 10013
WWW.XLRECORDINGS.COM
505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931
Nils Frahm Graz Format: CD & LP (incl. Download code) File under: Electronic · Box Lot: 50 CD / 20 LP Release Date: 21/05/2021
Label:
Erased Tapes
Catalogue No.:
ERATP143CD ERATP143LP
Barcode (EAN):
3700551783526 (CD) 3700551783519 (LP)
Distributor:
Redeye
Tracklisting: 1. Lighter 2. O I End 3. Because This Must Be 4. Kurzum 5. And Om 6. Hammers 7. Crossings 8. About Coming and Leaving 9. Went Missing
Official Websites: www.nilsfrahm.com www.erasedtapes.com PR Agent: julian@erasedtapes.com Booking Agent: felix@agentur-grimm.com
*All information is strictly under embargo until announcement on 29th March* Piano Day 2021 sees Nils Frahm surprise the world with his Erased Tapes debut. Wait, what? How? Anyone who has seen the trail blazing sonic pioneer live will know Nils likes to deadpan a joke. Graz is in fact the first studio album he recorded for the label back in 2009, that somehow remained a secret… until now. Nils Frahm has quietly changed the musical landscape, reincarnating the centuries old figure of a pianist-composer for a new generation of music fans. As Nils’ word-of-mouth popularity grew and grew, so did the pop-culture profile of his instrument. He founded Piano Day with a team of like-minded friends in 2015 to help that process, some years releasing an album of piano recordings to celebrate one of humankind’s greatest inventions. Graz is one such record; an unheard snapshot of a young Nils recorded at Mumuth, the University of Music and Performing Arts Graz, in 2009 as part of the thesis Conversations for Piano and Room produced by Thomas Geiger, which received an award in the Classical Surround Recording category at the 127th AES Convention in New York. Whilst at the time it was decided to keep the grand piano recordings from the Graz sessions locked away and instead focus on his close mic’ed, dampened piano explorations which would become his acclaimed studio album Felt in 2011, two of the pieces — most notably Hammers — lived on as part of his live set, and were expanded on and re-recorded as part of his breakthrough 2013 record Spaces (a collage of field recordings from concerts which broke the Fourth Wall and included audience coughs). Over his mercurial career, Nils has pushed and pulled at the boundaries and parameters of his prolific work like that. He’s physically changed his piano (the softened prepared strings of Felt) played with a modified body (Screws recorded with 9 fingers and a broken thumb) played with scale (Solo recorded on the 3.7 metre high Klavins M370) and with the different layers of formats (last year’s Tripping with Nils Frahm nested his studio setup inside a live performance, concert film and live album). Now with Graz he has found the final frontier for play: time itself and his own discography. Graz is a moment of time at the very beginning of Nils’ quiet revolution. The essential genius is already evident; the harmonic language of classical, and the immediacy of jazz. Nils seems to pull down each idea moment by moment, gently, to not scare away the muse. He describes: “sometimes when you hear a piano, you might think it’s a conversation between a woman and a man. At the same time, it can hint at shapes of the universe and describe how a black hole looks. You can make sounds that have no relation to anything we can measure.”
GRUFF RHYS
Seeking New Gods May 21st, 2021 TRACKLISTING A1. Mausoleum of My Former Self A2. Can’t Carry On A3. Loan Your Loneliness A4. Seeking New Gods A5. Hiking in Lightning
B1. Holiest of the Holy Men B2. The Keep B3. Everlasting Joy B4. Distant Snowy Peaks
PRESS Praise for 2019’s Pang! “The record, a collaboration with South African electronic artist Muzi, is worldly, welcoming and also aware of the time it was born into.” - Stacy Buchanan, NPR Music “Pang! is a tuneful gem of a music box recommended to all” - Pablo Gorondi, Associated Press “All anyone needs to enjoy [Pang!] is a set of ears” - Andy Crump, Paste
Green LP: RT-0127LP2 File Under: Alternative
134 GRAND ST, NYC 10013
CD: RT-0127-CD File Under: Alternative
Inspired by Mount Paektu, Seeking New Gods, the latest solo record from Gruff Rhys, sees the Super Furry Animals frontman mythologize a compelling sonic mountain of his own making. Featuring the backing band from 2018’s Babelsberg, most of album’s songs were refined during sound checks and live performances as the group toured around America’s West Coast before decamping to the Mojave desert for a short, but intensive recording session. The remaining tracks were recorded in a similar fashion by Ali Chant (PJ Harvey, Aldous Harding) in Bristol following Rhys’ 2019 European dates. Produced by Rhys himself, the album was mixed by long time collaborator, legendary Beastie Boys producer Mario Caldato Jr, at his Los Angeles studio. So how do the finished songs of this new pop peak feel? Opener “Mausoleum of My Former Self” grapples with reminders of our many pasts through charming pianos, wild trumpets and Rhys’ soulful vocals. Single “Loan Your Loanliness” is a stomping, bristling nonsense-lyric pop song dedicated to those who endure the solitary peaks that outlast civilizations; it also happens to feature Rhys’ longest guitar solo on record to date. Later album cut “Hiking in Lighting” brings to mind violent weather with a powerful tide of fuzz grounded by the cosmic Solina string synth – a soothing presence felt throughout the entire freewheeling affair. With a host of warm, personal touches and golden melodies, Seeking New Gods offers a dazzling view.
ROUGHTRADERECORDS.COM
www.redeyeworldwide.com
stephen@redeyeworldwide.com
BURIAL ~ CHEMZ / DOLPHINZ ~ Catalogue Number Street Date Format UPC Box Lot
: : : : :
SI-HDB-134 05.21.2021 12” 5056321637413 25
‘Chemz’ is hooky, rushy and loved-up - both an unhinged premonition of unleashed post-pandemic joy, and a demonic flashback to past ecstasies in a hardcore style perfected in the UK. ‘Chemz’ is a 12 minute rave monster that has ingested several tracks and incorporated them into its distended body. At the other end of the Burial bi-polar spectrum, ‘Dolphinz’ is a desolate oceanic love letter to our underwater friends.
A. Chemz [12:31]
B. Dolphinz [09:03]
www.hyperdub.net
www.redeyeworldwide.com
stephen@redeyeworldwide.com
FATIMA AL QADIRI ~ MEDIEVAL FEMME ~
Catalogue Numbers : Release Date : Formats : UPCs : Box Lots :
HDBLP057 / HDBCD057 05.21.2021 LP / CD 5056321637338 [ LP ] / 5056321637345 [ CD ] 25 [ LP ] / 35 [ CD ]
‘Medieval Femme’, Fatima Al Qadiri’s new ten track suite inspired by the classical poems of Arab women, invokes a daydream through the metaphor of an Islamic garden, at the border between depression and desire, where the present temporarily dissolves, leaving only past and future. Mixing neon drones and the faint outlines of Arabesque melody, ‘Medieval Femme’ reveals a fully-realised, dreamlike setting, shaded with colour and subtle friction. Conveying a thematic state of melancholic longing, Fatima seeks to transport the listener to a place of reverie and desolation, to question the line between two seemingly opposite states and rejoice in celestial sorrow. ‘Medieval Femme’ takes instrumentation from music of the Middle Ages, recast in a futuristic setting; soft-synth lutes, organs and pipes reverberate in space while gauzy pulses ripple in response. Fatima's vocals of repeated, mantra-like phrases are sometimes pitched and altered, drawing out increasingly intense peaks, angelic choruses and yearning incantations. On ‘Tasakuba’, Kaltham Jassim’s recitation of a couplet from the 7th century poet Al-Khansa', the sorrow of her words are given a turbulent, hallucinatory setting, before the album resolves on the final song, the limpid, airy ‘Zandaq’.
A1. Medieval Femme A2. A Certain Concubine A3. Sheba A4. Vanity A5. Stolen Kiss Of A Succubus B1. Golden B2. Qasmuna (Dreaming) B3. Malaak B4. Tasakuba B5. Zandaq
www.hyperdub.net
RECORDS
• The Oakland-Based Black Jazz Label Emerged from the Late-‘60s/Early‘70s Movement That Led to a Number of Black-Run Artist Collectives Such as the AACM (Artists Association for the Advancement of Creative Musicians) • Founded by Ovation Records Owner Dick Schory and Pianist Gene Russell, Who Produced All the Black Jazz Releases • Reputed to Be the First Jazz Label Started by an African- American Since 1921, Black Jazz’s Mission Statement Was “to Promote the Talents of Young African American Jazz Musicians and Singers” • The Label Released About 20 Albums During Its Brief (1971-1975) Existence, and Then Faded into Obscurity • But a New Generation of Crate Diggers and DJ’s Discovered the Label’s Amazing Array of Modal, Soul, Funk, and Free Jazz, Much of It Imbued with the Political and Spiritual Concerns of the Day • Now, Real Gone Music Has Obtained the Rights to Reissue the Entire Black Jazz Catalog on LP and CD • Remastered by Mike Milchner at Sonic Vision • Lacquer Cutting by Clint Holley and Dave Polster at Well Made Music • LPs Pressed at Gotta Groove Records in Black Vinyl • Original Album Art • Added Liner Notes by Pat Thomas, Author of Listen Whitey! The Sounds of Black Power • Produced for Reissue by Real Gone’s Own Gordon Anderson • Real Gone Music Will Donate $500 to the Equal Justice Initiative with Each Black Jazz Release • With Four Albums to His Credit, Keyboardist/Composer Doug Carn Recorded More Than Any Other Artist for Black Jazz • Infant Eyes Is His Acclaimed 1971 Debut for the Label • Innovatively Added Lyrics to Jazz Classics like John Coltrane’s “Acknowlegement (A Love Supreme),” Horace Silver’s “Peace,” and Wayne Shorter’s Title Track • All Sung by the Gorgeous, Thrilling Voice of His Wife Jean Carn • Features Fellow Black Jazz Recording Artist Henry Franklin on Bass • 1973’s Revelation Further Integrated Jean Carn’s Amazing Vocals into Carn’s Impressive Stylistic Vision • Trumpeter Olu Dara, Bassist Walter Booker, and Drummer Ira Williams Are Among the Big-Name Players • Both Records Stand as Spiritual/Soul Jazz Classics That Sound Ever So Contemporary 50 Years Later • Available on CD, Black Vinyl, and Orange with Black Swirl Vinyl Exclusive to Independent Record Stores and Limited to 500 Copies iBarcoder DOUG CARN: Infant EyesTrial (Remastered Vinyl Edition) "
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UPC: 848064012351 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60 DOUG CARN: Infant Eyes (Remastered Orange with Black Swirl Vinyl Edition) (Independent Record Store Exclusive) iBarcoder Trial "
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UPC: 848064012481 FORMAT: Regular Weight Orange with Black Swirl Vinyl PACKAGING: LP Jacket with Insert LIMITED EDITION: 500 BOX LOT: 60 DOUG CARN: Infant EyesTrial (Remastered CD Edition) iBarcoder "
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UPC: 848064012375 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30 iBarcoder Trial DOUG CARN Featuring the Voice of JEAN CARN: Revelation (Remastered Vinyl Edition) "
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UPC: 848064012382 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60 DOUG CARN Featuring the Voice of JEAN CARN: Revelation (Remastered Orange with Black Swirl Vinyl Edition)Trial (Independent Record Store Exclusive) iBarcoder "
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UPC: 848064012498 FORMAT: Regular Weight Orange with Black Swirl Vinyl PACKAGING: LP Jacket with Insert LIMITED EDITION: 500 BOX LOT: 60 DOUG CARN Featuring the Voice of JEAN CARN: Revelation (Remastered CD Edition) iBarcoder Trial "
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UPC: 848064012405 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, including Watts-based UGMAA (Union of God’s Musicians and Artists Ascension), Chicago’s AACM (Association for the Advancement of Creative Musicians), Brooklyn’s CBA (Collective Black Artists), and Detroit’s The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory, with a mission statement “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact… but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere. After years of trying, we at Real Gone Music finally were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original black-and-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album.
DOUG CARN: Infant Eyes (Remastered CD & Vinyl Edition) STREET DATE: MAY 21, 2021 Keyboardist Carn’s 1971 debut record for Black Jazz introduced his stylistic wrinkle of adding lyrics to jazz classics like John Coltrane’s “Acknowlegement (A Love Supreme),” Horace Silver’s “Peace,” and Wayne Shorter’s title track, all sung by the gorgeous, thrilling voice of his wife Jean Carn. A crack outfit of drummer Michael Carvin, saxophonist/flautist George Harper, trombonist Al Hall, Jr., trumpeter Bob Frazier, and bassist Henry Franklin (himself leader of two treasured Black Jazz releases) backs the couple. A moving, beautiful listen that sounds ever more contemporary. Highly recommended!
DOUG CARN Featuring the Voice of JEAN CARN: Revelation (Remastered CD & Vinyl Edition)
STREET DATE: MAY 21, 2021 Aside from McCoy Tyner’s “Contemplation,” John Coltrane’s “Naima,” and René McLean sic McClean’s “Jihad,” Doug Carn himself takes the composing reins on this masterful 1973 release, which further integrates Jean Carn’s ethereal yet soulful vocals into the his impressive stylistic vision. And this time the band includes such heavyweights as trumpeter Olu Dara, bassist Walter Booker, and drummer Ira Williams. All of Carn’s albums for Black Jazz are classics; this one might just be first among equals.
LP Side One 1. Welcome 2. Little B’s Poem 3. Moon Child 4. Infant Eyes LP Side Two 1. Passion Dance 2. Acknowledgement (A Love Supreme) 3. Peace CD 1. Welcome 2. Little B’s Poem 3. Moon Child 4. Infant Eyes 5. Passion Dance 6. Acknowledgement (A Love Supreme) 7. Peace 4. Powerhouse LP Side One 1. God Is One 2. Power and Glory 3. Revelation 4. Naima 5. Fatherhood LP Side Two 1. Contemplation 2. Feel Free 3. Time Is Running Out 4. Jihad CD 1. God Is One 2. Power and Glory 3. Revelation 4. Naima 5. Fatherhood 6. Contemplation 7. Feel Free 8. Time Is Running Out 9. Jihad
IKUE MORI—BRIAN MARSELLA—SAE HASHIMOTO ARCHIPELAGO X TZA CD 4033 Spectrum Ikue Mori, Brian Marsella, Sae Hashimoto. Turning Back * Warped Passage * Satellites are Spinning * Challenger Deep * Wicked * Lapis Lazuli * Pale Blue Dot * Through the Mist Laptop wizard Ikue Mori, master keyboardist Brian Marsella and classical percussion virtuoso Sae Hashimoto are Archipelago X, a dynamic new trio born during the 2020 pandemic. Recording at their home studios and exchanging tracks back and forth for months, the music is detailed, evocative and dramatically mysterious, blending electronica, classical, ambient, film soundtrack, pop and jazz into a remarkably original aggregate. Inspiring and engaging music by this fabulous trio of downtown musical masters spanning three generations!
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02397-4033 - 2
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File Under: Avant Garde/Jazz
Street Date: May 21, 2021 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
Soul Jazz Records Presents
STUDIO ONE ROOTS New Coloured Vinyl Limited 20th Anniversary Edition 21st May 2021
This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases, now available as a one-off special blue vinyl very limited-edition pressing (2000 copies worldwide).
Side One
Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae. This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history – The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road. Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites seminal Rastafari anthem Addis Ababa and many, many more.
2. Cornell Campbell – Natty Don't Go
This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Hones Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves. “The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection” All Music
1. The Cyclones with Count Ossie – Meditation 3. Freddie McGregor – Africa Here I Come 4. Bunnie & Skitter – Lumumbo Side Two 5. Willie Williams – Addis A Baba 6. L Crosdale – Set Me Free 7. Leroy Wallace – Far Beyond 8. Lennie Hibbert – More Creation Side Three 9. Alton Ellis – Blackish White 10. Winston Jarrett – Fear Not 11. Devon Russell – Drum Song 12. The Gaylads – Africa Side Four 13. Black Brothers – School Children 14. Linton Cooper – You'll Get Your Pay 15. Sound Dimension – Congo Rock 16. Zoot Simms – African Challenge
st
Release Date:
21 May 2021
Artist:
Soul Jazz Records Presents
Title:
STUDIO ONE ROOTS
Label:
Soul Jazz Records
Format 1:
2xLP: Cat. No: SJRLP056C UPC: 5026328300566
5 026328 300566
Contact: Jeep Ward, 877-733-3931 x225, jeep@redeyeworldwide.com No shipments outside of North America.
Soul Jazz Records Presents
STEVE REID Nova 21st May 2021
Soul Jazz Records are issuing the debut 1976 album from the legendary Steve Reid in a new edition 1000 only TRANSPARENT RED coloured vinyl (+download code). 'A truly phenomenal artist.' GILLES PETERSON 'Steve Reid is one of the greatest drummers. He is a musical genius' KIERAN HEBDEN (Four Tet) As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver! Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14). At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Nova was the first in a series of stunning independent records he released in the 1970s. At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums. Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.
Tracklist A 1. Nova (3.49) 2. Lions Of Juda (5.38) 3. Free Spirits – Unknown (5.49) B 1. Long Time Black (8.03) 2. Sixth House (8.14) Release Date: st
21 May 2021 Artist: Steve Reid Title: Nova Label: Soul Jazz Records Format: LP, transparent red coloured vinyl Cat. No. SJRLP442C UPC: 5026328304427
5 026328 304427
Contact: Jeep Ward 877-733-3931 x225 jeep@redeyeworldwide.com No shipments outside of North America.
STUDIO ONE PIRATES CHOICE VOL. 2 LP RELEASE DATE: 5/21/2021 From the vaults of Studio One comes an eclectic grouping of rare shots picked from the treasure chest of the label’s releases. Here album tracks by Willie Williams, Lennie Hibbert and Freddie McGregor are joined by rarer releases by the Conquerors, Cool Operator, Roy Richards and the Freedom Singers. Also included are alternate versions of songs like “All the Way” and “Jah Light” as well as “Pirates Choice” that have circulated among Studio One collectors for some years. All tracks are taken from their original master tapes and completely remastered by GRAMMY-winning engineer Toby Mountain.
HIGHLIGHTS: • Compilation of rare and unreleased tracks from the Studio One archives, and the sequel to the original Studio One Pirates Choice compilation from the ‘80s that remains a fan-favorite to this day. • All material taken from original tapes and remastered by GRAMMY-winning engineer Toby Mountain. • Features legendary Studio One musicians like Freddie McGregor, Lennie Hibbert, Roland Alphonso, The Brentford Rockers, Willie Williams and more. • The newest addition to Studio One’s Original Masters series. • All material produced by Studio One founder and “The Father of Jamaican Music” Coxsone Dodd.
TRACKLISTING: 1. Willie Williams - All the Way (Alternate Mix) 2. The Conquerors - You Hold the Handle 3. Lennie Hibbert - Chinese Beauty 4. Freddie McGregor - Sweet Child 5. Roy Richards - Dirty People 6. Roland Alphonso & The Brentford Disco Set - Jah Light 7. Brentford Rockers - Pirates Choice 8. Freedom Singers - Black Is Black (Original Mix) 9. Freedom Singers - Black Is Black (Single Mix) 10. The Main Roots - Plead My Cause 11. The Soul Rebels - Bongo Skank 12. Cool Operator & The New Establishment - Heart Breaker 13. Studio One Band - Jah Light Dub
Artist: Various Artists Title: Pirates Choice Vol. 2 Catalog #: LP-SOR-027 UPC: 634457902718 Packaging: LP Jacket Box Lot: 25 Territory: Worldwide
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DISTRIBUTED EXCLUSIVELY BY REDEYE 505 ENO ST HILLSBOROUGH NC 27278 336-578-7300 | FAX 336-578-7388
34457 90271 8
www.StudioOneRecords.com
JOHN PALUMBO HOLLYWOOD BLVD OVERVIEW
Fresh from the release of Crack The Sky’s latest album, TRIBES, singer/ multi-instrumentalist JOHN PALUMBO is venturing out into the funky world of HOLLYWOOD BLVD, his fifth solo album.
TRACKLISTING 1. Hollywood Blvd 2. How It Feels To Be Me 3. Wake Up 4. Shutdown 5. Funky Town 6. A Lovely Day 7. Man On Fire 8. Nothing To Lose 9. In A Cold World 10. Crazy 11. The Dancing Clown 12. Shadowboxing Artist: John Palumbo Title: Hollywood Blvd Label: Carry On Music Release Date: May 21, 2021 Configuration: CD wallet Box lot: 30 Catalog # COMU-001 CD UPC: 850020209071 Digital album UPC: 850020209064 Territory: WW
An artist at the top of his game, JOHN PALUMBO serves up an even dozen of finely crafted and expertly recorded gems on HOLLYWOOD BLVD. He plays all the instruments on the album himself, sans a number of key acoustic and electric slide guitar contributions from his Crack The Sky bandmate, Bobby Hird. Produced and created at PALUMBO’s home studio, HOLLYWOOD BLVD was mastered by longtime CTS associate R. Lee Townsend at Real Time Studios. The earwig-inducing sonic avenues and cleverly winding wordsmithed roads that comprise HOLLYWOOD BLVD continue to cement PALUMBO’s status as a shrewdly observational songwriter in the vein of Leonard Cohen and Lou Reed.
MARKETING • Always a critic’s favorite, John Palumbo press will focus on musician and gear outlets, including: Ultimate Classic Rock, Classic Rock magazine/Loudersound.com, American Songwriter, Guitar World, Guitar Player, ABC Radio Networks, and music and instrument focused podcasts and websites. • Outreach to Crack The Sky fanbase via socials • Local radio support, including Baltimore’s classic station The Bay • “Hollywood Blvd” lyric video to premiere April 1 • Instant grat track and album preorder available April 2 • Facebook advertising campaign geo targeting historic tour markets in Mid-Atlantic and Northeast regions • Marketing alongside Crack The Sky select live shows
505 Eno St. Hillsborough, NC 27278
info@carryonmusic.com carryonmusic.com
REDEYEWORLDWIDE.com LORI MILLER 877.773.3931 216 / lori@redeyeworldwide.com
SAN HOLO bb u ok? Release Date: May 21st, 2021 San Holo releases his second full length album, bb u ok?, the first via bitbird/Counter Records. Available on 2LP, Limited 2LP Box Set and CD. On “bb u ok?”, San explores the intersection of festival anthems and lo-fi bedroom ballads by mixing more analog instruments and equipment into his genre-bending sound. He fleshes out his band with collaborations, from “album1” returnees Bipolar Sunshine and The Nicholas, to long-time heroes of San’s including Illinois indie rockers American Football and Rivers Cuomo. San Holo’s first album, album1, debuted on the Billboard Dance/Electronic Album chart at No. 7 and topped the iTunes Electronic Charts in the US, Canada and other countries. Following the release of the album, San embarked on a year-long world tour that hit 75 dates across Asia, New Zealand, Australia, Europe and North America, selling 100,000 tickets in NA alone. Even more than the ticket sales, streams and awards, album1 proved the strength of San’s international fanbase. The artist deepend that relationship throughout 2020 with his Stay Vibrant movement, a concept that asks for honesty with oneself and others.
CAT NO: COUNT210 UPC: 5054429142464 Box Lot: 15
￫ Double crystal clear, 140g vinyl ￫ Artworked sleeve with 5mm spine ￫ Bespoke envelope inner sleeve ￫ Lyric card insert + sticker ￫ Download code included
CAT NO: COUNTBX210 UPC: 5054429147704 Box Lot: 5
￫ Double, crystal clear 140g vinyl ￫ Bespoke envelope sleeve ￫ Artworked notebook, artworked postcard set, bb u ok? Pencil, stamp sticker set ￫ Download code included
CAT NO: COUNTCD210 UPC: 5054429142488 Box Lot: 35
￫ Wallet sleeve ￫ Envelope inner sleeves ￫ Lyric sheet insert
SIDE A A1. i am thinking of you A2. IT HURTS! A3. new one (ft. Bipolar Sunshine) A4. bb u ok? A5. black and white A6. i just wanna fucking cry (ft. The Nicholas) SIDE B B1. heal (↑%) B2. lonely in LA B3. the great clown Pagliacci B4. i get lonely around people, too B5. thoughts and chemicals (ft. American Football)
SIDE C C1. MY FAULT C2. make this moment last C3. find your way (ft. Bipolar Sunshine) C4. do you see me? SIDE D D1. FEELS RIGHT D2. ewing street D3. wheels up (ft. Rivers Cuomo of Weezer) D4. you’ve changed, i’ve changed (ft. Chet Porter) D5. one more day (ft. Mija & Mr. Carmack)
Genre: Electronic Key Markets: Los Angeles, Chicago, Dallas, San Francisco, Denver Recommended If You Like… Porter Robinson, Madeon, Alison Wonderland, Chet Porter
naretail@ninjatune.net ninjatune.net
ELKKA EUPHORIC MELODIES Release Date: May 21, 2021 Elkka will release her new EP “Euphoric Melodies” on Ninja Tune’s Technicolour imprint. London based producer, DJ and label boss Elkka (real name Emma Kirby) announces a new EP titled “Euphoric Melodies”, due out 21st May, marking their first release on Ninja Tune imprint Technicolour. The 5 tracker is a warm and euphoric exploration of what Emma values most - the ability and freedom to believe in oneself, ‘Honing in on your instincts and being able to trust those feelings, whilst being comfortable to do so’ comments Emma, ‘acting on impulse over perfection’. In 2016, Elkka founded femme culture. The London-based record label and collective was born out of the desire to champion women in the arts and push forward-thinking music standing for inclusivity amongst all genders, backgrounds and beliefs, and actively promotes collaboration in all fields. The label’s annual HeForShe compilation has garnered critical success and featured the likes of Octo Octa, DJ Boring, and DJ Python. Elkka’s momentum is fuelled by a silo of authentically danceable music; to date, her work has been supported by Four Tet, Floating Points, Caribou, George Fitzgerald, SHERELLE, Annie Mac and more.
CAT NO: TCLR039
UPC: 5054429144475
Box Lot: 20
￫ Single 140g black vinyl ￫ Includes download code
SIDE A A1. Burnt Orange A2. Euphoric Melodies A3. Flowers SIDE B B1. Alexandra B2. Morning Fuzz
Genre: Electronic Key Markets: Los Angeles, New York City, Chicago, San Francisco, Seattle, Portland Recommended if you like… Joy Orbison, Avalon Emerson, Octo Octa, Overmono, Shanti Celeste
naretail@ninjatune.net ninjatune.net
CORY HANSON
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Colleen
The Tunnel and the Clearing Thrill - 541
CD BOX LOT CD 35
7-9037705412-5
LP BOX LOT LP 50 Vinyl is non-returnable
7-9037705411-8
Clear w/ himelt red & black LP BOX LOT LP 50 Vinyl is non-returnable
LISTEN HERE Colleen is an aboundingly inventive composer and artist. For two decades Cécile Schott, as Colleen, has crafted welcoming, enchanting, and bewildering music. The multiinstrumentalist and vocalist’s timeless compositions make use of carefully selected tools to mold memories into transcendent splendor. The Tunnel and the Clearing finds Schott at her most vulnerable and confident, invoking contemplative and swirling organ processed through analog electronics, steady drum machine syncopations and her distinctive voice. On an album centered on processing the complicated washes of emotion through tribulations and revelations Colleen presents a vision of breathless clarity. The Tunnel and the Clearing was developed over a period of transformative change. Colleen began work on the album in 2018 but was all but halted by extreme fatigue from a previously undiagnosed illness. Years of treatment and adjustment eventually led to relocating to Barcelona, soon followed by lockdowns and then the dissolution of her longtime partnership. Reflecting on these cumulative experiences she reimagined her compositional practices, spending months in near complete silence. Says Schott, “Never before had I felt so profoundly the power that music has, through harmony, melody, rhythm and sound itself, to express the whole range of human emotions.” The resulting seven pieces investigate the complex, at times contradictory relationship between excitement and fear, anger and understanding, struggle and triumph, all focused on a reconstruction of the self. Colleen’s albums are unified by distinct and personal instrumentation, built around music boxes, viola da gamba, or electronics, they somehow all remarkably share a dreamlike modern quality. For The Tunnel and the Clearing Schott restricted herself to using analog electronic instruments including the Elka Drummer One, the Roland RE-201 Space Echo and Moog Grandmother synth, coupled with Yamaha organ keyboard. Stunningly, Colleen achieves the rich emotional intricacy and the lush density of textures on The Tunnel and the Clearing through almost entirely live performance and processing. These detailed and affecting compositions mirror Colleen’s grappling with her own psyche. Schott elaborates “I found direct correspondences between my internal discourse, its obsessive, frantic attempts at making sense of what I could not understand, and the music I was making, with motifs functioning as questions and answers, doubts and assertions.” Clicks, hums, warbles and throbs emulating our evolving internal worlds, an “emotional noise.” A musical journey through the tunnel toward the clearing at its end. The Tunnel and the Clearing is a work of lucid reverence, a constellation of marvels suspended in air.
ALSO AVAILABLE: A Flame My Love, A Frequency CD/LP (Thrill 449) Captain of None CD/LP (Thrill 387)
7-9037754111-3
GENRE : Electronic / Experimental FILE UNDER : “C” for Colleen RELEASE DATE : May 21, 2021 NO EXPORT (JAPAN, S. AMERICA EXPORT OK) TRACK LISTING: 1. The Crossing 2. Revelation 3. Implosion-Explosion 4. The Tunnel and the Clearing 5. Gazing at Taurus - Santa Eulalia 6. Gazing at Taurus - Night Sky Rumba 7. Hidden in the Current SALES POINTS “A singular musician; no one else makes music like Colleen’s. Her songs offer a completely unique window on the world.” - The New Yorker ”Her undulating landscapes seem naturally occurring, as if they were simply breathed into being when she flicked a switch.” - Pitchfork Black Lp with fully artworked inner sleeve / download card Deluxe limited color LP with fully artworked inner sleeve on Clear Vinyl with Hi Melt Red and Black / download card Deluxe CD mini-gatefold package Mastered by Antony Ryan at RedRedPaw. Colleen plans to return to global touring as soon as possible, US tour planned for 2022. The Tunnel and the Clearing is created almost entiirely analog electronic instruments including the Elka Drummer One, the Roland RE-201 Space Echo and Moog Grandmother synth. Colleen’s pionering music has been featured in Inumerable films and acclaimed by outlets such as Pitchfork, Uncut, Mojo, The Wire, the Guardian, Stereogum, The New York Times, Exclaim,, The Quietus, and more. ”Folk songs outside a specific era or ethnic lore, yet speaking directly to the tonality of the global present.” - NPR
Follow Colleen Chicago / Berlin Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
DUCKS LTD. GET BLEAK
CARPARK RECORDS www.carparkrecords.com Toronto’s Ducks Ltd. will release an expanded re-issue of their debut EP, Get Bleak on May 21, 2021 via Carpark Records. Composed of friends Evan Lewis, on lead guitar, and Tom Mcgreevy, on vocals and rhythm guitar, the band built a reputation in their hometown for their bright, sinewy, guitar sound while sharing bills with artists like Rolling Blackouts Coastal Fever, Weyes Blood, The Goon Sax and Juan Wauters. The band initially released their debut EP under the name Ducks Unlimited, earning accolades from Pitchfork who praised the band’s “lilting, throwback jangle pop,” and acclaim from outlets like NPR, Paste, NME, Apple Music 1, and more. After signing to Carpark, the updated version of Get Bleak will be released with three additional bonus tracks, “Oblivion,” “As Big As All Outside,” and “It’s Easy.” The opening track, “Get Bleak” sets a thematic tone for the EP, one of cultural self-awareness and satiric critiques of society’s pressures and the often ridiculous demands – and prices we pay – to exist. Chiming with breezy indie guitar sounds akin to those of Flying Nun and Sarah Records acts, the track, that features a contribution from Laura Hermiston of Twist, pokes fun at the idea that moving from city to city will fix the problems in your life. Following suit is “Gleaming Spires”, a track that zeroes in on the cities we live in and the push-pull relationships that we so often share with them. “Anhedonia”, via it’s tightly-wound rhythm and nostalgia-inked guitars, shifts focus to the times when one is unable to wring any joy out of the things that they find important in life.
TRACKLISTING 1. Get Bleak 2. Gleaming Spires 3. Annie Forever 4. Anhedonia 5. Oblivion 6. As Big As All Outside 7. It’s Easy
Whereas the original tracks on the EP demonstrate the debut stylings of Ducks Ltd., the bonus tracks on the album serve as indications of their music to come later on Carpark Records. Bringing the band’s characteristic restless bounce, thoughtful lyricism and penchant for orchestration, the tracks explore topics like troubled friendships (“It’s Easy”), self-destructive desires (“Oblivion”), and living with decline (“As Big As All Outside”) while maintaining the balance of earnest selfreflection and humor that endeared audiences to the original release.
CATALOG NUMBER: CAK152 STREET DATE: May 21, 2021 FILE UNDER: Alternative/Indie Rock DISCOUNT: 5% on LP until June 18, 2021
GET BLEAK LP (CLEAR VINYL) UPC 677517015218
Full of the unbridled radiance of jangle-pop, the expanded reissue of Ducks Ltd.’s Get Bleak celebrates the strength of their debut release while expanding their thematic and compositional horizons, and providing an intriguing glimpse of what’s to come. BLEAK POINTS • North American publicity by Pitch Perfect • College/Non-Commercial radio by Terrorbird • Digital playlisting & positioning by Terrorbird • Sync licensing by Terrorbird • Reissued EP with three bonus tracks • Music video in the works for “As Big As All Outside” • Facebook boosted posts and targeted Instagram dark posts throughout campaign
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
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Friday, May 21 2021 Friday April 9 2020 'NGEVTQPKE 9QTNF GZ 'WTQRG
Double CD CD-BAYL-121 UPC 843190012121 Black vinyl 3LP LP-BAYL-121 UPC 843190012114 Limited edition grey vinyl 3LP LP-BAYL-121X UPC 843190012138
Murcof, the primary project of producer Fernando Corona, TGVWTPU VQ 6JG .GCH .CDGN HQT VJG ƂTUV VKOG KP VJKTVGGP [GCTU with the mammoth and visionary double album, The Alias Sessions. This collection brings together all the elements incorporated into the project to date - meticulous sound design, ghostly samples, forceful beats, diaphanous atmosphere - but pushes the sound even further in terms of both abstraction and beauty. This is electronic music of exquisite tension and ecstatic release, moving from barely audible details to explosive peaks, much of it delivered by earth-moving bass.
• Murcof returns to The Leaf Label HQT VJG ƂTUV VKOG UKPEG oU The Versailles Sessions
The Alias Sessions is the most ambitious and wideranging Murcof album to date - less about the individual components of a track and more about the cumulative force of the set as a whole. Corona has composed UGXGTCN ƂNO UEQTGU CPF VJCV GZRGTKGPEG YKVJ CVOQURJGTG KPHQTOU VJGUG VTCEMU 6JG TGEQTF DGPGƂVU HTQO ECTGHWN CPF focused attention, preferably over longer periods - it’s too expressive and dynamic to remain in the background.
• Double CD in 6-panel softpack with spot varnish
Corona began work on this music in April 2017, when he met with choreographer Guilherme Botelho, leader of Geneva-based dance company Alias, about a new performance piece - ‘Contre-Mondes’. Versions of VJGUG EQORQUKVKQPU OCMG WR VJG ƂTUV JCNH QH VJG CNDWO Corona continued work with the organisation for a 2018 perfomance entitled ‘Normal.’ which now forms the second part of the record. “I’m always looking for new unheard sounds,” Corona says. “To create weird associations and contrasts between sounds of a different nature.” The Alias Sessions is the glorious result of this desire put into practice. murcof.com facebook.com/murcof
The Leaf Label VJGNGCƃCDGN EQO EQPVCEV"VJGNGCƃCDGN EQO
• That journey began with the classic debut album Martes in 2002, and took in Utopía (2004), Remembranza (2005) and the epic Cosmos (2007) • Triple vinyl editions cut at 45rpm and presented in deluxe 8mm URKPG ICVGHQNF UNGGXG YKVJ URQV XCTPKUJ CPF KPPGT ƃQQF RTKPV RNWU four-page insert and download code • Limited indies only edition on concrete grey vinyl – just 500 copies for the world • Lead track ‘Underwater Lament’ is accompanied by a brilliant video featuring the disembodied limbs of the Alias dance company • A versatile and in demand collaborator, Murcof has operated in VJG EQPVGORQTCT[ FCPEG ƂNO CPF VGNGXKUKQP YQTNFU CPF YQTMGF with the likes of Talvin Singh, Erik Truffaz and classical pianist Vanessa Wagner • Murcof has an incredible reputation for his full AV live shows, having performed at prestigious music and arts festivals around the world, including Mutek, Sonar, Atonal and Montreal Jazz Festival • He will return to the live arena in 2021 On Murcof: “By mixing the beats and glitches of electronic minimalism with the orchestral drama of 20th century classical, he spurred the creation of a new kind of home listening market populated by Marsen Jules, Max Richter, Deaf Center and Ryuichi Sakamoto” Resident Advisor
877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com
CRAVEN FAULTS ENCLOSURES street date: file under: territory:
Friday May 21 2021 Analogue Electronic World ex. Europe
Black vinyl mini-album LP-DOCK-73B UPC 843190057344
Enclosures follows Craven Faults’ debut album Erratics & Unconformities. These 37 minutes of music are the start of the next journey. New terrain and more refined methods of travel. Dark clouds gathering. We’re out of the blocks quickly. German engineering carries us swiftly across the moors on a Saturday night rendezvous. Two almost identical mushroom shaped rocks are the destination. There’s evidence of previous rituals carried out. Two hours due north we go in search of the power source. Cascading. An experiment in performance over a fixed point. Tape loops recorded in 1967 at The Philadelphia College of Art. Woodwind purchased from a charity shop in Yeadon. The concept of work was forgotten. We’re back on the millstone grit of the Mid Craven Fault for an exercise in simplification. Familiar territory. Sometimes the theory isn’t all it’s cracked up to be, and there’s still power in hammering a single note over two chords – a lesson learnt from the American South in the late 40s and early 50s and boiled down in the late 60s. Olympic Sound Studios, April 1967. The Hit Factory, April 1969. On Erratics & Unconformities, Craven Faults often found a calm inner space in the vistas. Here the tensions of the early EPs return, with a focus on how human ‘progress’ has impacted and shaped the landscape. How the land was divided now shapes our present and future, and retracing that journey is particularly pertinent. cravenfaults.com facebook.com/CravenFaults @cravenfaults instagram.com/cravenfaults
The Leaf Label theleaflabel.com contact@theleaflabel.com
*** Black vinyl second edition with revised artwork, released due to unprecendented demand *** • This mini-album is Craven Faults’ second vinyl release on The Leaf Label • The first editions of Enclosures, released in November 2020, sold out on release, and this second edition on black vinyl with revised artwork is now available for those that missed out • Thirty-seven minutes of music over three epic tracks longform analogue electronic journeys across the north of England • Debut album Erratics & Unconformities, released in January, hit the heights of number 16 in the Official UK Independent Chart, and number two in the Indie Breakers Chart • Support from Kieran Hebden, Mary Anne Hobbs, Demdike Stare, Dan Snaith, Graham Massey, James Holden, Gold Panda, Bill Kouligas, Luke Abbott, Not Waving, Alessandro Cortini, Steve Davis, Stuart Maconie, Resident Advisor, NTS, NPR and Beats In Space On Enclosures: “Rumours still abound about the identity of its creator, but who cares when the end results are as mesmeric and seductive as this?” 4/5 Mojo “Expansive synth meditations both evoking the wide open spaces of the Yorkshire Dales and celebrating the area’s industrial past” 8/10 Uncut “Three epics of electronic minimalism, imagining journeys across post-industrial Northern England” Resident Advisor
877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com
FIVER – FIVER WITH THE ATLANTIC SCHOOL OF SPONTANEOUS COMPOSITION
LABEL: YOU’VE CHANGED RECORDS CATALOG: YC-049 FORMAT: LP/CD/Digital RELEASE DATE: Digital – May 7, 2021 // LP/CD – May 21, 2021
Simone Schmidt is a versatile and thorough craftsman — a distinct vocalist, guitarist, and wordsmith; a rigorous researcher, producer, and designer; a friend to many and enemy to some. Over the past 13 years and 7 full length records, Schmidt has largely rejected the logic of the music industry, employing many aliases in the course of creating a robust discography that engages various strains of North American folk and Country music, from Old Time to Psychedelic Country . In a totally unpredictable follow up to the historical fiction of Fiver’s Audible Songs From Rockwood (2017), Fiver with The Atlantic School of Spontaneous Composition wrangles the impulses of a new generation of improvisational musicians toward an unexpected reimagining of Country music and its possibilities.
Fiver with The Atlantic School of Spontaneous Composition --Yeah But Uhh Hey Leaning Hard (On My Peripheral Vision) June Like A Bug Jr. Wreck Sick Gladiola Death Is Only A Dream Paid In Pride For Your Sake (featuring Special Costello)
Throughout 2017-2018, Toronto-based Simone Schmidt (Fiver) travelled east to a small white house in Scotch Village in unceded Mi’kma’ki, to arrange the music with Bianca Palmer (drums, percussion), Nick Dourado (lap steel, piano, vibes, sax), and Jeremy Costello (synths, bass, voice). Known for their work with Beverly Glenn Copeland, the unit was dubbed the Atlantic School of Spontaneous Composition for their improvisational tendencies and geographic location. Indebted to Dourado and Palmer’s teacher, drummer Jerry Granelli (Vince Guaraldi trio) and the improvised music community of the Creative Music Workshop, theirs is a practice based in deep listening and presence in the moment. What better players to realize a set of songs concerned with the aggregate experiences that compose the now, the cycles of life and death, labour and political thought borne by the present condition? Throughout the 8 song album, Schmidt’s characters describe a world on the brink. They sing it into being through Country’s forms and tropes — some rendered intact, some tangential, and some pushed off the road to new historical ends. Dourado’s chops, Palmer’s voicing, and Costello’s dexterity ensure that the arrangements owe as much to Duke as they do to Deford. From beginning to end, Fiver and the Atlantic School of Spontaneous Composition remain open and adaptable to sound and natural gestures, graciously inviting us into the wonder of a gathering of people who are getting serious and having fun, who know how to listen to each other, listen together, and tap into the beauty emerging from shared space. YOU’VE CHANGED RECORDS 123 Pauline Ave. Toronto, ON M6H3M7 Canada www.youvechangedrecords.com
299 - THE 299 GAME LP Street date: May 21, 2021 File under: Alternative / Indie PNKSLM090-LP 12” black vinyl UPC: 634457054509 PNKSLM090-LE Indie exclusive 12” white vinyl Edition of 100 units UPC: 634457054516 Tracklist: 1. True Blue You 2. Sugar and Spice 3. Truth or Consequence 4. A Short Goodbye 5. Picking Through The Scraps 6. Blue Island 7. Get Wet 8. You Know Those Things You Wished For? 9. It’s Not The Time 10. Watertown
The spokes catch the moonlight. Behind you, there’s nothing but a city you don’t know. Out in front, spreading out on either side of the inky blacktop, is the desert and the promise of a horizon. Here you’ll find the music of the 299. Out here, things get weird at the edges of the frame. Out here, you can lose your mind before finding it again. That’s what happened to Welsh multi-instrumentalist and producer Gavin Fitzjohn a couple of years ago. Making his way across the US—from Phoenix to Houston to Dallas to Tampa, out to New Orleans and way out in Joshua Tree—he sought the heart of the American troubadour: guitar for hire, and trouble just around the next bend. Bricked up in hotel rooms, he recorded the character sketches and scorched earth polemics that make up the first 299 record. Totally DIY, with bowls, plates and boxes as percussion, a quarter as a guitar pick and a fistful of coins for shakers, these songs shoot the day to day mundanity of touring full of colour, mainlining the everyday weirdness of Wim Wenders’ photography and the ominous proselytising of late era Johnny Cash. These songs are home to creeping death hangovers, not-so-idle threats and big plans that go sideways irrevocably. This overarching sense of Lynchian weirdness is offset by songs that ring with crisp melodies and compositional nous. Blue Island’s skipping groove is intoxicating, dangerous in its allure, while elsewhere there are flecks of ‘60s vocal groups and Tom Waits-style melancholia tied up in Fitzjohn’s deliberate American drawl. Since completing work on these tracks, Fitzjohn has continued to work as a musician and producer with artists including Paolo Nutini, Manic Street Preachers, Gruff Rhys, Stereophonics and more, but the 299 keeps calling out to him. The songs are always playing somewhere in the background; a product of a time and place that says something about him as a songwriter and something else about America as an intoxicating landscape that will destroy you if you let it. PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide excluding UK.
© 2021 PNKSLM Recordings
ELDEN - NOSTROMO Nostromo
DESCRIPTION Elden believes in the power of heavy metal riffs, melodic choruses and an all out head banging experience. Formed in 2012 in Karlstad, Sweden, the band started writing songs influenced by artists like Mastodon, Baroness, The Sword and classic bands from the 70´s and 80´s. Come 2015, Elden released their first EP and started touring across the country. Having built a small following of both local and international fans the band started developing their sound, taking their songwriting in an interesting direction – even heavier riffs, more distinct vocals and an overall more impressive production. Debut album “Death and Fear” hit the shelves in November 2016 and got fantastic reviews: After touring Sweden to support the latest album, Elden looked to perform outside their Nordic home. In the summer of 2018 the band got the opportunity to support Stoned Jesus in Zagreb, Croatia. TRACKLIST 1. Relapse 2. Sail & Saviour 3. Anubis 4. Fossilised 5. Heavy Rain 6. Nostromo 7. Creature Follows 8. The Passage
Having been picked up by critically acclaimed label Fuzzorama Records, Elden will release their new album “Nostromo” on the 24th of January 2020. Inspired by the cold darkness of time and space, these are by far the best songs the band have written.
QUOTES
- ”Another fantastic act hailing from Sweden has arrived to put their own stamp upon the global metal community.” HATEDONEMETALREVIEWS.COM - ”Elden’s Nostromo sets the mind aflame with potential” GBHBL.COM - ”The album carries a vintage sword-and-sorcery feel with pleasant surprises and great musicianship. If you’re into traditional Heavy Metal with progressive elements this one is for you.” - METAL TEMPLE
ARTIST: Elden TITLE: Nostromo CAT NR: FUZZ 034 LABEL: FUZZORAMARECORDS GENRE: Heavy Metal, Stoner Metal, Metal , Hard rock YEAR: 2020 FORMATS: CD Digipack / LP Black / LP color (LTD ED) EAN / UPC #: CD 7320470242797 / LP 7320470242780 BOX LOT: 1
FUZZORAMA RECORDS Garpvägen 3 71940 Garphyttan, Sweden www.fuzzoramarecords.com info@fuzzoramarecords.com
Various - The Reverb Conspiracy: Volume 7 Fuzz Club Records 2LP
TRC007LP
5060467886635
Double LP with gatefold sleeve. x500 bone vinyl with x100 randomly allocated gold vinyl. This LP is for Indie stores only. Fuzz Club Records are back with the seventh volume of their annual Reverb Conspiracy compilation. Likened to the 'Nuggets' compilations that document the kaleidoscopic sounds of the 60s, the Reverb Conspiracy series provides a snapshot of the contemporary international psych scene in all its multifaceted glory. Concerned with all things fuzz, reverb and drone, you'll find underground artists and familiar names. Vice once described the Reverb Conspiracy as "a catalyst for the European Psych Nouveau movement... sparking more creative chemistry than a night of speed dating at Andy Warhol's" but, as of volume six, Fuzz Club have now gone fully international. Like its predecessor, Volume 7 is a worldwide affair and all the better for it. From Australia, there's the hypnotic psych-surf of Chesta Hadron and driving krautrock jams courtesy of Mt. Mountain. Elsewhere, Mexico brings us a ten -minute motorik work-out from Sei Still and murky, reverb-soaked shoegaze from Lorelle Meets The Obsolete. Turning back to Europe, there is a whole heap of far-out sounds. France offers us electronic post-punk drones (Veik), gothic psych (Servo) and experimental electronica/Krautrock (Ashinoa). Representing Italy, there’s Kill Your Boyfriend’s psychedelic noise-rock and bludgeoning walls-of-sound from Rev Rev Rev. There's a piece of primal industrial psych via Germany's Flying Moon In Space and Austria’s Hypnotic Floor deliver a thrashing fuzz freak-out. Championing the UK, where Fuzz Club themselves are based, you'll find Autotelia's sprawling, minimalist soundscapes and dark, noisy post-punk from Mirna Way (who are based in London but originally hail from Poland.) 1) Chesta Hedron - Pulse, 2) Mt Mountain - Tassels, 3) Sei Still - Tacticas de Guerrilla Urbana, 4) Flying Moon In Space - Ardor, 5) Kill Your Boyfriend - Agave, 6) Veik - Difficult Machinery, 7) Lorelle Meets The Obsolete - La Maga, 8) Ashinoa - Koalibi, 9) Autotelia - Floating Island of the Gods, 10) Hypnotic Floor - Beinwärts, 11) Mirna Ray - Poziome Tornado, 12) Servo - Yajña, 13) Rev Rev Rev - Clutching The Blade
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my bloody valentine mbv
RELEASE DATES:5.14.21/5.21.21 | ORDERS DUE BY 4.23.21/4.30.21
DOMINO RECORD CO.
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