5.13 & 5.20 New Release Book

ARCA

KICK ii | KicK iii | kick iiii | kiCK iiiii

RELEASE DATES: 5.13.22/5.20.22 | ORDERS DUE BY 4.22.22/4.29.22

XL RECORDINGS

Redeye Label of the Month:

CARPARK RECORDS

C O W B O Y J U N K I E S | G R A N T- L E E P H I L L I P S | T H E V E R L A I N E S

THE CARPARK LABEL FAMILY

The Carpark Records label family includes Carpark Records, Company Records (established by Chaz Bear of Toro y Moi), Wax Nine (established by Sadie Dupuis of Speedy Ortiz) and inactive labels Paw Tracks (established by Animal Collective) and Acute (reissue label). Each imprint was born through collaboration between Carpark Records and other artists. Altogether, they are rooted in Carpark’s origins as an experimental label, but demonstrate their expansion into unique, genre-bending territories.

15% OFF FOR MONTH OF APRIL:

SONIC BOOM ALL THINGS BEING EQUAL

FAT TONY AND TAYDEX WAKE UP LP: 677517014112 CAK141

LP: 677517012613 CAK126

LP: 677517012767 CAK127

CLOUD NOTHINGS LAST BUILDING BURNING

MADELINE KENNEY PERFECT SHAPES

JOHANNA WARREN CHAOTIC GOOD

TORO Y MOI LIVE FROM TRONA

LP: 677517014211 CAK142

LP: 677517013016 CAK130

LP: 677517012910 CAK129

SPEEDY ORTIZ TWERP VERSE

LP: 677517700312 WIX03

THE BETHS WARM BLOOD

LP: 677517011715 CAK117

FEATURED RELEASES:

CHELSEA JADE SOFT SPOT

DUCKS LTD. MODERN FICTION

THE BETHS FUTURE ME HATES ME

BEACH HOUSE DEVOTION

LP: 677517015416, CD: 677517015423 CAK154

LP: 677517015812, CD: 677517015829 CAK158

LP: 677517012804, CD: 677517012828 CAK128

LP: 677517004212, CD: 677517004229 CAK42

TORO Y MOI OUTER PEACE

CLOUD NOTHINGS ATTACK ON MEMORY

SPEEDY ORTIZ FOIL DEER

ED SCHRADER’S MUSIC BEAT NIGHTCLUB DAYDREAMING

LP: 677517013115, CD: 677517013122 CAK131

LP: 677517007015, CD: 677517007022 CAK70

LP: 677517010312, CD: 677517010329 CAK103

LP: 677517015515, CD: 677517015522 CAK155

Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight

This Issue: Todd Hyman at Carpark Records How did you personally get started in the music industry?

I started doing college radio and worked my way up until I was music director for 2 years. After college I worked at record labels and stores. I interned at a few labels. After resisting for a few years I saw an opening where it seemed like a good idea to start a record label.

When and where did the label begin?

Carpark was started in 1999 in New York city.

What is the meaning behind the name for the label?

I had spent the previous year in Glasgow, Scotland getting a masters degree in popular music studies. Carpark is the word for parking garage in the UK. I liked the way the word sounded and the way it looked on paper. And I also liked that the word had nothing to do with music, at least on the surface.

How has the label changed since it started?

Carpark was originally an all electronic label. In the late 90s I thought indie rock was dead and computer music was the future. I was trying to show that with Carpark.

However after a couple years the whole experimental/IDM laptop thing seemed to have hit a ceiling. And I wanted to keep moving forward. So I gradually started incorporating more “non-digital” music into the roster. We moved to the Washington, D.C. area in 2005 and I started hanging out with the Wham City crew in Baltimore.

There was so much great stuff happening there then that I decided to abandon any kind of narrow definition of what I thought the label should be and decided to just put out whatever I really liked.

Describe the general makeup of your team at the label.

My name is Todd Hyman and I am the president and founder of Carpark. Steph Salas is our label manager and runs the show. Alec Moss is our production manager. Beth Townsend is our marketing manager. Zeeshan Shad is our newest member and as Production and Marketing Coordinator, he is helping Alec and Beth. Rob Carmichael is our art director. We also have the team of Andy Moss, Josh Clark and Dylan Leggett running the show in Europe. And a whole cast of other folks helping us in other areas behind the scenes.

What has been the biggest challenge for you and the label during the Pandemic?

Just keeping everything running properly during the pandemic has been a challenge.

Vinyl production delays radically changed how we physically release music. Successfully introducing new music during a pandemic seems much harder as well.

Is the label tied to a specific geographical area? How is this reflected in your releases?

I don’t think so. We have employees in Washington, DC, New York City, Los Angeles, and Manchester, UK. We work primarily with American musicians. But we have worked with many folks in Canada, Japan, New Zealand, Australia, and the UK. Even before it became more up front in the last few years our original mission has always been to try and represent different types of people from different parts of the world.

Where do you go to search for new music? Who or what has been a new find you’d like to rave about?

Nowhere in particular really. Every band has a different story. Could be a random find on the internet, an attractive email, a recommendation from a band/staff/friend, always a surprise! Sorry - can’t spill the beans on new finds!

Is there a genre that you would consider to be the label’s “signature style,” or is it a mix?

I would say we are pretty eclectic ourselves.

How would you describe your overall ambitions and goals as a label from when you first started compared to now?

I think at the beginning I was just happy to be releasing music. But as I got the hang of that I became more interested in releasing music that would have a broader appeal and started having goals for having more successful artists and releases. I’m seeing how far we can take things.

We know you can’t choose, but what’s been your favorite label release, and why?

Sorry I really can’t pick favorites.

What’s the wildest marketing promotion you’ve ever worked on for any release?

Hmm not sure. “Wild” is not really a part of our identity. I think making promotional tchotchkes is about as wild as we typically get. I guess we’ve done a couple of billboards over the years if you consider that wild.

If you had the budget, what would be your dream “outside-the-box” or “crossover” marketing campaign?

I think we’re pretty happy with what we’re doing. I can’t think of anything I wish we could do that we haven’t already done. Sorry to be boring. We’re not really flashy people here.

What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released?

We are fans of color vinyl. I think a majority of our releases per year have a color vinyl edition of some kind. For The Beths “Future Me Hates Me” we did a different color for every repress which has been fun and successful. I think we have 10 colors now!

We did an LP box set for Panda Bear “Tomboy” on our sub label Paw Tracks back in the day which was pretty complex. And we also did a seven inch box set for Toro y Moi “June 2009”. Sonic Boom is also a big fan of creative packaging. His “Almost Nothing Is Nearly Enough” LP had a foil jacket with embossing and splatter vinyl. I think the Avey Tare “Down There” LP on Paw Tracks was the most difficult to make.

There was an inner sleeve with little crocodile shapes that were alternatively cut out with a laser and then there was a sleeve inside that with art that showed through the cut outs.

Forget about the vinyl boom - how are you and your label responding to the ever-increasing popularity of cassette tapes? CDs??

We make cassettes for a few of our releases every year. Every major release has a CD version. We’ve been making CDs and LPs since the beginning. I didn’t think we were selling more CDs myself!

How would you describe the average fan of the label?

I hope we don’t have any average fans.

Before working at the label did you have any experience playing in bands or making music of your own?

I did play drums in a few bands in college and DJ’d a lot when I lived in nyc.

In your opinion, how important is it to be environmentally sustainable within the music industry these days?

Pretty important. It would be great if we could not make any waste. Though I guess even with digital-only there is the environmental cost of all the energy used to store all the music. Guess we need a lot more solar panels and wind turbines.

How important are issues like mental health and social justice to you and the label?

A big priority. We’ve donated a lot of money over the last few years to social justice charities. In terms of Carpark mental health, we’ve instituted extra days off during the pandemic and end the week early on Summer Fridays. I think this has helped our team’s mental health the past couple years.

What in your opinion has been the biggest change in the music industry from when you first started compared to now?

When Carpark started there was no legal way to listen to music digitally. Napster was the only game in town. So we’ve gone from a physical only landscape to a mostly digital one in about 10-15 years? Also I was still sending and receiving faxes when I started Carpark. And I don’t think digital demos existed then (ie no soundcloud, youtube, et al).

If you had to start a new sub-label, what would it be called and what kind of music would it be geared towards?

We have already done 4 sub labels so i think i’m all sub-labelled out, sorry. We did Paw Tracks with Animal Collective, a post punk reissue label called Acute (Glenn Branca, Metal Urbain, Fire Engines et al), and currently run Company Records with Chaz from Toro y Moi, and Wax Nine with Sadie from Speedy Ortiz.

Want to shout out a personal favorite record store or retail establishment?

Now’s your chance: Thanks to Ear X-Tacy in Louisville (RIP) for being there and enabling me to buy my first indie music releases back in high school before the internet etc. I remember having to special order Teenage Fanclub “A Catholic Education” - I don’t think the clerk checking me out knew what it was ha. Also crucial early purchases: first Mudhoney CD, Bad Brains, Minor Threat, Fugazi 13 Songs, New Order, Cocteau Twins “Heaven Or Las Vegas” and early Pixies.

And also to Reckless Records in Chicago. Over my 4 years of college I must have spent thousands of dollars there for my personal collection as well as for our college radio station. I’m sure we indirectly helped labels like Drag City and Thrill Jockey pick up some artists back in the mid 90s ha.

They say our sun will explode in about 5 billion years or so- how would you like the label to be remembered?

I don’t think anyone will remember Carpark in 100 years. Though maybe someone scouring through the Library of Congress in a few hundred years might come across it.

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THE “FILM” ON THE OTHER HAND, IS A LOW-BUDGET ADULT COMEDY (A GENRE QUAINTLY CALLED A NUDIE CUTIE) FROM 1962. IT’S POSSIBLY THE SILLIEST, DUMBEST, MOST RIDICULOUS NUDIE CUTIE MOVIE EVER MADE!

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DJANGO REINHARDT Djangology: Solo & Duets (2 CDS) CD-SBR-7943

BRIAN AUGER Introspection (3 CDS) CD-SBR-7979

STEPHANE GRAPPELLI From Paris With Love (3 CDS) CD-SBR-7994x

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DC187 LP

NO EXPORT OF ANY KIND TO EUROPE/JAPAN/AUSTRALIA/NZ; MAKE IT RAIN EVERYWHERE ELSE IN THE WORLD

In the early aughts, after a decade performing as Smog, Bill Callahan thought he might start recording under his own name. This made the record company (us, sigh . . . ) nervous, so a compromise was struck: how about (Smog) instead? That gambit only worked for a year or so, and then we got some therapy for our nerves and he got the name change we all deserved: Bill Callahan, if you please, full stop, no parentheses needed, end of story. And since then, life just gets increasingly better. . .

RAIN ON LENS IS ALSO STILL AVAILABLE ON CD: DC187CD UPC: 036172918720 List Price $14.98

Rain On Lens was the first of three records to be released with the brackets — a chiaroscuro-draped passage between Dongs of Sevotion and Supper, if you will. Rife with the further adventures and evolution in the Callahanian tongue that continue to dazzle the world everytime he makes another new one. And always with at least one classic ballad (here it’s “Live As If Someone Is Always Watching You”— but imagine “Keep Some Steady Friends Around” with just a guitar backing it! Total melter), the unblinking-yet-compassionate character study (“Lazy Rain”), a masterful comic vignette (“Short Drive”), and the through-the-looking-glass set closer (“Revanchism”). Check and double-check, Rain On Lens!

It’s quite the record. But it’s been out of print on vinyl since the end of 2016. Think of all the kids who’ve been born since then! They’ll need this one day. All we can add in closing is, We’re sorry. And, You’re welcome — DRAG CITY INCORPORATED PO BOX 476867 CHICAGO ILLINOIS 60647 / ph 312.455.105 / sales@dragcity.com

!K7 Titles In Stock & Shipping Now!

Disclosure - Disclosure DJ-Kicks K7398CD - 730003739828 K7398LP - 730003739811

Dominik Eulberg - Avichrom K7404CD - 730003740428 K7404LP - 730003740411

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For more information please contact Adam Calman adam@k7.com

8x STUDIO ONE SINGLES BACK IN STOCK! HOT NEW PRICES! Digitally re-mastered classic essential recordings from the greatest reggae label in the world! $16.99 A Side: Jackie Mittoo – One Step Beyond B Side: Horace Andy – See A Man’s Face

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UPC: 5026328003153

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Format: 7” Vinyl Cat.No: SJR316-7

UPC: 5026328003160

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Format: 7” Vinyl Cat.No: SJR317-7

UPC: 5026328003177

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Format: 7” Vinyl Cat.No: SJR318-7

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Format: 7” Vinyl Cat.No: SJR320-7

UPC: 5026328 003207

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Format: 7” Vinyl Cat.No: SJR340-7

UPC: 5026328503400

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UPC: 5026328003832

Contact: Jeep Ward, 877-733-3931 x225, jeep@redeyeworldwide.com No shipments outside of North America

ORDER FORM Street Date: 5.13.22 | Order Date: 4.22.22 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

805520001601

LP-PRP-160

Cowboy Junkies

Songs of the Recollection

Vinyl

$16.65

$24.99

607396652525

CD-NW-6525

49 Winchester

Fortune Favors the Bold

CD

$8.65

$12.99

607396652501

CD-NW-6525LEIE

49 Winchester

Fortune Favors the Bold (INDIE EXCLUSIVE SIGNED CD)

CD

$8.65

$12.99

607396560912

LP-NW-5609

49 Winchester

Fortune Favors the Bold

Vinyl

$15.30

$22.99

607396561018

LP-NW-5610IEC

49 Winchester

Fortune Favors the Bold (INDIE EXCLUSIVE, TRANSLUCENT ORANGE VINYL)

Vinyl

$15.30

$22.99

7090008312086

CD-KAR-208

Wobbler

Hinterland

CD

$10.65

$15.99

7090008316404

LP-KAR-208LEC

Wobbler

Hinterland (MARBLED VINYL)

Vinyl

$15.30

$22.99

7090008312093

CD-KAR-209

Wobbler

Afterglow

CD

$10.65

$15.99

7090008316374

LP-KAR-209LEC

Wobbler

Afterglow (MARBLED VINYL)

Vinyl

$15.30

$22.99

7090008312109

CD-KAR-210

Wobbler

Rites at Dawn

CD

$10.65

$15.99

7090008316343

LP-KAR-210LEC

Wobbler

Rites at Dawn (MARBLED VINYL)

Vinyl

$15.30

$22.99

7090008311997

CD-KAR-199

Riis, Bjorn

Everything to Everyone

CD

$10.00

$14.99

7090008316114

CD-KAR-199X

Riis, Bjorn

Everything to Everyone

CD

$11.30

$16.99

634457079939

LP-YC-001LE

Romano, Daniel

Visions Of The Higher Dream

Vinyl

$16.00

$23.99

634457079953

LP-YC-002LE

Romano, Daniel

Content To Point The Way

Vinyl

$16.00

$23.99

634457061026

LP-YEP-2172LEC

Reverend Horton Heat, The

Laughin’ & Cryin’ with The Reverend Horton Heat (Transparent Red Vinyl)

Vinyl

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$24.99

634457061002

LP-YEP-2060LEC

Reverend Horton Heat, The

Revival (Green Vinyl)

Vinyl

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634457097544

LP-ALIVE-0209LEC

Bobby Lees, The

Skin Suit (CLEAR BLUE VINYL)

Vinyl

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$23.99

634457097155

LP-ALIVE-0202LEC

Beechwood

Trash Glamour (STARBURST VINYL)

Vinyl

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$23.99

634457097162

LP-ALIVE-0179LEC

Left Lane Cruiser

Beck In Black (STARBURST VINYL)

Vinyl

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634457097476

LP-ALIVE-0077LEC

Radio Moscow

Radio Moscow (CLEAR BLUE VINYL)

Vinyl

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$23.99

5051083180283

CD-ROCKACT-147LE

Gentle Sinners

These Actions Cannot Be Undone

CD

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$15.99

634457078970

LP-WABB-116LE

Memela, Almon

Funky Africa

Vinyl

$18.00

$26.99

702397403920

CD-TZA-4039

Charming Hostess

The Ginzburg Geography

CD

$10.65

$15.99

7350050362027

CD-ROOTSY-202

Sam Outlaw

Popular Mechanics

CD

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$15.99

7090039723806

CD-DM-004

Lueur Verte

Crystalica

CD

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$15.99

7090039723813

LP-DM-004LEC

Lueur Verte

Crystalica (MARBLE VINYL)

Vinyl

$15.30

$22.99

7090039723851

CD-DM-005

Bergeton

Miami murder

CD

$10.65

$15.99

634457075412

CD-RIDE-010

Tisdale, Tyler

If It’s All The Same To You

CD

$8.65

$12.99

623339917223

CD-OUTS-9172

Berkel, Jenny

These Are the Sounds Left From Leaving

CD

$8.00

$11.99

623339917216

LP-OUTS-9172C

Berkel, Jenny

These Are the Sounds Left From Leaving (OPAQUE APRICOT VINYL)

Vinyl

$15.30

$22.99

806102123278

LP-EIS-110IEC

Ovlov

Buds (INDIE EXCLUSIVE, RANDOM COLORED VINYL)

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$24.99

806102123322

LP-EIS-121IEC

Pinch Points

Process (INDIE EXCLUSIVE, TRANSLUCENT YELLOW VINYL)

Vinyl

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$24.99

812208014945

CD-EVE-064

Buoy, Dana

Experiments In Plant Based Music Vol 1

CD

$10.00

$14.99

195269154677

CD-MAHA-029

George Cartwright, Steve Hirsh, Chad Fowler, Christopher Parker, Kelley Hurt

Notice That There

CD

$8.65

$12.99

5051083175050

CD-DFG-8830

Chapellier, Fred

Straight To The Point

CD

$12.65

$18.99

5400863047849

CD-DFG-8819

Jessie Lee & The Alchemists

Let It Shine

CD

$12.65

$18.99

5051083170697

LP-DFG-019

Jessie Lee & The Alchemists

Let It Shine

Vinyl

$28.65

$42.99

655498298042

LP-WWR-4783

Smith III, Walter & Matthew Stevens

In Common III

Vinyl

$22.00

$32.99

655498297953

LP-WWR-4781

Monocled Man

Ex Voto

Vinyl

$24.65

$36.99

702224131217

CD-MD-312

OKADA

Fragility

CD

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$6.99

634457097858

LP-EQX-051IE

2econd Class Citizen

Unlearn (INDIE EXCLUSIVE)

Vinyl

$16.65

$24.99

7393210305083

SI-HP-14

Skiftande Enheter

Oppna Landskap

Vinyl

$6.00

$8.99

195893132096

LP-GRT-005

Shit and Shine

Phase Corrected

Vinyl

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$21.99

790377730319

LP-EPF-001LEIEC

Body, The & Full of Hell

One Day You Will Ache Like I Ache (INDIE EXCLUSIVE, YELLOW VINYL)

Vinyl

$18.00

$26.99

DEAL

ORDER FORM Street Date: 5.20.22 | Order Date: 4.29.22 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

191404121221

CD-XL-1212

Arca

KICK ii

CD

$10.65

$15.99

191404121214

LP-XL-1212

Arca

KICK ii

Vinyl

$17.30

$25.99

191404122228

CD-XL-1222

Arca

KicK iii

CD

$10.65

$15.99

191404122211

LP-XL-1222

Arca

KicK iii

Vinyl

$17.30

$25.99

191404122327

CD-XL-1223

Arca

kick iiii

CD

$10.65

$15.99

191404122310

LP-XL-1223

Arca

kick iiii

Vinyl

$17.30

$25.99

191404122426

CD-XL-1224

Arca

kiCK iiiii

CD

$10.65

$15.99

191404122419

LP-XL-1224

Arca

kiCK iiiii

Vinyl

$17.30

$25.99

655173914410

LP-BARK-144LEIEC

Death Cab for Cutie

Live 2012 (INDIE EXCLUSIVE, WHITE WITH BLACK SPLATTER VINYL)

Vinyl

$30.00

$44.99

634457062382

CD-SMR-066

Verlaines, The

Live at the Windsor Castle, Auckland, May 1986

CD

$10.65

$15.99

634457048225

LP-SMR-066LE

Verlaines, The

Live at the Windsor Castle, Auckland, May 1986 (SKY BLUE VINYL)

Vinyl

$22.00

$32.99

634457068841

CD-YEP-3024

Phillips, Grant-Lee

All That You Can Dream

CD

$10.65

$15.99

634457070943

CD-YEP-3024S

Phillips, Grant-Lee

All That You Can Dream (AUTOGRAPHED, INDIE EXCLUSIVE)

Retail Merch

$10.65

$15.99

634457068834

LP-YEP-3024

Phillips, Grant-Lee

All That You Can Dream

Vinyl

$16.65

$24.99

634457070936

LP-YEP-3024S

Phillips, Grant-Lee

All That You Can Dream (AUTOGRAPHED, INDIE EXCLUSIVE)

Retail Merch

$15.30

$22.99

191402030822

CD-RT-0308

SOAK

If I never know you like this again

CD

$10.65

$15.99

191402030815

LP-RT-0308IE

SOAK

If I never know you like this again

Vinyl

$16.65

$24.99

191402030808

LP-RT-0308LEIE

SOAK

If I never know you like this again (INDIE EXCLUSIVE)

Vinyl

$16.65

$24.99

659457240950

LP-STH-2409C

Knxwledge

1988 (CLEAR PURPLE VINYL)

Vinyl

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812208014938

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Metric

Old World Underground, Where Are You Now? (INDIE EXCLUSIVE, OPAQUE SILVER)

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634457097421

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Wolfe, Chelsea

Apokalypsis (Indie Exclusive, Black/Grey Marble Vinyl)

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5060446128985

SI-ATD-025IEC

Fu Manchu

Fu30, Pt. 2 (INDIE EXCLUSIVE, NEON PINK VINYL)

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843563141199

CD-JBR-217

Medeles, Jose w/ M. Ward, Marisa Anderson & Chris Funk

Railroad Cadences & Melancholic Anthems

CD

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$11.99

843563141205

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Medeles, Jose w/ M. Ward, Marisa Anderson & Chris Funk

Railroad Cadences & Melancholic Anthems (CLEAR W/ BLACK SMOKE VINYL)

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789993992263

CD-IARC-0054

Villarreal, Daniel

Panama 77

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789993992249

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Villarreal, Daniel

Panama 77

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735940683791

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Banditos

Right On

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652401580461

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Banditos

Right On

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Banditos

Right On (INDIE EXCLUSIVE, BRIGHT GOLD VINYL)

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887833014325

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Izenberg, Alex

I’m Not Here

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I’m Not Here

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I’m Not Here (Indie Exclusive Evergreen Vinyl)

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727431748010

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Reyes/Stokowy Duo

Northern: Ashroud Is My Country

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Matmos

Regards/Ukłony dla Bogusław Schaeffer

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ORDER FORM Street Date: 5.20.22 | Order Date: 4.29.22 QTY

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TITLE

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COST

SLP

790377055412

LP-THRILL-554

Matmos

Regards/Ukłony dla Bogusław Schaeffer

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Arroyo (INDIE EXCLUSIVE, CRYSTAL CLEAR VINYL)

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No, No, No

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Garbage & the Flowers, The

Cinnamon Sea

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Cook, Will Joseph

Every Single Thing

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Basic Rhythm

Cool Down The Dance

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NEW RELEASES Street Date: 5.13.22 | Order Date: 4.22.22

AMERICANA | LP RELEASE DATE: 25 MARCH 2022 13 MAY 2022 RELEASE DATE:

Cowboy Junkies

Songs of the Recollection Long admired for the carefully chosen cover versions of songs that have been part of their repertoire from the very beginning, Cowboy Junkies release Songs of the Recollection on Proper Records, consisting of nine covers both newly recorded and curated from previous album projects.

Label: Proper Records Cat. No: PRPCD160 (CD) | PRPLP160 (LP) Format: CD | LP | Digital Barcode: 805520031608 (CD) 805520001601 (LP)

Michael Timmins recalls, "Long before we were musicians, we were music fans. We didn't grow up sitting around the kitchen table playing instruments and harmonising. We grew up sitting around the record player listening to each other's record collections and having our minds blown. This was the passion that we shared. Our goal has always been to create music that took hold of the listener the way that this music took hold of us. These are some of the songs and some of the artists that found their way into our lives and eventually into our repertoire over the past fifty years."

This inspired, and inspiring, collection features tracks from David Bowie, Neil Young, Gram Parsons, The Rolling Stones, Bob Dylan, Gordon Lightfoot, Vic Chesnutt and The Cure.

Tracklisting:

1.

2.

3.

4.

5.

6.

7.

8.

9.

Five Years Ooh Las Vegas No Expectations Don’t Let It Bring You Down Love In Mind The Way I Feel I’ve Made Up My Mind To Give Myself To You Marathon Seventeen Seconds

On tour: USA: March 3rd – 6th | Canada: April 7th – September 17th New Zealand: January 27th – 29th 2023 | Australia: January 31st – February 10th 2023 Retail Marketing: TBC Print Advertising: TBC Online Advertising: Full online ad and social campaign (incl. Facebook, Google/YouTube and Amazon) Facebook: 82k follwers | Twitter: 5.7k Followers Instagram: 7.4k Followers | Spotify: 139.8k Followers, 430.9k monthly listeners

49 Winchester fortune favors the bold Street date: May 13, 2021 tracklisting Side A: Annabel Man’s Best Friend Russell County Line All I Need Hillbilly Daydream

Side B: Damn Darlin’ Fortune Favors the Bold Second Chance Neon Last Call

vinyl Sel. #: NW5609LP

CONFIG: Jacket, 1x LP, Black Vinyl UPC: 607396560912 Box Lot: 20 Count Genre: Country, Americana, Southern Rock

With its latest album, Fortune Favors The Bold, Russell County, Virginia-based 49 Winchester is ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.

Fortune Favors The Bold is not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically. But, it’s also about looking into the rearview mirror with a genuine appreciation for where you came from and what you’re made of. Those salt-of-the-earth traits in your blood and character that define what it actually takes to climb that damn mountain of dreams. At its essence, Fortune Favors The Bold is about going against all odds to bring your art into fruition and into the world - come hell or high water.

6

56091

2

indie exclusive vinyl

Sel. #: NW5610LP CONFIG: Jacket, 1xLP, Translucent Orange Vinyl UPC: 607396561018 Box Lot: 20 Count Genre: Country, Americana, Southern Rock

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07396

56101

8

cd Sel. #: NW6525CD

CONFIG: Digiwallet, sticker UPC: 607396652525 Box Lot: 30 Count Genre: Country, Americana, Southern Rock

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49winchester.com

07396

07396

65252

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newwestrecords.com

Wobbler

Title:

Hinterland

Label:

Karisma Records CDKAR208 / LPKAR208LE CD / Ltd 2LP (Marble vinyl)

Cat No: Formats: Dlr Price: File Under: Barcode:

Progressive Rock

7090008312086 / 7090008316404

OVERVIEW Progressive rock in 2005 had gotten slick, soulless and narrow-minded. Bands were imitating bands that were imitating bands that were ... you get the idea. Wobbler was something very, very different. In keeping with the original progressive ethos, they took inspirations from a wide variety of sources. 60s and 70s rock, jazz, electronica and extreme metal, to name a few. They combined these influences with a deep and astute understanding of what it was that made the best 1970s progressive rock tick. The dramatic dynamics, the shadings of light and darkness, the warm, ghostly sonorities of arcane instruments like the Mellotron, the Mini-Moog or how about a theorbo or a recorder? And of course, the thunderous growl of the Rickenbacker bass guitar.

The release of “Hinterland” in 2005 got the band a sizable international audience almost overnight, and many raving reviews praising the record's authentic sound and the complex yet beautiful songwriting.

“Hinterland” was the start for one of the best progressive rock bands that has emerged in the early 2000s, and is now finally available again on CD and vinyl. It will also be part of a limited vinyl box collecting the first three albums.

DISCOGRAPHY

“Hinterland” (The Laser’s Edge, 2005) “Afterglow” (Termo Records, 2009) “Rites at Dawn” (Termo Records, 2011) “From Silence to Somewhere (Karisma Records, 2017) “Dwellers of the Deep” (Karisma Records, 2020) MARKETING & PROMOTION Ads in magazines such as Prog Magazine, Eclipsed Magazine, Norway Rock Magazine, This is Rock, Metal OBS etc.

SELLING POINTS  Debut album from Wobbler  Finally available again on CD and limited coloured vinyl  For fans of Yes, King Crimson, Gentle Giant, Van Der Graaf Generator  Concerts and festivals will be announced when the world is sane again  Ads in all relevant press TRACKLIST 1. Serenade for 1652 2. Hinterland 3. Rubato Industry 4. Clair Obscur Band website: www.facebook.com/wobblerofficial/ Label website: www.karismarecords.no

Wobbler

Title:

Afterglow

Label:

Karisma Records CDKAR209 / LPKAR209LE CD / Ltd LP (Marble vinyl)

Cat No: Formats: Dlr Price: File Under: Barcode:

Progressive Rock

7090008312093 / 7090008316374

OVERVIEW After the success of “Hinterland” in 2005, the band stretched forward to show a truer picture of the band’s inner nature. Many fans were asking for the early demo they did in 2003, and these tracks were re-recorded with the full band for “Afterglow”. The strong influence of black metal can be heard both in the surprising power and aggression of some sections, as well as the structure and tonality of many of the riffs. Paradoxically, “Afterglow” was also a more dyed-in-the-wool proggy prog rock album, with its epic-length compositions and detours into renaissance and baroque music.

“Afterglow” was also a well-received record, scratching the itch that fans had felt for those early demos, and cementing the band's position as a leading light among "retro" prog bands.

“Afterglow” was the start for one of the best progressive rock bands that has emerged in the early 2000’s, and is now finally available again on CD and limited coloured vinyl. It will also be part of a limited box collecting the first three albums.

DISCOGRAPHY

“Hinterland” (The Laser’s Edge, 2005) “Afterglow” (Termo Records, 2009) “Rites at Dawn” (Termo Records, 2011) “From Silence to Somewhere (Karisma Records, 2017) “Dwellers of the Deep” (Karisma Records, 2020) MARKETING & PROMOTION Ads in magazines such as Prog Magazine, Eclipsed Magazine, Norway Rock Magazine, This is Rock, Metal OBS etc.

SELLING POINTS  Second album from Wobbler  Finally available again on CD and limited coloured vinyl  For fans of Yes, King Crimson, Gentle Giant, Van Der Graaf Generator  Concerts and festivals will be announced when the world is sane again  Ads in all relevant press TRACKLIST 1. The Haywain 2. Imperial Winter White 3. Interlude 4. In Taberna 5. Armoury Band website: www.facebook.com/wobblerofficial/ Label website: www.karismarecords.no

Wobbler

Title:

Rites at Dawn

Label:

Karisma Records CDKAR210 / LPKAR210LE CD / Ltd LP (Marble vinyl)

Cat No: Formats: Dlr Price: File Under: Barcode:

Progressive Rock

7090008312109 / 7090008316343

OVERVIEW For “Rites at Dawn” it was time for a change. Wanting to up their game both musically and sonically, the band took their sweet time to hone their new material and to record things as pristinely as they could.

A major factor in the "new" Wobbler sound that would appear on the band's 3rd album, “Rites at Dawn” (2011), was the arrival of new singer Andreas W. S. Prestmo. Since Andreas is also a songwriter and lyricist, he brought the band up to a new level where vocal melodies, lyrics, arrangements and performances came together in a cohesive whole. “Rites at Dawn” reflected Andreas' preoccupations with nature and spirituality in words and music that took on a luminous, mystical nature. It was also an album where Lars' production skills came to the fore, with a mix that was crystal clear, showcasing each individual musician's newfound maturity. Martin's drums had never sounded better, and the intricacies and grooves of his playing were perfectly married to Kristian's Rickenbacker, that wove its way between Lars and Morten's labyrinthine chords and leads in a remarkably melodic, yet inventive way.

“Rites at Dawn” was their biggest success with both fans and critics up until that point, and is now finally available again on CD and vinyl. It will also be part of a limited box collecting the first three albums.

DISCOGRAPHY “Hinterland” (The Laser’s Edge, 2005) “Afterglow” (Termo Records, 2009) “Rites at Dawn” (Termo Records, 2011) “From Silence to Somewhere (Karisma Records, 2017) “Dwellers of the Deep” (Karisma Records, 2020) MARKETING & PROMOTION Ads in magazines such as Prog Magazine, Eclipsed Magazine, Norway Rock Magazine, This is Rock, Metal OBS etc.

SELLING POINTS  Third album from Wobbler  Finally available again on CD and limited coloured vinyl  For fans of Yes, King Crimson, Gentle Giant, Van Der Graaf Generator  Concerts and festivals will be announced when the world is sane again TRACKLIST 1. Lucid 2. Lá Bealtaine 3. In Orbit 4. This Past Presence 5. A Faerie’s Play 6. The River 7. Lucid Dreams

Dark Essence Records / Karisma Records Nygårdsgaten 2 5015 Bergen Norway www.karismarecords.no post@karismarecords.no

Band: Bjørn Riis Title: ”Everything to Everyone” Label: Karisma Records Catalogue no: KAR199CD / KAR199CDD Barcode: 7090008311997 / 7090008316114 Format: CD / Ltd Digisleeve CD Catalogue no: KAR199LP / KAR199LPC Barcode: 7090008316107 / 7090008316084 Format: LP / Ltd LP (Splatter vinyl) Tracklist: 1. Run 2. Lay Me Down 3. The Siren 4. Every Second Every Hour 5. Descending 6. Everything to Everyone Digisleeve CD bonus tracks: 7. Everything to Everyone (Alternate version) 8. Desolate Place

OVERVIEW

Airbag co-founder, songwriter and lead guitarist, Bjørn Riis is ready with a new studio album titled “Everything to Everyone”. It features six striking tracks, all dealing with human emotions and the fear of losing one self in the constant effort to meet every, often perceived, expectation. “I was inspired by Dante’s Inferno when I started to write. A bit pretentious perhaps, but I’ve always been fascinated by that very personal journey and the search for some kind of piece or redemption, while being both mentored and hurt along the way. Musically, I wanted to take the listener on that journey, experiencing both hope and anxiety.”

In addition to Bjørn’s vocals and celebrated guitar playing, Everything to Everyone feature appearances from Henrik Bergan Fossum (Airbag), Kristian Hultgren (Wobbler), Simen Valldal Johannessen (Oak) and Norwegian singer/songwriter Mimmi Tamba.

Once again, Bjørn has teamed up with long-time collaborator Vegard Kleftås Sleipnes, who co-produced the album with Bjørn, engineered and mixed it. Jacob Holm-Lupo (White Willow and The Opium Cartel) mastered the album.

Bjørn’s last album, A Storm is Coming, was met with rave reviews from both press and fans. Progrock.org.pl called it “A masterpiece” and gave the album 5/5, while Prog Magazine recognised Bjørn’s unique lyrics by commenting “Such a vulnerability is rare to behold in prog.”

Selling points:  Fourth full length solo album from Airbag guitar player Bjørn Riis  Mastered by Jacob Holm-Lupo (White Willow, The Opium Cartel)  Digisleeve CD version with two bonus tracks  Limited edition LP on white/black splatter vinyl (1000x)  For fans of Pink Floyd, Porcupine Tree, Bjørn Riis and Marillion  Tours to be announced.

For more info: www.bjornriis.no Label website: www.karismarecords.no For interviews, info & promo material, contact Karisma Records and Martin Kvam: e-mail: post@karismarecords.no

Revival Track Listing: 1. The Happy Camper 2. Revival 3. Callin’ In Twisted 4. If It Ain’t Got Rhythm 5. New York City Girls 6. Indigo Friends 7. Someone In Heaven 8. Octopus Mode 9. Party Mad 10. Honky Tonk Girl 11. Lonesome Man 12. I’m Your Pet Rock 13. Rumble Strip 14. We Belong Forever 15. Goin’ Back Home Laughin’ & Cryin’ Track Listing: 1. Drinkin’ And Smokin’ Cigarettes 2. Ain’t No Saguaro In Texas 3. Death Metal Guys 4. Aw, The Humanity 5. River Ran Dry 6. Please Don’t Take The Baby To The Liquor Store 7. Oh By Jingo!

8. Oh God! Doesn’t Work In Vegas 9. Beer Holder 10. Rural Point Of View 11. Crazy Ex Boyfriend 12. Just Let Me Hold My Paycheck 13. There’s A Little Bit Of Everything In Texas 14. Spacewalk

THE REVEREND HORTON HEAT REVIVAL (limited edition green vinyl) LAUGHIN’ & CRYIN’ WITH THE REVEREND HORTON HEAT (limited edition transparent red vinyl) WORLDWIDE RELEASE DATE: MAY 13, 2022 Yep Roc Records started its run of color vinyl reissues from the Reverend Horton Heat last November with the release of We Three Kings, the band’s 2005 holiday album. It was one of the hot items for Record Store Day Black Friday.

Yep Roc is following this up with the two other Rev albums in Yep Roc’s catalog, finally available again on LP. Revival is pressed on green vinyl. At the time of its release Pop Matters claimed, “it rocks as hard as the rest of the band’s very fine body of work,” and it still does.

The band’s tenth 10th studio album, Laughin’ & Cryin’, features classics like, “Please Don’t Take The Baby To The Liquor Store,” “Death Metal Guys,” and “Drinkin’ and Smokin’ Cigarettes”. This LP is pressed on transparent red vinyl

REVIVAL

ARTIST: The Reverend Horton Heat TITLE: Revival (green vinyl) CATALOG #: LP-YEP-2060LE UPC: 634457061002 PACKAGING: LP jacket, green vinyl TERRITORY: Worldwide

6 34457 06098 2 LAUGHIN & CRYIN’

ARTIST: The Reverend Horton Heat TITLE: Laughin’ & Cryin’ (transparent red vinyl) CATALOG #: LP-YEP-2172LE UPC: 634457061026 PACKAGING: LP jacket, green vinyl TERRITORY: Worldwide

6

34457 06101 9

Both of these pressings are very limited to just 750 each worldwide!

Distributed exclusively by Redeye « 505 Eno St, Hillsborough NC, 27278 | INFO@YEPROC.COM | YEPROC.COM336-578-7300

LIMITED COLOR VINYL PRESSINGS STREET DATE 5/13/2022

LTD EDITIO N STARB URST VINYL

BACK IN PRINT on COLOR VINYL !!

LIMIT ED PRES SING ON CLEA R BLUE VINYL ALIVE0209CB COLOR VINYL LP

THE BOBBY LEES Skin Suit

6

34457 09754 4

UPC : 634457097544 ROCK

LTD EDITIO N STARB URST VINYL

Beck In Black

Trash Glamour

6

UPC : 634457097155

34457 09715 5 ROCK

LIMIT ED PRES SING ON CLEA R BLUE VINYL ALIVE0179RL VINYL LP COLOR

6

ALIVE0202LE VINYL LP STARBURST

BEECHWOOD

BACK IN PRINT on COLOR VINYL !!

An unholy union of country, blues, punk, and rock. – THE SODA SHOP

LEFT LANE CRUISER

For anyone who loves noisy guitars, teenage angst and great tunes. – FEAR AND LOATHING

UPC : 634457097162

34457 09716 2 ROCK

ALIVE0077CL COLOR VINYL LP

RADIO MOSCOW S/T

6

UPC : 634457097476

34457 09747 6 ROCK

THESE ACTIONS CANNOT BE UNDONE STREET DATE: MAY 13TH 2022

TRACKLISTING: 1 2 3 4 5 1 2 3 4 5

Waiting For Nothing Killing This Time Let Them Rot feat. AKG The Cries Date & Sign Rent Free Shores of Anhedonia Face to Fire (After Nyman) Don't Say Goodnight Landfill

Two of Rock Action Record's renowned singer/songwriters have joined forces to create Gentle Sinners - a one-off project by James Graham of The Twilight Sad and Aidan Moffat (embargoed information 03/17/2022) of Arab Strap and a superstar in his own right.

Ultimately, different to their day job bands, Gentle Sinners brings James' trademark Scottish singing voice with Aidan on the music and production side to create a more experimental electronic sound then we are used to hearing from them. The album was recorded remotely from each other during the recent pandemic lock downs as they now live on different sides of Scotland and having been friends for years, it was a way for them to keep in touch after having no idea when they would be able to see each other, play live again or what both their bands would be able to do next. Gentle Sinners is named after a phrase, "gentle sin" in Romeo & Juliet, where the rules of etiquette are broken with a cheeky wink of the eye. Hardcore fans of The Twilight Sad and Arab Strap will be keen to hear what these gentlemen have been up to so we expect this to appeal to their fanbase.

5051083180283 - CD - ROCKACT147CD 5051083179881 – LP – ROCKACT147LP - RED COLOURED VINYL & DL CODE 5051083181082 – LP+7” – ROCKACT147LPX – INDIES EXCLUSIVE RED COLOURED VINYL, BONUS 7” & DL CODE FILE UNDER: ALTERNATIVE, ELECTRONIC

AAAAA MMMMMM 1. Funky Africa 2. That Sweet Feeling 3. Telephone 4. Hi-Jack (Your Love) 5. Bumping The Wall 6. Hamba Kahle 7. Some Funky Things 8. Big Mama 9. Ntshonalanga 10. The Things We Do In Soweto

We Are Busy Bodies returns with a reissue of composter, guitarist, and later producer, Almon Memela’s ultra rare 1975 album, Funky Africa.

From the original liner notes: Africa has always been many things to many people.

To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in world affairs.

But to Almon Memela, Africa is Home . . . and his music tells it like it really is. "Funky Africa" is the sound of Africa today. And as you listen, you will find that Africa is indeed many things. For in the music of Almon Memela lies everything that is Africa: the call of the wild and the scream of the Jumbo; the throb of the bush and the roar of Commissioner Street.

So here it is . . . "Funky Africa". The sound of Africa, by an African, for the world.

We Are Busy Bodies eric@wearebusybodies.com | wearebusybodies.com

505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com

CHARMING HOSTESS THE GINZBURG GEOGRAPHY TZA CD 4039 Spectrum Jewlia Eisenberg, Cynthia Taylor, Marika Hughes, Max Baloian, Dan Cantrell, Jason Levis, Jason Ditzian, Jeremiah Lockwood, Laura Inserra, Morgan Nilsen, Dina Maccabee, Jessica Ivry, Sylvain Carton, Darren Johnston, Kat Covell, Alisa Rose, Nina Rolle, Ganda Suthivarakom, Nils Frykdahl, Dawn MCCarthy, Dan Rathbun.

Revolution in Borgo San Costanzo * Marciar, Marciar * Corso Re Umberto * La Situazione * La Filera * Guerra di Popolo * These Three Friends * Old Ones Remain * La Lega * Memoria * Winter in Abruzzo * All You Fascists Bound to Lose * Waiting The Ginzburg Geography is an examination of the lives and work of Natalia and Leone Ginzburg during World War II. As with her other Charming Hostess endeavors, Jewlia Eisenberg plunged deeply into research and created songs inspired by their life, love and writings as well as including songs of protest and cultural significance from the time. Jewlia laid down vocals and oversaw the recording of the majority of band tracks but was not able to finish. Since her passing, her longtime collaborator Marika Hughes has completed the album consistent with Jewlia’s vision based on her notes and past performances. Tzadik is deeply honored to present this historic and heartfelt final project by the endlessly creative force that was Jewlia Eisenberg.

7

02397-4039 - 2

0

File Under: Jewish Music

20, 2022 2022 Street Date: May 13, Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

SAM OUTLAW

Popular Mechanics CD # CD-ROOTSY-202 EAN 7350050362027 LP # LP-ROOTSY-202 EAN 7350050369026 Tracklist; 01 Here On a Mission 02 Popular Mechanics 03 Half a World Away 04 For The Rest of Our Lives 05 Sun Ain’t Set 06 Polyamorous 07 Stay The Night 08 Bad Enough 09 Language of Love 10 Daydreaming 11 When You Feel It The new Sam Outlaw album was originally intended only för download and stream, but now Rootsy Music can proudly announce the release on CD and vinyl!

Los Angeles-bred “SoCal Country” singer Sam Outlaw will release a pedal steel-stamped, new wave-inspired record �tled ‘Popular Mechanics’. Solely wri�ng seven of the album’s 11 tracks, Outlaw fuses the sounds of his favorite ar�sts of the ‘80s - Kenny Loggins, Cyndi Lauper, Tom Pe�y - with stories influenced by the great innovators of the 20th century and the engineers that make up his own family tree.

The ambi�ous direc�on of ‘Popular Mechanics’ may seem like a sudden shi� from Outlaw’s country-leaning albums, ‘Angeleno’ (2015) and ‘Tenderheart’ (2017), which garnered appearances on CBS Saturday Morning’s Anthony Mason, NPR, The New Yorker, Wall Street Journal and more, but the gears actually started turning in early 2018 a�er Outlaw shelved some new material he recorded in Southern California. Following his cross-country move to Music City that same year, Outlaw found unexpected inspira�on during a visit from his father, a mechanical engineer, and it prompted him to shi� his focus to the technological side of music crea�on.

The epiphany came when he connected industrial machines with the role technology plays in recorded music.

Growing up on the hits of the ‘80s, an incredible �me of transforma�on in music history, he remembers everything came into focus for the album once he envisioned the �tle, ‘Popular Mechanics.’

“I’ve always loved ‘80s music so I started learning about the engineers and music producers from that era, like Trevor Horn, Mu� Lange, Neil Dorfsman,” says Outlaw.

“It was a �me when the producer and the recording engineer were as cri�cal to the crea�ve process as the ar�sts.

Those producers pushed the technology to achieve their crea�ve vision because their inspira�on was not so much the music of the past, but the possibili�es of the future.”

Band: Lueur Verte Title: Crystalica Label: Darkhan Music Catalogue no: DM004LP / DM004CD Barcode: 7090039723813 / 7090039723806 Format: Limited marble vinyl / CD

Tracklist: 1. Lueur Verte's Theme 2. Crystalica 3. Emerald Rising 4. Onyx Noir 5. Frozen Tears

The real 80s vibe has finally arrived! Originally a digital-only release in 2013, LUEUR VERTE'S legendary mini album Crystalica is finally seeing the long overdue, and truthfully deserved light of day on physical formats.

Setting the scene with its alien crystalic cover, Crystalica takes the listener on an nostalgic outrun race, android circuitry, topped off with a micro gene that provides the listener with a soundscape of the 80s.

Producer and artist Michaël Brun (LUEUR VERTE) is the mastermind behind Aphasia Records, who was among the first to discover artists such as Perturbator and Dynatron. Over the years LUEUR VERTE has released various remixes, his latest single release Tempesta features the legendary MIAMI NIGHTS 1984.

PERTURBATOR did a remix of LUEUR VERTE'S song "Night Slasher II" from 2012, that appears on the album "B-sides and remixes, Vol. 1" from 2018.

LUEUR VERTE also appears on the track "Mirage" from PERTURBATOR'S album Terror 404.

LUEUR VERTE is the top notch of the grandiose, super high quality French synthwave / outrun genre, which puts him in a league of his own. A synthwave ICON. Overview:

• • • • •

The vibe of the 80s perfectly executed. A must have for all synthwave fans.

Album mastered by Dynatron.

Crystalica clocking in at over five million streams on Spotify, and still going strong.

For fans of Carpenter Brut, Barretso, Perturbator, VHS dreams, Dynatron, Arcade High, Ulver.

Available for the first time on vinyl and CD.

Band website: facebook.com/lueurverte / lueurverte.bandcamp.com / aphasia-records.com Label Website: darkhanbit.com / darkhan-music.bandcamp.com For interviews, info and promo material, contact Darkhan Music e-mail: Bithomet@darkhanbit.com / Ronnie@karismarecords.no

Band: Bergeton Title: Miami Murder Genre: Synthwave Label: MeusRecords / Darkhan Music Catalogue no: BER001CD / DM005CD Barcode: 7090039723851 Format: 6-panel digipak, limited to 500.

Tracklist: 1. Arabian Nights 2. Depeche Load 3. Fort Apache Marina 4. Lambo 5. Miami Murder 6. Natasha K.G.B 7. The Demon 8. Valley of Death

With his new electronic outrun music project BERGETON, Morten Bergeton Iversen (Teloch of the Norwegian black metal band MAYHEM) has succeeded in creating a hard hitting album by the name Miami Murder which takes the listener on a retrofuturistic ride through nostalgic landscapes of commodore 64 square waves. The atmospheric presence of a neo-noir necropolis mega citys, combined with a raw adrenaline bass sounds that punch you in the gut, Miami Murder could fit right in the genre of games like Hotline Miami. Combining perfectly executed waves of new and old technology, Miami Murder is an album that has your nostalgic cravings covered.

Morten started experimenting with electronic sounds back in 2000-2005 in order to push him creatively and produce something new, and Miami Murder is BERGETON´s take on the synthwave/outrun genre with Morten's own twist.

Written and recorded in Oslo Norway during 2018, Morten did not have any time to release and promote his new epic creation due to writing obligations for MAYHEM, but now he is finally taking these fascinations to the max.

The sound of these tracks is powerful and balanced, with a focus on heavy droning bass lines and hard-hitting grooves that underlie a lot of melodic ornamentation.

If you miss the engineered futuresynth sounds of the 80s horror, sci-fi and action movies, this retrowave album was made for you!

Overview: • Hard hitting, fast phased, punchy retro synthwave, that combines the new age sound with old school retro synthwave.

• First album from BERGETON, by Morten Bergeton Iversen (Teloch of MAYHEM).

• An album that gives the listener a nostalgic sensation that takes them back to the gold old days with movies like Blade Runner.

• For fans of Carpenter Brut, Daniel Deluxe, Perturbator, Master Boot Record, Waveshaper, Dynatron, Mega Drive.

• Available on Gatefold 12" pink vinyl. Limited to 300 copies. 6 panel digipak, limited to 500 copies.

BERGETON website: bergetonmusic.com / facebook.com/bergetonmusic / bergeton.bandcamp.com

Track Listing: 1. She’s The One 2. Burden Or Heavy Load 3. If It’s All The Same To You 4. House Made Of Stone 5. High 6. The Things They Want Me To Do 7. Nighthawks 8. Unscathed 9. You Belong 10. ’Til They Call Me Up To Sing Artist: Tyler Tisdale Title: If It’s All The Same To You Street Date: CD Dec 17, 2021 LP: 2022 UPC: 634457075405 - Tyler Tisdale - If It’s All The Same To You - LP-RIDE-010 634457075412 - Tyler Tisdale - If It’s All The Same To You - CD-RIDE-010 Export Restrictions:none Box Lot 35 CD 15 LP Label: Ride Records Distribution: Redeye Distribution Project Manager: Lori Miller

“The songs are just stories that relate to my life, but they’re open to the listener’s interpretation. They tell me what the songs mean to them. The only thing I ever enjoyed in school growing up was English class, when they would let us create our own short stories and write about whatever we were feeling that day. That’s the approach I try to take while I was writing and creating this album.”

“I wrote the album in a tiny apartment, at a time when everything felt big and overwhelming,” says poet and songwriter Jenny Berkel about her new album, These Are the Sounds Left from Leaving. She was living in a brownstone walk-up full of radiant light and the ever-present soundscape of a leaky bath faucet. It was a sudden move at the time—a spontaneous departure from touring, bustling city life, being many things to many people—that landed Jenny in a space of self-imposed stillness.

“The songs themselves are a study of proximity, bringing big fears into small spaces,” says Jenny, reflecting on the album. “They’re intimate examinations of a world that often overwhelms.”

The album features contributions from critically acclaimed folk duo Kacy & Clayton, and string arrangements by Colin Nealis (Andy Shauf)—and was co-produced by Jenny, alongside Dan Edmonds and Ryan Boldt (The Deep Dark Woods). Recorded live off the floor at the Sugar Shack, the album sparkles with its intended intricacies. Musically, it feels both close and expansive. Each song unfolds like a widening web of poetic associations, narrated by nostalgic piano, pondering strings, glittering guitars—and Jenny’s hauntingly immersive vocals. At times, songs end with an unravelling, the music splintering apart into disintegration like a lingering open question. Warm and dark, soft with stabs of madness, These Are the Sounds Left from Leaving is a cohesive collection of spare songs that bloom lushly with detail.

Whether you’re reading Jenny’s poetry—in her debut chapbook Grease Dogs with Baseline Press—or listening to her songs, you’ll experience her drawing layers of far-reaching concern into particular moments, like concentric waves rippling inward toward a lone cast stone. These Are the Sounds Left from Leaving showcases the perspective of a unique storytelling artist, with an evocative practice that hinges powerful narratives on the intricacies of a multifaceted musicality. A songwriter immersed in poetry, a poet immersed in music—her work in all its forms is an invitation into a world of relatable introspection, in which even absences can be sculpted into vividly memorable verse.

Digipak CD CD cat#: CD-OUTS-9172 CD UPC: 623339917223

Opaque Apricot LP LP cat#: LP-OUTS-9172 LP UPC: 623339917216

OVLOV Buds 5.13.2022

Release Information: EIS110-ECO Genre: Indie, Rock Configuration: LP Street Date: 5.13.2022 Vinyl UPC: 806102123278 Vinyl Box Lot: 40 Key Markets: New York, Chicago, Boston, Los Angeles, Philadelphia

About: Over the course of twelve years, a litany of splits and

EPs, two beloved full lengths, and even a couple break-ups, Northeastern fuzz-rock heroes Ovlov have earned a loyal cult following - all while staunchly following their own path at every turn. Now, the band has returned with their third full length, Buds, an album three years in the making that find the band deftly maintaining their endearingly steadfast identity while also reckoning with the inevitability of change. made up of brothers along with their childhood friend, Ovlov's musical DNA is rooted in the kind of familiarity that can only come from real friends playing together. it's largely that chemistry that steers the band's approach: if it doesn't feel right for everyone, don't do it.

Their inclinations paid off with both of their full length albums, AM and Tru, both release impossible to keep on the shelves and constantly going out of stock upon repressing. Ovlov manage to gain more followers with every passing day, just by making albums that people relate to. Buds maintains Ovlov's undeniable gift for buoyant melodies but with a more world weary approach. The album finds the band turning to their music to make sense of life, relationships, what's worth holding on to and what needs to be left behind - all housed within the band's signature cacophony of Big Muff pedals and infectious hooks.

The album finds the band stretching out in new directions, taking different approaches to their songwriting and welcoming guest vocals from Jordyn Blakely (Smile Machine, Stove), Alex Gehring (Ringo Deathstarr), and Erin McGrath (Dig Nitty). Buds isn't just worth the wait, it's proof that, while there may be a lot of bands, there is only one Ovlov.

Marketing Points

• Highly anticipated third full-length following up 2013's Am and 2018's Tru on Exploding in Sound Records • Among NPR Staff Picks 10 best albums of 2021 • Toured with and supported: Basement, Pile, Guided By Voices, Mannequin Pussy, Balance & Composure, Built to Spill • 11 million streams on Spotify across their catalog • Covered by NPR Music, Stereogum, The Fader, Pitchfork, Paste, AV Club, Flood, and many others • "Ovlov have been the biggest band in the world to me since around 2009 and I’m glad everyone else is catching up." -Sadie Dupuis of Speedy Ortiz and Sad13

Release Information: EIS121 Genre: Punk, Post-Punk Configuration: LP Street Date: 5.13.2021 Vinyl UPC: 806102123322 Vinyl Box Lot: 55 Key Markets: New York, Chicago, Boston, Los Angeles, Philadelphia About: Pinch Points burst forth from the Melbourne underground with their 2019 debut Moving Parts, and were hailed by Double J as “the sharpest new band in the country” and Music Victoria’s Best Breakthrough Act of 2020. The band toured with Tropical Fuck Storm, supported Amyl and the Sniffers, Kikagaku Moyo, Viagra Boys, RVG and Cash Savage, and opened 2020's Golden Plains to a packed amphitheatre. The hotly-anticipated new Pinch Points album Process was recorded with Anna Laverty (Courtney Barnett, Nick Cave, The Peep Tempel) and is a momentous leap forward into fullforce post-punk empowerment, with 10 songs engaging with the fractures in so-called ‘Australia’ -- from catastrophic bushfires, gendered violence, mental health struggles to First Nations incarceration and deaths in custody -- with cleareyed directness, along with an uncommon nuance and empathy.

Tracklist 1. Reasons To Be Anxious 2. Stock It 3. Copper 4. Am I Okay?

5. Haruspex 6. Virga 7. King Rat 8. Kompromat 9. Capital 10. Relentlessly Positive

Marketing Points Australia's Double J touted Pinch Points as the "sharpest new band in the country" Supported Tropical Fuck Storm, Amyl and the Sniffers, Rolling Blackouts Coastal Fever

EXPERIMENTS IN PLANT BASED MUSIC VOL. 1 Plant-based pop exploration inspired by Mort Garson’s cult 1970s synth oddity “Plantasia.” The album features horns and horn arrangements by Kelly Pratt (Beirut, The War On Drugs, etc), bass by Justin Miller, and mixing assistance from John McEntire of Tortoise.

Were you to walk into Dana Janssen’s tidy gray bungalow with the green chimney in Northeast Portland, the first thing you might notice would be the houseplants. They’re impossible, after all, not to notice. They arc from shady corners into sunlit windows. They line windowsills and lord on countertops. They dominate the bathroom’s humid climes. The second thing you would surely notice — because Janssen, the longtime Akron/Family drummer who has been making kaleidoscopic pop as Dana Buoy for a decade, would surely show you — are the drums that anchor the finished basement studio. Downstairs, he will play you something quick and then beam, like a proud parent of his own adult space.

Experiments in Plant-Based Music: Vol. I is Dana Janssen’s exuberant and strangely assuring synthesis of those previously parallel domestic lanes, houseplants and a home drum kit. Inspired by the flora that reign on the ground floor and Mort Garson’s endlessly pleasing Plantasia, and conceived in the basement beneath, these 12 pieces of luxuriant pop — rooted in Steely Dan and synthesizer strata, Afrobeat energy and astral harmonies, Robert Hunter koans and righteous horns — offer new mantras for and prospective maps of our complicated lives. If you worry about any New Age tedium to a record inspired by photosynthesis, don’t: Janssen wants you to sing along with what he’s learned.

CD Box Lot 35 Publicity: caroline@clarioncallmedia.com Radio: jessica@co-sign.com

George Cartwright, Steve Hirsh, Chad Fowler, Christopher Parker, Kelley Hurt

Notice That There

Mahakala Music (mahakalamusic.com) - MAHA-029 // CD & DLavailable available 4/29/2022 5/13/2022 CD&DL

UPC: 195269154677

Old friends meeting up in unexpected ways, along with a new friend. George knows Chad and Chris and Kelley from way back down south, George and Steve met up in Minneapolis, Steve met Chad and Chris during lockdown, and so it just made sense to do something together. Worked out pretty good. Created during the pandemic and in the aftermath of the George Floyd murder.

Christopher Parker– piano Chad Fowler – stritch Kelley Hurt - vocals George Cartwright – guitar, saxophone Steve Hirsh - drums Track Listing: Notice That There Fall Lumbing Early Flower Constituent Cell Binocular

lori@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

SHIT AND SHINE

PHASE CORRECTED The Garrote - GRT005 Street Date: May 13th, 2022 Black 180gm LP UPC: 195893132096

For Texas-based Shit and Shine, curveballs are very much the name of the game. Veering from mucky noise rock dirge to gurning slabs of techno, Craig Clouse is uninterested in the self imposed restrictions of genre.

Across Shit and Shine’s output he’s proven himself as equally adept at twisting melons as dislocating limbs.

-Oliver Cookson (The Quietus)

ALBUM STREAM TRACK LIST: 1. NORTH ATLANTIC (album single) 2. PLUM WHISKEY 3. BURNET ROAD 4. DIVIDRLEEDOTH 5. SOCKTAGON 6. ACRYLIC BC RICH 7. NRUN 8. KYLE DEVILS 9. SLOUGH BY-PASS

On Phase Corrected, Craig Clouse wields slow heavy riffs, industrial drums, and electronics put through a meat grinder. Each track is a lo-fi dirge, with hooky sludge riffs creeping through the electro fog of static and mayhem. If there is a human voice it is sampled and mangled to incoherence. This is Shit and Shine at their nastiest and most brutal.

www.thegarrote.com

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Craig Clouse of USA/Mexico

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Mastered by James Plotkin (Khanate, Jodis, OLD)

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March EU/UK Tour 2022

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Select US dates throughout 2022

info@thegarrote.com

NEW RELEASES Street Date: 5.20.22 | Order Date: 4.29.22

ARCA

KICK ii LP: XL-1212-LP File Under: Pop Vinyl non-returnable

KiCK ii-iiiii

KICK ii CD: XL-1212-CD File Under: Pop

STREET DATE:May 20th, 2022

KICK iii LP: XL-1222-LP File Under: Pop Vinyl non-returnable

KICK iii CD: XL-1222-CD File Under: Pop

KICK iiii LP: XL-1223-LP File Under: Pop Vinyl non-returnable

KICK iiii CD: XL-1223-CD File Under: Pop

If KiCk i is a multidimensional self-portrait that held all of Arca’s many mutations, KICK ii sees her deconstruct reggaeton rhythms she grew up listening to in Caracas, balancing structure and chaos to create her most accessible work yet, without sacrificing any of her uncompromising experimentation; the rising cycle. KicK iii sees her returning to the club nights that shaped her early adult-hood where Arca was born: the surrealist DJ, warping dance music structures to fit her singular vision—relentless rhythms to drive listeners into uncharted states of euphoria, anthems for the basementdark queer clubs of our cyberpunk near-future; the climax of the cycle. With kick iiii, the cycle resolves, and a new species of xenopop emerges, sensual and serene. Arca’s talents as a composer and sound designer take the lead on closing track “Paw,” setting melodies to drift on deep, gentle waves of orchestral ambience, an oceanic bliss. On kiCK iiiii the ambient ecstasy transitions swiftly into lullaby-like compositions as we come to the conclusion of the KICK series; the renewal stage. The complete suite of albums drops digitally on December 3. And while the release of the KICK series culminates on December 3, it’s truly only the beginning.

Press/Promo Points:

• Previous album KiCk i nominated for GRAMMY + Latin GRAMMY • Arca featured on cover of Vogue Mexico + Vogue Latin America (Dec 2021) • Other press: New York Times, New Yorker, NPR Music, Pitchfork, Rolling Stone, FADER, PAPER, Stereogum, Dazed, Crack, i-D, Resident Advisor and much much more.

• International fashion campaigns + collaborations: Calvin Klein, Loewe, Bottega Veneta, Ray-Ban, Dior “Arguably the most important experimental musician working today” - The Atlantic

KICK iiiii LP: XL-1224-LP File Under: Pop Vinyl non-returnable

“Venezuelan producer Arca has always had a penchant for taking the rules of pop music and bending them to her will.” – Billboard “One of pop music’s foremost transgressors.” — Time Magazine “One of the most influential musicians on the planet in the last decade.” - The Arts Desk

KICK iiiii CD: XL-1224-CD File Under: Pop

Pitchfork - Best New Album (KICK ii - kiCK iiiii) Stereogum - KicK iii, Album of the Week The Needle Drop - KicK iii, Fantan’s Best of 2021 list

134 GRAND STREET, NEW YORK, NY 10013

WWW.XLRECORDINGS.COM

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

DEATH CAB FOR CUTIE

featuring Magik*Magik Orchestra LIVE 2012

bark144bw 2xLP + MP3 [INDIE EXCLUSIVE]

STREET DATE: MAY 20, 2022

TRACKLISTING SIDE A Magik Overture Passenger Seat Different Names for the Same Thing A Movie Script Ending Stay Young, Go Dancing SIDE B Codes and Keys What Sarah Said Bend to Squares Hindsight SIDE C Little Fury Bugs No Joy in Mudville Grapevine Fires Underneath the Sycamore

In 2012, Death Cab for Cutie invited San Francisco’s Magik*Magik Orchestra to play alongside the Seattle, WA indie rock icons on a 27-date tour in theatres across the United States. The resulting collaboration was brilliant reinterpretations and wonderfully lush orchestrations of songs from across the entire Death Cab catalog, from their debut release on Barsuk to their then-latest full-length Codes and Keys. LIVE 2012 documents some of the run’s best performances and was originally released as a Record Store Day exclusive on black vinyl in 2014.

This colored vinyl 180-gram INDIE-EXCLUSIVE reissue is limited to 2000 copies worldwide.

SIDE D I Will Follow You into the Dark Tiny Vessels Transatlanticism

MARKETING NOTES • Limited-edition, only 2000 copies made worldwide • High-quality 180-gram black splatter white vinyl, pressed at QRP • Double LP, gatefold jacket; includes digital download

2xLP+MP3: NON-RETURNABLE

catalog #: LP-BARK-144LEIEC upc: 655173914410 packaging: gatefold jacket box lot: 25

barsuk records www.barsuk.com

•

distro@barsuk.com

distributed by redeye • redeyeworldwide.com • info@redeyeworldwide.com

THE VERLAINES

LIVE AT THE WINDSOR CASTLE, AUCKLAND, MAY 1986 STREET DATE

05/20/2022 CD

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34457 06238 2

ITEM NUMBER: CD-SMR-066 UPC: 634457062382 PACKAGING: Digipak BOX LOT: 30 EXPORT: World

TRACK VINYL LISTING SKY-BLUE 6

34457 04822 5

ITEM NUMBER: LP-SMR-066 UPC: 634457048225 PACKAGING: Gatefold BOX LOT: 40 EXPORT: World

34457 06239 9

ITEM NUMBER: SMR-066 UPC: 634457062399 PACKAGING: Digital EXPORT: World

LABEL CONTACT

STEPHEN H. JUDGE SCHOOLKIDS RECORDS stephen@schoolkidsrecords.com

LABEL CONTACT

DANIEL MATTI SCHOOLKIDS RECORDS matti@schoolkidsrecords.com

U.S. MEDIA INQUIRIES MELISSA ADAMS PRESS GANG MEDIA mel@pressgangmedia.com

Packaged in a beautiful gatefold jacket, the artwork is a replication of the vintage gig poster. Sky Blue vinyl, complete with download code and liner notes from singer Graeme Downes: “This album may end up the hands of people who weren't even born when these performances took place, so, let me tell you what it was like. The Verlaines. at the time, were Graeme Downes, Jane Dodd and Robbie Yeats. We lived in Dunedin at the near-bottom of the South Island of New Zealand. We were at University. These gigs were recorded to try to capture a live version of Slow Sad Love Song for the upcoming Birddog album that we recorded later that year.”

Limited to 1200 copies Worldwide.

TRACK LISTING

DIGITAL

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One weekend in May 1986, The Verlaines travelled from home town Dunedin to play a two night stand at Auckland pub The Windsor Castle. The shows were recorded, and the tapes recently salvaged so you can hear those performances.

Legendary New Zealand band The Verlaines are proud to release 'Live at the Windsor Castle, Auckland May 1986' on CD/LP/Digital on May 5th, 2022.

DISTRIBUTION - US

LORI MILLER REDEYE WORLDWIDE lori@redeyeworldwide.com www.redeyeworldwide.com

DISTRIBUTION - UK

FERGUS DENHAM REDEYE WORLDWIDE denhamf@redeyeworldwide.com

DISTRIBUTION AUSTRALIA/NZ

ANTONIO FOXLEE REDEYE WORLDWIDE antonio@redeyeworldwide.com

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Makes No Difference Just Mum You Forget Love Take Good Care Of It Lying In State Fuck It Alf Only Dream Left For The Love Of Ash Grey Icarus Missed Pyromaniac Lover Armageddon Slow Sad Love Song It Was Raining Doomsday You Cheat Yourself You Say You The Ballad of Harry Noryb

FOR FANS OF: THE CHILLS, PAVEMENT, THE CLEAN, STRAITJACKET FITS

SCHOOLKIDSRECORDS.COM/LABEL schoolkidsrecordsnc@gmail.com

505 ENO STREET HILLSBOROUGH, NC 27278 REDEYEWORLDWIDE.COM | 877-733-3931

1. A Sudden Place 2. Cruel Trick 3. Peace Is a Delicate Thing 4. All That You Can Dream 5. Rats in a Barrel 6. Cannot Trust the Ground 7. Cut to the Ending 8. You Can’t Hide 9. My Eyes Have Seen 10. Remember This 11. All by Heart

AUTOGRAPHED LP (INDIE RETAIL):

ARTIST: Grant-Lee Phillips TITLE: All That You Can Dream (AUTOGRAPHED) CATALOG #: LP-YEP-3024 UPC: 634457070936 PACKAGING: Autographed LP jacket w/ postcard TERRITORY: Worldwide

AUTOGRAPHED CD 6 34457 07093 6 (INDIE RETAIL):

GRANT-LEE PHILIPS | ALL THAT YOU CAN DREAM

ARTIST: Grant-Lee Phillips TITLE: All That You Can Dream (AUTOGRAPHED) CATALOG #: MCD-YEP-3024 UPC: 634457070943 PACKAGING: Autographed Digipak TERRITORY: Worldwide

LP / CD STREET DATE: MAY 20, 2022 When you’re a musician used to a certain creative groove, it’s disorienting to have this rhythm disrupted. Like many musicians, Phillips sought out silver linings wherever he could find them once the COVID-19. But in early 2021, when Phillips realized any potential touring options were still on hold for the foreseeable future, he started to write and record a new solo album at home. “I found respite in the process when I could do little else,” he says. “It became a sort of meditation on this time in my life and the events that we’ve collectively experienced.”

The resulting full-length, All That You Can Dream, is understandably introspective, as it’s anchored by Phillips’ empathetic voice and rich acoustic guitar. The album’s lyrics attempt to make sense of an uncertain, anxiety-riddled time, while coming to terms with the idea that once-unshakeable things now seem fragile or fallible. “In terms of subject matter, I found that the circumstances of being off the road, and left to reflect on what this time feels like, produced a different kind of song,” Phillips says. “I wasn’t entirely certain—and to be honest, I’m still not altogether certain—when I get to take these songs on the road. In some ways, that freed me up to write and record the kind of song that was personal and executed as though it were for an audience of myself alone. That’s freeing.”

LP:

ARTIST: Grant-Lee TITLE: All That You 6 Phillips 34457 07094 3 Can Dream CATALOG #: LP-YEP-3024 UPC: 634457068834 PACKAGING: LP jacket w/ postcard TERRITORY: Worldwide

CD:

6 Phillips 34457 06883 4 Can Dream ARTIST: Grant-Lee TITLE: All That You CATALOG #: CD-YEP-3024 UPC: 634457068841 PACKAGING: Digipak TERRITORY: Worldwide

HIGHLIGHTS: ☛ 11th solo album from Grant-Lee Phillips, celebrated singer-songwriter, frontman of ☛ ☛ ☛ ☛ ☛ ☛ ☛ ☛

Grant Lee Buffalo and cult-favorite actor from Gilmore Girls.

Limited number of autographed LPs and CDs available exclusively for indie retailers.

Vinyl LP includes a limited edition art postcard designed by Grant-Lee Phillips.

Stellar cast of backing musicians includes Jay Bellerose (Willie Nelson, Alison Krauss), Jennifer Condos (Bruce Springsteen, Stevie Nicks), and Eric Heywood (Son Volt, The Jayhawks).

Brad Paul Media is servicing AAA and Americana radio.

Lellie Capwell of LPC Media is US publicist, Paddy Forwood is UK publicist, Jorg Timp at Starkult PR is DE publicist.

European tour confirmed for April 2022.

US tour confirmed for June 2022.

UK + Ireland tour confirmed for December 2022 - February 2023.

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Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278 INFO@YEPROC.COM | YEPROC.COM 336-578-7300

ALSO AVAILABLE FROM GRANT-LEE PHILLIPS: LITTLE MOON - BURGUNDY COLOR VINYL REISSUE FIRST TIME ON COLOR VINYL & LIMITED TO 1,000 COPIES WORLDWIDE! LP REISSUE STREET DATE: JUNE 24, 2022

TOUR DATES: 4/21 - Les Étoiles - Paris, France 4/22 - Folk å Rock - Malmo, Sweden 4/23 - Lille Sal - Esbjerg Tobakken, Denmark 4/24 - Hotel Cecil - Copenhagen, Denmark 4/25 - Hotel Cecil - Copenhagen, Denmark 4/27 - John Dee - Oslo, Norway 4/28 - Madam Felle - Bergen, Norway 4/29 - Byscenen - Trondheim, Norway 4/30 - Svømmehallen - Bodø, Norway 6/2 - City Winery Loft - Boston, MA 6/3 - City Winery Loft - New York City, NY 6/4 - City Winery Loft - Philadelphia, PA 6/5 - City Winery Loft - Washington, DC 6/7 - Club Cafe - Pittsburgh, PA 6/8 - Music Box - Cleveland, OH 6/9 - The Ark - Ann Arbor, MI 6/10 - OTSF - Chicago, IL 6/11 - Shank Hall - Milwaukee, WI 12/1 - Whelans - Dublin, Ireland 12/2 - Cyprus Avenue - Cork, Ireland

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12/3 - Dolan’s Warehouse - Limerick, Ireland 12/4 - Empire Music Hall - Belfast, Ireland 12/6 - Night & Day - Manchester, UK 12/7 - Bush Hall - London, UK 12/8 - De La Warr Pavilion - Bexhill, UK 12/9 - Quay Arts - Newport, UK 12/10 - Folk House - Bristol, UK 12/11 - The Boileroom - Guildford, UK 1/19 - St. Mary’s - Chester, UK 1/20 - Frets Acoustic @ Strathaven Hotel - Strathaven, UK 1/21 - Celtic Connections - Glasgow, UK 1/22 - More Music - Morecambe, UK 1/24 - Brudenell Social Club - Leeds, UK 1/25 - Leaf - Liverpool, UK 1/26 - Hare & Hounds - Birmingham, UK 1/27 - The Musician - Leicester, UK 1/28 - Ramsgate Music Hall - Ramsgate, UK 1/29 - The Railway Inn - Winchester, UK 1/31 - Portland Arms - Cambridge, UK 2/1 - The Horn - St. Albans, UK

34457 06515 4

GRANT-LEE PHILLPS CATALOG SALE! 10% OFF VINYL & CDS SALE RUNS THROUGH MAY 20. Ask your sales rep for details!

YULETIDE YEP-2778

LP:

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LIGHTNING, SHOW US YOUR STUFF YEP-2719

LP: CD:

THE NARROWS YEP-2468

LP: CD:

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34457 27191 3

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34457 27192 0

LITTLE MOON YEP-2203

CD:

WIDDERSHINS YEP-2556

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LADIES’ LOVE ORACLE YEP-2215

CD:

SOAK

If I never know you like this again

May 20th 2022

PRESS “…a bold art-pop auteur; [SOAK’s] growing confidence translates to emotionally probing songs of startling candor.” - Pitchfork “SOAK takes listeners to another place with...expressive, poetic lyrics.” – NPR

TRACKLISTING purgatory last july Bleach get well soon pretzel

gutz baby, you’re full of shit red-eye neptune swear jar

With If I never know you like this again, SOAK’s Bridie Monds-Watson (they/ them) have shaken the hangover of their starry Mercury-nominated debut Before We Forgot How To Dream and their ambitious follow-up album Grim Town, and the pressures that came with them. Having written much of their new album when time felt at its slowest, Bridie, who has always had an obsessive need to document each chapter of their life, now makes a marvel of the mundane.

Alongside long-time collaborator Tommy McLaughlin (he/him), the two wrote most of the album together while listening obsessively to indie bands like Broken Social Scene and Pavement and Radiohead’s classic album The Bends. They honed in on this new riff-led, mid-90s sound, “nerding out on guitars and pedals like moronic bros” before recording it with the rest of the band in Attica Studios in Donegal. Previous SOAK albums had either been recorded remotely or by just two people, but If I Never… sees all the members of SOAK in the studio simultaneously. After being away from each other for the majority of the pandemic, it was important to create the record as a band, and the joyful energy of having everyone in the same room again is palpable.

On If I never…, SOAK’s brilliant melodies are on full display. Lead single “Last July” features a masterfully off-kilter vocal set against swooning guitars, creating a lush pop song that wouldn’t be out of place in the end credits of a 90s coming-of-age film. Lyrically, Bridie manages to be both playful and self-aware.The idea of identity is central to the record, and Bridie’s lyrics are as deeply personal as they are universal. “This record is the most accurate picture of me. I felt no pressure at all, it was almost like I was ranting as I was writing,” they explain. Bridie’s memories string together to create intimate vignettes of a life richly lived. Tapping into their specific experiences, the result is a record that is deeply relatable and sparkling, as it traverses the ups and downs of their journey to becoming a fully realized person.

Limited Eco-Friendly Vinyl for Indie Retail

LP: RT-0308-LPE

134 GRAND ST, NYC 10013

ROUGHTRADERECORDS.COM

LP: RT-0308-LP

CD: RT-0308-CD

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

Knxwledge - 1988 Key Selling Points - The repress of Grammy Award-winning beatmaker Knxwledge’s album 1988 in grape color vinyl

- 1988 is the highly anticipated follow-up to Knxwledge’s hugely acclaimed 2015 album Hud Dreems

- Knxwledge has collaborated with Kendrick Lamar, Anderson .Paak (as NxWorries), Joey Bada$$, Earl Sweatshirt, and more Artist Title Cat #

Knxwledge

1988 STH2409-5

Description •

1988 is acclaimed hip-hop producer Knxwledge’s latest full-length

•

Formats LP 2022 Release Date May April 20th 8th 2022 Original Release Date March 27th 2020

For fans of Madlib, J Dilla, Mndsgn, Flying Lotus, Teebs

•

1988’s 22 tracks delve into Knx's intricate world of mesmerizing loops and warm, lo-fi textures

Tracklisting

•

Knxwledge socials: Instagram 220k followers; YouTube- 20m views; Spotify - 1.3M monthly listeners, 300M total streams

•

Album features R&B star and NxWorries collaborator Anderson .Paak

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Press: Pitchfork, The Fader, Bandcamp, DJ Mag, DJ Booth, Clash, Crack, The Line of Best Fit, HYPEBEAST, Brooklyn Vegan ++

•

Radio: BBC Radio 1, BBC 1Xtra, BBC 6 Music, Byte FM, triple j, Double J, FM4, RTE, NTS etc.

Label Genre

Vinyl UPC

Stones Throw Records Instrumental Hip-Hop

659457240950

01. dont be afraid 02. [bc] tm_s not promised 03. do you 04. thats allwekando.

05. listen 06. learn 07. howtokope.

08. with[reality] 09. uonlygetone 10. solivelife 11. be safe 12. watchwhoukallyourhomie 13. theykome&go 14. don_tgottabe 15. gangstallthetime 16. believeme 17. itkanbe[sonice] feat. NxWorries 18. makeuseofthetime 19. makeitliveforever 20. awomanslifeislove 21. amansloveislife_keepon 22. minding_my business feat. Durand Bernarr

★★★★

“A Triumph” - Uncut Magazine ★★★★

“Rocks like a sexy librarian; smart, sassy and classy.”

- Spin “Diaboliquement érotiques” -Rolling Stone France Download card included

METRIC’S DEBUT ALBUM 20TH ANNIVERSARY

Gray vinyl edition

IOU HUSTLE ROSE SUCCEXY COMBAT BABY CALCULATION THEME WET BLANKET ON A SLOW NIGHT THE LIST DEAD DISCO LOVE IS A PLACE

Everloving Records: Courtney Knopf courtney@everloving.com Redeye Worldwide: Lori Miller Lori@redeyeworldwide.com

File Under: Rock/Pop Export: Worldwide ex Canada Box Lots: 25 LP

Fu Manchu – Fu30, Pt. 2 At The Dojo 10” Neon Pink Vinyl

ATD025

5060446128985

The second instalment in Fu Manchu’s 30th Anniversary vinyl 10” series, Fu30, Pt.2, includes 2 new original Fu Manchu songs, as well as a cover of Surf Punks’ “My Wave.” Like the band’s most recent album, Clone Of The Universe, and Fu30, Pt. 1, Fu30, Pt. 2 was recorded at The Racket Room in Santa Ana, California by Jim Monroe (Adolescents, Ignite) and co-produced with Fu Manchu. This limited edition 2500 unit run is pressed on pink neon vinyl at 45 RPM for maximum heaviness with a package design that pays homage to the cover of Surf Punk’s original single.

1. “Strange Plan” 2.“Low Road” 3.“My Wave”

RELEASES MAY 20 2022 JOSE É MEDELES

with M. WARD, MARISA ANDERSON & CHRIS FUNK

Railroad Cadences & Melancholic Anthems SIDE A 1. Please Send To J.F. 2. Richness Of Peace 3. Golden 4. Takoma 5. Juxaposition SIDE B 6. Something Else 7. Before & After 8. Illumination 9. Mid The Ice & Snow

• 1ST PRESSING CLEAR VINYL W/ BLACK SMOKE • COLLABORATIONS WITH M. WARD, MARISA ANDERSON & CHRIS FUNK (DECEMBERISTS, STEPHEN MALKMUS) Led by drummer José Medeles (Breeders, 1939 Ensemble, Revival Drum Shop), Railroad Cadences & Melancholic Anthems is a drummer’s tribute to guitarist and DIY iconoclast John Fahey. Joined for a series of guitar and drum duets with M. Ward, experimental guitarist Marisa Anderson, and Chris Funk (Decemberists, Stephen Malkmus), it’s a genuinely honorific project, featuring not Fahey compositions, but rather a series of improvised rendezvous inspired and informed by his looseness and rhythmic idiosyncrasies.

Though Medeles knew and had interacted with all of his collaborators, the record represents the first time he’s played on a record with Anderson and Funk (though he’s contributed to Ward’s indie pop band She & Him). Recording in the comfortable setting of Bocce Recording in Vancouver, WA, in 2020, these duets are playful and spiritually deep, presented with snapshot clarity Medeles likens to the recordings of Alan Lomax or Chris Strachwitz, “who boldly captured field recording of Southern chain gangs and juke joint raconteurs decades ago. The result here is similar: pure and honest recordings.”

From Anderson’s Delta blues on “The Paper Snake” to Funk’s careening slide guitar on “Golden” to Ward’s elegiac electric guitar on “Richness of Peace,” these recordings connect to Fahey’s transcendent states. “It’s past physicality. You’re not thinking, you’re listening,” Medeles says. “Things like that don’t happen if you have any hang ups.

The record concludes with “Voice Of The Turtle,” a reverie from Funk and Medeles, who trade washes of cymbals and swells of slide guitar underneath a sample of Fahey speaking, describing the light trance he enters when playing and a scene of Robert Johnson, sans his guitar, entertaining spectators by clapping his hands. “I tried to imitate his rhythmic creativity...I had a lot of old blues records around...I listened to those and tried to imitate them as best I could.” With Railroad Cadences & Melancholic Anthems, Medeles does the same, creating a generous space that invites the listener into the collective unconscious.

CD-JBR-217

LP-JBR-217LE

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43563

14120

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43563

14119

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COMPANY / MAY 20, 2022

UFFIE SUNSHINE FACTORY Welcome to Uffie’s new album Sunshine Factory – an alternate reality that is only accessible to those yearning for escape. A nod to the ballroom scene, it is a place where you can be your most authentic self. Inside this trippy wonderland, you’ll meet Uffie, dancing amongst the lights of your hallucinations. Sunshine Factory is a wonderfully restless record. It’s a joyride through the club, hurtling into the forest, and crowd surfing into the arms of a lover… and yet it’s also the sound of waking up to a heap of champagne soaked jeans, the bass of your heart still throbbing along to last night’s melodies.

A decade after her first record, which included–debatably–the internet’s first viral hit, the electro smash “Pop The Glock,” Uffie “the French-American singer/rapper/DJ/fashion designer who took the internet by storm” (Brooklyn Vegan) is most definitely back. Raised between Florida and Hong Kong before moving to Paris with her British father, the now Los Angeles-based Uffie is undeniably a “child of the world;” unsurprisingly, the making of this record clocked up a few air miles as well. Birthing what would become the Sunshine Factory in Fonte da Telha, Portugal collaborating with Norwegian savant Lasse Lokøy, Uffie soon found a home for these songs back in California with Chaz Bear of Toro y Moi–who co-produced several of the tracks–and his Oakland-based label, Company Records. The resulting album is one of intricate production, sonic experimentation, and subtle poetic brilliance amongst a few Fleabag glances to the camera.

Amidst double entendres galore, her record exists in a curious space between punk and pop, which can be heard in the ska-meets-fashion week “dominoes.” Contrarily, “sophia” – which marked the advent of Uffie and Chaz’s creative partnership several years ago – poises Sunshine Factory as an otherworldly dance record one would hear in Berlin’s famous Berghain nightclub.

She is the party girl who is at her most vulnerable in the chaotic “where does the party go?” where she reckons with facing who she truly is when she’s all alone. It’s in these dualities and juxtapositions that the joy of Uffie writhes.

The album also has a cameo or three, including the one and only Peaches. And after finding kinship and admiration in the genre-defying NNAMDÏ, she tapped him for the record’s sole feature on “month of mondays.” It is at this point in the record that the beloved je ne sais quoi that Uffie has always possessed really emerges. When the comedown begins and the insatiable few remain on the dancefloor, “a month of mondays” is the knowing nod to a stranger signaling the night’s shift in course. With Sunshine Factory, it’s a pop-up party wherever you can find some speakers. Cool.

HIGHLIGHTS • • • • •

North American publicity by Orienteer College/Non-Commercial and Commercial Specialty radio by Terrorbird Sync licensing by Terrorbird Music videos for “Cool”, “Dominoes”, “Sophia” and “WDTPG?” Dublab radio residency January to June 2022 Facebook boosted posts and targeted Instagram dark posts throughout campaign

• • • •

Previously released the internet’s first viral hit “Pop The Glock” Previously collaborated with Pharrell, JUSTICE and Charli XCX Co-produced by Chaz Bear (Toro y Moi) Guest appearance from NNAMDÏ and and interlude from Peaches

REDEYE 505 Eno Street Hillsborough, NC 877-733-3931

UFFIE SUNSHINE FACTORY CHI16

Street Date: May 20, 2022 File Under: Alternative/Pop Discount: 5% on LP, 10% on CD until June 17, 2022 LP (bone vinyl) UPC 677517301618 CD UPC 677517301625 DISTRIBUTION CONTACT jillw@redeyeworldwide.com

TRACKLISTING 1.

2.

3.

4.

5.

6.

7.

8.

9.

mvp where does the party go? peaches (interlude) dominoes prickling skin queen ilona (interlude) anna jetson sophia a month of mondays (feat. NNADMÏ) 10. giants 11. teddy<3 (interlude) 12. cool 13. crowdsurfinginyoursheets

RIYL Charli XCX SOPHIE Kero Kero Bonito Peaches

carparkrecords.com

Flock - Flock Flock is a brand new collaboration between five leading musicians from London's open-minded jazz and experimental scenes: Bex Burch (Vula Viel), Sarathy Korwar, Dan “"Danalogue"” Leavers (Soccer96, The Comet Is Coming), Al MacSween (Maisha) and Tamar Osborn (Collocutor).

The musicians were first brought together by drummer Sarathy Korwar during March 2020 for one of Boiler Room, Total Refreshment Centre and Night Dreamer’s more memorable streamed sessions from early lockdown. It caught the attention of Strut Records and the label presented an open offer for the musicians to create a new, completely freeform project.

Gathering together at The Fish Factory in London Summer 2020, the approach was to try something fresh. “"I wrote texts as scores for the session and the emphasis was on breathing and listening to each other",” explains Bex Burch. “"Improvisation is composition in itself, so although the music was freely improvised, we sometimes chose to stay on form and rhythm, repeating melodies and groove."

Tracks include the pulsing, searching opener ‘Expand’, the taught soundscape ‘Prepare To Let Go’ and the frenetic, urgent ‘Bold Dream’. At times widescreen and cinematic and at others more tense and claustrophobic, each Flock piece explores its own colour and mood.

"Every moment in this process has been a new journey into the unknown. Everyone came, breathed and brought openness of heart, ears, lungs and wings."

‘Flock’ by Flock is released on Strut on 20th May 2022.

Artwork is based on an exclusive new illustration piece

by Muhammad “Rofi” Fatchurofi.

VINYL TRACKLIST A1 EXPAND 3.59 A2 PREPARE TO LET GO 4.44 A3 SOUNDS WELCOME 7.30

B1 IT’S COMPLICATED 13.35 B2 WHAT PURPOSE 3.34

C1 MURMURATION 1.58 C2 BOLD DREAM 6.09 C3 MY RESONANCE 7.41

D1 HOW MANY ARE ONE 13.49 D2 FULLY BREATHED 4.38

CD TRACKLIST

Key Points Debut album by Flock featuring leading members of UK’s jazz and experimental scenes Features the singles ‘Expand’ and ‘How Many Are One’ Supported by full worldwide PR campaign and associated tour dates inc. festivals in UK & EU. First part of ongoing series of recordings with Flock in coming years

1. EXPAND 3.59 2. PREPARE TO LET GO 4.44 3. SOUNDS WELCOME 7.30 4. IT’S COMPLICATED 13.35 5. WHAT PURPOSE 3.34 6. MURMURATION 1.58 7. BOLD DREAM 6.09 8. MY RESONANCE 7.41 9. HOW MANY ARE ONE 13.49 10. FULLY BREATHED 4.38

FOR FANS OF: Sarathy Korwar, Collocutor, Maisha, The Comet Is Coming, Vula Viel, Terry Riley, Steve Reich, John Surman, On Our Own Clock, Resavoir, Gogo Penguin, Corto Alto, Jaimie Branch, Don Cherry, Miles Davis

RELEASE DATE: 20th May 2022 ARTIST: Flock TITLE: Flock Cat. No. STRUT269LP / STRUT269CD

For more information, contact Adam Calman: Adam@k7.com

CONFIGURATIONS: 1LP / 2LP PACKAGING: 1CD DIGIPAK / 2LP IN GATEFOLD LP SLEEVE BAR CODES: CD – 4062548029086 / LP - 4062548029093 Weblink: strut-records.com

ALEX IZENBERG I'M NOT HERE

TRACKLISTING 1. Ivory 2. Gemini Underwater 3. Egyptian Cadillac 4. Breathless Darkness 5. Broadway 6. Our Love Remains 7. Ladies of Rodeo 8. Sorrows Blue Tapestry 9. Juniper & Lamplight 10. Sea of Wine CATALOG NUMBER: WEIRD143 RELEASE DATE: May 20, 2022 FILE UNDER: Alternative “I” CD Boxlot: 30 UPC: 887833014325

LP w/ DOWNLOAD Boxlot: 20 UPC: 887833014318

Vinyl is non-returnable

LP (ltd) w/ DOWNLOAD Boxlot: 20 UPC: 887833014332

OVERVIEW Reading about Alex Izenberg, one picks up on repeated phrases, words like “enigmatic” and “reclusive'' applied to the Los Angeles songwriter. Izenberg transcends those quick descriptors and manages a paradoxical and visionary trick with his third LP, the majestic and floral pop opus I’m Not Here: he disappears completely while simultaneously revealing more of himself than ever before.

Like his debut, 2016’s homespun Harlequin, and its ambitious 2020 follow-up Caravan Château, I'm Not Here inhabits the shaggy, world-weary mode of Izenberg’s favorite ‘70s artists, folks like Harry Nilsson, John Lennon, Randy Newman, and Lou Reed. Recorded at Tropico Studios and produced by Izenberg and Greg Hartunian, its swelling string and woodwind arrangements - courtesy of collaborator Dave Longstreth (Dirty Projectors) - bring to mind the technicolor sweep of Van Dyke Parks. We are all the sum of our influences, the product of external and internal forces, but on I’m Not Here, Izenberg dives deeper down, beyond discussions of record collections, AM radio coziness, and stylistic flair: “I feel like the concept of ‘Alex Izenberg’ is not real,” he explains. “I feel like I’m not here, but we’re here. We’re all one.

There’s one cosmic consciousness—we’re all branches of that.”

I’m Not Here is a gem of vintage pop that feels custom built for the present, in which we ask ourselves how deep our interconnectedness goes. “It’s like what Shakespeare said,” Izenberg explains. "We don’t find our fate out in the stars; we find it within.” Slipping out the back door and into the clouds of the sunset, Izenberg settles into the oneness, inviting you to join him for a spell. He’s not there. You are.

SELLING POINTS • Alex Izenberg has collaborated with Chris Taylor (Grizzly Bear), Jonathan Rado (Foxygen, Whitney, Lemon Twigs), Ari Balouzian (Tobias Jesso Jr) among others.

• College, non-comm and AAA radio campagin to impact upon release.

Vinyl is non-returnable

WEIRD WORLD RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com

• All LP formats include download card. LP (ltd) is an evergreen color vinyl pressing.

Mary Lattimore & Paul Sukeena

WEST KENSINGTON BLACK VINYL 12” ALBUM LP-TLR-138 Street Date: May 20, 2022 Format: Vinyl LP (with download) UPC: 711574923311

PURPLE VINYL INDIE EXCLUSIVE 12” ALBUM LP-TLR-138LEIEC Street Date: May 20, 2022 Format: Purple Vinyl LP (with download) UPC: 711574923410 It is shocking what your mind will choose to forget. Almost always it needs a tear, a clean dash, a straight passage into what you've already known. Looking back, West Kensington has achieved that very goal: creating a landscape for memory, an imprint of that horizon, suspended in the cosmos.

I heard it in real-time, percolating against our shared apartment wall. The assembly of sounds was a comfort; a welcome change during what felt like a fresh era entirely. Like the comets we see every so often, it's the streak of some long-ago awe that we try to comprehend. So much space, so much reach and so far; so much weight hanging in the dark sky. And the reasons we missed the comet - and why - become the moments we remember most.

Welcome to The Unknown. “Hundred Dollar Hoagie” is a slap across the face, our new normal. The weight of Mary Lattimore’s harp is our hull, her tones steadying the ship’s course. Paul Sukeena’s guitar is our intrepid guide, as terrified as us. All at once, the things that seem so familiar, appear so far away.

The mid-record swells for “Didn't See The Comet” like a hall pass for a coastal drive. The chimes in “Flaming Cherries Jubilee at Antoine's” tell us it’s going to be OK. Permission to land has been granted. The ambient noise dissipates and like a futuristic prelude to Koyaanisqatsi, the chords of the harp conjure a feeling of togetherness and intentional greeting resembling Philip Glass after loads of red wine. These are the tiny holes in the dark. …Time as a constellation.

A constellation is only recognized when its stars are aligned: those bright spots, seemingly neighbors beside each other, yet billions of miles apart. The matrix of light is abstracted and creates a new name. What if our memories did the same? Our stained fingertips made stained fingerprints on our foreheads from the garage wine we made together. The cosmic blue-tipped crest of the waves on that warm night, all aglow but not for us. Our memories as gas giants, fleeting supernovas that when glared at, only become more intense and abstract.

In “Altar of Tammy”, the sky sinks to indigo and we know there will be another one of these days. Sukeena lets his guitar drone…reminding us of this truth. Like a forced smile, Lattimore swings her notes where our hearts want to go: there can’t only be darkness - there can’t only be smoke. We can’t be the only ones in this expanse, gaze fixed. There is an absence of ‘noise’ here, aside from the click of a pedal. Where did we go in 2020? What did we do?

Why did we cry together, on the porch, looking out? On the days we couldn't go outside, West Kensington is proof there was music created and it felt like something real; and the jacaranda tree had a soundtrack to drop its leaves to. …Things had better work here, because here is where we run out of space.

As we reach the end of the journey, “Garage Wine” arrives. Here is a glimpse of hope and a nod to the freedom we never saw coming. We traveled so far and have reached the edge only to realize that there was never a map. We were only using our gestures as directional guides, our hands moving toward one another in hi def. Using these earthly makings of strings and tubes, West Kensington takes us to that cosmic latitude of memory, and the ride is a healing one. As it goes with the passing comet, the songs are a reminder that we are here, making those vibrations into nothingness together. And it is brilliant.

-Nicky Devine, January 2022-

1. Hundred Dollar Hoagie (7:30) 2. Flaming Cherries Jubilee at Antoine’s (6:58) 3. Altar of Tammy (7:58) 4. Didn’t See The Comet (6:03) 5. This Time Juliane Landed Softly (4:36) 6. Garage Wine (8:59) SALES POINTS - Dreamy, transporting debut duo album from long-time friends Mary Lattimore and Paul Sukeena. Lattimore’s fan base is big and hungry and she has previous albums available on Three Lobed, Ghostly International, Thrill Jockey and more. She has collaborated on album with Kurt Vile, Thurston Moore, Steve Gunn, Julianna Barwick, Meg Baird, Mac McCaughan and many more. This is Sukeena’s debut release under his own name but has logged considerable time in Angel Olsen’s touring band, Steve Gunn’s touring band, the band Spacin’ (including their albums) and more.

- Available on both 140g black vinyl LP and indie exclusive 140g purple vinyl LP (both versions include multi-format downloads enabled by Bandcamp).

- “It’s tempting to describe Lattimore’s music as hypnotic… but I worry that the characterization discounts her boldness and ingenuity…” Amanda Petrusich, The New Yorker - “…each twinkling note (from Lattimore) relays the bittersweet tranquility of memories gone by…” Vrinda Jagota, Pitchfork - “Mary Lattimore plays the harp like the wind moves through leaves — in circles that slowly spiral outward, shifting the scenery in small gestures that open to wide vistas.” Lars Gotrich, NPR Music - “Lattimore handles her harp like a solo guitarist, improvising around contemplative melodies with the help of pedals that warp her crystalline tone and seem to bend time.”

Grayson Haver Currin, The New York Times - RIYL: Lattimore’s solo albums, Brian Eno, Alice Coltrane, self-improvement, kosmische rock.

Three Lobed Recordings PO Box 2345 Jamestown, NC 27282 www.threelobed.com media queries to Nathan Walker (nathan@riotactmedia.com)

Distributed by Redeye, 505 Eno St., Hillsborough, NC 27277 / stephen@redeyeworldwide.com / (877) 733-3931 ext 249

American Dreams Records REYES|STOKOWY DUO NORTHERN: ASHROUD IS MY COUNTRY

The music of Jordan Reyes, the founder and owner of American Dreams Records, hones _QLM ZIVOQVO M`XTWZI\QWV[ \W I ÅVM [WVQK XWQV\ featuring synthesizers, trombone, lap steel, vocals layered as if a choir. Robert Stokowy, a German sound artist whose work exercises great restraint, treats sound as a raw material to shape into aural sculptures. Stokowy released Strife of Permanence _PQKP ÅT\MZ[ PQ[ meticulous process through the aesthetics of black metal, on American Dreams last year; PM UIQVTa XZM[MV\[ PQ[ _WZS ^QI [Q\M [XMKQÅK longform installations. When Reyes plays bass in concert, he braces himself with the instrument’s feedback; playing synthesizer, his body locks into an unspoken groove. On the surface these approaches couldn’t seem more LQ‫ٺ‬MZMV\ ) NWK][ML KWTTIJWZI\QWV JM\_MMV \PM pair would seem a challenge, if not impossible.

Northern: Ashroud Is My Country synthesizes their approaches into a unique whole, combining Reyes’ propulsive investigations with Stokowy’s patient architecture, and creating an immersive space for listeners to explore.

The pair worked together and apart. ¹5][QKITTa º ;\WSW_a [Ia[ ¹_M PIL \W ÅVL a common language.” One generative entry point was a poem by the Russian lyric poet Sergey Yesenin, which inspired the album’s subtitle. Reyes recalls an early moment in the XIQZ¼[ KWTTIJWZI\QWV" ¹7VM WN \PM ÅZ[\ \PQVO[

Robert did was ask: ‘I want to see how quiet you can make this. How quiet can it go and I can still hear something?’” Where Reyes provided formalized musical instruments, ;\WSW_a¼[ [M\]X _I[ UISM[PQN\ LQ‫[]ٺ‬M" ¹1 PIL a just-broken guitar, and a bunch of speakers, and some tools that I’d put together.”

These tools were both tangible and sonic.

After the pair prepared preliminary recordings, Stokowy assembled drone TIaMZ[ NZWU XI[\ ÅMTL ZMKWZLQVO[ IVL [W]VL installations, compacting them into one track—a track which, on record, often sounds like a synthesizer. In addition to synthesizers, the pair added piano, vocals, guitar, bass, lap steel, transduced cymbals and gayageum, ZMITQbQVO ÅVQ[PML _WZS[ \PZW]OP \PM \MV[QWV of collaboration. “A lot of the sounds, they sound like they were created in a certain way, J]\ \PMa _MZM KZMI\ML QV I LQ‫ٺ‬MZMV\ _Ia º [Ia[ Stokowy. “‘That might be a guitar, but how— what? Why?’” Reyes adds: “Well, it’s fun.”

Fittingly, Northern works less like a listening experience than a world to investigate. Reyes imagines a character “walking through a ghost town, seeing the remnants of something that was there before.” One could imagine this character using fragments of sound as building blocks, like a video game, to construct their environment in real time.

It’s not dissimilar to Stokowy’s production process. “My approach,” he says, “is to always create a sound texture—it’s always about texture—before recording, or in the moment WN ZMKWZLQVO 1 WN\MV ÅVL \PI\ _PMV aW] ][M materials or elements in a direct, physical way, you can come up with your own aesthetic that Q[ LMÅVML Ja \PM _MQOP\ Ja \PM [PIXM Ja \PM sounding qualities of an object. That’s why I _ITSML IZW]VL TWWSML NWZ [\]‫ ٺ‬1 KW]TL ÅVL on abandoned construction sites or something like that, trying to activate things—whatever is lying around, whatever is functional at that moment.”

An unresolved, searching beauty pervades these explorations. Feedback quivers over ambient textures, patient piano overtones decay in succession, acoustic and synthesized notes intertwine with one another. Though the music’s subtle dedication to its shape pulses throughout, it’s also slippery, open-ended, and invites active listening. Says Reyes, “when it seems like nothing’s happening, that’s when you need to pay more attention.” Stokowy elaborates: “When there is a standing tone, it gives the listener the chance to change perspective—where you have to, by listening, walk into it.” Northern may recall landscape music, but exists in a shroud of its making, a world all its own.

RIYL: Mountains, Ulver, Midori Takada, Sunn O)))

American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

Label Contact: Jordan Reyes jordan@american-dreams.zone

Label: American Dreams Records Release Date: Date: 5/20/2022 5/6/2022 Cat#: 45 ADR Format: LP Barcodes: LP: 727431748010

LP

Matmos

Regards/Ukłony dla Bogusław Schaeffer CD BOX LOT CD

LISTEN HERE

50

*9037H-A5542j

LP BOX LOT LP 25 Vinyl is non-returnable

*90377-A5541c

Clear w/ purple LP BOX LOT LP 25 Vinyl is non-returnable

*9037H-55411d

GENRE : Experimental / Electronic FILE UNDER : “M” for Matmos RELEASE DATE : May 20th, 2022 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)

Matmos are one of the most prominent experimental electronic artists working today, crafting work by creating new conceptual frameworks & immediately testing those frameworks absolute limits. For Regards / Ukłony dla Bogusław Schaeffer they’ve focused on another artist known, in large part, for doing the same. Bogusław Schaeffer was one of the first Polish artists creating electronic music. In step with American contemporaries like John Cage and Morton Feldman, he worked across the boundaries of classical composition, electronic experimentation, and radical theater in playfully form-breaking ways.

Matmos are not the first ones to recognize the power of his catalog, from Solo (a 2008 documentary that garnered numerous international awards), to the annual Shaeffer’s Era Festival (most recently celebrated simultaneously in Warsaw and Los Angeles) his work continues to inspire. Regards.. however, was not just inspired by his work, Matmos were given access to the entirity of Schaeffer’s recorded works to use as they saw fit, commissioned by the prestigious Instytutu Adama Mickiewicza. They re-assembled & re-combined these recorded works with modern instrumentations in a way that only Matmos could, and what emerges is a composite portrait of the utopian 1960s Polish avant-garde and the contemporary dystopian cultural moment regarding each other across a distance.

To facilitate the transcultural exchange that is the album’s essential premise, all song titles and liner-notes are provided in both English and Polish.

The album was mastered by Rashad Becker and features illustration and design by acclaimed artist Robert Beatty (Tame Impala, Osees, Mdou Moctar).

Like the anagrams of the letters of Bogusław Schaeffer’s name that were re-assembled to create some of the song titles, the album itself is a musical re-assemblage of component parts into possible but unforeseen new shapes.

Adding harp from Irish harpist Úna Monaghan, erhu, viola and violin from Turkish multi-instrumentalist Ulas Kurugullu, and electronic processes from Baltimore instrument builder Will Schorre, and Horse Lords wunderkind Max Eilbacher, the resulting arrangements constantly toy with scale as they move from the close-mic-ing of ASMR and the intimacy of chamber music to the immensity of processed drones and oceanic field-recordings that close the album. Offering a “life review” of production styles, Regards / Ukłony dla Bogusław Schaeffer builds temporary shelters out of the panoramic wreckage of modernist composition, sixties tape music, seventies dub, eighties industrial music, nineties postrock and dark ambient, 2000s era glitch fetishism, and contemporary post-everything collage sensibilities.

“What’s astonishing is that Matmos’s music consistently transcends the concepts.

Matmos albums can be sonically and academically challenging but are always sentimental, good-humored, and funky.” - PopMatters

ALSO AVAILABLE : The Consuming Flame 3xCD (Thrill 526) Plastic Anniversary CD/LP (Thrill 482) Ultimate Care II CD/LP (Thrill 401) The Marriage of True Minds CD (Thrill 316) The Ganzfeld EP CD/LP (Thrill 315)

Follow Matmos

Thrill - 554

TRACK LISTING: 1. Resemblage / Parasamblaž 2. Cobra Wages Shuffle / Off! Schable w gurę!

3. Few, Far Chaos Bugles / Uff... Bosch gra Wałęsę 4. Flashcube Fog Wares / Głucha Affera Słów 5. Flight to Sodom / Lot do Salo 6. Tonight there is something special about the moon / Jaki księżyc dziś wieczór...

7. If All Things Were Turned to Smoke / Gdyby wszystko stało się dymem 8. Anti-Antiphon (Absolute Decomposition) / Anty-Antyfona (Dekonstrukcja na całego) SALES POINTS Matmos is one of the most prominent experimental electronic artists of the past two decades, having released a number of lauded albums and collaborated with a myriad of acclaimed artists from across genre boundaries like Björk, Kronos Quartet, Clipping., Oneohtrix Point Never and Yo La Tengo.

A reassemblage of works by celebrated Polish musicologist and composer Bogusław Schaeffer commissioned by the Instytutu Adama Mickiewicza.

The album comes after Drew Daniel of Matmos’ acclaimed solo release as The Soft Pink Truth, Shall We Go On Sinning, which was included on Best of 2020 lists from The Quietus, PopMatters, Stereogum, and Treble, named Pitchfork’s Best New Music and made its live debut at the 2021 Pitchfork Music Festival.

Featuring illustrations and design by acclaimed artist Robert Beatty (Tame Impala, Osees, Mdou Moctar) and available on limited edition purple vinyl.

Schaeffer was a prolific artist and one of the first Polish artists making electronic music. Solo, a 2008 documentary about him took awards in Prague Documentary Film Festival (Grand Prix, 2008), Montreal (Grand Prix, 2009), and Best Experimental Documentary at the Docupolis Festival in Barcelona. The Schaeffer’s Era Festival is hosted annually to celebrate his work & legacy.

Features harpist Úna Monaghan, erhu, viola and violin from Ulas Kurugullu, and electronic processes from Will Schorre and Max Eilbacher (Horse Lords) and mastered by Rashad Becker “The collaged-together results are fascinating... every bit as anarchic as their genesis would suggest.” - Pitchfork on The Consuming Flame “Matmos should definitely be considered one of the most important acts in electronic and experimental music” - The Needle Drop

Chicago / Berlin Ph : 312.492.9634 sales@thrilljockey.com

@thrilljockey

Plankton Wat Hidden Path Thrill - 574

Translucent Orange LP BOX LOT LP 25 Vinyl is non-returnable

*9037H-A5741g

GENRE : Alternative FILE UNDER : “P” Plankton Wat RELEASE DATE : May 20th, 2022 NO EXPORT TRACK LISTING:

LISTEN HERE The music of Dewey Mahood is steadfast in its pursuit of transcendence. For the past two decades as Plankton Wat, Mahood has contoured his melodic guitar playing into wholly transfiguring pieces. His fluid compositions apply ethereal, elastic textures to grounded rhythmic grooves that recall the cosmic and the earthly in equal measure. Hidden Path is an album built on reflection and discovery, turning the thrill of exploring obscured passages into inward revelations. Originally presented as a limited cassette in 2017, and now presented on vinyl for the first time, remastered by Amy Dragon, Hidden Path is a distillation of Mahood’s musical practice as a way of life, a patient celebration of the unexpected, unhurried and exhilarating.

The seeds of Hidden Path were planted when Mahood was completing his 2013 album Drifter’s Temple. Title track “Hidden Path” was composed alongside that album, but stood out from the rest as a new starting point. “I was thinking of escape, and finding calm,” says Mahood. “But after working on the new album for a while the title Hidden Path took on a new meaning for me. It became about my life, and the path that I’d chosen for myself.” Having grown up immersed in the communities of underground music, Hidden Path became a personal affirmation. “It’s about knowing yourself and following your heart and passion,” adds Mahood. “It is a political album in the sense of saying it’s okay to opt out of everything mainstream, you don’t need a great job, or much money at all to be happy and feel satisfaction in your life. My music and art are about rejecting anything that seems normal or status quo or of the modern capitalist world. This music is about life outside of all that.”

Hidden Path is an expedition into the unknowable. Mahood’s lush compositions guide one from dreamy verdence to pensive ragas with the jubilence of walking a new path for the first time. The searching pieces are layered with a sense of mystery that reveals new details on each trek through their winding routes.

Plankton Wat’s Hidden Path embodies the bliss in remaining inquisitive about worlds both exterior and interior to divine unearthed wonders.

ALSO AVAILABLE FROM PLANKTON WAT: Future Times CD/LP (Thrill 538) Drifter’s Temple CD/LP (Thrill 344) • Spirits CD/LP (Thrill 294) ALSO AVAILABLE FROM ETERNAL TAPESTRY: Wild Strawberries CD (Thrill 388) • A World Out Of Time CD (Thrill 319) Beyond The 4th Door LP/CD (Thrill 252)

Follow Plankton Wat

Chicago / Berlin Ph : 312.492.9634 sales@thrilljockey.com

1. The Inward Reflection 2. Dream Cascade 3. A Window In The Mirror 4. Hidden Path

5. The Everflowing Stream 6. Solitude Amongst The Trees 7. Awaken 8. Fields of Remembrance

SALES POINTS Dewey Mahood guitarist.

is an accomplished and influential

Mahood has played with a veritable who’s who of the new psych underground; a founding member of Eternal Tapestry, he has also played with or recorded as Edibles, Elephant Factory, Galaxy Research, Gärden Söund, Scuffle & Dustcough, Spectrum Control, Terrane.

Dewey contributed “Spider and Slug”, to the benefit record For Tom Carter.

Previously only available on cassette, this is the first pressing on LP, mastered by Amy Dragon.

Hidden Path will also be available digitally for the first time.

Dewey is currently a member of the Rose City Band Special guests inlclude Dustin Dybvig (Rose City Band), Ash Dybvig, John Rau, Matt McDowell.

Jacket artwork features drawing by Mahood. Deluxe orange LP edition is limited to 500.

Meditative, solitudinous beauty reflecting the kind of serious thought you can only do under the influence of heavy-duty chemicals or-- more likely, in Mahood’s case- when you find yourself miles from the nearest human.

- Pitchfork The word “wat” means “school” and plankton are tiny organisms that drift in the ocean, so if that says anything about Dewey Mahood’s solo project, Plankton Wat is drifting against the popular music tide.

-Pop Matters

@thrilljockey

*9

Jon Porras Arroyo

Thrill - 563 Clear LP BOX LOT LP 25 Vinyl is non-returnable

*90377-56311f

GENRE : Ambient/Drone FILE UNDER : “P” Porras RELEASE DATE : May 20th, 2022 NO EXPORT TRACK LISTING:

LISTEN HERE Jon Porras draws a staggering array of atmospheres out of even the simplest instrumentation.

Across his work as one-half of psych-drone duo Barn Owl and his solo releases, Porras welds monoliths and ether into propulsive music that is deeply felt. Arroyo, named for the Spanish word for “stream” in a nod to Porras’ heritage as a first generation ColombianJapanese American, drifts gently from one tributary to the next in unhurried contemplation and euphoria. The portentous weight and abrasive textures of Porras’ previous work give way to the trickle of richly detailed acoustic instruments slipping in and out of the fold.

On Arroyo, Jon Porras evokes a distinct sense of resplendent anticipation and calm with a fathomless flow and softly gorgeous colors.

For Porras, Arroyo became a rumination on simplicity and simple truths, a work of complete immersion and continuous motion where separate elements coalesce into an ever-changing whole. Porras spent the year leading up to 2020 living nomadically across Europe where he was able to soak in a deep appreciation for the effortless beauty of overgrown gardens, the basic principles of classical architecture and a more transient sensibility. The album was written and recorded in a time of even more change for Porras: after the birth of his daughter.

Like a stream’s steady glide across bedrock that waxes and wanes with each gradual turn, the music of Arroyo exhibits a transportive stillness. The compositions take on a light, gaseous buoyancy as discreet drones swell with measured fluctuations and ripples of piano rest atop the surface.

Arroyo borrows harmonic concepts from modal jazz to create a unique sense of ease and endlessness. Each of the four pieces on the album centers around a single suspended chord, a chord most commonly associated with devotional music which embodies a space between harmonic tension and resolution. Porras embellishes that liminality with arrangements that feel less like distinguishable layers of instruments and more like one undulating nebula of sound. In the past decade of Porras’ solo work, his music has grown increasingly engaged with elaborate synth textures and detailed processing. With Arroyo, Porras consciously takes a step back from those more intricate compositions and focuses on more organic, unadorned textures and places each sound with the same precision. Stark piano and guitar patiently hover over modest currents of Hammond organ and Yamaha DX7 with the sustain of each chord and phrase acting as a natural guide to the album’s subtle rhythm.

The four pieces that comprise Arroyo each encompass their own idyllic channel, slowly weaving their way in and out of the album’s elegant stir. Porras’ reflections on simplified elements take shape in gorgeous arrangements that impart clarity amidst a tranquil mist.

Arroyo is an album that unearths splendor in a unified feeling of space, serenity in perpetual renewal.

ALSO AVAILABLE FROM JON PORRAS: Black Mesa CD/LP (Thrill 304) Light Divide CD/LP (Thrill 363) ALSO AVAILABLE FROM BARN OWL: Ancestral Star CD (Thrill 253) V CD (Thrill 321)

1. Flower in Hand 2. Arroyo 3. In a Garden 4. Woven Landscape

SALES POINTS Sonic explorer Jon Porras crafts evocative soundscapes using guitars as well as analog and digital synthesizers.

Jon Porras’s records have been featured in Pitchfork, The Quietus, FADER, SPIN, Vice, Relix, Tiny Mix Tapes, among others Available on clear LP pressed to virgin vinyl, and packaged with download code.

Arroyo was recorded in Porras’ home studio throughout 2020, where he then mixed and arranged the album, For fans of Grouper, William Basinski, Caterina Barbieri, Mountains, Illyas Ahmed.

For now, he’s made the most efficient and bestdirected solo album of his career. No matter how much it wades through established styles or sources, it sorts and stacks them in unfamiliar patterns that depend upon and demand careful listening—out loud and in isolation.- Pitchfork Hypnotic, evocative and dynamic sonic minimalism designed for nocturnal listening.

Porras manages to generate tension and provocatively restrained drama that pass through the listener’s veins like a quiet storm. - Igloo Magazine ... a powerfully absorbing piece that is difficult to not lose one’s self within. - XLR8R

Follow Jon Porras Chicago / Berlin Ph : 312.492.9634 sales@thrilljockey.com

@thrilljockey

Soul Jazz Records presents Studio One

DAWN PENN No, No, No 12” Single

20th May 2022

Stone-cold classic – the ultimate Studio One tune and the ultimate rhythm & blues/soul to reggae cut as Dawn Penn vamps on Bo Diddley, Willie Cobbs. Floorshaking, speaker-busting SEMINAL tune!

The original Studio One CLASSIC Dawn Penn's soaring hypnotic vocal cut 'No, No, No' first time ever on 12"!

Super loud and with a killer dub version on the flip!

Release Date: Artist: Title: Tracks: Label: Format:

20th May 2022 Dawn Penn No, No, No A: Dawn Penn – No, No, No B: Dub Specialist – Creator Version (No, No, No Dub) Soul Jazz Records Cat. No: SJR477-12, 12” Single UPC: 5026328004778

Contact: Jeep Ward, 877-733-3931 x287, jeep@redeyeworldwide.com No shipments outside of North America.

Soul Jazz Records • Soho • London • UK • www.souljazzrecords.co.uk • @souljazzrecords

SATCHY BIOGRAPHY

A PRODUCT OF THE LOS ANGELES MUSIC SCENE, SATCHEL BROWN STARTED SATCHY IN 2016 AS A MONIKER FOR HIS EXPLORATIONS TO CREATE JAZZY, RICHLY-TEXTURED FUSION SONGS THAT HE COULDN’T FIND ANYWHERE ELSE. ALTHOUGH HE’D JOINED BANDS AND RECORDED MUSIC SINCE HE WAS 15, SATCHY BECAME OBSESSED WITH PRODUCING WHAT HE DESCRIBES AS “A GUMBO OF ALTERNATIVE MUSIC, A MIXTURE OF GENRES AND SOUNDS THAT COULD BE CALLED ‘ALTERNATIVE SOUL’.” IN HIS NEW LP, “WARM ABSENCE” FROM BABE CITY RECORDS, SATCHY REALIZES HIS VISION USING SOULFUL GUITARS AND BLENDED GENRES TO CREATE A HYPNOTIC SOUND ALL HIS OWN. RELEASE WARM ABSENCE

THE INSPIRATION FOR “WARM ABSENCE,” SAYS SATCHY, IS THE BLACK MUSIC, ART AND EXPRESSION HE FIRST DISCOVERED IN HIS HOME. “MY DAD IS A HUGE JAZZ HEAD AND WOULD ALWAYS BE PAINTING JAZZ ARTISTS OR DOING SOME JAZZ MUSICIAN’S ALBUM COVER,” HE RECALLS. “MEANWHILE, MY MOM WAS PLAYING CLASSIC SOUL ON THE RADIO.” SATCHY CLAIMS HIS INFLUENCES INCLUDE THE CLASSIC FUNK AND INNOVATIVE SONGS OF SLY & THE FAMILY STONE, PATRICE RUSHEN, GIL SCOTT HERON, A.R. KANE, ROY AYERS AND SUN RA. BUT HE ALSO TOOK INSPIRATION FROM BLACK FILMMAKERS AND PHOTOGRAPHERS LIKE CHARLES BURNETT AND CARRIE MAE WEEMS. COLLECTING OLD GROOVE RECORDS FROM THE ‘70S, SATCHY FELL IN LOVE WITH THE SOUND OF LIVE MUSIC ON VINYL—“SOUND THAT’S NOT TOO CLEAN, BUT NOT TOO DIRTY, EITHER.” AND HE TRIED TO RECREATE THAT EFFECT WITH HIS OWN MUSIC, REJECTING THE SHARP-EDGED PERFECTIONS OF MODERN DIGITAL RECORDING.

RELEASE DATE: : 5/20/2022 LABEL: BABE CITY RECORDS CATALOG # BCDC-046 TRACKS: 12

“WHEN SATCHEL “SATCHY” BROWN STARTS SINGING IN A WAY THAT ANNOUNCES A LOVE OF CLASSIC ALTERNATIVE ROCK AND INDIE-POP (THINK BECK OR PAVEMENT), THE WAY-BACK MACHINE BREAKS DOWN. AND AS BEN LINDENBURG’S SAXOPHONE, OR BROWN AND SEAN TARPEY’S GIBSON GUITARS, BEGIN TO TAKE AN EXTENDED MUSICAL WALK-ABOUT, WHAT COMES INTO FOCUS IS A WHOLLY ORIGINAL VISION.” - AFROPUNK

BOX LOT: 25 LP / 30 CS DOWNLOAD CODE: YES EXPORT: YES LP UPC: 634457075948 CD UPC: 634457075955

“ARMED WITH THE FERVOR OF HIS VOICE, A GUITAR, AND A BAND OF AMBITIOUS MUSICIANS, THE BUDDING TALENT WADES THROUGH HIS HEART AND MIND WITH LAWLESS SONIC AMBITION, HOPPING FROM FUNK TO LOW-FI, ALTERNATIVE TO SOUL, AND EVERYTHING IN BETWEEN.” - LYRICAL LEMONADE

FILE UNDER: ROCK/ ALTERNATIVE

FOR FANS OF: 10.4 ROG, LIV.E, GIL SCOTT-HERON, PUMA BLUE, YELLOW DAYS, EYEDRESS, DIJON SPOTIFY: 57,000+ MONTHLY LISTENERS / 13,300+ FOLLOWERS INSTAGRAM: 3,300 FOLLOWERS MEMBER OF LA-HARDCORE BAND ZULU (15,000 FOLLOWERS ON INSTAGRAM) 6

34457 07594 8 6

34457 07595 5

PRESS CAMPAIGN MANAGER

ALEX MARTIN - SEQUEL MUSIC GROUP AMARTIN@SEQUELMUSICGROUP.COM JON DENVER WEISS - BABE CITY JON@BABECITYRECORDS.COM

BABE CITY RECORDS 349 KENTUCKY AVE SE WASHINGTON DC, 20003 JON@BABECITYRECORDS.COM REDEDYE WORLDWIDE 505 ENO STREET HILLSBOROUGH, NC 27278 HARRELP@REDEYEWORLDWIDE.COM

Gnod - Hexen Valley

Rocket Recordings LP Black Vinyl

LAUNCH261LP 5056321640178

CD

LAUNCH261CD 5056321641649

Hexen Valley’s story began in summer 2021 when a new formation of Gnod came together in a co-op house at the 200-year-old Nutclough Tavern. As always, the line-up of the collective shifted and morphed to fit circumstances, and soon they embarked on intensive jamming that was eventually captured by Sam Greenwood in Hebden Bridge Underground studios. Inspiration struck not only from the chemistry of the four musicians in this confined room but all around - the band’s Paddy Shine cites the likes of shop noticeboard messages and pub conversations in Hebden as lyrical sparks; channeling by his reckoning the ‘valley fever’ that exists somewhere in the chasms and contrasts between the amazing light and vivacity of the valley summit and the comparative darkness of the towns below. Meanwhile, musical shapes were making themselves known seemingly of their own volition, from ‘Still Running’, which takes shape across a sonic hinterland between Daydream Nation-style kineticism and sludged-out aggression to ‘Bad Apple’ - an entirely spontaneous piece of potent and angular post-punk intensity. Perhaps most surprisingly of all, Lou Reed’s tour-bus favourite ‘Waves Of Fear’ is hammered out with fearsome gusto into a salvo of first-take catharsis and alchemy, fit to transcend all or any oppressive atmospheres that surround.Hexen Valley is the sound of a band whose fearsome intensity is only matched by their evolutionary drive. It’s Gnod at full power, and it’s a haunted place you might struggle to leave

01 Bad Apple 02 Spotlight 03 Skies Are Red 04 Antidepressants 05 Still Runnin’ 06 Waves Of Fear

BASIC RHYTHM COOL DOWN THE DANCE LABEL:

PLANET MU RECORDS LTD. STREET DATE:

20th May 2022

BLACK VINYL 12”: ZIQ437.

UPC: 5055869566049

Basic Rhythm returns to his Jungle roots for his final release with Planet Mu. Harking back to the golden era of the mid 90s, but with a contemporary slant, Basic Rhythm hands in three dance floor killers, with a remix from the grim reaper himself, Loxy.

Side A: 1. Cool Down The Dance 2. Horse Mout’ Side B: 3. Cool Down The Dance (Loxy Remix) 4. Satta

REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

The titular track, Cool Down The Dance, opens with a jittery fragmented drum pattern and wooshing stereo effects, lending a slightly disorienting feel to the intro before the well known vocal refrain leads into a monster amen drop. Deep subs, amen breaks and steely stabs roll out this dance floor banger. This is followed up with an absolute behemoth of a track. Horse Mout’ utilises an infamous vocal sample in a fresh way, building upon the intro with waves of dubwise effects before launching into a devastating onslaught. With support from scene stalwarts DJ Storm and Flight this one has been smashing up dance floors! The third track is a remix of Cool Down The Dance by Loxy, bringing his inimitable cool production style to the fore, stripping away the amen layers to reveal something for the darker corners of the dance. One for the head noders and the eyes down crew. The final track, Satta, is a nod to the dub of Augustus Pablo, King Tubby, and On U Sound. A slow boiling minimal intro that drops into the extreme minimalism of just a kick drum and sub bass line belies the swagger of the eventual drop. Swinging drums in an almost military pattern tumble and stagger around the core line of kick drum and sub bass, lending this an almost drunken air.

PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / JILL WHEELER jillw@redeyeworldwide.com

IN K C BA TOCK S

Artist:

Horse Lords Album Title:

Interventions Catalog #: NS 075 Release Date: April 29, 2016 Format: CD, LP, Digital LP: 703610875456 LP (Indie Exclusive Cloudy Blue Vinyl): 309272738803 CD: 703610875463 Tracklist: 1. Truthers 2. Encounters I / Transfinite Flow 3. Intervention I 4. Toward the Omega Point 5. Encounter II / Intervention II 6. Time Slip 7. Intervention III 8. Bending to the Lash 9. Never Ended

“Horse Lords are the best new band in Baltimore and probably the world.”

- Wye Oak singer Jenn Wasner

West African rhythms collide with just intonation guitars, art-

fire saxophone, minimalist grooves, and collaged zapdowns on Interventions, the powerful third full-length from Baltimore’s Horse Lords. The band’s Northern Spy debut is also the first Horse Lords album to explore the classic studio-as-weaponry strategies of yore, mapping the quartet’s raw Baltimore lightning onto the experimental musique concrète territory surveyed by elder heads like Faust and This Heat.

Floating at the boundaries of composition and improvisation, electronics and performance, the underground and the vast improbable 21st century indie mainstream, Horse Lords exist in none of these places and all of them. More accurately, they exist on Interventions, the album you now hold in your proverbial hands, perhaps noticing the reflection of the imaginary room’s light reflecting on the LP cover, ready to cue up as you find yourself in the new beyond of tomorrow’s ecstasies and today’s Horse Lords.

RIYL: 75 Dollar Bill, Palm, Guerilla Toss, Trash Kit, Can, FACS, The Ex, Albert Ayler, Glenn Branca, James Tenney File Under: Art Rock, Krautrock, Post-Afrobeat, Minimalism, Experimental

Label Contact: Adam Downey adam@northern-spy.com

Distribution Contact: Lori Miller lori@redeyeworldwide.com 877-733-3931 x216

“Baltimore’s Horse Lords bring a ferocity to the saxophone that you just don’t hear enough these days.” - Stereogum “Far from residing in some sort of rarefied liminal space between the guitar/bass/drums band format and an array of seemingly juxtaposed musical traditions (the avant-garde, minimalism, American folk, African percussion), Horse Lords stand upright with one hoof confidently planted in the thick of each of these camps and insist that they can have it all if they (and we) damn-well please.” - Tiny Mix Tapes “It’s that tensile feeling of daring — can they pull this off? — that lifts ‘Interventions’ above what it might look like on paper...”

- The New York Times

20th May

Joel Futterman, Chad Fowler, Steve Hirsh

Ebb & Flow

Mahakala Music (mahakalamusic.com) - MAHA-030 // CD&DL available 3/25/2022

UPC: 195269157029

Joel Futterman, Chad Fowler and Steve Hirsh met up on the shore of Chesapeake Bay in January 2022. Each had recorded as a duo with the other, and they had talked for months about playing together. When they finally converged, the result was magical. Ebb & Flow is the result - a collection of music that arose in that moment between those people. Nothing preplanned, noting discussed - just meet and hit and let the music come through.

Joel Futterman – piano Chad Fowler – stritch Steve Hirsh - drums Track Listing: Part One Part Two

lori@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

Hiro Ama Animal Emotions EP STREET DATE: 20 May 2022 LABEL: PRAH Recordings

Track listing A1 Free Soul A2 Autumn Colours A3 Outside B1 Wheat Fields B2 In The Right Place B3 From Joy to Sorrow Format: Black Vinyl CAT NO: PRAH042LP UPC: 5060918150605

“As a human being it’s really important to feel and express emotions whether happy or sad,” says Hiro Amamiya, the Teleman drummer whose solo guise is Hiro Ama. “I sometimes struggle to and so these are a collection of songs that explore different emotions. I want people to feel something through my music so I called this EP Animal Emotions.”

Amamiya follows up on swiftly on 2020’s field recording-heavy EP Uncertainty with a record made in his bedroom and during a time of introspection to create something even more personal. “On Uncertainty I was using sounds from everywhere and whatever sounded good,” he says. “But for Animal Emotions I stuck with fewer instruments so the EP feels much more united. I also used more acoustic instruments as I sometimes feel electronic music in general lacks some organic and human elements so I tried to make this EP as organic as possible” However, buried beneath the warm electronics, gently pulsing grooves, infectious melodies and immersive soundscapes - that veer from disco strut to IDM via jazz-laced ambient - you’ll still find some field recordings. “You might not hear them as obviously as on my previous EP but field recordings are there,” he says. “I like them because it's very spontaneous and gives some human feel. It also adds some air to a recording which I quite like.”

On the opener ‘Free Soul’ - which marries funk bass with subtle electronics and squelchy grooves - you can hear a voice sample of a woman from Southeast Asia singing a lullaby.

“I wanted to make an up-tempo and danceable song so I can dance in my room during the lockdown. I got lost in Jazz music the last couple of years and it really changed and opened up the way I make music.”

The moods, tones and emotions on the EP shift as seamlessly as the genres, never quite settling into one single place and constantly exploring and expanding into new musical terrain. A process mirrored by Amamiya’s own varied influences and tastes that were funnelled into the record, from film soundtracks to IDM to spiritual jazz such as November Cotton Flower by Marion Brown and Harvest by Pharoah Sanders.

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