PARQUET COURTS SYMPATHY FOR LIFE
RELEASE DATES: 10.15.21/10.22.21 | ORDERS DUE BY 9.24.21/10.01.21
ROUGH TRADE
Rede Welc ye ome s
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T O M M O R E L L O | P O K E Y L A FA R G E | C I R C U I T D E S Y E U X
Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight
This Issue: Trevor Peterson at Fire Talk Records How would you describe your overall ambitions and goals as a label from when you first started compared to now? When the label first started I was playing in bands, signing artists I met on tours and really looking at it as a community building project. It’s still very much that, we’re trying to build a community of like minded artists and releases that share a common spirit. I’ve always wanted the label to be as big as possible so the music can reach the widest audience possible, the difference now is that we’ve built the relationships and have the knowledge to do that.
How did you personally get started in the music industry? I started as a musician, playing in bands, touring and releasing records on other record labels. When and where did the label begin? Fire Talk started in the mid to late aughts (we count 2009 as the founding year although in ‘07 & ‘08 the idea was brewing) in Denver Colorado where I was living and going to school at the time and by 2011 moved with me to New York City where the label was fully incubated.
We know you can’t choose, but what’s been your favorite label release, and why? There are definitely no favorites! I think the one that sticks out most in my mind is the first Tennis 7 inch we did in 2010, that was the first time we really moved a bunch of records and saw something have a real moment and it was exciting to be a part of that. It was pre streaming and we weren’t releasing anything digitally at all at the time so the response had a completely different feel, something that couldn’t be replicated now for us. What’s the wildest marketing promotion you’ve ever worked on for any release? Nothing too extreme, we just had Dehd play some shows from the back of a box truck in Chicago and a few random locations to promote an album they weren’t able to tour which was a fun promo op!
What is the meaning behind the name for the label? The label’s name in classic fashion is something I wish a little more thought went into, or maybe not I don’t know! But the short of it is while living in Denver there was a particular bar that musicians, filmmakers, poets, degenerates and general bohemian types would hang out at that happened to have a fire pit in the back, and a lot of ideas came out of conversations around that place. And so when trying to think of a label name the phrase “Fire Talk” came out of one of those conversations and it stuck.
What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released? I’m pro color, give the people what they want, you know! Feel like we’ve seen everything done at this point; my favorite thing we’ve done recently is a deluxe repackage of a 2020 release that we blew out the packaging, added a bunch of bonus material. 2xLP, raised spot gloss gatefold jacket full printed inner sleeves so basically 8 places for artwork and then a really fun galaxy swirl color vinyl. I think for non Fire Talk, the most inspiring packaging for me and the first time I saw anything like it was the first GOAT record “World Music” with the crazy die cut jacket.
How has the label changed since it started? The biggest change is that the scale at which we’re able to reach folks has elevated exponentially. From selling 7 inches on consignment locally and on merch tables to multiple territory worldwide campaigns. Of course the landscape has shifted as well which has driven a lot of growth and change for the label.
Forget about the vinyl boom - how are you and your label responding to the ever-increasing popularity of cassette tapes? CDs?? Is it ever increasing?! We’ve always made these two formats so I guess we’ll just keep on making them. No plans to do anything too crazy in the near term, let’s see what those year on year numbers say at the end of 2021 & we can re-evaluate!
Describe the general makeup of your team at the label. We’re a growing small team, myself a project manager and A&R and a marketing person. Outside of our team we then hire out for other services depending on a campaign’s needs whether it be radio, PR or digital marketing.
How would you describe the average fan of the label? I have no idea! “Likes good music” lol.
What has been the biggest challenge for you and the label during the Pandemic? I think the challenges shift on a monthly basis! Early on it was figuring out the best way to navigate cancelling tons of stuff; we had quite a few artists on the road in March 2020 that all of course had to make fast decisions in that period. After that it was how to maintain our DTC business while offices were closed and our city ground to a halt and now it’s navigating the ongoing production issues. Is the label tied to a specific geographical area? How is this reflected in your releases? We try to think globally so the answer is no in terms of the artists we work with and the music we release but we do try to keep the spirit of New York City and the Indie community here in what we do. If anything our city constantly inspires us: there’s an immense amount of creative energy here that I think we have no choice but to tap into. Where do you go to search for new music? Who or what has been a new find you’d like to rave about? So many places! The internet of course is ground zero a lot of the time but as shows are coming back we’re looking forward to that aspect of discovery again. Show up for the opener always! An artist I’d like to rave about who has yet to play their first show and is a pandemic signing for us is Mandy, Indiana based in Manchester UK. Pummeling electronic post-punk and I have no doubt the live show will be massive. Top of the list! Is there a genre that you would consider to be the label’s “signature style,” or is it a mix? It’s definitely a mix, I love to describe it as the best new music sections from your favorite local indie store. That said, we like to work with outsiders, free spirits, artists that might make indie rock, post punk, noise, whatever it is but do it in their own way.
In your opinion, how important is it to be environmentally sustainable within the music industry these days? I think this is of utmost importance and should be discussed at the highest levels in our industry. While labels can make certain decisions to improve sustainability in our own small businesses I think the industry as a whole needs to come together on this sooner rather than later to drive any real impactful lasting change. How important are issues like mental health and social justice to you and the label? Both are very important to me both personally and as the founder of this label. What in your opinion has been the biggest change in the music industry from when you first started compared to now? Streaming and the sheer volume of music released. It’s easier than ever to make and distribute music and it’s harder than ever to reach listeners. If you had to start a new sub-label, what would it be called and what kind of music would it be geared towards? We just did this! It’s called Open Tab and it’s not genre specific but does lean into new music, and part of the imprint is discovery where each release is paired with an interview and mix curated by the artist. We felt like creating more context around a release, and in the era of no liner notes it could be a valuable use of our resources for emerging artists. Want to shout out a personal favorite record store or retail establishment? Now’s your chance: I have to shout out my local, which is Rough Trade here in NYC at which friends old and new work or have worked at over the years, and they’ve been big supporters of the label. They say our sun will explode in about 5 billion years or so- how would you like the label to be remembered? “Fire who?”
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ORDER FORM Street Date: 10.15.21 | Order Date: 9.24.21 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
801061945718
LP-WRP-457
Yves Tumor
The Asymptotical World EP
Vinyl
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Yves Tumor
The Asymptotical World EP (7” Box Set)
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CD-MP-584
Morello, Tom
The Atlas Underground Fire
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In The Blossom of Their Shade
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In The Blossom of Their Shade
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In The Blossom of Their Shade (INDIE EXCLUSIVE)
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Lowe, Nick
Dig My Mood
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Dig My Mood (REMASTERED)
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Lowe, Nick
Labour of Lust (PINK VINYL)
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The Impossible Bird
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The Impossible Bird (REMASTERED)
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Truth Is On Its Way
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Truth Is On Its Way (Opaque Yellow Vinyl)
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Like A Ripple On A Pond
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Like A Ripple On A Pond (Opaque Blue Vinyl)
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Giovanni, Nikki
The Way I Feel
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The Way I Feel (Opaque Red Vinyl)
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Wareham, Dean
I Have Nothing to Say to the Mayor of L.A.
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Wareham, Dean
I Have Nothing to Say to the Mayor of L.A.
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Dean & Britta
Quarantine Tapes
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Dean & Britta
Quarantine Tapes
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DB’s, The
I Thought You Wanted To Know: 1978-1981
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DB’s, The
I Thought You Wanted To Know: 1978-1981
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DB’s, The
I Thought You Wanted To Know: 1978-1981 (INDIE EXCLUSIVE, TRANSLUCENT GREEN VINYL)
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Lava, William
Dracula Vs. Frankenstein--Original Motion Picture Soundtrack (50th Anniversary, Pumpkin Orange Vinyl)
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848064013747
LP-RGM-1374LE
Arevalo, Tito
Mad Doctor of Blood Island--Original Motion Picture Soundtrack (Green “Chlorophyll Blood” Vinyl)
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CD-SMR-072
Womack, Tommy
I Thought I Was Fine
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Miles Okazaki, Trevor Dunn, Dan Weiss, John Zorn
Hive Mind
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Dos Santos
City of Mirrors
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City of Mirrors
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City of Mirrors (INDIE EXCLUSIVE, “AZUCENA DREAMS” COLOR VINYL)
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Coldcut
@0
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Mirror Ensemble
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Charlatans UK, The
A Head Full of Ideas
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A Head Full of Ideas (2CD)
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Charlatans UK, The
A Head Full of Ideas (2LP)
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Charlatans UK, The
A Head Full of Ideas (3LP, INDIE EXCLUSIVE, YELLOW VINYL)
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Charlatans UK, The
A Head Full of Ideas (INDIE EXCLUSIVE, 6LP BLUE VINYL DELUXE BOX SET)
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CD-SPM-006
Cherry, David Ornette
Organic Nation Listening Club (The Continual)
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Cherry, David Ornette
Organic Nation Listening Club (The Continual)
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CD-WIG-482
Thorpe, Hayden
Moondust For My Diamond
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LP-WIG-482
Thorpe, Hayden
Moondust For My Diamond
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LP-WIG-482LE
Thorpe, Hayden
Moondust For My Diamond (INDIE EXCLUSIVE)
Vinyl
$16.65
$24.99
$149.99
DEAL
ORDER FORM Street Date: 10.15.21 | Order Date: 9.24.21 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
759656071222
CD-KRS-712
ONETWOTHREE
ONETWOTHREE
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Redeeming Features
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Redeeming Features (BLUE & PURPLE SWIRL VINYL)
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DJ Manny
Signals In My Head (PINK VINYL)
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RP Boo
Established! (2LP)
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CD-YCN-3
Varley, Will
The Hole Around My Head
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Varley, Will
The Hole Around My Head
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Izzy True
Our Beautiful Baby World
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Etherwood
Neon Dust
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Etherwood
Neon Dust (INDIE EXCLUSIVE, 3LP)
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655498297908
CD-WWR-4779
Stevens, Matthew
Pittsburgh
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655498297915
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Stevens, Matthew
Pittsburgh
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Weatherday
Come in
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Weatherday
Come in
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Anchorsong
Mirage (TRANSPARENT GREEN VINYL)
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Plain, Rozi
What a Boost (INDIE EXCLUSIVE, BLUE VINYL)
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CD-HAUSMO-111
Fire-Toolz
Eternal Home
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Eternal Home (2LP)
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Eternal Home (INDIE EXCLUSIVE, ORANGE & GREEN VINYL)
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CD-LM-075
Cid Rim
Songs Of Vienna
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Cid Rim
Songs Of Vienna (WHITE VINYL)
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Supersoul Brothers
Shadows & Lights
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Supersoul Brothers
Shadows & Lights
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blackwinterwells
Fractalize (INDIE EXCLUSIVE)
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N8Noface
Bound To Let You Down (INDIE EXCLUSIVE)
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CS-EYE-208
BBY Goyard
The Secret Lies with Charolette (INDIE EXCLUSIVE)
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CS-EYE-213
BBY Goyard
The Secret Lies with Charolette V2
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Hus KingPin
Portishus (INDIE EXCLUSIVE)
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CS-EYE-210
Silva, Jaxxon D.
Painting with Poison (INDIE EXCLUSIVE)
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CS-EYE-209
Carpetgarden
The Way He Looks (INDIE EXCLUSIVE)
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Horse Head
Romantic (INDIE EXCLUSIVE)
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CS-EYE-201LE
Slug Christ
Inner Worm, Inner God (INDIE EXCLUSIVE)
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LP-FUZZ-142
Veik
Surrounding Structuresm (INDIE EXCLUSIVE)
Vinyl
$20.65
$30.99
DEAL
ORDER FORM Street Date: 10.22.21 | Order Date: 10.01.21 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
191402019926
CD-RT-0199
Parquet Courts
Sympathy for Life
CD
$10.65
$15.99
191402019919
LP-RT-0199
Parquet Courts
Sympathy for Life
Vinyl
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LP-RT-0199X
Parquet Courts
Sympathy for Life (DELUXE EDITION)
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CD-OLE-1788
Circuit des Yeux
#NAME?
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Circuit des Yeux
#NAME?
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Orquesta Akokán
16 Rayos
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Orquesta Akokán
16 Rayos
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CD-4AD-0399
Helado Negro
Far In
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Helado Negro
Far In (2LP)
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812208014792
LP-EVE-003C
Andrews, Michael
Donnie Darko Original Soundtrack (20th Anniversary Edition, Silver Vinyl) (INDIE EXCLUSIVE)
Vinyl
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5034202113621
CD-WIG-136
Franz Ferdinand
Franz Ferdinand
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Franz Ferdinand
Tonight
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CD-WIG-486
Clinic
Fantasy Island
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Clinic
Fantasy Island
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LP-WIG-486LE
Clinic
Fantasy Island (Indie Exclusive, Blue Vinyl)
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648401032628
CD-LBJ-326
Hand Habits
Fun House
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Hand Habits
Fun House (OPAQUE RED VINYL)
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Hand Habits
Fun House (INDIE EXCLUSIVE, BLACK & LIGHT BLUE VINYL)
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CS-LBJ-326
Hand Habits
Fun House
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191404108017
LP-XL-1080LE
Titus Andronicus
The Monitor
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090771822512
LP-MH-8225LE
Driving Stupid, The
Horror Asparagus Stories (GREEN VINYL)
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090771017222
CD-BEAT-172
Mam’selles, The
It’s A Bubble Gum World
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LP-BEAT-172LE
Mam’selles, The
It’s A Bubble Gum World (WHITE VINYL)
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LP-WRP-330
Bibio
Vignetting The Compost (2LP)
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SI-WAP-455C
Bibio
Ovals & Emeralds (GREEN VINYL)
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Blunt, Dean
BLACK METAL 2
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191402025316
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Blunt, Dean
BLACK METAL 2
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727431747280
LP-ADR-29
McClements, Walt
A Hole In The Fence
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809236158321
CD-FIRE-583
Vanishing Twin
Ookii Gekkou
CD
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809236158314
LP-FIRE-583
Vanishing Twin
Ookii Gekkou
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809236165114
LP-FIRE-651
Power, Brigid Mae
Burning Your Light EP
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809236162526
CD-FIRE-625
Come
Don’t Ask Don’t Tell (Expanded Edition) (2CD)
CD
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LP-FIRE-625
Come
Don’t Ask Don’t Tell (Expanded Edition)
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732003186367
LP-PTV-109
Powell, Mae
Both Ways Brighter
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5060609663643
CD-TRU-405
Quantic & Nidia Góngora
Almas Conectadas
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Quantic & Nidia Góngora
Almas Conectadas
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Quantic & Nidia Góngora
Almas Conectadas (BLUE VINYL)
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CD-DG-240
Winterhawk
Electric Warriors
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CD-DG-241
Winterhawk
Dog Soldier
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CD-DC-833
Mess Esque
Mess Esque
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LP-DC-833
Mess Esque
Mess Esque
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186980000879
CD-GRE-1087
George, Kazemde
I Insist
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5060263723998
CD-LM-083
Greene, Jacques
LuckyMe
CD
$10.00
$14.99
5060263724001
LP-LM-083LE
Greene, Jacques
LuckyMe (2LP, CLEAR VINYL)
Vinyl
$18.00
$26.99
787269004283
CD-GSR-006
Lees Of Memory, The
Unnecessary Evil (STEREO edition)
CD
$10.00
$14.99
614198451867
LP-EHR-052
Huston, Abby
AH HA
Vinyl
$12.65
$18.99
DEAL
ORDER FORM Street Date: 10.22.21 | Order Date: 10.01.21 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
614198451850
LP-EHR-052LE
Huston, Abby
AH HA (INDIE EXCLUSIVE, TRANSPARENT RED VINYL)
Vinyl
$14.00
$20.99
634457013964
LP-MODRL-00105
Werner, Josh
Mode for Titan
Vinyl
$14.00
$20.99
7320470228142
CD-ATX-7
Bane, Isildurs & Peter Hammill
In Disequilibrium
CD
$10.65
$15.99
7320470228159
LP-ATX-4LE
Bane, Isildurs & Peter Hammill
In Disequilibrium
Vinyl
$16.65
$24.99
634457070554
CD-VTBL-004
Levin, Ben
Still Here
CD
$10.00
$14.99
634457064751
LP-PNKSLM-095
She/Beast
Violent Tendencies
Vinyl
$14.00
$20.99
634457064768
LP-PNKSLM-095LE
She/Beast
Violent Tendencies (Indie exclusive transparent pink vinyl)
Vinyl
$14.00
$20.99
5056321637741
BK-HDB-061LE
aya
im hole
Book
$26.65
$39.99
790377502213
LP-THRILL-502LE
Lightning Bolt
Hypermagic Mountain (INDIE EXCLUSIVE, 2LP, CLEAR & PINK VINYL)
Vinyl
$18.00
$26.99
5055869548069
LP-TLV-141LE
April Magazine
If The Ceiling Were A Kite: Vol. 1 (INDIE EXCLUSIVE, CREAM VINYL)
Vinyl
$20.00
$29.99
634457071926
CD-IT-020LE
Cong Josie
Cong!
CD
$10.00
$14.99
634457071919
LP-IT-020LE
Cong Josie
Cong! (TRANSPARENT PINK VINYL)
Vinyl
$18.00
$26.99
5060845320621
SI-HOUND-147LE
Kristensen, Anastasia
Volshebno (TRANSPARENT VINYL)
Vinyl
$9.30
$13.99
634457068339
CS-GBR-129
Gully Boys
Favorite Son
Cassette
$6.65
$9.99
DEAL
NEW RELEASES Street Date: 10.15.21 | Order Date: 9.24.21
YVES TUMOR • THE ASYMPTOTICAL WORLD EP • INFO
FORMATS 7WAP457X
WAP457
SPEC • 3 x 7” in printed sleeves. Packed in rigid slipcase box with spot gloss varnish to cover. Credits insert. DL Card.
SPEC • 12” in paper inner in printed outer sleeve. DL Card.
BOXLOT • 3
BOXLOT • 24
UPC • 801061112417
UPC • 801061945718
OVERVIEW
RELEASE DATE • 10.15.2021
The Asymptotical World EP is Yves Tumor’s successor to 2020’s lauded Heaven To A Tortured Mind, featuring some of their most anthemic rock moments to date. A bold outfit of variegated styles across EP highlights, from the progressive climaxes of “Crushed Velvet” to the breakneck pace of “Secrecy Is Incredibly Important To The Both of Them” and the new standard of contemporary stadium music heard on “Jackie”.
FILE UNDER • Y / ALTERNATIVE WEBSITE • yves-tumor.com
SELLING POINTS
TRACKLISTING
NO EXPORTS • NO EXPLICIT CONTENT ALSO AVAILABLE
1. Jackie 2. Crushed Velvet
• 7” Box Set limited to 1500 units worldwide • Follow-up to 2020’s acclaimed album, Heaven To A Tortured Mind
3. Secrecy Is Incredibly Important To The Both of Them 4. Tuck feat. NAKED 5. ...And Loyalty Is A Nuisance Child 6. Katrina
derek@warprecords.com http://warp.net
Heaven To A Tortured Mind (WARP304)
Safe In The Hands Of Love (WARP293)
harrellp@redeyeworldwide.com http://redeyeworldwide.com
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6
07396
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FZkd^mbg` Ihbgml
6
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Ihd^rEZ?Zk`^'g^m G^pP^lmK^\hk]l'\hf
!<HF>L PBMA ;HGNL 0 _^Zm' ngk^e^Zl^] fZm^kbZe" L^e' 3 GP..,*EI <HG?B@3 @Zm^_he]% Ikbgm^] Le^^o^% Ebfbm^] MkZgliZk^gm HkZg`^ Obgre% ;hgnl <hehk 0 NI<3 /)0,2/..,**+ ;hq Ehm3 -) @^gk^3 :f^kb\ZgZ% Lbg`^k&Lhg`pkbm^k
07396
55311
2
<=
L^e' 3 GP/.)1 <= <HG?B@3 =b`bpZee^m NI<3 /)0,2//.)1+1 ;hq Ehm3 ,) <hngm @^gk^3 :f^kb\ZgZ% Lbg`^k&Lhg`pkbm^k
6
07396
65082
8
MORE NEWLY REMASTERED NICK LOWE TITLES AVAILABLE OCTOBER 15!
LABOUR OF LUST (PINK VINYL)
THE IMPOSSIBLE BIRD CD:
YEP-2621
LP:
LP: 6 6
DIG MY MOOD
YEP-2634
CD:
34457 06279 5
LP: 6
YEP-2635
34457 06280 1
34457 05853 8
NICK LOWE CATALOG SALE! 10% OFF VINYL / 20% OFF CDs! NOW THROUGH OCTOBER 15! Ask your sales rep for details!
JESUS OF COOL
LABOUR OF LUST
NICK THE KNIFE
YEP-2620
YEP-2621
YEP-2401
CD:
CD:
CD:
THE ABOMINABLE SHOWMAN
NICK LOWE AND HIS COWBOY OUTFIT
YEP-2398
YEP-2400
CD:
LP: CS:
CD:
LP: 6
34457 26204 1
6
YEP-2399
CD:
6
34457 23981 4
6
THE CONVINCER
AT MY AGE
YEP-2027
YEP-2102
CD:
CD:
QUIET PLEASE: THE NEW BEST OF NICK LOWE YEP-2618
34457 20272 6
6 6
34457 23961 6
34457 24001 8
CD:
LP:
34457 23971 5
34457 23991 3
THE OLD MAGIC CD:
34457 24011 7
YEP-2397
LP:
6
LP:
PARTY OF ONE CD:
YEP-2396
CD:
LP: 6
PINKER AND PROUDER THAN PREVIOUS
THE ROSE OF ENGLAND
YEP-2248
QUALITY STREET: A SEASONAL SELECTION FOR ALL THE FAMILY CD: LP:
YEP-2330
TOKYO BAY / CRYING INSIDE
LOVE STARVATION / TROMBONE
YEP-2589
YEP-2646
2 x 45:
LP:
LAY IT ON ME YEP-2724
LP:
6 6
34457 25897 6
6
34457 26461 8
34457 27241 5
Distributed exclusively by Redeye. 505 Eno St, Hillsborough NC, 27278 | INFO@YEPROC.COM | YEPROC.COM | 336-578-7300
NIKKI GIOVANNI IS A POET FOR US, A TRUE CHAMPION FOR THE PEOPLE. – Camae Ayewa aka Moor Mother (Irreversible Entanglements)
• In celebration of the 50th anniversary of Nikki Giovanni’s debut LP , Modern Harmonic brings you the euphonic triad of Nikki’s earliest albums. • All three albums feature striking new artwork featuring photographs from the Jack Robinson Photo Archive. • Each includes new liner notes by Camae Ayewa aka Moor Mother of Irreversible Entanglements FIRST EVER LP REISSUES! ON COLOR VINYL! CD ALSO AVAILABLE! Nikki’s poetry is the reason she’s one of Oprah’s 25 Living Legends, but her voice, poise, and cadence is the reason we offer you these historical treasures.
NIKKI GIOVANNI IS A POET NOT SHUTTING ANYONE OUT BUT SHUTTING EVERYTHING DOWN AND THAT'S SOMETHING I CAN GET BEHIND. THAT IS SOMETHING I CAN PRAY FOR, A BLACK WOMAN ALLOWED TO SPEAK HER TRUTH IN THE BUBBLING SINISTER SEVENTIES TO THE COMING DEVASTATION THAT IS THE WAR ON DRUGS, WHICH WAS A WAR ON OUR SANITY. – CAMAE AYEWA AKA MOOR MOTHER (IRREVERSIBLE ENTANGLEMENTS)
LP 0
90771
82441
7
0
90771
82442
4
CD Artist: Nikki Giovanni Title: Truth Is On Its Way Yellow Vinyl LP Box Lot Quantity: 30 LP File Under: Funk / Soul / Poetry MH-8244 UPC: 090771824417 MHCD-244 UPC: 090771824424 Release Date: 10/15/21
INCLUDES: GREAT PAX WHITEY - PEACE BE STIL L• NIKKI ROSA - IT IS WELL • MY TOWER - PRETTY LITTLE BABY• ALABAMA POEM I'VE DECIDED TO MAKE JESUS MY CHOICE • EGO TRIPPING • ALL I GOTTA DO - I STOOD ON THE BANKS OF JORDAN • SECOND RAPP POEM - THIS LITTLE LIGHT OF MINE • POEM FOR ARETHA - NOBODY KNOWS THE TROUBLE I'VE SEEN • WOMAN POEM - AMAZING GRACE • POEM FOR A LADY OF LEISURE NOW RETIRED - MUST JESUS BEAR THE CROSS ALONE NIKKI GIOVANNI SPEAKS TO THE NEED FOR MORE COMPASSION AND UNDERSTANDING. NIKKI GIOVANNI TAKES US ON A JOURNEY AND IT IS BEAUTIFUL AND HONEST. WE ARE BLESSED TO EXPERIENCE AND LEARN FROM THIS MAGNIFICENT BODY OF WORK. – CAMAE AYEWA AKA MOOR MOTHER (IRREVERSIBLE ENTANGLEMENTS)
LP 0
90771
82451
6
0
90771
82452
3
CD Artist: Nikki Giovanni Title: Like A Ripple On A Pond Blue Vinyl LP Box Lot Quantity: 30 LP File Under: Funk / Soul / Poetry MH-8245 UPC: 090771824516 MHCD-245 UPC: 090771824523 Release Date: 10/15/21
INCLUDES: CONVERSATION - HOW I GOT OVER • COMMUNICATION - SING A SONG • PRISON POEM - GIVE IT TO JESUS • AFRICA II HE’S SWEET I KNOW • MY HOUSE - TO MY FATHER’S HOUSE • LIKE A RIPPLE ON A POND - I’M GLAD • LEGACIES - PASS ME NOT • MOTHERS - DEEP RIVER • SCRAPBOOKS - CRISTOR REDENTER (CHRIST THE REDEEMER) • STRAIGHT TALK - WHY CAN’T I WAIT ON THE LORD SHE HAS CREATED AN ALBUM THAT WILL PROVIDE RESEARCH AND INSPIRATION FOR DECADES TO COME. THIS ALBUM IS A TESTAMENT TO WHAT POETRY CAN DO AND HOW IT CAN TRANSFORM AND UNITE. – CAMAE AYEWA AKA MOOR MOTHER (IRREVERSIBLE ENTANGLEMENTS)
LP 0
90771
82461
5
0
90771
82462
2
CD Artist: Nikki Giovanni Title: The Way I Feel Red Vinyl LP Box Lot Quantity: 30 LP File Under: Funk / Soul / Poetry MH-8245 UPC: 090771824615 MHCD-246 UPC: 090771824622 Release Date: 10/15/21
INCLUDES: THE WAY I FEEL• SEDUCTION/KIDNAP POEM •JUST A NY POEM • BUTTERFLIES/I REMEMBER • LUXURY/POEM • MY HOUSE • THE WOMEN GATHER • THE LIFE I LED • WHEN I DIE • REVOLUTIONARY DREAMS • WINTER POEM • A CERTAIN PEACE/WHEN I NAP • A POEM FOR A LADY WHOSE VOICE I LIKE
Double Feature Records PO BOX 26755 Echo Park, CA 90026
Street Date: October 15, 2021 Dean Wareham: I Have Nothing to Say to The Mayor of L.A. Track Listing: 1. The Past Is Our Plaything 2. Cashing In 3. The Last Word 4. Robin & Richard 5. The Corridors Of Power 6. As Much As It Was Worth 7. Under Skys 8. Red Hollywood 9. Duchess 10. Why Are We in Vietnam?
Dean Wareham (Galaxie 500, Luna, Dean & Britta) returns with his first album of original songs since 2014’s eponymous album, a smart, poetic and politically-tinged collection of songs, featuring guitar solos that recall his playing in Galaxie 500. Produced by Jason Quever (Beach House, Cass McCombs) at Panoramic Studios on Stinson Beach with additional musicians Britta Phillips (Dean & Britta, Luna, Jem) and Roger Brogan (Spectrum). Eight original songs plus covers of “Duchess” by Scott Walker and “Under Skys” by ‘60s Massachusetts cult band Lazy Smoke. LP: UPC: Packaging: Box Lot: CD: UPC: Packaging: Box Lot:
LP-DBL-0018 634457059009 Single LP jacket, with download code 50 CD-DBL-0018 634457058996 4 panel jewel case 30
Contact: admin@doublefeaturerecords.com
6
6
34457 05900 9
34457 05899 6
Press: Lisa Gottheil at Grandstand Media Radio: Steve Theo at Pirate! Touring: UK/Europe in January 2022 Redeye Worldwide 505 Eno St, Hillsborough, NC 27278 Contact: Tim Jones tim@redeyeworldwide.com
Dean & Britta’s Quarantine Tapes were recorded at home in Los Angeles during the pandemic and released on streaming services. Now getting a release on vinyl and CD, with covers of Kraftwerk, the Bee Gees, the Seekers, Luna, the Clash, the Cars, Dylan, Donovan and more. Performed by Dean Wareham (Galaxie 500, Luna) and Britta Phillips (Luna, Belltower, Jem). Mixed by Britta Phillips. The vinyl is a limited edition of 1,000. Featuring cover painting by renowned artist Brian Calvin.
LP: LP-DBL-0017 UPC: 634457051256 Packaging: Single LP jacket, limited edition of 1,000 black vinyl Box Lot: 50 CD: CD-DBL-0017 UPC: 634457051263 Packaging: Mini-LP jacket with printed inner sleeve Box Lot: 40
6
6
Double Feature Records PO BOX 26755 Echo Park, CA 90026
Street Date: October 15, 2021 Dean & Britta | Quarantine Tapes Track Listing: 1. Neon Lights 2. Massachusetts 3. Sadness 4. He Dines Out On Death 5. Neon Licht (Holy Shit Remix) 6. I’m So Bored With the USA 7. The Carnival Is Over 8. Drive 9. Most of the Time 10. Indian Summer 11. 23 Minutes In Brussels 12. Air (compact disc only) 13. Ride Into the Sun (compact disc only)
34457 05125 6
34457 05126 3
Redeye 505 Eno St, Hillsborough, NC 27278 Contact: Tim Jones tim@redeyeworldwide.com
The dB’s
I THOUGHT YOU WANTED TO KNOW 1978-1981 STREET DATE
10/15/2021 23 Tracks of Remastered Early Singles, Demos, and Live Recordings What we have here are home and field recordings of The dB’s. Most of these tracks predate the release of Stands For deciBels by two to three years and were the basis of the signing of the band to Albion Records (UK) in 1980. Some songs are being released to the public for the first time in this package. Now, almost thirty years after a number of these tracks first saw the light of day on Rhino Records, we find ourselves in the position of releasing the earliest of these selections from our archives to a whole new audience. It’s the first time most have been on vinyl.
LP
6
6
34457 07155
CD
34457 06043
ITEM NUMBER: LP-PSR-001LE UPC: 634457071551 SLP: $34.99 GENRE: Alternative PACKAGING: 2 LP Gatefold Indie Exclusive Translucent Green Vinyl 1 BOX LOT: 30 EXPORT: World ITEM NUMBER: CD-PSR-001 UPC: 634457060432 SLP: $14.99 GENRE: Alternative PACKAGING: Digipack BOX LOT: 40 2 EXPORT: World
FOR FANS OF: R.E.M., Big Star, The Soft Boys, Alex Chilton, and Nick Lowe LABEL CONTACT JAY COYLE PROPELLER SOUND RECORDINGS
JAY@PROPELLERSOUNDRECORDINGS.COM
DISTRIBUTION LORI MILLER REDEYE WORLDWIDE
LORI@REDEYEWORLDWIDE.COM
PUBLICITY BRENDAN GILMARTIN CHART ROOM MEDIA
BRENDAN@CHARTROOMMEDIA.COM
505 ENO STREET, HILLSBOROUGH, NC 27278 REDEYEWORLDWIDE.COM | 877.733.3931
The live recordings were found after months of Chris sifting through a trove of ancient cassettes, and we are glad to be able to include these key songs from those early years. - Peter Holsapple, The dB’s - Durham, NC - 2021
TRACK LISTING
01 (I Thought) You Wanted to Know (2021 Remix) 02 Black and White (Don Dixon Version) 03 Soul Kiss 04 Bad Reputation (NY Rocker Sessions) 05 If and When (Westbeth Sessions) 06 The Fight (NY Rocker Sessions) 07 Nothing Is Wrong (NY Rocker Sessions) 08 Dynamite (NY Rocker Sessions) 09 We Should Be in Bed (Westbeth Sessions) 10 Ash (Westbeth Sessions) 11 You Got It Wrong (NY Rocker Sessions) 12 Everytime Anytime (NY Rocker Sessions) 13 Death Garage (Live) 14 What About that Cat? (NY Rocker Sessions) 15 Tell Me Two Times (NY Rocker Sessions) 16 What’s the Matter with Me? (NY Rocker Sessions) 17 She’s Green I’m Blue (NY Rocker Sessions) 18 Time Has Come Today (Live) 19 My Sire Wristwatch (Live) 20 Let’s Live for Today (NY Rocker Sessions) 21 Tomorrow Never Knows (Live) 22 My Back Pages (Live) 23 Goin’ to the Club (NY Rocker Sessions w/ New Vocal)
PROPELLERSOUNDRECORDINGS.COM INFO@PROPELLERSOUNDRECORDINGS.COM
STREET DATE: OCTOBER 15, 2021
SELLING POINTS • As Head of Publicity at Hemisphere Pictures and Then Founder of Independent International Pictures Corp., Sam Sherman Is Truly One of the Godfathers of the Drive In/Grindhouse/Horror/B-movie Genre • Now, Sam Has Joined Forces with Real Gone Music to Select Two of His Favorite Movie Scores for Debut Releases on Vinyl • Each Release Features a Personal Note from Sam, and Rare Production Stills from His Private Archive • 1971’s Dracula Vs. Frankenstein Featured a Score from Sherman’s Favorite Composer, William Lava • Lava Made His Reputation Scoring 1930s Westerns and Serials for Republic Pictures Including The Three Mesquiteers with John Wayne • But for Dracula Vs. Frankenstein, Lava Employed Eerie Glissandos and Ominous Rhythms to Create Suspense and Dread • Also Includes Independent-International Pictures’ Amazing Radio Spot for the Film • 50th Anniversary Release Includes an LP-Sized Poster of the Cover Art Suitable for Framing • Pumpkin Orange Pressing • Limited to 1000 Copies • Filipino Composer Tito Arevalo’s Score to the 1969 Film Mad Doctor of Blood Island Was So Good It Was Used Twice More, in 1970’s Beast of Blood and 1971’s Brain of Blood • But the Original, Played by a Full Orchestra, Is the Best of the Three • The “Dance” Sequences Are Particularly Great, Virtually Inventing the “Horror Exotica” Genre • Also Includes the Unhinged Radio Spot for the Film, Which Has to Be Heard to Be Believed • The Record Closes with the “Oath of Green Blood” Intro, Which Advised Audiences to Drink the Green “Blood” Potion That Was Distributed as a Gimmick Before Screenings of the Movie • Features an LP-Sized Insert Displaying the Lurid Cover Art, Suitable for Framing • Pressed in Green “Chlorophyll Blood” Vinyl • Limited to 1000 Copies • Two Bizarre-O Releases Just in Time for Halloween
WILLIAM LAVA: Dracula Vs. Frankenstein—Original Motion Picture Soundtrack (Limited 50th Anniversary Pumpkin Orange Vinyl Edition)
iBarcoder Trial
As head of Publicity at Hemisphere Pictures and then founder of Independent-International Pictures Corp., Sam Sherman is truly one of the godfathers of the drive-in/grindhouse/horror/B-movie genre. We at Real Gone Music have teamed with Sam to release two of his favorite scores from his long and illustrious career in film production, each sporting rare publicity stills and a personal note from the man himself. Out just in time for Halloween!
WILLIAM LAVA: Dracula Vs. Frankenstein— Original Motion Picture Soundtrack (LIMITED
50TH ANNIVERSARY PUMPKIN ORANGE VINYL EDITION) Composer William Lava made his serials for Republic Pictures including The Three Mesquiteers (with John Wayne) and Daredevils of the Red Circle. But for
a
friend of producer Sam Sherman and his favorite composer—let his atonal freak flag fly, employing eerie glissandos and ominous rhythms to conjure suspense and dread. Special bonus: Independent-International Pictures’ amazing radio spot promoting the movie. Also comes with a full-color LP-sized insert featuring the cover illustration…out for its 50th anniversary in a pumpkin orange pressing limited to 1000 copies!
TITO AREVALO: Mad Doctor of Blood Island—Original Motion Picture Soundtrack
8. 9. 10. 11. 12. 13. 14. 15.
CUE 6 CUE 8 CUE 9 CUE 10 CUE 14 CUE 20 CUE 21 (JAZZ CHASE— NOT USED IN FILM) CUE 22 PROLOGUE (TAKE 2) MAIN TITLE (TAKE 1) CUE 8 (TAKE 10) AND PICKUPS CUE 9 (TAKE 14—START AND STOPS) CUE 17 (TAKE 19—SHOCK STING) CUE 21 (TAKE 21—JAZZ CHASE) DRACULA VS. FRANKENSTEIN RADIO SPOT
TRACKS: SIDE 1
made with director Al Adamson in 1971! But
SIDE 2
this was the original and the best, utilizing a
1. Cue 21 2. Cue 22 3. Cue 23 4. Cue 24 5. Cue 25 6. Cue 26 (Edited) 7. Cue 27 8. Cue 28 9. Cue 29 10. Cue 30 11. Cue 31 12. Finale 13. Dance Part 1 (Take 2) 14. Radio Spot 15. Oath of Green Blood Intro
Filipino composer Tito Arevalo’s score to the 1969 film Mad Doctor of Blood Island was
Pictures’ Blood Island franchise, and again in
full orchestra to inspired effect, particularly on the “Dance” sequences, which virtually invent the genre “horror exotica.” Not only have we added as a bonus the truly unhinged radio spot that advertised Mad Doctor of Blood Island, but also the record closes with
UPC: 848064013747 FORMAT: Regular Weight Green “Chlorophyll Blood” Vinyl PACKAGING: LP Jacket with LP-Sized Insert LIMITED EDITION: 1000 Copies BOX LOT: 30
1. 2. 3. 4. 5. 6. 7.
Brain of Blood, which producer Sam Sherman
(LIMITED GREEN “CHLOROPHYLL BLOOD” VINYL EDITION)
Beast of Blood, the 1970 finale to Hemisphere
TITO AREVALO: Mad Doctor of Blood Island—Original Motion Picture Soundtrack (Limited Green “Chlorophyll Blood” Vinyl Edition) iBarcoder Trial
MAIN TITLE DRAMATIC HORROR BATTLE OF THE CREATURES WALKING DEMON PROLOGUE MAIN TITLE CUE 4 CUE 5
1. Pre-Title 2. Title Music 3. Dance, Part 1 4. Cue 7 5. Cue 8 6. Cue 9 7. Cue 10 8. Cue 11 9. Distant Drums 10. Cue 12 11 Dance, Part 2 12. Cue 13 13. Cue 14 14. Cue 15 15. Cue 16 16. Cue 17 17. Cue 19 18. Cue 20
so good that it was used twice more, once in UPC: 848064013730 FORMAT: Regular Weight Pumpkin Orange Vinyl PACKAGING: LP Jacket with LP-Sized Insert LIMITED EDITION: 1000 Copies BOX LOT: 30
1. 2. 3. 4. 5. 6. 7. 8.
SIDE TWO
reputation scoring 1930s Westerns and
Dracula Vs. Frankenstein, Lava—who was
TRACKS: SIDE ONE
the “Oath of Green Blood Intro” to the film, which advised audiences to drink the green “blood” potion that was distributed as a gimmick before screenings of the movie. Also includes an LP-sized insert featuring the lurid front cover illustration…pressed in green “Chlorophyll Blood” vinyl limited to 1000 copies!
TOMMY WOMACK I THOUGHT I WAS FINE
CD STREET DATE
10/15/2021
VINYL RELEASE: EARLY 2022 My new record is called I Thought I Was Fine. It’s great. Right, I’m not going to say it stinks, am I. If you like me, you’ll love this new one. If you don’t like me, you might be surprised. If you’ve never heard of me (that’s most of you), this could be the start of a beautiful friendship.
CD 6
ITEM NUMBER: CD-SMR-072 UPC: 634457061293 PACKAGING: Digipak BOX LOT: 30 EXPORT: World
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ITEM NUMBER: LP-SMR-072 UPC: 634457061286 PACKAGING: Gatefold BOX LOT: 40 EXPORT: World
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TRACK LISTING 1. Pay it forward 2. i thought i was fine 3. a little bit of sex part 2 4. i got no place to go 5. Call me gary 6. That Lucky Old Sun 7. You Don't Get over Love 8. It's all about Me 9. I Do 10. Miss Otis Regrets 11. Job Hunting While Depressed 12. The Story of Waymond & Lou 13. I Wish I'd Known You Better
LABEL CONTACT
STEPHEN H. JUDGE SCHOOLKIDS RECORDS schoolkidsrecordsnc@gmail.com
DIGITAL MARKETING
NAOISE ROO CALLAN schoolkidsrecordsnc@gmail.com
PUBLICITY - US
CARY BAKER cary@conqueroo.com
DISTRIBUTION - US
LORI MILLER REDEYE WORLDWIDE lori@redeyeworldwide.com www.redeyeworldwide.com
DISTRIBUTION - UK
FERGUS DENHAM REDEYE WORLDWIDE denhamf@redeyeworldwide.com
It’s a rock and roll record. I’m categorized as Americana because this business loves putting labels on people. Yes, there’s a couple of country-ish songs on it, I do live in Nashville, and my southern accent is what it is, but I had an epiphany one day. I realized, hey, I hate dobros. And if I hear another song about a train in the key of G, somebody’s gonna get hurt. I realized I’m 58 years old, I’ve survived a horrendous car crash, I’ve had cancer three times, and this might be my final shot – so I wanted to go back to my first love while there’s still time. I went into the studio with Jonathan Bright (Raelyn Nelson Band). He played drums and I played the guitars and the bass. This time I declared that there would be none of my skilled session friends on the record. They’re all great players, but I didn’t want great. I wanted ME. Who ME is can be summed up by saying I’m a songwriter and an author. I’ve won the “Best Song” award in the Nashville Scene Critics Poll twice. My three books (including Cheese Chronicles, which I’ve been told is a cult classic) have four and five-star reader ratings on Amazon. I’ve written songs for Todd Snider, Jimmy Buffett, Jason & the Scorchers, Dan Baird and others. I played in Government Cheese from ’85 to ’92. I played in the bisquits (with Will Kimbrough) from ’92 to ’94, and we had the honor of making a record for John Prine’s label. I’ve made eight solo albums since then (counting this new one) and I’ve made three albums with a side project band called Daddy (again with Will Kimbrough). I’m 5’10”, I like Ray Davies, Bob Dylan and Randy Newman, I’ve been married 29 years (to the same woman, no less), Tourette’s makes me blink my eyes a lot, and I pulled my face out of a bottle nine years ago. I’m crazy (so people tell me) and my crazy self is what I write about, I write funny songs about fears (if you like what I think is funny), I write sad songs about fears, and sometimes those tunes are funny and sad at the same time. If I have any mission at all as a songwriter, some higher purpose, it’s that I seek to make other messed-up people feel less alone – the end result of that being that while I’m not everybody’s cup of tea, the people who like me tend to really really like me. The songs? My new one starts off with “Pay it Forward”. It’s about perseverance in a world that wants to conquer you with apathy. “A Little Bit of Sex Part 2” is about the joys of post-cancer libido loss and finally the heat’s off. (I’m serious.) “I Got No Place to Go” and “You Don’t Get Over Love” are both about lost love. “Job Hunting While Depressed” is self-explanatory. “I Thought I Was Fine” is about my waking up the morning after a good gig, checking my email and finding out it wasn’t a great gig after all. (Thank God my drinking days are over.) “I Do” is about being on the road and missing your wife. “It’s All About Me” is about a narcissist in love, if such a thing can happen. “I Wish I’d Known You Better”, the only ballad on the album, is a salute to my late older brother. The record has two covers: “That Lucky Old Sun” and Cole Porter’s “Miss Otis Regrets.” I’ve never heard those songs done as rock songs before and they’re now two of my favorite tracks on the record. Oh… what else is on the record? I think that’s it. Listen, if you write about me, or have me on your radio show, or invite me over to your house for a cup of coffee, that would be fantastic, and I’d be much obliged. But hey, in a hundred years we’re all dust. What matters most is my family and my friends. I’ve been broke all my adult life, but when it comes to friends I’m a millionaire. I’ll walk into Dee’s of the 5-Spot and wind up hugging a half-dozen people. THAT’S what’s important, I reckon. Shattering your pelvis and several ribs in a car wreck and then having to beat back cancer three times will teach you to appreciate what you’ve got. If you’ve read this all the way to the bottom, I appreciate it. You know, maybe I’ll turn out in my dotage to be some revisionist hero for college listeners, like Mississippi John Hurt of something; then again, maybe I’ll flap my arms and fly to the moon. Have a nice day and God Bless. Tommy July 16th, 2021
DISTRIBUTION AUSTRALIA/NZ
ANTONIO FOXLEE REDEYE WORLDWIDE antonio@redeyeworldwide.com
SCHOOLKIDSRECORDS.COM/LABEL schoolkidsrecordsnc@gmail.com
FOR FANS OF: STEVE EARLE, JASON & THE SCORCHERS, UNCLE TUPELO, WILCO, HARD WORKING AMERICANS 505 ENO STREET HILLSBOROUGH, NC 27278 REDEYEWORLDWIDE.COM | 877-733-3931
MILES OKAZAKI—TREVOR DUNN—DAN WEISS HIVE MIND TZA CD 4036 Spectrum Miles Okazaki, Trevor Dunn, Dan Weiss, John Zorn. Ball of Light * The Timing is No Accident* Havana Syndrome* Smoking Gun* Hidden in Plain Sight* Indistinguishable Gray Expanse* Mr. Efficient* Pistons* Insensitivity Training* Release the Footage* The Betz Sphere* Wet Robot A power trio of contemporary masters unlike any other! Miles Okazaki, Trevor Dunn and Dan Weiss are among the very best of a new generation of musicians working in the nexus of jazz, rock, noise, composition, improvisation and more. All dedicated students of the esoteric, they come together here as Hive Mind, a collective trio, to perform some of the wildest freewheeling improvisations around. Three compositional minds weaving bizarre soundscapes through telepathic communication and surprising strategies—you have never heard such sounds!
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File Under: Avant Garde/Jazz
Street Date: October 15, 2021 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
Dos Santos City of Mirrors "Bringing together the unlike pairing of an R&B groove with huapango huasteco-inspired melodies, Dos Santos proves they have the chops to make something seldom heard before.” - Remezcla
City of Mirrors is a bold new collection of music from Chicago-based alt-Latinx band Dos Santos, which is comprised of bandleader/singer/lyricst/guitarist/keyboardist Alex Chavez, drummer Daniel Villarreal, percussionist Peter “Maestro” Vale, bassist Jaime Garza, and guitarist/multi-instrumentalist/vocalist Nathan Karagianis. Cinematic in its journey, the album was produced by multimedia artist and long-time friend of the band Elliot Bergman (NOMO, Wild Belle), and reflects sounds from across the Americas combined with Chavez’s compelling poetic narratives. Its 13 tracks consolidate the band’s unique identities, creative and cultural roots, and their penchant for honoring traditional Latinx music with contemporary compositional expressions and production techniques. It achieves the band’s mission to push against their own musical boundaries while also exploring themes of social justice, immigration, and contemporary human struggle. Chavez, a scholar who has produced albums for Smithsonian Folkways and conducted extensive ethnographic work on the music of the Texan US/Mexican borderlands (where he is from), articulates beautifully: “City of Mirrors is an assemblage… glimpses of tradition… reflections on our collective present… luminous echoes between love and solitude, hope and absurdity, euphoria and mourning. This album grapples with and transgresses these binaries because we have/and continue to cross borders. Yet, for us, the border is no metaphor — too much real staring back at us. We embody the border. We (our families) have crossed it. We (our stories) are coated with its residues. And so… we cross the border of self through our art – out of necessity.”
IARC0042 Dos Santos – City of Mirrors Format/Release Date: LP/CD/Digital – October 15th, 2021
Classic Black LP – 789993991778
CD – 789993991808
Indie Retail Exclusive Azucena Dreams color vinyl LP – 789993991792
North & South American Distribution: Tim Jones – tim@redeyeworldwide.com
In addition to our Classic Black vinyl & CD, a limited-edition Azucena Dreams color vinyl version of City of Mirrors will be available to indie retailers only, for the first pressing only. International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com
Label Contact:
Scottie McNiece – scottie@intlanthem.com
COLDCUT @0 Release Date: October 15th, 2021 Available on black 2LP & CD. "@0” is a collection of ambient tracks - curated by Coldcut - to benefit mental health, featuring some incredible names in the ambient world (Sigur Rós, Julianna Barwick, Ryuichi Sakamoto, Suzanne Ciani, Laraaji, Kaitlyn Aurelia Smith, A Winged Victory For The Sullen, and many more). Coldcut’s most recent album as Keleketla! (a meeting ground between Ninja Tune cofounders Coldcut and a cadre of South African musicians) was included in Rough Trade’s Albums of the Year and deemed as PopMatter’s Best World Music Album of 2020. Upon the album’s release, NPR deemed it as one of the top 6 albums to be released in early July 2020. Ninja Tune will be donating their share (50% of net receipts) from this record to three charities; CALM (Campaign Against Living Miserably), Mind and Black Minds Matter. Side C
Side A 1. 2.
3. 4.
Julianna Barwick Star Ray Sigur Rós Rembihnútur (Liminal re-work by Paul Corley) A Winged Victory for the Sullen Beethoven 250 Laraaji - Illusion of Time
Side B 1. 2. 3. 4. 5.
1. 2. 3. 4.
CAT NO: AHED032 UPC: 5054429152203 Box Lot: 15
￫ 2LP 140g black vinyl ￫ Unvarnished white base finish outer sleeve with 5mm spine ￫ 2x matte reverse board printed inner sleeves
CAT NO: AHEDCD032 UPC: 5054429152913 Box Lot: 35
￫ CD in cardboard gatefold sleeve
Side D 1. 2.
Kaitlyn Aurelia Smith Mt Baker Ryuichi Sakamoto Aqua (from Playing Piano for the Isolated) James Heather - And She Came Home (Strings Version) Suzanne Ciani Morning Spring Nailah Hunter - Sadko
Helena Hauff Thalassa Mira Calix - danaïdes Daniel Pemberton & FSOL - Behind the Eyes Skee Mask - CG Drip
3. 4.
Coldcut - The Fire Burns Out Obay Alsharani Dream Within a Dream David Wenngren Pianoise Steve Roach - The Drift Home
RIYL: Brian Eno, Julianna Barwick, The Orb, William Basinski, Kaitlyn Aurelia Smith Top Markets: Los Angeles, New York City, San Francisco Genre: Ambient
naretail@ninjatune.net ninjatune.net
American Dreams Records BRETT NAUCKE MIRROR ENSEMBLE
“I guess this is my indie rock record,” jokes Chicago electronic musician and composer Brett Naucke - he’s referring to his new LP Mirror Ensemble, created in conjunction with Windy City mainstays Natalie Chami (TALsounds) and Whitney Johnson (Matchess). The album is still leagues W]\[QLM \PM KWVÅVM[ WN ¹QVLQM ZWKS º IVL yet - with its embrace of other collaborators and robust instrumentation - it’s a major departure from his earlier, fully synthbased output, even if modular synthesizers still form its backbone. For one, the songs on Mirror Ensemble sound like...well, songs, often boasting melodic vocalization, strings, and lush layered synthesis. To curate such a cohesion, Naucke utilized scenes from Andrei Tarkovsky’s foundational 1975 ÅTU The Mirror as a signpost for mood and I\UW[XPMZM 1\ XIQL W ٺMirror Ensemble is bold and beautiful, demonstrating the peak possibilities of focused creation and trust in those closest to you. It’s of utmost importance to note that Naucke, Chami, and Johnson are very, very close friends, and that tight kinship is the secret glue for Mirror Ensemble - look no further than the origin point to see. “He invited Whitney and I over for wine and
cheese,” begins Chami, “and was like, ‘I have an idea for a record. He showed us clips from The Mirror with the vibe he wanted, and also shared recordings and other ideas. It was straight up like a fucking PowerPoint almost - like an audio-visual presentation for us.” Soon after the group set to creating recording at Chami’s house, playing MIDI parts Naucke had composed for viola, piano, keyboard synthesizers, and vocals. Film, photography, and visuals have always been important to Naucke’s practice, especially on earlier narrative albums like The Mansion, and it’s fully baked into the sound and feel of Mirror Ensemble. “I remember he played one scene with rain, ÅZM XMWXTM SQVL WN UW^QVO QV IVL W]\ WN \PM buildings,” recalls Johnson. “It’s probably 10 minutes, and there’s a convergence of [W UIVa MTMUMV\[ º ;XMKQÅK QUIOM[ TQSM I tattered quilt, a creaky bed, a look between two people - all of these components impacted the trio’s recordings - these were often used as guides for improvisations, which were overlaid on Naucke’s modular synthesizer and other pre-composed sections.
clear, as are the record’s sonics. From the outset of “The Glass Shifting,” with its evocative viola, textural synth, and duet vocals from Johnson and Chami, it’s clear that Naucke is upping the sense of scale and narrative. Juxtaposing that relatively short piece with the next song, the longform “A Look That Tells Time,” Naucke takes the listener through a massive range of frequencies and timbres. “A Look That Tells Time” moves calmly from organ tones, plucky percussion, and gentle viola to lush, patient synthesizer that swells and stirs. Others like “Sleep With Your Windows Open” are naked, like you stumbled into a rehearsal you weren’t meant to see, but can’t stop watching. On it, Natalie Chami plays piano and sings softly. Room sounds impart a sense of the space, and synthesizer fades in and out, just enough to make its presence known, but never overstaying its welcome.
Mirror Ensemble is Naucke at his compositional and conceptual best. It’s a synthesizer record, an orchestral record, and in some ways even a soundtrack. While not quite indie rock, it’s I ÅMZKM J]Z[\ QV\W VM_ \MZZQ\WZa IVL _Q\P Naucke’s adventurous, ambitious writing and recording, there’s no telling where his Naucke’s vision for Mirror Ensemble is crystal attention will turn next.
RIYL: Jim O’Rourke, Popol Vuh, Grouper
American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world. Label Contact: Jordan Reyes jordan@american-dreams.zone
Label: American Dreams Records Release Date: 10/15/2021 10/1/2021 Cat#: 32 ADR Format: LP Barcodes: LP: 727431747556
LP
David Ornette Cherry’s Organic Nation Listening Club RD: 15 OCTOBER 2021
David Ornette Cherry – vocal, soundscapes,
RELEASE DATE 10/15/2021 LABEL SPIRITMUSE RECORDS CAT SPM006 FORMAT LP heavyweight vinyl w/ insert CD 4panel digipak • Digital GENRE Jazz, Spiritual Jazz, Electronica, Organic Groove, World Music FOR FANS OF: Don Cherry, David Ornette Cherry, Organic Music Society TRACKLISTING 1. 2. 3. 4. 5. 6. 7. 8. 9. *
So & So & So and So Parallel Experience Ancestors Are Calling Cultural Workers (The Continual) The Frame of Creativity Eagle Play Hidden Sounds Najour Cosmic Nomad Organic Talk (CD EXCLUSIVE)
CD
LP
Deluxe 4panel digipak CAT NO: CD-SPM006 UPC: 634457069503
Deluxe heayweight vinyl CAT NO: LP-SPM006 UPC: 634457057302
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douss’n gouni, percussions, electronic percussions, piano, keyboards Crystal Blackcreek Carlisle – spiritual message, vocals Gemi Taylor – guitar Hummingbird - vocals Joe Janiga – African banjo John L. Price – drums, dun dun, pahkagudu, timpani Kenichi Iwasa – muted trumpet, Don Cherry’s instrument blue reeds Nadene Rasmussen – viola Naima Karlsson – electric piano Ollie Elder Jr – acoustic bass, electric bass Paul Simms – trumpet Ralph Jones III – Vietnamese flute, Norwegian flute Renato Caranto – sax Tyson McVey – vocal soundscapes
All compositions by David Ornette Cherry Nep Sidhu – Art and Art Direction Mastered at the Carvery Studio, London
SELLING POINTS • Continuing his father’s tradition of organic music universality • A mosaic of healing soundscapes blending spiritual jazz, leftfield electronica, Eastern & native, indigenous sounds • A Cherry family affair, collaborating with his nieces Naima Karlsson on electric piano in the incredible ‘Cosmic Nomad’ and Tyson McVey on beautiful ocals, in the deep, upbeat ‘So & So & So and So’! • Don Cherry’s instrument blue reeds is featuring on ‘Cosmic Nomad’, as an ode to his father’s work • A phenomenal, unique album with Cherry working with upcoming musicians from across the globe into creating genre-defying funky, earthy, spiritual, organic soundscapes that speak to the soul. PRODUCT BLURB The new album by ‘Cosmic Nomad’ David Ornette Cherry following his father’s tradition, the legendary jazz innovator Don Cherry. This a mosaic of healing soundscapes blending spiritual jazz, leftfield electronica, Eastern & native, indigenous sounds into musical parallels that transport the listener through doorways of ancient pathways to futurist crossroads.
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Redeyeworldwide.com • 505 Eno Street Hillsborough NC 27278 877.733.3931 • PM: Jeep Ward jeep@redeyeworldwide.com
MUSIC FOR THE SPIRIT
HAYDEN THORPE
MOONDUST FOR MY DIAMOND
TRACKLISTING 1. Material World 2. The Universe Is Always Right 3. No Such Thing 4. Parallel Kingdom 5. Golden Ratio 6. Metafeeling 7. Supersensual 8. Hotel November Tango 9. Rational Heartache 10. Spherical Time II 11. Suspended Animation 12. Runaway World CATALOG NUMBER: WIG482 RELEASE DATE: October 15, 2021 FILE UNDER: Alternative “T” CD Boxlot: 50 UPC: 887828048229
LP w/ DOWNLOAD Boxlot: 20 UPC: 887828048212
OVERVIEW Domino are proud to present Moondust For My Diamond, the exquisite brand new album from Hayden Thorpe, due for release in Autumn 2021. The new album follows Hayden's debut Diviner from 2019 and the Aerial Songs EP from last year. In contrast to Diviner, a record that very much favoured the inner world, Moondust… moves into a more natural visual and sonic palette, gazing outward on the world. Hayden lets new energies in, forging vivid new connections, exploring the meeting point between science and religion and the grand struggle for reality that shapes so much of our time. The music comes as the by-product of a coping mechanism, exploring the worlds of digital mysticism and the need to melt down reality and recast it when so much feels so unreal. The pastoral evolution of last year’s Aerial Songs EP hinted at an expanding palette that reflected Thorpe’s return to The Lake District, the natural environment he grew up surrounded by. These additional influences seep into Moondust…, along with Hayden’s involvement with Wavepaths, a pioneering project integrating music into psychedelic therapy, plus ‘hybrid’ gigs and breath workshops with pioneering breath practitioner Richie Bostock. It’s those surrenders, experiments and collaborations that make this such an enticing, sensory, soul-expanding album. Thorpe has made an album that is galvanising, reassuring, elegant, seductive: it oozes Big Cosmic Energy. Praise for 2019's Diviner
Vinyl is non-returnable
LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828048236
"wholly rooted in stripped-down songwriting and reverent hush...there’s a charm to these lyrics that’s distinctly Thorpe’s" Pitchfork “Thorpe’s saintly vocals pour out in ribbon-like, cascading fashion as he mourns the oftenirreversible nature of profound emotions” Paste
Vinyl is non-returnable
SELLING POINTS • Single LP comes with download card. Single LP (ltd) includes an artist signed screenprint with download card. Both LP formats are pressed on recycled vinyl and jackets are printed using recycled materials. DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com
• College, noncomm, and AAA radio campaign to impact upon release. • Major market 2022 US dates + festivals to be announced. • Hayden Thorpe was one of the two singers in the UK based group, Wild Beasts. The band had 40k in total catalog US sales. 2016's Boy King ; 2014’s Present Tense ; 2011’s Smother ; 2009’s Mercury Prize nominated Two Dancers ; 2008’s debut Limbo Panto .
ONETWOTHREE ONETWOTHREE STREET DATE: OCT 15, 2021 SIDE A 1. Perfect Illusion 2. Give Paw 3. Jamais 4. Buy Buy 5. Oh Boy 6. Sudden
SIDE B 7. Adventure 8. Clouds 9. Fake 10. Bubble 11. Things
• Debut album for Kill Rock Stars from this Zurich trio
• 3 bassist all women band made up of post-punk legends: Klaudia Schifferle (Kleenex/Liliput) Madlaina Peer (Noknows) Sara Schaer (TNT, Souldawn) • 1st pressing on white vinyl
Q: What happens when you combine three women bassist singers from 70s/80s Swiss bands? A: a trio-full of sinuous music which reclaims the minimalist sound of the post-punk that they first created themselves. In September 2018, after decades of friendship, three women decided to finally combine forces for a show of strength. The equation seems straightforward, yet it's very powerful: Klaudia Schifferle (Kleenex/Liliput) + Madlaina Peer (Noknows) + Sara Schaer (TNT , Souldawn) = ONETWOTHREE. They sport an impressive heritage but they're also creating something that's unique and proudly their own - spooky, danceable, subtle, compelling music for a post-pandemic world. ONETWOTHREE's first album doesn't have a name but that's just as it should be for a band that's deceptively simple, mysterious and yet somehow familiar. Three women bassists/singers from classic Swiss post-punk bands dot their insistent, minimal music with drum patters, synths, chants, commands and joyous wordplay with their sometimes cynical, sometimes sensual take on leisure and consumer culture. The group is appropriately DIY, self-contained and self-produced - their debut was written and played almost entirely by themselves. ONETWOTHREE's songs blend into a whole, creating a momentum and their own kinetic, strange reality which fun-house mirrors our own.
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DJ Manny Signals In My Head LABEL:
PLANET MU RECORDS LTD. STREET DATE:
15th October 2021
LTD. PINK VINYL LP: ZIQ435. BARCODE: 5055869565950. BOX COUNT 25. 3MM SPINE
DJ Manny is both known and unknown. Despite being firmly embedded within the Footwork elite and being regarded by many as a DJ's DJ, Manny has yet to receive the kind of attention his peers have. His joyous new album for Planet Mu "Signals In My Head" is set to alter that for good. Born in March 1990 in Chicago but raised in Robbins/Harvey, IL, Manuel Gaines first encountered Juke/Footwork before he was 10 years old while out with his brother at a party he was too young to be at. Dancing became a big thing for him, then throwing parties, then meeting Rashad and DJ Spinn when he was in middle school, then making his first recordings at his cousin Jonathan's house (R.I.P.) using FL Studios. His first release "Kush On Deck" came about in 2010 with DJ Rashad's help, when he was already a ten year veteran of the scene.
01 02 03 04 05 06 07 08 09 10 11 12
Never Was Ah Hoe U Want It You All I Need Club GTA All I Need Wants My Body (ft. DJ Chap) Havin' Fun (ft. DJ Phil) Good Love Signals In My Head That Thang Smoke 'n' Fade Away At First Site
Here we are eleven years later and "Signals In My Head" marks a long worked for new chapter in DJ Manny's career. Now based in Brooklyn, New York, where he lives with partner SUCIA! Manny's sound has widened out and taken on a more romantic edge. He openly admits that his goal for the new album was "to do something that nobody (in Footwork) had ever done before which is an R&B love type of album but still keeping it footwork, juke, house, techno, with a few breaks. I just want people to know it's love out there." Tracks like "U Want It", "Never Was Ah Hoe" and the title cut "Signals In My Head" are strong standouts that show what DJ Manny means when he says 'R&B love.' "Signals..." also brings in a drum & bass flavour, something you'll find on cuts like "Good Love" and on "Havin' Fun" made with DJ Phil. When asked about D&B Manny shouts out LTJ Bukem as a inspiration. Tracks like "Club GTA" and "That Thang" also call back to the classic Chicago house of the nineties while "Smoke 'n' Fade Away" and album closer "At First Site" both recall the golden era of Detroit techno. Meanwhile "Wants My Body", created with DJ Chap, and "All I Need" are classic Footwork workouts sure to ignite dancefloors. Looking back at the selection, DJ Manny says he was "actually able to get the sound I wanted." His set up, a mixture of MPC, Abelton, Boss drum machine and synths like the Triton and Omni has served him well. Well aware that some in the past have thought of him as a sleeper - he notes "It's not a problem to be low key at all with your music, when you trying to better yourself and your sound." DJ Manny has succeeded in moving himself forward. "Signals In My Head" brings us back to the joy of Footwork as a dance, as a mid-west American movement and most importantly as a mental and spiritual boost.
REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931
PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / JILL WHEELER jillw@redeyeworldwide.com
RP Boo Established! LABEL:
PLANET MU RECORDS LTD. STREET DATE:
15th October 2021
VINYL 2xLP: ZIQ431. BARCODE: 5055869565974. BOX COUNT 25. 3MM SPINE
‘Established!’ is the new album from RP Boo, his fourth full-length for Planet Mu. In 2013, Mu released his debut ‘Legacy’ – an acclaimed album that put RP on the international music map, acknowledging his unique role in the creation of the Chicagodeveloped art form known as Footwork. It’s been said that RP Boo is to Footwork what Juan Atkins is to Techno. The start. The Soul.
Side A:
All My Life How 2 Get It Done! Haters Increase The Heat! Side B:
Oh! Finally Here (ft. Afiya) All Over Side C:
Just Like That! Be Of It! Now U Know! Side D:
Ivory Surface Beauty Speak Of Sounds Another Night To Party REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931
RP Boo deliberately labelled his new album ‘Established!’ because that’s simply what he is. He’s thankful for being bestowed with a unique talent that has not diminished and continues to excite Footworkers both locally in Chicago and around the globe. Footwork remains a Chicago-centred art form, under-recognized at home, yet loved worldwide and RP remains its grounding point, with his productions being the place the entire scene goes to. On ’Established!’ RP looks back to that time when he was inventing Footwork, going out listening to disco and linking with the creators of house such as Paul Johnson. For tracks like ‘Another Night To Party’ or ‘Finally Here (ft. Afiya)’ he takes himself back in time to when he started DJing, playing ghetto house and being inspired by jack tracks. These moments were the foundation point to create his own style, elevating his sound into new territories for the future. With ‘Established!’ RP wanted to return what he soaked up over his journey and remind people of the layers of connections between various Chicago dance musics. Another side of ‘Established!’ is the ’battle track’ mentality. The battle dance circle of course comes from Hip-Hop and also earlier forms of American Black Music. Tracks like ‘Haters Increase The Heat!’ reflect this competitive aspect of Footwork – RP notes “I was feeling heat that I detected targeting me in the scene and I grab it and tracked it out and that’s what fueled the track.” He adds “I'm not bothered by haters and no one should be – there’s no valid reason to.” He goes on to explain the track ‘Now U Know’ – how the track takes that hater energy and uses it as a way to “set the seed for footwork battles” transferring the energy “to a dancer (who can then) display it with goodness of their art.“ RP goes on to indicate how this reflects Chicago – “I’m a witness. Without understanding how, you can have hate implanted in society.” Footwork to RP is a way to counter these social ills – “to then grow out of it and have people understanding greater change - to start heading in the right direction.” ‘Established!’ is also a record about Black pride, Black dignity, Black beauty and Black creativity. This is perhaps best reflected in the track “Beauty Speak Of Sounds.“ The track was one of the last compositions completed for the album and RP was imagining himself “in the grasslands of Africa” and he set about thinking how his “spirit” felt in that setting using sounds and grooves that he wouldn’t normally use. Ultimately ‘Established!’ is a snapshot of RP Boo letting listeners even further into his musical world – ”I want the listeners to really get close to something beautiful, to sit back and enjoy with family and friends.” PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / JILL WHEELER jillw@redeyeworldwide.com
IZZY TRUE
OUR BEAUTIFUL BABY WORLD
Izzy True is also slowly learning to be gentle. Formed in upstate NY in 2015, Izzy True is a rock band of yearning currently based in Chicago, IL. The project has gone through many lineups over the years, always led by Izzy Reidy (guitar, vocals). These days, Reidy is joined by their friends Samuel H Goldstein (drums), and Curtis Oren (bass, sax, flute). In creating Our Beautiful Baby World (May 2021), the pacing of Izzy True’s songwriting process has slowed down since their prior Don Giovanni releases -- Sadbad (2018) and Nope (2016). Arranging with Curtis and Sam, Reidy says they’ve grown as musicians together, and their songs were given space to grow, too. OBBW exhibits eleven rock songs of melded collaboration, expressing the deepness of acceptance. These are the band’s most dynamic composi tions to date. The result is, Reidy hopes, to “sound like a bad drawing of a rock record.” Reidy is also a cartoonist, emphasized in their talent for storytelling (“Mommy”) and imagery that plays with the fuzziness of reality -angels, open pastures, and ghosts of old friends and lovers looping around their twanging yet patient vocals. There’s a desire to find okayness in this harsh world, translated in thrashing around, filled with wonder by the taste of a fresh guayaba (“New Fruit”). The inspiration for the soft-hard dynamics of OBBW may have come from Reidy listening to Thin Lizzy, along with the bleeding of the band members’ strengths and histories: Curtis as a courageous experimental musician in the DIY circuit, Sam’s expertise as a hardcore drummer, one Hallowen cover-set of System of A Down in a Chicago basement from another world, and Reidy’s childhood growing up listening to old love songs and country music. OBBW was recorded in Rock Island, IL at Rozz-Tox, a well-loved bar and music venue in the humble Midwest. Recorded and mixed by Ian Harris on reel-to-reel, Izzy True’s tunes returned to tape after Sadbad, which was digitally produced. The record utilizes the talents of Chicago music friends Jess Shoman (Tenci) on backup vocals and Andrew Clinkman (Spirits Having Fun) on lead guitar on “Four Good Ponies”. OBBW was recorded in the months before the pandemic January and February 2020, which can feel obvious (“I pandemic, don’t wanna hang out for a thousand years”) and subtle. The authentic limitations of reel-to-reel tape recordings give this project the aura of a time when live music was possible. In Our Beautiful Baby World, Izzy True creates ups and downs of instrumental chaos and intimate vocals, often asking vulnerable questions (“are you mad at me?”) to feel like we are in close proximity. Leading into big guitars, crashing drums, and gnarly bari-saxophone, this mixture of sounds imitates shifts in interpersonal lives, deep breaths, ticking time. There’s a closing of a bedroom door and flopping down on the bed, the world zinging in your heart, or galloping away on a horse as a grand exit from an emotional experience.
TSR226 LP / CS / CD ^ ^ ^ neon pink 2xLP vinyl w/ DL code
Weatherday Come In • For fans of Car Seat Headrest, The Unicorns, Glocca Morra, Glass Beach, The Microphones, Surf Curse. • US college radio campaign through Pirate Promotions (steve@piratepirate.com). • Press campaign handled by Will Osiecki (will@topshelfrecords.com). • Previously unreleased bonus track added to the end of the album (all formats). • Over 5 million plays on Spotify to date, all organically. • Over 6,000 individual reviews on RateYourMusic. • Never been released physically on any format before. “Weatherday’s inaugural record leaves no thoughts unspoken, no emotions suppressed, no base instinct ignored; it’s a causticbut-nuanced queer confessional that approaches bedroom pop from a brutalist perspective, musically challenging but still laymen accessible.” -Bandcamp “[A]n unpredictable array of sounds and styles woven in such a way that is nothing short of chaotic and affecting.” -Atwood Magazine
STREET DATE October 15, 2021 LABEL Topshelf Records CATALOG # TSR226 TRACKS 12 FILE UNDER Rock / Pop BOX LOT 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT yes CD UPC 6 34457 04346 6
6 34457 04346 CS UPC 6 34457 04347 3 6
“[O]ne of the year's most creative and impassioned rock albums.” -The Needle Drop Weatherday is the bedroom noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Come in will see its first vinyl issue via Topshelf Records in 2021.
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34457 04347 3
Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like
redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com
topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com
ROZI PLAIN WHAT A BOOST STREET DATE: 15 OCTOBER 2021 "SEDUCTIVELY OFF-KILTER POP... LOVELY STUFF" UNCUT "EXQUISITELY BLISSED-OUT" MOJO
Track listing 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
Inner Circle Swing Shut Symmetrical The Gap Old Money Conditions Dark Park Trouble Quiz When There Is No Sun
LIMITED EDITION BLUE VINL: CAT NO: MI0532LPB UPC: 5056340103456
Rozi Plain has announced her new album ‘What a Boost’ will be released on 5 April 2019 on new label home Memphis Industries. The ten track album was self-produced with the help of a long list of musical friends including Kate Stables, Jamie Whitby Coles, Neil Smith (all This is the Kit), Chris Cohen, Joel Wästberg (Sir Was) and Sam Amidon. Rozi Plain has been making music since her brother taught her a few chords on the guitar aged 13. Raised in Winchester, she spent a few years studying art and painting boats in Bristol, where she began collaborating with long-term friends Kate Stables (This Is The Kit) and Rachael Dadd among many others on a thriving local scene. It was there that Rozi made her first two albums, 2008’s Inside Over Here and 2012’s Joined Sometimes Unjoined, each works of deliciously sad and beautiful pop full of heart-wrenching harmonies dotted with unexpected instrumental flourishes. Released in April 2015 on Lost Map and featuring contributions from Hot Chip’s Alexis Taylor among others her last album Friend was a deeply meaningful and wonderfully measured ode to memory, place, companionship and music’s remarkable power as an emotional salve. A companion album of remixes, unreleased tracks and radio sessions, Friend Of A Friend, was released in 2016. Almost permanently on tour, Rozi has taken her joyous live show on the road countless times around Europe, the UK and the USA, and has toured with a host of alt-folk luminaries from Devendra Banhart to James Yorkston. She has appeared at festivals including SXSW, Iceland Airwaves, Glastonbury, End of the Road, Latitude, BBC 6Music Festival and Green Man. As bass player and backing vocalist in Rough Trade signed This Is The Kit, Rozi has been touring the world for the last two years, including opening for The National in the UK and North America.
www.memphis-industries.com • info@memphis-industries.com
HAUSU MOUNTAIN
Artist: Fire-Toolz Label: Hausu Mountain Format: Double LP, CD Retail Exclusive 2xLP Orange & Green Vinyl
Album: Eternal Home Cat #: HAUSMO111 Releases: Oct. 15, 2021
2xLP - Gatefold Black Vinyl
CD 8-panel digipak
Double LP packaged in a full-color gatefold jacket with two double-sided inserts including lyrics. Retail exclusive color variant - opaque orange & opaque green - limited to 100 worldwide and only available to stores through Redeye. CD packaged in a full-color 8-panel digipak. “The music that the Chicago experimenter Angel Marcloid makes as Fire-Toolz exists somewhere at the fuzzy border between peace and pandemonium. Across the handful of albums she’s released under that name over the last halfdecade, she’s made room for moments of blissed-out digital ambience, technical death-metal fantasias, glitch-scoured noise, and glossy AM radio jazz—often all slammed together within a few bars.” - Pitchfork (Colin Joyce) “In contrasting the black-metal gristle and cybergrind glitchfests that dominated albums past with dreamy swathes of new age-inspired ambient, Marcloid has essentially blessed us with a post-apocalyptic Pure Moods: a listening experience equally seething and soothing, deeply transportive from start to �nish.” - Bandcamp (Miles Bowe)
HAUSMO DOUG & HAUSMO MAX HAUSUMOUNTAIN @GMAIL.COM
Over the past two decades, producer / composer / multi-instrumentalist Angel Marcloid has willed a vast ecosystem of music into existence at a rate that somehow seems to intensify as time goes on. Various solo monikers, collaborations, and band memberships stand as monuments in the landscape, focusing in on certain styles associated with each project — the Weather Channel jazz fusion / new age of Nonlocal Forecast, or the hazy vapor nostalgia of Mindspring Memories, to give a few of many examples. The music of Marcloid’s �agship project Fire-Toolz sits as the bottomless pit in the center of the lush environment, drawing ideas and signi�ers from all corners into its depths. In keeping with Fire-Toolz’s role as the outlet for Marcloid’s most overloaded and audacious compositional gambits, Eternal Home enters the catalog as the longest and most ambitious Fire-Toolz album to date. Clocking in at close to 80 minutes, Marcloid improbably maintains the attention to detail and the crushing density that has come to de�ne Fire-Toolz from its inception, treating the expanded canvas as an opportunity to both dive deeper into genre-obliterating chaos and to tighten the reins around more direct, even accessible styles of songwriting. While Eternal Home builds on the omnidirectional compositional styles that Marcloid previously explored on a trio of Hausu Mountain LPs, the album gains power and momentum from its sheer overwhelming mass, becoming a statement of purpose that showcases all the reliable strengths and unpredictable left turns that Fire-Toolz continues to re�ne with each new work. The tracks that Marcloid weaves into the mosaic composite of Eternal Home range from �ights of ornate prog rock / jazz fusion shredding, to brief bursts of pent up energy with an almost grindcore ferocity in their shrieking vocals and pummeling blastbeats, to extended collages of fast-scrolling sound design, to songs that zero in on a style in the neighborhoods of emo and nu-metal that balance aggression with clear and affecting vocal melodies. The delineation between these categories of songs isn’t quite so tidy, however. Marcloid has no problem layering the project’s signature black metal-adjacent screams into otherwise placid �elds of sound, spiraling off into passages of progressive guitar / bass / keyboard / percussion interplay on a dime, or injecting bursts of textural noise into what may seem like a conventional song structure. The Fire-Toolz toolbox contains in�nite strategies to achieve both compositional dis�gurement and narrative cohesion, which extend beyond musical forms to include the nuance and thematic depth present in the project’s lyrics. Shards of death metal, jazz fusion, musique concrète, new age, ambient, dance music, and experimental electronic abstraction pop into view at any moment to steer any given track into new territories. Marcloid further �eshes out Eternal Home with �ashes of sound from guest performers, including swirling jazz sax and clarinet by Ian Smith, wisps of �ute by 空YAMAHA, synth-noise textures by Bastian Void, and �eld-recorded barks from various friends’ dogs — adding layers of community input into already densely packed tableaus. Listening through Eternal Home can feel like �oating through an endless ocean of data, �nding some wreckage to hold onto in the surf for a moment in the form of a gorgeous melody, a lyrical turn of phrase with profound philosophical implications, or a tightly sculpted prog breakdown, before being swept off by the next round of scattering waves. The 3-to-4 minute songs with more legible hooks and verse-chorus-verse structures serve as island oases for listeners to catch their breath, before Marcloid �ips the script with another unforeseen diversion. Despite Fire-Toolz’s penchant for heady genre-mangling, advanced production techniques, and potentially overblown levels of instrumental virtuosity, Eternal Home coheres into a cathartic journey that transcends any intellectual hang-ups to crest into deeply emotional, ineffable zones. In discussing the themes and inspirations behind Eternal Home, Marcloid draws from a deep well of religious and philosophical touchstones without being tethered to any speci�c belief system. Overarching ideas of non- (or multi-) denominational spiritual ful�llment and disarray, the clash between the debilitating forces of oppression and trauma vs. the healing powers of beauty and personal safety, and the in�uence of both the mystical and physical dimensions all factor into the the lyrical text and the musical approach of the project. Angel Marcloid’s statement about Eternal Home is as follows: “Our Eternal Home is Heaven. Heaven is the ultimate reality of our shared Being, but the conscious experience of it is a state of mind (a dimension we are meant for). Whenever we are not in Heaven, it is because we’ve forgotten we are in Heaven. Heaven transcends and does not depend upon circumstances, labels, experiences, or sensations. It has nothing to do with the afterlife or religious theology. In all of the grief, fear, and stinging emotional pain I have endured in this incarnation, despite the richness and miraculous unfolding that is my beautiful life, it turns out: I am always Home, and Home is always safe. The album is what settled in the sink after I wrung myself dry. It is full of sensory memories, love of nature, spiritual deliberation, and relating childhood experiences to my present-day psychology, but it is also a metamorphosis. It engulfs the vast darkness in more light than it can handle.”
Cid Rim - Songs Of Vienna Release Date: October 15 2021 1 • Vinyl (White Vinyl) LM075LP / 5060263723646 Boxlot: 25 / Ⓟ & © 2021 LuckyMe
2 • CD (6pp Digipak) LM075CD / 5060263723653 Boxlot: 30 / Ⓟ & © 2021 LuckyMe A psychedelic ride from the Austrian capital! Encompassing modern electronics, choral pop and contemporary jazz - Clemens Bacher returns as CID RIM. His last album, Material, was awarded BBC 6Music Album of the Day achieving as many as four ‘A-list’ singles. He won a Gilles Peterson Worldwide Award, and attended Africa Express with Damon Alburn and Brian Eno. Collaborator to Petite Noir, Okmalumkoolkat and Denai Moore, he caught attention from show-stopping mixes for Sky Ferreira, Chvrches and The 1975. But it is on his own records that we get a sense of Bacher’s scope. CID RIM grew up the keystone of the vital club scene of Vienna alongside close friends Dorian Concept and The Clonious. For ‘Songs of Vienna’ he relocated to London and crafted a new formula which reconciles kraut, psychedelia and jazz into detailed electronic pop. Behind his impressionistic vocals lie themes exploring Vienna’s privileged place in the world: a safe haven for the European project rich with imperial history & culture. It was only here in the early 21st century that Clemens and his friends could forge this hyper-specific club scene which still refuses category. While the Earth heats up beneath our feet many find comfort in art that’s safe and retro. But on this postmodern masterpiece, CID RIM is daring to take a leap forward. LUCKYME® are proud to present... Songs of Vienna.
Vinyl Tracklist: A 1. Paul’s 2. Purgatory 3. Friday 4. Last Snow 5. Rain 6. Get Up B 1. The Marrow 2. We Drums Two 3. Too Long 4. Polarizer 5. Blame
CD Tracklist: (6.30) (3.19) (3.20) (3.08) (2.37) (2.44) (5.48) (2.10) (3.26) (3.47) (4.45)
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Paul’s Purgatory Friday Last Snow Rain Get Up The Marrow We Drums Two Too Long Polarizer Blame
(6.30) (3.19) (3.20) (3.08) (2.37) (2.44) (5.48) (2.10) (3.26) (3.47) (4.45)
NEW RELEASE Sep, Oct, 24th 15th 2021
EXPORT - CD EXPORT - LP department : BLUES
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THE SUPER SOUL BROTHERS SHADOWS & LIGHTS
ALBUM RELEASE PARTY
23/09 - ISSY-LES-MOULINEAUX / Grand Auditorium - F
cVIDEOS : 35TH DIXIEFROG ANNIVERSARY : https://youtu.be/tXTbjkF7BWg SIGNATURE : https://youtu.be/L0-WDpcOXfE
The Daddies of riff, of shuffle, of southern swing, oozing back beat and funky chicken, all true ‘Sons of Memphis’, these six experienced performers, in the pure Stax/Atlantic style, roll out a profound Deep Soul, carried by a hot and groovy base, a V8 sounding drumbeat, a haunting trombone, a charismatic and powerful vocals, a Hammond Leslie roaring in unison with the spring reverb guitar and its sixties tremolo. With their Zoot suits, black and white Derbys, dark glasses, this Take 6 knows the songs, history and all the tricks of the soulman’s trade, with that little extra, the irresistible French touch blazoned by their Pyrenean roots in the Béarn region. This energetic combination is an incredible firework display on stage, and with them the Deep Soul remains what it must always be… A music of hope! A shared experience! The ultimate music of the soul! Soul Revelation of the year in 2021/2022, they have just signed a contract with the legendary Dixiefrog Records label. Their first album, ‘Shadows and Light’ will have its world release on the 24 of September 2021 (Vinyl, CD and digital). At the same time, a whole new show will accompany the album under the colours of Love, Liberty, Goodwill and Optimism.
LAURENT SABATHÉ : https://youtu.be/7bDXEaT5gBI The Super Soul Brothers : Their Story The Super Soul Brothers began in 2016 as a quartet (bass, drums, guitar and vocals) behind closed doors, stringing one rehearsal after another for a whole year. In 2017 they had their first concert. The keyboards joined in 2018. And in 2019 the final balance is found with the arrival of the trombone. Take 6 was to be the magical formula. In 2020 they composed and recorded their first album in the old-fashioned way, and named it ‘Shadows and Lights’. They played at the Pau Summer Festival, opening for Neg Marrons. At the same time they received the ‘Best Act from the Béarn Region 2021’, they signed with Dixiefrog Records and had the world release of their first album ‘Shadows and Lights’. And they have also created their new show, ‘Soul Revue’ that is ready to roll.
cFIDBACK :
https://fidbak.audio/dixiefrog/player/d6f780654d85/42fbb05de039
DIGISLEEVE / LP WHITE VINYL Phone : (33).1.40.60.56.27 E-mail : contact@dixiefrog.com
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LIMITED PRESSING ON
STREET DATE 10/15/21
CLEAR RED VINYL!!
LP-ALIVE-0112LE COLOR VINYL
UPC : 634457825413
6
34457 82541 3 ROCK
The1977 proto-punk classic pressed on CLEAR RED VINYL and featuring an INNER SLEEVE with rare vintage photos of Iggy and James in Los Angeles!
NEW RELEASES Street Date: 10.22.21 | Order Date: 10.01.21
PARQUET COURTS SYMPATHY FOR LIFE October 22, 2021 TRACKLISTING A1. Walking at a Downtown Pace A2. Black Widow Spider A3. Marathon of Anger A4. Just Shadows A5. Plant Life
• • • • •
B1. Application/Apparatus B2. Homo Sapien B3. Sympathy for Life B4. Zoom Out B5. Trullo B6. Pulcinella
SELLING POINTS
Special Edition first pressing LP Details: Tipped on Gatefold Sleeve with glued in Booklet with artwork designed by Grammy nominated A Savage Curated fan-engagement pop-ups happening all over the world throughout the campaign Visual album experience livestream in October Extensive national & worldwide touring begins Fall 2021 and extends into 2022 Major press features across all music & lifestyle outlets and multiple appearances on Late Night TV, NY Times, LA Times, and many more!
PRESS
“Joyfully absurd, danceable rock music.” – Pitchfork “A gut-punch of an immediate classic.” – DIY Mag “Wide Awake! may be the most woke punk-rock record since the heyday of the Clash” – Variety “Chaotic, visionary and righteously pissed off, Wide Awake! feels like the perfect rock record for the times.” – Q Magazine 134 GRAND ST, NYC 10013
Parquet Courts’ thought-provoking rock is dancing to a new tune. Sympathy For Life finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psychedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams, inspired by New York clubs, Primal Scream and Pink Floyd and produced in league with Rodaidh McDonald (The xx, Hot Chip, David Byrne), Sympathy For Life was always destined to be dancey. Unlike its globally adored predecessor, 2018’s Wide Awake! the focus fell on grooves rather than rhythm. “Wide Awake! was a record you could put on at a party,” says co-frontman Austin Brown. “Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture – from Talking Heads to Screamadelica. Our goal was to bring that into our own music.” CD: RT-0199-CD LP: RT-0199-LP LP: RT-0199-LPX File Under: Alternative File Under: Alternative File Under: Alternative limited deluxe edition
ROUGHTRADERECORDS.COM
505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931
Circuit des Yeux SELLING POINTS
-IO
• First new album in four years • First album for Matador • Touring and festival appearances planned for 2021-22 Coming October 22: Circuit des Yeux’s first studio album since 2017, -io, and her first for Matador Records. The sky over -io is Florida’s strange, radiant orange. It’s a built environment, unnatural, made from concrete and glass, with skyscrapers that stretch to the vanishing point as you gaze up at them. It’s crumbling and suffocating, a city perpetually on the brink of collapse, where tension never topples over into catharsis, where the heat never breaks. Inside this world and its closed loop of time, Fohr found herself able to begin moving again. “I was haunted by memories
TRACKLIST 01. TONGLEN | IN VAIN 02. VANISHING 03. DOGMA 04. THE CHASE 05. SCULPTING THE EXODUS 06. WALKING TOWARD WINTER 07. ARGUMENT 08. NEUTRON STAR 09. STRANGER 10.ORACLE SONG
in the pandemic,” she says. “As someone with PTSD, memories are all twisted up inside of me in a way that doesn’t help my higher self. Making this album was once again an exercise of trying to relieve myself of some of that darkness in a way that music has always done for me.”
“Haley Fohr has a voice out of a Harry Smith folk anthology: sweeping, shuddering, androgynous, distant, immediate.”
—
New York Times NON EXPORTABLE RELEASE DATE: OCTOBER 22ND, 2021
Standard CD OLE-1788-CD 191401178822 Standard black vinyl OLE-1788-LP 191401178815
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HELADO NEGRO
Far In When Roberto Carlos Lange, the musician known as Helado Negro, began writing Far In immediately following the release of his acclaimed 2019 This is How You Smile, he could not have predicted that we would soon need to learn how to stay at home and be the stars of our domestic dance floors with intimates and online communities. The titular pair in “Gemini and Leo” stay indoors to discover each other anew with music recalling Lange’s youth growing up in South Florida listening to 80s club songs, and their return sampled in 90s hip hop. Visions past and future meet in a euphoria of uptempo drums, Jen Wasner’s (Flock of Dimes) funky bass line, and Opal Hoyt’s (Zenizen) galactic swirl of warm and steely synths and bright backing vocals. What was a prophesying rehearsal for the musician, we can hope will soon be our fresh start, a choice to bring that energy home, or go out to meet it. Press
2xLP: 4AD-0399-LP
CD: 4AD-0399-CD
*vinyl non-returnable
Tracklist Side A 1. Wake Up Tomorrow (feat. Kacy Hill) 2. Gemini and Leo 3. Purple Tones 4. There Must Be A Song Like You Side B 1. Aguas Frías 2. Aureole 3. Hometown Dream Side C 1. Agosto (Feat. Buscabulla) 2. Outside The Outside 3. Brown Fluorescence 4. Wind Conversations Side D 1. Thank You For Ever 2. La Naranja 3. Telescope (Feat. Benamin) 4. Mirror Talk
505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
Roberto Carlos Lange’s sixth and best album as Helado Negro deepens and expands upon the imagistic nature of his lyrics and cosmic synth-folk. It is a sublime, masterful piece of music. - Pitchfork Roberto Carlos Lange is a crosser of distances — between selves, countries and memories. – NPR Listening to “This Is How You Smile,” the latest release from Roberto Carlos Lange, one is drawn to the artist’s capacity to give shape to the ephemeral. – The New Yorker “boasting one of the most prolific and varied pedigrees in independent music.” - Observer Selling Points - Early airplay at KCRW, KEXP, XMU - Press confirmed in NPR, Pitchfork, NY Times, Rolling Stone & more - Aggressive online, print and outdoor advertising campaign
Available from: October 22nd, 2021 4AD 134 Grand Street, New York, New York 10013
1. Carpathian Ridge 2. The Tangent Universe 3. The Artifact & Living 4. Middlesex Times 5. Manipulated Living 6. Philosophy of Time Travel 7. Liquid Spear Waltz 8. Gretchen Ross 9. Burn it to the Group 10. Slipping Away 11. Rosie Darko 12. Cellar Door 13. Ensurance Trap 14. Waltz in the 4th Dimension 15. Time Travel 16. Did you Know Him 17. Mad World 18. Mad World (alternate version)
Donnie Darko Original Motion Picture Score features Michael Andrews’ haunting performance from the now cult classic film and includes the opus “Mad World” featuring Gary Jules.
“GARY JULES TOPS CHRISTMAS CHARTS (2003)..MAD WORLD, BY JULES AND COMPOSER MICHAEL ANDREWS, TOPPED THE CHARTS AHEAD OF THE DARKNESS WHO WERE THE BOOKIES’ FAVOURITES.” BBC NEWS
OCTOBER 6
Everloving Records: Courtney Knopf courtney@everloving.com Redeye Worldwide: Lori Miller Lori@redeyeworldwide.com
Released shortly after 9/11, Donnie Darko has become a beloved masterpiece. Michael Andrews scored the album in his studio of vintage Moogs and electric vibraphones, and when the music budget was capped, delivered a humble piano & vocal ballad covering the Tears for Fears track Mad World with his pal Gary Jules. The score album has gone on to sell over a quarter million copies and this 20th anniversary edtion is pressed on 180gram metallic silver vinyl.
Download Card! File Under: Film/Score Export: Worldwide Box Lots: 25 LP
LP-eve103
FRANZ FERDINAND Tonight: Franz Ferdinand
OVERVIEW Tonight: Franz Ferdinand is the third studio album from the band originally released in 2009. RELEASE DATE: Jan 26, 2009 CATALOG NUMBER: WIG205 DOUBLE LP w/ DOWNLOAD Boxlot: 20 UPC: 5034202020516
CD Boxlot: 30 UPC: 5034202020523
You Could Have It So Much Better
OVERVIEW You Could Have It So Much Better is the second studio album from the band originally released in 2005. RELEASE DATE: Sept 30, 2005 CATALOG NUMBER: WIG161 LP w/ DOWNLOAD Boxlot: 20 UPC: 887828016112
Franz Ferdinand
OVERVIEW Franz Ferdinand is the self-titled debut album from the band originally released in 2004. RELEASE DATE: Feb 9, 2004 CATALOG NUMBER: WIG136 LP w/ DOWNLOAD Boxlot: 20 UPC: 887828013616
CD Boxlot: 30 UPC: 5034202113621
FILE UNDER: Alternative “F”
TRACKLISTING 1. Ulysses 2. Turn It On 3. No You Girls 4. Send Him Away 5. Twilight Omens 6. Bite Hard 7. What She Came For 8. Live Alone 9. Can't Stop Feeling 10. Lucid Dreams 11. Dream Again 12. Katherine Kiss Me
TRACKLISTING 1. The Fallen (Album Version) 2. Do You Want To 3. This Boy 4. Walk Away 5. Evil And A Heathen 6. You're The Reason I'm Leaving 7. Eleanor Put Your Boots On 8. Well That Was Easy 9. What You Meant 10. I'm Your Villian 11. You Could Have It So Much Better 12. Fade Together 13. Outsiders
TRACKLISTING 1. Jacqueline 2. Tell Her Tonight 3. Take Me Out 4. Matinee 5. Auf Achse 6. Cheating On You 7. This Fire 8. Darts of Pleasures 9. Michael 10. Come On Home 11. 40'
SELLING POINTS • Franz Ferdinand’s catalog has scanned over 1.5 Million copies. • The band have been nominated for four Grammys and eight Brit Awards. They have won two Brit Awards as well as the 2004 Mercury Prize.
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com
• LPs are sourced from original masters. LPs includes a download card. • Their debut self-titled album has long been out of print. • LPs have been featured in Albums of the Year & Decade lists by Pitchfork, Clash, 1001 Albums You Must Hear Before You Die, Spin, and more.
CLINIC
FANTASY ISLAND
TRACKLISTING 1. The Lamplighter 2. Fine Dining 3. Take A Chance 4. Refractions (In The Rain) 5. Dreams Can Come True 6. Miracles 7. On The Other Side... 8. Fantasy Island 9. I Can't Stand The Rain 10. Feelings 11. Hocus Pocus 12. Grand Finale CATALOG NUMBER: WIG486 RELEASE DATE: October 22, 2021 FILE UNDER: Alternative “C” CD Boxlot: 30 UPC: 887828048625
LP w/ DOWNLOAD Boxlot: 20 UPC: 887828048618
Vinyl is non-returnable
LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828048632
Vinyl is non-returnable
OVERVIEW Clinic announce their ninth studio album Fantasy Island. With this vibrant and eclectic LP, the Grammynominated duo from Liverpool transport us to tropical climes in twelve tracks. 2019’s Wheeltappers and Shunters found the band satirizing British culture and wallowing in sleazy seventies nostalgia. This time, they are embracing the “the idea of looking at the future and the different ways it can unfold,” with their most electronic and pop record to date. Fantasy Island was recorded in an old studio on Merseyside during the summer of 2019, with good vibrations seeping into the grooves, and mixing duties handled by Claudius Mittendorfer (Parquet Courts, Neon Indian). “Clinic look to a brighter future,” reveal the band in a soundbite. Referencing H.G. Wells’ Things to Come, Marshall McLuhan’s The Medium is the Massage and Richard Brautigan's Sombrero Fallout, the themes Clinic explore on this album are time, music and entertainment. In a (coco) nutshell, Clinic have gone funky disco, broadening their sonic palette with the addition of several new gadgets including an electronic acid bass machine, a 1970s cocktail rhythm unit, a Casio digital horn, and space drum. This gear comes to the fore in the centerpiece of Fantasy Island, the incredible “Refractions (In the Rain)”, which nods to the Human League with its strident synthesizer lines, danceable beats, and the groovy, swaggering menace that Clinic always bring to the party. Elsewhere on the album, Clinic cover Ann Peebles’ “I Can’t Stand The Rain” in a delirious manner. “It’s a tin of fruit cocktail,” says one of the band, and there is definitely a lighter, more escapist mood to Fantasy Island. As well as the Human League, other musical influences on the album include Fun Boy Three, Kid Creole and the Coconuts, and early 1980s pop music. Balancing the sound and giving Fantasy Island its raw energy are Italian cosmic disco mix tapes and primitive busker elements, such as the Memphis Jug Band and old blues music. Only Clinic are capable of pulling these disparate references together to make a cohesive, thrilling whole. Praise for 2019's Wheeltappers & Shunters
“bizarre and truly unique…fizzy, krautrock-addled garage-pop” Stereogum "they haven’t lost their psychedelic edge” Uproxx “sounds like nobody other than Clinic.” Pitchfork
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com
SELLING POINTS • The Grammy nominated band's catalog combined have scanned 130k+ copies. • Non-commercial and college radio campaign to impact upon release. • Standard LP includes download card. Indie retail LP comes on blue color vinyl and includes download card.
P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM
OCTOBER 22, 2021
• LP pressed on opaque red vinyl. • Indie Exclusive LP pressing of 1,000 on black and light blue a-side/b-side vinyl. • LP includes digital download. There is a moment halfway through Hand Habits’ Fun House at which musician Meg Duffy asks the question, “How many times must I rewind the tape?” It’s a fitting question planted squarely in the middle of a sonically adventurous record concerned largely with making sense and taking stock. How much time must we spend examining our own past in order to fully understand it? How can we safely acknowledge pain in order to release it and fully actualize who we are supposed to be? Buffeted by strings, synths, and a gently-shook tambourine, the aptly-titled track, “The Answer,” highlights the emotional engine at the heart of the record. “I know the answer,” Duffy sings, “Here’s what I hope to find - it’s always mine.” Fun House is Duffy’s most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff ), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much-needed, moment of pause. “When the pandemic happened, everything stopped,” recalls Duffy. “I had been touring consistently for five years, both on my own and playing in other people’s bands, so I wasn’t really writing a lot in between. It had been full pedal to the metal in terms of traveling and scheduling, which meant I really didn’t have a lot of time to think about how I felt or really check in with myself. Then, when the world basically stopped, it turned out to be the longest I’ve been alone in my entire life — without being in a relationship, without being on the road, without working myself to exhaustion — and the result was really like, holy shit. I slammed on the brakes and everything psychologically that I’d been pushing down and ignoring for the past few years suddenly flew to the foreground.” What started out as a very personal reckoning eventually blossomed into a fruitful and convenient means of making new music. Grounded in LA and sharing a house with Ashworth and Thomas, who also runs a studio space in the building, Duffy began to flesh out the songs that would eventually become Fun House. Emboldened by going into therapy and coaxed by Ashworth to push the songs into unexpected new shapes, the resulting music was more acutely personal and stylistically adventurous than anything they had attempted before. The new songs also became a prism through which Duffy could begin to self-actualize in a new way. While Fun House shares some of the same hallmarks as previous Hand Habits releases —a kind of outré queer sensibility, a gentle sense of vulnerability — the record is a marked sonic departure from the often muted tones of 2019’s Placeholder and 2017’s Wildly Idle (Humble Before the Void). Instead, the tracks on Fun House sparkle, moving in unexpected directions and eschewing any specific genre. Tracks like “Aquamarine” and “More than Love” package narratives about loss, romantic longing, and childhood trauma inside polished synth pop (“Suicide / Lost a life / Well then who am I? / Why can’t you talk about it?”) while “Gold Rust” and “Concrete and Feathers” have a ragged, Neil Young quality. Friend and collaborator Mike Hadreas (of Perfume Genius) contributes vocals on “No Difference” and “Just to Hear You,” making for one of the record’s most sanguine moments, his voice providing a perfect counterpoint to Duffy. The push/pull of styles, paired with songs that move deftly between the present and past, give the record a wildly diverse, hall of mirrors quality that befits its name. Where previous Hand Habits records could be fairly insular affairs, both in their creation and their execution, Fun House feels ebullient, lush, a fully-realized conversation. LP
LP Indie Exclusive
CD
Tape
Opaque red vinyl
Black & light blue a/b-side vinyl
Digipak, lyric booklet
Clear shell color
5% DISCOUNT ON CD ONLY THRU REDEYE UNTIL 10/29/2021 / NOT EXPORTABLE OUTSIDE THE US / LP NOT RETURNABLE
TRACK LISTING 01. More Than Love 02. Aquamarine 03. Just to Hear You (feat. Perfume Genius) 04. No Difference 05. The Answer 06. Gold/Rust 07. Clean Air 08. Control 09. Concrete & Feathers 10. False Start 11. Graves
4:02 4:15 2:53 2:51 2:04 3:58 3:08 3:40 3:38 4:06 3:13
Artist: Hand Habits Title: Fun House Catalog #: LBJ-326 Formats: CD / LP / Indie Exclusive LP / Tape Street Date: October 22, 2021 Box Lot Qty: 50 CD / 50 LP / 50 Ltd LP / 100 Tape Genre: Alternative PRESS PROMOTION Grandstand (US) Eloy Lugo - Eloyl@grandstandhq.com Brace Yourself (UK) Alex Cull - alex@braceyourselfpr.com RADIO PROMOTION College, Commercial & Specialty Radio radio@saddle-creek.com MASTER USE LICENSING US - syncteam@terrorbird.com UK/Europe - dave@republicofmusic.net INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com
505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com
October 22nd, 2021
TITUS ANDRONICUS The Monitor
10th Anniversary vinyl reissue
In March of 2010, XL Recordings released Titus Andronicus’ epic second album THE MONITOR, immediately elevating the upstart New Jersey rock band to legendary status with their chilling and prescient vision of America’s tribalist future. A1. A More Perfect Union A2. Titus Andronicus Forever A3. No Future Part Three: Escape From No Future A4. Richard II B1. A Pot In Which To Piss B2. Four Score And Seven C1. Theme From “Cheers” C2. To Old Friends And New C3. ...And Ever D1. The Battle Of Hampton Roads
“One of the 21st century’s best rock acts” – THE ATLANTIC “On their second album, New Jersey’s Titus Andronicus split the emotional atom with anthemic chants, rousing sing-alongs, celebrations of binge drinking, marathon song titles, broken-hearted duets, punked-up irish jigs, and classic rock lyric-stealing.” 8.7, Best New Music - PITCHFORK
In late 2019, loose plans began for a 10th anniversary reissue. In early 2020, those plans were put on indefinite hold, for obvious reasons. The 10th Anniversary edition of The Monitor will finally be released on October 22nd, 2021. The record has been remastered for vinyl by Matthew Barnhart at Chicago Mastering Service, and now has the originally intended vinyl track transitions restored. For a limited time, this special edition will also feature the long-out-of-print embossed cover. Since The Monitor’s release 11 years ago, it’s been celebrated as a classic of this and any other era of rock music, and it’s legacy continues to grow. We’ve been through a lot and this album remains a salve for our times.
“With five songs clocking in at more than seven minutes, often thanks to detours down E Street, it’s a big-idea album that feels small and personable, even as it’s kicking you in the shin.” -SPIN
134 GRAND STREET, NEW YORK, NY 10013 XLRECORDINGS.COM
505 Eno Street, Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
LP
0
90771
82251
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ARTIST: THE DRIVING STUPID TITLE: HORROR ASPARAGUS STORIES ASPARAGUS GREEN VINYL LP BOX LOT QUANTITY: 30 LP FILE UNDER: GARAGE ROCK MH-8225 UPC: 090771822512
SARCASTIC SLACKER GARAGE ROCK WITH SELF-CONSCIOUSLY WINSOME LYRICS The Driving Stupid’s previously unreleased album plays like a garage group providing the soundtrack for a Z-grade horror-science fiction film. Available on LP for the first time, pressed on asparagus green vinyl! In the summer of 1966, The Driving Stupid drove. Traveling from New Jersey-by way of Albuquerque-to Hollywood. The band, with little-to-no experience, decided they were going to find fame and fortune by taking the musical world by storm! Improbably, they were able to record a handful of demos, hook up with a major label and record an entire album of outlandish music. In addition to the highly regarded single "Horror Asparagus Stories” b/w "The Reality Of (Air) Fried Borsk,” The Stupid penned songs about alien invaders, vengeful water, and tortured mailmen. Driving determination and an admitted touch of naivety led to the band's record deal. Poor singles sales and little promotion led to the album remaining unreleased for more than 35 years.
FIRST TIME ON VINYL! TRACK LISTING
• FIRST EVER LP ISSUE, ON ASPARAGUS GREEN VINYL CUT & PRESSED AT THIRD MAN PRESSING! • BOTH SIDES FROM THE ULTRA RARE SINGLE, PLUS AN ADDITIONAL 13 PREVIOUSLY UNISSUED TRACKS! • INCLUDES AN INSERT FEATURING PHOTOS AND LINERS TELLING THE FULL STORY OF THE STUPID!
MY MOTHER WAS A BIG FAT PIG HIDE THE LOBSTERS FAST CITY! THE REALITY OF (AIR) FRIED BORSK WE’VE COME TO TAKE THE EARTH AWAY GREEN THINGS HAVE ENTERED MY SKIN, GLADYS I’M GONNA BASH YOUR BRAINS IN WATER MY DOING HERE? GIRL’S GOT A TURTLE HOW DO YOU TELL A STRANGER HAPPYTIME SPRINGFACE AND FLOWERS GREENSLEEVES (THE TWA CORBIES) I’M GONNA BASH YOUR BRAINS IN (VERSION 2) THE REALITY OF (AIR) FRIED BORSK (VERSION 2) HORROR ASPARAGUS STORIES
MODERNHARMONIC.COM
ARTIST • BIBIO RELEASE • VIGNETTING THE COMPOST / OVALS & EMERALDS
VIGNETTING THE COMPOST
OVALS & EMERALDS
FORMATS
INFO
Vignetting The Compost WARPLP330
Ovals & Emeralds 10WAP455
SPEC • 2LP in printed inners in 5mm spine outer with DL card
SPEC • 10” Green LP in paper inner in printed sleeve, DL card
BOXLOT • 12
BOXLOT • 25
UPC • 801061033019
UPC • 801061945510
OVERVIEW
RELEASE DATE • 10.22.2020 FILE UNDER • B / ALTERNATIVE WEBSITE • bibio.co
ALSO AVAILABLE
Vignetting The Compost is Bibio’s third full-length album. Originally released in 2009 on Mush, just preceding his signing to Warp the same year. This pressing marks its first time available since the original pressing 12 years prior. Ovals & Emeralds serves as a companion EP to Vignetting The Compost, releasing shortly after the album. This marks its first ever physical release and arrives on emerald green vinyl.
NO EXPORTS • NO EXPLICIT CONTENT derek@warprecords.com http://warp.net
Bibio • Ambivalence Avenue (WARP177)
Bibio • Hand Cranked (WARP289)
harrellp@redeyeworldwide.com http://redeyeworldwide.com
DEAN BLUNT BLACK METAL 2
October 22nd, 2021
Dean Blunt’s new album BLACK METAL 2 will be released by Rough Trade Records on Friday 22nd October. Available on heavyweight LP and CD. TRACK LISTING 1. VIGIL 2. MUGU 3. DASH SNOW 4. SKETAMINE 5. SEMTEX 6. LA RAZA 7. NIL BY MOUTH 8. ZaZa 9. WOOSAH 10. the rot
180g LP: RT-0253-LP File Under: Electronic
CD: RT-0253-CD File Under: Electronic
Vinyl Non-Returnable
134 GRAND ST, NYC 10013
ROUGHTRADERECORDS.COM
American Dreams Records WALT MCCLEMENTS A HOLE IN THE FENCE
“I hope the essence of the record conveys the beauty and wonder and hope of secret worlds,” Los Angeles composer Walt McClements says, discussing the role of subcultural societies on his new LP A Hole In The Fence. Solely created with an accordion, the album takes notes from contemporary classical, drone, and electronic music. “When I look at my life and what has inspired wonder in me,” the composer explains, “I find a thread of secret, somewhat hidden worlds that I’ve been involved with. Underground music as a teenager certainly may have been a first world I discovered that filled me with awe and place.” Pairing his glacial, meticulous music with personal experiences of artistic, traveling, and queer subcultures, McClements has created an evocative soundtrack, paralleling a lifelong journey stumbling through doorways, portals, and hidden passages to find his place in the universe. McClements’ desire for adventure on an individual level mirrors the playfulness and experimentation on A Hole In The Fence. Though he had played the accordion for years in folk and indie rock bands, as
McClements’ listening habits expanded, so did his artistic ambitions. He admits to not having a serious pedigree in ambient or drone listening, but becoming familiar in recent years with artists who create singular visions out of classical and early music instruments like Kali Malone, Sarah Davachi, Mary Lattimore, and Pauline Oliveros provided growth and newfound compositional interest with the accordion, concentrating on overtones and intervals.
Learning queer traditions and histories was equally important in McClements’ maturing, and on the sublime, ascendant piece “Climb (two times past same point in two hours),” he nods to the “No Cruising” signs still up in some Los Angeles parks. As the song builds, blooms, and explodes, it considers the joy and ecstasy of hidden worlds like cruising grounds, train yards, and queer scenes as well as the intermittent darkness they can hide. “Many people in these communities also Fittingly, as the songs mark novelty in his have relationships with hidden worlds of artistic life, McClements’ titles on A Hole In addiction,” McClements explains, “and The Fence often construe moments through I’ve lost many friends to that.” a gateway. Take the gorgeous title track “Thresholds (through a hole in the fence).” But the blossoming through knowledge It’s a slowly-building, melodic drone that and sense is singular: even if the echoes the tradition of synthesizer music clandestine can hide a darkness, it’s while also firmly staking its claim as an often the wonder that prevails, which, accordion piece - tapping keys and blown for McClements, is the thing “making reeds rear their percussive heads through the world a place [he] wants to live in.” the patient maelstrom. The title is a literal Now fully a citizen of hidden worlds, he demarcation - alluding to McClements’ creates and gives his testament to them tenure as a train-hopping traveler, - it’s a passport for those starting to find “learning where the holes in the train them, and a welcome friend for those who yard fences were, alongside other punks,” already count themselves denizens. he says.”
RIYL: Kali Malone, Sarah Davachi, Pauline Oliveros, Alessandro Cortini
American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world. Label Contact: Jordan Reyes jordan@american-dreams.zone
Label: American Dreams Records Release Date:3/12/2021 Cat#: 29 ADR Format: LP LP barcode: 727431747280
LP
MAE POWELL Both Ways Brighter Tracklist 01. Light Beam 02. Let's Talk 03. Rainbow Sweater 04. Weird Dreams 05. Magick Love 06. We Are The Ones 07. Soon 08. Scratch 'n Sniff 09. Yellow Flower 10. Fuck I.C.E. 11. Let The Flowers Die 12. Catalyst 13. Between a Pillow and a Soft Space
UPC PTV-LP109 VINYL 12” LP Standard Jacket
7
Mae Powell fills her music with loving optimism about the way the world guides its denizens. The Bay Area singer/songwriter’s debut album, Both Ways Brighter evinces a vibrant collaborative spirit, from its playful instrumentation to lyrics about caretaking and camaraderie even in hostile environments. Openness is a guiding theme throughout the album, which offers plentiful reminders that people are best connected when they find ways to stay soft. Powell acknowledges it's not always easy. There’s plenty that stands in the way of true, honest communication, but there’s also plenty we can do to take those obstacles apart piece by piece. With Both Ways Brighter, Powell sets a keen eye on the ways people are able to find each other even when our environments tend to foster our alienation. "It's about always coming back to love and always being thankful, telling your friends you love them, even if it's scary and feels weird coming out of your mouth," says Powell. In their gentle, communal spirit, these songs offer respite, proving that we don't have to go through it all alone. “soothing & surreal pop” —Paste Magazine
“...savors sensory joys” —Audiofemme
“swell vocals & matter-of-fact lyrics” —SF Chronicle
“unapologetically sweet” —For The Rabbits
211 E Ocean Blvd. Suite 550 Long Beach, CA 90802 www.parkthevan.com parkthevan
32003 18636
7
Artist Mae Powell Release Title Both Ways Brighter Release Date 08/20/2021 (Digital) 10/22/2021 (Vinyl) Label Park The Van Catalog # PTV-LP109 Formats Vinyl, Digital UPC 0732003186367 (12”) Hometown San Francisco, CA Recorded In Oakland, CA Similar To Frankie Cosmos, Kimya Dawson, Tune-Yards Box Lot No. 20 ct inners / 40 ct outers Territory Worldwide No. Tracks 13 Tracks Duration 37:19
505 Eno Street Hillsborough, NC 27278 877.733.3931 - redeyeworldwide.com Perry Harrell - harrellp@redeyeworldwide.com
WINTERHAWK
Nik Winterhawk Alexander, a Cree Indian who lead the band with his savage guitar riffs and powerful vocals, says, "Music is a very sacred part of Native American lifestyles. If a person of a tribe possesses a rattle or a drum or a stick to beat the drum, those articles are treated with great respect. Winterhawk carried that same reverence toward music, because the ability to play music is a gift" "It's important for people to realize that the band Winterhawk were not posers" Alexander emphasizes. "The majority of our songs have a very deep message in them. I believe in setting an example for young people. Young people really look up to rock and rollers" We carry high the values our forefathers did: keeping our environment clean, taking care of the creatures, including ourselves. I don't drink. The idea is to be a positive force in front of the young people, he explains. "If theres any music that is close to traditional Native American music, a war dance beat, it's straight rock and roll" "Our best received songs are Indian ones" - like their "Custer's Dying," a hard-edge, head-banging rocker with serious lyrics about guess who. •Packaged in beautiful gatefold Stoughton top-on old-style jackets •New liner notes by Alfonso Kolb and John Wagner
----------------------------------------------------------------------------------DC833 LP/CD Street Date: OCT. 22, 2021 NO EXPORT TO EUROPE, JAPAN, AUSTRALIA/NZ, MAKE A MESS EVERYWHERE ELSE
Track Listing Wake Up to Yesterday Sweetspot Forever Jupiter Take It Outside Beneath the Rain
LP
CD
DRAG CITY INC. P.O. BOX 476867 CHICAGO, IL 60647 312.455.1015 sales@dragcity.com
Mess Esque are a duo featuring music and instruments by Mick Turner and words and voice by Helen Franzmann. Their self-titled album is a beguiling travelogue of restless, somnambulant wanderings. Perhaps best known as one of the Dirty Three, Mick’s been playing guitar and making music with many collaborators for forty years. Around here, we love his paintings too —- but revere him especially for his solo music -– since 1997, we’ve released four of his albums, plus an EP and an album of the Tren Brothers (Mick with percussionist and fellow Dirty Threeite, Jim White) and two EPs featuring Mick as the Marquis de Tren with Bonnie ‘Prince’ Billy. Mick’s last record was 2013’s “Don’t Tell the Driver,” a work that found him departing from his traditional hermetic instrumental template by employing a rhythm section and brass charts and even collaborating with a vocalist. After all the purely instrumental music he’s made with Dirty Three and solo, a singer is now part of the sound he’s hearing in his head these days; while demoing new material, he realized that he was again writing music that needed lyrics –- and for that matter, someone other than himself to sing them. But who? In 2019, he was introduced to Helen through a mutual friend who’d produced her last album. Under the name Mckisko, Helen has released three albums over the past 12 years, working and touring with a range of Australian musicians along the way. Her music has been described as numinous and transformative. Her most recent album “Southerly” saw her moving into a more expansive sound which led to an openness and excitement around further collaboration. Helen lives in Brisbane; Mick in Melbourne. They started sending ideas back and forth with a plan to get together somewhere or another in 2020 and make a record. Then everything else happened instead, so they continued to collaborate from a distance, pouring meditations from their individual isolations into the greater whole. With feet rooted in the real world, their correspondence took flight, electrifying in the air between the cities. Helen took in the drift of Mick’s tracks, a brew of guitars, organs, bass and drums dizzyingly circling about. When she sang over them, it altered their meaning; upon hearing them again, Mick was inspired to make revisions, for Helen to respond to again. And so the music grew. 2021, and the album’s done, and they’ve made a band in the process, but Mick and Helen still haven’t met face-to-face yet! Listening to “Mess Esque”, you’ll never know it. Their collaboration has an intimate feel to it, a shared space. Helen’s words are carefully observed, her phrasing responding intuitively to Mick’s looping guitar figures with vocal repetitions of her own. Starting with a feeling or a voicing, there are often no words – both players are searching on their own paths. Then suddenly they have arrived and are passing the emerging meaning back and forth, the rising intensity forming a kind of undertow that pulls the listener deeper into their world. Often, Helen would record her vocals in the middle of the night, seeking that 2am flow, a moment of greatest isolation through which to trace her melodie with fragility and strength. This crystallizes Mess Esque’s intention: riding the sleepy drift through the blurred edges of the day…time-traveling to that moment beyond stasis where sense and no sense coincide and share space and time and energy. Viewing from afar the immense peace of this planet when its ghost world of spirits below -– the madness of crowds, people sliding past each other faraway in the night -– are quieted at last. Through patient cultivation of improvisations and musical certainties and a focused pursuit of something that didn’t appear to be there in the beginning, Mess Esque have willed themselves and the world around them into verdant, lustrous being.
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Jacques Greene — ANTH01 Release Date: 22nd October 2021
2 • ANTH01 (6pp Digipak CD) LM083CD | 5060263723998 Ⓟ & © 2021 LuckyMe | Boxlot: 25
1 • ANTH01 (Ltd. Clear 2LP Vinyl) LM083LP | 5060263724001 Ⓟ & © 2021 LuckyMe | Boxlot: 20
A collection of Tracks from early out of print Jacques Greene 12”s spanning the first 10 years of his career. Featuring the classics that introduced him to the world - The Look and Another Girl - as well as collaborations with Koreless and How To Dress Well and two new exclusive “lost tracks from the era. Greene has been making music “about the club” for over a decade. His sound has developed into an emotional haze exemplified on his Feel Infinite and Dawn Chorus Albums. Outside of his own releases, Greene has explored his relationship with the club in a variety of contexts, from remixing Radiohead to producing for Katy B and Tinashe and touring with The xx. FFO Fourtet, Floating Points, Burial “A decade since he released his first EP, he’s still finding new paths to euphoria” PITCHFORK “Finely-sculpted excursions into the hybrid house/garage/bass sound that he helped spark around the turn of the decade, an unwaveringly great set of tracks that are buoyant, melodic and pretty much mesmerising” MIXMAG “Mesmerising electronics for the club, after-party, and beyond” DJ MAG 2LP Vinyl
CD
Description: Limited Edition clear double LP Vinyl with print insert & 24 bit DL Card Includes two unreleased tracks from that era
Description: 6pp Digipak CD Includes two unreleased tracks from that era
Tracklist:
Tracklist:
A
B
C
D
1. 2. 3.
I Won't Judge (Baby I Don’t Know) What you Want The Look
1. 2. 3.
Tell Me These Days Arrow (feat. Koreless)
1. 2. 3.
Ready Faded On Your Side (feat. How To Dress Well)
1. 2. 3.
Faithful Quicksand Another Girl
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
I Won't Judge (Baby I Don’t Know) What you Want The Look Tell Me These Days Arrow (feat. Koreless) Ready Faded On Your Side (feat. How To Dress Well) Faithful Quicksand Another Girl
For more info, please contact: Abdullah: abdullah@luckyme.net (LuckyMe) or: Perry perry@redeyeworldwide.com (Redeye Distribution) www.luckyme.net | www.redeyeworldwide.com
The Lees of Memory - Unnecessary Evil (STEREO edition) Goldstar Recordings LP
GSRLP006 0787269004276
CD
GSRCD006 0787269004283
Note vinyl is not due until December!! I stubbornly refused to pan anything on Unnecessary Evil... or The Blinding White Of Nothing At All. Pulled a power move and demanded mono! But Mike Purcell wanted to hear a stereo version of UE and now you can too, only from Goldstar Recordings!!!" On 2014’s Sisyphus Says, the Lees Of Memory led by ex-Superdrag frontman John Davis with able assistance from guitarist Brandon Fisher (also formerly of Superdrag) and drummer Nick Slack debuted with a heady blast of shoegazey squall. Unnecessary Evil is more streamlined and sonically varied, a closer cousin, perhaps, to the classic output of Davis’ former band, and it’s even better than its predecessor. The opening “Any Way But Down” chimes away like the Church’s “The Unguarded Moment” (one of the best songs ever, so there’s an idea of how worthy it is), and Davis, an avowed Big Star acolyte, neatly echoes that group’s melodic greatness with “XLII.” Fear not, the trio doesn’t abandon what made Sisyphus so appealing: “Just For A Moment,” co-penned by Fisher, and the closing “Look Away,” which starts quietly and climaxes epically, are infused with that record’s sweeping scope. No matter the style, Davis’ songwriting brilliance ensures Unnecessary Evil you knew this was coming is essential. Matt Hickey (Magnet Magazine). 1. Any Way But Down 2. No Power 3. XLII 4. Stay Down 5. Just For A Moment 6. Unnecessary Evil 7. Artificial Air 8. The End Of The Day 9. Squared Up 10. Look Away
ISILDURS BANE & PETER HAMMILL In Disequilibrium CD # CDATX7 EAN 7320470228142 LP # LPATX4LP EAN 7320470228159 Tracklist; Amidst In Disequilibrium Parts 1 - 3 Gently (Step By Step) Parts 1 - 4
Extraordinary �mes call for extraordinary music. Sweden’s leading chamber rock ensemble, Isildurs Bane, and the legendary Van Der Graaf Generator vocalist and composer, Peter Hammill, has joined forces once again and have risen to that challenge. In Disequilibrium consists of two contras�ng suites that flow with surging melodic themes, sinuous guitar, intricate arrangements for mallet instruments, graceful woodwind, sumptuous orchestral detailing, organic textures, and bracing rhythmic counterpoints. In fact, everything you would expect from one of the leading Scandinavian progressive rock chamber ensembles that effortlessly mixes �ghtly composed pieces with supple, free-ranging virtuosity.
BEN LEVIN STILL HERE
Ben Levin, 21, brings vintage style with youthful fire to his piano, singing and songwriting. The songs written by Ben and his father, guitarist Aron Levin, and the well-chosen covers reflect the music and sound of Cincinnati’s historic King Records along with what’s in their hearts today. Ben’s piano influences are New Orleans greats Professor Longhair, Fats Domino, and Smiley Lewis. From Chicago Blues, he mixes in Otis Spann, Pinetop Perkins and Henry Gray, along with the relentless drive of Cincinnati’s Big Joe Duskin.
STREET DATE: 10/15/21
Ben’s father, Aron Levin, contributes deep songwriting and guitar playing that can be only from a family connection. His tone, phrasing, and ability to ride styles with clever originality make for seamless musical and genetic collaboration. The original songs are organic and homegrown. The stories come from Ben’s and Aron’s lives. Their Blues, perspective and philosophy is brilliantly paced with their danceable, upbeat songs. — Bob Margolin (from the liner notes) TRACKS: 1. Love and Friendship 2. Still Here 3. That’s The Meal 4. I Can’t Stop It
BEN LEVIN STILL HERE Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - Eco Wallet Cat. # VT-BL004 Street Date: 10/15/21 UPC: 634457070554
5. Bad Idea 6. Please Let Me Get One Word In 7. Kissing At Midnght 8. Crown Jewel 9. Christmas Rain 10. Her Older Brother 11. Wonder What’s The Matter 12. I’m Your Essential Worker
BENLEVINPIANO.COM
Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com
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aya ~ im hole Catalogue Number Street Date Format UPC Box Lot
: : : : :
BK-HDB-061 10.22.2021 HARDBACK BOOK + DOWNLOAD 5056321637741 10
For those only familiar with her previous releases, aya sinclair’s ‘im hole’ will be a dramatic revelation. Under the LOFT pseudonym, she attracted global acclaim for her fwd-thinking club inversions that juxtaposed the British addiction to breaks 'n bass with critical, self-sluicing logic and untethered abstraction, tearing down dance music's hallowed pillars of respectability while winking knowingly to voyeuristic onlookers. On ‘im hole’ this routine has evolved; aya has distilled the incisive sonic experimentation of her earlier releases, the tongue-incheek giggles of her DJ sets and edits, and the identity-fluxing lyricism of her live shows. Contorting language, dialect, gender and sexuality between intermittently controlled bursts of rhythm, noise and aural goop, she has sculpted a set of autobiographical vignettes that challenge established norms, question supposed truths and affirm a spectrum of interlocking experiences. But while it's wide open and personal, ‘im hole’ also challenges queer art's tendency to veer towards repetitive solipsism, the music fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone. The anxious, explorative personality that made aya’s past releases so magnetic is magnified here, and her sense of humour is completely naked. It's a Gregg Araki animated biopic of Burial. It's Shakespeare with hoop earrings and a busted skateboard.
‘im hole’ will physically manifest as a hardback cloth-bound book of lyrics, poems and photographs, designed in collaboration with Oliver Van Der Lugt, with single-use download code included. 01. somewhere between the 8th and 9th floor 02. what if i should fall asleep and slipp under 03. once wen’t west 04. dis yacky 05. OoBrosThesis 06. the only solution i have found is to simply jump higher 07. still i taste the air 08. Emley lights us moor (ft Iceboy Violet) 09. tailwind 10. If [redacted] Thinks He's Having This As A Remix He Can Frankly Do One 11. backsliding
www.hyperdub.net
Lightning Bolt Hypermagic Mountain Thrill - 502 2xLP BOX LOT LP 13 Vinyl is non-returnable
79037H-A50219
Hypermagic Globby Pink 2xLP BOX LOT LP 13 Vinyl is non-returnable
790377-502213
GENRE : Metal FILE UNDER : ”L” Lightning Bolt RELEASE DATE : Available Now NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE
TRACK LISTING:
“Hypermagic Mountain is Lightning Bolt’s fourth, most well-oiled 1. 2 Morro Morro Land album: song-by-song it chugs into rockier Van Halen, Fucking 2. Captain Caveman 3. Birdy Champs, or Orthrelm territory.” - Pitchfork Hypermagic Mountain, Lightning Bolt’s 4th album has been unavailable for nearly a decade since it’s 2005 release. Back as a double LP including a full drawing by Brian Chippendale as the D side Etching! The package includes a large scale 4-page book (previous pressings included a cd size book). Recorded at Machines with Magnets and Lightning Bolt’s home by Dave Auchenbach. Lightning Bolt play with abandon that is unmatched and remarkably undiluted and this album is just one more example of that raw power and sound. They are often called one of the loudest rock outfits in existence, both on record and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale’s drums twist from primal patterns into disorienting break beats as his distorted, and echoing vocals weave more melody into the mayhem. “Certain loud guitar rock records serve as brain erasers, a form of shock therapy zapping through aural inputs and (to mix metaphors) cleaning the proverbial clock. Lightning Bolt is one such thing.” -LA Times ALSO AVAILABLE : Lightning Bolt 2xLP (Thrill 498) Sonic Citadel CD/2xLP (Thrill 505) Wonderful Rainbow LP (Thrill 501) Fantasy Empire CD/2xLP (Thrill 380) Ride the Skies LP (Thrill 499)
Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
4. Riff Wraiths 5. Mega Ghost 6. Magic Mountain
7. Dead Cowboy 8. Bizarro Zarro Land 9. Mohawk Windmill 10. Bizarro Bike 11. Infinity Farm 12. No Rest For The Obsessed
SALES POINTS Lightning Bolt are continuing to tour through 2020 after extensive shows in both Europe and the US in 2019. All Lightning Bolt re-issue first pressings have sold out before their release date. Full-color package sleeve includes four page full-color 11x11 booklet both designed & illustrated by Brian Chippendale. Side D of the double LP is full art etching as originally drawn by Brian Chippendale (no label) Lightning Bolt’s Sonic Citadel charted in Billboard (#22 hard rock & #23 Heat seakers) and was named as one of the best albums of 2019 in Variety, The Wire, Get Into This, Riff Magazine and others. Limited edition vinyl is available in Hypermagic Globby Pink (clear w/ hi-melt neon pink) 2xLP “Listening is akin to the scene in The Wizard Of Oz where a sepia tone gives way to Technicolor; it opens up new vistas to the sound, while giving the band an opportunity to exhibit more involved musicianship. It’s less a blur and more a detailed map of planned aggression.” - NPR
@thrilljockey
Dryft
From Stasis Street Date: 10/22/2021 Catalog #: MD288 Label: n5MD Format: Grey w/black marble LP Box lot: LP - 30 File under: IDM, post-industrial, ambient
LP • 702224128811
TRACKLISTING A1 Clypich A2 Convade A3 Crossing Stasis B1 Contour B2 Ciade
From Stasis is the fourth full-length album from Mike Cadoo's Dryft alias. The album finds the n5MD owner-operator shifting his focus back toward more industrialized forms of electronic music. While his previous release, The Blur Vent (2014), had a potent witchhouse fixation, From Stasis has more in common with 2010's Ventricle or even his preceding workmanship as a member of post-industrial/IDM duo Gridlock. As a result, From Stass is a back-to-basics reexamination of Cadoo's ever-morphing Dryft project. The album is a collection of off-world synths and rusty syncopated 12-bit drums, all with Cadoo's distinctive grazingly lumbering approach. Devoid of previous experimentation outside the realm of electronic music, Cadoo is known.
HIGHLIGHTS 4th Dryft album and first after a seven year hiatus. Cadoo was a member of groundbreaking Industrial/IDM duo Gridlock and also records as Bitcrush. Grey with Black marble limited to 250 copies worldwide. Comes with download card to download 24bit audio files.
505 Eno St Hillsborough, NC 27278
4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com
April Magazine - If The Ceiling Were A Kite: Vol. 1 Tough Love LP
TLV141LP
5055869548069
The purest a band can aim for is to present their milieu as a time capsule from the morning of. April Magazine deals deep in the hypnagogic charm of their surroundings. Since the 2018 release of “Shirley Don’t” a sneaky classic that first turned ears outside their SF Bay Area home the band has stirred out a handful of cryptic indie pop recordings nestled in warm aerosol hiss and scrappy hand-drawn cover art. Music that glints in the far back of an urban daydream where guitars could be bells, bells could be voices, and voices hardly find use in words. If The Ceiling Were A Kite is a document of things losing definition and time gone slack. The songs on If The Ceiling Were A Kite were recorded over a span of about two years, after Peter, Mike and Kati started playing together around a four track cassette player in Peter’s bedroom. Other kindred spirits like Julia Waves, Ian Collins, Anthony Comstock OBC, Zach Vito, and eventually David Diaz joined in on some of the recordings and live shows adding to the collective ‘whatever works’ ethos of April Magazine.
1. AM 2. Shirley Don’t 3. Parade 4. After Pachalbel 5. Pink Hair
6. If the Ceiling Were A Kite 7. Undone 8. Freeway 9. Uptown 10. Walking to the Pier 11. Snow 12. Daffodils
CONG! CONG JOSIE
STREET DATE OCTOBER 22ND 2021 The debut album Cong! from Australia’s Cong Josie traverses a hyperreal world of romance and contorted machismo. It is an electric place of sleaze, smoke and gyrating hips. Below the throbbing synth rhythms, early rock'n'roll kicks simmer. Cong Josie is the new project and alter ego of Nic Oogjes of Heat Beat ensemble NO ZU. The sound, soul and voice of Cong manifests from deep within Nicolaas’ psyche. Noir narratives are in constant friction with his personal confessions. It's a wild ride that is always mutating, merging influences like a half remembered fever dream. Rockabilly leaning vocals muscle into EBM club settings, which in turn are washed rose-tinted by crooning balladry. All of this is perfect prey for post-punk rave-ups that lead ultimately to swamp-synth stomping and end of world revelry and back again. Somehow though, no matter where Cong! struts, its vision remains singular, its world remains its own and a feeling of ease pervades the lot. There is no doubt that Cong's wink-and-a-grin humour provides the perfect refreshment to swallow this one big x-rated pill. It invites the listener in and welcomes them to be a part of it all. Meanwhile, it is his distinctive Aussie twang and the bricolage of historical influences on show that firmly place the LP in the here (Australia), the now (2021) and maybe even... a hyperreal parallel universe.
TRACKLIST: 1. Flamin’ Heart 2. I Want a Man 3. Margarita 4. Leather Whip 5. Persephone 6. Cong the Singer 7. Wedding Bells 8. Snake Oil Speeder 9. Wings of Jika Jika 10. Lorelie Cong! LP
IT-LP-20 LTD ed. transparent hot pink vinyl
box lot 50 LTD ED 300 units in total
Cong! CD
IT-CD-20
GENRE: NO-WAVE, NEW WAVE, ART ROCK, POST-PUNK, SYNTH-PUNK , SYNTHWAVE, DARKWAVE, ALTERNATIVE, INDIE, ELECTRONIC, ROCKABILLY , ROCK’N’ROLL RIYL: ALAN VEGA, CHROME, THE CRAMPS, THE BIRTHDAY PARTY, KID CONGO POWERS, THE FALL, CABARET VOLTAIRE, PERE UBU, SLEAFORD MODS, SUICIDE, THE GUN CLUB IT RECORDS Fitzroy, VIC 3065 Australia Label Contact: Kate Reid itrekkids@gmail.com
box lot 30 LTD ED 300 units in total
505 Eno Street, Hillsborough, NC 27278 Redeye Contact: Antonio Foxlee
antonio@redeyeworldwide.com
A1 A2 A11
Volshebno Voice Within Volshebno (Stretched)
Format: Catalog No. UPC/EAN
Artist: Title:
12" – Clear (transparent) HTH147 5060845320621
Anastasia Kristensen Volshebno
Release date: 22nd October (12” vinyl)
Denmark’s leading light in techno, DJ and producer, Anastasia Kristensen, releases her highly anticipated Volshebno EP. Her first release since 2019 - the Russian-born, Copenhagen-based artist continues to hone her craft; exploring her expansive influences and refining her signature sound - electrifying and colourful heavyhitting club music. In Russian, ‘Volshebno’ is the word for magical. Heavy-hitting and club-ready offering. From mesmeric build-ups to full-blown, breakbeat workouts to Ana’s clear love for jungle, breaks and UK techno, and the meaning of Volshebno, the EP conjures up memories of that magical, anticipatory feeling of dancefloor excitement. The announcement comes after three incredible remixes from some of dance music’s most exciting artists right now - Galway’s party starter KETTAMA, Danish techno titan Ctrls and Brooklyn’s ballroom scene darling, quest?onmarq, supported by DJ Mag, Crack, Mary Anne Hobbs on 6 Music and more. Mastered and cut by Matt Colton at Metropolis.
Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com
Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com
And Don't The Kids Just Love It - (40th Anniversary Edition) Fire Records
LP FIRELP289R
809236128942
Limited edition, red vinyl edition repress. 500 only. Single sleeve, download card included. Ahead of its time, ‘And Don’t The Kids Just Love It’ was Television Personalities’ influential debut album released in 1981 and features ‘I Know Where Syd Barrett Lives’. The legendary lo-fi release sees them produce British inspired 60s pop and post-punk that captured the period and ‘sounds remarkably prescient’ (Pitchfork’s Best 100 albums of the 1980s). With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave’s longest serving and seminal artists with a career spanning over three decades. The indie visionaries directly influenced virtually every major pop uprising of the period including artists as diverse as The Jesus and Mary Chain, Pavement and Creation’s Alan McGee. “They provided the inspiration and motivation for me to start the label.” Alan McGee, Creation Records. // “A remarkably influential album that holds up extremely well.” Allmusic. A1 This Angry Silence A2 The Glittering Prizes A3 World Of Pauline Lewis A4 A Family Affair A5 Silly Girl A6 Diary Of A Young Man A7 Geoffrey Ingram B1 I Know Where Syd Barrett Lives B2 Jackanory Stories B3 Parties In Chelsea B4 La Grande Illusion B5 A Picture Of Dorian Gray B6 The Crying Room B7 Look Back In Anger
Qasim Naqvi Chronology Format: LP clear vinyl (incl. Download Code) File under: Electronic · Box Lot: 20 LP Street Date: 17.07.2021 – Record Store Day UK 2021
Label:
Erased Tapes
Catalogue No.:
ERATP144LE
Distributor:
Redeye
Barcode (EAN):
3700551783571
Track listing: A1. Kindly Static A2. Aftertouched A3. Head Within a Head A4. Turtle on Fire B1. Chronology B2. Mt. Erased
Official Websites: http://www.qasim-naqvi.com/ www.erasedtapes.com PR Agent: duncan@9pr.co.uk and james@9pr.co.uk
July 17 will see the much-treasured analog synthesizer suite Chronology by PakistaniAmerican composer and drummer of the cult trio Dawn of Midi, Qasim Naqvi, finally receiving a worldwide vinyl release on Record Store Day UK 2021. Originally conceived only digitally in 2016, Chronology was Qasim’s first release of electronic music. Having been in the world of improvised and classical music up to this point, it seemed only fitting for Naqvi’s inaugural electronic music album to be made exclusively on a malfunctioning synthesizer — an old Moog Model D. Leaving the abundant options of a computer behind. “Taken individually, the six pieces on Chronology dispense small-scale hits of gorgeousness. In tandem, the tracks cohere to form a compelling suite of pieces that can subtly undermine expectations for ambientinfluenced composition.” — Pitchfork According to Naqvi: "On the level of functionality, the synthesizer was kind of janky. It produced a low level din of white electrical noise and some of the knobs were erratic. Sometimes it would just shut off and the idea would end there. It was like bringing some ancient thing back from the dead and having it adapt. But with sound that always leads to interesting results." He used these anomalies to his advantage and the overall piece has a unique sonic signature that would perhaps be impossible to recreate on another Model D. “When we think of a computer, we think of limitless options and an abundance of memory for recalling ideas. The Moog holds a reverse approach. It's a tactile piece of machinery with discrete circuits, 3 voltage-controlled oscillators and knobs for controlling the contour of the oscillator. It's monophonic, so chords or polyphonic playing is out of the question. The absence of this function required a layering of ideas in stages. Also, there's no way of saving anything or recalling presets. Once you make a sound, that's it. It exists in that moment unless you chronicle the settings by writing them down. It's kind of like making a gesture with a brush. Once it strikes the canvas, you can either freeze it in time or erase it forever”, Qasim recalls.
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RELEASE DATES: 10.15.21/10.22.21 | ORDERS DUE BY 9.24.21/10.01.21
YVES TUMOR THE ASYMPTOTICAL WORLD EP WA R P R E C O R D S
O R Q U E S TA A K O K Á N | N I C K L O W E | H E L A D O N E G R O