No Condition Is Permanent

Page 1

—HQ &°* I2b˜/ Â?b˜Q < fEb†D* ÂœCbE&°* ÂŻ f£›A ‡J4b~{E

Art in Public Spaces - Amman - May 2007

ÂĄ+L3 žgÂť+ ÂŁI žgu½+

No — adv.

a negative expressing dissent, denial, or refusal, as in response to a question or request

Condition — n.

a particular mode of being of a person or thing; existing state; situation with respect to circumstances

is — v. 3rd pers. sing. pres. indic. of BE Permanent — adj.

existing perpetually; everlasting Project Concept: Rayelle Niemann

Artists: Rana El Nemr Fawzy Emrany Pascal Hachem Samah Hijjawi Mahmoud Khaled Hanan Khalil JĂśrg KĂśppl Peter Zacek Special contribution: Saba Innab

Publication Editors-in-Chief : Ala’ Diab, Rayelle Niemann Layout: Ala’ Diab 1000 copies printed

[š H 2\ šL *H2N 4M *x˜R gP ~6b+ P JO Z R ˆb€ M Â?P FR * NÂ?H2 Yš*H P ]S D* ¢Â•< OÂ&#x;•N ˜N < N –O ~8*ÂĄ [— H r\ —L *ÂĄ0R N&* o xG]D* ÂœE ŕS D* —bcÂ?g~6°*H —b²* ]ÂŁÂŒJ ˆ4b~Ϋ* –†ŒD* x~9b²* O Q ÂŻ zÂ?€D* —b0 Â&#x;gÂŒ~8 $P ¤~{D* Â&#x;AHx~|+ xG ]Q D* —bO 0 Â&#x; P N +N bNgFR *  ĂŒÂ‰-H Â&#x; T AO xR ~8 "™’Db0 Â?N ÂŁR C ibBH&°* ĂŒÂ‰- d~z0 Â&#x;£•< ÂĄG bE Â?b~zF( P °* šbJ&°*  wG ÂŻ dT•Â?Q N fP JN b‰N D* $O *]N gP +R *P Â&#x;P ÂŁFP b†N E N ÂœR EH YrbP cN ~|D* P xX / N ÂŽO xR 0N S NÂœE OP Â&#x;gN ÂŁR +N 4N 2N b=Z [— H r\ —L bš NO N N dN JR 4N °N Y—bN š R O ĂŒO R = N  O 2O ÂĄ/O HO ÂĽR &* –L ÂŁpNP g~zR EO Y—L bš N O °N i%M *Y ÂœM Â’P Âť N O xL ER &*Y Â&#x;P žP /R HN ÂœR < N Â&#x;P +P —N ]P < b O E Y N —L bš N O šL ÉN CN Y ]S +O °N YÂ&#x;P +P bÂ?N < P ÂœR E P —bN š N O °N Y

¤gÂ&#x;ÂŤJ Â?N+5 Â?L}…‚½+ -}™E ÂĽHbm²* rb˜~6 ™~7bG —bÂ’~6b+ Ă *x˜< ÂĽ5ÂĄA x˜›D* bF4 ¤¨Jg¢Â“H+ “£~{-*5 Æ£+ –+ÂĄC ‹4ÂĄJ –£•1 Â?b›0 ]Db1 2ÂĄÂ˜š eb›< bc~8 kÂ…9g2 kG5g…‚I -}…‚¢H+ Â?bÂ˜ÂŁF –J*4 ebJ3 $É< }N}ulH+ kdÂŤK ebJ3 $É<  Â&#x;…ƒlH+ ,x~{›D*  wG ÂœE f<bc: h­

U h l H ¬*bhI Ã Blueprint for the Future

¤-b~z~6'¡E fc=4 f<x~6 4¡c< ÈC&* ib /H ¥¡£0 Æ~{E 2¡/H b B y J Ix1&* f Jx: ~{J gpJ Ì A fCx0 ,x g~zE 4*x g~6* b ~{F* ¥¡ < Jx~6 $b~¦E ¤0 ]~9 gJ ,Ä1 p´* f /*H I¡g~zE x g J 4b D* $¡~9 ib0bc~8 b£D £º f ±* f£ E ¤ g J f£Db1 ,4b£~6 4*]pF°* ]J]~7 h ~6* bcJxB D c g~zE fJ] + f<¡ ¸ f +b~{gE f gº )b~¦+

-5Lb¥I n+%g ®E

f+x E f £ gE I¡g~zE 94b E ¥2¡ < f<¡ ¸ f m gE Ix1&* f£)bmA f s~9 f£ 1 ,2¡/¡E f ~6 f+b-4 ¤)bmA x~| < E ,2¡/¡E bE5 b E z0 *]cg~6* D 2bc- ub E £¹ x~| < f£Db1 ,y£/H ,ÆA ibcCx´* i*4b£~zD* E £~6 ¤)bE Ix¸ gsJ ¥2b< f<x~6 obgpJ ] g J ¤ / { E fEHb E 4b£ E Ã] - $b£0* ,2b<* ]cg~z- f~8xA ] g~z- b¿&* A]- *ygF* f£ - Jx~6 4b~7 £¹ 2] J yCxE

n¹¨´

E 4¡~|B fJw - f£ ~64 Ì= i*$*x/* ibFb E* ib0b~zE f~8b1 fEb< f £;H b1 ¤<b J* ¤ £c: b~zF°* ~8 x~7 ex= 4¡~6 1*2 4*x g~6b+ Jx~6

kH&¹+ sl¢½+

2b D* l*]0&°b+ ¢_ E i*xGb ´* fEbB* E5 w E kJ]0 ~8&* f J]´* yCxE ]£ + ¶* ] - ib~64b» $b~|B* ¤ ~64 ¥2*H f0b~6 4b© $É1* 4¡¹ sgJ Ix¸ ¥¡B £¹ ¡~8H ·b g0* fm£gF f£ £c: ix ; ibC¡ ~6 ·bgD* f DbpgE fDbG ¢ E e f gE ,]£ E Ì= f0¡g E *¡~6&* Cb~zE £ - ¤ ~64 Ì= *]/ Jx E Í+ ¤ £ B* ~8*¡gE Hx~{E ¤<x~7 b£C ]g» b ~6 f£<b g/* ¤ ¹ fDH2 ¤E¡J J]D* f£ £Eb J2 i*x~7'¡E

kN¨¥H+ %g lF+

F Í_/° Hx; $b¿ £ B* yCxE ¤m£-*Æ~6* x D* cg E b´* 6&*4 ¤´b< ib £ c~zD* $b + ,Ä0 4bm F* `/b E 2bcgE ,x/b~{E Áb E yC*x´* 4Hbp´* 2] gE

ng«Hg Hg, s . k¢NbI

Eb±* ] D* b~{D* 2É+ 2] gE *xsF°* ,b£²* £j­ ¥¡£0 2¡/¡E µb< 6¡ E m~6 ÌjJ ¤ D* ~6¡gE ¤ £~z²* ~|£A 4b~7 4*xB A i*24 £~zD* ~6 4b~7 f ~z ~6 ng E ÍE]sg~zE l]0 f_£+ ¤)b F bG $*y/&* Ix1&* ]E ¥5*¡E f J]´* |~|B *]=4 $É1* ¤<b g/* Jx/b ´* x~z/ ,]cJ¡ D* c/ x ~zD* i°bCH Í+ bE ·]c D* Í~z²* c/

k1g 7

d-b E ib g¸ f~z£c0 Jx~6 fJ4b© *¡~6&* s~9 Ì~z gD* ,2b<* h~z~6&b- A]- x)b F f:4b1 f~6b£~6 f£ A*2 ~8H ib 0 ]Gb~{E ,b£0 ¿ 4¡~8 ¤ ~6 ¤<b g/* nEbFx+ 2b< 94&°* E f£Db1 f0b~zE ib £Fb jD* &*x J xG2yJ n£ ³* *x D* b cD bJ4¡~6 f ~8 ·]c D* f£Fb. 42bB fD¡ ²* *xA*

g½+ ¨ 7 %g lF+

­3¨Â&#x;Â?H+ ˜¨ Â… H+ U obE]F°*‌‌‌‌–cÂą* ÂŻ {£†D*

VERTICAL MARKET Dwelling on the mountain

‌‌‌‌‌‌‌‌‌..Folding into ‌‌–<bÂŒgD*â€Śâ€Śâ€ŚÂœE ib0b~zE ÂŻ platforms of ‌‌‌interaction ‌‌ fJ2ÂĄEb< f£›+ ‌‌‌‌‌‌—2bcgD* exchange‌‌‌‌‌‌. Vertical structure —¥pgE ‌‌‌$*x~ÂŚ1 f£›+ ‌‌ .‌‌.green structure‌‌‌..Modular, ‌ xJH]- 2b†J Â&#x;Â†ÂŁÂ˜Š 2b†J Â&#x;cÂŁCx- 2b†J reassembled, recollected, recycled‌ bC4b- â€ŚÂ–Â˜gÂ’E ĂŒ= ‌‌‌¤<b˜/ H ¤~|s~7 personal and collective‌‌‌‌.. ]J]mgD* ‌‌‹*xA Incomplete‌‌‌.. leaving a space ‌‌.. innovation

dynamic representation life involvement multiple Bilad al Sham criticism al Husseni Mosque mediated whole triggers record concrete sphere existed series Saqf al Seil Street Âąb8OÂź Â?ÂŒ´ YbO ´ Â?ÂŒ 8 ´8† +Ÿ¹bbÂź ´ tÂŒ oO8ÂŒÂź Âźb¹‰ ÂŒ8† environment event users social product evacuating Raghadan urban stories parallel other cities pieces Jabal al Hussein Al Abdali between traveling agencies Jabal al Weibdeh link Muhajereen bridge

SAHA

another rushing clustered vertical opposed level adapted smuggled found from element sudden monotones feature existing linear massive sudden void element atmosphere exchange their replacing sense place time speed plane differs stream of water stream of cars period brief standard resistance marginalized collective depend need patterns targeting opportunity replacing regeneration introducing center threatens ÂœbÂą Âœ|b¹Ê | t|Ăˆ8ĂŠ YbÇb†Â?œ‰bÂŒÂź Y ´Â†Â?O8Âźb qÂ?Ăˆ

SHIFTS

destinations more cross speed desire institutional other way strip co-exists vital schism settlement movement poor occupied daylight lacks level shop façade experience imposing against alive lit fast upper asphalt steep car empty belongs Friday camp nights mornings commodities different same group Municipality future their soon

LOST SPACE-

function public private spaces potentials informalities feeding cuts man made natural rhythmic void constantly into gate west east fast

PRODUCT- the MACHINE

Capital young strategic center region growth conditions refugees oil 70’s global abrupt explosion confusion structure fallout reciprocal multi-centered spatial

CITY OF EVENTS

ÂœÂ?† OĂŠ ‰8Âœ OÂ?Ă ÂŒÂźbÂą Âœ8¹Ÿ´ ÂŒqà É b´Ÿ8F† ´|bY Âąb~ ÂŒÂźbÂąÂœÂąbÂź 8Âątb Âąb8†~b´Ÿ8Âźb ‰8††´ Âą8Âœ Y t8ÂźbY OÂ?Â‰Â‰Ă ÂŒ Âź b´ Â?noOb´ Âąb´ YbÂŒÂź 8† ‰8tb´ † nb´ŸĂŠÂ†b ´ObÂŒ8Âą Â?´ † Œ…8tb´ stimulation 80s empty plot just social program unloading capable ´bOÂ?ÂŒY ĂœÂ† ĂœFY8† † Œ… +ĂŠÂą 8 bF8ÂŒÂ?ÂŒ Âą8ÂŚ à †n qÂ?Ă Âą ´| b‰bÂątbY

TRACING MONEY MARKET

Saba Innab

Č›ƞƜȿ Ÿ ĆžĆƒǧ

out practices aiming far city core origin modern ago demonstrating eventful hotels emerged natural result celebrative arrival surrounding strong stream behind hub evacuated merchants square valley highly formal informal adaptations accommodations open air markets unconstrained associated coffee house aura allied consequent social behaviors dwellers extended being legitimate continually regional among intellectuals indicating dynamic religion everyday State local

TRACING SUB-IDENTITIES

Rana El Nemr

ǍƵƶȿ ŽȚ ƾſȤ

Samah Hijjawi/Hanan Khalil

ȸȶƾƆŲ ȠƾƵŴ ǚƸƴų ȴƾƶŲ

Emrany/Köppl/Zacek

ǙƸƪůȚȥ ǚŮǞż ǠſȚǍƵŸ

Ala` Diab/Rayelle Niemann

ȴƾƵƸſ ǚƁȚȤ țƾƁȣ ȔǾŸ

%g…‚J)š+ bÂŤF

Under Construction kIgÂ?H+ ÂŁGgI'š+ ¸ ÂŁU ER Â?Â&#x;Â?H ngÂ&#x;ÂŤÂœÂ?. 4ÂĄ~|Db+ f˜<]E ,xÂ’ÂŒD* ÂżL'š+ -¨Â‡Âź+ rÆÂ?´* –~64&* kÂŤJgoH+ -¨Â‡Âź+ ™B4 dgÂ’§ –~|-(* koHgoH+ -¨Â‡Âź+ ™B4 dgÂ’E ÂœE f´bÂ’E ¢Â?•- kÂ?,+}H+ -¨Â‡Âź+ Ix1&* ,xQ E rx~7(* ™B4 dgÂ’§ –~|-(* kÂ… IgÂź+ -¨Â‡Âź+ ™B4 dgÂ’§ –~|-(* kÂ…73gÂ… H+ -¨Â‡Âź+ ™B4 dgÂ’E ÂœE f´bÂ’E ¢Â?•- kÂ?,gÂ… H+ -¨Â‡Âź+ ™B4 dgÂ’E ÂœE f´bÂ’E ¢Â?•- k¢IgoH+ -¨Â‡Âź+ Â?J]~|+ –~|-(* kÂ?Â…7glH+ -¨Â‡Âź+ ™B4 dgÂ’§ –~|-(* -}Â…8gÂ?H+ -¨Â‡Âź+ bcgÂ’E qgA(* }…‚= kN3gÂť+ -¨Â‡Âź+ b˜B4 Â&#x;€<&* }…‚= kÂŤJgoH+ -¨Â‡Âź+ “~zŒ›+ bž•†A(* }…‚= koHgoH+ -¨Â‡Âź+

Instructions for art in public space Step 1: concept with images Step 2: send the proposal Step 3: ‰8Â…b 8 O8†† ÂźÂ? Â?noOb — Step 4: tbÂź 8 O8†† nÂąÂ?‰ Â?noOb — Step 5U ‰8Â…b 8 O8†† ÂźÂ? Â?noOb —V bĂ‰ÂœÂ†8 ÂŒ 8t8 ÂŒ Step 6: ‰8Â…b 8 O8†† ÂźÂ? Â?noOb Ă€ Step 7: tbÂź 8 O8†† nÂąÂ?‰ Â?noOb ½ Step 8: tbÂź 8 O8†† nÂąÂ?‰ Â?noOb s Step 9: tbÂź 8 O8†† nÂąÂ?‰ Â?noOb p Step 10: call your best friend Step 11: Â?ÂœbÂŒ 8ÂŒ Â?noOb Step 12: give it a number Step 13: just do it

Pascal Hachem

Ǜŵƾƀ ȲƾƳŴƾŮ

Mahmoud Khaled

NjŽƾų ȢǞƵƇž

Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.