PULSE Los Angeles by PULSE Contemporary Art Fair

Sept 30 – OCT 3, 2011 FAIR GUIDE

SHOW OFFICE

3 (three)

David Adey

Ted Riederer

Greg Lamarche

VIP LOUNGE

AIR LOUNGE Kiel Johnson

PULSE Exhibitor IMPULSE Exhibitor Nonprofits and Publications

Brian Leo

PULSE Projects

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pulse PLAY >

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PULSE LOS ANGELES 2011

I-5 A-18

David B. Smith Gallery A-7 PATRICIA SWEETOW GALLERY B-4 Sundaram Tagore Gallery A-3 Fred Torres Collaborations A-12 Von Lintel Gallery B-9 Rick Wester Fine Art A-8 Zemack Contemporary Art A-2

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IMPULSE Antena Estudio I-5 Causey Contemporary I-6 La Estación Arte Contemporáneo I-3 MEGUMI OGITA GALLERY I-1 Show & Tell Gallery I-4 Skylight Projects I-2 STANDING PINE – cube I-7

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NONPROFITs P-8 P-1 P-10

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Mike Stilkey

Tamara Gayer

ENTRANCE

Mineo Mizuno

P-3 P-4 P-5 P-7 P-6

C-2 Martin Durazo

P-11 P-2

PUBLICATIONS art ltd. magazine ArtSmart Beautiful/Decay Dossier Fabrik Magazine, Inc.

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ART BARTER ARTIST CURATED PROJECTS Commonwealth & Council GREY AREA Human Resources LACE (Los Angeles Contemporary Exhibitions) Las Cienegas Projects

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Daniela Comani

SHUTTLE BUS

BOX OFFICE

AIR LOUNGE Okay Mountain Heidi Tullmann and Ben Wolf Kevin Cyr

GREY AREA / ARTLOG

2x2projects C-13 Black & White Gallery/ Project Space A-5 Blythe Projects C-4 The Butcher’s Daughter C-1 CB1 Gallery A-16 ClampArt C-8 Davidson Contemporary B-6 DEAN PROJECT C-16 THE DRAWING ROOM A-4 Factoría B-10 Jonathan Ferrara Gallery A-19 fouladi projects A-14 SAMUEL FREEMAN C-10 Freight + Volume C-15 Charlie James Gallery C-11 KAVACHNINA CONTEMPORARY A-13 LeBasse Projects B-3 Joshua Liner Gallery A-18 LMAKprojects C-7 Luis De Jesus Los Angeles B-2 David Lusk Gallery C-6 masART Galeria C-14 Nicholas Metivier Gallery A-10 Mixed Greens B-5 MKG127 C-9 Mark Moore Gallery B-1 Morgan Lehman Gallery C-12 Narwhal Projects C-2 now contemporary art A-6 P·P·O·W Gallery B-8 CHRISTINA RAY C-5 Galerie Stefan Roepke A-11 Schroeder Romero & Shredder B-7 Sears-Peyton Gallery A-15 Carrie Secrist Gallery A-9

Kim Rugg

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PULSE LOS ANGELES 2011 PROGRAMS 3

GENERAL INFORMATION Ramsay Fairs Office 20 West 22nd Street, Suite 1 51 2 New York, NY 1 001 0 T + 1 21 2 255 2327 F + 1 21 2 255 2024 info@pulse-art.com www.pulse-art.com

Will Ramsay Owner, Ramsay Fairs

PULSE PROJECTS

Anne Robinson Managing Director, US Producer SPACE I design + production Eric Romano T + 1 646 755 3652 eric@space-productions.com www.space-productions.com

Cornell DeWitt Director Cristina Salmastrelli Fair Manager Ylinka Barotto Marketing and Communications Manager Sasha Okshteyn Manager of Special Projects, Programming and Sponsorship Stef Gordon Controller

Public Relations Andy Cushman Octopus Outreach ac@8op.us/am@8op.us M + 1 91 7 744 4042 Design AHOY Studios T + 1 21 2 265 2065 denise@ahoystudios.com www.ahoystudios.com

FAIR INFORMATION Fair Hours Fri Sat Sun Mon

Sept 30 Oct 1 Oct 2 Oct 3

2PM — 8PM 1 1AM — 7PM 1 1AM — 7PM 1 1AM — 5PM

Fair Location The Event Deck at L.A. LIVE 1005 West Chick Hearn Court Los Angeles, CA

www.pulse-art.com

Admission Fees General Admission Students/Seniors Group Discount

$20.00 $1 5.00 $1 2.00

Café Wolfgang Puck Catering sets the standard for catering, providing award-winning restaurant-quality cuisine, flawless service and creative flair, perfectly matched to your occasion. For more information on any of locations or services, contact Ashley Lampe at ashley.lampe@wolfgangpuck.com.

PULSE Art Fair’s signature PULSE Projects program is committed to the presentation and promotion of audience-engaging large-scale sculptures, installations, and performances. PULSE Projects is part of our continuing mission to link an international roster of premier contemporary galleries and artists with local cultural institutions, communities, and audiences. Among the artists whose sculptures and installations have been presented in the past are Ben Wolf, Orly Genger, Christy Gast, Leo Villareal, Clifton Childree, Anthony Lister, R. Luke Dubois, and William Powhida.

3(THREE) Type 55V, 2011 Figure (PVC), 26.8 x 47.6 x 1.5 in Courtesy of MEGUMI OGITA GALLERY, Tokyo 3(three) creates utterly new and unique material by breaking and melting cute and sexy plastic dolls of anime characters and reconstructing them into classic forms of the arts. For the first time, in Los Angeles, three different TV-monitor-sized abstract paintings and a human-scale sculpture are presented.

DAVID ADEY Flock, 2010 Ceramic lambs, neon, electronics, 120 x 144 in Courtesy of Luis De Jesus Los Angeles David Adey’s interest in the lamb stems from its significance as a Christian symbol as well as its place

in scientific history as the first documented animal to ever be cloned. At once kitschy and menacing, cute and eerie, their replicated bodies imply a sense of critical mass; yet without a “leader” there is only uniformity.

DANIELA COMANI It Was Me: Diary 1900-1999, 1999 Ink on Net Vinyl, 119 x 267 in Edition of 5 Editions also available in German, French, Italian, Chinese Courtesy of the artist and Charlie James Gallery, Los Angeles It Was Me: Diary 1900-1999, is a running list, printed on a mural-size banner, of historic moments recounted in the first person. Beginning on January 1 there is an entry for every day until December 31. The list eschews conventional chronology, imposing the days of the year as an ordering device on moments plucked from throughout the 20th century.

KEVIN CYR Little Tag Along, 2011 Wood, aluminum, steel, fabric, glass, vintage bicycle, 80 x 152 x 39 in Courtesy of the artist and LMAKprojects, New York Little Tag Along is a mini-camper custom built to be towed by a 1970’s Raleigh 3-speed bicycle. The piece is stocked with items reminiscent of childhood camping excursions, and its well-worn appearance gives the illusion that it has seen many years of travel. Little Tag Along is a reaction to current economic and environmental disasters; inspired by nostalgia for childhood innocence and an exploration of mobility, shelter, and autonomy.

PULSE LOS ANGELES 2011 PROGRAMS 5

MARTIN DURAZO MAX-NIGMATIX, 2011 Mixed media; dimensions variable Courtesy of Luis De Jesus Los Angeles Using small sound-sensitive stage lasers, magnifying lenses, a MacBook Pro laptop with DJ software, silver and fluorescent paintings, and pixilated images of troubled celebrity figures, MAX-NIGMATIX explores nightlife nuances that offer an escape from reality. Transitory in nature, the idea of a party is fleeting. Moreover, there exists a parallel with the economic law of diminishing returns – the longer the festivities last, the less intense the feelings of joy and reverie.

TAMARA GAYER LA/NYC/MIAMI, 2011 3 LED Lightboxes, 30 x 90 in Special thanks to Mixed Greens, New York LA/NYC/MIAMI is an artwork that toys with the emerging jet-setting global status of the art fair. The piece is made up of the tent that houses the fair and 3 LED entrance signs, each bearing the name of one of the cities where a PULSE Art Fair takes place. Two of the signs are hung above bluff entrances, and one above the real entryway. The piece playfully asks: “Where am I, and which way is in?”

KIEL JOHNSON Studies on an Airship Ride, 2011 Pine, fir, poplar, chipboard, aluminum tubing, acrylic paint, video, 120 x 120 x 60 in Courtesy of Mark Moore Gallery, Culver City, and Davidson Contemporary, New York

Kiel Johnson’s drawings and sculptures tell tales; layered narratives speak of his travels and adventures through everyday life. In his most recent work, Johnson has investigated the cosmic frontier through video, cardboard sculpture, and ink, forcing us to question the concrete and truthful through a whimsical and Orwellian lens.

GREG LAMARCHE Cut Corners, 2011 Interior latex house paint, 144 x 192 in Courtesy of Joshua Liner Gallery, New York Cut Corners expands an original twodimensional collage into a large-scale wall painting of abstracted letter fragments, deconstructed and reassembled as an urban architectural encounter. The viewer’s perception of structure and movement is engaged and challenged by the wall painting’s rhythms of repetitive forms and colors.

BRIAN LEO The New Cough, 2010-2011 An installation of paintings, acrylic on canvas; dimensions variable Courtesy of CHRISTINA RAY, New York Brian Leo’s paintings, as described by Carlton DeWoody in a recent essay, “contain ironic social observations that wrestle with timeless themes and somehow guide the viewer from despondence to acceptance…melting existential angst with hot pink satire.” For PULSE Los Angeles, Leo creates a floor-to-ceiling installation of small works in which scenes of chaos and disaster play out the over-tweeted news stories of the day across happy, bubblegum-colored canvases.

MINEO MIZUNO Teardrops (large group), 2009-2011 Ceramic, large 85 x 34 in, small 45 x 14 in Courtesy of SAMUEL FREEMAN, Los Angeles Mineo Mizuno’s large ceramic installation is the most current stage of his decades-long study of water drops. Arriving from Japan in 1965, Mizuno graduated from Chouinard Art Institute in 1968, and has worked with and around this singular form ever since. Numerous 6- to 8-foot tall ceramic “teardrops” are placed on the deck at LA LIVE, in a subtly overwhelming summer shower of scale and material.

OKAY MOUNTAIN Stationary Machines, 2011 Wood, lead, steel, leather, rope, rock, hardware; dimensions variable Courtesy of Mark Moore Gallery, Culver City, and Okay Mountain, Austin Okay Mountain’s installation, comprised of several large-scale sculptures, blends the forms and discourses associated with medieval torture and contemporary physical fitness. The vernacular construction and scale place the viewer in relationship with the objects, highlighting the vacillating states of being disciplined and the internalized state of being self-disciplined, particularly as a phenomenon linked to the routines of everyday life.

TED RIEDERER The Resurrectionists, 2007 Reconstructed electric guitars and electric bass, drum set, video (8:59 min.), musical score composed with de-/reconstructed instruments; dimensions variable Courtesy of the artist and

Jonathan Ferrara Gallery, New Orleans Shipping Courtesy of Elizabeth Stevens & Company Musician/artist Ted Riederer assembled a fictional band of punk rock survivors, called The Resurrectionists, who were filmed smashing their instruments. Riederer then swept up the remains of the instruments and painstakingly reassembled them so that they could make music again. Using the resurrected electric guitars and drum set, Riederer and his band, The New You, then scored the slowmotion video of the destruction of the instruments.

KIM RUGG Things to Say About Dinner Guests, 2011 Reconfigured newsprint on panel, 30 panels, 22 x 12 in each Courtesy of Mark Moore Gallery, Culver City, and P·P·O·W, New York Kim Rugg dissects and reassembles newspapers, stamps, comic books, cereal boxes, and postage stamps in order to render them conventionally illegible. Through her reappropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information, as well as its messengers.

MIKE STILKEY Times of Uncertainty, 2011 Acrylic and ink on recycled books, 96 x 144 in Courtesy of LeBasse Projects, Los Angeles This installation by Mike Stilkey was commissioned specifically for PULSE LA by LeBasse Projects. The artist has been commissioned for similar installations internationally by companies like Nike/Hurley, Chinese retail giant Joyce,

PULSE LOS ANGELES 2011 PROGRAMS 7

6 Rice University, The International Book Fair in Milan, and the Bristol Museum in the United Kingdom.

HEIDI TULLMANN and BEN WOLF Fame Retardant, 2011 Found wood, found metal, paint; dimensions variable Courtesy of CHRISTINA RAY, New York Ben Wolf and Heidi Tullmann combine the elements of scavenged materials, sign painting, and mural art in a collaborative installation. A dilapidated structure sinks into the ground as cropped sections of overlapped lettering and images add new layers of life to the forgotten materials, alluding to the recent months the artists spent in Detroit and New York.

PULSE PROJECTS AT THE STANDARD HOTEL DOWNTOWN AND HOLLYWOOD With Special Thanks to Hospitality Partner: The Standard

BRICE BROWN Service Everyday (Dish Queens), 2011 18th-20th-century porcelain, gilt shelves, Plexiglas; dimensions variable Courtesy of SCHROEDER ROMERO & SHREDDER, New York Located at The Box, The Standard Hotel Hollywood Brice Brown’s Service Everyday (Dish Queens) is a site-specific installation consisting of actual 18th-century Sévres (French) porcelain plates and freestanding sculptures comprised of vitrines containing broken pieces of antique and contemporary porcelain. The Sévres plates are used as an unexpected “drawing” element, activating space as compositional element one moment, historically important decorative object the next.

DAVE KINSEY

PULSE PLAY >

Prospects of Despair II, 2011 Acrylic and ink on panel, 82 x 489 in Courtesy of the artist and Joshua Liner Gallery, New York Located at The 6th Street Mural, The Standard Hotel Downtown This piece is a commentary on the ultimately volatile and disruptive nature of the human species; we are in a constant battle to dominate our surroundings, and in doing so we’re becoming our own worst enemies — further detaching ourselves from the reality of our natural base, and all the while seemingly naive to the cause of the loss.

PULSE Play is a curated video program, presenting work by both emerging and established artists. Among the international roster of past PULSE Play curators are Todd B. Smith, Marina Fokidis, Bill Arning, and Christopher Eamon.

NOEMIE LAFRANCE Melt, 2010-2011 Short film, 9:50 min Courtesy of Black & White Gallery/ Project Space, Brooklyn & Sens Production Located at the Pool Deck, The Standard Hotel Downtown Melt is a short dance film inspired by the Melt live performance work that premiered in 2003 at Black & White Gallery, Brooklyn, New York. The short film depicts a delicate, sensual, and dramatic experience of the physical body in exile and surrender. Perched on a wall and wrapped in sculptural beeswax and lanolin costumes that are slowly melting away, dancers progress in euphoria and exhaustion as if approaching the sun, melting until their souls escape their ephemeral bodies and disintegrate into light.

INDUSTRY OF FETISH Curated by Dossier and Skylight Projects, New York This film series looks at Los Angeles as an industry of fetish, complete with the most lavish ideas of beauty, success, and iconography. The dissolution that occurs when objects fail — or, indeed, the city itself fails – to live up to its magical powers is a truth that many of the artists seek to unveil. The falling into, and out of, worship of Los Angeles (and all that it stands for), is a distinct component of this work.

“ I ’ll leave the stones here, but I’m taking the dream with me” (from Fischli and Weiss’ film The Right Way) Curated by Stanya Kahn for ARTIST CURATED PROJECTS, Los Angeles A program of long-form videos, each of these pieces asks the viewer to reorient our sense of looking, listening, and how make meaning of motion picture space. Challenging the passive viewing experience, these works allow, and in some cases demand, that the viewer be an active participant, making connections, threading together stories, or letting narrative dissolve into an abstracted otherness of cinema. Linda Montano Mitchell’s Death, 1977 Running time, 22 min Courtesy of the artist Harry Smith Heaven and Earth Magic, 1962 Running time, 66 min Courtesy of the Harry Smith Archives

Rex Bruce Widescreen: A Hollywood Movie, 2010 Running time, 6:50 min Courtesy of Skylight Projects, New York

General Idea Shut the Fuck Up, 1977/1984 Running time, 14 min Courtesy of the artists and Electronic Arts Intermix

caraballo-farman All That Is Air, 2008 Running time, 5:45 min Courtesy of Skylight Projects, New York

Fischli and Weiss The Right Way, 1983 Running time, 52 min Commercially distributed by Icarus Films

Rafael Rozendaal Cartoon panning 2 .gif, 2011 Running time, 4 min Courtesy of Skylight Projects, New York

Kevin Jerome Everson Erie, 2010 Running time, 81 min Courtesy of the artist Stanya Kahn OK OK OK OK, 2011 Running time, 54 sec Courtesy of the artist

PULSE LOS ANGELES 2011 EXHIBITORS 9

exhibitors

Torsten Ruehle Stereoeffekt, 2006 Oil on panel 39 x 59 in

Marvin Shaouni City Doves, 2011 Photograph 24 x 36 in

2x2projects C-13

The Butcherâ&#x20AC;&#x2122;s Daughter C-1

G. Doustraat 190-HS Amsterdam, The Netherlands 1073XA T + 31 64 198 1155 info@2x2p.com www.2x2p.com

22747 Woodward Avenue, Suite 201 Ferndale, MI 48220 T + 1 248 808 6536 info@thebutchersdaughtergallery.com www.thebutchersdaughtergallery.com

Julian Montague Faux Film Posters Series (The Drake), 2011 Inkjet print 27 x 19 in

Black & White Gallery/ Project Space A-5 483 Driggs Avenue Brooklyn, NY 11211 T + 1 718 599 8775 F + 1 718 599 8798 info@blackandwhiteartgallery.com www.blackandwhiteartgallery.com

Jaime Scholnick Untitled (colored tower), 2011 Styrofoam, gesso, and acrylic 55 x 11 x 7 in

CB1 Gallery A-16 207 West 5th Street Los Angeles, CA 90013 T + 1 213 806 7889 gallery@cb1gallery.com www.cb1gallery.com

Jill Greenberg Untitled (Glass Ceiling 1-1017), 2008 Archival pigment print 41 x 61 in

Siri Kaur Sister, 2011 C-print 68 x 42 in

Blythe Projects C-4

ClampArt C-8

5797 Washington Boulevard Culver City, CA 90232 T + 1 323 272 3642 M + 1 310 990 3501 info@blytheprojects.net www.blytheprojects.net

521-531 West 25th Street New York, NY 10001 T + 1 646 230 0020 F + 1 646 230 8008 info@clampart.com www.clampart.com

PULSE LOS ANGELES 2011 EXHIBITORS 11

10 Sam Messenger Veil from Eridanos, 2011 Pen, white ink, ink wash, river water, starch paste collage on paper 65 x 60 in

The Merger Solfeo, 2009 Polychromed wood and metal 79.95 x 46.8 x 23.4 in

Craig Kauffman Interior Grey, 1977 Acrylic paint on paper and silk 44.25 x 53 in

Salustiano Life can be so nice. Tamara with scissors., 2010 Natural pigments, acrylic resin on canvas 59 x 59 in

Davidson Contemporary B-6

Factoría (Cuba/Spain) B-10

SAMUEL FREEMAN C-10

KAVACHNINA CONTEMPORARY A-13

724 Fifth Avenue, Floor 4 New York, NY 10019 T + 1 212 759 7555 info@davidsoncontemporary.com www.davidsoncontemporary.com

308 O’Reilly Street–La Habana Vieja La Habana, Cuba T + 53 7 864 9518 T + 34 98 155 8548 F + 34 98 155 7853 M + 34 64 939 8558 info@factoriahabana.com www.factoriahabana.com

2639 South La Cienega Boulevard Los Angeles, CA 90034 T + 1 310 449 1479 gallery@samuelfreeman.com www.samuelfreeman.com

46 North West 36th Street Miami, FL 33127 T + 1 305 338 2060 info@kavachnina.com www.kavachnina.com

Tim Berg & Rebekah Myers Here today, gone tomorrow, 2010-2011 Fiberglass, wood, paint 70 x 70 x 10 in Available in five flavors: grape, cherry, lime, orange, and blue raspberry Edition 16/20

Gina Phillips Italian Travis, 2011 Fabric, thread, synthetic hair, paint 55 x 24 in

Kent Dorn Untitled (Dead End), 2011 Mixed media on canvas 45 x 69 in

Joshua Petker Life is a Waste of Makeup, 2011 Oil on canvas 36 x 48 in

DEAN PROJECT C-16

Jonathan Ferrara Gallery A-19

FREIGHT + VOLUME C-15

LeBasse Projects B-3

511 West 25th Street, Floor 2 New York, NY 10001 T + 1 212 229 2017 M + 1 917 748 2129 info@deanproject.com www.deanproject.com

400a Julia Street New Orleans, LA 70130 T + 1 504 522 5471 F + 1 253 399 1649 info@jonathanferraragallery.com www.jonathanferraragallery.com

530 West 24th Street New York, NY 10011 T + 1 212 691 7700 F + 1 212 989 8708 info@freightandvolume.com www.freightandvolume.com

6023 Washington Boulevard, Culver City, CA 90232 | 932 Chung King Road, Los Angeles, CA 90022 T + 1 310 558 0200 contact@lebasseprojects.com www.lebasseprojects.com

Alfredo and Isabel Aquilizan Last Flight, 2009 Used rubber slippers 108 x 78 in

Graham Gillmore I Am Living In The World, 2010 Hand-painted screen print with acrylic on Stonehenge paper 38 x 50 in

Nery Gabriel Lemus Que Barbaridad!, 2011 Acrylic on canvas 72 x 60 in

Kris Kuksi Faith and Oppression, 2011 Mixed-media assemblage 20 x 17 x 6 in

THE DRAWING ROOM A-4

fouladi projects A-14

Charlie James Gallery C-11

Joshua Liner Gallery A-18

1007 Metropolitan Avenue, Metrostar Building Makati City, Philippines 1205 T + 632 897 7877 F + 632 890 7455 M + 639 175 263 419 drawings@pldtdsl.net www.drawingroomgallery.com

1 Otis Street San Francisco, CA 94103 T + 1 415 425 2091 holly@fouladiprojects.com www.fouladiprojects.com

975 Chung King Road Los Angeles, CA 90012 T + 1 213 687 0844 F + 1 213 687 8815 info@cjamesgallery.com www.cjamesgallery.com

548 West 28th Street, Floor 3 New York, NY 10001 T + 1 212 244 7415 info@joshualinergallery.com www.joshualinergallery.com

PULSE LOS ANGELES 2011 EXHIBITORS 13

12 Russell Nachman Palimpsest II: Apostles, Prophets & Messiahs #31, 2011 (detail) Watercolor and acrylic on paper 10 x 13 in

Dave Dyment Test Pattern (God from the Machine), 2010 28 DVD set, walnut box, 127 hrs 9 x 9 x 5.5 in

Sabine Dehnel Mona, 2010 C-print 31.49 x 39.37 in

Joe Becker Sloth Man, 2010 Oil on linen 12 x 16

LMAKprojects C-7

masART Galeria C-14

MKG127 C-9

Narwhal Projects C-2

139 Eldridge Street New York, NY 10002 T + 1 212 255 9707 F + 1 212 255 9708 info@lmakgallery.com www.lmakgallery.com

Sant Eusebi 40 Barcelona, Spain 08006 T + 34 93 414 1597 M + 34 60 978 9192 info@mas-art.net www.mas-art.net

127 Ossington Avenue Toronto, ON, Canada M6J 2Z6 T + 1 647 435 7682 info@mkg127.com www.mkg127.com

680 Queen Street West Toronto, ON, Canada M6J 1E5 T + 1 647 346 5317 contact@narwhalprojects.com www.narwhalprojects.com

Zackary Drucker Distance Is Where the Heart Is, Home Is Where You Hang Your Heart, 2010 Digital C-print 36 x 24 in

Stephen Appleby-Barr Awaiting the Bright Messenger, 2011 Oil on linen 21 x 14 in

Nelson Leirner Skate, 2011 Mixed media on skateboard Unique piece 14 x 8 x 32 in

Ali Smith Gold Bulge, 2011 Oil on canvas 50 x 54 in

Luis De Jesus Los Angeles B-2

Nicholas Metivier Gallery A-10

MARK MOORE Gallery b-1

now contemporary art A-6

2685 South La Cienega Boulevard Los Angeles, CA 90034 T + 1 310 838 6000 F + 1 310 838 6001 gallery@luisdejesus.com www.luisdejesus.com

451 King Street West Toronto, ON, Canada M5V 1K4 T + 1 416 205 9000 info@metiviergallery.com www.metiviergallery.com

5790 Washington Boulevard Culver City, CA 90232 T + 1 310 453 3031 F + 1 310 453 3831 info@markmooregallery.com www.markmooregallery.com

175 North West 25th Street Miami, FL 33127 T + 1 305 571 8181 F + 1 305 571 8131 now@nowcontemporaryart.com www.nowcontemporaryart.com

Stas Orlovski Triptych #1 (Untitled), 2010 (detail) Oil, charcoal, ink, graphite, Xerox transfer, monoprint, and collage on paper laid on canvas 24 x 72 in

Maysey Craddock Held (orchard and rail), 2011 Gouache and thread on found paper 48 x 38 in

Andrew Schoultz Unrest, 2011 Acrylic, collage, and ink on paper 44 x 30 in

Robin Williams Chimeras on the Grass, 2011 Oil on linen 74 x 48 in each

David Lusk Gallery C-6

Mixed Greens B-5

Morgan Lehman Gallery C-12

P路P路O路W Gallery B-8

4540 Poplar Avenue Memphis, TN 38117 T + 1 901 767 3800 F + 1 901 767 3828 M + 1 901 283 3800 gallery@davidluskgallery.com www.davidluskgallery.com

531 West 26th Street, Floor 1 New York, NY 10001 T + 1 212 331 8888 F + 1 212 343 2134 info@mixedgreens.com www.mixedgreens.com

535 West 22nd Street, Floor 6 New York, NY 10011 T + 1 212 268 6699 F + 1 212 268 6766 M + 1 860 593 9749 art@morganlehmangallery.com www.morganlehmangallery.com

535 West 22nd Street, Floor 3 New York, NY 10011 T + 1 212 647 1044 F + 1 212 941 8643 info@ppowgallery.com www.ppowgallery.com

PULSE LOS ANGELES 2011 EXHIBITORS 15

Swoon Ice Queen, 2011 Hand-painted linoblock print on vellum on found wood and linoleum board 48 x 42 in

Markus Linnenbrink ALLISVIOLENTALLISBRIGHT, 2011 Epoxy resin with pigments on wood 36 x 96 in

Bo Joseph Fragments of a Worldview, 2011 Oil pastel, acrylic, and tempera on joined paper 79 x 56.38 in

Roland Fischer NAB, Melbourne, 2011 C-print 71 x 49 in

CHRISTINA RAY C-5

Sears-Peyton Gallery A-15

PATRICIA SWEETOW GALLERY B-4

Von Lintel Gallery B-9

30 Grand Street, Ground Floor New York, NY 10013 T + 1 212 334 0204 info@christinaray.com www.christinaray.com

210 Eleventh Avenue, Suite 802 New York, NY 10001 T + 1 212 966 7469 F + 1 917 305 1910 info@searspeyton.com www.searspeyton.com

77 Geary Street San Francisco, CA 94108 T + 1 415 788 5126 F + 1 415 788 5207 contact@patriciasweetowgallery.com www.patriciasweetowgallery.com

520 West 23rd Street New York, NY 10011 T + 1 212 242 0599 gallery@vonlintel.com www.vonlintel.com

Jason Gringler Poser–2011, 2009 Acrylic, collage, Plexiglas, spray enamel, mirrors 84 x 72 in

Douglas C. Bloom Sea of People, 2010 Oil on canvas 48 x 60 in

Hiroshi Senju Waterfall, 2010 Acrylic pigment on mulberry paper mounted on board 89.5 x 71.6 in

Laurie Lambrecht Roy in Red Interior, 1991 Archival pigment print 60 x 60 in

Galerie Stefan Roepke A-11

Carrie Secrist Gallery A-9

Sundaram Tagore Gallery A-3

Rick Wester Fine Art A-8

St. Apern-Strasse 17-21 Cologne, Germany 50667 T + 49 22 125 5559 F + 49 22 125 5742 info@galerie-roepke.de www.galerie-roepke.de

835 West Washington Boulevard Chicago, IL 60607 T + 1 312 491 0917 F + 1 312 491 1145 info@secristgallery.com www.secristgallery.com

9606 South Santa Monica Boulevard, Beverly Hills, CA 90210 | 547 West 27th Street, New York, NY 10001 | 57-59 Hollywood Road, Hong Kong T + 1 310 278 4520 F + 1 310 278 4525 beverlyhills@sundaramtagore.com www.sundaramtagore.com

511 West 25th Street, Suite 205 New York, NY 10001 T + 1 212 255 5560 F + 1 212 255 2504 rwfa@rickwesterfineart.com www.rickwesterfineart.com

Laurie Hogin The Sleep of Reason Produces Monsters, 2008 Oil on canvas 60 x 84 in

Schroeder Romero & Shredder b-7 531 West 26th Street, Floor 2 New York, NY 10001 T + 1 212 630 0722 F + 1 212 630 0726 lisa@srandsgallery.com www.srandsgallery.com

Joey Lehman Morris States United: Soft Shoulder/ Split Vista (In short and In Blue), 2007 Chromogenic print on acrylic, oil stain on oak frame 45.5 x 59 x 2.25 in

Kris Lewis Sprung, 2011 Oil on board 30 x 40 in

David B. Smith Gallery A-7 1543 A Wazee Street Denver, CO 80202 T + 1 303 893 4234 F + 1 877 893 4234 info@davidbsmithgallery.com www.davidbsmithgallery.com

Fred Torres Collaborations A-12 527 West 29th Street, Floor 3 New York, NY 10001 T + 1 212 244 5074 F + 1 212 244 5075 mailbox@fredtorres.com www.fredtorres.com

Eran Shakine Giacometti’s Granddaughter as a Supermodel, 2010 Bronze 21 x 7 x 5 in

Zemack Contemporary Art A-2 Hey B-iyar Street 68 Tel Aviv, Israel 62198 T + 97 23 691 5060 F + 97 23 691 4582 info@zcagallery.com www.zcagallery.com

PULSE LOS ANGELES 2011 EXHIBITORS 17

Alexander Massouras somersault post pike, 2011 Oil on plyboard 4 x 5 in

Fernando Rascon El peladito “Cantinflas,” 2011 Acrylic on canvas 103 x 71 in

La Estación Arte Contemporáneo I-3

Skylight Projects I-2 551 West 21st Street, Floor 4 New York, NY 10011 T + 1 917 620 5667 ek@skylightprojects.com www.skylightprojects.com

Aldama 1002 Centro Chihuahua, Mexico 31000 T + 52 614 410 7216 F + 52 614 410 1595 laestacion@leac.com.mx www.leac.com.mx

Laura Ortiz Vega Flowz, 2011 Embroidery thread on board 6 x 18 in

3(three) 2266g, 2011 PVC (figure), acrylic 15.7 x 12.6 x 7.9 in each (set of five pieces)

Kenji Sugiyama Institute of Intimate Museums, 2011 Mixed media (mirror, frame, paper, picture of past works) 10.23 x 9.05 x 59.44 in

Antena Estudio I-5

MEGUMI OGITA GALLERY I-1

STANDING PINE–cube I-7

ART BARTER P-8

Michoacan 121, Colonia Condesa Mexico City, Mexico 6140 T + 521 558 566 0142 contact@antenaestudio.com www.antenaestudio.com

2-16-12 B1, Ginza, Chuo-Ku Tokyo, Japan 104-0061 T + 81 3 3248 3405 F + 81 3 3248 3405 info@megumiogita.com www.megumiogita.com

Yebisu Building, Part 2, Floor 3 2-5-24 Nishiki, Naka-ku Nagoya-City, Aichi, Japan 460-0003 T + 81 52 203 3930 F + 81 562 33 8067 M + 090 5108 8879 info@standingpine.jp www.standingpine.jp

45 Wellington Row London, United Kingdom E2 7BB T + 44 750 075 8303 info@artbarter.co.uk www.artbarter.co.uk

Steven Dobbin Don’t Cry for Me, 2011 Found map, metal, wood 18 x 18 x 1.5 in

Jen Stark Counter Cosmo, 2011 Acid-free paper, wood 30 x 30 x 5 in

Kate Costello Untitled, 2009 Photograph 10 x 12.5 in (printed) Courtesy of the artist and Wallspace Gallery

Causey Contemporary I-6

Show & Tell Gallery I-4

ARTIST CURATED PROJECTS P-1

92 Wythe Avenue Brooklyn, NY 11211 T + 1 718 218 8939 F + 1 718 218 9347 M + 1 917 328 3140 info@causeycontemporary.com www.causeycontemporary.com

1161 Dundas Street West Toronto, ON, Canada M6J 1X3 T + 1 647 347 3316 info@showandtellgallery.com www.showandtellgallery.com

5152 La Vista Court Los Angeles, CA 90004 T + 1 323 333 7351 M + 1 323 333 7351 evemfowler@sbcglobal.net www.artistcuratedprojects.com

PULSE LOS ANGELES 2011 EXHIBITORS 19

Margaret Honda Fish Trap, 1989, 2010 Bronze 3 x 10 x 3.5 in to 3.75 x 13.25 x 3.5 in (three elements)

Commonwealth & Council P-10 3006 West 7th Street, #220 Los Angeles, CA 90005 T + 1 213 703 9077 we@commonwealthandcouncil.com www.commonwealthandcouncil.com

Shelter Serra Homemade Birkin Bag, 2011 Edition of 20 Cast resin 15 x 15.5 in

Gina Osterloh Wide Group Dynamic, 2010 Archival inkjet 8.5 x 11 in

Beautiful/Decay: Future Perfect Book Cover, 2011

Beautiful/Decay P-5

LACE (Los Angeles Contemporary ExhibitionS) P-11

P.O. Box 41985 Los Angeles , CA 90041 T + 1 213 814 2707 F + 1 310 510 6705 contactbd@beautifuldecay.com www.beautifuldecay.com

6522 Hollywood Boulevard Los Angeles, CA 90028 T + 1 323 957 1777 F + 1 323 957 9025 robert@welcometolace.org www.welcometolace.org

Cannon Hudson Hybrid 2, 2011 Oil and acrylic on canvas 48 x 34 in

GREY AREA

Las Cienegas Projects P-2

art ltd. Magazine P-3

Dossier P-7

338 Berry Street, #6NE Brooklyn, NY 11211 T + 1 718 388 1514 info@shopgreyarea.com www.shopgreyarea.com

2045 South La Cienega Boulevard Los Angeles, CA 90034 T + 1 213 595 8017 lascienegasprojects@gmail.com www.lascienegasprojects.org

5525 Oakdale Avenue, Suite 160 Woodland Hills, CA 91364 T + 1 818 316 0900 F + 1 818 702 2505 peterf@artltdmag.com www.artltdmag.com

244 DeKalb Avenue Brooklyn, NY 11205 info@dossierjournal.com www.dossierjournal.com

Human Resources P-9

ArtSmart P-4

Fabrik Magazine, Inc. P-6

410 Cottage Home Street Los Angeles, CA 90012 T + 1 213 290 4752 info@humanresourcesla.com www.humanresourcesla.com

3620 Monon Street Los Angeles, CA 90027 T + 1 917 582 5814 amy@artsmartinc.com www.artsmartinc.com

269 South Beverly Drive, Suite 1234 Beverly Hills, CA 90212 T + 1 310 360 8333 F + 1 866 840 5782 mail@fabrikmedia.com www.fabrikmagazine.com

Paul Pescador 2(p30), 2010 Photographic print 12 x 18 in

PARTNERS AND SPONSORS BECK’S GREEN BOX PROJECT The Green Box Project is a global fund established to inspire, celebrate, and financially support independent talent in art, design, music, and fashion. Over the next three years, Beck’s, through The Green Box Project, will fund and showcase projects by individuals with unique creative vision; these projects can be submitted into the contest online. The resulting art pieces will be experienced via augmented-reality in Green Boxes located around the world and displayed on becks.com.

GREY AREA GREY AREA is a unique online store featuring artist-designed objects, both functional and nonfunctional. The store features major contemporary artists from New York City, Los Angeles, and beyond who create furniture, jewelry, clothing, and more. Artists include Zaha Hadid, Kiki Smith, Nir Hod, Ryan McGinness, and Tom Sachs.

OPENHOUSE VIP Lounge Host and Sponsor Openhouse Gallery is the New York pop-up team at 201 Mulberry and 19 Kenmare. This year, Openhouse Gallery brought New Yorkers Park Here, the indoor pop-up park, The Big Cheesy grilled cheese competition, and The Middle Feast hummus tasting. Openhouse recently hosted Audi, Burton, Edible Manhattan, Heineken, and Island Def Jam, and has partnered with thousands of brands since 2007.

STUDIOS GO Air Lounge designed by Studios GO Studios GO is a premier, creative, high-energy, responsive design firm that develops innovative ideas through Architecture, Interiors, and Product Design. With expertise in the restaurant, retail, beauty, and high- end residential sectors, our creative solutions generate intelligent trendsetting designs. At Studios GO, a full range of design services are offered to enhance experience, stimulate social interaction, and add value.

WIRE:T/A/P WIRE:T/A/P stands for What Is Recorded Energy: talk/art/performance WIRE:T/A/P will explore the space in the musical spectrum where electronic melds with symphonic, synths meet timps, and digital interweaves with analog. This is territory where the division between popular and high-brow fades to gray and the line blurs between contemporary composers and popular songwriters. A series of concerts, lectures, and exhibits will tap into some of the most brilliant minds of the international artistic community, accessing their processes and gaining a cogent understanding their motivations. In collaborative sound projects with the University Art Museum (UAM), WIRE:T/A/P works within the museum mission to present programs that blur the boundaries between visual arts and design, technology, music, and contemporary culture. January 27, 2012, 8PM Legendary Musician Lou Reed and Producer Bob Ezrin at the Carpenter Performing Arts Center January 27 – April 25, 2012 Metal Machine Trio: The Creation of The Universe

Miami December 1 – 4, 2011 The Ice Palace Studios 1400 North Miami Ave. at NW 14th Street Miami, Florida New York May 3 – 6, 2012 (new date) The Metropolitan Pavilion 125 West 18th Street Between 6th and 7th Ave. Chelsea, New York

SPONSORS AND PARTNERS Hospitality Partner

Air Lounge designed by Studios GO

VIP Lounge Host and Sponsor