Ecclesiastical & Heritage World Issue No. 94

Wales’s medieval jewel now sounds as magnificent as it looks

Our front cover this issue shows St Asaph Cathedral in North Wales, a medieval building with antecedence dating back nearly a millennium and a half. Its sound system, however, is fit for the 21st century, thanks to the expertise of engineers from Richard King Systems.

The cathedral is one of two new installations showcased by the specialist company from their 2022 portfolio. With 40 years’ experience, they are at the forefront of their field. Their expertise extends to the latest in streaming technology, a must for churches in the post-COVID era. Read about the two systems, and what the firm can offer, on pages 6-7

IRONWORK & METALWORK

32 Historic Bath is setting for ironwork CPD course

32 Decorative panels are brought back into use

33 Brighton’s ‘biggest challenge’ gets underway

CLOCKS

34 Restoration reveals church clock’s true colour

ACCESS & LIGHTNING PROTECTION

35 Spider boom ‘vital’ to clear diseased trees laying siege to castle

37 Storms can occur in winter, too

37 Steeplejacks’ story is told in newspaper pictures

WINDOWS & DOORS

38 New steel windows feature in town hall refurbishment projects

PEST CONTROL

41 Increased attendance at pest show augurs well for next year’s anniversary

41 Scottish museums site offers pest guidance online

[JANUARY SAW planning permission granted for one of the biggest investments in the UK heritage sector in recent decades – if ever. The British Library, the repository for the historic literary output of the UK as well as Magna Carta and the Alan Turing Institute, is investing around £400m in creating a new extension that will open it up to both the community and local enterprises.

The beginning of the year also saw the second round of the government’s much-vaunted Levelling Up Fund. The figures were not in the same league as the British Library investment, and the inclusion of London Boroughs added fuel to the fire raging around the fund. Accusations that the fund was not so much levelling up as simply distributing grant aid were added to by indignation at the competitive process for attracting funding.

Still, many heritage projects gained valuable assistance, including the lavish Art Deco Grand Pavilion in Porthcawl. The splendour of the early 20th-century seaside is set to return.

• Still in Wales, there are two notable churches in the diocese of St Asaph. The stunning 19th-century Marble Church (formally St Margaret’s, Bodelwyddan), with its 62 metre-high white tower, is visible for miles around. Less well known is St Asaph Cathedral itself. That is a shame, as it is a stunning medieval building that graces Britain’s second smallest city. The interior of the cathedral is the subject of our front cover, sporting its sophisticated new sound system. The system was installed by locally-based experts Richard King Systems.

• Another cathedral building featured in this issue, the Chapter House at Christ Church Cathedral in Oxford, also had a new sound system installed as part of a major restoration and rejuvenation programme. The project, carried out by two giants of the UK conservation sector, has been recognised by an Oxford Preservation Trust Award. It is one of a clutch of cathedral restoration stories featured in this issue. Salford Cathedral, a stone’s throw from this writer’s alma mater, is another.

• Improving the sound quality in churches of all sizes and ages is a prime consideration in the modern era. Indistinct, echoey speech bouncing off walls before floating up to distant rafters can now be banished thanks to modern technology. With the added incentive of disability-orientated equality legislation, intelligibility is a must. Now, the sound and AV engineers’ professional body is offering its members a training course on the alchemy involved in reproducing speech accurately and intelligibly.

• Sound, AV, lighting and all the panoply of church supplies will be on show in Birmingham towards the end of the year when Christian Resources Exhibition (CRE) returns to the Midlands for the first time since 2020. That visit coincided with the onset of COVID-19.

We had been hoping to preview CRE North in Liverpool but, as reported in the last issue, the exhibition venue was commandeered for an international singing competition – of the sort not generally heard in churches!

• Moving back to London and away from the ecclesiastical to the secular (some would say profane) world, the restoration programme at the Palace of Westminster continues. The ancient wall along the Thames is the latest archaeological find to be reported during excavations to assess the condition of the palace’s foundations.

In a restoration project separate from the main programme, St Stephen’s Hall has seen its ceiling refurbished. The present hall stands on the site of St Stephen’s Chapel, which until the fire of 1834 was the home of the House of Commons. As Commons Speaker Sir Lindsay Hoyle pointed out, it was where King Charles I attempted to arrest five MPs in 1642, sparking the chain of events that led to the Civil War. q

Chris Stokes

Editor, Ecclesiastical & Heritage World

Wales’s medieval jewel now sounds as magnificent as it looks

[ ST ASAPH CATHEDRAL dates back 1,400 years, with the current building dating from the 13th century. The cathedral now benefits from a bespoke, comprehensive premium sound system designed and commissioned by expert engineers from Richard King Systems. In addition to significantly enhancing the sound reproduction for services and events at the cathedral, the new system provides a matrix of selectable audio feeds for both live streaming and recording which is attracting viewers both in the UK and overseas.

With 40 years’ experience, Richard King Systems have an extensive portfolio of many successfully completed projects in places of worship – from medieval to modern. In addition to the project at St Asaph Cathedral, their commissions in 2022 included a substantial improvement scheme at St Mary’s Church, Welshpool.

At St Mary’s the audio facilities have taken a quantum step forward with a completely new system designed to provide the church with a first-class flexible, top performing and user-friendly facility. While

the system is designed to provide top performance, the aesthetic impact on the Grade One-listed building’s interior is appropriately discreet and the installation has not caused any long-term damage to the fabric of the building.

Richard King Systems consistently provide clients with first-class, reliable and costeffective expertise for new builds, improvement projects and support services across England and Wales. They are supporting members of the Institute of Sound, Communications and Visual Engineers (ISCVE).

With technological advances over recent decades, people are now used to highquality audio visual – in their homes, in their cars and on the move. That progression in domestic and personal AV quality has been echoed by the advances in professional systems, for all types of venues and locations. Whether we are being informed by an announcement, listening to a speech, enjoying the restaurant atmosphere or the excitement on the dance floor, or at a live concert, the professional audio visual is an all important ingredient.

Richard King Systems are established and recognised specialists in the field of professional sound and AV systems. For four decades they have been at the forefront of harnessing the capabilities of professional technology, to produce first-class performance. With their extensive experience in designing, installing, commissioning and servicing all types of systems they are able to work with clients to create the desired environment for a wide range of commercial audio visual systems with the value, quality and reliability that operators and listeners now expect.

Effective collaboration and team work are key to being reliable team players, either working directly for clients or with architects, electrical engineers, acoustic consultants and project managers.

During the past two years their services have been expanded to include system specification, design, installation, commissioning and support for live streaming.

Extensive maintenance services are provided, with test results, certification and reports to ensure compliance with Building Regulations, equality legislation (formerly DDA) and current BS and EN standards. Their service engineers and technical personnel are appropriately qualified to provide customers with high standards of system servicing, fault finding and backup.

Among the many plaudits from satisfied customers is this comment from Canon Quentin Bellamy of Colwyn Bay, North Wales: “Quite simply there is nobody better! The service offered by Richard has been consistently superb over many years, and he has helped us to achieve excellence in ‘spreading the word’ and in getting the best sound reinforcement that we could have. Nothing is ever too much trouble and Richard is truly one of the best! I can heartily commend him to you.”

Meanwhile, David Kendall of Ashby Wesley Methodist Church in Scunthorpe, Lincolnshire, writes: “We would highly recommend Richard and his team for their professionalism from start to finish. Planning and installation in the most cost effective way to produce a system that has been a joy to work on. The initial teething problems were quickly resolved and the back-up service is readily on hand. We look forward to working with you for many years to come.” q

• Further information on their services and previous projects can be viewed on their website at richardkingsystems.co.uk or at their YouTube page, LinkedIn pages or Facebook pages.

British Library’s extension plans get the green light from council

[THE BRITISH LIBRARY has had its plans for a £400m extension approved by Camden Council’s Planning Committee. The plans were submitted last year by the library and its development partners Stanhope Plc and Mitsui Fudosan UK Ltd (SMBL).

The development, designed by RSHP led by senior partner Graham Stirk, will extend, reorientate and open up the St Pancras site, enabling it to respond to the changing needs of the library’s users by creating new spaces for culture, learning, research and business, which will invite anyone to come in and explore in ways that suit them.

In a statement issued following approval of the plans at a meeting on 30 January, the museum said: “Alongside our work to open up the library online and through public libraries across the UK, this transformation will enable millions more people to access the library and to make their own space for thought, connection or discovery.”

The extension will provide approximately 100,000ft2 of new space for the British Library, including new exhibition galleries, a bespoke new learning centre and additional event spaces. New, more informal, entrances will open up the library and, at the heart of the extension, a new foyer will host events with local communities and businesses.

The new spaces will also allow the library to celebrate local culture and heritage and develop events, exhibitions and opportunities for and with the local community, and it will create new outdoor green courtyards and walkways for everyone to enjoy, as well as a dedicated community garden at Ossulston Street.

The library will be able to offer commercial space to organisations and companies of all sizes looking to make their base within the Knowledge Quarter, creating a thriving ecosystem for local and global businesses alike. It will also establish a permanent home for The Alan Turing Institute

Roly Keating, chief executive of the British Library, commented: “We are thrilled that our plans to extend our site at St Pancras have been approved by Camden Council’s Planning Committee. The proposals will enable us to provide a brand new public space for London that’s connected to our local community and open to the world.

“This long-planned extension will make it possible for even more people to access and enjoy the library, with a host of flexible new spaces including a new bespoke learning centre and spectacular new exhibition galleries. Working with our partners, we look forward to collaborating with our neighbours in Camden and beyond as we develop our site for everyone.”

David Camp, chief executive of Stanhope – representing SMBL Developments Ltd – added: “We are delighted with the decision made by Camden Council’s Planning Committee, who have resolved to approve

the planning and listed building consent applications for the extension of the British Library.

“These proposals, submitted in partnership with the British Library, will deliver much needed new space for the British Library, significant areas of new public realm and new lab-enabled commercial space for businesses and organisations wanting to locate in the Knowledge Quarter: especially those in the life sciences sector. It will also provide a significant number of benefits and opportunities for the local community.

“The next step is for the GLA to consider the application, and we will work with officers to finalise the necessary legal agreements.”

Tomoo Nakamura, chief executive of Mitsui Fudosan UK, said: “We welcome Camden Council Planning Committee’s decision to approve our proposals. The decision recognises the importance of this scheme both for local people and for users of – and visitors to – the British Library. It also represents a great opportunity to contribute to the area’s economic success and to enable the delivery of key infrastructure. We look forward to continuing to support this project as it moves ahead.” q

South Wales landmark awarded Levelling Up funds

[THE GRAND PAVILION in Porthcawl, a much-loved seafront theatre complex in South Wales, has been awarded £18m

Staff retention is major concern for heritage sector, research finds

NEW FIGURES from specialist insurer Ecclesiastical have revealed the extent of the recruitment and retention crisis in the heritage sector. Four in five heritage organisations are concerned about recruitment and retention of staff and volunteers over the next 12 months, with 70% having an increased focus on staff wellbeing.

Ecclesiastical has also revealed that 21% of heritage organisations are already struggling to attract and retain staff. High salary demands are believed to be the top reason for staffing challenges.

More than half of the heritage organisations surveyed are reassessing and increasing salaries (53%) and ensuring they have better incentives for staff (52%), such as private health insurance. A third have also introduced more flexible ways of working (34%), including hybrid working and flexible hours.

Last year, York Museums Trust closed all of its sites and paused behind-the-scenes activities for a week in support of staff health and wellbeing.

Faith Kitchen, customer segment director at Ecclesiastical Insurance, said: “As the UK's leading insurer of Grade One-listed buildings, we're passionate about protecting Britain's heritage. Attracting and retaining staff is a key risk for heritage organisations to manage to ensure they have adequate staffing levels. With rising inflation and as the cost of living soars many are reassessing their career choices.

“Our research shows heritage organisations are taking proactive steps to attract and retain talent and the majority now have an increased focus on staff wellbeing.”

Ecclesiastical recently launched its Heritage Risk Barometer 2022, which explores the top risks within the heritage sector and focuses on key areas of concern – including the impact of the cost of living crisis attracting local visitors, the recruitment crisis and responding to climate change. The Heritage Risk Barometer 2022 is available to view on the Ecclesiastical Insurance website at www.ecclesiastical.com/ heritagebarometer. q

Levelling Up funding from the UK Government. The award was made as a result of close partnership working by the local council, Bridgend County Borough Council and Awen Cultural Trust –demonstrating that the investment would make a visible positive difference to the local area and support the creative economy of the region.

The funding will be used to enhance and redevelop the Grade Two-listed Art Deco building, which celebrated its 90th anniversary last year. It features a ‘striking’ three-storey octagonal domed theatre and two single-storey loggias fanning out from the dome.

The restoration and improvement works, masterminded by Purcell, include addressing the condition of its concrete structure: it was one of the first Ferrocrete buildings in the UK. The aim is to preserve its unique heritage while also meeting the needs and aspirations of the community for extended and improved arts, culture and heritage services.

The proposed new facilities include new function spaces at the esplanade level, new rooftop function and café spaces offering panoramic sea views across the Bristol Channel and a new studio theatre and ancillary facilities. There will be increased

and improved accessibility, including new Changing Places toilet facilities. At street level, new business incubation, workshop and office spaces will be created.

Richard Hughes, chief executive of Awen Cultural Trust, commented: “We have been working with the council on these ambitious plans for the Grand Pavilion since 2016, so I am delighted that we have been successful in securing the funding to bring these to fruition. The redevelopment of the Grand Pavilion represents a once-in-a-generation opportunity for us to safeguard this iconic building for many years to come and ensure it retains its position as a flagship regional arts and cultural venue of choice.

“Having managed the venue for over seven years, we know how much the Grand Pavilion means to local people and groups so we look forward to engaging with them as our plans evolve.”

The project at the Grand Pavilion in Porthcawl is one of 11 projects in Wales that won support from the second round of Levelling Up Fund cash. q

Museums seek the views of young people

[YOUNG PEOPLE ACROSS THE UK are being invited to a ‘youth summit’ planned by the charity Kids in Museums, and led by its Kids in Museums Youth Panel, to discuss the relationship between museums and young people.

The Future is Now will take place on 12 May at Thinktank, at the Birmingham Science Museum. Research from DCMS and Morris Hargreaves McIntyre showed that only 12% of 16 to 24-year-olds felt London museums told stories that were relevant to them. The results demonstrate a need to consult young people about what they want from museums, in order to change perceptions.

According to the charity: “We want to create a space where young people can discuss, learn, advocate and build new networks with their peers. Their voices will be heard on a national level and generate fresh new ideas for the heritage sector. The event will include discussions of current best practice in work with young people, panel discussions about the future of young people’s work in museums – and of course, plenty of coffee breaks and crafts!”

The event has been made possible by an £11,000 Movement for Good Award from Benefact Group. Kids in Museums was chosen by a panel of judges to receive a share of £500,000 as part of the group’s annual awards, which will see over £1m donated to good causes this year.

In the lead-up to the event, the Kids in Museums Youth Panel will be releasing their own podcast, Life at the Museum . In a series of future-focused conversations its members will aim to bridge the gap between young people and institutions, talking about everything from career tips to climate activism. q

[

Royal landing point undergoes refurbishment

[ THE Port of London Authority (PLA) is investing £800,000 in replacing the roof and refurbishing the interior of Royal Terrace Pier in Gravesend, a Grade Two-listed building that dates from the 1840s. Work began in September and the roof replacement is due to be completed in April.

Royal Terrace Pier is the base for vessels in the PLA’s pilotage, hydrographic and harbour service operations. It is also home to Gravesend lifeboat station, which is manned 24 hours a day.

PLA’s civil engineer Nick Jordan explained: “This is a major refurbishment, which is being fully managed by the PLA’s civil engineering team. The project includes the use of local roofing specialists and uses Welsh slate, which is in keeping with the original materials used on this important and historic building. Once this is completed, the interior will be refurbished, which will secure the future use of the building.”

Royal Terrace Pier was given that name as it was where Princess Alexandra of Denmark, later Queen Alexandra, landed in the 1880s before her marriage to the then Prince of Wales, later King Edward VII. The PLA purchased the pier in the early 2000s from Alexandra Towage. q

Heritage consultancy joins multi-disciplinary team

[ NOTTINGHAM-BASED heritage consultancy Locus is merging with planning, design and development consultancy Marrons – taking on the Marrons brand and adding a new service line to its portfolio.

The team of four at Locus have more than 40 years combined experience in planning in all facets of the historic environment.

Joining Marrons is heritage partner Adam Partington, principal heritage planner Tom Street, senior heritage planner Robert Templar and assistant heritage planner Brixie Payne.

Leading the team, Adam Partington has more than 18 years experience gained in private practice and the local authority sphere. Working closely with local authorities, developers, private individuals and charities, Adam is a skilled mediator and has significant experience in taking strategic, creative and commercial approaches to planning with heritage assets.

With more than 14 years experience, Tom Street previously worked as a local authority conservation officer and has an in-depth understanding of architectural history, historic building maintenance, heritage legislation and grant-funded schemes. A member of the Institute of Historic Building Conservation, Tom is an advocate for environmental sustainability and heritage-led regeneration.

Robert Templar has more than 12 years experience working in the archaeological sector, including seven years in consultancy. Robert evaluates the archaeological potential of development sites and supports the role it can have in place shaping.

Brixie Payne supports the team in preparing detailed heritage statements, archival research and assisting with site analysis,

having previously studied at both Durham University and the University of Leicester's School of Museum Studies. She also took a lead role in a national eLearning programme for Historic England, due to be launched early in 2023.

Adam said: "Our historic environment plays an important role in shaping distinctive places. Taking positive development-led approaches to planning with heritage assets is key to reconciling agendas of growth and conservation effectively.

“We are really excited to be joining our colleagues at Marrons. The merger will augment the design and planning service already offered by Marrons, to create a multi-disciplinary team that offers our clients a truly integrated service when planning with heritage assets.”

Marrons, which is part of legal and professional services group Ampa, has grown significantly in the past financial year and maintains ambitions to broaden its geography and service offering in the coming months. The heritage service announcement follows shortly after the consultancy announced it will also offer architectural services, with the addition of a new team in Bristol.

Head of Marrons Brian Mullin said: “We are delighted to welcome Adam and his team to Marrons. We have been working successfully with this team on many projects for several years and Locus's reputation for expert advice and excellent client service strongly aligns with Marrons.

“Adam and his team bring a depth of expert knowledge towards supporting our clients in complex planning matters.” q

(L-R) Robert Templar, Brixie Payne, Adam Partington and Tom Street

Health facility makes most of hall’s historic setting

[THE HISTORIC

RED HALL HOUSE

in Leeds has found new life as a pioneering private health facility, with plans under consideration to expand.

Phase One of the £8m development is complete, with the multi-disciplinary Leeds Private Hospital now fully operational. It is being operated by husband and wife team Dr Fas Arshad and Ms Sommiya.

Red Hall House dates from the 17th century, with the impressive main range dating from the late 18th century. It was latterly the headquarters of the Rugby Football League –that most Yorkshire of sports – before being acquired by Dr Arshad and his wife, who is also his business partner.

Dr Arshad commented: “The stunning transformation of Red Hall House itself has seen us achieve Care Quality Commission approval, enabling us to use the building as a first-class medical facility.

“We have invested £3m of our own money already in Red Hall House, turning the old and rather neglected headquarters of the Rugby League into the one of the finest private hospitals in the north of England. This is a longterm investment in the Leeds region, creating new and sustainable jobs and providing a timely boost to the region’s economy.”

Planning permission is now being sought for a new, single-storey extension to extend the services the new Leeds Private Hospital will offer.

Jonathan Erkulis, director of Yorkshire-

based E3 Architecture, is working very closely with Dr Arshad on the transformation of the Red Hall House estate.

He explained: “Our detailed plans have secured the restoration, sustainability and longevity of this important Grade Twolisted building while creating sensitive and high-quality designed additions to create a prestigious state-of the-art medical facility.

“It has been a pleasure working with Dr Arshad to secure the stunning redevelopment of Red Hall House itself and of the 6,500ft2 annexe. The project is an example of where conservation and commercial aspirations can work together through major investment.

“E3 Architecture have also worked closely with Leeds City Council planners, ensuring a unified approach to maintaining the setting and integrity of Red Hall, via careful and innovative design: preserving the landscaped grounds and approach and securing the Red Hall Estate’s long-term preservation, enhancement and future viability.”

Stonemasonry comes under scrutiny in Scotland

[ HISTORIC ENVIRONMENT SCOTLAND (HES) is currently involved in a survey of stonemasonry in Scotland. The survey seeks to gather information on the number of stonemasons there are in Scotland, where the businesses that employ stonemasons are based, and the need for stonemasonry skills across the country.

The survey arises from the work of the Stonemasonry Training Working Group, convened by HES. The data gathered will be used as a first step to building an understanding of how the stonemasonry sector looks across different parts of Scotland, and ensuring it is equipped to meet the challenges of the future. The aim is to create a stonemasonry-specific dataset that will enable better sector engagement and consultation, as ideas and proposals on the future of stonemasonry training are developed.

HES supports the delivery of stonemasonry skills training at its Skills Training Centres in Elgin and Stirling, in partnership with Forth Valley College.

Colin Tennant, head of technical education and training at HES, commented: “With our built environment in Scotland predominantly made of stone, it is crucial we ensure a continuing supply of trained stonemasons to repair, maintain and conserve this heritage. Stonemasonry is also a sustainable traditional skill which supports both green jobs and a circular economy, which helps maximise our existing resources – crucial for our national net-zero ambitions.

“We want to ensure the sector can thrive into the future, which is why we’re launching this survey to gather information which will help us build a comprehensive picture of stonemasonry in Scotland. To help us do that, we would urge as many stonemasons and employers as possible to take part in the survey.” The survey closes on 28 February. q

Tudor royal jewel discovered in Warwickshire

[A REMARKABLE GOLD PENDANT on a chain – associated with Henry VIII and Katherine of Aragon – has been unveiled by the British Museum. The gold, heartshaped pendant is attached to a 75-link gold chain via an enamelled ‘hand’.

The beautiful, ornate item was discovered by a metal-detectorist in Warwickshire. He reported it to the local Finds Liaison Officer of the Portable Antiquities Scheme employed by Birmingham Museum Trust, who in turn contacted Historic England.

The front of the pendant is decorated with a red and white Tudor rose motif entwined with a pomegranate bush, the symbols of Henry and Katherine. They stem from the same branch, which sits above the inscription + TOVS + IORS – a pun on the French for ‘always’ (toujours).

The back shows the letters H and K –for Henry and Katherine – in Lombardic script, linked by ribbon, again with the legend + TOVS + IORS.

Analysis dates the pendant as early 16th century, from 1509-1533 AD with a most likely date of around 1521: the design of the pendant is like that used on horse bards at a joust in Greenwich in 1521. q

The founders of Red Hall Private Hospital have strong links to the region, having both graduated from the University of Leeds. q

CRE is bullish about Birmingham as preparations progress for Midlands show

[ BIRMINGHAM’S FAMOUS BULLS are set to welcome the next edition of the Christian Resources Exhibitions – CRE Midlands 2023. The event will take place at Cranmore Park in the city’s Solihull district on 8-9 November this year: and by the end of January, with 10 months to go, two thirds of the stands had already been booked.

Unique in the church calendar, CRE Midlands 2023 will bring dozens of organisations together on an exhibition floor offering vital expertise and advice to hundreds of local church leaders, office holders and anyone involved in Christian work and ministry. It will offer a day of discovery – of new ideas and resources, specialist advice and inspirational worship and teaching.

CRE provides a great context for networking and creative thinking. It really is a one-stop shop for church supplies, resources and ideas.

“Our exhibitors want us to take the exhibition to new venues where they can make fresh contacts,” said CRE’s owner Steve Goddard. “We’re delighted to respond with the first-ever CRE at Cranmore Park: a friendly, relaxed venue, conveniently located near the motorway network in the heart of England.

“At other nearby centres parking can prove prohibitively expensive for exhibitor and visitor alike – but Cranmore Park has space for hundreds of vehicles. And it’s free!”

CRE’s last visit to the Midlands, in March 2020, coincided with the

onset of COVID-19, so Steve is happy to be returning in 2023.

“We’re returning in doublequick time to make sure churches throughout Greater Birmingham and beyond benefit from the goods and services offered by an expected 140 organisations on the exhibition floor,” he said.

Response has been overwhelmingly positive and more than half of the space had been sold or reserved within two weeks of going on sale.

“This is well beyond expectations; and while it doesn’t make up for the disappointment of losing a muchanticipated exhibition in Liverpool, we are heartened by the commitment of our valued exhibitors,” said Steve.

Event director Brett Pitchfork explained: “Our northern exhibition, scheduled for May, had to be cancelled because the hall we booked was requisitioned for the Eurovision Song Contest. So, with only one showcase this year, organisations across many different sectors – from finance to furniture, mission to musical instruments – have booked for CRE Midlands 2023. On average, two or three stands are being taken every week, so we are confident of a full exhibition floor in what is a brand-new venue for us.

“Almost 50% of the visitors at our regional exhibitions in Manchester and Exeter told us they had never been to a CRE: anywhere! Still more had not been for many years. We expect similar statistics at CRE Midlands 2023. Reaching fresh contacts is what our

exhibitors have requested and we are happy to oblige.”

The show brochure, available to download from www.creonline.co.uk, gives plenty of reasons for exhibiting: for example, 77% of visitors either influence or make the final decision when choosing products or services for their church or deciding which charities to support. A similar proportion are there to find new resources for their ministry and over a third are ordained clergy.

If the response of Rev Mike Royal, general secretary of Churches Together in England (pictured right), is anything to go by, the event will be a great success.

“I'm delighted CRE is coming to Birmingham,” he said. “It provides a unique opportunity for church and charity leaders to engage with the widest network of Christian organisations seeking to make a difference at home and aboard. I am looking forward to seeing many people at Cranmore Park!”

The show opening times are 10am-5pm on 8 November and 10am-4.30pm on 9 November. Tickets will be £4 if booked in advance (£3 each for groups of three or more), available from May, and £8 on the door. q

• For stand enquiries contact Carol Malpass on 0161 250 2467; email carol@creonline.co.uk, or James Batterbee on 0161 250 2306; email james@creonline.co.uk. The latest floorplan, showing available stands, is available to view at the CRE website.

Lighting experts join artists and artisans in enriching St Stephen’s

[DESIGNED BY architect Charles Barry Jr in 1868, St Stephen’s is a beautiful Grade Two-listed church in Dulwich, South London. A landmark in the area, the proud spire was once surrounded by dirt roads and green trees. Today, it towers over an urban landscape, still clearly visible for miles around. The Victorian Gothic building has always had a flair for the dramatic.

Over the years St Stephen’s has captured the imaginations of many. The first to find inspiration in the grand spire was French Impressionist Camille Pissarro in 1870. Pissarro depicts the newly built St Stephen’s standing proudly, with Crystal Palace in the distance. The painting shows the church was as much a hub of the community then as it is now. And the inside was just as majestic, richly adorned with elaborate paintings covering every flat surface and shining gold chandeliers hanging from the high ceiling.

In 1944 St Stephen’s suffered considerable damage from V1 ‘Flying Bombs’ – almost lifting the roof off and severely impairing the church’s structural integrity. Only parishioner determination and the talents of a local young builder could save St Stephen’s and restore it to its former glory.

Richly decorated once more, the church now plays an important part at the heart of the local community; and in 2004 a new organ by Roger Pulham of Suffolk was installed at the west end.

After capturing imaginations and inspiring

painters, builders and organ makers for over 150 years, designers at CES Lighting & Electrical Specialists found themselves tasked with rethinking the lighting design. The team wanted to cater for the needs of the church, its carbon footprint, maintenance and flexibility, while fashioning something that accentuated its rich history and grand decor. And, importantly, it had to be functional for the countless ways that the church engages with the local community.

David Burch, senior lighting designer, described the resultant scheme: “We created an elegant LED lighting design controlled by a simple, modern DALI dimming system – easy to manage and allowing flexibility. With care and attention, we placed the fittings in discreet locations so as not to get in the way of anyone seated in the nave but still provide optimum lighting. The church is now bathed in light and can cater for a wide variety of functions – from liturgical services at the east to choirs and performances in the west side of the building.

“Of an evening there is automatic external lighting of the tower with several of the internal lights highlighting features to produce an inviting view through and of the stained glass windows for all those that pass.

“The lighting had to enhance the church’s atmosphere: highlighting grand ceilings, paintings, sculptures and ostentatious architectural features. So we illuminated each

of the angels located along the arcade, lit up the clerestory window with incidental light pouring into the roof space, and captured the church’s paintings and mosaics.

“We added high-quality lighting to the fresco in the chancel, drawing the eye to the artwork’s detail and vibrancy. We also illuminated the organ pipes to showcase the church’s historic and contemporary investment in – and love of – music. Finally, we chose the high altar, triptych reredos and east window to offer a backdrop to services and events taking place from the dais.

“With so much history, grandeur and importance in the local community, we had to create a lighting design to enhance but never dominate. With such a beautiful building it was clear we had to let the church architecture and artwork do the talking: to shine a light, literally, on the building’s heritage so it can continue to inspire everyone who visits.”

Churchwarden Barney Hearnden summed up the reaction of the church to the new lighting scheme: “We are delighted with the work that CES has done for us at St Stephen’s. They have been thorough, professional and a pleasure to deal with throughout the process.

“Thanks to their creativity and attention to detail, we now have a wonderful lighting scheme, which reduces our carbon footprint, showcases all of the beautiful features of the church and gives us flexibility to adjust the settings for every occasion.” q

Experts upcycle existing installation to save money and improve lighting

[LAST YEAR Upper Holloway Baptist Church in north London invited Church Lighting Systems – part of CLS Electrical Services Ltd – to offer practical solutions to a number of issues with their lighting. With a large number of light fittings no longer working, and some that were not used due to loud buzzing and cutting out during services and events, it was clear that

something had to be done to not only resolve the current issues, but also provide a longterm solution.

The premise was simple: to provide a costeffective solution to fix their failing existing lighting; to increase illumination levels while providing a low-energy solution, lowering the ever-rising electricity costs; and reducing the need for on-going regular maintenance.

A full new lighting installation wasn’t a viable option for the church, so a retrofit solution was offered, utilising the existing wiring and switching, but replacing the existing light fittings with LED alternatives.

The existing lighting consisted of a mixture of 16 5ft fluorescent batten fittings, 18 250W metal halide wall uplighters and four GU10 spotlights illuminating the baptismal pool.

The church was happy to retain the existing switching arrangements, so they were left unchanged. The high-level fluorescent battens – of which only a few were working – were replaced with new 45W LED battens, which provide a 3,000K warm colour output. The 18 wall uplighters were removed and replaced with 40W, 3,000 lumen, 3,000K warm white LED uplighters. Changing those fittings alone reduces the power consumption by 3,780W per hour, a huge saving over the year!

The four high-level GU10 fittings were removed and two 3,000lm LED spotlights were installed. These have a warm white colour output and have narrow beam reflectors installed, meaning that a higher level of illumination is now available for the baptismal pool located in the centre of the worship area.

The work was carried out just in time for Christmas and the results were met with high praise from the members of the church. While CLS were carrying out the work, a survey was requested to replace the remaining lighting in other parts of the church, such as the corridors and meeting room. Hopefully, in the near future the church will also benefit from renewed lighting in those areas. q

• As well as providing a lighting design and installation service, CLS Electrical Services Ltd cover all aspects of electrical installation work. To find out more visit the website at www.churchlightingsystems.com.

Salford’s restoration will mark cathedral’s anniversary

[A MAJOR RESTORATION PROJECT is underway at one of England’s most notable Roman Catholic cathedrals, in Salford. The project – involving both exterior and interior repairs and upgrading – coincides with the 175th anniversary of the cathedral’s dedication in 1848.

The project aims to revive the iconic splendour of the church while making it the most sustainable cathedral in the country.

Salford Cathedral is a Grade Two*-listed building and its restoration masterplan incorporates the limitations that can impose. The plan also evidences the way in which we have grown to understand historical buildings in a different way over the past few decades. Those involved in the cathedral restoration project are learning to work with the building to enhance the fabric and reintroduce some of the lost aspects of the cathedral, restoring its former glory.

The first phase of the restoration, being carried out by Simpsons of York, focuses on the exterior of the cathedral, which involves a complete re-roof, the re-pointing of the stonework and other masonry repairs, as well as remedial works to the tower and spire.

Explaining the purpose of the restoration, the cathedral said: “The re-ordering, repair and restoration project will not only restore the cathedral’s heritage and sense of the sacred space, but will maximise capacity for the growing parish community and visitors alike. It is an

opportunity to the look to the future of the cathedral and as part of the process we will provide space for the growing congregation and a flourishing music programme.”

It is expected that the first phase will be complete by April this year, when the cathedral will close to enable the second phase – the interior re-ordering and upgrading – to commence. During that phase the affairs of the cathedral will be carried on at a temporary structure in the cathedral precincts. It will enable both elements of the project to be carried out as a single project.

In a message on the cathedral’s website, the Cathedral Dean Fr Michael Jones wrote: “The extent of the restoration and conservation needed on the cathedral is a major operation and we have taken the decision to accelerate and condense the programme of work, rather than to do it piecemeal. This was not an easy decision to take, as this option means that the cathedral will have to close for 18 months while the interior work is carried out. Closing the cathedral was not our first preference, but it does mean that we will be able to make the repairs, restore and re-order the cathedral more quickly, safely and efficiently.

“Large parts of the cathedral are in extremely poor repair; this is the right time to fix these and restore some of the original design features that have been lost over the years and enhance what we are able to offer the local catholic community.” q

Cathedral’s graves are subject of attention

[WORKS IS BEING carried out on the stabilisation, repair and re-erection of gravestones at Dunblane Cathedral. The work, which is being undertaken by Historic Environment Scotland (HES) staff with specialist training in gravestone and monument inspection, is seeing repairs undertaken to improve access to the graves and the wider cathedral grounds.

The work is continuing on gravestones around the main entrance, progressing to secondary entrances and pathways.

HES has carried out inspections of 595 gravestones at Dunblane Cathedral, with more than 130 identified to date as dangerous and requiring repair. That is as a result of a number of factors, including age and exposure to the elements. Responsibility for the maintenance of memorials lies primarily with the lair owner or family. To help progress the repair programme HES is appealing to owners of memorials to come forward. While some owners have been identified and are arranging repairs, HES is keen to involve the local community further in helping to identify more owners, as well as interpreting and recording the memorials in the graveyard to support the essential work being carried out.

HES is prioritising stabilisation works to memorials posing the greatest risk to the public, and some access restrictions are currently in place for health and safety reasons until repairs are completed. As those works are carried out, HES will continue to review the extent of the fenced areas to see where it can be reduced to lessen the impact of the access restrictions, with a rolling programme of phased repairs being undertaken.

Jessica Hunnisett, district surveyor at HES, commented: “We’re pleased to be able to start work on repairing some of the gravestones within Dunblane Cathedral. We are prioritising memorials which pose the greatest risk and those which affect access to the cathedral.

“We know that the community is very keen for access to be reinstated and owners who are concerned that their memorials may be affected are encouraged to come forward and discuss how we can assist them in progressing repairs.”

Paul Nelson of Dunblane Development Trust said: “The restored 12th-century cathedral is the centre of historic Dunblane, alongside the 17th-century Leighton Library and Museum buildings. It is critical, for the businesses that operate in Dunblane High St, that the cathedral is accessible and visitors are encouraged to come to the cathedral and Dunblane. We are, therefore, glad that HES has commenced this work in the grounds of the cathedral and look forward to the rapid completion of the improvements.” q

Chapter House restoration wins prestigious award

[PURCELL’S

CONSERVATION

of the Grade One-listed Chapter House at Oxford’s Christ Church Cathedral has won a celebrated Oxford Preservation Trust Award for building conservation.

Working with Cliveden Conservation, the renowned architects have carefully upgraded the building to improve accessibility and ensure the continued protection of the significant building, which is now fully open and in regular use for a wide range of public and academic events.

James Lawrie, treasurer of Christ Church, commented:

“Christ Church is delighted that the 13th-century Chapter House has been restored to its former glory for use by the cathedral and the rest of Christ Church.”

The first phase of work on what is a fine example of a 13th-century building focused on paring back fixtures and fittings installed over the years when the Chapter House was used as the cathedral shop and treasury. The original 19th century marble floor has been repaired, lime plaster applied to the walls and masonry repairs carried out.

New circular pendant lights, designed by Light Perceptions, take inspiration from the circular motif of the medieval ceiling paintings and make use of the existing 19th-century hooks in the vaulted ceiling. They are supplemented by lighting from discreet spotlights installed in the capitals using reversible friction fittings.

Mechanical and electrical installations were overhauled and a new heating and sound system installed, re-using the 19th-century stone heating plinths and grilles.

The 12th-century Romanesque entrance door was altered in the 19th century by the addition of stone steps, which have bee n carefully cut out and replaced with a single step and a portable ramp to improve access to the Chapter House.

Oxford Preservation Trust Awards judges commented: “There had been a huge improvement in the room from its previous state, and the judges particularly enjoyed the art exhibition that was being held during their visit.”

Purcell’s senior architect and conservation project lead, Charlotte Robinson, explained: “The Christ Church Chapter House is a magnificent piece of medieval architecture, which the project aimed to bring back into use through creative installation of new lighting and services, coupled with high-quality conservation. It has been a pleasure to work with the specialist conservators and craftspeople and to see the space come back to life.”

Lewis Proudfoot, managing director of Cliveden Conservation, added: “We’re particularly pleased that the Chapter House project has won this award, as it recognises the numerous interventions that went in to transforming this space: from the seamless repairs to the historic timber doors to the new nose to one of the heads and the perfectly blended repairs to the marble floor that re-used stone from the display cabinets, our skilled craftsmen and women have yet again delivered some exceptional conservation to make an historic space useable in a modern context.” q

Door following treatment and repairs

The Chapter House after project completion

Restoration teams may have discovered medieval Thames

[ THE PAST FEW MONTHS have seen significant milestones in the programme to rescue and restore the Palace of Westminster from the many years of neglect and decay.

In November experts unearthed possible remains of the original medieval Thames River wall – believed to run under the Houses of Parliament – as part of thousands of hours of investigative surveys by the Restoration and Renewal Delivery Authority to map out the condition of the historic Palace of Westminster.

Over the summer and early autumn, specialists spent nearly 5,000 hours examining 160 rooms and drilling boreholes up to 70m deep to assess ground conditions around the Palace of Westminster.

During one of the geotechnical borehole investigations – in Chancellor’s Court, near the House of Lords chamber – the discovery of a section of possible medieval river wall meant the borehole drill was paused and the discovery assessed by archaeologists from the Museum of London Archaeology (MOLA).

The structure is likely to be at least 700 years old and is made from Kentish Ragstone: a hard grey limestone quarried from Kent that was also used in the construction of the Tower of London and Westminster Abbey.

Borehole drills gathered dozens of ground samples from under the palace, which were sent to a specialist lab in Coventry for testing to better understand the composition of the ground. MOLA is also conducting its own archaeological report based on the data

from the boreholes, to confirm more about the discovery of the possible river wall.

Patsy Richards, interim CEO of the Houses of Parliament Restoration and Renewal Sponsor Body, commented: “We expect more exciting finds from dozens of surveys carried out over the coming months. We are also working really closely with the teams who keep the palace running now. As we learn more from our surveys, we can develop in more detail proposals to agree a safe and cost-effective way to plan the work needed to restore the Palace of Westminster and preserve it for future generations.”

The boreholes are part of an extensive programme of sensitive building investigations by the Houses of Parliament Restoration and Renewal Delivery Authority. Archaeologists have been on site for each of the boreholes to record any finds of historical significance which could add to the records of the palace. A small amount of material from the river wall was removed for analysis before the site was carefully sealed up again to protect the structure.

The discovery is probably the second finding of a part of the medieval river wall which runs under Parliament, which was first identified in Black Rod’s Garden in 2015 when medieval timber structures thought to represent waterfront revetments were discovered. The wall runs alongside the medieval location of the riverside. When the palace was built in the 1800s, after many of the medieval buildings burned down, land was reclaimed from the Thames to make the palace site bigger. q

Commons’ historic site sees ceiling restored

A MAJOR RESTORATION PROGRAMME running in parallel, but separate from, the Restoration and Renewal Programme of the Palace of Westminster has seen the cleaning and repair of the ceiling of the historic St Stephen's Hall, right in the heart of Parliament. St Stephen's Hall stands on the site of the royal Chapel of St Stephen's, where the House of Commons sat until the chapel was destroyed by the fire of 1834.

Marble statues of 12 famous Parliamentarians face one another on each side of the hall, positioned between eight monumental oil paintings that depict events in British history. They were protected and covered while the work took place.

The 10 stained glass windows, five on each side, depict the arms of various Parliamentary cities and boroughs. The brass chandeliers were installed in 1960, but were designed by Robert Smirke for the temporary House of Commons Chamber following the fire of 1834 which destroyed the old palace.

Scaffolding was already installed in St Stephen's Hall as part of a project to repair and restore the cast iron roof above. As the scaffold could give access to the ceiling there was an opportunity for crucial preservation work to be completed. Work began in the hall in the summer of 2021 and involved carefully inspecting the ceiling, cleaning the stonework and repairing loose elements.

A special latex coating was applied to the ceiling, which was then

dried before being peeled away – removing decades of pollution damage. The innovative method was used to reach into the relief and porous surface of the stone, without leaving behind any chemicals or damaging or degrading the material.

The surveying and specification of works was undertaken by architects Donald Insall Associates and structural engineers Alan Baxter. The conservation work was carried out by DBR Ltd, overseen by Parliament’s in-house teams including conservation architects and the Heritage Collections team.

The teams were also assisted by a student, as part of a oneyear placement in the House of Commons service for university students to contribute to construction and architectural projects.

Speaker of the House of Commons Sir Lindsay Hoyle said: “It is fantastic to see the work that has gone into improving St Stephen's Hall, which until the mid-16th century was the home of the House of Commons.

“It was here that Charles I was shunned by Speaker Lenthall, when in 1642 he stormed in to arrest five MPs. It was also the place where suffragettes protested over the lack of a right to vote for women.

“St Stephen's Hall is such an important part of our parliamentary history, so I am delighted that it has been refurbished to its former glory for all those who work here or visit to enjoy once again.” q

©UK Parliament/Andy Bailey

AV community prepares for its annual gathering

[THE ANNUAL MEETING and exhibition of the AV industry’s trade association ISCVE will be taking place in person on 21-22 March at its traditional venue, the Coombe Abbey Hotel in Coventry. ISCVEx 2023 will be the premier event for audio, communications and AV professionals.

In a post urging potential exhibitors to act fast to secure space, ISCVE said: “We are thrilled to have such amazing support from our industry. This year we are expecting 38 exhibitors and more than 200 attendees and we cannot wait to see everyone there!”

Visitors can expect to see the latest products and services from leading suppliers in the sound, communications and AV industry, as well as learn about cutting-edge technology during the seminars.

This year there will be three seminars. Ron Bakker BSc CTS, the systems marketing manager at Yamaha Music Europe, will be presenting New ways to increase entertainment production quality and make more money: immersive sound reinforcement and acoustic enhancement

According to ISCVE: “Ron will present an

introduction for decision makers and makes the case why the ‘immersive approach’ is a good idea for both the entertainment and professional communication markets – not just from sound quality point of view, but also from business point of view.”

Secondly, ISCVE trainer Jamie AngusWhiteoak, who was a Professor of Audio Technology at Salford University, will present Go on! Surprise me! How audio and video coding works. The talk will highlight how coding works to condense much of what we see and hear electronically on a day-to-day basis into something we can view and enjoy, and simply pop in our pockets, describing in a non-mathematical way the principles behind the coding methods.

Finally, Daniel Fattorini MInstSCVE will speak on AV and SaaS – trends in moving from hardware-based products to software licence models. He will discuss how the industry can best adapt to the changes, to what extent it can learn from adjacent technologies and what might the future look like with more cloud-delivered features and functions.

All three seminars will take place on the

second day of the event, 22 March. The first day will see the ISCVE Annual General Meeting, together with a Members’ Day. The Members’ Day will include a presentation from Alex Krasnic BEng(Hons) MSc FIOA MInstSCVE entitled Bolting the door before the jolting horse: Lessons learned for the installed sound/ AV industry when engaging with architects

The Members’ Day is open to all preregistered guests, non-members and members alike. Further details, together with registration information, can be found at iscve.org.uk/ iscvex/iscvex-2023/. q

New course will let your voice be heard

[ OVER RECENT YEARS the explosion in technology available to churches in terms of sound systems and accompanying audio-visual capability has led to a revolution in the way worship is delivered. The music element has emerged from the choir stalls and organ loft to take centre stage in worship, with accompanying visual imagery.

One constant throughout that time, however, has been the spoken word: no service can be delivered without a sermon or homily.

When the service is of a particular seriousness – such as a wedding, funeral or baptism – the spoken word takes on an even more important role. The ability to hear what is being said is paramount.

All too often, however, the spoken word is far from clear, either because of the acoustics in an ancient building or insufficient attention being paid to the speech element of the sound system.

Now, however, a new training course is available to sound and AV engineers aimed at designing-in the ability to understand the spoken word when installing AV systems. Designing for Speech Intelligibility is the latest addition to the suite of courses being delivered on behalf of the Institute of Sound, Communications and Visual Engineers (ISCVE).

Anyone who has ever tried to listen to a conversation in a noisy room or space knows how important speech intelligibility is, ISCVE states.

“In order for messages to be communicated effectively we need to be able to understand words that are being spoken to us. Often poor speech intelligibility is a common problem in poorly-designed sound systems. For example, if the ratio of noise to speech becomes too high, the brain has difficulty decoding the speech signal, leading to frustration and communication breakdowns.”

Designing for Speech Intelligibility gives sound engineers the ability to design a sound system that will allow speech to be heard clearly in any setting – a Godsend for churches and clergy everywhere.

ISCVE continued: “This training course will teach you everything you need to know about designing sound systems that provide clear, intelligible speech. Through a combination of lectures and handson exercises, you’ll learn about the key factors affecting speech intelligibility and how to optimise sound systems for maximum clarity.” q

Parish church rises from the ashes with new AV system

IN DECEMBER 2018 the Parish Church of St John the Baptist in Royston, Hertfordshire, suffered a devasting fire which destroyed much of the internal structure and roof of the building.

As part of the major refurbishment, Creative Audio-Visual Solutions (CAVS) were commissioned to design and install a completely new audio-visual system to blend in with the new décor while providing the latest technology for modern worship.

The visual system comprises two winched projection screens within the main nave and south aisle, driven via 7,000 and 5,000 lumen Epson laser projectors. These provide exceptional image quality in daylight conditions. Pillar-mounted LED displays provide coverage for the north aisle, choir and as confidence monitors for service leaders and musicians on the dais and within the chancel. CAVS designed and fabricated bespoke pillar brackets to avoid fixing to the stonework below the pillar capitals.

A Kramer dual-output switching-scaler system feeds the entire visual system, with a main signal and preview image onto a local console monitor – allowing any source to be cued and reviewed before committing them to the displays. Flexible HDMI connectivity is provided in numerous positions for

input from laptop, camera etc and output to additional monitors as required. The audio system is designed to provide building-wide coverage for all sound sources, from full-range live worship and video/music playback to intelligible speech via fixed and radio microphones – Sennheiser EW100 with remote antenna distribution.

JBL Control-series speakers with discreet subwoofers, driven via a Dynacord MXE-5 Dante audio process and matching DSPamplification installed within a remote vestry rack, are tuned specifically to the church’s acoustics and optimised in stereo for maximum clarity when amplifying music and speech, which is highly-compromised in a monaural system. A new induction loop has been installed, with choir and congregation ambient microphones for both the loop and streaming systems.

An Allen & Heath QU-PAC iPad-controller audio mixing system provides full input and output control via local connectivity and a specific worship band/event digital stagebox for larger requirements. The system is ideal for varied levels of operator – from simple preset optimisation with service settings accessed via single buttons, through to full manual control via the iPad. A dedicated Engenius AV cloud-managed wired or wireless network provides seamless iPad control for the audio and lighting systems, with managed connectivity for live streaming, ensuring reliable online broadcast at critical times.

The network is monitored via CAVS to ensure optimal performance and to rectify any faults: offsite and at any time.

Finally, the system equipment is installed within a bespoke console featuring a tactile operating desk. It is fully lockable for security with growth space for further system development. q

• For an on-site installation consultation, or for advice on the right equipment for your church, call 01707 649355, email sales@cavsolutions.co.uk or visit www.cavsolutions.co.uk. Local references are available upon request. ‘Like’ Cavsolutions on Facebook for the latest installation case studies and product news.

Why a global copper shortage affects the roofing industry

[ROOFING IS PERHAPS not the first industry to spring to mind as being impacted by a world copper shortage, but for heritage roofers, and traditional metal roofers in particular, the current shortage and consequent high price of the metal is a real concern.

In a blog post, Trevor Corser of JTC Roofing Contractors Ltd, who is chairman of the Federation of Traditional Metal Roofing Contractors, writes: “As we attempt to navigate a post-pandemic world, there will be, naturally, a few bumps on the road. One unexpected consequence of the supply chain’s return to normal is copper’s rapid rise in price. In fact, copper prices have risen by 50-60% in the last six months alone, and due to the ongoing global shortage, these prices are predicted to rise even further.

“This comes after the three-year period of low copper prices, which was due to the recession that COVID-19 brought about in 2020. So, in a sense, the rapid shift in pricing is reflective of the global economy’s return to normal.

“There is a debate amongst specialists as to whether this is simply a shortterm post-COVID phenomenon, or whether the copper prices will remain high into the future.”

He lists some of the factors that are causing the shortages and high copper prices. They include:

• Supply chains returning to normal levels after the pandemic

Roofing Awards finally close for entries

THE DEADLINE has now passed for entries to the NFRC Roofing Awards 2023. Entries closed on 27 January – having been extended twice in response to requests for additional time for busy firms to complete and submit their entries.

The awards cover 15 project categories, spanning roofing, cladding and rainscreen disciplines. They consistently include heritage and ecclesiastical projects and there is a specific Heritage category. From the winners of each category, one standout project will be selected to be named Roof of the Year 2023.

Companies that make the shortlist benefit from industry recognition, free marketing and press coverage, and a celebration of incredible staff efforts to make projects happen throughout the year.

The original closing date of 13 January was first extended by one week, then two weeks, as companies struggled to meet the deadline during a particularly busy period.

The 2023 Awards will consider any roofing, cladding or rainscreen project completed between 1 January 2021 and 31 December 2022. They are open to any roofing contractors who are members of NFRC, NFRC Competent Person Scheme (formerly CompetentRoofer) or another listed trade association.

Manufacturers, architects, specifiers and other stakeholders are welcome to submit projects, but they must ensure the roofing contractor who carried out the work is a member of one of the listed trade associations.

Nominations are also open for the Young Roofer of the Year Award, recognising an apprentice, a qualified roofer with no more than three years experience, or a roofing student.

The UK Roofing Awards ceremony is a glittering celebration of industry achievement. It will take place on 12 May, once again at the InterContinental London – The O2. Tickets are now available. Visit roofingawards.co.uk for further information. q

Martin-Brooks (Roofing Specialists) Ltd

T: 0114 244 7720

E: mb@allroofing.co.uk

W: www.martin-brooks.co.uk

Ross Street, Darnall, Sheffield, South Yorkshire S9 4PU

• A decline in the discovery of new copper resource deposits

• A reduction in the quality of copper ore

• A rise in market demand for copper

• The on-going demand from property building and urbanisation

•The push for clean energy

The last point is particularly important, as copper is an imperative part of the global push for clean energy. The International Energy Agency has predicted that by 2040, 45% of global copper demand will be for clean energy technologies.

But what about the roofing industry? Trevor explained: “At JTC Roofing, one of our most popular specialist services is the supply and installation of copper roofing. Copper is a fantastic roofing material, which is renowned for its durability and eco-consciousness. We pride ourselves on only ever sourcing our materials from ethical and responsible suppliers.

“We work with some of the most trusted suppliers in the industry, including Aurubis and KME Copper – companies that are renowned for their quality and ethical practices. As a result, we can continue to deliver our same exceptional quality of service, even amidst the current situation.”

It is to be hoped that the supply chain for the metal to the heritage roofing industry is, indeed, copper-bottomed. q

Award-winning apprentices gain Parliamentary plaudits

[TWO APPRENTICES have received recognition from the Scottish Parliament for winning the Roofing Apprentice of the Year Award. Aaron Struthers-Semple and Kyle William Stoddart, apprentices with Edinburghbased firm Compass Roofing, received the awards at the NFRC Scottish Roofing Contractor of the Year Awards which were held in Glasgow on 28 October.

Sarah Boyack MSP submitted a parliamentary motion in recognition of the achievement of Aaron and Kyle. The motion recognised that the award had been given in recognition of their work with Build Your Future in Edinburgh, delivering mini-masterclasses to children in schools and promoting the industry as a career of choice, and praised them as ‘role models’ for the next generation. The motion wished them both the best for their future careers, and said that they were ‘richly deserving of this accolade’.

Barry Dawson, customer engagement manager at CITB Scotland, said: “The NFRC Roofing Apprentice of the Year Award is a great accolade for Kyle, Aaron and their employer. These awards are recognition of their commitment, high standard of work and involvement within initiatives such as Build Your Future. It is important to recognise the quality of apprentices within the roofing industry – the award winners of today represent potential employers and industry leaders of the future. CITB wish Kyle and Aaron well with their respective careers.” q

Lead thefts force churches to turn to steel

[THE ON-GOING EFFECTS that lead theft is having on churches, and the damage to the heritage value of affected churches, have been emphasised recently in a parish in Lincolnshire, where a number of churches have opted to replace lead roofs with terne-coated stainless steel (TCSS) as being less attractive to thieves.

The problem is exemplified by the case of the Church of St Peter Ad Vincula in Threekingham, near Sleaford, which had most of the lead stripped from its roof over two consecutive nights in December 2019.

The current church can be dated to the 12th century, while the tower dates from the 13th. Various features in the chancel include the now-infilled north arcade and the east windows and Collyweston slates on the roof in addition to the lead.

As part of a planning application to North Kesteven Borough Council last year, an impact statement says: “In order to protect the historic roof structures it is proposed to install a terne-coated stainless steel roof covering; the sheets will be installed with round batten rolls to give the impression of a lead roof and the steel will, in a few months, weather to a light matt-grey colour.

“The parish is not able to afford premiums for buildings insurance for any of its church buildings, only for public liability, and so the theft value is not insured, despite the thieves having been subsequently caught thanks to the actions of the local community working with the police.

“Threekingham is one of six churches in the parish of 11 churches that

have suffered significant lead theft in the last seven years and in all other cases, as the replacement of lead with lead is not a sustainable cost, it is proposed to replace the lead with terne-coated stainless steel which should have a lifespan in excess of 100 years.”

Significantly, both Historic England and SPAB have given their blessing to the replacement.

Historic England pointed to published guidance which states: “Historic England supports consideration of replacing lead coverings with TCSS, when a particular roof slope has been the target of theft and there is a need for re-covering. The assessment of risk of further theft should include factors such as number of thefts in nearby churches, previous performance of roof alarms, and the extent to which the church is overlooked.”

SPAB stated in a consultation response: “We would not oppose the principle of replacement of the lead roof with one in terne-coated stainless steel as theft would remain a genuine risk if lead were to be employed. We have also taken into consideration the fact that the visibility of the roof from the ground is limited.

“We are satisfied that the technical specification for the works is largely appropriate, noting in particular that the use of an experienced contractor has been stipulated, that terne-coated stainless steel of sufficient thickness (minimum 4mm) will be employed, that a measure of insulation will be incorporated, and that round batten roll joints will be used.”

Image: Julian P Guffogg

How will the new Building Safety Act affect heritage buildings?

John Miles, Business Development Director at Assent Group, looks at when and how heritage buildings will fall into the scope of the new legislation.

[LAST YEAR the new Building Safety Act came into force; and with it a renewed focus on competency across the whole sector. While the world of heritage buildings may not feel that it has been directly affected by that, there are certainly many examples of conversions of heritage buildings that will now come under much closer regulatory scrutiny with the new Act in place.

There are actually many heritage sites that fall into the scope of the Building Safety Act: you only have to think about the recent conversion of Battersea Power Station to see the challenges presented by such projects. This Grade Two*-listed building was converted into a multi-use space, complete with apartments, shops, restaurants, a cinema, a chimney top viewing experience and a hotel. Separately, each of these types of usage would need different consideration when it comes to regulations, so as a total conversion plan the complexities of the regulatory requirements would have been significant.

It is not the only building that falls outside of the traditional view of a heritage site. Trellick Tower – a Grade Two*-listed building in the cosmopolitan area of Notting Hill in London – was designed by Erno Goldfinger and is an excellent example of Brutalist of architecture which fell out of favour in the 1980s and 90s. That particular site was recently used as justification to fight off the redevelopment of the area around it, with residents claiming that any new high-rise structures in the immediate vicinity would ruin the architectural significance of the towers. Trellick Tower is an exposed concrete structure giving visitors an unhindered view of the flexibility of concrete as a building material.

So, heritage does not necessarily mean stone-built structures with intricate wooden doors and beautiful stained-glass windows. The UK is home to some

of the most architecturally significant structures of the past 100 years, with over 374,000 listed buildings in total. That includes power stations, concrete tower blocks and tall skyscrapers such as Senate House. Each of those structures will have a variety of different challenges to overcome if and when they come to be redeveloped.

The key to any conversion of a heritage site to new use is to have the expert knowledge on hand at the outset of the project, when the plans are first being drawn up, to act as a guide through the regulatory requirements, supporting the dutyholders in collecting the evidence required for sign-off along the way.

Regulations in the UK are becoming increasingly complex and the regulatory regime that sits alongside them can also be a minefield. Working with a building control surveyor who has a clear understanding of the requirements and of the regulatory framework that will apply to your project will help to prevent unnecessary delays further down the line when the building is almost ready for sign-off.

As the new Building Safety Act is now the guiding principle for all buildings over 18m in height it sets the standards for any new or existing structure to adhere to. This year new legislation will come into force that will determine how those buildings will need to meet the legislation, what level of competence will be needed to both work on them and to get them through all stages of approval and, ultimately, who will be able guide and support the sign-off of the completed work so it is ready for use.

As the process is still in its evolutionary stages it is more important than ever to seek the advice of skilled surveyors at the outset of any project, to provide a project with the fastest route to final approval. q

Historic Bath is setting for ironwork CPD course

[THE NEXT CPD COURSE being run by the National Heritage Ironwork Group (NHIG) takes place over two days in April, in Bath. Conservation of Architectural Ironwork is aimed at both craft practitioners and consultative professionals and is being held on 20-21 April at the Museum of Bath at Work.

The museum is located on Julian Road in the centre of the World Heritage City of Bath, seen pictured to the left of Christ Church in the photograph taken from a balloon by Roger Beale.

Lectures cover the historical context, the metallurgy of wrought iron and steels, traditional tools and techniques, materials, design and manufacture. The focus will be on the processes of restoration, surface preparation and treatments, specification, and standards for heritage ironwork contracts – including a procurement and pricing exercise.

They will be complemented by a walking tour and site visit to survey historic ironwork and develop a strategy for its conservation.

The IHBC recognises the course as contributing to mandatory CPD requirements for its members. The course fee, including lunches and course materials, is £250.

The NHIG describes the aims of the course thus: “Course tutors Geoff Wallis and Bethan Griffiths will guide you through the basic

principles of assessing historic ironwork and making decisions about its care. Tender procedures often require the commissioner of the work to have knowledge of the medium in order to procure the best value. We aim to equip those wishing to commission work on listed ironwork with information they will find essential in the writing of specifications.” q

Decorative panels are brought back into use

DOROTHEA RESTORATIONS have shared the story of their restoration of decorative hand-made panels, which are ‘simple in design but showcase the skills of the blacksmith’ who made them.

According to the firm’s blog: “The origins of the panels are unknown but we believe they were commissioned for the property and removed for storage during renovation works. The panels were stored on the premises but not in use or maintained.

“The decorative panels were fully restored, removing all debris and surface rust with minimal abrasion, while ensuring that the surface is correctly prepared before applying a protective paint system. The panels were secured within the external frame without the need for fixings or welding, ensuring that the panels remain in their original condition. The mild-steel frame was constructed around the frame as part of our trial work before being blast cleaned and a protective paint system applied (pictured right).”

Once fully painted the gates were installed on site at the property (left). q

Brighton’s ‘biggest challenge’ gets underway

[ONE OF THE BIGGEST CHALLENGES currently underway in the ironwork sector is to dismantle, transport, restore and then rebuild the country’s longest cast iron structure –Madeira Terrace in Brighton.

Madeira Terrace is a Grade Two*-listed, 865m-long stretch of seafront arches and promenade on Madeira Drive in Brighton. At almost one kilometre in length, it is the only land-based iron promenade in England.

Built in the late 1800s, it runs along the seafront rather than out to sea: the Victorians recognised that visitors needed shelter and shade when they were by the sea and that a new promenade could offer this.

The build combined wrought and cast iron to provide a technical solution to creating the promenade in a challenging seafront location. At the centre of each arch are cast representations of mythical gods Neptune and Venus.

However, more and more of it has been closed to the public since 2014. That is because the local marine environment has degraded the structure and made it unsafe.

The deterioration of the Terrace has occurred as the movement of the deck has created small cracks in its surface. Those have then absorbed water and allowed the structure to deteriorate from the inside out. While it may now look as if it simply needs a coat of paint, the restoration is far more complicated. Cast iron is a brittle metal which cannot be easily welded or forged and modern-day building regulations need to be complied with.

There are six tonnes of cast iron in each of the 151 arches, which will be dismantled and taken away from the site. Planning permission for Phase One of the restoration was granted on 2 November, paving the way for work to start on the first 40 arches this year. Once the full restoration is completed, over 900 tonnes of cast iron will have been removed and reinstated.

The first 40 arches are those between Madeira Terrace Shelter Hall (also known as Concorde 2) and the Royal Crescent steps. It will include the famous green wall behind the structure.

In renovating the historic structure, the council has committed to conserving the existing cast iron elements as far as possible and will only recast the iron where absolutely necessary. Decorative elements, such as the beautiful spandrels at the front, are more likely to be able to be repaired as they are not weight bearing. Trusses and balustrades do a different job, and some of those are more likely to be recast.

A special maritime treatment will be applied to every element of the refurbished structure, which will keep the cast iron protected for much longer than ordinary paint. Where the cast iron is repaired, planned maintenance should provide the same long life as the original cast iron, ensuring future generations can enjoy the heritage treasure.

Council Leader Phélim Mac Cafferty said: “Work is underway to restore Madeira Terrace, rebuilding this historic part of the seafront and restoring the country’s longest cast iron structure. Our goal? To return this Victorian landmark to the city, offering facilities fit for the 21st century which welcome all communities, and ensure it is here for generations to come.

“The revitalisation of Madeira Terrace is one of the most significant projects on which the council has embarked for a long time. In November we won the planning consent and the regeneration of Madeira Terrace will enliven the eastern end of the seafront, appealing

to residents and visitors alike. The refurbished Terrace will further strengthen our offer to visitors and grow the local economy, in a city where tourism accounts for 21,000 jobs.” q

Restoration reveals church clock’s true colour

[ THE FOUR DIALS on the clock tower of St Lawrence Jewry in the City of London have been faithfully restored, gilded with gold leaf and painted black – the original colour, discovered during the restoration process.

In October last year a team of four from Smith of Derby – comprising Rich, Tim, Dan and Mak – travelled from the Clockworks in Derby to London with the dials. Under the guidance of project managers from Bakers of Danbury, and with the assistance of the scaffolding team from Fourways, they were successful in refitting the dials to the clock tower which overlooks the Guildhall square and can be seen from much of the City.

There has been a church on the present site of St Lawrence Jewry since the 12th century. The first church is thought to have been built in 1136 and was destroyed in the Great Fire of London. It was one of many re-built by Sir Christopher Wren. Work began in 1670 and was completed in 1677. It was one of Wren’s most expensive City churches. The name Jewry is a geographical descriptor: before the great fire of 1666 there were over 150 churches in the City and some had the same saint’s name. To distinguish them another title was attached and that is why so many of the City churches have interesting and odd names. The church is located close to a street called Old Jewry, where a Jewish community lived from 1066 to 1290. They came to the country with William the Conqueror and were expelled by Edward I –hence St Lawrence Jewry.

During the restoration process it was discovered that, while the dials had at some point been painted blue, their original colour was in fact black; and it is with that colour that they have been restored.

Richard, who worked in the team to refit the dials, described how the dials were in a poor state of repair when they removed them. “There were a lot of rotten sections in the lower portions of the dial,” he said. “The copper sheet was coming away from the iron frame, where it had all delaminated. They’ve done a cracking job in the workshop. They’ve cut out all the rot, all the old bad metal, restored them fully; and obviously the crowning glory on the dials is the gild.”

Working in close collaboration with architects Julian Harrap, project managers Bakers of Danbury and the scaffolding team at Fourways, the Smith of Derby team – both on-site for removal and reinstallation and at the Clockworks for restoration and finishing – have shown the diligence and care that can be brought to bear when working to restore dials on a historic and culturally significant building. q

• For further information visit the website at www.smithofderby.com, call 01332 345569 or contact Jane Betts at jane.betts@smithofderby.com

St Lawrence Jewry during restoration work (left); and the gridiron adorning each dial (right) – painted in blue it is symbolic of the martyrdom of St Lawrence, who tradition says was roasted alive on a gridiron

The four dials in a poor condition, after removal from the church tower

Spencer in the Derby Clockworks sands back the copper sheet

Mak and the other team members unload the dials and prepare them for being transported via the scaffolding lift to the top of the building

Richard looks out from the clocktower towards the city skyline

“

”

They’ve done a cracking job in the workshop. They’ve cut out all the rot, all the old bad metal, restored them fully, and obviously the crowning glory on the dials is the gild.

Spider boom ‘vital’ to clear diseased trees laying siege to castle

[TREE SURGEONS have become kings of the castle after taking delivery of a Hinowa Lightlift 17.75 Performance IIIS spider platform from Access Platform Sales (APS).

That’s because their first project for the exceptional tracked boom lift has been to clear diseased ash trees from around a Welsh medieval castle.

Without it, key elements of the project would have been impossible to carry out, according to Tom Morris, director of Morris’s Grounds Maintenance of Rhadyr, near Usk, in Monmouthshire.

“The Hinowa Lightlift 17.75 is a brilliant machine,” he explained. “Without it, some of our work on this project would've been impossible to do. We’d scheduled 15 days to complete it. With the Hinowa, we're looking to finish it in eight. The Hinowa makes that big a difference.”

Jonathan Wiseman, regional sales manager at APS, which is the UK and Ireland distributor for Hinowa products, said: “It’s fabulous to hear the Hinowa Lightlift 17.75 has had an immediate positive impact on the challenging work being done by Tom’s operatives.

"Because of the debilitating effect of ash dieback on infected trees, similar teams up and down the country are quickly finding working from Hinowa platforms is the only solution to a pernicious environmental problem.”

Tom Morris’s tree surgeons were tasked with removing up to 40 mature ash trees, some more than 80 feet tall, which had been infected and fatally weakened by ash dieback. It had left the trees so unstable they urgently had to be taken down to prevent them from falling onto the remains of Tregrug Castle, located three miles from Usk, and damaging its structure.

Some of the trees could be felled conventionally. Others were so close to walls, or enclosed by the castle structure, that they had to be reduced branch by branch and the trunk removed in sections.

The castle has rectangular walls 160m by 78m, making it the largest single enclosure castle in England and Wales. It was built in the 14th century to replace an earlier Norman castle, and used primarily as a grand country retreat and hunting lodge by the de Clare family, who also had a castle in nearby Usk.

Many of the trees removed had been clustered around the remains of the imposing Lord’s Tower, which would have been the tallest structure when the castle was first built.

The tree clearance project has been made possible by funding from Cadw, the Welsh Government agency charged with protecting sites and structures of historical interest.

The diseased trees were so weak it was unsafe to use conventional rope climbing techniques to reach the tree canopies and reduce the tree safely branch by branch. The only alternative was to work on the tree from an access platform – and Tom Morris was clear the best MEWP for the job was a Hinowa spider boom lift.

Tom explained: “In the past, we've hired in Hinowa spider booms when we need to, but the rental cost of such a large project made it more feasible for us to buy our own machine. Even so, access to the locations across the site to work on the trees has been challenging.

But, being a tracked MEWP, the Hinowa Lightlift 17.75 has coped with some ease with everything we asked of it.

“It’s incredibly compact, and because it’s so light, we’ve been able to tow it directly to the worksite on a lightweight trailer, also supplied by APS, first behind a 4x4 pick-up truck, then for the last half a mile or so behind a tractor up some particularly steep and windy tracks.”

At times, the spider cherry picker has looked as if it has grown from the landscape itself, as its boom and basket emerges above a tangle of trees and shrubs, allowing the tree surgeons to get to work.

Using the spider platform’s extremely precise and smooth proportional controls, the Morris’s Grounds Maintenance team could position its articulating boom within inches of the castle walls and arches, and place the basket in the safest positions to drop branches without striking the castle.

Tree surgeon Simon Parsons, who has been supervising the work, said: “The Hinowa makes such a huge difference. It’s much safer to work from. It’s also made almost all aspects of our tree felling operations much faster.

“Even where the platform hasn’t had the height to reduce the larger trees, we’ve used it to get up into trees to attach a rope and pulley system to guide the tree down as we’ve felled it, saving us a lot of time.”

Having the Hinowa LL 17.75 will now create new opportunities for their teams, making the decision to buy the platform a ‘no-brainer’, according to Tom Morris.

He added: “Our customers are always impressed when we use Hinowa spider platforms. They know they’re safer and we can demonstrate they’re more productive, and help us manage trees to the highest standard.

“I’m sure having the Hinowa platform ready to go will win us more work and bigger projects, quickly repaying the trust and the financial investment we’ve put into acquiring it.

“Ash dieback alone is going to keep the spider platform busy. The disease began to appear in our area around three years ago. Now up to half our jobs involve working on trees affected by ash dieback.”

The Hinowa Lightlift 17.75 has a maximum working height of 17.06m, a maximum horizontal outreach of 7.5m and an unrestructured basket capacity of 230kg. With a tracking width of just 790mm, the spider lift could be moved across the uneven ground and through the narrow entranceways into the heart of the medieval castle to reach the trees that needed to be removed.

The Hinowa LL 17.75 selected by Morris’s Grounds Maintenance has a low-emissions diesel engine. It has bi-energy capability as it can be powered via a 110v mains cable, for working indoors, or outdoors where low-noise or fume-free operation is needed. It can also be supplied with a petrol engine, or as an all-electric spider boom lift, with long-lasting lithium batteries.

The spider platform has a range of features that support safer and more productive working, including two-speed tracking plus one-button outrigger levelling and boom stowing functions. q

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Central High Rise Limited

Industry specialist in fitting both new and retrofit lightning conductor systems to all types of buildings and structures.

T: 0115 958 7637

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Cloud to Ground Ltd

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Horizon Specialist Contracting Ltd

With over 30 years experience our in-house design team are trained and certified to the current British & European Standards BS EN 62305:2011 for Lightning Protection Systems and BS 7430:2011 for Earthing.

Lightning Protection Systems and Surge Protection Design Testing and Inspection surveys

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G & S Steeplejacks Ltd

Over 30 years experience in the Design & Installation of Lightning Protection Systems.

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E: graham@gnssteeplejacks.co.uk W: www.gnssteeplejacks.co.uk

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Storms can occur in winter, too

[ IN THE MIDST OF WINTER it may seem odd to be discussing the effects of lightning – a phenomenon associated in this country with summer and hot weather.

The Met Office, however, describes a particular type of storm that occurs in wintry conditions, which can give rise to heavy downpours of snow. They call these events ‘thundersnow’. Thundersnow is of course unusual because it can only occur in a few months of the year.

The Met Office describes the phenomenon thus: “When thundersnow occurs at night the lightning appears brighter: this is because the light reflects off the snowflakes.

“Interestingly, the snow contained within the

thunderstorm acts to dampen the sound of the thunder. While the thunder from a typical thunderstorm might be heard many miles away, the thunder during a thundersnow event will only be heard if you are within two to three miles of the lightning.”

The section on thundersnow is just one of a number of interesting items on lightning on the Met Office website. Another relates ‘10 striking facts about lightning’. Among the interesting snippets is the speed of travel of a lightning strike (270,000 mph) and the site of the most prolific lightning storm – Lake Maracaibo in Venezuela with 40,000 strikes in one night.

Of interest to historians and archaeologists

are the glass-like tubes called fulgurite that are formed when lightning strikes a sandy beach, allowing past weather to be explained.

Possibly one of the most bizarre facts is the medieval idea that church bells could fend off lightning strikes. Many church bells bore the inscription fulgura frango, meaning ‘I repel lightning’ and the bells would be rung during a storm: a practice we now know to be hazardous. In fact, between 1753 and 1786 in France, 103 bell-ringers were struck by lightning and killed, resulting in the custom being banned.

Another bizarre fact? Helicopters can cause lightning strikes!

For the full list visit www.metoffice.gov.uk. q

Steeplejacks’ story is told in newspaper pictures

[ONE OF THE FASCINATING STORIES told through archive photographs from the Daily Herald by the National Science and Media Museum in Bradford is the history of the steeplejack. A series of spectacular pictures depict steeplejacks atop a range of buildings from national landmarks such as Westminster Abbey and the Palace of Westminster to chimney stacks at Fulham Power Station and the Newton and Ayr Gasworks. The pictures also chart the development of the technology used by steeplejacks, from simple ladders lashed to metal ‘dogs’ to the use of bosun’s chairs – prior to modern abseiling techniques.

The Daily Herald was once the world’s top selling newspaper and today its photographic archive is held by the Science Museum Group at the National Science and Media Museum in Bradford. The archive provides a rich visual history comprising over 3 million items, with prints from press agencies and freelance photographers alongside work created by Daily Herald staff photographers.

The archive was first published at the end of 2021.

In October last year the number of images was expanded when the museum announced a new collaboration with Google Arts & Culture to digitise nearly 50,000 never-before-seen photographs from the Daily Herald archive and launch a visual experiment on the platform.

The newly digitised images are showcased in 25 online stories – including the story of steeplejacks – on the Google Arts & Culture platform as well as on the National Science and Media Museum’s website.

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In an interesting aside previewing the story on the museum’s website, the writer points to one of the first depictions of a steeplejack in the country’s history: a figure climbing the roof of the newly-built St Peter’s Church at Westminster – Westminster Abbey – prior to the burial of Edward the Confessor, depicted in the Bayeux Tapestry and pictured here in a 1:7 scale reproduction.

Read the fascinating story of steeplejacks on the website at www.scienceandmediamuseum.org.uk. q

Wiltshire Steeplejacks and Lightning Conductor Engineers

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New steel windows feature in town hall refurbishment projects

[THE INTER-WAR PERIOD saw the development of a particular style of architecture when it came to municipal buildings in the UK. Architects in the first half of the 20th century grappled with how best to represent the power and ideology of an advanced and progressive state in built form. The democratic principles advocated by the Art Nouveau movement lost their allure in an era that saw the rise of the Soviet Union, Fascist Italy and the Third Reich.

A style which became known as Stripped Classicism evolved from the Modern Movement in the UK and was adopted by government at all levels. Defined by bold massing, severe angles and a stylised reduction of classical elements, it was a formal expression of civic grandeur symbolising the power and authority of local government.

It was also an architectural style for the people: town hall buildings, while serving an official function, also provided cultural spaces for the

local community in the form of libraries, concert venues or conference and wedding facilities.

Vast rows of windows were a key feature of the style and they were often steel-framed. Replacing the original steel windows with high-performance modern replicas has been a central feature of refurbishment projects of town halls from the period.

Waltham Forest Town Hall

Waltham Forest Town Hall is the best-known example of Stripped Classicism in the UK. Grade Two-listed, it is the headquarters of the London Borough of Waltham Forest Council and has hosted concerts by Yehudi Menuhin and Placido Domingo. Designed by Philip Dalton Hepworth, construction of the building began in 1938 and was completed in 1942.

Clement W20 steel windows were chosen to replace the original steel windows at Waltham Forest Town Hall

In 2019 the council approved an extensive programme of renovation works which included the replacement of all the original steel windows. More than 200 steel windows were chosen from Clement Windows Group’s W20 range. The new windows are painted RAL 9010 (Pure White) and include both top hung and side hung opening casements with complementary fittings in a dark bronze finish.

Previously described as aloof and inaccessible, the municipal buildings are now more open and welcoming and the new windows contribute good looks, better security and improved thermal performance.

Old Marylebone Town Hall

Officially opened in 1920, Old Marylebone Town Hall was designed by Sir Edwin Cooper and served as the headquarters of the Metropolitan Borough of St Marylebone until the larger City of Westminster was formed in 1965. It is also home to Westminster Register Office, which has hosted the nuptials of celebrities such as Paul McCartney, Ringo Starr and Claudia Winkleman.

Clement W20 bespoke steel windows were selected for Norwich City Hall made, each one being two inches longer than usual to better reflect the proportions of the finished building.

Over the years, many buildings of the period have lost their hallmark fixtures and fittings, but Norwich City Hall retains many of its original features. That is particularly fortunate as the furniture, light fittings and other details throughout the building were designed by the architects themselves with the particular site in mind.

Clement replaced the original steel windows with new Clement W20 windows, improving energy efficiency and security, while retaining the character of the building. q

• Clement Windows Group manufactures an innovative range of steel windows, doors, screens and conservation rooflights for both private residences and commercial projects.

For more information call 01428 643393, email info@clementwg.co.uk or visit clementwindows.co.uk

Following an agreement with Westminster Council, London Business School leased the Grade Two-listed town hall on a 35-year renewable contract in order to increase teaching facilities by 70%. Subsequently, the building underwent a major £60m refurbishment.

Wates Construction were chosen as the main contractors to undertake the challenge of joining the iconic buildings in an eclectic mix of the traditional and contemporary. The new educational facility is now known as the Sammy Ofer Centre in honour of the late Sammy Ofer KBE, a celebrated entrepreneur and philanthropist.

Clement EB24 steel windows with genuine T bars were specified to replace the original fenestration as sympathetically as possible, but with the advantage of multi-point locking. The slim 24mm frames of the windows meant planning the right glass specification was a highly-complex task, and different combinations of panes were chosen for the various windows. The specified glass included SunGuard, which combines solar control with high light transmission and Low E performance, as well as acoustic laminated glass for achieving the desired sound requirements.

Norwich City Hall

Norwich City Hall was considered by Sir Nikolaus Pevsner to be the ‘foremost public building of between the wars’. Many of the tenets of the fashionable Art Deco movement were simplified and combined with Greek and Roman traditions when it came to civic buildings and Norwich City Hall is a great example of that kind of architecture.

Completed in 1938 to a design by Charles Holloway James and Stephen Rowland Pierce, it is often compared to Ostberg’s City Hall in Stockholm, which was very influential on municipal buildings during the period.

It was built to the highest standards, using the finest materials and methods of its day: the materials used include Italian marble, Honduras mahogany and Australian walnut – even the bricks were specially

London Business School chose steel windows by Clement to replace the windows at the Grade Two-listed Old Marylebone Town Hall

Increased attendance at pest show augurs well for next year’s anniversary

[ ON 9 NOVEMBER the National Pest Technicians’ Association (NPTA) staged PestTech – its annual exhibition and seminar programme – at the Marshall Arena in Milton Keynes. This time there were 60 stands to visit, compared to 48 in 2021. Visitors pointed to what was described as the ‘buzz’ of the event. The seminar space proved a star attraction, with many events attracting precious CPD points.

“It’s been a really fantastic show,” said NPTA chief operating officer Steve Hallam. “Every stand has been visited and the feedback from all of the exhibitors has been really positive.

“They’ve all spoken about the opportunity to meet people new and old, the ability to actually talk to people and get really effective feedback about products and new opportunities.

“This year we’ve had 60 stands compared to 48 last year, so we’ve really increased the number and next year we’ll hope to go even better for our 30th anniversary: 30 years of PestTech!”

Sophie Thorogood from Edialux kicked off the seminar sessions with Foes Since The Beginning; The Bedbug and was followed by Alan Buckle’s CRRU (Campaign for Responsible Rodenticide Use) stewardship update.

Matt Davies from Killgerm’s seminar Emerging Insect Species was inevitably popular, while Pest Risk Mitigation by Pestwise’s Oliver Madge and Sharon Hughes from BASF on Rodenticide Baits, Different Baiting Regimes and Label Directions were very well attended, as was Bayer’s Tim Peeling’s talk on digital pest management.

Steve Hallam declared: “The seminars have been absolutely brilliant: all credit to John Hope [NPTA technical manager] and to our seminar speakers. My sincere thanks go to them.

“We’re looking forward to more of the same. The industry is changing rapidly and more of these seminars and training sessions is always needed. The information we put out at events like this is to the point and it’s been well received by the delegates.”

Star of the show was undoubtedly Benji the detection dog, who performed a practical demonstration with handler Brian Leith as part of Richard Naylor’s presentation for the Bed Bug Foundation.

Event supporter Lodi’s national business development manager for pest control, Matt Towler, said: “In terms of events, this is one of the best events of the year. We always have a very good turn-out.

“The buzz here is very, very good. I don’t want to slate any other events, but this, to me, is probably one of the biggest events of the year and probably one of the best. We get a constant flow of people.

“I’ve had a lot of positive feedback for our products, for the stand, but also for the event itself, for the venue and for what’s going on with the NPTA.” q

Scottish museums site offers pest guidance online

[

MANAGERS OF HERITAGE BUILDINGS have no greater headache than how to protect the site and its collection from the many pests that can wreak havoc to both. Fortunately, in addition to the many professional pest control firms offering their services, there are a number of resources heritage mangers can consult to try and prevent pests from establishing themselves in the first place.

One such is an advice site from National Museums Scotland. They offer comprehensive guidance on how to prevent infestations and what to do about them.

Perhaps predictably, the advice begins at the beginning: “The best way to prevent infestation is to stop pests entering your collection. This is most effectively achieved by pest proofing and maintaining buildings, limiting food sources, and quarantining collections at point of arrival.”

The guidance then sets out a number of steps to prevent access to unwanted visitors. Windows and doors are the most common areas to address; but less obvious are chimneys –they should be capped if not used. And it’s not only the birds that can roost or even nest there that are the risk; feathers can offer tasty snacks for insects that may progress to feasting on a museum’s collection.

Other steps include a regular cleaning regime, particularly paying attention to unused spaces.

The staff may also inadvertently introduce pests by not paying attention to a proper regime of storing food that they bring into the building, in addition to any food outlets for visitors.

Even activities that are meant to enhance the heritage function of the building may be culprits. The guidance states: “Think about other materials that might come into the building, for example craft materials for events, or that jumper hanging on the back of the office door for when the heating breaks.”

It may even be necessary to quarantine items from the rest of the collection to prevent what in a medical setting would be termed ‘cross-infection’. That may include new acquisitions, incoming loans and returning loans. Pests can travel in the object or in the packaging around the object.

It seems that the price of a pest-free heritage collection is eternal vigilance. The advice can be accessed via www.nms.ac.uk. q

ANTIQUE FURNITURE RESTORATION

ARBORICULTURAL CONSULTANTS

ARCHIVE & CONSERVATION STORAGE

ARCHITECTS

BELLS

BOOK & PAPER CONSERVATION

BRICKS

ASBESTOS MANAGEMENT

BATHROOMS

BUILDING CONSERVATION & RESTORATION

BUILDING SERVICES

CARVERS – MASTER CARVERS ASSOCIATION

DAMP SPECIALISTS

CLOCKS

DISABLED ACCESS

DISASTER RECOVERY

HEATING SPECIALISTS

HYMNODY

JOINERY

ENVIRONMENTAL MONITORING

EXHUMATION SERVICES

LANDSCAPING

DISPLAY PRODUCTS & WORKSHOP FURNITURE

LIGHTING

LEADWORKERS – LCA MEMBERS

LIGHTNING PROTECTION

G & S Steeplejacks Ltd

Over 30 years experience in the Design & Installation of Lightning Protection Systems.

Annual Testing Inspection & Maintenance

Surge Protection

Height Safety Systems

Churches, Schools, Hospitals, Universities, Colleges

T: 01761 437796 M: 07974 184449

E: graham@gnssteeplejacks.co.uk W: www.gnssteeplejacks.co.uk

Unit 3, Bath Business Park, Peasedown St John, Somerset BA2 8SF

Wiltshire Steeplejacks and Lightning Conductor Engineers

We specialise in:

Lightning protection systems

BS EN 62305 & BS 6651

Earthing and resistivity testing

High maintenance work Flagpoles

All rope access work

Full architectural surveys & cover meter surveys

T: 01225 761330 M: 07973 397770

E: info@wiltshiresteeplejacks.co.uk W: www.wiltshiresteeplejacks.co.uk

44 Eastbourne Road, Trowbridge, Wiltshire BA14 7HW

Lightning Strike Ltd

Lightning Protection and Earthing Specialist for Churches and Historic Properties

Earthing Systems

Surge Protection

Safe Strike ESE Systems

Lightning Conductor Testing

Earthing System Testing

Soil Resistivity Testing

T: 01158 752686 M: 07581 266493

E: info@lightningstrikeltd.co.uk

W: www.lightningstrikeltd.co.uk

452 Watnall Road, Hucknall NG15 6FQ

• Lightning Conductor Engineers

• Steeplejacks • Flagpole Specialists

• High Level Access

Providing lightning protection and steeplejack services since 1978.

Churches Cathedrals

Schools

Hospitals

• High Rise Office Blocks

High Rise Residential Blocks Towers Sports Centres

A C Wallbridge & Co Ltd

T: 01722 322750 E: office@wallbridge.uk W: www.wallbridge.co.uk

Unit 7, Centre One, Lysander Way, Old Sarum, Salisbury SP4 6BU

Testing & Installation

E: contact@harrisonlp.co.uk

T: 01325 464464 W: www.harrisonlp.co.uk

2 Lakeland Estate, Faverdale North, Darlington, County Durham DL3 0PX

Lightning Protection Services

North(Head office): 01461 800323

South: 01582 511036 N.E: 01914 661145

E: info@lightningconductor.co.uk

W: www.lightningconductor.co.uk

Direct Strike Ltd

Lightning Protection and Earthing Solutions

Lightning Protection

Inspection & Maintenance BSEN 62305:2011

Consultancy & Design Services

Supply & Installation

Earthing Systems

Height Safety & Fall Arrest Systems

Surge Protection

Head Office: 01461 337951 Rep of Ireland: +353 45 913 129

E: enquiries@directstrike.co.uk W: www.directstrike.co.uk

18 Canberra Road, Gretna, Dumfriesshire, Scotland DG16 5DP

South West Lightning Protection

T: 07807 334441

E: south@lightningconductor.org

W: www.lightningconductor.org

Airport Business Centre, 10 Thornbury Road, Estover, Plymouth PL6 7PP

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ORGANS

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ISCVE

FTMRC

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WOOD PROTECTION & RESTORATION

TRAINING