Runs deep, bends time
for chamber choir and electronic tracks
Peter Hannan 2022 commissioned by the Vancouver Chamber ChoirRuns deep, bends time
1. Find peace
Choir: Find peace.
Speaker 1
Choir: Find rest
Speaker 2
Choir: Find peace.
Speaker 3
Choir: Find rest
Speaker 4
Choir: Find peace.
Speaker 5
Choir: Find rest
Speaker 6
Choir: Life is worry, care, grief, disappointment, Life is rage, betrayal, revenge.
We fear our deaths because we know. We envy dogs because they don!t Thanks evolution for that little tweak.
Don’t need Zen don’t need medication. You can have peace in this life.
2. 1348
Vocode: milletrecentoquarantotto
Choir: one thousand three hundred and forty-eight, Alto solo: That was the year
When the deadly plague descended
Was it a celestial event
Or was it the righteous anger of God
Choir interspersed: What was it? Celestial event.
Or was it the righteous anger of God ?
Vocode: giusta ira di Dio
Choir: Righteous anger of God.
Solo: Righteous anger of God as retribution for our sins
Vocode: la mortifera pestilenza
Solo: The disease came in stages
Tumours would appear all over the body
Then came the black blotches
These spots were a sign of impending death
Choir: The deadly plague
Vocode: non valendo alcuno senno né umano provedimento
Choir: All human knowledge
Solo: All human knowledge was useless
Few were cured, and death came after 3 days
It was spread by the slightest contact
After three days
Vocode: molti consigli dati a conservazion della sanità
Choir: Instructions were issued to preserve health
Solo: Instructions were issued to preserve health
Some said live modestly
Others said drink, enjoy life , dance and have fun
Solo and choir: Ecco la primavera. Che’l cor fa ralegare
Spring has come. Happiness is here
Solo : Too dangerous to mourn - no tears no flowers.
From March to July one hundred thousand people died.
Choir: No tears no flowers. One hundred thousand people
3. You will pass through the gate
Choir: you will pass though the gate
You know it .
Billions of humans have lived on earth
Not one of those billions have answered the question
What happens beyond the gate
The only people who know you can’t ask
4. Dr Kalashnikov
News voice: Best porridge I’ve eaten in a long time.
Kalashnikov puts the soldiers at ease with one simple phrase
Vocode: AK47
Choir: Automat Kalashnikova . AK47
Invented nineteen forty seven for the Russian army
News voice: You were in Afghanistan? Show me your rifle please .
Choir: Six hundred rounds a minute . Easy to use Doctor Kalashnikov.
News voice: AK behaves like a warrior in combat
Vocode: Wanted to be a poet
Wished he'd invented the lawnmower
Choir: He wanted to be a poet
He wished he'd invented the lawnmower.
Vocode: One hundred million of them
Choir: One hundred million of them
AK kills two hundred fifty thousand a year.
Vocode: Revolution, insurrection, sedition.
Choir: Revolution, insurrection, sedition.
Vocode: Used by death squads, terrorists, cartels.
Choir: Used by death squads, terrorists, cartels.
Bass solo: He wrote a letter to the Patriarch
This is what he said
Vocode: My spiritual pain is unbearable.
Choir: My spiritual pain is unbearable.
Bass solo: My pain
Choir: Was I to blame for their deaths ?
Bass solo: Was I to blame ?
Choir: So much envy, greed and aggression
Bass solo: So much envy. So much aggression.
Vocode: I had never held a gun in my life. Russia declared war on us. I got like super super angry. I got my Kalashnikov rifle and I’m learning to shoot it. Yes, I’m prepared to use it.
News voice: Kira Rudik is a member of the Ukrainian parliament.
5. Cycles
Choir: We’re in cycles within cycles within cycles within cycles
There!s the cycle of planet earth 4 billion years so far.
If we don’t blow ourselves up
We should get 3 billion more.
Humans on this time line. Barely a dot
Human time on this planet. Barely significant
We’re in cycles within cycles within cycles within cycles.
We won’t be here to see the end if all goes well.
We’re in cycles within cycles within cycles within cycles.
6. The women
Choir member speaking: We weren!t going to mention this
The lethal dark cloud that has hung over this city
The women. Yes, the women
Too many of us have been silent.
Silence can mean words alone can not express
Or silence can mean nothing to say
Or silence can mean nothing at all
Choir: What are we left with when she doesn’t come home?
When do we start to worry?
What are we left with when there’s no one there to worry?
What are we left with when she was was there yesterday? Will anybody care that she’s not here today?
What are you left with when her voice will never be heard again? When does somebody look into that?
What are we left with when hundreds don’t come home? How do we even process that?
What are we left with when thousands don’t come home? When do we need to worry?
What are we left with when the cycle is broken? You know It can never be fixed.
What are we left with when the span is interrupted? Or rather , somebody interrupted the span.
What are are we left with when there are men who want to make women disappear? Will there ever be enough psychotherapy for that?
What are we left with?
Memorials, grieving, government commissions. Promises to do better, that it will never happen again
What are we left with ? (x9)
7. Afterlife
Choir: You may be dust
but your thoughts live on
You remember your mother- all kinds of things she said
Your memory is her afterlife
So many gone before you
Your memory is their afterlife
Vocode: You remember your mother- all kinds of things she said
Choir: You have the terrible ability to imagine your own end
When you pass through the gate
You will know the answer
The afterlife is in what you leave for other people
When you pass through the gate
Vocode: Twenty one twenty two (repeats) . Twenty twenty twenty twenty one. (repeats)
Choir: Twenty twenty twenty twenty one twenty two.
Tenor solo: To see the world we stayed home
Choir: We stayed home. Didn’t go out. Looked at screens.
Tenor solo: Looked at our screens
Stayed home
We watched each other on screens
We hid from each other on screens
We lived at home. We loved at home. We hated at home. We died at home. Grieved at home.
We saved people from dying. Couldn’t save people from dying
Some of us were there. Most of us saw this on screens
We learned to bake on screens. We learned Russian on screens. We read War and Peace on our screens.
How many hours. How many days. How many weeks.
We danced in the kitchen on our screens.
We danced in the hallway on our screens.
We sang into our devices. Good luck with that We saw our leaders behave like idiots .
Saw them grow beards. deny it was real.
Then get sick themselves.
Solo and choir: Dine in dream on. No travel no way
No school ever. Computers only.
Open up . I don’t think so.
The cure arrived
First shot second shot
First shot second shot repeat
Did everybody want one. Not a chance. Did everybody get one? What do you think?
repeat repeat repeat repeat
Some of us are still here. Some of us didn’t make it.
9. Talking to dead people
Choir: I find myself talking to dead people.
Upside. They can!t talk back.
Downside. They can!t talk back
Wow! that zinger really would!ve got ‘em. That would have hurt! No coming back from that!
8. 2020
Speaker 1
Speaker 2
Choir: But it!s also I miss you
Speaker 3
Speaker 4
Speaker 5
Choir: You never said.
Talk now. They won’t be back. Ever.
Never. Ever.
Eternity is the thunder word. Runs heavy. Runs long. Runs deep.Bends time.
Performance notes:
There are a number of solos as well as spoken material in the piece performed by members of the choir.
These are as follows.
Section 1- Choir members were asked to say something about somebody they have lost. 5 of these are spoken in this section
Section 2- alto solo - sung
Section 4- news voice (M or F) - spoken: bass solo - sung
Section 6 - spoken introduction - (F) soprano solo (probably the speaker of the introduction)
Section 8 - tenor solo
Section 9 - Choir members were asked to . 6 of these are spoken in this section
Runs deep , bends time
1. Find peace
1
Spoken 1 =64 (to be spoken by individual singers) 5 9 A Twangle Soprano Find peace Alto 1 Find peace Alto 2 Find peace Tenor Find peace Bass Find peace Synth chd
2 Spk Speaker 1 13 17 Speaker 2 Spk 21 Speaker 3 Tw S Find rest S Find peace Find rest A1 Find rest A1 Find peace Find rest A2 Find rest A2 Find peace Find rest T Find rest T Find peace Find rest B Find rest B Find peace Find rest SynChd SynChd
3 Spk Speaker 4 29 Spk 33 Speaker 5 Tw S Find peace S Find rest A1 Find B peace A1 Find rest A2 Find peace A2 Find rest T Find peace T Find rest B Find peace B Find rest SynChd SynChd
4 Spk Speaker 6 S Life is C wor ry grief dis ap point3 ment 3 Life is rage be S 45 tray al re venge 3 D We fear our deaths 49 be cause we know. We en vy dogs be A1 Life is wor ry grief dis ap point3 ment 3 Life is rage be A1 tray al re venge 3 We fear our deaths be cause we know. We en vy dogs be A2 Life is wor ry grief dis ap point3 ment 3 Life is rage be A2 tray al re venge 3 We fear our deaths be cause we know. We en vy dogs be T Life is wor ry grief dis ap point3 ment 3 Life is rage be T tray al re venge 3 We fear our deaths be cause we know. We en vy dogs be B Life is wor ry grief dis ap point3 ment 3 Life is rage be B tray al re venge 3 We fear our deaths be cause we know. We en vy dogs be SynChd SynChd
5 Tw 53 Tw 57 S cause they don't. Thanks e vo lu tion for that 3 lit tle tweak 3 E Don't need Zen, S don't need 3 med i ca 3 tion You can have peace in this life. 3 A1 cause they don't. Thanks e vo lu tion for that 3 lit tle tweak 3 Don't need Zen, A1 don't need 3 med i ca 3 tion You can have peace in this life. 3 A2 cause they don't. Thanks e vo lu tion for that 3 lit tle tweak 3 Don't need Zen, A2 don't need 3 med i ca 3 tion You can have peace in this life. 3 T cause they don't. Thanks e vo lu tion for that 3 lit tle tweak 3 Don't need Zen, T don't need 3 med i ca 3 tion You can have peace in this life. 3 B cause they don't. Thanks e vo lu tion for that 3 lit tle tweak 3 Don't need Zen, B don't need 3 med i ca 3 tion You can have peace in this life. 3 SynChd SynChd
6 Tw 61 65 transition ca 15' S Peace in this life. 3 whistle these pitches A1 Peace in this life. 3 whistle these pitches A2 Peace in this life. 3 whistle these pitches T Peace in this life. 3 whistle these pitches B Peace in this life. 3 whistle these pitches SynChd
7 2. 1348 Vocode Mille =86 trecento- quarant- otto Mille- trecento- quarant- otto vcd 5 Mille- trecento- quarant- otto Alto solo solo That was the year Soprano One thou sand three hund3 red and for 3 ty eight One s thou sand three hund3 red and for 3 ty eight Alto One thou sand three hund3 red and for 3 ty eight One a thou sand three hund3 red and for 3 ty eight Tenor One thou sand three hund3 red and for 3 ty eight One t thou sand three hund3 red and for 3 ty eight Bass One thou sand three hund3 red and for 3 ty eight One b thou sand three hund3 red and for 3 ty eight Syn Perc prc synth chords syn
8 vcd 9 vcd 13 solo when the dead ly plague de scend ed Was it a ce les ti al e solo vent? Or cresc. was it the right eous an ger of god the ang er of god s What was it? What was it? Ce les tial e s vent Or cresc. was it the right eous an ger of God? a What was it? What was it? CeCe lesles tial e a vent Or cresc. was it the right eous an ger of God? t What was it? What was it? Ce les tial e t vent Or cresc. was it the right eous an ger of God? b What was it? What was it? tial e b vent cresc. prc prc syn syn
9 vcd 17 Giusta A ira di Dio Giusta ira di Dio vcd 21 Giusta ira di Dio B La mortifera pestilenza 25 solo the an ger of god? Right eous an3 ger 3 of God solo As ret ri bu tion 3 for our sins 3 The dis ease 3 s Right eous ang er of God 3 Right eous s ang er of God 3 Right eous cresc. ang er of God Right eous ang er a Right eous ang er of God 3 Right eous a ang er of God 3 Right eous cresc. ang er of God Right eous ang er t Right eous ang er of God 3 Right eous t ang er of God 3 Right eous cresc. ang er of God Right eous ang er b Right eous ang er of God 3 Right eous b ang er of God 3 Right eous cresc. ang er of God Right eous ang er prc prc syn syn
10 vcd 29 La mortifera pestilenza vcd 33 La mortifera pestilenza solo came in sta ges. 3 Tum ours would app ear 3 all o3 ver the bo 3 dy solo Then came the black blot ches 3 These spots were a sign of im pend ing death. s The dead ly plague. The dead ly plague. s cresc. The dead ly plague. 3 The dead ly plague. 3 a The dead ly plague. The dead ly plague. a cresc. The dead ly plague. 3 The dead ly plague. 3 t The dead ly plague. The dead ly plague. t cresc. The dead ly plague. 3 The dead ly plague. 3 b The dead ly plague. The dead ly plague. b cresc. The dead ly plague. 3 The dead ly plague. 3 prc prc syn syn
11 vcd 37 C Non valendo alcuno senno né umano provedimento 41 vcd 45 solo All hu man know3 ledge 3 was use less 3 solo Few were cured and death came af ter three days 3 It was spread by the slight est con tact s All hu man know3 ledge. 3 All s hu man know3 ledge. 3 spread a All hu man know3 ledge. 3 All a hu man know3 ledge. 3 was spread t All hu man know3 ledge. 3 All t hu man know3 ledge. 3 It was spread b All hu man know3 ledge. 3 All b hu man know3 ledge. 3 spread prc prc syn syn
12 vcd C Non valendo alcuno senno né umano 49 provedimento Molti consigli dati a conservazion della sanità vcd 53 solo af ter three days af ter three days solo In struc tions were is3 sued 3 to pre serve health s Three days. s In struc tions were is sued to pre serve health. PrePre serve serve health health a Three days. a In struc tions were is sued to pre serve health. PrePre serve serve health health t Three days. t In struc tions were is sued to pre serve health. b Three days. b In struc tions were is sued to pre serve health. prc prc syn syn
13 vcd 57 Molti consigli dati a conservazion della sanità solo Some said live mod est 3 ly Oth ers said drink, 3 en joy life dance and have fun 3 E but light Ec co la pri ma solo 61 ve ra la pri ma ve ra Che'l cor fa ral le gra re Spring has come spring has come s Some cresc. said but light Ec co la pri ma s ve ra la pri ma ve ra Che'l cor fa ral le gra re Spring has come a Some cresc. said but light Ec co la pri ma a ve ra la pri ma ve ra Che'l cor fa ral le gra re Spring has come t Some cresc. said but light Ec co la pri ma t ve ra la pri ma ve ra Che'l cor fa ral le gra re Spring has come b Some cresc. said but light Ec co la pri ma b ve ra la pri ma ve ra Che'l cor fa ral le gra re Spring has come prc prc syn syn
14 solo 65 spring has come. Hap pi ness is here. F Too 69 dan gerous to mourn 3 No tears no solo flow ers. 3 From March to Ju ly 3 73 One hund red thou sand peop le died. 77 s spring has come Hap pi ness is here. No tears no s flow ers. One hun dred thou sand peop le 3 a spring has come Hap pi ness is here. No tears no a flow ers. One hun dred thou sand peop le 3 t spring has come Hap pi ness is here. No tears no t flow ers. One hun dred thou sand peop le 3 b spring has come Hap pi ness is here. No tears no b flow ers. One hun dred thou sand peop le 3 prc syn syn syn transition ca 15'
3. You will pass through the gate
15
Vocode =96
will pass through the gate Vcd 5 A You will pass through the gate 9 13 Soprano S You will pass through the gate. You will pass through the gate You will pass through the gate. Alto A You will pass through the gate. You will pass through the gate You will pass through the gate. Tenor T You will pass through the gate. You will pass through the gate You will pass through the gate. Bass B You will pass through the gate. You will pass through the gate You will pass through the gate. Synth Syn Arp Arp Chords Arpchd
You
16 Vcd 17 21 Vcd 25 29 What happens beyond the gate S You know it. You know it. You know it. B Bill ions of hu 3 mans have lived on earth. S Not one of those bill 3 ions have ans wered the ques 3 tion what hap pens be yond 3 the gate. A You know it. You know it. You know it. Bill ions of hu 3 mans have lived on earth. A Not one of those bill 3 ions have ans wered the ques 3 tion what hap pens be yond 3 the gate. T You know it. You know it. You know it. Bill ions of hu 3 mans have lived on earth. T Not one of those bill 3 ions have ans wered the ques 3 tion what hap pens be yond 3 the gate. B You know it. You know it. You know it. Bill ions of hu 3 mans have lived on earth. B Not one of those bill 3 ions have ans wered the ques 3 tion what hap pens be yond 3 the gate. Syn Syn Arpchd Arpchd
17 Vcd What happens beyond the gate 33 37 The only people who know Vcd The only people who know You can't ask 41 The only people who know The only people who know You can't ask S The C on ly peo3 ple 3 who know you can't ask you can't ask S you can't ask. A The on ly peo3 ple 3 who know you can't ask you can't ask A you can't ask. T The on ly peo3 ple 3 who know you can't ask you can't ask T you can't ask. B The on ly peo3 ple 3 who know you can't ask you can't ask B you can't ask. Syn 3 3 Syn Arpchd Arpchd
18 Vcd 45 Syn transition ca 15' Arpchd
4. Dr. Kalashnikov
19
Newsreader voice =132 ( Dr K. speaking Russian) spoken by a choir member 5 Best porridge I've eaten in a long time. 9 Kalashnikov puts the soldiers at ease with one simple phrase Vocoder Doctor Kalashnikov Bass solo 5 9 Soprano Alto 1 Alto 2 Tenor Bass Perc-pno Synth chd Drums
20 News A 13 News
Dr K. speaking Russian) You were in Afghanistan? Show me your rifle please. 21 Vocd S Au to mat Ka lash ni ko va 13 A K for ty se ven. articulated In vent ed nine teen for ty sev en for the Russ ian ar my. S In ven ted nine teen for ty 17 se ven for the Russ ian ar my A1 Au to mat Ka lash ni ko va A K for ty se ven. articulated In vent ed nine teen for ty sev en for the Russ ian ar my. A1 In ven ted nine teen for ty se ven for the Russ ian ar my A2 Au to mat Ka lash ni ko va A K for ty se ven. articulated In vent ed nine teen for ty sev en for the Russ ian ar my. A2 In ven ted nine teen for ty se ven for the Russ ian ar my T Au to mat Ka lash ni ko va A K for ty se ven. articulated In vent ed nine teen for ty sev en for the Russ ian ar my. T In ven ted nine teen for ty se ven for the Russ ian ar my B Au to mat Ka lash ni ko va A K for ty se ven. articulated In vent ed nine teen for ty sev en for the Russ ian ar my. B In ven ted nine teen for ty se ven for the Russ ian ar my SynChd SynChd
(
21 News ( Dr K. speaking Russian) S B Six very articulated hun dred rounds a min ute Ea sy to use. 25 Six hun dred rounds a min ute. Ea sy to use. 3 S 29 Doc very soft/smooth tor Ka lash3 ni kov 3 A1 Six very articulated hun dred rounds a min ute Ea sy to use. Six hun dred rounds a min ute. Ea sy to use. 3 A1 Doc very soft/smooth tor Ka lash3 ni kov 3 A2 Six very articulated hun dred rounds a min ute Ea sy to use. Six hun dred rounds a min ute. Ea sy to use. 3 T Six very articulated hun dred rounds a min ute Ea sy to use. Six hun dred rounds a min ute. Ea sy to use. 3 B Six very articulated hun dred rounds a min ute Ea sy to use. Six hun dred rounds a min ute. Ea sy to use. 3 Prc-pno Prc-pno SynChd SynChd
22 News 33 AK behaves like a warrior in combat Vocd wanted to be a poet wished he'd invented the lawnmower Vocd S 33 Doc tor Ka lash3 ni kov 3 37 S C He smooth want ed to be a po et. He wished he'd 41 in vent ed the lawn mower. He want ed to be a po et He wished he'd A1 Doc tor Ka lash3 ni kov 3 A1 He smooth want ed to be a po et. He wished he'd in vent ed the lawn mower. He want ed to be a po et He wished he'd A2 He smooth want ed to be a po et. He wished he'd in vent ed the lawn mower. He want ed to be a po et He wished he'd T He smooth want ed to be a po et. He wished he'd in vent ed the lawn mower. He want ed to be a po et He wished he'd B He smooth want ed to be a po et. He wished he'd in vent ed the lawn mower. He want ed to be a po et He wished he'd SynChd SynChd
23 Vocd One hundred million of them Vocd S in vent ed the lawn mower. D One very articulated hund red mill ion of cresc. them. S A K kills two hund red fif 3 ty 49 thous and a year. 3 One hund red mill cresc. ion of them. A K kills two hund red fif 3 ty thous and a year. 3 A1 in vent ed the lawn mower. One very articulated hund red mill ion of cresc. them. A1 A K kills two hund red fif 3 ty thous and a year. 3 One hund red mill cresc. ion of them. A K kills two hund red fif 3 ty thous and a year. 3 A2 in vent ed the lawn mower. One very articulated hund red mill ion of cresc. them. A2 A K kills two hund red fif 3 ty thous and a year. 3 One hund red mill cresc. ion of them. A K kills two hund red fif 3 ty thous and a year. 3 T in vent ed the lawn mower. One very articulated hund red mill ion of cresc. them. T A K kills two hund red fif 3 ty thous and a year. 3 One hund red mill cresc. ion of them. A K kills two hund red fif 3 ty thous and a year. 3 B in vent ed the lawn mower. One very articulated hund red mill ion of cresc. them. B A K kills two hund red fif 3 ty thous and a year. 3 One hund red mill cresc. ion of them. A K kills two hund red fif 3 ty thous and a year. 3 Prc-pno SynChd SynChd
24 Vocd 53 Revolution insurrection 57 Revolution insurrection B solo 61 F He wrote a let ter 65 to the pat3 ri arch. 3 S E Rev o lu tion in sur rec tion Rev o lu tion in sur rec tion se di tion 57 S Used by death squads ter ror ists car tels. A1 Rev o lu tion in sur rec tion Rev o lu tion in sur rec tion se di tion A1 Used by death squads ter ror ists car tels. A2 Rev o lu tion in sur rec tion Rev o lu tion in sur rec tion se di tion A2 Used by death squads ter ror ists car tels. T Rev o lu tion in sur rec tion Rev o lu tion in sur rec tion se di tion T Used by death squads ter ror ists car tels. B Rev o lu tion in sur rec tion Rev o lu tion in sur rec tion se di tion B Used by death squads ter ror ists car tels. Prc-pno SynChd SynChd
25 Vocd 69 My spiritual pain is unbearable B solo This is what he said. 69 My 73 pain. 3 B solo Was I to 77 blame Un bear a ble 81 3 S My spir it ual pain 3 is un bear a3 ble. 3 Was I to 3 S blame for their deaths? 3 Was I to blame? 3 My spir i tual al 3 pain is un bear3 a ble 3 A1 My spir it ual pain 3 is un bear a3 ble. 3 Was I to 3 A1 blame for their deaths? 3 Was I to blame? 3 My spir i tu al 3 pain is un bear3 a ble 3 A2 My spir it ual pain 3 is un bear a3 ble. 3 Was I to 3 A2 blame for their deaths? 3 Was I to blame? 3 My spir i tu al 3 pain is un bear3 a ble 3 T My spir it ual pain 3 is un bear a3 ble. 3 Was I to 3 T blame for their deaths? 3 Was I to blame? 3 3 3 B My spir it ual pain 3 is un bear a3 ble. 3 Was I to 3 B blame for their deaths? 3 Was I to blame? 3 3 3 SynChd SynChd
26 Vocd 89 93 I had never held a gun in my life. B solo So much en 3 vy 85 So much ag B solo 89 gre sion S G So much en cresc. vy, greed and a gres 3 sion So much cresc. en vy, greed and a gres 3 sion A1 So much en cresc. vy, greed and a gres 3 sion So much cresc. en vy, greed and a gres 3 sion A2 So much en cresc. vy, greed and a gres 3 sion So much cresc. en vy, greed and a gres 3 sion T So much en cresc. vy, greed and a gres 3 sion So much cresc. en vy, greed and a gres 3 sion B So much en cresc. vy, greed and a gres 3 sion So much cresc. en vy, greed and a gres 3 sion Prc-pno SynChd SynChd SynChd
Russia declared war on us I got like super super angry I got my Kalashnikov rifle and I'm learning to shoot it.
27 Vocd 97
101 S H My spir i tu al 3 pain. 101 My spir i tu 3 A1 My spir i tu al 3 pain. My spir i tu 3 A2 My spir i tu al 3 pain. My spir i tu 3 T My spir i tu al 3 pain. My spir i tu 3 B My spir i tu al 3 pain. My spir i tu 3 Prc-pno SynChd SynChd
28 News Kira Rudik is a member of the Ukrainian parliament. 109 Vocd Yes, I'm prepared to use it S al pain. My spir i tu al 3 105 pain. My spir i tu al 3 pain. 109 A1 al pain. My spir i tu al 3 pain. My spir i tu al 3 pain. A2 al pain. My spir i tu al 3 pain. My spir i tu al 3 pain. T al pain. My spir i tu al 3 pain. My spir i tu al 3 pain. B al pain. My spir i tu al 3 pain. My spir i tu al 3 pain. SynChd SynChd transition ca 15'
29
Vocode . =84 \ \ cycles within cycles x4 5 Soprano & \ \ Alto & \ \ Tenor & ) \ \ Bass % \ \ Synth 1 & \ \ Synth bass % ) \ \ , Q , , , Arp chords & \ \ , Q , , Q , O , Q , % \ \ D & ) - . Arp & \ \ E . ! ! F E . ! ! F E F . ! ! E . ! ! F E . Q . . Q " " F . " " F . " " F . . F . . . . Q . E . ! ! F E F . ! ! E . ! ! F E E F . ! ! . Q " " F . Q " " F . . E . " " F . " " F % \ \ . . Q F . Q " " . . F . " " . . . F . . F . " " . Q . E F . Q " " F . " " F . ! ! E . " " F E E . . Q F . Q . . . " " F . . F . . . . Q . . Q F F . ! ! F . " " E . . F . " " F . " "
5. Cycles
30 S & A D E We're h . Q ! in . Q cy. cles . . with. Q in . cy. Q cles . . with. 9 in . cy. Q cles . . with. Q in . cy. cles. . QD S Cy& . . . cles . Q13 cresc. E i cy. ! . Q cles . Q . . E cy. Q ! . Q cles. . . D i D There's . the . 17 cy. . cle . . of . A & h Cy. Q . . cles .E cy. ! . cles . Q . . E cy. ! . Q cles. . . D D E We're . Q ! in . Q cy. cles . A & . with. Q in . cy. Q cles . cresc. . with. in . i cy. Q cles . . with. Q in . cy. cles. . QD B D i There's . the . cy. # cle . " T & ) D E We're h . Q ! in . Q cy. cles . . with. Q in . cy. Q cles . . with. in . cy. Q cles . . with. Q in . cy. cles. . QD T Cy& ) . . . cles . Qcresc. E i cy. ! . Q cles . Q . . E cy. Q ! . Q cles. . . D B % h Cy. Q . . cles . - E cy. " . cles . Q . . E cy. " . Q cles. . . D D E We're . Q " in . Q cy. cles . B % . with. Q in . cy. Q cles . cresc. . with. in . i cy. Q cles . . with. Q in . cy. cles. . Q - D D There's i . the . Syn1 & D . Q - -- .. D D - Q . D . Q Syn1 & - -- .. D D - Q . & SynB % ) - Q D . - - Q . - . - Q . D D . SynB % ) - - Q . - . - Q . D , ArpChd & ) . D % & - Q -- .. D D - Q . , Q , , , , , , , ArpChd & - Q -- .. D D - Q . , Q , % , , , , , , , & ) , , , ,
31 S plan& . et . earth - . D four . bil. lion . years . . E so . " . . . far . . 21D If . we . S don't &blow . our. selves . up . Q - D we . should . Q getthree . Q bil. 25 . lion . Q . more. . D A & . of . plan. et . earth . - D four . bil. lion . years . . E so . " . . . far . - # A & D If . we . don'tblow . our. selves . up . Q - D we . should . Q getthree . Q bil. . lion . Q . more. . Q D T & ) D i There's . the . cy. cle . " . of . plan. et . earth . - D four . bil. lion . years . . E so . " . . T & ) . far . - # D If . we . don'tblow . our. selves . up . Q - D we . should . Q getthree . Q bil. . lion . Q . B cy% . # cle . " . of . plan. et . earth - # D four . bil. lion . years . . E so . " . . . far . . B % - D If . we . don'tblow . our. selves . up . QD we . should . Q getthree . Q bil. . lion . Q . more. . D Syn1 & - Q . . . , ,, , Syn1 & . . D D . Q .. ., , D - . SynB % ) ,-- - . D SynB % ) D . Q , E . Q !. . . QD ArpChd & ) - Q . . . , ,, , ArpChd & ) . . D D . Q .. ., , D - . % , , , , , , , , % , , , , , , , , , , & )
32 S C & Huh . mans . . on . this . time. . line . 29 . D D i Barely . â ly . a . dot. . D Humh . . an . . time . . on . this . plan. et. . . S 33 & D Barei . O â ly . sig. nif3 . i. cant. . 3 D D h D We're . in . Q cy. 3 cles . 37 . with. in . cy. Q 3 cles . A & Hu. h manson . this . time. # line . ! . D D i Barely . â ly . a . dot. . D Humh . # an . " . time . . on . this . A plan& . et. . . D Barei . O â ly . sig. nif3 . i. cant. . 3 D h D We're . in . Q cy. 3 cles . . with. in . 3 T more. & ) . Q D Huh . mans . . on . this . time. # line . ! . i Barely . â ly . a . dot. . D Humh . # an . " . time . T & ) . on . this . plan. et. . . D Barei . O â ly . sig. nif3 . i. cant. . 3 D h D We're . in . Q cy. 3 cles . . with. in . 3 B % Hu. h manson . this . time. i Barely . â ly . a . dot. . D h Hum. # an . " B % . time . . on . this . D Barei . O â ly . sig. nif3 . i. cant. . 3 D h D We're . in . Q cy. 3 cles . . with. in . cy. Q 3 cles . Q D with. in . Q 3 Syn1 &-- - . D D - O . - . D- - D . Syn1 & - . . , , Q , - Q - . D SynB % ) D . . . . - . D D . O . . . - O . D E . " . - - E . " . SynB % ) - . D - Q E . ! . - Q E . ! . Q - E . ! . Q ArpChd & )- - . D D - O . - . D-D . ArpChd & ) - . . , % , , , , , , % , , & - Q -- .. D , Q , , , , ,
33 S & D with. Q in . cy. 3 cles . Q . with. in . Q cy. Q 3 . cles. .41 D i E We . ! won't . . be . . here .S & D to . see . . the . Q . end . Q . D D the . 45 end - . decresc. D if . . . Q . all h . . goes . . well , A cy& . Q cles . D with. Q in . cy. 3 cles . Q . with. in . Q cy. Q 3 cles. . !E D i E . ! We . # be . . here . A & - D to . see . # the . Q . end . Q . D D the . end - . decresc. D if h . . Q . all . # goes . . wellT cy& ) . Q cles . D with. Q in . cy. 3 cles . Q . with. in . Q cy. # Q 3 cles. . !D i E We . ! won't . # be . . here . - D to . T see & ) . # the . Q . end . Q . D D the . end - . decresc. D if . # . Q . all . # goes . . well h -B cy% . cles . Q . with. in . Q cy. # Q 3 cles. . ! - D i E We . " B won't % . # be . . here .D to . see . # the . Q . end . Q . D D decresc. the . end - # D if h . # . Q . all . goes . . Syn1 & D - Q . , . D - Q, , Q , , Syn1 & , , Q , , , , Q , , , , Q SynB % ) - Q E . ! . Q - E . Q ! . - Q E . ! . - . Q . . - . D SynB % ) - . Q . . - . D - . Q . . - . D - . Q . . ArpChd & D - Q . ,, .. D - Q% , , , , , , , , Q , , ArpChd & , , Q , , , , Q , , , , Q , , Q , , % , , Q , , , , Q , , , , Q
34 Vcd 57 cycles within cycles x4 S & 49 F i D We're . in . Q cy. 3 cles . . with. in . cy. Q 3 cles . decresc. D with. Q in . cy. 3 cles . Q g . with. in . Q cy. Q 3 . cles. . S &A &i D We're . Q in . Q cy. 3 cles . decresc. . with. in . Q cy. Q 3 cles . g D with. Q in . cy. 3 cles . Q A & . with. in . Q cy. # Q 3 cles. . !T & ) i D We're . in . Q cy. 3 cles . . with. in . cy. Q 3 cles . D with. Q in . decresc. cy. 3 cles . Q . with. in . Q cyg . # Q 3 cles. . !T & ) B well % , Q i D We're . Q in . Q cy. 3 cles . Q . with. in . decresc. cy. Q 3 cles . D with. in . cyg . 3 cles . Q . with. in . Q 3 B cy% . # Q cles. . !Syn1 & - Q -- .. D D - Q . ,, Syn1 & .. D - Q- -- Q .. D D - Q . ,, ,, - Q -- .. D SynB % ) , Q - Q . . - . . Q , Q , Q SynB % ) - Q . . D . E . " D - E . " D . D E . " D ArpChd & - Q -- .. D D - Q . ,, ArpChd & .. D - Q- -- Q .. D D - Q . ,, ,, - Q -- .. D % , Q , , , , , , , , , % , , , , , , , , , , , , , Q , , , , , transition ca 15'
6. The women
We weren't going to mention this The lethal dark cloud that has hung over this city
35
=72 (to
member) 5 A
Spoken
be spoken by a choir
Soprano solo Soprano Alto 1 Alto 2 Tenor Bass Synth chd Bass trem Drums
The women. Yes, the women. Too many of us have been silent.
Silence can mean words alone can not express. Or silence can mean nothing to say. Or silence can mean nothing at all.
36 Spk
9
Spk 13 S solo S solo S S B What are we left with when she does 'nt come A1 A1 What are we left with when she does 'nt come A2 A2 What are we left with when she does 'nt come T T What are we left with when she does 'nt come B B What are we left with when she does 'nt come SynChd SynChd Drm Drm
37 S solo Aah 21 Aah 3 Aah S solo 25 C Aah S home? When do we start 3 to wor3 ry 3 What are we left with when there's no one there to wor ry S What are we left with when she was there yes ter day? 3 Will a ny bo dy care that she's not 3 here to day A1 home? When do we start 3 to wor3 ry 3 What are we left with when there's no one there to wor ry A1 What are we left with when she was there yes ter day? 3 Will a ny bo dy care that she's not 3 here to day A2 home? When do we start 3 to wor3 ry 3 What are we left with when there's no one there to wor ry A2 What are we left with when she was there yes ter day? 3 Will a ny bo dy care that she's not 3 here to day T home? When do we start 3 to wor3 ry 3 What are we left with when there's no one there to wor ry T What are we left with when she was there yes ter day? 3 Will a ny bo dy care that she's not 3 here to day B home? When do we start 3 to wor3 ry 3 What are we left with when there's no one there to wor ry B What are we left with when she was there yes ter day? 3 Will a ny bo dy care that she's not 3 here to day SynChd SynChd Drm Drm
38 S solo 29 Aah S solo 33 Aah S What are we left with when her voice won't be heard 3 a gain? 3 When does some bo dy look 3 in to that ? 3 S What are we left with when hund reds don't come home? How do we e 3 ven pro cess that? A1 What are we left with when her voice won't be heard 3 a gain? 3 When When does does somesome bobo dy dy look look 3 inin to to that ? that ? 3 A1 What are we left with when hund reds don't come home? How do we e 3 ven pro cess that? A2 What are we left with when her voice won't be heard 3 a gain? 3 When does some bo dy look 3 in to that ? 3 A2 What are we left with when hund reds don't come home? How do we e 3 ven pro cess that? T What are we left with when her voice won't be heard 3 a gain? 3 When does some bo dy look 3 in to that ? 3 T What are we left with when hund reds don't come home? How do we e 3 ven pro cess that? B What are we left with when her voice won't be heard 3 a gain? 3 3 3 B What are we left with when hund reds don't come home? How do we e 3 ven pro cess that? SynChd SynChd Drm Drm
39 S solo 37 D Aah Aah S solo 41 Aah 3 Aah S What are we left with when thou sands don't come home? When do we need 3 to wor3 ry? 3 S Now is it time 3 to wor ry? What are we left with when the cy cle is brok en 3 You know it can ne 3 ver A1 What are we left with when thou sands don't come home? When do we need 3 to wor3 ry? 3 A1 Now is it time 3 to wor ry? What are we left with when the cy cle is brok en 3 You know it can ne 3 ver A2 What are we left with when thou sands don't come home? When do we need 3 to wor3 ry? 3 A2 Now is it time 3 to wor ry? What are we left with when the cy cle is brok en 3 You know it can ne 3 ver T What are we left with when thou sands don't come home? When do we need 3 to wor3 ry? 3 T Now is it time 3 to wor ry? What are we left with when the cy cle is brok en 3 You know it can ne 3 ver B What are we left with when thou sands don't come home? When do we need 3 to wor3 ry? 3 B Now is it time 3 to wor ry? What are we left with when the cy cle is brok en 3 You know it can ne 3 ver SynChd SynChd Drm Drm
40 S solo 45 E some bo dy S solo 49 some bo dy Aah S be fixed. What are we left with when the span is in ter rup ted Or ra ther some bo dy in ter S rup ted that span What are we left with cresc. What are we left with When there are men who want to make wo men A1 be fixed. What are we left with when the span is in ter rup ted Or ra ther some bo dy in ter A1 rup ted that span What are we left with cresc. What are we left with When there are men who want to make wo men A2 be fixed. What are we left with when the span is in ter rup ted Or ra ther some bo dy in ter A2 rup ted that span What are we left with cresc. What are we left with When there are men who want to make wo men T be fixed. What are we left with when the span is in ter rup ted Or ra ther some bo dy in ter T rup ted that span What are we left with cresc. What are we left with When there are men who want to make wo men B be fixed. What are we left with when the span is in ter rup ted Or ra ther some bo dy in ter B rup ted that span What are we left with cresc. What are we left with When there are men who want to make wo men SynChd SynChd Drm Drm
41 S solo 53 Aah F 57 S solo Aah Aah 61 3 S dis app ear dis app ear dis app ear dis app ear Will there e ver be e nough psy cho ther a py for that? S Will there e ver be e nough psy cho ther a py for that? What are we left with A1 dis app ear dis app ear dis app ear dis app ear Will there e ver be e nough psy cho ther a py for that? A1 Will there e ver be e nough psy cho ther a py for that? What are we left with A2 dis app ear dis app ear dis app ear dis app ear Will there e ver be e nough psy cho ther a py for that? A2 Will there e ver be e nough psy cho ther a py for that? What are we left with T dis app ear dis app ear dis app ear dis app ear Will there e ver be e nough psy cho ther a py for that? T Will there e ver be e nough psy cho ther a py for that? What are we left with B dis app ear dis app ear dis app ear dis app ear Will there e ver be e nough psy cho ther a py for that? B Will there e ver be e nough psy cho ther a py for that? What are we left with SynChd SynChd Drm Drm
42 S solo G 65 Aah 3 S solo Aah 69 3 S Mem or i als griev ing gov ern ment com miss ions Prom is es to do bet ter that it will ne ver hap pen a gain S What are we left with What are we left with decresc. What are we left with grad. morph to speaking voice What are we left with What are we left with A1 Mem or i als griev ing gov ern ment com miss ions Prom is es to do bet ter that it will ne ver hap pen a gain A1 What are we left with What are we left with decresc. What are we left with grad. morph to speaking voice What are we left with What are we left with A2 Mem or i als griev ing gov ern ment com miss ions Prom is es to do bet ter that it will ne ver hap pen a gain A2 What are we left with What are we left with decresc. What are we left with grad. morph to speaking voice What are we left with What are we left with T Mem or i als griev ing gov ern ment com miss ions Prom is es to do bet ter that it will ne ver hap pen a gain T What are we left with What are we left with decresc. What are we left with grad. morph to speaking voice What are we left with What are we left with B Mem or i als griev ing gov ern ment com miss ions Prom is es to do bet ter that it will ne ver hap pen a gain B What are we left with What are we left with decresc. What are we left with grad. morph to speaking voice What are we left with What are we left with SynChd SynChd Drm Drm
43 S What are we left with What are we left with What are we left with What are we left with 73 A1 What are we left with What are we left with What are we left with What are we left with A2 What are we left with What are we left with What are we left with What are we left with T What are we left with What are we left with What are we left with What are we left with B What are we left with What are we left with What are we left with What are we left with SynChd Drm transition ca 15'
44 7. Afterlife Vocode =80 Soprano Alto Tenor Bass Synth mel Synth bass Arp Chord Arp
45 Soprano 5 A You may be dust but your 9 thoughts live on thoughts live on. Soprano 13 B all kinds of things she said. Your Alto You may be dust but your thoughts live on thoughts live Alto on. You re mem ber your moth er Your Tenor You may be dust but your thoughts live on thoughts live on. Tenor You re mem ber your moth er Your Bass You may be dust but your thoughts live on thoughts live Bass on. all kinds of things she said. Your Synth mel Synth mel Synth bass Synth bass Arp Chord Arp Chord Arp
You remember your mother. All kinds of things she said
46 Vocode 21
Soprano 17 mem ory 3 is her af 3 ter life. So ma ny 3 gone be fore 3 you 3 Soprano Your mem ory 3 is her af 3 ter life. Alto mem ory 3 is her af 3 ter life. So ma ny 3 gone be fore 3 you 3 Alto Your mem ory 3 is her af 3 ter life. Tenor mem ory 3 is her af 3 ter life. So ma ny 3 gone be fore 3 you 3 Tenor Your mem ory 3 is her af 3 ter life. Bass mem ory 3 is her af 3 ter life. So ma ny 3 gone be fore 3 you 3 Bass Your mem ory 3 is her af 3 ter life. Synth mel 3 3 3 3 3 Synth mel 3 3 Synth bass Synth bass Arp Chord Arp Chord
You remember your mother. All kinds of things she said
47 Vocode 25
Soprano C You have the ter rib le 3 a Soprano bil i ty 3 to im a gine your own end. 33 When you pass 3 through the gate Alto You have the ter rib le 3 a Alto bil i ty 3 to im a gine your own end. Tenor You have the ter rib le 3 a Tenor bil i ty 3 to im a gine your own end. When you pass 3 through the gate Bass You have the ter rib le 3 a Bass bil i ty 3 to im a gine your own end. Synth mel Synth mel 3 Synth bass Synth bass Arp Chord Arp Chord
48 Soprano 37 41 Soprano When you pass 3 through that gate 45 D You will know the ans wer Alto When you pass 3 through that gate When you pass 3 decresc. through the gate Alto You will know the ans wer Tenor When you pass 3 decresc. through the gate Tenor You will know the ans wer Bass When you 3 pass through that gate Bass When you pass 3 through that gate Will know the ans wer Synth mel 3 3 Synth mel 3 Synth bass Synth bass Arp Chord Arp Chord
49 Vocode
will know the answer to the question 53 Soprano E The af ter life is in what you leave for oth er Soprano peo ple 61 F When you pass 3 through the 65 gate decresc Alto The af ter life is in what you leave Alto for oth er peo ple When you pass 3 through the gate decresc When you pass 3 through the Tenor The af ter life is in what you leave for oth er Tenor peo ple When you pass 3 through the gate decresc Bass The af ter life is in what you leave Bass for oth er peo ple When you pass 3 through the gate decresc When you pass 3 through the Synth mel ! (Arp now in 8th notes) Synth mel 3 Synth bass Synth bass Arp Chord Arp Chord
You
50 Soprano When you pass 3 through the 69 gate. When you pass 3 through the gate. 73 77 Soprano 81 Alto gate When you pass 3 through the gate. Alto Tenor When you pass 3 through the gate. When you pass 3 through the gate. Tenor Bass gate When you pass 3 through the gate. Bass Synth mel 3 3 Synth mel Synth bass Synth bass transition ca 15'
51 8. 2020 Vocode Twen =86 ty one twen ty two twen ty one twen ty two Twen ty one twen ty two twen ty one twen ty two Twen ty one twen ty two twen ty one twen ty two Twen ty one twen ty two twen ty one twen ty two Vcd 5 Twen ty one twen ty two twen ty one twen ty two A Twen ty twen ty twen ty twen ty one Beats Bts Tenor solo Soprano S Twen ty twen ty twen ty one twen ty two Alto A Twen ty twen ty twen ty one twen ty two Tenor T Twen ty twen ty twen ty one twen ty two Bass B Twen ty twen ty twen ty one twen ty two Synth chd SynChd
52 Vcd 9 Twen ty twen ty twen ty twen ty one Bts Bts 13 Tsolo To see the world We stayed home Tsolo looked at our screens Stayed home S We stayed S home. Did n't go out. Looked at screens. We A We stayed A home. Did n't go out. Looked at screens. We T We stayed T home. Did n't go out. Looked at screens. We B We stayed B home. Did n't go out. Looked at screens. We SynChd SynChd
53 Vcd Twen ty twen ty twen ty twen ty one Bts 17 21 Bts Tsolo We watched each oth er on screens Tsolo We hid from each oth 3 er on screens We lived at home we S stayed at home We stayed We watched We lived S We lived We lived A stayed at home We stayed We watched We lived A We lived We lived T stayed at home We stayed We watched We lived T We lived We lived B stayed at home We stayed We watched We lived B We lived We lived SynChd SynChd
54 Vcd 37 B Twen ty twen ty one twen ty two Bts 29 Bts Tsolo loved at home we hat ed at home 3 We died at Tsolo home. Grieved at home. We saved S at home We loved at home We died S at home We grieved at home. A at home We loved at home We died A at home We grieved at home. T at home We loved at home We died T at home We grieved at home. B at home We loved at home We died B at home We grieved at home. SynChd SynChd
55 Vcd Twen ty twen ty one twen ty two Vcd 45 C Twen ty twen ty twen ty twen ty one Twen ty twen ty twen ty twen ty one Bts Tsolo peo ple from dy 3 ing Could'nt save peo 3 ple from Tsolo dy ing some of us 3 were there Most of us saw 3 S Peo ple from dy ing S Could 'nt save them A Peo ple from dy ing A Could 'nt save them T Peo ple from dy ing T Could 'nt B Peo ple from dy ing B Could 'nt SynChd SynChd
56 Tsolo this on screens 49 Tsolo We learned to bake on screens We learned Russ ian on 53 screens S But rhythmic we saw it Saw it on our screens. But we lived it. Lived it on our screens S So much time on our screens A But rhythmic we saw it Saw it on our screens. But we lived it. Lived it on our screens A So much time on our screens T But rhythmic we saw it Saw it on our screens. But we lived it. Lived it on our screens T So much time B But rhythmic we saw it Saw it on our screens. But we lived it. Lived it on our screens B So much time SynChd SynChd
57 Vcd Twen ty twen ty twen ty twen ty one Vcd Twen ty twen ty twen ty twen ty one 57 D Twen ty twen ty twen ty twen ty one Twen ty twen ty twen ty twen ty one Tsolo We read War and Tsolo Peace on our screens S All our vi sits on our screens War and Peace S How ma ny hours. How ma ny days. How ma ny weeks. A All our vi sits on our screens War and Peace A How ma ny hours. How ma ny days. How ma ny weeks. T On our screens War and Peace T How ma ny hours. How ma ny days. How ma ny weeks. B On our screens War and Peace B How ma ny hours. How ma ny days. How ma ny weeks. SynChd SynChd
58 Vcd 65 E Twen ty twen ty one twen ty one twen ty two Tsolo We danced in our kit 3 chen on our screens We danced in the hall 3 way 61 on our screens Tsolo We sang in to our de 3 vi ces Good luck with that S Danced in our hall 3 ways Danced in our kit 3 chens S We sang our de vic es A Danced in our hall 3 ways Danced in our kit 3 chens A We sang our de vic es T Danced in our hall 3 ways Danced in our kit 3 chens T We sang our de vic es B Danced in our hall 3 ways Danced in our kit 3 chens B We sang our de vic es SynChd SynChd
59 Vcd Twen ty twen ty one twen ty one twen ty two Tsolo We saw our lead ers be have like id i ots 3 Tsolo saw them grow beards 3 de ny it was real 3 73 then get sick them selves Dine rhythmic! in dream on No tra vel no way S Id i ots id i ots id i ots S Grow beards. De ny it. Get sick them selves Dine rhythmic! in dream on No tra vel no way A Id i ots id i ots id i ots A Grow beards. De ny it. Get sick them selves Dine rhythmic! in dream on No tra vel no way T Id i ots id i ots id i ots T Grow beards. De ny it. Get sick them selves Dine rhythmic! in dream on No tra vel no way B Id i ots id i ots id i ots B Grow beards. De ny it. Get sick them selves Dine rhythmic! in dream on No tra vel no way SynChd SynChd
60 Vcd G Twen ty twen ty one twen ty one twen ty two Vcd Twen ty twen ty one twen ty one twen ty two Tsolo No school e ver Com put ers on ly O pen up I don't think so The cure Tsolo arr ived rhythmic! First shot sec ond shot First shot sec ond shot First shot sec ond shot re peat S No school e ver Com put ers on ly O pen up I don't think so S rhythmic! First shot sec ond shot First shot sec ond shot First shot sec ond shot re peat A No school e ver Com put ers on ly O pen up I don't think so A rhythmic! First shot sec ond shot First shot sec ond shot First shot sec ond shot re peat T No school e ver Com put ers on ly O pen up I don't think so T rhythmic! First shot sec ond shot First shot sec ond shot First shot sec ond shot re peat B No school e ver Com put ers on ly O pen up I don't think so B rhythmic! First shot sec ond shot First shot sec ond shot First shot sec ond shot re peat SynChd SynChd
61 Vcd Twen ty twen ty one twen ty two 89 Twen ty twen ty one twen ty two Tsolo First shot sec ond shot re peat Did ev ery bo dy want one? Not a chance 85 Did ev ery bo dy get one? What do you think? 3 Tsolo re peat re peat re peat re peat re peat re peat Some of us are still here S First shot sec ond shot re peat Did ev ery bo dy want one? Not a chance Did ev ery bo dy get one? What do you think? 3 S re peat re peat re peat re peat re peat re peat Some of us are still here A First shot sec ond shot re peat Did ev ery bo dy want one? Not a chance Did ev ery bo dy get one? What do you think? 3 A re peat re peat re peat re peat re peat re peat Some of us are still here T First shot sec ond shot re peat Did ev ery bo dy want one? Not a chance Did ev ery bo dy get one? What do you think? 3 T re peat re peat re peat re peat re peat re peat Some of us are still here B First shot sec ond shot re peat Did ev ery bo dy want one? Not a chance Did ev ery bo dy get one? What do you think? 3 B re peat re peat re peat re peat re peat re peat Some of us are still here SynChd SynChd
62 Tsolo Some of us 93 did n't make it. S Some of us did n't make it. (unvoiced) Twen ny Twen ny Twen ny Twen ny A Some of us did n't make it. (unvoiced) Twen ny Twen ny Twen ny Twen ny T Some of us did n't make it. (unvoiced) Twen ny Twen ny Twen ny Twen ny B Some of us did n't make it. (unvoiced) Twen ny Twen ny Twen ny Twen ny SynChd transition ca 15'
9. Talking to dead people
63
Spoken =104 (spoken by individual choir members) 5 A Soprano Alto 1 I find my self talk ing Alto 2 I find my self talk ing Tenor I find my self talk ing Bass I find my self talk ing Bass synth Arp Synth Chd Twangle
64 Spk 9 13 S I find my self I find my self. Up side A 1 to dead peo ple I find my self talk ing to dead peo ple Up side A 2 to dead peo ple I find my self I find my self. Up side T to dead peo ple I find my self talk ing to dead peo ple Up side B to dead peo ple I find my self talk ing to dead peo ple Up side Bsyn SynChd Twng
65 Spk 17 B S they don't talk back. Down side they don't talk Wow! rhythmic That A 1 they don't talk back. Down side they don't talk Wow! rhythmic That A 2 they don't talk back. Down side they don't talk back. Wow! rhythmic That T they don't talk back. Down side they don't talk back. rhythmic It's wow! B they don't talk back. Down side they don't talk back. It's wow! rhythmic That zing er Bsyn SynChd Twng
66 Spk S got em! A 1 got em! A 2 got em! T That zing er real ly would 've got em! It's wow! B real ly would 've got em! It's wow! That zing er Bsyn SynChd Twng
67 Spk 21 S That would 've hurt No com ing A 1 That would 've hurt No A 2 That would 've hurt T That zing er real ly would 've got em! That would 've hurt B real ly would 've got em! That would 've hurt No Bsyn SynChd Twng
68 Spk 25 C Speaker 1 S back from that! A 1 com ing back from that! A 2 No com ing back from that! T No com ing back from that! B com ing back from that! Bsyn SynChd Twng
69 Spk 29 Speaker 2 33 Speaker 3 D S But it's al A 1 But it's al A 2 But it's al T But it's al B But it's Bsyn SynChd Twng
70 Spk 37 Speaker 4 S so I miss you. A 1 so I miss you A 2 so I miss you T so I miss you. B al so I miss you. Bsyn SynChd Twng
71 Spk 41 Speaker 5 45 Speaker 6 E S You A 1 You A 2 You T You B You Bsyn SynChd Twng
72 Spk S ne ver said Talk now they won't be back ne ver S 53 =64 57 F E ter ni ty A 1 ne ver said Talk now they won't be back ne ver A 1 E ter ni ty A 2 ne ver said Talk now they won't be back ne ver A 2 E ter ni ty T ne ver said Talk now they won't be back ne ver T E ter ni ty B ne ver said Talk now they won't be back ne ver B E ter ni ty Bsyn Bsyn SynChd SynChd Twng Twng
73 S 61 is the thun der word Runs hea vy 65 runs long. S G decresc. to end Runs long. 69 Runs deep 73 Bends time. Runs deep Runs deep A 1 is the thun der word Runs hea vy runs long. A 1 decresc. to end Runs long. Runs deep Bends time. Runs deep Runs deep A 2 is the thun der word Runs hea vy runs long. A 2 decresc. to end Runs long. Runs deep Bends time. Runs deep Runs deep T is the thun der word Runs hea vy runs long. T decresc. to end Runs long. Runs deep Bends time. Runs deep Runs deep B is the thun der word Runs hea vy runs long. B decresc. to end Runs long. Runs deep Bends time. Runs deep Runs deep Bsyn Bsyn SynChd SynChd Twng Twng (continues to end)
74 S 77 Bends time Bends time. 3 81 85 A 1 Bends time Bends time. 3 whistle these pitches whistle these pitches A 2 Bends time Bends time. 3 whistle these pitches T Bends time Bends time. 3 whistle these pitches B Bends time Bends time. 3 whistle these pitches Bsyn SynChd