Pebble zine – Issue Two by pebble

FASHION MUSIC CULTURE LIFESTYLE ISSUE 2 DECEMBER | JANUARY 2013

WELCOME TO DECEMBER AND JANUARY’S EDITION OF PEBBLE ªºª•¶002 •

PUT YOUR FEET UP AND TAKE A LOOK AT WHAT WE MADE FOR YOU

HELLO, DECEMBER GOOD TO SEE YOU TOO, JANUARY Christmas is coming, and what is more important in this festive time than family? In this issue, Pebble explores the meaning of being brothers and sisters, and the silly little things that it involves. We take a glance at brotherhood in film making and sisterhood in fashion design, where a trivial thing such as sibling rivalry has failed to break up winning partnerships. We show you how to make Christmas your very own, with homemade decorations and home-baked gifts. We look to the New Year, to the small resolutions that truly matter. And all the while, we were serenaded by Ryan Keen, and we flirted with Benjamin Francis Leftwich. So pull on your most embarrassing Christmas jumper, pour yourself a hot chocolate, and get cosy with our winter issue.

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THE BROTHERS AND SISTERS ISSUE

NICE TO LAUREN ANTHONY

TASH SALMON

BRIANA MILLETT

assistant fashion editor

assistant lifestyle editor

What is your favourite memory of your brother? Waking my parents up on Christmas morning at 6am by bouncing on their bed with my little brother, screaming that Father Christmas had been and left us stockings. It’s safe to say that they were not best pleased. I think they actually made us bring all of our presents upstairs so my dad could doze! What is the most thoughtful present you have given someone for Christmas? When I was younger, I used to make up little boxes full of toiletries and clothes for a charity that supports suffering children in Africa. I always included a little letter too, so that they knew who and where the presents were coming from. It made me really happy to think that people who don’t have as much as I do would still be receiving a nice present on Christmas day.

What is the silliest thing you have fought over or argued about with your brother? When I was seven, I got a Game Boy Pocket Color, and it was my favourite thing ever. A few weeks in, it went missing. Then, hours later, I found it, and Michael had cleared all the levels of Super Mario Bros I had been stuck on. I was livid. And the worst thing was he was only three. Describe your perfect Christmas Not being able to sleep on Christmas Eve, prezzies in the morning, cats almost pulling the tree down, massive Christmas dinner, and bubble and squeak for tea. Then a Christmas film marathon until the 2nd of January. Which Christmas tradition gets on your nerves? Every Christmas, my nan makes me eat one brussels sprout. I hate them, but for some reason I always do it.

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What is your favourite memory of your brother? There are too many to count. We have an amazing relationship and always have lots of fun together. One that stands out though is when we went skiing, I was six or seven, and I hated it. There were many tears and lots of tantrums. My brother used to go skiing every year with his school and was having none of it. He took me all the way to the top of the mountain and skied down, guiding my skis between his the entire way. I’m still not as good as him, but I’ve loved skiing since. Describe your perfect Christmas Sitting by the fire, opening presents with my family, all with over-sized stomachs after gorging on turkey and Christmas pudding.

MEET YOU SOPHIE CROCKETT

JODIE PACKWOOD

HANNAH SMITHSON

assistant beauty editor

assistant culture editor

assistant features editor

What is your favourite memory of your brother?

What is your favourite memory of your sister?

My little brother is only four, and I don’t get to see him very often, so any time I get to spend with him is great. The endless games of ‘Fireman Sam’ have made me an expert at driving a fire engine and rolling out a hose.

When I was ten, I broke my leg, so my sister made an elaborate robot outfit out of boxes, and pretended all day to be ‘Rosie the Robot’ to cheer me up.

What is the silliest thing you have fought over or argued about with your sisters? Who was more likely to be Baby Spice in the Spice Girls – I lost. Describe your perfect Christmas It has to be a huge family Christmas up in Scotland – which is exactly what I’m doing this year. And I cannot wait. What is the most thoughtful present you have given someone for Christmas? It is definitely four huge photo albums full of all our family photos, which I gave my mum three years ago. Which Christmas tradition gets on your nerves? It’s hard to think of a tradition that gets on my nerves, and every family has their own traditions, but I guess it would have to be the Christmas pudding. Let’s just say I’m not a huge fan.

What are you proud of doing this year, that you wil remember next year? I’m really proud of the work that a team of us did covering the US Election. Working all through the night and announcing the result of the election live on radio will be lodged in my memory forever. What is the most thoughtful present you have given someone for Christmas? I bought my Dad some Jägermeister, Redbull and a shot glass last year, and forced him to do Jäger Bombs. I’m pretty sure he saw that as thoughtful.

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Have you ever had a relative or friend you saw as a sibling? I used to spend a lot of time with my cousins when I was little, and we used to play epic games of monopoly that would last weekends at a time. We were similar ages, so we always used to feel like brothers and sisters. Which Christmas tradition gets on your nerves? I’m the complete opposite to Scrooge at Christmas, so I love most traditions. But I’ve always been a bit overwhelmed about the commercial side of this festive holiday. I think more people need to concentrate on the spirit of Christmas, rather than buying expensive presents.

IN THIS ISSUE 178 142 160 16

sisters separated from end to end the sea, my soul a buzz in the air tune in to your spiritual side breaking into the industry thicker than water honey curls

LIVE 140 150 160 170

a different perspective tiny resolutions homemade christmas travel to bonn, germany

WEAR

052 066 070 072 074 076 078 080 084 086 100 104

festive fancies women’s trends december shoe calendar did I say you could borrow that? sister sister spijkers en spijkers caring for your jewellery embellishment january shoe calendar jennifer morris men’s trend reports urban fashion

EAT/ DRINK 152 tea and cake 156 seasonal recipes 164 cook your own christmas gifts

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LISTEN

106 110 117 118 122 124 125 126 130 132

ryan keen new album releases physical music bon iver maccabees lucy rose lianne la havas benjamin francis leftwich musical family tree christmas playlist

LOOK 136 138 142 144 146 174 176 177 178

cohen brothers bateman brothers sightseers film previews alternative christmas films winter treasures merry christmas brother merry christmas sister winter wonderland

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“I went from living in a wooden house on stilts to living in a shared house on the outskirts of London” ªºª•¶12 •

SISTERS SEPARATED words and photography by jasmine allday

What first hits you when you step out of the cool air-conditioned bliss of Kuala Lumpur International Airport is the sweltering heat. It’s already pitch black outside, and yet the temperature is still in the high 20s. Jumping into a taxi, we head towards Petaling Jaya, zipping past the hustle and bustle of Kuala Lumpur. PJ, as the locals call it. It used to be a fairly rural place – but in the last few years, the city has developed at a rapid rate, becoming a commercial hub in its own right. The city is bursting full of newly built housing estates, huge shopping centres and high-rise offices.

Siew, aged 60, and her husband of 30 years, Leong, live. When we arrive, the house is pretty full. Both of their daughters are there with their husbands and children, dropping them off for the week ahead. During the week, Siew and her husband will look after their grandchildren day and night, whilst their daughters, now both in their late 20s, will go out to work. For someone like me, who’s grown up in the UK all my life, I find this all a bit bizarre; but in Malaysia, it’s quite a common occurrence. “I’ve given up my job in order to help look after my grandchildren. It’s so great to be able to spend time with them,” Siew explains, “It means my children are free to go out and work to earn a living. They come and collect the children on the Friday evening and spend the weekend with them, before dropping them back to us on Sunday”.

Despite this huge influx of young professionals, the city is still home to the more traditional – and older – citizens. Back in 1957, when the country gained its independence from Britain, there was a huge migration of young people, desperate to explore the bright lights of the city and some even to seek their fortunes abroad. The housing market boomed, and rows upon rows of single-storey terraced houses were built to cope with demand. This more traditional, single story brick house is where

Even for Ping Low, Siew’s younger sister, it’s a confusing concept to get her head around: “I am sure it does happen in the UK, but it’s not as common as it is in the Far East. I think, for some parents, it can be a very detaching

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experience. But I guess it is about keeping a job and earning an income to pay for a better standard of living. Besides, it probably gets easier as it becomes the norm.”

to get married and start a family of her own. For Ping, what started off as a big adventure has become a lifestyle choice and sometimes she wonders whether her sister’s life would be different if she followed the same path. “What I had not appreciated back in 1972 when I left for the 23-hour flight to the UK, was that, not only was my life about to change, but my values and aspirations were also challenged.” “Siew and I have little in common now. She is happy being a nurturer and attending to Leong’s every need. She cannot imagine any independence of thought or ambition of her own. It is sad for me to see her not realising her own full potential, but then, who is to say that I am right? Perhaps the role she embraces is fulfilling for her. After all, happiness is subjective.”

One woman who knows exactly how that feels is their mother. When Ping was 18, she decided she wanted to move over to Britain to further her education and experience a new culture. Just over forty years on, Ping is living with her husband and daughter in a quiet suburb of Oxford. “Living in Oxford is very different to living in Malaysia. The heat is probably the most noticeable difference,” she explains, “It’s always cold here. It was hard to move so far away from home when I was so young. I didn’t think I was going to cope too well. I barely knew the language and I only had the two friends I came over with. It was a big culture shock; life was so different here. I went from living in a wooden house on stilts to living in a shared house on the outskirts of London.”

Despite embracing the new culture she has experienced, Ping will never forget her Malaysian roots: “We come home every year; we’ve been coming back since I got married. I want both of them, my husband and my daughter, to experience the culture first hand. When we come home, we stay in a flat about half an hour from the capital. We do get to visit the more touristic places, like the Petronas Twin Towers and the Zoo Negara, but we eat in the traditional restaurants like the locals do. We also have large family get-togethers and I chat away in my own language, much to the amusement of my husband and daughter. I think it’s easy to forget your roots when you live in another country for so long and I try not to let that happen.”

Siew admits that she was surprised when she heard her sister wanted to move to another country: “I was shocked when I heard the news. I remember I told her how silly she was. I couldn’t believe she wanted to leave home at such an early age and abandon our mother and father.” Back in the 70s, it wasn’t a common thing in the Far East to see young girls leave the family home. The only reason a young girl would “abandon” her family was if she was going off

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FROM END TO END Scott Westwood walked the length of the British Isles, without spending a penny by relying on the generosity of the public. Now the raconteur retells his tumultuous tale of six weeks and one day, journeying to the furthest corners of Great Britain photography by scott westwood • words by joshua saunders

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“When you think about it, the United Kingdom’s quite a small island compared to the rest of the world,” Scott Westwood tells me, only a month after completing a 43 day trek from pole to pole of our ‘small island’, raising money for the charity Parkinson’s UK. The imposing John O’Groats to Land’s end journey consists of over 1,200 miles alone. Without counting Scott’s additional ten and a half miles scaling Ben Nevis, the largest mountain in the British Isles, a few days into his walk. From the end of the pier at John O’Groats, Scott embarked upon the initial day of his solo, moneyless venture where he would depend upon the kindness of strangers to ensure he had food to eat and a place to sleep. He spent the previous night on a train for 12-hours heading to the nearby town of Thurso, Scotland, over 550 miles away from his Birmingham home. On his last night at home before the challenge, he relaxed and avoided mulling over the quest before him. The total distance actually equates to a few hundred miles more than The Proclaimers proclaimed they would walk or three quarters of Frodo and Sam’s journey to cast ‘the one ring’ into the fires of Mount Doom. The imposing challenge would test his determination, sanity and the ability to carry on walking despite having swollen and severely blistered feet. “It didn’t hit me that it was all real until three days time when I was in pain,” he said. Equipped with nothing other than the clothes on his back and a rucksack containing a stash of energy bars, as well as a tent and water bottle, the weight of the bag soon took its toll. To keep on schedule he needed to maintain an average of 21 miles a day; with a couple of one-day marathons to make up extra miles, which took Scott 14 hours to walk due to his heavy bag. “If I worried too much it would have held me back,” Scott said. Five days in and arriving at Inverness, it was already a tough battle to accept the lengthy challenge ahead. But with recurring bouts of determination he fought off his body’s calling to give in; “what else am I going to do? I’m going to carry on walking because that’s the only thing I can do,” he thought. “Your life is waking up, walking 22 miles and going to sleep… This is what you do now,” his mind kept telling him. The regular campsite consisted of fields, parks and woods but also

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“I carried a pebble from the most northern point of Scotland and brought it to Land’s End, now I’m done”

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strangers would offer him a place to stop. “I’d get talking to people in the street and they’d say ‘Where are you staying tonight?’ and I’d reply, ‘wherever I can find.’” Throughout the journey Scott stopped on people’s sofas, in their spare rooms, in B&Bs, hostels, and some five star hotels. “I was very lucky with all that,” he added.

collected two walking sticks to use en route. One of which lasted for the rest of journey. It was white driftwood with a hand groove, “It started at my shoulder and ended just above my waist. I’ve never felt more affinity with a piece of wood. It was my companion and protection if someone tried to attack me, and it was something to lean on.”

On Scott’s third day of walking, there was one man in particular whose help left a lasting impression on the walker. Keith had seen Scott on the road and offered to send the trolley of belongings that he had acquired ahead to Glasgow to collect there, “It was kind because I wouldn’t be going to [Glasgow] for another week and a half”. Keith also put him up for the night, fed him, bought him a new water bottle and created a ‘John O’Groats to Land’s End – Parkinson’s UK’ laminated sign for his backpack. “Keith O’Rourke, this bloke was an absolute godsend,” he said.

On the 26th day of the trek, Scott scheduled his only day of rest, back within his home in West Bromwich, Birmingham. Scott said: “It was horrible fate, the amount of train stations I walked past saying trains direct to Birmingham. I was just outside Wigan when I walked past my first sign for Birmingham- that was amazing. I was counting down the days to get home and it was nice not having to beg for food [for the night], stopping in my house, in my bed,” he reflected. But the break was short-lived as the following morning he was back on the road.

A few days later and Scott was already adopting the look of a traveller, having

“Leaving home was heartbreaking having to leave my door to walk for another 15 days was

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just horrific.” But with the last stretch of the journey ahead of him the food he had stocked up on slowly diminished, “there was a point where I walked 12 miles on just a banana.” Ten days away from the finishing line, and Scott realised he would have to go hungry for the day to ensure that his supplies would last to Taunton, where he was set to meet some friends. He headed towards Weston Supermare the day he acknowledged he must go hungry. But an hour into the day and his journey took him past a health shop, “the man comes out, stops me and says, ‘have you really walked this for five weeks, with no money’ and he said, ‘come in, take as much as you want.’” His luck continued to turn around, as he was offered a free Carvery from a barmaid he was speaking to, and later was invited for some food by a kind lady and her son.

say I’m hungry today and it provides me with all this, I should have done it earlier.”   At St Ives the walk was drawing to an end, Scott felt emotional as he walked through the memory filled streets that he spent many childhood years in, “the blazing sunshine came out and I knew it was going to be a good day because I’d walked the route a hundred times over.” He reached the finishing line at Land’s End, Cornwall, by 6pm on his 43rd day. The journey that had taken him through more than 134 of Great Britain’s villages, towns and cities, was now over. “I’d planned in my head how I’d feel crossing the line since Glasgow, and it wasn’t what I felt. I finished and I just felt like I had to carry on. I was like, ok now what do I do tomorrow? I got so used to walking that I couldn’t stand still.”

“Later, I’m on the pier, the sun’s setting in front of me, a bloke comes up, starts chatting to me and I end up getting bought fish and chips. All on the day I said I was going to be hungry. “I thought if that’s what the universe is doing. If I

He rejoiced with a lovely reception of family members and tourists, brandishing an appreciative banner from Parkinson’s UK. Stained from 43-days worth of walking and

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the non-alcoholic champagne his stepdad sprayed over him, he made his final thank yous, with passing tourists honking their horns in the background. “But it was a lie, I’m not done yet,” he thought, noticing the sheer-drop into the sea only 100 meters away. Scott, his mother and stepdad took the final few strides to the cliff face and the furthest corner of the United Kingdom. “I had a pebble, no bigger than my index finger, with me that I’d carried all the way from John O’Groats - the entire journey,” he slung the smooth black pebble into the sea, heralding the end of his voyage. Moments later at the cliff edge elation swept as Scott accepted that it was all over, “I carried a pebble from the most northern point of Scotland and brought it to Land’s End, now I’m done.” During the six week and one day walk, he was solely dependent upon the public and their kindness, “literally if people weren’t generous then I would have starved.” Scott has raised over £2,500, half of which was donated to him on the trek down. “People were giving me twenty pound notes, fivers, cheques, change, bar staff gave me their tips, and little children gave me their chocolate money, it was truly unbelievable.” “Don’t put this in the article, but I walked the same [amount of days] as Jesus you know, we both walked for forty days,” jokes Scott, who now is back for a second year of intensive training at The Royal Academy of Dramatic Art. “I haven’t done any exercise since coming back. On the walk, I lost a stone and a half so had to put that back on,” he now waits for his certificate from the official John O’Groats to Land’s End association to commemorate his journey. As well as verification for a potential added accolade, “I believe I may be the only person who’s walked solo from end to end.” Scott finally reflected, “it was a great achievement that I walked the country, but it’s the people I met and the thousands and thousands of stories that I have, which I wouldn’t change for the world.” Find out more about Scott’s journey at www.justgiving.com/ScottWestwood2012

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THE SEA, MY SOUL With colour, beauty and South American melodies, the enchanting surf movie, ‘El Mar, Mi Alma’, has captured the imaginations of many surfers around the globe. A privately financed project, the film has toured the world with its ambitious director, Stephen Jones, and it’s finally here in full for everyone to see this December. Stephen told Pebble about the essence of the film and the untold story in the background words by hannah smithson • interview with stephen jonesphotography by stephen jones, hilton dawe and jeff flindt

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The cool and laid back atmosphere at the Winchester pub in Bournemouth grew as more and more of the surf population from the seaside town turned up to view, what was rumoured to be, one of the best new surf movies of the year. Intrigue and common minded chat filled the room full of tanned bleach blondes and beached bodies. The film subtly started on a projector screen at the back of the stage and everyone started to make themselves comfortable on the floor of this very intimate public showing of ‘El Mar, Mi Alma’. A Chilean surf feature film, meaning the sea, my soul, held attention all the way through with majestic music and creative cinematography, finishing with its director milling around at the end to mingle with the impressed and awed crowd. Australian surfer and filmmaker, Stephen Jones, in jeans, t-shirt and beer in hand, re-told the making of the film and how he’d toured his creation around the world.

the most rewarding part. In particular, doing the style of independent touring we’ve done in Europe. I really enjoy taking the film from town to town, meeting people along the way, presenting the film, conversing with people after the show. It’s really rewarding on a personal level and I think the audience appreciate the nature of the exchange. Surfers gathering at a local theatre to experience a new independent surf film is a long held tradition in surf culture. It’s inspiring to be a part of that, to keep the tradition alive, I would say both for the filmmaker and the audience. The cinematic setting is hands down the best way to view the film. “My partner and producer of the film, Chilean/ Australian Tatiana Velasco, and I became involved with Dave Rastovich at a time when he was planning to go to Chile to protest against whaling at the International Whaling Commission (IWC) conference in Santiago. We both have a background in environmental work. Tatiana has a strong connection with her homeland, and the struggles of her people, I had a good knowledge of the coast and surf spots there. Together we worked with Rasta to

“The best thing about making a film like this is being able to share it with people, especially after putting your heart and soul into it over a long period,” says Stephen. “For me, it’s

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put together a campaign along the Chilean coast, aimed at getting support for Rasta’s anti-whaling plight and to raise awareness about local environmental issues. Rasta had his surfing friends join us along the way and we organised the Chilean surfers to come onboard. Joined by accomplished Hawaiian cinematographer, Dave Homcy, we captured the surfing action, landscapes and coastal culture of Chile on 16mm film. This 16mm footage is the imagery in the motion picture ‘El Mar, Mi Alma’.

based documentary of the road trip and environmental campaign, which is still in postproduction. “Originally we worked with Rasta and ‘Surfers for Cetaceans’ (S4C) to put together an anti-whaling campaign and collect support for the ‘visual petition’ in the lead up to the IWC conference, being held in Santiago, Chile. For the newly formed S4C, this campaign was a follow up to Rasta’s activism in Taiji, Japan from the previous year. The visual petition had been active for a few months and a large number of people had contributed. The idea was to collect further support in Chile and take it to the IWC. Fully aware of the environmental issues facing coastal communities and the ongoing environmental damage taking place, Tatiana and I integrated more into the campaign. An important focus of the campaign, and later the film, became raising awareness about these issues bringing communities together to discuss and share ideas.

“It was an extensive tour. We traveled over three thousand kilometers in three weeks meeting with school children, universities, mayors, ministers, artists, fishermen and surfers. In between it all, we found the time to go surfing and pretty much scored everywhere we went. The intention was to basically capture and record as much of the journey as possible. We focused on capturing the surfing and scenery on film and the campaign road trip on video. At the end of the road trip, after taking time to review the content and collect our thoughts, we decided to divide the project into two parts. A surf/art piece, and a more dialogue

“We also wanted to promote the idea of surfing and the surf industry as a new and

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“The film is beautiful and visionary, it is art, and yes, it is a surf film” ªºª•¶29 •

sustainable industry for communities along the coast of Chile. Tati and I live near Byron Bay, in New South Wales Australia, as does Rasta and Howie Cooke -the founders of S4C. Originally, Byron and the surrounding hills were logged for timber and cleared for the dairy industry, later the town became a whaling station - this practice took place right up until the sixties. Today, Byron is a whale watching, surfing, backpacking mecca. The town economy is very much tourist based, with many ecotourism businesses in place. Whale watching is a 300million dollar industry in Australia.

profits go to foreign corporations, not to communities. Surfing, whale watching and other ecotourism activities should be part of a sustainable future for these coastal communities and their economies. Done in a considered way, the benefits far out way the negatives. This idea is something we promoted and shared in meetings along the way. That is something that came out of that campaign, and something that S4C has taken on with future campaigns. “It was a comprehensive journey, ground breaking in many respects. Both narratives have important messages and stories to tell, and both narratives have a lot of common ground. The narrative in ‘El Mar, Mi Alma’ is of local people talking about their connection with the sea and the environmental problems facing their ancient sea culture. It was a decision we made to give a voice to these people. The narrative touches on these topics in segued ways between surfing sequences, and as a viewer you have to read between the lines to get the full picture, but the message is there, it doesn’t shy away from telling it how

“Chile not only boasts an incredibly beautiful coastline with extensive surfing opportunities, it has a whale migration, just like we do, on the east coast of Australia. There is, without a doubt, a huge potential for communities along the coast of Chile to adopt sustainable tourism based industries. They can provide employment and livelihood with far less impact on the environment than some of the toxic and destructive practices currently operating. The mining, pulp and industrial fishing

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“Surfers gathering at a local theatre to experience a new independent surf film is a long held tradition in surf culture” ªºª•¶32 •

it is. The film is beautiful and visionary, it is art, and yes, it is a surf film. “The heart and soul of this film really shines through the incredible surfing imagery, showcasing some of the worlds most talented surfers on one of the worlds most wave rich coastlines; led by world renowned surfer Dave Rastovich.” Stephen breaks away to talk to others in the Winchester and then continues to explain how he managed to get world-renowned surfer, Dave Rastovich, on board. He also confirmed the rumours that Rastovich was once saved from a shark by dolphins in Australia. “Rasta is an activist and the founder of S4C, he also has a lead role in the film. The original campaign and road trip gave life to this project and film. I’m really proud to have campaigned, filmed and travelled with one of my all time favourite surfers. “It’s very common to surf with both dolphins and sharks where we live in Australia. Usually you don’t see too many sharks as they are timid during the day, much more active at night. Whereas dolphins are very playful in the surf, often catching waves along side you. I wasn’t there when Dave had this phenomenal experience but I’ve heard him recount the story first hand - Basically a large tiger shark was heading towards him and a dolphin came in and butted it away. I don’t doubt that it’s true. “We’re currently in post production on part II of the ‘El Mar, Mi Alma’ project. This follows more closely the campaign road trip and explores more deeply the issues raised in part I. It’s something we’re crafting as a TV doc with the hope of getting a broadcast sale. It’s actually on pause at the moment while we focus all our energy on the release of part I. Again, there are financial issues. We need to return to Chile to shoot more, to see how change is impacting the people and communities we met on our original journey. If we’re unable to get finance through the screen industry and/or companies, we may try crowd funding to raise the funds to finish it. Tatiana and I have started a production company called Rebel Waltz Films. We’ve put our heart and soul into it, hopefully it will set a foundation for the future.” The film will be available soon after December 8, 2012- find out more at www.elmarmialma.com

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A BUZZ IN ªºª•¶34 •

words by joshua saunders

photography by inscentinel

Bees trained to sniff out drugs by latching onto their chemical scents could soon be swarming airports around the world. Joshua Saunders gains an insight into the future of a drug detection that’s set to sting criminals and those involved in narcotrafficking

THE AIR ªºª•¶35 •

“You’d see that the cocaine bees are responding, not the heroin bees”

Honeybees are currently being trained to recognise scents such as heroin, cocaine and other drugs in an attempt to crack down on smuggling within airports. Their ability to smell pollen from over a mile away makes them ideal candidates for the new revolution in drug detection.

in anticipation of the scent and associate the scent, in this instance drugs, with being fed. Stacey Kendall, a junior scientist who carries out this research at Inscentinel says, “if they do that, it’s a sign that they have learned to associate the smell with the sugar. If they don’t, half way through the six seconds, you’d touch their antennae again as a reminder and then feed them.”

One company, Hertfordshire based Inscentinel, are using Pavlovian conditioning - where a specimen is taught to associate one thing with another unconditioned stimulus. This works for bees by conditioning them into associating the scent of a drug with sticking their tongue out for sugar.

“One person can train 30 to 40 bees in a day, you start with bee number one and it will get exposed to the smell for the first time. You work all the way through to bee 35 and then go back to bee number one.”

The bees are introduced to the scent by pressing a button that releases the sample into their airstream. The scientist then touches the bee’s antennae, which is their way of detecting the scent; the bee puts out its tongue and is fed the sugar with water. The process is then repeated to analyse whether the bees stick out their tongues

Inscentinel condition batches of 35 bees at a time, teaching them in five cycles to ensure the 80-90% of the bees are trained in one day. “They can do it in one cycle but not every bee will,” she added. From this, the company intends to provide cartridges of six bees in a vapour detector

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container, called a Vasor, to be dispatched to airports and other clients for use.

not the people,’ which Stacey believes is an area that can be overlooked.

The bees can be trained for over five different drugs and can be taught to recognise chemicals found in the explosive Trinitrotoluene, more commonly known as TNT.

This would work by sucking air from wrapped cargo and then concentrating that air into a filter, then by showing the filter to the bees, you’d see which ones reacted by sticking out their tongue. “You’d see that the cocaine bees are responding not the heroine bees,” and from that be able to deduce that traces of cocaine are inside the cargo.

In developing countries, where it is more expensive to send a medically trained doctor to remote locations, the bees are being used to detect Tuberculosis. They do this by watching to see if they react to the scents given off by compounds found in TB patients’ breath, this has been noted by Dr Steve Chambers - one of New Zealand’s leading infectious disease specialists - as ‘the perfume of tuberculosis’.

The screening process is far from the initial fear-filled conjurations of how people believe bees are going to be used to detect drugs at airports. Stacey says, “it sounds like setting bees on people but they are contained in a handheld hoover type piece, so in theory you’d never know that there are bees in there.”

One possible way of utilizing this new method of drug detection in airports would be ‘looking at the cargo going onto a plane

Another way would be to partner the trained

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bees with sniffer dogs while checking luggage. Stacey explains, “they don’t have to replace sniffer dogs they can work in conjunction. You have a sniffer dog, it’s indicated that there’s something in someone’s luggage [you could then] take them to one side and use the bees.”

different from those used by bee keepers to pollinate an apple orchard.”

To train a dog to become a sniffer dog it takes on average six-months, and a further month to train it to another scent. Up to 100 sniffer bees can be conditioned to associate a scent with sugar in a few hours making it a more financially worthwhile endeavour. At the moment only 35 bees can be trained by hand, but 100 could be conditioned with an automated conditioning unit, where the scents could be released directly into the machine along with the sugar incentive. While this approach may not be as thorough as conditioning each bee by hand Stacey says, “when you put in hundreds of bees it doesn’t matter if a lower percentage are trained, you still get out more bees at the end.”

So far, the company has faced little opposition from the outside world and animal rights activists. Stacey says, “we’ve had one or two angry emails or letters… but that’s probably to be expected.”

Inscentinel are currently working towards a field trial, this upcoming February, with a FTSE 250 company that wished to remain unnamed.

“It’s hard to know what’s going through the head of the bees, but they’re getting more sugar than they would be able to find naturally. If you put any stress on them there would be no point because they are not going to behave as they should, and may not learn or respond [to the conditioning]. Their life expectancy outside of the hive is just eight to six weeks so it doesn’t appear to, broadly speaking, affect them,” she adds. After being used by airports the clients would then return the bees to Inscentinel. When the bees return from duty, the company intends to let them return to a normal life. Stacey says, “the idea when it was set up was that we’d get fresh bees, train them and hand them out to whoever is using them. Then when they return the used bees, we’d release them to a different hive, like a retirement hive.”

Inscentinel are using European honeybees, officially known as the ‘Apis mellifera’, because they are one of the most commonly found species of bee, allowing them to be trained worldwide. Stacey explains, “they are not really special, they’re not going to be any

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Tune in to your

Spiritual Side words by hannah smithson illustration by lauren kelsey • photography ed shipul

Be your best self: this is the advice many spiritual leaders, philosophers and life coaches give, but it is much easier said than done. More often than not it would seem like an impossible task and often we may question what could improve our lives and nourish our souls. Finding meaning in life involves aligning with our senses to fulfill our true purpose by following our intuition. So we spoke to Sarah Alexander, one of the UK´s leading spiritual awareness coaches to find out

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meditate to a stil mind “Our minds don´t want to naturally be still”, says Sarah, author of ‘Spiritual Intelligence in Business’, but this can be an effective way to receive inspiration. Sarah suggests that the main tool for tuning into your own spiritual side, which is the key to your inner most desires and dreams, is through meditation. “You can call this relaxation if you want or contemplation time, but unless you are able to take your mind into a place where it is slower, it is quite hard to receive all the value that you can get from having a stiller mind.” Most of us go about our every day life with our minds chattering away like mad and the last thing we’d think about is meditation – we’re too busy, we have deadlines to reach and quite frankly some of the time we can’t be bothered. This is where discipline essentially must come in. Many of us would class having a glass of wine and watching TV as relaxation. However this isn’t the same as relaxing your mind, which is about focusing on your breathing or a separate chosen thing. “I try to meditate whenever I have opportunities throughout the day but I often do it – laughs - when I´m driving, when I´m walking, when I´m doing things like washing up or cleaning. You don´t need to just be sitting still you can do it absolutely anywhere.”

spark your creative power One of Sarah’s recent clients had been working in the NHS for years but has always been a talented singer. She loves her job but knows that her real passion is music, so Sarah has been coaching her to let go of her full-time, high-income job to step into her dream career in musical theatre. “She´s actually just about to go for her first audition which I have no doubt she´s going to get. It´s about developing the confidence and the trust to let go of the old and step into the new, that´s really in alignment with who you are.” Sarah has worked with people from all over the UK, Europe and the Far East and has studied different meditation techniques. She now works with international sports competitors, celebrities and top business executives, helping them to develop the right mindset by putting their intuition at the heart of their careers.

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go with the flow Regardless of what we do, we cannot escape from the criticism of others. Sarah says it is something that we must learn to move beyond, to know that we have done our best in every situation and if other people don´t like our best then that is up to them. “I´ve been criticised and on one level it feels hurtful, but on another level it is an opportunity for forgiveness and an opportunity to rise above it. “There are absolutely people who are skeptical to this way of thinking, and I think something which is very much a spiritual skill if you like, and is our ability to have discernment.”

the beauty of busy-ness Sarah believes that in challenging times it’s easy to blame yourself but the reality is that, “we do all have talents and skills and gifts within us that we can share that are of great benefit to other people. It may mean that initially we don´t get paid for them but our willingness to share them and to give abundantly is, for me, the key to generating abundance in your life. “It sounds counter intuitive but the more you are able to focus on helping others be successful, helping others make money and helping others to develop, by that attitude of giving. Then things just seem to naturally and easily fall into place.” The gracious woman before me lives by this lesson. She sees her service to the world as helping others achieve greatness and as I interview her, as a journalist, I feel that she is helping me achieve something without even realising it. Sarah´s book, ‘Spiritual Intelligence in Business’, speaks to those who have previously failed to achieve business goals to give a new, fresh approach in line with ancient spiritual wisdom. The message is to let business grow in alignment with its innate flow. Try our exclusive spiritual intelligence test on our blog, read more at sarah-alexander.co.uk

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“I don´t think there is a person on the planet who has not had an experience of their intuition guiding them or their inner sense of direction encouraging them to do or not do a certain thing.” ªºª•¶43 •

words by hannah smithson • photography by bhavna sayana

Meet the woman who has a Christmas tree up all year round and outwardly admits, just like Wizzard and Santa Claus, ‘she wishes it could be Christmas every day’. Gillian Edwards, Christmas designer and owner of her self-start business, Showoffs, reminices about how her inspired idea in the 80’s snowballed into a seasonal winner

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“I am a very Christmassy person. If I could have Christmas all year round I would. I even have a Christmas tree up in my room all year” a creative partnership

for the love of it I think because I’d always enjoyed Christmas so much when I was a child, the idea of being in an industry that revolves around Christmas was just amazing. I loved every minute of it. The moment one Christmas was over we would be working on the next. So it was Christmas twelve months of the year for us. I always found it very easy to be inspired by Christmas. Father Christmas, snow, geese, you know, there are so many iconic images that you can work with and colour schemes too. The richness of the colours and everything, I can’t imagine working with a greater inspiration.

I had an idea so I approached a couple of my old friends, who I used to do window dressing with, and they both seemed very interested. We wanted to do something that we did together, before we started having children, and so we started very small. We began flogging our way around the shops just asking if they wanted people to dress their windows. And then when we started doing the Christmas work, we moved into a much bigger market based solely on Christmas decorations. But it wasn’t just Christmas trees, we had people making things up, there was quite a lot of sewing involved because we created a lot of our own bows, swags and banners. We used all sorts of different fabrics, we did silk painting, screen printing, all sorts of things. Once, we bought in some mechanical geese, they were very big and had motors on them, so Father Christmas was sitting on top of one of the geese as he was waving.

high flying The biggest business we did was with the shopping malls, this was more or less all around the country. And then we did Manchester airport, that was very big business, and although it was all in one place, there were an awful lot of areas to be decorated within the airport. Anything that was very tall or that had to be suspended up in the air was extremely challenging, because we had to work with a lot of heavy machinery.

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Mobile lifts and everything! I think a hundred foot was the highest we ever went. It grew and we grew with it. Every time we had a bigger job, and every time someone would say, ‘Oh my god, we can’t do that,’ I would reply, ‘Oh yes we can’. There was never anything we couldn’t achieve.

the secret to a successful Christmas I think as soon as people start hearing Christmas music in the shops and see Christmas adverts on television they are motivated to get a move on. It’s a controversial comment, but in my opinion it’s never too early for Christmas decorations! Especially at the moment with harsh financial times, I think it’s even more important to spread out the cost of Christmas. There are lots of alternatives to an expensive Christmas nowadays; it’s a case of rummaging through everything to get the best possible deal. It doesn’t always have to come down to huge amounts of money. Maybe that’ll be a realisation this year.

tips to newcomers I don’t think it’s difficult to break into the Christmas industry. I think there’s always room in the Christmas market for more things. Maybe we need more alternative ideas. People often go down the arts and crafts routes for Christmas but there’s a huge market in say Christmas lights. Everyone uses Christmas lights a lot more, with more elaborate home displays every year. I think there’s always room in the market for new ideas.

Christmas all year round? I am a very Christmassy person. If I could have Christmas all year round I would. I even have a Christmas tree up in my room all year. Psychologically, someone would probably say I must have enjoyed Christmas very much as a child. It has happy memories for me. It’s a happy, positive, heartwarming time of year. There are Christmas shops that are open all year round; they still get quite a good turnover. I think there’s room for Christmas ideas to be sold and used all through the year.

thicker than water

We were unusually good friends while we were young, but now I’m jealous of Sam because of his thick, warm socks.

My best friend and me made my brother pretend to be a rabbit and sat him in his bunny cage underneath a chair. One day we left him there for ages because we forgot about him...

ªºª•¶46 •

My sister Sam wanted to put me back inside my mum’s tummy because I cried too loudly…

Me and my sister refused to sit down to eat. Our mum would jokingly pretend to get string and glue from a cupboard to stick us down.

My sisters and I always try to pass this picture off as real, despite it clearly being a waxwork of Arnold Schwarzenegger.

Once my sisters tied me and my next door neighbour to a telegraph pole and hosed us down with cold water...

My sister was extremely messy so I would dump the contents of the floor onto her bed so she’d have to tidy up…

ªºª•¶47 •

honey curls

poem and photography by holly smithson

Honey Curls Short, podgy limbs Knock knees and a round tummy; Eyes made for turning stone into honey. She searches for big sisters, ‘Can I play with you?’ She asks, A small waddle of reactions Milky and Smothered in Mother’s kisses Turned again away, For legs that don’t run fast enough for competitive big girl’s games. Sticky syrup sticks on Honey Curls’ stomach, First one wasp and then another, Tickle her tummy for the taste of honey; And picking them off one by one with Plump pink pincers, They sting! Honey Curls howls and now the game really begins Big sisters run, it’s their turn to play Mum, Soothing shushes, wiping away tears; Scoop up little Honey Curls to quieten her fears And years spin slow in sugar webs Wasps mutate, Take many forms But big sisters shush and wipe and scoop Together climbing steadily from the same Tender root

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Shirt £19.99, H&M, skirt £25, ASOS Shoes, models own

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photography by charlotte dart • models bridie wilkins and joel franklin • make up jenna barron

Welcome to a world of fruitful fun, where the festive months give us all the opportunity to dress up and act young. The expression, ‘smiling like a kid at Christmas’ could not be more true

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Top £10, Urban Outfitters, skirt £35, Topshop Shoes, models own

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Vintage waistcoast, Guinness, vintage jumper Trousers £65, Monkee, Sand boots £50, Office

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Shirt £60, and jumper £100, both Ralph Lauren Trousers £65, Monkee

Dress £38, Topshop, necklace £6, Topshop Watch, models own

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Jumper £20, Topman, trousers £65, Monkee Blazers £65, Nike

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Shirt £26, ASOS, leggings £7, Primark Coat £68, Topshop

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WOMEN’S

COBALT BLUE Cobalt blue is the colour to take the gothic trend to a whole new level. Go for light knitwear, cashmere jumpers, block colouring and you’ve got the look covered. Stella McCartney’s catwalk is peppered with this daring hue, forming an extremely sophisticated yet cosy winter look. Get some great dupes of these high-end pieces at M&Co. and lovarni.com

How to wear Team a cobalt blue jumper or blouse with a black tailored pair of trousers and black Chelsea boots for a gorgeous daytime look. For the evening, channel your inner Duchess in a cobalt blue pencil skirt and a lace top. If you’re going for a really formal look add a blazer to the mix, along with some heels and a clutch bag.

lovarni.com £110

topshop £28

miss selfridge £32

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TRENDS

WASP WAISTS An accentuated waist is the cut of the season, and it’s one of the most flattering styles out there. Team with peplum style dresses, wrist and neck cuffs and even headpieces if you want a more outrageous look. Alexander McQueen had everyone buzzing about their latest line, as the highstreet stores have done their best to recreate that classic McQueen look.

How to wear Team fitted or peplum dresses with waist belts and wrist cuffs to get this quirky look. For a more daring evening look, be adventurous with an over the top headpiece and a loud pair of heels. Stick to a gold colour hue to add that extra Christmas sparkle, helping to blend ths style in with a multitude of trends.

miss selfridge £35

the vestry £45

julien macdonald £45

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topshop £46

WOMEN’S

ANIMAL MOTIFS One of this season’s biggest trends is the use of our favourite furry friends through animal motifs and embellishments. Burberry have been king of the look as almost every piece in their AW12 collection featured an owl motif. To add a sophisticated edge to this look, team with high waisted trousers or pencil skirts, lots of suede, heeled shoes and loads of layering.

How to wear For a casual daytime look, team a sweater complete with an animal motif with a pair of high waisted jeans/trousers, a chunky cardigan or blazer - the more textures you can include, the better - and some brogues or ankle boots. Carry on this look into the evening by swapping the trousers for a fitted pencil skirt, teamed with a thick waist belt, heeled boots and a large handbag.

monsoon £49

miss selfridge £39

primark £14

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TRENDS

TAILORING

Take centre stage as the leading lady with a Ralph Lauren-esque look. You’re sure to feel like Audrey Hepburn in tailored suits, capes, buckles, heavy patterns - especially tartan - and embellishment, fur and ankle boots. These are the main focus of RL by Ralph Lauren’s autumn/winter line. Don’t be afraid to look boyish, pants and trousers will be your new best friend this season.

How to wear Pair a cape with wet look leggings or disco pants to get this well-tailored and structured look, they would be right at home for a walk in the park. Look for those little trimmings around sleeves and buttons that make this look come to life. Add a matching blazer and a faux fur scarf to go that extra mile. A regal twist to a daywear outfit takes fashion that step further. miss selfridge £49

miss selfridge £48

topshop £45

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DECEMBER 2012 tuesd monday sunday

saturday 1

ASOS £70 8

Bertie £115

G Star Raw £115

Urban Outitters £95

Miss Selfridge £58

Fat Face £70

ASOS £65

Bertie £85

CJC £130

Dune £80

Office £70 24

Debenhams £80

Dune £99 30

Office £66.99 • 068 •

Miss Selfridge £58

SHOE CALENDAR day thursday wednesday 5

ASOS £85

Dune £99

Next £65 13

Burton £46

Office £70 21

Burton £26 26

Office £120 14

Office £99.99 19

Dorothy Perkins £49

Dune £65

Miss Selfidge £55

friday

Urban Outfitters £79

Topshop TBC 28

Dune £175

Office £115

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Office £66.99

DID I SAY YOU COULD BORROW THAT? words by robyn brimmer-doyle

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At the tender age of three, I had a little sister bestowed upon me. At the time, I assume that I thought it was the best thing in the world - someone to play dolls with me, someone to tell secrets to… It was all too good to be true. But, as time has gone by and we have grown older, our relationship has deteriorated. The Culprit? Fashion. Obviously all sisters have the odd bicker, catfight, or argument over clothes, but I can honestly say with experience that when you are forced to share a room together, because the parents think it’s a great idea for another sister to come along, it gets about ten times worse. I’m 20-years-old, and my younger sister is 17. We’re total opposites - chalk and cheese. I’m a tiny 5’2”; she towers over me at 5’5”; I have bright blonde hair; her hair is a deep, dark chocolate brown. However, our taste in

clothes, accessories, shoes and all things in between are all we have in common. The ‘wardrobe wars’ started in secondary school. We went to the same school for a few years and so would often see each other going from class to class, but each other isn’t all we’d see. Slowly, pieces from my wardrobe would disappear and then turn up on my sister. There were multiple occasions in which I had to physically stop myself from pulling the clothes off of her there and then. I have lost count of the amount of times my Mum or Dad has had to sit us down to talk about borrowing each other’s clothes without permission. Their efforts though seem to be wasted upon us, as it always ends the same way: we fight our corner, promise not to do it again and then fall back into the same routine of borrowing without asking. It’s a vicious circle. I just think myself lucky that we

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don’t have the same size feet. Most recently, I was home scouring through my entire wardrobe for a black vest top that I was sure was in there. I was storming around the house all guns blazing, absolutely certain my sister had taken it, when it actually turns out that it was in my washing basket – oops. As I’m getting older, I’ve realised it’s actually pretty useful having a sister with similar fashion sense, and for her to be the same size as me! She genuinely does have some pretty nice clothes, so I should think myself lucky that I can borrow them as and when I want - most of the time. As long as we both just remember to ask each other before we pinch them and wear them, we could use it to our advantage and trick people into thinking we have more clothes than we actually do.

words by bridie wilkins

Sibling bloggers can showcase fashion in a way that regular writers cannot. Not only are they in tune with style but they are also in sinc with each other. A pair is always stronger than one

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Personal fashion blogs steer the 21st century blogoshpere, but who’s to say it’s lazy to collaborate with a sibling to create an enriching and diverse Style Bible? With the likes of Cara and Poppy Delvingne, Elle and Dakota Fanning and Bip and Evangeline Ling showcasing their stylish genes side-by-side on the streets of the fashion capitals, siblings are the new ‘in thing’. But, even the most credible fashionistas haven’t dared to join forces and split the responsibilities that a fashion blog entails. Perhaps it is for the more leisurely of bloggers to join with a co-writer, but in a world of free media and citizen journalism, surely there should be no restrictions to the method of publishing. Say “goodbye” to endless hunting on the internet for differing style ideas, and say “hello” to the diversity that a sibling blog brings, giving two styles in one but without sacrificing the quality. Whilst the current number of sibling blogs today may be scarce, it is clear that those existent are thriving in the industry. Clarins sisters, Virginie, Claire, Prisca and Jenna defied the agenda and launched

their own fashion and beauty blog, “Beauty Fash blog” - or BFB. Sharing their fascinating world of fabulous fashion and beauty loves, the Clarins sisters prove that sibling blogs certainly aren’t something to be disparaged. ‘Beckerman Bite Plate’ is a beautifully crafted, unique style blog written by twins, Caillianne and Samantha Beckerman and younger sister, Chloe Beckerman, from Toronto. “We don’t follow trends and we dress differently each day according to how we feel because we believe that fashion is obsessively fun,” said the sisters, who shape their blog around the reader’s needs. “Some of our favourite pieces are polka dot and baggy knitwear as our Grandmother and Aunt used to own their own knitwear shop.” ‘Sister From Another Mister’, written by sisters, Elena and Claudia Marcelli use their Italian charm to portray fashion in a bright and artistic way. “We see fashion as completely authentic and love how it reflects the world’s mood which

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is diverse and exciting. It shows people’s characteristic which is often enhanced and manipulated by certain things that they wear,” said the Marcelli sisters. ‘London’s Closet’ is by 17-year-old twins, Shope and Shore Delano. “This outfit is my style in a nut shell as I love mixing vintage pieces with high street pieces, and buying things that are something ridiculous like $6 from a thrift store in the US, which look great. I gravitate towards to a casual side of things when choosing any outfit – my American Apparel riding pants are a must for a casual day,” said Shope. “I always love to colour coordinate, so that they really compliment each other and are perfect for the season. I use accessories like bags and sparkly earrings to add a little extra too,” said Shore.

www.beckermanbiteplate.blogspot.co.uk www.sisterfromanothermisterblog.com www.londons-closet.com

SPIJKERS EN SPIJKERS words and photography by joseph kent

It is often speculated that identical twins share a subconscious bond, where thoughts and ideas are consistent, even to the point where either twin will continue their sibling’s sentences. It is certainly fair to say that Dutch designers Truus and Riet Spijkers are the perfect example of this admirable connection. The twin sister duo founded their fashion label, Spijkers en Spijkers, in 2000, and now showcase their popular seasonal collections at Amsterdam and London Fashion Weeks. They explain that they find their connection as sibling designers is as much a necessity as it is a virtue. “You can’t do it alone,” says Riet, “and I think being twins and being family, we understand each other so well.

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“We’re good at different things,” continues Truus, “so what she can’t, she can, and the other way around.” Their natural co-operation has created beautiful and vibrant womenswear. Their current autumn/winter collection is a colourful affair, mixed with stripes and patterns. Their upcoming spring/summer collection for 2013, described as poetic and romantic, is even more colourful, with art deco reminiscence through geometric shape designs. “We love colour, and which colour dress makes a difference,” says Truus. “Some of the dresses in the collection come across as very different. “With a different colour, you get such a different feel,” adds Riet, “and if you put dark colours here or there, it makes your body look different. “Every design we want to make, we try to find a balance,” says Truus, “so the whole look should be effortless, and like a picture that’s really in balance.” On that note, you may argue that a painting with two artists’ brush strokes will never make a masterpiece. However, the shared skills and talents of the Spijkers sisters are harmonious, with the end results impressing fashion enthusiasts in their home nation and in the UK - even when they do not know the designers are identical twins. “Some people don’t even know. Some people just think we’re sisters, or not even related.”

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CRAFTY AND CAREFUL JEWELLERY

words by findjewellery.co.uk

Caring for your jewellery should be second nature, whether it is protecting catwalk inspired costume jewellery or fine pieces made from precious metals and rare gems. Unlike the clothes in our wardrobes there are no care labels attached which is why, here at Pebble, we have compiled a guide to give you the essential facts to keep your jewellery looking new

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sewwhite.com £45

sewwhite.com £55

Most jewellery is not designed to be worn all of the time. If you want your jewellery to look gorgeous for longer, you should avoid wearing it doing housework or any manual labour, at the gym or in a swimming pool or sauna. Chemicals and damage caused by knocking or catching jewellery are likely to cause the most significant damage. The rhodium plating on white gold wearing off, silver getting scratched or claw set stones being damaged or lost are some of the most common problems. In most cases these problems are repairable by a good jeweller, but prevention is most definitely better than waiting for the cure.

Now you know where to wear it - in your treasured moments of being a lady of leisure - you need to know how to store it. I’m as guilty as the next girl of chucking my jewellery into a pile at the end of a long day, but I certainly do know better. Each individual piece should be kept separate, ideally in a soft pouch or box limiting the amount of air that it comes into contact with, minimising tarnishing and of course keeping it from rubbing against other pieces and causing damage by scratching. Pearls are one of the most delicate gem stones and they need special attention. More than any other piece of your jewellery, they need to be kept separately and wrapped in a soft cloth to keep them clean and scratch free.

Our final tip; a jewellery spa, helping to revive and refresh your tired jewellery. Precious metals can be reinvigorated by a massage with a soft cloth, you can get ones impregnated with silver cleaner that are ideal for silver and gold. Soft exfoliating will remove the surface dirt and buff the metal to a gleaming finish. If your diamonds - or other hard wearing stones not opal, emerald or pearl - are looking dull, then soak them in warm water with a tiny drop of washing up liquid. After an hour or two, change the water and if necessary very gently brush any dirt out from under the stones with a soft toothbrush. The result: your pampered diamonds will have their sparkle back. If your jewellery is in need of greater rehabilitation then take it in to your local jeweller and ask their advice – they will be able to bring your jewellery back to life. All in all, the bottom line is that a little bit of attention from time to time will invigorate your jewellery and keep you as much in love with it as when you first opened the box.

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ELABORATE & EXAGGERATE words by tash salmon

miss selfridge £26

topshop tbc

miss selfridge £28

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miss selfridge £39

Embellished collars have been another successful trend to jump 30 years and land stylishly in our wardrobes. From the over the top 1980s to our over flowing online shopping baskets this statement fashion needs to be tried by everyone. Whether it’s the biker-esque styles with sparkles or studs, or bringing colour to the winter cold with Aztec print fabrics or pastel colours, these collars are the gift to your wardrobe that gives on every occasion. miss selfridge £75

Feminine tailoring is a style that has also stuck from the power dressing of the 1980s, but the embellished collar allows you to dress with power and femininity without a fear of shoulder pads. However, often as it is with massive trends the favourite pieces of us at Pebble are also the most expensive so of course we want to offer you an alternative. So grab those boring pastel shirts you only wear for interviews and colour block shirts only good for cooler summer days. It’s time to get creative and make your own embellished masterpieces. First option, for the adventurous and skilled designers out there, head to your local haberdashery and choose from rhinestones, pearls, studs, buckles, buttons or an assortment of all and attach to a shirt. To attach your array of bits and bobs use washable glue or grab that sewing kit you’ve never used and secure them this way.

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topshop £45

topshop £300

topshop £46

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If the idea of sewing and sticking will lead you to descend to a playgroup style melt down, have no fear. The easier option for a glam collar is the use of old earrings or even discounted and damaged pairs or sets in your favourite fashion stores. Pierce the earrings through the fabric, cut to a short length if too long and you’re there. Add washable glue to secure in place and also prevent scratches from sharp end of your earrings. If your earrings have already broken, use the front and fit it with glue in the same fashion as the step before. The easiest way by far is to buy your own collared necklace whether made of pearls or faux diamonds, it can drive your outfit and be worn in multiple and versatile ways. A more toned down collar look of this season is the use of contrasting material and patterns. Aztec is a print that, in cooler colours, has been able to survive the transfer from summer to winter. With cobalt blue featuring on many catwalks grab that old denim shirt and add colour to your collar tips. It is easy to get this look for a good price and create something that you know you want.

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miss selfridge £75

tuesday

JANUARY 2013

wednesday

thursday

G Star £115 15

Office £89.99 17

Dune £85

Dune £85 23

Dune £70 29

Dorothy Perkins £55

Office £76.99

Primark TBC 31

G Star Raw £115 • 082 •

G Star Raw £115 24

Urban Outfitters £85

Topshop TBC 10

Bertie £115

CJG £130

frida

Dune £55

SHOE CALENDAR saturday

ASOS £60 Urban Outfitters £120

Office £105

River Island TBC

River Island TBC 13

Dune £75 14

ASOS £55

River Island TBC 21

Office £89.99

Dune £90 26

Burton £46

Primark £20 12

monday

sunday

Topshop TBC 28

Dune £85

Debenhams £140

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Dune £85

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COLOURS

Imagine a shade of orange so rich it looks good enough to eat, a blue so deep it could be swam in, and a green so vibrant it looks freshly mown and manicured. It takes true skill to combine such colours together successfully and create an exceptionally elegant collection that any woman would fight to own. In short, it’s clear that Jennifer Morris knows exactly how to use colour.

AN INTERVIEW WITH JENNIFER MORRIS

Her studio oozes style and fashion with a sophisticated edge, resembling an Aladdin’s cave of treasure and treats. Scrap material cuttings and rough outlines of potential projects pepper the work surface and show her true dedication to the field, proving that this is not just a work place but a second home.

words and photography by tazz gault

“I have always loved fashion, but I do think there are some people who are in the industry for the wrong reasons,” said Jennifer with an apologetic shrug. “Those that think fashion is fabulous can be the real problems – it is actually an incredibly hard industry and takes a lot of work and isn’t always terribly rewarding. Despite that though, I wouldn’t change it!” For all the use of colour, Jennifer likes to keep the bright and beautiful purely profes-

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sional. “In true designer style, I tend to wear black and denim rather than colour. When it comes to creating the clothes though, I am a real magpie for different shades, textures and sparkly things – they automatically drag me in. It does take a while to get the balance right though, because if I could have it my way, everything would be sparkly,” Jennifer laughed, whilst thumbing through the rainbow of clothes.

really fascinating to look at different things across the world that have absolutely no contact with each other, but have so many incredible similarities,” said Jennifer, wide eyed and eager to explain more. “I’d like to think that my collections strike a cord with many different cultures and levels because people can see different aspects of themselves within the clothes. I never design for just one person – I want the garment to speak for itself, whether it is for a 19-yearold or a pensioner. I don’t mind who wears it, as long as they love it.”

Colours may seem like her forte, but it wasn’t until working for her masters in 2011 at London College of Fashion that Jennifer managed to champion green. “I always found green really difficult to use and I have never really worn it myself. There are a lot of ugly shades around so it can be quite a difficult colour to work with. Now I have overcome my fear it has played quite a strong role within my collections.”

Creativity seems to run through Jennifer’s blood, with many artistic family members stemming from the Morris household. “My dad and I used to sit together and paint when I was younger. In fact, my family are quite creative in general,” laughed Jennifer. As the youngest and the only female, her childhood was not initially one of pink, sparkles and fairies. “I was never brought up a real girly girl, but from the age of three I demanded to dress myself and would always put together my own outfits. Until around aged six I would refuse to wear shorts or trousers as I was convinced it would make me look like a boy,” said Jennifer as she fidgeted with various magazine clippings. “I must have thought of myself as a princess or something and decided I was this real girl that would be interested in fashion.”

Behind her collections lie many secrets and a wealth of intelligent inspiration that just adds to Jennifer’s charm. They skilfully show a journey from mayhem to harmony, with inspiration over the autumn/winter and spring/summer collections stemming from the Chaos Theory and Goddesses. “A lot of my ideas come from things that I am really interested in, like mythology. I still don’t know much about it, but I find it

“I’d like to think that my collections strike a cord with many different cultures and levels because people can see different aspects of themselves within the clothes” • 086 •

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With just an older brother, sibling rivalry hasn’t been too much of an issue for Jennifer. “My brother is a year and a half older than me and we are completely different from each other. We absolutely hated each other when we were growing up, but when he left home we started getting on a bit better,” laughed Jennifer. “He even used to ask me for fashion advice.” Her love for natural forms is noticeable in her choice of fabrics where silks and cottons feature heavily, with the real sparkle coming from the extravagant French fabrics occasionally used. “Although I use fabrics from around the world, I really want to keep my manufacturer in the UK as my brand grows,” said Jennifer. “It’s a really nice touch to the overall collection and something that is becoming more and more important to people. You want to know the history of things, especially when you are buying an expensive garment – you want it to mean something to you.” A self confessed beginner to celebrity culture, Lana Del Rey is the only lady that Jennifer dreams to one day design for. “She is so in at the moment and absolutely beautiful. In fact, I absolutely love gingers and it comes to a point that I have a bit of a thing for them.” It seems that her love for bright colours stretch further than first thought.

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PAINTING WITH THREADS photography by phoebe cheong • model julia kinnear • make up becky lloyd

Red, and yellow, and pink, and green, purple and orange, and blue, I can sing a rainbow, sing a rainbow too

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MEN'S T

burton £85

penfield £130

Winter Warmers Fur is ever a connotation of winter warmth, hence fur-lined hoods were an unsurprising detail across the breadth of menswear shows. From parkas by DSquared and Michael Bastian to woolly coats by Todd Snyder and Lanvin, fur lined hoods are the cosy wintry addition to your staple insulation. Woollen duffel coats were equally a highlight, featuring at Marc by Marc Jacobs, Iceberg and Burberry Prorsum. The toggles are a stylish alternative to buttons. The high street have taken their twist on coats, by producing them in statement brights. Matalan stock yellow and orange parkas with faux fur trim, to keep you warm as much as waterproof. While ASOS sell wool duffel coats and pea coats in a variety of vibrant nuances. river island £75

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TRENDS

office £79.99

matalan £18

Lumberjack Lumberjack inspired style does not only concern plaid shirts. Throw in dungarees, hardwearing boots, elbow patches and denim jackets, and you have the makings of masculine trend. Japanese designer Junya Watanabe combines all these elements, among others, in his autumn/winter collection to create a look that is remarkably both sharp and casual. Also included in his designs are corduroy, thick socks, large pockets and contrasting panels of fabric. The basic lumberjack aesthetic can be styled affordably with a flannel shirt, available from virtually all high street menswear brands. Wear with hardwearing, lace-up boots.

fat face £42

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MEN'S T

burton £7

ASOS £32

Suited The suit will forever be a menswear staple. A clean-cut suit is the epitome of smart dress, and arguably the first steps to dressing like a gentleman. Designers across all Fashion Weeks have embraced sharp tailoring with fervour. Balenciaga has moved away from its sporty designs in preference of suits in pop colours of red and blue. While British label E. Tautz, on the other hand, favours a palette of greys for the London businessman. Bespoke suits are the gleaming light of men’s formalwear, but there are many readyto-wear styles available on the high street, including two-piece suits from Marks and Spencer, tweed jackets from Burton, and slim-fitted suits from Topman. And do not forget to look spick and span with a mandatory pair of clean and polished shoes. burton £70

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TRENDS

matalan £25

burton £50

Nordic Thick and patterned knitwear lies at the heart of this winter’s Nordic trends. Geometrics and the traditional Fair Isle are favoured patterns, as seen in collections by Maison Kitsune and Ermenegildo Zegna. The latter layers chunky cardigans and roll-neck jumpers with winter coats and smart suits. Topman and Burton’s expansive selections of Nordic knits will suffice in keeping you cosy. But do not stray too far into Christmas patterns, which will look out of place come the New Year. Those with titbits of bright colours sneakily add vibrancy into your winter wardrobe.

fat face £85

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UNDER URBAN words by tom bennett

It’s the sport that everyone is dying to learn, but requires too much effort to begin - and everyone that has already learnt it can parade in coveted on looking envy. Surging straight into the mainstream multimedia culture from the suburban street roots; the influence of urban sports is becoming more and more prominent in our everyday lives, and unsurprisingly, in our wardrobes. After its nineties heyday, skateboarding is leading the line of inner city culture transforming how we live and think. How else did you think the once mouthy ‘teenage dirtbags’ are looking like sophisticated and suave young gentlemen in their skinny trousers?

burton £34

It’s no longer only scrawny pale kids copying what they’ve seen on Tony Hawk’s multimillion pound video game franchise. The infiltration of hip-hop music has brought urban culture and fashion to the forefront of society, so we can all adopt our own twist on the conventional streetwear style. From the shaggy-haired originators of the street surfers to the laid-back flannel shirts and bandanas of the late 1980s, skateboarding has always been associated with - and celebrated because of - a rebellious punk rock edge. Kids with their band tees would pay homage to the metal groups of the era as they set the scene. Since then, black skaters, such as Kareem Campbell, Ray Barbee and Harold Hunter, have been thrust into the public spotlight. In 2004, Reebok sponsored Stevie Williams. With a gold tooth and flashing bling as bright as the morning sun, Williams now has his own line of Reebok garments, DGK - an acronym for Dirty Ghetto kids. Lupe Fiasco even released a song in 2006 entitled ‘Kick, push’, making reference to the

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burton £25

burton £10

footwork method to propel a skateboard. “I got dissed for it because they said I wasn’t a real skater... I’m just telling that story and appreciating it,” he said.

burton £32

Since the traditional perfectly angled halfpipe pools of thrill, skateboarding has shifted to a new form of stimulation. The streets are now a playground for skaters, as well as BMXers and rollerbladers alike. Railings and roofs, walls and windows, benches and bus stops are all mere toys in the skate park which is life. A subculture that once had its own selective style has now become one that men secretly love to wear. Within the industry, first time skaters who are drawn to the sport through candy coloured trainers and the scrapes, bruises and cuts of those ‘I don’t care’ male specie are referred to as poseurs. Skateboards are commonly used as an accessory rather than a life choice. Graphic tees started on the underside of boards. Skaters would wear plain white tees and let their board do all the talking, now the bold and bright prints are the latest canvas for that rebellious skateboarding persona. Topman, Urban Outfitters and H&M are just a few high street brands that sell the trend. Practicality is key for the modern day skater. Brands like Element produce hoodies with hidden inside pockets whilst multiple layers add coveted warmth, Vans give that secure fit with an extra splash of colour, and Converse are a classic that’ll never die. Urban style has expanded and is now a trend that most men follow without even realising.

topman £34

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RYAN KEEN words by julia denni • photography by tommy zalucki

We caught up with Ryan Keen, in the quiet harbour of Bristol, where he was supporting Australian artist Julia Stone above the water on Thekla, a floating venue. On reflection, the giant steel ship moored in the city centre was a perfect place to meet the upcoming singersongwriter. The Thekla is a former cargo ship painted and converted in an uncompromising manner. Ryan gave us a warm welcome, just as if he was meeting up with old friends he had not seen in a while. Sincere and charming, Ryan is easy-going; we sat down for a chat while overseeing the swans drifting in the harbour. His music captivates his listeners with the perfect blend of vulnerability and rawness in his voice. Stripping back to basics, he is making waves with the release of his third EP, ‘Back to the Ocean’. Living in London for the past six years, Ryan has been hanging out in a close group of musicians with whom he has developed genuine friendships. He has toured and played with a long list of talented young artists, including Ben Howard, Lucy Rose, Delilah, Julia Stone, Newton Faulkner and Ed Sheeran, to name just a few. He belongs to a generation of gifted writers, all united by the acoustic sound at the heart of their music and their sincere love for touring across the country.

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“Newton Faulkner is amazing to work with, he has been an inspiration for years, and more recently I got to know him. I lived with his brother, who co-writes a lot of songs with him. The introduction [of ‘Reflections in the Water’] was a little something that I had been doodling around with, he just came up with another bit straight away and we sort of jammed it out. It progressed pretty quickly and organically.” But it didn’t all run smoothly, “Recording was tough, I had food poisoning the day that we were recording it. His album had just come out and was number one. He had taken the time out to come and record with me so I couldn’t cancel it. I was being sick in between the takes running off. It was a harsh one to record, but we did it and I’m really happy about how it came out. It’s an honour for me to work with him.” Newton Faulkner later invited Ryan to perform their duet on stage as a guest on his tour. The humble artist admits having learned a lot from the collaboration and admires Newton Faulkner’s perseverance while he was on antibiotics during his tour. But what strikes me about Ryan isn’t his connections but his honesty, not only throughout his deep-rooted songs but also through his performance on stage

with Lee Eksioglu, whose percussive and backing vocals add to the bluesy acoustic melodies and adroit guitar lines. He seems to sometimes be surprised himself by the reaction of the audience, dropping a large smile here and there, hint of his passion for gigging. His summer has been one of festivals, in France with Quiksilver and all around Britain, including Bestival, Secret Garden Party, Kendall Calling and Boardmasters. “The best bit has been towards the end of the summer, at quite a few of the festivals, there were people I had never seen before, proper fans that were singing along to my songs and that’s really new to me. You know, songs I have written up in my bedroom and then I play them to quite big crowds and people know them, that’s probably my best thing.” Songs from his previous EPs such as ‘Focus’, ‘Orelia’ or the rhythmic ‘Trouble’ have carried on to be the most popular. He just finished his Back to the Ocean tour with a couple of sold-out dates in Bristol and London, building up a dedicated fan base. Ryan was only eight when he picked up his first guitar. He composed, wrote and played for many years before developing his own music as a solo artist only just over four years ago: “a close friend of mine passed away very suddenly and

"I was being sick in between the takes running off. It was a harsh one to record" ªºª•¶108 •

before then I hadn’t dared to sing in public really, I did back-up vocals in a band once, I think that about as far as I let go and then after that I decided, because deep down I did want to do it, so I thought I would have a go at it after that.” “I have an older brother and a younger sister. I was normally the one causing mayhem most of the time as a kid. We have always been pretty close. I think we are even closer now, my sister has been helping out over the summer when I was doing all the festivals, and my brother Sam has been an inspiration as well. He was more into sort of Jazz and Funk base and world music.” Definitely not the usual guy-playing guitar, his composition skills and the depth of his ethereal lyrics bring out melodies that are his own, full of emotions and grace. He is down-to-earth and has an undeniable connection with his listeners. Every softly delivered word makes you feel as if he means what he sings. Ryan will be touring in the Arctic Circle in Norway in December before recording his debut album in France in January so keep an eye on his mesmerising talent in the New Year. Back to the Ocean EP is available to download on iTunes

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New Album Releases

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Bat For Lashes the haunted man

words by samuel cornforth

So many female singer songwriters before Natasha Khan have paved out a niche for themselves. With two previous superb albums, Two Suns and Fur And Gold, under her belt Natasha Khan has a very strong platform to make her leap to join the likes of Kate Bush, PJ Harvey and Patti Smith. Landing with ease her third album is brimming with beautifully crafted songs.

‘Lilies’ is everything you could possibly want from an album opener, incredibly enticing with its glistening electro synths that sound like they have been sprinkled with glitter, it feels like her crowning moment into the elite league of female singer-songwriters . The accessibility of Bat for Lashes’ music may have been criticised in the past and has failed to breach the mainstream. Yet over the course of this listen there is a much Although The Haunted Man may appear an brighter mood throughout whilst maintaining effortless piece of brilliance, it was a troubled the emotional attachment of her music. period before the album was created. Away from the jaunty pop songs and glitzy Natasha Khan isn’t exactly a normal person, synths is lead single, ‘Laura’, which is a so when she got writers block she rung Thom monumental heartfelt piano led ballad and Yorke, unlike us normal people who have to shows Khan at the peak of her powers. dial a hotline and listen to corny music whilst being put on hold. Yorke’s advice led Khan A defining release from Natasha Khan has to take up drawing and dancing courses shown her fulfill her visions with her most which gave her the confidence to write again streamlined effort, with piercing vocals, skin and voila, we have The Haunted Man, which prickling synths and an enchanting sonic has one of the most striking album artworks soundscape. Despite the raw ambition of the of the year. After all we didn’t see The album at times it fails to infiltrate the listener like Vaccines stark naked on their album cover, it should as it echoes along at the same pace. did we now? Just like the album artwork, it is the stripped down, soulful moments that However, The Haunted Man is a glowing intertwine themselves and create an instant release which places Natasha Khan rightly connection with its listeners. where she should be as one of our music icons.

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Freelance Whales diluvia

words by honor martin

The five piece experimental band from New York have finally released their long awaited second album, Diluvia. Named after the matter left behind by flowing water, it is easy to say this album will never be left behind by anyone. It’s crystal clear from the opening track, ‘Aeolus’, that the band have matured over the years since their debut album, Weathervanes, in 2009. The space age sounds lull all those who listen in to a dreamlike state through the repetitious nature of the synthesizer. It seems each carefully constructed song conveys a different mood; whether it be the upbeat, toe tapping drum snare of ‘Dig

Into Waves’, or the sweet vocal and guitar breakdown of ‘Follow Through’. It’s not so much a roller coaster ride as a lazy river guiding you through each emotional state. The instrumental openings of many of the tracks have been stripped back to their most basic element. Although seeming repetitive, it is difficult not to be completely engaged by every delicate twang of the banjo or deep breath of the harmonium. To further praise Diluvia, ‘Emergence Exit’ is expertly structured within the album, its haunting sound truly feels like a closing track. If only the end didn’t have to emerge. I could sing Diluvia’s praises no louder.

Tame Impala lonerism

words by nicholas williams

Australian four-piece Tame Impala arrived in 2010 with their debut album Innerspeaker, a pure example of experimental psychedelia with a 70’s twist. The new album Lonerism released this month is packed with distorted grunge and flanging guitars. The album is an avant-garde adventure that’s layered with intricate textures of creative vocals and instrumental genius. An album that isn’t over-powered with grunge/psychedelia but one that creates an illusion of an old Todd Rundgren record, which frontman Kevin Parker explains is one of his key influences.

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Singles ‘Elephant’ and ‘Apocalypse Dreams’ fall softly into a mix of a diverse range of tracks. Tracks such as ‘Mind Mischief’ and ‘Nothing That Has Happened So Far Has Been Anything We Could Control’ are particular examples of dreamlike, hallucinatory and experimental music. An album that would be stupid to ignore, even if it’s just to appreciate this archaic genre rise from the 70s. After a hugely successful first album, Tame Impala always had a difficult task when starting with a follow-up, Lonerism definitely fits the boots that Innerspeaker left behind.

egyptian hip hop good don’t sleep words by rosie lord

Let’s rewind to 2009. Egyptian Hip Hop are on the lips of much of the music press. Everyone agrees two things: one - their name is ridiculous, but two - they have some incredibly catchy tunes to mitigate it. A warmly received EP followed, undoubtedly thanks to the help of some excellent production from Erol Alkan and Hudson Mohawke. The buzz grew, everyone wanted more, and everyone inevitably wanted an album. That’s when things started to turn a little sour. The band played a handful of shows in support of the EP, without actually supporting the EP. Fans complained that their setlists comprised of a few songs they knew, and were too often filled with

extended instrumental jams. The buzz faded, and the band disappeared into internet, bloggy nothingness. Fast forward to 2012. The band has taken their time to sculpt a meandering but rewarding debut album, which has strangely been picked up by R&S Records - home of James Blake, Lone and others. There’s no denying the quality of the album, however, the problem lies in that many fans have grown impatient, and are no longer interested. The band’s apparent disinterested nature of their own, appears to merely be a façade – their LP is slick, tight and full of magnificent jams. We’ve just got to hope that someone is still listening.

Crystal castles (|||)

words by will richards

Crystal Castles are one of the most viscerally stunning live bands. Alice Glass spends more than half of their sets in the grasp of her adoring crowd, while Ethan Kath produces astonishing synth lines as an anonymous hooded figure on a smoky stage. The Canadian two piece have never, managed to match this level of performance on record, it’s just not the type of music that translates well when recorded in a studio. Cue new album, (III), to dispel all the qualms over Crystal Castles’ studio work. It’s a stunning album. ‘Plague’, a single released before the album, is probably their best work to date, with a chorus

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that explodes out of nowhere and layered, echoed vocals that send shivers through your body. Lyrically, it’s their most meaningful, Alice’s words often blended into obscurity and ambiguity over the first two records, but you really get more of an idea what the songs are actually about. It’s undeniably bleak, as the album art and a song entitled ‘Child I Will Hurt You’ show. Crystal Castles will always be a more exciting proposition live than on record, but for the first time with (III), the immersive experience of the album makes you feel like you’re in the depths of a moshpit, reaching out to Alice Glass’ outstretched hand, rather than just wishing you were.

Muse the 2nd law

words by carrie mok

As soon as Muse revealed that there would be dubstep involved in their sixth studio album, The 2nd Law, a sigh of weariness almost escaped from the mouths of fans who once enjoyed the trio’s innovation. With that in mind, it’s surprising that album opener, ‘Supremacy’, has such an exciting starter riff and chorus which really gets the blood of any rioting teenager pumping. However, the anti-climatic verses following it are not only disappointing but annoying, even if it is a signature Muse track with Matt Bellamy’s unmistakable falsetto. The ever catchy line of “M-m-m-m-madmad-mad” in ‘Madness’ is definitely a grower even if it didn’t seem so at first. Chris

Wolstenholme’s funky touchpad bass brings the entire song up a notch. But the boring choir beginnings, the Queenesque piano and the very unsubtle lyrics of “Life’s a race, I’m gonna win” of Olympic track, ‘Survival’, is yet another stain upon an unwashed coffee mug. We get it Matt Bellamy, you like Queen. The instrumentals ‘The 2nd Law: Unsustainable’ and ‘The 2nd Law: Isolated System’ are, as with the ‘Exogenesis’ three parter in Muse’s fifth album The Resistance, the best parts of the entire album. They are simple and get right down to what the concept is even about, something which is severely lacking throughout the rest of the songs.

GReen Day ¡dos!

words by laura potter

They’d got our hopes up when they announced their upcoming album trilogy back in April. But with a ‘Makeout Party’, excessive effin’ and blindin’ and plenty of ‘F*ck Time’, it seems they’ve tried so hard to return to their teen years that they’ve hit a mid-life crisis. Either that or ¡Dos! is just the awkwardly rebellious middle child of Billie Joe. Supposedly a prelude, ‘See You Tonight’ takes a trip down memory lane with 60s rock ‘n’ roll blues. Despite this, we can’t quite imagine Billie Joe being fit and well

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enough for jiving, sadly. With his recent stint in rehab, ‘Lazy Bones’ is the frontman’s saga of his self-destruction, while album focal point, ‘Amy’, is a kind tribute to Winehouse for when the punk party gets all too much. ‘Nightlife’ confronts the demons of his psychedelic fix, rapped by the temptation of Lady Cobra of the Mystic Knights of the Cobra, escorted by slithers and slurs of bass solo. By the end, you can’t help but feel sorry for this American Idiot. Oh, Billie. Maybe it’ll be third time lucky with ¡Tré!.

Parkway Drive atlas

words by ross christian carter

Atlas, a word that conjures images of discovering the world and its wonders. Parkway Drive’s latest release of the same name will take you on a similar journey of discovery.

following, they have refined it. Both quality of production and the song writing seem a thousand fathoms away from that of the previous albums. Every individual aspect feels tighter, heightened.

With Atlas, the Australian surf quintet has explored new depths, producing an album that is itself a world away from any of their previous efforts.

Not every addition in Atlas will be welcomed by all, there are definitely some more challenging components which will leave some hardcore fans scratching their heads. But did we ever want a second Deep Blue?

From female vocals to orchestral interludes. Parkway Drive has dared to dive into new realms. It’s this sort of defiance to tradition that makes the album so damn enjoyable. The band have not sacrificed any of the heavy brilliance that has won them their

Atlas feels like a coming of age for Parkway Drive, and although the album may not scorch as much earth as ‘Horizons’ and ‘Killing With A Smile’ did, it still feels like a shot of adrenaline straight to the very heart of the metal scene.

The Black Keys tour rehearsal tapes words by chris rickett

Blues is a dish best-served red raw, which is Auerbach vigorously flexes out familiar yet why The Black Keys are bashing out their old muscular riffs whilst Carney’s snare hits and material even more bruised and bloodier. cymbal crashes gnaw on your eardrums in an unfaltering attack. Boy, are they hungry. Tour Rehearsal Tapes is pretty much exactly what it says on the tin, a six track The unpolished ruckus is the closest thing to EP consisting of live studio recordings the live experience without being nose-deep from December 2011. Featuring four giant in armpit. It’s just that there’s something numbers from last year’s platinum-selling El about two guys making a lot of noise Camino and a delicious little pair from 2010’s together which re-injects a breed of feisty ‘rothers, it’s nothing short of a two-course hope into the polluted veins of the industry. celebration of pre-tour exhilaration. Rock ‘n’ roll is getting loud again. With additional amp grumbling and the broken unkept charm of splintered swoons, this record is quite simply uncensored, no-nonsense and ‘meat on the bone’ music.

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It’s true that The Black Keys only release good music. But they only play great music.

DEFTONES koi no yokan

words by ross christian carter

A sense of one falling in love with somebody you have just met, inescapable. Deftones 7th studio release is the embodiment of this elusive phrase. In time, this album will pull you in with its magnetic allure. An eclectic mixture of savage heaviness and haunting beauty, Koi No Yokan has affirmed Deftones legacy in the wake of bassist Chi Cheng comatose. The emotions of which permeate through every single note of the album. The growls of down-tuned guitar couple with Chino Moreno’s vocals exquisitely, typifying the balance of textures throughout the album. Achingly tender moments are punctuated by raw, animalistic riffs that

burst with untamed passion, forging a vast soundscape. From the chorus of ‘Leathers’, which stands as tall as a mountain range, to the quaintness of ‘Rosemary’ and ‘Entombed’, which glint like sunlight through a forest canopy; these are 11 songs of ethereal discovery. To listen to this album is to gaze into a kaleidoscope of sound. A seamless blend of shifting colours and shapes so mesmerizing that you will ask yourself how 52 minutes passed so effortlessly. At times breathlessly punishing, yet simultaneously fragile enough to leave you completely transfixed. Then again you never really had a choice.

THe staves dead & born & grown words by sally rose mccormack

A one-word review of The Staves debut effort would be, harmonies, bags full of them. The best thing about a trio of sisters coming together and finding their voices is the pretty much flawless harmonies. Dead & Born & Grown is completely tied up with the highs and lows of an emotional ribbon, carried by the flow of the sisters’ voices. The opener, ‘Wisely and Slowly’, is a brilliant example of this, heavenly voices carry it completely to the end, which sets the bar high for the rest. With a first listen the album comes across warm and threartens to become lost in the

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background, but on a second listen new layers are revealed. Once you get past the immediate impact of the intertwining voices you realise each song is a tender creation. At times the songs too easily blend in to each other, but on the other hand it makes for a very easy listen. One song that does stand out against the rest is the awkwardly starting ‘Winter Trees’, the opening is a bit off putting, but a sudden Lucy Rose-esque build creates a slow uplifting song. This album could all be lost in the abyss of angst, hormonal ridden love songs, but this isn’t a Taylor Swift album and the stand out single ‘Mexico’ proves that.

Physical Music words by jack dudley

Vinyl. The same old story; underrated, and over-played by Hipsters. I know you’ve heard it all before. So how about a different use for this ‘ancient technology’? I have the answer. Such was a time when people could escape the shackles of employment, adulthood and responsibility and engage in a tradition known as socializing; either through drinking or music. This is where vinyl comes into a world of its own. Forget about mp3 and the long lost CD and imagine a world where you could forget the price of a gig ticket. Huddle around an amp and listen to a sound you thought was long gone and hidden, only in the dust particles of dreary HMV stores.

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The textures of vinyl pronounce treble and bass so well through an amp that you would forget them all on impact. To the complete vinyl virgin, I recommend Sticky Fingers! Circa 1970s. The 1971 The Rolling Stones album is a key place to start in this never-ending, obsessive hobby. Paying particular attention to ‘Sway’ and ‘Can’t you hear me knocking’, any listener will observe that the 60’s super-band has not since reproduced a sound quite like this. So to those of you that have paid attention; your local record shops have much to offer a novist. On top of this, in many great small business stores you could be offered a beer or at least a cup of coffee.

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LIVE REVIEWS ªºª•¶119 •

Bon Iver

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Bon Iver wembley arena, london // 08.11.12//

Who’d have thought that Bon Iver would have come from Justin Vernon recording debut album, For Emma, Forever Ago, in a log cabin way out in Wisconsin - stricken with heartbreak - to tonight, where they headline London’s cavernous Wembley Arena? It’s a sign of the swelling popularity of folk music, and the new found idea that a voice and a delicate guitar can command an arena such as this.

words by will richards • photography by daniel jordahl

Songs off of the band’s second self-titled album sound ready-made for venues such as this. Opener, ‘Perth’, sounds absolutely huge tonight, with strobe lighting and guitar solos making this feel like a full on stadium rock concert at times. Songs from For Emma, Forever Ago and the Blood Bank EP are sprinkled in throughout the 90 minute set, but it’s the Bon Iver tracks, all ten of them in fact, that provide the meat and backbone of this performance. Beth/ Rest’s 80s keyboard sounds reverberate around the venue so perfectly to the extent that it seems like Justin Vernon maybe just knew he’d be playing this song to this many people one day when he wrote it. The encore began with ‘Skinny Love’, the song which has, in all honesty, probably carried Bon Iver to venues this size. The highlight of the nice, though, was left to ‘The Wolves’. 12,000 people all raising their voices to join in with Vernon’s lyric “what might’ve been lost” was one of the most beautiful moments I’ve witnessed in live music. The explosion that ended the song will stay in my memory and, by the looks on their faces, the memory of many of those around me for a long time. This could easily have been a disaster, but it was an utter triumph, and Bon Iver deserve to be applauded for that. Where can they go from here then?

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THE Maccabees AND ALT-J iso st lukes, london // 01.11.12 // words and photography by rosie lord

Ahead of the Mercury Prize Awards Ceremony on November 1st, The Maccabees and Alt-J took to orchestral venue LSO St Lukes in Islington to showcase songs from their nominated albums. Tickets were awarded on a ballot-only basis, and the 500-capacity crowd turned up long before opener Alt-J’s set. Bringing their unexpectedly popular brand of geeky-computer-electro-pop - or something along those lines - to this church setting, the band looked perfectly at ease with their newfound fervent fan base. Admissions of love and adoration from fans at the very front were met with relatively awkward thanks, probably due to the fact that the culprits were about 5 metres away from the band. Their 11-song set, comprised entirely of their debut album, An Awesome Wave, perfectly showcased what brought Alt-J to the attention of the Mercury bigwigs. With their intricate, bizarrely manipulated beats contrasting with Joe’s sharp, booming vocals and the band’s sporadic harmonies. The

band’s stoicism can be distracting at times, with only occasional movements from lead singer Joe, and can make it seem as if the band aren’t enjoying themselves, however, mid-way through the set we’re assured it’s because they’re “concentrating”. Either way, the crowd don’t seem too bothered, as proven by their explosive reactions to the start of ‘Dissolve Me’ and ‘Breezeblocks’, which are only emphasised in such a quiet, serene environment. Finishing their set on ‘Taro’, the band leave the stage to a huge applause, seeming genuinely humbled by the crowd response. Then it was time for The Maccabees. Since the release of third album, Given to the Wild, the five-piece have headlined the legendary Alexandra Palace in London, commonly acknowledged as the one-stepbelow-arena venue - as proven by previous headliners Florence and the Machine and The Vaccines, both set to play the 02 Arena in upcoming tours. Having played such enormous venues on their last tour,

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it’s a bit of a change of pace for the band to be playing such an intimate, quiet setting. Instead of forcing their arena-ready third album tracks to translate into such a small capacity, the band chose to play a selection of old and new tracks, including old fanfavourites such as ‘William Powers’ and ‘Wall of Arms. Despite the Mercury nod awarded to Given to the Wild, it’s the second album tracks that draw the biggest response from the crowd, most of whom seem more familiar with the old material. It seems a shame that the new tracks go somewhat unappreciated, especially as they take on such a new dimension when performed live, and really prove that their latest effort is deserving of the Mercury nod, potentially even the prize itself. Finally, the crowd respond to set closer, ‘Grew up at Midnight’, and a poor fan at the barrier, who had been there since midday, burst into tears at the end. I’m not sure it was The Maccabees strongest performance, or their most exciting set-list, but the new material really solidifies them as a band that can play venues nearly 50 times this size.

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LUCY ROSE joiners, southampton // 14.11.12 // words by rosie lord • photography by will richards

Playing a venue exactly 10% of the size of her upcoming London show shouldn’t feel like much of a big deal for Lucy Rose, but she still insists otherwise. “Playing a sold-out show in Southampton… This is crazy. We never expected this, so thank you very much,” she confesses between songs. Since her last headline tour, Lucy has released her debut album, which won her a whole new legion of fans, and resulted in her selling out near enough every date on the current tour. Tonight’s gig is a sweaty affair, apparently the hottest gig the band have played on the tour so far, but the crowd are every bit as excitable and eager as they must have been during the frantic rush to buy tickets. All 150 people in the venue silently mouthed the words to slower songs such as ‘Night Bus’, during which the rest of the band sit back as Lucy plays solo. Whilst songs like this really prove that Lucy’s voice has enough power to command a room with very little accompaniment, it’s songs such as ‘Place’ and ‘Watch Over’ which show what the full band can add to Lucy’s set. In interviews, Lucy’s expressed a desire to create a wall of sound with her band, to

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“really make a racket”, and that’s exactly what they do. Whilst Lucy’s voice is still very much the driving force behind the songs, the drums, keyboard and bass really add a live element that’s missing from the album. Ending her set with fan-favourite ‘Bikes’, Lucy exits the stage. Lucy spends the 90ish seconds of the encore hovering awkwardly side of stage, before returning sheepishly with the band. “One more” she says, followed by boos, “Okay….two more.” These two are ‘Don’t You Worry’ and ‘Be Alright’, two of the slower, unreleased tracks on the album. The crowd reaction goes to prove that Like I Used To is a record that is so wellloved, that even less popular album tracks are recited back to her word-for-word. “This show has definitely got more character than any other show we’ve played!” Lucy grins, and asks the audience to come and chat to her at the merch stand afterwards, where she’ll be selling her own tea and jam. This is probably one of the smallest shows Lucy will be playing for a long time, and although it’ll be a shame to lose some of the crowd interaction and intimacy that made tonight so brilliant, she more than deserves it.

Lianne La Havas the old firestation, bournemouth // 17.10.12 // words by sally rose mccormack

Lianne La Havas brought much needed sun and warmth to a rather damp Bournemouth on the October 17th.

infection. Maybe it’s because she felt at home, as she revealed her mum came from God’s waiting room.

A queue started to quickly form around The Old Firestation a few hours before doors were due to open. A mixture of young trendy kids with their old trendy parents in toe, waited clutching tickets away from the rain.

For someone who had to cancel the beginning of their tour, Lianne La Havas was almost completely flawless. She had a minor slip up on the second line of ‘Doubt’, originally a beautiful duet between her and Willy Mason and now just a moment for the crowd and her, as the band left the stage. After a crack of the knuckles and a scream of undying love from the crowd, she continued and held the crowd mesmerized, as she ironically sang the line “We all make mistakes“.

Inside the atmosphere was calm and dry, as people shed their layers there was a low hum of excitement. The stage was set with a mic stand center wrapped festively with bright green tinsel. Many guitars, peddle boards and amps lined the stage, with a lone double bass in the corner, hinting at an exciting treat in store. Lianne La Havas took to the stage without a sound, floating on stage in a beautiful cape and shirt combination and gold sequined hot pants. She launched immediately in to ‘No Room For Doubt’, the room that was once hushed and filled with people sheltering from the rain was now filled to every corner with La Havas’ warming voice. It was impressive for her first show back after a short stop at hospital, which meant a few dates off her UK tour have had to be rescheduled. After the second song, we were welcomed with a heart warming “Good evening Bournemouth!” Very hearty for someone who had just been let out of hospital for a kidney

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She covered ‘He Loves Me’ by Jill Scott, which caused a ripple of excitement from some of the older members of the audience. The band, consisting of an up right bass, two keyboards, guitars and a backing singer, were on and off the stage. Something which in the small space that the Firestation offers was quiet novel. The encore was like a strong loving hug to say “goodbye” and “thanks for a great night.” Drums came on to stage first, with piano shortly following, then bass. This build made the crowd an excitable mess and any fans saddened by the end to a wonderful evening were now jumping up and down for Lianne’s return. We were treated to ‘Arms of Danger’ and ‘Age’ as a goodbye and what a goodbye it was.

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Benjamin Francis Leftwich words by tazz gault • photography by charlotte dart

Imagine a sound so sweet it would rival Ben and Jerry’s Cookie Dough, it gives you tingles in all the right places and has a soft and soulful melody that ripples over your skin. Benjamin Francis Leftwich may have been around for about a year and a half, but in recent months his album has really captivated people’s minds and captured their hearts.

said Ben whilst shrugging his shoulders in a rather suave manner. “I don’t think there is a right way to learn guitar, but for me I set out to be a singer-song writer, not a guitarist. To be honest, I wouldn’t say that you become a musician, you either are or you’re not. If you love music and you’re musical then that’s just natural – whether you make a living out of it is completely irrelevant.”

His tour bus was what you would expect – stylish in its monochrome shades with cupboards filled with beer and whisky, making the life of a musician one to envy.

The summer of 2012 was an extraordinary time for Ben, what with the UK, Holland, Denmark, Germany, France and Australia all being graced with his presence, on top of playing sets at 20 festivals throughout those sunny months. “We have had a big push recently, and it shows as people are only just starting to discover us for new. One of the best gigs has to be Glastonbury 2010, but I was absolutely shitting myself. It was the first big gig we had ever done and I just got used

Ben was just ten when he first picked up a guitar, but it wasn’t until puberty hit and teenage angst arrived that he really began to get into music. “I taught myself how to play guitar as I have never been able to write music or understand notation or whatever,”

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to seeing around 300 faces, not thousands. The place was rammed! I’m looking forward to going back next summer, hopefully.”

when you’re that age, you don’t know what the fuck your own mind is telling you, so I think the CD displays that sort of ambiguity. There’s a theme to the album where you start something and you don’t know where it’s going to end – that’s why there are a lot of God references.”

It wasn’t just the music that meant Ben enjoyed his time touring the world, living up to the cliché of a musician knowing exactly how to woo a woman. “I met this girl in Australia. She was really nice,” he said sheepishly, pulling on his plaited bracelets around his wrist. “I shouldn’t really be talking about this kind of stuff, but she’s English and we kissed and… I really like her.” Cheeky.

“The sea and boats feature heavily in my songs because I grew up in Yorkshire where there is a really nice coastline. Imagine yourself standing on the shoreline – you can look across and you don’t know what’s at the end, what’s in it or how to get to it. It’s one of the metaphors I really love as it makes perfect sense to me.”

His album, Last Smoke Before The Snowstorm, tingles your ears with the most beautiful lyrics, and with others that make you wonder what the motivation behind the words may be. References to God and the sea are evident in many songs, giving the overall feel of the album one that is difficult to pin down. “I’m not religious, nor atheist, just agnostic I guess,” claimed Ben. “I wrote the album between the ages of 17 and 20 and I still feel really connected to it, but

With the Christmas season bringing a break to Ben, the festive spirit has already got under his skin. “I love Christmas, but for me is starts in October. That’s the first point you see all the decorations go up and it’s so exciting,” he squealed, making him seem around ten years younger than he really is. “I haven’t asked for anything this year, but the only thing I can

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"sometimes you just want to hear those big tunes - they're so fucking good"

think to ask for is a pair of those shoes that light up when you walk, and that you can kick the side of them and wheels come down. That would be awesome.” A time of year that is spent with the ones we love, family is clearly important to Ben, signing off a call to his Dad telling him he loves him. “I didn’t mean to be rude there,” he explains, “but you know, when it says Dad on the line, you have to pick up because it’s your family, isn’t it?” Ben may have the voice of an angel and enough ‘cool’ to last a lifetime, but even music stars have their bad traits. “My mind wasn’t in the best of places the other day, and I actually bought Katy Perry’s deluxe album. I know it is so bad, but sometimes you just want to hear those big tunes – they’re so fucking good. Well, I dunno…” All in all, getting to here the wonderful BFL sing ‘Teenage Dream’ is definitely the only positive of hearing such heart breaking news.

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MUSIC A L FAMILY TREE THE RHYS WEBB

FARIS BADWAN

[BASS, ORGANS]

[VOCALS]

HUW WEBB

TARIK BADWAN

[BROTHER]

S.C.U.M

LOOM

[BASSIST]

[FRONTMAN]

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SAMUEL CORNFORTH

HORRORS TOM COWAN [SYNTHESIZER, BASS]

FREDDIE COWAN

FIONA COWAN

[BROTHER]

[MOTHER]

THE DAZE

THE VACCINES

[GUITARIST]

HAMILTON GALLERY [CO-FOUNDER]

CHARLES HADDON

ANDY WARHOL

[BASS, VOCALS]

[ARTIST]

OU EST LE SWIMMING POOL

THE VELVET UNDERGROUND

[SINGER]

[ALBUM COVER]

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Christmas Playlist

Frightened Rabbit // It’s Christmas So We’ll Stop Tellison // Good Luck It's Christmas Dog Is Dead // Christmas Wrapping Julian Casablancas // I Wish It Was Christmas Today Kevin Devine // Splitting Up Christmas Florence Welch/Billy Bragg // Fairytale Of New York The Maccabees // Walking In The Air Johnny Cash // O Come All Ye Faithful Slow Club // Christmas TV Yeah Yeah Yeahs // All I Want For Christmas The Killers // A Great Big Sled She & Him // Have Yourself A Merry Little Christmas Belle and Sebastian // O Come O Come Emmanuel Sufjan Stevens // Only At Christmas Time Eels // Everything’s Gonna Be Cool This Christmas

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O BROTHER, WHERE ART THOU? words by leah dennison • illustration by jasmine shaddock

Ethan and Joel Coen have pulled off what most parents would probably deem a disaster waiting to happen - a sibling working partnership. Successfully avoiding family feuds and fraternal rivalry, the pair have built a reputation for themselves as visionary and distinctive filmmakers; typically combining humour, irony and thoughtful eccentricities into their films. Being three years apart in age, the brothers were not particularly close in childhood, often attending different schools and never spending much time together throughout their formative years. Ethan himself has said: “We certainly have more to do with each other now than we ever did when we were under the same roof.” One thing they did share, however, was a love for film. The start of their working relationship began once they had gotten hold of a Super-8 Vivitar camera, bought with wages from Joel’s first business venture, mowing neighbourhood lawns. Perhaps it was due to Joel raising the money for the camera that he earned the right to become director, but Ethan still played a pivotal role in these amateur films. He even donned his sister Debbie’s tutu to play female roles when required. These early films are amusing, and were also significant in the brothers’ honing of their talents as serious filmmakers. Their brutal yet stylish 1984 debut, ‘Blood

Simple’, follows a sleazy bar owner in deep Texas as he hires a private detective to kill his cheating wife and her lover. The film contains elements that were soon to become Coen trademarks - distinctive plot twists layered over simply told stories as well as a striking use of light, sound and camera angles. It also starred Frances McDormand, who went on to feature in many of the Coen brothers’ films, she also became Joel’s wife later on in life. Both brothers wrote and edited the film while Joel took the directing credit and Ethan billed himself as the producer. This earned Coen’s considerable critical acclaim and established them as fresh, original talent. Unlike some writing partners, who write scenes separately and then bring their ideas together, the brothers have always worked side by side; collaborating equally on all aspects of the production, although Ethan is the better typist so he has been lumbered with that role. After formulating a rough narrative outline, they simply start at the beginning, writing each scene in order, sticking steadfastly to their ‘plan not to plan’. The pair say they never fall out over conflicting ideas - when they are in sync the writing flows, and when they aren’t it stops. Joel and Ethan’s approach to their career is simple, as soon as they wrap one film they start another. In 1987, they followed up their acclaimed debut with a screwball comedy, ‘Raising

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Arizona’ starring Nicolas Cage, which was far removed from the dark and violent content of ‘Blood Simple’ but also became a box office hit. With their fan base growing, their next step was to make ‘Miller’s Crossing’ (1990), a gangster epic with a strong performance from John Turturro, whom the brothers also used to great effect in their following film, ‘Barton Fink’ (1991).

Cyclops etc - with George Clooney as the comedic protagonist. Not just a great film and my own personal favourite - it also had an Oscar winning soundtrack that created a resurgence in American folk and bluegrass music crazes. Their next two films, ‘Intolerable Cruelty’ (2003) and ‘The Lady Killers’ (2004), received mixed reviews. Yet the brothers returned to brilliant form in 2007 with ‘No Country For Old Men’, a darkly funny and gut-wrenchingly tense morality tale that earned them four Academy Awards - Best Picture, Best Adapted Screenplay, Best Supporting Actor and Best Director.

Their 1994 follow up, ‘The Hudsucker Proxy’, was a relative flop. However, this was atoned for by the huge success of the Coen’s next film, ‘Fargo’ (1996), which earned the brothers an Oscar for Best Original Screenplay. Being a black, violent crime comedy with a surprisingly warm heart, it told the story of a pregnant police chief as she investigated a series of homicides, this firmly established the brothers as leading players in Hollywood. ‘The Big Lebowski’ (1998), became an instant cult classic spawning an industry of T-shirt quotes from its shambolic star, a permanently stoned Jeff ‘The Dude’ Bridges.

Given that the pair had started out as two kids messing around on their front lawn with a Super-8 camera in tutus, you can see how far the Coens have come. But as Joel himself says: “We’ve been dicking around cameras since we were young. Things aren’t really so different now. The camera just got bigger.” Apart from the multitude of unforgettable cinematic thrills the Coen brothers have bequeathed us, perhaps this is what makes them so inspiring - the notion that childhood fun and tomfoolery can somehow grow into something much more than just play.

Even more successful at the box office was their 2001 depression era comedy, ‘O Brother, Where Art Thou?’, loosely based on Homer’s Odyssey - complete with Sirens,

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BATEMAN BROTHERS

words by julie cornu

PATRICK BATEMAN Bret Easton Ellis conjured one of the most tantalising, disturbing, gruesome characters in literature when he wrote ‘American Psycho’. Patrick Bateman is, quite simply put, the stuff nightmares are made of. He’s detestably handsome, a devoted Phil Collins fan and a chainsaw-yielding, raincoat-wearing, murderous psychopath. Whether you’ve read the book or seen the film, you’ve learned to love to hate and hate to love Patrick Bateman.

With its abundance of blood, guts, sex and nail guns, ‘American Psycho’ was set to be the book not to ever make the big screen. It was too much. Ellis himself had argued, “It was a book I didn’t think needed to be turned into a movie [...] it makes the book infinitely less interesting.” But with Patrick remaining one of Christian Bale’s most fitting and compelling roles, we’re all very glad it was made into the hair-raising classic it is today.

‘American Psycho’ follows the comfortable life of a wealthy Wall Street banker living in 1980’s Manhattan. With a great hubris and a shallow circle of friends, Patrick appears to be the typical materialistic American which Ellis aims to satire: blasé, narcissist and carnal. It isn’t until he begins to innocuously slip confessions in the midst of conversations, “I like to dissect girls. Did you know I’m utterly insane?,” all of which go completely unnoticed by other characters, that we begin to understand the title of Ellis’ masterpiece.

Though ‘American Psycho’’s most bloodcurdling scenes were understandingly enough - meticulously omitted from the film, the faint of heart will find it is better left that way. For the braver of you, give the book a read. You won’t be able to step out of Ellis’ gut wrenching, revolting and hilarious satire of modern society. You will suddenly and inexplicably become excessively preoccupied with designer business cards and Ted Bundy jokes.

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SEAN BATEMAN

something which translates very badly on screen. Furthermore, it completely omits short sections from the book in which the three protagonists hand the narration over to smaller, sometimes anonymous characters. Instead, the film explicitly spells many of the book’s unanswered questions out for us — something which, had it been done with ‘American Psycho’, would have killed off most of the suspense.

Far less notorious than his older brother and with significantly less murderous tendencies, Sean Bateman is a member of the love triangle which constitutes Ellis’ ‘The Rules of Attraction’. Told from the points of view of three different characters from Liberal Arts University Camden, the novel seeks to satire the hedonism of spoiled and promiscuous students. Sean is a misanthrope, cynical and brutally self-loathing. He is emotionally indifferent and awkward, making it impossible for him to woo the female end of the love triangle, Lauren.

However, Ellis is brilliant when it comes to anatomising society’s shortcomings. We are immediately drawn in by the protagonists’ intimate confessions, from suicide attempts to pagan rituals and - because everyone knows it wouldn’t be Bret Easton Ellis if there weren’t any drugs involved - cocaine overdoses. Sean is apathetic, twisted and vulgar but we can’t help but be touched by his infantile excitement at the purple, glitter-filled love letters which he finds in his locker. Much like we strangely begin to pity his older brother when he reaches the very apex of desperation at the end of ‘American Psycho’.

‘The Rules of Attraction’ was adapted into a film in 2002, and though Ellis himself remarked that he felt it was the most successful adaptation of all his novels, it was predictably less successful than ‘American Psycho’. Capturing the chaotic world of Camden on film was impossible. Constantly alternating between three characters’ viewpoints, ‘The Rules of Attraction’ was a novel with no beginning nor end. It begins in medias res and ends on an unfinished sentence to emphasise the endless cycle of indulgence,

The Bateman brothers are very different, but at the end of the day you won’t be able to help but be seized by them.

words by olya pancova

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A DIFFERENT PERSPECTIVE ªºª•¶140 •

words by olya pancova

leaving space between the existing pieces to allow the twins to see what each other Twin brothers Trevor and Ryan Oakes is drawing. The two are perfectly in sync, are 26-year-old American artists whose which helps to achieve a state of artistic technique of drawing is unique and new. Art harmony as they set about fulfilling each historian Jonathan Cray has previously said other’s artistic trademarks. Trevor’s focus the Oakes’ interpretation of visual space is on small details contrasts with the vast, the most original since the renaissance, such sweeping view of humanity that seems to is the innovative nature of their work. come across in Ryan’s work. When the two collide they create a masterpiece, rich with a Visual space massively contributes to the representation of all humanity. Oakes’ work, drawing heavily on three dimensional scopes, they intersect with This sense of serenity juxtaposes the the human eye to create images rich with element of groundbreaking anarchism that varying layers of space and volume. is apparent in the often controversial work of The exploration of humankind has also Jake and Dinos Chapman. If the Oakes twins strongly influenced their work, particularly focus on a three dimensional take on the real the ongoing use of eyes. world, then the Chapmans are the antithesis They are quoted as saying, “scan with of that, offering a warped perspective on life one eye and plot the image with another that critics have slammed as vulgar. one.” This sense of visual perspective heavily influences their work, along with the There is a deep feeling of rebellion that linear perspectives of Italian artist Filippo permeates the Chapman brothers’ work, Brunelleschi. often exploring a grotesque side to humanity, specifically a piece that shows mannequins The twins use unconventional methods in of children being featured as having their work, cutting paper into small pieces genitalia on their face, showing a corruption which are then eventually combined again, of youthful innocence.

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Similarly, they address the underworld in 2000’s ‘Hell’, a sculpture which featured a large number of miniature Nazi figures in glass cases, these were then set out in the shape of a swastika. They once again caused outrage in 2003 when they decided what they were to do with their acquisition of Francisco Goya’s ‘Disasters of War’, some of the most revered prints in existence. They showed a typical sense of rebellion as they set about defacing Goya’s seminal works with clown and puppy heads, claiming in a Guardian interview that “there’s so much pleasure in his work. To produce the law, one has to transgress it.” Though the question has to be asked, when will the Chapmans stop being seen as controversial and instead become predictable? As the old saying goes, “one head is good, but two are better.” The Oakes and the Chapmans show just how effective it can be when the impassioned spirits of siblings combine in the quest for artistic perfection.

sightseers words by nick reilly

It was William Blake who once spoke of England’s pleasant pastures, their beauty and their tranquillity. Well, take ‘Sightseers’ as the film that looks totally set to destroy that image as a homicidal couple go about a murderous rampage, set against the beauty of the countryside.

already been nominated for many honours at the British Independent Film Awards. Yet, whilst your typical cinematic murderer will have countless deformities and a depraved backstory, the murderers in ‘Sightseers’ couldn’t be any more different, described by writer Steve Oram as “really ordinary geeks with cagouls, who just happen to kill people.”

It’s the third feature film by director Ben Wheatley, starring and written by Steve Oram and Alice Lowe. Yet, it doesn’t appear to be an all out murder fest. The trailer makes it appear to be laden with a real sense of dark pathos, not dissimilar to the black humour that was subtly interwoven in Wheatley’s 2011 film ‘Kill List’.

Oram has given Chris and Tina a midlands accent, based on his own Leicestershire upbringing. “We wanted to use the midlands accent, it was something that we’d grown up around. We had a real sense of affection for it and felt that it would help translate a sense of affection for the characters from the audience watching.”

Alice Lowe’s character, Tina, sheepishly remarks in the trailer “show me your world, Chris” and it’s this sense of discovery that drives the film, a brutal examination of what happens when a sheltered couple’s sensibilities are taken to extremes. It’s touted for release on the November 30th and has

Affection is definitely something that runs deep in the characters. It’s hard to see the monstrous side in Chris and Tina when they’re overly fond of kitsch clothing and

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"I didn't expect people to be applauding whilst I smashed a head in" a typically British sense of adventure. It’s a contrast to the antagonist of American cinema with depraved backstories and deformed faces. Oram and Lowe’s creations are almost loveable, something that Oram definitely saw the audience react to in early screenings. “I didn’t expect people to be applauding whilst I smashed a head in.”

feels that the couple are driven by. “Everyone dreams of killing people and the power that’s involved in it. It’s a guilty pleasure of running after the most annoying people we know, but at the same time their rage is unfocused, there’s no real logic to their murders.” As British as the characters are, Oram and Lowe have steered their creations away from specific British references, allowing them to successfully translate to European audiences. The film received an ovation at Cannes and it’s the subject matter of the film that Oram credits with success. “The Cannes audience loved it, there was a slight case of people not getting all the references but murder is murder and sex is sex and the French like camping!”

These reactions are perhaps driven by a real sense of righteousness that runs through the film. There’s not one instance where Chris and Tina’s victims are entirely innocent, they’ve all riled the couple in some way, and there’s definitely an argument that they’re putting the world to rights, albeit by the most brutal of means. An early moment in the film sees murder fantastically justified because the victim wasn’t “a person, he was a Daily Mail reader”. There’s also an argument to be made that they’re indulging in the darkest of human fantasies, something that Steve Oram

Sex, murder and the great outdoors sum up ‘Sightseers’ perfectly. It’s been lauded as one of the year’s best films and certainly one of the most unique. Steve Oram and Alice Lowe have created a cult classic in the making. Go watch.

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FILM PREVIEWS words by beth graham

Hansel and GretEl: Witch Hunters This timeless story is hitting the big screen in 3D in March 2013, but probably not in the way that you know it. ‘Hansel and Gretel: Witch Hunters’ is being described as an “action-adventure horror film” with a spooky twist on an old fairytale. The movie is set 15 years after the siblings first encounter the witch’s gingerbread house; it catches up with the brother and

sister duo who are now bounty hunters, travelling the world and killing witches - obviously. Jeremy Renner, from ‘The Hurt Locker’, and Gemma Arterton, from ‘Quantum of Solace’, are set to play Hansel and Gretal, and with a rumoured budget of 60million dollars, it may not be a complex plotline but it’s sure to have some great cinematic thrills.

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Beautiful Kate This Australian film was debuted at the Sydney Film Festival in 2009 but didn’t enjoy any big cinema releases elsewhere. Starring Rachel Griffiths from ‘Six Feet Under’, ‘Beautiful Kate’ tells of a family with complicated ties. The leading male role, Ned, returns to his isolated home in rural Australia to say “good bye” to his dying father. Being back in the family home, unearths some deep family secrets from Ned’s memory, particularly relating to his twin sister; whom he had very close relations with. However, digging deep into the past throws secrets into the open and the family into turmoil. This is another interesting tale about family relationships, and with it not being a new film, you can go and watch it right now! Well, once you’ve finished Pebble.

MAMA Mama, which is being released in February 2013, has an interesting plot that looks to be a complex watch. The film tells the story of Annabel and Lucas who have to raise Lucas’ nieces, who are found in a forest after being lost for 5 years. The girls believe the ghost of their mother is haunting them, whilst Annabel thinks she can use the girls to bring back her own dead children. The film stars lesser known actors and actresses: Jessica Chastain, Nikolaj Coster-Waldau and Daniel Kash. Andres Muschietti, who wrote the film’s screen play with Neil Cross and sister Barbara Muschietti, has directed this haunting film. It seems the movie will have several complicated storylines that will intertwine into a mind-consuming film concentration will be key, but don’t worry, you will be rewarded.

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ALTERNATIVE CHRIST words by jodie packwood and nick reilly

5-Gremlins It may be an obvious choice, but what alternative Christmas film list would be complete without it? ‘Gremlins’ throws a spanner into the Christmas works and is the perfect film for those who want to enjoy the festive fun, but one that’s laden with a macabre sense of humour. When Zach Galligan’s small town banker character, Billy, receives a cute and cuddly pet for Christmas, he disregards three very important rules for its care. Breaking two of these results in the seemingly loveable creature turning into a vicious little critter that multiplies at a severe pace and causes havoc in Billy’s hometown. ‘Gremlins’ is a brilliantly successful horror comedy that provides seasonal cheer in an alternative way.

4-TRADING PLACES ‘Trading Places’ might not be a Christmas film that mentions Santa and snow at every opportunity, but it’s up there as one of the best. Hilariously subscribing to that fantastic mantra that money isn’t all important. An idealistic thought perhaps, but one that’s brought to fantastic fruition in John Landis’ classic. Dan Aykroyd and Eddie Murphy are Louis Ray Winthorpe and Billy Ray Valentine, a wealthy banker and street vagrant respectively, who ‘trade places’, as the result of a bet between two aging, senseless millionaires.Yet, it’s the learning curve for both characters in their new lifestyles that really give the film its true festive message. It never strays into the overtly sentimental. Instead, it heavily relies on a unique blend of seasonal satire that’s gone far in garnering it’s reputation as one of the greatest comedies of all time.

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TMAS FILMS

With the festive season upon us, it’s inevitable that films such as ‘Home Alone’ and ‘Miracle on 34th Street’ will make an uncomfortable number of appearances on our television screens. Sure we know the classics, but what about the films that don’t get as much acknowledgement? Here at Pebble, we’ve composed a list of our Favourite 5 Alternative Christmas Films for you to enjoy

3-DIE HARD Yet again, a somewhat obvious choice, but how could we leave it off the list? John McTiernan’s ‘Die Hard’ is one of the coolest ever films to be set at Christmas time. The 1988 film sees the Nakatomi Corporation’s LA skyscraper hijacked by terrorists during their corporate Christmas party. The only man who can save the day is visiting New York police officer John McClane, played by the action legend that is Bruce Willis. This film is just what you need if you’re tired of the usual mushy Christmas shenanigans and want a bit of proper action.

2-Black CHRISTMAS

1-EDWARD SCISSORHANDS

Bob Clarke’s ‘Black Christmas’ is the perfect Christmas horror film. Starring Olivia Hussey and John Saxon, the film is based on a series of real murders that took place in Quebec around Christmas time. It follows a group of college students who are being stalked by a deranged serial killer lurking within their sorority house. A brilliant alternative to the usual over-the-top, happy Christmas film and definitely worth a watch if you like the idea of a Christmas horror.

‘Edward Scissorhands’ isn’t the most obviously festive film, but the central framing of a grandmother explaining why it Snows at Christmas helps Edward Scissorhands to cement it’s place at No. 1 in the list. Johnny Depp shines as the titular bladed man-child whose inclusion into an inclusive society epitomises festive values, in Tim Burton’s gothic classic. It’s brilliantly warped and refreshingly steered away from seasonal sentimentalism, instead playing like a dystopian fable.

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Tiny resolutions compiled by georgia scarr • illustrations by jenny cooper

go for a walk every day teach myself Japanese eat more oranges stop biting my nails watch an episode of How I Met Your Mother every night save any coins worth less than 50p blog every day drink more water take half an hour to relax each day play the guitar more not wear make up at least one day a week hang up my clothes when I get ready for bed read twice as much per week pay people more compliments wear heels more often talk to new people

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TEA AND CAKE words by briana millett • photography by milly tillson and cox & baloney

take a tea break. We visited Bristol to try out one of the country’s cutest independent cafés

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Cox & Baloney, Bristol The venue: Cox & Baloney is a beautiful tearoom located near Bristol’s city centre. The café comes together with a vintage store, making it the perfect place for drinking tea and flicking through frocks with friends. Its white brick walls and windows are decorated with an eclectic mixture of vintage sewing machines, typewriters and birdcages. Add this quirky décor to friendly staff and some mismatched tablecloths, and it all combines to create a truly comfortable, homely feel.

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The products: The cakes at Cox & Baloney are mouthwatering. Their homemade selection changes daily, with Somerset apple, carrot & walnut and summer berry cakes set as firm favourites.

While you’re there: Have a wander along Cheltenham & Gloucester Road - it’s lined with a fantastic collection of independent businesses. There are plenty of boutiques, all of which are full of smiley faces ready to greet you for a mid-week natter.

The tearoom boasts of serving ‘quintessential English favourites’ and it is certainly no disappointment. The Traditional Afternoon Tea is a real treat for two at £16, featuring a selection of delicious sandwiches such as classic cheddar & chutney, local pâté and salmon & cucumber. The deal also includes a choice between a classic scone or a slice of cake to accompany the generously sized pot of tea - all served on china fit for a queen.

Perfect for: Anyone who likes a brew, a cake and a good old chinwag!

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in season recipes by briana millett and georgia scarr • photography by charlotte dart

the cold winter nights of December and January demand delicious, comforting food. Savour the best of the season with this menu for four, featuring leeks, potatoes, celery and pears

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Leek and potato soup with oregano croutons serves four This rich, traditional soup is great as a simple starter or devoured the next day as a lunch of leftovers. 1 tbsp vegetable oil 1 garlic clove, crushed 1 onion, finely chopped 3 large potatoes, diced 2 leeks, sliced 2 pints of vegetable stock 150ml of crème fraîche For the croutons: 2 tbsp olive oil 1 garlic clove, crushed 1 medium baguette, cut into cubes ½ tsp oregano

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1. Heat the oil in a large saucepan and add the garlic, onion, potatoes and leeks. Fry on a high heat for 5-7 minutes 2. Add the stock and bring to the boil. Season well and lower the heat. Simmer until the potatoes and leeks are tender 3. Blend the soup, stir in the crème fraîche and serve For the croutons: 1. Heat the oil in a frying pan over a medium heat. Add the garlic and fry for 1 minute 2. Add the bread and brown evenly on each side. Sprinkle with oregano and serve with the soup

Italian-Inspired Beef Casserole Serves four This satisfying dish is perfect for those of us who are short on time – you can throw all the ingredients into a casserole dish and leave them to cook for a few hours while you get other - less tasty - things done.

450g beef stewing steak, cut into chunks 2 tbsp plain flour 2 tbsp olive oil 3 garlic cloves, crushed 2 onions, diced 2 celery sticks, diced 2 peppers, diced 200g mushrooms, sliced A glass of red wine 500ml beef stock 400g tin chopped tomatoes 2 tsp oregano 2 tbsp Worcestershire sauce Crusty bread or mashed potatoes, to serve

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1. Put the beef in a bowl and coat with the flour. Heat the oil in a pan and fry the beef until browned. Place in a casserole dish 2. Add the garlic, onions and vegetables to the leftover oil in the pan and fry for 5 minutes 3. Add the wine, stock, chopped tomatoes, oregano and Worcestershire sauce to the casserole dish and place in the oven at 180C/350F/Gas Mark 4 for around 2 ½ hours 4. Top the stew with some fresh basil and serve with crusty bread or creamy mashed potatoes

Spiced poached pears with white chocolate sauce 1. Put the tea bag in a saucepan with 600ml Serves four This elegant dessert is beautifully simple and boiling water. Brew for one minute then ideal to put together for unexpected guests. remove 1 black tea bag 100g caster sugar 4 whole pears, peeled and cored with the stalks left on 1 star anise 1 cinnamon stick For the sauce: 50ml double cream 100g white chocolate, finely chopped

2. Add the sugar to the saucepan and stir until dissolved to make a syrup 3. Place the pears, star anise and cinnamon stick in the syrup and simmer for 10-12 minutes 4. In a separate saucepan, heat the double cream until it begins to boil. Add the white chocolate and whisk quickly until it dissolves. Remove from the heat

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5. Remove the pears and spices from the saucepan and boil the syrup rapidly for 5-10 minutes to reduce 6. Serve the pears topped with the reduced syrup, with the white chocolate sauce on the side

Homemade Christmas words by georgia scarr and briana millett • photography by charlotte dart

get creative by making your own unique Christmas home accessories with these do-it-yourself ideas (and save some pennies for the January sales)

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Glitter Light Bulbs These sparkly DIY decorations are the most glamourous way to recycle old light bulbs. Crack out some glitter and unleash your inner five-year-old.

1. Coat a light bulb in a thin layer of PVA glue

You will need Old light bulbs PVA glue Glitter Paper, for drying

3. Hold the light bulb for a couple of minutes so the glue can begin to set, and then gently lay it down on a sheet of paper to finish

2. Sprinkle the light bulb with glitter, making sure that all the glue is covered

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Christmas Lucky Stars “Look at all those instructions,” you’re thinking, “I’ll never have time to do all that.” Don’t you worry – these origami stars are surprisingly quick to make and are just adorable. Go on, give them a try. You will need Strips of coloured paper or wrapping paper, 1cm wide and 30cm long

1.Bring the top end of the strip down and bend it slightly to make a loop 2.Take the short end, wrap it around the back of the long strip and pull it through the loop. Carefully adjust the knot so it is as tight as possible, and flatten it down 3.Turn the strip over, take the short end and thread it through the back of the knot 4.Turn the strip over again, and repeat with the long strip

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5.Trim off the remainder of the short end. Turn the paper so the long strip is facing upwards and the pentagon is at the base. Rotate the pentagon towards you, folding the strip over one of the top edges each time. When you run out of paper to fold, tuck the end of the strip into a fold on the pentagon 6.Carefully pinch each corner of the pentagon so the paper puffs out

Word search wrapping paper No one likes wrapping presents, and especially not writing out what seems like millions of tags - “Dear long lost cousin, I hope you enjoy this generic box of chocolates. All my love, someone you see once a year.” This personalised wrapping paper is a brilliant solution. You will need Plain A4/A3 paper (as big as your printer can provide) Coloured pens

1.Go to puzzlemaker.discoveryeducation. com and create your own word search featuring a name, a message or simply a ‘Merry Christmas’ 2.Wrap your present in the paper and circle the message you’ve created in coloured ink 3.Voila! You end up with a hefty sprinkling of creativity under the tree, as well as less time writing tags leaving more time for mince pies and mulled wine

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Cook your own Christmas presents recipes by georgia scarr • photography by charlotte dart

nothing makes someone feel special like a handmade gift. Wrap up some of these delicious treats and make their winter

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Unique chocolate bars Each mould makes four bars We used this silicone chocolate bar mould from sewwhite.com £6.

250g chocolate, broken into chunks - the kind is up to you! Extra ingredients – we used dried cherries, marshmallows, raisins and hazelnuts

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1. Place the chocolate in a glass bowl over a saucepan of hot - not boiling - water to melt 2. Spread a layer of melted chocolate over the bottom of each mould. Add a layer of your chosen extras and add more chocolate, filling the mould to the top. Leave to set for 4 hours or overnight

Praline popcorn Serves four 80g granulated sugar 30g hazelnuts, finely chopped 75g popping corn

1. Put the sugar in a heavy-based saucepan with 40ml water and boil until it caramelises – it’ll turn a golden brown colour. Don’t stir, or it may crystallise 2. Add the hazelnuts and combine with the caramel. Pour the praline mixture onto greaseproof paper to cool 3. Place the popping corn in a glass bowl. Cover and microwave for 5 minutes, or until most of the corn has popped 4. Finely chop the praline and mix with the popcorn

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Cheddar and rosemary crackers Makes around 36 275g plain flour 2 tsp dried rosemary 40g mature cheddar cheese, very finely grated 50g butter, cut into small cubes

1. Preheat the oven to 180˚C/350˚F/Gas Mark 4 2. Grease and line a large baking tray 3. Sift the flour into a bowl and mix in the dried rosemary 4. Add the cheese and butter, and rub together thoroughly with the dry ingredients until the mixture becomes breadcrumb-like 5. Add 140ml cold water to the mixture and combine until a dough forms. Wrap the dough in cling film and refrigerate for 30 minutes

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6. Split the dough into 4 equal pieces. One at a time, roll each piece out on a floured board until 2-3mm thick. Cut into rounds or squares and place on the baking tray 7. Bake each batch for 20 minutes or until golden brown, turning occasionally

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Cranberry and orange cookies Makes around 36 250g self-raising flour, plus extra for dusting 150g soft brown sugar Finely grated zest of one orange 125g dried sweetened cranberries 125g butter 1 egg

1.Preheat the oven to 180˚C/350˚F/Gas Mark 4 2. Line and grease 3 baking trays 3.Sift the flour into a mixing bowl. Add the sugar, orange zest and dried cranberries and mix thoroughly 4.Add the butter and egg. Combine with the dry ingredients until a smooth dough forms

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5.Take teaspoonfuls of the dough, dust with a little more flour and roll into balls. Place the balls of dough on the baking trays and flatten into rounds, making sure that there is at least a 4cm gap between each 6.Bake for 10-12 minutes or until perfectly golden brown

photo by Silke Gerstenkorn

Die Alte Stadt words by julie cornu

I found it difficult to enjoy the German language and traditions - much too engrossed in my own pretentious French ones - yet I immediately fell in love with Bonn. Tinier than Cologne and more foreign to me than München, Bonn takes the gold as the most historic of German cities. Home to numerous international schools, museums and universities, Oxford’s sister city has attracted a colourful crowd which brings a contemporary edge to its historical façade. I visited Bonn and its cobbled streets a few

weeks prior to Oktoberfest - just my luck which highlighted some of its jewels for any future visitors. The first thing you should know: before being Germany’s previous capital, and before being Beethoven’s hometown, Bonn is first and foremost the birthplace of Haribo. They celebrate their legacy by, amongst other things, displaying jelly models of Arnold Schwarzenegger’s face and hiding large, plastic gummy bears around the city

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centre. If you’re having a wander through its outskirts, keep an eye out for the bears.

upmarket bookshop allows for an interesting transition which makes Bonn slightly different. Whilst you’re in Bonn, make sure you visit the Bouquinistes, the independent street stalls which sell ridiculously cheap secondhand books. Though it might be tedious to sift through classical German authors you potentially wouldn’t even understand in English, the search is always worth it.

Once you’ve spotted a bear or two and given yourself a good pat on the back, you may want to take a look at Beethoven’s house. Situated in one of Bonn’s thinner veins, it has now become a small museum which has recreated Ludwig’s room from centuries ago, complete with composition sheets ‘negligently’ scattered over his writing desk. If that hasn’t interested you, why not visit the art studio across the street instead? It is dedicated to the composer and features some really interesting Beethoven-related artwork, and sometimes you get to watch people paint.

If you’re feeling brave, try leaving the city centre through the University of Bonn - cars are allowed to drive through its lustrous golden gates. A five minute journey by foot could take you most of an hour though, as busloads of tourists are known to stop to photograph and admire the school’s awesome architecture.

Walking through the city centre, the mix between the new and obsolete comes off as odd at first, but then becomes strangely comforting. Being able to visit an old-fashioned men’s hat tailor before entering a shiny, new

photo by yeowatzup

Although, if Bonn isn’t quite enough to excite you, fear not! Cologne, with its art shows, nightlife and concerts is only 6 euros and a half hour train journey away.

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WINTER TREASURES lush

FATHER CHRISTMAS BATH BOMB £3.25 lush.co.uk

This ‘lush’ bath bomb will you get you in the festive mood just in time for Christmas. Everything from the fun Father Christmas design to the hidden sparkles is bound to put a smile on your face. Place your bomb into a lovely warm bath to reveal pink and green spirals which will slowly fizz around your bath, eventually revealing beautiful glitter and some fruity, festive scents such as Mandarin oil and orange flower. The bath leaves you feeling amazingly soft; not to mention smelling divine. If you love Christmas and more importantly bath time, then this product is perfect for you!

illamasqua

LIPSTICK PALETTE

£34 illamasqua.com

Say hello to the perfect Christmas pout thanks to this new palette just released by Illamasqua. It features four of their best selling lipsticks, Fable, Plunge, Over and Corrupt, and is perfect for adding a pop of colour to your winter beauty regime. The smooth creamy formula will just glide effortlessly on to your lips, leaving you with a matte look that will last all day and night.

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dr.jart+

WATERFUSE BEAUTY BALM CREAM SPF 25 £18 drjartstore.com

The tolls of winter weather are often taken out on our skin, meaning that everyday moisturisers aren’t powerful enough to ensure maximum hydration during this bitterly cold time of year. Dr Jart+ has managed to create a revolutionary Beauty Balm that uses a combination of environmentally friendly moisture-locking technology through the likes of Aloe Barbadensis Leaf Juice and Glacier Water. The cherry on top of this multi-tasking moisturizer is its imperfection-hiding tint that means there is no need for foundation. Think of it as the Swiss Army Knife of your beauty cabinet.

philosophy

CHRISTMAS COOKIE BATH & SHOWER GEL

£14 philosophyskincare.co.uk

Want to get into the Christmas spirit in every way possible? Why not start with enrobing yourself with the scent of a Christmas cookie during your morning shower or evening bath. A shampoo, shower gel and bubble bath in one, make every day smell like Christmas morning by indulging in this heavenly product from Philosophy’s Christmas collection. The content of this 16oz bottle builds up a thick lather so a little goes a long way. Each bottle comes with a recipe on the front, so you can bake some festive treats whilst smelling like one too!

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MERRY CHRISTMAS

clinique

AGE DEFENSE HYDRATOR

£26 cliniqueformen.co.uk Clinique offers one of the best men’s moisturisers on the market. This daily de-ager skin product targets lines and wrinkles as well as replenishing moisture lost from shaving. This is an essential product that would make a great present for any brother.

brother fudge

MATTE HED

£12.45 feelunique.com

This volume holding hair product provides texture and definition and gives great hold, even for the thickest hair. Perfect for achieving a choppy or messy look, a 75ml tube will last you a good few months, making it great value for money and a perfect stocking addition.

chanel

BLUE DE CHANEL EDT £63 selfridges.com

‘Too blue to be black, too black to be blue. A bottle of dense, solid glass which blends authority with elegance. One of a kind, unlike anything else.’ This classy evening aftershave embraces a masculinity that is enigmatic and irresistible. It’s certainly not a newbie to the market, but a classic must-have, nonetheless. An indulgent present for your brother.

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MERRY CHRISTMAS

SUPER CHROMA VOLUME X £18 liberty.co.uk

An innovative bright and vibrant ‘library’ of colours, this nail polish collection is inspired by scientific test tubes - a quirky combination of science and beauty. Each hue provides an intensely pigmented colour with evenly dispersed application thanks to a 220 strand brush. This elegant and efficient, yet slightly eccentric, selection of nail colours are definitely worth an experiment!

CONRAN

SISTER

strangebeautiful

jo malone notonthehighstreet.com 8452591359

POMEGRANATE NOIR COLOGNE £76 amazon.co.uk

"The sensuality of a daring red dress," guaranteed to attract and allure. Unique to your conventional counter purchase, the bespoke fragrance can be accompanied by other Malone scents and lotions. The 100ml cologne is beautifully layered with fruity top notes and blended seductively with incense and spicy undertones. Whether you’re in your Sunday best or just jeans and a T-shirt, Pomegranate Noir is a certified luxury.

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oskar&catie

MAKE YOUR OWN CHOCOLATE LIP BALM £17 notonthehighstreet.com

A DIY kit for the beauty junky who's partial to a natural glossy lip and all things chocolaty. Using natural ingredients - such as beeswax and cocoa butter - making the balms could not be easier, with clear instructions provided and cute printed labels for personal messages. This is a thoughtful purchase that will keep your siblings entertained throughout these cold winter months.

WINTER WONDERS

Step into a winter wonderland with sultry sparkles, blue hues and subtle rouges, that let one flaunt your inner frost

photography by adrian denisiuk • models charlotte garrett and robyn credgington-jones • make up rebecca lloyd and stacey hall

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who are we?

editor julia denni music sally rose mccormack fashion tazz gault, tash salmon and lauren anthony features joshua saunders and hannah smithson photography charlotte dart marketing emily mctavish sub editor honor martin

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deputy editor joseph kent culture nick reilly and jodie packwood beauty beth price and sophie crockett lifestyle georgia scarr and briana millett videography scott craig design rachel currie matt wright milly mcculloch lewis allen nicholas rodbourne robert squires shanae staple

See you in a couple of months

photography by ray morris

our theme for the next issue is movement ªºª•¶185 •

quack quack...

THE END