Palo Alto Weekly 11.11.2011 - Section 1

Page 23

Arts & Entertainment

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Tattoo art (continued from page 22)

For Rassier, who works at Blackheart Tattoo in San Francisco and has also worked on paper for decades, using the Smith Andersen studio was a new revelation. “Paula is such a glowing personality. She was an inspiration,â€? he said in an email. “I just sold a painting and I told myself with that money I was going to buy a press. If no major earthquakes crush my house before I get a chance, that’s my plan.â€? In Rassier’s print edition, “You Krampus My Style,â€? a long tail unfurls from a devilish face like a knife, piercing a heart and dripping blood. Like most of the prints in the show, Rassier’s works are labeled “E.V.â€? (editions variĂŠes). This means that there’s a central design that stays the same (here, the devil face) each time the print goes through the press. But the artist may alter other facets of the piece, including color and placement. Here, the face is a different hue in each print, and there are different touches of color: red handprints in one, a tire-track pattern across the horned face in another. “Working on paper in all forms is really relaxing,â€? Rassier said. “For me it’s probably the only real food that feeds my soul. I love tattooing but there is always another mind

giving input, which can be good or pure hell. And if you make a mistake on paper you can chuck it in the bin. Hard to do with people.� Kirkeby said she’s thrilled that Rassier enjoyed working on her press so much. “It’s so gratifying. It’s the best feeling ever.� The tattoo exhibition, while unusual at a gallery, has been an idea in the back of Kirkeby’s mind for a long time. She had been interested in tattoos and other graphic arts since childhood, and then a few years ago the late Stanford printmaker and painter Nathan Oliveira introduced her to the work of artist Kenjilo Nanao, a student of his. Nanao’s 1969 print “The Great Tattoo� hangs in an office at Smith Andersen, depicting a large snake tattoo stretching across several people, from back to back. Kirkey started talking to “everybody who had tattoos,� and one artist led to another by word of mouth until she had chosen 10, she said. The “Taste of Tattoo� exhibition opened at Smith Andersen on Nov. 3, with a catalog featuring essays by Don Ed Hardy and Hilarie Faberman, curator of modern and contemporary art at Stanford’s Cantor Arts Center. “As is characteristic of the atmosphere at the press, positive interactions among the artists and printers facilitated a lively dialogue that was conducive to experimentation,� Fab-

erman wrote in her essay. “During its yearlong production, the Tattoo Project had the aura of a family reunion.� Chagoya, Herms, Shaw and others had created prints at Smith Andersen before, she added, while Kain is the master printer there. Several of the tattoo artists are coworkers, and many of the artists are friends. A later exhibit, “Indelibly Yours: Smith Andersen Editions and the Tattoo Project,� is scheduled to travel, with destinations including the de Saisset Museum at Santa Clara University. For the moment, the tattoo art will remain at Smith Andersen through Jan. 25. It’s already attracting artists and art buffs; people at the opening reception included Stanford painter Sukey Bryan and Palo Alto resident Charles Clark, who volunteers at the Cantor Arts Center, collects art and attends many local exhibitions. “This,� he said with a grin, “is a wild one.� N What: “Taste of Tattoo,� an exhibition of prints by printmakers and tattoo artists Where: Smith Andersen Editions, 440 Pepper Ave., Palo Alto When: Through Jan. 25. Gallery hours are Wednesday through Saturday from 10 a.m. to 2 p.m. Cost: Free Info: Go to smithandersen.com or call 650-327-7762.

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