CONTINUING EDUCATION PROGRAMS A R T C l A S S E S f O R A D U lT S A N D hIGh SChOOl STUDENTS Summer 2017
Pennsylvania Academy of the Fine Arts
ONE-DAY ACADEMY
Join our community of dedicated artists of all ages and skill levels
SATURDAY, APRIl 8
Photo: Tom Crane
CONTINUING EDUCATION PROGRAMS
fOUNDED IN 1805 AS ThE NATION’S fIRST SChOOl AND MUSEUM Of fINE ARTS, the Pennsylvania Academy of the Fine Arts (PAFA) promotes the transformative power of art and art making. For over 200 years, our close-knit community of faculty, critics, scholars, curators, museum professionals, and alumni have created a home for contemporary artists to reinvent tradition and make their own mark on the future. As part of this mission, PAFA Continuing Education (CE) programs offer a diverse array of studio art courses, workshops and programs for adults and high school students, open to all levels of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for applying to art school, PAFA CE has something for you!
TAblE Of CONTENTS Master Classes...........................................................4 CE & School Programs ...........................................8 Summer Academy for Teachers .........................9 Summer Studio Critique Program ..................10 Pre-College Programs ..........................................12 Painting ......................................................................16 Drawing .....................................................................20 Printmaking.............................................................24 Sculpture ...................................................................27 Other Media, Art History & Art Appreciation ....................................................29 Landscape ................................................................32 Schedule At-A-Glance.........................................34 Registration Information ...................................36
ON ThE Bill Scott, Dream Flowers (detail), 2013, oil on COVER canvas, 51 x 76 in. diptych, private collection,
Join us on Saturday, April 8 for the One-Day Academy! Become a student-for-a-day and meet the faculty, experience expert instruction in PAFA’s studio classrooms, and tour the campus in this fun and informative foray into art-making! All workshops are FREE with a $10 materials fee, with all materials provided! New students will receive a 10% tuition discount on a Summer 2017 class or workshop!*
PRE-REGISTRATION IS REQUIRED. For more information and to register, visit: www.pafa.edu/onedayacademy or call 215-972-7632 *Excluding Master Classes WORKShOPS fOR ADUlTS 9 a.m. – 12 p.m. ■ PORTRAIT DRAWING with Jill A. Rupinski
1 – 4 p.m. DRAWING fUNDAMENTAlS with Phyllis Laver
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MONOTYPE PRINTMAKING with Tony Rosati
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lIThOGRAPhY with Ron Wyffels
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OIl PAINTING bASICS with Frederic Kaplan
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fIGURE SCUlPTURE with Colleen O’Donnell
MATERIAlS & TEChNIQUES with Anthony Ciambella
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WATERCOlOR with James Toogood
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ANIMAl DRAWING with Diane Collins
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PORTRAIT PAINTING DEMONSTRATION with Theodore Xaras
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CITYSCAPE with Larry Francis
courtesy of Hollis Taggert Galleries, New York
1 – 4 p.m. ■ PRE-COllEGE PREVIEW:DRAWING fOR hIGh SChOOl STUDENTS
CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu
www.pafa.edu/CE
SUMMER ART CAMP fOR KIDS fREE OPEN hOUSE 9 a.m. – 12 p.m. & 1 – 4 p.m. Join us in the Connelly Foundation Community Education Center, and grab a snack, take a tour, meet camp staff, and sample art projects from favorite Summer Camps for ages 5-15. Receive a 10% discount on a PAFA Family Membership and 20% discount on camp tuition. FREE by RSVP to artcamp@pafa.org (Subject Line: One Day Academy)
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MASTER ClASSES AND WORKShOPS ■ ■
STIll lIfE INTO AbSTRACTION WITh bIll SCOTT
Visit pafa.edu/MasterClasses for extended course descriptions, materials lists and upcoming classes. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 37.
Open to Intermediate/Advanced Artists Work with renowned painter Bill Scott to explore the sensuous yet thoughtful abstract construction of space. Color will be the focus as participants paint from an expansive still life environment. Known for his complex and gorgeously rich abstract paintings based on nature, Scott has had many solo exhibitions in Philadelphia, New York, San Francisco and London, and has received numerous honors and awards. He is represented by Hollis Taggart Galleries, New York. Saturday and Sunday, June 3 & 4 9 a.m. – 5 p.m. IN 609BS | $695 non-credit Register by: May 19 (space is limited to 12 students)
PlEIN AIR PAINTING IN CAPE MAY, NEW JERSEY Open to All Levels Join Joe Sweeney for a plein air painting retreat in beautiful Cape May! Experience small town hospitality while painting Cape May Point, the Cove with sweeping vistas, Cape May Lighthouse, and Sunset Beach. Includes tips on choosing a prime location, reading the weather and light at a particular time of day, and setting up a landscape palette. Morning and evening painting times will leave the afternoons free to relax on the beach – the perfect artist’s getaway! Instruction geared towards oil, acrylic and pastel, but experienced watercolorists are welcome. Thursday – Sunday, May 18 – 21 PT 605CM | $595 Register by: May 5 For more information and recommended accommodations, visit joesweeneyart.com.
bill Scott
ThE DYNAMIC lANDSCAPE WITh JOhN MACDONAlD Open to all Levels
Photo: Joe Sweeney
Learn to utilize photographs, sketches, and/or plein air studies executed on location to create dynamic paintings in the studio. Explore the uses and limitations of photographs as reference material, as well as methods of enlarging studies and sketches for larger studio paintings. Be guided through the entire process of creating a strong landscape painting: building an effective composition, working with value and color, and finishing with sensitively chosen details. Emphasis will be placed on seeing and manipulating color and tonal relationships. Each day will include a lecture and demonstration, followed by painting with one-onone instruction. Friday, Saturday & Sunday, June 9 – 11 9 a.m. – 5 p.m. IN 605JM | $595 non-credit Register by: May 26
MONOTYPE WORKShOP WITh STUART ShIlS Open to Intermediate/Advanced Artists of All Media Experience the joys and possibilities of monotype printmaking with an emphasis on color and abstraction in the shaping of the visual image. Through the monotype process, students will understand pictorial structure (design) and mood as the keys to visual coherence and graphic strength. Working from window views and in-studio drawings, learn to capture the essence of places and moments through color and form, exploring the intimate relationship between observation and abstract structure. Friday, Saturday & Sunday, May 19, 20 & 21 9 a.m. – 5 p.m. IN 609SM | $950 non-credit Register by: May 5 (space is limited to 10 students)
Stuart Shils, Walls from Urbino, 2012, monotype with etching ink, graphite and oil pastel, 7 x 7 in.
John MacDonald, Young’s Farm, July, oil on canvas, 9 x 12 in.
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MASTER ClASSES AND WORKShOPS continued
AVIAN DRAWING WITh PATRICIA TRAUb
REfRAMING ThE ORDINARY WITh STUART ShIlS: ShAPING VISUAl PRESENCE ON ThE STREETS Of PhIlADElPhIA
Open to all Levels Join esteemed PAFA faculty member Patricia Traub in this unique bird-drawing workshop. Focused drawing studies of bird anatomy and feather structure will supplement work from live avian subjects, including both seed-eating varieties and birds of prey, provided by the Academy of Natural Sciences. Referencing Old Master drawing techniques, students will work in graphite, charcoal, colored chalk, and pastel on toned papers. Includes a discussion of methods to make finished paintings beyond the workshop by using gesture drawing and studies in combination with photography. Wednesday, Thursday and Friday, June 14 – 16 9 a.m. – 3 p.m. IN 609PT | $695 non-credit Register by: May 26
Stuart Shils, 'two takes of the same house, mt. airy, 2008, graphite on paper, 7 x 12 in.
For intermediate to advanced painters, designers, photographers and architects
Patricia Traub, Study for Waiting for Something to Move, charcoal, pastel, white conté on wove paper, 14 x 12 in.
Learn to see the extraordinary in the ordinary by drawing directly from your surroundings in Old City, Philadelphia. Cultivate the perceptual tools of rapid visual summation and notation to capture the light, form and feeling of place in the city’s historic streets. Use the camera as a viewfinder and analyze the structure of photographs as means to enhance and inform direct perception. Related activities include training memory, examining how to select motifs for working, and learning to identify what makes one place more interesting than another as subject matter. Work of great masters from the past and present will serve as guides for class activity. Saturday & Sunday, July 22 & 23 fREE PUblIC lECTURE: 9 a.m. – 5 p.m. Reaching for a Flock of Canaries DR 612ES | $595 non-credit Wednesday, July 19 | 6 – 7:30 p.m. Register by: July 7 Hamilton Auditorium/Historic Landmark Building (space is limited) RSVP to the CE office, 215-972-7632
AllA PRIMA STIll lIfE WITh ChRISTINE lAfUENTE Open to all Levels Brooklyn-based painter and PAFA alum Christine Lafuente considers her paintings “poetic responses to visual experience.” Responding to the still life motif, learn how to build an oil painting directly, with the emphasis on color. The workshop will begin with a painting demonstration, followed by painting sessions in which students will be guided through a series of focused procedures: composing a painting and establishing tonal design, mixing color, achieving harmony and palette organization, applying large color masses, and using principles of oil viscosity to build form into wet-into-wet painting. Monday through Friday, SECTION 1: June 19 – 23 SECTION 2: June 26 – 30 9 a.m. – 5 p.m. IN 609PT | $750 non-credit Register by: June 9 & June 16
COMING fAll 2017! PORTRAIT IN PASTEl WITh EllEN EAGlE October 6, 7 & 8
PlEIN AIR PAINING IN NEWPORT, RhODE ISlAND WITh JOE SWEENEY October 9 – 13 Christine Lafuente, Peonies and Peaches, oil on linen, 12 x 12 in.
ChIlDREN’S bOOK IllUSTRATION WITh DAVID WIESNER November 11 & 12 Fish Girl. By David Wiesner and Donna Jo Napoli. Houghton Mifflin Harcourt, 2017.
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CE & SChOOl PROGRAMS
SUMMER ACADEMY fOR TEAChERS
OPEN ACADEMY COMING ThIS fAll
The Summer Academy for Teachers is designed to renew and invigorate teachers, as well as provide a reserve of project ideas for the new school year and personal artistic practice. Open to artists and educators of all levels. Available for Pennsylvania Department of Education Act 48 hours and New Jersey Department of Education Professional Development Credit.
PAFA Continuing Education and non-matriculated students have the opportunity to take PAFA School courses for credit or non-credit through the new Open Academy. For more information on fall courses, and an application, visit pafa.edu/openacademy.
Tuition: $95 per workshop. Register by July 7
DEGREE PROGRAMS
MUlTIPlE-COURSE DISCOUNT: Register for all five workshops for $395
PAFA offers a variety of programs to help you meet your artistic goals including: ■ PAFA BFA offering majors in Painting, Drawing, Sculpture, Printmaking and Illustration ■ PAFA/Penn BFA offered in conjunction with the University of Pennsylvania ■ Post-Baccalaureate Certificate in Graduate Studies ■ Master of Fine Arts and Low Residency ■ Master of Fine Arts
PAINTING WITh AUThORITY Charles Muldowney Enhance your modern studio and classroom practices through historical oil painting methods. Examine direct and indirect painting techniques, such as glazing, velatura, scumbling, imprimatura, grisaille, camaïeu, alla prima, and impasto. Work from still life, cityscapes, and reference materials. IN 625EP | Wednesday, July 19, 9 a.m. – 4 p.m.
fOR MORE INfORMATION, contact the Office of Admissions at admissions@pafa.edu or 215-972-7625.
CONTINUING EDUCATION (CE)
CORE CURRICUlUM PROGRAM Tony Rosati
If you are new to art, taking classes but unsure of your artistic direction, or returning to art after a long absence, the CE Core Curriculum Program is for you. Composed of eight CE classes spanning PAFA’s core disciplines, this structured curriculum will build your basic skills and the confidence necessary to move forward in any artistic direction. Visit pafa.edu/corecurriculum for eligible classes and more information.
ElEMENTS Of EXPRESSIVE DRAWING Charles Muldowney Examine the components of expressive drawing: line, value, composition, space/perspective, form, and texture. Demonstrations and exercises will address wet and dry media, design concepts, and techniques for drawing from still life, human figure, cityscape, and imagination. Explore historical approaches for modern application. IN 625DR | Monday, July 17, 9 a.m. – 4 p.m.
CAll ThE CONTINUING EDUCATION OffICE AT 215-972-7632 to discuss what the Core Curriculum Program can do for you.
MEMbERShIP AT PAfA Support our mission and enjoy a variety of great membership benefits by joining PAFA today! Your membership will help us strengthen PAFA’s collections and special exhibitions, expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes.
IMAGE TRANSfER WORKShOP Lisa Sylvester Image transfer is the process of taking a pre-existing printed image and transferring it from one surface onto another, widely used by many artists from the past and present. Experiment with a variety of transfer processes, materials, and tools. Incorporate drawing materials to create a transfer-based work of art. IN 625IT | Tuesday, July 18, 9 a.m. – 4 p.m.
fOR DETAIlS AbOUT bECOMING A MEMbER or member programs, visit pafa.org/membernews or call 215-972-2077.
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PRINTMAKING fOR TEAChERS Tony Rosati Bring printmaking into the classroom with easy-toclean-up water-based inks and processes that do not require a press. Create screenprints using paper stencils, reduction printing, and monotype techniques. Explore relief printing through multiple block and reduction processes. IN 625PR | Thursday, July 20, 9 a.m. – 4 p.m. A DAY AT ThE MUSEUM Charles Muldowney Explore Philadelphia’s art and architecture! View life-size copies of Antique and Renaissance sculpture in PAFA’s historic Cast Hall, as well as rarely-seen master artists’ sketchbooks in its Center for the Study of the American Artist at PAFA. Tour the Benjamin Franklin Parkway to examine a variety of outdoor sculpture and architecture. IN 625MD | Friday, July 21, 9 a.m. – 4 p.m.
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SUMMER STUDIO CRITIQUE PROGRAM JULY 10 – AUGUST 18 Designed for artists and educators who desire constructive feedback on their artwork as well as the support and interaction of an artistic community. Registration includes a private studio in the Samuel M.V. Hamilton Building, and individual Friday critiques from a stellar ensemble of nationally and internationally known artists, including members of the PAFA’s acclaimed faculty. Lead critic Neysa Grassi will hold group critiques, discussion and field trips.
JODI ThROCKMORTON is PAFA’s Curator of Contemporary Art. Previously she served as Curator of Modern and Contemporary Art at the Ulrich Museum of Art at Wichita State University and the Associate Curator at the San Jose Museum of Art. She holds an MFA in Museum Studies from San Francisco State University, and a BA in Art History and French from the University of Nebraska-Lincoln.
ANDA DUbINSKIS received an MFA in Painting from the University of Pennsylvania and a BFA from the Cooper Union for the Advancement of Science and Art. She is an Assistant Teaching Professor and Drawing Coordinator in the Visual Arts Department of the Antoinette Westphal College of Media Arts and Design at Drexel University. Her figurative paintings have won numerous awards including fellowships from the National Endowment on the Arts and the Pennsylvania Council on the Arts, as well as a Leeway Grant. Her work has been exhibited extensively both locally and nationally.
JAN bAlTzEll is a faculty member of PAFA’s Certificate and Graduate Programs, and the Interim Graduate Program Chair. Her painterly abstractions display a master’s control of contrasting mark-making that transcends the viewer’s conventional vocabulary. Her work is included in the Philadelphia Museum of Art and the National Museum of Women in the Arts, Washington, D.C. She is represented by Schmidt Dean Gallery in Philadelphia.
Anda Dubinskis, Going Clear, charcoal and conté on Arches, 22 x 15 in.
Jan Baltzell, Untitled, 2011, oil on Mylar, 28 x 25 in.
NEYSA GRASSI is a recipient of a Pew Fellowship and has had solo exhibitions at several museums, including the Pensacola Art Museum in Florida and PAFA. Since 1990 she has had numerous solo exhibitions in galleries in Philadelphia and New York. She is a critic in PAFA’s MFA program and is represented by Locks Gallery, Philadelphia.
bRUCE SAMUElSON is a faculty member of PAFA’s BFA and Graduate Programs. Informed by the principles of Old Master draftsmanship, Samuelson’s drawings and paintings expand beyond traditional methods of representation to arrive at elegant meditations on the human form. He has exhibited in over thirty solo exhibitions and his work is represented in numerous public and private collections including PAFA, the Philadelphia Museum of Art and Woodmere Art Museum. Samuelson is represented by J. Cacciola galleries, New York.
Neysa Grassi, Untitled (9), gouache on paper, 16 x 16 in., courtesy of Locks Gallery, Philadelphia
Bruce Samuelson, Untitled, 2009, pastel & charcoal on rag board, 24 x 19 in.
CElIA REISMAN is a Philadelphia-based artist who has had solo exhibitions in Philadelphia, New York, San Francisco and London among other locations, including a Fifteen Year Survey Exhibition at the James A. Michener Art Museum. She has taught at Swarthmore College, Dartmouth College, and other schools, and most recently was a Visiting Critic at PAFA. She is represented by Gross McCleaf Gallery in Philadelphia, the Paul Thiebaud Gallery in San Francisco/New York, and Big Town Gallery in Rochester, Vermont.
Tuition: $1,200 for 3.0 graduate credits, 4.0 undergraduate credits or non-credit Please indicate credit selection when registering Register by: June 9 bONUS! Receive a 10% tuition discount on all subsequent summer studio classes!
Celia Reisman, Broadway Vista, oil on canvas, 30 x 40 in.
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PRE-COllEGE PROGRAMS DRAWING fOR COMICS Jeff Kilpatrick Learn step-by-step cartooning basics so you can create characters, tell a story from life or imagination, or build a portfolio. Create your own short story to be included in a collaborative comic book to take home at the end of class. Instruction includes insights on the comic book and animation industry. Monday – Friday, July 10 - 14 9 a.m. – 4 p.m. DR 723EC | $425 for 1.0 undergraduate credit or non-credit Register by: June 23
ONE-WEEK INTENSIVES fOR hIGh SChOOl STUDENTS These courses offer teens the valuable opportunity to develop and hone their skills under the guidance of PAFA faculty. All levels welcome. Visit pafa.edu/HighSchool/Intensives for more information, to download materials lists or to register online. Optional residential services are available for an additional fee for classes through August 4. SCUlPTURE Colleen O’Donnell Explore clay modeling and expand your portfolio with three-dimensional work. Work from a life model to learn methods of terra cotta clay sculpture, focusing on anatomy, proportion, composition, and personal expression. Sculptures will be kilnfired after the course ends. Note: This class will utilize nude models. Monday – Friday, June 26 – 30 9 a.m. – 4 p.m. DR 710EP | $425 for 1.0 undergraduate credit or non-credit + $10 lab fee Register by: June 16
lANDSCAPE PAINTING NEW! Roger Chavez Explore the exciting and challenging practice of landscape painting! Learn to depict ever-changing light and shadows through rapid decisions and swift mark-making. Study landscape masters to develop tactics for depicting foliage, trees, mountains, atmosphere, and clouds; then take your skills outdoors to paint the nearby landscape in the open air! Monday – Friday, June 26 – 30 9 a.m. – 4 p.m. DR 710EP | $425 for 1.0 undergraduate credit or non-credit Register by: June 16
PAINTING I: STIll lIfE & PORTRAIT David Wilson Add color to your portfolio by developing your painting skills in oil or acrylic. Work from still life arrangements and portrait models to explore the fundamentals of painting including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize composition, value, and color relationships. Monday – Friday, July 10 - 14 9 a.m. – 4 p.m. DR 710PT | $425 for 1.0 undergraduate credit or non-credit Register by: June 23
DRAWING Ideal for teens who want to further their drawing skills and develop a strong body of work for their portfolios. Students will work in drawing media from the still life, PAFA’s historic cast collection, and figure/portrait models to learn principles of composition, value, perspective, and drawing techniques. Note: This class will utilize nude models. SECTION 1 – Clarissa Shanahan Monday – Saturday, July 3 – 8 (no class on July 4) 9 a.m. – 4 p.m. DR 710PP | $425 for 1.0 undergraduate credit or non-credit Register by: June 23
PAINTING II: fIGURE PAINTING David Wilson Figure painting is one the most versatile and popular subjects taught at PAFA. Learn to paint the life model in oil/acrylic, focusing on human anatomy and proportions, paint handling, materials, and design. Prerequisite: Painting I: Still Life and Portrait or prior basic painting experience. Note: This class will utilize nude models. Monday – Friday, July 17 - 21 9 a.m. – 4 p.m. DR 710E2 | $425 for 1.0 undergraduate credit or non-credit Register by: July 7
SECTION 2 – Instructor TBA
Monday – Friday, July 31 – August 4 9 a.m. – 4 p.m. DR 710PP | $425 for 1.0 undergraduate credit or non-credit Register by: July 14
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bOOK IllUSTRATION NEW! Kate Samworth Learn the fundamentals of picture book illustration, including character and storyboard development, narrative and sequential drawing, and book design/ layout. Draw inspiration from book illustration over the centuries, from illuminated manuscripts to contemporary examples. Complete preparatory studies and finished illustrations based on published or personal text in graphite, colored pencil, and various water-media. Monday – Friday, July 17 -21 9 a.m. – 4 p.m. DR 710EI | $595 for 1.0 credit or non-credit Register by: July 7 Kate Samworth was awarded the Kirkus Prize for Young Readers for her book, Aviary Wonders Inc. She has exhibited across the U.S. and around the world and is presently completing two picture books.
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PRE-COllEGE PROGRAMS continued
PhOTOGRAPhY NEW! Sharon Koelblinger Discover the creative possibilities of digital photography. Learn to use the camera as an expressive tool as you develop an understanding of photography’s technical and visual aspects. Instruction covers camera functions, compositional strategies, image editing in Photoshop, and creating digital prints. Required: DSLR camera or compact camera with manual functions. Monday – Friday, July 31 – August 4 9 a.m. – 4 p.m. IN 660HS | $425 for 1.0 credit or non-credit Register by: July 21 (See also Drawing Section 2, above)
WATERCOlOR Sherif Habashi Explore the vibrant and subtle possibilities of watercolor painting. Learn the fundamentals of the medium, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Work from still life, photographs, portraits and the cityscape. All levels welcome. Monday – Friday, July 24 - 28, 9 a.m. – 4 p.m. PT 710WP | $425 for 1.0 credit or non-credit Register by: July 14
PRINTMAKING Shushana Rucker Printmaking enhances drawing/painting skills and creates striking contributions to a college portfolio. Explore the exciting possibilities of traditional line etching, screenprinting on t-shirts or other materials, and the painterly monotype. Learn the methods of image development, printing for each process, as well as the safe handling of all materials. Monday – Friday, August 7 - 11 9 a.m. – 4 p.m. PR 710E | $425 for 1.0 undergraduate credit or non-credit + $10 lab fee Register by: July 21
SUMMER ACADEMY fOR hIGh SChOOl STUDENTS JULY 3 – AUGUST 4, 2017 PAFA’s Summer Academy is the definitive program for talented and motivated high school students: a five-week, college-level art making experience in the nation’s first and premier school of fine art. ■
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SChOlARShIPS AVAIlAblE!
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Visit pafa.edu/HighSchool/intensives for more information and to download an application. Application Deadline: Friday, June 9
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Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA’s exceptional faculty Commuter and residential options Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C. A culminating student exhibition in PAFA’s museum, including a reception and awards ceremony
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A head start on preparing your portfolio for applying to art school The opportunity to earn four college credits The option for an Admissions portfolio review for pre-approval of your PAFA college application (additional materials required) A Next Step Scholarship issued to all Summer Academy alums who enroll in PAFA’s BFA programs.
SChOl ARShIPS AVAIl AblE
fOR MORE INfORMATION, VISIT PAFA.EDU/SUMMERACADEMY.
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COURSES & WORKShOPS
PAINTING ART AND fIlM NEW! One-Week Intensive Clarissa Shanahan This course examines the correlative relationship between the visual and cinematic arts, and the similar elements they use to tell their stories: composition, perspective, the expressive power of light and dark, and symbolic color. Students will learn how to translate powerful elements into narrative paintings using their own photographs as source material. One-Week Intensive Monday – Friday, July 31 – August 4 9 a.m. – 4 p.m. PT 708ES | $395 non-credit; $525 for 1.0 undergraduate credit Register by: July 14 ThE MASTER COPY: GIlbERT STUART AND ThE ART Of PORTRAITURE NEW! One-Week Intensive Patrick Connors Improve your painting skills through the timehonored tradition of copying a masterwork. Working from reproductions and referencing the original in PAFA’s collection, copy a portrait by Gilbert Stuart. Lectures, demonstrations, and gallery visits will supplement studio work. Materials, including panels and paint, will be provided. For intermediate to advanced painters. Monday – Thursday, July 24 – 27 9 a.m. – 4 p.m. PT 615MC | $350 non-credit + $35 materials fee Register by: July 14
PAINTING OVER ThE lINE Kassem Amoudi Advance toward a more liberated way of painting in this open studio environment. Paint from personal subject matter to find your own visual language. Work intuitively and discover new possibilities through unforeseen occurrences. Examples from contemporary and modern art will broaden your understanding of innovative painting. Painting experience recommended.
OIl PAINTING MATERIAlS & TEChNIQUES Anthony Ciambella Examine painting materials and techniques used by artists from the Pre-Renaissance to the present. Work from still life, models, and imagination to explore underpainting techniques, glazing and scumbling layering methods, and wet-into-wet alla prima painting. Supply selection and care, historical palettes and pigments, varnishes, framing, storage, and health issues will be discussed. 10 weeks, Mondays, June 5 – August 7 9 a.m. – 12 p.m. IN 601EA I $395 non-credit or $595 for 1.0 undergraduate credit + $25 materials fee Register by: May 19
INTRO TO fIGURE PAINTING NEW! Frederic Kaplan A structured course for those with limited figure painting experience. Begin with tonal study and basics like proportion and structure. Expand to a wider color palette and learn color mixing and painting technique, the effects of light, and the history of figure painting through lecture and demonstration. Basic drawing experience recommended. 10 weeks, Mondays, June 5 – August 14 (no class on July 3) 6 – 9 p.m. PT 600E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: May 19
PORTRAIT PAINTING Al Gury Investigate the structure of the human head through drawings and painted studies. Progress to finished paintings and address issues of likeness, composition, space and texture. Learn to better see and understand color to mix it more successfully – a useful skill for painting any subject matter. All levels welcome. SESSION 1:
5 weeks, Mondays, June 5 – July 3 (Register by May 19)
COlOR fOR PAINTERS Al Gury An in-depth approach to understanding and mixing color for oil painting from the Chair of PAFA’s Painting Department and noted author of Color for Painters: A Guide to Traditions and Practice. Explore history, palettes, mixing and application for still life, landscape, figure models, and interiors in a series of studio paintings. 5 weeks, Wednesdays, May 31 – June 28 9 a.m. – 5 p.m. IN 604CP | $495 non-credit or $625 for 1.0 undergraduate credit Register by: May 19
SESSION 2:
6 weeks, Wednesdays, July 5 – August 9 (Register by June 23) 9 a.m. – 5 p.m. PT 602E | Session 1: $495 non-credit or $625 for 1.0 undergraduate credit; Session 2: $595 non-credit or $925 for 1.0 undergraduate credit
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SESSION 1:
5 weeks, Wednesdays, May 31 – June 28 (Register by May 19) 12 – 4 p.m. SESSION 2:
5 weeks, Wednesdays, July 5 – August 2 (Register by June 23) 12 – 4 p.m. PT 703EL | 5 weeks, Session 1 or 2: $295 noncredit; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit ThE EXTENDED POSE Jill A. Rupinski Draw or paint the life model in single morning/ afternoon poses for the entire course in order to develop accurate form, measurement, value, color, creative composition and narrative. Lecture and discussion will address historical and contemporary methods/materials, supplemented by examples from the PAFA collection. All levels and all media welcome. Half-day registration available (call 215-972-7632 for more information). 6 weeks, Wednesdays, July 5 – August 9 9 a.m. – 5 p.m. DR 710E | $595 non-credit or $950 for 1.5 undergraduate credits; $350 for half-day, non-credit Register by: June 23
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COURSES & WORKShOPS PAINTING continued
STIll lIfE: ClASSIC PRINCIPlES IN OIl PAINTING NEW! Patrick Connors Learn the fundamentals of oil painting techniques and visual perception through the art of still life painting. Tackle spatial structure, chiaroscuro, composition, and color through a variety of appealing arrangements. Work from a diverse array of forms, colors and textures to build a solid foundation of painting skills for future endeavors. All levels welcome. Basic drawing skills recommended. 10 weeks, Wednesdays, May 31 – August 2 6 – 9 p.m. PT 601CP | $395 non-credit or $525 for 1.0 undergraduate credit Register by: May 19 PORTRAIT PAINTING Theodore Xaras This class covers all aspects of painting a traditional portrait. Learn how to achieve a likeness, model light and shade, mix flesh tones, and apply paint. Includes demonstrations, and insights into the history of portraiture. Valuable information for all levels. Drawing experience required. Students registering for Session 2 only should have basic painting experience. SESSION 1: 5 weeks, Thursdays, June 1 – June 29 (Register by May 19) 12 – 4 p.m. SESSION 2: 5 weeks, Thursdays, July 6 – August 3 (Register by June 23) 12 – 4 p.m. PT 703EL | Session 1 or 2: $295 non-credit; Session 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit
IN-DEPTh WATERCOlOR James Toogood Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills. SESSION 1:
5 weeks, Fridays, June 2 – 30 (Register by May 19) 9 a.m. – 5 p.m. SESSION 2:
6 weeks, Fridays, July 7 – August 11 (Register by June 23) 9 a.m. – 5 p.m. PT 604ED | Session 1: $495 non-credit or $625 for 1.0 undergraduate credit; Session 2: $595 non-credit or $925 for 1.0 undergraduate credit bEGINNING OIl PAINTING Frederic Kaplan A thorough introduction to the methods and materials of oil painting for the novice and those with limited painting experience. Working from still life arrangements, learn to mix color and use light and shadow to model form. Instruction will cover basic painting techniques, use of tools, and selection of materials. 10 weeks, Saturdays, June 3 – August 5 1 – 4 p.m. PT 616EO | $395 non-credit or $525 for 1.0 undergraduate credit Register by: May 19
ClASSICAl fIGURE PAINTING NEW! Ernie Norcia Create luminous figure paintings using traditional painting materials and procedures established during the Renaissance. Through step-by-step instruction, learn how to create an underpainting and then glaze and scumble transparent and opaque layers to achieve a rich sense of color, volume and space. Basic drawing experience recommended. 5 weeks, Sundays, July 9 – August 6 9 a.m. – 4 p.m. PT 600EC | $395 non-credit or $525 for 1.0 undergraduate credit Register by: June 23
WATERCOlOR PlUNGE Tony Rosati This workshop is designed for those with little or no experience in watercolor. Acquire a thorough grounding in basic watercolor techniques and materials, including papers, brushes and pigments. Learn transparent and opaque painting methods, and gain the confidence to continue working with watercolor beyond the workshop. Take the plunge, a lifeguard will be on duty! Saturday and Sunday, July 8 & 9 9 a.m. – 5 p.m. PT 604EP | $215 non-credit Register by: June 30
WATERCOlOR WORKShOP James Toogood Interested in acquiring or improving your watercolor skills? All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models or their own source material. All levels welcome. Saturday and Sunday, June 17 & 18 9 a.m. – 5 p.m. PT 604WW | $215 non-credit Register by: June 9
PORTRAIT PAINTING bASICS Theodore Xaras This comprehensive workshop covers all aspects of painting a traditional portrait. Topics include achieving a likeness, modeling light and shade, mixing flesh tones and applying paint through various techniques. All participants will produce at least one finished portrait. Includes demonstrations and portrait history. Valuable information for all levels. Saturday and Sunday, July 15 & 16 9 a.m. – 5 p.m. PT 602EW | $215 non-credit Register by: July 7
PASSION fOR ThE PAlETTE Michelle Oosterbaan Explore how the science and psychology of color play key roles in composing dynamic visual narratives, and learn how to tailor your palette to support your work’s message. Work from still life arrangements with colored lights for brilliant optical effects with emotional resonance. Open to all media. Saturday and Sunday, July 8 & 9 9 a.m. – 5 p.m. IN 604PW | $215 non-credit Register by: June 30
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SPONTANEOUS fIGURE PAINTING Kassem Amoudi Tired of getting lost in the details of traditional figure painting? Then this workshop is for you! Learn expressive painting techniques to render the figure in a looser and more contemporary manner, creating a lively surface while boosting your creativity, technique and skill. All levels welcome. Saturday & Sunday, August 5 & 6 9 a.m. – 5 p.m. PT 705EF | $215 Register by July 28
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COURSES & WORKShOPS
DRAWING PASTEl DRAWING AND PAINTING One-Week Intensive Joseph Sweeney Learn everything you need to know about soft pastels while working from the still life, figure models, and cityscape views. Instruction will cover technique, use of light and its effect on color, types of pastels, paper selection to create various effects, fixing and transporting finished drawings, and important safety issues. Monday – Friday, June 5 – 9 9 a.m. – 4 p.m. DR 603ED | $395 non-credit or $525 for 1.0 undergraduate credit Register by: May 19 bOTANICAl DRAWING AND PAINTING One-Week Intensive Linda Gist Explore flowers and other natural forms, beginning with line and value drawing and progressing to fullcolor rendering in watercolor and mixed media. Topics will include sighting techniques, line quality, tone and value, creation of depth, composition, texture, and basic color. All levels welcome. Monday – Friday, July 10 - 14 9 a.m. – 5 p.m. DR 615EP | $495 non-credit or $625 for 1.0 undergraduate credit + $10 materials fee Register by: June 24
ElEMENTARY fIGURE DRAWING AND PAINTING Al Gury This structured approach to drawing and painting the figure from life includes topics such as anatomy, drawing methods, gesture, figure structure, palettes, and basic figure painting methods. This class is excellent for those interested in developing their painting and drawing portfolio. 5 weeks, Mondays, July 10 – August 7 9 a.m. – 5 p.m. DR 602E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: June 23 fIGURE AND PORTRAIT DRAWING IN INK Phyllis Laver From the Renaissance to the present, artists have favored the expressive qualities of drawing with ink. Experience the fluid gestural brush applications and detailed reed pen drawing techniques. Focus on head studies and full figure work using both clothed and life models. All levels welcome. 5 weeks, Mondays, July 10 – August 7 6 – 9 p.m. DR 725EA | $225 non-credit Register by: July 23
Al Gury
ANIMAl DRAWING NEW! Diane Collins Draw from live animal models in the PAFA studios and on location at the Philadelphia Zoo and other venues. Topics include working in line and tone, moving from gesture to resolved drawing, gauging comparative anatomy, and using technology when live study is not an option. Transportation available from PAFA to the Zoo. 5 weeks, Tuesdays, May 30 – June 27 9 a.m. – 1 p.m. DR 610EA | $295 non-credit (plus admission fees) Register by: May 19
lIfE DRAWING John Horn This in-depth investigation of basic drawing issues explores the human figure. Emphasis will be placed on a thorough understanding of the body’s underlying geometry and anatomical structure. Learn to draw the figure as convincing volumetric form through the study of proportional accuracy, foreshortening, spatial relationships, and basic use of light and shadow. All levels welcome. 5 weeks, Tuesdays, May 30 – June 27 9 a.m. – 5 p.m. DR 605E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: May 19
lINEAR PERSPECTIVE: SPATIAl CONCEPTS AND DEPICTION NEW! Patrick Connors “That most delightful and noble art” of linear perspective has long been recognized as a critical component to drawing, painting, and sculpture. Learn the essentials, including one- and two-point perspective and circles in perspective, in order to facilitate your understanding of classic pictorial space, from still-life arrangements to figure-based compositions. All levels welcome. 5 weeks, Tuesdays, May 30 – June 27 12:30 – 3:30 p.m. DR 716EA | $225 non-credit Register by: May 19
linda Gist
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COURSES & WORKShOPS DRAWING continued
ANATOMICAl DRAWING John Horn Understand human anatomy through lecture and drawing from the model. Topics include proportion, skeletal framework, superficial muscles, and the movement of the figure. 5 weeks, Tuesdays, July 11 – August 8 9 a.m. – 5 p.m. DR 604E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: June 23
Jill A. Rupinski
CAST AND fIGURE DRAWING Jill A. Rupinski Working in the academic tradition, students will study human anatomy, proportion and value with the goal of faithfully representing the figure. Students will work from PAFA’s collection of historic casts in order to build their foundational drawing skills and apply this information to observational study of the life model. All levels welcome. SESSION 1:
5 weeks, Tuesdays, May 30 – June 27 (Register by May 19) 6 – 9 p.m. SESSION 2: 5 weeks, Tuesdays, July 11 – August 8 (Register by June 23) 6 – 9 p.m. PT 714E | 5 weeks, Session 1 or 2: $225 noncredit; 10 weeks, Sessions 1 & 2: $395 non-credit or $525 for 1.0 undergraduate credit
DRAWING fUNDAMENTAlS Phyllis Laver If you’ve never drawn before, or your skills are a little rusty, then this class is for you. Learn to draw what you see with confidence. Study the still life, interior spaces, and human figure to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective. 5 weeks, Thursdays, July 6 – August 3 9 a.m. – 5 p.m. DR 600EB | $495 non-credit or $625 for 1.0 undergraduate credit Register by: June 23
PORTRAIT DRAWING & PAINTING Jill A. Rupinski Learn to draw or paint the portrait with confidence through time-honored methods. Drawing instruction will guide students through a comprehensive understanding of the head structure, proportions and features toward achieving both a likeness and aesthetic effect. Extended poses will allow thorough study of both drawing and oil painting processes. All levels welcome, but students registering for Session 2 only should have basic drawing/painting experience.
ClASSICAl fIGURE DRAWING NEW! Ernie Norcia Explore the classical ideal through drawing from both sculpture in PAFA’s Cast Hall and the life model. Learn to comprehend and appreciate the differences between an idealized form and a living model. Students will work in charcoal and chalk on toned paper, with emphasis on line, value, shape, size, and texture. 5 weeks, Sundays, June 4 – July 2 9 a.m. – 2 p.m. DR 605EC | $350 non-credit Register by: May 19
EXPRESSIVE PERSPECTIVE NEW! Michelle Oosterbaan Learn to create dynamic perceptual drawings of architectural interiors on-site in museums and buildings throughout Philadelphia. Use basic oneand two-point perspective, compositional elements, value, cross-hatching, color relationships, and descriptive line quality to convey authenticity of place. Includes a visit to the Philadelphia Museum of Art to work from drawings in the collection. 5 weeks, Fridays, July 7 – August 4 10 a.m. – 3 p.m. DR 716EC | $375 non-credit Register by: June 23
SESSION 1:
5 weeks, Thursdays, June 1 – June 29 (Register by May 19) 6 – 9 p.m. SESSION 2:
bEGINNING DRAWING: ThE PORTRAIT Allison Syvertsen Learn the fundamentals of drawing through one of art’s most compelling subjects: the portrait. Work in graphite, charcoal and conté to capture the spirit and likeness of a range of models while developing skills for all subjects. Suitable for both beginners and those with experience seeking to refine their skills. 10 weeks, Saturdays, June 3 – August 5 10 a.m. – 1 p.m. DR 600EP | $395 non-credit or $525 for 1.0 undergraduate credit Register by: May 19
5 weeks, Thursdays, July 6 – August 3 (Register by June 23) 6 – 9 p.m. PT 714E | 5 weeks, Session 1 or 2: $225 noncredit; 10 weeks, Sessions 1 & 2: $395 non-credit or $525 for 1.0 undergraduate credit
A GIfT CERTIfICATE fOR A COURSE OR WORKShOP MAKES A GREAT GIfT! Call 215-972-7632 for more details.
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PORTRAIT IN PASTElS WORKShOP Theodore Xaras The immediate subtlety that can be achieved through soft and hard pastel is particularly suited for the portrait study. Learn historical and contemporary techniques of hatching, blending, layering and color mixing to rendering convincing portraits. Discussion and demonstration of various surfaces, pastels and mixed media techniques included. Drawing experience recommended. Saturday and Sunday, June 24 & 25 9 a.m. – 5 p.m. DR 603EW | $215 non-credit Register by: July 16
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COURSES & WORKShOPS
PRINTMAKING ETChING, MONOPRINT AND MORE Tony Rosati This course presents basic intaglio and monotype printing techniques including monoprint, drypoint, etching, aquatint, collograph and polymer plate methods. Image embellishments will include embossing, chine collé, collage, paper plates and mixed media techniques. All levels welcome.
WOODCUT AND RElIEf PRINTMAKING Ronald Wyffels Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. All aspects of the process will be covered, including drawing on the block, carving your design and printing black-andwhite and color prints. All levels welcome.
SESSION 1:
SESSION 1:
5 weeks, Tuesdays, May 30 – June 27 (Register by May 19) 9 a.m. – 1 p.m.
5 weeks, Wednesdays, May 31 – June 28 (Register by May 19) 9 a.m. – 1 p.m.
SESSION 2:
SESSION 2:
5 weeks, Tuesdays, July 11 – August 8 (Register by June 23) 9 a.m. – 1 p.m. PT 703EL | 5 weeks, Session 1 or 2: $295 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit + $20 lab fee
5 weeks, Wednesdays, July 5 – August 2 (Register by June 23) 9 a.m. – 1 p.m. PT 703EL | 5 weeks, Session 1 or 2: $295 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit + $20 lab fee
PRINTMAKING SAMPlER NEW! Tony Rosati This course presents introductory printmaking methods including monotype, relief, etching, and paper-plate lithography. Sample each technique, then choose the process you like most or combine them toward producing a finished image or edition. Individual critiques and group discussions are important features of the course. All levels welcome. 10 weeks, Tuesdays, May 30 – August 8 (no class on July 4) 6 – 9 p.m. PT 621E | $395 non-credit or $525 for 1.0 undergraduate credit + $20 lab fee Register by: May 19
lIThOGRAPhY Ronald Wyffels The ideal printmaking medium for those who love to draw! Design and draw your choice of image with a variety of lithographic drawing materials on traditional stone or lightweight aluminum plates. All aspects of the process will be demonstrated from creating a drawing to printing in black-and-white and color. All levels welcome.
lisa hamilton
SCREENPRINTING AND bEYOND Lisa Hamilton The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. SESSION 1:
5 weeks, Thursdays, June 1 – June 29 (Register by May 19) 12 – 4 p.m.
SESSION 1:
5 weeks, Thursdays, June 1 – June 29 (Register by May 19) 9 a.m. – 1 p.m.
SESSION 2:
COllOGRAPh: ThE PRINTED COllAGE NEW! Christine Stoughton Transform the tactile beauty of collage into a printed image. Print your collage using both press and handprinting techniques with non-toxic, soy-based inks. The printed image can serve as a finished art object or the beginnings of a mixed media piece. Open to all levels. Adaptable for home or the classroom. 5 weeks, Thursdays, July 6 – August 3 6 – 9 p.m. DR 724ES | $225 + $50 materials fee (includes most materials) Register by: June 23
5 weeks, Thursdays, July 6 – August 3 (Register by June 23) 12 – 4 p.m. PT 620E2 | 5 weeks, Session 1 or 2: $295 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit + $20 lab fee
SESSION 2:
5 weeks, Thursdays, July 6 – August 3 (Register by June 23) 9 a.m. – 1 p.m. PT 703EL | 5 weeks, Session 1 or 2: $295 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit + $20 lab fee
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COURSES & WORKShOPS
COURSES & WORKShOPS PRINTMAKING continued
SCUlPTURE INTAGlIO bASICS NEW! Tony Rosati An introduction to intaglio printmaking with a focus on non-etching methods. Learn various dry (non-acid) methods such as drypoint, engraving, mezzotint and carborundum prints in the tradition of Dox Thrash. Printing in color and demonstrations of etching possibilities will be presented. All levels welcome. 5 weeks, Saturdays, June 3 – July 1 10 a.m. – 1 p.m. PR 617EA | $225 + $10 lab fee Register by: May 19 INTRO TO SCREENPRINTING WORKShOP Lisa Hamilton Join Lisa Hamilton, PAFA Faculty and Print Shop Manager, in this fun introduction to the basics of screenprinting, a quick and easy process to make color prints on paper, note cards, fabric and more. Includes a tour of the PAFA print shop and a visit to the Print Department archives to view screenprints by PAFA students and faculty. Saturday and Sunday, June 10 & 11 9 a.m. – 5 p.m. PR 620EW | $215 + $10 lab fee Register by: June 2
KITChEN TAblE PRINTMAKING NEW! Tony Rosati Learn to make prints without a press or shop: in the classroom, at a home-studio…even on your kitchen table! Make color stamp prints, monotypes, and relief prints in color and black-and-white; includes techniques for printing on fabric. 4 weeks, Saturdays, July 15 – August 5 9 a.m. – 1 p.m. PR 621EK | $225 + $10 lab fee Register by: June 23
PORTRAIT STUDY: TWO & AND ThREE-DIMENSIONAl One-Week Intensive John Horn Enrich your understanding of portraiture through drawing and sculpture. Mornings session will focus on creating a portrait head in clay, developing it from deep geometric structure to surface form. Afternoons will be devoted to drawing the portrait, informed by the exploration of its three-dimensional form. All levels welcome. Half-day registration available (call 215-972-7632 for more information). Monday – Friday, May 22 – 26 9 a.m. – 5 p.m. SC 704E2 | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee; $295 for half-day, non-credit + $5 lab fee Register by: May 12
MONOTYPE: ThE PAINTERlY PRINT One-Week Intensive Tony Rosati Monotypes are an expressive and accessible entry into printmaking: draw or paint an image on a plexiglass plate or other surface and then print it on paper or fabric to create a one-of-a-kind artwork. Instruction will cover both hand-printing and press techniques, as well as water- and oil-based colors. Monday – Friday, August 7 – 11 9 a.m. – 5 p.m. PR 604E | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: July 21
TERRA COTTA fIGURE SCUlPTURE Colleen O’Donnell Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model or imagination. Anatomy, proportion, design, and personal growth will be emphasized, as well as both representational and abstract approaches. All levels welcome. SESSION 1:
5 weeks, Wednesdays, May 31 – June 28 (Register by May 19) 12 – 4 p.m. SESSION 2:
5 weeks, Wednesdays, July 5 – August 2 (Register by June 23) 12 – 4 p.m. SC 605EA | 5 weeks, Session 1 or 2: $295 noncredit + $5 lab fee; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit + $10 lab fee
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METAl SCUlPTURE Steve Nocella This course focuses on metal sculpture fabrication and construction, gas and arc welding, brazing, and forging. Basic equipment will be provided, and all techniques will be demonstrated. All levels welcome. 10 weeks, Wednesdays, May 31 – August 2 6 – 9 p.m. SC 601E | $395 non-credit or $525 for 1.0 undergraduate credit + $65 lab fee Register by: May 19 ANIMAl SCUlPTURE NEW! Diane Collins Learn to sculpt a variety of live animals in clay, capturing the anatomy, gesture and unique character of each subject. Work both in the studio and on-site at the Philadelphia Zoo and other locations. Topics will include live animal study, using secondary references, comparative anatomy, and creating a sense of movement. Van transportation available from PAFA to the Zoo. 5 weeks, Tuesdays, July 11 – August 8 9 a.m. – 1 p.m. DR 610EA | $295 non-credit (plus admission fees) Register by: June 23 fIGURE AND PORTRAIT MODElING John Horn Learn to sculpt the human figure in clay on an armature from direct observation. Experienced students will model a 24-inch figure based on volume, proportion, architectonic construction, and spatial displacement of form. Beginning students will sculpt a life-size portrait first. Instruction will cover armature construction, clay-modeling, and tool usage. All levels welcome. 5 weeks, Thursdays, June 1 - 29 9 a.m. – 5 p.m. SC 600E | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee Register by: May 19
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COURSES & WORKShOPS
COURSES & WORKShOPS SCUlPTURE continued
OThER MEDIA, ART hISTORY & ART APPRECIATION fIGURE DRAWING AND SCUlPTURE NEW! Steve Nocella The combination of sculpture and drawing are ideal for understanding and capturing the gesture of the human figure. Investigate movement, rhythm and form through studies in charcoal, ink, paint, and collage, as well as in clay and plaster. All levels welcome. 5 weeks, Thursdays, June 1 – 29 6 – 9 p.m. SC 616E | $225 non-credit Register by: May 19
fIGURE SCUlPTURE WORKShOP Colleen O’Donnell Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the life model. Explore anatomy, proportion, design and personal expression through the versatility of terra cotta clay. Sculptures will be fired at the end of the workshop. Saturday and Sunday, July 29 & 30 9 a.m. – 5 p.m. SC 605EW | $215 non-credit + $10 lab fee Register by: June 21
ÉCORChÉ John Horn Écorché is the three-dimensional study of human form by developing the bone and muscle structures beneath the skin. Working from the skeleton, students will model the underlying forms in clay on an armature. Excellent for both draftspersons and sculptors interested in a detailed study of human anatomy. 6 weeks, Fridays, July 7 – August 11 9 a.m. – 5 p.m. SC 615E | $595 non-credit or $950 for 1.5 undergraduate credits Register by: June 23
fOUNDRY: AN INTRODUCTION Pavel Efremoff This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. 6 weeks, Saturdays, July 8 – August 12 9 a.m. – 5 p.m. SC 711E | $595 non-credit or $950 for 1.5 undergraduate credit + $65 lab fee Register by: June 23
Anthony Ciambella
MEDIA ON PAPER Anthony Ciambella Learn everything you need to know about materials and techniques for working on paper. Explore pencils, charcoals, pastels, inks and watercolors from a variety of subjects. Instruction addresses presentation, storage, and health risks. Includes a visit to PAFA’s Center for the Study of the American Artist to view master works on paper. 5 weeks, Mondays, June 5 – July 3 1 – 4 p.m. DR 711EA | $225 non-credit + $35 materials fee (includes most materials) Register by: May 19
STONE CARVING Steve Nocella Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. Session 1: 5 weeks, Saturdays, June 3 – July 1 (Register by May 19) 9 – 1 p.m. Session 2: 5 weeks, Saturdays, July 8 – August 5 (Register by June 23) 9 – 1 p.m. PT 714E | 5 weeks, Session 1 or 2: $295 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $525 non-credit or $695 for 1.0 undergraduate credit + $20 lab fee
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CONTEMPORARY APPROAChES TO MIXED MEDIA Anthony Ciambella Learn to develop richer, more complex imagery while working in a wide variety of non-traditional materials. Explore adhesives, papers, fabrics, photos, computer print-outs, wood, plastic, hardware, and the basics of handling tools properly. Stability of materials, craft, and safety will be emphasized. Topics include construction, storage and presentation strategies. 5 weeks, Mondays, July 10 – August 7 1 – 4 p.m. IN 611EC | $225 non-credit Register by: June 23
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COURSES & WORKShOPS OThER MEDIA, ART hISTORY & ART APPRECIATION continued PAfA & ThE bARNES fOUNDATION: ThE DECISIONS ARTISTS MAKE Christine Stoughton The way we perceive artworks is largely controlled by the artists who created them. Artists intentionally direct the viewer’s gaze, convey narrative/message, and influence emotional response through color, light, line, size, texture, and space. Examine how artists communicate their vision through artworks in PAFA’s galleries. Presented in collaboration with The Barnes Foundation. 3 weeks, Thursdays, July 6, 13 & 20 10 a.m. – 1 p.m. IN 701ED | $150 non-credit Register by: June 30
GOlD lEAf AND GIlDING Clarissa Shanahan Gold leaf is used in architectural ornamentation, book arts, framing and more. In this introduction to the traditional European method of oil gilding, students will work with precious and non-precious leaf on sample boards and carved samples. Surface preparations and traditional finishes will also be covered. 5 weeks, Mondays, June 5 – July 3 6 – 9 p.m. IN 613EW | $225 +$25 materials fee Register by: May 19
ShODO: ChINESE AND JAPANESE CAllIGRAPhY NEW! Mayumi Tomii Shodo originated in China 3,500 years ago and has developed as a fine art using simple tools: brush, ink and paper. Learn the various styles and techniques of Shodo along with its history and appreciation. Urauchi – the Japanese traditional paper-backing/ mounting methods – will be used to enhance finished work. 6 weeks, Wednesdays, July 5 – August 9 6 – 9 p.m. DR 724ES | $275 non-credit + $20 materials fee (includes most materials) Register by: June 23
IMPROVISATIONAl STITChING WORKShOP NEW! Sheryl Kessler Stitching is a uniquely textural and versatile form of mark-making. Explore its potential as textile art in a welcoming community environment. Learn over twenty basic embroidery stitches, fabric collage, and techniques for drawing with needle and thread. Create embroideries for display on their own or incorporation into sewing projects and multimedia artworks. 2 Saturdays, June 3 & 10 9 a.m. – 5 p.m. IN 651ES | $215 + $25 materials fee (includes most materials) Register by: May 19
hIGhlIGhTS Of PRINTMAKING hISTORY Tony Rosati A fascinating history of prints and printed illustration work from the 15th to the 21st centuries! Consider printmaking in the context of art history and its relevance to the cultural, religious and political climate of the times. Includes visits to PAFA’s Center for the Study of the American Artist and the Philadelphia Museum of Art’s Print Study Room. 5 weeks, Fridays, June 9 – July 7 10 a.m. – 12 p.m. PR 620EH | $150 Register by: June 2
INTRODUCTION TO DIGITAl PhOTOGRAPhY Sharon Koelblinger Learn the basics of digital photography, including camera functions, image editing in Photoshop, and creating digital prints. Instruction will focus on fine art aesthetics, compositional strategies, conceptual framework, individual expression and historical/ contemporary context. Students should have access to a DSLR camera or a compact camera with manual functions. 5 weeks, Saturdays, June 3 – July 1 9 a.m. – 3 p.m. IN 660PH | $350 non-credit + $10 lab fee Register by: May 19 INTRODUCTION TO VIDEO EDITING NEW! Ian Wagner Move beyond mere recording to create finished videos – to document events, convey a message, or create artworks. Learn the basics of video editing including making transitions, overlays, animations and audio. Explore color management and learn how to upload your work to the internet. Basic computer skills required. 5 weeks, Saturdays, July 8 – August 5 9 a.m. – 3 p.m. IN 660VE | $350 non-credit + $10 lab fee Register by: June 23
Sharon Koelblinger, Garage Still Life, 24-6, 2009, digital C-Print, 14 x 14 in.
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Sheryl Kessler, No. 8 Red and Violet (Land of Many Suns), 2017, fabric and cotton thread.
CREATIVITY AND SElf-AWARENESS ThROUGh ART NEW! Elizabeth Hill This course is designed to foster self-awareness, wellness, and enhanced consciousness through creating art. Written and drawn entries of dreams, thoughts, and feelings in a journal/ sketch book will serve as the basis for class studio work in drawing, painting, collage and sculpture. All levels welcome. 5 weeks, Saturdays, July 8 – August 5 9 a.m. – 2 p.m. IN 614EM | Tuition: $350 non-credit + $25 materials fee Register by: June 23 EASEl MAKING WORKShOP NEW! Roger Chavez The cost of an artist’s studio easel can be astronomical! Cut the price down to a fraction by building it yourself! Acquire not only your own simple and sturdy fold-up studio easel, but also skills you can apply to future projects. Instruction covers the safe and proper use of woodshop machinery and tools. Design and materials will be provided. 2 Saturdays, July 22 & 29 9 a.m. – 5 p.m. IN 620EE | $215 + $50 materials fee (includes most materials) Register by: July 14
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COURSES & WORKShOPS
lANDSCAPE ThE SChUYlKIll lANDSCAPE NEW! Patrick Connors Investigate the delightful practice of painting outdoors on the grounds of beautiful Laurel Hill Cemetery, which features terraced grounds, sculpture, and views of the Schuylkill River. Learn classic plein air oil painting techniques and complete paintings depicting morning and afternoon light. Oil colors, supports, solvent and medium will be provided by the instructor. Saturday and Sunday, May 6 & 7 9 a.m. – 4 p.m. PT 605WS | $225 non-credit + $25 materials fee Register by: April 28
SKETCh ON ThE GO Frederic Kaplan Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks, or while traveling abroad. Topics include perspective, gauging proportions by eye, gesture figure drawing, and methods for simplifying form. All levels welcome. Saturday, May 13 9 a.m. – 5 p.m. DR 620EW | $115 non-credit Register by: May 5
ThE lANDSCAPE SKETCh Celia Reisman Learn to transform plein air drawings to studio paintings. Draw outdoors from direct observation near PAFA. Use your plein air studies and memory to create one or more studio paintings with emphasis on composition, color structure, painting technique and finding your personal voice. Saturday and Sunday, May 20 & 21 9 a.m. – 5 p.m. DR 615EP | $215 non-credit Register by: May 12 lANDSCAPE AT MORRIS ARbORETUM Jill A. Rupinski Enjoy painting the diversity found in this extraordinary 92-acre public garden. Picturesque subject matter includes foliage and flowers in a garden setting, tree specimens, and outdoor sculpture. Lessons in painting will be accompanied by demonstration and lecture. All media welcome. 5 weeks, Fridays, June 2 – 30 10:30 a.m. – 3:30 p.m. PT 605MS | $350 non-credit Register by: May 19
Photo:Joe Sweeney
PAINTING bY ThE RIVERSIDE NEW! Frederic Kaplan Feature the vibrant possibilities of still and moving water in your landscape compositions. Nearby parks and waterfronts provide varied subject matter, including foliage and watercraft. Learn to capture color and changing light at Bartram’s Garden, the Brandywine River Museum and other select locations. Instruction is geared to oil painting, but all media welcome. 5 weeks, Sundays, June 4 – July 9 (no class on July 2) 10 a.m. – 3 p.m. PT 605ER | $350 non-credit Register by: May 19
PlEIN AIR PAINTING ON ThE DElAWARE One-Week Intensive Joseph Sweeney Paint the spectacular views of the Delaware River from the Independence Seaport Museum at Penn’s Landing. Museum access offers the opportunity to tour the collection, see boat builders in action, and access the facilities. Includes a session on the river in the museum’s excursion boat, à la Claude Monet! Parking/transportation available. Monday –Friday, July 24 – 28 10 a.m. – 3 p.m. PT 606ED | $395 non-credit; $525 for 1.0 undergraduate credit (includes museum admission) Register by: July 14
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ThE PhIlADElPhIA lANDSCAPE Larry Francis Craft your personal vision of Philadelphia’s picturesque landscape. Learn to build form, mix color, and create space with perspective, light and shadow. Instruction will address tips for working on-site and the history of painting the city. Locations in North Broad, Northern Liberties, Roxborough, and West Philadelphia will offer parking, shade, provisions and facilities. All media welcome. 5 weeks, Sundays, July 9 – August 6 9 a.m. - 2 p.m. PT 703EL | $350 non-credit Register by: June 23
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SUMMER 2017
SChEDUlE-AT-A-GlANCE TITLE
DATES
TIME
INSTRUCTOR
Linear Perspective Anatomical Drawing Animal Sculpture Cast & Figure Drawing Printmaking Sampler
5/22 – 5/26 6/5 – 6/9 6/19 – 23 & 6/26 – 6/30 7/10 – 7/14 7/17 – 7/21 7/24 – 7/27 7/24 – 7/28 7/31 – 8/4 8/7 – 8/11
9 a.m. – 5 p.m. 9 a.m. – 4 p.m. 9 a.m. – 5 p.m.
Horn Sweeney Lafuente
740/Hamilton 610/Hamilton 463/Hamilton
9 a.m. – 5 p.m. 9 a.m. – 4 p.m. 9 am. – 4 p.m. 10 a.m. – 3 p.m. 9 a.m. – 4 p.m. 9 a.m. – 5 p.m.
Gist Various Connors Sweeney Shanahan Rosati
513/Hamilton 610/Hamilton 517/Hamilton Independ. Seaport Museum 517/Hamilton Print Shop/Hamilton
6/5 – 7/3 6/5 – 8/7 6/5 – 7/3 7/10 – 8/7 7/10 – 8/7 6/5 – 8/14 6/5 – 7/3 7/10 – 8/7
9 a.m. – 5 p.m. 9 a.m. – 12 p.m. 1 – 4 p.m. 9 a.m. – 5 p.m. 1 – 4 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.
Gury Ciambella Ciambella Gury Ciambella Kaplan Shanahan Laver
1023/Hamilton 1021/Hamilton 1021/Hamilton 1023/ Hamilton 1021/Hamilton 1021/Hamilton 610/Hamilton 610/Hamilton
Terra Cotta Figure Sculpture Painting Over the Line Portrait Painting The Extended Pose Metal Sculpture Still Life: Classic Principles Shodo: Chinese & Japanese Calligraphy
Screenprinting & Beyond Portrait Painting Drawing Fundamentals
6 – 9 p.m.
Stoughton
Print Shop/Hamilton
6/2 – 6/30 & 7/7 – 8/11 6/2 – 6/30 6/9 – 7/7 7/7 – 8/11 7/7 – 8/4
9 a.m. – 5 p.m.
Toogood
610/Hamilton
5/30 – 6/27 5/30 – 6/27 5/30 – 6/27 & 7/11 – 8/8 5/30 – 6/27 7/11 – 8/8 7/11 – 8/8 5/30 – 6/27 & 7/11 – 8/8 5/30 – 8/8
9a.m. – 5 p.m. 9 a.m. – 1 p.m. 9 a.m. – 1 p.m.
Horn Collins Rosati
1021/Hamilton 610/Hamilton Print Shop/Hamilton
12:30 – 3:30 p.m. 9 a.m. – 5 p.m. 9 a.m. – 1 p.m. 6 – 9 p.m.
Connors Horn Collins Rupinski
513/Hamilton 1021/Hamilton 610/Hamilton Cast Hall/HLB
6 – 9 p.m.
Rosati
Print Shop/Hamilton
5/31 – 6/28 5/31 – 6/28 & 7/5 – 8/2 5/31 – 6/28 & 7/5 – 8/2 5/31 – 6/28 & 7/5 – 8/2 7/5 – 8/9 7/5 – 8/9 5/31 – 8/2 5/31 – 8/2 7/5 – 8/9
9 a.m. – 5 p.m. 9 a.m. – 1 p.m.
Gury Wyffels
1023/Hamilton Print Shop/Hamilton
12 – 4 p.m.
O’Donnell
740/Hamilton
12 – 4 p.m.
Amoudi
461/Hamilton
9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.
Gury Rupinski Nocella Connors Tomii
1023/Hamilton 1021/Hamilton 720/Hamilton 1010/Hamilton 513/Hamilton
6/1 – 6/29 6/1 – 6/29 & 7/6 – 8/3 6/1 – 6/29 & 7/6 – 8/3 6/1 – 6/29 & 7/6 – 8/3 7/6 – 8/3
9 a.m. – 5 p.m. 9 a.m. – 1 p.m.
Horn Wyffels
740/Hamilton Print Shop/Hamilton
12 – 4 p.m.
Hamilton
Print/Shop/Hamilton
12 – 4 p.m.
Xaras
1021/Hamilton
9 a.m. – 5 p.m.
Laver
1023/Hamilton
Landscape at Morris Arboretum Highlights of Printmaking History Écorché Expressive Perspective
10:30 a.m. – 3:30 p.m. Rupinski 10 a.m. – 12 p.m. Rosati 9 a.m. – 5 p.m. Horn 10 a.m. – 3 p.m. Oosterbaan
Morris Arboretum Print Shop/Hamilton 740/Hamilton Outside Locations
9 a.m. – 3 p.m. 9 a.m. – 1 p.m.
Koelblinger Nocella
514/Hamilton 760/Hamilton
10 a.m. – 1 p.m. 10 a.m. – 1 p.m. 1 – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 3 p.m. 9 a.m. – 2 p.m. 9 a.m. - 1 p.m.
Syvertsen Rosati Kaplan Efremoff Wagner Hill Rosati
465/Hamilton Print Shop/Hamilton 1021/Hamilton 781/Hamilton 514/Hamilton 610/Hamilton Print Shop/Hamilton
9 a.m. – 2 p.m. 10 a.m. – 3 p.m. 9 a.m. – 4 p.m. 9 a.m. – 2 p.m.
Norcia Kaplan Norcia Francis
Cast Hall/HLB Outdoor Locations Cast Hall/HLB Outdoor Locations
DATES
TIME
INSTRUCTOR
LOCATION
Sat., 4/8
9 a.m. – 4 p.m.
See page 2
Sat. & Sun., 5/6 & 5/7 Saturday, 5/13 Thurs. – Sun., 5/18 – 21 Fri. – Sun., 5/19 – 5/21 Sat. & Sun., 5/20 & 5/21
9 a.m. – 4 p.m. 9 a.m. – 5 p.m. Various 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.
Connors Kaplan Sweeney Shils Reisman
Laurel Hill Cemetery Outdoor Locations Cape May, N.J. Print Shop/Hamilton Outdoors & 461/Hamilton
Sat. & Sun., 6/3 & 6/4 2 Saturdays, 6/3 & 6/10 Fri. – Sun., 6/9 – 6/11 Sat. & Sun., 6/10 & 11 Wed. – Fri., 6/14 – 6/16 Sat. & Sun., 6/17 & 6/18 Sat. & Sun., 6/24 & 6/25
9 a.m. – 5 p.m. 9a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 3 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.
Scott Kessler MacDonald Hamilton Traub Toogood Xaras
463/Hamilton 3rd Floor/Hamilton 461/Hamilton Print Shop/Hamilton 611/Hamilton 610/Hamilton 1023/Hamilton
Sat. & Sun., 7/8 & 7/9 Sat. & Sun., 7/8 & 7/9 Sat. & Sun., 7/15 & 7/16 2 Sats., 7/22 & 7/29 Sat. & Sun., 7/22 & 7/23 Sat. & Sun., 7/29 & 7/30
9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.
Rosati Oosterbaan Xaras Chavez Shils O’Donnell
Print Shop/Hamilton 610/Hamilton 1023/Hamilton Sculpture Shop/Hamilton Old City, Philadelphia 740/Hamilton
Sat. & Sun., 8/5 & 8/6
9 a.m. – 5 p.m.
Amoudi
1023/Hamilton
SATURDAYS Intro to Digital Photography Stone Carving
6/3 – 7/1 6/3 – 7/1 & 7/8 – 8/5 Beginning Drawing: The Portrait 6/3 – 8/5 Intaglio Basics 6/3 – 7/1 Beginning Oil Painting 6/3 – 8/5 Foundry 7/8 – 8/12 Intro to Video Editing 7/8 – 8/5 Creativity and Self-Awareness Through Art 7/8 – 8/5 Kitchen Table Printmaking 7/15 – 8/5
SUNDAYS 6/4 – 7/2 6/4 – 7/9 7/9 – 8/6 7/9 – 8/6
WORKShOPS & MASTER ClASSES TITLE
APRIl One-Day Academy
MAY Schuylkill Landscape Sketch on the Go Plein Air Painting in Cape May Monotype Workshop The Landscape Sketch
JUNE Still Life into Abstraction Improvisational Stitching The Dynamic Landscape Intro to Screenprinting Avian Drawing Watercolor Workshop Portrait in Pastels
JUlY
ThURSDAYS Figure & Portrait Modeling Lithography
LOCATION
420/Hamilton 740/Hamilton 1021/Hamilton
Classical Figure Drawing Painting by the Riverside Classical Figure Painting The Philadelphia Landscape
WEDNESDAYS Color for Painters Woodcut & Relief Printmaking
INSTRUCTOR
Stoughton Nocella Rupinski
fRIDAYS
TUESDAYS Life Drawing Animal Drawing Etching, Monoprint & More
TIME
10 a.m. – 1 p.m. 6 – 9 p.m. 6 – 9 p.m.
In-Depth Watercolor
ONE WEEK hIGh SChOOl STUDENT INTENSIVES See pages 10 – 12 MONDAYS Portrait Painting Oil Painting Materials & Techniques Media on Paper Elementary Figure Drawing & Painting Contemporary Approaches to Mixed Media Intro to Figure Painting Gold Leaf & Gilding Figure & Portrait Drawing in Ink
DATES
7/6 – 7/20 6/1 – 6/29 6/1 – 6/29 & 7/6 – 8/3 7/6 – 8/3
Collograph: The Printed Collage
LOCATION
ONE WEEK INTENSIVES Portrait Study: 2D & 3D Pastel Drawing & Painting Alla Prima Still Life with Christine Lafuente Botanical Drawing & Painting Summer Academy for Teachers The Master Copy: Gilbert Stuart Plein Air Painting on the Delaware Art & Film Monotype Printmaking
TITLE
PAFA & the Barnes Figure Drawing & Sculpture Portrait Drawing & Painting
Watercolor Plunge Passion for the Palette Portrait Painting Basics Easel Making Reframing the Ordinary Figure Sculpture
AUGUST Spontaneous Figure Painting
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REGISTRATION INfORMATION Summer 2017
REGISTRATION DEADlINES ■
4 WAYS TO REGISTER
CREDIT
REGISTRATION BEGINS APRIL 3
PAFA is accredited through the National Association of Schools of Art and Design (NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD).
Register early to guarantee enrollment and prevent course cancellations. 1. ONLINE: www.pafa.edu/ce 2. PHONE: 215-972-7632 3. MAIL*:
Continuing Education Programs Pennsylvania Academy of the Fine Arts 128 North Broad Street Philadelphia, PA 19102
4. IN PERSON: Visit the Continuing Education office on the 3rd Floor of the Samuel M.V. Hamilton Building * Please mail a completed registration form with check, money order, or credit card information. We accept VISA, MasterCard, American Express and Discover Card. Make checks or money orders payable to “PAFA.”
STUDENT ADVISING We are here to help! For assistance in course selection or to make an appointment, call 215-972-7632 or email continuinged@pafa.edu.
Continuing Education Programs Office Hours Monday – Thursday..............9 a.m. – 6:30 p.m. Friday ................................................9 a.m. – 4 p.m. Saturday...............................8:30 a.m. – 1:30 p.m. During school vacations and when evening/ weekend classes are not in session, the office will be open Monday through Friday, 9 a.m. – 5 p.m.
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May 19 for classes beginning May 30 – June 5 June 23 for classes beginning July 3 – 9 Registration deadlines vary for Short Courses, One Week Intensives, Workshops, Lectures and Seminarsand Master Classes. Please refer to individual course descriptions.
COURSE TUITION AND fEES
Undergraduate Credit Courses meeting contact hour requirements (30 hours minimum) are available for 1.0, 1.5 or 3.0 undergraduate credit, not including lunch breaks. If taken for credit, you may incur additional coursework, and will receive a course grade and appropriate credit that will appear on an official PAFA transcript, if requested. To request an official transcript, visit CE Registration and Policy Information at pafa.org/transcript to download a transcript request form. Changes in credit status must be arranged through the CE office prior to the second class. No refunds can be issued for changes from credit to non-credit.
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30 contact hours: $395 non-credit; $525 for 1.0 undergraduate credit 36 contact hours: $495 non-credit; $625 for 1.0 undergraduate credit 40 contact hours: $525 non-credit; $695 for 1.5 undergraduate credits 45 contact hours: $595 non-credit; $950 for 1.5 undergraduate credits
Tuition varies for Short Courses, One Week Intensives, Workshops, Lectures, Seminars, Master Classes and Special Programs. Please refer individual course/workshop descriptions.
For Pennsylvania & New Jersey K-12 Educators PAFA is approved to provide Pennsylvania Act 48 hours and New Jersey Department of Education Professional Development Credit for its courses and workshops. Courses and workshops are eligible for the number of contact hours for which they meet (excluding lunch breaks). Educators electing to receive PA Act 48 or NJ Professional Development Credit should notify the Continuing Education Programs office when registering. Please note, Pennsylvania educators must provide their 6-digit Professional Educator Identification Number.
Full payment is due at the time of registration. PAFA cannot prorate courses for late registration, withdrawals or missed classes. Lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees. Late Fee Registrations received after 5 p.m. on their deadline date may be assessed a late fee of $25. Locker Rental Lockers are available on a first-come, first-served basis for $25. Locker rental is not available for weekend workshops.
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DISCOUNTS* Membership Discount PAFA Members at the Friend level and above receive a 10% tuition discount on all CE courses, workshops and Master Classes. Referral Discount If you are a current CE student and refer a first-time Continuing Education student, you both will receive a 10% tuition discount on one course or workshop within the current semester (excludes Master Classes and Special Programs). *Lab, materials and locker fees are not eligible for discount. Some restrictions apply. Call 215-972-7632 for more information.
SChOlARShIPS PAFA Continuing Education is pleased to present the “CE Community Scholarship” to assist students who demonstrate dedication to their art. Requirements: ■ Completed application form ■ Completed CE registration form ■ Personal statement (one page) ■ Application deadline: Friday, May 12 Application will be available to download from pafa.edu/ce by April 3. Please call 215-972-7632 for more information. The CE Community Scholarship is made possible in part by a generous contribution from the Dry Family Foundation. For information about making a gift to support the CE Community Scholarship, please contact the Development Department at 215-972-2077 or use the attached registration form.
High School Student Scholarship Visit pafa.edu/highschool/intensives for more information and to download an application. Application Deadline: Friday, June 9
37
REGISTRATION fORM Summer 2017
REGISTRATION INfORMATION continued
■ REGISTRATION BEGINS APRIL 3 ■ See page 37 for registration deadlines ■ Late registrations may incur a $25 late fee
A GIfT CERTIfICATE fOR A COURSE OR WORKShOP MAKES A GREAT GIfT! Call 215-972-7632 for more details.
REfUND POlICY Withdrawals must be made in writing via letter or email to the Continuing Education Programs office. A $30 administrative fee will be assessed per dropped course, $50 per master class and $15 per workshop. Tuition refunds will be adjusted according to the following schedule (less the administrative fee), unless otherwise indicated: Multiple Week Courses and One-Week Intensives Prior to one week before the 1st class ..................100% After the above, prior to the 2nd class .................. 50% After the 2nd class meeting ........................................0% Workshops and Summer Academy for Teachers Prior to one week before the 1st day .....................100% After the above, prior to the 1st day........................50% After the above ................................................................0% Master Classes and Summer Studio Critique Program No refunds after registration deadline One-Day Academy Preview Courses No refunds
WEAThER/ EMERGENCY ClOSING
Date
Date of Birth
Last Name
First Name
Middle Initial
The closing, delayed opening, or early dismissal of PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the School, galleries and administrative offices. Decisions regarding the cancellation of special events and evening classes may be made later in the day. To find out if PAFA is closed or delayed you should check one of the following: ■ Our website – messages will be updated on the PAFA homepage, pafa.org ■ PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m. ■ KYW-TV (CBS 3) – Lists the school by name ■ WPVI-TV (ABC 6) – Lists the school by name ■ WCAU (NBC 10) – Lists the school by name
Address
City
State
Phone – home/primary
Phone – other
COURSE # TITlE/SECTION DAY/TIME INSTRUCTOR TUITION lAb/MAT fEE TOTAl
Tuition Total
METhOD Of PAYMENT ■ VISA ■ Mastercard ■ AmEx ■ Discover ■ Check* #__________ ■ Cash
Credit Card Number
Expiration Date
I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAfA. I have read and understand policies regarding credits, withdrawals, refunds and course cancellations (pages 36 – 38).
Signature (required)
have you taken a class here before? ■ Yes ■ No how did you find out about us? ■ Internet (What site?) ____________________________ ■ Radio (What station?) ____________________________ ■ Newspaper/magazine ____________________________ ■ Other (Please specify) ____________________________
Photo: Jeff Fusco
how did you receive this catalogue? ■ Mailed to me ■ Picked it up at: ____________________ Are you an PAfA member? ■ Yes ■ No PAFA Membership Level ________________________________ Expiration Date __________________________________________
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Discount* CE Community Scholarship Donation**
Signature
PAFA is conveniently located near the SEPTA Jefferson and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215 580-7800 or visit septa.org. For PATCO information, visit ridepatco.org. Discounted parking is available at adjacent Parkway Corporation Parking garage and surface lot. Tickets must be validated by Security staff.
locker Sub Total
Name on Credit Card
TRANSPORTATION AND PARKING
COURSE CANCEllATIONS If minimum enrollment is not met, a class will be cancelled on, or shortly after, its registration deadline. Students will be notified by phone and/ or email may choose to transfer into another class or receive a full tuition and fee refund. Early registration helps prevent course cancellation!
Zip
Date
T O T A l * PAfA Members at the friends level and above receive a 10% tuition discount **See page 37 for details
for K-12 educators ■ I am taking a course for PA Act 48 credit or New Jersey Dept of Ed Professional Development Credit. See page 36. PA Professional Educator I.D.# ____________________ Please check if you would like more information about PAfA academic programs ■ Bachelor of Fine Arts ■ Post-Baccalaureate ■ Master of Fine Arts ■ Low Res MFA ■ I wish to enroll in the CE Core Curriculum Program See page 4 or visit pafa.edu/corecurriculum.
for Office Use: Book ______________ Materials ______________ Enrolled ______________ Billed ______________
Please enclose the address to the right.
■ I am receiving duplicates.
■ Please remove my name from the mailing list.
■ Please change my address as indicated.
ADDRESS UPDATE:
IMPORTANT: DATED MATERIAl – DElIVER IMMEDIATElY
www.pafa.edu/ce
CONTINUING EDUCATION PROGRAMS 128 North broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu
Philadelphia, PA Permit No. 2879
P A I D
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