Spring 2016 Continuing Education Programs Catalog by Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS ART CLASSES FOR ADULTS AND HIGH SCHOOL STUDENTS

Spring 2016

WE MAKE ARTISTS pafa.edu

WATERCOLOR WORKSHOP WITH SUSAN VAN CAMPEN

April 30 & May 1 | See page 7

Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS

BENEFITS OF PAFA CE ■

A stellar faculty of practicing, professional artists who enthusiastically encourage and support their students. Check pafa.edu for complete faculty biographies.

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A thriving downtown Philadelphia location, only a few blocks away from the Barnes Foundation, Philadelphia Museum of Art and Rodin Museum on the city’s beautiful “museum mile.”

Join our community of dedicated artists of all ages and skill levels

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Convenient connections to mass transit with plenty of discounted parking nearby. Access to the many amenities on PAFA’s campus, including the breathtaking and historic Cast Hall, Arcadia Fine Arts Library and on-site Blick Art Materials store. Free admission to the PAFA museum, featuring a renowned permanent collection of American art and special exhibitions. Visit pafa.org for more information.

TABLE OF CONTENTS Master Classes .............................................4 Pre-College Programs ..............................8 Evening Courses .......................................10 Weekday Courses .....................................14 Morris Arboretum & PAFA..................16 Weekend Courses ....................................24 Workshops, Lectures and Seminars........................................28 Registration Information ....................34 Academic Programs................................38

On the cover: Susan Van Campen, Summer Bouquet in Green Bowl, watercolor, 30 x 40 in.

Coming this Summer .............................39

Photo: Tom Crane

Founded in 1805 as the nation’s first school and museum of fine arts, the Pennsylvania Academy of the Fine Arts (PAFA) promotes the transformative power of art and art making. For over 200 years, our close-knit community of faculty, critics, scholars, curators, museum professionals, and alumni have created a home for contemporary artists to reinvent tradition and make their own mark on the future. As part of this mission, PAFA Continuing Education (CE) programs offer a diverse array of studio art courses, workshops and programs for adults and high school students, open to all levels

of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for art school, PAFA CE has something for you!

WE’RE HERE TO HELP! Call 215-972-7632 or email continuinged@pafa.edu for more information or assistance in course selection.

CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

www.pafa.edu/ce

CONTINUING EDUCATION OPEN HOUSE Saturday, April 16 10 a.m. – 1 p.m. FREE BY RSVP! 215-972-7632 or continuinged@pafa.edu

Interested in taking a class or trying something new, but don’t know where to start? Then join us on Saturday, April 16, and find out what PAFA CE has to offer! Meet our friendly faculty and staff; view demonstrations on painting, drawing, printmaking and sculpture and tour PAFA’s historic Cast Hall, drawing and painting studios and state-of-the-art print and sculpture shop facilities. Refreshments will be served!

MASTER CLASSES AND WORKSHOPS IN 609DM WOODCUT WORKSHOP WITH DAN MILLER PRINTMAKING Open to All Levels

IN 609SP THE FIGURE IN PASTEL WITH SCOTT NOEL PASTEL DRAWING & PAINTING Basic Drawing Experience Required

Don’t miss the opportunity to work with Dan Miller, a member of the PAFA faculty for over 50 years and a master of woodblock printing. This two-day workshop will be held in PAFA’s state-of-the art Print Shop and begin with a printing demonstration and a slide lecture illustrating the vast historical variety within the woodcut experience. Studio activity will focus on designing an image, cutting the woodblock, and printing in black-and-white and color. Attention will be given to equipment usage and to paper selection and employment, with an emphasis on hand-printing. Saturday and Sunday, March 5 & 6 (Snow dates: March 12 & 13) 9 a.m. – 5 p.m. Tuition: $395 + $20 lab fee Register by: February 19

The immediate subtlety that can be achieved through soft and hard pastel is particularly suited for figure study. Join PAFA instructor Scott Noel, master figurative pastelist, for this two-day immersion. Working from figure models against the breathtaking backdrop of PAFA’s Cast Hall, develop well-composed drawings with initial focus on mass, gesture and planar organization using sculptural and structural principles. Pastel instruction will emphasize color, atmosphere, and the defining of form through reflected light, along with techniques of hatching, blending, layering and color mixing with the pastel work of Edgar Degas as a guide. Saturday and Sunday, April 2 & 3 9 a.m. – 5 p.m. Tuition: $395 Register by: March 18

IN 609NG PAINTING IN THE DARK WITH NEYSA GRASSI MIxED MEDIA ON PAPER All Levels

Neysa Grassi, Untitled, Main Summer 029, 2009, gouache and gum Arabic on paper, 5 5/8 x 4 in., courtesy of Locks Gallery, Philadelphia

Dan Miller, Rare One, color woodcut, 11 x 13 in.

Paint your way through the mystery and uncertainty of the art-making process through this intuitive, practical and empowering workshop with acclaimed artist and PAFA graduate faculty member, Neysa Grassi. Dispel the voices of criticism in your head, and learn to perceive doubt as a valid means of investigation rather than a destructive force. Work in gouache and mixed media on paper to discover the freedom that comes from making imagery without preconceived outcomes. Discussion of painting practices and critiques of students’ previous work will supplement studio activity. All instruction is presented on an artist-to-artist basis, whether participants are beginners or seasoned artists. References will include Phillip Guston, Alberto Giacometti, Outsider Art and other artists/movements. Saturday and Sunday, March 19 & 20 9 a.m. – 5 p.m. Tuition: $395 Register by: March 4

Scott Noel, Portrait of Lauren as Primavera, pastel, 40 x 32 in., courtesy of Gross McCleaf Gallery, Philadelphia

VISIT PAFA.EDU/MASTERCL ASSES for more information on these and other upcoming classes

COMING THIS SUMMER

SIX-WEEK STUDIO CRITIQUE PROGRAM Designed for artists and educators who desire constructive feedback on their artwork as well as the support and interaction of an artistic community. Includes a private studio in the Samuel M.V. Hamilton Building and weekly critiques from noted artists and art world professionals. Six weeks, July 11 – August 19 For more information and to pre-register, visit pafa.edu/StudioCritiqueProgram

CE classes and studio time at PAFA have contributed greatly to my continued development as an artist. I have been able to progress to more technically complex work; get valuable guidance, instruction and criticism; and work in a community of intelligent and creative women and men. MONICA KANE Artist and educator, CE student since 2002

Master Classes and Workshops

IN 609SS MASTER CLASS WITH STUART SHILS: THE STRUCTURE OF PERCEPTION AND THE PERCEPTION OF STRUCTURE MIxED MEDIA Hybrid Studio/Online Workshop Intermediate/Advanced/Registration by Application

PAFA is pleased to present a new hybrid studio/online intensive with acclaimed artist Stuart Shils, combining dynamic studio work on location at PAFA and online tutorial and critiques pre- and post-workshop. Designed for intermediate/advanced artists, designers and architects, the focus of this workshop will be the visual concerns fundamental to making, perceiving and thinking about art, and understanding that the graphic language of abstraction is the source of all visual power. Themes will include examination of with interiority of the “visual moment,” graphic response as improvisational yet analytical commentary, the role of the camera/phone viewﬁnder as a tool for cultivating closer visual awareness and graphic coherence, and an indepth exploration of various drawing languages. Through sustained studio work using drawing/ painting media on paper, students will learn to recognize the intimate relationship between observation and abstract structure.

PUbLIC LECTURE:

Celebrate spring with renowned watercolorist Susan Van Campen. Van Campen is both artist and naturalist, drawing inspiration from the world out of doors to create her luminous watercolor still lifes. Van Campen’s paintings demonstrate a virtuoso combination of painterly color washes and crisp contours, capturing the ﬂeeting beauty of nature’s delicate forms. Her bold, uncluttered compositions present a careful balance of painted subject and negative space. PAFA is pleased to present this rare opportunity to work along with the artist and learn her distinctive watercolor techniques.

Susan Van Campen, Morning Glories and Sunﬂowers, Late August, watercolor, 41 x 29 in.

Saturday and Sunday, April 30 & May 1 9 a.m. – 5 p.m. Tuition: $495 Register by: April 8

Stuart Shils, View From Jason's Third Floor, Near Indiana and 15th Sts, 2015, archival digital print

anatomy; outdoor drawing with pencil and camera to consider questions of seeing; and engaging with master paintings for purposes of interpretation, rather than copying. The ﬁnal day of the workshop will consist of open studio time with extended one-on-one discussion and critique. In advance of the workshop, Stuart will conduct online meetings with each student via Skype to discuss their background and interests, and to prepare them for the studio experience. Following the workshop, monthly follow-up conversations via Skype will serve to sustain and expand the work done in the workshop. Students will be encouraged to maintain community by way of group online conversation and discussion. Thursday – Sunday, April 14 – 17 9 a.m. – 5 p.m. Tuition: $1,500 Register by: April 1 (space is limited)

Projects will include working from the life model with a focus on graphic abstraction rather than

Building a Beachhead of Dream Space

IN 610EV WATERCOLOR WORKSHOP WITH SUSAN VAN CAMPEN Open to all levels

Wednesday, April 13, 6 - 7:30 p.m. Hamilton Auditorium/Historic Landmark Building FREE by RSVP to the CE oﬃce: 215-972-7632

IN609JS PLEIN AIR PAINTING IN BERMUDA WITH JAMES TOOGOOD AND JOE SWEENEY ALL MEDIA Open to all levels Join PAFA faculty Joe Sweeney and James Toogood for an engaging plein air painting expedition to the beautiful island of Bermuda. Learn to paint eﬃciently out-of-doors with tips on choosing a prime location, capturing the weather and light, and setting up a seascape palette. Instruction includes demonstrations and lectures on painting surfaces, materials, mediums, compositional drawing and color studies. All media are welcome, including oil, acrylic, pastel, and watercolor. The course features a visit to the Masterworks Museum of Bermuda Art in Paget to view works by master Photo: Joe Sweeney

artists who made the Bermuda pilgrimage, as well as the opportunity to paint alongside the Bermuda Plein Air Painters on their regular Sunday morning excursion and to enjoy the Bermuda Day festivities on May 24. Daily painting times broken up to utilize morning and evening light will allow students ample time to explore the picturesque town of St. George’s and other areas, or to relax on the beach! Thursday – Wednesday, May 19 – 25 Times variable Tuition: $650 Register by: April 15 Students are responsible for their own airfare and accommodation. Discounted accommodation is available. For more information, visit: joesweeneyart.com or write: joesweeney5@gmail.com

PRE-COLLEGE PROGRAMS FOR HIGH SCHOOL STUDENTS SATURDAY CLASSES Saturday classes offer teens a valuable opportunity to develop and hone their skills under the guidance of PAFA faculty. All levels welcome. Classes include a visit by PAFA Admissions representatives to provide advice on selecting and documenting work for a portfolio and an optional portfolio review. DR 710PP HIGH SCHOOL PORTFOLIO PREPARATION: DRAWING Clarissa Shanahan Room 1010/Samuel M.V. Hamilton Building Ideal for teens who want to further their drawing skills and develop a strong body of work for their portfolios. Students will work in drawing media from the still life, PAFA’s historic cast collection and the human figure/portrait to learn principles of composition, value, perspective, and drawing techniques. Note: This class will utilize nude figure models. 10 weeks, February 6 – April 9 10 a.m. – 1 p.m. Tuition: $415 for 1.0 undergraduate credit or non-credit Register by: January 29

DR 710PT HIGH SCHOOL PORTFOLIO PREPARATION: PAINTING Roger Chavez Room 1023/Samuel M.V. Hamilton Building Add color and variety to your portfolio by developing your painting skills in oil or acrylic. Students will work from direct observation using the still life and human ﬁgure/portrait to explore the fundamentals of painting including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize principles of composition, the modeling of forms through values and color relationships. The study of paintings throughout history will be supplemented by visits to the PAFA museum and the Philadelphia Museum of Art. Note: This class will utilize nude ﬁgure models. 10 weeks, February 6 – April 9 10 a.m. – 1 p.m. Tuition: $415 for 1.0 undergraduate credit or non-credit Register by: January 29

SUMMER ACADEMY FOR HIGH SCHOOL STUDENTS 2016 July 5 – August 5, 2016 PAFA’s Summer Academy is the definitive program for talented and motivated high school students: a five-week, college-level art making experience in the nation’s first and premier school of fine art. ■

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SCHOLARSHIPS AVAILABLE! Visit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, January 15

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Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA’s exceptional faculty Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C. A culminating student exhibition in PAFA’s museum, including a reception and awards ceremony A head start on preparing your portfolio for applying to art school

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The opportunity to earn four college level credits The option for an Admissions portfolio review for pre-approval for your PAFA college application (additional materials required) A $5,000 Next Step Scholarship issued to all Summer Academy alums who enroll in PAFA’s Certiﬁcate or BFA programs.

FOR MORE INFORMATION, visit pafa.edu/summeracademy

EVENING COURSES SCHEDULE* ■ 3 hours once a week for 12 weeks ■ No classes held during Spring Break, March 7 – 13* Denotes courses that meet Core Curriculum first-level requirements. See page 15.

TUITION* ■ $625 for 1.0 undergraduate credit ■ $495 for non-credit ■ Additional lab and materials fees where indicated

MONDAY EVENINGS January 25 – April 18 Register by: January 15 6 – 9 p.m.

James Dupree

January 26 – April 19 Register by: January 15 6 – 9 p.m.

*Unless otherwise indicated

PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 21

PT701EF THE FIGURE AS A POINT OF DEPARTURE – NEW! James Dupree Room 461/Samuel M.V Hamilton Building Develop a personal response to drawing and painting the human figure with renowned artist, James Dupree. Students may work in the medium of their choice including oil, acrylic watercolor, pastel, oil sticks, and wet/dry drawing media and collage. Students will benefit from individual demonstrations and instruction while experimenting with materials and techniques including under-painting, glazing and direct painting. Figure models will assume extended poses to allow for developed works. Artists through history using the figure in an abstracted manner from Marcel Duchamp to Jacob Lawrence will be discussed. Group and individual critique will be ongoing. All levels welcome.

TUESDAY EVENINGS

Allison Syvertsen, Bathroom Landscape, 2015, gouache on watercolor board, 10 1/8 x 10 1/2 in.

PT 608E ACRYLIC PAINTING – NEW! Hiro Sakaguchi Room 461/Samuel M.V Hamilton Building Acrylic paint is increasingly popular with contemporary artists, allowing for both hardedge abstraction and blended realism. It has practical advantages as well: it is quick drying, emits low odor, does not require solvents, and cleans up easily with water. This class will introduce the materials and techniques of working with acrylic through demonstration and weekly focused topics. Painting subjects will include the still life, human ﬁgure, photographic reference, and abstraction. Instruction will accommodate beginning painters and those with experience.

PR 620EB SCREENPRINT BASICS – NEW! Lisa Hamilton 6th Floor Print Shop/ Samuel M.V. Hamilton Building Learn the basics of screenprinting, a quick and easy process to make multi-colored prints using water-based, acrylic inks. Print your own drawings and designs onto paper, note cards, t-shirts, fabric and more. Students will be closely guided through image development, color mixing, and printing techniques. Ideal for all levels. 7 weeks, March 15 – April 26 6 – 9 p.m. Tuition: $325 + $20 lab fee Register by: March 4

WEDNESDAY EVENINGS January 27 – April 20 Register by: January 15 6 – 9 p.m.

DR619EG DRAWING IN COLOR WITH GOUACHE – NEW! SHORT COURSE Allison Syvertsen Room 610/Samuel M.V. Hamilton Building Learn the fundamentals of observational drawing and color application by working from appealing still life arrangements. Students will ﬁrst explore methods of depicting objects with a focus on line quality, value and shading, and composition. Building on sound drawing practices, the class will progress to adding tone and color with gouache: an easy-to-handle water-based paint favored by artists for its versatility, beauty, and ease of clean-up (just wash out your brushes with soap and water, and go – perfect for the end of the day). An excellent choice for students of all levels interested in infusing their drawings with the beauty of color! 10 weeks, February 8 – April 11 (runs through Spring Break) 6 – 9 p.m. Tuition: $395 non-credit; $525 for 1.0 undergraduate credit Register by: January 29

SC 614E SCULPTURE FROM THE MASTERS – NEW! Morgan Dummit Cast Hall/Historic Landmark Building This sculpture class utilizes the incredible resource of the PAFA Cast Hall. The casts are excellent learning tools for copying or starting points for personal expression as they are exemplars of sculptural simpliﬁcation and organization of form. Instruction will focus on the accurate understanding of proportion, gesture, and anatomy as well as tools and techniques of clay modeling. Students will complete portraits, relief studies, and ﬁgures in the round using terra cotta clay, which does not require casting. Lab fee of $20.

DR 600EB DRAWING FUNDAMENTALS Phyllis Laver Room 465/Samuel M.V. Hamilton Building If you’ve never drawn before, or your skills are a little rusty, then this class is for you. Acquire grounding in the basics so you can draw what you see with conﬁdence. Study the still life, interior spaces, and human ﬁgure to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective. The class will also spend time in the historic PAFA Cast Hall with its collection of plaster casts of antique and Renaissance sculpture.

Evening Courses

WEDNESDAY EVENINGS

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SC 715EI SCULPTURE: INDEPENDENT STUDY Steve Nocella Room 760/Samuel M.V. Hamilton Building Explore sculpture from a personal point of departure. Students will design a project with the guidance of the instructor based on their own ideas and expression. Students will work with the instructor to select an appropriate medium and instruction will be focused accordingly. Mediums include, but are not limited to, clay, steel and other metals, stone, wood, plaster, cement, concrete, and mixed media. Lab fee of $25.

Photo: Jeff Fusco

ART IN PROCESS In conjunction with PAFA’s new Wednesday evening hours, Art in Process features programming that gives you an in-depth look at PAFA and the creative process. Each Wednesday night from 5 to 9 p.m., PAFA features a diverse selection of programming, including artist talks, hands-on art-making, demonstrations, performances, special tours, and much more! Visit pafa.org/artinprocess for the complete schedule.

IN601SL THE SECRET LIFE OF PAINTINGS SEMINAR Anthony Ciambella Room 420/Samuel M.V. Hamilton Building Practicing artists, collectors and art lovers alike will appreciate this fascinating overview of the lifespan of paintings: how they are constructed and why they fall apart. Slide lectures, hands-on studio demonstrations, and museum visits will reveal how paintings react to the effects of time, ill- treatment and environmental conditions. Topics will span the use and conservation issues of paper, wood panels, canvas, non-traditional surfaces, watercolors, egg tempera, oil, acrylic, painting mediums and varnishes; as well as framing, hanging and storage issues. The class will visit the PAFA Museum and vaults, the Philadelphia Museum of Art, and the University Museum of Archaeology at Penn to view and discuss examples of the materials and conservation issues presented in the course. 8 weeks, March 16 – May 4 6 – 8 p.m. Tuition: $250 Register by: March 4 DR 621EL THE LANGUAGE OF DRAWING SHORT COURSE Michael Rossman Studio 4/Historic Landmark Building What we see is most frequently determined by what we tell ourselves we are seeing. Our experience of the visual world, its diversity and its complexity, is often constrained by the names we have given the objects we encounter and the places we inhabit. This course proposes that there is a silent but coherent and uniquely visual language that frees the human gaze from these constraints. Through shared examples, discussions and drawing from florals, figures and unfamiliar finds, students will learn about this language and how to convey their reawakened gaze using traditional drawing media. Basic drawing experience required. 6 weeks, March 16 – April 20 6 – 9 p.m. Tuition: $295 Register by: March 4

THURSDAY EVENINGS January 28 – April 21 Register by: January 15 6 – 9 p.m. SC 711E FOUNDRY: AN INTRODUCTION Pavel Efremoﬀ Room 781/Samuel M.V. Hamilton Building This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. Lab fee of $65. PR 604EM ETCHING, MONOPRINT AND MORE Tony Rosati 6th Floor Print Shop/ Samuel M.V. Hamilton Building This course presents intaglio and monotype techniques for both introductory and advanced levels. Monotype, monoprint, drypoint, etching, aquatint and collagraph methods will be presented as well as various ways to print in black-and-white and color. Image printing embellishments will include embossing, chine collé, collage, paper plates (moveable plates), and mixed media techniques. All levels of experience are welcome; experienced students may continue independent work. Individual attention and group reviews will be featured throughout the course. Lab fee of $20. Note: This class will meet 5:30 – 8:30 p.m.

PT 616EF BEGINNING OIL PAINTING: PORTRAIT AND FIGURE Jill A. Rupinski Room 1021/Samuel M.V. Hamilton Building This course is designed for those who have a basic knowledge of oil painting or ﬁgure/portrait drawing experience and are ready to take it to the next level. Learn to compose a painting from an oil sketch, develop an underpainting, and paint with direct and indirect methods including glazing and scumbling. Extended poses will allow for ample demonstration of the painting process by the instructor, and for students to bring their paintings to a resolved state. Lectures on materials, palette arrangement, and color mixing will be presented throughout the course.

HELP US SERVE YOU BETTER!

TAKE THE CE SURVEY! We want to hear from you! We want to know what you like, what you don’t and what you want. In advance of summer 2016, the CE survey is designed to provide the courses, workshops and schedule you want! Enter a drawing to win a free CE course! For more information visit, PAFA.EDU/CE

WEEKDAY COURSES SCHEDULE* 3 hours once a week for 12 weeks ■ No classes held during Spring Break, March 7 – 13* ■

Denotes courses that meet Core Curriculum first-level requirements. See page 15.

TUITION* $625 for 1.0 undergraduate credits ■ $495 for non-credit ■ Additional lab and materials fees where indicated ■

*Unless otherwise indicated

PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 21

TUESDAYS MONDAYS January 25 – April 18 Register by: January 15 12:30 – 3:30 p.m. PT 712EE OIL PAINTING: STILL LIFE & PORTRAIT Ernie Norcia Room 1010/Samuel M.V. Hamilton Building Work from the still life and ﬁgure/portrait models to learn methods of layering and glazing paint so that you can master the depiction of glass, metal, drapery, skin and more. Demonstrations and historically-based lectures will support studio activities. Open to all levels, this course is an excellent option for those seeking to develop a greater sense of realism in their oil painting. Drawing experience recommended. Emily Brown

DR 618ED DRAWING IN WET MEDIA SHORT COURSE Emily Brown Room 610/Samuel M.V. Hamilton Building Explore the interactive nature of drawing with brush and pen on paper with various media including ink, acrylic, charcoal and graphite in order to create a wide range of mark-making and tonal eﬀects. Subject matter will include still life, interior spaces, memory and the non-objective. Instruction features in-class demonstrations, critiques, and references to works in history. Drawing experience required. 7 weeks, Mondays, March 14 – April 25 1 – 4 p.m. Tuition: $325 Register by: March 4

TUESDAYS January 26 – April 19 Register by: January 9 9 a.m. – 12 p.m. DR 600EB BEGINNING DRAWING Jill Rupinski Room 1010/Samuel M.V. Hamilton Building If you’ve never drawn before, or your skills are a little rusty, then this class is for you. Acquire grounding in the basics so you can draw what you see with conﬁdence. Study the still life, cityscape, human ﬁgure, and other subjects to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective.

9 a.m. – 12 p.m. (continued)

PT 600E LIFE PAINTING AND DRAWING Douglas Martenson Studio 6/Historic Landmark Building Explore contemporary and traditional realism in drawing and oil painting. Learn fundamental elements of ﬁgure drawing including anatomy, quality of line, tone, composition, design, proportion and space. Students will work from nude models, starting with short poses and continuing to extended poses to develop ﬁnished paintings. Open to all levels.

12:30 – 3:30 p.m. DR 603ED PASTEL DRAWING AND PAINTING Joseph Sweeney Room 610/Samuel M.V. Hamilton Building Learn everything you need to know about soft pastels. Basic and advanced techniques will be covered while you work from still life set-ups, figure models, and cityscape views. Lecture and demonstration will focus on technique, use of light and its effect on color, types of pastels available, use of different papers to create various effects, fixing and transporting finished drawings, and important safety issues.

CE CORE CURRICULUM PROGRAM If you are new to art, taking classes but unsure of your direction, or returning to art after a long absence, the CE Core Curriculum Program is for you. Designed to help you achieve your artistic goals, the program provides a structured curriculum of classes in logical sequence to build your basic skills and the confidence necessary to move forward in any artistic direction. Look for the icon next to courses that meet the first-level requirements. Visit pafa.edu/ce for more information and call the Continuing Education office at 215-972-7632 to discuss what the Core Curriculum Program can do for you.

For years I’d been taking art classes whenever I was able. I chose courses based on external criteria like location, availability or the reputation of the instructor. Over time I realized that I needed to study art-making more purposefully to address my intrinsic deﬁcits, build skills in a logical sequence, and develop a deeper understanding of the relationships among the four major disciplines. The CE Core Curriculum provided just the right structure and support. The guidance and feedback of the CE staﬀ and PAFA faculty made a real impact. I highly recommend the CE Core for all who want to build a solid grounding for future development. CHERYL BAKER CE student since 2012

WEDNESDAYS January 27 – April 20 Register by: January 15 9 a.m. – 12 p.m.

Morris Arboretum and the Pennsylvania Academy of the Fine Arts are collaborating to provide the members of both institutions more choices for a quality experience. Morris Arboretum members receive a 10% discount on one PAFA class, workshop or Master Class. PAFA members will receive a 10% discount on all Morris Arboretum Continuing Education classes for adults and Growing Minds classes for youth. Learn more and register at online.morrisarboretum.org/classes, or call 215-247-5777 ext. 125 PT 605MS LANDSCAPE AT MORRIS ARBORETUM SHORT COURSE Jill A. Rupinski Morris Arboretum Enjoy painting the diversity found in this extraordinary 92-acre public garden. Picturesque subject matter includes foliage and ﬂowers in a garden setting, tree specimens, and outdoor sculpture. Lessons in painting will be accompanied by demonstration and lecture. 5 weeks, Tuesdays, April 26 – May 24 10:30 a.m. – 3:30 p.m. Tuition: $395 (Includes a membership voucher, free parking and use of the facilities) Register by: April 15

IN 650MA BEHIND THE SCENES AT MORRIS ARBORETUM Celebrate spring among the colorful gardens, romantic landscape, diverse living collections, sculpture and award-winning architecture of this internationally known botanical garden. Your guide will be plantsman, naturalist and historian Bob Gutowski, Director of Public Programs. Includes all-day admission to the public garden and an invitation to return and paint, photograph or sketch as a guest of the Arboretum on a future day. Dress for the weather and wear walking shoes. Plenty of free parking. Saturday, May 14 10 a.m. – 11:30 p.m. Free by RSVP to the CE oﬃce, 215-972-7632 Register by: April 29 (space is limited)

The Morris Arboretum of the University of Pennsylvania is a historic public garden and educational institution. It promotes an understanding of the relationship between plants, people and place through programs that integrate science, art and the humanities. Located in Chestnut Hill, Morris Arboretum offers more than 150 classes annually on subjects including: • LANDSCAPE DESIGN

• HORTICULTURE AND BOTANY

• CREATIVE EXPRESSIONS

• CULINARY ADVENTURES

• WELLNESS

• BIRDING & NATURAL HISTORY

DR 609E2 PORTRAIT AND FIGURE DRAWING – NEW! Phyllis Laver Studio 6/Historic Landmark Building This course is designed to further develop your portrait drawing skills, while questioning existing notions and deﬁnitions of portraiture. Work from costumed and life models with emphasis on composition, expression, rhythm and mark-making in a range of dry materials as well as ink to create richness and clarity. One-on-one and group critiques will be held throughout, as well as discussions of master drawings, past and present. Basic drawing experience recommended. IN 660DI DIGITAL IMAGING FOR THE ARTIST Joe Sweeney SHORT COURSE Room 514, Digital Lab/ Samuel M.V. Hamilton Building In today’s art world, it is essential to know basic digital imaging in order for your work to be seen. This workshop will give you the essentials including photographing your work with digital cameras, smart phones and tablets; the basics of Photoshop for image editing, uploading images to the internet, social media, and email, making prints, protecting your images and much more. 6 weeks, March 16 – April 20 9 a.m. – 12 p.m. Tuition: $295 Register by: March 4

12:30 – 3:30 p.m. SC 605EA TERRA COTTA SCULPTURE Colleen O’Donnell Room 740/Samuel M.V. Hamilton Building Explore the versatility of terra cotta clay sculpture, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model or imagination. Anatomy, proportion, design, and personal growth will be emphasized, as well as both representational and abstract approaches to subject matter. Sculptures will be fired at the end of the course. All levels. Lab fee of $10. IN 604PP COLOR THEORY FOR PRACTICAL PAINTING – NEW! SHORT COURSE Lisa Sylvester Room 1021/Samuel M.V. Hamilton Building A practical investigation of color theory and how it actually applies to the paint on your palette and brush. Learn about the dimensions of color (hue, value, chroma), different color systems (Itten and Munsell), and a variety of topics connected to color relationships and phenomena. Oil painting projects will address specific aspects of color theory, and range from abstraction and invention to direct observation of traditional subject matter. Painting experience is not required, but prior drawing experience is highly recommended. 7 weeks, March 16 – April 27 Tuition: $325 Register by: March 4

PAFA is proud to partner with ARTZ Philadelphia to oﬀer programming for those living with dementia and their care partners, friends and family. Learn more about ARTZ Philadelphia at www.artzphilly.org.

Photo: Joe Sweeney

WEDNESDAYS

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PT 605EB THE PENNSYLVANIA LANDSCAPE TRADITION CONDENSED COURSE Joseph Sweeney New Hope, Pennsylvania Master the essentials of landscape painting in the area made famous by the Pennsylvania Impressionists, including Daniel Garber’s homestead. The New Hope countryside will inspire you with its views of the Delaware River, as it did Garber, Edward Redﬁeld, Fern Coppedge, and other American Masters. Topics include eﬀective color mixing to achieve a sense of light and air, capturing time of day, compositional fundamentals, and sound painting practices. 6 weeks, April 6 – May 11 10 a.m. – 4 p.m. Tuition: $495 non-credit; $625 for 1.0 undergraduate credit Register by: March 25

THURSDAYS January 28 – April 21 Register by: January 15 9 a.m. – 12 p.m. SC 615E ÉCORCHÉ John Horn Room 740/Samuel M.V. Hamilton Building Écorché (“flayed figure”) is the three-dimensional study of human form by developing the bone and muscle structures beneath the skin – a method of study dating back to the Renaissance and a staple of classical art training today. Students will work in clay on an armature from the skeleton for the accurate development of the body’s proportions and the detailed study of its parts. This is an excellent way for draftspersons and sculptors alike to gain a more concrete understanding of human anatomy. PR 600EL WOODCUT AND RELIEF PRINTMAKING Ronald Wyffels 6th Floor Print Shop/ Samuel M.V. Hamilton Building Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. Its beauty and expressive power can be seen in the work of Albrecht Dürer and the German Expressionists. All aspects of the process will be covered, including drawing on the block, carving your design and printing techniques for making black-and-white and color prints. Open to all levels, and an excellent introduction to printmaking for beginners. Lab fee of $20.

IN 751EE ARTZ IN THE STUDIO Dona Duncan Room TBA/Samuel M.V. Hamilton Building This new program is designed for people living with memory loss. Students will experience the ways in which art-making can become a creative form of self-expression, while enriching their lives through a new sense of community with others. Students will be free to express themselves through whatever drawing or painting means they choose in order to unlock their creativity, create new memories, strengthen relationships, and restore hope. Care partners welcome. 6 weeks, Fridays, April 8 – May 13 10 – 11:30 a.m. Tuition: Free with $50 materials fee For more information and to register call 215-972-7632

IN 751EG ARTZ IN THE GALLERIES PAFA Galleries/Historic Landmark Building This inclusive and interactive program in the PAFA museum is designed for visitors with dementia and their care partners. Conversations about art in the galleries are facilitated by Dr. Susan Shifrin, Director of ARTZ Philadelphia. Space is limited to ensure an intimate and comfortable experience, enjoyable for all. 4 sessions, Mondays, February 15, March 21, April 18 and May 16 11 a.m. – 12 p.m. This program is free with pre-registration. To register, contact Susan Shifrin at shifrin@artzalz.org or 610-721-1606.

Registered Art Therapist Dona Duncan creates a safe, comfortable environment with humor when appropriate and without pressure. She holds a degree in Art Therapy from Hahnemann Medical College with extensive study of psychology as well as art studies at PAFA. She has been on staﬀ and started art therapy programs at hospitals in the Philadelphia area, and has worked with clients at New York University Hospital. Now a PAFA docent, she currently works privately with clients. Susan Shifrin is the founding director of ARTZ Philadelphia. She is a teaching art historian, museum educator and curator, and arts accessibility advocate. She received her PhD from Bryn Mawr College and has worked on the curatorial and education staﬀs of a number of large and small museums along the East Coast. Her mother was diagnosed with dementia in 2002.

Dona Duncan

Susan Shifrin

Weekday Courses

THURSDAYS

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9 a.m. – 12 p.m.

12:30 – 3:30 p.m.

PT 603EI INTERIOR DRAWING AND PAINTING BACK BY POPULAR DEMAND! Peter Van Dyck Studios 2 & 3/Historic Landmark Building Using the interior spaces of PAFA as subject matter, discover engaging and original compositions. Learn to organize values and colors to simplify the complex appearance of subject matter and develop a sense of light and space. Drawing, perspective, composition and strategies for working on location will be covered. Suggested media: oil, pastel or charcoal. Open to all levels.

PT 602E PORTRAIT PAINTING Theodore Xaras Room 461/Samuel M.V. Hamilton Building This class covers all aspects of painting a traditional portrait. Topics include achieving a likeness, modeling light and shade, mixing ﬂesh tones and applying paint. Includes demonstrations, insights into the history of portraiture and tips on painting children’s portraits. Valuable information for all levels. Drawing experience required.

MEMBERSHIP AT PAFA Join PAFA today and support our mission. Your membership will help us strengthen PAFA’s collections and special exhibitions, expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes. For more information and to join, call 215-972-2077 or email: membership@pafa.org.

IN 750E ART AS THERAPY: FIND YOUR VOICE SHORT COURSE Dona Duncan Room TBA/Samuel M.V. Hamilton Building Art therapy creates a relaxed environment where members can express their feelings with paint on canvas. Art-making has been shown to reduce stress, improve communication skills, and unlock creative blocks. It is used to treat memory loss, depression and PTSD, and can benefit anyone dealing with frustrations or difficulty in their life. Open to all levels, this is NOT a class to learn how to draw or be critiqued, but rather a supportive environment to express yourself with whatever creative means feels right. Members benefit from individual attention as well as their interaction within a compassionate group environment. Join Dona Duncan, registered Art Therapist, make new friends, and discover a renewed appreciation for life’s beauty through creativity. 10 weeks, Fridays, February 19 – April 22 (runs through Spring Break) 12:30 – 3:30 p.m. Non-credit tuition: $395 Register by: February 12

JOIN US AND FIND YOUR VOICE

MEMbERS WORKSHOP:

PT 703EL PAINTING OVER THE LINE Kassem Amoudi Room 465/Samuel M.V. Hamilton Building Advance beyond conﬁned lines and hard edges to a more liberated way of painting. Paint from personal subject matter to ﬁnd your own visual language. Work more intuitively and view unforeseen occurrences as opportunities to discover new possibilities. Examples from contemporary and modern art will broaden your understanding of innovative painting. Painting experience recommended.

WATERCOLOR WITH JAMES TOOGOOD Artist, author and CE faculty member James Toogood will present a hands-on demonstration on the basics of watercolor painting including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Saturday, March 5 10 a.m. – 1 p.m. $10 materials fee Open to new and existing PAFA Members of all levels. Register by February 19

James Toogood

YOUNG COLLECTORS: THE ANNUAL STUDENT EXHIBITION This fun and informative series for young collectors will address topics of aesthetics, taste, and trends in contemporary art, while providing an opportunity to mix and mingle with other young collectors, artists, gallerists, and industry experts. The ﬁrst session in this on-going series will focus on PAFA’s Annual Student Exhibition (ASE), the culminating exhibition for PAFA undergraduate and graduate students. Each year the ASE provides an opportunity for new and seasoned collectors alike, to purchase work by talented artists on the cusp of their artistic careers. In this session, Clint Jukkala, Dean of the School of Fine Arts, will highlight artists to watch and help participants navigate the process of purchasing work during this exciting annual exhibition. Wednesday, May 18, 7 – 8 pm $20. Free for PAFA members.

For details about member programs or to register visit pafa.org/membernews or call 215-972-2077.

VISIT PAfA.EDU/CE for faculty biographies and course materials lists.

FRIDAYS January 29 – April 22 Register by: January 15 9 a.m. – 12 p.m. PR 620E2 SCREENPRINTING AND BEYOND – NEW! Lisa Hamilton Print Shop/Samuel M.V. Hamilton Building The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. The instructor will demonstrate the versatility of the medium by using screenprinting to create a collograph plate, soft ground etching, and a relief print. This course is an accessible survey in printmaking techniques for the beginner, as well as an exploration into the possibilities of mixed medium processes for those with experience. Lab fee of $20.

DR 605E LIFE DRAWING CONDENSED COURSE Neil di Sabato Room 461/Samuel M.V. Hamilton Building Learn to draw the human figure through study of anatomical, planar, and muscular structure as well as through movement and gesture. Instruction will progress from academic drawing emphasizing accuracy and detail to more expressive interpretations of the figure in a variety of drawing media and a range of sizes. Gain a thorough grasp of the practice of figure drawing and of drawing concepts overall. Useful handouts, helpful critiques, and discussion of master figure drawings through history will enhance instruction and promote discovery and confidence. 6 weeks, March 18 – April 22 9 a.m. – 3:30 p.m. (includes a half-hour lunch break) Tuition: $495 non-credit or $625 for 1.0 undergraduate credit Register by: March 4

See page 20 for

ART AS THERAPY: FIND YOUR VOICE with Dona Duncan on Fridays, 12:30 – 3:30 p.m.

Lisa Hamilton

PT 604ED IN-DEPTH WATERCOLOR CONDENSED COURSE James Toogood Room 610/Samuel M.V. Hamilton Building This course is designed for students seeking to enrich their overall knowledge of painting with an in-depth look at watercolor. Topics will include a thorough investigation of watercolor materials and a wide range of techniques, with subjects ranging from landscape and still life to portrait and ﬁgure poses. Open to dedicated watercolorists of all levels, and to acrylic/oil painters looking to broaden their skills. 10 weeks, February 5 – April 8 (runs through Spring Break) 9 a.m. – 1:30 p.m. Tuition: $595 non-credit; $950 for 1.5 undergraduate credits Register by: January 30

IN 715ES INSIDE THE ARTIST’S STUDIO – NEW! Lisa Sylvester Room 420/Samuel M.V. Hamilton Building Get a behind-the-scenes view into the work environments of select Philadelphia-area artists. Learn about their studio practice and how they make their work, in addition to the challenges, demands, and rewards of building and sustaining a career as a visual artist. 5 weeks, April 1 - 29 1 – 3 p.m. Tuition: $250 Register by: March 18

PAFA Alumni Gallery Presents

BROWN AND BROWN February 11 – April 24, 2016 PHOTOGRAPHS bY WILL bROWN AND WORKS ON PAPER bY EMILY bROWN

Will Brown, Searsmont Gable, 2014, inkjet print on archival paper, 12 x 8 in.

OPENING RECEPTION Wednesday, February 10 5:30 - 7:30 p.m.: Preview for artists’ guests, members and alumni 7:30 - 9 p.m.: Open to the public

Emily Brown Brown branches, 2006, ink on paper, 31 1/2 x 23 in.

GALLERY TALK Wednesday, March 16 6 – 7:30 p.m. Free by RSVP to the CE oﬃce, 215-972-7632

For information about events and programming visit: PAFA.ORG/ALUMNI-GALLERY

WEEKEND COURSES SCHEDULE* ■ 3 hours once a week for 12 weeks ■ No classes held during Spring Break, March 7 – 13* Denotes courses that meet Core Curriculum first-level requirements. See page 15

TUITION* ■ $625 for 1.0 undergraduate credits ■ $495 for non-credit ■ Additional lab and materials fees where indicated *Unless otherwise indicated

PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 21

SATURDAYS January 30 – April 23 Register by: January 15 9 a.m. – 12 p.m. SC 602E STONE CARVING Steve Nocella Room 760/Samuel M.V. Hamilton Building Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Lab fee of $25.

PT 616ES BEGINNING PAINTING Allison Syvertsen Room 461/Samuel M.V. Hamilton Building A practical, accessible introduction to the materials and basic techniques of oil painting. Learn palette layout, color mixing, methods of paint application, and the selection, handling and clean-up of materials. Subject matter will include interesting still life arrangements, and the portrait to investigate color and composition. Suitable for absolute beginners and those with limited painting experience seeking further instruction and practice. DR 605EL LARGE-SCALE FIGURE DRAWING – NEW! John Horn Room 1021/Samuel M.V. Hamilton Building Designed to advance the skills of students who have studied drawing previously and would like to make drawings on a larger scale. Learn to create detailed and expressive ﬁgure drawings four-feet or larger using sketches and enlarging with a grid. Drawing demonstrations on scale, proportions, skeletal framework, surface form, and movement of the ﬁgure will help students develop the human form on a larger scale with spatial accuracy. Instruction will focus on charcoal and pencil; however, all media are welcome.

PR 602E LITHOGRAPHY CONDENSED COURSE Ronald Wyffels 6th Floor Print Shop/ Samuel M.V. Hamilton Building Lithography is the printmaking technique most closely associated with traditional drawing methods, capable of capturing great range of subtlety and expression. Design and draw your choice of image with a variety of lithographic drawing materials on lightweight, easily printable aluminum plates as well as traditional stone drawing surfaces. Learn black-and-white and color printing techniques to create editions of prints. All aspects of the process will be demonstrated. An accessible foray into printmaking or exciting next-step for anyone who loves to draw. All levels welcome. 8 weeks, February 13 – April 9 9 a.m. – 1:30 p.m. Tuition: $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: February 5 12:30 – 3:30 p.m. SC 600E FIGURE AND PORTRAIT MODELING John Horn Room 740/Samuel M.V. Hamilton Building This sculpture course introduces the conceptual and practical aspects of modeling the figure in clay on an armature from direct observation. Experienced students will model a 24-inch figure based on volume, proportion, architectonic construction, and spatial displacement of form. Beginning students will sculpt a life-size portrait first. Technical procedures discussed will include armature construction, orientation of the armature to the model, clay-modeling (methodology), the specific use of tools, and basic elements of plaster casting. All levels welcome. Lab fee of $10.

IN 614EM FOSTERING SELF-AWARENESS THROUGH ART – NEW! SHORT COURSE Elizabeth Hill Room 610/Samuel M.V. Hamilton Building This course is designed to foster self-awareness, wellness, and enhanced consciousness through creating art. Students will be encouraged to write daily entries of dreams, thoughts, and feelings in a journal, as well as make visual entries in a sketch book. These entries, along with weekly group discussion sessions, will be the basis for class work in a variety of materials and media including drawing, painting, collage and sculpture. Students will be encouraged to experiment and bring in materials that they use at home including those not necessarily considered “ﬁne art”including crafting, knitting, tying ﬁshing lures – all forms of expression are welcome! For artists and non-artists of all levels of experience with enthusiasm the only prerequisite! 10 weeks, February 13 – April 16 (runs through Spring Break) 12:30 – 3:30 p.m. Tuition: $395 non-credit or $525 for 1.0 credit Register by: February 5

Weekend Courses

SATURDAYS 12:30 – 3:30 p.m.

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PT 725EI DRAWING AND PAINTING: OPEN STUDIO – NEW! Robert Waddington Studio 4 & Cast Hall/ Historic Landmark Building This studio session affords students the opportunity to work on individual painting and drawing projects of their choice at their own pace. The instructor will provide individual, custom-tailored guidance to each student. Group discussions and question-and-answer periods, as well as painting, drawing, color theory and other demonstrations, will be offered appropriate to each student's needs. Still life arrangements, the PAFA Cast Hall, and models for figure/portrait work will be available as needed. Students at all levels are welcome. This class provides a communal space and a relaxed, non-judgmental atmosphere in which to paint and draw at one’s own pace.

SUNDAYS PT 612IC ICON PAINTING – NEW! Robert Waddington Room 610/Samuel M.V. Hamilton Building Russian and Byzantine icon painting is a distinctive art form that has played a key role in religious ceremonies for centuries. When viewed, an icon is considered a path to spiritual enlightenment. In this unique class, learn the history and spiritual signiﬁcance of iconography as practiced in the 10th century while you create your own icon. All steps of the process will be thoroughly explained and demonstrated, including wooden panel construction and preparation, design transfer, gilding with metal leaf, and painting with egg tempera medium. Open to all, with no prior drawing/painting experience required. 6 weeks, January 31 – March 6 Time: 9 a.m. – 2 p.m. Tuition: $395 (includes most materials) Register by: January 15 DR 605EL CLASSICAL PORTRAIT PAINTING – NEW! Ernie Norcia Room 1021/Samuel M.V. Hamilton Building Create luminous portraits using time-tested materials and traditional painting procedures established during the Renaissance. Step-bystep instruction will demonstrate how to begin and develop a portrait painting. Emphasis will be placed on the relationship of facial parts to the whole of the head, and the development of volume by painting the model from multiple vantage points. 6 weeks, January 31 – March 6 9 a.m. – 1 p.m. Tuition: $375 Register by: January 22

Ernie Norcia, Miranda @ 9, Oil on linen, 16 x 12 in.

PT 600E FIGURE PAINTING CONDENSED COURSE Frederic Kaplan Room 1021/Samuel M.V Hamilton Building Paint in oil from the life model to make full-ﬁgure, head and torso studies. Anatomy, composition, proportion, light and shadow, color, painting technique and history will be addressed. Basic drawing experience recommended. 6 weeks, March 13 – April 24 (no class on Easter Sunday, March 27) 9:30 a.m. – 4 p.m. Tuition: $495 non-credit or $625 for 1.0 undergraduate credit Register by: March 4

PT 605BG PLEIN AIR PAINTING AT BARTRAM’S GARDEN SHORT COURSE Larry Francis Bartram’s Garden, 54th Street & Lindbergh Boulevard bartramsgarden.org This class will be held at historic Bartram’s Garden, home of America’s ﬁrst botanist, John Bartram. Work en plein air in the medium of your choice to capture light and shadow, and to create a convincing sense of space and form, including a variety of trees, ﬂowers and buildings. Drawing and painting techniques will be demonstrated for oil and gouache. Plenty of free parking and restrooms available on site. 6 weeks, Sundays, April 17 – May 22 12:30 – 3:30 p.m. Tuition: $295 (Bartram’s Garden Members receive a 10% discount) Register by: April 8

IN 615BB BOOKMAKING WORKSHOP SHORT COURSE Robert Waddington Room 610/Samuel M.V. Hamilton Building A handmade book is a work of art that can be used as journal, sketchbook, photo album or scrapbook – not to mention a great gift. Learn basic and advanced binding methods, page layout and construction, decoration and ﬁnal assembly. Come away with one-of-a-kind soft and hardcover books! 6 weeks, March 13 – April 24 (no class on Easter Sunday, March 27) 10 a.m. – 2 p.m. Tuition: $395 (includes initial materials) Register by: March 4

WORKSHOPS, LECTURES AND SEMINARS FRAMING AND MATTING WORKSHOPS The way you frame and mat makes all the difference in how your artwork is seen. Learn to mat and frame your own drawings and paintings, and keep creative control, not to mention save money! A great opportunity to prepare your artwork for submission to the Continuing Education Programs Annual Juried Student Exhibition. (See below) IN 605EC FRAMING PAINTINGS ON CANVAS AND PANEL Roger Chavez 7th Floor Wood Shop/ Samuel M.V. Hamilton Building Learn step-by-step methods of constructing wooden frames for paintings on canvas and panel, including the safe and easy use of the miter saw to cut wood to size and the router to create profiles, as well as frame assembly, artwork mounting, and the selection of a frame color and finish to best enhance your work. Students are encouraged to bring an artwork to frame. Saturday and Sunday, January 30 & 31 (Snow dates: February 13 & 14) 9 a.m. – 4 p.m. Tuition: $250 (includes most materials) Register by: January 22 (8 students maximum)

IN 605EM MATTING AND FRAMING WORKS ON PAPER James Toogood Room 611/Samuel M.V. Hamilton Building View a complete demonstration of all the procedures required to properly prepare your work for framing, from cutting and hinging mats, to ﬁtting and ﬁnal assembly including glazing. Employ these procedures on your own framing project under the supervision of the instructor. Saturday, February 6 (Snow date: February 20) 9 a.m. – 5 p.m. Tuition: $125 Register by: January 29

Be sure to submit your artwork to the

CONTINUING EDUCATION PROGRAMS ANNUAL JURIED STUDENT EXHIBITION

FEBRUARY PT 702EW PLEIN AIR PAINTING FROM PHOTOGRAPHS – NEW! Mike Manley Room 465/Samuel M.V. Hamilton Building Interested in painting landscapes, but can’t paint outdoors (plein air), for whatever reason? In this workshop, learn to use photographs as an aid for landscape painting. While working from your own photographs, reﬁne your ideas and techniques through thumbnail sketches and studies. Then execute a painting in oil that is ultimately free from the photographic source, expressing the essence of “en plein air.” Saturday and Sunday, February 13 & 14 (Snow dates: February 20 & 21) 9 a.m. – 5 p.m. Tuition: $205 Register by: February 5 PT 604WW WATERCOLOR WORKSHOP James Toogood Room 610/Samuel M.V. Hamilton Building Designed for those who wish to acquire or improve their basic skills in watercolor painting. A variety of materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models or their own source material. All levels welcome. Saturday and Sunday, February 20 & 21 (Snow dates: February 27 & 28) 9 a.m. – 5 p.m. Tuition: $205 Register by: February 12

April 1 – 21, 2016 Students enrolled in CE classes during the Spring 2015 through Spring 2016 semesters are eligible to enter. Watch for a detailed prospectus available on our website in January: pafa.edu/ce. Our Framing and Matting Workshops will help you prepare your artwork for submission!

IN 636IW PHOTO ILLUSTRATION WORKSHOP – NEW! Ryan Muldowney Room 514, Digital Lab/ Samuel M.V. Hamilton Building This course examines the use of photographic methods, materials, and reference in the creation of unique digital illustrations. Students will learn basic image manipulation skills in Photoshop as

Ryan Muldowney, The Approved Inter-Universal, Pan-Dimensional, Omni-Galactic, Alpha Guide to the Cosmos for Beginning Space Explorers. Illustrated by the author. Brazen Fleece Press, 2014.

well as how to use a Wacom tablet to draw and paint digitally. Students will sketch concepts and acquire speciﬁc photographic reference for their illustrations, which they will combine and alter for the greatest pictorial impact in rich, textural, high-information images. The techniques discussed in this course form an ideal foundation for making work suitable for book covers, posters, and editorial illustrations. The workshop will meet over a three month period, with assignments to work on between class dates. 3 Saturdays, February 20, March 19 & April 16 9 a.m. – 5 p.m. Tuition: $325 Register by: February 12 PT 711EP IMPASTO PAINTING WORKSHOP Charles Muldowney Room 465/Samuel M.V. Hamilton Building Rembrandt, Vincent Van Gogh, Chaim Soutine, Lucian Freud and Gerhard Richter represent a long tradition of painters who applied their paint with thick, bold and gestural strokes. Using direct and indirect painting techniques this workshop will explore the methods and aesthetic of working with impasto paint layers to achieve a rich textured surface. Saturday, February 27 9 a.m. – 5 p.m. Tuition: $115 Register by: February 19

Workshops, Lectures and Seminars

MARCH PT 604MM WATERCOLOR MIXED MEDIA Sherif Habashi Room 610/Samuel M.V. Hamilton Building Working from still life and natural forms, learn to combine watercolor, colored inks and gouache with brush and steel-point pen to achieve a greater illusion of depth of ﬁeld, texture, detail, and a volume through transparent and opaque techniques. Demonstrations and visual presentations of historical examples will complement instruction. While this workshop is intended for those who have had previous experience painting in watercolor, it is open to all who wish explore the medium’s potential. Saturday and Sunday, March 12 & 13 9 a.m. – 5 p.m. Tuition: $205 Register by: March 4

PAFA MEMBERS WORKSHOP WITH JAMES TOOGOOD March 5. See page 21.

WOODCUT WORKSHOP WITH DAN MILLER March 5 & 6. See page 4.

GALLERY TALK WITH EMILY AND WILL BROWN March 16, 6 – 7:30 p.m. See page 23.

PAINTING IN THE DARK WITH NEYSA GRASSI March 19 & 20. See page 4.

IN 747BJ CRITIQUE WITH JAN BALTZELL AND BRUCE SAMUELSON Room 463/Samuel M.V. Hamilton Building PAFA offers a vibrant community of faculty-artists and students who can stimulate your art-making with advice and new perspectives. A group critique is an excellent means of both dispelling feelings of artistic isolation or uncertainty and finding inspiration in the ideas and artwork of others. The atmosphere is always supportive, never judgmental or confrontational. Saturday, March 26 Starts at 9 a.m. Tuition: $75 (space is limited) Jan Baltzell is a faculty member of PAFA’s Certificate and Graduate Programs, and the Interim Graduate Program Chair. Her painterly abstractions display a master's control of contrasting mark-making that transcends the viewer’s conventional vocabulary. Her work is included in the Philadelphia Museum of Art and the National Museum of Women in the Arts, Washington, D.C. She is represented by Schmidt Dean Gallery in Philadelphia.

Bruce Samuelson is a faculty member of PAFA’s Certiﬁcate and Graduate Programs. Informed by the principles of Old Master draftsmanship, Samuelson’s drawings and paintings expand beyond traditional methods of representation to arrive at elegant meditations on the human form. Samuelson is represented by Rosenfeld Gallery in Philadelphia, and J. Cacciola galleries, New York.

APRIL PR 615EW SOLAR ETCHING Lesa Chittenden-Lim 6th Floor Print Shop/ Samuel M.V. Hamilton Building Celebrate spring with this versatile, simple and environmentally friendly way to make painterly prints without using chemicals or acid. The process involves transferring your drawings, paintings and/or computer generated images to a light sensitized plate which then can be developed with water and printed. The printed effects are equivalent to those of hard/soft ground etchings and aquatints as well as traditional lithograph and relief prints. A safe and direct way to make images! 2 Saturdays, April 2 & 9 9 a.m. – 5 p.m. Tuition: $205 Register by: March 25 PT 705EW SPONTANEOUS ABSTRACTION Kassem Amoudi Room 465/Samuel M.V. Hamilton Building Many artists can feel frustrated in front of a blank canvas, unsure of how to start and what to paint. This workshop will focus on different techniques that will enable you to start painting with confidence by tapping into your intuitive process and finding inspiration more easily. Demonstration and critique will enhance your knowledge of the process of painting. Saturday and Sunday, April 9 & 10 9 a.m. – 5 p.m. Tuition: $205 Register by: April 1

CONTINUING EDUCATION OPEN HOUSE FREE BY RSVP! Saturday, April 16 • 10 a.m. – 1 p.m. See page 3.

THE FIGURE IN PASTEL WITH SCOTT NOEL April 2 & 3. See page 5.

PR 604EH HAND-PRINTED MONOTYPE Shushana Rucker 6th Floor Print Shop/ Samuel M.V. Hamilton Building This workshop will introduce students to quick and easy monotype printmaking methods that do not require a press or fully-equipped shop. These techniques are easily transportable for use outside for plein air work, or at home on a desk or kitchen table. Techniques covered will include: oil based, dark ﬁeld, water based and Gauguin monotype. An inspiring class for those interested in pursuing art-making at home or for teachers looking for projects that can be adapted for the classroom. Saturday, April 16 9 a.m. – 5 p.m. Tuition: $150 (includes basic materials) Register by: April 8

SC 605EW TERRA COTTA FIGURE SCULPTURE Colleen O’Donnell Room 740/Samuel M.V. Hamilton Building Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model. Sculptures will be ﬁred at the end of the workshop. Saturday and Sunday, April 30 & May 1 9 a.m. – 5 p.m. Tuition: $205 + $10 lab fee Register by: April 22

DR 609EW PORTRAIT DRAWING WORKSHOP John Horn Room 1021/Samuel M.V. Hamilton Building Learn to create a ﬁnished portrait in pencil and charcoal that captures likeness and conveys expressive eﬀect. The workshop will begin with a structural approach to the head and its features and progress to the study of anatomy, composition and value. Excellent for all levels. Saturday and Sunday, May 7 & 8 9 a.m. – 5 p.m. Tuition: $205 Register by: April 29

Dori Spector, Philly Style, 2015, oil on panel, 24 x 24 in.

DR 605FF DRAWING THE FIGURE FOR FASHION – NEW! Dori Spector Room 465/Samuel M.V. Hamilton Building This workshop is designed to give the aspiring fashion designer or fashion enthusiast essential information for drawing the human ﬁgure for fashion purposes. Topics include the special proportions of the fashion ﬁgure, how fabric drapes on the human form, key anatomical landmarks, and ways of making your drawing come alive with movement and gesture. Students will draw from models in a range of materials, including pencil, pastels, markers, ink and mixed media. The class will also address how to convey the texture and pattern of fabric and the practice of drawing from photographs in relation to life drawing. Saturday and Sunday, April 23 & 24 9 a.m. – 5 p.m. Tuition: $205 Register by: April 15 Dori Spector is an accomplished painter and printmaker. A graduate of Moore College of Art, she has studied at PAFA and privately with Burton Silverman, Nelson Shanks and Robert Liberace. She has worked in advertising and illustration, serving as art director of The Clothes Garden in Wynnewood, PA and as a courtroom artist for television news.

WATERCOLOR WORKSHOP WITH SUSAN VAN CAMPEN April 30 & May 1. See page 7

PLEIN AIR PAINTING IN BERMUDA WITH JAMES TOOGOOD AND JOE SWEENEY May 19 – 25. See page 7

PT 717EW ALLA PRIMA STILL LIFE PAINTING Roger Chavez Room 1010/Samuel M.V. Hamilton Building Embrace the immediacy of painting in the alla prima technique, the method in which paint is applied directly wet-on-wet to the canvas. Explore the ﬂuidity of paint application and the importance of the brush mark using the still life. Oil painting materials, supports, and techniques will be demonstrated and discussed. Students will be further challenged through the study of historical and contemporary artists so as to enrich their understanding of visual language in painting. Basic painting experience required. Saturday & Sunday, May 14 & 15 9 a.m. – 5 p.m. Tuition: $205 Register by: May 6

MAY DR 606EW LANDSCAPE DRAWING & PAINTING Emily Brown Horticulture Center, Fairmount Park Drawing and painting out-of-doors presents unique surprises and pleasures as well as particular challenges. Working at the Horticulture Center in Fairmount Park, learn tactics to eﬃciently set up on location, select a composition and capture the light, color and shapes of the surrounding landscape. Students may work in the drawing/painting media of their choice. Free parking and restroom facilities available. Tuesday, Wednesday and Thursday, May 3, 4 & 5 11 a.m. – 2 p.m. Tuition: $150 Register by: April 22

DR 620EW SKETCH ON THE GO Frederic Kaplan Center City Locations Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks while traveling abroad. Topics discussed and demonstrated include perspective, gauging proportions by eye, gesture ﬁgure drawing, and methods for simplifying shape and form. Use your favorite drawing media: pencil, ink, crayon, or watercolor. All levels welcome. Saturday, May 21 9 a.m. – 5 p.m. Tuition: $115 Register by: May 13

Spring 2016

REGISTRATION INfORMATION

REGISTRATION DEADLINES ■

4 WAYS TO REGISTER!

CREDIT ■

REGISTRATION BEGINS DECEMBER 7 Register early to guarantee enrollment and prevent course cancellations. 1. ONLINE: www.pafa.edu/ce 2. PHONE: 215-972-7632 3. MAIL*:

Continuing Education Programs Pennsylvania Academy of the Fine Arts 128 North Broad Street Philadelphia, PA 19102

4. IN PERSON: Visit the Continuing Education oﬃce on the 3rd Floor of the Samuel M.V. Hamilton Building * Please mail a completed registration form with check, money order, or credit card information. We accept VISA, MasterCard, American Express and Discover Card. Make checks or money orders payable to “PAFA.”

STUDENT ADVISING We are here to help! For assistance in course selection or to make an appointment, call 215-972-7632 or email continuinged@pafa.edu. Continuing Education Programs Oﬃce Hours Monday – Thursday..............9 a.m. – 6:30 p.m. Friday ................................................9 a.m. – 4 p.m. Saturday...............................8:30 a.m. – 1:30 p.m. During school vacations and when evening/ weekend classes are not in session, the oﬃce will be open Monday through Friday, 9 a.m. – 5 p.m.

PAFA is accredited through the National Association of Schools of Art and Design (NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD). Undergraduate Credit Most courses are available for 1.0 undergraduate credit (unless otherwise indicated). If taken for credit, you may incur additional coursework, and will receive a course grade and appropriate credit that will appear on an official PAFA transcript, if requested. To request an official transcript, visit CE Registration and Policy Information at pafa.edu/ce to download a transcript request form. Changes in credit status must be arranged through the CE office prior to the third class. No refunds can be issued for changes from credit to non-credit. FOR PENNSYLVANIA AND NEW JERSEY K-12 EDUCATORS PAFA is approved to offer Pennsylvania Act 48 hours and New Jersey Department of Education Professional Development Credit for all of its courses and workshops as follows: 1.0 undergraduate credit CE courses are available for 30 or 36 Act 48 hours or NJ credits according to each course’s accumulative contact hours. Short/Condensed Courses, Workshops, Lectures and Seminars are eligible for the number of hours for which they meet (excluding lunch breaks). Educators electing to receive PA Act 48 or NJ Professional Development Credit should notify the Continuing Education Programs office when registering.

January 15 for courses beginning January 25 - 31 Registration deadlines vary for Short and Condensed Courses, Workshops, Lectures, Seminars and Master Classes. Please refer to individual course descriptions.

COURSE TUITION AND FEES ■

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For 12-week, 1.0 credit courses: $625 for credit or $495 non-credit Tuition varies for Short and Condensed Courses, Workshops, Lectures, Seminars and Master Classes. Please refer to individual course descriptions. Full payment is due at the time of registration. For Master Classes, a non-refundable deposit of $200 may be made to reserve a space, with balance due by the registration deadline.

Lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees. Late Fee Registrations received after 5 p.m. on their deadline date may be assessed a late fee of $25. Locker Rental Lockers are available on a ﬁrst-come, ﬁrst-served basis for $25.

DISCOUNTS* Membership Discount PAFA Members at the Friend level and above receive a 10% tuition discount on all CE courses, workshops and Master Classes. Referral Discount If you are a current CE student and your refer a ﬁrst-time Continuing Education student, both will receive a 10% tuition discount on one (1) course or workshop within the current semester (excluding Master Classes).

Morris Arboretum & PAFA ■ Morris Arboretum members receive a 10% discount on one Spring 2016 PAFA class, workshop or Master Class. ■ PAFA members receive a 10% discount on all Spring 2016 Morris Arboretum Continuing Education classes for adults and Growing Minds classes for youth. Learn more and register at online.morrisarboretum.org/classes, or call 215-247-5777 ext. 125. *Lab, materials and locker fees are not eligible for discount. Some restrictions apply. Call 215-972-7632 for more information.

SCHOLARSHIPS CE Community Scholarship PAFA Continuing Education is pleased to present the “CE Community Scholarship” to assist students who demonstrate dedication to their art. Requirements: ■ Completed application form ■ Completed CE registration form ■ Personal statement (one page) Application deadline: Friday, January 8 Application will be available to download from pafa.edu/ce by December 7. Please call 215-972-7632 for more information. The CE Community Scholarship is made possible in part by a generous contribution from the Dry Family Foundation. For information about making a gift to support the CE Community Scholarship, please contact the Development Department at 215-972-2077.

High School Student Scholarship Visit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, January 15

REGISTRATION FORM Spring 2016

Registration Information

■ REGISTRATION BEGINS DECEMBER 7 ■ See

A GIFT CERTIFICATE FOR A COURSE OR WORKSHOP MAKES A GREAT GIFT! Call 215-972-7632 for more details.

REFUND POLICY Withdrawals must be made in writing via letter or email to the Continuing Education Programs oﬃce. A $30 administrative fee will be assessed per dropped course, $50 per master class and $15 per workshop. Tuition refunds will be adjusted according to the following schedule (less the administrative fee), unless otherwise indicated: 12-week Courses Prior to one week before the 1st class ......100% After the above, prior to the 2nd class ...... 75% After the above, prior to 3rd class .............. 50% After the above ....................................................0% Condensed/Short Courses Prior to one week before the 1st class ......100% After the above, prior to the 2nd class ......50% After the above......................................................0% Workshops Prior to one week before the 1st day ........100% After the above, prior to the 1st day ..........50% After the above ....................................................0% Master Classes and Workshops No refunds after registration deadline.

COURSE CANCELLATIONS If minimum enrollment is not met, a class will be canceled on or shortly after its registration deadline date. Students will be notiﬁed by phone and may choose to transfer into another class or receive a full tuition and fee refund. Please register early to help prevent course cancellation. Travel insurance is recommended for those attending from a distance.

Date

Date of Birth

Last Name

First Name

Middle Initial

Address

City

State

Phone – home/primary

Phone – other

Course #

Title

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Instructor

Tuition

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Lab/Mat Fee

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WEATHER/EMERGENCY CLOSING The closing, delayed opening, or early dismissal of PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the school, galleries and administrative oﬃces. Decisions regarding the cancellation of special events and evening classes may be made later in the day. To ﬁnd out if PAFA is closed or delayed you should check one of the following:

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Our website – messages will be updated on the PAFA homepage, pafa.edu PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m. KYW (1060AM) – Listen for PAFA’s code 150 (Continuing Education’s code is 2150) WPVI-TV 6ABC – Lists the school by name NBC 10 – Lists the school by name

PAFA is conveniently located near the SEPTA Market East and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215-580-7800 or visit septa.org. For PATCO information, visit ridepatco.org. Discounted parking is available at adjacent Parkway Corporation parking lots. Tickets must be validated by Security staﬀ.

Tuition Total

METHOD OF PAYMENT ■ VISA ■ Mastercard ■ AmEx ■ Discover ■ Check* #_______ ■ Cash

Expiration Date

I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAFA. I have read and understand policies regarding credits, withdrawals, refunds and course cancellations (pages 34 – 36)

Signature (required)

Have you taken a class here before? ■ Yes ■ No

Discount* CE Community Scholarship Donation**

Signature

How did you find out about us? ■ Internet (What site?) ________________________ ■ Radio (What station?) ________________________ ■ Newspaper/magazine ________________________ ■ Other (Please specify)________________________ How did you receive this catalogue? ■ Mailed to me ■ Picked it up at:________________ Are you an PAFA member? ■ Yes ■ No

Locker Sub Total

Name on Credit Card Credit Card Number

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TRANSPORTATION AND PARKING Critique with Jan Baltzell and Bruce Samuelson No refunds.

page 35 for registration deadlines registrations may incur a $25 late fee

■ Late

Date

T O T A L * PAFA Members at the Friends level and above receive a 10% tuition discount **See page 35 for details

Please check if you would like more information about PAFA academic programs: ■ Certificate ■ Bachelor of Fine Arts ■ Master of Fine Arts ■ Post-Baccalaureate ■ I wish to enroll in the CE Core Curriculum Program See page 5 or visit pafa.edu/ce.

PAFA Membership Level ____________________________

For K-12 educators ■ I am taking a course for Act 48 credit or New Jersey Dept of Ed Professional Development Credit. See page 34

Expiration Date ____________________________________

PA Professional Educator I.D.# ____________________

For Office Use: Class Book ___________________ Materials___________________ Database____________________

ACADEMIC PROGRAMS

COMING THIS SUMMER!

PAFA oﬀers a variety of programs to help you meet your artistic goals. For more information,

PORTRAIT PAINTING IN PASTEL WITH ELLEN EAGLE

please contact the Oﬃce of Admissions at admissions@pafa.edu or 215-972-7625.

Monday – Friday, June 6 – 10 Ellen Eagle, noted author of Pastel Painting Atelier, and instructor at the Art Students League in New York, presents a master class intensive on the materials and techniques of pastel portraiture. Students will beneﬁt from Eagle’s passion for the medium, bolstered by her extensive knowledge of its history and applications.

POST-BACCALAUREATE CERTIFICATE IN GRADUATE STUDIES This is an individually designed, one-year program of study for those who wish to develop their artistic skills, further their formal education, and be competitive for admission to graduate degree programs. This studio-based program oﬀers formal drawing and seminar classes as well as private and group critiques with an excellent faculty.

CERTIFICATE PROGRAM At the heart of the PAFA’s educational programs is the Certificate Program, a fouryear curriculum of intense studio education that offers five majors: Painting, Drawing, Printmaking, Sculpture, and Illustration. BACHELOR OF FINE ARTS PAFA offers two choices for students wishing to pursue an undergraduate degree program: the Academy BFA and the Coordinated BFA program with the University of Pennsylvania. Academy BFA students study exclusively at PAFA, taking both studio arts and the liberal arts component offered by the Academy. Students also have the choice of enrolling in the Certificate Program and earning a Bachelor of Fine Arts degree from the University of Pennsylvania. FOR CONTINUING EDUCATION STUDENTS CONSIDERING MATRICULATION INTO THE CERTIFICATE PROGRAM Select courses taken in the Continuing Education Program may be evaluated for transfer into the Certificate Program, based on satisfactory completion of coursework and a review of the student’s portfolio. If approved, a maximum of 15 credits may be accepted as transfer credits. For more information, contact the Office of Admissions at 215-972-7625 or via email at admissions@pafa.edu.

MASTER OF FINE ARTS PROGRAM This two-year, studio-based program allows fine artists to realize their creative potential while providing a solid intellectual and practical foundation for artistic expression. Students are encouraged to achieve independent aesthetic development through abroad variety of desired approaches. LOW-RESIDENCY MASTER OF FINE ARTS PROGRAM Similar to the traditional MFA, the LowResidency program focuses on independent studio work and is interdisciplinary in nature, however it does so with a combination of both on-site and off-site learning. The core of the program is three summer terms completed on the PAFA campus. These intensive, eight-week sessions include studio and seminar courses, regular studio visits, group critiques, and an outstanding roster of visiting artists. During the fall and spring terms, students are off-site and engage in a vital online community with virtual studios, critic meetings, and courses in art history, contemporary art, theory, writing and professional practices.

Ellen Eagle, Nude With Eyes Lowered, pastel on paper, 16 1/2 x 15 in.

STILL LIFE WORKSHOP WITH CHRISTINE LAFUENTE Monday – Friday, June 20 – 24 Brooklyn-based painter and PAFA alum Christine Lafuente considers her paintings “poetic responses to visual experience.” Responding to the still life motif, learn how to build an oil painting directly, with the emphasis on color Christine Lafuente, Peonies and Green Shutter, oil on linen, 14 x 18 in.

MASTER CLASS WITH ELIZABETH OSBORNE Saturday and Sunday, June 25 & 26 Don’t miss this opportunity to study with one of America’s premier painters and esteemed PAFA faculty member Elizabeth Osborne. Work on paper in the medium of your choice, from a visually rich still-life and life model arrangement, and learn to create form and articulate space. Elizabeth Osborne, Portrait of Audrey, 2014. Oil on canvas, 48 x 48 in.

SUMMER ACADEMY FOR TEACHERS Designed to invigorate your artistic practice and provide a reserve of project ideas for the new school year. Visit pafa.edu/SummerAcademyForTeachers

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www.pafa.edu/ce

CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

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