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Page 1

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omar surillo 2011

for electric guitar, alto saxophone and electric piano


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Score in C

omar surillo

Slow and sustained, without a sense of time

Electric Guitar

with Ebow

 

4"

pp

simile





with very little vibrato

  

Alto Saxophone

E. Gtr.

A. Sax.

  

E. Pno

pp





simile



 



p



 

with a bit of distortion (crunchy sound)

sustain until the next available pitch

p





 

p

p

simile

I The beginning    p

Copyright © 2011 surillomusic ASCAP



 

p





 

  


2

E. Gtr.

A. Sax.

E. Pno

II 

 

 



mp

pp



mp

 mp   



mp

mp

 

simile

III E. Gtr.

A. Sax.

E. Pno





     

 

 f





p

  f

 

p

     

    

Dissolve gently

  

f

mf

 

 



mf

 

 

mf



  



pp

 

Steady build

  



 



 



p

    

 

  

 


3

IV E. Gtr.

A. Sax.

E. Pno

 

  

pp

V E. Gtr.

A. Sax.

pp

 

 pp

 











4"

dim. to silence before breathing

 

 

 

   

 

  

"Fresh" sounding, somewhat sectional, with a bit of motion

  

 

pp





simile

very delicate

 

E. Pno

Somewhat settling





p sustain until next set of pitches

















             pp 













simile




4

E. Gtr.

A. Sax.

E. Pno

hold pitch until next module

            pp

     

simile













 















        

Unravel slowly

        

       

        

    



mf

         

       

         

mp

E. Pno

        



mp

A. Sax.

       

 

VI

E. Gtr.

  



            

mf





 



mf

 



  

 






5 E. Gtr.

A. Sax.

 

                       

       

                      f

         

                      

f

 E. Pno

E. Gtr.

  

VII   





 





 

















f













Chaotic, yet somehow under control

     



 

 

ff

 

absolutely no vibrato - gliss throughout

A. Sax.

simile







ff

repeat modules as necessary

E. Pno

                                                                    ff

   

  

   


6 E. Gtr.

A. Sax.

E. Pno

 

 











 





 





 

 4 seconds of silence

 

 

 

 

simile

 

 

 

 



ff

3 seconds of silence



                 

       

ff

 E. Pno

  

 

4 seconds of silence

ff



 

   



 

 

   



                                







 



Chaos, revisited

       

 

                                                       

VIII

A. Sax.



   

E. Gtr.



3 seconds of silence




E. Gtr.

A. Sax.

 

   

       

               

 

 





mf

          

                      

      

7

               

mf

 E. Pno

                                          

 

  

IX E. Gtr.

 

 

 

   

 



                                                       

 

 

Disseminate throughout

                                        p

A. Sax.

                       

E. Pno

        

   

pp





p

p

p

             

p

ppp

   

 

 

 

 fingerstyle picking                    let ring  pp   

              ppp

mf

ppp

p

           p

ppp


8

X

Almost there

allow each module to bleed into one another

E. Gtr.

                

    

pp sempre

A. Sax.

E. Pno

E. Gtr.

A. Sax.

E. Pno

       

pp

 

 p

 



    

       

 

     

warm, with soft vibrato

    

sustain until next chord

 

 





simile

simile





 

 







ppp

 

 





fade away with E. Piano

fade away with E. Piano

 



   

 

   





 ppp

  



ppp




9

E. Gtr.

XI 

2 seconds of silence

  

  



pp

 1 second of silence



fade away with E. Piano



pppp

ppp

 



E. Pno



ppp

2 seconds of silence

A. Sax.

Safe, yet a bit skeptical

  

  



ppp

silence

fade away with E. Piano

pppp

1 second of silence

silence

New Haven, CT 03/2011


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