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Cover (left):
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t h i s i s s u e i s de dic at e d
Sam Boullier
t o at h e na r owa n …
Ava Hodgson
Artist
a n d dav i d b ow i e
Model
p.22 — Sam Boullier
p.28 —Teenage Daydream
On 15 January this year, following the mind-blowing release of his latest work of art, the world woke up to find that David Bowie had died after a private battle with cancer. The world went into mourning. Unable to articulate the extreme loss we felt for someone we knew so little, we weren‘t saying goodbye to David Jones: that horror was left to his closest family and friends. We were mourning what he represented. I saw myself and many friends and family go through classic bereavement: denial, anger, sadness, questioning and finally the deep sense of quite how important that person had been to us, how this loss was going to impact our lives. For me personally, I had lost a fellow outcast, someone who always grounded me back to earth and who, despite my oft-felt displacement, made me feel like human beings were capable of anything. This feeling soon turned to worry: if we were all so dependent on a sixty nine year-old guy to lead the way artistically, without him, where the hell did we stand? I started getting angst-ridden and, through my sadness, I felt like a teenager again (albeit in a slightly older and luckily wiser body – I couldn‘t hack that minefield again). Suddenly I wanted to create, I wanted to do something rebellious that mattered to future generations of outcasts, something they could look to when they felt lonely or questioning. Something or someone that made being human feel exceptional. With this in mind, this issue is our subtle nod to Bowie. We called it The Rebel Rebel Issue (less subtle) and every part of it has been lovingly crafted with a rebellion and direction that allowed every one of our team to express something. Through the design, the photography and to our ever-telling subject matters, this is our most optimistic issue to date. We are using something very sad to look forward, and through the amazing people and stories between these pages we see an exciting future. “Tomorrow belongs to those who can hear it coming” – so stop looking backwards and listen.
Vicky Parry Creative Director
t h e m ag a z i n e o f o n e & o t h e r c r e at i v e
the
REBEL REBEL i s s u e spring
2016
Founding Members Vicky Parry Art Direction Styling Creative Copy
vicky@oneandother.com
Ambiente Simon Newton Stephen Parry Richard Goulden Mike Brudenel Julie Parry
Miles Watts Filmmaking Editing Writing
miles@oneandother.com
Special Thanks to
Sean Purdy Graphic Design
sp@sean-purdy.com
Cherie Federico Dale Donley Sam Robinson Jan Robinson Greg McGee Ails McGee Stan Smith Simon Newton Jay Cummings Chris Marsh Ainslie Waller Craig Stephenson Stu Goulden Jane White John White Herbie Lockwood Rachel & Andy Hazelwood
Ben Bentley Photography Cinematography
ben@oneandother.com
Oneandother.com Facebook.com/Oneandotheryork @Oneandother One&Other magazine is published by : One&Other Creative ltd, 11 Fairfax St, York, YO1 6EB
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NEWS
The News in Brief—p.08
York Minster Mystery Plays—p.10 Proudly Indie York—p.12
News 08
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the news
1: Record Store Day
2: FilmYork
A celebration of vinyl and the stores that love it, 16 April sees York selling new and old stacks of wax. Pop along to The Inkwell on Gillygate, or Earworm Records on Goodramgate, to delve into the world of vinyl.
A new network that encourages and supports emerging filmmakers in Yorkshire, FilmYork, launching in May, aims to prompt conversation and collaboration between filmmakers at all levels, from grass roots to professional.
The News in Brief The Rebel Rebel Is sue
4: Micklegate
The all-singing, all-dancing barge is back with art, music and festivals to soothe the savage breast. More info about spring and summer events on York’s floating Arts Centre can be found at theartsbargeproject.com.
The famous street is having a major re-launch to inject life into its businesses, including many community events including a soapbox go-cart race and street festivals to attract shoppers and families.
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3: Arts Barge
News One&O ther Magazine
york Minster Tickets for the Mystery Plays are now on sale and start at £15. For more information and to book tickets
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visit: yorkminster.org/mysteryplays2016
The York Mystery Plays dramatise the greatest story ever told from the creation of heaven and earth to the last judgement. It’s a story of good versus evil, of life and death and of love, betrayal, loss and hope. In May 2016 it will be presented on a monumental scale in an extraordinary setting. Hundreds of community performers and backstage volunteers will be led by an award winning creative team including an RSC Director and Designer, Phillip Breen and Max Jones, a multiple Tony nominated writer, Mike Poulton and Game of Thrones actor, Philip McGinley. In the 1300s, the streets of medieval York
would have been packed with people jostling to see the Mystery Plays – the epic drama of good versus evil which was performed on pageant wagons by the city’s guilds. The performances offered entertainment as well as religious edification, and are described as lavish affairs, interspersed with humour and dominated by spectacle. Now – 700 years later – director Phillip Breen will aim to recreate the atmosphere and excitement of those original productions, while ensuring the ideas portrayed through the Plays still resonate with a modern audience. “We return to the Plays again and again because they ask the most profound questions
Promotional – York Mins ter Mys ter y Plays The Rebel Rebel Is sue
about who we are, where we are going and what it means to be alive.” comments Phillip Breen. “Of particular importance is bringing 1,000 people together in a room to engender a sense of a shared imagination – that works contrary to how we experience life now, in which the human experience is increasingly atomised behind Facebook, Twitter, Sky Plus, iPlayer and so on. While the digital age ostensibly promises greater communication and connectivity, many people feel it’s made their lives more isolated. If something is difficult or unpalettable, we can turn it off; we don’t have to see anything we don’t want to. It seems to me there are fewer
and fewer opportunities for moments where lots of people come together and share one thing and have the opportunity to meditate on the bigger picture, big ideas of right and wrong, belief and non-belief. How we go about living good lives in a world that for many seems to only reward the morally dubious. I hope this will be a project to foster a collective imagination and discussion for not only our audiences, but also for the army of volunteers who will be acting and making the plays happen. If we’ve done our job well, I hope the audience will arrive as individuals and leave as one, talking to each other and feeling a sense of common humanity.”
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@York_Minster / #mysteryplays
News One&O ther Magazine 12
YIBA (York Independent Business Association) is a not for profit group formed in the response to the flooding that recently affected so many independent businesses in York. Its objectives and longer term aim was to promote independent businesses that are such a feature of this historic city; to focus people’s attention on the qualities of independents of all shapes and sizes and to encourage both locals and visitors to use these businesses. The primary format for doing this would be the
production of a map, publications and website to draw people to these businesses. In late January the owners of Proudly In York, created two years ago to feature the best of the independent business scene, joined forces with YIBA to form Proudly Indie York, a new initiative. Plans are now underway to create the indies map: keep your eyes peeled and get in touch with us at creative@oneandother.com for more information.
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Promotional – Proudly Indie York
Prototype map design and logo: Emily Hayes
culture
Mark Wynn—p.16
Sam Boullier—p.22 Teenage Daydream—p.28 FilmYork + The Artillery—p.38 Peach Trail—p.40
KIOSK—p.44 Bad Lasses—p.54
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Culture
mark
wynn
Ma rk Wynn
pp.16—21
Mark Wynn is un-interviewable, in the best possible way. We asked him some pretty standard questions and received answers that are, well, very Mark Wynn. Mark is one of the most original, talented and funny man-musicians we’ve met, and to describe his music and lyrics (Kerouac meets Guthrie?
does it no favours. Suffice it to say that Mark is a BBC and NME favourite and gets invited to their houses quite a lot, but he wouldn‘t want to belong to any club that would accept him as a member.
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The Diary of Mark Wynn read by Keith Richards?)
As far as interviews go, the best thing is to let Mark speak in entirely his own words, because they’re funnier and more ‘Mark’ than anything an editor could cobble together. A link is at the end of the interview so you can buy his music and let that speak for itself too. Also look at the lovely pic-
Images: Simon Parfrement
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tures of Mark performing live in a very fine shirt.
Culture One&O ther Magazine
Mark, your style has evolved somewhat over the years. Where are you at now and how did you arrive there? Blowing my nose a lot. Not owning a handkerchief. Scratching my arse. Reading. Sitting around thinking about stuff. Walking around thinking about stuff. Not watching In Bruges when I was in Bruges. Sniffing my sleeve and wondering about that strange smell. Pretending to be Townes Van Zandt. Going home. Staying away from home. Eating a lot of fruit. Drinking and swallowing the things Gavin put in front of me. Sleeping 8 hours a day where possible. Waking up and writing stuff. Crossing it out the next day. Going to the doctors three times a year thinking I’ve got cancer. Breaking other people’s tin openers. Washing my face. That has got me here. Here is 15:50 18/02/2016 sat in my room in an old care home in Largs, trying to think up some smart-arse answers to some questions I’m not particularly interested in answering, but a man paid to press 500 vinyl LPs and as I am refusing to go back on any Facebook, I feel obliged to do something to promote it. Where do you take inspiration? No idea. I tried answering this but I couldn‘t. This type of thing was a lot easier when I was pissed all the time. What are you working on at the moment? Some smart-arse answers to some questions I’m not particularly interested in answering, but a man paid to press 500 vinyl LP’s and as I am refusing to go back on any Facebook I feel obliged to do something to promote it. Could you write us a poem? No.
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Did you notice a change in how people treated you after NME hyped you up? By the time the NME wrote about me I had disappeared from most of the places where people would know me. If I did see anyone they tended
not really singles, I just sent them to the screen and said they were singles. Singles by Mark Wynn’ BELOW: photography by Simon Parfrement
How do you think people perceive you: do you care? I can’t remember. I care if the internet tells me someone has paid real electric money for something I made when I was pissed. This means I get to spend more time making things. Other than that, I’m not particularly bothered. Besides, I don’t need to think about it. The internet takes care of the thinking now. All I have to do is type my name into the screen and there are the things said about me. But no, I can’t remember. Tell us about your new release. As in album, not sexual release, although whatever. It’s called ‘singles – but they’re not really singles, I just sent them to the screen and said they were singles. Singles by Mark Wynn.’ As I said before, this type of thing was a whole lot easier when I was pissed all the time. But I’m not starting all that cobblers again.
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ABOVE: The cover of ‘singles – but they’re
I don’t really think about other people very much. At least, I haven’t recently. If I was around people more at the moment maybe I would have an answer to this question. But I’m not, so I don’t really have an answer to this question. Far as I can remember about people, some of them have cats and feed me, and some do not. There are some people who feed me and they don’t have cats. These people are all right, too. Food and cats. These two things stimulate my body. Body stimulated, I am immediately more interested in a person than I would be if I was hungry. I like Mike and Jo. I think they are really cool. When I grow up I would like to be as laid back and well dressed as them. Until then I will continue to sit in my room that smells of piss, wearing a scarf, trying to be like a lot of dead men – some women also, but mainly men.
Ma rk Wynn
What characteristics do you find interesting and boring in people?
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to be one of four things: amused, indifferent, unaware till I told them, or appalled.
Culture
“Blowing my nose a lot. Not owning a handkerchief. Scratching my arse. Reading. Sitting around thinking about stuff. Walking around thinking about stuff. Not watching In Bruges when I was in Bruges. Sniffing my sleeve and wondering about that
One&O ther Magazine
strange smell. Pretending to be Townes Van Zandt. Going home. Staying away from home. Eating a lot of fruit. Drinking and swallowing the things Gavin put in front of me. Sleeping 8 hours a day where possible. Waking up and writing stuff. Crossing it out the next day. Going to the doctors three times a year thinking I’ve got cancer. Breaking other 20
people’s tin openers. Washing my face. That has got me here.”
Ma rk Wynn The Rebel Rebel Is sue
More information about Mark Wynn
to the screen and said they were singles. Singles by Mark
can be found on his website at:
Wynn.’ is available at: markwynn.bandcamp.com
markwynn.blogspot.co.uk
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‘singles - but they’re not really singles, I just sent them
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Sam Boullier
pp.22—27
Sam Boullier has a lot of projects on. Yeah, that’s something people often say to describe their rambling creative endeavours, but Sam really does: from providing images for a Paolo Nutini concert to writing stories, taking photos and making films in various forms.
feature, and too long to get funding, so I adopted it into a graphic novel with 19 or 20 artists doing different bits, so tonally the story and art changes as it goes on. It could get more barren or detailed
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“I wrote a screenplay that’s too short to be a
as it changes. Most of the people aren’t illustrators so they’re coming at it from a fine art angle.” The Paolo Nutini collaboration – alongside artist and singer Katie Lou McCabe – came about because of The Loumiere Project, which “focuses on the beauty hidden in microcosms and the process
Images: Sam Boullier
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of turning them into universes for human eyes.”
Culture One&O ther Magazine
“When I have an idea, I might pursue it and it might become something else, so there’s this exciting sense of being 24
out of control, not always trying to force things”
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More information about Sam can be found on his website at: samboullier.com
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ABOVE: Images from Letter to Memphis (top) and Colours and the Kids (bottom)
A lot of Sam’s work could be called ‘experimental’ and is never less than compelling: his two key online films The Colours and the Kids and Letter To Memphis intersperse real-life footage with fiction: “They’re like albums, with motifs that link back and forth. Letter To Memphis is made up of actual footage of my friend Yoshi growing up, intercut with footage I did specially for the film. Fiction and reality collide: it’s almost documentary-esque at times. The sound and picture of ltm and tcatk are antithetical: we presume the two fit together but the film is a complete lie really. I’m telling the story as if it’s honest” – something Sam recognises in John Smith’s 1976 short The Girl Chewing Gum, where the narrative deliberately conflicts and overrides the picture. Sam is also working on a very experimental feature film “dealing with the themes of memory, dreams and reality, based structurally on a collection of short stories or an album. You know how in The Dubliners, the
stories criss-cross and some affect each other and some don’t: well the stories are real and I’ve twisted them into different narrative: the effects of some stories carry over into the others.” Sam had always wanted to be a filmmaker since he was a four year-old child “making dinosaur films.” At York University he studied film, growing more confident in his writing until he directed his first short film and, while preparing his second, joined forces with Katie Lou McCabe, the two collaborating on ‘light art.’ “That was fun and made me realise narrative isn‘t the only thing that drives me: it can be tonal, visual or explorative. Then another friend asked me to be an artist for a three week residency in Cardiff and I began to realise that it is the creative process and connecting with audience that I’m interested in: I don’t have to write an novel or record an album.” We Need To Talk About Kevin director Lynn Ramsey provided a spark of inspiration for
Sam Boullier
@samboullier94
samboullier.com
Instagram.com/samboullier
Sam: starting as a photographer, Ramsey then became a cinematographer and director, in her quest to tell stories. “She said something once that really struck a chord with me; that her film Ratcatcher didn‘t turn out how she wanted, but that the original image she had in her head did at least lead her to make that film. Similarly, my first short film Pretty Daze was going to be tribal people leaping round a fire and it ended up being a Nineties fairytale ecstasy rave movie. That wasn‘t deliberate but I had this vision of ‘youth madness’ that still went somewhere I really liked. When I have an idea, I might pursue it and it might become something else, so there’s this exciting sense of being out of control, not always trying to force things.” The first screenplay Sam ever wrote was when he was fifteen: “It was awful, but it turned into my dissertation, which then turned into a six-part TV drama. Hopefully now I’m turning that into a four-part TV drama, if everything goes to plan. If it doesn’t, I’d be very
comfortable turning it into a novel. I’m not particularly control freaky and I’m happy for the media to change, as long as the fundamental tone stays the same.” At twenty-three, Sam represents a generation of artist/filmmakers who have just about every resource at their fingertips, which he sees as both a blessing and a curse. But he doesn’t make use of digital filmmaking which so many now rely on: Sam is more likely to pick up an old VHS camera or Super 8 and snap away on a film camera to avoid the results being too ‘perfect.’ “This idea of ‘anyone can film anything’ is so freeing and at the same time really not. I love shooting on film because you never know what’s coming back from the lab: it shatters your comfort zone in the age of digital perfection. The way that music has gone now, there’s a million bands and thousands of filmmakers and it’s harder to be good and it’s nearly impossible to make money. I think my feature is probably too abstract to be picked up!
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Facebook.com/sleepysamco
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More information about Sam can be found online through his website at:
Paper Doll: 59 Market Place, Pocklington Bowler: 52 Fossgate
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Culture
Suppliers
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Thanks to Photography: Ben Bentley Art Direction and Styling: Vicky Parry Production: Miles Watts Models: Ava and Molly Special thanks to: Rachel and Andy Hazelwood & Matt Hodgson
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Dress: Paper doll Glasses: Bowler Boots: Model’s own
Teenage Daydream
Molly
Necklace: Isabelle Wong Skirt: Bowler Glasses: Bowler Handbag: Bowler Everything else: Stylist’s own
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Ava
30
Molly
Glasses: Bowler
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Ava
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Glasses: Bowler Necklace: Isabelle Wong
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Molly Everything: Bowler
Ava Top: Paper doll Hat: Bowler Gloves: Model’s own
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Teenage Daydream
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Ava
Molly
Everything: Bowler
Hat & Glasses: Bowler Jeans & Top: Paper Doll
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Teenage Daydream
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One&O ther Magazine
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Culture
about supporting and growing our local film industry. From grass roots to professional filmmaking, Film York is an exciting new portal that connects creative enthusiasm with corporate expertise to support a new wave of UK films. Film York aims to be a valuable
Promotional – FilmYork and The Ar tiller y
Film York are a group of filmmakers, passionate
resource for filmmakers at all levels and enable and nurture connections, conversations and collaboration
filmyork.org
The Artillery will reach out to private collectors and corporations. Not everyone wants to invest in perma-
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which will in turn bolster the York film industry.
nent art; not everyone can afford it: everyone, however, likes surprises, especially when things of beauty are concerned. Overseen by experienced gallery directors Ails McGee and Emilie-Rose Nédey, The Artillery is an innovative and collaborative way for you to augment or start your collection. Hiring contemporary collectibles has never been easier. The Artillery will be the Art Collection that comes to you. 39
theartillery.co.uk
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Fetishism vs. femininity: follow the
PEACH trail
Peach Trail
pp.40—43
Peach Trail are here to remind us that lingerie isn’t just sexy and titillating (although those things happen to be true), it’s also empowering and adventurous, and calls for its wearers to feel the same way. Seducing you with a range of designers in one place – peach-trail.com – cousins Chris and Kate
oneself or to share with someone lucky…
Images: Esme Mai
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enticing sensuality: an experience that can be for
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Atkinson believe in celebrating the female form and
Culture
More information about Peach Trail can be found online through their
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website at: peach-trail.com
I’ve worked for brands in the past such as H&M, ASOS and La Senza designing lingerie. I’m currently a trend forecaster at a company called WGSN. Chris, my business partner is my cousin. His background is in accountancy but we’ve always wanted to create something special together. Me and Chris used to make fires in our grandma’s garden with a magnifying glass and the English sun. We have always been (trouble) really close and always wanted to create something special together. I’ve always had a real interest in vintage lingerie. It started at university, I would go to
this little museum in Manchester and ask them if I could sit and sketch all the lingerie they had in their archives. I love how lingerie can transform how you feel. It sounds silly but it’s true. It’s pretty empowering how lingerie can make you feel. For Peach Trail, I wanted a platform for young designers to preview their work. All my friends shop on the high street for their lingerie, but there are so many new and amazing creative talented brands out there. I wanted to put a spotlight on those brands. We have different brands on site, so it really varies. For our own brand I wanted it to be 20+.
Peach Trail The Rebel Rebel Is sue
Yes, I think people should let themselves be a bit more naughty. Lingerie is the perfect way to achieve this. Again it’s about making you feel like a different person, it’s empowering and it’s a kind of escapism for some people, which I find exciting. I love femininity but I don’t necessarily think it means beauty. I personally find non-feminine people more seductive sometimes. I think confidence is more important and more seductive. I think people have their own style, and lingerie is such a tricky garment. It may not be for everyone, but I just want people to feel good and sexy and special in our lingerie.
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Young, fashion-conscious, little bit naughty (a lot of our styles are high leg – THIS TREND IS COMING!) but I also wanted it to be comfortable. Our Emily body can be worn under a sheer shirt and the lace high neck peeks out at the top: a new kind of ‘worn to be seen’ lingerie. Our lingerie sets are more like fashion basics or ‘elevated casual’. They have beautiful gold clasps and fastenings. I have a lot of friends in the industry: I’m surrounded by amazing, strong, creative women. I get most inspired by my friends, even having a dinner with them and talking about the world for an evening, inspires me.
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Culture
KIOSK
pp.44—53
KIOSK is a small collection of artists and designers based in York, working within the fields of architecture, performance art, clothing, jewellery and food. The group aims to constructively
both within the periphery of York and beyond. Research undertaken throughout the country and abroad informs the group’s ideas and approaches.
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disrupt established modes of creative practice,
KIOSK was raised in York, as were several of its members and is passionate about developing the culture of our city. The project space at 41 Fossgate is a meeting place, event space and from April, the home of KIOSK Cantina.
Rebecca Carr, indigo scarf from collection 3,
Image: Jim Marsden
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double exposure on Polaroid.
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More information about Rebecca can be found through her website at: kioskprojectspace.org/clothing
Rebecca Carr, founder of KIOSK Project Space and maker of contemporary unisex clothing, now under my self-named label, but previously in a partnership. Having grown up in York, studying in London, and in 2013 starting a family, we decided to move home, and do some work here. I completed my studies in tailoring at London College of Fashion five years ago, and began to work freelance for a small womenswear company in London. Since then I have collaborated on projects with various artists and designers, and recently finished my current collection which explores tone, drape and texture. My work is primarily in clothing. I make garments from my studio using hand craft methods and British cloth. As a craftsperson, I aim to make work that is responsible, timeless and quiet. Pattern cutting is simple and concise, and silhouettes reference tradition and modernity simultaneously. Detailing is functional yet minimal, generous to the wearer and often finished by hand. I work by hand a lot, I enjoy working slowly, with purpose, and without having to rely too heavily on machinery. I also own a shop/gallery on Fossgate that shows work from ceramic artists, woodworkers, fine artists and other talented craftspeople. From the shop, we run events, workshops and talks, and it is through this
that we have begun to develop a network of artists and makers in York. Moving back to York gives you a new perspective of the place, and from what I have experienced, opportunity. When I opened the shop in 2014, the thing I began to enjoy the most was meeting like-minded, talented people. I began to see a lot more happening in York than I ever had, because the artistic community is often overshadowed by other things. The events we run at the shop are usually free, and are open to everyone. We hope that KIOSK can help people to learn, develop and collaborate, because these are the things that make our work better. In terms of clothing, my methods and processes make what I do. Working alongside other artists on projects and closely with creative practitioners to document, present and develop gives me the opportunity to subvert the common laws of what ‘clothing’ or ‘fashion’ is. It allows me to work in a more unconventional way, and think about the nature of dress from a different perspective. This freedom of exploration is the reason I make clothes, and when people wear my garments, day to day, it’s a bonus.
KIOSK The Rebel Rebel Is sue
Polaroid. kioskprojectspace.org/clothing Photo: Jim Marsden.
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More information about Rebecca can Rebecca be found Carr Outerwear through her from website Collection at: 3,
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One&O ther Magazine
Culture
More information about Oui Performance can be found at: ouiperformance.org.uk, victoriagray.co.uk & nathan-walker.co.uk
Founded in York in 2010, Oui Performance is a curatorial collaboration between artists Victoria Gray and Nathan Walker. We are committed to developing performance art in the UK, choosing to self-organise outside of the mainstream art market and an increasingly privatised education sector. As individual artists, we have presented our work throughout the UK, Europe, USA and Canada. Both our solo and collaborative practices include durational actions, interventions, time-based sculpture and video, being presented in museums, galleries, and festivals in performance art and fine art contexts. By combining our individual practices and research, Oui Performance is an engine for working alone together, curating works by national and international artists with diverse approaches to performance art. Responding to a lack of infrastructure for performance art within the Yorkshire region, Oui Performance is committed to developing new audiences of performance art within our locality. Since 2010, we have presented over 60 national and international performance artists in York, at various stages of career development including emerging, mid-career and established artists. Importantly, Oui Performance has no fixed gallery space, preferring to situate works in a variety of indoor and outdoor sites relevant to each programme and chosen
artists practice. Being itinerant means that Oui Performance can be responsive to diverse contexts. Since 2010, we have developed projects throughout the UK, Europe, USA and Canada and have established a reputation that is recognised nationally and internationally. Our aim is to support artists that are unafraid to antagonise the limits of their art form, and, those that eschew the profitable “markets” for contemporary art. Echoing performance artist Alastair MacLennan, for Oui Performance, art is not a form of “cultural real estate.” However, in our experience of living in an historic city such as York, artistic practice is often subsumed to the industries of heritage and tourism. As such, the political value of art seems in danger of being instrumentalised as a marketing strategy; a spectacle performed to the ends of a cynical commerce. In the context of a newly ‘elected’ Conservative government, we are in the midst of worrying reforms in the arts, culture and education sectors. These legislative changes continue to make not-for-profit, non-institutional, artist-led organisations such as Oui Performance vulnerable. For that reason, the action of facilitating performance art, against the austere odds, becomes all the more critical.
Biennale of Contemporary Art, Greece.
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Photo: Dimitris Mermigas
KIOSK
Victoria Gray, Ballast, 5th Thessaloniki
2015, Chapter Arts, Cardiff. Photo: Warren Orchard
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Nathan Walker, SCAW, Experimentica
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More information about Eagle Gkiza can be found through their website at: eaglegkiza.com
We are a dynamic young architecture studio based in York. James Eagle was raised in York and studied Architecture at Newcastle University and Greenwich University. Anna Gkiza was raised in Athens and studied Architecture alongside Urban Design at the Bartlett UCL and Oxford Brookes University. Together we have collectively worked in notable London design and Architecture studios for over a decade, working on and leading award winning projects. We met whilst working in London, and shared a desire to establish our own studio. We decided that there was an opportunity for a different and perhaps more challenging approach to Architecture within the city of York and landscape beyond its periphery. Our approach to Architecture places a strong emphasis on a research based design methodology irrespective of typology. For example at the moment James is undertaking a research project with a leading materials scientist, synthetic biologist and architectural Professor Neil Spiller investigating whether the biomineralization of calcium carbonate (CaCO3), that is the process by which many corals and sea shells form, could constitute a basis for Architecture in the near future. As such over the next six months we are prototyping architectural components from the deposition of CaCO3 over textile templates within
the Knaresborough Petrifying Well (image opposite). Our interests are firmly positioned at the forefront of architectural research which in turn colours our approach to our other work such as the private housing projects which Anna is currently running. There are several drivers for our work. Architecture, with a capital ‘A’, as opposed to mere building, can significantly improve people’s quality of life. Further such Architecture together with passive design, can be highly ecologically responsible facilitating our addressing of climate change. Within the context of the City Of York and the surrounding countryside, we are motivated by the potential of such Architecture to distil a stronger sense of place. Predominating ideologies of preservation and conservation, whilst being applicable to historic buildings, can also paralyse the evolution of a city and its culture, creating instead stage sets for tourism. Many new buildings we see being erected here simply dilute the presence of the historic urban fabric and landscape through the notion of simply being ‘in keeping’, consequently moving toward non placeness. Change and evolution of the built environment needs to be strongly embraced, and with this we may also better consolidate and emphasize the original identity of our much beloved historic urban and rural environment.
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Petrifying Well. Photo: James Eagle.
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Prototyping of a CaCO 3 architectural component at the Knaresborough
work can be found at: evieleach.co.uk
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Culture
More information about Evie Leach and her
At work in her studio. Photo: courtesy of Evie Leach
Evie Leach – jeweller and silversmith. I studied at the Birmingham School of Jewellery after spending my childhood in and out of my parents jewellery workshop. I now work in my own workshop, and am currently building up my collection for a series of shows over spring and summer this year. Jewellery making is an ancient trade and the skills, learned over hundreds of years, have been passed down through generations. My work juxtaposes these techniques with modernist, geometric forms that take their inspiration from both nature and the built environment.
Technological advances in the industry over the past 15 years have meant that there are simple, inexpensive ways to design, reproduce and manufacture jewellery. It is however the process and the knowledge of how forms are created that make my work what it is, and I intentionally veer towards tradition and slow making methods to produce strong lines and timeless pieces. Each piece starts out as silver sheet metal or wire in various thicknesses and shapes; this is then sawn, annealed and manipulated through hammering, forming and bending into shapes to be soldered together.
KIOSK
More information about KIOSK cantina can be found at: kioskprojectspace.org
Carrots on fire by KIOSK Cantina.
We are James and Russell, and we are ‘KIOSK Cantina’. We met just over a year ago after moving back to York. We found that we shared a passion and palate for good food and soon began cooking meals together. At first it was spontaneous, using ingredients that we found/foraged on our travels around the city. We cooked for ourselves and a few friends. With the opening of KIOSK came the gathering of more friends. We began experimenting with fire and preserving, balancing different flavours and textures, cooking ‘supper club’ meals, still for our friends and
still with the fire, but with more courses, more processes and more adventurous ingredients. We’ll soon be serving serve small dishes daily at 41 Fossgate. Our focus will be the same, using fresh and seasonal ingredients, articulating the vibrancy of flavour and colour with a menu that is always changing. With no formal training as chefs, we’re learning as we go, this informs the way we look at food and cooking. Meeting people through KIOSK has been the catalyst for all of this – we look forward to trying out new dishes to a wider audience, gathering more friends round the table to share.
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Photo: James Gilroy
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Culture
Bad La s ses
pp.54—59
Bad Lasses are Jade Blood and Laura Adams, born off the back of club nights in York. The two met (probably) at a gig or a bar or a mutual friend’s house. Or was it a WSOTR night at Bar Lane? They soon became friends due to a mutual love of music,
being the last ones standing on any given night out, they soon started to talk about making music, playing music and putting on events in the vein of having
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art and all the other ‘best things in life.’ Usually
fun. Soon people started to ask them to play some records or run a cocktail bar to add a bit of silliness to their already successful events.
We caught up with the two girls for a very candid
Images: Ben Bentley
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lesson in life.
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Culture
Bad La s ses
What party clothes catch your eyes? Jade: Hmm, anything 60s is usually hard for me to pass by – especially things like sequin jumpsuits that I wore about ten years ago and would struggle to squeeze in to now. Capes are instant ‘party’ for me, just because they don’t allow practical bags: this can be problematic yet liberating. Capes are like wings, restrictive wings. Laura: This is kind of a moot point as increasingly I don’t plan ahead, and end up trying to get into a club at 3am wearing a shit t-shirt advertising a car dealership. My actual fun clothes are
What sort of music do you play? Jade: A variety depending on the occasion. My personal favourite is 60s girl groups, sleazy grind and post punk. I have always wanted to do a country or disco special. What music would you play to a) Break up to? b) Chat up to? c) To fuck to? d) Leave the party and decide anywhere else in the world must be better than this shit hole? Jade: a) For my last breakup I survived on a diet of Rilo Kiley and Magnetic Fields for wallowing times but then Sparks for the bursts of optimism that happen in the morning and Jay Reatard for when you start jogging every night for a few weeks. b) Chatting up... hypothetically I would think ‘I Put a Spell on You’ by Screamin’ Jay Hawkins or ‘I Only Have Eyes For You’ by The Flamingos. This is assuming my life turns into a Jim Jarmusch movie or something. c) Probably The Knife or Black Flag. Maybe even Francoise Hardy. d) Some 90s shite like 5ive or The Spice Girls which used to be quite funny but it’s now a signal to get the hell out and find somewhere less youthful.
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Jade: I recommend highly leading a double, if not triple, life. If you can’t get your kicks 100% at work then make sure you’ve got fantastic ‘hobbies’ (hobbies are not to be taken lightly, they are what you are probably really good at but don’t make money from. Hobbies are pure and make us VERY happy) and have brilliant friends who are supportive and make you laugh. Don’t even try to be mates with people who are a drag and don’t ‘get it’ because you‘ll end up being a drag too. Also be aware of what’s going on around you, read the news, listen to music so you can engage in interesting conversation. Laura: Jade got a tattoo at a leisure centre and I can’t think of a better example of being a badass at a family venue.
pretty much all mid-century vintage or charity shop lookalikes, and I do love a good novelty print.
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How do you recommend kicking arse when everyone around you is boring?
Culture One&O ther Magazine
Laura: a) The Tigermilks’ cover of ‘Get Me Away From Here I’m Dying’ is good for moping, but if you’re doing the actual breaking up in a public place you want something incongruous like ‘Cotton Eye Joe’ blaring in the background. b) ‘I Touch Myself’ by Divinyls, takes the wind out of the sails of all but the most determined suitors. How do you recommend people have fun with creativity? Jade: I don’t think they are mutually exclusive: be creative and you will have fun. How do you think you can be ‘bad’ without being a wanker? Laura: If you’re worried about being a wanker you’re probably self aware enough to not be that obnoxious. Staying away from cocaine can only help too.
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What bands should we go and listen to now? Jade: If you want to feel really great then put this song on LOUD before you go out... In fact listen to it on the way to work or at work
ANYWHERE you need a bit of fun: Rita Lee ‘Chega Mais.’ I love Rita Lee, she was in Os Mutantes, a fantastically weeeeeiiirrrdddd band from the 60s/70s. Also X are also a firm 80s punk band fave fronted by badass lass Exene Cervenka. I tend to listen to music with strong female involvement, naturally. Locally I would suggest Cowtown, Wolf Solent, Bull and Junk all for super fun times. If you feel you don’t have any creative talent at all, how would you recommend kicking ass in general? Laura: This is the least of your worries. My drawings look like Napoleon Dynamite did them but I keep churning them out. We put records on as we can’t play instruments very well (but this will not necessarily prevent us from starting a band at some point). I think the limiting factor is being inspired to do something. Jade: I would recommend standing up for things you believe in, trying to live a happy life and doing something selfless once in a while. Basically don’t be a wanker and remember that you’re not always right. Oh and don’t be too hard on yourself!
ble, if not triple, life. If you can’t get
Bad La s ses
“I recommend highly leading a douyour kicks 100% at work then make sure you’ve got fantastic ‘hobbies’ (hobbies are not to be taken lightly, they are what you are probably really
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good at but don’t make money from).”
VINTAGE RE TRO FASHION LIFES T YLE
Do g a n d b o n ev i n t a g e.c o m
Fa c e b o o k.c o m / D o g An d B o n eVi n t a g e
@ d o g a n d b o n e vi n t a g e
PA
VE
ME
NT
@ D o g b o n eVi n t a g e
MO N – T H U: 9.0 0 – 5.30 FRI: 9.0 0 – 6.0 0 SAT: 9.0 0 – 6.0 0 SU N: 11.0 0 – 5.0 0
events
Theatre Listings—p.64
Open Studios—p.66 Art Listings—p.68 Film Listings—p.72 Music Listings—p.74
Great Yorkshire Fringe—p.78 Comedy List ing
s—p.80
Community L istings—p.82
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Event s
York Theatre Royal — 22–30 April / 21–25 June
Theat re
brideshead revisited
York Theatre Royal reopens in fine style with Bryony Lavery’s sparkling new reimagining of the classic novel. Past and present blur as Charles recalls those heady days at Brideshead as Lord and Lady Marchmain and their offspring, Julia, Cordelia, Bridey and Sebastian Flyte, re-emerge. York Theatre Royal and English Touring Theatre will produce an elegant, evocative and vivid adaptation of the much-loved story to premiere at York Theatre Royal before taking it on a UK tour.
A joyous, toe-tapping, and moving theatrical concert event that uses Woody Guthrie’s words and over twenty-five of his songs to transport the audience through his fascinating, beautiful, and sometimes tragic life. Performed by a talented group of four versatile actor/musicians who not only play fifteen instruments but also bring to life the many people who are the fabric of Woody Guthrie’s amazing story.
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Grand Opera House — 13 May
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woody sez: the life and music of woody guthrie
Event s One&O ther Magazine 66
There is something ever so evocative about an artist’s studio: the smell of paints, the chaos formed into beauty; there is something quite otherworldly about them for us mere mortals. That is why, when once a year they open their door to us, the draw is intoxicating. This year’s Open Studios will see nearly one hundred artists across York open their doors to the public. It is a fantastic way to see artists of all different disciplines and levels of their career curate one huge, citywide exhibition. Chair of the event, Anne Hutchison: “This year we are delighted to welcome more than a third of new artists to York Open Studios including a selection of makers based at the
York School of Jewellery. Pop into studios, have a chat and perhaps a cup of tea with the artists and uncover the stories behind their work. You could even find yourself travelling home with a stunning new artwork.” There are more than 70 venues to choose from this year, offering a chance to discover art in a range of spaces which are rarely open to the public, from town houses to cottage workshops and adapted garden sheds, historic buildings including the Cemetery Chapel and Nether Poppleton’s Tithe Barn as well as community spaces. In all of them you will find the makers themselves ready to show you their work in person.
Promotional – Open Studios
STUDIOS York Open Studios takes place across York on Fri 15 April, 6pm–9pm / Sat 16 April 10am– 6pm / Sun 17 April 11am–5pm
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Sat 23 April 10am– 6pm / Sun 24 April 11am–5pm
2: Stephen Wilson 17 George Street / YORK YO1 9QA Stephen creates sculptures (wood and bronze) and drawings of hypothetical life forms within a scientific context. no.
3: Richard Mackness 9 St. Marys / Bootham / YORK YO30 7DD Sculpture and wall pieces examining natural and man-made form in concrete, metal and plastic. I have shown my sculptures around the UK, in Europe and the USA, including at the Whitechapel Gallery London, Aldeburgh Festival, Ikon Gallery Birmingham, Lehmbruck museum Duisburg, Yorkshire Sculpture Park. no.
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1: Jelena Lunge Bootham School Arts Centre / Bootham School / Bootham / YORK YO30 7BU Jelena uses mainly ink and pen to create gorgeously detailed portraits with abstract and expressive elements often drawing inspiration from people, emotions and nature. Currently I am living and working in York, UK. I graduated from Vilnius Academy of Arts with a bachelor degree of Fine Arts in 2009. Also I have an Art Teacher Diploma. Since then I have been participating in various international projects held in Lithuania, Latvia, Estonia, Russia, Ukraine, Czech Republic, Germany and USA.
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Event s
According To McGee, Tower Street — 30 June
Ar t Lis tings
myth america
‘Myth America’ is the latest collection from Horace Panter, widely known as the bassist and co-founder of ska legends The Specials. “With One&Other’s focus on ‘rebels’, you need at least one rock star in there!” laughs gallery director Ails McGee. “Horace Panter is a provocative artist. There’s a socially aware vibe that we like very much. With him, Pop Art becomes a protest song. In that sense, ‘Myth America’ will prove to be a crucial exhibition." The collection is augmented with exhibits from award winning design agency Lazenby Brown.
Lotte Inch Gallery, Bootham — Until 28 May
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life stills
aesthetica arts prize York St Mary’s, Castlegate — 14 April–29 May
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Showcasing cutting-edge practice from today’s groundbreaking contemporary artists, the Aesthetica Art Prize exhibition 2016 invites viewers to discover global concepts through pioneering art and design. The innovators selected for this year’s award hail from locations including Australia, Germany, India, Japan, Malaysia, New Zealand, the UK, and the USA.
Event s
vespertine Vespertine is an innovative and accessible programme of intriguing, spectacular, unique and FREE art events taking place monthly in the early evening gap between work and play. The audience of residents and visitors to York, whether they are arts attenders or not, can experience a range of art forms from music and performance to light projections and art installations.
One&O ther Magazine
More information can be found at: vespertineyork.com
VESP#10 The Bunker Experience Pt 2 Monday 9th May. Short performances from 6.00pm York Cold War Bunker, Acomb, York A series of short performances by John Foxx (founding member of Ultravox) plus analogue synth wizard Benge with live projections, all inspired by E.M. Forster’s short story of dystopian futures, The Machine Stops. FREE entry – booking essential Partners: Pilot Theatre and York Theatre Royal VESP#11 The Ladykillers Wednesday June 22nd. 10.00am-9.30pm National Railway Musuem Shatner’s Bassoon perform a live soundtrack to Ealing Comedy classic The Ladykillers in Station Hall at NRM. Plus This is York archive film with soundtrack from Mia La Metta, a train carriage film commission and screenprint your own film poster. FREE entry – booking for The Ladykillers essential Partners: York City Screen & National Railway Museum VESP#12 Tower to Tower: An Alternative History Trail. Wednesday 27th July. 6pm onwards Trail Starting at Clifford’s Tower travelling to Baile Hill and Bitchdaughter Tower
Two of York’s oldest towers provide inspiration for us to reimagine both York’s past and its potential futures. FREE entry – booking details TBA Partners: York City Council and English Heritage VESP#13 Art and music trail @ The Micklegate Run Soap Box Challenge Sunday 28th August. 4.30pm–6.30pm National Railway Musuem In tandem with the Soap Box Challenge, a special Vespertine art and music trail along the beautiful and historic street of Micklegate. FREE entry – everyone welcome Partners: York Churches Partnership, Micklegate Business Initiative and The Stained Glass Trust. VESP#14 TBA VESP#15 A Very Unusual View Wednesday 19th October. 4–5pm: Families Workshop Session / 5.30pm–7.30pm: Vespertine Events. AOC Archaeology Group and National Centre for Early music team up to explore and reinterpret the medieval church of St Margaret on Walmgate using archaeological laser scanning and music from throughout the ages. Partners: AOC Archaeology Group and National Centre for Early Music
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All events are FREE. All welcome. For more information or to book tickets go to vespertineyork.com or follow us on Twitter @vespertineyork or on Facebook /vespertineyork Funded by York City Council, Arts Council England and the event partners
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Event s
Film
South Bank Community Cinema — 10 June American biographical drama film that focuses on musician-songwriter Brian Wilson, co-founder of the Beach Boys. The film is presented in a parallel narrative covering two specific time periods in Wilson’s life: the 1960s and the 1980s. Paul Dano and John Cusack depict the young and middle-aged Wilson, respectively, with Elizabeth Banks as Wilson’s second wife Melinda Ledbetter, and Paul Giamatti as Wilson’s psychotherapist Dr. Eugene Landy.
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love and mercy
the ladykillers York Railway Museum — 22 June
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York City Screen come out of their cinema and across town to collaborate with the National Railway Museum for June’s Vespertine event. With a special screening of Ealing Comedy classic The Ladykillers complete with rescore by the inimitable Shatner’s Bassoon, and archive films from BFI with a live soundtrack from Mia La Metta film commission.
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Event s
Music
adam green The Duchess — 31 May The ex-Moldy Peach brings his anti-folk stylings to York. Green has made eight albums since his days with Kimya Dawson, with lyrics of the batshit crazy variety. Entertaining to the max, Green’s self-deprecating brand of New York hip-anti-hipsterism is the ultimate release, and absolutely not to be missed.
An irreverent American punk/indie rock band from Glen Rock, New Jersey, Titus Andronicus have released four acclaimed – and very loud – albums and appeared on the Jimmy Kimmel show. Their music ranges from rousing riffs and battles with inner demons to the 93-minute, 29-song, five-act rock opera of their fourth album.
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The Crescent Community Venue, York — 8 June
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titus andronicus
Forest Live at Dalby Forest Friday 24 June
Sunday 26 June
+ C DUNCAN
+ SPRING KING
Guy Garvey
KaISer CHIeFS
Saturday 25 June
JOHN NeWMaN + SPECIAL GUESTS
Tickets: 03000 680400 Buy online/info: forestry.gov.uk/music
“ people who
FC_One&Other_03–16_V01_MW.indd 1
Never
pick a fight with
buy
ink
by the barrel
”
11/03/2016 10:51
7 Apollo Street Heslington Road York YO10 5AP t. 01904 647422 e. ask@fulprint.com www.fulprint.com
Mark Twain
A selection of the things we print Bar/pub pads Barcodes Booklets Bookmarks Books Box shapes, die cut Brochures Business cards Calendars Cards Catalogues Certificates Clothing tags Compliment slips Continuation sheets Correspondence cards Diaries Delivery notes Desk pads Diaries Die-cut items Door hangers, die cut Draw tickets Envelopes Flyers Folders Folder inserts Hotel items Invitations Invoices Jotters Kiss cut labels (solid backing) Labels (removable, hi-tack etc.) Leaflets Letterheads Menus Multi-part sets NCR - self-copying sheets Newsletters Numbered sets Order forms Perforated items Point-of-sale items Posters Programmes Raffle tickets Restaurant pads School Planners Stickers (circular, oval, CD etc.) Swing tags Vouchers Z-fold leaflets. If it's not on the list - just ask.
15th – 31st July 2016
“The best event EVER to take place on Parliament Street!” The Fort York
Tony Law Sh*tfaced Shakespeare John Pendal Doug Segal Juliette Burton Thinking Drinkers Simon Munnery The Ronnie Scott’s All Stars De Profundis Sofie Hagen AND MORE...
For events and tickets: www.greatyorkshirefringe.com 9.30am - 11.30pm daily FEASTIVAL: Fantastic Street Food, Real Ale, Ice Cream and Wines! Plus! Gillygate Festival Club open til’ late
Event s One&O ther Magazine 78
After the inaugural festival last year to prove the (Yorkshire) pudding we decided to programme an even more weird wise and wonderful festival. Showcasing artists and events from beyond the norm, we have Oscar Wilde in De Profundis, Round the Horne, Ronnie Scott’s All Stars with three very different shows, Tommy Cooper, Baby Loves Disco and modern day international edgy comedians Tony Law and Edinburgh Fringe award winner beautiful Dane Sofie Hagen, alternative comedy favourite Simon Munnery and many others, plus returning for 2016 some of our New Comedian finalists with their hour long shows! The Fringe is designed and curated to be a different experience with a whole range of genres
and events, and for this year a true FeAstival of food and drink and a late night Gillygate Shed in the sun and shadow of the Minster. Curation of the festival is always a long process deliberating the right balance of attractions, remembering events and artist that have helped shape our World City. Selecting over 400 shows from over 700 home and international applicants is a challenge! Audiences are enormously varied and those that crave for something new will find it along with the familiar and the unexpected. The Comedy element always tries to excite and inform and certainly the new raft of politically and socially aware performers strive to satisfy those not happy with safe.
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Promotional – The Great Yorkshire Fringe
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Event s
Comedy
York Barbican — 9–10 May The gap between how we imagine our lives to be and how they really are is the subject of Bill’s new show Limboland. With his trademark intelligence and sharp wit, he tells tales of finding himself in this halfway place. He rails against a world that doesn’t match up to our expectations and contemplates the true nature of happiness. Also, Bill’s version of the protest song, a heart-rending country and western ballad played on a Bible, and a fabulously downbeat version of ‘Happy Birthday’.
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bill bailey
jimmy carr York Barbican — 25 September
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Often referred to as ‘the hardest working man in comedy’, Jimmy has so far performed his live stand-up tour shows to well over 1.3 million people and his DVDs have sold more than 1.2 million copies. His stand-up achievements to date include a British Comedy Award for Best Live Stand Up Tour, a Loaded LAFTA Award for Best Stand-Up and a Perrier Award nomination.
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COMMUNITY york food and drink taster festival York City Centre — 1 1–12 June yorkfoodfestival.com/current-festival.php
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Ahead of the main event in September, this taster festival gives you a sample of Yorkshire’s finest fayre. From wine dinners to afternoon tea or hands on cookery, there’s a food event for everyone. In addition, remember to have a look at the various offers at various restaurants and cafes across the city.
york hive Citywide this sprint/summer spacehive.com/initiatives/york Got a brilliant idea for York? Need some funding or support? York Hive is a fantastic way of creating an inspirational project, which the whole city can help fund and then benefit from. York Hive invites you to create a project or back a great idea. Current projects include the Arts Barge and Proudly Indie York, supporting independent businesses and the arts.
Kids Go
FREE
in 2016*
NEW Exhibition Open Now
DISCOVER 400 YEARS OF FASHION, FOOD & LIFE www.yorkcastlemuseum.org.uk
FREE ADMISSION with your YMT Card
*Kids go FREE – Children 16 and under go free with a paying adult; maximum 4 children per adult. Offer does not apply to organised groups. Shaping the Body image: © Prior Attire & Timelight Photographic.
DCMS/Wolfson Museums & Galleries Improvement Fund
One&Other Creative make feature films, produce printed media and support the underdog. We specialise in all that is beautiful. We make news, we curate news. We believe in making things great. We design, we take photos, we art direct and we collaborate. If you would like to work with us, contact: creative@oneandother.com