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Q&A We sat down with Benita of BRC Photography
April 12, 2013
How To... Choose your perfect indie band
Embassy Suites Make your memories with Embassy Suites
NORMAN MUSIC FESTIVAL Your complete guide to the bands, venues and schedules of the sixth annual Norman Music Festival.
what’s
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From the editor Artist Q&A Contemporary Dance Oklahoma Embassy Suites
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“Hello, Dolly!” Book and Music Reviews Best of Art Walk Tattoo Artist Amy Nicoletto NMF6 “Stirring the Fire” at Fred Jones National Weather Center Biennale Top 10 Calendar How To “On The Town” at OU on the cover
Photos of the ONE event
NMF headliner “The Joy Formidable” photo provided
photo provided by Jason Flick
from the editor’s desk
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historic Downtown District. Other upcoming events we’re covering include the University of Oklahoma’s productions of Contemporary Dance Oklahoma, a modern dance show, and the musical comedy “On the Town,” as well as Sooner Theatre’s “Hello, Dolly!” And don’t miss insight into Norman’s two big upcoming art exhibits: The National Weather Center Biennale and the Fred Jones Jr. Museum of Art’s “Stirring the Fire” photography exhibition. After reading N-town, be sure to get out there and experience Norman’s art scene for yourself. Whether you’re listening to live music, seeing art created by local artists in person or enjoying a performance or two, Norman has something to offer for everyone. As a kid I grew up dreaming about rainyday recesses so I could stay inside and color ballerinas and elephants. When I was an early adolescent, my mind was crammed full of showtunes from my favorite musicals like “Guys and Dolls” and “Thoroughly Modern Millie.” I passed hours in middle school playing the trumpet, in high school I was on the stage acting or dancing and in college I found myself in the women’s choir. In the midst of it all I obsessively
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journaled, read books and watched movies. Without a doubt, I loved the arts, and it’s a passion that’s only gotten stronger with time. Living in a community like Norman has reinforced my loveaffair with all things creative. As the editor of the Transcript’s arts and entertainment section, I hope our coverage will reflect the buzz of art, music, theater and dance that is constantly humming in this City of Festivals. In the months — hopefully years — to come, I look forward to highlighting arts events, organizations and individuals that are helping to support Norman as the vibrant, exciting community it is today. For up-to-date information on N-town, like us on Facebook or follow us on Twitter and Instagram. Have any suggestions for us? Comments? Praises? Give me a shout out at hcruz@normantranscript.com. I’d love to hear from you.
Whether you’re listening to live music, seeing art created by local artists in person or enjoying a performance or two, Norman has something to offer for everyone.
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Welcome to N-town! After months of planning, our team is proud to debut our first 32-page monthly arts and entertainment section. The brain child of The Norman Transcript’s editorial, design and advertising departments, N-town has been packed full of dynamic arts and entertainment coverage. Our hope is that these pages will provide a vivid glimpse into the ever-expanding, ever-creative art scenes Norman is fostering within its own city limits. Between the many arts organizations like Norman Arts Council, The Sooner Theatre, University of Oklahoma’s Arts District, Norman Philharmonic, The Jacobson House Native Art Center, Norman Public Arts, Performing Arts Studio and Firehouse Art Center — not to mention festivals like Jazz in June, Norman Music Festival and May Fair Arts Festival as well as the multitude of private businesses — I think it’s safe to say: Norman is overflowing with the arts. This inaugural section highlights some of April’s most significant upcoming events. On the top of the list, our cover story is Norman Music Festival. On page 16, you can learn about the free, three-day festival that has been putting local musicians in the limelight for six years, and brought tens of thousands of music fans to our
Publisher Terry Connor
Ad Director Debbi Knoll
Production Manager Rob Rasor
Executive Editor Andy Rieger
Advertising Represetatives Rebekah Collins Nick Sheats Kimberly Lehenbauer Lee Roberts Sherry Romack Marty Zumphe
Writers Hannah Cruz Lindsay Whelchel Amber Hodge Doug Hill Caitlin Schudalla Kerry Friesen
Editor Hannah Cruz Layout Artist Kerry Friesen
Photographers Kyle Phillips Vicki Farmer Jay Chilton
N-town is a monthly publication of The Norman Transcript, 215 E. Comanche St, Norman, OK 73070. (Phone: 405.321.1800). Letters or editorial contributions should be sent to: N-town, P.O. Drawer 1058, Norman, OK, 73070 or emailed to hcruz@normantranscript.com. N-town is not responsible for unsolicited submissions. Reproduction or use of editorial or graphic content in any manner, without permissions is prohibited. Address advertising inquiries to Debbi Knoll, 405-366-3554 or dknoll@normantranscript.com. N-town can be found online.
SHOP, DINE AND ENJOY opening in April
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specialty stores
health club & spas
The Bridal Boutique Chico’s Crown Fine Jewelry Francesca’s Collections J. Spencer Jewelry and Gifts Jos A. Bank OK Runner SBR Design Co. The Sparkly Spot Teaoli Theo’s Furnishings and Marketplace Wild Birds Unlimited White House/Black Market
The Beach Club Tanning Studio The Health Club Ihloff Salon-Aveda Le Visage Spa & Skin Care Clinic
new, expanded space! delicious
restaurants
City Bites Coolgreens Louie’s at Brookhaven Mazzio’s Pizza Starbucks Coffee
www.brookhaven-village.com NW 36th & Robinson, Norman • 321-7500 • Just west of I-35 on Robinson
A Norman Tradition!
great
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Classic Vision, Dr. Jacob Smith Dr. Phillip R. Parker DDS-MSMS Edward Jones Owens & Graves Lending SAIC SBR Design Co. Steve Owens Insurance Group William Delay Vantage Diagnostic Imaging Vision Martial Arts Academy Yoga at Tiffany’s
When Benita Cloward won a plastic camera as a teenager she never imagined it would blossom into more than just snap shots of family and friends. Since 2008, this former Norman resident has been taking natural-light photographs of weddings, seniors and families as a part of her business, BRC Photography. Most recently, Cloward expanded her brand to include what she calls “Portrait Couture,” a mix between boudoir and glamour photography. I had the chance to step in front of the spunky, self-taught photographer’s lense in her studio in Purcell as we visited about her work and thoughts on beauty and faith. For more information on Cloward’s Portrait Couture line, visit couture.brcphotography.com or find her on Facebook at BRC Photography.
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What was it about photography when you were a kid that attracted you to it?
I come from a large, large family and we used to take a lot of images. I just grew up with my mom always taking pictures and we would take the traditional family pictures annually for a Christmas card and we would always do one or two proper ones but then we would do goofy pictures. I always just associated it with capturing these moments that are like freezing your family in time, basically. Those are the most fun pictures to look back
with Benita of BRC Photography on, too. I never knew either one of my grandfathers, but the only way for me to see them was through images so I always associated it with family and fun and a piece of history. That’s why. Because I was able to capture time, capture families and capture their real life. Actually my first tag line to my business was “Life pictured.”
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How many siblings do you have?
I have 13. I’m number 13 of 14. So imagine the fun we had during family pictures! Where did the inspiration come from for the Portrait Couture line?
I always felt that the female body is just — oh, Heavenly Father knew what he was doing when he created them! And I’m more of a fan of a Marilyn Monroe shape than the runway model shape, but I still think that any female body is beautiful and it should be showcased. I’ve seen myself and other women in my life that once you start having a family and once you start having kids — maybe on top of that you have a job — you forget about yourself. You forget about yourself being a woman. I was like, “Oh, I want to do that, I want to open up that market and help women feel
by Hannah Cruz
beautiful.” I would love if every woman would come and do a shoot for herself first and then second for anybody else. I just want them to come and have the experience of being pampered and going through a time where they can just feel like a woman today. I really think there are women out there that so deserve this and should know that there is this option and there’s not just boudoir. So I have clients that only have normal dresses and clothes on but it’s just a glammed up version of it. You go in knowing I don’t do nudes so basically the rest is how comfortable you feel. I’ve had some girls who surprise themselves — and their spouses — who do bring it but don’t ever think that they would go down to bikinis basically, just bra and panties, but then they do and they absolutely love it. And like I said they surprise themselves and me. And it’s absolutely beautiful.
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What kind of people come get these photos? Or, I guess, what are the reasons people are coming to get these types of photos?
All kinds of people. And all kinds of reasons, actually. Some come because their spouses are either in school somewhere else or are in the military and are gone all the time for work, and they want to surprise them because they can’t actually see them
photo provided
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I want every woman — every woman — to come to me. And I can give them an experience that will have them walking away feeling refreshed, feeling more beautiful and sensual than ever.
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besides doing Skype or Facetime. There’s all kind of reasons. I would hope that they come for themselves first, just to give themselves a day and a beautiful experience. But it can be for their boyfriend, for a spouse, for your girlfriend. I don’t do couple boudoir or glamour. That’s a comfort level I can’t cross. But it doesn’t matter who you want to surprise. It’s for anybody.
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What is your main goal with this branch of your photography?
I want every woman — every woman — to come to me. And I can give them an experience that will have them walking away feeling refreshed, feeling more beautiful and sensual than ever. Or if they’ve never even felt that way, to feel that for the very first time, and to get this boost of self-confidence. Oh my goodness, I’m going to cry. I wish I could give this to some of my sisters, that’s why — sorry, give me a moment. Oh my God! I’m just really, really, so emotionally involved with this. There are so many every day women out there that either work, all day and they come home and do house work and do the family work and they don’t get that.
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How often do you do these photo shoots?
Still not as often as I would like because I would like to do them with every woman. [laughing] But I’ve been doing much more lately, which is just incredible, and makes me super happy. If I could do at least two or three a week I would be so happy.
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What inspires you? Where do your ideas come from?’
A lot of it has to do with what the client is already envisioning. But if they just want to let me do whatever, then it helps if I can see what they look like. If they tell me a little bit about themselves it helps guide me in a direction, that way I don’t pick something that I really like but they don’t or just don’t associate with themselves at all. I love Victoria’s Secret catalogue, I subscribe to them — just for the pictures, of course. And every day life. I’m a people watcher. People watching can be a good thing.
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Do you have any photographers that are your favorite that inspire you?
I do. I love Elizabeth Messina. It’s just gorgeous. She’s primarily a natural light photographer, as well. Then there is, she does glamour as well, Sue Bryce — and that
would be just strictly for this kind of line of work. Other than that, I don’t look too much at other people’s work so I can feel that it’s still mine and I’m not actually copying.
Q A
What do you want to do with your business next? Where do you see it going?
I still want to shoot weddings. I love that, very much so. But if I could, I would love to mainly just shoot headshots and this, aside from weddings and my personal projects and do very little of the other portrait work. If I could do more of this I would be very, very happy. That would seriously fulfill me in so many ways.
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What about it is fulfilling?
You heard me cry earlier. That part is fulfilling. Like seriously because I know, at least so far, every girl that I’ve worked with has gotten exactly what I was hoping for her to get out of this. Meaning, if I were to shoot lots more of this I would be helping women to connect with that inner beauty that they have and they would actually remember that they have it. Or for the first time actually see it.
Q A
How much does your faith in God shape your artistic vision and your work? Or does it at all?
It definitely plays a part in it. I find it very awesome that Gordon B. Hinckley said — oh my gosh, you’re making me cry again, what is this Oprah Winfrey? — but he said that every woman deserves to be said or told that she’s beautiful. So I’m like, “Oh my gosh, that was for me.” Seriously when I heard that I thought, “You’re speaking to me, right? You’re speaking to me so I can help women even more.” It just means a lot to me to be able to do this and to help women. I don’t even know if it helps women.
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Well, I think it is helping women, if you’re helping to develop their selfesteem and highlight their qualities.
Yes. I definitely feel that it has quite an impact on how I see a woman. Because I appreciate the female body and I want them to appreciate that as well with its kinks and faults and blemishes — I have them, I get it — I have scars, I have dimples where they shouldn’t be. But I get that. Yes, it totally impacts and shapes the way I look at women — my beliefs, and my faith in Christ and Heavenly Father.
DANCE
like no one is watching Contemporary Dance Oklahoma showcases the University of Oklahoma’s modern dance skills and seeks to bring in a new audience.
by Caitlin Schudalla
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The raw emotion and visceral power of modern dance will take audience members on a journey through history and human introspection as the University of Oklahoma’s Contemporary Dance Oklahoma (CDO) takes the stage April 5-14. Though each production of the OU School of Dance offers its audiences a unique experience, artistic director and choreographer Austin Hartel said that for him, ience-centric purpose. this show is crafted for a simple, audience-centric come see the show, “My goal is simple: I want peoplee to and like it so much that they’ll come see modern dance again,” Hartel said. “That’s why I like that it’s an eclectic show, there’s something for everyone.” or individual Structured in a series of suites ar narrative story-telling sketches, CDO departs from the linear ents a compilation of of traditional ballets and instead presents thing from cultural autonomous vignettes exploring anything es like habit. commentary to abstract human themes nce understands a story, “It’s not so much that the audience it’s that they were taken somewhere — they went there, they came back,” Hartel said. This presentation style capitalizess on modern lf to virtually any dance’s unique capacity to apply itself ssistant Artistic music, setting or taste. Simply put, Assistant Director and choreographer Derrick Minter said modern dance creates a show with somethingg for everyone that is deeply expressive and affecting for both viewer and dancer. “That’s what’s interesting about modern dance compared to ballet — the dancer has the chancee to be free to express nce, connect with what’s who they are, their personal experience, d. “It’s not a fairy tale, going on in the moment,” Minter said. onnect with the varieties and I think audience members can connect of movement.” True to the broad range of both modern dance and udiences into the golden CDO’s style, this year’s show takes audiences n Three” and “Suite age of jazz with Minter’s “Elegance in Ellington,” moving into the thematic exploration of Hartel’s Tethered.” “Syncopated,” “Working Flesh” and “Tethered.” grapher Donald Finally, excerpts of guest choreographer McKayle’s “Songs of the Disinherited”” will embody ously invigorating messages both devastating and gloriously aspora in the as it celebrates songs of the Black diaspora Americas. photo by Kyle Phillips
“I want to present something to connect younger audiences with generations of the past with Duke Ellington, bring back these treasured artists and help younger people understand why this is classic, while connecting with older audience members who remember the era of the music,” Minter said. Prominent in CDO 2013’s various suites will be choreography showcasing the dual strength and delicate b beauty of female dancers. “I’ve always liked to ch choreograph dances that are really strong for women — you’ll se see that in ‘Syncopated,’ the women are very powerful,” Hartel said said. Megan Storey, CDO per performer and OU School of Dance senior, said this feminine focus coupled with the subject matter of the 201 2013 pieces has provided a singular experie experience of growth as a dancer and ar artist. “CDO has directly affected my technical ability as a dancer but indirectly shaped how I approach new and difficult things, work ethic and growing knowledge of wh what it takes to be a professional dancer — how to persevere and be an ag agreeable and adaptable dancer for choreographers,” Storey said. “I love performing all of the piece pieces but one of my favorites is ‘Angelitos Negros’ from ‘Songs of the Disinhe Disinherited.’ It’s a female solo for a woman that embodies outrage against preju prejudice — the solo is strong, nurturing, protective, and loving, but simultan simultaneously stern and powerful,” Storey said. “It is extremely beautiful, and the intention behind the movement has healing properties that have touched me in an indescribable way.” Though much of CDO’s subject matter is co complex and manifested in careful integration of music and symbolism, the overpow overpowering emotion each piece will evoke will not require audience members to pic pick up on nuance. “I can think as cerebrally as possible about my choreography, but I don’t expect audience members to notice all of that,” Hartel said. “I expect them to be viscerally moved by the work — they could love it, they could hate it, it could make them cry or laugh but ultimately they leave with an experience that they remember positively so that next time there’s a p performance, they want to come back.” Performances are scheduled at 8 p.m. April 11 and 13 and at 3 p.m. on April 14, in the Rupel J. Jones Theatre, 563 Elm St. Tickets prices are $22 for adults and $18 for senior adults, OU faculty, and staff and military, and $14 for students. Tickets may be purchased by calling 405-325-4101, or in person at tthe OU Fine Arts Box Office, 500 W. Boyd St., in the Catlett Music Cente Center.
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Embassy Suites Norman is the perfect venue for weddings, receptions, bridal showers, birthday parties, anniversary celebrations, graduation gatherings or family reunions. Out-of-town guests will find a home-away-fromhome in our two-room suites with cooked-to-order breakfast and complimentary manager’s reception each day they stay with us. We have a wide variety of space options from our breathtaking Grand Ballroom
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Hello 10
DOLLY! by Hannah Cruz
A staircase. A red dress. And a sassy matchmaker. These are the makings of the 1964 Broadway classic “Hello, Dolly!,” that’s playing out on stage at The Sooner Theatre this weekend. Jennifer Baker, Sooner Theatre executive director, is marking 10 years with the theater by starring as the production’s leading lady. Joining the likes of Carol Channing, Ginger Rogers and Barbra Streisand playing the infamous Dolly, Baker said she is honored to participate in the “Hello, Dolly!” legacy. With the musical quickly approaching its 50th anniversary, Baker said she is excited to share the beloved story. “I just love introducing the classics,” Baker said. “We do so many contemporary shows these days it’s just nice to have a classic back in the mix that everyone knows and can hum along with. It’s nice for the audience to have a classic.” The story takes audiences on a whirlwind race around New York at the turn of the 20th century as they follow the adventures of America’s most beloved matchmaker, Dolly. Full of memorable songs by Jerry Herman like “Put On Your Sunday Clothes,” “Hello, Dolly!,” “It Only Takes a Moment” and “So Long, Dearie,” director Matthew Sipress said the show has something for everyone. “Little kids will love all the farce stuff and all the door slamming and the dancing and the pretty costumes,” he said. “People out on a date will like all the romance. And then there’s the comedy.” Sipress said the theater’s production will include the choreography from the 1964 original. As a former member of several professional and
Go to N-town’s Facebook page for a chance to win free tickets to this weekend’s performance
touring companies of “Hello, Dolly!,” including the 1995 Broadway revival starring Carol Channing, Sipress has a unique perspective on the matter. “As a director and choreographer I’m passing along history: This historical, iconic choreography,” he said. “I’m doing the original. I’m doing Gower Champion’s original stuff that you saw on stage in 1964.” Baker said the Sooner Theatre’s nod to the original will be a walk down memory lane for many theatergoers. “There’s going to be people sitting here who aren’t going to be able to help but look back and think, ‘Oh, I remember when I first saw ‘Hello, Dolly!’ It was at the movie. Oh, no, I saw it in this little theater in Texas.’ Everyone for the most part, for our older patrons, they get to think back and be nostalgic and think, ‘Where did I first see it?’” Sipress and Baker can’t help but reminisce themselves. “Having done the show with Carol Channing, I was 23 when I did it with Carol, and let me tell you to stand on the stage in the LuntFontanne Theatre in New York City and you’re standing at the bottom of
photos by Vicki Farmer
the stairs and there’s Carol Channing at the top — iconic,” Sipress said. “The iconic staircase, the iconic red dress and the
woman is in it. I had to stop and think for a second.” “I get emotional every time the music starts I can barely even
sing ‘Hello, Harry. Hello, Louie’ because I’m always about to cry,” she said. “That for me is it, too.” Baker is joined
on the stage by local favorites Mandy Jiran, Mat Govich, Michael Gibbons, Cassie Blacksten, MacKay Whalen, Preston Taylor, Ryan Blagg, David
Hopper and Shirley Franklin. The cast includes over 30 community members, professional actors and students. Music Director for the show is Jason Grife. “Hello, Dolly!” showtimes are 8 p.m. April 12, 8 p.m. April 13 and 2 p.m. April 14 at the Sooner Theatre, 101 E. Main St. Tickets are on sale now and can be purchased online at soonertheatre.com, by phone at 405-321-9600 or in person 10 a.m. to noon and 2-5 p.m. Friday at the box office, 101 E. Main St. Tickets range from $18-$23, with a special $15 rate for children 12 and under. Group discounts are available for groups of 10 or more. Student Rush: College and high school students who show their valid school ID at the box office within one hour of showtime can purchase tickets at 50 percent of the regular price for that evening’s performance. Student Rush tickets cannot be purchased in advance. For more information on upcoming shows, concert, events and auditions at The Sooner Theatre, visit soonertheatre.com.
reviews books by Amber Hodge
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Book: The Dinner (2013, Crown Publishing Group) Author: Herman Koch Why you should read: A story that has been likened to Gillian Flynn’s “Gone Girl,” “The Dinner” revolves around one setting: a diner. But a typical, intimate setting with happy conversation is the last thing on the menu. Early on readers are given the harsh reality that this book isn’t going to be a lighthearted story. When two couples meet up at a diner, there is no happy outing to be found. We are first introduced to Paul and Claire Lohman, and Paul’s brother Serge and his wife, Babette. With nervous tics and weepy faces as far as the eye can see, it’s made clear there are a dozen or more reasons to doubt the sanity of these four very interesting characters. As it turns out, the lack of sanity runs on both sides of the family. Both couples have 15-year-old sons who are the cause of negative media attention of late. The boys happened upon a sleeping homeless woman, and upon examining her smelly and prone state in an ATM cubicle, decided to get creative with fire and a gas can. But as the only people aware of who exactly was at the heart of the crime, the parents are fraught with questions and indecisions on the matter. With the meal courses setting the story’s pace, we are driven deep into the heart of this frightful tale where we are left with the knowledge that maybe the apple doesn’t fall too far from the tree. “The Dinner,” for all its rotten morals, is a window into a twisted family where readers can watch the characters squirm under a magnifying glass of ugliness. And while readers may not have the appetite for more once the book is finished, the first-time journey is full of chilling discoveries that lead up to a well-played, satisfying ending.
by Amber Hodge Book: The One and Only Ivan (2012, HarperCollins Publishers) Author: Katherine Applegate Why you should read: “I am Ivan. I am a gorilla. It’s not as easy as it looks.” At No. 3 on the New York Times Bestseller list for children’s middle grade books, Applegate’s “The One and Only Ivan” is a story told from the point of view of a silverback gorilla named Ivan. He is known to the public as the “Freeway Gorilla” and the “Ape at Exit 8.” But there’s more to Ivan than the people know. With a simple and direct opening, this heartfelt story sucks you into a thoughtful and beautiful world with unforgettable characters that will please anyone from eight to 80 years old. Driven by short, to-the-point chapters and brief illustrations, Ivan relates his life as a zoo animal with a wistfulness that will no doubt leave even the hardest hearts softening. His experiences and stories shared with neighboring animals are nothing short of wonderful, and his thoughts on people will leave you questioning your own actions at the end of the day. And then a baby elephant struts into the picture. Ruby is one of the aforementioned unforgettable characters. She is enough to capture readers with a flick of her trunk and a smile. Her innocence is offset by the sometimes horrifying realization of the life captive animals can have. As a whole, this book might sound like a sad and heavy tale, but it is far from it. Is it a tear-jerker? Absolutely. But the abundance of humor and lighthearted thoughts make it worthwhile. “The One and Only Ivan” can only be described as a captivating story. There aren’t too many gorillas I know that can give me the urge to run out and hug my nearest zoo friends. This story is one for all ages, and will be a re-reader on many shelves, for sure.
music by Doug Hill Album Name: Music for Film (2013, Dead Letter Records) Musician: The March Divide Synopsis: Debut album for Jared Putnam’s The March Divide ready for the big screen Why you should listen: Jared Putnam’s first band was at age 15 in hard rock outfit Mojo. That was in El Paso, Texas, and now he’s based in San Antonio and around 20 years older. Putnam formed a band called Level in 1999 with a name change to The Conversation in 2002. “Music for Film” is the freshman disc for his latest project The March Divide. He’s still playing with former band mates Jorge Ramirez on bass and percussionist Mike Hernandez. Putnam has wisely added singer Laura Wheeler to the mix. Their vocal harmony together is tight as bark on a tree. Any of the album’s 10 tracks really could be for a cinema score. They’re well-crafted pop tunes with emotional intensity and fine musicianship. It’s not Americana music so much as solidly American music. Putnam’s success has been in the southwest but he doesn’t sound Texan. He’s reminiscent of Graham Colton, someone also with his roots in this part of the world, but who has acquired California sheen. In the first song “Still Analog” Putnam pledges there will be no more songs “…About all the girls I hate.” That’s no small promise from a guy whose influences include The Promise Ring and Elliott Smith. Two tracks later “I’m Unconvinced” might leave you unconvinced. It’s an anthem to leaving mistakes and false starts in the past but also about needing help from an indifferent someone. This one’s a Lifetime Movie Network soundtrack. Wheeler’s lead vocals on “Pick Me Up” demonstrate impressive range and rich musicality. Wouldn’t be surprised if she has country projects on her resume although there’s not a hint of hayseed in her voice here. Wheeler and Putnam forge their voices into one strong alloy on “Done Waiting.” It’s pop radio-ready. Make a tub of buttered popcorn and give Music for Film a listen.
by Doug Hill Album Name: Small Batch (2013, Exro.FM & Lamingtone Records) Musician: The Cannanes Synopsis: Small Batch is the latest release from the best Australian pop duo you’ve never heard of. Why you should listen: Stephen O’Neil and Frances Gibson have been recording together over the last 27 years. Although not a household name, they’ve made a sonic impact with devoted fans around the world touring in the USA, Asia and Europe from their home base Down Under. They were found after his demise listed in one of Kurt Cobain’s notebooks as among the musician’s favorite bands A 2011 American show poster adoringly refers to the duo as “From Australia: Seminal Indie Gods.” The Cannanes’ latest release “Small Batch” is aptly titled because it’s a wee six tracks long. Those 20 or so minutes of lush sound are like a handful of perfectly delicious home-made cookies that you wish were a baker’s dozen. Gibson’s gently melodic vocals suggest the Aussie lullaby nurse you never had. Her voice sometimes has a slight endearing quaver that’s subtly enchanting. The songs have an enigmatic fairy tale quality that draws you into a world not easily understood. Melodies are the pesky kind that come back uninvited in waking dreams. With a single exception the song titles are one word: “Bumper,” “Crawler,” “Basics,” “Molecule,” “Tiny Compartment” and “Zone.” So they’re less than helpful decoding the cryptic meanings. Is it a coincidence that the lyrics tab at The Cannanes’ website doesn’t open? I don’t think so. Trumpet and flute aren’t typically associated with space pop in this century but the Cannanes add them for magical, albeit grounding effect. The trumpeter is Penny McBride but it’s as if she’s channeling Herb Alpert playing languidly on a Marrakech night train. The “Molecule” composition is a thumping beats box percussion trek with eerie echo lyrics and vibrating bass line. There’s something vaguely sinister about the sound like those unfamiliar jangles right before your car stumbles unexpectedly to a halt on a remote moonlit road. “Small Batch” is a petite dose of dreamy aural confusion.
Stop by Gray Owl Coffee, 223 E. Gray St. for a pick-meup before the evening and check out a works on paper exhibit Madcap Doodles from Alli Campbell and friends.
Sonder Music, Dance & Art, 225 E. Gray St., continues hosting Blue Bunny, Russian Cat, a collection of paintings coming out of the sillier side of artist Roshni Robert’s brain.
6 p.m.
6:45 p.m.
Grab dinner at Big Truck Tacos (parked at STASH, 412 E. Main St.) from 6-9 p.m. 7:15 p.m. (weather permitting)
Plan your perfect Art Walk with us. Find a complete list of events at 2ndfridaynorman.com/
Check out the Wandering Madman performing free at Bluebonnet at 321 E. Main St.
10 p.m.
While, you’re there, stop by STASH, 412 E. Main St. They are hosting a special preview of Keisha Register’s Wallpaper Project, a collection of photograph portraits that celebrate the Norman community, along with new work from Bella Vita Jewelry and crepes by Karen.
Wander around Sandalwood & Sage, 322 E. Main St. and check out their trunk show of imports from Nepal.
8 p.m.
8:30 p.m. Bigfoot Creative, 315 E. Main St. welcomes the bold, funky work of artists Barry Magnin and Derrick Adams.
9:30 p.m.
The Artist Studios above MAINSITE, 122 E. Main St. features new watercolors by Bill Williams and work by Skip Hill, as well as Maggy’s Thread’s new line of spring and summer hats, handcrafted by Juanita Williams. Go meet the artists and see where they work!
9 p.m.
normanink
Skin Vandals Tattoo and Piercings is hosting the celebrated ink artist and former reality TV show personality, tattoo diva Amy Nicoletto, at their North Flood Avenue location April 22-24.
by Doug Hill
Amy Nicoletto is a star in a rarefied galaxy that many are unaware of. She’s made a name for herself as a professional tattoo artist who now spends much of her time as a celebrity attraction at tours and conventions around the country. Nicoletto will be tattooing clients and greeting fans here in Norman April 22-24, at an event sponsored by Skin Vandals Tattoo and Piercings, 1013b N. Flood Ave. “When I was 5 years old I won first place in an art
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competition for a poster I made,” Nicoletto said. “Ever since I was old enough to pick up a pencil, pens or crayons I’ve been creating.” A native of New Jersey, Nicoletto also worked in the resort industry and as a medical assistant before entering a two-year tattoo artist apprenticeship. She broke out into professional inking in 2005 and moved to Los Angeles three years later to continue practicing. Serendipitously, a casting agent for the TLC cable TV channel approached her about auditioning for their show “LA Ink.” With a combination of sensually mysterious good looks and east coast moxie Nicoletto was a natural fit. “LA Ink” stopped production in 2011 but Nicoletto gained a world-wide following from the show that has supercharged her tattoo artist career. Because of an interest in the supernatural, propensity for exotic eye makeup and a vampy vibe in general, Nicoletto holds a fascination to many people. Her amy24seven.com website photos project the young woman as a sexy, possibly sinister temptress. “I’m actually starting to get into some of the horror conventions now which are combining with tattoo conventions,” Nicoletto said. “I’ve done Boris Karloff, Bela Lugosi and Lon Chaney portraits recently on my
boyfriend.” A horror flick aficionado since youth, she feels fortunate to be able to mix her talent with ink and the macabre. Her fascination with war paint goes way back, too. Nicoletto was reprimanded for wearing lipstick in first grade. “My mom always wore a lot of makeup so I think that’s where my fondness for it came from,” she said. “I would always mess around and try new things and I learned a lot while working for M.A.C. Cosmetics.” It’s just another outlet, also on epidermis, for her natural artistic impulses. Nicoletto denied being photogenic or having any ambition for pursuing an acting career but if the right television opportunity came along she’d probably jump back in. “I did a cameo in this little film a friend made called ‘House of Horrors’ and I was a victim,” she said. “That’s probably as close as I’ll get to making a movie.” Going from New Jersey girl to California girl had its eye-openers for Nicoletto. Her forthrightness in speech sometimes took left coasters aback. “I tell people like it is,” she said. “It’s not like I’m being mean, because I’m really nice to people, sometimes to a fault. Our way of joking around can be a little harsh though, too.” Nicoletto noted that some of her east
coast aggressiveness is gradually being mellowed by her time in California. “Living there has been good for me,” she said. That more laid back approach to life has undoubtedly enhanced her popularity at tattoo conventions. Part of the business is being able to relate to new clients, listen to their desires and spend time learning what they want. “I try to cater to everyone as much as I can,” she said. Tattoo conventions mean 14-hour work days, people constantly wanting autographs and photos and often no dinner until 2 a.m. “I try to concentrate while I’m tattooing and not talk too much,” she said. Nicoletto met Skin Vandals owner Sean Evers at an Oklahoma City convention. “He had a big old leprechaun suit on and I never forgot him,” she said. There’s no mistaking Evers is IrishAmerican from the shamrocks and other emerald isle theme tattoos on his arms. “He was really nice to me and has such a nice personality,” Nicoletto said. “Some people are stand-offish or snotty to me because they think I’m going to be mean because I was on TV but that’s just not the case.” Find out for yourself when Nicoletto visits Norman. To schedule a tattoo appointment with Nicoletto visit amy24seven.com.
photos provided
NMF crowd wanders Main Street. photo by Kyle Phillips
NMF Your complete guide to the bands, venues and schedules of the sixth annual Norman Music Festival.
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NMF crowd wanders Main Street. photo by Kyle Phillips
NMF Your complete guide to the bands, venues and schedules of the sixth annual Norman Music Festival.
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Jesse Tabish, singer for The Other Lives, performs during the band’s show at the 2012 Norman Music Festival. photo by Kyle Phillips
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by Hannah Cruz
eggae, metal, country, Americana, blues, R&B, Latin, electronic, psychedelic, hiphop, pop, ambient, DJ, hip-hop: Norman Music Festival has it all. With over 200 bands performing in the sixth annual urban, indie music festival April 25-27 in Downtown Norman, NMF Chair Steven White said the free event highlights a range of local talent. “I do believe that there is a music scene in Norman that’s different than what you see anywhere else. It’s different than what you see in Dallas and its different than what you see in Oklahoma City,” White said. “There’s always a
good group of regular bands — whether they’re playing at the Opolis or they’re playing at The Deli or they’re playing at The Bluebonnet — there’s just such a thriving force of good musicians who are here. And then underneath that, in the underbelly of that, there’s always these new bands that are coming up. “It’s a very creative community. So the opportunity to raise the flag for these bands, to showcase these bands, to let people see this vibrant music scene — I think it adds value to our community. Yes, we call ourselves the City of Festivals and there’s a lot of things we
do to bring people in, but really with the Norman Music Festival we’re bringing people in to showoff the musical talent that we have right here. The musical talent that we have is thick and rich.” Alex Larrea, guitarist for DEERPEOPLE, a psychedelic pop band based out of Stillwater, Okla., performing this year at NMF, said NMF was critical in establishing the band’s credentials and confidence when they were first starting off. The group formed in 2009 with bandmates Larrea, Brennan Barnes, Julian Shen, Jordan Bayhylle, Derek Moore and Kendall Looney, first performed
at the third NMF in 2010 as the Opolis stage headliner. “I don’t know many other states or cities that have festivals that really make local musicians and artists feel huge. You feel important,” Larrea said. “The bands you know and play with and hang with, those are the bands getting the headliner positions.” DEERPEOPLE is performing 11 p.m. April 26 on the Blackwatch Stage. Larrea said the group has some big ideas up their sleeves to make the show unforgettable. The Main Event With this year’s main lineup,
about the songs that we’ve written almost every night depending on the audience, the place or the circumstances. “We definitely wear our hearts on our sleeves when we’re playing live. It’s really like a dangerous kind of honesty, the way we perform. It’s certainly not contrived and we’re not going through the motions — it’s not about that. It’s about actually feeling something about the songs that you’ve written and having something honest in that moment with that crowd. I can’t really describe it in any other way.” Past headliners include Portugal The Man, Other Lives, Red Wanting Blue, The Olivia Tremor Control, The Walkmen, Black Joe Lewis, Ty Segall, Dirty Projectors, Electric Six, The Sword, Leon Russell, James McMurtry, The Gourds, Of Montreal, Man Man, The Polyphonic Spree and British Sea Power. Where It All Started and Where It’s Going The inaugural NMF was held in 2008 as a program of the Norman Arts Council. With approximately 20 bands participating, White said a total of about 20,000 people came for that first year. Since then, NMF established Norman Music Alliance, a 501 (c)(3) organization responsible for organizing the annual event, in 2012 and has continued to see rapid growth every year. “After we met after that first one we felt this was something we could do better the next year so we started planning the next one. Since 2008 when we started, we’ve seen about
10,000 new people come every year,” he said, with this year’s Saturday attendance anticipated at nearly 45,000 people. White said the festival has seen so much success because it benefits both fans and musicians. “You’ve got these bands in Norman, in Oklahoma City, in Tulsa — this is an opportunity for everybody to come together,” White said. “One, the fellowship of the bands together, they get to see bands, there’s some cool bands in Tulsa that the kids in Oklahoma City don’t get to see so the opportunity to be around everybody, and then just for the fans to be able to walk in and out all the venues. I think bands get real excited about it.” Of course, White said, the festival wouldn’t be possible without the generous support of volunteers, sponsors, downtown businesses, musicians and the City of Norman. “All the people that we work with, all the resources that we get from the city and the help from the Downtowners and the help from the Chamber, all these businesses — everybody kind of coming together for one
weekend that is out of the ordinary, that’s more fun than you can probably shake a stick at,” White said. “People come together and somehow it works out.” Hopes are that the festival will continue to grow in the coming years. How long growth will happen is uncertain, White said, but he does anticipate having to change the structure of the festival, possibly moving a portion of the festival to another location. No matter what happens in the future, White said he doesn’t want to set limitations on what could happen. “To me this organization is very organic. It’s a bunch of people who just had a passion, nobody was trying to make any money, we were just trying to develop something unique here in the town,” White said. “With the Arts Council and the help of the Chamber and the Downtowners, we were able to utilize Main Street for the urban setting. I think the worst thing you could do is try to box this festival in and say, ‘This is where it goes.’ It kind of has to grow on its own.” For more information on NMF visit normanmusicfestival.com.
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I don’t know many other states or cities that have festivals that really make local musicians and artists feel huge. You feel important.
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White said his goal was to create a giant dance party on Main Street. “I just wanted big, fun, lots of lights, lots of shaking. There’s a funk band out of New Orleans called Big Sam’s Funky Nation, they’re the main support, and there’s just going to be people dancing and sweating and having a good time.” White said. “After that we’ve got this indie, pop, rock band The Joy Formidable.” Big Sam’s Funky Nation takes the Main Stage 8 p.m. April 27, with The Joy Formidable afterwards on the same stage at 9:30 p.m. With The Joy Formidable, a three-piece Welsh band formed in 2007, stepping into this year’s headliner lime light, White said listeners are sure to have a good time. Rhiannon “Ritzy” Bryan, lead vocalist and guitarist for the group with Rhydian Dafydd on bass and backing vocals and Matt Thomas on drums and percussion, said the group is eagerly anticipating their first visit to Oklahoma. Bryan said she enjoys the celebration-like atmosphere urban festivals provide and looks forward to feeding off of NMF’s exciting energy. The group enjoys interacting with the crowd during shows, Bryan said, and she hopes to be able to provoke emotion in the audience through the band’s personally-written pieces. “It leads to quite a spontaneous, dynamic kind of performance in that we never quite know what sort of emotion or thought it’s going to provoke,” Bryan said about performing songs live. “I tend to discover something new
- Alex Larrea
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Thursday, April 25 • 6 p.m. Ali Holder, Abner’s Paul Shell, Michelangelo’s Coffee Tanner Blair, Brewhouse Stage The Gussissin, Opolis Claire and Karlie, Tres Indoor Stage Rum Fellow, Tres Patio Stage • 6:30 p.m. Bob Deupree, Michelangelo’s Coffee • 7 p.m. Roger Holland, Michelangelo’s Coffee Derrick Weber, Bluebonnet Stage Kill the Reflection, Brewhouse Stage Prix Teen, Opolis SonicViolence, Bill & Dees Stage Jonny Shank & The Sharpened Spoons, Abner’s Rachel Lynch, Tres Indoor Stage Them Hounds, Tres Patio Stage • 7:30 p.m. David Henson, Michelangelo’s Coffee • 8 p.m. Young Readers, Bluebonnet Stage SSU, Brewhouse Stage Feel Spectres, Opolis Kali Ra, Bill & Dees Stage Grazzhopper, Abner’s Allie Lauren, Tres Indoor Stage Tandaradei, Tres Patio Stage • 8:15 p.m. Nathan Brown, Michelangelo’s Coffee • 9 p.m. Matthew Stratton, Michelangelo’s Coffee Oklahoma Cloud Factory, Bluebonnet Stage The Nghiems, Brewhouse Stage The Workweek, Opolis Scabby Itchins, Bill & Dees Stage Keirston White, Abner’s Anna Kinder, Tres Indoor Stage The Move Trio, Tres Patio Stage • 9:45 p.m. Jerry Brooks, Michelangelo’s Coffee • 10 p.m. Jerrod Beck, Bluebonnet Stage Blake Fischer, Brewhouse Stage Crown Imperial, Opolis Skating Polly, Blackwatch Stage BitchWizard, Bill & Dees Stage Caleb McGee, Abner’s Michael Stafford, Tres Indoor Stage Moongiant, Tres Patio Stage • 10:30 p.m. Peter Erickson, Michelangelo’s Coffee • 11 p.m. Barling, Bluebonnet Stage Magnificent Bird, Brewhouse Stage The Wurly Birds, Opolis A.M.P., Blackwatch Stage The Hex, Bill & Dees Stage Amy Downes, Tres Indoor Stage Gabe Hancock, Tres Patio Stage • 12 a.m. The Dead Armadillos, Bluebonnet Stage Tallows, Brewhouse Stage Horse Thief, Opolis Depth & Current, Blackwatch Stage Scott Strandberg, Abner’s Town and County War, Tres Indoor Stage Tele Mori, Tres Patio Stage
Friday, April 26 • 3 p.m. Loom, Guestroom Records • 3:45 p.m. Poolboy, Guestroom Records • 4:30 p.m. The Pizza Thieves, Guestroom Records • 5:15 p.m. Gross Beast, Guestroom Records • 6 p.m. Dadrock, Dreamer Concepts Stage Shutdown Shutouts, Guestroom Records Kirby Evans, Michelangelo’s Coffee John Dunbar and Midwest Tragedy, Bluebonnet Stage Josh Qualls, Brewhouse Stage Colin Nance, Opolis Outdoor Stage Amanda Cunningham, Tres Indoor Stage • 6:30 p.m. Farrel Droke, Michelangelo’s Coffee • 6:45 p.m. Power Pyramid, Guestroom Records • 7 p.m. Fire Wolf, STASH Cosmostanza, Dreamer Concepts Stage Corporate Ghost, Bill & Dees Stage Tom Crider, Michelangelo’s Coffee Bryan Mangieri, Bluebonnet Stage Kaitlin Butts, Brewhouse Stage Skeleton Coast, Opolis Outdoor Stage Claire Costello, Tres Indoor Stage • 7:30 p.m. TJ Mayes, Guestroom Records Tom Marshall, Michelangelo’s Coffee • 8 p.m. Ithica, STASH Kick Nancy Down, Dreamer Concepts Stage The Trading Co., Bill & Dees Stage Acoustic Ross, Bluebonnet Stage We Were Fiction, Brewhouse Stage Addverse Effects, Opolis Outdoor Stage Elton Jenkins, Abner’s Da Punto Beat, Latin Stage • 8:15 p.m. Darden Pierce, Michelangelo’s Coffee • 8:30 p.m. Marriage, Guestroom Records • 9 p.m. Eureeka, STASH Limp Wizurdz, Dreamer Concepts Stage The Chloes, Bill & Dees Stage Grace + Sophia, Michelangelo’s Coffee O Fidelis, Bluebonnet Stage Them Apples, Brewhouse Stage Rainbows Are Free, Opolis Outdoor Stage Mont Lyons, Blackwatch Stage North Meets South, Tres Indoor Stage • 9:30 p.m. Lost Empires, Guestroom Records Frank Lawrence, Michelangelo’s Coffee Quilted Cherry Podium, Opolis • 10 p.m. IndianGiver, STASH Psychotic Reaction, Dreamer Concepts Stage Bloody Knives, Bill & Dees Stage Isaac De La Garza, Michelangelo’s Coffee JV’s Fillin’ Station, Bluebonnet Stage Original Flow, Brewhouse Stage Colourmusic, Opolis Outdoor Stage
Low Litas, Blackwatch Stage Will Gaines, Abner’s Ali Harter, Tres Indoor Stage • 10:30 p.m. Allie Lauren, Michelangelo’s Coffee Gentle Ghost, Opolis • 11 p.m. Jumpship Astronaut, STASH Your Mom, Dreamer Concepts Stage Black Canyon, Bill & Dees Stage Honeylark, Bluebonnet Stage Chateau, Brewhouse Stage DEERPEOPLE, Blackwatch Stage Gary Bangs, Abner’s Susan Herndon, Tres Indoor Stage Gregg Standridge, Tres Patio Stage • 11:30 p.m. Shi++y Awesome, Opolis • 12 a.m. The Moai Broadcast, STASH Copperheads, Dreamer Concepts Stage The Disposables, Bill & Dees Stage Zach Winters, Bluebonnet Stage Travis Traps, Brewhouse Stage Dead Sea Choir, Blackwatch Stage Flora & The Fauna’s, Abner’s Cara Black, Tres Indoor Stage Andy Adams & The Fictioneers, Tres Patio Stage • 12:30 a.m. White Mystery, Opolis • 1 a.m. Traindodge, Bill & Dees Stage The Great American Jug Band, Bluebonnet Stage So Called Savages, Brewhouse Stage Jacob Abello, Blackwatch Stage Tanner Miller, Tres Indoor Stage Saucy Gentlemen’s Club, Tres Patio Stage
Saturday, April 27 • 12 p.m. King Mary, Dreamer Concepts Stage Big Stick, Michelangelo’s Coffee Outdoor Stage Manyawi! World Music Ensemble and Global Music, Wild Prairie Family Park Stage Kyle Reid, Jack Daniels Stage • 12:30 p.m. Feathered Rabbit, Main Stage Roy Griffin, Michelangelo’s Coffee Beau Mansfield Trio, Bluebonnet Stage • 1 p.m. Blacktop Democracy, STASH Body Breakers, Dreamer Concepts Stage Daddy Love Band, Michelangelo’s Coffee Outdoor Stage Sonder Music, Dance & Art Student Showcse, Wild Prairie Family Park Stage The O’s, Jack Daniels Stage Matt Stansberry & The Romance, Sooner Theatre • 1:30 p.m. Shawn Reidy Musician, Michelangelo’s Coffee Rick Reiley, Bluebonnet Stage • 1:40 p.m. Defining Times, Main Stage • 2 p.m. The Jerry Ghouls, Dreamer Concepts Stage Myke Brown, STASH Jim Madsen & Friends, Michelangelo’s Coffee Outdoor Stage
Plan your days in downtown Norman, so you can catch all your favorites The Studio of the Sooner Theatre Student Showcase, Wild Prairie Family Park Stage Dr. Pants, Brewhouse Stage Jeff Richardson, Opolis Elephant Revival, Jack Daniels Stage Captain Comfy, Sooner Theatre Ripple Green, Bill & Dees Stage • 2:30 p.m. Cari Wallenberg, Michelangelo’s Coffee Tyler Hopkins and The Rebellion, Bluebonnet Stage John Calvin, Opolis • 2:50 p.m. The Grown Ups, Main Stage • 3 p.m. Oilhouse, STASH Direct Connect, Dreamer Concepts Stage Bukit Cullen, Michelangelo’s Coffee Outdoor Stage Monty Harper, Wild Prairie Family Park Stage Tony Romanello and the Black Jackets, Brewhouse Stage Kyle Reid, Opolis Beau Jennings & The Tigers, Jack Daniels Stage Fos, Sooner Theatre Limber Limbs, Bill & Dees Stage • 3:30 p.m. Anvil Salute, Michelangelo’s Coffee Paul Benjaman Band, Bluebonnet Stage Ricky Salthouse, Opolis • 4 p.m. Josh Sallee, Main Stage aDDLib, STASH Sunny Side Up, Dreamer Concepts Stage Dizzy Pickers, Michelangelo’s Coffee Outdoor Stage Alegria Real, Wild Prairie Family Park Stage Caravact, Brewhouse Stage Bludded Head, Opolis Outdoor Stage Carly Gwin, Opolis Green Corn Revival, Sooner Theatre Good Morning Grizzly, Bill & Dees Stage Tanner Miller, Abner’s • 4:15 p.m. Samantha Crain, Jack Daniels Stage • 4:30 p.m. David James McKinney, Michelangelo’s Coffee Luna Moth, Bluebonnet Stage Ali Harter, Opolis • 5 p.m. REGG, STASH Jahruba, Dreamer Concepts Stage Radio Apathy, Michelangelo’s Coffee Outdoor Stage OU Steel Drum Band, Wild Prairie Family Park Stage Chelsey Cope, Brewhouse Stage IO Echo, Opolis Outdoor Stage Sherree Chamberlin, Opolis Ben Kilgore, Blackwatch Stage Junebug Spade, Sooner Theatre Nervous Curtains, Bill & Dees Stage Spacedog, Abner’s • 5:15 p.m. Mike Dillon, Main Stage • 5:30 p.m. The Likes Of Us, Michelangelo’s Coffee The Suspects, Bluebonnet Stage Ramsay Midwood, Jack Daniels Stage • 6 p.m. Algebra, STASH Em and the MotherSuperiors, Dreamer Concepts Stage
Leah Condran, Michelangelo’s Coffee Outdoor Stage ADMIRALS, Brewhouse Stage The Pretty Black Chains, Blackwatch Stage The Kamals, Sooner Theatre Gum, Bill & Dees Stage Justin Jack, Abner’s Keirston White, Tres Indoor Stage • 6:30 p.m. King Khan & BBQ Show, Main Stage Autum Ray, Michelangelo’s Coffee Hudson Roar, Bluebonnet Stage • 6:45 p.m. Jonathan Tyler & The Northern Lights, Jack Daniels Stage • 7 p.m. Dewey Binns, STASH Brother Gruesome, Dreamer Concepts Stage Crown’s Folly, Michelangelo’s Coffee Outdoor Stage The Venditos, Brewhouse Stage Early Beat, Blackwatch Stage Taddy Porter, Sooner Theatre The Gentle Art of Floating, Bill & Dees Stage • 7:30 p.m. The Lily Guild, Bluebonnet Stage • 8 p.m. Jabee, STASH Big Sam’s Funky Nation, Main Stage Arrington de Dionyso’s Malaikat dan Singa, Dreamer Concepts Stage Cristophe and The Prairie Fire, Michelangelo’s Coffee Outdoor Stage Sherree Chamberlain, Blackwatch Stage And There Stand Empires, Bill & Dees Stage • 8:15 p.m. JD McPherson, Jack Daniels Stage • 9:30 p.m. The Joy Formidable, Main Stage • 11 p.m. Bungalouski, Dreamer Concepts Stage Scales of Motion, Bluebonnet Stage Pidgin Band, Brewhouse Stage BRONCHO, Blackwatch Stage The Easy Lovers, Bill & Dees Stage Joe Stansberry, Tres Indoor Stage The Sunshine Factory, Tres Patio Stage • 12 a.m. Jessey General Thompson, Bluebonnet Stage Chrome Pony, Blackwatch Stage John Wayne’s Bitches, Bill & Dees Stage Dustin Prinz, Abner’s Caleb McGee, Tres Indoor Stage The Bourgeois, Tres Patio Stage • 12:30 a.m. MONTU, Brewhouse Stage • 1 a.m. Love Cobra, Bluebonnet Stage Ester Drang, Blackwatch Stage ManHammer, Bill & Dees Stage Kilter, Tres Patio Stage
meet the bands by Doug Hill
Band name: Jonathan Tyler and the Northern Lights When they perform: 6:45 p.m. April 27 on the Jack Daniels Stage Band members: Jonathan Tyler, lead vocals and guitar; Brandon Pinckard, guitars; Jordan Cain, drums; Emotion Brown back-up vocals. Why you should listen: Harness boot rock ‘n’ roll from Dallas, Jonathan Tyler and the Northern Lights have opened for the likes of AC/DC, ZZ Top and Lynyrd Skynyrd. They sound like a southern blues-rock guilty musical pleasure in the vein of Buckcherry. The band is currently signed to Atlantic Records. In 2010 the Dallas Observer chose Jonathan Tyler as “Best Male Vocalist.” The front man’s stage presence has been compared to a hybrid Mick Jagger and Kid Rock — they’re rough around the edges in an endearing rock ‘n’ roll kind of way. Percussionist Jordan Cain is an Okie who has been with the band since they formed in 2007. They’ve played Jimmy Kimmel Live! and their songs have been used on TV shows such as “Friday Night Lights” and “The Good Guys.” The group plays one or two requisite sweet and slow ballads such as “She Wears a Smile” and “Paint Me a Picture,” but most of their songbook is pedal to the metal saloon stompers like “Hot Sake” and “Young & Free.” Razor sharp lead guitar solos are a prominent strength. If you don’t mind another tune titled “Gypsy Woman” you’ll be cool with these kick-ass rockers. Their serenades will be perfect with a luke-warm PBR in a stiff Oklahoma breeze under a bright sun with several thousand of your new best friends. Band name: King Khan and BBQ Show When they perform: 6:30 p.m. April 27 on the Main Stage Band members: King Khan (Mark Sultan) lead vocalist and guitar; Leo Chips on percussion Why you should listen: King Khan and BBQ Show will be a wild performance. Khan channels the energy of James Brown, Mitch Ryder and the Detroit Wheels and Bootsy Collins into a stage performance that pulls out all the stops. They combine soul, funk and rock ‘n’ roll with a wacky world view on songs such as “Animal Party,” “I’ll Never Belong” and “Fish Fight.” Songs are short, lyrics are batty and stage presence is always just on the verge of a riot. King Khan aka Mark Sultan has punk rock roots in former Montreal-based bands Les Sexareenos and the Spaceshits. For a time King Khan was based in Germany but the compositions have always screamed “Made in America.” His proclivity for guitar shredding at some point crossed with doo-wop for a warped sound mating The Clovers with The Turbo A.C.’s. Peelander Z’s similarly endearing, albeit loony, past performances have been wellreceived on this NMF Main stage slot, and its anticipated King Khan will continue the twisted tradition. Expect goofy, good time music with King Khan and whoever is with him on stage to be in outrageous costumes. Dragging spectators out of the audience and onto the stage is not unknown at their raucous shows. Dancing will not be optional. No shoe-gazing introspection here — it will be party time.
photos provided
OU’s “Stirring the Fire” photography exhibition opens April 13. Work by award winning photographer, author and activist Phil Borges documents a global movement to empower women and girls.
by Doug Hill
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Inspiring change in the emerging world” “In every culture I went to around with forward by Madeleine Albright, the world, women and girls work hard Borges documents women who have getting the water and firewood, taking care overcome patriarchy and intolerance to of kids, cooking and growing the food,” make positive change in photographer Phil Borges their communities. said. “Stirring the Fire: A Global “I believe that “They do the majority Movement to Empower education is the most of the work and I’d see a Women and Girls” runs April successful strategy for lot of men hanging out and 13 to July 28 at the Fred empowering women,” sometimes just drinking Jones Jr. Museum of Art, Borges said. “An all day. Because of their 555 Elm Ave. educated girl will usually work responsibilities, girls Admission to the museum not have kids or get were not chosen to go to is complimentary to married at age 12.” school.” all visitors, thanks to a It’s been documented Borges has generous gift from the that when women are documented many of OU Athletics Department. educated they have these lives on film and in The museum is closed fewer children and the words which will be the on Mondays. Information mortality rate of their subject the University of and accommodations on offspring drops. Babies Oklahoma’s Fred Jones Jr. the basis of disability are are healthier and the Museum of Art exhibition available by calling tradition of learning is “Stirring the Fire,” April 13 405-325-4938 or visiting passed on. Awareness of through July 28. ou.edu/fjjma. opportunities and choices For over a quarter To learn more about Phil in life are increased. century Borges has lived Borges and his work visit Education for females with and documented philborges.com. often goes unfunded in indigenous and tribal many parts of the world cultures here and around and in a few extreme the globe. His work’s examples has even been forbidden. goal has been to create a heightened “One woman teacher named Fahima understanding of the issues faced by in the exhibition was educating girls during people in the developing world. the Taliban’s rule in Kabul, Afghanistan,” “Stirring the Fire” is an exhibition Borges said. “She did it clandestinely of photographs and multimedia by getting them into her home and if documentaries created to raise awareness the religious police came pounding on about the struggles of women and girls the door wondering why all these girls worldwide. It’s also a Seattle-based were there, she’d strategically put sewing organization with full time staff that machines up around the room.” organizes social documentary training and In Fahima’s photograph you see a gaze student advocacy programs. into the lens that’s strong and resolute. In his book “Women Empowered:
After defiantly surviving harassment and threats by clerical zealots there may be a hint of triumphant amusement in her eyes as well. Borges has learned that every culture has its blind spots and working to right injustice doesn’t benefit from ham-handed approaches. “The way to make a change isn’t by force,” he said. “Threatening people with force doesn’t work because the human spirit is so strong it makes them feel justified in their beliefs. It almost always has to be done from within.” Borges cited as example the practice of female genital cutting (or female genital mutilation) which is a deeply rooted belief among many African tribes. “It’s a rite of passage and part of their culture just as we have our own rites,” he said. Female genital cutting however may result in death from infection, crippling the woman in some respects and depriving her of sexual satisfaction. “Coming in to a culture and telling them to quit it just doesn’t work,” Borges said. “You have to have someone within that tribe realize the problems it causes and convince others to make a change. It’s a slow process that takes a lot of dedication.” Borges is optimistic about the forward progress for empowering women and girls. “Without a doubt it’s happening,” he said. “Look at our country, my grandmother could not vote until she was in her 40s. It’s a well-supported and documented movement that’s gaining momentum. I’m very happy to be a part of that movement and to see it succeeding.”
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WEATHER
C e n t e r The National Weather Center celebrates its biennale with featured artists taking their cue from meteorology
“Soothing” by Cecil Houser
by Hannah Cruz
Artists are taking their cues from meteorologists in the upcoming National Weather Center Biennale. Photographer Cecil Houser is no exception. His piece, titled “Soothing,” is a shot of mammatus clouds Houser captured in 2011 while watching storms roll through Norman. “There’s always a calm before the storm but there’s always a peaceful feeling after the storm, and that was the case here,” Houser said on his color photograph. “You’re watching these tremendous supercells coming through an area, but then there’s also this captivating beauty.”
Houser’s piece is one of 100 works in the exhibit showcasing artists’ interpretation on the impact of weather on the human experience. The National Weather Center, University of Oklahoma’s Fred Jones Jr. Museum of Art and the Norman Arts Council have teamed up to present the inaugural exhibit opening Earth Day, April 22. Initial jurors selected the 100 works for display at the National Weather Center Atrium from more than 700 pieces submitted by nearly 400 artists from all 50 states and multiple countries. The call for entries began on Earth Day, April 22, 2012.
Exhibition curator and OU art instructor Alan Atkinson, National Weather Center Director Berrien Moore and Norman Arts Council Executive Director Erinn Gavaghan served as the initial jurors. Gavaghan said the jurors deliberated to create a show that includes both a balance of mediums from the show’s three categories — painting, works on paper and photography — as well as a variety of represented weather from around the world. The result is an exhibit Gavaghan describes as surprising and unique. “I think the beauty of this show is that if you
THE UNIVERSITY OF OKLAHOMA underscore the ways that both art like an abstract representation and and weather shape our humanity.” you kind of have to work through Houser said he hopes his show, something, there’ll be stuff for and his piece in particular, helps you,” she said. “If you like weather photography, there’ll be stuff for you. viewers to pause and reconsider how they There’s such a broad view nature, range of things for The National Weather Center weather and the people to enjoy with Biennale officially opens on environment. this show.” Earth Day, April 22, featuring “I hope that With the show 100 weather-themed art people will see located in the works. The exhibition, located that nature has National Weather at the National Weather so much beauty Center, home to OU, Center Atrium, 120 David L. to offer us even National Oceanic Boren Blvd., runs through amidst violence,” and Atmospheric June 2.The exhibition is open he said, referring Administration and 10 a.m. to 5 p.m. Monday to violent state organizations, through Thursday, 10 a.m. to weather. “There’s Houser said the exhibit 7 p.m. Friday and 12-5 p.m. even beauty has a distinct overlap Sunday. in violence, between science and Admission to the exhibit for whatever art. is free, but visitors need to reason, maybe “Since this show present a photo ID for entry. it’s to help us is coordinated through Additional information about deal with the the National Weather the exhibition is available aftermath of Center, you’ll see at nwcbiennale.org and the violence or that there’ll be a big biennale’s Facebook and maybe it’s to scientific following Twitter pages. help us realize because these are that there’s hope people that love what in everything.” they do, they’re in it A panel of guest jurors will everyday and they love seeing how select a winning piece from each of weather effects our environment and us,” he said. “I think the general the three categories to receive $5,000 public will enjoy it, for the most part, each. A Best of Show category winner especially after walking through and will also be awarded $10,000 and a reading each artist’s statement and full-page advertisement in an upcoming are able to read the purpose behind issue of Southwest Art Magazine. The the work.” winners will be announced during the No matter the viewer’s exhibition’s opening. background, Gavaghan said weather The final jurors are Christoph is relatable for each individual. Heinrich, the Frederick and Jan Atkinson agreed. Mayer director of the Denver Art “It is easy to see how the weather Museum; Spencer Finch, an American influences peoples’ daily lives, but art artist specializing in glass and light often exerts a more subtle influence,” installations; and Jacqui Jeras, a Atkinson said. “It makes sense to broadcast meteorologist with WJLAcombine them in a venue that will TV in Washington, D.C.
Selected artists: A total of 96 artists and 100 works were selected for the inaugural National Weather Center Biennale. Artists that listed Norman as their residence include: Carol Beesley, David Abdo Bayazeed, Roger Edwards, Sara Leslie Engel-Barnett, Don Holladay, Cecil Houser II, Debby Cotter Kaspari, Toni Klem, Jane Lawson, Sue Schofield and Brad Stevens
UNIVERSITY THEATRE AND WEITZENHOFFER SCHOOL OF MUSICAL THEATRE PRESENTS
A MUSICAL COMEDY AND DANCE EXTRAVAGANZA!
tein onard Berns Music by Le omden C ty rics by Bet Book and Ly en re G and Adol ph
e Robbins ea by J erom id an n o ed Bas Lyn Cramer D irected by
8 PM APRIL 26-27 8 PM MAY 2-4 3 PM APRIL 28, MAY 5 REYNOLDS PERFORMING ARTS CENTER
FINE ARTS BOX OFFICE(405) 325-4101 On the Town is produced in arrangement with Tams-Witmark Music Library Inc. 560 Lexington Ave., New York, NY 10022 (212) 688-9191. The University of Oklahoma is an equal opportunity institution. www.ou.edu/eoo. For accommodations on the basis of disability call (405) 325-4101.
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See our detailed calendar in N-town lite in the main edition of The Norman Transcript for a complete guide of this week’s events.
N-town staff picks the top 10 things you can’t miss this month.
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Jewelry and Metalsmithing exhibition at Firehouse Art Center The jewelry and metal works of internationally known artists Charles Lewton-Brain and Charleen Weidell are currently being showcased during an exhibit at Firehouse Art Center, 444 S. Flood Ave. A free opening reception is 6-9 p.m. April 12. Lewton-Brain, a master goldsmith, has studied and worked in Germany, Canada and the U.S. His work is concerned with process and beauty as well as function.
He frequently uses a “printmaking” approach to working metal, in that the work is done in separate steps in groups and layers building towards the finished piece. His work and writing on the results of his technical research have been published internationally. Weidell is a metalsmith with a passion for creating sensuous metal forms made from flat sheets of silver and copper that are formed through the repeated blows of a
hammer. Charleen’s work in metal has been exhibited and collected on the international, national, and local levels. She has a Master of Fine Art degree in Jewelry and Metalsmithing from San Diego State University where she studied under renowned metal artists Helen Shirk and Arline Fisch. For additional information, call the Firehouse Art Center at 329-4523 or visit normanfirehouse.com.
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OU MFA Thesis Exhibit at MAINSITE Chicago at Riverwind University of Oklahoma Master of Fine Art Thesis candidates are showcasing their work April 12-27 during an exhibit at MAINSITE, 120 E. Main St. An opening reception, 6-10 p.m. April 12, will highlight the work of the five candidates: Stuart Whitis, Erin Shaw, Brent
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Richardson, Spencer Ulm and Jacquelyn Sparks. The exhibit offers the community the chance to connect with OU art students and discover their inventive, thought-provoking, cutting edge work. For more information visit mainsite-art.com.
Midway Deli Concert Though it’s not an official venue of the Norman Music Festival, Midway Deli is celebrating the spirit of free, live, local music April 26 and 27. Almost Outlaws
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and Bob Livingston are performing 6-9 p.m. April 26, and North Meets South, Carter Sampson, Mare Wakefield, Susan Herndon and Camille Harp are performing 1-9 p.m. April 27.
Watch legendary rock band Chicago perform live 8 p.m. April 19 at Riverwind Casino, 1544 West State Highway 9. The self-proclaimed “rock ‘n’ roll band with horns” formed in 1967 in Chicago, Ill., with Chicago musicians Walter Parazaider, Terry Kath, Danny Seraphine, Lee
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years ago from a 1920s grocery story in Oklahoma City to a working studio. An average of 100 accomplished artists draw and paint at the studio every month. For more information visit pasnorman.org.
The Norman Arts Council is hosting the Second annual Norman Open Studios May 10 and 11. The program invites community members to explore participating Norman artists studios, and see the very place local art is being
created. An opening reception is 6-10 p.m. May 10 at MAINSITE, 122 E. Main St. The Open Studios Day is 9 a.m. to 3 p.m. May 11. For more information on studio locations visit normanarts.org.
Commemorating the day in 1889 that Oklahoma was opened for settlement, Norman’s 89er Day Parade is rolling down Main Street beginning 10 a.m. on April 20. Lifelong Norman resident and University of Oklahoma professor Bob Goins has been
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selected as the grand marshal for this year’s parade themed “Workin’ Up a Storm.” The parade begins at Norman High School, 911 W. Main St., and continues east on Main Street to Crawford Avenue. For more information visit norman89er.com.
Jewel Greatest Hits Tour at Riverwind
and quality handmade crafts, as well as entertainment and a variety of food vendors. The event includes the Art & Sole 5K Run 8 a.m. May 4 and 2K RunWalk 9 a.m. May 4. For more information visit norman.assistanceleague.org.
Geatches Studio Artists exhibit at Norman Depot 2nd annual Norman Open Studios Several artists from Geatches Studio are displaying their work in the Norman Depot, 200 S. Jones Ave., May 10 through June 29. The Geatches Studio was converted more than 50
89er Day Parade
Loughnane, James Pankow, Robert Lamm and Peter Cetera. Bandmates have changed since then, but over the years the group has seen record sales topping the 100 million mark, including 21 Top 10 singles. Tickets for the event range from $55-$75. To purchase tickets visit riverwind.com.
Mayfair Arts Festival The Assistance League of Norman’s May Fair Arts Festival is a two-day outdoor arts festival 9 a.m. to 8 p.m. May 4 and 11 a.m. to 5 p.m. May 5 in Andrews Park, 201 W. Daws St. The event offers juried art
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Acclaimed singer-songwriter Jewel is making a stop in Norman on her Jewel Greatest Hits Tour 7:30 p.m. May 4 at Riverwind Casino, 1544 West State Highway 9. Jewel burst onto the music scene in 1995 with her 12-time platinum debut album, “Pieces of You.” Her most recent album,
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“Greatest Hits,” released Feb. 2013, is a career-spanning collection including new recordings of classic hits “Foolish Games” with Kelly Clarkson and “You Were Meant For Me” with the Pistol Annies. Tickets for the event range from $40-$60. To purchase tickets visit riverwind.com.
Delbert McClinton at Sooner Theatre Texas roots music legend and Grammy winning artist Delbert McClinton is coming to the Sooner Theatre stage, 101 E. Main St., 8 p.m. May 3. His most recent album, “Acquired Taste,” was produced by Grammy
winning producer Don Was, and is the first new studio recording by McClinton in over four years. Tickets for the event range from $40-$50. To purchase tickets visit soonertheatre.org.
how to PICK AN INDIE BAND by Kerry Friesen
Norman's local music scene is always thriving and Norman Music Festival brings hundreds of bands to Norman during the free, three day festival. With so many local bands, it's hard to know what will fit your style. Check out these comparisons to help you find the band you'll love. If you like Mos Def & Beck
Than you’ll like Algebra
Than you’ll like Allie Lauren
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If you like Sara Bareilles & Kate Nash
(even though Beck doesn’t rap). This comes across most obviously in “Off White Everything.” Algebra’s flow is constant and clever, and his songs like “Analyzing Punctuation” have depth to them that can be difficult to find in popular rap.
If indie-pop is more your style, check out Allie Lauren playing at Michaelangelo’s Coffee and Wine Bar 10:30 p.m. April 27. With a pure pop voice a la Sara Bareilles (“Love Song,” “Uncharted”) but
with an edge much like Kate Nash (“Merry Happy, “Death Proof”), Lauren’s style is most obviously put forth in her songs “Nords” and “Lately.” Keep her in mind for a more relaxing end to a busy day.
If you like The Killers & Maroon 5
Than you’ll like Jacob Abello
If you like Glenn Miller & No Doubt
Than you’ll like Big Sam’s Funky Nation
Also playing on the Blackwatch stage April 26 is Jacob Abello. His set begins 1 am. Featured often at Norman Music Festivals, Abello has a style all his own. With a voice that often sounds like Brandon
+ Flowers from The Killers, Abello belts out songs like “Party Girl” with a pop/rock band backing him up that is reminiscent of Maroon 5. You can be assured of a performance you’ll remember.
If you like Glenn Miller and No Doubt circa the “Tragic Kingdom” album, then be sure to catch Big Sam’s Funky Nation 8 p.m. April 27 on the Main Stage. Their jazzy sets makes it impossible
Than you’ll like DEERPEOPLE
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Algebra, a rapper whose sound harkens the likes of Mos Def and Beck, is performing at 6 p.m. April 27 at the STASH stage. Algebra features some experimental sounds similar to Mos Def’s songs like “Auditorium,” paired with a voice that sounds like Beck
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If you like Modest Mouse & Arctic Monkeys
If you prefer more of a rock atmosphere akin to Modest Mouse and Arctic Monkeys, check out DEERPEOPLE. With the hollow sound featured in most of the Arctic Monkey’s songs like “Brainstorm” but a voice as unique as Modest Mouse,
DEERPEOPLE is sure to keep audiences rockin’ out. Before you head to their Norman Music Festival show, check out their song “Ulysses” for the best introduction to the band. They are performing 11 p.m. April 26 on the Blackwatch Stage.
If you like The Civil Wars & P!nk
Than you’ll like Camille Harp
+ to not move along with the music. “Ain’t Nothing But a Party” is reminiscent of the big band tunes of yesteryear. If jazz or ska makes you tap your toes, don’t miss this show.
Though not an official Norman Music Festival stage, Midway Deli is featuring their own line of local performers. Be sure to check out Camille Harp 8 p.m. April 27. One of the most well-known local artists, Harp’s style hinges on Americana and folk. Songs
like “Thinking It Over” call to mind band The Civil Wars, and any time she performs with John Calvin, that feeling intensifies. If you are a fan of P!nk’s ballads like “Please Don’t Leave Me” or “Glitter in the Sky,” you’ll also enjoy Harp.
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ON THE TOWN OU’s Spring Musical is an old standard showing the lives of three sailors with a one day shore leave.
by Linsday Whelchel
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Imagine life in New York City as a sailor on leave in the midst of World War II, with only one day to have the time of your life. This footloose and fancy free spirit is captured in the University of Oklahoma’s upcoming production of “On the Town,” a Broadway musical that mirrored real life when it originally opened in 1944. The show promises to be a humorous jaunt through the Big Apple as it tells the story of three sailors on a 24-hour long shore leave, set to the famed music of Leonard Bernstein. With music favorites such as “Come Up to My Place,” “Lucky to Be Me,” and “New York, New York,” the production comes packed full of both romance and humor. “It is a dance musical. Dance is the storytelling component of the show, but I also don’t think people realize how funny the show is, how comedic it is,” Director Lyn Cramer said. “All scenes are very tight, the comedy is fast paced and really fun.” The humor in the show is historically significant. Cramer said in its opening in 1944, service men and women would see the production on Broadway before going off to war. The experience was uplifting. “This was the one show they saw before they left, because it’s about cramming everything you can as a young person into 24 hours of fun,” she said. “When
you’re going off to war and you don’t know if you’re going to come back, it can be a very daunting thought.” Cramer said “On the Town” is a production years in the making for OU. Because it is so enormous in scope, the show is seldom produced by anyone except for professional companies with a lot of money. It’s one of the reasons Cramer said she is so excited to see OU tackle the show. She said because of the high levels of dance, music and acting skills needed, the production is difficult to execute successfully. But it is one Cramer said she knew would be possible this year. “We knew about two years ago that we
would end up this year with the people that we needed to fill the roles,” she said. “You can kind of project it once you know what your enrollment is and who’s moving up, who can maybe have the real tools to do these roles.” The project required participation from talent campuswide, and is a collaboration between the theater department, the School of Dance and School of Music. “We couldn’t do this show without the School of Dance because the original choreography was Jerome Robbins, one of the most renowned and legendary ballet choreographers in the world. It requires a caliber of ballet that is tough to get
sometimes from musical theater majors,” Cramer said, adding that the show’s leading man, Cory Lingner, who plays a sailor named Gabey, happens to be talented on both fronts. Cramer said the cast consists of 45 performers, with the crew and creative team twice that size. Rehearsal time has been doubled, going from a normal time frame of six weeks, to their current workload of over 12 weeks of preparation. And all of this work is the perfect way to cap off college for Lingner, who graduates this year. “This part is a dream come true for me, and I couldn’t see a better way to finish my college experience [than] by doing this show,” he said. Lingner agrees with the importance of the “seize the day” message behind “On the Town.” “It’s definitely about [trying] to cram in as much as you can, what you as a person would want to do with the time that you’re given,” Lingner said. Performances are scheduled at 8 p.m. April 26, 27 and May 2-4, and 3 p.m. April 28 and May 5 at the OU Reynolds Performing Arts Center, 560 Parrington Oval. Tickets are $30 adult, $25 senior adult, OU faculty and staff, and military and $15 student. Tickets may be purchased by calling 405-3254101, or in person at the OU Fine Arts Box Office, 500 W. Boyd St., in the Catlett Music Center.
Brenne Coker
CAUGHT oncamera photos by Jay Chilton
Eric and Melanie Loster with Tyson and Kate Stanek DJ Timmy B
Erinn Gavaghan, Executive Director of Norman Arts Council
Lesha Maag
Julie Eppler of Yoga at Tiffany’s
Norman Art Council’s Annual Fundraiser The ONE Event. March 30, 2013