The Art of Entertaining: Barware & Serveware Auction: August 12, 2020 by New Orleans Auction Galleries

New Orleans Auction galleries

The Art of Entertaining: Barware & Serveware

Lot 122 Next Page: Lot 69 detail Front Cover: Lot 70 detail Back Cover: Lot 138

The Art of Entertaining: Barware & Serveware

August 12, 2020 B egi n s a t 1 2 p. m .

New Orleans Auction galleries

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1 Gorham Sterling Silver- and Alligator-Mounted Flask 1894, Providence, Rhode Island, the oval glass body clad in alligator skin on the upper half with cutout level window on either side, with sterling silver base, collar and hinged locking cap. h. 6-1/4”, w. 3-3/4”, d. 1-1/2” $150-$300 2 Four English Silverplate Pub Pint Tankards first quarter 20th century, all of tapering cylindrical form (some inverted), including examples by: Mappin Bros., London, engraved “King’s Head”; Robert Pringle & Sons, with defaced engraving on the underside “George the Fourth”; William Hutton & Sons, monogrammed “HB” and engraved on the underside “The Swan / East Grinstead”; and an unmarked example monogrammed “BB”. h. 4-3/4” to 5”, dia. 3-1/4” to 3-1/4” $200-$400 3 Rare Cased Set of Frank Fidler “Perfection Patent” Mechanical Olive and Pickle Tongs 1

ca. 1900, Sheffield, each with silverplate fittings and turned celluloid handle, presented in the original indigo satin- and velvet-lined embossed paper-covered wooden case. l. 6” and 8”; case 9-1/4” x 3-1/4” $75-$125

4 English Silverplate Drinks Tray

5 George V Silverplate Citrus Press

third quarter 20th century, marked “TC & Sons”, of rounded rectangular form, with plain gallery, molded rims, integral handles and raised on four button feet. 2” x 24-1/4” x 7-3/4”

first quarter 20th century, Mappin & Webb, Sheffield, the silverplate lever-action press raised on two slightly trumpeting legs, one with integral handle, fixed to a turned oak base. h. 8”, l. 9”, base dia. 7-1/2”

$60-$90

$400-$700

6 Fine Dunhill Silverplate Traveling Cocktail Set third quarter 20th century, by P. H. Vogel & Co., Birmingham, for Alfred Dunhill, Ltd., London, including four flasks, a double jigger, a funnel, and a cocktail shaker containing eight tumblers and a bitters bottle, all presented in a fitted light brown leather case with carrying strap opening to reveal a lucite “bar”, the case monogrammed “J.F.R.M.”. case 9” x 12-1/2” x 4-1/2” $3,000-$5,000

7 George V Silverplate Loving Cup Cocktail Shaker second quarter 20th century, by Mappin & Webb, London & Sheffield, in the form of a loving cup with applied escutcheon, squared strap handles, milled floral rim and raised on a waisted pedestal foot above a conforming plinth base, the pedestal detaching, concealing a juicer inside and fitting on the top to form a cocktail shaker. h. 9-1/2” to 10”, dia. 4-3/4”, w. 8” $400-$700

8 Hawkes Engraved Glass and Sterling Silver Cocktail Shaker third quarter 20th century, by Thomas Hawkes & Co., Corning, New York, the vasiform body wheel-engraved with a duck in flight above bulrushes, fitted with a sterling silver collar, straining lid and cap. h. 10”, dia. 4” $500-$800

7 detail

9 Silverplate and Gilt “Tells You How” Cocktail Shaker second quarter 20th century, by the Napier Co., Meriden, Connecticut, designed in 1932 by Le Roy Haviland Fontan (1891-1964), of slightly tapering cylindrical form, the gilt insert engraved around the rim with the names of sixteen cocktails and turning to reveal the ingredients for each in the cut-out windows on the body below, with ogee-domed strainer cap and domed lid. h. 10-3/4”, dia. 3-3/4” Literature: Stephen Visakay, Vintage Bar Ware (Paducah, Kentucky: Collector Books, 1997), pp. 79-80 (illustrated). Simon Khachadourian, The Cocktail Shaker (London: Philip Wilson, 2000), pp. 97-98, (illustrated). $500-$800 Notes: The “Tell-You-How” cocktail shaker was one of the most popular and useful of the 1930s. Designed in 1932 and patented in 1935, this is one of the originals created by Napier from Le Roy H. Fontan’s patent; it was offered at Saks Fifth Avenue for $7.50 (about $100 today). The concept was imitated in England, France, Italy and many other countries.

10 Silverplate Golf Bag Cocktail Shaker ca. 1925, by the Derby Silverplate division of International Silver Co., Derby, Connecticut, designed by George Henry Berry (1867-1940), in the form of a realistically detailed golf bag. h. 12-3/4”, dia. 3-1/2” Literature: Stephen Visakay, Vintage Bar Ware (Paducah, Kentucky: Collector Books, 1997), pp. 40-41 (illustrated). Simon Khachadourian, The Cocktail Shaker (London: Philip Wilson, 2000), pp. 31 & 34 (illustrated). $700-$1,000 Notes: George H. Berry’s golf bag “beverage mixer” (as it was called, being designed and patented during the height of prohibition) is regarded as the first novelty cocktail shaker. This example is the earliest incarnation, lacking a spout and bearing the model number 436 (later models were number 1921). The shaker ceased production around 1930 and both models are highly sought by collectors.

11 English “The Rapid” Glass and Silverplate Cocktail Mixer second quarter 20th century, the vasiform glass body cut with vertical flutes and fitted with a silverplate cap with integral spout and plunger which rotates the mixing paddle within. h. 9”, dia. 4-1/4” Literature: Simon Khachadourian, The Cocktail Shaker (London: Philip Wilson, 2000), p. 125 (illustrated). $300-$500

12 Silverplate “Thirst Extinguisher” Cocktail Shaker American, dated 1956, in the form of a fire extinguisher, with presentation inscription “Lucky Strike / Amateur Invitational / Third Flight / Runner Up / 1956”. h. 11-1/4”, dia. 3-1/2” $300-$500

14 German Silver-Mounted Glass Martini Set first quarter 20th century, by J. D. Schleissner Soehne, Hanau Germany, retailed by Buchholz & Zelt, New York, New York, .800 silver with embossed rococo decoration and wheelengraved glass elements, including: a cocktail shaker with silver cap, lid and spout stopper, the glass body engraved with a rooster, h. 10-1/2”, dia. 4-1/2”; four martini glasses with silver stem and foot, the glass body engraved with rococo scrolls, h. 5”, dia. 2-3/4”; and a drinks tray with silver pierced gallery and stirrup handle, the glass plateau engraved with floral rococo scrolls, 13-3/4” x 10-1/4”.

13 Silverplate Zeppelin Cocktail Shaker second half 20th century, England, unidentified maker “WD & Co.”, in three parts - body, strainer and nose - on fixed “wheels”. l. 12-1/4”, dia. 3-1/2” $500-$800

$2,500-$4,000

15 Three Pieces of Mexican Sterling Silver Barware second half 20th century, including: an SZS tapering cylindrical beaker, h. 5-3/8”, dia. 2-5/8”; a Colorado Sterling Silver Co. small drinks tray, 9-3/4” x 3-1/4”; and a Heather small oval waiter with lobed rim, 11-1/4” x 8-1/4”. 27.33 total t. oz. $400-$700

16 Six Sterling and Silverplate Drinking Straws contemporary, including: a Tiffany & Co. sterling silver “bamboo” straw, l. 8-3/4”; a Tiffany & Co. sterling silver “monkey” straw, l. 8-1/4”; and four Christofle silverplate “bended” straws, l. 9-3/4”; complete with one Tiffany felt and one Christofle ultrasuede storage pouch. 2.73 total t. oz. (sterling examples only) $300-$500

17 Set of Twelve Christofle Silverplate Coasters contemporary, decorated in the form of the plaque d’insculpation of the French Fermiers Generaux, illustrating the French tax marks on silver during the ancien regime. each dia. 3-1/2” dia. 3-1/2”

19 Four Pieces of American Sterling Silver Barware mid-20th century, including: an S. Kirk & Son, Baltimore, Maryland double jigger, h. 3-3/4”, dia. 2”; a pair of olive spoons with rococo-edged, star-pierced bowls, l. 8”; and a Danish Modern-style silver-handled bottle opener with steel fitting, l. 5-3/4”. 2.50 total t. oz.

$100-$200

18 Georg Jensen “Acorn” Sterling Silver-Handled Bottle Opener

$150-$300

the pattern designed in 1915 by Johan Rohde (1856-1935), with steel opener. l. 6-1/4” $100-$200

20 Italian Sterling Silver Gilt and Enamel Bottle Opener third quarter 20th century, retailed by Maison Puiforcat, Paris, manufactured by Renato Salimbeni, Florence, the cylindrical handle with silver gilt ferrule and ring finial, the shaft decorated with dark blue guilloche enamel, with stainless steel opener fitting. l. 5-1/4” $50-$80 21 Sterling Silver Ice Pick and Silverplate Bar Spoon fourth quarter 20th century, the American ice pick with sterling handle, reeded banding and steel pick; the silverplate bar spoon by Christofle, Paris, with twist handle and muddling finial. pick l. 6”, spoon l. 11” $125-$250 22 American Sterling Silver Cocktail Shaker second quarter 20th century, of tapering cylindrical form with ogee-domed collar, circular foot, palmette-mounted spout and shaped handle, with narrow rococo-gadrooned banding, engraved with a fanciful coat of arms. h. 13-1/2”, dia. 5”, l. 9-1/4”; 37.72 t. oz.

$1,000-$1,500

25 Sterling Silver “Johnnie Walker Black Label” Bottle marked Stockholm, Sweden, 1988, by Gaxen, the mattefinish one-liter bottle with hand-engraved “labels” on a bright ground. h. 11-3/4”, w. 3”; 25.23 t. oz. $400-$700

23 Three Silver and Silverplate Smoking Accessories 20th century, including: a pair of Brazilian sterling silver double ashtrays made from 1860/65 1000 reis silver coins, l. 4-1/4”, w. 1-3/4”; and an English silverplate Ronson butane table lighter, elliptical with gadrooned and beaded banding, h. 2-1/4”, l. 3-1/4”. 3.84 total t. oz. (ashtrays only) $100-$200 24 American Silverplate “Dry Stories” Hip Flask second quarter 20th century, in the form of a realistically detailed flex-bound book, with incised threading and “title”. h. 5-1/2”, w. 4” $300-$500 25

26 Three Pieces of Silver and Silverplate Barware first half 20th century, including: a Wightman & Hough, Providence, Rhode Island, silverplate “Kap-Kup” flask, with screw cap and pull-out shot cup, with engine engraving, monogrammed “HSA”, l. 6-1/2”. w. 4-1/4”; a silverplate lemon juicer, dia. 4”; and a Frank W. Smith, Gardner, Massachusetts, sterling silver waiter, dia. 8-1/4”. 7.36 t. oz. (waiter only) $125-$250 Notes: The “Kap-Kup” flask, with a solid shot-cup fitted within it, was patented in 1921 by New York Jeweler Charles Newton Coryell (1881-1946). The patent was produced by Wightman & Hough by 1923, shown by a model, nearly identical to that in the present lot, advertised in the July 25, 1923 issue of The Jewelers’ Circular, p. 104. The repeal of prohibition was still ten years away.

27 Two Pieces of Chromed Metal Mechanical Barware second quarter 20th century, each with red plastic faux coral fittings, including: Utili-Tong, Chicago, Illinois, mechanical ice cube tongs, patented by Alfred H. Ackerson, 1934, l. 8”; and a jigger measure, the conical body with bar release mechanism, l. 2-1/2”, w. 3”, dia. 1-3/4”. $100-$200

28 Cased Set of French Art Deco Cocktail Picks and Bar Spoon second quarter 20th century, including a chrome-plated square-twist stem bar spoon and twelve cocktail picks, each with a spherical plastic faux coral finial, presented in the original cream satin-lined printed paper case. spoon l. 9-1/2”; picks l. 3-3/4”; case 5-3/4” x 11-3/4” x 2” $250-$400

30 No Lot

29 Christofle Crystal and Silverplate Cocktail Service

31 No Lot

including: a “Collection 3000” glass and silverplate cocktail shaker; a “Collection 3000” silverplate cocktail spoon; and a pair of “Atalante” martini glasses; the silverplate with Christofle trademarks, the glass with etched signature. shaker h. 10-5/8”, dia. 4”; spoon l. 9-7/8”; glasses h. 6-3/4”, dia. 4-1/2”

32 Group of Baccarat Crystal Everyday Highballs consisting of six tall and three short glasses, each with “Baccarat/France” acid-etched mark underneath. tall h. 5-7/8”, dia. 3-1/4”; short h. 4-1/8”, dia. 3-5/8”

$400-$700

33 Eight English Sterling Silver Bottle Tickets hallmarked Birmingham, 1978, by the Sterling Merchandising Co., of canted rectangular form with threaded rim, including two each “Scotch” and “Bourbon” and one each “Rum”, “Gin”, Vodka” and “Brandy”. 1” x 2”; 2.59 total t. oz. $400-$700

34 Regency Sterling Silver Vintner’s Cup hallmarked London, 1812-1813, by Rebecca Emes & Edward Barnard, of tapering cylindrical form with molded edges, wide “vintage” band and crested acanthus-leaf handle, the interior gilt. h. 3”, l. 3-3/8”, dia. 2-3/8”; 5.18 t. oz. $300-$500

35 George IV Sterling Silver Wine Funnel hallmarked London, 1822-1823, by Thomas Johnson, with gadrooned rim, the funnel proper with reeded band, including the interior screen frame, but lacking the mesh screen itself. l. 4-1/2”, dia. 3-3/8”; 2.47 total t. oz. $400-$700

36 Collection of Seven English Silverplate Wine Coasters including: a Victorian Deykin & Harrison galleried example with wooden base and everted rim with “vintage” edge, dia. 8-1/4”; a Victorian galleried pair with turned wooden base, engraved with a crest of a tower with laurel branches, dia. 5”; and 20th-century examples: a galleried pair with cork inserts, dia. 4-1/2”; a single galleried example with cork insert, dia. 7-3/4”; and a 20th-century Reed & Barton, Sheffield, galleried example with chased silverplate base, dia. 4-5/8”.

$200-$400

37 Victorian Silverplate Wine Trolley fourth quarter 19th century, with a pair of wine coasters with turned wooden bases, everted, rococo-scroll rims and silver bosses engraved with a crest of a wreathed leg in armour, joined and fixed to four wagon wheels with a rococo ringhandle pull. l. 19-3/4”, w. 7-1/2” $125-$250

38 English Silverplate Bottle Holder first quarter 20th century, by Mappin & Webb, Sheffield, with a reticulated collar and base joined by an adjustable locking strap handle, the whole decorated with beaded edging. h. 11” to 14”, dia. 3-1/2”, d. 5-1/4” $200-$400

39 Large Victorian Silverplate Goblet fourth quarter 19th century, the ovoid bowl with elaborate repousse calyx of flower sprays and beaded gadroons, above a knopped and waisted stem and flared foot decorated with narrow beading. h. 10-1/2”, dia. 4-3/4” $100-$200

40 Contemporary Art Nouveau-Style Sterling Silver Bottle Holder Continental, the figural handle in the form of a nude female within a trailing grapevine, with circular plinth base and hinged collar. h. 10-3/4”, dia. 4-1/2”; 18.69 t. oz. $1,400-$1,800

41 Two Silverplate and Glass Claret Jugs first quarter 20th century, each with a diamond-cut glass conical body (one flaring), with a silverplate collar, flat hinged lid and crested scroll handle. each h. 11-1/2”, dia. 5-1/8” and 3-1/4” $200-$400

42 French Belle Epoque Silver and Glass Claret Jug ca. 1900, Paris, by Paul Bouton & Cie (fl. 1896-1904), the inverted pear-shaped glass body cut with spiral grooves and flutes, clad in a first standard (.950) silver collar, handle, hinged spout and base, all decorated with elaborate rococo scrolls. h. 13-1/4”, l. 6-1/4”, dia. 4-1/4” $400-$700

43 Good Victorian Elkington Sterling Silver and Cut Glass Claret Jug hallmarked Birmingham, 1890-1891, the tapering cylindrical glass body cut in an allover cross-cut diamond pattern with up-pulled handle, clad in a sterling silver collar with gadrooned spout, hinged, domed lid and floriform finial, decorated with putti, fauna and floral scrolls, the base with silver mount en suite, the lid with applied conjoined monogram “PUD”. h. 14-1/2”, dia. 6-3/8”, l. 8-3/4” $600-$900

44 Stag Antler and Sterling Silver-Mounted Corkscrew first quarter 20th century, American, the stag antler handle with embossed floral silver cap and plain steel worm. l. 4-1/4”, w. 6-1/2”

$125-$250

45 Sterling Silver and Boar Tusk-Mounted Corkscrew ca. 1900, American, the tusk handle mounted with a floral banded silver cap with applied eagle’s head boss, fitted with a chromed steel turned stem and worm. w. 5”, l. 5-1/4” $400-$700

46 Victorian Bone Handle Corkscrew fourth quarter 19th century, the bone handle with brush and plain steel worm. l. 5-1/4”, w. 4-1/2” $125-$250

47 Italian Brass “Coffee Mill” Corkscrew fourth quarter 20th century, with brass cage, key and crank, with steel worm, black plastic fitting and turned wooden knob. l. 7”, w. 4-1/4” $150-$300 47

48 James Heeley & Sons A1 Double Lever Steel Corkscrew fourth quarter 19th century, Birmingham, England. l. 6”, w. 3” Notes: The 1888 patent of Neville Smith Heeley (1838-1911) was one of the most successful corkscrews produced. Improving on an earlier 1880 design by William Baker, the simple, durable and functional corkscrew was manufactured for more than 60 years. It was the progenitor of the modern “wing”-style corkscrew, patented by Dominick Rosati in 1930. $200-$400

49 Stag Antler and Sterling Silver-Mounted Walker Bell Corkscrew first quarter 20th century, American, the stag antler handle with shaped and embossed rococo sterling silver cap monogrammed “CCW”, and fitted with a steel sleeved stem, bell and worm, the bell integrating a cork cage cutter and bottle opener. w. 9”, l. 5-1/2” $125-$250

50 “Baltimore Rose” Silver and Steel Walker Bell Corkscrew first quarter 20th century, the handle unmarked, the bell marked “Klinger/Germany”, with filled silver repousse floral handle, and steel bell and corkscrew, the bell integrating a cork cage cutter and bottle opener. l. 5-1/2”, w. 4-3/4” $75-$125 Notes: This model of corkscrew was patented in 1900 by Pennsylvania inventor and manufacturer Edwin Walker (18471917) of the Erie Specialty Co. It was an improvement on his 1893 original “bell” style corkscrew with the addition of the cage cutter and bottle opener.

51 Steel and Brass Thomason Corkscrew fourth quarter 20th century, the barrel decorated with trailing grapevines, with baluster handle. l. 6-3/4”, w. 3-1/4” $100-$200 Notes: This ingenious model of corkscrew was patented in England in 1802 by Sir Edward Thomason (ca. 1769-1849). The mechanism contains two screws, one inside the other, with opposing male and female threads, so that when the worm is fully driven into the cork, the opposing thread engages to extract it, all with a continuous clockwise turn.

52 Pair of Tiffany & Co. Sterling Silver Tastevins contemporary, New York, New York, each in the form of a miniature porringer, with openwork scroll handle. dia. 2-3/4”, l. 3-3/8”; 2.82 total t. oz.

$300-$500 53 Two French Silver Tastevins third quarter 20th century, first standard (.950) silver, each in the traditional form, with circular thumb ring and decorated with gadroons and convex and concave hemispheres. dia. 3-1/8” and 2-3/4”; 5.56 total t. oz. $400-$700 54 Three Sterling Silver Bottle Coasters third quarter 20th century, by Towle Silversmiths, Newburyport, Massachusetts, with milled rose border. dia. 4-3/8”; 9.04 total t. oz.

$150-$300

55 Ercuis Silverplate Ice Bucket/Bottle Cooler contemporary, Paris, the cylindrical body with everted and serpentine-lobed rim, with appled scroll handles. h. 5-1/8”, dia. 5-3/8”, w. 6-1/2” $75-$125

56 Christofle Silverplate Ice Bucket/Bottle Cooler

contemporary, Paris, the cylindrical body with embossed torus banding and everted rim, with molded foot and leaf-mounted stirrup handles, the interior with detachable bottle support. h. 6-3/8”, dia. 5-1/4”, w. 7-1/4” $100-$200

57 RMS Queen Mary Art Deco Silverplate Wine Cooler on Stand 1939, by Elkington & Co., Birmingham, England, the cylindrical cooler with stirrup handles and reeded rim and foot ring, presented in a frame raised on four flat legs with concentric rectangle crests and triangular feet. h. 18-1/4”, dia. 8-1/4” Provenance: Purchased by the consignor in England in 1968 from the sale of items from the decommissioned luxury liner. $250-$400 Notes: The Cunard Line had intended to name their new luxury liner “Victoria” in keeping with their tradition of names ending in “ia” (Etruria, Carpathia, Lusitania, Aquitania, etc.). When representatives of the company asked the queen’s grandson, King George V, for permission to name the ship after “England’s greatest queen”, he replied: “Of course! My wife will be delighted!” Thus was christened the RMS Queen Mary in 1934, after the indeed delighted Queen Consort, Mary of Teck. The ship was retired in 1967 and is now permanently docked in Long Beach, California, as a floating luxury hotel. 57

58 Pair of Vintage William Adams Cut Crystal Champagne Buckets mid-20th century, the crystal buckets with elaborate giltmetal bands, raised on gilt-metal tripodal stands. buckets h. 8-3/4”, dia. 7-1/2”; stands h. 26-1/4”; overall h. 34” $500-$800 59 Pietra Dura Cheese Board contemporary, of verdigris marble with molded edge and inlaid with malachite, lapis and Carrara marble grape clusters. 20-3/4” x 14” $400-$700 59

60 Large Silverplate Wine Tub contemporary, probably Indian, of oval form with wavy rim, hand-decorated with repousse grapevine banding and hammered finish. h. 11”, l. 22”, w. 16-3/4” $100-$200 61 Set of Nineteen Riedel Sommeliers Grand Cru Riesling Glasses each with acid-etched “Riedel” at bottom. h. 8-1/2”, dia. 2-1/2” $600-$900 62 Set of Nineteen Riedel Sommeliers Grand Cru Burgundy Glasses

each with acid-etched “Riedel” at bottom. h. 9”, dia. 2-3/8” $600-$900

62 three of nineteen

61 three of nineteen

63 Set of Twelve Riedel Sommeliers Grand Cru Bordeaux Glasses each with acid-etched “Riedel” at bottom. h. 10-3/4”, dia. 3-1/8” $500-$800

63 three of twelve

64 Set of Twenty-Four Riedel Sommeliers Grand Cru Burgundy Glasses distinctive flared lip design developed in 1958, each with acidetched “Riedel” stamp at bottom. h. 9-3/4”, dia. 3-3/4” $700-$1,000

64 three of twenty-four

66 three of eight

65 Pair of Versace “Medusa Lumiere” Crystal Water Goblets produced by Rosenthal, Germany, each with incised stamp “Rosenthal/Studio Line/Germany/Versace” at base. each h. 11-1/8”, dia. 2-7/8” $100-$200

66 Set of Eight Riedel Sommeliers Sweet Wine Glasses each with acid-etched “Riedel” at bottom. h. 7”, dia. 1-7/8” $300-$500

65 detail

67 four of twenty

67 Collection of Twenty Dior Maison Shot Glasses in shades of cobalt, cranberry and leaf green, various decorations, each engraved “Dior” underneath and lower interior. h. 2-1/8”, dia. 2-1/2” $400-$700

68 Collection of Fifteen Dior Maison Glass Tumblers each glass clear with applied “ribbon” designs in red, black, and/or blue, each engraved “Dior” at lower side. each h. 4”, widest dia. 3-5/8”

68 detail

$600-$900

69 Collection of Fifteen Dior Maison Double Rocks Glasses including four blue with etched hearts, four red with etched hearts, four red with etched stripes, and three blue with etched stripes, each with engraved “Dior” at bottom. each h. 4-3/4”, dia. 4” $600-$900

70 Nine-Piece Collection of Colorful Glass Stemware various colors, designs and sizes, three with illegible incised signature and dated 1997 along edge of base. tallest h. 10-3/4”, widest dia. 4” $300-$500

70 detail

71 Set of Seven Blown Glass Goblets

72 Vintage Group of Seven Swirl-Pattern Glass Tumblers

in vivid shades of orange, cobalt, green and yellow, unsigned and unmarked. each h. 8”, dia. 4-1/4”

1997, each clear with lip wraps and delicate swirls of assorted colors, each dated and with illegible engraved signature underneath. each h. 5”, dia. 3-1/2”

$200-$400 $200-$400

74 Liz Lacey (South African, Contemporary)

73 Set of Twelve Colorful Tumblers

Set of Thirteen Tumblers

in opaque yellow, green, red, or blue with black lip. h. 4-1/4”, dia. 3”

blown glass eight swirled yellow to magenta, four swirled yellow to purple and one swirled yellow to green, each with incised signature at base. each h. 5”, dia. 3-1/8”

$300-$500

$500-$800

75 Ten Italian Contemporary Silverplate Drinks Accessories

76 Pair of Contemporary Burlwood Serving Trays

including: a double wine cooler, of oval section with tubular handle band, h. 8-1/2”, 11-3/4”, w. 6-3/4”; a drinks tray, oval with applied handles, 10-3/4” x 20”; and eight coasters, octagonal with stepped rim, w. 4-1/8”.

Continental, of rounded rectangular form, the raised gallery with integral handle and silverplate corners. 19-1/2” x 15-1/2” $100-$200

$300-$500

77 Pair of Hermes/Alfi “Hotel Design” Insulated Carafes designed in 2002 by Tassilo von Grolman (b. 1942), manufactured by Alfi, Wertheim, Germany for Hermes, Paris, chromed double-walled steel, with hinged lid, the handle and billet with Hermes tan leather covers. h. 7-1/2”, l. 7-1/2”, w. 4” $400-$700 78 Hermes Insulated Carafe contemporary, Paris, the chromed steel barrel-form body with inset gray plastic threaded band, with short cylindrical collar, integral spout and flat, spring-hinged lid, and curved single-mount handle, the body with double-walled glass insulation, the handle and underside with fitted leather insulation. h. 7-1/2”, dia. 4-1/4”, l. 5-7/8”

$250-$400 79 Five-Piece Hermes Silverplate and Leather “Sparte” Drinks Set contemporary, Paris, each with thick stitched leather handle(s), including: an ice bucket, h. 5-3/4”, dia. 5-3/4”; a carafe, h. 9-1/2”, dia. 5”; a serving tray, 14-1/2” x 24-1/4”; a drinks tray, 9-1/4” x 11-1/8”; and a sterling silver jigger with gilt interior, h. 2-1/8”, dia. 2-1/4”, 1.80 t. oz. $1,500-$1,800

80 Five Pieces of Puiforcat “Bande d’Or” Silverplate contemporary, Paris, with gilded annular bands, including: a tall candlestick, h. 6-1/4”, dia. 3-7/8”; a short candlestick, h. 4”, dia. 3-7/8”; a pair of small vases, h. 5-3/8”, dia. 4”; and a large vase, h. 6-1/4”, dia. 4-3/4”. $300-$500

81 Puiforcat “Art Deco” Silverplate and Rosewood Ice Bucket contemporary, Paris, the slightly tapering cylindrical body with reeded banding and carved geometric rosewood handles. h. 4-7/8”, dia. 4-1/2”, w. 7” $125-$250

82 Contemporary Puiforcat Silverplate Drinks Tray Paris, of rounded rectangular form, with ring-bound cylindrical rosewood handles. 14-3/4” x 13-1/4” 81

$200-$400

83 Christofle “Fidelio” Silverplate-Mounted Glass Decanter contemporary, Paris, the glass pear-shaped body with sleek modernist silverplate collar spout and circular handle frame, presented in the original olive green Christofle foam-lined pasteboard box. h. 6”, l. 11”, w. 4-1/2”; box 15-1/2” x 11-1/2” x 5-3/4” Provenance: Estate of Louis Tenenbaum, Houston, Texas. $300-$500

84 Baccarat “Nautilus” Whiskey Decanter with frosted glass stopper, both elements with acid-etched circular “Baccarat/France” mark underneath. h. 10-1/8”, w. 6”, d. 2-1/2” $200-$400

85 Collection of Three Riedel Crystal Wine Decanters including “Vinum Extreme”, “Amadeo” and “Black Tie”, each with etched “Riedel” stamp at bottom. h. 5-3/4”, w. 13-1/2”, d. 5”; h. 13-7/8”, w. 8-1/4”, d. 4”; h. 16-1/2”, w. 8-1/2”, d. 3-1/2”, respectively $300-$500

86 Group of Four Riedel Crystal Decanters including Cornetto Pattern in small and large and Magnum Pattern in small and large, all marked “Riedel” underneath or along the lower side. Cornetto h. 15” and h. 17-3/4”, respectively; Magnum h. 9”, dia. 8” and h. 9-5/8”, dia. 9-1/4”, respectively $300-$500

87 Lalique “Langeais” Decanter and Pitcher clear to frosted glass with ribbed body, each marked “Lalique/France” underneath. decanter h. 10”, dia. 5-1/4”; pitcher h. 8-7/8”, w. 5”, d. 6-1/2” $600-$900

88 Gorham Modernist Silverplate Cocktail Pitcher designed in 1959 by Donald H. Colflesh (b. 1932), Providence, Rhode Island, the sleek cylindrical pitcher with short integral spout and sweeping black plastic handle. h. 11-1/8”, l. 6” Notes: An example of this pitcher is included in the current exhibit “Gorham Silver: Designing Brilliance, 1850-1970”, which opened at the Rhode Island School of Design in May 2019 and travels to the Cincinnati Art Museum and The Mint Museum, Charlotte, North Carolina in 2020. $125-$250

90 French Steel Champagne Scissors/Corkscrew ca. 1900, for Foucher & Co., Epernay, with scissor-action champagne cage cutters, one blade fitted with a retractable corkscrew. l. 3-1/4” $300-$500

89 Six-Piece Christofle “Anemone-Belle Epoque” Silverplate Drink Serving Set contemporary, after the 1902 design, including: a pair of champagne buckets, h. 9-1/4”, w. 12”, d. 8-3/4”; a double cocktail server, h. 3-1/2”, l. 10-1/2”, w. 5-1/4”; and three serving trays, 20” x 12-3/4”.

Notes: The Anemone pattern was created in 1902 in collaboration between Christofle and Perrier-Jouet Champagne, in turn after Emile Galle’s iconic art nouveau bottle design for Perrier-Jouet’s “Cuvee Belle Epoque”. $1,000-$1,500

91 Victorian Steel Champagne Nippers with Brush fourth quarter 19th century, by John Nowill & Sons, Sheffield. l. 6-1/2” $125-$250

92 Christofle Silverplate Champagne Server first quarter 20th century, Paris, the bucket-form body with crested handle and locking collar, decorated with flat-chased grapevine banding, resting in a heavy tubular tilting frame with reeded decoration and raised on four spatulate feet. h. 12-3/4”, dia 7-3/4” $500-$800 93 Two French Champagne Taps first quarter 20th century, steel, one with turned wooden handle and dolphin spout, the other with dog’s head spout and fishtail key. l. 14-1/2” $200-$400 92

94 Two Pieces of Continental Chromed Metal Barware 20th century, including: a “Manneken Pis” champagne topper, with push-button release, h. 4-1/4”; and a “Absente Van Gogh” absinthe spoon, l. 6-1/4”. $100-$200

95 Christofle Silverplate Cork Puller contemporary, Paris, with turned wood handles. l. 4-3/4” $100-$200

96 Christofle/Dom Perignon Millennial Champagne Cork Case 1999, silverplate, in the form of a champagne cork, hinged and incised “Dom Perignon” and “31 Decembre 1999”. h. 2-1/2”, dia. 1-3/4” $100-$200

97 Set of Four Elsa Peretti Tiffany & Co. Sterling Silver Champagne Cups contemporary, each with an inverted bell-form bowl and shaped abstract standard. h. 8-3/4”, dia. 4”; 21.18 total t. oz. $800-$1,200 98 Grande Distillerie de Paris Presentation GiltBrass Oak and Laurel Wreath 1891, by Robineau fils, Paris, the stamped oak and laurel leaves on a wire frame centering a “ribbon” and medallion, the latter with black enamel inscription from the Grande Distillerie Centrale de Paris to the Societe d’Horticulture des Mureaux, complete with the original mounting bracket and red satin-lined leather case, the outer lid with identical gilt-stamped inscription. h. 2-1/2”, w. 6”, l. 7”; case 7-1/4” x 8-3/4” x 5”

$125-$250 99 Tiffany & Co. Mixed Metal Waiter ca. 1900, New York, New York, the copper tray of rectangular form with wavy edge, with applied sterling silver rim, oak leaf clusters and ram’s masque handles, monogrammed “DK”. 14” x 9-1/4” $500-$800

100 Cased Victorian Sterling Silver Condiment Set hallmarked Birmingham, 1877-1878, by Hilliard & Thomason, in the form of a border spade and spading fork with engraved sterling spades and carved bone handles, monogrammed “SB”, presented in the original indigo silk- and velvet-lined leather case. l. 6”; case 3-1/4” x 6-3/4” $200-$400

100

101 BMF Gilt and Silverplate Dessert Set second quarter 20th century, by the Berndorfer Metallwarenfabrik, including twelve dessert forks with three gilt prongs, and twelve dessert knives with gilt scimitarshaped blades, each set in a cannon-form handle with wrigglework banding and parcel gilding. forks l. 6-1/4”; knives l. 7-1/2” $300-$500

101 four of twenty-four

102 Janna Thomas De Velarde Sterling Silver Gilt “Orange” Box fourth quarter 20th century, Taxco, Mexico, the realistically detailed fruit twisting open to reveal the gilt interior. dia. 3-3/8”; 9.15 t. oz. $150-$300

102

103 Italian Sterling Silver and Enamel Wine Ewer contemporary, Florence, retailed by Neiman Marcus, in the traditional settecento form, the interior gilt, the handle with arched wooden central section with silver grape leaf upper mount and the lower half with multi-colored enamel fruit, the whole raised on a circular foot. h. 11-3/4”, l. 10”, w. 6-3/4”; 25.37 t. oz. $500-$800

104 Cased Set of Four L’Objet Snake “Napkin Jewels” contemporary, New York, New York, gold plated with simulated sapphire “jewels”, presented in the original gray satin-lined black and gold pasteboard box. l. 3-1/4”; box 3-1/2” x 7-3/4” x 4-7/8” $200-$400 103

104

105

105 Jay Strongwater “Bloom” Cake Stand and Server

106 Collection of Jay Strongwater and Other Enameled Salad Servers

contemporary, New York, enamel and Swarovski crystals, each with a scrolling brown frame decorated with flowers and butterflies, the stand with gilt-rimmed glass plate, the server with stainless steel blade. stand h. 5-3/4”, dia. 13-1/4”; knife l. 10-1/4”

contemporary, including: a Jay Strongwater floral salad serving set, in shades of green and violet enamel with multicolored Swarovski crystals, l. 11”; and an unmarked pair of scissor-action servers in brown enamel with colorless crystals and chrome-plated blades, l. 11-3/4”.

$300-$500

$150-$300

106

107 Michael Aram Double Condiment Dish contemporary, with two sizes of silverplate bowls joined to a patinated bronze stem. l. 8”, w. 7-1/2” $75-$125

108 Three Tiffany & Co. Sterling Silver “Strawberry” Spoons

107

first half 20th century, New York, New York, including: two in the “Pierced Strawberry” pattern, with kidney-shaped bowls, one monogrammed “KLE”, l. 9”; and one in the “Square Strawberry” pattern, with incised ovoid bowl, monogrammed “W”, l. 9-1/2”. 12.19 total t. oz. $250-$400

109 Three American Arts and Crafts Sterling Silver Serving Pieces mid-20th century, including: a Richard Blanchard, Gardner, Massachusetts, “Lady Dorothy” salad serving set, l. 12-1/2”; and Kalo Shop, Chicago, Illinois, ice tongs, l. 6-3/4”. 12.35 total t. oz. $300-$500

108

109

110

110 Set of Fourteen Enoteca Pinchiorri, Florence, Placemats

111 Royal Doulton “Vanborough Green” Partial Dinner Service

contemporary, Italy, circular, covered in red pebbled leather, the raised thumbhold decorated with silverplate grape-leaf mount centering a gold boss with the Enoteca Pinchiorri “EP” monogram. dia. 12”

ca. 1967-1985, English, the service comprised of ten dinner plates, dia. 10-1/2”, ten salad plates, dia. 8”, ten bread-andbutter plates, dia. 6-1/2”, ten dessert bowls, dia. 5-1/2”, ten rim soup plates, dia. 8”, ten footed cups, h. 2-1/2”, with ten saucers, dia. 6”, an open sugar bowl, h. 3”, w. 7-3/4”, a cream jug, h. 5-1/2”, w. 5-1/4”, and a gravy boat and stand, h. 4”, w. 8-3/4”.

$400-$700

111

112

112 Vintage Cased Set of Steuben Glass Finger Bowls and Underplates

113 Eleven Gorham “Old French” Sterling Silver Gumbo Spoons

mid-20th century, comprising eight bowls and eight underplates, each signed with an engraved script “s”, retaining fourteen drawstring cloth pouches and presented in the two original boxes fitted with slotted compartments. bowls h. 2-1/2”, dia. 4”; plates dia. 7”

the pattern designed in 1904 by William Christmas Codman (1839-1923), Providence, Rhode Island, retailed by A. B. Griswold & Co., New Orleans, Louisiana, monogrammed “JMcDD”. l. 6-3/4”; 19.63 total t. oz.

$300-$500

$400-$700

113

114 American Sterling Silver Pitcher mid-20th century, by the Schofield Co., Baltimore, Maryland, with ovoid body, waisted collar and crested handle, monogrammed “C”. h. 9-1/4”, l. 9-1/4”, dia. 5-3/4”; 22.06 t. oz. $400-$700

115 Ten-Piece Christofle Silverplate Condiment Service contemporary, Paris, all with “perles” bases and either “tulipe” or “rubans” twist ring handles, including: a pair of “rubans” cruet frames, with etched glass bottles, overall h. 11-1/2”, l. 9-1/2”, w. 4-1/2”; six “tulipes” double salt stands with glass cellars, h. 5-3/4”, w. 5-1/2”, dia. 2-1/4”; and a pair of “tulipes” toothpick holders, h. 6-1/4”, dia. 3-1/4”. $500-$800 Notes: The classic designs are some of the oldest continually produced by Christofle, with these pieces appearing on pages 54, 62 and 72 of their 1862 catalogue.

114

115

116 John Hardy Silver-Mounted Alabaster Cheese Board and Ice Bucket contemporary, Bali, each carved a single piece of alabaster with natural, irregular rim, the board with silverplate, the bucket with sterling silver “flat link” handles. board 30-1/2” x 18”; bucket h. 12”, w. 12-3/4”, d. 12-1/4” $800-$1,200

117 Emilia Castillo Sterling Silver-Mounted Alabaster Fruit Bowl

118

contemporary, Taxco, Mexico, the shallow, saucershaped bowl carved from a single piece of alabaster, the rim mounted with five open-work sterling silver banana leaves. dia. 14” $200-$400

118 Two Pieces of Emilia Castillo Sterling Silver-Mounted Alabaster Tableware contemporary, Taxco, Mexico, including a center bowl and vase, each with a body carved from a single piece of alabaster and raised on a tapering cylindrical sterling silver foot decorated with Mesoamerican motifs. bowl h. 5”, dia. 9-3/4”; vase h. 9”, dia. 3-1/2” $500-$800

117

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120

119 Emilia Castillo Sterling Silver-Mounted Alabaster Candelabrum contemporary, Taxco, Mexico, the stylized double-gourd body carved from a single piece of alabaster, fitted with two silver rings with ovolo banding, hammered finish and candlesocket. h. 9-1/2”, w. 7-1/2”, d. 3” $200-$400

120 Large Emilia Castillo Silverplate-Mounted Alabaster Center Bowl contemporary, Taxco, Mexico, the oblong bowl and conforming plinth carved from a single piece of alabaster, the plinth decorated with a band of cutwork and chased silverplate lizards. h. 6-1/4”, l. 31-1/2”, w. 11-3/4”

119

$500-$800

121 Emilia Castillo Silverplate and Copper Pitcher contemporary, Taxco, Mexico, the vasiform pitcher of oval section with hammered finish and copper rope-twist rim extending to form the arched handle. h. 8”, l. 7-1/2”, w. 4-1/2” $150-$300

121

122 Emilia Castillo Silverplate “Beehive” Vase contemporary, Taxco, Mexico, the beehive-form vase with hammered finish and applied glass and enamel bees, with rope-twist rim and handles. h. 8-3/4”, w. 6-3/4”, d. 5-1/4” $150-$300 123 Emilia Castillo Sterling Silver “Beehive” Teapot contemporary, Taxco, Mexico, the beehive-form body with hammered finish and applied glass and enamel bee, with arc handle, short spout and hinged lid with lapis-inlaid flower finial. h. 6-1/4”, l. 9-3/4”, dia. 6-1/2”; 40.82 t. oz. $600-$900

122

124 Two Pieces of Emilia Castillo Silverplate “Banana Leaf” Tableware contemporary, Taxco, Mexico, including: a pitcher with inlaid malachite handle, h. 10-1/4”, l. 10-1/2”, w. 4”; and a covered condiment dish, l. 7-3/4”, w. 3”, with spoon, l. 5-3/4”; each with applied lapis-inlaid dragonfly. $300-$500

123

124

125

126 Three Emilia Castillo Silverplate and Copper “Verdigris” Condiment Bowls

125 Emilia Castillo Copper Verdigris “Banana Leaf” Platter contemporary, Taxco, Mexico, the large platter cut and hammered from sheet copper with verdigris finish. 35” x 15-3/4”

contemporary, Taxco, Mexico, each of hammered copper with silverplate interior, copper rope-twist rim and verdigris finish, with leaf handles en suite. h. 2”, dia. 3-1/2”, w. 4-3/4”

$300-$500 $200-$400

126

129

127 Two Large Emilia Castillo Silverplate and Copper “Verdigris” Bowls

129 Five-Piece Emilia Castillo Silverplate and Copper “Verdigris” Salad Service

contemporary, Taxco, Mexico, including: a center bowl, h. 5”, l. 15-1/2”, w. 8-1/2”; and a punch bowl, h. 8-1/4”, dia. 14-1/2”, w. 18”; each of hammered copper with silverplate interior, copper rope-twist rim and verdigris finish, the punch bowl with lily pad handles with silverplate frog.

contemporary, Taxco, Mexico, including: a large salad bowl, h. 4-1/4”, dia. 18-1/4”, w. 22-1/4”; a salad serving set, l. 14”; and a pair of bread trays, h. 5”, l. 14”, w. 6”; each of hammered silverplate copper with copper rope-twist rim, the hollowware with verdigris finish, the salad bowl with lily pad handles, one with silverplate frog.

$700-$1,000

$800-$1,200

128 No Lot

127

130

130 Collection of Emilia Castillo Silverplate “Frog” Tableware

131 Emilia Castillo Silverplate “Frog” Cream and Sugar Set

contemporary, Taxco, Mexico, including: a set of twelve place card/menu holders, each in the form of two frogs on a lily pad, w. 2”; and a toast rack, of wavy rectangular form with spiraled wire rack, the ends with a malachite frog on a lily pad, h. 3”, l. 9-3/4”, w. 5-3/4”.

contemporary, Taxco, Mexico, each with a pear-shaped body and hammered finish, the sugar bowl with “lily pad” cover, the creamer with “lily pad”-crested arc handle, the lily pads with verdigris-enameled frogs, together with a sugar spoon with dragonfly finial. creamer h. 4”, dia. 3”; sugar bowl h. 3-1/2”, dia. 3”; spoon l. 6-1/4”

$400-$700 $200-$400

131

132 Two Pairs of Emilia Castillo Bisque Porcelain Salt and Pepper Shakers contemporary, Taxco, Mexico, in the form of penguins with silver overlay, two with their head raised, two with their head to their breast. h. 2-1/2” to 3” $100-$200

132

133 Two Pairs of Emilia Castillo Bisque Porcelain Salt and Pepper Shakers contemporary, Taxco, Mexico, including: a pair of gray elephants, h. 2-1/4”, l. 2-3/4”; and a pair of ecru squared ova with trailing vines, dragonflies and butterflies, h. 2-3/4”, w. 1-3/4”; all decorated and signed with silver overlay. $100-$200

134 Two Sets of Emilia Castillo Bisque Porcelain Salt and Pepper Shakers

133

contemporary, Taxco, Mexico, including: a pair of black interlocking inchworms, one spotted, one striped, l. 4-1/2”, w. 1-1/4”; and a green mother and baby turtle, l. 4” and 3-1/4”; all decorated and signed in silver overlay. $100-$200

134

135 Two Sets of Emilia Castillo Bisque Porcelain Salt and Pepper Shakers contemporary, Taxco, Mexico, including: a pair of green cacti with a perched bird, h. 3-3/4”, w. 2-1/2”; and a pair of tan armadillos, l. 3”, w. 1-3/4”; all with silver overlay accents and signature. $100-$200 135

136 Assembled Emilia Castillo Silverplate “Toucan” Cream and Sugar Set contemporary, Taxco, Mexico, including: a cream jug with pear-shaped body, rope-twist rim, and toucan handle inlaid with black and tan onyx; and a covered sugar bowl with pear-shaped body, ropetwist rim and button finial inlaid with black and tan onyx; and a sugar spoon with rope-twist edge. creamer h. 5-3/4”, l. 3-3/4”; bowl h. 4-1/4”, w. 3-1/2”; spoon l. 5-1/2” $150-$300 137 Emilia Castillo Sterling Silver “Toucan” Center Bowl

136

contemporary, Taxco, Mexico, of oval form, the ends with perched malachite toucans with gilt beaks and onyx eyes, raised on a conforming leaf-banded foot ring. h. 8-3/4”, l. 32”, w. 10”; 108.99 t. oz. (including malachite inlay) $1,800-$2,500 138 Emilia Castillo Sterling Silver “Toucan” Cream and Sugar Set contemporary, Taxco, Mexico, each with a bulbous body and tall, steeped rim, the latter forming the spout on the creamer, the sugar bowl with fitted lid with floriform finial, both with malachite-inlaid toucan handle with gilt beak and onyx eyes; together with a sugar spoon with dragonfly finial. creamer h. 4”, l. 4-1/2”; sugar bowl h. 5”, l. 4”; spoon l. 4-1/2”; 15.50 total t. oz. (including inlay) $300-$500

138

137

139

139 Emilia Castillo Silverplate “Parrot” Toast Rack

140 Four Emilia Castillo Silverplate “Parrot” Goblets

contemporary, Taxco, Mexico, of wavy rectangular form with looped wire dividers, the ends with perched malachite parrots, h. 4-1/2”, l. 8-3/4”, w. 5-3/4”; together with Godinger silverplate serving tongs, l. 6”.

contemporary, Taxco, Mexico, each with a hammered bowl and circular base, the stem with a perched malachite parrot with gilt beak and onyx eyes. h. 6-3/4”, dia. 3”

$200-$400

$300-$500

140

141

142 Three Pieces of Emilia Castillo Silverplate “Blackbird” Tableware

141 Emilia Castillo Silverplate “Parrot” Cream and Sugar Set

contemporary, Taxco, Mexico, including: a pitcher, h. 14-1/2”, dia. 4-1/2”; a cream jug, h. 6”, dia. 2-3/4”; and a covered sugar bowl, h. 5-1/2”, dia. 2-7/8”, with spoon, l. 6-1/4”; each of tall conical form with hammered finish, the pitcher and jug with tall integral spout and arched handle, each fitted with one or two onyx blackbirds with copper beaks.

contemporary, Taxco, Mexico, each with a pear-shaped body with hammered finish and perched “parrot” handle with brickred hardstone inlay and gilt beak, together with a floral-finial sugar spoon inlaid en suite. creamer h. 5”, l. 5”; sugar bowl h. 4”, l. 5-1/4”; spoon l. 5” $200-$400

$300-$500

142

143

144

143 Emilia Castillo Silverplate “Blackbird” Wine Coaster contemporary, Taxco, Mexico, of circular form with hammered finish, the rim banded with verdigris-finished leaves perched with an onyx blackbird. h. 2”, dia. 4”

145 Two Emilia Castillo Silverplate “Turtle” Bottle Openers

$75-$125

contemporary, Taxco, Mexico, each with articulated flippers and tail, the mouth functioning as the opener. l. 5”, w. 3-1/2” 144 Emilia Castillo Sterling Silver “Turtle” Butter Dish

$150-$300

contemporary, Taxco, Mexico, in the form of a stylized sea turtle, the carapace forming the lid with a small fish finial. h. 3-1/4”, l. 9”, w. 5-1/4”; 17.19 total t. oz. $300-$500

145

146

146 Two Emilia Castillo Silverplate Bottle Openers contemporary, Taxco, Mexico, in the form of a fish and a lizard, each with segmented and articulated body and enamel eyes, the mouth functioning as the opener. fish l. 7”; lizard l. 10” $150-$300 147 Two Emilia Castillo Silverplate Articulated Bottle Openers contemporary, Taxco, Mexico, including a frog and a crab, each with articulated limbs, the crab with onyx eyes, the mouths forming the opener. frog l. 5-1/2” (extended), w. 4-1/4”; crab l. 3-1/2”, w. 6” $150-$300 148 Emilia Castillo Silverplate “Owl” Tea Infuser contemporary, Taxco, Mexico, with compression ring closure and two onyx eyes. l. 7” $75-$125

148

147

149

150

149 Emilia Castillo Silverplate “Jaguar” Teapot contemporary, Taxco, Mexico, the ovoid body of rounded rectangular section, with hammered finish, decorated with openwork jaguars over matte black bisque porcelain, with conical spout, “C”-shaped handle and hinged lid with finial en suite. h. 6-1/4”, l. 10”, w. 4-1/4” $250-$400 150 Emilia Castillo Silverplate “Lizard” Cream and Sugar Set contemporary, Taxco, Mexico, each with an inverted pearshaped body, with hammered finish, one side decorated with a repousse spiral, with applied black onyx-inlaid lizard handles and decoration. creamer h. 4-1/4”, l. 4-5/8”; sugar bowl h. 4-1/2”, w. 3-3/4” $200-$400 151 Emilia Castillo Silverplate “Swinging Monkeys” Picture Frame contemporary, Taxco, Mexico, comprising a central “bamboo” standard surmounted by malachite leaves and fruit, with two projecting branches with leaves en suite, each suspending a monkey, one swinging by its tail, the other by its hands, each holding an oval double-sided glazed picture frame, all above a navette-shaped base. overall h. 11-1/4”, w. 6-1/2”, d. 3-3/4”; frame opening 3-3/4” x 2-3/4” $300-$500 151

152

152 Emilia Castillo Silverplate “Monkey” Ice Bucket and Tongs

153 Emilia Castillo Silverplate “Fish” Tray

contemporary, Taxco, Mexico, the bucket with hammered finish and applied stylized “monkey” handles, the bow-style tongs with embossed monkeys on the bowl. bucket h. 7-1/2”, w. 14-1/4”, d. 5-1/2”; tongs l. 7-3/4”

contemporary, Taxco, Mexico, of rectangular form with hammered finish, the sides with collets, some openwork and others set with oyster and abalone nacre, the handles in the form of cut, chased and applied fish with turquoise eyes. 19-1/4” x 11-3/4”

$300-$500 $300-$500

153

154 Pair of Emilia Castillo Hammered Copper Pots contemporary, Taxco, Mexico, of shouldered round form, the collars with brass support rings. h. 15”, dia. 17” $500-$800

155 Two Large Emilia Castillo Copper Bowls

154

contemporary, Taxco, Mexico, including: a slender, oblong bowl, 31-3/4” x 8-1/2”; and a rounded square shallow bowl, w. 21”; each hand-hammered with rolled rim, the ends or corners pierced and fitted with silverplate rings. $400-$700

156 Three Graduated Copper Trays contemporary, each oval with recessed plateau, rolled rim, hammered finish and riveted brass stirrup handles. 19” x 12”; 17-1/4” x 10-7/8”; and 14-5/8” x 8-1/2” $300-$500

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156

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com