Cakebread Decorative Arts & Design | January 26-27, 2019 by New Orleans Auction Galleries

New Orleans Auction galleries

CAKEBREAD decorative arts & design

presented by ne w o r l eART a n s aAUCTION uction galleries FINE

January 26-27, 2019 APRIL 22, 2017

AUCTION

January 26-27, 2019

EXHIBITION

January 14-25, 2019

Open Monday - Friday, 9 a.m. - 5 p.m. Open Saturday, January 19, 10 a.m. - 4 p.m. Closed Sunday, January 20

EVENING RECEPTION Thursday, January 24, 5-7 p.m.

LOT SCHEDULE Session I

Session II

Lots 1 - 597

Lots 598 - 1032

S aturd ay, Januar y 26, 2019

10: 00 - 11:0 0

11: 00 - 12:0 0

101

200

12: 00

100

1:0 0

201

300

1: 00

2:0 0

301

400

2: 00

3:0 0

401

500

3: 00

4:0 0

501

597

Sunday, January 27, 2019

10:00 - 11:00

598

677

11:00 - 12:00

678

757

12:00 -

1:00

758

857

1:00

2:00

858

957

2:00

2:45

958 - 1032

REQUESTS Condition reports are posted daily as requested on our website and on our partner bidding sites, LiveAuctioneers and Invaluable. If you would like to request extra photos or a detailed report be emailed to you directly, you can contact us at info@neworleansauction.com, or click "INQUIRY" on the lot detail page, fill out the necessary fields and click "SEND INQUIRY". We will respond to requests on a first come, first served basis.

BIDDING Submitting absentee and telephone bids on our website: Create an account. Make sure that you are logged in and your registration has been approved. From the homepage, click “View Catalogue” to browse the current sale. You can also browse or search the catalogue from the “Auctions” tab under “Auction Schedule” or “Catalogue Search”. Scroll through the catalogue. When you see an item that you would like to bid on, click “BID & TRACK”. If you would like to submit a telephone bid, check the box (located just below the image). If you wish to be called on a phone number that is different from the number that you registered with, you can change the phone number in the “Telephone” field. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. If you would like to leave a safety bid, please contact us once your bid has been confirmed. The easiest way to add a safety bid to your telephone bid is to reply directly to your confirmation email. If you would like to submit an absentee bid, click “BID & TRACK” on the desired lot. Fill in the amount in the “Enter Your Bid” field. Please note that any special symbols or characters will not be accepted. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. You will receive a confirmation email once we process your bid(s). Click “Back” to continue bidding. Bid live online: Live online bidding is available via LiveAuctioneers and Invaluable. Bid in person: Registration for in-person bidding is available on the day of the auction. Front Cover: Lot 389 | Back Cover: Lot 786 | Left: Lot 858

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | 504-566-1849 | fax: 504-566-1851 | info@neworleansauction.com LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium (3% Discount For Prompt Payments Made By Cash or Check)

SESSION I January 26, 2019 Lots 1-597 Lot 146

1 Greek Orthodox Icon of St. George Slaying the Dragon late 19th century, tempera on wood panel. 20” x 15‑1/4” $500‑$800 2 Russian Orthodox Icon of Scenes from the Life of Christ 19th century, tempera on wood panel, faint remnants of inscriptions in Cyrillic. 20‑1/2” x 16” $500‑$800 3 Two Santos Figures with Three Tole Flower Arrangements

each Santos figure of Mary and the Baby Jesus, including an Italian giltwood example, ca. 1700, h. 16”, w. 4”, d. 3‑3/4”, and an Italian polychrome example, ca. 1900, h. 17‑3/4”, w. 5”, d. 5”; together with three French tole arrangements, two in giltwood finials and one in an ebonized “planter”, h. 25” to 29”, w. 9” to 10”, d. 5”. $800‑$1,200 4 Continental Carved and Painted Santos Figure early 19th century, set with glass eyes and carefully carved hair, hands and feet. h. 42”, w. 14‑1/2”, d. 11‑3/4” $800‑$1,200

5 Baroque-Style Carved Giltwood Floor Lamp first quarter 20th century, the standard carved with mirror-image acanthus leaves and rope-twist carving, above a circular base on bun feet. h. 68‑1/4”, dia. 11” $800‑$1,200 6 Baroque-Style Giltwood Mirror 20th century, the crest with scrollwork above a lushly decorated surround with woven garlands of fruit and flowerheads, and a shell on the base, set with a beveled mirror plate. h. 72‑1/2”, w. 52” $700‑$1,000 7 Baroque-Style Giltwood Mirror 20th century, the crest with scrollwork above a lushly decorated surround with woven garlands of fruit and flowerheads, and a shell on the base, set with a beveled mirror plate. h. 72‑1/2”, w. 52” $700‑$1,000

8 Baroque-Style Giltwood Lantern 20th century, the five-light lantern with tapered glassmounted sides, the panels separated with leaf-carved divisions, the upper portion pierced and decorated with shells and scrollwork, the bottom with an artichoke pendant finial. h. 46”, dia. 19” $1,200‑$1,800 9 Pair of Continental Bronze Andirons fourth quarter 19th century, of Renaissance inspiration, the tapered standards set with reeded ball finials, the facades decorated with fire-breathing dragons and a pierced crosspiece, each with an integral fire tool holder. h. 49‑3/4”, w. 46”, d. 21‑1/4” $700‑$1,000

8 11 Latin American Carved, Painted and Gilded Ecclesiastical Column

second half 19th century, now mounted as a lamp, carved with winged angel heads, the faces realistically painted and capped with a Corinthian capital. h. 32‑3/4”, w. 8‑1/4”, d. 8‑1/4” $800‑$1,200

10 Pair of Italian Carved and Gilded Wooden Figural Brackets fourth quarter 19th century, each with a carved cherub backplate supporting a shell-carved shelf. h. 15‑1/2”, w. 15‑1/2”, d. 9‑1/2” $500‑$800

14 Rococo-Style Patinated Metal Lantern 20th century, the pentagonal five-light lantern with scrollwork supporting the top, and molded leaves decorating the upper and lower corners. h. 39‑1/2”, dia. 18‑1/2” $500‑$800

12 Pair of Baroque Giltwood Architectural Elements ca. 1700, now mounted as lamps, carved with kneeling angels supporting plinths, with tole drip pans, electrified. overall h. 21‑1/2”, w. 7‑3/4”, d. 6‑3/4” $800‑$1,200 13 Italian Renaissance-Style Bleached Walnut and BoneInlaid Armchair ca. 1900, the top of the back having a bone-inlaid panel, and supported by turned and carved spindles, raised on turned trumpet-form legs. h. 30”, w. 24”, d. 19‑1/2” $500‑$800

15 Erhard Schon (German, ca. 1491‑1542)

“Head of Albrecht Durer in Profile to the Left” woodcut date in cartouche upper left and lower right, added later. Matted, glazed and framed. sight 11‑3/8” x 9‑7/8”, framed 14‑7/8” x 13‑1/4” $600‑$900

16 Italian Walnut Credenza/Cabinet

17 Pair of Continental Walnut Prie-Dieux

17th/18th century, with a lift lid above a pair of paneled doors, raised on bracket feet, the lid and doors set with cotter-pin hinges. h. 54‑1/2”, w. 40‑1/2”, d. 16”

mid-19th century, each with a molded top and raised panel front above a stepped kneeler. h. 32”, w. 27‑1/2”, d. 19”

$1,200‑$1,800

$1,000‑$1,500

18 16

18 Continental Fruitwood Armchair 18th century, in the Renaissance style, the tall, padded rectangular back surmounted by a domed and molded crest centered by a figure of the god Mercury, flanked to either side by carved sphinx uprights, joined to the cushioned wooden seat by flat arms on putti uprights, raised on fluted columnar legs joined by an H-form stretcher and ending in bun feet. h. 48‑1/2” $1,000‑$1,500

20 Renaissance-Style Oak Kneehole Desk

fourth quarter 19th century, with a rectangular top above a row of three drawers and a cabinet on each side of the kneehole opening, the rear side panels opening to hidden storage compartments. h. 30”, w. 56”, d. 31” $500‑$800

19 British School (20th Century) “Portrait of a Woman in Elizabethan Clothing” oil on canvas illegibly signed lower right. Framed. 30” x 24”, framed 42” x 35‑3/4”

21 Early Spanish Cedar Paneled and Carved Cabinet 17th/18th century, the front with two doors, each with deeply carved panels and opening to an interior fitted with shelves, the ends paneled as the front, the doors mounted with forged rat-tail hinges. h. 65‑1/2”, w. 40”, d. 20” $600‑$900

$1,000‑$1,500

22 Continental Carved and Stained Tall Case Clock 18th century and later, in the rococo style, decorated with exotic figures, carved leaves and a basket of flowers, the arched hood carved to match. h. 96‑1/2”, w. 15”, d. 11” $800‑$1,200 23 Continental Brass Fire Tool Set first quarter 20th century, probably Dutch, with a spiral-turned base, the crest decorated with a molded milkmaid and her cows, hung with a poker, tons, trivet, shovel and hearth brush. h. 44‑1/2”, w. 17‑1/4”, d. 12” $600‑$900

24 Exceptional Continental Mixed Woods Inlaid and Carved Oak Coffer 18th century, probably German, the lift lid with wrought iron strap hinges and shaped raised panels, each with an inlaid star, the front with inlaid raised panels and various inlaid border motifs, the lower base with a central relief-carved and polychromed panel flanked by a drawer to each side and a scalloped skirt, the ends with shaped raised panels with inlay and fitted with wrought iron handles, the interior retaining its working lock and key and a till on the left side with a secret compartment. h. 31”, w. 60”, d. 27” $1,200‑$1,800 22

26 Continental Baroque Carved Oak Altar Stick ca. 1700, the base with parcel-gilding and scrolled carving, the standard carved with a dolphin, and the drip pan set with a wooden candle pricket. h. 37”, dia. 13‑3/4” $500‑$800

25 Continental Renaissance-Style Oak Round Extension Dining Table fourth quarter 19th century, the top with a molded and carved edge, the apron with applied grape and leaf carving, the base with spiral-turned supports and applied grape- and leaf-carved details, accompanied by six 12” leaves. h. 30”, dia. 54”, ext. l. 126” $700‑$1,000

27 Continental Mahogany Trestle Table 20th century, the rectangular top above a conforming molded frieze, raised on scrolling acanthine-carved end supports centered by a spiral-ribbed column, joined by a spindled stretcher and ending in runner feet. h. 29”, w. 58‑1/2”, d. 31” $500‑$800

28 Continental Oak Cabinet early 20th century, the heavily molded and dentillated cornice joined by a tri-paneled and carved back and caryatid uprights to a lower section with a rectangular top over two drawers and two cupboard doors, each with molded panels, flanked to either side by lion-masque uprights and raised on a molded plinth base. h. 21‑1/2”, w. 61”, d. 20‑3/4” $500‑$800 29 Pair of Baroque-Style Silver-Plated Brass Andirons ca. 1900, American, with arched feet and standards pierced with scrollwork, with composite capital finials. h. 28”, w. 10”, d. 21” $500‑$800

30 Continental Polychrome Coffee Table in the provincial style, the plank top with bread-board ends and supported by large bulbous-turned standards mounted to a platform base. h. 19”, w. 48‑1/2”, d. 24”

$600‑$900 31 Pair of Baroque Lead Planters ca. 1700, English or Italian, with leaf-molded scrolled handles set with heads, the lower bodies fluted and reeded, the upper portion molded with winged angel heads. h. 19‑1/2”, w. 22”, d. 12‑1/2” $800‑$1,200 31

33 Pair of Neoclassical-Style Bronze Torcheres 20th century, the bases decorated with lion’s heads supported on scrolls, the turned standards molded with acanthus leaves and Ionic capitals, set with faux tortoise shades. h. 81”, dia. 12” $800‑$1,200 34 Continental Rosewood Console and Mirror in the Rococo Taste

32 Pair of Continental Bronze Andirons

third quarter 19th century, in two parts, the shaped mirror in a conforming frame, the crest with a cartouche centered by a carved maiden’s head on a base with a serpentine inset marble top, over a conforming apron, centered by a carved wolf head, raised on cabriole legs capped by winged allegorical female busts, with serpentine platform base and fretwork back. h. 120”, w. 59”, d. 23” $1,000‑$1,500

fourth quarter 19th century, in the Renaissance Revival taste, each having a base with scrollwork framing a lion’s head, the upper urn-form portion decorated with molded strapwork and set with a flame finial and ring-form handles. h. 26‑1/2”, w. 14”, d. 4” $800‑$1,200

35 Continental Metal Strapwork and Chinese Famille Jaune Porcelain Piano Lamp fourth quarter 19th century, the standard composed of a large bottle vase, the top set with a font holder. h. 61‑1/2”, dia. 19” $700‑$1,000

36 Federico Gaetano Villa (Italian, 1837‑1907) “Bust of a Young Girl with Beaded Necklace”, 1888 carved marble incised signature and dated at back. h. 21‑3/4”, w. 11‑1/2”, d. 8” $800‑$1,200

36 35

37 Dutch Mahogany and Marquetry Bureau early 19th century, the shaped backpiece above a bombe case fitted with a slant front, opening to a variety of drawers and cubbyholes, over a small central drawer and a single long frieze drawer, raised on cabriole legs, the whole richly accented in floral and foliate marquetry patterns. h. 46”, w. 36‑1/2”, d. 19” $600‑$900

38 Dutch Mahogany and Marquetry Games Table and Commode the games table, late 19th century, with a shaped rectangular top with an urn-centered scrolling foliate marquetry inlay, hinged and opening to a like interior, above a conforming shaped frieze, raised on cabriole legs ending in pad feet, h. 30‑1/2”, w. 32‑1/2”, d. 17‑1/2”, and the small commode, 19th century, with a rectangular stepped top with a floral basket inlay, above a conforming case fitted with two long drawers, raised on cabriole legs ending in pointed toes, h. 19‑1/2”, w. 20”, d. 13‑3/4”.

$500‑$800

39 Two Continental Mahogany and Paint-Decorated Trunks on Stands 19th century, each with a faceted and domed top, dovetailed corners and mounted to a cabriole leg stand, the front of each trunk with painted flowers and initials. h. 45”, w. 35”, d. 19” and h. 40”, w. 34”, d. 18‑1/2” $500‑$800 40 Continental School, Probably German (18th Century) “Portrait of a Composer with a Flute and Sheet of Music” oil on canvas unsigned. Framed. 34‑5/8” x 26‑7/8”, framed 44” x 38” $700‑$1,000 40

41 Italian Fruitwood Desk late 18th century, the shaped rectangular top with a recessed center section, banded and inlaid with two decorative panels, over a conforming case fitted with a concave central drawer flanked to either side by two drawers, all banded and with decorative inlay, the sides and verso with like banding, raised on cabriole legs ending in hoof feet. h. 31”, w. 49‑1/2”, d. 26‑1/2” $700‑$1,000 42 Suite of Four Italian Rococo Giltwood Side Chairs late 18th/early 19th century, probably Venetian, each with an arched top rail with a shell-carved crest, molded and shaped stiles, scalloped apron and cabriole legs on pad feet. h. 40‑1/4”

$1,000‑$1,500

43 Pair of Italian Polychrome Console Tables late 19th century, each with a serpentine molded top above a single drawer, floral decorated and raised on cabriole legs. h. 32”, w. 62”, d. 29” $1,500‑$2,500 44 Unusual Painted Tin and Lead Lantern 19th century, Continental, the hexagonal-form lantern composed of tin molded with scrollwork and leaves, the dome top trimmed with pairs of lead putti holding crests, the lantern panels trimmed with lead male figures at the top and putti at the base, the lower portion molded in onion dome form, on a turned and painted wooden support. h. 38‑1/4”, dia. 11” $800‑$1,200 45 Venetian Carved and Painted Blackamoor Gondolier ca. 1900, wearing a tan and elaborately carved and painted vest and breeches, holding a paddle in one hand and a giltwood platform in the other, standing on a gondola, on a period faux stone wooden pedestal decorated with a giltwood masque. h. 70”, w. 13”, d. 10” $500‑$800

46 Venetian Carved and Painted Blackamoor Gondolier ca. 1900, wearing a painted jacket and pants with a fringed kerchief, standing on a gondola and holding a gilt cornucopia platform, above a period carved and painted pedestal. h. 68‑1/2”, w. 13‑1/2”, d. 10” 45

$500‑$800

48 Nicholas Briganti (American/Italian, 1861‑1944) “Venetian Canal Scene with Gondoliers” oil on canvas signed lower right. Framed. 20” x 30”, framed 25‑1/2” x 35‑1/2” $800‑$1,200

47 Italian Giltwood Mirror in the Rococo Taste fourth quarter 18th century, the rectangular molded surround carved with beading and leaves at each corner and fitted with an inset mirror, the crest with pierced rocaille work and the sides decorated with pierced scrollwork. h. 48”, w. 34” $800‑$1,200 48

49 Continental Louis XV-Style Writing Table the shaped rectangular top banded and centered by a circular panel with scrolling foliate, floral and avian inlays, above a conforming frieze fitted with a single drawer, raised on cabriole legs headed by bellflower carving and ending in in-scrolled toes. h. 29‑1/2”, w. 48”, d. 30” $700‑$1,000

50 Berlin Woolwork Floral Embroidery 19th century, wool and cotton threads on a canvas foundation, central floral, cherry cluster, and acanthine design rendered in cross and tent stitch in deep tones of crimson, teal, tan and rich greens, inner border of ribbon and bud motif, outer border of floral and leaf vine, all edged in a thin tan-to-black border, now backed in cotton. 45” x 48” Provenance: Descended in a Connecticut family. $700‑$1,000

51 Continental Polychrome Cabinet late 19th century, probably Swiss, the molded and domed cornice above a floral-painted frieze and an astragal-glazed door, with canted glazed sides, the lower section fitted with two paneled cupboard doors and canted paneled sides, raised on bun feet, the whole richly accented with floral patterns. h. 74”, w. 36”, d. 9‑1/2”

$700‑$1,000

52 Pair of Rococo-Style Gilt-Bronze Tie-Backs first quarter 20th century, French, decorated with molded bunches of fruit held with pierced bowknots. w. 11‑1/2”, d. 5” $500‑$800

52 51

53 Pair of Venetian-Style Polychrome Cabinets each with a serpentine top with canted corners, above a conforming case with a drawer over a paneled door, scalloped apron and shaped legs. h. 39‑1/2”, w. 32”, d. 20” $600‑$900

54 Venetian Polychrome Commode 20th century, with a slightly serpentine curved front and scenic-decorated drawers, raised on short cabriole legs. h. 39”, w. 49”, d. 22” $1,000‑$1,500

55 Pair of Venetian Polychrome and Parcel-Gilt Twin Beds ca. 1900, each with a paneled headboard and footboard of bombe form, a pierced and carved crest and carved rails. h. 51", inside w. 39" and inside l. 76", outside w. 44" and outside l. 80" $1,500‑$2,500

56 Pair of Italian Polychrome and Parcel-Gilt Fauteuils 19th century, each with a floral wreath-carved crest, an oval padded back, foliate-carved arms and raised on cabriole legs ending in scrolled toes. h. 38” $800‑$1,200

57 Continental Silvered Metal and Crystal Chandelier the eight-light chandelier with a molded glass-clad standard and set with scrolled candle arms and cut glass drip pans, hung with an upper spray of drops, cascades of drops and cut glass drops on the arms. h. 26‑1/2”, dia. 21‑1/2” $1,200‑$1,800

58 Italian Rococo Carved and Painted Boiserie Niche fourth quarter 18th century, with a swell front, the serpentine opening carved with trailing flowerheads, the sides carved with scrollwork, rocaille work and flowerheads, with a shell-carved crest. h. 62‑1/2”, w. 33”, d. 9” $800‑$1,200

59 Unusual Pair of Venetian Obelisk-Form Mirrors 20th century, set with beveled mirror glass decorated with engraved spays of flowers, on marbleized bases. h. 72‑1/2”, w. 15” $700‑$1,000

60 After Pompeo Girolamo Batoni (Italian, 1708‑1787) “Reclining Mary Magdalene Reading in Wilderness” oil on canvas unsigned. Modern ebonized and parcel-gilt frame. 13” x 16‑1/4”, framed 20‑5/8” x 23‑3/4”

$700‑$1,000

61 Open Lot

62 Continental School, Probably Spanish or Greek (Second Half 16th Century) “Joseph with Young Christ and Lilies” oil on canvas laid down on wood panel unsigned. Framed. 22‑1/4” x 15”, framed 28” x 20‑1/4” $1,000‑$1,500 59

63 Continental School, Probably French (Mid-19th Century) “Cathedral Interior” oil on wood panel unsigned. Framed. 29‑3/4” x 41”, framed 38‑1/2” x 50” $2,000‑$4,000

64 Continental School (Late 18th/Early 19th Century) “Returning from Battle” oil on canvas indistinctly marked with heraldic crest lower left. Antique frame. 51‑1/2” x 34”, framed 57‑1/2” x 40‑1/2” $1,000‑$1,500

65 Spanish School (20th Century) "The Resurrection with Volcanic Eruption in Background" oil on wood panel unsigned, inscribed lower center “Caritas Scrhristis [sic] Urget Nos (Love of Christ Urges Us On)”. Unframed. 30‑1/2” x 61” $700‑$1,000 66 Continental/Italian School (Second Half 19th Century) “Immaculate Conception of Mary” oil on canvas unsigned, probably a copy after an Italian 17th-century painting. Framed. 20‑1/4” x 16‑1/4”, framed 24” x 20‑1/4”

$800‑$1,200 67 Italian-Flemish School (Second Half 17th/First Quarter 18th Century) “St. Anthony of Padua’s Sermon to the Fish with St. Francis of Assisi” fresco on stone unsigned. Framed. 6‑3/8” x 10‑7/8”, framed 11‑3/8” x 15‑3/4” $600‑$900 67

70 After Artus Wolfaerts (Flemish, 1581‑1641) “Mary Magdalene Anointing Christ’s Feet”, a detail oil on canvas Framed. 36‑1/2” x 49‑3/4”, framed 44‑1/4” x 58‑1/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $800‑$1,200

68 After Willem Drost (Dutch, 1633‑1659) “Daniel’s Second Vision”, 18th century oil on canvas unsigned, after the ca. 1650 painting restored by Sir Joshua Reynolds and now conserved at the Staatliche Museen, Berlin. Framed. 39‑1/2” x 47‑3/4”, framed 48‑3/4” x 57‑1/2”

$1,000‑$1,500

69 Italian School (18th Century) “St. Jerome in His Study” oil on canvas laid down on wood panel unsigned. Framed. 47” x 36‑1/2”, framed 52‑1/2” x 43‑1/8” $700‑$1,000

71 Suite of Four Provincial Louis XV-Style Fruitwood Side Chairs ca. 1900, with shaped and carved crest rails, the backs and seats covered in taupe suede, raised on cabriole legs. h. 37” $800‑$1,200

72 Group of Four Pressed Hydrangeas each initialed “SW” lower right. Glazed and framed. 15‑3/4” x 11‑3/4”, framed 17‑1/2” x 13‑1/2” $600‑$900

73 Louis XIV-Style Parcel-Gilt Mirror fourth quarter 19th century, framed with carved scrollwork and flowerheads, the pierced crest with a central pierced carving of flowerheads, mounted on a painted back with old mirror glass. h. 20‑1/2”, w. 14” $800‑$1,200

74 Provincial Louis XV-Style Polychrome Oak Armoire 19th century, the molded cornice over a frieze adorned with a carved floral basket, vines and flora, the pair of doors with a pair of shaped panels and like carving, raised on cabriole legs with French toes, the interior doors, four shelves, sides and part of the back now lined in fabric. h. 88”, w. 55‑3/4”, d. 23‑1/2” $500‑$800

75 Interesting French Inlaid Oak and Polychrome Table ca. 1900, the removable top with a central inlaid star and parquetry border, over a painted base having carved and scalloped aprons and raised on carved cabriole legs. h. 29‑1/2”, w. 39”, d. 32” $700‑$1,000

76 Provincial Cream-Painted Armoire the heavily molded cornice above a case fitted with two doors, each inset with three panels and opening to a shelved interior, the molded base raised on large bun feet, the painted finish distressed. overall h. 78‑1/2”, w. 56”, d. 23” $700‑$1,000

77 Pair of Provincial Louis XV-Style Fruitwood Fauteuils each with a shaped shell- and foliate-carved crest over a caned back, the open arms and serpentine seat rail with like carving, raised on cabriole legs joined by X-form stretchers. h. 37‑1/2” $600‑$900

79 Suite of Eight Provincial Louis XV/XVI-Style Painted Dining Chairs

78 Louis XV Provincial-Style Trumeau Mirror fourth quarter 19th century, with a carved giltwood surround framing the mirror panel, the upper painting depicting a bucolic scene, with giltwood appliques on each side. h. 58‑1/2”, w. 62‑1/2”

each with a rounded back with polychrome cane, molded compass-form seat upholstered in green floral brocade and fluted tapering circular legs. h. 35‑1/2”

$600‑$900

$500‑$800

80 Provincial Louis-Philippe Fruitwood Buffet mid-19th century, the rectangular top with a molded edge and canted corners, above a conforming case fitted with two drawers over two paneled cupboard doors, raised on bracket feet. h. 38‑1/4”, w. 50”, d. 21‑1/4” $500‑$800 81 Provincial Louis XVI-Style Fruitwood Tambour Secretary mid-19th century, of diminutive size, the rectangular superstructure fitted with two small drawers over a tambour roll-top opening to a pull-out leather-inset writing surface and four small drawers over a single drawer, raised on slender, tapering circular legs ending in toupie feet. h. 40‑1/2”, w. 20‑3/4”, d. 14‑3/4”

$600‑$900

83 Diminutive Fruitwood Commode/Side Table 20th century, in the Directoire taste, the conforming top with canted corners, over a case fitted with a pair of reeded long drawers, raised on tapering square legs. h. 22”, w. 35‑1/2”, d. 18” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800 81

82 Louis XVI-Style Fruitwood Stool 20th century, the padded rectangular top upholstered in a floral Aubusson fabric, above a guilloche-carved frieze, raised on fluted tapering circular legs ending in toupie feet. h. 18‑1/2”, w. 26‑1/2”, d. 18‑1/2” $600‑$900

84 Provincial Continental-Style Fruitwood Cabinet the long bowed top with projecting sections, over a conforming case fitted with two central paneled cupboards, flanked to either side by paneled sides, raised on a plinth base. h. 35‑1/2”, w. 84‑1/2”, d. 23‑1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $800‑$1,200

86 Louis XV-Style Painted Leather Screen

19th century, composed of four serpentine-top panels, depicting idealized scenes of country life. overall h. 83‑1/2”, w. 90”

85 Louis XV Walnut Armchair

$1,500‑$2,500

18th century, with arched back, open arms, scalloped apron and cabriole legs h. 44” $500‑$800

87 French Provincial Cherrywood Armoire

88 Provincial Louis XV-Style Oak Buffet

mid-19th century, the molded and domed cornice above a case fitted with a paneled frieze over two long doors, each inset with two shaped panels, over a serpentine apron, raised on scrolled toes. h. 112”, w. 68”, d. 27”

the serpentine top above a case with a pair of drawers, over a pair of paneled doors with carved fronts, a scalloped apron and cabriole legs. h. 38”, w. 51”, d. 17‑3/4”

$800‑$1,200

$600‑$900

89 Provincial Louis XV-Style Beechwood Wing Chair ca. 1900, of generous proportions, the wings extending to the rest of the open arms, with shell- and floral-carved serpentine apron and cabriole legs. h. 41‑1/2” $700‑$1,000 89

90 Provincial Louis XV-Style Fruitwood Buffet of large scale, the D-form top above a conforming case fitted with five paneled cupboard doors, above a shaped shellcarved apron, raised on scrolled toes. h. 35‑1/2”, w. 114”, d. 21‑1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $800‑$1,200 91 Suite of Four Louis XV-Style Polychrome Side Chairs fourth quarter 19th century, each with a floral-carved crest above a caned back and seat, raised on cabriole legs ending in scroll feet. h. 37”, w. 17‑1/2” $500‑$800

92 Provincial Louis XV Pine Buffet a Deux Corps ca. 1800, in two parts, the bonnet top in scroll decor, over a pair of doors now fitted with glazed panels, the base with a pair of doors with shaped panels, scalloped apron and cabriole legs. h. 97”, w. 55”, d. 20‑1/4”

$800‑$1,200

93 Twelve-Piece Collection of Hammered Copper Cookware 19th/20th century, including a hammered cooking pot, h. 8”, dia. 10‑1/2”, an egg poacher, h. 2”, dia. 14‑1/4”, a saute pan, h. 2‑1/4”, dia. 14”, a dipper, h. 3”, dia. 6‑1/2”, two small saute pans, h. 2” to 3”, dia. 13” to 20‑1/2”, three molds decorated with flowers, h. 2” to 2‑3/4”, dia. 9” to 16”, and three colanders/steamers, h. 2‑1/2” to 4‑1/4”, dia. 12” to 19‑3/4”. $600‑$900

94 Provincial Louis XV-Style Elm and Fruitwood Desk the rectangular top with a molded edge, above a case fitted with a central pull-out slide over a drawer, flanked to either side by two short drawers, raised on cabriole legs. h. 31”, w. 54”, d. 27‑1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $800‑$1,200

95 Louis XVI-Style Fruitwood Secretaire 19th century, the paneled slant front opening to a variety of drawers surrounding a central cupboard, opening to small drawers, all retaining paper labels, over three long drawers, all paneled and with floral carving, above a guilloche-carved apron, raised on ribbed tapering square feet. h. 48”, w. 51”, d. 25” $800‑$1,200

96 Pair of Louis XV-Style Fruitwood Fauteuils each with a padded domed back within a molded frame, joined by padded arms to the cushioned seat, raised above a shaped apron on cabriole legs ending in scrolled toes. h. 37” $800‑$1,200

98 Italian Neoclassical-Style Giltwood Mirror 97 one of two

20th century, the cove-molded surround lined with beading, the pierced crest with a sheaf-of-wheat finial against a field of carved leaves. h. 53”, w. 32” $500‑$800 99 Open Lot

97 two of two

97 Pierre-Auguste Renoir (French, 1841‑1919) “Sur la Plage a Berenval”, 1892 etching on laid paper signed lower right in plate, 5‑1/4” x 3‑3/8”; together with Paul Signac (French, 1863‑1935), “Remorques au Pont des Arts”, ca. 1927, etching and aquatint, signed lower left in plate. Each matted, glazed and framed. framed 11” x 9‑1/8” and 14‑1/2” x 20‑1/2”, respectively $500‑$800 98

100 Manner of Pieter Gerardus van Os (Dutch, 1776‑1839) “Shepherdess at Rest with Her Herd” oil on canvas unsigned. In an antique giltwood frame. 25‑1/2” x 36‑1/4”, framed 28‑1/4” x 38‑3/4” $2,000‑$4,000

100

101 Manner of Pieter Gerardus van Os (Dutch, 1776‑1839) “Shepherd on a Country Path with His Herd” oil on canvas unsigned. In an antique giltwood frame. 26” x 36‑1/2”, framed 28‑1/2” x 38‑3/4” $2,000‑$4,000

101

102 Provincial Louis XV-Style Oak Vaisselier ca. 1900, in two parts, the upper section with a bonnet top, the frieze with a carved floral basket flanked by leaves and three shelves with scalloped aprons, the base with a pair of drawers over a pair of doors, raised on cabriole legs. h. 90”, w. 54‑1/2”, d. 20‑1/2” $600‑$900

103 Provincial Louis XV-Style Fruitwood Sofa early 20th century, with a molded frame and floralcarved crest, the seat frame with floral carvings and raised on cabriole legs, upholstered in Fortuny fabric. h. 38‑1/2”, w. 81”, d. 35” $700‑$1,000

102

103

104 Provincial Louis XV-Style Fruitwood Desk the top with a molded edge, over a central drawer and kneehole opening flanked by pairs of deep drawers, raised on cabriole legs. h. 29‑3/4”, w. 60”, d. 27‑1/2” $800‑$1,200 105 Provincial Walnut Armchair in the Louis XIV Taste 18th century, the arm rest now upholstered and with scroll ends, raised on shaped legs joined by an H-form stretcher h. 42” $500‑$800

104

105

106 Early French Provincial Carved Oak Armoire late 18th century, with a removable molded cornice above a pair of framed and paneled doors with reliefcarved motifs of birds and flowering trees. h. 87”, w. 57”, d. 25‑1/2” $1,000‑$1,500

106

107 Louis van der Pol (Dutch, 1896‑1982) “The Village Market” oil on board signed lower left. Framed. 25‑1/4” x 32‑1/2”, framed 33” x 40‑1/4” $800‑$1,200

107

108 J. De Graaf (Dutch, 20th Century) “Winter Logging” oil on canvas signed and dated “19‑7” lower right. Framed. 38‑1/4” x 50‑3/4”, framed 45‑1/2” x 57‑3/4” $1,500‑$2,500

108

109 F. Munsterfeld (German, active 1880s) “Low Tide” oil on canvas signed lower right. Framed. 32‑1/4” x 51”, framed 41‑3/4” x 60‑1/2” $800‑$1,200

109

110 Continental School (19th Century) “The Work Horse” oil on wood panel unsigned. Framed. 16‑1/4” x 21‑1/2”, framed 22‑1/8” x 27‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

110

111 Cornelis Verschuur (Dutch, 1888‑1966) “The Hay Cart” oil on canvas signed lower right. Framed. 16” x 27‑3/4”, framed 21‑5/8” x 35‑1/2” $800‑$1,200

111

112 Cesar de Cock (Belgian, 1823‑1904) “Cattle, Sheep and Shepherd” oil on wood panel signed lower right. Framed and with artist plaque. 10‑1/2” x 16”, framed 13” x 18‑1/4” $1,500‑$2,500

112

113 Italian School (19th Century) “Pastoral Scene with Cattle Grazing” oil on canvas laid down unsigned. Framed. 13‑3/4” x 18”, framed 18” x 22” $800‑$1,200

114 British School (19th Century) “Landscapes near Rivers” pair of oils on panel unsigned. Period matching gilt frames. 5” x 7‑1/2”, framed 11‑1/2” x 14‑1/4”

113

$500‑$800

115 Willem Romeyn (Dutch, 1624‑1694) “A Peasant, Goats and Cattle at a Ford” oil on canvas unsigned, printed label with artist and title en verso. Framed. 15‑1/2” x 21”, framed 22‑1/4” x 27‑1/2” $2,000‑$4,000

115

114 one of two

114 two of two

116 Continental School (19th Century) “Time for Tea” oil on canvas illegibly signed lower right, two partial handwritten labels en verso. Period frame. 14” x 21‑1/4”, framed 23‑1/2” x 31” $800‑$1,200

116

118 Jean Lefort (French, b. 1948) “Two Children Playing with a Sailboat” oil on canvas laid down on panel signed lower right. Framed. 19‑3/4” x 15‑1/4”, framed 27” x 22‑1/2” $1,000‑$1,500

117

117 Bernard Johan de Hoog (Dutch, 1867‑1943) “Interior Scene: Man Reading” oil on canvas signed lower left. Framed. 23‑1/2” x 20”, framed 30 -3/4” x 27” $800‑$1,200

118

119 Josef Molnar (Hungarian, 1821‑1899) “Young Girl Blowing a Bubble” oil on canvas signed lower left. Framed. 31‑1/2” x 23‑1/2”, framed 37” x 29” $600‑$900 120 Ludvig Carl Gustav Jacobsen (Danish, 1890‑1957) “The Maternity Visitation, Scene from Ludvig Holberg’s (1684‑1754) Comedy ‘Barselstuen’” oil on canvas signed lower right, titled “Barselstuen” and with “A. Matritzen, Forgylder” label en verso. Antique frame. 20” x 31‑1/4”, framed 28‑3/4” x 39‑1/2” A cartoonist at the Danish newspaper Dags Pressen, Ludvig Jacobsen also worked as a book and newspaper illustrator. Jacobsen enjoyed the theater and became well-known for his paintings of scenes from plays by Moliere and Holberg.

119

A classic comedy by Holberg, “Barselstuen” centers on Corfitz who is close to 70 years old and his young bride, who is bedridden since giving birth. Corfitz suspects his young bride to be unfaithful to him and that he is not the father of the baby. The comedy makes fun of the time when maternity visitations were commonplace, and the young mother must endure visits by the gossipy local women. Corfitz hides by the bed hoping to overhear gossip about his bride’s possible infidelity. $1,000‑$1,500

121

121 American School (Mid-20th Century) “A Winter Day” oil on board unsigned. Framed. 24” x 25‑3/4”, framed 29‑1/2” x 31‑1/2” $500‑$800

120

122

122 Austrian Silver Tray 1814, Vienna, .813 silver, of elliptical form, the plateau decorated with a repousse and flat-chased scene of a burial of a king at sea, within a wavy, floralbanded rim. 12‑5/8” x 9‑3/8”; 15.86 t. oz.

123

$500‑$800

123 German Sterling Silver Standing Salt mid-20th century, by Ludwig Neresheimer Sohne, Hanau, in the Mannerist taste, with shell-form bowl, sailing ship crest and dolphin standard. h. 10‑1/2”, l. 6‑1/2”; 20.15 t. oz. (including protective pasteboard and felt base) $500‑$800

124 Portuguese Silver Wine Ewer mid-20th century, Porto, .833 silver, of inverted pear form, decorated with repousse grape clusters on a matted ground, with arched handle and domed foot en suite, and waisted collar and integral spout. h. 13‑1/4”, l. 9‑1/4”, dia. 6‑1/2”; 31.85 t. oz. $600‑$900

124

126 Three Continental Silverplate and Glass Claret Jugs first half 20th century, one of tapering conical form with wheel-engraved ferns and double scroll handle, one of tapering oval section and wheel-engraved with floral cartouches, swags and monogram “K”, with squared handle with toupie finial, and one of ovoid from with molded “brilliant”-style decoration, with double scroll handle and mascaron spout. h. 8‑3/4” to 10‑1/2” $500‑$800

125

127 Eighteen Pieces of New Orleans, French Silver and Other Flatware including: A Pair of Creole Coin Silver Tablespoons, “Uniplat”, second quarter 19th century, Lamothe Freres, New Orleans, monogrammed “JD”, l. 8‑1/4”, 4.00 total t. oz. Eight Table Knives, French, second quarter 19th century, carved ebony handles, pointed steel blades, seven marked “Bligne Langre”, one marked “Schmidt a Chalon”, l. 9” A Coin Silver Tablespoon, “Fiddle Tipt”, third quarter 19th century, Wood & Hughes, New York, retailed by Henry Peat Buckley, New Orleans, monogrammed “EHB”, l. 8‑1/4”, 1.87 t. oz. Five Coin Silver Teaspoons, “Fiddle Tipt”, third quarter 19th century, Hyde & Goodrich, New Orleans, monogrammed “CS”, l. 5‑5/8”, 2.52 total t. oz. A Pair of Coin Silver Teaspoons, “Fiddle Swell Tipt”, third quarter 19th century, Bacon & Smith, Boston, monogrammed “Snow”, l. 6‑1/8”, 1.07 total t. oz. 9.46 total t. oz. (weighable silver) $700‑$1,000

126

125 Three-Piece French Silver Coffee and Tea Set fourth quarter 19th century, by Champenois, Paris, .950 silver, including a coffeepot, h. 11‑1/4”, a teapot, h. 8”, and a covered sugar bowl, h. 6‑1/4”, in the Louis XIV taste, each with a pear-shaped body decorated with rococo banding and cartouches, with spiral-fluted spouts, arched handles, floriform finials and raised on four rocaille-crested feet, monogramed on the cartouches “TD”. 61.43 total t. oz. $900‑$1,200

127

128 19th-Century Tuscan “Fiddle Shell” Silver Flatware Set second quarter 19th century, by Onorato Pini, Livorno and Florence, probably .800 silver, including eighteen table forks, l. 8‑1/4”, twelve tablespoons, l. 8‑1/2”, eleven place spoons, l. 7”, and seventeen teaspoons, l. 5‑5‑/8”, no monograms. 58 pieces 90.89 total t. oz. $1,500‑$2,500 129 Five Continental and Other Repousse Silverplate Bowls contemporary, including: An Italian punchbowl with detachable wine bottle and glass ring, h. 8‑1/4”, dia. 14‑1/4” An Italian cooler, oval with opposing handles, h. 5‑3/4”, l. 15‑1/2”, w. 9‑1/4” A large pitcher, circular with opposing handles, the interior gilt, h. 8‑1/2”, w. 14‑1/2” (en suite with the preceding two, all marked “Macer”) A Southeast Asian jardiniere, oval with arched handles and scroll feet, h. 6‑3/4”, l. 21‑1/4”, w. 11‑1/4” A Continental center bowl, lobed oval with cast scroll handles and pedestal foot, h. 10‑1/2”, l. 23‑3/4”, w. 10‑1/2”

128

$1,000‑$1,500 130 Georg Jensen Sterling Silver Gravy Boat second half 20th century, Copenhagen, Denmark, model no. 177A, designed by Georg Jensen (1866‑1935) with lotus handle and “reed and bead” banded foot. h. 4‑7/8”, l. 8”, w. 3‑1/2”; 13.03 t. oz $700‑$1,000

130

129

131 “Danish Modern” Sterling Silver Tazza mid-20th century, by Carl Poul Petersen (1895‑1977), Montreal, Canada, with a lobed leaf-form dish with arched “blossom” handle and openwork standard en suite. h. 8‑1/2”, l. 8‑1/4”, w. 7”; 20.69 t. oz. $600‑$900

131

132

132 Italian Post-Modern Sterling Silver and Wood Playing Card Case third quarter 20th century, by Brunel, Macerata, the rectangular wooden case with a hinged lid fitted with a silver plaque of four stylized faces, each with an “eye” of a different suit. h. 2”, w. 9‑1/4”, d. 7” $500‑$800 133 Gorham “Lily of the Valley” Sterling Silver Flatware Set

133

the pattern designed in 1950 by James Russell Price (1907‑1974), Providence, Rhode Island, including a halfdozen six-piece place settings (three pieces lacking) with an additional seven place pieces and ten serving pieces, no monograms. 50 pieces 54.03 total t. oz. (weighable silver) Detailed list of pieces available on request. $600‑$900 134 Pair of Swid Powell Post-Modernist Silverplate Candlesticks fourth quarter 20th century, New York, designed by Richard Meier (b. 1934), geometric design with circular bases and openwork squares. h. 9‑1/4”, dia. 3‑5/8” $500‑$800

134

135 Hunt Slonem (American, b. 1951) “Terra”, 1997 oil on panel signed, titled, dated and with a “Harmon-Meek Gallery, Naples, Florida” artist label en verso. Framed. 10” x 8”, framed 17‑1/4” x 15‑1/4” $1,000‑$1,500

135

136 Hunt Slonem (American, b. 1951) “Portrait of a Woman” oil on canvas unsigned. Framed. 30” x 22”, framed 44‑1/2” x 36‑1/2” $1,500‑$2,500

136

137 Octavia Gayden Tullis (American/New Orleans, 1881‑1970) “Magnolia Blossoms” watercolor signed lower right. Glazed, matted and framed. sight 11‑1/2” x 17‑3/4”, framed 28” x 36” $500‑$800

137

138 David Hagerbaumer (American/California, 1921‑2014) “Canadian Geese”, 1968 watercolor signed lower right, a “Bendann Art Galleries, Baltimore, MD” label with artist, title and date and printed artist’s biography en verso. Matted, glazed and framed. sight 21” x 29”, framed 30” x 38” $1,000‑$1,500

138

139 Nestor Hippoyle Fruge (American/New Orleans, 1916‑2011) “Views of the French Quarter” four watercolors on paper signed either lower right or left, one with “from the Vincent Price collection, Sears, Roebuck & Co.” label en verso. Each matted, glazed and framed. sight from 15" x 10-1/2" to 14-3/4" x 11", framed from 23-1/2" x 19-1/2" to 21" x 17" $800‑$1,200 139 one of four

139 two of four

140 Ellsworth Woodward (American/New Orleans, 1861‑1939) “European Cottage”, 1893 watercolor initialed “E.W.” and dated “April 19, 93” lower right. Glazed, matted and framed. sight 10‑1/4” x 13‑1/2”, framed 20” x 23” $500‑$800

140

141 Henry Casselli (American/Louisiana, b. 1946) “The Old Lady with the Cross”, 1975 lithograph signed in pencil lower right, titled and inscribed with a dedication lower center, numbered “2/60” lower left. Matted and unframed. sheet 20‑1/2” x 16‑1/8” Provenance: Estate of Mary Elizabeth Tahir, New Orleans, Louisiana. $800‑$1,200

144

141

142 George Valentine Dureau (American/Louisiana, 1930‑2014) “A Tableau of Figures” charcoal and crayon on paper unsigned. Glazed and framed. sight 35‑1/2” x 34”, framed 37” x 36” $1,500‑$2,500

143 George Valentine Dureau (American/Louisiana, 1930‑2014) “The Musician” and “The Putto” pair of drawings, each graphite on paper each signed lower center Glazed and framed alike. each sight 20‑1/2” x 14”, framed 21‑3/4” x 15”

142

$800‑$1,200

144 Louisiana School (Mid- to Late 20th Century) “Portrait of a Woman with Red Hair” oil on masonite unsigned, a “331 Gallery, Chartres St., New Orleans” label en verso. Framed. 16‑1/4” x 11, framed 17‑3/4” x 12‑1/4” $500‑$800

143 one of two

143 two of two

145 Charles Whitfield Richards (Mississippi/New Orleans, 1906‑1992) “Sunday Painter #2” oil on canvas signed lower right, a typewritten title label and an E. L. Borenstein Collection inventory sheet en verso. In a period frame. 24” x 30”, framed 29” x 35” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana; Larry Borenstein, French Quarter gallery owner. $600‑$900 145

146 Mary Anne Thompson Dalrymple (American/Louisiana, b. 1941) “Seated Woman” oil on canvas signed lower right. Framed. 50” x 47”, framed 51” x 48” $600‑$900

146

147 Hunt Slonem (American, b. 1951) “Birds”, 1987 watercolor on paper pencil-signed and dated lower right. Glazed, matted and framed. 22‑1/2” x 30”, framed 35” x 42‑1/2” $1,000‑$1,500

47 147

148

150

148 Agra Serapi Carpet 6’ x 8’ 7” $600‑$900 149 Semi-Antique Tabriz Carpet 10’ x 14’ $800‑$1,200 150 Semi-Antique Tabriz Carpet 9’ 2” x 12’ 10” $700‑$1,000

149

151 Turkish Angora Oushak Carpet 9’ 2” x 11’ 8” $700‑$1,000

151

152 Turkish Tabriz Carpet 9’ 3” x 11’ 10” $1,000‑$1,500

152

154

155

153

153 Turkish Angora Oushak Runner 2’ 7” x 19’ 9” $500‑$800 154 Peshawar Serapi Carpet 8’ 2” x 10’ $1,200‑$1,800 155 Laristan Bakhtiari Carpet 7’ 9” x 9’ 9”

156

$800‑$1,200 156 Bamboo Silk Sultanabad Carpet 8’ 10” x 12’ $800‑$1,200 157 Laristan Farahan Sarouk Carpet 8’ 2” x 10’ $1,200‑$1,800

157

158 Gothic Revival Carved Oak Lift-Lid Chest ca. 1900, the front with deeply carved relief panels, the sides with carved linenfold panels, the lift lid set with wrought iron strap hinges and opening to a void interior. h. 28”, w. 33‑1/2”, d. 20” $1,000‑$1,500 159 English Oak Draw End Refectory Table 18th century, the banded rectangular top with a draw end to each end, above a gadroon-carved frieze, raised on ribbed and scroll-carved cup-and-cover legs joined by a box stretcher. h. 28‑1/2”, w. 32”, l. 49”, ext. l. 89”

158

$1,000‑$1,500 160 Pair of Carolean-Style Polychrome Side Chairs 19th century, each with a tall caned back surmounted by a foliate urn and dolphin crest, flanked to either side by Corinthian uprights, the caned seat raised on waisted foliate-modeled legs joined by an arched stretcher and ending in scrolled toes. h. 53‑1/2” $700‑$1,000

159

161

161 Pair of English Painted Dummy Boards 19th century, depicting a couple in Jacobean costume, each with a lace collar, the male carrying a rose and the female a spaniel puppy. h. 37” and 39‑3/4”, w. 15‑1/4” and 22‑3/4” $500‑$800 160

162

162 Large English Oak Gateleg Table

163

19th century, the oval top supported by block-andturned swing legs and joined by turned stretchers. h. 30”, w. 67”, closed l. 27”, open l. 74” $700‑$1,000 163 English Scrubbed Pine Library Ladder first quarter 20th century. h. 32‑1/2”, w. 33”, d. 22” $500‑$800 164 After Jean Jules Salmson (French, 1823‑1902) “William Shakespeare”

164

patinated bronze 20th century, cast signature along along self-base. h. 25”, w. 11”, d. 12” $800‑$1,200 165 After Jean Jules Salmson (French, 1823‑1902) “Sir Anthony van Dyck” patinated bronze 20th century, cast signature along edge of self-base, titled on portfolio. h. 25”, w. 11”, d. 12” $800‑$1,200

165

166 William-and-Mary Style Oak Chest 18th century, the rectangular top above a case fitted with four graduated long drawers, all with geometriccarved fronts, raised on bun feet h. 35‑3/4”, w. 35‑3/4”, d. 22” $600‑$900 167 Georgian Oak Corner Cabinet possibly Welsh, 18th century, the molded cornice over a pair of arched raised panel doors, the doors with crossbanded perimeters and on H-form hinges, and opening to reveal a pair of shaped shelves over two tiers of drawers. h. 48”, w. 41”, d. 24” $500‑$800 168 Pair of George III-Style Carved Mahogany Side Chairs

166

ca. 1900, in the Chippendale taste, each with a pierced and carved splat and slip seat, the legs and seat frame decorated with intricate blind fretwork. h. 38” $800‑$1,200

167

169

169 Chinese Qing Dynasty Porcelain Ginger Jar decorated with birds and peonies, marked on the bottom. h. 13”, dia. 9” $500‑$800

168

170

173

171

170 Chinese Export Famille Jaune Porcelain Garden Seat late 19th century, the pierced, barrel-form seat decorated with dragons and peonies. h. 18‑1/2”, dia. 13‑1/2” $500‑$800

171 Chinese Export Porcelain Punch Bowl fourth quarter 19th century, in the famille rose palette, decorated with Mandarin figures and peonies. h. 6”, dia. 14‑1/2” $500‑$800 172 George III Mahogany Chest of Drawers fourth quarter 18th century and later, the rectangular top with a molded edge, above a conforming case fitted with three short drawers over three graduated long drawers, raised on ogee-molded bracket feet. h. 38‑1/2”, w. 39‑1/2”, d. 20‑1/2” $800‑$1,200 173 George III Oak Highboy late 18th century, the upper section fitted with two short drawers over three graduated long drawers, over a lower section fitted with a central long drawer flanked to either side by a short deep drawer, raised on cabriole legs ending in pointed toes. h. 59‑3/4”, w. 38‑1/2”, d. 20‑1/2” $800‑$1,200

172

174 Irish George III-Style Mahogany Settee 19th century, the double chair back surmounted by foliate carvings over elaborately carved and intertwining backs, joined by padded arms to the like seat, raised on cabriole legs headed by shell carving and ending in scrolled acanthine toes. h. 43”, w. 46”, d. 23” $500‑$800

175 George III-Style Bleached Oak and Marble-Top Side Table 20th century, the shaped rectangular marble top above a conforming shell-carved apron and raised on carved cabriole legs ending in pad feet. h. 25‑1/2”, w. 33”, d. 22” $600‑$900

174

175

176 George III Carved Giltwood Mirror third quarter 18th century, with a pierced foliate and scroll-carved crest, the sides with pierced carving of fruit and laurel leaves, the lower edge with pierced leaves, the mirror plate lined with rocaille work. h. 48‑1/2”, w. 23‑1/2” $800‑$1,200

176

177 Chippendale-Style Mahogany Camelback Sofa ca. 1900, with an arched back, scrolled arms and raised on carved legs ending in ball-and-claw feet, covered in 19th-century petit point. h. 40”, w. 96”, d. 32” $700‑$1,000

178 George III-Style Mahogany Stool 20th century, in the Irish Chippendale taste, the upholstered cushion over a shell-carved apron, raised on cabriole legs with foliate-carved knees and ball-and-claw feet. h. 18‑1/4”, w. 26‑3/4”, d. 19‑1/2” $600‑$900

178

179 Pair of Chinese Export Rose Canton Porcelain Square Dishes second quarter 19th century, decorated with Mandarin panels on a celadon ground, with butterflies and scrollwork. h. 2”, w. 9”, d. 9” $500‑$800

179

177

180 Qing Dynasty Porcelain Ginger Jar late 19th century, decorated with Mandarin scenes, including an altar. h. 10‑1/2”, dia. 8” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $700‑$1,000 181 George II-Style Mahogany Wake Table 180

early 20th century, the top flanked by rounded drop leaves, each supported by a pair of tapering fly legs on pad feet. h. 29‑1/2”, w. 84”, l. 15‑1/2”, ext. l. 53‑1/2” $500‑$800 182 George III Mahogany Chest-on-Chest fourth quarter 18th century, the molded and dentillated rectangular cornice above a conforming case fitted with two short drawers over three graduated long drawers, the lower section fitted with three graduated long drawers, raised on shaped bracket feet. h. 71‑1/4”, w. 43‑1/2”, d. 21‑1/2” $800‑$1,200

181

183 Figured Mahogany Mirror in the Chippendale Style early 19th century, probably American, with a classical-style stenciled surround and a brass candle arm attached to the lower edge. h. 48”, w. 23‑1/4” $500‑$800

182

183

186

184

184 Pair of George II-Style Mahogany Wing Chairs in the Queen Anne taste, with arched backs and columnar arm supports, loose cushions and cabriole legs with pad feet joined by H-form stretchers. h. 45‑1/2” $500‑$800

185 George III Mahogany Secretary Bookcase fourth quarter 18th century, the molded and dentillated broken swan’s-neck pediment above two bi-paneled glazed doors, the lower section fitted with a secretary drawer opening to a variety of drawers and cubbyholes and a central cupboard, over two long drawers, raised on bracket feet. h. 91”, w. 48‑1/2”, d. 20‑1/2” $600‑$900 186 Two English Botanical Books William Hanbury (1725‑1778), A Complete Body of Gardening and Planting London: the author, sold by Ed. & Chas. Dilly, 1770‑1771, folio, in two volumes, with engraved frontispieces and twenty botanical plates, in full brown leather, the (later) flat spine with gilt fillet and embossed Greek-key rule, red panel and gilt lettering and floral decoration, the edges cut, with bookplate of the Horticultural Society of New York, bequest of Kenneth K. Mackenzie, October 1834, leaf 42.1 x 26.1 cm; overall 43.0 x 28.0 cm [Cleveland 499; Hunt 615] and Thomas Green, The Universal Herbal, or Botanical, Medical and Agricultural Dictionary Liverpool: Nuttall, Fisher & Co., March 1816 (vol. 1), Henry Fischer, July 1820 (vol. 2), quarto, in two volumes, with engraved frontispieces, title page (vol. 1) and 108 hand-colored engraved plates, in full mottled brown calf with decorative gilt fillet, the (later) flat spine with raised bands and embossed lettering and rule, the edges cut and marbled, with marbled endpapers, leaf 26.7 x 20.8 cm; overall 27.5 x 22.3 cm [Cleveland 793; Nissen BBI 754; Stearn, p. 97] Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $800‑$1,200

185

187 George III Oak and Mahogany Tall Case Clock ca. 1800, the hood with a swan’s-neck broken arch pediment with brass rosettes, the painted dial bearing the name “J.__ Ferry, Richmond” with a brass time and strike movement. h. 86”, w. 20”, d. 10” $600‑$900

187

188 George III Mahogany Secretary fourth quarter 18th century, the broken swan’s-neck pediment pierced and centered by a finial, above two astragal-glazed doors, the lower section fitted with a slant front opening to a leather-inset writing surface and a variety of drawers and cubbyholes flanking a central double cupboard, over three graduated long drawers, raised on bracket feet. h. 82”, w. 33”, d. 18‑1/2” 188

Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $600‑$900

189 Two Georgian Mirrors 18th century, including a large example with a walnut veneer, a giltwood swan’s-neck crest with a cabochon finial and set with period beveled glass, h. 46‑1/2”, w. 23‑1/2”, together with a Queen Anne mahogany example with a scroll-sawn crest with a pierced and carved giltwood shell, h. 42”, w. 17‑1/4”. $1,000‑$1,500

190

190 Pair of George III Mahogany Armchairs

189

late 18th century, each with a domed crest with earred corners, above an interlacing splat, joined to the padded seat by shepherd’s crook arms with incised accents, raised on chamfered square legs joined by an H-form stretcher. h. 38” $800‑$1,200

191 George III Oak Chest 18th century, the rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, all banded, raised on bracket feet h.. 38‑1/2”, w. 40”, d. 22‑1/2” $600‑$900

191

192 Pair of Federal-Style Mahogany Corner Cabinets 20th century, each in two parts, the upper section with a molded cornice over a glazed door with beaded mullions, the base with a figured paneled door. h. 80‑1/2”, w. 25‑1/2”, d. 15” $600‑$900

193 Pair of George III-Style Mahogany Corner Cabinets each with a molded canted cornice above a drop-finialapplied frieze, over a single astragal-glazed door and a paneled cupboard door, raised on plinth bases. h. 74‑1/2”, w. 35‑1/2”, d. 21” $700‑$1,000

192

194

194 Suite of Six George III-Style Carved Mahogany Side Chairs late 19th century, with shaped and foliate-carved crest rails, pierced and carved back splats, and slip seats, raised on Marlborough legs joined by stretchers. h. 38” $1,000‑$1,500

193

196 George III-Style Mahogany Pembroke Table 19th century, the rectangular top with two rounded drop leaves, above a frieze fitted with one end drawer, raised on tapering square legs ending in brass caps and casters. h. 28”, w. 22‑1/2”, d. 33”, ext. w. 43‑1/2” $700‑$1,000

195

195 George III-Style Mahogany Chest late 19th century, the rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, raised on shaped bracket feet. h. 37‑1/2”, w. 46”, d. 20”

196

$700‑$1,000

198

197 George III-Style Pine Linen Press 19th century, the molded cornice above two paneled doors, the lower section fitted with two short drawers over three graduated long drawers, raised on bracket feet, retains traces of polychrome accents. h. 80”, w. 48”, d. 22” $500‑$800 198 George III-Style Mahogany Pembroke Table late 19th century, the banded rectangular top with two likebanded rounded leaves, raised on tapering square legs ending in brass caps and casters. h. 29”, w. 22”, d. 33‑1/2”, ext. w. 38” $600‑$900 197

199 George III Carved Mahogany Lolling Chair late 18th century, of generous proportions, with a padded rectangular back and scrolled arms, padded seat and raised on blind fret-carved Marlborough legs. h. 37‑1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana. $600‑$900

199

201

200 George III-Style Mahogany Corner Cabinet 20th century, the molded and dentillated cornice canted and above a conforming case fitted with two bi-paneled doors, the lower section fitted with two paneled doors, raised on shaped bracket feet. h. 86‑1/2”, w. 52‑1/2”, d. 26‑1/2” $700‑$1,000 201 Pair of Georgian-Inspired Mahogany-Inlaid and Banded Open Shelf Bookcases each with a projecting cornice over a crossbanded frieze with inlaid ribbon, swags and bellflowers, the adjustable shelves flanked by sides with contrasting inlay. h. 20‑3/8”, w. 36”, d. 14” Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. 200

$1,000‑$1,500

202 Suite of Eight George III-Style Mahogany Dining Chairs 20th century, in the Hepplewhite taste, consisting of two armchairs and six side chairs, each with a shield-form back with wheat-carved splat, the padded seat raised on tapering square legs ending in spade feet. h. 39‑1/2” $700‑$1,000 203 British School (Fourth Quarter 18th Century) “Portrait of a Lady in a Pearl and Black Lace Choker” oil on canvas unsigned. Framed. 25” x 20‑3/4”, framed 30” x 25‑1/2”

203

$800‑$1,200 204 British School (18th/19th Century) “Portrait of a Gentleman in Restoration Costume” oil on canvas unsigned. Framed. 25‑1/4” x 21”, framed 29‑3/4” x 25‑1/2” This engaging portrait appears to be the work of two hands. The face, with its delicately modeled features and carefully applied brushstrokes, reveals a style and technique that is decidedly 18th century. The body and clothing, however, are rendered in bold brushstrokes with thick applications of paint that are most indicative of the 19th century. $800‑$1,200

204

202

205 British School (Late 18th Century) “Portrait of a Lady” oil on canvas unsigned, a “Michael Davis/Surrey” label en verso frame. Framed. 29” x 24”, framed 34” x 29‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

206 After John Constable (British, 1776‑1837) “Salisbury Cathedral from the Meadows”, fourth quarter 19th century

205

oil on canvas unsigned, after the 1830 painting owned by Tate Britain and now on exhibition loan to the Scottish National Gallery, Edinburgh. Framed. 22” x 27‑1/4”, framed 29‑1/2” x 34‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800‑$1,200

206

207 British School (Second Quarter 19th Century) “Portrait of a Lady with Corkscrew Ringlets in a Cerulean Watered Silk Dress” oil on canvas unsigned. Giltwood frame. 30” x 25”, framed 38” x 32” $1,200‑$1,800

207

208 British School (Mid- to Late 19th Century) “Portrait of a Seated Man Holding a Scarf” oil on canvas unsigned, a later pencil inscription “Musgrave Joy...” en verso. Period frame. 50” x 38”, framed 64” x 51” $600‑$900 209 British School (Second Quarter 19th Century) “Portrait of a Lady Wearing a Ferronniere” oil on canvas unsigned. Framed. 30‑1/4” x 25”, framed 35” x 29‑1/2” $600‑$900

208

210

210 Regency Mahogany Drop-Leaf Side Table ca. 1800‑1810, the single-board mahogany top with drop leaves with rounded corners, one end fitted with a drawer, the other end with a faux drawer, supported by a turned standard with four down-curved outstretched legs ending in brass toes and casters. h. 29”, w. 20”, l. 36”, ext. l. 39‑1/2” $500‑$800

209

211 Late Regency Rosewood Library Table second quarter 19th century, the figured top with rounded corners, over an apron fitted with a pair of drawers, each with an embossed brass pull, raised on a cheval base ornamented with applied beading, resting on carved paw feet. h. 28‑1/2”, w. 48”, d. 29‑1/2” $700‑$1,000

211

212

212 Regency Inlaid Mahogany Wheel Barometer first quarter 20th century, with a pitch pediment top, the throat with a hydrometer and thermometer, inlaid with a pair of conch shells, mounted with a level on the bottom. h. 38”, w. 10‑1/4” $500‑$800 213 Regency Revival Painted Cast Iron Floor Lamp first quarter 20th century, English, on a tripartite paw-footed base, the leaf-molded, fluted standard with a vasiform top element set with a sphinx. h. 72”, dia. 15” $800‑$1,200

213

214 Regency-Style Faux Marbre Wooden Fireplace Surround ca. 1900, the mantel with a carved molding, over a guilloche-carved frieze, the upper corner blocks with a foliate panel, having shaped paneled legs over a projecting paneled bases. h. 48”, w. 62‑1/2”, d. 8”; firebox opening h. 39‑1/4”, w. 38‑1/2” $800‑$1,200 215 William IV Bronze Dore et Patine Chenets with Integral Adjustable Fender second quarter 19th century, each chenet with a lion attacking a snake, supported on a bombe plinth decorated with molded scrollwork, the center rod with molded lotus leaves. h. 13‑1/4”, w. 60”, d. 4‑1/2” 214

$800‑$1,200 216 Regency Giltwood Convex Mirror first quarter 19th century, the coved frame set with spherules, the crest with a hippocampus. h. 33”, w. 19” $800‑$1,200 217 Pair of Regency-Style Pierre Lotier Ebonized Armchairs 20th century, each with a rectangular back with a caned fan-form splat centered by a painted floral panel, joined by downswept arms to scrolling uprights to the padded seat, raised on paneled splayed circular legs, the whole with gilt accents. h. 33‑1/2”

215

$500‑$800

217

216

218 Regency-Style Mahogany Dining Table the banded circular top raised on four turned supports to a concave platform base on four splayed legs ending in brass paws and casters. h. 30‑1/2”, dia. 62” Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $500‑$800

219 William IV Mahogany Sideboard

218

second quarter 19th century, the long rectangular breakfront top above a conforming case fitted with a central drawer flanked to either side by a cupboard with inlaid banding, raised on tapering square legs ending in spade feet. h. 37‑1/2”, w. 83‑1/2”, d. 33” $700‑$1,000

220 English Teakwood Two-Part Campaign Chest 19th century, the upper case with inset brass corners and drawer pulls, and fitted with a pair of drawers over a long drawer, the lower section with two long drawers, raised on turned legs. h. 42”, w. 36‑1/2”, d. 18” $900‑$1,200

220

219

221 Anglo-Colonial-Style Mahogany Campaign Chest 20th century, in two parts, the upper section with a pair of drawers over a wide drawer, the base with two wide drawers, raised on bracket feet, each case fitted with brass pulls and brass handles on the side. h. 40‑1/4”, w. 36”, d. 19‑1/4” $500‑$800 222 Victorian Rosewood Library Chair third quarter 19th century, the molded crest above a padded and tufted back, joined by padded scrolling arms to the padded seat, raised on bulbous toupie feet on casters. h. 39‑1/2” $800‑$1,200 223 Julien-Leopold (Jules) Boilly (French, 1796‑1874)

221

“Portrait of George Gordon Byron, Lord Byron” charcoal and graphite on paper signed lower right. Matted, glazed and framed. sight 19” x 12‑1/2”, framed 29” x 23” The flamboyant and notorious poet Lord Bryon was highly regarded for his narrative poems “Don Juan” and “Childe Harold’s Pilgrimage”. $600‑$900

222

224

224 Regency-Style Brass-Inlaid Rosewood and Glass Encrier fourth quarter 19th century, with a pair of brass-inlaid pen trays, and inkpots flanking a handle over a stamp box, with a lower drawer. h. 7”, w. 12‑3/4”, d. 10‑1/4” $600‑$900

223

226

225

225 Fifty-Five Volumes of British Literature including Works of Robert Burns with His Life by Allan Cunningham, London: Cochrane and McCrove, 1834, incomplete in 7 of 8 volumes, boards half calf and fabric, spines with gilt lettering and design, and Scott’s Novels, Edinburgh: Adam and Charles Black, 1853/4, complete in 48 volumes, boards half calf and marbled paper, spines with gilt lettering and design. former 6‑3/4” x 4‑1/4”, latter 6‑1/2” x 4‑1/4” $700‑$1,000 226 Forty-Five Volumes of Literature, Religion and History including: The Complete Works of Victor Hugo, London: The Hawarden Press, n.d., partial in 8 volumes, Edition de luxe, this # 197 of 500, 1/2 leather boards, spines with gilt lettering and design; Ludwig Bellermann, Schillers Werke, Leipzig und Wien: Bibliographilches Institut, 1895, 8 volumes, 1/2 leather boards, spines with gilt lettering and design; John Kitto, Daily Bible Illustrations, Edinburgh: William Oliphant and Co., 1859, 8 volumes, leather boards, spines with gilt lettering and design; Edward Bulwer-Lytton, Works, Paris: A and W Galignani and Co., 1834‑1841, 13 volumes, 1/2 leather boards, spines with gilt lettering and design; Henry Irving, Henry Irving’s Shakespeare, London: Blackie and Son, 1886, 8 volumes, 1/2 leather boards, spines with gilt lettering and design. 8‑1/2” x 5‑7/8”, 7‑3/8” x 5‑1/8”, 6‑3/4” x 4‑1/2”, 8‑1/2” x 5‑3/8” and 9‑3/8” x 7‑3/8”, respectively

227

$700‑$1,000 227 Near Pair of Victorian Mahogany Library Chairs and Two Ottomans late 19th century, each chair with a domed, padded and tufted back joined by padded outscrolled arms to the tufted rotating seat, raised on four cabriole legs ending in scrolled toes; together with a pair of conforming ottomans, each with a padded and tufted sloped seat, raised on scrolling end supports joined by a stretcher. chair h. 43” $1,200‑$1,800

228

228 Pair of Edwardian-Style Fruitwood Bookmills each with a square banded top centered by an inlaid star, over a rotating body fitted with alternating shelves and a slatted gallery. h. 31‑1/2”, w. 19‑1/2”, d. 19‑1/2” $700‑$1,000

232

229 Edwardian Mahogany Bracket Clock first quarter 20th century, with a silver-gilt chapter ring and a silver-gilt globe set above the dial, in a Georgian-style case with molded gilt-bronze spandrels, the top with bronze acornform finials. h. 18”, w. 10‑3/4”, d. 7” $500‑$800 230 William IV Mahogany Bracket Clock second quarter 19th century, the mahogany case decorated with leaf-carved corner ornaments, the top set with period giltbronze pineapple finials, the sides set with pressed brass ring pulls. h. 24”, w. 11‑1/2”, d. 6‑1/2” $500‑$800 231 William IV Mahogany and Leather-Upholstered Library Armchair

229

230

second quarter 19th century, of generous proportions, the tufted concave back joined to curved arm rests, on balusterform supports, raised on cylindrical and ring-turned front legs, may have originally been fitted as a reclining chair. h. 45” $500‑$800 232 Seventy-Two Volumes of Scottish, Irish and British Literature including: Sir Walter Scott, Waverley Novels, Edinburgh: Robert Cadell, 1844, incomplete in 17 volumes (of 48), 1/4 leather boards, spines with gilt lettering and design; Sir Walter Scott, Waverley Novels, Edinburgh: Adam and Charles Black, 1883, Centenary Edition, incomplete in 12 volumes (of 14), 1/2 leather boards, spines with gilt lettering and design; Sir Walter Scott, Novels, London: Adam and Charles Black, 1897, 2 volumes, full leather boards, spines with gilt lettering and design; Charles Lever, Novels, London: Chapman and Hall, n.d., 24 volumes, 1/2 leather boards, spines with gilt lettering and design; Charles Lever, Works, London: Ward, Lock and Co., n.d., 8 volumes (of 13), 1/4 leather boards, spines with gilt lettering and design; Robert Browning, Works, New York: Macmillan and Co., 1894, complete in 9 volumes. 6‑3/4” x 4‑1/4” to 7‑1/2” x 5‑1/8” $700‑$1,000

231

233 Twenty Volumes of French and English History including: M. Guizot and Madame Guizot de Witt, The History of France from the Earliest Times to 1848, London: Sampson Low, Marston, Searle, and Rivington, 1884, complete in 8 volumes, 1/2 brown leather boards, spines with gilt lettering and design; and David Hume, et al, History of England, London: G. Cowie and Co., 1825, incomplete in 12 (of 13) volumes, leather boards, spines with gilt lettering and design. 10‑1/2” x 7‑1/2” and 8‑3/4” x 5‑1/2”, respectively

233

$700‑$1,000 234 Twenty-Six Volumes of English Literature including: Alexander Pope, Works, London: C. and J. Rivington et al, 1824, complete in ten volumes, paper boards, spines with gilt lettering and design and Charles Dickens, ed.; All the Year Round, London: C. Whiting, n.d., volumes 1‑9 and 12‑18, half leather boards, spines with gilt lettering and design. 8‑1/2” x 5‑5/8” and 9‑1/2” x 6‑3/8”, respectively $700‑$1,000

234

236 English Mahogany Triple-Section Armoire ca. 1825, the arched pediment flanked by a pair of taller sections, each with a molded cornice over a door, the central section with a bank of six drawers, the piece incorporating carefully selected figured “plum pudding” veneers, the back bearing a paper label, “From Taylor’s Upholstery and Cabinet Warerooms, No. 12, High Ousegate, York.” h. 72”, w. 82”, d. 23” $600‑$900

235

235 Pair of Victorian Cut Glass Candelabra fourth quarter 19th century, on faceted vasiform bases, the two-light arms set with tulip-form candle cups and removable glass whale oil burners, hung with prism rings and prisms. h. 24”, w. 13”, d. 6‑1/2” $800‑$1,200

236

238 Pair of William IV Giltwood, Brass and Tapestry Pole Screens second quarter 19th century, on delicate leaf-carved cabriole legs, the leaf-carved circular screens set with floral tapestry, mounted on brass rods. h. 36”, w. 16” Provenance: Carriage House Antiques, Lexington, Missouri, 1980; Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $600‑$900

238

237 William IV Mahogany Teapoy second quarter 19th century, the box mounted to a turned standard and shaped platform base with four turned and carved feet. h. 29”, w. 17”, d. 12‑3/4” $700‑$1,000

237

239 Royal Worcester Bone China Partial Dinner Service pattern Z2064, decorated with gilt sprigs on an off-white ground, the service including twelve dinner plates, dia. 10‑3/4”, twelve rim soup plates, dia. 8‑1/4”, twelve salad plates, dia. 8”, and twelve bread and butter plates, dia. 6”. Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $500‑$800

239

241 Suite of Eight Victorian Mahogany Dining Chairs third quarter 19th century, comprised of a pair of armchairs and six side chairs, each with a concave top rail over a scrollcarved splat, slip seat, molded apron and turned and tapering front legs. h. 35‑1/2” $600‑$900 242 Suite of Four Ebonized, Lacquered and Gilt-Decorated Papier-Mache Nesting Tables 19th century, in the Regency style, each table with a chinoiserie panel on the top, raised on scroll supports with shaped feet. largest h. 27‑1/2”, w. 19‑1/4”, d. 12” $500‑$800

240

240 Victorian Mahogany Tripod Table early 19th century and later, the tilting floriform top with a raised edge and central molding with inlaid brass and bone accents, and raised on a turned columnar standard to three splayed cabriole legs headed by acanthine brass inlay and ending in like-inlaid pad feet. h. 30”, dia. 35” $700‑$1,000

242

241

243 Victorian Chinese Export Ebonized Work Table mid-19th century, the rounded rectangular top opening to an interior fitted with various compartments, some lidded, and a central lift-out tray, above a slide-out fabric storage well, raised on turned columnar supports joined by a turned stretcher and ending in gilt paw feet, the whole richly decorated in gilt designs in the chinoiserie manner. h. 29‑1/2”, w. 25”, d. 17” $600‑$900

244

243

244 Pair of Victorian Turkish Revival Ebonized Armchairs late 19th century, each with a padded asymmetrical back within a molded frame, joined by high-low arms to the padded seat, one arm accented with a giltwood tassel, the bottom with a full fringe and tassel skirt. h. 42‑1/2”

245

$700‑$1,000 245 Pair of Hand-Painted Porcelain Vases ca. 1900, probably English, painted with peacocks and set with rococo-molded handles, the cobalt grounds decorated with carefully detailed gilt insects, birds and snakes, drilled for lamps, unmarked. h. 11”, w. 8‑1/2”, d. 4‑3/4” $500‑$800 246 Victorian Ebonized and Parcel-Gilt Papier-Mache Tilt-Top Table mid-19th century, the scalloped top mounted to a vasiform standard and shaped base with three scrolled feet. h. 23”, dia. 25” $500‑$800 246

248 247

247 Victorian Chinese Export Ebonized Work Table mid-19th century, the shaped rectangular top with a raised central panel, opening to an interior fitted with a variety of compartments, some lidded, and a central lift-out tray, raised on pierced lyre-form supports joined by a stretcher and ending in paw feet, the whole richly decorated in gilt designs in the chinoiserie manner. h. 27”, w. 25‑1/4”, d. 17” $600‑$900 248 Group of Three Victorian Ebonized Papier-Mache Side Tables mid-19th century, each with a shaped scalloped top with mother-of-pearl inlay and polychrome decoration, and mounted to a turned standard and circular base. h. 18”, w. 27”, d. 24”

249

250 Anglo-Indian Bamboo Occasional Table early 20th century, the rectangular top with decoupage flowering bulbs and joined to a lower shelf by angled bamboo supports. h. 26”, w. 20‑1/2”, d. 14‑1/2” $500‑$800

$600‑$900 249 Four English Wedgwood Fairyland Lustre Bowls ca. 1915‑1930, including an octagonal punch bowl with a hummingbird pattern on a blue ground and a flame orange interior, marked with the Portland Vase mark, “Wedgwood, Made in England”, and the pattern number “Z5294”, h. 4‑1/2”, dia. 9‑3/4”, a round bowl with a fruit pattern on a blue ground, and the same Wedgwood marks and pattern number “Z5457”, a ruffled flower-form bowl with a flame interior, decorated with butterflies, marked with the Wedgwood vase mark and “England”, h. 2‑1/2”, dia. 8”, and a small bowl with a dragon pattern, with the Portland Vase mark and the pattern number “Z4829”, h. 2‑1/8”, dia. 4”. $700‑$1,000 250

251 Pair of Maple and Pine Faux Bamboo and Marble-Top Side Tables early 20th century, each with a conforming white marble top above a case fitted with a single drawer and a cabinet below. h. 35”, w. 16”, d. 16” $800‑$1,200 252 English Cast Iron Umbrella Stand fourth quarter 19th century, the holder modeled as baby Hercules wrestling a snake, with a leaf-molded drip pan. h. 32‑1/2”, w. 17‑1/2”, d. 8‑1/4” $500‑$800 253 Welsh Painted Wood Hobby Horse ca. 1900, Welsh, set with glass eyes, with a hair mane and tail, laminated and painted construction, on a contemporary metal stand. h. 31”, w. 11‑3/4”, l. 43”

252

$600‑$900

253

251

254 Pair of Victorian-Style Mahogany Captain’s Chairs each with a padded curved back and sides, the padded seat raised on ring-turned tapering circular legs, the whole with brass tack accents. h. 30‑1/2” $500‑$800 254

255 Victorian-Style “Knight”-Form Umbrella Stand the figure modeled in a suit of armor and holding a bar over the patera-form drip pan. h. 38‑1/2”, w. 22‑1/4”, d. 12‑3/4” $600‑$900

257

257 Anglo-Irish-Style Cut Glass Chandelier 20th century, the six-light chandelier with stacked balls in the standard and cut glass arms, hung with swags of cut glass drops. h. 24”, dia. 22‑1/2” $500‑$800

255

256 Pair of Victorian Silver-Plated Andirons fourth quarter 19th century, American or English, on molded paw feet, with column-form standards set with ball-and-claw finials and matching log stops. h. 30”, w. 10‑1/2”, d. 25‑1/2” $600‑$900

256

258 Two English Boxes 19th century, including a tortoiseshell tea caddy with a serpentine front and a pagoda-form cover, the interior fitted with two compartments, h. 6”, w. 8‑1/2”, d. 5”, and a zebrawood writing slope in the Elizabethan style, fitted with bronze mounts and signed “Betjemann & Sons” on the lock, h. 4‑1/4”, w. 14”, d. 9‑3/4”. $1,000‑$1,500 258

259

259 English Elizabethan Revival Mahogany Canterbury

260

first quarter 20th century, the pierced and carved case with spindled dividers, raised on turned feet ending in casters. h. 21”, w. 26‑1/2”, d. 17” $500‑$800 260 Regency-Style Chinoiserie Bed Steps first quarter 20th century, consisting of three steps with tooled leather tops, the middle one hinged and opening to reveal a storage compartment, raised on turned feet. h. 26‑1/2”, w. 18” $500‑$800 261 Edwardian Inlaid Mahogany Display Table early 20th century, the square top bi-sected and opening to a lift-out glass tray, above a deep paneled frieze, raised on fluted circular legs joined by a concave shelf and ending in brass caps and casters, the whole with delicate inlaid scrolling foliate patterns, the inside bearing the stamp: “Harrods / Manufacturing / Silversmiths/ Electroplaters & Cutlers / London / S.W.”. h. 31‑1/2”, w. 26‑1/2”, d. 28” $800‑$1,200

261

262

262 Edwardian-Style Mahogany-Inlaid and PaintDecorated Bowfront Sideboard the banded top with ribbon mahogany veneers, above a central bank of four drawers and flanked by a single drawer over a curved cabinet on each side. h. 36”, w. 58‑1/2”, d. 23‑1/2” $500‑$800

264

265 Impressive Victorian Burl Walnut Triple-Section Armoire third quarter 19th century, the cornice with an arched top over a central mirrored door, opening to a fitted interior and flanked by framed and paneled cabinets to each side. h. 89”, w. 85‑1/2”, d. 26‑1/2” $800‑$1,200

263

263 Eight-Piece Collection of English Coalport Topographical Porcelain ca. 1891‑1920, all with hand-painted, identified scenes on a cobalt ground richly decorated with giltwork, including four cabinet plates with T. Goode & Co., London retailer’s marks, dia. 8”, a three-handled goblet, h. 9”, d. 5‑3/4”, a covered urn with ram’s-head handles, h. 10‑1/4”, w. 5‑1/4”, d. 4”, a similar smaller urn, h. 7‑1/4”, w. 4”, d. 3”, and an urn with lion’s-head handles, h. 7”, w. 4‑1/4”, d. 3”. $700‑$1,000 264 Aesthetic Brass Chandelier third/fourth quarter 19th century, probably English, the standard decorated with reeded spherules, the four arms decorated with “bamboo” turnings, the pierced triangular corner brackets and gas keys with flowers. h. 27‑1/2”, dia. 25” $500‑$800

265

266

266 Pair of Coalbrookdale-Style Polychrome Cast Iron “Autumn” Chairs first half 20th century, English, each with a round panel decorated with putti surrounded by flowers, and a flowermolded seat on cabriole legs, the back marked “Autumn”. h. 37‑1/2”, w. 22”, d. 25‑1/2”

267

$800‑$1,200 267 Arthur William Redgate (British, 1860‑1906) “The Village Inn” oil on canvas signed lower left, printed exhibition label with title and artist en verso. Framed. 30” x 24‑1/4”, framed 38” x 32” $500‑$800 268 Manner of Abraham Cooper, R.A. (British, 1787‑1868)

268

“Horse and Groom” oil on board unsigned, old inventory label and a “House of Heydenryk/New York” framing label en verso. Framed. 10‑1/2” x 12‑3/4”, framed 12‑1/2” x 13‑3/4” $1,000‑$1,500 269 Basil Nightingale (British, 1864‑1940) “The Race Horse Nancy”, 1909 oil on canvas signed and dated lower right, titled lower center. Framed. 20” x 26”, framed 23‑1/2” x 29‑1/2” $700‑$1,000

269

270 British School (Third Quarter 19th Century) “The Golfer” lithograph and oil on paper laid on canvas signed “Tulley” lower right, a “Geo. Rowney & Co., London” label en verso. Framed. 10” x 8”, framed 17‑1/2” x 15‑1/2” $500‑$800

270

271 Daniel Sherrin (British, 1868‑1940) “A Worcester Hamlet Evening” oil on canvas signed lower left. Framed and with artist plaque. 20” x 30”, framed 25‑1/2” x 36” $800‑$1,200

271

272 Theodore Hines (British, fl. 1876‑1889) “Great Marlow on Thames” oil on canvas signed lower left. Framed and with artist plaque. 19‑1/2” x 29‑1/2”, framed 25‑3/8” x 35‑1/4” $800‑$1,200

272

273 Continental School (19th Century) “The Bridge” oil on board monogrammed "W L" lower right. In a period frame. 14‑1/4” x 18”, framed 22‑1/2” x 26‑1/4” $500‑$800

274 British School (Mid- to Late 19th Century) "Woman by a Lake, Ruins in the Background" "Fishing on the Lake"

273

pair of oils on board indistinctly pencil-signed and with “The Bargate Gallery, Burton-on-Trent” labels en verso. Matching gilt frames. 6” x 12”, framed 10” x 15‑1/2” $500‑$800

275 274 one of two

275 William Langley (British, 1852‑1922) “Feeding Geese by the Mill, Capel Curig, Wales” oil on canvas signed lower right, a London canvas supplier stamp and pencil inscription en verso. Framed. 16” x 24”, framed 22” x 30” $700‑$1,000

274 two of two

276

276 William Powell Frith, R.A. (British, 1819‑1909) “The Last Sunday of Charles II”, 1907 oil on canvas signed and dated lower right. Giltwood frame. 25” x 39‑1/2”, framed 33” x 47‑1/2” $5,000‑$8,000

“I can never forget the inexpressible luxury and profaneness, gaming and all dissoluteness, and as it were total forgetfulness of God (it being Sunday evening), which this day’s night I was witness of, the King sitting and toying with his concubines, Portsmouth, Cleveland, and Mazarine [sic], etc., a French boy singing love songs, in that glorious gallery, whilst about twenty of the great courtiers and other dissolute persons were at Basset round a long table... Six days later, was all in the Dust.” Memoirs Illustrative of the Life and Writings of John Evelyn The work presented here is a variant of Frith’s 1866 painting “The Last Sunday of Charles II”, and was created in the last years of the artist’s life when he frequently revisited earlier, favorite paintings. According to Frith’s own diary, he was inspired by Evelyn’s description, excerpted above, of the liveliness and hedonism of the Royal Court on one of the last days of the King’s life (Charles II fell unexpectedly ill the following day, dying several days later). The painting was exhibited at the Royal Academy, where it proved so popular a railing had to be installed to protect it from the throng of visitors. The subject lent itself well to Frith’s grandiose style, and allowed the artist to revel in the various accoutrements of the wealthy Court. References: Frith, William Powell. My Autobiography and Reminiscences, London: Richard Bentley and Son, 1887; Evelyn, John Memoirs Illustrative of the Life and writings of John Evelyn, London: Henry Colburn, 1819.

278 British School (Fourth Quarter 19th Century) “Lunch with the Satyr” oil on canvas faintly signed “M...Wyatt” lower right. Framed. 12‑1/4” x 15‑5/8”, framed 18‑3/4” x 21‑3/4” $700‑$1,000

277

277 John Wells Smith (British, fl. 1870‑1875) “The Fisherman’s Tale”, 1882 oil on canvas signed and dated lower left. Framed and with artist plaque. 28” x 36”, framed 35” x 43” $1,000‑$1,500

278

279 British School (Fourth Quarter 18th/First Quarter 19th Century) “Mother and Child” oil on canvas unsigned. Framed. 30‑1/4” x 25”, framed 34‑1/2” x 29‑1/2” $500‑$800

279

280 British School (Third Quarter 18th Century) “Charity Starts at Home” oil on canvas unsigned. Framed. 25‑1/2” x 29‑1/4”, framed 29” x 34” $600‑$900

280

281 British School (Fourth Quarter 19th Century) “Sailing Ship in Rough Waters” watercolor unsigned. Matted, glazed and framed. sight 7‑1/2” x 11”, framed 16‑1/2” x 19‑1/4” $500‑$800

281

282 French School (19th/20th Century) “Fishing Boats” oil on canvas signed lower right “J. de Bernier”, further inscribed lower left. Framed. 15” x 21‑3/4”, framed 23‑1/8” x 29‑3/4” $700‑$1,000 282

283 British School (Mid- to Late 19th Century) “Sailboats on Choppy Seas” oil on board signed “E. Hayes” lower right. Framed and with “E. Hayes” artist plaque. 11‑1/2” x 17”, framed 16‑1/2” x 22” $600‑$900

283

284 British School (19th Century) “Shipwreck” oil on canvas signed “Jas. Webb” lower right, a “Gafit Ltd, London and at Paris” label en verso. Framed and with “James Webb” artist plaque. 20‑1/4” x 27‑1/4”, framed 30” x 37” $800‑$1,200

284

285

286

287

285 George I Britannia Silver Coffeepot hallmarked London, 1715‑1716, by Thomas Farren (1680‑1743; free 1707), of conical form with molded rim and base, with paneled “gooseneck”, crested wooden scroll handle and domed, hinged lid with vasiform finial, with later repousse rococo decoration. h. 9‑1/2”, l. 7‑3/4”, dia. 4‑1/2”; 21.85 t. oz. Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $700‑$1,000 286 Pair of George III Sterling Silver Service Plates hallmarked London, 1781‑1782, by John Wakelin & William Taylor, each circular with gadrooned serpentine edge, engraved on the rim with a crest of a naked arm embowed, holding a wreath of laurel and the motto “Virtute”. dia. 9‑1/2”; 30.00 total t. oz. $500‑$800

287 Set of Four Regency Sterling Silver Salt Cellars hallmarked London, 1810‑1811, by Robert Hennell, each of rounded rectangular form with gadrooned edge, rocaille corners, gilt interior and conforming foot, each engraved with a crest of a stag’s head erased, charged on the neck with a hunting horn. h. 1‑3/8”, l. 3‑7/8”, w. 3”; 16.33 total t. oz. $500‑$800

288

288 Two Old Sheffield Meat Domes second quarter 19th century, the larger, unmarked, with wide annular band and addorsed reed-and-shell handle, h. 10‑1/2”, l. 18‑1/4”, w. 12‑3/4”; the smaller by Walker, Knowles & Co., Sheffield, with narrow gadrooned band and addorsed acanthus handle, h. 8‑1/2”, l. 13‑1/2”, w. 10‑1/2”, both with engraved armorial on rubbed-in plaque. $600‑$900 289 Large Matthew Boulton Old Sheffield Plate Platter first quarter 19th century, Sheffield, of lobed oval form with robust acanthus scroll edge and recessed oval plateau. 24‑1/4” x 18‑1/2” $800‑$1,200

289

290 Pair of George IV Old Sheffield Plate Wine Coolers first quarter 19th century, in the rococo taste, each with an inverted baluster-form body with opposing robust acanthus-scroll handles, rococo-scroll cartouches, and raised on four acanthus-scroll feet, with detachable openwork shaped acanthus-scroll collar, the liner lacking, monogrammed on one cartouche “JUMcJ”. h. 12”, dia. 9”, w. 11‑1/4” Provenance: Purchased at M. S. Rau, New Orleans, Louisiana, 1987. $700‑$1,000

290

291 George IV Old Sheffield Plate Meat Dome and Associated Platter second quarter 19th century, the oval dome quarter-lobed with gadroon and rocaille banding and addorsed acanthus handle, engraved on both sides with armorials on rubbed-in plaques, the wellmatched associated platter with similar decoration and acanthus-mounted turned wood handles, with well-and-tree plateau and hot water reservoir, presented on a custom fitted wooden stand. h. 16”, l. 27‑1/4”, w. 19‑3/4” $800‑$1,200

291

292 George IV Irish Sterling Silver Teapot hallmarked Dublin, 1824, by Edward Crofton, of waisted baluster form, richly decorated with repousse flowers, grapes and rococo scroll cartouches, with figural floral finial, “gooseneck” spout, crested handle, and lion’s paw feet, monogrammed on the cartouches “G”. h. 9‑1/4”, l. 10‑1/4”, dia. 5‑1/2”; 31.33 t. oz. $800‑$1,200

292

293 Victorian Irish Sterling Silver Hot Water Jug hallmarked Dublin, 1852‑1853, by Robert W. Smith, of baluster form, richly decorated with repousse birds of prey, fruits and flowers within rococo scrolls on an imbricate ground and centering a cartouche, with stirrup billet, crested handle and cavetto footring, engraved on the cartouche with a badge of a leopard’s head over swords in saltire and within a garter with the motto “Vis Unita Fortior”. h. 9‑1/4”, l. 7‑1/2”, dia. 5‑1/2”; 30.13 t. oz. $600‑$900

293

294 Victorian Chinoiserie Sterling Silver Hot Water Jug hallmarked London, 1858‑1859, by William Moulson for Lambert & Rawlings, baluster form decorated with repousse vignettes of pagodas, birds and villagers within rococo scrolls, with diapered collar, bud finial, “duck’s beak” spout, wicker-wrapped arched handle and flat footring. h. 11‑1/4”, dia. 5”, l. 7”, 23.90 t. oz. $800‑$1,200 295 Good Victorian Silverplate Centerpiece second quarter 19th century, with a central columnar standard surrounded by three neoclassical figures in a musical Bacchanalian procession, the standard surmounted by a lobed and fluted bowl with floriform calyx, the whole raised above a waisted circular plinth with three robust acanthus scroll feet, engraved on each third of the plinth with the arms of Buck quartering Orchard, Dennis and Pawley and impaling Robbins. h. 26”, w. 12‑3/4” 294

The beautifully engraved arms here are those of Lewis William Buck (1784‑1858) of Moreton House, Bideford and Hartland Abbey, Devon and his wife Ann Robbins (1791‑1879), who were married in 1808. Buck served as M.P. for Exeter (1826‑1932) and North Devon (1839‑1857). An engraved escutcheon with the identical arms surmount Buck’s mural monument in St. Helen’s Church, Abbotsham, Devon. $800‑$1,200

296

296 Victorian Sterling Silver Entree Dish hallmarked London, 1853‑1854, by Robert Hennell III, of lobed oval form, with reed-and-ribbon banding and ring handle. h. 5”, l. 11‑1/2”, w. 9”; 45.32 t. oz. $800‑$1,200 295

298

297 Five Victorian/Edwardian Sterling Silver and Silverplate Sugar Baskets mid-19th to early 20th century, two sterling silver and three silverplate, each with a conforming cobalt glass liner. h. 4” to 5‑1/4”; 12.77 total t. oz. (weighable sterling silver) $500‑$800 298 Pair of Victorian Silverplate Entree Dishes

297

fourth quarter 19th century, by John Round & Son, of lobed oval form with applied rocaille rim and engraved leaf and shell arabesque decoration, the fitted lid with detachable addorsed acanthus ring handle. h. 6”, l. 12‑1/2”, w. 10‑1/4” $500‑$800 299 Three-Piece Edwardian Arts & Crafts Sterling Silver Tea Set hallmarked London, 1908‑1909, by Elkington & Co., including a teapot, h. 7‑1/4”, an open sugar bowl, dia. 4‑3/8”, and a cream jug, dia. 2‑3/4”, the teapot of baluster form, the other pieces of flattened spherical form, with hammered finish, bifurcate-mounted angular handles and raised on three feet. 22.41 total t. oz. (including wooden handle and finial)

299

$800‑$1,200 300 George V Sterling Silver Presentation Covered Cup hallmarked London, 1926‑1927, by D. & J. Wellby, in the late Stuart taste, bucket form with molded band, opposing crested handles, molded foot ring and fitted lid, with royal agricultural presentation inscription dated 1928 opposing the royal arms. h. 11‑3/4”, w. 10”, dia. 6”; 48.16 t. oz. $800‑$1,200

300

301 Antoine Ponthus-Cinier (French, 1812‑1885) “To the Watering Hole” oil on canvas signed lower right. Framed. 14” x 18”, framed 19” x 22‑1/2” $700‑$1,000

301

302 Louis Simon Cabaillot Lassalle (French, 1808‑1885) “Jeune Fille avec ses Chevres” oil on panel signed lower left. Period gilt frame. 5‑1/2” x 3‑1/2”, framed 14‑1/2” x 12‑3/4” $500‑$800 302

303 Continental School (19th Century) “Shepherd and His Flock with Four Seasons in Spandrels” oil on canvas unsigned. Framed. 34” x 44”, framed 40” x 49‑1/2” $700‑$1,000

303

304 After Jean-Francois Millet (French, 1814‑1875) “Les Glaneuses” oil on canvas indistinctly signed “L. Marquet” or “Macguet” lower left. Framed. 23‑3/4” x 36‑1/2”, framed 33‑1/2” x 45‑5/8” $600‑$900

304

305 Jules Hereau (French, 1839‑1879) “The Sheep Herders” oil on canvas monogrammed lower left. Framed. 13‑3/4” x 21”, framed 25” x 32” $1,000‑$1,500

305

306 one of two

306 Victor Gabriel Gilbert (French, 1847‑1933) “Figures with Haystacks” “Work-Horses with Haystacks” pair of oils on beveled wood panel each signed lower left. Framed. each 8‑1/2” x 16‑1/4”, framed 9‑3/4” x 17‑1/2” $800‑$1,200

306 two of two

307 one of two

307 two of two

307 Bernard Edouard Swebach (French, 1800‑1870) “Before the Race” and “The Final Trot”, 1865 pair of oils on canvas one signed and dated lower right, and the other signed and dated lower center, handwritten labels with artist and titles en verso. In matching modern frames. each 7‑3/4” x 9‑1/2”, framed 13‑1/2” x 15‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200 308 one of two

308 Louise Eugenie Stevens (Belgium, 1841‑1865) “The Fox Hunt” pair of oils on canvas each signed lower right. In matching period gilt frames. each 8” x 10”, framed 12‑3/4” x 14‑3/4” $1,200‑$1,800

308 two of two

310 set of four

309 Louis XIV-Style Mahogany “Throne Chair” of generous proportions, the tall arched back with a cluster of carved roses over a scrolling broken-arch pediment, flanked by carved birds capping each stile, the open arms terminating in square ends, with serpentine seat rail and cabriole legs with French toes, upholstered in Gothic-decor brocade, the roundel beneath the crest carved with an ecclesiastical motif. h. 64‑1/2” $800‑$1,200

311

310 Set of Four Louis XIV-Style Patinated Bronze and Cut Glass Sconces second quarter 20th century, French, the two-light sconces with molded backplates, the candle arms flanking cut glass spears, hung with glass beads and colorless and colored drops. h. 19”, w. 10”, d. 6” $800‑$1,200 311 French Circassian Walnut-Inlaid Commode mid-19th century, in the Louis XV taste, the front fitted with three shaped long drawers and elaborate gilt-metal pulls. h. 31”, w. 45”, d. 24‑1/2” $1,200‑$1,800

309

313

312

312 French Bronze Six-Light Chandelier first quarter 20th century, in the Renaissance taste, the triangular standard decorated with scrollwork and cabochons, and three busts, the paneled arms set with leaf-molded drip pans and sockets, alternating with winged heads on scrolled supports. h. 26”, dia. 20‑1/2” $600‑$900

313 Dom Antoine Augustin Calmet, O.S.B. (1672‑1757), “Commentary” Commentaire Litteral sur Tous les Livres de l’Ancien et du Nouveau Testament(Paris: Pierre Emery, 1707‑1716), first edition, crown octavo, eight volumes (of twenty-three), including Genesis (1707), Exodus & Leviticus (1708), Isaiah (1714), Ezekiel & Daniel (1715), Twelve Minor Prophets (1715), Matthew (1715), Mark & Luke (1715) and the Pauline Epistles (1716), in full brown leather, the flat spines with raised bands and brown panels with gilt lettering and decoration, with marbled endpapers and cut and tinted edges [Kapsner 2253]. leaf 10” x 7‑3/8”, overall 10‑1/2” x 8” $800‑$1,200

314

314 Felix Edouard Guerin-Meneville (1799‑1874) Atlas to Dictionnaire Pittoresque d’Histoire Naturelle Paris: second quarter 19th century, quarto, in three volumes, 720 natural history plates, most hand-colored, with printed table, in quarter green leather with gilt fillet on green moire cloth, the spines with gilt decoration and lettering, the edges cut and marbled, with yellow moire endpapers and bookplate of Robert and Madeleine Clamens. [Nissen ZBI 4616; Grasse III 171] leaf 29.1 x 19.3 cm; overall 30.0 x 20.6 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,500‑$2,500 This set is of the colored plates only and does not include the accompanying nine volumes of text. Without additional information, it is not possible to determine if they are from the first edition of 1834‑39 or the second edition of 1844‑1846.

315

315 Pierre Francois Xavier de Charlevoix, S.J. (1682‑1761), Histoire et Description Generale de la Nouvelle France

316

Paris: Nyon fils, 1744; first edition, crown octavo, three volumes (of three), in full tan leather, the later flat spine with raised bands and red and green panels with gilt lettering and decoration, with marbled endpapers and cut and tinted edges, with 20 maps (of 27; all Louisiana/New Orleans maps lacking) and 22 plates of 96 botanical specimens. [Sabin 12135; Clark, Old South I 59.4; Howes C307; Graff 650; Sommervogel 1077] 10” x 7‑5/8” Detailed bibliographic description available on request. $1,000‑$1,500 316 Louis XIV-Style Brass Chandelier the six-arm chandelier with a stem and melon-form bowl supporting shaped arms, electrified. h. 24”, dia. 28” 317

$500‑$800

317 Regence-Style Kingwood, Mixed Woods and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with two long drawers with inlaid scrolling foliate and floral patterns, the sides en suite, raised on sabre legs ending in sabots, the whole with decorative ormolu mounts. h. 33”, w. 45”, d. 22” $700‑$1,000 318 French Baroque-Style Giltwood Mirror fourth quarter 19th century, the pedimented crest with a leaf-carved finial with a basket of flowers on a lattice-incised ground, the mirror surround with scrollwork and leaves, the mirror plate with gadrooning. h. 38‑1/2”, w. 20‑1/2” $1,000‑$1,500

100

318

319 Regence-Style Kingwood and Marble-Top Commode the shaped rectangular marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and quarter-veneered, raised on splayed legs ending in sabots. h. 35”, w. 48”, d. 21” $700‑$1,000 320 Follower of Francois Boucher (French, 1703‑1770) “Pastoral Scene with a Shepherd and a Shepherdess” oil on canvas unsigned. Antique giltwood frame. 26‑1/4” x 22‑1/4”, framed 31‑1/2” x 28” $600‑$900 321 Pair of Louis XV-Style Polychrome Bergeres

320

early 20th century, each with a floral crest over a padded domed back and downswept sides, the cushioned seat raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 34‑1/2” $1,200‑$1,800 322 Louis XV-Style Painted Bergere early 20th century, the carved crest above a padded back and arms, over a cushioned seat, raised on cabriole legs ending in scroll feet, upholstered in chinoiserie toile fabric. h. 34”, w. 21” $500‑$800 321

319

322

101

323 Louis XV-Style Parquetry-Veneered Commode of bombe form, the serpentine Brescia marble top on a conforming case with a bank of three drawers, flanked by ormolu mounts extending down the shaped legs. h. 39‑1/4”, w. 34‑3/4”, d. 16‑1/2” $500‑$800

323

325 Pair of French Gilt-Bronze and Mirrored Sconces first quarter 20th century, the five-light sconces in the rococo style, the backplates inset with oval beveled mirror plates framed with molded scrollwork and leaves, the matching candle arms hung with prisms and festoons of drops. h. 25”, w. 15”, d. 11” $1,200‑$1,800

324

324 French Carved Giltwood and Faux Marbre Mirror fourth quarter 19th century, the mirror surround decorated with scrollwork and garlands of flowers, on a rouge faux marbre ground. h. 58”, w. 44‑1/2” $500‑$800

325

102

326 Louis XV Marquetry-Inlaid and Ormolu-Mounted Kingwood Corner Cabinet 18th century, the broken-arch pediment with a central plinth above a glazed door, the base with a marquetryinlaid door and raised on bronze feet. h. 82”, w. 28”, d. 19” $1,200‑$1,800 327 Pair of Louis XV-Style Parcel-Gilt Mahogany Corner Chairs 20th century, with foliate-carved backs and acanthus armrests, raised on cabriole legs. h. 35”, w. 32”, d. 23”

327

$500‑$800

328

328 Louis XV-Style Mahogany Lady’s Desk early 20th century, the kidney-form top with a parquetry inlay within a banding and three-quarter pierced brass gallery, above a conforming frieze fitted with three banks of two small drawers, raised on cabriole legs ending in sabots. h. 29”, w. 39”, d. 21” $500‑$800

326

103

329 Louis XV-Style Kingwood Occasional Table mid-19th century, the banded and quarter-veneered shaped rectangular top within a brass banding, above a conforming frieze fitted with a single drawer, raised on molded cabriole legs headed by ormolu mounts and ending in sabots, the inside of drawer signed “A. SEGUY”. h. 29‑1/2”, w. 30‑1/2”, d. 19‑1/2” $1,800‑$2,500

331

330 Louis XV-Style Kingwood Work Table 329

early 20th century, the hinged, shaped rectangular top banded and with parquetry veneer, and opening to a mirrored interior and a lift-out compartmented tray, above a shaped ormolu-applied frieze with a pullout storage well below, raised on cabriole legs ending in sabots, the interior bearing the label “Tahan, Paris”. h. 30”, w. 22‑1/2”, d. 16” $700‑$1,000

331 Louis XIV-Style Silvered Metal and Crystal Chandelier the eight-light chandelier with a molded glass-clad standard and set with sprays of cut glass drops, the silvered metal candle arms set with molded glass drip pans over sprays of cut glass drops. h. 28‑1/4”, dia. 20‑1/2” $1,200‑$1,800

330

104

333

332

332 Louis XIV-Style Giltwood Mirror 20th century, the serpentine sides inset with mirror panels trimmed with scrollwork, the crest decorated with a mirror-backed giltwood flower in a roundel, the lower edge with a shell. h. 48‑1/2”, w. 31‑1/2”

334 Louis XV-Style Kingwood Commode early 20th century, the shaped rectangular top banded and quarter-veneered, and with an inlaid floral spray, above a conforming bombe case fitted with three drawers, raised on cabriole legs. h. 27”, w. 19‑1/2”, d. 13‑1/2” $500‑$800

$800‑$1,200

333 Pair of Louis XV/XVI-Style Kingwood Occasional Tables early 20th century, each with a banded and quarterveneered shaped rectangular top centered by an inlaid floral spray, above a conforming frieze fitted with a small drawer and candle slide, joined to a like lower shelf by cabriole supports ending in sabots. h. 27”, w. 14”, d. 10‑1/2” $800‑$1,200

334

105

335 Pair of Burl Fruitwood Commodes in the transitional Louis XV into Louis XVI style, each with a kidney-form top with a rounded edge, above a conforming case fitted with four drawers, raised on molded cabriole legs. h. 32”, w. 21‑1/2”, d. 11‑1/2” $600‑$900 336 Good Regence Rosewood and Walnut Commode late 18th century, the slightly bowed top with a molded edge, above a case fitted with three highly figured long drawers, raised above a shaped apron on cabriole feet. h. 33”, w. 51‑1/2”, d. 26” $1,200‑$1,800 336

337 Suite of Six Louis XV-Style Leather-Upholstered Giltwood Dining Chairs each having a back with a molded and arched crest rail, a shell-carved scalloped apron and cabriole legs with French toes. h. 39‑1/2” $800‑$1,200

335

337

106

340 Collection of Four Mantel Clocks second half 19th century, including a French marble clock with a gilt-metal child holding flowers, h. 14‑1/4”, w. 9‑3/4”, d. 5”, an Ansonia crystal regulator with a gilt-bronze case set with beveled crystal, h. 11‑1/2”, w. 7‑1/2”, d. 5‑3/4”, a Renaissance Revival clock with a peacock above the dial, set with an enameled chapter ring, the works signed “Marti”, h. 18”, w. 10‑1/4”, d. 5”, and a brass and enamel-inlaid clock with spiral-reeded columns, h. 21”, w. 10”, d. 5‑1/4”. $1,000‑$1,500

340

338 Louis XV-Style Rosewood Armoire ca. 1900, with a carved cartouche and complex molded crown above a pair of beveled mirrored doors, the interior fitted with shelves and drawers. h. 101”, w. 64”, d. 21” $500‑$800 339 Group of Two Antique French Tables including a fruitwood side table in the transitional Louis XV into Louis XVI style, late 18th century, the triple-banded rectangular top with a three-quarter gallery and shaped front, above a paneled frieze fitted with a single compartmented end drawer, raised on cabriole legs ending in sabots, h. 28”, w. 32‑1/2”, d. 19‑1/4”; together with a Louis XVI-style mahogany writing table, 19th century, the rectangular top with a three-quarter pierced brass gallery and an inset leather writing surface, above a frieze fitted with a single drawer, raised on paneled tapering circular legs ending in brass caps, h. 29”, w. 31”, d. 20‑1/2”. $1,000‑$1,500

338

339

107

341 Louis XV/XVI-Style Kingwood and Marble-Top Commode the shaped rectangular marble top with projecting corners, above a conforming case fitted with three long drawers, all triple paneled and with decorative banding, raised on splayed legs to sabots. h. 34‑1/2”, w. 51”, d. 20‑1/2” $700‑$1,000

343

342 Louis XV-Style Walnut Corner Chair

341

first quarter 20th century, the serpentine crest centered by a floral carving continuing to carved arms, over a leather-upholstered back and seat, raised on cabriole legs ending in acanthine-carved feet. h. 31”, w. 24” $500‑$800

343 Louis XIV-Style Bronze and Crystal Chandelier second quarter 20th century, French, the six-light chandelier having a bronze frame set with candle branches alternating with cut glass spires, and hung with tiers of cut glass prisms. h. 24‑1/2”, dia. 17‑1/2” $500‑$800 Framed. 14” x 12”, framed 19‑1/2” x 17‑1/2” Provenance: Jones & Terwilliger Fine Art Gallery, Carmel-by-the-Sea, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

342

108

344 French Bronze Dore et Patine Light Sconce ca. 1900, in the Louis XV style, the quiver-form lower portion supporting an amorino with outstretched hands set with light sockets, signed “Joseph Cheret”, for Gustave Joseph Cheret. h. 27”, w. 12”, d. 7” $700‑$1,000 345 French Three-Piece Brass and Marble Clock Set 20th century, the clock dial set into a brass lyre, flanked with putti holding a swag of flowers, h. 24‑1/2”, w. 12”, d. 8”, and the seven-light candelabra with black marble urn-form standards with scrolled candle arms, h. 26‑3/4”, dia. 11”. $600‑$900

344

345

346 French Lacquered and Parcel-Gilt Tea Table

346

19th century, the dished red-lacquered top with a scalloped edge, the front apron fitted with a single drawer, raised on slender cabriole legs. h. 26‑1/2”, w. 37‑1/2”, d. 24” $800‑$1,200

347 French Five-Panel Painted Screen in the Chinoiserie Taste first quarter 20th century, paint decorated on canvas with figures, temples and musicians, framed with fruit and flowers, on a dark green ground. h. 39‑3/4”, w. 45” $600‑$900

347

109

348 Louis XV-Style Chinoiserie-Decorated and Marble-Top Commode early 20th century, the shaped breche d’Alep marble top above a conforming case fitted with two long drawers, the legs with bronze mounts. h. 35”, w. 39”, d. 19‑1/2” $800‑$1,200

350

350 Chinese Export Gilt-Decorated Papier-Mache Case second quarter 19th century, the case opening to reveal a beautifully painted rendition of a Mandarin couple in a temple, possibly a wedding. h. 3”, w. 21‑1/4”, d. 21‑1/4” $500‑$800 348

351 Chinese Export Famille Noir Porcelain Ginger Jar 19th century, decorated with flowering plum blossoms, marked with underglaze blue Chinese characters, on a pierced wooden base. h. 18‑1/2”, dia. 8” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $700‑$1,000

349

349 Continental Ebonized, Polychrome and Parcel-Gilt Cabinet 19th century and later, in the chinoiserie manner, the stepped top above a case fitted with two central doors, featuring a polychrome Asian scene with two applied musical ladies, opening to six small lower drawers, flanked to either side by a figural upright and shaped cupboard, with like polychrome scenes, raised on a pierced frieze on paneled square legs. h. 60‑1/2”, w. 73”, d. 20‑1/2” $800‑$1,200

110

351

353

354 Louis XV-Style Provincial Trumeau Mirror fourth quarter 19th century, decorated with a rococo scrolled giltwood surround and giltwood ornaments on the side panels, centering a painting portraying silk weaving in China. h. 62‑1/2”, w. 41” $700‑$1,000 352

352 Louis XV-Style Kingwood Cabinet late 19th century, the molded and domed cornice centered by an ormolu shell mount, above a case fitted with two doors, each inset with a lacquered panel featuring a figural Asian scene over a quarter-veneered panel, raised on cabriole legs ending in sabots. h. 83”, w. 44‑1/2”, d. 17” $700‑$1,000

353 Louis XVI-Style Fruitwood and Marble-Top Encoignure late 19th century, the bowed marble top above a conforming case fitted with a single cupboard door inset with a panel featuring an inlaid cityscape, raised on block feet, the whole with ormolu accents. h. 35”, w. 25‑1/2”, d. 18” $500‑$800

354

111

355

358 two of two

358 one of two

355 Louis XIV-Style Bronze and Crystal Chandelier the six-light chandelier with a molded glass-clad standard and bronze scrolled candle arms set with bell-shaped candle cups, the standard with two sprays of drops, hung with a mixture of colorless, amber and mauve drops, some cut and others molded as pears and grapes. h. 28‑1/2”, dia. 17” $1,200‑$1,800 356 Pair of Louis XV-Style Polychrome and Giltwood Bergeres

356

first quarter 20th century, each with a foliate-carved crest over a padded back and arms, above a like seat, raised on floral-carved cabriole legs ending in scroll toes. h. 32”, w. 30” $1,000‑$1,500 357 Large Louis XV-Style Giltwood Mirror fourth quarter 19th century, now set with a beveled mirror plate. h. 67‑1/2”, w. 48” $600‑$900 358 Two French Bronze Chandeliers first quarter 20th century, including a five-light example in the Louis XV taste, molded with leaves and scrollwork, h. 34”, dia. 17”, and a four-light example in the Directoire taste, with rope-twist arms and pierced scrolls hung with swags of flowers, h. 19”, dia. 12”. $600‑$900

112

357

361 Louis XV-Style Giltwood Occasional Table third quarter 19th century, the circular brescia marble top over a frieze with floral garlands, raised on a foliatecarved baluster-form pedestal joined to carved legs. h. 29‑5/8”, dia. 30” $500‑$800 359

359 Louis XV-Style Giltwood and Marble-Top Pier Mirror Base third quarter 19th century, with a conforming white marble top over a shaped frame with scrolled and foliate motifs, raised on cabriole legs. h. 13‑1/2”, w. 40”, d. 14” $500‑$800 360 Louis XV-Style Six-Piece Giltwood Parlor Suite early 20th century, consisting of a settee, h. 48”, w. 72”, a pair of gentleman’s fauteuils, h. 41”, w. 28”, a lady’s fauteuil, h. 41‑1/2”, w. 27”, and a pair of diminutive side chairs, h. 35‑1/2”, w. 17‑1/2”, each with a carved crest over a padded back and seat, raised on carved cabriole legs ending in scroll feet. $1,500‑$2,500 361

360

113

362 Louis XV-Style Giltwood Sunburst Mirror 20th century, the circular convex mirror glass with a flower-molded surround, the straight “rays” alternating with curved “rays”. dia. 31” $800‑$1,200

363 Louis XV/XVI-Style Giltwood and Marble-Top Center Table the white marble top with projecting ormolu corners, above a conforming apron with foliate carving, raised on cabriole legs joined by serpentine stretchers centered by a finial. h. 31”, w. 58”, d. 35” $800‑$1,200

362

363

364 Louis XV-Style Giltwood Bergere avec Oreilles early 20th century, the padded and domed back joined by shaped sides and carved hand rests to the cushioned seat, raised above a masque-carved frame on cabriole legs ending in scrolled toes. h. 42” $800‑$1,200

364

114

365 Louis XV-Style Painted Trumeau Mirror ca. 1900, the oil-on-metal painting depicting a bridge in a landscape, the painting and mirror with carved and scrolled giltwood surrounds. h. 63‑1/4”, w. 44‑1/4” $800‑$1,200 366 Louis XV-Style Giltwood Bench fourth quarter 19th century, the serpentine-shaped padded seat above a conforming acanthine-carved and pieced apron, raised on cabriole legs joined by a shaped stretcher and ending in scroll feet. h. 18”, w. 43”, d. 16” $500‑$800

365

367 Group of Four Pressed Botanicals including “Lavender”, “Lantana”, “Tea Roses”, and “Sevestiae [sic] Pea”, each identified bottom center and initialed “SW” lower right. Glazed and framed. 13‑5/8” x 10‑5/8”, framed 15‑1/2” x 12‑1/2” $500‑$800

367

366

115

368 French Baroque-Style Giltwood Mirror fourth quarter 19th century, the pierced crest decorated with a basket of flowers framed with scrollwork, with additional pierced scrollwork forming the sides, a bouquet of flowers at the lower edge. h. 39”, w. 24‑1/4” $800‑$1,200

370

369 Louis XV-Style Polychrome Three-Piece Parlor Suite comprised of a canape, h. 36”, w. 53”, d. 26‑1/2”, and a pair of side chairs, h. 36”, each with a floral-carved crest and molded top rail, serpentine seat rail and cabriole legs with like carving, the canape with closed arms and a loose seat cushion. $800‑$1,200

370 Pair of French Carved and Painted Bracket Shelves second quarter 20th century, with beaded shelf supports, the backplates carved with acanthus leaves, the shelves hung with carved laurel swags. h. 24”, w. 22‑1/4”, d. 13‑3/4” $600‑$900

368

369

116

371 Pair of Louis XIV-Style Painted Wooden Candlesticks 20th century, Continental, now mounted as lamps, with threesided bases supported on paw feet, the standards decorated with carved leaves and scrollwork. h. 35‑1/2”, w. 9”, d. 9” $500‑$800

372 Louis XV-Style Brass and Prism-Hung Chandelier ca. 1900, the six-light chandelier of basket form, draped with cylindrical beads and faceted drops, electrified. h. 37‑1/2”, dia. 31” $600‑$900

372

373

373 Pair of Louis XV-Style Polychrome Bergeres first quarter 20th century, each with a serpentine crest centered by acanthine and floral carving, above a conforming padded back and arms over a like seat, raised on cabriole legs ending in scroll toes. h. 33”, w. 29‑1/2” $1,000‑$1,500

371

117

374 Louis XV-Style Polychrome Canape first quarter 20th century, the serpentineshaped crest centered by a floral carving, over a conforming padded back and arms, above the like seat, raised on cabriole legs. h. 35”, w. 77‑3/4” $1,200‑$1,800

375 Continental School (Fourth Quarter 18th Century) “Allegory of the Arts” grisaille oil on canvas unsigned Framed. 31‑1/2” x 37”, framed 39” x 46‑1/2” $1,200‑$1,800

375

374

118

376 Louis XV-Style Painted Mirror 20th century, the serpentine crest carved with scrollwork and flowerheads, the corners carved with scrollwork over the glass. h. 53”, w. 32‑1/2” $600‑$900 377 Pair of Diminutive Louis XV-Style Polychrome Settees first half 20th century, each with a carved and molded frame and a floral-carved crest rail, raised on floral-carved cabriole legs. h. 37‑1/2”, w. 37”, d. 28” $1,000‑$1,500

376

378 Louis XV-Style Bleached Fruitwood Bench each end with a scroll arm, the top rail with foliate and floral carving, the bowed front seat rail with like carving and a central leg, raised on cabriole legs. h. 35‑1/2”, w. 52”, d. 24‑1/2” 378

$600‑$900

377

119

379 Johannes Josephus Hovener (Dutch, b. 1936) “Beach Scene, Ostend, Belgium” oil on canvas signed lower right. Framed. 23‑3/4” x 31‑1/2”, framed 29” x 37” $500‑$800

379

380 Jose Puyet (Spanish, 1922‑2004) “In the Salon” oil on canvas signed lower left, printed label with artist and title en verso. Framed. 31‑1/2” x 39‑1/2”, framed 39” x 46‑1/2” $1,800‑$2,500

380

381 Willem Heytman (Dutch, b. 1950) “L’Hotel de Ville, Paris” oil on canvas signed lower left, artist’s stamp and title en verso. Framed. 19‑3/4” x 27‑1/2”, framed 26‑1/2” x 34” $1,000‑$1,500

381

120

382 Rene Rambert (French, 1901‑1991) “Arc de Triomphe, Paris” oil on panel signed lower right. Framed. 7‑1/4” x 10‑1/4”, framed 11‑1/4” x 14‑1/4” $600‑$900 382

383 Rene Rambert (French, 1901‑1991) “Paris Street Scene” oil on wood panel signed lower left. Framed. 20” x 24”, framed 26‑1/4” x 30‑1/4” $700‑$1,000

383

384 Vladimir Naiditch (Russian, 1903‑1980) “Promenade” oil on canvas monogramed lower right, signed lower left. Framed. 21‑1/2” x 18”, framed 29” x 25” $700‑$1,000

384

121

385

386

387

388

385 Bart Schouten Leroy (Dutch/French, 1941‑2001)

387 Willem Heytman (Dutch, b. 1950)

“A Day at the Beach”

“Children Playing at the Beach”

oil on beveled wood panel signed lower right. Framed. 7” x 9”, framed 13‑1/8” x 15”

oil on canvas signed lower right, “Atelier Heytman” stamp en verso. Framed. 15‑3/4” x 19‑3/4”, framed 21” x 25”

$500‑$800

$800‑$1,200

386 Niek van der Plas (Dutch, b. 1954)

388 Niek van der Plas (Dutch, b. 1954)

“Umbrellas on the Beach”, 2013

“Venice”

oil on wood panel signed lower right, signed and dated en verso. Framed. 7” x 9‑1/4”, framed 13‑1/4” x 15”

oil on wood panel signed lower left. Framed. 9‑1/2” x 11‑3/4”, framed 17‑1/4” x 19‑1/4”

$1,000‑$1,500

$800‑$1,200

122

389 Dietz Edzard (German/Paris, 1893‑1963) “Jeune Femme au Gueridon”, 1941‑1942 oil on canvas signed lower left, verso with Kunsthaus Buhler, Stuttgart label with artist name, title and date of work. Framed. 25‑3/4” x 19‑1/8”, framed 31‑1/2” x 25” Provenance: Kunsthaus Buhler, Stuttgart; Christie’s, New York, September 22, 2009, lot 69; Collection of Leon Amar, Palm Beach, Florida. $6,000‑$9,000

389

390 Dietz Edzard (German/Paris, 1893‑1963) “Femme sur Une Terrasse en Regardant Les Courses”, 1951 oil on linen signed lower right. Framed. 21‑3/4” x 18‑1/4”, framed 29‑5/8” x 26‑1/4” Provenance: Lock Galleries, New York, New York; Christie’s, New York, September 22, 2009, lot 47; Collection of Leon Amar, Palm Beach, Florida. $4,000‑$7,000

390

123

391 Leonard W. Howard (American, b. 1974) “Young Girl and Her Dog” oil on canvas signed lower right, printed information on the artist en verso. Framed. 23‑1/2” x 31‑1/2”, framed 29‑1/4” x 37‑1/4” $1,500‑$2,500

391

392 Emilie Dubois (French, b. 1966) “Un Repas” oil on canvas signed lower left. Framed. 28” x 31”, framed 35‑1/2” x 38‑1/2” $2,000‑$4,000

392

393 Robert Boudry (Belgian, 1878‑1965) “Still Life of Flowers and Apples”, 1942 oil on wood panel signed lower right, signed, dated and localized “Antw.” for Antwep en verso. Framed. 25‑1/2” x 30”, framed 29‑1/2” x 33‑1/2” $800‑$1,200

393

124

394 Johannes Cornelis van der Heijden (Dutch, 1911‑1992) “Nieuwkoop, Holland”, 1934 oil on canvas pencil-signed, titled and dated en verso. Framed. 19‑1/2” x 31‑1/2”, framed 24” x 36” $700‑$1,000

395 Antoine Calbert (French, 1860‑1944)

394

“Woman in a Garden” oil on canvas signed “A. Calbet” lower left. Framed. 24” x 20”, framed 32‑3/4” x 28‑1/2” $500‑$800

395

396 Maurice Jean Lefebvre (Belgian, 1873‑1954) “Standing Odalisque”, 1912 oil on canvas signed and dated lower right. Framed. 43‑1/2” x 25”, framed 52‑3/8” x 32‑3/4” $2,000‑$4,000

396

125

397 Italian Carved Marble Bust of a Young Neapolitan Laughing Girl ca. 1900, inscribed “Carrara” on base. h. 19”, w. 11”, d. 10” $600‑$900 398 Harold James Youngman (British, 1886‑1968) “Dowsing for Water” patinated bronze 20th century, cast signature along edge of self-base, on a marble plinth. overall h. 29‑1/4”, w. 11‑1/2”, d. 18” 397

$600‑$900 399 After Francisque Joseph Duret (French, 1804‑1865) “L’Improvisateur” bronze first quarter 20th century, modeled as a young Neapolitan boy in the guise of Bacchus, playing a mandolin, cast signature along edge of self-base, a “Stan Levy Imports” tag at back edge. h. 17”, w. 8”, d. 7”

398

$700‑$1,000 400 Four Cast Iron Campana-Form Garden Urns 20th century, in the neoclassical taste, with reeded bases and mounted with floral swags, with handles on each side. h. 23‑1/2”, dia. 16‑1/2” $500‑$800

399

400

8 126

401 Grand Tour Patinated Bronze of a Satyr with Cymbals and Kroupezion 20th century, after the Roman marble (itself a copy of a 1st century BCE Greek sculpture) discovered at the Villa of the Quintilii and now conserved at the Galleria Nazionale d’Arte Antica, Rome, a “Pellas/Firenze” foundry stamp at back edge of self-base. h. 23”, w. 11‑1/2”, d. 6‑1/2” $600‑$900 402 Grand Tour Patinated Bronze of “Antinous” 20th century, after the 2nd century Roman marble (itself a copy of a 4th century BCE Greek sculpture of Hermes) discovered at the Villa of Hadrian and now conserved at the Capitoline Museum, Rome, erroneously inscribed “Musee de Naples” on self-base. h. 23‑1/2”, w. 9”, d. 8” $500‑$800 403 After Guillaume Coustou (French, 1677‑1746)

402

“Marly Horses” pair of patinated bronzes 20th century, after the ca. 1740 monumental sculptures commissioned by Louis XV to be placed in his Chateau de Marly and now conserved at the Louvre, Paris, each with cast signature along edge of self-base. each h. 14‑3/4”, w. 13‑1/2”, d. 5‑1/2” $800‑$1,200

401

403

127

404 Group of Eight

404 Group of Eight Copperplate Engravings of Antique Statuary fourth quarter 17th century, including “Mercury”, “Ceres”, Diana”, Faun”, “Venus”, “Bacchus”, “Flora” and “Athlete”, various engravers including Etienne Baudet (French, 1636‑1711). Matted, glazed and framed. each sight 16” x 11‑5/8”, framed 22‑1/2” x 18” $600‑$900

405 Group of Five Steel-Plate Engravings of Archaeological Finds and Classical Architecture 19th century, after Henry Winkles (British, 1801‑1860) and Joseph Keller (British, 19th Century), engraved by James G. Heck (German, 19th Century). Attractively matted, glazed and framed. each sight 26” x 10‑1/4”, framed 33” x 17‑1/4” $500‑$800

128

405 Group of Five

406 Egyptian Revival-Style Faux Marbre and Parcel-Gilt Side Chair late 20th century, designed by Thomas Britt, New York, the slightly curved, X-form back over a padded seat, raised on carved legs ending in hoof feet. h. 40”, w. 17‑1/2” $500‑$800 407 Pair of Handsome French Neoclassical-Style Granite and Gilt-Bronze Urns 20th century, the amphora-form urns set with gilt-bronze serpent-form handles, with copper flower liners. h. 22‑1/2”, w. 14‑1/2”, d. 9”

407

$1,000‑$1,500 408 Italian Carved Stone Console Table 20th century, the thick rectangular top with a molded edge and supported by a pair of carved sphinx-form standards. h. 32”, w. 58”, d. 20‑1/2” $500‑$800 409 Collection of Three Obelisks 19th/20th century, including a carved limestone obelisk on a rectangular base, h. 19‑1/4”, w. 4‑1/4”, d. 4‑1/4”, an Egyptian Revival carved stone obelisk decorated with hieroglyphics, the base carved “Egypt, France, 1838”, h. 21‑1/4”, w. 4”, d. 4”, and a rock crystal example, h. 14”, w. 2”, d. 2”. $500‑$800

409

408

406

129

410 Italian Alabaster and Gilt-Bronze Chandelier second quarter 20th century, with an alabaster pan concealing three light sockets, trimmed with gilt beading, supported on leaf-molded bronze hooks. h. 20”, dia. 14‑1/2” $600‑$900 411 Pair of Baltic Neoclassical-Style Polychrome and ParcelGilt Armchairs each with a carved top rail, the open arms on swan-carved supports, raised on paneled tapering legs. h. 38‑1/4” $600‑$900

410

411

130

412 Pair of Painted and Parcel-Gilt Trumeau Mirrors 20th century, in the Italian neoclassical style, each tablet with incised lovebirds in a wreath, framed with scrollwork, the mirror flanked by columns. h. 73‑1/2”, w. 42‑1/2” $1,800‑$2,500 413 Three Continental Carved and Painted Altar Sticks 19th century, all with pricket candle holders, comprised of a pair, h. 36”, dia. 8”, and a single matching stick, h. 31”, dia. 7‑1/2”. $600‑$900

413

412

131

414 Pair of Continental Neoclassical Giltwood Altar Sticks first quarter 19th century, now mounted as lamps, on scrolled feet, the reeded standards carved with lotus leaves, set with tole drip pans. h. 38”, dia. 7” $800‑$1,200 415 Suite of Six Swedish Neoclassical-Style Polychrome and Parcel-Gilt Salon Chairs first quarter 20th century, consisting of one armchair, h. 35‑1/2”, w. 22‑1/2”, and five side chairs, h. 35‑1/2”, w. 17‑1/2”, each with a shaped, anthemion-carved crest above a padded back and seat, over a like-carved apron, raised on turned legs ending in toupie feet. $1,000‑$1,500 416 Giltwood Mirror in the Swedish Neoclassical Style 20th century, with an ogee surround, the cabochon finial supporting a pair of draped laurel leaves. h. 42”, w. 27” $700‑$1,000 416

415

132

414

417 Italian Giltwood and Faux Marbre Side Table 18th century, the D-form faux marbre top above a conforming pierced frieze centered by a carved masque, raised on fluted and foliate-carved circular legs ending in ball feet. h. 31”, w. 39‑1/2”, d. 22” $800‑$1,200 418 Continental Neoclassical Mahogany Secretaire a Abattant mid-19th century, the rectangular top above a conforming case fitted with a long drawer over a drop front, centered by an inlaid classical figural medallion and opening to a variety of drawers and cubbyholes, over two cupboard doors, each with a central urn inlay, raised on tapering square legs. h. 57‑1/2”, w. 37”, d. 16” $500‑$800 419 After Antonio Canova (Italian, 1757‑1822) “The Three Graces”, 20th century, carved marble, after the ca. 1814 sculpture commissioned by Empress Josephine and now conserved at the Hermitage, St. Petersburg, on a figured gray-veined marble base, inscribed “Canova”. h. 24”, w. 13”, d. 7‑1/2” $1,000‑$1,500

419

420

420 Italian Neoclassical-Style Marble Candlestick-Form Table Lamp first quarter 20th century, carved with lotus leaves, oak leaves and acorns. h. 40”, dia. 9” $700‑$1,000

417

418

133

421 Carved and Painted Wooden Mirror in the Early Neoclassical Taste fourth quarter 18th century, of oval form, decorated with a border of carved flowers and a border of roses bound in ribbon lining the antique mirror plate. h. 37‑1/2”, w. 31” $800‑$1,200 422 Impressive Italian Neoclassical Giltwood Altar Stick first quarter 19th century, on a tripartite base with angels at each corner, and molded acanthus leaves supporting the Corinthian column standard, set with a gadrooned drip pan and a pricket candle holder. h. 53‑1/2”, dia. 12‑1/2” $800‑$1,200 423 Italian Parcel-Gilt Altar Stick in the Neoclassical Taste

424

second quarter 19th century, on paw feet, the base decorated with blue paint and a leaf-carved standard. h. 34‑1/2”, dia. 9‑1/2” $600‑$900 424 Pair of Italian Polychrome and Lacquered Side Chairs 18th century, each with a broad paneled back and chinoiseriedecorated scene, raised on turned legs. h. 35” $700‑$1,000

422 421

134

423

425 Pair of Continental Mahogany and Marble-Top Pedestals ca. 1900, each with an inset Egyptian marble top above a standard with giltmetal mounts and a carved plinth base. h. 32‑1/2”, w. 16”, d. 19‑1/2” $800‑$1,200 426 Continental Oak and Mixed Woods Inlaid Library Table late 19th century, the rectangular top with a banded edge and parquetry-inlaid panel, and supported by four turned columnar-form standards mounted to a stretcher base. h. 30”, w. 54”, d. 27” $600‑$900

426

427

427 Neoclassical-Style Bronze and Crystal Chandelier mid-20th century, French, the four-light chandelier with a pierced rim, the frame hung with cascades of drops concealing sockets, the lower portion hung with prisms. h. 32‑1/2”, dia. 17” $600‑$900 428 Neoclassically Inspired Three-Piece Giltwood Parlor Suite early 20th century, composed of a sofa, an arm chair and a side chair, with fluted stiles capped with Corinthian capitals, the arm supports of like form supporting scroll ends, the arms over pierced foliate- and scroll-carved panels, with bowed seats and cabriole legs with French toes. sofa h. 38‑1/2”, w. 54”, d. 27‑1/2”, armchair h. 38‑1/4”, side chair h. 37‑1/4” 425

$500‑$800

428

135

430

429 Biedermeier-Style Burl Satinwood and Marble-Top Secretaire a Abattant late 19th century and later, the rounded rectangular marble top above a case fitted with an ogee-molded drawer over a drop front, opening to an inset leather writing surface and drawers, over three long drawers, all with inlaid scrolling patterns, raised on shaped bracket feet. h. 55‑1/2”, w. 34”, d. 17”

429

$700‑$1,000 430 Italian Neoclassical-Style Giltwood Mirror 20th century, the crest decorated with a heart supported by a pierced bowknot and flanked by flowerheads, the sides with pierced scrollwork, set with a beveled mirror plate lined with beading and supported on pineconecarved feet. h. 57”, w. 33‑1/4” $500‑$800 431 Biedermeier Fruitwood Center Table 19th century, the circular top with a central inlaid ebony and hardwood rosette, on a hexagonal column joined to three shaped legs, on a concave base. h. 28”, dia. 42‑3/4” $600‑$900 431

136

432 Suite of Four Biedermeier-Style Fruitwood and Ebonized Side Chairs early 20th century, the backs with an ebonized pierced and carved foliate panel above a scroll-cut splat, raised on graceful curved legs. h. 35‑1/2” $800‑$1,200 433 European Mahogany, Bronze, Marble and Glass Display Stand fourth quarter 19th century, the mahoganyframed marble base raised on carved feet and supporting two standards with pierced bronze supports, supporting four glass shelves, and a bar across the top. h. 27”, w. 33”, d. 16”

432

$600‑$900

433

434 Biedermeier Elmwood Vitrine second quarter 19th century, the projecting cornice over a case fitted with a glazed door and sides, cornered by circular pilasters, the interior fitted with three shaped shelves, the whole above a plinth base ending in ebonized square feet. h. 65‑1/2”, w. 36‑1/2” $1,000‑$1,500

434

137

435 Continental Burl Walnut Breakfast Table 20th century, the circular top mounted to a turned and paneled standard with a stepped platform base. h. 30”, dia. 45” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800 436 Russian Neoclassical Mahogany and Brass Mirror second quarter 19th century, the mirror surround decorated with brass ogee molding, the pediment with a tinted parian roundel depicting the goddess Flora attended by two putti, the lower portion with gilt fluting. h. 62”, w. 32‑1/4”

437

$700‑$1,000 437 Two Pairs of French Bronze Sconces 20th century, the larger examples in the Louis XVI style, with tasseled backplates, h. 23‑1/2”, w. 11‑1/2”, d. 8”, and the smaller examples with “jasperware”-style plaques framed with bowknots, the sockets hung with prisms, h. 18”, w. 10”, d. 3”. $1,000‑$1,500

435

438 Russian Patinated Bronze of a Bear 20th century, illegible cast signature in Cyrillic along self-base. h. 10‑1/4”, w. 6”, d. 6‑1/2” $600‑$900 436

138

438

439 Continental Polychrome and Faux Bois Cabinet late 19th century, the shaped pediment above a turreted ogeemolded frieze, above a conforming case fitted with a single paneled door, flanked to either side by a freestanding barleytwist upright, over a single drawer, raised on turreted feet. h. 93”, w. 35‑1/2”, d. 28‑1/2” $600‑$900 440 Biedermeier-Style Mahogany Mirror late 19th century, German, decorated with a tablet depicting a gilt lyre crossed with arrows, a giltwood dentillated cornice and colonettes on each side terminating in baskets of fruit, with ebonized trim. h. 48‑1/2”, w. 21‑1/2” $500‑$800 441 Pair of Baltic Carved Mahogany Side Chairs mid-19th century, in the Empire taste, with elaborate scrolled and carved crest rails and padded seats and backs, raised on cabriole legs ending in paw feet. h. 38” $600‑$900

439

441 440

139

442 Italian Verdigris-Patinated Bronze of “Mercury” ca. 1900, after Giovanni da Bologna (Italian, 1529‑1608), on an octagonal weathered marble base. overall h. 22”, w. 7”, d. 7” $500‑$800

443 Biedermeier-Style Elmwood and Faux Malachite Center Table early 20th century, the circular top mounted to a turned and ebonized standard and circular platform base. h. 30”, dia. 36” $800‑$1,200

444 Continental Neoclassical-Style Parcel-Gilt Trumeau Mirror

442

ca. 1900, the upper tablet with a basket of flowers supported by a bowknot, and flowers and garden implements, on a green ground. h. 73‑1/2”, w. 30‑1/4” $700‑$1,000

443 444

140

445

445 Suite of Four Continental Neoclassical Faux Bois and Fruitwood Side Chairs ca. 1800, each with a beaded top rail and stiles, with a foliatecarved and pierced panel, a slip seat and tapering square legs joined by an H-form stretcher. h. 34‑3/4” $800‑$1,200

446 Continental School (19th Century) “Travelers Crossing the Bridge”

447

oil on canvas unsigned. Framed. 23” x 33‑3/4”, framed 26” x 37” $800‑$1,200

447 Continental School (19th Century) “Turkish Horsemen and Their Dogs” oil on board unsigned. Period frame. 12” x 14‑1/2”, framed 19‑3/4” x 21‑1/2” $500‑$800

446

141

450

448

448 Continental School (Late 18th/Early 19th Century) “The Herder with Cattle, Goats and Sheep” oil on canvas unsigned. Framed. 17‑3/4” x 29‑1/4”, framed 24” x 36” $1,000‑$1,500 449 Jose Acevedo (Spanish, 1850‑1905) “Matador”, 1881 watercolor signed and dated mid-left, a “Real Academia de Bellas Artes de San Fernando” label with artist and typewritten artist’s biography in Spanish en verso. Glazed and framed. sight 11‑1/4” x 9‑1/4”, framed 15‑1/2” x 13‑1/2” $700‑$1,000 450 G. Berra (Italian, Mid-/Late 19th Century) “Donna che Lava” oil on canvas signed lower left. Period gilt frame with artist plaque. 10” x 7‑1/2”, framed 17‑1/2” x 15” $500‑$800

142

449

451 Continental School (19th Century) “River Landscape with Town in the Background” oil on canvas unsigned. Period gilt frame. 22” x 32”, framed 34” x 45” $800‑$1,200

451

452 Joseph Paulman (British, 19th Century) “Windmill Above a Cove with Boats and Figures”, 1890 oil on canvas signed and dated lower right. Giltwood frame. 15” x 22”, framed 24” x 30‑3/4” $700‑$1,000

452

453 Frederick Arends (Dutch, b. 1949) “Ice Skating: Holland in Winter” oil on panel signed lower right. Framed. 19‑1/2” x 27‑1/2”, framed 26‑1/2” x 34‑1/2” $1,500‑$2,500

453

143

454 Frederick Arends (Dutch, b. 1949) “Repairing a Sail Boat, Katwijk Beach, Netherlands” oil on panel signed lower right. Framed. 14‑1/2” x 19‑1/2”, framed 21‑1/2” x 26‑1/2” $1,000‑$1,500 455 Joseph Quinaux (Belgian, 1822‑1895)

454

“Landscape with Cattle, Figures and Mountains in the Background” oil on wood panel signed lower right. Framed. 21‑1/4” x 31”, framed 28‑1/8” x 38” $800‑$1,200 456 Pair of Caned and Ebonized Bergeres in the Louis XVI taste, each with a padded back and seat cushion, with caned arms and raised on turned legs. h. 34”, w. 23‑1/4”, d. 24” $500‑$800

455

456

144

457 Pair of French Patinated Metal and Marble Urns fourth quarter 19th century, now mounted as lamps, with red griotte marble bases, the urns with cornucopia handles and Bacchanalian masques. h. 18‑1/2”, dia. 8” $500‑$800 458 Louis XVI-Style Kingwood and Marble-Top Lingerie Chest 20th century, the rounded rectangular marble top above a case fitted with six drawers, each banded and with chevron veneers and a floral scrolling inlay, the sides veneered en suite, raised on short splayed legs to sabots. h. 54‑1/2”, w. 28”, d. 14‑1/4” $700‑$1,000 459 Louis XVI-Style Marble-Top Lamp Table early 20th century, the circular marble top with a pierced brass gallery, over a conforming case inset with veneered and inlaid panels, raised on tapering circular legs ending in brass sabots, the lamp standard of tapering form with inlay and a vasiform base. table h. 27”, dia. 19‑1/2”, overall h. 57”

458

$600‑$900 460 Louis XVI-Style Giltwood Settee early 20th century, the back crest with a carved bowknot and laurel leaves, the curved frame with a central oval padded panel in the back, raised on stop-fluted tapering turned legs, completely upholstered in floral needlepoint. h. 39‑1/2”, w. 73”, d. 32” $500‑$800

457

460

459

145

461 Louis XVI-Style Parquetry-Inlaid and Marble-Top Side Table the highly figured oval marble top within a brass gallery, the apron with a frieze drawer and parquetry inlay, raised on tapering legs joined by a shelf with like inlay, with ormolu mounts. h. 30”, w. 22‑1/2”, d. 17‑1/2” $500‑$800 462 Louis XVI-Style Mahogany and Marble-Top Commode

464

late 19th century, the rectangular marble top with a molded edge, above a conforming case fitted with one frieze drawer faced as three short drawers, over two long drawers, all with brass banding, raised on turned toupie feet. h. 34”, w. 50”, d. 24” $1,000‑$1,500 463 Collection of Nine French Hand-Colored Ornithological Engravings including six birds of Louisiana and one of the Carolinas, engraved by and after Francois-Nicolas Martinet and two other European birds engraved after Jacques de Seve. All matted, glazed and similarly framed. sight 8” x 6‑1/2” to 10” x 8”, framed 16” x 14‑1/4” to 18‑1/2” x 15‑1/4”

462

Provenance: Estate of Frank Clancy Dupepe, New Orleans, Louisiana. $1,200‑$1,800

461 463 Group of Nine

146

464 Two Continental Giltwood Mirrors including a Louis XVI-style example, 20th century, with a pierced crest decorated with lovebirds in a wreath, set with a beveled mirror plate, h. 37‑1/4”, w. 23”, and a smaller Italian shield-form example, fourth quarter 19th century, framed with deeply carved scrollwork, h. 15”, w. 13”. $1,000‑$1,500 465 Louis XVI-Style Mahogany and Marble-Top Cabinet early 20th century, the stepped rectangular marble top within a full pierced brass gallery, above a case fitted with a frieze drawer over a tambour cupboard with two cabinet doors below, each inset with a parquetry panel, raised on spiral-ribbed toupie feet, the back stamped “Cacaut Paris”. h. 59”, w. 28”, d. 14” $500‑$800 466 Pair of French Alabaster and Gilt-Metal Lamps first quarter 20th century, in the Louis XV style, mounted with ram’s heads hung with swags of flowers. h. 28‑3/4”, dia. 6‑1/2” $600‑$900 467 French Empire-Style Parcel-Gilt Trumeau Mirror

465

20th century, the upper tablet decorated with swags of flowers, the mirror plate lined with egg-and-dart giltwood trim, on a taupe ground. h. 62‑1/2”, w. 49” $1,000‑$1,500

466 467

147

468 French Polychrome, Parcel-Gilt and Marble-Top Commode ca. 1900, the shaped marble top over a conforming case fitted with a pair of long drawers with beaded trim, raised on turned legs. h. 32”, w. 34”, d. 15” $600‑$900 469 Louis XVI-Style Giltwood Bergere late 20th century, the padded barrel-form back surmounted by a ribbed crest to acanthine floral-carved ends, joined by sloping sides to ram’s-head hand rests, the cushioned seat raised on spiral-fluted tapering circular legs ending in toupie feet. h. 40”

468

$800‑$1,200 470 Two Pairs of Louis XVI-Style Gilt-Bronze Sconces 20th century, including a pair of four-light examples with pierced backplates decorated with laurel leaves and supporting reeded candle arms terminating in cockerel heads, and set with laurel-molded drip pans and hexagonal candle cups, h. 18‑1/2”, w. 15‑3/4”, d. 10‑3/4”, and a pair of two-light examples with quiver-form backplates set with urn finials, leaf-molded candle arms and octagonal drip pans, h. 14‑1/4”, w. 8‑1/2”, d. 5”. $700‑$1,000 471 Pair of Louis XVI-Style Wing Chair Bergeres late 19th century, each with a padded, slightly domed back surmounted by a floral crest and within a rope-carved frame, the padded and cushioned seats raised on fluted tapering circular legs ending in toupie feet. h. 40‑1/2”

471

$800‑$1,200

470

469

148

472 Louis XVI-Style Five-Piece Giltwood Parlor Suite late 19th century, comprised of a settee, h. 40”, w. 53”, d. 23”, and four side chairs, h. 35”, all with a padded, slightly domed back surmounted by a floral crest and within a rope-carved frame, the padded and cushioned seats raised on fluted tapering circular legs ending in toupie feet. $800‑$1,200 473 French Giltwood Mirror of Louis XVI Inspiration mid-20th century, the reeded surround decorated with molded leaves and a pierced bowknot crest, the mirror plate cut in a grid pattern. h. 63‑1/2”, w. 34” $800‑$1,200

473

474 Pair of Bronze Sconces in the Louis XV Taste ca. 1900, each two-arm sconce with a ribbonform backplate in oak leaf and acorn decor, and dressed with cut crystal prisms and pear-shaped pendalogues, electrified. h. 32”, w. 14”, d. 6‑1/2”

474

$700‑$1,000

472

149

476 478

475

477

475 Louis XVI-Style Giltwood Bergere

477 Suite of Four Louis XVI-Style Polychrome Fauteuils

of generous proportions, with ribbon-carved crest, closed arms, bowed seat rail and fluted tapering legs, upholstered in chinoiserie deep cream brocade. h. 47‑1/2”

20th century, each with a ribbon- and foliate-carved crest, oval padded back, carved and scrolled arm fronts, and raised on turned stop-fluted legs. h. 40”

$800‑$1,200

$2,000‑$4,000

476 Louis XVI-Style Giltwood Settee

478 Louis XVI-Style Polychrome Duchesse Brisee

with a ribbon- and floral-carved crest, open arms terminating in foliate-carved scrolls on supports with like carving, and raised on twist-fluted trumpet legs. h. 41‑1/2”, w. 49”, d. 24”

the chair with a low padded domed back sloping to the cushioned seat, with a conforming ovoid ottoman, both raised on fluted tapering circular legs ending in toupie feet. chair h. 27”, w. 29”, l. 48”, l. 60” with ottoman

$800‑$1,200

$500‑$800

150

479 Pair of Petite Louis XVI-Style Polychrome Side Chairs early 20th century, the back with an oval padded panel framed with carved roping and a floral crest, raised on tapering fluted legs. h. 34” $500‑$800 480 Louis XVI-Style Polychrome Stool 20th century, the circular padded top above a floral-carved apron, raised on fluted tapering square legs. h. 20”, dia. 35‑1/4” $500‑$800

479

481 Suite of Four Louis XVI-Style Polychrome Chairs 20th century, consisting of two armchairs, h. 39”, and two side chairs, h. 37”, each with a fan-form, pierced and carved backsplat, round padded seat and raised on turned and stopfluted legs. $800‑$1,200 482 Louis XVI-Style Polychrome and Marble-Top Side Table/ Plant Stand the inset circular marble top within a ribbon-carved and fluted frame, raised on guilloche- and leaf-carved scroll legs joined to a beaded concave base. h. 20‑1/2”, w. 21”, d. 21 $500‑$700

480

481 482

151

483 Pair of Louis XVI-Style Polychrome Bergeres of generous proportions, each with a guilloche-carved top rail and arms, the stiles capped by foliate-carved finials, the closed arms on fluted columnar supports, a bowed seat rail and fluted turned legs, each with a loose seat cushion. h. 38‑1/2” $1,500‑$2,500 484 Louis XVI-Style Mahogany Stool fourth quarter 19th century, the padded serpentine seat raised on turned legs ending in casters. h. 15”, w. 27”, d. 27” $500‑$800 485 Louis XVI Giltwood Mirror late 18th century and later, with a beaded mirror surround, the crest decorated with a basket of fruit and crossed gardening trophies, with carved leaves on each side. h. 42”, w. 22”

486

$700‑$1,000 486 French Hand-Painted Three-Panel Screen 18th century and later, painted with treillage and flowers, the wood frame with a serpentine crest. h. 77‑1/2”, w. 93” $700‑$1,000

484

485

152

483

487 Gilt-Metal and Crystal Chandelier the four-light chandelier designed by Julie Neill, New Orleans, with a basket center and sprays of drops at the top, with colorless and ruby drops. h. 29”, dia. 25” Provenance: Julie Neill Designs, New Orleans, Louisiana. $600‑$900 488 Pair of Chinoisserie-Style Mirror Glass and Gilt Bronze Two-Light Candelabra second quarter 20th century, the standards with pagoda finials over mirrors etched with phoenixes, issuing arms with prism hung bobeches, on gadrooned rectangular stem feet h. 14‑3/4”, w. 11”, d. 2‑1/4”

489

$500‑$800 489 Meissen-Style Porcelain Ginger Jar

487

20th century, hand-painted with birds, thistles and other plants, marked with an underglaze blue crown over interlaced “C’s”, possibly Fasold and Stauch. h. 25‑1/2”, dia. 12” $600‑$900

488

490 Louis XVI Giltwood Mirror fourth quarter 18th century, the rectangular mirror mounted with a pierced crest decorated with a wreath and lovebirds perched on a quiver, the beaded and dents-de-loup-carved surround with rosettes and leaves at each corner. h. 49‑1/2”, w. 22‑3/4” $1,200‑$1,800

490

153

491 After Juan de Arellano (Spanish, 1614‑1676) “Vase of Flowers”, 1955 oil on canvas signed, dated and inscribed “Arellano ‘Florero’ Museo del Prado. copia. J. Lazcano, 1955” en verso. Presented in a modern giltwood frame. 32” x 24”, framed 38‑1/4” x 30” $700‑$1,000 492 John Moreau (French/Irish, 19th Century) “Nature Morte: Still Life of Pears, Peaches, Grapes and a Bottle of Wine” oil on canvas signed and further inscribed lower right. Presented in a giltwood frame affixed with artist plaque. 17‑7/8” x 14‑5/8”, framed 23‑3/4” x 20‑3/4” $700‑$1,000 493 Continental School (Fourth Quarter 19th Century) “Still Life with Fruit, Seafood and a Butterfly” oil on canvas unsigned. Period giltwood frame. 21‑1/2” x 18‑1/8”, framed 33‑3/8” x 29‑7/8”

491

$700‑$1,000

492

154

493

494 Dutch School (17th/18th Century) “Floral Still Life” oil on canvas laid on board unsigned. Framed. 38‑3/4” x 28‑3/4”, framed 44‑7/8” x 35‑3/8” $1,200‑$1,800

494

495 Continental School (19th Century) “Still Life of Flowers in a Vase” oil on wood panel unsigned. Framed. 22” x 16‑1/4”, framed 26‑1/4” x 20‑3/4” $1,200‑$1,800

495

155

496 French Empire-Style Bronze Floor Lamp third quarter 20th century, the leaf-molded oval base supporting the reeded standard, set with a pair of swanmolded candle arms. h. 58”, w. 11‑1/2”, d. 8‑3/4” $600‑$900

497 Pair of Empire-Style Mahogany Side Chairs early 20th century, each with a padded back surmounted by an ormolu-mounted backswept crest, the padded seat raised on shaped legs, headed by winged lion capitals and ending in ormolu paw feet. h. 37” $500‑$800

496

497

156

498 Pair of Empire-Style Walnut Demi-lune Side Tables 20th century, each with a highly figured demi-lune top above a conforming plain frieze, raised on a polychrome front support of a female sphinx with gilt wings on a paw foot, raised on a conforming plinth base. h. 34‑1/4”, w. 44”, d. 18‑1/2” $2,000‑$4,000

499 French Patinated Bronze and Siena Marble Clock second quarter 19th century, with a figure of Hermes holding the infant Dionysus, set with an enamel chapter ring. h. 20‑3/4”, w. 11”, d. 7‑1/4”

499

$800‑$1,200

500 Pair of French Empire-Style Semi-Circular Sconces second quarter 20th century, the backplates decorated with pierced anthemia, the exterior band with gilt medallions on a patinated ground, set with arrow-form supports, electrified. h. 14‑1/2”, w. 6”, d. 7‑3/4”

500

$500‑$800

498

157

501 Pair of Empire-Style Brass, Bronze and Burlwood Demilune Consoles each with a brass gallery and raised on cabriole legs with ram’s heads and hoof feet. h. 31”, w. 34‑1/4”, d. 17‑1/2” $600‑$900 502 French Neo-Grec Bronze Dore et Patine Tazza third quarter 19th century, set with a patinated bas-relief roundel of a shepherd guarding his flock, signed “Richard” (Alfred Pierre Richard, French, 1844‑1884), with carefully cast handles decorated with anthemia and scrollwork. h. 4‑3/4”, w. 16‑1/4”, d. 12” $600‑$900

503

503 Directoire-Style Trumeau Mirror first quarter 20th century, with a mint-green ground, the tablet decorated with delicate giltwood arabesque scrolls flanking an urn draped with a laurel swag, the mirror plate with a matching surround. h. 75‑1/2”, w. 40‑1/2”

502

$700‑$1,000

501

158

505

504 Empire-Style Giltwood Settee

505 Pair of Empire-Style Giltwood Fauteuils

the padded rectangular back surmounted by a central shaped laurel-carved crest, joined by padded arms on an elaborate swan upright to the cushioned seat, raised on ring-turned tapering circular legs ending in ball feet. h. 44‑1/2”, w. 79”, d. 26”

each with a padded rectangular back surmounted by a shaped laurel-carved crest, joined by padded arms on an elaborate swan upright to the cushioned seat, raised on ringturned tapering circular legs ending in ball feet. h. 43”

Provenance: Ex-collection Reuben L. “Buzz” Harper, Natchez, Mississippi.

$1,000‑$1,500

$1,200‑$1,800

504

159

506

506 Pair of Empire-Style Giltwood Fauteuils

507 Pair of Empire-Style Giltwood Fauteuils

Provenance: Ex-collection Reuben L. “Buzz” Harper, Natchez, Mississippi.

$1,200‑$1,800

507

160

508 Empire-Style Gilt-Metal-Mounted Mahogany and MarbleTop Gueridon early 20th century, with a circular verdigris marble top, the legs with female portrait mounts and joined by an incurved shelf, raised on carved paw feet. h. 28”, dia. 27‑1/2” $1,000‑$1,500 509 Empire-Style Carved Mahogany Armchair and Footstool 20th century, the chair of captain’s form with a curved back and scrolled arms, raised on down-curved legs, h. 30”, and the small stool upholstered in the same fabric, h. 5‑1/2”, w. 12”, d. 12”. $600‑$900 510 Rare French Neo-Grec Gilt-Bronze Chamber Stick with Adjustable Screen fourth quarter 19th century, decorated with anthemia, molded scrollwork, fans and acanthus leaves. adjustable h. 7”, w. 5‑1/2”, d. 4‑1/4” $500‑$800 511 Empire-Style Mahogany Easel the adjustable tray adorned with laurelcarved swags, on a foliate- and bellflowercarved cheval base, the legs joined to the frame with dolphin-carved brackets. h. 82‑1/2”, w. 25”, d. 23”

511

510

$600‑$900

509 508

161

512 French Empire-Style Mahogany Miniature Chest fourth quarter 19th century, with ebonized bun feet, the molded top over a pair of leaf-carved side brackets, flanking four drawers. h. 19”, w. 17‑3/4”, d. 9‑1/4” $500‑$800 513 Empire-Style Mahogany and Marble-Top Pedestal early 20th century, the circular verdigris marble-inset top supported on four tapering square legs ending in cast metal paw feet. h. 44‑1/2”, dia. 16” $500‑$800 514 Suite of Four Empire-Style Gilt-Bronze-Mounted Mahogany Gondola Chairs fourth quarter 19th century, French, each with a curved back over a padded seat, raised on sabre legs. h. 33”, w. 19‑1/2” 512

$800‑$1,200 515 Directoire-Style Gilt-Bronze and Marble-Top Gueridon 20th century, the inset circular Siena marble top above a like shelf, raised on splayed legs joined by a stretcher centered with a finial and ending in claw feet. h. 26‑1/2”, dia. 23‑1/2”

513

$800‑$1,200

514

162

515

518

516 Louis-Philippe Mahogany Secretaire a Abattant mid-19th century, the rectangular top above a conforming case fitted with a concealed frieze drawer over a drop front opening to a leather-inset surface and a mirror-backed galleried interior fitted with three small drawers to either side, over three long drawers, raised on ribbed ebonized feet. h. 63”, w. 39”, d. 19‑3/4”

516

$500‑$800 517 Louis-Philippe-Style Fruitwood Commode by Baker, the banded rectangular top above a conforming case fitted with three long drawers, flanked to either side by engaged pilasters, raised on block feet. h. 32”, w. 47”, d. 22‑1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800 518 Pair of Restauration-Style Polychrome Fauteuils each with dolphin-form arms, modeled as tails at the juncture with the stiles, the supports modeled as dolphin heads, with bowed seat rail and saber-form legs. h. 37” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. 517

$500‑$800

163

522 519

520

521

519 Louis-Philippe Marquetry-Inlaid Portico Clock

521 Restauration-Style Walnut and Marble-Top Commode

third quarter 19th century, the case inlaid with flowers, the pendulum with a matching central flower mount. h. 19”, w. 10‑1/4”, d. 6‑1/4”

early 20th century, the rounded rectangular marble top above a conforming case fitted with a cushion frieze drawer over three long drawers, raised on bracket feet. h. 39”, w. 50”, d. 23‑1/2”

$500‑$800 520 Pair of Bronze and Marble Garniture Figures of Royal Dignitaries fourth quarter 19th century, French, now mounted as lamps on faux red griotte marble bases, the bronze dore et patine figures depicting Orientalist notables on black marble plinths. garniture h. 15‑1/2”, overall h. 20‑3/4”, w. 6”, d. 6” $600‑$900

164

$700‑$1,000 522 Louis-Philippe Fruitwood Daybed fourth quarter 19th century, with matching paneled headboard and footboard, each with a blanket-roll top rail and turned rosettes, and terminating in block feet. h. 42‑3/4”, inside w. 41‑1/4”, l. 78‑1/2”, outside w. 44‑1/4”, l. 84‑1/2” $500‑$800

523 French School (Second Half 18th Century) “Portrait of a Lady” watercolor miniature unsigned, brass backing on frame faintly inscribed “Mere de la mere/A. Auguste Bouchard/...elle Boucher. Glazed and framed. sight 3” x 2‑1/2”, framed 5‑1/2” x 5” $500‑$800 524 Silver-Plate and Opaline Eight-Light Chandelier of rococo inspiration, the standard set with opaline glass, the leaf-molded candle branches supporting molded and pierced candle sockets. h. 27”, dia. 28”

523

$800‑$1,200 525 Pair of Directoire-Style Polychrome Bergeres each with a concave top rail, the shaped stiles extending to closed arms on turned supports, raised on turned legs. h. 34” $600‑$900 526 Napoleon III Alabaster and Gilt-Metal Figural Mantel Clock third quarter 19th century, mounted with a figure of Napoleon on horseback, the front draped with decorative chains, mounted with a marked Japy Freres movement. h. 17‑1/2”, w. 9‑3/4”, d. 5” $600‑$900 524

526 525

165

528

529

527

527 Pair of Directoire-Style Ebonized Armchairs 20th century, each with a padded back joined to the like seat by downswept, carved arms, raised on tapering square legs ending in bun feet. h. 35‑1/2”, w. 22‑1/2” $600‑$900 528 Pair of Napoleon III Marble and Bronze Garnitures third quarter 19th century, each on a molded bowfront marble base with brass trim, the bronze covered urn molded with frolicking putti and mounted with masque-molded handles and a putto-form knop. h. 21‑3/4”, w. 7‑36/4”, d. 6‑1/2” $800‑$1,200

166

530

529 Napoleon III Ebonized and Mother-of-Pearl-Inlaid Secretaire a Abattant fourth quarter 19th century, with a white marble top, the fallfront writing surface opening to a fitted interior and the lower portion with four long drawers. h. 51”, w. 26”, d. 14‑1/2” $700‑$1,000 530 French Aesthetic Marble and Bronze Clock Set fourth quarter 19th century, decorated with gilt and silver-gilt incising, the clock with an urn-form finial, the works marked by Japy Freres, h. 15‑1/2”, w. 11‑1/2”, d. 7”, and the matching two-light candelabra with molded candle cups and pierced anthemia finials, h. 17”, w. 8‑1/4”, d. 4‑1/4”. $700‑$1,000

531 Napoleon III Parcel-Ebonized, Kingwood and Marble-Top Chest third quarter 19th century, the variegated white and gray marble top with projecting ovolo corners, above a conforming case with a bank of five drawers, each with parquetryveneered faces, flanked by fluted pilasters, the sides with like veneer. h. 39‑1/2”, w. 53”, d. 23‑5/8” $600‑$900 532 Two Similar Exceptionally Carved French Olive Wood Snuff Boxes second quarter 19th century, one carved with a reclining Venus, a bird on her knee, and the other carved with soldiers and a legend pertaining to military victory, each back with minutely carved patterns, both lined with tortoiseshell. h. 3/4”, dia. 3‑1/4” $500‑$800 533 Napoleon III Kingwood and Mixed Woods Inlaid Chest fourth quarter 19th century, fitted with six drawers, the case with chamfered corners and ormolu mounts. h. 39”, w. 20”, d. 12‑1/2” $500‑$800 533

532

531

167

534 Pair of Marble and Bronze Pedestals in the Belle Epoque style, each with a green variegated marble top and base, the standard modeled as a column with flora, scrolls and swags. h. 40‑1/2”, w. 12”, d. 12” $500‑$800 535 Pair of French Brass Candelabra fourth quarter 19th century, now mounted as lamps, the urnform standards on square bases set with lion’s heads grasping rings, raised on paw feet, above alabaster plinths. h. 39”, dia. 11‑1/4” $500‑$800 536 Napoleon III Gilt-Bronze-Mounted Mahogany and OnyxTop Occasional Table fourth quarter 19th century, the circular onyx top over a carved apron, raised on cabriole legs, joined by a shaped X-form stretcher, the whole with gilt-bronze mounts. h. 30”, dia. 21”

535

$800‑$1,200

536 534

168

537 Large French Mahogany Center Table 20th century, the circular top above a plain frieze, raised on four scrolling imbricate-carved legs joined by a molded X-form stretcher and ending in bun feet. h. 30”, dia. 64” $700‑$1,000 538 Exceptional Pair of Napoleon III Gilt-Bronze Candlesticks third quarter 19th century, in the Regence taste, on ogee-form bases, leaf-molded and trimmed with beading, the standards molded with female monopodia draped with flowers, the candle sockets in the form of paw-footed ribbed vases trimmed with lion heads. h. 12‑3/4”, dia. 5‑3/4”

539

Provenance: The Flatt Collection, Baton Rouge, Louisiana. $600‑$900 539 Napoleon III Gilt-Bronze and Giltwood Mantel Clock third quarter 19th century, the oblong case decorated with a figure of Erato removing an arrow from the quiver of a sleeping cupid, the works signed “Japy Freres” and “A. Waggand, Paris”. h. 16”, w. 24‑1/2”, d. 8” $700‑$1,000 540 Napoleon III Gilt-Bronze and Porcelain Clock mid-19th century, mounted with a figure of the goddess Libertas, and several of her emblems, the Rococo Revival case set with a hand-painted porcelain dial and three plaques in the base. h. 17‑1/2”, w. 22‑1/2”, d. 7‑1/4”

540

$500‑$800

538

537

169

541 Pair of French Belle Epoque GiltBronze and Marble Candelabra fourth quarter 19th century, the marble column-form bases decorated with swags of flowers, the standards decorated with children, one with a dog and the other a cat, the candle branches molded with grapes and leaves and the beaded drip pans set with lotus-molded candle cups. h. 21‑3/4”, w. 10‑3/4”, d. 7” $700‑$1,000 542 Constant Joseph Brochart (French, 1816‑1899) “Sisterly Devotion” and “The Gossips” pair of pastels on paper the former faintly signed lower left; and the latter signed mid-right. Glazed and presented in exceptional matching gessoed and carved giltwood Belle Epoque frames. sight 35” x 27”, framed 59” x 41”

542

$2,500‑$4,000 543 Napoleon III Brass-Mounted Rosewood Six-Piece Parlor Suite third quarter 19th century, comprised of a sofa, h. 42‑1/4”, w. 71‑1/2”, d. 30”, four armchairs, h. 40”, and a side chair, h. 39‑1/4”, each piece with a floral- and leaf-carved crest, brass moldings on the back, arms, seat rails and cabriole legs, each retaining its period Aubusson floral upholstery. $800‑$1,200 541

543

170

544 French Crystal and Bronze Centerpiece Bowl fourth quarter 19th century, the oval bowl engraved with swags of flowers, and set with molded bronze feet and base, and lion’s-head handles holding laurel-molded rings. h. 6‑1/4”, w. 14”, d. 6” $500‑$800 545 French Bronze Chandelier of Baroque Inspiration first quarter 20th century, the seven-light chandelier with a leaf-molded scrollwork frame, supported by lion’s heads grasping swags, with a single light in the center mounted with a frosted “flame” shade, the candle arms arranged around the edge. h. 27”, dia. 18” $700‑$1,000 546 French Bronze Carriage Clock ca. 1900, the case decorated with champleve enamel, marked “R & C”, for Richard et Cie. h. 6‑1/2”, w. 3”, d. 2‑1/2”

545

$800‑$1,200 547 Unusual French Marble Mantel Clock fourth quarter 19th century, with a carved pink marble case, the dial signed indistinctly by the Philadelphia retailer, the signed Marti works with an exposed escapement, hung with a mercury-filled pendulum. h. 19‑1/4”, w. 15‑1/4”, d. 7” $800‑$1,200

546

544

547

171

548 Suite of Five Chinese Watercolor and Ink Paintings on Paper of birds amongst branches, 20th century. All matted, glazed and framed. sight 11” x 16”, framed 19” x 23” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800 549 Chinese Celadon Jade Brush Washer with Hardwood Stand first half 20th century, the stone of even celadon tone, carved in oval form, with a mythical creature forming a handle to one side, and a flowing ribbon and brocade ball depicted along the edge, with fitted naturalistic hardwood stand. overall h. 4”, w. 5‑1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

548 suite of five

549

550 Chinese Green Glaze Ceramic Ewer possibly Liao period (907‑1125), of “chicken crested” form, having compressed sides, centrally pierced at the top, and a single short spout, with all-over green glaze, raised on a circular unglazed foot. h. 9‑1/2”, w. 6‑1/4” $800‑$1,200

550

551 Chinese “Chicken Blood” Scholar’s Stone of naturalistic form, the deep yellow stone with russet inclusions scattered throughout, with conforming hardwood stand. h. 7‑1/4”, w. 14” $800‑$1,200

172

551

552 Chinese Brass-Mounted Elmwood Wedding Chest 19th century, in three parts, the upper case fitted with four side-by-side drawers above a pair of cabinet doors, the lower case with an additional pair of cabinets and resting on a conforming base. h. 50‑1/2”, w. 36”, d. 16” $800‑$1,200 553 Pair of Chinese Blue and White Porcelain Vases 20th century, with large molded dragons on the sides, the necks molded with phoenix birds, set with elephant-head handles. h. 25‑1/2”, w. 7‑3/4” $800‑$1,200

553

554

554 Chinese Blue and White Porcelain Brush Pot possibly Yongzheng period (1723‑1735), of cylindrical form with slightly flared sides, decorated to the exterior with scenes of figures in a picturesque garden setting by a river, within incised scrolling borders to the rim and foot, the base unmarked and unglazed. h. 8‑1/4”, dia. 8” Provenance: With receipt to show purchase from Auctionata, Paddle 8 AG, December 2016. $1,800‑$2,500

552

173

556

555 Chinese Elm Altar Table

556 Pair of Large Chinese Carved Wood Foo Dogs

20th century, the long rectangular top with up-scrolled ends, above a shaped frieze, raised on four slightly tapering slender legs terminating in molded feet. h. 38”, w. 88‑1/2”, d. 17‑1/4”

20th century, their paws raised on balls, on carved platforms resting on bracket feet, the sides with inset carving. h. 34‑1/2”, w. 45”, d. 16” $1,500‑$2,500

$1,000‑$1,500

555

174

557 Asian-Style Carved and Pierced Five-Panel Screen 20th century, set with mirror plates, the surround carved with birds and plum blossoms, the lower panels with landscapes. h. 71‑1/2”, w. 120”, d. 11‑1/2” $800‑$1,200 558 Chinese Carved Buffalo Horn 20th century, densely caved with figural and animal scenes throughout. h. 17”, w. 4‑1/2”, d. 4‑1/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800 558

557

175

559 Two Framed Chinese Silk Panels 20th century, the larger example decorated with moths and scrollwork, h. 44”, w. 11‑1/2”, and the smaller example with Mandarin figures amongst flowering branches, a pagoda and bridges, h. 27”, w. 10‑1/2”. $500‑$800 560 Chinese Handsomely Carved Lapis Lazuli and Gold Pierced Phoenix 20th century, the top with a pierced 14k yellow gold crest, on a carved and pierced mahogany stand, overall h. 4‑1/2”, w. 3”. $600‑$900

559 two of two

559 one of two

561 one of two

561 two of two

561 Pair of Handsome Chinese Silk Embroidered Panels 20th century, one depicting a vase of peacock feathers and the other a vase of bamboo and a teapot, in giltwood frames. h. 37”, w. 18‑1/4” $500‑$800

560

176

562 Chinese Ancestral Portrait (Fourth Quarter 19th/First Quarter 20th Century) ink and color on paper laid down on board the figure of a seated emperor, possibly a depiction of the Emperor Kangxi, posing in traditional dragon robes on a throne covered with animal skins, mounted within a wooden frame. 63‑1/2” x 39”, framed 68‑7/8” x 43” Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $700‑$1,000 563 Chinese Red-Lacquered Armchair possibly second half 19th century, having an open geometric design back centered by a narrow scroll-form panel decorated with three cartouches containing floral and scenic scenes, over a rectangular seat flanked by similar open geometric scroll design arms, raised on four shaped legs, decorated throughout with a scrolling foliate design. h. 40‑1/2”, w. 25”, d. 21” $500‑$800

562

564

564 Two Chinese Pottery Deities first quarter 20th century, now mounted as lamps, each mounted on a Chinese-style pierced bronze base. h. 26‑1/2”, w. 4‑1/2”, d. 4” $500‑$800 563

177

566 Chinese Carved Giltwood Console Table 20th century, with a conforming rectangular black slate top, the base deeply carved with floral and Greek-key motifs, raised on cabriole legs. h. 28‑1/2”, w. 60‑1/2”, d. 20” $1,000‑$1,500

567 Chinese Lacquered and Parcel-Gilt Yew Wood Storage Cabinet 20th century, the framed and paneled front fitted with two long doors over a recessed panel and scalloped and carved skirt, the back has been cut out for an entertainment center. h. 77‑1/2”, w. 54”, d. 25” $800‑$1,200

567

565 Group of Three Chinese Sang-de-Boeuf Porcelain Vases first half 20th century, one of baluster form with shallow neck and splayed foot, and two of ovoid form, each with an even deep scarlet “sang-de-boeuf” glaze to the exterior. h. 15‑3/4” to 16‑1/2”, w. 8‑3/4” to 10” Provenance: From the collection of Buford and Veda Nichols, Houston, Texas.

565

$600‑$900

566 8 178

569 Two Chinese Carved Hardwood Occasional Tables first half 20th century, each with a foliate-form marble top inset within a conforming frame over a carved and pierced frieze, one example raised on four legs carved with floral motifs, the other example on five legs with zoomorphic designs, each with legs terminating in claw-and-ball feet, with circular second tier. h. 22‑1/2”, dia. 27‑1/2” $500‑$800

568

568 Chinese “Monkeys and Fruit” Carved Hardwood Armchair probably first half 20th century, having a tall backsplat carved and pierced with a design of two monkeys picking fruit from a laden tree, with the bodies of two dragons entwined in the branches forming the arms, flanking a low seat with floral skirt, raised on four short cabriole legs, the front legs carved with ruyi bat motifs. h. 44”, w. 30”, d. 21” $800‑$1,200

569

570 Southeast Asian Rosewood Side Table early 20th century, the shaped backpiece with a carved and pierced scrolling foliate design, the shaped top with a foliate edge, over a carved and pierced apron, raised on cabriole legs headed by masque carving, joined by a carved and pierced X-form stretcher and ending in foliate scrolled toes. h. 40”, w. 56”, d. 21‑1/2” $700‑$1,000

570

179

571

572 Chinese Carved Hardwood Cabinet

571 Group of Three Chinese Carved Medang Wood Chairs with Settee

fourth quarter 20th century, having a rectangular top set within a conforming frame with sectional carved scroll-form ends, over two drawers carved with mirrored depictions of dragons chasing the flaming pearl, the lower section with two cabinet doors, similarly carved with dragons amid a dense scrolling cloud design, having brass mounts and lock, opening to reveal a vacant interior, the whole raised on four block-form feet joined across the front with a densely carved frieze. h. 32”, w. 68‑1/2”, d. 18‑3/4”

late 19th/early 20th century, each chair modeled with a sectional horseshoe-form crest rail centered with a flaming pearl design, with arms terminating in dragon heads, having asymmetric trellis design supports, over a carved and pierced backsplat depicting a ruyi bat amid a geometric scroll design, above a solid seat set within a thick frame, with dragon-head frieze, the whole raised on four cabriole legs with ruyi bat knees and scroll-form feet, the two-seat settee similarly designed. chairs h. 36”, w. 27”, d. 18”, settee h. 37”, w. 53”, d. 20”

$600‑$900

$500‑$800

572

180

573 Chinese Twelve-Panel Coromandel Screen third quarter 20th century, decorated to the front with various figures, birds and animals in a mountainous setting, all on a distinctive gold ground with vertical inscription and seal mark to the far right panel, the reverse with sixteen individually numbered calligraphic inscriptions in teal on a black lacquer ground. h. 96”, w. 216” $600‑$900

574 Chinese-Style Patinated Cast Bronze Figure of Buddha 20th century, modeled seated on a lotus throne, with hands positioned in the varada mudra, draped in traditional robes, with pierced ears. h. 20”, w. 15”, d. 11” $500‑$800 574

573

181

575 Thai Gilt-Metal Statue of the Buddha 20th century, in the Ayutthaya style, modeled standing in traditional robes with hands raised, on a tiered pedestal base. h. 20‑1/4”, w. 5” $500‑$800

576 Chinese Panel-Top Low Table 20th century, the single-panel, rectangular-form top inlaid with mother-of-pearl, coral and various other hardstones, depicting birds perched amid blossoming branches stemming from rockwork, with butterflies hovering in the surround, raised on four short legs terminating in scroll feet, with scroll detail to the frieze. h. 14‑3/4”, w. 59‑1/2”, d. 21‑1/4” $1,000‑$1,500

575

577 Chinese Green-Glaze Pottery Vase possibly Han Dynasty (206 BC-AD 220), of globular form with neck tapering to an everted, slightly flared lip, the body raised on a neat foot rim, decorated with bow-string bands and flanked by molded handles, with all-over deep green glaze. h. 18‑1/2”, dia. 11‑1/2” $1,000‑$1,500

577

576

182

578 Large Chinese Sancai Figure of Lokopala in the Tang style but later, modeled standing upon an ox in repose, with arm raised, in traditional costume, decorated to the exterior in distinctive green, yellow and brown enamels, the face and hands unglazed. h. 32”, w. 14” $500‑$800

579 Unusual Chinese Rosewood and Mother-of-PearlInlaid Barrel-Form Stool early 20th century, the top with a circular inset marble, the sides with interlocking carved strapwork. h. 21”, dia. 19‑1/2” $800‑$1,200

578

580 Pair of Moroccan Maple and Bone-Inlaid Ottomans 20th century, each profusely inlaid, with padded seats and raised on bracket feet. h. 13”, w. 26”, d. 26” $500‑$800 579

580

183

581 Moorish-Style Brass-Plated and “Jeweled” Hall Lantern fourth quarter 19th century, with a hammered onion dome roof, set with faceted “jewels”, the shade set with various polychrome uncut “jewels”, with a reeded and guilloche-molded pendant finial. h. 41”, dia. 10‑1/2” $600‑$900

581

582 Moroccan Hardwood and Mother-ofPearl-Inlaid Vitrine of serpentine form, with a partially glazed door and sides and intricately inlaid panels, raised on cabriole legs. h. 67‑1/2”, w. 36” $800‑$1,200

582

184

583 Moroccan Mixed Woods Inlaid Armchair fourth quarter 19th century, the serpentine crest over a carved splat, joined to the padded seat by downswept arms, raised on sabre legs, the whole with intricate geometric inlays. h. 36”, w. 22‑1/2” $500‑$800 584 Pair of Middle Eastern-Style Patinated Metal Mirrors the crest decorated with rows of onion-shaped finials. h. 49‑1/2”, w. 22‑1/2” $600‑$900

584 one of two

584 two of two

585 Suite of Three Anglo-Indian Graduated Embossed Metal Stools 20th century, the frames and legs clad in an embossed repousse floral pattern, each with a padded seat and raised on cabriole legs. largest h. 9‑1/2”, w. 19‑1/2”, d. 19‑1/2”, smallest h. 9‑1/2”, w. 14‑1/2”, d. 14‑1/2” $500‑$800 583

585

185

586

587

586 Signed Semi-Antique Heriz Carpet 8’ 1” x 11’ 2” $600‑$900

587 Heriz Carpet 8’ 2” x 11’ 4” $700‑$1,000

588 Turkish Transitional Carpet 9’ 4” x 12’ $800‑$1,200

186

588

590

589

589 Peshawar Sultanabad Carpet 8’ 8” x 11’ 8” $600‑$900

590 Peshawar Sultanabad Circular Carpet 8’ dia. $1,200‑$1,800

591 Laristan Sultanabad Carpet 8’ 1” x 10’ $700‑$1,000

591

187

592

592 Agra Mahal Carpet 11’ 9” x 14’ 8” $900‑$1,200 593 Turkish Angora Oushak Runner

595 Peshawar Sultanabad Carpet 8’ 9” x 11’ 7” $1,200‑$1,800 596 Agra Serapi Carpet

2’ 6” x 29’ 8”

8’ 10” x 12’

$600‑$900

$1,000‑$1,500

594 Agra Mahal Carpet

597 Laristan Tabriz Mahi Runner

9’ x 12’ $700‑$1,000

2’ 8” x 20’ $800‑$1,200

593

188

594

596

595 597

189

SESSION II January 27, 2019 Lots 598-1032 Lot 859

599

603

598

601

291

602

598 Native American Multi-Stone Bracelet and Ring 14k yellow gold, the ring mounted with a central oval red coral cabochon measuring 10.5 mm x 14.5 mm, surrounded by calibre-cut malachite, black onyx, red coral and turquoise, size 8‑1/2, and the tapered bracelet set with calibre-cut black onyx, turquoise, red coral and malachite, inside circumference 6‑1/4”. total weight 62.0 grams

601 Coral, Onyx and Diamond Ring 18k yellow gold, the ring mounted with a central oval cabochon-cut coral weighing approximately 7.19 carats, surrounded by calibre-cut onyx and accented with round brilliant-cut diamonds weighing approximately 0.42 carats in total. size 7, total weight 7.10 grams

$600‑$900

$1,400‑$1,800

599 Turquoise and Coral Necklace 14k yellow gold, the necklace composed of graduating turquoise and red coral nuggets, accented by three fabricated gold nuggets, finished with a gold clasp. l. 26”, total weight 142.0 grams

602 Lapis Lazuli and Gold Bracelet and Earrings 14k yellow gold, the hinged lapis bracelet finished with polished gold, inside circumference 7”, and the earrings with lapis framed in gold, l. 3/4”. total weight 38.9 grams

$500‑$800

600 Five-Piece Sterling Silver, Turquoise and Coral Group including a cuff bracelet mounted with coral cabochons, stamped “MD BESSELENTE, .925”, w. 5/8”, inside circumference 7”, a belt buckle mounted with a turquoise and coral cabochon and a bear claw, stamped “Sterling” and “H”, size 2‑5/8” x 3‑1/4”, and three pairs of earrings, one mounted with lapis, turquoise, coral and onyx cabochons, stamped “Sterling”, l. 2‑1/2”, another mounted with coral cabochons, stamped “Sterling” and “Walley”, l. 3‑1/4”, and the last mounted with coral cabochons and marked “Zuni” and “A. Pinto”, l. 3‑1/4”. total weight 149.1 grams

603 Lapis Lazuli and Pearl Necklace and Earrings 14k yellow gold, the necklace composed of 5.0 mm cultured pearls, 3.0 mm gold beads and 8.0 mm treated lapis lazuli beads, finished with a gold-tone clasp, l. 16”, together with a pair of 10.0 mm cultured pearl stud earrings. total weight 26.0 grams $500‑$800

$500‑$800

600

193

604 Pair of Pearl and Diamond Earrings 14k white gold, the earrings mounted with an 11.0 mm white pearl with a very good luster, accented with a round brilliantcut diamond weighing approximately 0.26 carats in total. total weight 5.6 grams $700‑$1,000 605 Double-Strand Pearl, Diamond, Ruby and Rose Quartz Necklace 18k yellow gold, the double-strand necklace composed of 7.0 mm silver-white cultured pearls with a very good luster, finished with a carved rose quartz clasp mounted with a central cabochon-cut treated ruby weighing approximately 0.75 carats, accented with round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 18‑1/2”, total weight 65.5 grams $1,000‑$1,500

607 Mabe Pearl and Diamond Ear Clips 18k yellow gold, the ear clips mounted with a pink/rose 15.0 mm mabe pearl with a high luster, accented with round brilliant-cut diamonds weighing approximately 0.90 carats in total. l. 2”, total weight 34.0 grams $600‑$900 608 Pearl and Diamond Earrings and Brooch 18k yellow gold, the clip earrings mounted with a 10.5 mm white cultured pearl with a good luster, accented with baguette-, marquise- and round brilliant-cut diamonds weighing approximately 0.87 carats in total, l. 7/8”, and the brooch in the form of a bee, the body mounted with a 10.7 mm white cultured pearl with a good luster, accented on the wings with round brilliant-cut diamonds weighing approximately 0.16 carats in total, l. 1”. total weight 17.9 grams

606 Pearl and Diamond Bracelet and Earrings the four-strand bracelet, 14k yellow gold, composed of 6.0‑7.0 mm white/rose cultured pearls with a good luster, separated by three bars mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total, w. 1‑1/8”, l. 7”, and the screw-back earrings, 14k white gold, mounted with 3.6 mm and 8.0 mm white/rose cultured pearls with a good luster, accented with round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 3/4”. total weight 56.1 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

$1,000‑$1,500

194

$1,400‑$1,800 609 Baroque Pearl and Diamond Earrings 18k yellow gold, the earrings mounted with white baroque pearls, accented by round brilliant-cut diamonds weighing approximately 0.68 carats in total. l. 3/4”, total weight 14.0 grams

604

607

608

605

606

609

195

196

610

610 Collection of Vintage Chanel and Chanel-Style Accessories comprising a 1‑1/2” navy leather belt with chain and gold “CC” rue Cambon charm, stamped in gold “Chanel/Paris/ Made in France” and “70/20”, strap l. 30‑1/4”, a gold chain belt/necklace, season 23, the links “quilted”, with a “CC” pendant inset with rhinestones, belt l. 28”, overall l. 33”, a pair of gold and faux pearl “CC” ear clips, season 25, dia. 1”, a gold and interwoven black leather iconic charm belt, season 93, autumn, overall l. 30‑1/2”, a white fabric camellia brooch with two white leaves, 1990‑91, with original price tag, dia. 3‑3/4”, a cream-enameled gold double chain belt with alternating “CC” and star discs, season 01, spring, l. 34”, a ruthenium and gold-flecked glass brooch, season stamp “Goo” and “V”, dia. 1‑3/4”, and a pearl and black bead necklace with cream and black enameled “CC” and rhinestone-set flowers, overall l. 59”. Provenance: Estate of Margaret “Pat” Breen, Houston, Texas.

611

$500‑$800 611 Lady’s Chanel Quartz Wrist Watch the elongated octagon 20 micro gold-plated case with black interlaced leather bracelet, with a black dial signed “Chanel, Swiss”, the case back stamped “Chanel, Paris, Plaque or G 20 M, Quartz, Swiss Made, R.K. 35247, Chanel, 1987”. l. 6‑1/2”, total weight 48.2 grams $1,400‑$1,800

612 Collection of Hermes, Paris, Silk Scarves and Related Items comprising a “Donner La Main” by Karen Petrossian, 2002, l. 35”, w. 35”, along with an Hermes booklet depicting various tying ideas, “Carrousel” by Christiane Vauzelles, 1984, l. 35”, w. 35”, “Passiflores” by Valerie Dawlat-Dumoulin, 1996, l. 35”, w. 35”, a large “Aloha” by Laurence Toutsy Bourthoumieux, first issued in 2000, l. 54”, w. 54”, a “Soleil de Soie” plisse by Caty Latham, first issued in 1995, pleated l. 50”, w. 8”, and a small boxed set of “Knotting Cards”, overall l. 4‑7/8”, d. 2‑3/4”, all scarves presented in Hermes boxes, includes an unlabeled orange dust bag. Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500‑$800

612

197

613 Judith Leiber-Labeled Jewelry Box with spring closure, the front opening with gold-framed inset crystals and covered in silver metallic faux lizard, the pale taupe sueded fabric-lined interior with open compartments, the cover with an inset mirror labeled in gilt “Judith (minaudiere) Leiber”. h. 3‑1/8”, w. 8”, d. 8” $500‑$800

613

614 Vintage Judith Leiber Chestnut Karung and Enamel Convertible Clutch 1990s, gold hardware, with gusseted trapezoid body, enamel and rhinestone-set flip closure and drop-in chain, the aubergine faille-lined interior with opposing scalloped slip pockets, one below the metal label stamped “Judith Leiber/ New York”, with a matching faille coin purse, tasseled comb and swing mirror, these having a small labeled dust bag, includes the Product Registry card No. 74261. h. 5‑1/2”, w. 7‑3/4”, d. 2”, chain drop: 18‑1/4” $500‑$800 614

615 Vintage Judith Leiber Taupe Snake Convertible Frame Clutch 1980s, gold hardware, with drop-in snake strap, folding frame, pull-down inset tiger’s eye closure and shirred, gusseted body, the taupe faille interior with scalloped slip pocket and opposing zippered pocket, with gold metal label stamped “Judith Leiber”, includes a swing mirror and tasseled comb. h. 7‑1/4”, w. 10‑1/2”, d. 2‑1/2”, strap drop: 20” $500‑$800 615

8 198

616 Vintage Judith Leiber Brown Alligator Demi-lune Frame Shoulder Bag 1990s, gold hardware, with flat strap ending in textured goldenclosed large faceted barrel-form chalcedony beads, with gold push-lock closure, the taupe kidskin-lined interior with a zippered pocket having a tiny gold “purse” pull and opposing scalloped slip pocket below the gold metal “Judith Leiber/ New York” label, with a matching coin purse, labeled tasseled comb, swing mirror and drawstring cotton pouch, resting on four tiny ball feet, includes the original Product Registry card No. 81938. h. 6”, w. 11‑1/2”, d. 2‑1/2”, strap drop: 7‑1/4” $500‑$800 617 Vintage Apricot Fox Jacket size 8‑10, with shawl collar, one hook closure, inset straight sleeves and on-seam pockets, the pale taupe satin-lined interior labeled “Koslow’s”, monogrammed. l. 28”

616

$700‑$1,000 618 Vintage Jay Lester Full-Length Red Fox Coat 1980s, size 8, of angled design, with bold shawl collar, three hook closure, raglan sleeves and deep angled pockets, the tan satin-lined interior with self ties and forward glove pocket, labeled “Jay Lester/for Gus Mayer”, monogrammed. l. 46” $800‑$1,200

617

618

199

619 Vintage Mink Swing Coat 1980s, size 8‑10, with tapered hem, shawl collar, padded shoulders, side pockets, bias pelts and straight sleeves, the chocolate silk-lined interior with a forward glove pocket monogrammed on its interior, labeled: “DeCor/furs/by Morgenstein-Hammer/New York”, front l. 33”, back l. 35”. $500‑$800

619

620 Chocolate Brown Fox and Leather Convertible Jacket size 10, with fox body and bold leather-backed fox collar with three hook closure and on-seam pockets, the zip-off leather sleeves with padding detail and elasticized cuffs, the chocolate silky fabric-lined interior labeled: “John Tauben/ Dallas Houston Tulsa”, monogramed. l. 28” $500‑$800

620

200

621

621 Two Fairchild Baldwin Necklaces each necklace composed of multiple strands of resin beads, finished with a magnetic clasp on a leather band. l. 18” $500‑$800

622 Multi-Gemstone Necklace sterling silver, the five-strand necklace composed of citrine, amethyst, blue topaz, green and smoky quartz and moonstone faceted roundels and beads. l. 17”, total weight 55.0 grams $500‑$800

622

201

626

625

623

202

624

623 Aquamarine Bracelet 18k yellow gold, the modern-designed bracelet composed of aquamarine stones in various lengths separated by gold beads. l. 7‑1/4”, total weight 17.4 grams $600‑$900 624 Aquamarine and Diamond Necklace 18k white gold, the double-strand necklace composed of tumbled aquamarine stones accented with two bars and a matching clasp mounted with round brilliant-cut diamonds weighing approximately 0.59 carats in total. l. 19”, total weight 60.9 grams $1,000‑$1,500

625 Aquamarine and Diamond Pendant with Chain 18k white gold/sterling silver, the 18k white gold pendant mounted with an emerald-cut treated aquamarine weighing approximately 24.8 carats, accented with European- and single-cut diamonds weighing approximately 0.14 carats in total, l. 1‑1/4”, suspended from a 31” sterling silver chain. total weight 12.0 grams $1,400‑$1,800 626 Topaz and Diamond Necklace 14k yellow gold, the pendant mounted with a pear-cut treated blue topaz weighing approximately 8.70 carats, surrounded by a border of round brilliant-cut diamonds weighing approximately 1.45 carats in total, l. 1‑3/8”, suspended from a 14k yellow gold omega chain, l. 16”. total weight 33.0 grams $1,000‑$1,500

203

627 Opal Dangle Earrings 14k yellow gold, the earrings mounted with oval-shaped cabochon-cut opals weighing approximately 7.87 carats in total. l. 2”, total weight 8.0 grams $600‑$900 628 Opal and Diamond Bracelet sterling silver, the wide, hinged bracelet mounted with cabochon-cut opals weighing approximately 16.8 carats in total, accented with rose-cut diamonds weighing approximately 6.80 carats in total. w. 1‑3/8”, inside circumference 7”, total weight 72.0 grams $600‑$900 629 Pair of Opal and Diamond Earrings sterling silver, the earrings mounted with square opal cabochons and pear-cut faceted opals weighing approximately 5.1 carats in total, accented with rose-cut diamonds weighing approximately 2.43 carats in total. l. 2‑1/4”, total weight 15.1 grams $500‑$800 630 Pair of Turquoise, Sapphire and Diamond Earrings 18k white gold, the earrings mounted with teardrop-shaped turquoise cabochons weighing approximately 14.64 carats in total, suspended from “twisted” tops mounted with round brilliant-cut diamonds weighing approximately 0.35 carats in total and round-cut treated sapphires weighing approximately 0.43 carats in total. l. 2”, total weight 9.3 grams $2,000‑$4,000

204

631 Turquoise and Diamond Bracelet gold vermeil/sterling silver, the flexible bracelet mounted with oval cabochon-cut turquoises measuring approximately 6.0 mm x 7.0 mm, twelve surrounded by a halo of rose- and singlecut diamonds weighing approximately 1.00 carat in total. w. 7/8”, l. 7”, total weight 54.0 grams $500‑$800 632 Turquoise, Ruby and Diamond Between-the-Finger Ring 14k white gold/sterling silver, the ring in a flower design, mounted in the center with a cabochon-cut turquoise weighing approximately 2.48 carats, the “petals” mounted with pear-cut treated rubies weighing approximately 2.94 carats in total, and the whole accented with round single-cut diamonds weighing approximately 0.32 carats in total. size 6‑1/2, total weight 10.0 grams $500‑$800 633 Turquoise and Diamond Necklace gold vermeil, the necklace mounted with turquoise cabochons weighing approximately 24.0 carats in total, each accented with a halo of rose-cut diamonds weighing approximately 4.90 carats in total. l. 17”, total weight 66.0 grams $900‑$1,200

631

633

627 630

629

628

632

205

634

640

636

639 641

637

638

206

634 Opal, Ruby and Diamond Bracelet sterling silver, the bracelet mounted with cabochon-cut opals weighing approximately 7.02 carats in total, oval-cut treated rubies weighing approximately 5.60 carats in total and rosecut diamonds weighing approximately 21.8 carats in total. w. 1”, l. 7”, total weight 79.0 grams

639 Ruby and Diamond Chandelier Earrings gold vermeil, the earrings mounted with pear- and round-cut treated rubies weighing approximately 9.00 carats in total, accented by round-cut diamonds weighing approximately 4.26 carats in total. l. 2‑3/4”, total weight 15.9 grams $500‑$800

$500‑$800 635 Two Ruby and Diamond Bangle Bracelets sterling silver, the tops of the bracelets mounted with slicecut diamonds weighing approximately 12.88 carats in total, and the sides mounted with oval-cut treated rubies weighing approximately 25.76 carats in total. inside circumference 7‑1/4”, total weight 112.0 grams $700‑$1,000 636 Diamond and Ruby Hoop Earrings sterling silver, the inside-out diamond hoop earrings mounted with rose-cut diamonds weighing approximately 1.95 carats in total and set with a flower mounted with pear-cut treated rubies weighing approximately 2.00 carats in total. l. 2‑1/4”, total weight 22.2 grams 635

$500‑$800 637 Ruby and Diamond Bracelet sterling silver, the flexible bracelet mounted with cabochoncut treated rubies weighing approximately 12.00 carats in total, accented by rose-cut diamonds weighing approximately 3.75 carats in total. w. 1/2”, l. 7‑5/8”, total weight 39.2 grams $500‑$800 638 Ruby and Diamond Bracelet sterling silver, the bracelet mounted with oval-cut treated rubies weighing approximately 13.20 carats in total, and ovalshaped slice-cut diamonds weighing approximately 3.35 carats in total. w. 3/4”, l. 7‑1/2”, total weight 75.0 grams $500‑$800

640 Ruby and Diamond Pendant with Chain gold vermeil/sterling silver, the pendant mounted with roundcut treated rubies weighing approximately 1.10 carats in total and rose-cut and slice-cut diamonds weighing approximately 6.10 carats in total, size 2‑1/2” x 2‑3/8”, suspended from an 18” oxidized silver chain. total weight 35.6 grams $500‑$800 641 Pair of Ruby and Diamond Earrings gold vermeil, the earrings mounted with oval-cut treated rubies weighing approximately 3.00 carats in total, and rose-cut and slice-cut diamonds weighing approximately 1.40 carats in total. l. 1‑1/2”, total weight 11.3 grams $500‑$800

207

642 Ruby and Diamond Ring 18k yellow gold, the ring mounted with an oval cabochon-cut treated ruby weighing approximately 2.55 carats, surrounded by round brilliant-cut and marquise-cut diamonds weighing approximately 0.65 carats in total. size 6‑3/4, total weight 4.5 grams $1,800‑$2,500 643 Le Vian Diamond and Ruby Bracelet 18k white gold, the flexible bracelet mounted with round brilliant-cut diamonds weighing approximately 1.54 carats in total, accented with square-cut natural rubies weighing approximately 3.52 carats in total, stamped “Le Vian, 18k”. w. 1/2”, l. 6‑1/2”, total weight 36.0 grams $2,000‑$4,000 644 Diamond and Ruby Ring platinum, the ring with a hinged shank and mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.00 carats in total, and round-cut treated rubies weighing approximately 1.18 carats in total. size 6, total weight 8.9 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $900‑$1,200

645 Lady’s Rolex Diamond and Ruby President Watch 18k yellow gold, the self-winding quick-changing calendar mechanical movement with a dial that is pave-set with singlecut diamonds and round faceted rubies for the markers, the bezel with a scalloped edge and set with round brilliantcut diamonds, with a total approximate diamond weight of 2.25 carats and a total approximate ruby weight of 0.11 carats, the president-style bracelet with a bark finish and a hidden deployant clasp stamped “Rolex, Geneve, Rolex SA, 750, Swiss Made, 18k, 9235F”, with hallmarks, reference #8,211,XXX, and the dial signed “Rolex, Datejust”, inside circumference 6‑1/2”, together with a man’s Rolex President box. total weight 74.5 grams $7,000‑$10,000 646 Diamond Eternity Band 18k yellow gold, the band mounted with round brilliant-cut diamonds weighing approximately 3.13 carats in total, approximate color G-L and clarity VS1‑VS2. size 6‑1/2, total weight 7.0 grams $1,800‑$2,500 647 Diamond Stud Earrings 14k yellow gold, each earring mounted with a round brilliantcut diamond in a bezel setting, the approximate color of one is I and clarity SI2 and the approximate color of the other is N and clarity I1, with an approximate total weight of 1.45 carats. total weight 1.0 gram $700‑$1,000 648 Yellow Diamond Ring 14k yellow gold, the band with three rows of round brilliant-cut yellow diamonds weighing approximately 1.93 carats in total. size 7‑1/2”, total weight 4.3 grams $700‑$1,000

208

643 642

646

644

647

645

648

209

650

651

649

652

653

654

210

649 Lalaounis Fish Ring 18k yellow gold, the ring in the form of a fish, mounted with round-cut emeralds for the eyes, weighing approximately 0.10 carats in total, stamped “Lalaounis”. size 8, total weight 19.0 grams $800‑$1,200 650 Pair of Lalaounis Chimera Earrings 18k yellow gold, the clip earrings stamped with the Lalaounis mark, “Greece” and “750”. l. 7/8”, total weight 17.9 grams $500‑$800 651 Lalaounis Earrings and Cross Pendant 18k yellow gold, the earrings with a textured gold finish, stamped “Greece, 750, A21” and with the Lalaounis mark, l. 2‑3/8”, and the cross pendant with open filigree on the top with a red enamel back, accented with round faceted sapphires weighing approximately 0.5 carats in total, round emerald cabochons weighing approximately 1.32 carats in total and round ruby cabochons weighing approximately 0.16 carats in total, size 2‑3/8” x 2”. total weight 39.0 grams

652 Bvlgari Parentesi Bracelet 18k yellow gold/stainless steel, the flexible bracelet with a geometric pattern on the front, stamped “BVLGARI, 750”. inside circumference 6‑1/2”, total weight 36.6 grams $700‑$1,000 653 Asprey “Sunflower” Ring 18k yellow gold, the mounting designed and cast as a sunflower, stamped “Asprey, 18k, Aplc. 750”. size 6‑1/2, top dia. 1‑1/8”, total weight 13.2 grams $500‑$800 654 David Yurman Bracelet 14k yellow gold/sterling silver, the sterling silver bracelet finished on each end with a 14k yellow gold cap, stamped “Yurman”. inside circumference 6‑3/4”, total weight 44.0 grams $500‑$800

$900‑$1,200

211

655 Alexandra Knight Cobalt Glazed Alligator Tote silver hardware, zippered closure, tan suede interior with two cell phone pockets and a zippered pocket stamped: “Alexandra Knight”, resting on five metal feet, includes a labeled dustbag. h. 6‑3/4”, w. 14‑7/8”, d. 7‑5/8”, strap drop: 7‑5/8” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,000‑$1,500

655

656 Louis Vuitton, Paris, Moka Epi Leather “Alma PM” Handbag 2004, brushed silver hardware, with rolled handles and double zippered closure, the pierced zipper tabs stamped: “LV”, with one having a fully marked padlock, the handle studs stamped: “Louis Vuitton”, impressed logo at lower front, one lower side stamped: “Louis Vuitton/Paris/made in France” below one zipper, the tobacco alcantara-lined interior with one leathertrimmed slip pocket and opposing gusseted pocket. Date code: FL0024 h. 9‑1/2”, w. 12‑3/4”, d. 7”, handle drop: 3‑1/2” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500‑$800 656

212

657 Louis Vuitton, Paris, Red Epi Leather “Malesherbes” Handbag gold hardware, with rigid stitched handle and flap turn-lock closure, the lock plate stamped: “Louis Vuitton”, the lower front body stamped: “LV”, the red leather-lined interior with a zippered black leather-lined gusseted pocket, the zipper tab stamped “LV” on both sides, the pocket stamped: “Louis Vuitton/Paris/made in France”. h. 8‑1/2”, w. 9‑1/4”-10‑1/4”, d. 2‑1/2” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,000‑$1,500

657

658 Christian Dior, Paris, Black Cannage Microfiber “Lady Bag” silver hardware, with black patent leather handles, zippered closure having an oval silver pull stamped “CD” on both sides and “Dior” charms, the red logo jacquard-lined interior with a zippered pocket fronted by a red leather date code label stamped in silver “Christian Dior/Paris” and “Made in Italy/RU 0919” also in silver, includes a dust bag. h. 7‑1/2”, w. 9‑1/2”, d. 4‑1/2”, handle drop: 3‑3/4” $500‑$800

658

213

659 Vintage Full-Length White and Silver Fox Coat 1980s, size 6, with bold shawl collar, three hook closure, on-seam pockets, inset straight sleeves and scalloped hem, the pearl gray satin-lined interior monogrammed. l. 48 $500‑$800

659

660 Full-Length Chocolate Brown Ranch Mink Coat size 6‑8, with notched collar, three hook closure, inset straight sleeves, on-seam pockets and soft petal hem, the black embroidered silk-lined interior with forward glove pocket, a 2‑1/2” bound on-seam slit on both sides, possibly to accommodate a belt, and a self strap with extra bound eyes for hooks, labeled “Furlan-Spritzer/furriers exclusively for/Isabell Gerhart/Houston”, monogrammed. l. 44” $600‑$900

660

214

661 Vintage Full-Length Black Mink Coat with Fox Trim size 10, ca.1990s, black satin-lined interior with self ties and forward glove pocket, two exterior pockets, three hook-andeye closure and dolman sleeves, labeled: “Benoit/Fourrures Enr.” l. 48” $500‑$800

661

662 Vintage Marco Gianotti, Milan, Full-Length Black Mink Coat 1980s, size 10‑12, with shawl collar, three hook closure, inset full sleeves with self-banded cuffs and on-seam pockets, the black silk-lined interior with forward glove pocket, labeled “Marco Gianotti/Milano”, monogrammed. l. 47‑1/2” $500‑$800

662

215

664

667

666

663

668 669

665

216

663 Diamond Ring 18k white gold, the wide domed ring with a free-form design, mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 2.08 carats in total. size 7‑1/4, total weight 8.6 grams $1,400‑$1,800 664 Diamond Pendant with Chain platinum/14k white gold, the pendant mounted with a pear-cut diamond weighing approximately 1.60 carats, surrounded by an open frame mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total, l. 1”, suspended from a 16” 14k white gold chain. total weight 5.8 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $4,000‑$7,000 665 Diamond Ring 18k white gold, the interlocking ring mounted with round brilliant-cut diamonds weighing approximately 2.18 carats in total. size 7‑1/4, total weight 8.44 grams $1,400‑$1,800

666 Two Pairs of Diamond Earrings 18k white gold, one pair with a wavy design and mounted with round brilliant-cut diamonds, and the other pair with an “X” accenting the center and mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 1.41 carats for the pair. l. 1”, total weight 25.0 grams $1,000‑$1,500 667 Diamond Necklace 18k white gold, the omega-style necklace mounted with a bezel-set round brilliant-cut diamond weighing approximately 0.46 carats, approximate color F and clarity VS1. l. 16”, total weight 12.0 grams $700‑$1,000 668 Diamond Ring 18k white gold, the large oval-shaped ring mounted with rows of round brilliant-cut diamonds weighing approximately 2.49 carats in total. size 7, total weight 8.1 grams $1,500‑$2,500 669 Pair of Diamond Earrings 18k white gold, the earrings mounted with rows of round brilliant-cut diamonds weighing approximately 2.26 carats in total. l. 7/8”, total weight 7.7 grams $1,400‑$1,800

217

670 Diamond Necklace sterling silver, the necklace mounted with slice-cut diamonds weighing approximately 7.80 carats in total. l. 17” to 18”, total weight 46.2 grams $700‑$1,000 671 Diamond Bangle Bracelet and Earrings sterling silver, the hinged bracelet mounted with slice-cut and rose-cut diamonds weighing approximately 3.03 carats in total, inside circumference 7‑1/2”, and the long earrings mounted with slice-cut diamonds weighing approximately 3.96 carats in total, l. 3”. total weight 56.0 grams $600‑$900 672 Diamond Bangle Bracelet gold vermeil/sterling silver, the hinged bracelet mounted with rose-cut and slice-cut diamonds weighing approximately 5.70 carats in total. w. 1/2”, inside circumference 7‑1/4”, total weight 51.0 grams $500‑$800 673 Diamond and Emerald Snake Ring gold vermeil, the coiled snake mounted with rose-cut diamonds weighing approximately 1.00 carat in total, accented with oval-cut treated emeralds weighing approximately 2.50 carats in total, and accented on the eyes with round-cut treated rubies weighing approximately 0.02 carats in total. size 6‑1/4, total weight 14.6 grams $500‑$800

218

674 Diamond Bracelet sterling silver, the bracelet mounted with slice-cut light yellow diamonds weighing approximately 3.09 carats in total, accented with rose-cut diamonds weighing approximately 2.39 carats in total. w. 3/4”, l. 7‑1/2”, total weight 91.0 grams $600‑$900 675 Diamond Bracelet and Earrings sterling silver, the hinged bracelet and earrings mounted with rose-cut diamonds weighing approximately 6.39 carats in total. bracelet inside circumference 7”, earrings l. 2‑1/2”, total weight 46.1 grams $700‑$1,000 676 Diamond Bangle Bracelet sterling silver, the hinged bracelet with a raised pattern of interlocking oval chain links, mounted with rose-cut diamonds weighing approximately 2.50 carats in total. w. 1”, inside circumference 7”, total weight 54.0 grams $500‑$800

673

670

675

671

674

672 676

219

678

677

679

680

681 682

686

684 685

220

677 Sapphire and Diamond Bracelet 14k yellow gold, the straight line bracelet with rows of round brilliant-cut diamonds weighing approximately 0.69 carats in total, alternating with rows of baguette-cut treated sapphires weighing approximately 1.75 carats in total. l. 7”, total weight 20.2 grams $900‑$1,200 678 Two Diamond and Sapphire Rings including a 14k white gold deco ring set with a European-cut diamond weighing approximately 0.18 carats, flanked by two roundcut treated sapphires weighing approximately 0.30 carats in total, size 7‑1/4, and an 18k yellow gold example mounted with a mine-cut diamond weighing approximately 0.18 carats, flanked by square-cut treated sapphires weighing approximately 0.60 carats in total, size 6. total weight 8.7 grams $700‑$1,000 679 Pair of Ceylon Sapphire and Diamond Earrings 14k white gold, the earrings mounted with oval-cut Ceylon sapphires weighing approximately 2.20 carats in total, accented with round brilliant-cut diamonds weighing approximately 1.51 carats in total. l. 1‑1/4”, total weight 7.7 grams

684 Le Vian Sapphire and Diamond Bracelet 18k yellow gold, the flexible bracelet mounted with two rows of baguette-cut natural sapphires weighing approximately 10.92 carats in total, separated by a row of round brilliantcut diamonds weighing approximately 0.55 carats in total, and finished on the ends of each link with a cabochon-cut natural sapphire weighing approximately 14.40 carats in total, stamped “Le Vian, 18k”. w. 1/2”, l. 7”, total weight 39.0 grams $2,500‑$4,000 685 Diamond and Sapphire Brooch 14k yellow gold, the brooch in a foliage design, set with round brilliant-cut diamonds weighing approximately 0.35 carats in total and round-cut treated sapphires weighing approximately 0.40 carats in total. size 1‑3/4” x 1‑7/8”, total weight 13.8 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $600‑$900

$1,800‑$2,500 680 Tanzanite and Diamond Ring 18k white gold, the ring mounted with a square-cut tanzanite weighing approximately 1.60 carats, accented with baguette-cut diamonds weighing approximately 0.36 carats in total. size 7, total weight 8.0 grams $700‑$1,000 681 Sapphire and Diamond Ring 18k white/yellow gold, the ring mounted with an emerald-cut treated sapphire weighing approximately 3.18 carats, accented by round brilliant-cut diamonds weighing approximately 0.79 carats in total. size 3‑3/4, total weight 15.0 grams $2,000‑$4,000 682 Tanzanite and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut tanzanite weighing approximately 2.26 carats, surrounded by a double halo of round brilliant-cut diamonds weighing approximately 0.35 carats in total. size 7‑1/4, total weight 6.5 grams $1,000‑$1,500 683 Sapphire and Diamond Ballerina Ring 14k yellow gold, the ring mounted with an oval-cut treated sapphire weighing approximately 4.74 carats, surrounded by baguette- and round-brilliant-cut diamonds weighing approximately 2.34 carats in total. size 6‑1/2, total weight 10.0 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

683

686 Sapphire and Diamond Ring 14k yellow gold, the ring with a hinged shank and in a swirl design and mounted with round brilliant-cut diamonds weighing approximately 0.92 carats in total, and round-cut treated sapphires weighing approximately 1.00 carat in total. size 4‑1/2, total weight 7.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $900‑$1,200

$2,500‑$4,000

221

687 Wide Diamond Bangle Bracelet gold vermeil, the bracelet mounted with slice-cut diamonds surrounded by a halo of rose-cut diamonds with an approximate total weight of 2.8 carats. w. 2”, inside circumference 7‑1/4”, total weight 95.0 grams $600‑$900 688 Diamond Ring 14k yellow gold, the ring mounted with a central marquise-cut diamond weighing approximately 2.40 carats, approximate color D and clarity I1, flanked on either side by a trianglecut diamond weighing approximately 1.20 carats in total, approximate color F-G and clarity SI1‑SI2. size 4, total weight 9.0 grams $2,000‑$4,000

692 Two Diamond Brooches one example, 14k yellow/white gold, designed as a horse and mounted with single-cut diamonds weighing approximately 0.24 carats in total, l. 2”, and the other example, 14k yellow gold/platinum, designed as a snake and mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total, l. 2”. total weight 21.2 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $600‑$900 693 Diamond Brooch 18k yellow gold, the brooch in the form of foliage, set with single-cut diamonds weighing approximately 0.20 carats in total, stamped “CB”. size 1‑1/2” x 2”, total weight 13.0 grams $500‑$800

689 Wide Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with rose-cut diamonds in the round, weighing approximately 5.00 carats in total. w. 2”, inside circumference 7”, total weight 122.2 grams $600‑$900 690 Gold and Diamond Earrings 18k yellow gold, the ear clips mounted with round brilliant-cut diamonds in the center, weighing approximately 1.12 carats in total. l. 1”, total weight 12.0 grams 694

$600‑$900 691 Diamond Engagement Ring 18k yellow gold, the ring mounted with a central round European-cut diamond weighing approximately 1.47 carats, approximate color G and clarity VS2, flanked on either side by a triangle-cut diamond weighing approximately 0.27 carats in total, and accented on the ring guard with baguette-cut diamonds weighing approximately 0.67 carats in total. size 6‑3/4, total weight 8.0 grams $2,000‑$4,000

694 Diamond Bracelet 14k yellow gold, the bracelet mounted with a central row of round brilliant-cut diamonds weighing approximately 3.20 carats in total, flanked on either side by a chevron-designed gold border. l. 7‑1/4”, total weight 31.7 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,800‑$2,500

222

690 688

687

691

689

692

693

223

695

698

696

697

224

699

700

695 Zodiac Pendant 14k yellow gold, the free-form gold pendant designed with the Scorpio zodiac symbol, l. 1‑1/2”. total weight 14.4 grams $500‑$800 696 Long Gold Rope Chain 14k yellow gold, the free-form gold pendant designed with the Scorpio zodiac symbol, l. 1‑1/2”, suspended from a long ropetwist chain, l. 62”. total weight 126.0 grams 701

$1,200‑$1,800 697 Collection of Gold Charms 14k yellow gold, the collection including vintage charms from the late 1950s to the early 1970s, some set with diamond melees. size 3/4” to 1‑3/8”, total weight 65.0 grams $1,200‑$1,800 698 United States $20.00 Gold Liberty Coin Pendant the 1899 twenty dollar gold coin set in a 14k yellow gold frame. dia. 2”, total weight 44.8 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,000‑$1,500 699 Austrian Gold Coin Brooch 14k yellow gold, the brooch mounted with a one ducat 1915 gold coin. dia. 1‑3/4”, total weight 7.8 grams

700 Gold Pendant Collar Necklace 16k/14k yellow gold, the double-strand necklace composed of 6.5 mm gold beads separating thirty gold pendants with dangling round 13.0 mm medallions of Russian Cossacks. w. 2‑1/8”, l. 18‑1/2”, total weight 73.0 grams $900‑$1,200 701 Mexican Coin Gold Pill Box 14k yellow gold, the round box set with a coin, engraved on the opposite side “El Presidente de la Republica Mexicana, P. Elias Calles a Harold H. Newman, Nov. 30, 1924”. dia. 1”, total weight 27.8 grams $500‑$800

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $600‑$900

225

703

705

706

707

226

708

702 Graduated Strand of South Sea Pearls 14k white gold, the white pearls with a pink-rose body color and a medium luster, measuring approximately 12.0 mm to 15.0 mm, finished with a white gold clasp. l. 17‑1/2”, total weight 3.0 grams $2,500‑$4,000

707 Three Pearl Brooches the first example, 14k yellow gold, designed as a grape cluster and mounted with 6.3 mm white cultured pearls with a good luster, mounted with a bail to be worn as a brooch or pendant, l. 1‑1/2”, the second example, 14k yellow gold, with a leaf and vine design and mounted with 6.0‑7.0 mm cultured white pearls with a good luster, l. 2‑1/8”, and the last example, 14k white gold, in the form of two calla lilies, one mounted with a 10.8 mm white cultured pearl and the other with a 11.3 mm black cultured pearl, accented with round brilliant-cut diamonds weighing approximately 0.42 carats in total, l. 3‑1/8”. total weight 33.5 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $800‑$1,200

702

703 Pair of Pearl and Diamond Earrings 14k yellow gold, the earrings each mounted with a 9.5 mm silver/white pearl with a very good luster, accented with a .03 carat round brilliant-cut diamond. total weight 3.3 grams $500‑$800 704 Pearl Brooch/Pendant and Ear Clips 14k yellow gold, the brooch/pendant in the form of a cluster of grapes, mounted with 5.0 mm to 8.0 mm cultured pearls, l. 2‑1/4”, and the matching clip earrings mounted with 3.0 mm to 4.0 mm cultured pearls, l. 3/4”. total weight 29.0 grams

704

$500‑$800 705 Two Pearl Rings 14k yellow gold, one ring with an open domed mounting set with silver-white-colored baroque pearls ranging from 4.0 mm to 6.0 mm, size 7‑1/2, and the other ring with a domed mounting set with silver-colored cultured pearls ranging in size from 5.5 mm to 7.0 mm, size 6‑1/4. total weight 25.0 grams $500‑$800 706 Two-Strand Pearl and Ruby Necklace 14k yellow gold, the necklace composed of two strands of 8.0 mm to 9.0 mm cream/white cultured pearls with a high luster, finished with a gold clasp mounted with round-cut treated rubies weighing approximately 0.20 carats in total. l. 23”, total weight 114.0 grams

708 Multi-Strand Pearl and Opal Necklace with Mabe Pearl Earrings 14k yellow gold, the necklace composed of handknotted freshwater pearls finished with a clasp inlaid with a mosaic of black opal, l. 29‑1/2”, and the earrings set with a 15.5 mm silver-white mabe pearl, dia. 5/8”. total weight 121.4 grams $600‑$900

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $900‑$1,200

227

709 Tahitian Pearl and Diamond Jewelry Suite 14k yellow gold, including a bracelet set with a 13.5 mm Tahitian pearl with a very good luster and round brilliant-cut diamonds weighing approximately 0.15 carats in total, inside circumference 6‑3/4”, a free-form ring set with a 13.0 mm pearl, size 6‑1/2, and a pair of earrings set with an 11.0 mm Tahitian pearl. total weight 24.6 grams $600‑$900 710 Cultured Pearl Necklace 14k white gold, the necklace composed of approximately 11.0 mm gray cultured pearls with green/rose overtones and a good luster, finished with a white gold clasp. l. 27‑1/2”, total weight 95.2 grams $500‑$800 711 Baroque Pearl Necklace and Bracelet sterling silver, the necklace composed of faceted onyx beads accented with white and gray pearls ranging in size from 7.0 mm to 10.0 mm, l. 72”, and the bracelet composed of 13.2 mm gray pearls accented with polished silver spheres, finished with a polished silver magnetic sphere clasp, l. 8”. total weight 90.4 grams

712 Gentleman’s Chocolate Brown Mink Jacket size 48, with notched collar, five button closure, inset straight sleeves and on-seam pockets, the back with a 10” vent, the black poplin-lined interior with two welt pockets, interior of one pocket monogrammed. l. 38” Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $600‑$900 713 Skandinavik Long Blue Fox Vest size 10, with tall stand-up collar, four hook closure and on-seam pockets, the silver fabric-lined interior labeled “Skandinavik Fur”. l. 30” $500‑$800

$500‑$800

713

712

228

709

711

710

229

714 Vintage Full-Length Chocolate Brown “Black Diamond” Mink Coat 1980s, size 10‑12, with shawl collar, three hook closure, inset full sleeves with self-banded cuffs, on-seam pockets and petal hem, the black satin-lined interior with forward glove pocket, labeled “Abel Furs/New Orleans” and sequined “Black Diamond Mink”, monogrammed. l. 50” $1,200‑$1,800

714

715 Vintage Chocolate Brown Mink Stroller 1960s, size 8, with stand-up collar, three button closure, inset straight sleeves and on-seam pockets, the chocolate brown satin-lined interior with a forward glove pocket, labeled “Holmes/Fine Fashions/since 1942”, monogrammed. l. 30” $600‑$900

715

230

716 Revillon Full-Length Chocolate Brown Double-Breasted Mink Coat size 4, notched lapels with optional two hook closure, having six black jeweled buttons with three button closure, the horizontal pelts with two slip pockets, inset three-quarter “jewel” length straight sleeves, the chocolate brown silk-lined interior with forward glove pocket, labeled: “Revillon/Paris/ New York”, monogramed. l. 44” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $600‑$900

716

717 Vintage White Fox-Trimmed Chocolate Mink Vest 1980s, size 8, with broad stand-up shawl collar and deep arm openings, two hook closure and on-seam pockets, the interior black satin-lined. l. 22” $600‑$900

717

231

718

718 Vintage Chocolate Brown Mink Coat with Shawl Collar size 8‑10, chocolate brown satin-lined interior with two satin ties, three hook-and-eye closure, two on-seam pockets, raglan straight sleeves, labeled: “Bifano’s Dallas” and “Black Diamond Mink”, monogrammed. l. 42” $500‑$800 719 No Lot

721 M. Rogers Pearl and Peridot Necklace and Earrings 22k yellow gold/sterling silver, the necklace composed of brown stick pearls with a peacock finish, interspersed with gold beads and quartz roundels, fixed with three gold stations and a clasp, all mounted with round-, square and pear-cut peridots, the suite with earrings to match, with an approximate total peridot weight of 5.00 carats, the earrings and necklace marked “M. Rogers, 2006, 22k, SS”. necklace l. 19‑1/2”, earring l. 5/8”, total weight 72.2 grams $600‑$900

720 Dramatic Smoky Quartz Pendant 10k yellow gold, the pendant composed of a stunning rectangular step-cut smoky quartz weighing approximately 275.0 carats, suspended from a twisted cord. pendant size 1‑1/2” x 1‑3/4”, rope l. 39”, pendant weight 82.8 grams $500‑$800

232

722 Peridot Bracelet gold vermeil, the bracelet mounted with oval-cut peridots weighing approximately 30.0 carats in total. l. 7‑3/4”, total weight 16.4 grams $500‑$800

722

720

721

233

724

726

723

725

727

728

234

723 Jade, Rose Quartz, Rock Crystal and Pearl Necklace 14k yellow gold, the carved white jade pendant suspended from a necklace composed of 7.0 mm and 8.5 mm cultured pearls, 14.0 mm rose quartz beads, 11.0 mm carved rock crystal beads, and carved jade chain links, the whole accented with reeded 14k yellow gold beads, finished with a 14k yellow gold clasp with a Chinese inscription. l. 18”, total weight 85.7 grams $600‑$900 724 Two Chinese-Style Pendants 14k yellow gold, one composed of light green jadeite, l. 2‑1/2”, and the other composed of carved nephrite jade, l. 3”. total weight 48.0 grams $600‑$900 725 Jade and Pearl Brooch 14k yellow gold, the brooch mounted with a piece of carved jade in a frame of cascading “leaves”, accented by cultured pearls. size 2” x 2‑1/2”, total weight 16.0 grams $500‑$800 726 Pair of Amethyst Earrings 14k yellow gold, each earring mounted with a cabochon-cut amethyst weighing approximately 8.80 carats in total, framed with a twisted rope border. dia. 3/4”, total weight 8.7 grams

727 Nardi Multi-Gemstone and Diamond Brooch 18k yellow gold, the “bust of a masker” brooch with a white enamel “Pierrot”-style hat mounted with an oval treated ruby cabochon, the shirt mounted with oval treated tourmalines, peridots, aquamarines, citrines, garnets and amethyst cabochons, with an approximate total gemstone weight of 13.22 carats, accented by round brilliant-cut diamonds weighing approximately 1.05 carats in total. size 3” x 1‑3/4”, total weight 52.0 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $3,000‑$5,000 728 Two Amethyst Bracelets 14k yellow gold, the bracelets mounted with oval cabochoncut amethysts weighing approximately 12.50 carats in total, set on a woven mesh gold bracelet. w. 9/16”, l. 7”, total weight 49.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $900‑$1,200

$500‑$800

235

729 Ametrine and Diamond Necklace 14k rose gold, the pendant mounted with an emerald-cut ametrine weighing approximately 9.36 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 1‑1/8”, suspended from an 18” rose gold chain. total weight 6.3 grams $700‑$1,000 730 Amethyst, Turquoise and Diamond Ring 14k yellow gold, the ring mounted with a central cushion-cut amethyst weighing approximately 11.85 carats, flanked on either side by a cabochon-cut turquoise weighing approximately 0.55 carats in total and accented with round brilliant-cut diamonds weighing approximately 0.33 carats in total. size 7‑1/4, total weight 7.7 grams

734 Five Pairs of Gold Clip Earrings including a pair of rope-twist hoops, 18k yellow gold, a pair of reversible hoops with a matte side and a polished side, 14k yellow gold, a pair of knot ear clips, 14k yellow gold, a pair of teardrop-shaped ear clips with a grooved finish, 14k yellow gold, and a pair of polished hoops, 14k yellow gold. l. 3/4” to 1”, total weight 45.2 grams $600‑$900

$700‑$1,000 731 Amethyst and Diamond Necklace 14k yellow gold, the pendant mounted with a round-cut amethyst weighing approximately 17.67 carats, accented on the bail with round brilliant-cut diamonds weighing approximately 0.03 carats in total, l. 1‑1/8”, suspended from an 18” yellow gold chain. total weight 7.9 grams $600‑$900 732 Amethyst Pendant and Earrings the 14k yellow gold pendant mounted with an emerald-cut amethyst weighing approximately 16.00 carats, accented on each side by round-cut treated rubies weighing approximately 0.20 carats in total, size 3/4” x 1‑1/8”, and the 14k rose gold screw-back earrings mounted with oval-cut amethysts weighing approximately 7.00 carats in total, l. 1/2”. total weight 15.8 grams

732

735 Two Gold Bracelets including an 18k yellow gold hinged bracelet in the Cartier style, inside circumference 6‑3/4”, and a 14k yellow gold bracelet with a twisted form, inside circumference 8‑1/4”. total weight 41.0 grams $700‑$1,000

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $900‑$1,200 733 H. Stern Gold Necklace 18k yellow gold, the necklace stamped “18k” and with the H. Stern mark. l. 15‑1/2”, total weight 74.7 grams $1,000‑$1,500

236

735

730

729 731

734

733

237

737

736

739 738

740

741

238

742

736 Gold Curb-Link Choker 18k yellow gold, the curb-link chain with a brushed finish, stamped “Italy”. l. 13‑1/2”, total weight 71.5 grams $1,400‑$1,800 737 Gold Bracelet 18k yellow gold, the flexible bracelet in the form of a dolphin. inside circumference 6‑1/2”, total weight 21.1 grams $600‑$900 738 Column-Form Brooch 18k yellow gold, the Corinthian capital column brooch with a frosted surface and polished highlights. size 3/4” x 1‑3/8”, total weight 15.2 grams

740 Enamel Dragonfly Brooch and Ear Clips 14k yellow gold, the plique-a-jour brooch with red, blue and green enamel, size 2‑7/8” x 1‑7/8”, and the ear clips with blue and green enamel, and omega backs, l. 7/8”. total weight 29.2 grams $500‑$800 741 Gold and Emerald Frog Ring 18k yellow gold, the large mounting cast as a frog with two round-cut 2.5 mm emeralds for the eyes. size 8‑1/2, total weight 26.4 grams $700‑$1,000 742 Roman-Style Bracelet and Ring with Etruscan-Style Earrings the 18k yellow gold bypass bangle bracelet with ends terminating in ancient-style Roman lion’s heads, inside circumference 7‑1/4”, the 18k yellow gold bypass-designed ring composed of dolphins, size 7‑1/2, and the 14k yellow gold screw-back dangling pendant earrings with granulated decoration, l. 1”. total weight 58.5 grams

$500‑$800

$1,000‑$1,500

743

739 Two Bow Brooches 14k yellow gold, each brooch in the form of a bow with a brushed finish. l. 1‑3/4” and 1‑7/8”, total weight 16.6 grams

743 Two Gemstone Brooches 18k yellow gold, including a turtle brooch designed with a “flower” shell, mounted with round brilliant-cut diamonds weighing approximately 0.12 carats in total, and round faceted emeralds, sapphires and rubies weighing approximately 0.24 carats in total, size 1” x 1‑3/4”, and a koala bear brooch mounted with a round brilliant-cut diamond weighing approximately 0.05 carats and round-cut rubies for the eyes weighing approximately 0.03 carats in total, size 3/4” x 1‑1/2”. total weight 33.6 grams $800‑$1,200

$500‑$800

239

744 Gold Shell Brooch and Clip Earrings 14k yellow gold, the brooch and clip earrings in the form of conch shells. brooch l. 2”, earring l. 1”, total weight 42.1 grams

747 Long Gold Chain 14k yellow gold, composed of intertwined smooth and ropetwist chains. l. 31”, total weight 122.1 grams

$600‑$900

$1,800‑$2,500

745 Gold Leaf Brooch 18k yellow gold, the brooch in the form of a leaf with a textured matte finish. l. 2”, total weight 16.7 grams

748 Gold Nugget Ring 14k yellow gold, the domed ring cast as nuggets. size 6‑1/4, total weight 28.4 grams

$500‑$800

$600‑$900

746 Two Gold and Pearl Brooches 18k yellow gold, both in the form of flowers and foliage, one mounted with a natural pearl and the other with a freshwater pearl. l. 2” and 2‑7/8”, total weight 16.2 grams

749 Two Gold Bracelets 14k yellow gold, one bracelet composed of interlocking links, w. 5/8”, l. 7‑3/4”, and the other curb link bracelet with an added safety chain, w. 1/4”, l. 7‑1/2”. total weight 95.6 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

$600‑$900

$1,500‑$2,500

749

240

744

748

745

747

746

241

750 Vintage Christie Brothers Full-Length Brown Mink Coat size 6, medium brown, rolled collar with one hook and laced with a thin brown leather tie, inset flared sleeves with angled pelts, on-seam pockets, the chocolate brown silklined interior with a forward glove pocket, labeled “The/ Christie Brothers/New York Atlanta”, with partially removed monogram. l. 38” Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $500‑$800

750

751 Vintage Silver Fox Jacket 1980s, size 6, with broad shawl collar, one hook closure, inset bracelet-length flared sleeves and on-seam pockets, the silver fabric-lined interior labeled “Standard Fur Co, Inc,/Master Furriers/200 Decatur St./New Orleans, La.”. l. 24” $500‑$800

751

242

752 Vintage Auburn Mink Coat 1980s, size 6, with broad notched collar, inset straight sleeves with rolled cuffs and on-seam pockets, the black fabric interior monogrammed. l. 38” $500‑$800

752

753 Vintage Beige Mink Stole 1960s, the back in crossed design, with pale taupe rose damask silk lining, labeled “Canada Mink/Majestic Pearl”. w. 9‑1/2”-15”, l. 72” $500‑$800

753

243

754 Vintage Cream Curly Lamb Coat

756 Vintage Off-White Fox-Trimmed Mink Capelet

1980s, size 6‑8, with stand-up collar, inset straight sleeves, three hook closure and angled slip pockets, the ivory satinlined interior labeled “Godchaux’s”, monogrammed. l. 33‑1/2”

1980s, size 8, with shallow front pockets and one hook closure, the ivory satin-lined interior monogrammed. l. 16‑1/2”

$500‑$800 755 Chocolate Brown Mink Jacket

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $500‑$800

size 10, with shawl collar having a button closure along with three hook closure, inset full self-banded sleeves and on-seam pockets, the black silk-lined interior with forward glove pocket, labeled “Maison Weiss/Jackson” and “Made in China”, monogrammed. l. 29” $700‑$1,000

755

754

244

756

757 Patek-Philippe Open Face Pocket Watch 18k yellow gold, the 18‑1/2 Lignes 21 jewels nickel damascus movement with bimetallic balance and wolf-tooth stem wind and set, signed on the movement: “Patek Philippe & Co., Geneve, No 38374”, the inside of the case stamped “0.750, PP.Co, 38374, AA”, the back of the case engraved with a stylized monogram, the white porcelain dial with black Roman numerals and unsigned, diameter without stem 48.0 mm. total weight 99.0 grams $1,200‑$1,800

758 Pair of Tahitian Pearl and Diamond Cufflinks 22k white gold, the cufflinks mounted with a 12.0 mm Tahitian pearl with a high luster, surrounded by a halo of round brilliantcut diamonds weighing approximately 1.07 carats in total. l. 3/4”, total weight 20.0 grams $1,800‑$2,500 757

759 Gentleman’s Diamond Fleur-de-Lis Ring 18k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.12 carats in total, approximate color E-G and clarity VS1‑VS2. size 9, total weight 21.0 grams $1,800‑$2,500

758

760 Enamel Cufflinks 14k yellow gold, one cufflink with a racehorse and jockey and a champagne bottle with two glasses and the other with a posing woman and three playing cards. l. 3/4”, total weight 12.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $600‑$900

760 759

245

762

761 763

761 Continental Art Nouveau Pine, Iron and Glass Door ca. 1900, the top set with glass panes protected with a cast iron grille, the center of the door carved with a lush swag of flowers held with bowknots. h. 79‑1/2”, w. 39‑1/4” $500‑$800

762 French Art Deco Iron, Gilt-Metal and Marble-Top Console Table second quarter 20th century, the skirt set with scrollwork, the scrolled legs decorated with gilt-metal acanthus leaves, set with a mauve, gray and white marble top. h. 35”, w. 57‑1/2”, d. 21” $1,000‑$1,500

246

763 French Art Deco Steel and Marble-Top Console Table second quarter 20th century, with pierced, scrolled supports, the skirt decorated with pierced ovals and a central panel of molded leaves, a compote-form finial on the base, set with a mauve and white marble top. h. 38”, w. 58”, d. 18” $1,200‑$1,800

765

764

764 Unusual Enameled Metal Floor Lamp 20th century, the five-light lamp decorated with bamboo shoots and flowers, the yellow flowers fitted with mottled orange and green shades inspired by pitcher plants. h. 59‑1/2”, dia. 31” $500‑$800 765 Bronze Heron Fountain Figure 20th century, the displayed bird with an upturned beak, fitted with a tube for water. h. 32”, w. 36”, d. 9” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $600‑$900 766 Cast Iron Garden Planter ca. 1900, possibly French, depicting a putto astride a deer, the lotus leaf-molded pot supported by a cornucopia on his shoulder. h. 41”, w. 19”, d. 21” $800‑$1,200 766

247

767 French Metal “Swan” Gates first quarter 20th century, with delicately molded swan’s heads, the “wings” outlined with pierced leaves, the cylindrical gate posts with scrollwork finials. h. 55”, w. 44”, d. 13” $1,000‑$1,500

767

768 Pair of Legras Scenic Enameled Art Glass Vases ca. 1900, French, each depicting a tranquil pond or lake scene, signed “Legras” near the bottom, with ground pontil mark and a ground upper edge. h. 14‑1/4”, w. 5‑3/4”, d. 3‑3/4” $700‑$1,000

768

769 Pair of French Art Nouveau Patinated Metal Table Lamps ca. 1900, each decorated with a figure of “Eros” sitting on a half column, with molded leaves and flowers, set with tulipform flowers with sockets. h. 24”, w. 15”, d. 17‑1/4” $1,000‑$1,500

769 8 248

770

770 Suite of Six French Carved Oak Dining Chairs ca. 1900, the arched back crests with shell- and foliate-carved motifs, supported by three molded and curved vertical slats, raised on cabriole legs ending in hoof feet. h. 44” $600‑$900

771 Regency-Inspired Inlaid Mahogany, Rosewood and Bronze-Mounted Coffee Table 20th century, the rectangular top inlaid with rosewood crossbanding, a central medallion and anthemia, all within a brass gallery, and raised on classical-style legs with bronze female busts and feet. h. 18”, w. 48”, d. 23” $600‑$900

771

249

774

773 Suite of Four Upholstered Side Chairs of Turkish Revival inspiration, each with a padded backswept back above a padded seat, with a long fringe skirt, raised on square legs. h. 37”

772

772 Pair of Aesthetic-Style Metal Andirons

$700‑$1,000

20th century, in the style of the British designer and architect Thomas Jeckyll (1827‑1881), each decorated with a parcel-gilt sunflower and four downturned leaves. h. 23‑1/2”, w. 9”, d. 24”

774 French Papier-Mache “Growler” Pull Toy first quarter 20th century, the French bulldog with a coconut husk collar around his neck, his feet set on casters, the chain attached at the collar allowing his mouth to open and “growl”. h. 14‑1/4”, w. 6‑1/2”, l. 16‑1/2”

$800‑$1,200

773

250

775 Anton Nicolaas Marie Karssen (Dutch, b. 1945) “On the Scent: Hunting Dogs in the Snow” oil on canvas signed lower left. Framed. 15‑3/4” x 23‑3/4”, framed 20‑1/2” x 28‑1/4” $2,000‑$4,000

775

776 Carl Reichert (also known as J. Hartung) (Austrian, 1836‑1918) “Two Puppies” oil on wood panel signed “J. Hartung” upper right. Framed. 8” x 10”, framed 16‑1/2”x 17‑1/2” $1,000‑$1,500

776

777 Anton Nicolaas Marie Karssen (Dutch, b. 1945) “Setters Resting in the Grass” oil on canvas signed lower right. Framed. 20” x 27‑1/2”, framed 26‑3/4” x 34‑1/2” $1,200‑$1,800

777

251

778 Contemporary Mahogany and Upholstered Club Chair and Ottoman the chair with a padded and tufted back joined to the cushioned seat by outscrolled arms, the front with brass tack accents, raised on toupie feet, the conforming rectangular ottoman with a cushioned top. chair h. 37” $600‑$900

778

779 Unusual Brass and Plate Glass Tea Cart with a lower shelf and two stacked swiveling upper shelves with gallery tops, the legs and handle reeded. h. 29”, closed w. 30‑1/4”, d. 16” $500‑$800

779

780 Polished Brass and Glass Drinks Trolley 20th century, with two levels, the oval trays with pierced galleries, a frame for three bottles on the top shelf. h. 30‑1/2”, w. 28‑1/2”, d. 18” $500‑$800 780

252

781

782

781 Contemporary Parcel-Gilt and Ebonized Settee of neoclassical inspiration, the flared open arms on tapering supports, the bowed seat rail with a molded bottom edge and central leg, raised on legs with scroll decor and ball feet, with loose cushions, upholstered in gold cut velvet. h. 33”, w. 61”, d. 33” $500‑$800

782 Bronze and Glass Hall Lantern 20th century, the sixteen-light lantern set with two tiers of scrolled arm light sockets, the top supported with scrollwork. h. 43”, dia. 17‑1/2” $700‑$1,000

783 Whimsical French Art Deco Metal Floor Lamp second quarter 20th century, with a metal pirate ship set with a single socket, and a lantern with an amber glass shade. h. 71”, w. 22”, d. 11” $800‑$1,200

783

253

784 Pair of Brass and Marble Cranes 20th century, the marble bases supporting birds with enameled bodies and brass heads and feet. h. 20”, w. 5”, d. 7” $500‑$800

785 Art Deco Aluminum Bird Bath second quarter 20th century, probably French, with a weighted tortoise base, and cattails supporting the inverted tortoiseshell-form bath. h. 35‑1/4”, w. 23‑1/2”, d. 16‑1/2” $500‑$800

786 Italian Murano Glass Chandelier

784

third quarter 20th century, the six-light chandelier with bluetrimmed pale amber glass, the six twisted arms termating in tulip-form shades, alternating with leaves and flowers, supported on a vasiform standard set with balls. h. 38”, dia. 35” $1,200‑$1,800

785

254

786

787 Erte (Romain de Tirtoff, Russian/ French, 1892‑1990) “The Cocktail Party” and “Dream” two serigraphs on paper both pencil-signed and numbered lower margin, the former “190/300”, latter “137/300”; former with “Martin Lawrence Galleries” label and “Chalk & Vermillon Fine Arts” en verso. Both matted, glazed and framed. sights 25” x 19‑1/4” and 26‑1/4” x 20‑3/4”, framed 37‑1/2” x 31” and 34‑1/4” x 33‑1/2” 787

$500‑$800

788 Salvador Dali (Spanish/French, 1904‑1989) “Le Songes Drolatiques de Pantagruel” lithograph on paper pencil-signed and numbered “33/50” lower margin, a “Salvador Dali Gallery, Inc., San Juan Capistrano, CA” label with artist and title en verso. Glazed and framed and with artist plaque. sheet 30” x 21‑1/4”, framed 42‑1/4” x 30‑1/4” $700‑$1,000

789 Salvador Dali (Spanish/French, 1904‑1989) “Autumn Cannibalism: Les Diners de Gala Suit”, ca. 1971 color lithograph on paper pencil-signed lower right and inscribed “E.A.” lower left, lower center margin with separate “Spoon on Crutches” engraving. Glazed and framed and with artist plaque. sheet 22” x 29‑1/2”, framed 29‑1/4” x 35” $900‑$1,200

788

789

255

790

790 Large Brushed Steel and Plate-Glass Coffee Table in the neoclassical taste, of rectangular form with a scrolled steel frame and stylized cabriole legs. h. 18”, w. 68”, d. 46” $1,000‑$1,500

791 Maitland-Smith Tessellated Marble, Brass and Wrought Iron Console Table the rectilinear top on shaped legs with brass decor, on a base of like marble. h. 32‑3/4”, w. 60”, d. 19‑1/4” $500‑$800

791

256

792 Valery Kosorukov (Russian/American, Louisiana, b. 1937) “Rainy Morning at Montmartre, Paris, France” oil on masonite signed lower left, signed and with handwritten label with artist and title en verso. Framed. 12” x 9”, framed 17” x 14” $600‑$900

792

793 Valery Kosorukov (Russian/American, Louisiana, b. 1937) “Misty, China”, 1996 oil on masonite signed lower right, signed, dated and with handwritten label with artist and title en verso. Framed. 9” x 12”, framed 12” x 15” $500‑$800

793

257

794 Impressive Chinoiserie Metal and Wood Pagoda-Form Birdcage 20th century, with pierced metal roofs with gilt edging, a Chinese Chippendale balcony and a door pierced with a bird and bamboo. h. 94”, w. 33”, d. 33” $2,000‑$4,000

794

795 Bertha Lum (American, 1869‑1954) “Ming Huan and His Bride”, 1931 gouache, mixed media/collage signed and dated lower margin. Matted, glazed and framed. sight 26” x 17‑1/2”, framed 28‑1/4” x 20” 795

258

$600‑$900

796 Bertha Lum (American, 1869‑1954) “Pair of Woodblock Prints of Architectural Views” the first pencil-signed, dated “1924” and numbered “30/200” the second pencil-signed. Matted, glazed and framed together. 14‑1/4” x 9” and 14” x 8”, respectively; overall framed 55” x 22” $600‑$900

796

797 Bertha Lum (American, 1869‑1954) “Pair of Woodblock Prints of Architectural Garden Views” the first pencil-signed, dated “1924” and numbered “6” the second pencil-signed and dated “36”. Matted, glazed and framed together. 13‑3/4” x 9” and 15” x 8‑3/4”, respectively; overall framed 55” x 22” $600‑$900

797

259

798 Three Table Lamps in the Chinese Taste 20th century, each fitted for two sockets, including a carved celadon vase on a wooden base, h. 28‑1/2”, dia. 5‑1/4”, a celadon ginger jar on a wooden base, h. 24‑1/2”, dia. 6‑1/4”, and a pewter cockerel on an integral “rockwork” base, h. 35”, w. 14”, d. 8”. $800‑$1,200 798

799 Pair of Asian-Inspired Gray Metal Planters 20th century, with tapered sides, mounted with ring pulls and straps, the interiors with drainage holes. h. 15‑1/2”, w. 16”, d. 16” $500‑$800

799

800 Suite of Eight Salterini-Style Brass and Wrought Iron Garden Chairs 20th century, each with a brass finial, woven metal back and seat, and open arms, now sandblasted and powder-painted black. h. 37‑3/8” $600‑$900

800

260

802 801

801 Classical-Style Polychrome and Marble-Top Center Table composed of antique elements, the circular black marble top supported by a large turned and fluted standard. h. 28”, dia. 38” $700‑$1,000 802 Pair of Gilt-Metal and Blue Opaline Chandeliers 20th century, each with a gilt-metal frame hung with swags of opaline beads and drops, and mounted with opaline drip pans. h. 18”, dia. 12”

803

$600‑$900 803 Unusual Pair of Continental Turned Marble Lamps first quarter 20th century, with stepped bases and turned standards. h. 26”, dia. 6‑1/2” $700‑$1,000 804 Pair of Marble Architectural Balusters late 19th century and later, urn form and turned with cove molding, on square plinths, now mounted as lamps. overall h. 36‑1/2”, dia. 9” $700‑$1,000 804

261

805

805 Pair of Ebonized and Brass-Mounted Iron Four-Post Twin Beds early 20th century, each with tubular posts ending in brass ball finials and fitted with iron rails and a spring-mounted frame. h. 116”, outside w. 43”, l. 77” Provenance: Ursuline Academy, New Orleans, Louisiana. $800‑$1,200

806 Neoclassical-Style Brushed Steel and Slate-Top Side Table 20th century, the tapered steel legs joined by curved stretchers, the top with a textured surface. h. 22‑1/2”, w. 24‑1/2”, d. 24‑1/2” $500‑$800 807 Mario Villa Brushed Steel and Brass-Bound Glass-Top Cocktail Table in the neoclassical taste, the ends with crossed fern leaves joined by a steel bar stretcher. h. 22”, w. 50”, d. 31” $600‑$900

806

262

807

$1,500‑$2,500 808 John Sexton (American/California, b. 1953) “White Branch, Merced River, Yosemite Valley, California”, 1974 silver gelatin print pencil-signed and dated in lower margin, artist stamp with title and date en verso, printed 1981. Glazed, matted, and framed. image 10‑1/4” x 13”, framed 16‑1/4” x 20‑1/4” 808

$600‑$900 809 Michelle L. Elmore (American/Louisiana, b. 1970) “Lady Luck Blind: Fantastic Stories Series”, 2000 color photograph unsigned. Glazed and framed. 40” x 60”, framed 43” x 62‑3/4” $600‑$900

809

810 Jacques Henri Lartigue (French, 1894‑1986) “Villerville, My Cousin Simone” gelatin silver print 1978 English edition printing from a 1904 negative, pencilnumbered “263/5,000” lower right, mounted in an archival presentation portfolio with embossed stamp. photo 6‑1/8” x 8‑1/2”, portfolio 16” x 13” Glazed, matted, and framed. Provenance: G. Ray Hawkins Gallery, Santa Monica, California; Private collection, New Orleans, Louisiana.

810

$800‑$1,200 811 Edward Weston (American, 1886‑1958) “Lake Tenaya, Yosemite National Park” gelatin silver print later printing by Cole Weston from a 1937 negative, inscribed “T.L.1g”, titled, signed by Cole Weston, and with Edward Weston estate stamp en verso. Mounted, matted, glazed and framed. photo 7‑3/8” x 9‑1/2”, mount 13‑1/4” x 15” Provenance: The Northgate Galleries, Jackson, Mississippi; Private collection, New Orleans, Louisiana. 811

263

812 Pair of Classical Revival Silver-Plated Brass Andirons ca. 1900, American, with faceted bases supporting Ionic capitals with ball finials, and matching log stops. h. 28‑1/2”, w. 7”, d. 25” $600‑$900

812

813 Pair of Classical Revival Silver-Plated Brass Andirons ca. 1908, American, on ogee-molded bases with Ionic column standards and ball finials, the billet bars marked “Patented Dec 08, 1908”. h. 29‑1/2”, w. 7‑3/4”, d. 24‑1/2” $600‑$900

813

814 Pair of Colonial Revival Silver-Plated Brass Andirons 20th century, American, in the New York taste, with “Chinese” feet, signed indistinctly on the billet bars. h. 26‑1/2”, w. 10‑1/2”, d. 10” $600‑$900

814

264

815 816

815 Mid-Century Modern Walnut Time-Life Stool ca. 1965, attributed to Herman Miller Co., after a design by Charles and Ray Eames, the dished top on a turned pedestal with flaring base. h. 15”

817 Contemporary Burled Elm, Mahogany and Kingwood Cocktail Table of neoclassical inspiration, the shaped top with highly figured burl veneers, the slightly concave apron fitted with a drawer on each side, raised on paneled legs joined by paired serpentine X-form stretchers. h. 20‑1/2”, w. 56”, d. 34”

$600‑$900 816 Pair of Modern Leather Swivel Pub Chairs each with a serpentine padded back, joined to a cushioned seat by like arms, over a knife-edge skirt. h. 35”, w. 28”

$600‑$900

$800‑$1,200

817

265

818

818 Unusual Pair of Carved Marble Lamps 20th century, with pierced, looped carving at the tops of the standards, the edge of the integral bowls, and the foot, mounted on lucite bases. h. 33”, w. 18”, d. 13‑1/2” $800‑$1,200

819

819 Italian Alabaster and Brass Floor Lamp first quarter 20th century, on a square base with an Egyptianinspired columnar standard, decorated with inset brass banding. h. 49”, w. 10‑1/2”, d. 10‑1/2” $600‑$900 820 Pair of Polychrome Circular Bar Stools in the Regency Taste each covered in faux brown leather and raised on turned and reeded legs joined by a circular molded stretcher/footrest. h. 25”, dia. 20”

821 French Oak and Faux Bamboo Writing Desk 20th century, with an inset distressed mirrored top, the front apron fitted with a drawer, raised on turned legs joined by stretchers. h. 29‑1/2”, w. 37”, d. 21” $500‑$800

$500‑$800

820

266

821

822 Contemporary Argente and Parcel-Gilt Steel and Upholstered Bench the long cushion on a metal trestle base, the supports ornamented with ebonized spheres and a central gilt ring. h. 17‑1/2”, w. 48”, d. 13‑3/4” 822

$500‑$800

823 Four Mid-Century Brass and Crystal Sconces 20th century, Canadian, the sconces decorated with pairs of opposing etched glass panels, mounted with contemporary polished brass mounts. h. 16‑1/2”, w. 11”, d. 5” $700‑$1,000

823

824 Suite of Four Modern Giltwood and Paint-Decorated Armchairs late 20th century, of neoclassical inspiration, each with a concave back joined to scroll arms, a shaped seat rail and tapering square legs, each with a padded seat cushion in gold and tan cut velvet. h. 36‑3/4” $1,000‑$1,500

824

267

826

827 Pair of Arts and Crafts Patinated Metal and Mica Table Lamps 825 825 Italian Painted Metal Hanging Bird Cage

20th century, the rope-trimmed circular birdcage with tasselform finials at the corners and base, the corners set with round brackets for plants. h. 48”, dia. 24”

post-1924, Brooklyn, New York, signed “MSLC, Mutual Sunset Lamp Manufacturing”, the spiral-decorated standards with round bases and ball feet, set with mica shades with metal mounts. h. 23‑1/2”, dia. 14” $700‑$1,000 828 Pair of Enameled Brass Candelabra

$600‑$900 826 Pair of French Ormolu-Mounted Mahogany Side Tables mid-20th century, each with a circular top and a brass-bound rim, and shaped brass legs with stork heads joined by a circular shelf below. h. 30”, dia. 20”

first quarter 20th century, Eastern European, each three-light candelabrum decorated with religious symbols, astrological signs and trimmed with semi-precious stones. h. 17‑3/4”, w. 8‑1/4”, d. 6‑3/4” $800‑$1,200

$700‑$1,000

827

268

828

829 Gilt-Metal and Glass Drinks Trolley 20th century, with scalloped edges around the smoked glass shelves, the scrolled front wheels framing three bottle holders, with an additional pair of holders on the back. h. 31”, w. 40”, d. 14‑1/2” $600‑$900

829

830 Rosewood, Maple and Parcel-Gilt Credenza/ Cabinet 20th century, in the Adam taste, with curved corners and fitted with a single drawer over a pair of doors. h. 36‑1/2”, w. 42”, d. 16” $600‑$900

830

831 Interesting Carved Mahogany and String-Inlaid Marble-Top Side Table early 20th century, in the Directoire taste, the inset octagonal white marble top supported by a tapered standard and raised on three outstretched legs. h. 26‑1/2”, w. 22‑1/2”, d. 22‑1/2” $600‑$900

831

269

832 Suite of Six LeatherUpholstered Occasional Chairs mid-20th century, consisting of two armchairs, h. 36”, w. 26‑1/2”, d. 26”, and four side chairs, h. 36”, w. 24”, d. 24”, each with an arched back and raised on tapering square legs. $600‑$900 832

833 Patinated Bronze, Polished Steel and Brass “Tour Eiffel” Coffee Table after a design by Jean Royere (1901‑1981), fitted with a plate glass top. h. 18”, w. 48”, d. 24” $500‑$800

833

834 Art Nouveau-Style Cherrywood Dining Table second half 20th century, the shaped top opening to accommodate two 18” leaves, raised on turned and tapered legs. h. 29‑1/2”, w. 42”, l. 66”, ext. l. 102” $800‑$1,200 834

270

835

835 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912‑1997)

836

“Four for the CAC”, 1980 serigraph on paper pencil-signed, titled, dated and numbered “273/350.” Glazed, matted, and framed. sight 16‑1/2” x 22”, framed 25” x 30‑1/4” $800‑$1,200 836 Ann Cooper (American/Louisiana, 1935‑2005) “Restaurant Dining Room” oil on canvas signed lower right. Framed. 16” x 12”, framed 16‑3/4” x 12‑3/4” $500‑$800 837 James Louis Steg (American/Louisiana, 1922‑2001) “Standing Figure”, 1968 flocked serigraph signed and dated lower right, titled and numbered “3/6” lower left. Glazed, float-mounted and framed. sheet 24” x 18‑3/4”, framed 32” x 25‑1/2” $500‑$800

837

271

838 David Shapiro (American, 1944‑2014) “Suki II”, 1979 color lithograph on rag paper pencil-signed and dated lower center and titled lower right, numbered “13/35”. Glazed, float-mounted and framed. sheet 25” x 20‑1/2”, framed 33” x 28‑1/2” Provenance: The corporate collection of Freeport-McMoRan Inc., New Orleans, Louisiana. $500‑$800

839 Walter Inglis Anderson (American/Mississippi, 1903‑1965) “Pitcher Plant” watercolor enhanced wood block print unsigned. Glazed, float-mounted and framed. 19‑1/4” x 19”, framed 25‑1/4” x 24‑1/4”

838

840 Dorothy Hood (American/Texas, 1919‑2000) “Untitled Abstraction”

Literature: Illustrated in Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson, Jackson: University Press of Mississippi, 2007, p. 72.

watercolor signed lower right, a “Meredith Long & Company, Houston, Texas” label en verso. Glazed, mounted, and framed. sight 12‑1/2” x 12‑1/2” (circular), framed 22” x 22”

$800‑$1,200

$600‑$900

839

272

840

841

841 Mid-Century Modern Birch and Leather-Covered Day Bed attributed to Paul McCobb, with matching headboard and footboard, with tapering lathe-turned spindles and turned crossbar, the cushion covered in cream leather. h. 21‑1/2”, w. 42‑1/2”, l. 82” Provenance: High Style Deco, New York, New York; Private collection, New York, New York.

842 Suite of Four De La Espada Walnut and Suede-Covered Armchairs of mid centry modern design, the back rests and seats covered in cream suede, with square armrests, legs and stretchers. h. 32”, w. 22”, d. 22” $500‑$800

$3,000‑$5,000

842

273

843 Lonnie B. Holley (American/Alabama, b. 1950) “Janus-Faced Warriors” sand and polymer on shaped wood base unsigned. overall h. 22‑1/2”, w. 12‑1/2” $800‑$1,200

843

844 Barbara Hodgkins (American/Contemporary)

843 detail

“Ammonoid” fossil, sterling silver and mahogany on an integral support base, artist plaque on base with incised signature and quote from Saki “Oh Fossil wrought and formed/ how long the eons past your shade/bring now reflections of a glorious age”. overall h. 63‑1/2”, w. 21”, d. 17” $500‑$800

845 Cattelan Italia “Valentino” Dining Table contemporary, designed by Emanuele Zenere, with a thick beveled glass top resting on a blonde walnut V-form base with a cylindrical travertine support block. h. 29”, w. 42”, l. 82” $700‑$1,000

844 845

274

846

846 Joanne Platou (American/New Orleans, 1919‑2000)

847 Justin Garcia (American/Texas, Contemporary)

“XIV”, “XXII”, “XXXVI”, “XXXXVIII”, “LV” and “LXII”, 1964

“Untitled Abstraction”

six oils on boards two signed, dated and inscribed “NOLA”, each titled en verso. Framed alike. each 5” x 8”, framed 10‑3/4” x 13‑1/4”

oil and mixed media on canvas signed lower right. Unframed. 28” x 54”

$800‑$1,200

$2,000‑$4,000

847

275

848 Justin Garcia (American/Texas, Contemporary) “Abstract” oil on canvas signed lower right. Unframed. 24‑1/4” x 24” $1,000‑$1,500

848

849 Louise Guidry (American/Louisiana, b. 1930) “Galaxies” acrylic on gallery-wrapped canvas signed lower left. Unframed. 30” x 24” $1,000‑$1,500

849

276

850 Louise Guidry (American/Louisiana, b. 1930) “Against the Grain” acrylic on gallery-wrapped canvas signed lower right. Unframed. 36” x 36” $1,000‑$1,500

851 Open Lot

850

852 Luke Fontana (American/Louisiana, Contemporary) “Abstract I”, 2017 “Abstract II”, 2017 pair of acrylics on canvas, the former with additional mixed media each signed lower right, each signed, dated and localized "Fauberg Marigny, New Orleans...." en verso. In matching Omar Aloui cypress frames. 24” x 30” and 24” x 36”, framed 25” x 31” and 25” x 37” $500‑$800

852

277

853 Justin Forbes (American/Louisiana, b. 1967) “Fats Houston Performing at the New Orleans Jazz and Heritage Festival, 1975”, 2006, and “Anderson Minor, Olympia Brass Band”, 2006 two oils on canvas the first signed “Justin Forbes” and dated lower left and signed “Luke Fontana” lower right; the second signed and dated lower right each signed and dated en verso the former inscribed en verso “Painted using the photographic reference of Luke Fontana--For Luke Fontana--from fellow New Orleans artist”, and latter inscribed “Painted using Luke Fontana’s photographs as reference and inspiration...” Together with a photographic print and an oil-enhanced photo of Fats Domino, both signed lower right “Luke Fontana”. Three unframed and one glazed, matted and framed. two 16” x 20”, one 13” x 20”, one overall 15” x 19” $1,000‑$1,500 853

854 Amzie Adams (American/Louisiana, Contemporary) “1008/1010 Louisa Street, Bywater” “New Orleans House”, 2015 pair of acrylics on gallery-stretched canvas each signed lower right, former signed, titled, inscribed by Luke Fontana en verso. Together with a silver gelatin photo of Amzie Adams by Luke Fontana, signed lower right and inscribed en verso, and an artistenhanced photo on canvas of Amzie Adams by Luke Fontana, signed and inscribed en verso; the last matted, glazed and framed. 17‑3/4” x 24”, 20” x 24”, sights 13” x 18‑1/2” and 20” x 16”, respectively; photo framed 19” x 14‑1/2” $500‑$800

854

278

855 Allison Stewart (American/Louisiana, b. 1941) “New Terrain #3” monotype laid on wood panel signed and titled en verso. Unframed but fitted for hanging. 12” x 12” $800‑$1,200

855

856 George Rodrigue (American/Louisiana, 1944‑2013) “Blue Dog and Female Nudes” 15 remastered digital screen prints each signed and numbered “1/5” either lower right or left. Matching frames. ranging from 10‑1/2” x 7‑1/4” to 19‑1/2” x 20‑1/2”, framed ranging from 11‑1/2” x 8‑1/4” to 20‑1/4” x 21‑1/4” Provenance: Commissioned from the artist by a private collector, Houston, Texas $3,000‑$5,000

856

279

857 George Rodrigue (American/Louisiana, 1944‑2013) “Sometimes I feel like a Blue Dog: Rodrigue Gallery of New Orleans, Inc., Royal St.” silkscreen signed and numbered “62/90” lower left, titled lower right. Matted and framed. sight 24‑3/4” x 22”, framed 30” x 27” $800‑$1,200

857

858 Hunt Slonem (American/Louisiana, b. 1951) “Cockatoos”, 1996 screen print pencil-signed, titled, dated and numbered “A.P. II/IV” lower margin. Glazed and framed. sight 29” x 21”, framed 37‑1/2” x 29‑1/2” $700‑$1,000

858

280

859 Hunt Slonem (American, b. 1951) “Suite Butterflies 1”, 1999 screen print pencil-signed, titled, dated and and numbered “A.P. I/III” lower margin. Glazed and framed. sight 25‑3/4” x 37”, framed 45‑1/2” x 55‑1/2” $800‑$1,200

859

860 Romare Bearden (American/North Carolina, 1911‑1988) “The Lantern”, 1979 color lithograph on paper signed in plate and numbered “A.P.” lower margin. Glazed and framed. sheet 28‑1/2” x 20”, framed 42‑1/4” x 32‑1/4” $500‑$800

860

281

861

862

863

864

861 Turkish Agra Carpet 8’ 2” x 10’ 2” $600‑$900

282

862 Semi-Antique Tabriz Carpet

863 Semi-Antique Silk and Wool Tabriz Carpet

864 Semi-Antique Kashan Carpet

9’ 9” x 12’ 7”

4’ 3” x 6’

10’ x 14’ 3”

$500‑$800

$600‑$900

866

865

867

865 Turkish Angora Oushak Carpet

867 Turkish Angora Oushak Carpet

9’ 1” x 11’ 10”

8’ x 9’ 10”

$700‑$1,000

$500‑$800

866 Peshawar Sultanabad Carpet

868 Turkish Angora Oushak Runner

8’ 10” x 11’ 2”

2’ 7” x 29’ 1”

$500‑$800

$600‑$900

868

283

869 Turkish Angora Oushak Carpet 9’ 3” x 11’ 10” $700‑$1,000

870 Turkish Angora Oushak Runner 2’ 5” x 29’ 6” $1,000‑$1,500

871 Turkish Angora Oushak Carpet 8’ 2” x 10’ 1” $700‑$1,000

869

871 870

284

872

873

875

874

872 Turkish Angora Oushak Carpet

873 Antique Bijar Carpet

874 Agra Karajeh Carpet

875 Semi-Antique Shiraz Carpet

8’ 3” x 9’ 10”

6’ 9” x 16’

11’ 8” x 14’ 8”

5’ 6” x 8’ 7”

$500‑$800

$1,200‑$1,800

$1,400‑$1,800

$500‑$800

285

876 American Chippendale Mahogany Slant-Lid Desk 18th century, the lid with a deeply carved fan and opening to a fitted interior with the center drawer having the same carved fan of small proportions, the base fitted with four graduated long drawers and the whole raised on ball-and-claw feet. h. 42‑1/2”, w. 39”, d. 21” Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $700‑$1,000 877 American Walnut Tall Chest in the Chippendale Taste second half 18th century, the cove-molded cornice over a bank of six graduated drawers, the upper two with panels simulating three and two drawers, respectively, the drawers flanked by fluted pilasters, raised on bracket feet. h. 65”, w. 43”, d. 24‑1/2”

876

$800‑$1,200 878 American Federal Walnut and String-Inlaid Secretary Bookcase ca. 1800, the broken arch swan’s-neck pediment with turned finials, above a pair of framed and paneled doors, each with a line-inlaid diamond on the central panel, the lower case with a slant lid opening to a fitted interior and four graduated long drawers below, the fitted interior concealing a secret compartment with five hidden drawers which can be accessed through a series of manuevers. h. 90‑1/2”, w. 40”, d. 21” $700‑$1,000

877

286

878

879 Two Early American Fold-Over Games Tables one mahogany in the Chippendale taste, late 18th century, with a serpentine top above a single long drawer with a dentillated molding below and raised on Marlborough legs, h. 29”, w. 34‑1/2”, d. 17” (closed), and the other cherrywood in the Federal taste, ca. 1800, also with a serpentine top over a small drawer outlined with a string-inlaid border, scalloped skirt and raised on tapered legs, h. 29”, w. 35‑1/2”, d. 17‑1/2” (closed).

879

$600‑$900 880 American Queen Anne Cherry Bonnet-Top High Chest 18th century, probably Connecticut, with a broken-arch pediment with a central spindleturned finial, the central top drawer with a carved full-round fan and flanked by two small drawers over four graduated long drawers, the base with a central fan-carved drawer flanked by a drawer to each side, raised on tall Queen Anne cabriole legs. h. 82‑1/2”, w. 34”, d. 19” $1,000‑$1,500

881

881 American Queen Anne-Style Tiger Maple Double Drop-Leaf Dining Tables bench-made by Eldred Wheeler, Hingham, Massachusetts, and bearing his paper label, consisting of a pair of swing-leg drop-leaf tables designed to attach together to form a larger table. each h. 30”, w. 43”, d. 18”, ext. l. 46” $700‑$1,000

880

287

882 Painted Cut Silhouette of Martin Van Buren, the Eighth U.S. President (1837‑1841) 1841, by Auguste Edouart (French, 1789‑1861), the reverse autographed and dated by Van Buren, the frame backing with an “Arthur S. Vernay, New York” label. Matted, glazed and framed. 11‑3/4” x 5‑1/4”, overall 12‑1/2” x 6” $500‑$800 883 Carved Mahogany Banjo Clock ca. 1900, attributed to E. Howard, No. 5, with a painted tin dial, black and gilt door and throat tablets, unsigned. h. 28‑3/4”, w. 10‑3/4”, d. 3‑1/2” Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $600‑$900

882

883

884 American Federal Walnut and Line-Strung Chest

885 American Federal Inlaid Mahogany Fold-Over Games Table

ca. 1800, in the Hepplewhite taste, each of the four graduated drawers with inlaid line-stringing and a shield-form escutcheon, the perimeter edges beaded, over a scalloped apron and flare feet. h. 41”, w. 40‑1/2”, d. 19‑1/4”

ca. 1790‑1810, New England, purportedly to have been owned by Thomas Jefferson, the shaped top with a banded leading edge above an inlaid oval panel in the front apron and raised on tapered legs with inlaid cuffs. h. 29‑3/4”, w. 36”, d. 16‑1/2”

$800‑$1,200

Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $700‑$1,000

885 884

288

886 American Federal Line-Inlaid Mahogany Sideboard ca. 1800, in the Hepplewhite taste, the projecting cutlery drawer over a recessed door flanked by bottle drawers, the curved ends with a drawer over a door, raised on tapering legs edged with line stringing. h. 42‑1/2”, w. 73”, d. 27‑3/4” $600‑$900 887 Unusual American Rosewood and Maple-Inlaid Game Table mid-19th century, the top with alternating bands of rosewood and maple, the game board set with alternating squares of rosewood and maple, each side fitted with a banded drawer, mounted to an octagonal block-inlaid standard with a shaped platform base. h. 28‑1/2”, w. 33‑1/2”, d. 32‑1/2”

886

$800‑$1,200 888 Labeled Hitchcock Ebonized and Stenciled NinePiece Dining Suite comprised of Sheraton fancy chairs, including seven side chairs and one armchair, each labeled “L. Hitchcock Hitchcocksville Conn. Warranteed”, h. 34”, together with a Queen Anne-style dining table with three leaves and pad feet, h. 29‑1/2”, w. 44”, l. 66”, ext. l. 96”. Crafted during the 1950s interest in Colonial Revival and Early American furniture, this suite is accompanied by the manufacturer’s catalogue. The present model is illustrated in “No 233 Turtle Rush Seat”. $600‑$900 888

888

887

289

890 Pair of Colonial Revival Brass, Bronze and Eglomise Sconces 889 Pair of Colonial Revival Metal and Eglomise Sconces

the two-light sconces with eglomise panels decorated with sailing ships, set with a pair of candle arms. h. 17‑1/2”, w. 9‑1/2”, d. 5‑1/4”

first quarter 20th century, decorated with early ships, set with a pair of adjustable candle branches. h. 21‑3/4”, w. 7”, d. 7”

$600‑$900

$500‑$800

891 Unusual Patinated and Cold-Painted Bronze Carousel Horse 20th century, the saddled horse modeled with one front leg raised, on an iron support. h. 71”, w. 65”, d. 18 $1,000‑$1,500

889

891

890

290

892 American School (Late 18th/Early 19th Century) “Pendant Portrait of Husband and Wife” pair of pastels on paper on canvas unsigned. In matching antique frames. each 23” x 19”, framed 27” x 23” Provenance: Mississippi; Morton M. Goldberg Auction Galleries, Inc., Louisiana Purchase Auction, October 27, 1990, lot 277; Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000 892

893 American School, Possibly South Carolina (First Quarter 19th Century) “Portrait of a Young Gentleman, Possibly Charleston, South Carolina” oil on wood panel unsigned, with a label attribution to Charles Fraser (1782‑1860) and with a provenance of “Schindler’s Antiques, Charleston, 1970”. In a period birdseye maple frame. 12‑3/4” x 10‑1/2”, framed 16‑5/8” x 14‑5/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

893

894 American/Southern School (Mid-19th Century) “Portrait of a Handsome Gentleman” oil on canvas unsigned, “Edward Dechaux, New York” canvas stamp en verso. In a period frame. 27” x 22”, framed 36” x 31” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

894

291

895

895 After Joseph Henry Busch (American/Kentucky, 1794‑1865) “Portrait of Richard Pindell (1812‑1870) of Lexington, Kentucky and His Wife, Anna Bell Pindell nee Monroe (d. 1873)” pair of oils on canvas Presented in matching frames. each 27‑1/2” x 22‑1/2”, framed 35‑1/2” x 30‑3/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $800‑$1,200

896 American School (Mid-19th Century) “Portrait of a Handsome Young Man” oil on canvas unsigned. Framed. 28” x 22”, framed 31‑1/2” x 25‑3/4” $500‑$800

896

292

897 American School (19th Century) “Portrait of a Young Woman” oil on canvas handwritten label en verso with an attribution to W. B. Wright (American/Geneva, N.Y., act. 1841) and identifying the sitter as a member of the John Hampden Randolph Family of Nottoway Plantation, White Castle, Louisiana. In a period frame. 33” x 27‑3/4”, framed 42” x 36‑1/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

898 American School (19th Century)

897

“Harrison Jones (1818‑1854) and His Wife Susan Matilda Constant Jones (1828‑1899) of Caldwell’s Landing, Rockland County, New York” pair of oils on canvas unsigned, each with handwritten note identifying sitters and latter with “Edwd. Dechaux, N.Y.” canvas stamp en verso. In matching period giltwood and gesso frames. each 34” x 27”, framed 46” x 39” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Gazlay Family History - Rev. Silas Constant and 56 of his descendants, www.gazlayfamilyhistory.org/book. $1,000‑$1,500

New York provisioner Harrison Jones was born around 1818 in Connecticut (or New York - accounts differ) and on September 9, 1846 married Susan Matilda Constant at the Reformed Church of Cortlandtown in Montrose, Westchester county New York. She was born on April 22, 1828 in Peekskill, the daughter of Lewis Constant and Eliza Nelson, later of Caldwell’s Landing, Rockwell county, New York. The couple had four children, three of whom survived into adulthood. Sadly, Harrison Jones died on March 20, 1854 while on a business trip to Jacksonville, Florida. Susan Constant Jones never remarried, and lived in Westchester county until about 1880, when she and her children moved to Greenfield, Massachusetts. She died there on August 1, 1899; she and her husband are both buried in Green-Wood Cemetery in Brooklyn, New York. Her two sons Harrison Jones, Jr. (1849‑1935) and Albert W. Jones (1853‑1929) were prominent stationers in Greenfield; they retired and sold their stationery company in 1922. Neither they, nor their sister Florence L. Jones (1851‑1913), ever married or had children.

898

293

900

899

899 British School (Second/Third Quarter 19th Century) “Pair of Portrait Silhouettes of a Man and a Woman” cut-outs on card heightened with gold and watercolor wash foreground each unsigned. Glazed in near matching period bird’s-eye maple frames. each sight 11‑1/4” x 9‑1/4”, framed 14‑3/8” x 12‑1/4” and 14‑1/8” x 12‑1/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200 900 Auguste Edouart (French, active U.K., U.S., 1789‑1861) Two British Portrait Silhouettes of a Father and Children at Play paper cut-outs on card including “Man, His Son and Dog”, 1829, signed, dated lower left, localized “Oxford” and further inscribed lower right; “Miss Elizabeth Rebecca Henderson Watson with Her Doll”, Edinburgh, 1831, sitter, date and locale identified in “keyhole” cut en verso; together with an F. Frith (British, act. ca. 1837‑1854), “Little Boy with His Riding Whip”, 1841, signed and dated en verso. Each glazed and framed.

901 Auguste Edouart (French, active U.K., U.S., 1789‑1861) Three Portrait Silhouettes of a British Captain, a Colonel and a Lady paper cut-outs on card including “Captain Maule”, Edinburgh, Jan. 27, 1830; “Colonel Peter Ludwick”, Cheltenham, 1829; “Miss Rebecca Liuden”, Birmingham/Leamingham, Nov. 28, 1837. Each sitter identified, dated and localized in “keyhole” cut en verso and stamped “Mrs. F. Nevill Jackson”. Each glazed and presented in matching period bird’s-eye maple frames. sight 9‑1/2” x 6” to 9‑5/8” x 8‑1/8”, framed 11‑1/8” x 10‑5/8” to 13‑1/4” x 9‑1/2” Provenance: Silhouettes of the Captain and the Colonel, Doyle, New York, New York, May 1, 2007, lot 3172. All three, Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K.; Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

sights 10‑3/4” x 10‑1/2”, 8‑1/4” x 5‑3/8” and 7” x 5‑1/2”, respectively; framed 13‑1/2” x 13”, 10‑3/4” x 8‑3/4” and 9‑1/2” x 8‑1/4”, respectively Provenance: The silhouette of Miss Watson, Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K. All three silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

294

901

902 Auguste Edouart (French, active U.K., U.S., 1789‑1861) Two Portrait Silhouettes each cut-out on lithograph background the first, “Darby O’Grady, Esq., 1836 (d. 1857), sitter’s name and peerage inscribed in pencil on frame backing; together with an “English Gentleman with a Cane”, 1830, label en verso. Each signed and dated lower left. Each glazed and framed. sights 10‑1/4” x 6‑3/4” and 10‑1/2” x 6‑7/8”, respectively; framed 13‑3/8” x 9‑3/4” and 13‑7/8” x 10”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. One of the historic noble families of Ireland, the O’Gradys of Kilballyowen, County Limerick, are one of the few to retain an acknowledged “Chief of the Name”. The subject of this fine, full-length silhouette, Darby O’Grady, was the eldest son of the Sheriff of County Limerick. He wed Ellen George of County Cork, with whom he had ten children. His youngest sibling, Standish, served as Attorney General, was named Lord Chief Baron of the Exchequer (Ireland), and was made 1st Viscount Guillamere and 1st Baron O’Grady, in 1831; the title ceased in 1955, upon the death of the 9th Viscount without issue. $800‑$1,200

902

903 Auguste Edouart (French, active U.K., U.S., 1789‑1861) Two Portrait Silhouettes of English Gentlemen each cut-out on pencil and sepia ink wash background including a “Young Scholar Standing in Front of the Chapel at King’s College, Cambridge in the Background”, 1829, signed and dated lower left, and a “Young Man/Attorney Standing in a Library”, 1839. Each glazed and framed. sights 10‑5/8” x 6‑3/4” and 10‑3/4” x 7‑3/4”, respectively; framed 15‑1/4” x 11‑1/2” and 14‑3/4” x 11‑3/4”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

903

904 Auguste Edouart (French, active U.K., U.S., 1789‑1861) Two English Portrait Silhouettes each cut-out on lithograph background including “Mrs. Malloch with a Book in Her Parlor”, 1832, sitter identified en verso; and “Gentleman Holding a Document in a Library”, 1836, each signed and dated lower left. Each glazed and framed. sights 10‑1/4” x 6‑3/8” and 9” x 6‑5/8”, respectively; framed 12‑7/8” x 9‑1/4” and 15” x 10‑1/2”, respectively Provenance: Portrait of the lady, Peggy McClard American and Folk Art, Houston, Texas. Both, Estate of Dr. Carroll Ball, Jackson, Mississippi.

904

$800‑$1,200

295

905 Auguste Edouart (French, active U.K., U.S., 1789‑1861) “Wedding Portrait Silhouette of Mr. and Mrs. James Ker, Esq. Exchanging Rings”, Edinburgh, June 24, 1829 cut-out on card sitters identified in cut-outs en recto and in “keyhole” cuts en verso with “Mrs. F. Nevill Jackson” stamp; together with portrait silhouettes of “Miss Harriet Gorter”, Birmingham, 1838, and “Amadee Armand”, ca. 1851, each cut-out on card, sitters identified in cut-outs en recto. Each glazed and framed. sights 11‑1/2” x 9‑1/4” and 11” x 8‑1/2”, respectively; framed 14‑1/2” x 12‑1/2” and 14‑1/4” x 11‑1/2”, respectively Provenance: The wedding portrait, Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K. Both, Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: The Kers listed in Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 145.

905

906 Collection of Five Portrait Silhouette Busts including four hollow-cut ones over black card of two men and two ladies, and a bust of a gentleman, cut-out on white card heightened with white gouache . Each glazed and framed. sights 3‑1/2” x 2‑3/4” to 4‑3/4” x 3‑3/8”, framed 5‑1/8” x 4‑3/8” to 9‑1/4” x 7‑3/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000‑$1,500

$700‑$1,000

906

296

907

907 American Late Classical Mahogany Sofa second quarter 19th century, probably Boston, with a figural and molded crest rail with ring-turned ball finials, scroll arms, a seat rail with a molded panel and scroll legs, upholstered after the period fashion in black horsehair fabric. h. 34”, w. 87‑1/2”, d. 22” $500‑$800 908 American Late Classical Mahogany Sideboard second quarter 19th century, the top with a tripartite backboard centered by a foliate-carved rosette in a carved diamond-shaped panel and flanked on each end by a carved urn, the case with a pair of drawers over a pair of recessed bowed doors ending in panels, creating a demi-lune-form when closed, flanked by turned pilasters with Ionic capitals, raised on carved paw feet. h. 54‑1/4”, w. 54”, d. 26”

909 American Late Classical Mahogany and Marble-Top Pier Table second quarter 19th century, the rectilinear marble top over a cyma-molded frieze, supported by a lyre-form scroll pedestal fitted with a looking glass, the molded platform base raised on scroll feet. h. 37‑3/4”, w. 34‑1/4”, d. 17‑1/4” $800‑$1,200

$500‑$800

908

909

297

910 American Late Classical Mahogany Chest second quarter 19th century, New England, the top with a pair of recessed beaded drawers with a scroll backboard, the case with a projecting drawer over a bank of three drawers, flanked by tapering columns and supported by turned legs. h. 48‑1/2”, w. 43‑1/2”, d. 20‑1/4” $600‑$900 911 American Late Classical Mahogany Side Table second quarter 19th century, the square top with an ogeemolded apron and mounted to a square standard and molded base with four outstretched legs. h. 28”, w. 34”, d. 34” $500‑$800

910

912 Pair of Classical Revival Silver-Plated Brass Andirons ca. 1900, American, each with four molded feet, the fluted column-form standards with brazier-form finials and molded flames. h. 26”, w. 9”, d. 28” $600‑$900 913 American Classical Mahogany Game Table ca. 1825, the highly figured fold-over top over a molded apron, raised on a pair of tapering columns on a trestle-form base, the scroll legs with foliate carving on three sides. h. 29”, w. 36”, d. 17‑7/8”, ext. l. 35‑3/4” $700‑$1,000 911

912

298

913

915

914

914 American Classical-Style Giltwood Tabernacle Mirror second quarter 19th century, with spiral-reeded columns, the cornice set with spherules over a molded basket of flowers, with medallions on the corners. h. 48”, w. 28” $700‑$1,000 915 American Late Classical Mahogany Recamier

916

Boston, second quarter 19th century, the molded and figural top rail with scroll end, the arms of upright scroll form with fancarved panels, above a molded seat rail and scroll legs, now upholstered in burgundy velvet. h. 33‑1/2”, w. 72‑1/2”, d. 23” $700‑$1,000 916 Pair of Paris Porcelain Urns second quarter 19th century, now mounted as lamps, with pierced swan handles, hand-painted with couples in period costume on the obverse and “Italian” scenes on the reverse. h. 22‑3/4”, w. 6”, d. 5‑1/2” $600‑$900 917 Pair of Austrian Porcelain Covered Garniture Urns ca. 1890‑1918, probably Josef Riedl, decorated with raised gilt on a cranberry ground, with hand-painted scenes after Angelica Kauffman, and identified on the base, marked with a “beehive” signed “Austria”. h. 17”, w. 7”, d. 5‑3/4”

917

$500‑$800

299

920

918

918 American Late Classical “Plum Pudding” Mahogany Dining Table second quarter 19th century, the circular top with a molded edge, the straight apron with applied lower molding, mounted to a cluster columnar split pedestal and four outstretched legs, with seven leaves of various widths. h. 29”, dia. 48”, ext. l. 137” $500‑$800 919 American Late Classical Mahogany Sideboard second quarter 19th century, with a band of three molded drawers over a pair of paneled doors, flanked by foliatecarved columns and single doors with like panels, raised on carved paw feet. h. 42‑1/2”, w. 64”, d. 21‑1/2”

920 Two American Late Classical Mahogany Game Tables the first table second quarter 19th century, with a fold-over top over a cyma-molded frieze, raised on scroll supports joined to a figural and molded base on scrolling bracket feet, h. 29‑7/8”, w. 37‑1/2”, d. 18‑1/2”, ext. l. 37”, the second table ca. 1900, with a serpentine top and apron, scroll supports and serpentine platform base, h. 28”, w. 32”, d. 17”, ext. l. 34”. $600‑$900

$500‑$800

919

300

921 L. Betts (American, 20th Century) “Tea Party: Young Girl and Her Dog” oil on panel signed lower right. Framed. 8‑1/4” x 10”, framed 15‑1/2” x 17” $600‑$900

921

922 Karl Bodmer (American, 1809‑1893) “Portrait of a Saint Bernard” oil on canvas signed lower right. Framed. 25” x 19”, framed 29” x 23‑1/2” $800‑$1,200

922

301

923 American Late Classical Mahogany Bookcase/ Cabinet mid-19th century, in two parts, the upper section with an arched cornice, concealing a hidden compartment at its top, over a pair of glazed doors, the base with a molded frieze drawer raised on paneled scroll columns, with a concave low shelf and scroll feet. h. 72‑3/4”, w. 44‑1/4”, d. 27” $500‑$800

924 American Late Classical Mahogany Pier Table second quarter 19th century, the wooden top with a molded edge, above a figured cyma-molded frieze and a lyre-form pedestal fitted with a looking glass, the ogeemolded platform base on scroll feet. h. 36‑1/4”, w. 37”, d. 17‑1/2” $600‑$900

925 American Late Classical Mahogany Game Table 923

second quarter 19th century, the fold-over top over a figural frieze, raised on a square column with a flaring base, above a concave platform with scroll feet. h. 29”, w. 38”, d. 19‑3/4”, ext. l. 39‑1/2” $500‑$800

924

302

925

926 Handsome English Neoclassical Giltwood Overmantel Mirror second quarter 19th century, English or American, the corners molded with bold floral medallions, the sides with double colonettes with lotus-molded capitals. h. 35”, w. 62‑1/2” $500‑$800

927 Paris Porcelain Neoclassical Urn

926

second quarter 19th century, handpainted with a view of a queen with a Roman gladiator in attendance, the Bay of Naples in the background, with handsome molded handles, and tooled gilt decoration on the reverse. h. 22‑1/2”, w. 11‑1/2”, d. 7” $700‑$1,000

928 Pair of English Enameled Glass Mantel Lustres mid-19th century, hung with prisms, the overlay sections decorated with enameled flowers. h. 12”, dia. 5‑1/2”

928

$500‑$800 927

929 American Classical Brass-Inlaid and Parcel-Ebonized Mahogany Center Table ca. 1830, Philadelphia, school of Quervelle, the circular tilt top with brass perimeter stringing, the molded apron with brass banding at its lower edge, raised on a crisply carved foliateand ring-turned pedestal joined to a concave base with a trio of carved paw feet. h. 28‑1/2”, dia. 48‑1/4” $800‑$1,200

929

303

930 Antebellum New Orleans Market Rosewood Triple-Section Armoire third quarter 19th century, attributed to the New Orleans warerooms of William and James McCracken, in the transitional Late Classical into Rococo Revival style, the arched projecting cornice with characteristic beading, over a central section with a pair of arched and paneled doors, over a pair of drawers, flanked by paneled side doors, the scalloped apron on distinctive cabochon-carved feet. h. 104”, w. 78”, d. 27” $1,200‑$1,800 931 American Classical Mahogany Pembroke Table ca. 1825, the top with drop leaves, the molded frieze fitted with a drawer on one end, raised on a leaf-carved vasiform pedestal joined to legs with like carving and terminating in hairy-paw feet. h. 29”, w. 22‑3/8”, d. 38”, ext. w. 43‑5/8” $700‑$1,000 932 American Classical Mahogany Chest ca. 1825, New England, the top with a recessed band of three drawers, the case with a projecting drawer over a pair of paneled doors, the apron trimmed with brass molding, raised on turned legs with brass ball feet. h. 48”, w. 43”, d. 22”

930

$700‑$1,000

932 931

304

933 Pair of Bohemian-Style Glass Vases 20th century, now mounted as lamps, the gilt-decorated cranberry vase-shaped lamps set with enameled opaline panels. h. 20‑1/2”, dia. 6‑1/4” $500‑$800

933

934 Pair of Gilt-Bronze-Mounted Paris Porcelain Moderator Lamps third quarter 19th century, the porcelain decorated with sprigs of fruit blossoms woven with a blue ribbon, on a cream ground, the gilt-bronze fittings decorated with pierced grapes. h. 34”, w. 7‑1/4”, d. 5‑1/2” $500‑$800

934

935 American Classical Revival Mahogany Work Table 20th century, the top flanked by drop leaves, over a bank of three molded drawers, raised on a foliate-carved vasiform pedestal, above a concave base with carved paw feet. h. 27‑1/2”, w. 16‑1/4”, d. 16‑3/4”, ext. l. 38‑1/2” $500‑$800

935

305

936 Two American Late Classical Mahogany Work Tables second quarter 19th century, each fitted with two drawers, drop leaves and square tapered standards, one supported by a shaped platform base with scrolled feet, and the other with a shaped platform base with turned feet. h. 29”, w. 18‑1/2”, d. 17‑1/4”, ext. w. 34‑3/4” $800‑$1,200

936

937 American Late Classical Mahogany Server/Sideboard mid-19th century, the projecting fold-out drawer with molded panels, opening to create a flat serving surface, over a pair of paneled doors flanked by scroll columns, raised on stack feet. h. 46‑1/2”, w. 49”, d. 26” $700‑$1,000

937

938 Two American Late Classical Figured Mahogany Game Tables second quarter 19th century, one with a serpentine fold-over top on a conforming frame, on scrolled supports, mounted to a complex molded base and raised on bracket feet, h. 29”, w. 36”, d. 18”, and the other with a rectangular top on an ogee-form apron, scrolled supports and mounted to a molded base with four outstretched legs, h. 29‑1/2”, w. 35‑1/2”, d. 17‑1/2”. $600‑$900 938

306

939 detail

939

939 St. Louis Coin Silver Presentation Pitcher third quarter 19th century, by Eugene Jaccard & Co., the ovoid body with straight collar and integral spout, decorated with repousse flowers and scrolls on a matte ground centering a rococo scroll cartouche, with acanthus-crested handle and domed circular pedestal foot, with milled leaf-and-cabochon banding throughout, engraved on the body with “Premium / St.L.A.M.A.” h. 14‑1/2”, l. 9”, dia. 6‑1/2”; 40.90 t. oz.

940 Large New York Coin Silver Fruit Bowl mid-19th century, by William Adams (1802‑1861), New York City, oval with richly decorated repousse floral band, engraved foliate bottom, with palmette-mounted stirrup handles and conforming pedestal foot, the foot and rim with milled oak-leaf banding. h. 6”, l. 16”, w. 10‑1/2”; 38.92 t. oz. $500‑$800

The inscription identifies this piece as an award presented by the St. Louis Agricultural and Mechanical Association, founded in 1855 and which conducted the annual St. Louis Exposition from 1856 until 1902. $500‑$800

940

307

941

941 Twenty-Four Pieces of American Coin, Sterling and Other Silver including: A “Fiddle” coin silver ladle, by Thomas W. Harper, fl. 1825‑1835, New York, New York, monogrammed “DP”, l. 13‑1/4”, 6.00 t. oz. A pair of “Fiddle” coin silver sauce ladles, by Gale, Wood & Hughes, fl. 1836‑1845, New York, New York, monogrammed “DP”, l. 7”, 2.81 total t. oz. An Albert Coles “Jenny Lind” sterling silver serving spade, the pattern introduced ca. 1850, retailed by Andrew Ellicott Warner (1786‑1870), Baltimore, Maryland, engraved “Eliza Gilman”, l. 10”, 2.90 t. oz. A Whiting “Laureate” sterling silver sauce ladle, introduced 1890, Providence, Rhode Island, engraved “Paul”, l. 6‑1/2”, 1.43 t. oz. A George W. Shiebler “Prince Albert” sterling silver tablespoon, designed 1865 by John Chandler Moore, New York, New York, engraved “Gilman”, l. 8‑3/4”, 1.81 t. oz. Eight Wood & Hughes “Prince Albert” coin silver place spoons, designed 1865 by John Chandler Moore, New York, New York, engraved “Gilman”, l. 7”, 10.45 total t. oz. Four George Aiken (1787‑1823) “Pointed Bright Cut” tablespoons, monogrammed “JSL”, l. 9‑3/4”, 8.29 total t. oz. An S. Kirk & Son “Mayflower” New Baltimore standard (.896) silver serving spoon, introduced in 1846, Baltimore, Maryland, monogrammed “CAG”, l. 10”, 3.12 t. oz. An S. Kirk & Son “Mayflower” New Baltimore standard (.896) silver cake knife, introduced in 1846, Baltimore, Maryland, diapered blade, engraved “Gilman”, l. 9‑3/4”, 3.40 t. oz. An S. Kirk & Son “Repousse” New Baltimore standard (.896) silver fruit knife, introduced in 1820, Baltimore, Maryland, engraved “John Gilman Paul Jan 31‑1887”, l. 7”, 1.61 t. oz. An S. Kirk & Son “Repousse” sterling silver luncheon knife, introduced in 1820, Baltimore, Maryland, “New French”-shaped stainless steel blade, l. 8‑3/4” An S. Kirk & Son “Repousse” sterling silver bottle opener, introduced in 1820, Baltimore, Maryland, stainless steel fitting, l. 6”

308

A Silver-Bound Gospel of St. Matthew in West Saxon, James Wilson Bright, ed., (Boston/London: D. E. Heath & Co., 1904), after the Bath manuscript of the Wessex Gospel in Corpus Christi, Cambridge, in red cloth with marbled endpapers, clad in a German .800 silver full jacket by Ludwig Neresheimer, hinged, pierced with hasp closure and decorated with scenes from the life of the Saviour surrounded by the apostles; the inside front with armorial bookplate of Paul and engraved on the inside of the jacket “Charlotte G. Paul”, 6‑1/4” x 3‑3/4”. 41.82 total t. oz. (weighable silver) Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. The various monograms and inscriptions on these pieces may nearly all be identified as belonging to John Gilman D’Arcy Paul (1887‑1872) and his ancestors, including the fruit knife with his birthdate, the West Saxon Gospel of his mother, Charlotte Abbott Gilman Paul (1861‑1864), the ladles of his father, D’Arcy Paul (1854‑1890), and the “Jenny Lind” serving spade of his grandmother Elizabeth Weyl Gilman (1830‑1889). The papers of the Gilman and Paul families are conserved at the Maryland Historical Society. $800‑$1,200

942

942 Sixteen Tiffany & Co. “Persian” Sterling Silver Dinner Forks the pattern designed in 1872 by Edward C. Moore (1827‑1891), New York, New York, monogrammed “EG”. l. 8‑1/8”; 39.20 total t. oz. Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $600‑$900 943 International “Wedgwood” Sterling Silver Flower Bowl

943

the pattern designed in 1924 by Alfred Grover Kintz (1885‑1963), Meriden, Connecticut, the deep circular bowl with milled neoclassical rim, opposing scroll handles and raised on a conforming pedestal foot, fitted with the original silverplate openwork flower frog lid, monogrammed on the foot “H”. h. 10”, dia. 11‑1/2”; 29.32 t. oz. (excluding silverplate lid) $700‑$1,000 944 American Sterling Silver Two-Handled Loving Cup first quarter 20th century, by Black, Starr & Frost, New York, New York, of traditional form, with arched scroll handles and cavetto-domed foot, the interior gilt. h. 13‑1/4”, w. 13”, dia. 7‑1/2”; 36.68 t. oz. $500‑$800

944

309

945 Fourteen Sterling Silver Bread and Butter Plates mid-20th century, including a dozen International Silver Co., Meriden, Connecticut, “Lord Saybrook” pattern examples, monogrammed “MSD”, and a pair by S. Kirk & Son, Baltimore, Maryland, monogrammed “GFS”. dia. 6”; 41.21 total t. oz. Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $600‑$900 946 Kirk “New Rose” Sterling Silver Luncheon Flatware Set

945

the pattern designed in 1937 by Martin Laurence Millspaugh (1884‑1964), Baltimore, Maryland, including a half-dozen sixpiece place settings, with an additional half-dozen teaspoons, three additional place pieces and five serving pieces. 50 pieces 57.24 total t. oz. (weighable silver) Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. Detailed list of pieces available on request. $700‑$1,000 947 Five-Piece Reed & Barton “Renaissance” Silverplate Coffee & Tea Set mid-20th century, Taunton, Massachusetts, including a coffeepot, h. 11‑1/2”, a teapot, h. 8‑1/2”, a covered sugar bowl, h. 6‑1/2”, a cream jug, h. 5‑5/8”, and a tray, 27‑1/2” x 18”, no monograms.

946

$500‑$800

947

310

948

950

948 Two American Sterling Silver Bowls mid-20th century, including a Reed & Barton fluted “lotus” bowl, h. 3‑1/2”, dia. 8‑1/4”, and a Frank M. Whiting “Revere” bowl, h. 6”, dia. 9‑3/4”. 44.88 total t. oz.

950 Towle “French Provincial” Sterling Silver Flatware Set

$700‑$1,000 949 Fifteen Pieces of Assorted American Silver and Silverplate Tableware late 19th to mid-20th century, including: Six Redlich sterling silver cordials, h. 2‑7/8” Five Gorham sterling silver cordials, h. 2‑3/4” A New Amsterdam Silver Co. rococo-style silverplate teapot, h. 8” An unmarked rococo-style silverplate rectangular drinks tray, l. 26” An unmarked rococo-style silverplate rectangular tea tray, l. 29” A Wallace “Baroque” pattern silverplate oval tea tray, l. 28‑3/4” 8.81 total t. oz. (sterling cordials only)

the pattern designed in 1948 by Harold Edward Nock (1875‑1952), Newburyport, Massachusetts, including a dozen twelve-piece place settings (seven pieces lacking) with an additional three teaspoons and sixteen serving pieces, all monogrammed “C”, presented in a blue felt fitted, zippered storage tray, 12” x 19”. 156 pieces 151.45 total t. oz. (weighable silver) Detailed list of pieces available on request. $1,800‑$2,500

$300‑$500

949

311

952

951 Two Pieces of Tiffany & Co. Sterling Silver Tableware late 20th century, including a Louis Comfort Tiffany Collections pear-shaped vase with embossed leaves, and an English “Old King Cole” child’s beaker, hallmarked Birmingham, 1985, with presentation inscription on the underside. vase h. 5‑1/2”, dia. 3‑1/2”; beaker h. 3‑1/4”, dia. 3‑1/8”; 15.04 total t. oz. Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $500‑$800 951

952 Three Pieces of American Buffet Silverplate mid-20th century, including: A large pair of covered buffet dishes on stands, of lobed rectangular form with porcelain handles, the warm water reservoir raised on four baluster legs above a conforming stand, h. 13”, l. 24‑1/4”, w. 16‑1/4” A Wilcox “American Rose” punchbowl, h. 6‑3/4”, dia. 13‑1/4” $500‑$800

953 Mexican Sterling Silver Pitcher third quarter 20th century, Taxco, of lobed ovoid form, with integral spout, arched handle and domed circular foot. h. 13”, l. 8”, dia. 5‑3/4”; 33.30 t. oz. $500‑$800

953

312

954 Cased Pair of South American Silver Pitchers mid-20th century, marked “Cespedes”, Chile, .900 silver, each of ovoid form with integral spout and crested handle, presented in a cream satin-lined navy blue jersey case, 3‑3/4” x 18‑1/4” x 11”. h. 8‑1/4”, dia. 5‑1/4”, l. 7‑3/4”; 41.68 total t. oz. $500‑$800 954

955 Spanish Colonial Silver Charger late 18th century, South American, of serpentine-lobed circular form with molded rim and recessed plateau. dia. 14‑1/2”; 34.89 t. oz. Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $600‑$900

955

313

956 American School (First Quarter 20th Century) “Portrait of Henry Wallace Wallingford Todd (1897‑1980)”, ca. 1907 oil on canvas monogrammed “LH” in a circle center left. Glazed and framed. 25‑1/4” x 21‑1/4”, framed 32‑1/4” x 28‑3/4” Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. This fine portrait by an unidentified American artist (probably from New York or Baltimore) depicts the young cousin of John Gilman D’Arcy Paul. Henry Wallace Wallingford (Wally) Todd was the son of Dr. Henry Alfred Todd (1854‑1925), a Romance Language professor, who taught at Johns Hopkins and Columbia Universities, and his wife Miriam Gilman (1865‑1945), the younger sister of Charlotte Gilman Paul. For additional information on the Paul family, please see the featured estates and properties listed in the front of the catalogue. $600‑$900

956

957 Wayman Adams (American, 1883‑1959) “Portrait of the Soprano Dorothy Kirsten” oil on canvas signed lower right. Framed. 80” x 68”, framed 84” x 74” Provenance: Estate of Wayman Adams and descended in family; Private collection. $2,500‑$4,000

957

314

958 Percival de Luce (American, 1847‑1914) “Portrait of a Girl with Chestnut Curls” oil on canvas signed upper right, later inscription by artist’s daughter en verso. Framed. 12‑1/2” x 9‑1/2”, framed 15‑1/2” x 12‑1/2” A native of New York, and grandson of the London-born artist Thomas Thompson (1776‑1852), Percival de Luce was raised in a family that appreciated and encouraged his artistic aspirations. He studied with Thomas Seir Cummings (1804‑1894) and Edwin White (1817‑1877) at the School of the National Academy of Design before traveling to Europe where he attended the Royal Academies of Antwerp and Brussels and the Academie Julien in Paris. This rigorous and thorough training is evident in the delightful portrait of a young girl presented here. The painterly brushstrokes of the white collar, the delicately modeled features of the face, and the minimal yet rich color palette are all indicative of a master portraitist. A frequent exhibitor at the National Academy of Design, de Luce was named an Associate of that august Institution in 1897. The Percival de Luce Memorial Collection is conserved at Northwest Missouri State University. $800‑$1,200

958

959 American Renaissance Revival Parcel-Gilt Walnut and Marble-Top Pier Mirror third quarter 19th century, the top with a heavily molded overhanging molding centered by a molded Minerva head, the base with applied ornamentation and raised on turned legs. h. 104”, w. 70”, d. 14” $1,000‑$1,500

960 Pair of German Gilt-Metal, Onyx and Art Glass Banquet Lamps ca. 1900, with onyx bases, the standards modeled as figures of muses supporting fonts, fitted with wick risers marked “W & W”, for Wild & Wessel, Berlin, the art glass fonts and ruffled shades decorated with flowers on a pale green ground. h. 29‑1/2”, dia. 5” $500‑$800

959

960

315

961 American Neo-Grec Rosewood Armchair ca. 1865‑1870, school of Jelliff/Schrenkeisen, of small proportions, with a carved crest over an upholstered back, joined to closed arms, seat rail and distinctive trumpet legs, now upholstered after the period fashion in crimson brocade. h. 34” The present chair is part of a group of Renaissance Revival seating furniture generally attributed to either John Jelliff, Newark, New Jersey, or M. H. Schrenkeisen in the “Little Germany” of nearby New York City. $500‑$800

961

962 Pair of French Neo-Grec Gilt-Bronze Candelabra

962

fourth quarter 19th century, each two-light candelabrum with a tapered standard decorated with a bust of Psyche with a butterfly-winged headdress, flanked by scrolled candle arms supporting anthemia-molded candle cups, above a base with molded scrollwork. h. 12”, w. 10‑1/2”, d. 5” $500‑$800

963 Richly Decorated Giltwood Mirror fourth quarter 19th century, American or Continental, decorated with ribbon-bound fruit and reeding, beading and egg-and-dart molding. h. 33”, w. 38‑1/2” $800‑$1,200

963

316

964 American Renaissance Revival Burl Walnut Chest ca. 1875, the top with a gallery centered by a burlwood panel, the case with a bank of six drawers adorned with like panels, the drawers secured by a locking stile with raised panels. h. 66”, w. 37”, d. 20” $700‑$1,000

965 American Aesthetic Giltwood Overmantel Mirror third quarter 19th century, the pierced crest decorated with a reeded medallion on a shield flanked by scrollwork and flowers, the sides with molded frames terminating in leafmolded brackets beneath anthemia-molded side crests. h. 79”, w. 54‑1/2” $800‑$1,200

964

966 Collection of Three American Brass, Marble and Glass Girandoles mid-19th century, including a rare three-light example possibly depicting a Middle Eastern warrior, on a white marble base, h. 27”, w. 13”, d. 5”, electrified, and a pair of “Romeo and Juliet” examples, Boston, on Portoro marble bases, h. 15‑1/4”, w. 5‑1/4”, d. 3‑3/4”. $700‑$1,000

965

966

317

968 967

967 Collection of Four American Brass, Marble and Crystal “Squirrel” Pattern Girandoles mid-19th century, Philadelphia or New York, the collection comprised of a five-light girandole, h. 20”, w. 14‑1/2”, d. 4‑1/2”, a pair of single-light girandoles, h. 15”, w. 5”, d. 3‑1/2”, and a two-light girandole, h. 15‑1/4”, w. 13‑3/4”, d. 4‑1/2”. $700‑$1,000 968 Pair of Carved Wood Floral Bouquets 19th century, each example carved with a different bouquet tied with a bow and displayed in a giltwood-edged shadowbox frame. h. 15‑1/2”, w. 7‑1/2”, d. 3” $700‑$1,000 969

969 Pair of Victorian Cast Iron Garden Urns late 19th/early 20th century, probably American, each self-draining urn of campana form with scroll handles and a stepped base. h. 33‑1/4”, w. 30‑1/2”, d. 21‑1/2” $700‑$1,000 970 Pair of American Cast Stone Garden Ornaments second quarter 20th century, molded as baskets of fruit and flowers. h. 19‑1/2”, dia. 17”

970

318

$700‑$1,000

971 Louisiana School (Second Quarter 19th Century) “The Widow: Portrait of a Woman in Black Wearing Jewelry” oil on canvas unsigned, “The Royal Co. Antiques/Keil’s Antiques, Royal St., New Orleans” tags en verso. Framed. 32” x 25‑1/2”, framed 32‑3/4” x 26‑1/4” $500‑$800

972 Southern School (First Quarter 19th Century) “Portrait of Louise ‘Lise’ Duralde (1782‑1864)”

971

oil on canvas unsigned, shipping label identifying sitter and the owner as “Miss Emma Soniat, 631 Chartres St.” en verso. Antique gilt frame. 36” x 28”, framed 42‑1/2” x 35” Provenance: Descended in the family of the artist to Miss Emma Soniat, New Orleans, Louisiana. Literature: “Louise Duralde”, Geneart; Conrad, Glenn R., ed., A Dictionary of Louisiana Biography, Vol. 1, New Orleans: Louisiana Historical Association, 1988, p. 181. Born at Post Attakapas, Louisiana, Louise “Lise” Duralde was the daughter of Martin and Marie Perrault Duralde. Lise married Gui DuFossat (1770‑1851) in 1803, and they had nine children and lived in New Orleans. Her sister Marie Clarisse Duralde was the second wife of Louisiana Governor William C. C. Claiborne and mother of William C. C. Claiborne, Jr. $700‑$1,000

972

973 American School (First Half 19th Century) “Still Life of Peaches, Grapes, Roses, Melon and a Cricket” oil on wood panel unsigned. Antique gilt frame. 19” x 16‑1/4”, framed 27” x 23‑3/4” $800‑$1,200

973

319

974 Antique Hand-Painted Wood Plaque of a classical building, inscribed “de Vriendschap (the Friendship) and dated 1845, the reverse with Canadian shipper label and “Van Eyck Studios, New York” label. 30” x 32” $500‑$800 975 American School (20th Century) “Ploughing the Fields” oil on canvas signed “Martiny” lower right. Framed. 24” x 36”, framed 34‑1/2” x 46‑3/4” 974

$800‑$1,200 976 American School (20th Century) “The Call” oil on canvas indistinctly signed “W. Meers?” lower left. Framed. 30” x 40”, framed 41” x 51” $800‑$1,200 977 Hudson River School (19th Century) “Expansive River Landscape with a Sailboat”

975

oil on canvas unsigned. Framed. 18” x 24”, framed 24‑1/2” x 30‑1/2” $800‑$1,200

976 977

320

978

979

979 Julian Walbridge Rix (American/California, 1850‑1903) “Sheep Grazing in Mountainous Landscape”

980

oil on canvas signed lower right. Framed. 31‑3/4” x 22”, framed 37‑1/2” x 27‑1/2” $600‑$900

978 American School (First Quarter 20th Century)

980 American School (Late 19th/Early 20th Century)

“Lake View, Probably near the Catskills or Adirondack Mountains”

“Landscape Overlooking a River”

oil on academy board unsigned, “Smith and Hollister Artist Materials, Rochester” suppliers label en verso. Period Gilt Framed. 18‑1/4” x 24‑1/2”, framed 25” x 31”

oil on canvas indistinctly signed “.... Hand” lower right. Framed. 36”x 48”, framed 46‑3/4” x 58‑1/2” $500‑$800

$500‑$800

321

981 Gaetano Capone (American, New York, 1845‑1920) “Wooded Landscape” oil on canvas signed lower left. Framed. 24” x 34”, framed 29‑1/2” x 39‑3/4” $2,000‑$4,000

981

982 Robert Crannell Minor, Sr. (American/Connecticut, 1839‑1904) “Landscape at Dusk” oil on board signed lower right. Period gilt frame. 12” x 16”, framed 24” x 28” $700‑$1,000

982

983 After John Singer Sargent (American, 1856‑1925) “Clam Diggers”, ca. 1875‑1925 oil on canvas signed lower right “Reynaul(d)”. Period giltwood and gesso frame. 30” x 41”, framed 43‑1/2” x 57‑1/2” $1,000‑$1,500

983

322

984 Ettore Caser (American, 1880‑1944) “Figures at a Riverbank” oil on board signed lower right, verso with a partial label. Framed. 22” x 26‑1/4”, framed 32‑1/4” x 36‑5/8” $700‑$1,000

984

985 Nicholas Briganti (American/Italian, 1861‑1944) “Summer Meadows” oil on canvas signed lower left. Giltwood frame with artist plaque. 12” x 16‑1/8”, framed 17‑1/2” x 21‑1/2” $700‑$1,000

985

986 Ernest Finkernagel (American/German, Mid-19th Century) “Figures in an Italian Landscape”, 1855 oil on canvas signed and dated lower right. Framed. 28” x 41‑3/4”, framed 31‑1/4” x 44‑3/4” $700‑$1,000

986

323

987 Contemporary Oak Rolltop Desk and Chair in the traditional Late Victorian style, the desk top with a tambour roll flanked by four drawers on each side, above the “S”-curved rolltop with fitted interior and a bank of drawers to each side of the kneehole below, accompanied by a swivel desk chair. desk h. 80”, w. 66‑1/2”, d. 39”, chair h. 37” $500‑$800 988 Renaissance Revival-Style Brass Hall Lantern fourth quarter 19th century, probably American, the inverted bowl-form fixture decorated with pierced scrollwork, the upper edge decorated with polychrome “jewels” alternating with pierced flowers fitted with chains for raising and lowering. h. 22‑1/2”, dia. 11” $500‑$800

987

989 Renaissance Revival Brass and Glass Hall Lantern fourth quarter 19th century, probably American, the inverted bowl-form fixture decorated with delicately pierced scrollwork, Islamic arches and scattered “jewels” of various colors and sizes, mounted in a brass harp decorated with scrollwork. h. 63”, dia. 11‑1/2”

988

$800‑$1,200 990 American Brass and Glass Hall Lantern fourth quarter 19th century, the sides fitted with basketweave colorless glass, the canted corners set with “jewels” of various colors and sizes, fitted with chains for raising and lowering, originally with a kerosene font. h. 38”, w. 8”, d. 8”

989

$500‑$800 990

324

991

991 Tiffany Studios “Zodiac” Pattern Gold Dore Seven-Piece Desk Set ca. 1906‑1930, New York, comprised of a letter holder, h. 8‑1/4”, w. 12”, d. 3‑1/4”, a pair of blotter ends, l. 19‑1/4”, d. 2”, an inkwell with a molded glass insert, h. 4”, dia. 6‑1/2”, a magnifying glass, l. 8‑3/4”, a letter opener, l. 10‑1/4”, a pen tray, l. 9‑3/4”, w. 3”, and a desk calendar with a 1943 insert, h. 4”, w. 4‑3/4”, d. 5‑3/4”. $700‑$1,000 992 Three Van Briggle Art Pottery Vases ca. 1995‑2005, including “Despondency”, a matte turquoise glazed vase with a recumbent male figure around the opening, after the famous 1903 model, h. 16‑1/2”, w. 8‑1/2”; “Iris”, a matte turquoise glazed vase with handles and relief of longstemmed irises, h. 14”, w. 7”; and a two-toned matte periwinkle and blue vase with relief of anthuriums, h. 10”, w. 6‑1/2”. Each base marked with the AA monogram, potter’s/ decorator’s initials and “Van Briggle/Colo. Spgs. Co”.

993 Newcomb College Art Pottery Trivet 1931, decorated by Sadie Irvine with curvilinear design in low relief in yellow, green and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Browne Hunt potter’s mark, and remnants of Newcomb label, dia. 5‑3/4”; together with Jessie Poesch’s book, Newcomb Pottery & Crafts..., Atglen, PA: Schiffer Publishing, 2003, and Mary Cable’s book on architecture, Lost New Orleans, Boston: Houghton Mifflin, 1980. Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $500‑$800

Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $700‑$1,000

993 992

325

994

995

994 American Late Victorian Oak Ten-Drawer Map/Document Chest

996 Edward Sheriff Curtis (American, 1868‑1952)

first quarter 20th century, in two parts, each fitted with five long drawers with wooden pulls and brass label holders. h. 33‑1/2”, w. 47‑1/2”, d. 35”

“Tipi Construction A (Sioux)” and “Tipi Construction B (Sioux)”, 1907

$600‑$900

two photogravures published in The North American Indian, vol. III. Cambridge: University Press, 1908; titles and “From Copyright Photograph 1907 by E. S. Curtis” lower margins. Matted, glazed and framed together. sight 5‑7/8” x 7‑1/2”, framed 12‑3/4” x 24‑3/4”

995 American Art Glass and Brass Hall Lantern ca. 1900, with a pale green iridescent shade molded with flowers, the brass fittings molded with pineapples and acanthus leaves, set with adjustable chains, originally with a kerosene font. h. 25‑1/2”, dia. 8”

$600‑$900

$500‑$800

996

326

997

997 Andrew Jackson Signed Land Grant dated September 8, 1835, a partially printed document signed by Andrew Jackson for land in Holmes county Ohio, granted to Ebenezer Purdy, together with a lithographic portrait of Jackson. grant 15‑5/8” x 9‑7/8”; portrait 10‑1/8” x 7‑1/8” Unclaimed lands in the United States Military District of the Northwest Territory, originally set aside in 1796 by Congress as compensation to Revolutionary War veterans, were offered for public sale on March 3, 1803, two days after Ohio was admitted to the Union. By 1832, the price had dropped from $2.00 per acre for a minimum 320 acres to $1.25 per acre for a minimum of 40 acres. The present lot records the sale of 40 acres in Holmes County Ohio to Ebenezer Purdy, who had six months earlier married Elizabeth Hobbs. He was born in Wayne County Pennsylvania around 1910, and died in 1846 in Richland Township, Holmes County Ohio on the property purchased in 1835. $500‑$800 998 “North America Corrected from the Observations Communicated to the Royal Society...”

998

after John Senex (1678‑1740), hand-colored engraved map, probably fourth quarter 19th/first quarter 20th century. Matted, glazed and framed. sight 36‑1/4” x 24‑1/2”, framed 41‑1/2” x 29‑3/4” $500‑$800 999 Alice Walker, The Color Purple, Signed First Edition New York: Harcourt Brace Jovanovich, 1982, first edition, autographed by the author on the title page, with dust jacket and protective polypropylene cover. 8‑3/4” x 5‑7/8” $500‑$800

999

327

1000

1000 Six Silverplate Figural Napkin Rings

1001 Collection of Ten Reed & Barton “1824 Collection” Silverplate Figural Napkin Rings

most contemporary, including four Australian examples - a pair of coiled rings with emu, and two kangaroo (one on a map of Australia) - and two American examples with chicks (one by the Knickerbocker Silver Co., Port Jervis, New York). l. 2‑3/4” to 3”

including: Cat (1999), h. 2‑3/4” Dandy Frog (1999), h. 3‑1/4” Honey Bear (2000), h. 2‑3/4” Rabbit (2000), h. 4” Butterfly (2001), h. 3” Fairy (2001), h. 3‑3/4” Peacock (2001), h. 3‑3/4” Leaping Foal (2001), 3‑1/2” Swan (2002), h. 2‑1/4” Eagle (2002), h. 3‑3/4”

$500‑$800

$700‑$1,000

1001

328

1002

1003 Five Vintage American Silverplate Figural Napkin Rings with People

1002 Six American Reproduction Silverplate Figural Napkin Rings

including: Simpson, Hall and Miller No. 23, with cooper and barrel, h. 4‑1/2” Reed & Barton No. 1285, with cherub, h. 3‑3/4” James W. Tufts, unnumbered, with “Kate Greenaway” type girl and cherub, l. 3‑7/8” Wilcox Silver Plate Co. No. 1535, with cherub and swan, l. 3‑1/4” Reed & Barton No. 1316, with cherub and hearts, h. 6‑1/2”

including: A pair of Reed & Barton for Neiman Marcus “Santa’s Sleigh” examples (with detachable Santas), l. 3‑4/8” A copy of Meriden Britannia Co. No. 200, with two cherubs, l. 4” A trio of unmarked “carriage” types with rooster, cherub and dog, l. 3‑3/8” to 4‑1/4” $500‑$800

$700‑$1,000

1003

329

1004

1004 Four Vintage American Silverplate Figural Napkin Rings with Birds including: Rockford Silver Plate Co. No. 83, with doves and roses, h. 3” Meriden Britannia Co. No. 203, with parakeet on stand, h. 4” Rogers, Smith & Co. No. 146, with doves, monogrammed “WAR”, w. 3” Rogers & Bro. No. 151, with perched peacock, h. 3‑7/8” $600‑$900 1005 Three Vintage American Silverplate Figural Napkin Rings with Animals including: Barbour Silver Co. No. 49, with wolf, l. 3‑1/2” Rogers & Bros. No. 284, with horse and fence, engraved “Effie”, l. 3‑7/8” Meriden Silver Co. No. 285, with dog and sled, l. 3‑1/4” $500‑$800

1005

1006 Five Vintage American Silver and Silverplate Napkin Rings including: Meriden Britannia Co. No. 208, silverplate, Japonaise with fans, engraved “Hannah”, h. 2‑4/8” A pair of unmarked silverplate “barrels”, engraved “Minnie” and ‘Walter”, l. 2‑1/4” A pair of Frank M. Whiting “Florence” pattern sterling silver examples, dia. 1‑3/4” An unmarked guilloche example, probably sterling, dia. 1‑7/8” 2.10 total t. oz. (Whiting pair only) $500‑$800

1006

330

1007 Lenard Kester (American/California, 1917‑1997) “Clown Holding Balloons” oil on canvas signed lower right. Framed. 20” x 16‑1/4”, framed 27” x 23” $600‑$900 1008 After Bernard Buffet (French, 1928‑1999) “Still Life of Flowers in Two Vases”, 1998 oil on canvas signed and dated lower right. Framed. 26‑1/2” x 21”, framed 33‑1/2” x 28‑1/2” $2,000‑$4,000 1009 Continental School (Mid-20th Century)

1007

“Clown Playing the Flute” oil on canvas signed “Loveto” lower right. Framed. 19‑1/2” x 13‑3/4”, framed 24” x 18‑1/4” $600‑$900

1009

1008

331

1010 Ron Barsano (American/New Mexico, b. 1945) “Seated Nude”, 1973 oil on canvas signed lower left, signed, titled, dated and localized “Taos” en verso, artist identified and titled on “Talisman Gallery, Bartlesville, Oklahoma” label on frame backing Framed. 18” x 14”, framed 26” x 22” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

1011 Chet Engle (American/California, 1918‑1994) 1010

“Veiled Sun” oil on board signed lower right, verso with “O’Brien Art Emporium, Scottsdale, Arizona” label printed with artist name and title of work. Framed. 18” x 14”, framed 26” x 20” Provenance: O’Brien’s Art Emporium, Scottsdale, Arizona; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

1011

1012 Luis Royo (Spanish, b. 1954) “Luces y Sombres” serigraph on clayboard signed lower right, numbered “27/160” lower left. Framed. 23” x 14”, framed 28‑3/4” x 19‑1/2” $1,000‑$1,500 1012

332

1013 Loran Speck (American/California, 1943‑2011) “Iris” and “Study: Iris” pair of watercolors each signed, latter titled lower left. Each matted, glazed and framed alike. sight 11” x 7‑1/2”, framed 21” x 16‑1/2” Provenance: Loran Speck Gallery, Carmel, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

1013

1014 Shirley Thomson Smith (American, b. 1929) “Seated Figure”, 1980 faux marbre patinated bronze cast signature, dated, and numbered “18/30” along back edge of figure, on a beveled lucite base. sculpture h. 7‑5/8”, overall h. 9”, w. 8‑3/4”, d. 8” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

1014

1015 Ernest Morton Baber (American, b. 1949) “Flo Blue with Fruit” oil on canvas signed lower left, verso with hand-inscribed label with artist name and title of work. Framed. 14” x 12”, framed 19‑1/2” x 17‑1/2” Provenance: Jones & Terwilliger Fine Art Gallery, Carmel-by-the-Sea, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $500‑$800

1015

333

1016 1017

1016 Giovanni Molteni (Italian, 1898‑1990)

1018

“Wooded Landscape”, 1961 oil on canvas signed and dated lower right, handwritten label with artist en verso frame. Framed. 20” x 26”, framed 25‑3/4” x 31‑1/2” $800‑$1,200 1017 Andre Brasilier (French, b. 1929) “La Ronde des Chevaux de Cirque” color lithograph on paper pencil-signed and inscribed “Epreuve d’artiste” lower margin, “Summa Gallery in Brooklyn Heights” label en verso. Framed. sight 21‑1/4” x 26‑1/4”, framed 30” x 34‑1/2” $500‑$800

334

1018 Peter Dayton (American/New York, b. 1955) “Untitled: Flowers”, 1999 color laser Xerox collage with resin signed, dated and with “Winston Wachter Mayer Fine Art, New York” artist’s label en verso. Unframed. 24” x 60” $800‑$1,200

1019 After Robert Wogensky (French, b. 1919) “Taillevent”, ca. 1960 Aubusson tapestry woven by Pierre Legoueix’s atelier, with woven signature “Wogensky” lower left, “L’Atelier Pierre Legoueix, Aubusson” label en verso. 50‑1/4” x 62‑1/8” Provenance: The corporate collection of Freeport-McMoRan, New Orleans, Louisiana. $800‑$1,200 1020 Tony Cragg (British, b. 1949) “Suburbs I”, 1990 aquatint signed and dated lower right, titled lower center and numbered “12/35” lower left. Matted and framed. sight 23‑1/2” x 22‑1/2”, framed 32‑1/2” x 31‑5/8”

1019

$800‑$1,200 1021 Gyuri Hollosy (Hungarian/American, b. 1946) “Figural Abstraction”, 1982 patinated bronze incised signature, dated and copyright-marked along back edge, on a rugged stone plinth. h. 8”, w. 11‑1/2”, d. 10” $500‑$800 1022 Jerry Gunning (American/Arizona, Late 20th Century)

1020

“Mount Humphrey”, 1984 acrylic on canvas signed and dated lower right, a “Suzanne Brown Gallery, Scottsdale, Arizona” label with artist and title en verso. Framed. 58” x 78”, framed 58‑3/4” x 78‑3/4” $800‑$1,200

1021

1022

335

1023

1024

1025

1027

1026

1023 Turkish Angora Oushak Carpet

1024 Semi-Antique Tabriz Carpet

1025 Bamboo Silk Carpet

8’ 8” x 11’ 10”

9’ 10” x 13’ 3”

9’ x 12’

$800‑$1,200

$700‑$1,000

1026 Oushak Carpet

1027 Tabriz Carpet

9’ x 12’

signed “Taba Tabai”. 8’ 4” x 10’ 4”

$500‑$800

336

$600‑$900

1028

1029

1032

1031

1030

1028 Turkish Angora Oushak Carpet

1029 Peshawar Bakshaish Carpet

1030 Turkish Oushak Carpet

9’ x 11’ 6”

7’ 8” x 9’ 8”

7’ 10” x 10’ 2”

$700‑$1,000

$1,200‑$1,800

$700‑$1,000

1031 Peshawar Suzanne Carpet

1032 Semi-Antique Lilihan Runner

8’ 1” x 9’ 9”

3’ 6” x 10’ 9”

$1,200‑$1,800

$600‑$900

337

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Denise Haik Christa Ougel Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Photographer Graphic Designer Grace Connors Manager of Cakebread Auction

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark