December 2017 New England Monthly by New England Monthly

New England DECEMBER 2017

M O N T H LY

NEMONTHLY.COM

LUXURIOUS LIVING ON THE SOUTHCOAST LEARN WHY MATTAPOISETT IS SPECIAL HISTORY, TOURS & FOOD MAKE RHODE ISLAND’S FEDERAL HILL WORTH THE TRIP

BOSTON AREA ARTIST BETSY SILVERMAN IS A CUT ABOVE

WOMEN’S FASHION GOES STREET STYLE DRESSING WITH ATTITUDE IN 2018

VISIT OUR DIGITAL ISSUE FOR ADDITIONAL AND EXCLUSIVE CONTENT AT NEMONTHLY.COM

Happy Holidays from all of us at Milbury and Company! WILLIAM J. MILBURY OWNER/BROKER Grace Rowe • Collette Lester • Maggie Tomkiewicz • Patty Peelen Christine Burgess • Jeanne McGlone • Nina Watson Weeks • Roberta Burke Alice Petersen • Sarah Meehan • Erin Hovan • Sara Crook Donna Horrocks • Kevin Quinn Milbury and Company extends its congratulations to the buyers and sellers of these and many other ﬁne properties, as well as all the customers and clients that we have been so fortunate to work with during this extraordinarily successful year. THANK YOU for choosing us and for helping to make Milbury and Company the Southcoast’s NUMBER ONE brokerage!

Local Knowledge with a World of Experience

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are selling a home. We do not simply list real estate - we work with you to highlight your propertyâ&#x20AC;&#x2122;s features and maximize its market potential. By the time our listings are seen by the public, our team, which may include agents, architects and designers, will have invested a great deal of time and thought into preparing your home for its debut. This attention to detail combined with our unique approach and knowledge of the market, is why our properties consistently sell faster than other homes marketed by other agencies.

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92 Cottonwood Street, Fairhaven | West Island $429,000 | Completely renovated 3 bedroom, 1.5 baths, water views. | Howe Allen 857.222.3214 or howe@howeallen.com

86 Fort Street, Fairhaven | Fairhaven Center $749,000 | Impeccably-preserved waterfront antique. Renovated kitchen, 3 bedroom, 2 bath, 2-car garage. Tim Evans 617.416.5436 or tim@howeallen.com

145 Pinehurst Avenue, Swansea | Ocean Grove $249,000 | Nicely renovated cottage with 3 bedrooms and central AC situated on corner lot. | Kathleen Costa 508.951.9905 or kathleen@howeallen.com

10 Castle Avenue, Fairhaven | Oxford Village $319,000 | Nicely-updated Bungalow with abundance of architectural features. | Elizabeth Moses 508.801.8268 or liz@howeallen.com

118-120 Wood St, New Bedford | $269,900 Well-maintained 2-family, hardwood flooring throughout and parking for 4 cars. | Shaun Ferreira 508.717.4459 or shaun@howeallen.com

17 5th Street, Swansea |Ocean Grove |$270,000 Remodeled ranch in Little Neck, water views of Bay and finished basement. | Kathleen Costa 508.951.9905 or kathleen@howeallen.com

We take a fresh approach to the practice of selling real estate. While there are many things that set Howe Allen Realty apart from other firms, the most fundamental is the ser vice we offer to you if you are selling a home. We do not simply list real estate - we work with you to highlight your property â&#x20AC;&#x2122;s features and maximize its market potential. By the time our listings are

seen by the public, our team, which may include agents, architects and designers, will have invested a great deal of time and thought into preparing your home for its debut. This attention to detail combined with our unique approach and knowledge of the market, is why our properties consistently sell faster than other homes marketed by other agencies.

DISTINCTIVE, HISTORIC AND COA STAL HOMES. Fairhaven Village Center, 43 Center Street, Fairhaven, MA 02719 | Downtown New Bedford, 185 Union Street, New Bedford, MA 02740 4 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

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12.17

Inside

29 8 DECEMBER 2017 | NEWENGLANDMONTHLY.COM .COM

to see additional content, go to our garden digital ”issue on our website “ring by betsy silverman

Enchanting Greek Revival Marion $499,000

Waterfront on the Weweantic Estuary Marion $799,000

Waterfront in Planting Island Cove | Marion $3.4M

Casual elegance at the Bay Club Mattapoisett $1.495M

Short walk to the beach and village Marion $729,000 Epic harbor views and private beach on Hingham Bay | Hull $2.590M

Unsurpassed French Country Estate Dover $4.749M

Coveted Back Bay Co-Op with Charles River views Boston $4.5M

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Representing Local Properties around the World NEWENGLANDMONTHLY.COM | DECEMBER 2017 9

12.17

December

Impressions

16 Freedom

Landmark property in Mattapoisett Massachusetts is enchanting

Home

18 Landmark property in Mattapoisett is enchanting

Art Affairs

Making the cut—from publishing to works of art

Boston International Art Show is a success

Street graphics: Is it art or public nuisance?

New York jury decides

A Taste of History

44 The making of Federal Hill

44 Desigual takes the runway outdoors

House Stories opens the door on life in Fairhaven during the last two centuries

10 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

Travel/Great Outdoors

50 Timeshare properties—when an investment turns to a liability

Style

60 Desigual takes the runway outdoors

In Review

House Stories opens the door on life in Fairhaven during

the last two centuries

Living Well/Health

72 The danger of wind chill on and off the slopes

Investing

76 Washington DC—the Fed’s $4.3 million dollar question

Intimacy

Are you hearing but not listening to your partner?

Itinerary 78 The best of the local, regional, and New England scene

A look at Boston’s Head of the Charles rowing competition

desigual backstage by robin marchant

The making of Federal Hill Rhode Island

Come in to see our special holiday décor, ornaments and gifts. Shop local this holiday season! Our great new finds are arriving daily. Come in soonCome to seeinthem! to see our newly expanded jewelry selection!

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2017 FOUNDRY ARTISTS HOLIDAY SHOW FREE ADMISSION

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impressions

FREEDOM

t was early Sunday morning, and a couple of us attended a talk by Pulitzer Prize winner and Boston Globe Spotlight Team investigative reporter Michael Rezendes. It was also the same day that our deadline was pressing our patience and the clock in getting this issue out. With barely enough time to catch Rezendes’s presentation on the child sexual abuse and the worldwide attempt to cover it up by the Roman Catholic Church, we hoped he wouldn’t be long-winded and that the audience would be too shy to engage in a lengthy Q & A follow-up. We were pleased with the result. Rezendes’s presentation was thoughtful, engaging, and informative. Being organized and prepared, he didn’t need to revert to superfluous anecdotes to run out the clock. As for the audience, they surprised us; more hands were raised than could be called to join in the conversation. From the sampling of questions asked, it appeared our fellow guests were a bit more savvy about the state of the press and its role in covering the news than we—in the media—could have predicted. Rezendes began with his thoughts about the “power of journalism…in a perilous age.” As an example, he spoke about his work on exposing the Church’s attempts to hide crimes committed by the clergy who had been protected by the 16 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

monolithic religious organization. He assured the audience that the film Spotlight (which won Academy Awards for best picture and best screenplay—two years ago) is an accurate portrayal of the investigation Rezendes and his team members conducted. His comments included the notion that investigative journalism can be an essential force to do good. Using the fact that while the movie ends on the day the Boston Globe published its first article on the subject, the Spotlight reporters went on to write 600 more features—until such time Cardinal Bernard Law resigned as Archbishop of Boston and “fled” to the Vatican. Rezendes explained that as a result of their work, today the unveiling of clergy child-sexual abuse continues and is being exposed in countries around the world. He went on to describe changes in the law that came about due to the Spotlight investigation and the dramatic impact it had on the protection of children. Further into the discussion, Rezendes asked a rhetorical question about whether today’s journalists can hold people in power accountable and “give a voice to those who don’t have one.” He went on to touch upon the difficulties reporters have obtaining or getting access to information vital to keeping the public informed, and that without good reporting, our freedom is threatened. It is a fact that there is always fighting

between the press and the White House, and Rezendes offered some balance to the argument, claiming that both President Trump (currently) and former President Obama used available laws against journalists they felt to be a threat. Rezendes made it a point to discuss the role of the media; he remarked that it is not to favor political parties or pay sympathy to a cause, but that a reporter must inform the citizens of our democracy. At a time when terms like “fake news,” “media bias,” or tireless complaints about whether or not it is “presidential” to Tweet, Rezendes was clear that he fully supports the ethos of journalism, and that news reporting must be accurate and unadulterated. Then Rezendes shifted; he recited a long list of actions President Trump has taken (or things he has said), to attack, condemn, or distract attention of both the news media and the public at large. Eventually, Rezendes laid claim that Trump is a significant contributor to spreading false news, causing many to question the veracity of news regarding him. What was curiously absent from the discussion was how political ideology is influencing reporting (proven time and time again) by the media, and how it is creating a massive chasm within our culture and further polarizing our political parties. Also missing from the presentation was what could be the most volatile and heated story of the last eight years—the alleged use of dirty tricks and collusion between the FBI and the Department of Justice, as orchestrated by the Clinton campaign. Fueling this interest— as the facts are released—is the accusation by an insider that the candidate influenced a primary election. One would think this story is ripe for the picking, but it seems to be ignored by many. Selected media has been able to keep the heat off the failed Clinton campaign. But with the release of an explosive book entitled Hacks—written by the previous Democratic National Committee Chairwoman and CNN contributor Donna Brazile—more questions are being asked about those involved in Clinton’s inner circle, including a call for a federal investigation by the Republicans. While Rezendes notes that President Trump is “getting the fight of his life” from a long list of news organizations, the media is facing enormous backlash by an astute public— Continued on page 58

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home

AN ICON OF LUXURIOUS LIVING BY STEVEN CHAN PHOTOGRAPHY BY LUCKI SCHOTZ

18 DECEMBER 2017 | NEWENGLANDMONTHLY.COM .COM

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he challenge of writing about a home of such dramatic proportions is that it takes sharp focus and intensive scrutiny to fully appreciate the time and attention invested in the design and building of an estate such as this month’s feature at 19 Ned’s Point Road in Mattapoisett. The landmark property, consisting of over 9,000 square feet, offers two wings: one reserved for the masters of the home, with the other devoted to in-laws or the children and their au pair. The home has exceptional curb appeal— so striking that many who pass the stunning façade slow their pace to take in the aesthetic appeal and opulence of its tasteful design. Accentuated by manicured landscaping, the pea stone circular drive is delightfully inviting. Presented by Bernadette Kelly (exclusive agent for the listing), an associate of Robert Paul Properties, their office is located in nearby Marion, Mass. Our tour was planned with a two-hour window; this allowed sufficient time to appreciate the grandeur of this month’s review. Kelly, who puts great effort into being prepared for such an in-depth visit as well as questions of her listing, answers all inquiries; it is evident that she knows the house as if it were her own. As we entered through a door adjacent to the expansive, three-vehicle garage (which at first seemed odd), Kelly moved into a recital of what separates this property from many others. “You’ll find that this home is sophisticated—yet it still offers a beachy feel like you would find in Nantucket. Notice that the large garage features a caterer’s kitchen, and this first mudroom serves as a prepping area 20 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

for supplies and storage—all necessary for hosting events at home.” This introduction was profound since it was unmistakable that the owners had thoroughly planned for their use and enjoyment in advance of building such a practical yet lavish home. They had decided that entertaining would be on their agenda and consciously worked it into the footprint. Further into the house was a powder room across from a second mudroom, which is more of an open closet with ample space for packages or items needing to be in proximity but out of sight of the primary living area. Kelly led us into the bright and oversized chef’s kitchen which can accommodate a large number of visitors or friends. The room is open, with easy access to and around a breakfast/luncheon area with a table for four or more, and a mile-long counter down the center, along with additional seating for guests. Surrounded by appropriate and musthave top-brand appliances and fixtures, any chore for an owner or the help offers ease of use—which would be expected of this space in a home of this caliber. From the kitchen, the unobstructed view, along with easy access to the heart of the home, is breathtaking. The combination of the fireplace, living room, and formal dining room—linked to the pool and outdoor living space—is enhanced by a custom wall of sparkling windows. Offering a spectacular viewpoint from the first level, it presents a captivating perspective of the exterior landscape. Also, there is an enclosed bridge (connecting the owner’s wing to the rest of the house) on the second floor. This overlook of the living room and the outdoors takes full advantage of the light and openness of the vaulted ceilings and height of the oversized room below. The spacious yard and pool area leave quite an impression.

The level of comfort, convenience, and leisure are three definitive reasons why this home possesses prominence. The flooring, custom shiplap ceilings, stonework, and architectural elements used in finishing the interior, captures the essence of coastal New England living at its best. Beyond the living room are two separate offices, but could be used in a variety of ways. Bright and beautifully appointed, the center room—used as a den/library—leads to a state-of-the-art gym/training room, complete with a shower and private access to the hot tub and pool. Above all of this personal indulgence is the

master suite with two dressing rooms which are as large as a retail boutique. The lush and sumptuous bathroom/spa is finely appointed, making it easy to imagine how you’d feel being surrounded by such splendor. As for the children, the double rooms are mirror images of each other. The bright and comfortable spaces are connected but can be separated by closing the pocket doors. Each room has well-positioned window seats (the size of extended twin beds) if friends plan for an overnight. Also, the two rooms are connected to an expansive living room, so that activities are not bothersome to the rest of the family.

A casual setting, it is perfect for use as a study, playroom, or theater. Finally, the self-contained but deluxe au pair or in-law suite fills the opposite wing of the property. Complete with a kitchenette, bath, deck, and view, the flat has two bathrooms and will sleep two in separate rooms. It is an impressive level of living and allows autonomy and privacy. Subterranean is where the billiard room, bar/lounge, and another kitchen can be found. Equally impressive, the spacious area with its elegant finishes offers a variety of uses for entertaining, family night, or a game room. Out of sight is the commercial-grade

power plant and utilities—all hidden, along with massive amounts of storage. What is striking about this month’s review is that such an impressive home could be offered for the reasonable asking price of $2,850,000. To duplicate this extraordinary home would be practically impossible. H This Ned’s Point location is considered one of the most desirable neighborhoods in Plymouth County and is available for showing by contacting Bernadette Kelly at Robert Paul Properties, either by calling 508-789-5072 or 508-7482400. For more details, visit robertpaul.com. visit our digital version on our website to see more images of this home.

NEWENGLANDMONTHLY.COM | DECEMBER 2017 21

top: the den/office, bottom: gym

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top and bottom: guest suite

NEWENGLANDMONTHLY.COM | DECEMBER 2017 23

ceiling detail

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top and bottom: basement

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art affairs left: cropped image of “stowe steeple”

Making the Cut

Betsy Silverman Creates Captivating Works of Art from Repurposed Print BY SUSAN FLETCHER PHOTOS/COURTESY OF BETSY SILVERMAN

etsy Silverman creates intricate and vibrantly colorful Boston cityscapes, portraits, and seascapes of New England locations—all without a drop of paint. Upon closer reveal, it’s noticeable that Silverman’s images are formed entirely from precisely cut pieces of recycled magazines. According to the artist, the periodical you’re reading is a favorite. She explains, “Your magazines have wonderful color and paper stock...I have used them in my work!” Upon inspection, we were able to pick out some of the pieces she has incorporated into her work and are proud to be included in this specialized medium. However, according to Silverman, she NEWENGLANDMONTHLY.COM .COM | DECEMBER 2017 29 NEWENGLANDMONTHLY.COM

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left: “marty”

below: cropped image of “taxi line up”

chooses pieces of paper not merely based upon their colors, but also for their text and visual content; she delves into creating layers of meaning and stories within each piece. There is an obvious, as well as a subliminal, interplay among the subjects of her work. By aligning text cues and images, she can interlace the tiny pieces and form a comprehensive work which is visually complex, leaving admirers in awe. To achieve a sense of realism, Silverman intricately cuts paper slivers with meticulous

care, often so complicated that they are applied with tweezers. Her technique is noted when examining the artist’s innate ability to understanding the interplay of light and color, interfaced with an architect’s trained approach and appreciation of form and space. Silverman’s uniquely expressive techniques are the result of her earning a degree in architecture from the Rhode Island School of Design, combined with a sense of playfulness and a dose humor. The Red Sox, Celtics, and Patriots players;

maps of Cape Cod; lobsters; and words and phrases evocative of Boston’s culture and history throughout Silverman’s artwork are evident. A few favorites by a growing number of appreciative fans are her work with people, animals, and the ocean. In particular, the work entitled Four Red Boats is a piece that allows her to capture the essence of the New Bedford Seaport with its proximity to the sea and its historic past. Through the re-use of vibrant colors which others employed in their

NEWENGLANDMONTHLY.COM | DECEMBER 2017 31

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cropped image of “natalie flower”

interpretation of news and events, Silverman gives new life to the stories in a manner which is compelling and visually explosive. Katherine French—gallery director of Catamount Arts and former executive director of Danforth Art—describes Silverman’s artwork as “ambitious,” noting that it “cleverly breaks down the lines and planes of an urban landscape to reconstruct the scene in a dense composition of beautifully crafted cut paper collage.” Further still, Silverman also maintains an underlying social consciousness, embracing the use of recycled raw materials. “My art explores and refashions the content that contemporary culture preserves, in a sense, but also— quite literally— throws away, which increases my awareness of the need for environmental sustainability in all aspects of our society.” Silverman’s artwork is being featured in an exhibition entitled “Semblances of Place,” which will be on display from January 11 to February 10, 2018, at the Concord Center for the Visual Arts. “It is a wonderful honor to be a part of this event,” Silverman explains, emphasizing that “Concord Art is a leading and innovative art organization, and this exhibit explores the representation of multiple perceptions of a location at a particular moment, which is a focus of my work.” The works of two other Massachusetts artists, Anna Herrick and Robert Steffen, will also be shown in the exhibition. The opening reception for “Semblances of Place,” will be held on Thursday, January 11, 2018 (6:00 to 8:00 p.m.) at the Concord Center for the Visual Arts, 37 Lexington Rd., Concord, MA 01742. H For further information about Betsy Silverman’s work, including dates and times for her upcoming exhibitions, visit her website at betsysilverman.com.

NEWENGLANDMONTHLY.COM | DECEMBER 2017 35

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be seen

Boston International Fine Art Show 2017 The 21st Boston International Fine Art Show opened with cheer and enjoyment of what many have called â&#x20AC;&#x153;one of the best!â&#x20AC;? Quality exhibitors, a comfortable venue, and the gathering of like-minded collectors and design professionals can only yield the best show in New England. This year seems to bring with it more depth to works available to the public, along with many new faces. H

NEWENGLANDMONTHLY.COM | DECEMBER 2017 37

rear of 5pointz, photo by vinniebar

38 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

STREET GRAPHICS What is the Visual Artists Rights Act of 1990? BY STEVEN CHAN

oose interpretation of the Visual Artists Rights Act (VARA) can be reduced to what is defined as a federal copyright, granting protection to “moral rights” related to art and its creators, as long as certain— but obscure—guidelines are met. Some of the protections awarded to the authors (or artists) under the legislation include: n T he right of a person to claim authorship. n P reventing the use of an artist’s name on work not produced by them (it happens more often than realized). n P reventing the use of an artist’s name from being affixed to work that has been distorted or manipulated in a way that would be prejudicial to their reputation or to change the piece in a manner that would harm the creator’s name or brand. NEWENGLANDMONTHLY.COM | DECEMBER 2017 39

The work of many artists—traveling from all corners of the earth—turned the drab exterior into a tourist attraction known as 5Pointz. Also included in the statute is a clause which protects recognized art forms from the “intentional destruction or damage resulting from gross negligence.” There are some restrictions; protection is limited to paintings, drawings, prints, sculptures, still photographic images 40 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

produced exclusively for exhibition, and copies of or some limited editions if signed and numbered by the creator. You may ask, what does this have to do with the price of donuts? If you’re a New York attorney, fighting for the rights of graffiti artists, it may mean that you’ll be eating a lot more of them for breakfast, even though they can be costly in the city. Case in point: In 1993, developer and building owner, Jerry Wolkoff, turned his attention away from an unsightly property (located in Long Island City) and allowed anyone with a can of spray paint to “spruce up” the exterior of the massive structure. The work of many artists—traveling from all corners of the earth—turned the drab exterior into a tourist attraction known as 5Pointz. Visited and admired by millions, and used as a prop by thousands of writers and photographers for their blogs, stories, and in some cases wall covering, 5Pointz is the

crux of a landmark lawsuit and will likely secure precedence in the annals of copyright protection. It seems that when owner Wolkoff decided he wanted to turn his property into condos in 2013, he unilaterally decided to have the colorful and artistically finished murals whitewashed during the evening when no one was paying attention. The short story is that the actions of an owner and the perceived rights of producers turned into a huge mess; it not only resulted in litigation—with claims for damages—but it swayed from the standard route of being heard by a judge and ended in front of a jury.

Fast-forward…at press deadline, word was received that the jury, in this case, found for the defendants and decided that developer Wolkoff was in violation of VARA when he had his building painted over. The next event to be heard in court will be if, and how much, financial damages are due to the 20 or so plaintiffs who filed the action. Most neighborhoods have evidence of tagging, although not by agreement; however, this recent victory to a complainant gives rise to a nagging question: If property owners allow (by not disputing or erasing) images applied to their buildings, may it be concluded that they are accepting the

responsibility to maintain, and even protect, street graphics? Furthermore, if a landlord has not authorized graffiti on their buildings (but neglected to clean or cover the problem due to the time and expense), will they be liable in the event the protected artwork is eventually removed, damaged, or permanently covered? This outcome should serve as a wake-up call to many owners and developers who turn a blind eye to street graphics of all types. As of today, only time will tell. Plus, with the chance of an appeal increased—if damages are awarded—it may be years before we get a concrete answer. H

astronaut with pizza by mike johnston, below: 5pointz mural, photo by aaron harewood

NEWENGLANDMONTHLY.COM | DECEMBER 2017 41

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chef walter potenza

CARRYING THE TORCH TO PRESERVE ITALIAN HERITAGE History, tours, and food all play a role in the creation of the Federal Hill Heritage Center

BY NATALIE MILLER PHOTOS/LUCKI SCHOTZ

ike many before him and since, Walter Potenza came to the United States from Italy for an opportunity. A professional athlete, Potenza began his American dream in New York in 1972 before settling in the Providence area. After years of playing soccer, Potenza got into the restaurant business to help his family. He became a sought-after chef, not only for his cooking but also for his teaching. He opened Chef Walters Cooking School in Cranston in 1985, later moving the school to Atwells Avenue, a neighborhood of Providence known as the cornerstone for the first Italian immigration colony to the area in the 1800s.

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NEWENGLANDMONTHLY.COM | DECEMBER 2017 45

detail of one of the exhibits at the federal hill heritage center

The first group of Italian immigrants settled on Federal Hill in 1870, and the area eventually became the center of one of the most densely populated and largest Italian settlements in the nation. According to historicalfederalhill.com, in 1885, there were only a few hundred Italian-born residents in Providence. By 1920 there were 42,044, and by 1930, 20 percent of the city’s population was Italian. The moniker “Federal Hill,” according to the forward in Potenza’s book, Federal Hill Flavors and Knowledge, is a name which has evolved. And while it isn’t cited in the literature, it could be related to the fact that at one time Federal troops had camped nearby, in the area where the State House sits. There are other accounts for the naming of the neighborhood, including the Rhode Island Italian Colony or Little Italy. However, 46 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

For those interested in gaining insight into the history of this uniquely organized row of restaurants, coffee shops, and authentic Italian grocers, Potenza offers a wealth of information. As a chef for 47 years, he enjoys talking about Italian history, not only to educate but also to make sure the stories of the early settlers are preserved.

one fact remains: To those rooted in the community, Federal Hill initially started on Spruce Street—which runs parallel to Atwells Avenue, now synonymous with the name “Federal Hill.” “The Hill” is the second oldest Italian immigrant neighborhood in the country and is a culinary and historical destination not unlike the Little Italy areas in places like New York and Boston. Potenza, a native of Abruzzo in Central Eastern Italy, first moved his business to the area with the hope of expanding his culinary reach while continuing to share his Italian heritage through his cooking. With energy and insight, his interests grew beyond cuisine to the streets of Federal Hill. Five years ago, Potenza began offering walking tours of the area, combining two of his greatest loves: food and history. Guests on his

tours enjoy cheese, charcuterie, and antipasti Those who enjoy the history of immigratastings capped off with an “Olive Oil & tion will be thrilled at the amount of informaBalsamic Tasting” and a taste of the tion and depthwho of understanding Potenza n May 24,“Wine 1864, of says Langlois, explains that there are has also the Day.” The tour is infused withbanks bountiful of his Italian community. on the of the many photographs on the walls throughout information, not only about food but alsointhe largest“When influx of immigrants Ashepoo River the“The museum. people bring inwas pictures history of the area and theSouth peopleCarolina, who made during World War I, and many went on up.” to a of their fathers, husbands, we put them Federal Hill what it is recognized for today. serve their new country,” explains Potenza. small crew of solRun solely by volunteers; the museum is“It The tour concludes with a walk-through was a time when men came to daily America diers set out in a completely free tomany the public. Open of Potenza’s Federal Hill Heritage Center—a without their families to set up a life here rowboat on a rescue from 1–4 p.m. all year round, the doors close collection of would hundreds photographs before sending them. At the end of a long mission that laterofearn them theof early only four timesfor a year. settlers—located on the second floor of his workday, they had noplace,” one tosays cookLanglois. for them, highest military award for bravery during “It’s a very special building on Atwells that houses his so restaurants on Federal combat—the MedalAvenue of Honor. “We appreciateopened donations, but it’sHill notand ofcooking school. fered meals reminiscent of the homeland. Private William Downey, an Irishman who required.” The the 1917 was used as a fallout Angelo’s, whichassociation opened informed 1924 by joined USbuilding Army from Fall River, Mass., The Fort Taber inishelter and was later purchased and remodeled a husband and wife team from Pescara, in September 1863 to fight on behalf of the tially in the early 1970s with plans to open by Potenza, the original is long regarded one of the North in thewho Civilstayed War, true was to among those who Italy, a museum and preserveasthe Civil Warfirst fort. colors of yellow and red; he also kept the “workingman’s” restaurant on The Hill.went Hot volunteered. The boat crew set out to rescue According to Langlois, the association exterior design of the building intact. meals were made every day and guests sat some 200 Union soldiers stuck on a stranded into a state of suspended animation untilat “I researched how it was in the ‘20s and large next toinstrangers eventually steamer, the USS Boston. The ship was reportit wastables resurrected the latewho 1990s when ‘30s,”stuck he explains. became these edly on a sandbar, and the boat crew the city friends. took anAccording interest into thePotenza, cause. New After two years of renovations, Potenza men didn’t have to pay daily. Instead, they managed to get them to shore amid heavy fire members got involved, and the board started opened his restaurantbattery. in 1999. At the time, would settle their bill at the of the where month. from a Confederate meeting again in 1999. Theend building heToday, was running his cooking school, which he “I think this is an amazing story of how Downey is buried at Saint Mary’s the museum resides is owned by the city and started in 1985 in Cranston. Thehis restaurant immigrants Cemetery in New Bedford, and Medal shared with helped a yachteach club.other,” Beforesays the Potenza. 2004 was set up on the first two floors of the fourThis historian has other stories fromand of Honor is displayed at the Fort Taber-Fort opening, the city rehabbed the space level building, withMuseum. condos on the third andto days to the current, but there remains Rodman Military It was donated boardpast members filled it with the first items. fourth floors. an abundance of tales and history of the the New Bedford museum two years ago on “It was a meager display, but people loved Five years decided to of swap, community’s evolution over themost decades that Veteran’s Dayago, andhebecame part the moving thouit,” says Langlois, adding that people the restaurant to Cranston and Chef Walters aren’t so peaceful and are a bit colorful. sands of artifacts found at the museum since hear about the museum through word of Cooking School Newly arriving found its conception in to theProvidence, late 1990s.with the mouth and bring immigrants in their items to bediscord disschool only with Years in the making, the museum finally played. “One woman came in withtheir medals of occupying the in 2004 with a modest colsettling opened its doors her father and also a photograph. Sheinasked if first floor. the land of lection of 20 two-shelf photography units and we would put the picture up.” The secondopportunity. one display case. It was then that the museum began to floor space went “At that time we wondered how we would accept and encourage people Oppression, to bring in unused until says Fort Taber/Fort Rodman prejudice, and fill the room,” photographs of their loved ones in uniform. two years ago even lynching— Historical Association President Joseph In 2009, the city expanded the space when Potenza Langlois. “People in the area have been very to make way for new display these cases.newcomers The decided to move often discovered kind in bringing in 1,800-square-foot his collection abject these items.” of addition wasdisrespect made photographs and due to theira RON PLOURDE, VOLUNTEER These donated artipossible through artifacts from nationality and facts range from the substantial donation his home (along heritage. Revolutionary War from Bank of America with items a tightthrough the Operation as well asBeing two grants. collected by knit community, Iraqi Freedom and Today, there are about others for over a they fought Operation Freedom 40 volunteers and an century) into the back, and history Enduring (Afghanistan) 11-member board that location which shows that Wars, all of which is a keep the museumin has appropriately been named the Federal Hill some cases their response—such tribute to local veterans running. as with the Heritage Center. Macaroni Riots (in which instigators and service members. In additionplayed to the “I wanted to leave something behind for my a role)—sparked civil discourse and violence. “The museum has a museum, the fort is a family and thetouch statein of Rhode Island… I know The Italian people weredestination to be takeninseriously real personal its own the struggles they went through,” he says of and would protect their interests—which they addition to the right. The fort is only the early settlers. “They should be recognized did when years later, they began the birth of historical artifacts,” open for special events and remembered.” the minimum wage act for workers.

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one of many of the exhibitions at the italian heritage museum

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Those who enjoy the history of immigration will be thrilled at the amount of information and depth of understanding Potenza has of his Italian community. Later, prohibition took place, and some found this government intervention for the separation of sinners from their bottles as a business opportunity. Rhode Island attracted illegal liquor distribution, and for those with a taste for the beverage, private clubs—or “speakeasies”—soon began springing up on The Hill for their enjoyment. It was during the ‘40s, ‘50s, and ‘60s that rumors began circulating that Rhode Island was home to an organized crime syndicate and that the New England rackets were being controlled by a Providence family. To this day, such talk continues to draw the curious, but what makes Federal Hill the second most visited location in Rhode Island is the most authentic Italian cuisine on the Eastern Seaboard. For those interested in gaining insight into the history of this uniquely organized row of restaurants, coffee shops, and authentic Italian grocers, Potenza offers a wealth of information. As a chef for 47 years, he enjoys talking about Italian history, not only to educate but also to make sure the stories of the early settlers are preserved. In addition to the tour, guests will be intrigued with the Heritage Center. The cultural museum is filled with his collection

of photographs (many from the Library of Congress), along with others he’s received from families of those who settled in their Italian-dominated district. “I started a Facebook page about what I was doing and got a lot of interest,” he says. With each picture he received, he requested details about the people in the photographs. “People were very receptive to the idea.” The center is included in the tour but is also open to the public for a five dollar donation that goes to the Chef Walter Juvenile Diabetes Foundation, which Potenza started to offer free cooking classes to low-income families to help them manage diabetes through knowledge of cooking. Through his work in the culinary world in Rhode Island, and in his native Italy, Potenza is dedicated to preserving and sharing the Italian heritage. He is also continually growing his business by giving lectures around the globe. In 2015, he competed and won Food Network’s Guy’s Grocery Games in Sonoma, California. “At the end of the day,” he says, “I’ve always done what makes me happy.” From what we observed, Potenza is another reason to make Federal Hill your next tourist destination; there is no place like it. H

P O RT F O L I O S

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W H E N YO U A B S O L U T E LY P O S I T I V E LY H AV E TO G E T I T R I G H T T H E F I R ST T I M E

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SCHOTZ P H OT O G R A P H Y L U C K I S C H OT Z .C O M | I N F O @ L U C K I S C H OT Z .C O M | 78 1 4 37 74NEWENGLANDMONTHLY.COM 88 | DECEMBER 2017 49

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jemacb

TIME after TIME THINK TWICE BEFORE SIGNING UP FOR THE SEDUCTION OF A FRACTIONAL OWNERSHIP (TIMESHARE) VACATION PROPERTY. BY LAUREN GIBBONS PAUL AND STEVEN CHAN

NEWENGLANDMONTHLY.COM | DECEMBERjamacia 2017 51

telluride, colorado

ccording to NerdWallet—a website many top financial and investment companies use when researching the topic of consumer debt—the average US household debt hovers around $130,922. This total takes into account credit cards, mortgages, auto loans, student loans, and other forms of fiscal liabilities. For many families—or individuals, for that matter—it appears that they are only a paycheck away from financial ruin. The Pew Charitable Trusts reports that in November of 2015, 63 percent of Americans did not have enough savings to pay off an unexpected $500 emergency expense—such 52 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

as a broken refrigerator, car problem, or damage to their home due to a storm. The organization went on to claim that one in three families have no savings at all and are running on luck—which could run out at any time. Experts tell us that as a whole, we are not just poor judges of what we need versus what we desire, but that we don’t save or invest for the future. Then there are the wealthy—or as others refer to them, “rich folks”—who for whatever reason have the means to spend as conservatively (or wildly) as they wish. All indicators prove that they have money since they understand the concept of value, savings, and investing.

This easily understood definition can be found in the archives of Investopedia, where they describe the differences between spending and investing. Simply put, “When you spend, you are purchasing goods and services that will not improve your quality of life or offer any long-term gain. Purchases such as holidays, expensive dining experiences, and evenings out belong to the latter category, and while they may be enjoyable, they offer no form of tangible asset return.” Naturally, there are other items such as cars, cell phones, or computers and furniture that many of us buy to enhance our lives, but all are grouped into the category of depreciating assets—those items that continue to lose value over time.

should always be on your list of questions to ask in the event you take this route.

WHEN IT COMES TO PURCHASING A TIMESHARE, IT IS BEST NOT TO THINK OF THE PROPERTY AS AN ASSET THAT WILL INCREASE IN VALUE; CHANCES ARE IT WON’T. AND WHILE YOU MAY BE ABLE TO SELL YOUR INTEREST (IF YOU CAN FIND A BUYER), DON’T EXPECT A RETURN ON WHAT YOU PAID. IN FACT, IT IS LIKELY THAT YOU WILL HAVE TO SELL YOUR SHARE FOR ABOUT HALF OF ITS ORIGINAL PRICE—IF NOT LESS, AND THIS IS A LOSS BY ALL DEFINITIONS.

Investing, on the other hand usually takes time and patience, and (under normal circumstances) will increase the value of your cash. We see this in the use of IRAs, 401(k)s, individual stock investing, and for many, investing in real estate. For those with investments and an expected or reliable cash flow each month, it’s likely you have a primary residence, summer home, and a ski house. It is also possible you’ve avoided the trappings of what is known as a timeshare or fractional ownership vacation home. Unfortunately for the less fiscally savvy, they become a prime target for the pitch of comfortable living, for a small payment and

A Bad Rap or a Word of Caution?

the flexibility to vacation year after year— practically anywhere in the world. It’s this group, once they tire of the concept of sharing four walls and a pool, they continue to be stripped of their hard-earned money, sometimes for the rest of their lives.

Years back, the word timeshare brought chills to many. Tales of high-pressure sales pitches abound, while many unscrupulous developers cajoled unsuspecting shoppers for hours—if not days—through the enticements of gifts, meals, prizes, and free vacations. Still today, the tales of this form of high-pressure sales has tarnished the vacation rental and purchase business model. As a result of lawsuits and a glut of empty hotel units, current-day property owners have cleaned up their acts and have taken a softer and more professional approach to selling their product. Still, the concept of luring uninformed consumers hasn’t changed. Many developers must rely on a public who is willing to trade off the excitement of living beyond their means for solid investments opportunities. For the most part, development companies are exempt from many of the restriction and legal protections offered by licensed real estate agents and brokers. Once purchased, buyers may find they don’t have the same rights or options as when making an outright purchase of real estate.

The Concept of Timeshare

Read the Fine Print

The website debt.org explains what this vacation experience is all about: “A timeshare, also known as vacation or fractional ownership, is a real estate program in which a residential property is divided among many owners who have purchased the right to use the property for a specific period. Most often they are found in vacation or resort locations, offering a buyer a share of the property (usually 1/52 —one week per year) for a fixed price, accompanied by other fees on a yearly basis.” It is a concept which allows the public to buy a property they might not otherwise be able to afford. Currently, the number of timeshare owners is approaching 10 million around the world, making this a billion-dollar industry and a leader in the business of vacation properties. There is a variety of timeshare opportunities, and this is where a consumer without knowledge can end up in trouble. Determining whether you are getting a deeded property or just the ability to use it,

When it comes to purchasing a timeshare, it is best not to think of the property as an asset that will increase in value; chances are it won’t. And while you may be able to sell your interest (if you can find a buyer), don’t expect a return on what you paid. In fact, it is likely that you will have to sell your share for about half of its original price—if not less, and this is a loss by all definitions. For some properties, the length of the agreement can be up to 99 years, and this clause may not end with your earthly demise. The yearly expenses may follow your estate, so it would be wise to read all of the fine print and enlist an expert for advice. Many properties allow travelers to sell or lend out their weeks to friends and family, which increases the flexibility and fun. But, most timeshare agreements do not provide the ability to sell back any unused time before the end of the contract period, keeping the owner locked into the long-term contract. NEWENGLANDMONTHLY.COM | DECEMBER 2017 53

grand floridian resort

& spa

Who’s investing and who is spending?

Typically, the purchaser will hear the term investing over and over during the sales initiation into what is often called a carefree lifestyle. But, in reality, it is the developer who makes the investment and the profit. Here is how it works. As a new owner, you pay somewhere around $15,000–$25,000 (plus closing costs and commissions), for a week of use of the property. As a fractional owner, you will be responsible for the yearly expenses—many of which will include taxes, maintenance and management fees, cleaning, plus any special assessments for improvements over the decades you own your share. Over the life of the contract, you as an investor have spent a significant amount of money but will not have earned a single dime in return. As for the company who sold you the right to a one-week vacation, they will have invested in constructing the property, only 54 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

to sell each room (let’s say for $20,000, for 52 weeks each year), creating a cash-cow of $1.04 million. The gross profit doesn’t include the rest of the rooms within the property, nor does it take into account the ongoing management fees over the next 20–99 years for running the property. With quick reflection, one needs to ask, “Who is investing and who is paying?” Natalie Greene of Newton, Mass., still remembers the moment 18 years ago when her husband Barry sprang the news that he had bought her a timeshare as a holiday gift. With a newborn and a four-year-old at the time, Greene was aghast that her husband had outlaid more than $20,000 for the right to spend an annual week at Disney resorts— for the next 99 years. “It worked out to be way less than the cost of a week at a hotel,” she says. That calculus looks even better now, as nightly room rates at the resort range from more than $300 for a standard double room, and up to $1,000

for the suite the Greenes used for many years. Nearly 20 years into their timeshare, the Greenes are true believers. “We used it like crazy when the kids were little,” she says. “I let my sisters use it with their families a few times.” As the family’s disposable income increased over the years, they exercised their option to upgrade their venue, staying at the pricier Grand Floridian Resort & Spa. Staying at the same place every year raised the family’s comfort level. “If you like to go to a different place every time, I don’t think a timeshare is for you, unless you are willing to do a lot of planning a year to 18 months in advance,” says Greene. The Greenes bought a second timeshare—this one for a term of 22 vacation weeks at the all-inclusive FDR resort in Runaway Bay, Jamaica. The attraction with FDR: The resort provides caring, local nannies for guests’ young children, allowing parents to have some grownup time within the context of a family

vacation. FDR (which no longer offers timeshares) allows families to split their investment with another family to reduce the upfront cash requirement. Maintenance costs are just a few hundred dollars annually for both properties, says Greene. Also, FDR charges a daily perguest fee for food and drink. As the kids have grown and she travels more on business with her now-CEO husband, Greene has not had much interest in pursuing a stay at other Disney Vacation Club properties. The pull of the Magic Kingdom is not as potent now as when the kids were small, acknowledges Greene, but she’s found a way to make the initial expenditure and continued costs fit her needs of today. For the past few years, Greene has brought a few women friends down to Disney in Orlando to run in the Princess Half-Marathon in February. They all took up running as the kids started growing.

The time together rekindles some of the old Disney magic. In that sense, the Greenes’ timeshares have been a success. In Jamaica, they still get the same unit overlooking the pool during the coveted school vacation week in February. The resort owner and staff welcome them back like family. “Someday I’ll go with my grandchildren,” says Greene. Buying Real Estate

The stories of families purchasing a fixer-upper on the beach or a condo in the mountains, only to sell (while earning a handsome profit) when their kids grow up, are too numerous to list. Many times over, families who have purchased property in Boston, New York, or the White Mountains of New Hampshire, Vermont, and Maine, quickly learn the nature of vacation-home ownership. With the ability to access their property 52 weeks each year, along with the option to rent their property to cover costs

(all while building lifelong memories), is an opportunity that has long been attractive. Over time, the families realize that their money has been working for them—silently growing, due to increasing demand for these types of homes, especially in desirable locations. It isn’t uncommon for these same people to purchase a third or fourth home and watch them appreciate equally or greater than their other financial investments. In the end, the choice comes down to the individual. Those purchasing a fractional piece of property need to take into account their understanding of investing, their lifestyle, and long-term goals. The price of a one-week vacation each year may override the benefit of complete ownership to some. However, those ready to buy should take caution and review all documents with their attorney, an accountant, or a financial planner before packing their bags. H NEWENGLANDMONTHLY.COM | DECEMBER 2017 55

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one they haven’t seen or heard from before. With the advent of digital communication, held in the hands of individuals, the public is now enjoying the opportunity to become involved in the news as it happens. The phenomenon is leading to minute-by-minute reporting and attempts to verify the accuracy of facts and information. On its face, one could place blame on faulty reporting, hidden agendas, or misinformation by both political parties. We are watching this play out in Washington DC, when each night, networks or cable stations overtly demonstrate a predisposition to a political party or favoritism to a person or cause, by attacking them or by the absence of stories during their broadcasting day. These comments are not a reflection on Rezendes or an attack on a specific network, channel, or print medium. Rather, they are based on observation and interaction when meeting with the public and discussing how they feel and interact with today’s media. Many of the public believe the news has reached the point of no return and that impartiality is non-existent. Much of this problem is buried into the biases held by those we hold to a higher standard but have failed us in their reporting. This level of concern was evident when an audience member explained her take on the issue. She commented on how it has become an individual’s obligation to take on the role of an investigative reporter. Adding to that, she feels it is necessary that the public become the watchdogs (as it has been the role of news agencies) and tease out problems, watch for inaccuracies, and filter opinions from facts. After carefully listening, Rezendez responded by saying that “the media [generally] needs to do a better job at reporting, and that it’s a new era due to social media.” He went on to reiterate that “our democracy depends on skilled journalists reporting fact-based news.” He also noted that the media is biased, and included himself in the mix; he expressed that he tries to recognize this and works at being balanced in his reporting. Overall, the event was stimulating and the speaker eloquent. Rezendes stands out as a leader in the field of investigative reporting; he can grip and hold an audience for hours if he desires. On this bright and chilly morning, the cold, hard fact is that those who report the news are human, and their belief system will inadvertently spill into their reporting even when exercising caution. As consumers of news, we must continue to seek information that meets a standard of journalism worthy of respect, while requiring those who deliver the headlines to earn our trust—because it is not going to be given freely. Rezendes sent a warning when he told the audience, “We need good investigative reporters today more than ever before…we need them at every city hall, every state house, and courthouse in the land. We need them performing their watch-dog function at every state prison, at elite medical facilities; we need them watching over large corporations, small businesses, non-profits, even religious organizations.” The topic and speaker could not have been more on point, yet we cannot help but wonder if the media will ever be able to report the news without stains of personal opinion and diluted facts. In the end, the public expects and deserves that those who report are more reliable than those who hide the truth. H

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style

Fun-Wear for Winter his month it’s about going casual. Shooting from the streets, a.k.a., Street Style, Desigual takes the runway outdoors. In 1984, Thomas Meyer saw the world through a different lens; he was inspired to dress people, not bodies. His vision resulted in the ability to infuse a free-flow of emotion and attitude into clothing that takes center stage. The brand originates from a distance (Barcelona to be exact), but the style and fabrics are worldwide favorites. Bold, exciting, and full of color and patterns, Desigual has entered into all genres of fashion, leaving their mark wherever you find them. From this “lookbook”, it’s noticeable that the essence of this winter line will last long into the season and maybe evolve into even more of fashion with passion. It also allows some personal touches to be mixed with the concept. H You’ll find Desigual at the following retailers:

BUNDLE OF HOPE 122 FRONT STREET SCITUATE, MA RADA BOUTIQUE 486 MAIN STREET MELROSE, MA COCCINELLE 1786 MASSACHUSETTS AVENUE CAMBRIDGE, MA FRITZ & GIGI 79 MAIN STREET CONCORD, NH MIRANDAS 1 MAIN STREET KEENE, NH

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seen wearing an outfit from desigual. photo by yimur emek/getty images for desigual

CALINE 149 MAIN STREET FALMOUTH, MA

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NEILSON BARNARD

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seen wearing an outfit from desigual. photo by yimur emek/getty images for desigual

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Securities are offered through Cambridge Investment Research, Inc., a broker-dealer member of FINRA/SIPC. Investment advisory services are offered through Cambridge Investment Research Advisors, Inc., a Federally Registered Investment Advisor.

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I N R E V I E W BY S U S A N F L E T C H E R

Beth Luey’s New Tome, House Stories, Begins a Series of Tales about the History Behind the Doors of New England Homes. T

he Minister, his maid, a tycoon, and the brave, all come alive in this historical account of many who lived in the gracious homes which line the streets of Fairhaven, Massachusetts. Those familiar with the skyline of this coastal town—dotted with steeples, greenery, a blue water harbor, and home of fishing vessels at rest along the docks—will find themselves drawn to the familiarity of this new work by Beth Luey, House Stories: The Meanings of Home in a New England Town. As for those poor souls who will pass on picking up a copy because its artful graphic resists the commercialization of its content, they may be destined to learn secondhand about its appeal and all-embracing writing. An accomplished author, editor, and publisher, Luey’s new entrée into this genre satisfies those who have patiently waited for its release. The Fairhaven author provides readers with a well-researched story of individuals and families who kept homes (12 in total) within the town. Each address is accompanied by a homeowner’s identification, but it is Luey’s efforts that divulge their ingenuity, thirst for adventure, and ambitions. From these accounts, we learn that their efforts often resulted in handsome profits, eccentric philanthropy, as well as leading them to exotic ports-of-call in faraway lands. Luey’s storytelling is marked by her ability to introduce characters in a manner which enables readers to visualize themselves walking the neighborhoods and smelling the salty breeze from the harbor that separates it from the port of New Bedford. Her artful descriptions weave a sense of time and period into her prose, making it nearly impossible for readers to put her new contribution down for a minute. From personal accounts taken from diaries and journals of the participants; letters from churches, businesses, and legal archives; as well as conducting interviews with descendants of the stories’ 70 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

characters—the author threads the chapters together and instills an appreciation for those who organized the fabric with which these communities were built. In addition to these vital resources, Luey investigates and shares volumes of information, found in local libraries and museums, about the connections of early settlers to many of the businesses and homes remaining. Of particular interest is a delightful account of how a Jewish immigrant turned a shipwreck off of Martha’s Vineyard into a chain of movie theaters in the early 20th century, with one of them preserved and currently in operation. Striking a cord of continuity and progression, the release of the book is in pace with current events, for it was only last summer that the Colonial Club of Fairhaven held an auction in nearby Marion, where a trove of art and artifacts were sold. This organization that is more than a century old—which resident Martha Coggeshall was a charter member of when it was founded in 1912—sadly ended its reign in protecting a vast collection of antiquities, due to the Coggeshall endowment running dry. Still, this chapter of history remains relevant, considering the Colonial Club has announced plans to continue to operate, although in a different capacity. House Stories has great appeal, with the only perceived problem being that the public’s curiosity and desire for more of her writing have been elevated. We are optimistic about more of these chronicles being produced with the same accuracy and labor as exemplified in this work. However, until Luey releases her new project—a two-volume set on historic homes throughout New England—she will be responsible for any deprivation or withdrawal that her followers experience. Our recommendation of House Stories: The Meanings of Home in a New England Town cannot be overstated. H

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living well

ELEMENT OF

SURPRISE A WIND CHILL ADVISORY

BY ROB SAINT LAURENT, MEd

uring the winter of 2016–17, millions of people south of the North Pole had to cope with repeated weakening “polar vortexes” releasing brutal arctic air in the single digits to minus zero degrees Fahrenheit. Many point to greenhouse gases such as methane as the culprit, while others maintain that the earth has always endured wild temperature fluctuations. Either way, extreme weather is now the new norm, with global patterns making little sense. In today’s climate, protecting your mind with the truth is as imperative as protecting your body from the elements. That said, malfunctioning polar vortexes may not occur this winter, with long-range forecasts calling for warmer-than-average temperatures for the Northeastern US—as of this writing, anyway. Nevertheless, it’s better to be prepared than caught by surprise.

conditions, it can lead to serious cold injuries including frostbite and potentially lethal hypothermia. Arriving at our current understanding of wind chill and a formula for producing an index (a “real feel” temperature) was a complicated process. But by combining advances in science and technology, an algorithm was created in 2001 that estimates the effect of a threemile-per-hour wind on a bare human face. The formula accounts for heat lost as moisture evaporates from skin, with moisture cooling the skin and wind speeding the process. Just as there is a heat index formula for when perceived temperature is greater than ambient, or actual, air temperature, there is a wind chill equation for when perceived temperature is lower. For example, a temperature of 40 degrees and wind velocity of 10 miles per hour would yield a wind chill index, or factor, of 34 degrees. At just 10 degrees with a gale-force wind of 54 miles per hour, the wind chill is now at minus 18—the threshold for frostbite after 30 minutes of exposure. The graphic on page 57 charts the wind chill index for a wide range of temperatures and wind velocities.

CHILLING EFFECT

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FROSTBITE

Simply put, frostbite is tissue freezing. In humans, this happens more easily than overheating because we lose heat through the skin more easily than we acquire it. It’s always easier to acclimate to summer than to winter. As described by the Mayo Clinic, there are several stages of frostbite. In its mild form, called “frostnip,” the skin turns cold and either pale or red in color, and can go numb and become prickly with prolonged exposure. Upon thawing, the affected area can be painful and tingly. Frostnip doesn’t leave permanent damage. In superficial frostbite, the second stage, reddened skin becomes

janka simka

As explained by the National Weather Service, wind chill is wind’s cooling effect on exposed skin. While organisms work to maintain an acceptable surface temperature, when heat loss is accelerated in a blowing environment (convection), the organism will feel as if the temperature is lower than it is. Although wind chill is perceived, its bodily effect is very real with resulting greater heat loss. This perception is most evident when air flow is greater than three miles per hour and air temperature is under 50. At this threshold, wind chill may only amount to an annoyance for most Northerners. But in extreme

NEWENGLANDMONTHLY.COM | DECEMBER 2017 73

cmauger

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pale or white. Though skin may remain soft, ice crystals may form in tissues. If skin becomes warm, this is a serious sign. At this stage, rewarming will cause blue or purple discoloration, along with painful stinging, burning, swelling, and perhaps blistering within 36 hours. By severe frostbite, all skin layers are affected. Numbness and total loss of both sensation/discomfort and muscle/joint function in the affected area are to be expected. Large blisters will form by 48 hours from rewarming, followed by black, hardened dead tissue (necrosis). How does frostbite happen?

The body retains its core temperature by rerouting blood from the extremities. The red line appears to be when skin temperature dips to 59 degrees Fahrenheit. Here, blood flow to the extremities (fingers, toes, ears, and nose) is maximally constricted. Below this point, we are preprogrammed for periodic bursts of blood to these vulnerable areas to prevent damage. Those more accustomed to the cold will have these bursts more frequently and at longer intervals than those from warmer climates. Residual heat from deep within the body prevents tissue freezing, but only up to a skin temperature of 32 degrees Fahrenheit. From there, the frostbite cascade is initiated. Ice crystals are formed first outside, then inside the cells of extremities, leading to permanent damage. The skin can survive for about six hours without adequate oxygenated blood flow. Frostbite can be delayed by extraction of heat from the body’s core, which is okay in relatively warm and insulated environments; but, if core heat loss is accelerated, it can be deadly. KNOW SOMEONE AT RISK?

While people who work or recreate outdoors can fall victim to frostbite, it’s usually those unaccustomed to harsh conditions that are most susceptible. ABC news reported recently, for example, a Kenyan champion runner at the University of Alaska who had disappeared in a snowstorm when, for personal reasons, he ventured off campus wearing nothing more than jeans, sneakers and a light jacket. Sadly, though he survived, both feet required amputation. While a more extreme case, this does illustrate things we do know about frostbite, even though we don’t know its prevalence in America like we do heart attacks and flu viruses. Though it’s uncommon in most of North America, those in northern states, Alaska, and Canada need to be vigilant. The US Army seems to have the most data on frostbite, showing that there was an incidence rate of 38.3 cold-related injury cases out of every 100,000 personnel in 1985. In 1999, that rate decreased to 0.2 cases per 100,000. So it would appear that preparedness efforts have been successful. As the Kenyan runner can attest, they also found that African American women and especially men were 2.2–4 times more likely to suffer cold-weather-related injury than any other race. Saskatchewan has seen the most civilian frostbite research, where it’s been observed that alcohol intoxication and psychiatric illness are the greatest predictors of frostbite occurrence. Generally speaking, military personnel and extreme sports

enthusiasts aged 30–49 are in greatest danger—particularly those from warmer climates. Closer to home, certain populations are especially vulnerable. There are the “cool” kids wearing shorts and a t-shirt in 10-degree wind chill. There’s the elderly, especially those on beta blockers which can decrease blood flow to the skin; those with peripheral vascular disease and diabetes-related circulation issues; and peripheral neuropathy, where the person is unable to feel what’s going on in the extremities due to nerve damage (as from diabetes complications). And then there’s the homeless.

TAKING THE BITE OUT OF WINTER

Dressing correctly for the elements is also a science. Layering clothes is essential, though cotton should be avoided as it will make you colder if wet. A base layer should be a thin, long-sleeve shirt made of a synthetic material that wicks moisture from the skin (for example, polyester, nylon, or spandex). The middle insulating layer could be a wool sweater or fleece jacket. The outer (shell) layer should be impenetrable to wind and snow. Finally, wool socks are in order, as is protecting all remaining areas: head, ears, neck, face if necessary, and hands. Other considerations are limiting time outdoors in severe conditions and dehydration from cold, dry Arctic air. If you do sustain cold injury, here are some things to keep in mind. In frostnip, which is probably more likely if you’re not into extreme sports, you can rewarm the affected areas using skin-to-skin contact if you can’t get indoors right away. Never massage; rub with snow; or use an external, dry heat source. If a blister forms, don’t pop or deflate it. Also, beware of refreezing, which can happen quickly and can cause much greater damage. Seek medical attention if possible. For frostbite, seek immediate medical attention. Once thawed, the affected area is useless and excruciatingly painful. Remove frozen wet clothing and re-insulate to prevent further injury. Stay dry as you seek treatment. It’s okay to walk on frozen feet to facilitate evacuation. If hypothermia is suspected, indicated by intense shivering, slurred speech, confusion/disorientation, and loss of coordination, seek immediate emergency medical assistance. Remember to react quickly to the very first signs of cold, numbness, or tissue changes. H Rob Saint Laurent, MEd is a health writer and editor. NEWENGLANDMONTHLY.COM | DECEMBER 2017 75

invest

THE BIG RISK AWAITING THE NEW FEDERAL RESERVE CHAIR BY TIM HAYES

f your bank account dropped from $100,000 to $80,000, would you be inclined to spend more, or less? Would it matter if the drop happened all at once, or over 16 months? This is the predicament in which Federal Reserve Chairman front-runner candidate Jerome Powell finds himself: keeping the economy growing when less money is in it.

THE FED HAS THREE OPTIONS WITH ITS $4.3 TRILLION BALANCE SHEET (Pre-2008 financial crisis, its balance sheet was around $900 billion.)1 1. Do what former Federal Reserve Chairman Ben Bernanke recommends:

Don’t worry about it. Don’t sell the trillions of dollars of bonds the Fed bought during QE, and continue reinvesting maturing bonds’ revenues into new bonds.2 Bernanke, the architect of QE, might have some self-interest in this recommendation, as it poses the least amount of risk to the economy—hence, less reputational risk to him personally. It, however, remains an unpopular choice; my guess is that some worry that the Fed would have to enlarge the balance sheet even more to try to stimulate the economy if it turned sour. 2. Lower the balance sheet by selling bonds, preferably to banks.

Selling bonds to banks is the only way to reduce their $2.4 trillion of excess reserves. (By comparison, banks had just $20 billion of excess reserves in 2007. 3) The amount of reserves that banks have has little impact on the amount of spending that takes place 76 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

in the economy, so bond sales to banks are probably the safest way for the Fed to shrink its balance sheet. Reserves are the monies banks received from the Fed during QE, when they sold bonds to the Fed. However, commercial banks that are not interested in reducing their reserves by buying bonds from the Fed seems like a good bet, for each time the Fed raises the fed funds rate—which, in December, they will probably do for the third time this year— they are forced to pay banks a higher rate of interest on those reserves. And banks wouldn’t have those reserves were they to buy bonds. Paying banks interest on their reserves is therefore the only way the Fed can increase the rate it charges banks to borrow reserves (the fed funds rate). Today, that rate is around 1 percent. In December, the Fed will probably increase it to 1.25 percent, which must be the minimum interest rate the Fed pays banks in order to dissuade them from lending their excess reserves to other commercial banks. If it isn’t, a bank will lend their extra reserves to other banks, causing the fed funds rate to drop, thus reversing the Fed’s goal of raising rates in the economy. What happens if banks don’t buy bonds?

If banks don’t buy bonds, then the Fed is forced to sell bonds to the public—that is, to pension funds, mutual funds, and other large investors. Selling to the public increases the supply of bonds for sale, which could cause interest rates to spike and push the US into a recession—something the Fed is obviously hoping to avoid. But the biggest risk is not a spike in interest rates; it is, when the public buys the bonds the Fed sells, money is removed from the economy. In a normal transaction, a bond’s seller would deposit that sale’s proceeds into the seller’s commercial bank. That deposit would remain in the economy and could be used for additional spending. But when the Fed sells a bond, it doesn’t deposit the money; it extinguishes it.

3. Stop reinvesting the proceeds the Fed receives when a bond matures.

Consistent with current Federal Reserve Chair Janet Yellen’s gradualist approach, this is the option that, in September 2017, she told the public the Fed was going to implement.4 Not reinvesting also takes money out of the economy—but gradually, and without adding more bonds for sale. The issuer of the bond pays the bond’s owner—in this case, the Fed—the face value of the maturing bond. The Fed then eliminates the asset, the bond, and the liability—the cash—thus reducing its balance sheet.

WHAT TYPES OF BONDS DOES THE FED OWN? The Fed owns Treasury securities and mortgage-backed securities. Beginning in October 2017, it slowly stopped reinvesting both. For example, in October it did not reinvest $6 billion of any maturing treasury bonds. So, if $30 billion of treasury bonds matured in October, only $24 billion were reinvested. This process will continue with increasing amounts taken out of the economy until the Fed stops it. And that will depend on how big or small it wants its balance sheet to remain. H These are the opinions of Tim Hayes and not necessarily those of Cambridge Investment Research. They are for informational purposes only, and should not be construed or acted upon as individualized investment advice. Securities offered through Cambridge Investment Research, Inc., a broker/dealer, member FINRA/SIPC. Investment advisory services offered through Cambridge Investment Research Advisors, Inc., a Federally registered investment advisor, 39 Braddock Park #5, Boston, MA 02116 and 126 Horseneck Road, S. Dartmouth, MA 02748. Bernanke, Ben. “Should the Fed keep its balance sheet large?” Brookings Institution, Sept. 2, 2016, https:// www.brookings.edu/blog/ben-bernanke/2016/09/02/ should-the-fed-keep-its-balance-sheet-large/ 2 Ibid. 3 Ibid. 4 Federal Reserve Bank of New York, Statement Regarding Reinvestment in Treasury Securities and Agency MortgageBacked Securities, Sept. 20, 2017, https://www.newyorkfed. org/markets/opolicy/operating_policy_170920 1

THE FEDERAL RESERVE BALANCE SHEET REDUCTION SCHEDULE Date

Treasury Securities

Mortgage-backed Securities

Oct.– Dec. 2017 Jan.– Mar. 2018 Apr.– Jun. 2018 Jul.– Sept. 2018 From Oct. 2018 on

$ 6 billion $ 12 billion $ 18 billion $ 24 billion $ 30 billion

$ 4 billion $ 8 billion $ 12 billion $ 16 billion $ 20 billion

intimacy

Communication: More Than Just Talk BY ANDREW AARON, LICSW

ime and again couples enter relationship therapy (“marriage counseling,” to some) complaining of the inability to communicate. In most cases, both spouses have spoken the same language all of their lives. Couples regularly demonstrate an excellent grasp of language and communication skills. Many who cite communication problems are highly educated professionals whose daily skilled use of language contributes to successful careers. So what is happening that renders attempts at effective communication between intelligent people ineffective? If love is to stay full and satisfying, maintaining a love relationship is the name of the game. The importance of maintenance is not unique to relationships; just like a new car...if it is not maintained, it will soon seem old and run poorly. The trick to successful maintenance is identifying problems and fixing them while they are still small. Doing so is not easy. Partners must first identify a problem, talk about it, mutually agree that it is worthy of focus, and negotiate an agreeable solution. All those steps amount to a lot of communication. Repeatedly, couples who list communication as their major problem are specifically pointing to an inability to negotiate and solve thorny, repetitive problems. When getting into a reoccurring issue, and the issue does not become solved, it appears that communication is the problem. In actuality, it is the poor manner in which each partner is reacting to the other’s pain and hurt feelings that causes the issue to seem impossible. The intensity and pain of the moment make the challenge of problem-solving very difficult. Additionally, when emotional intensity is present, especially in both partners simultaneously, fear and defensiveness prevail—poor conditions for constructive dialogue. Therefore, openness—a state needed for understanding and connection—is lacking, preventing communication from having any chance of solving the problem. Love relationships and marriages are highly emotional entities. Through the trials of

relating, emotions are provoked and over time become a powerful, often negative, force of influence. When negative emotions prevail, normal communication is not likely to be effective. If couples would routinely solve problems, less accumulated negative emotion would be available to be ignited—like many dead sticks on a dry forest floor, primed with plenty of fuel for a large fire. Situations in which communication seems ineffective have little to do with the skills of communicating but instead are all about partners’ emotionally-based tendencies. For instance, the impulsive tendency to interrupt or talk over the other prevents good communication but is not indicative of a lack of communication skills; it is more about a problem of impulsivity. The habit of being closed to the partner by listening poorly—expressed by stone-walling—reflects anger and defensiveness with a peppering of disrespect and contempt. Speaking at a high volume indicates mounting frustration, anger, and potentially rage. Words which are threatening or which attack a partner’s character are more about an accumulation of anger and resentment and an absence of impulsive control, boundaries, and positive morals, but do not represent a lack of communication skills. That which is routinely labeled as a communication problem at the foundation is about pain-based emotions and lack of discipline in following firm rules of non-hurtfulness, compassion, and mutual respect. If partners would establish such rules and use all available personal strength to stick with them—even when it gets tough— communication is likely to be effective. Other vital rules that may support successful negotiation and conflict resolution include slowing down the process of speaking and listening and taking turns talking while concluding each partner’s turn with confirmation that understanding has been achieved. The talking is just the surface, but the emotions underneath are what really determines whether a couple seems to be able to communicate. H Andrew Aaron, LICSW is a sex and relationship therapist who practices in the New Bedford Seaport. NEWENGLANDMONTHLY.COM | DECEMBER 2017 77

itinerary

EQUESTRIAN Vera Kessels – Barisone Clinic Dec. 2–3, 2017 Tall Oaks Farm 55 Orchard St. Millis, MA; neda.org Auditors welcome. 30th Annual Newport Winter Festival Beach Polo Feb. 2018 Easton’s Beach 175 Memorial Blvd.; Newport, RI newportwinterfestival.com SKI USASA Rail Jam Dec. 30, 2017 Loon Mountain 60 Loon Mountain Rd. Lincoln, NH; usasa.org GARDENS/PARKS Reverberations: A Visual Tour Photographs of the Arnold Arboretum by Kippy Goldfarb/Carolle Dec. 2, 2017 | Artist Talk On Display: Through Feb. 4, 2018 Hunnewell Lecture Hall The Arnold Arboretum of Harvard University 125 Arborway Boston, MA arboretum.harvard.edu Registration required. Forcing Spring Bulbs Jan. 13, 2018 Dana Greenhouse The Arnold Arboretum of

Harvard University 125 Arborway Boston, MA arboretum.harvard.edu With Tiffany Enzenbacher. Register early! DANCE Pam Tanowitz and Simone Dinnerstein New Work for Goldberg Dinnerstein Dec. 8, 9 & 10, 2017 The Institute of Contemporary Art 25 Harbor Shore Drive Boston, MA icaboston.org Madeline Meets The Nutcracker Dec. 17, 2017 Stanford White Casino Theatre 9 Freebody St. Newport, RI ribt-nm@cox.net DanceWorks Boston Jan. 11–13, 2018 Tsai Performance Center Boston University Boston, MA danceworksboston.com Get your tickets early! THEATRE Mystery at the Museum Dec. 2, 9, 16, 23 & 30, 2017 “St. Nick’s Sinister Secret” Newport Art Museum 76 Bellevue Ave. Newport, RI newportartmuseum.org

78 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

Incognito Through Dec. 10, 2017 The Sandra Feinstein Gamm Theatre 172 Exchange St. Pawtucket, RI gammtheatre.org Crimes of the Heart Through Dec. 17, 2017 2nd Story Theatre 28 Market St. Warren, RI 2ndstorytheatre.com The Hanover Theatre Dec. 17, 2017 | 10th Anniversary Production of A Christmas Carol 2 Southbridge St.; Worcester, MA thehanovertheatre.org Sensory-friendly performance offers a unique theatre experience for individuals and families impacted by autism or other sensory issues. Visit their website for other great performances. MUSIC Chris Botti Dec. 1, 2017 The Colonial Theatre 95 Main St. Keene, NH; thecolonial.org Grammy-winning trumpeter. Music in the Living Room Dec. 2, 2017 | Classic Winds Dec. 3, 2017 | Laszlo Gardony, Jazz Pianist Dec. 9, 2017 | Enigmatica Dec. 10, 2017 | Silver Bells Dec. 16, 2017 | Barry Brown, Acoustic guitarist Dec. 17, 2017 | Nancy Hood, Mezzo

Soprano Dec. 23, 2017 | The Ivy Leaf Dec. 30, 2017 | Mary King, Harp / Fiddles Blithewold Mansion, Gardens & Arboretum 101 Ferry Rd. (Rt. 114) Bristol, RI; blithewold.org Concerts included with regular admission. Reserved seats held for an additional fee. Swanhurst Chorus Dec. 2, 2017 | Winter Concert – New England Composers United Congregational Church 524 Valley Rd., Middletown, RI Dec. 16, 2017 | Annual Messiah & Carol Sing with Wassail Reception Emmanuel Church Dearborn St., Newport, RI swanhurst.org Holiday Evenings at the Breakers Dec. 2–30, 2017 44 Ochre Point Ave. Newport, RI newportmansions.org Holiday music and light refreshments. Redwood Library & Athenaeum Dec. 3, 2017 – The English Influence 50 Bellevue Ave. Newport, RI Register online: redwoodlibrary.org Dr. Edward Markward, music director of the RI Civic Chorale & Orchestra examines music in Europe from 1350–1600. New England Conservatory Symphonic Winds & Chamber Singers with the US Navy Band Northeast Dec. 6, 2017

LEFT TO RIGHT, PHOTO BY ÉLISSA ALGORA, ROBERT COLLINS, PEYMAN NADERI, SOREN ASTRUP JORGENSEN

CALENDAR OF EVENTS & SHORT JAUNTS

Mechanics Hall 321 Main St. Worcester, MA; mechanicshall.org Christmas in Song Dec. 8, 2017 St. Barnabas Church 1697 East Main Rd. Portsmouth, RI newportnavychoristers.org Benefits the Portsmouth Historical Society. Paskamansett Concert Series Dec. 9, 2017 | Mike Laureanno Dartmouth Grange Patrons Hall 1133 Fisher Rd. Dartmouth, MA paskamansettconcertseries.weebly.com Cello by Candlelight Dec. 9, 2017 North Universalist Chapel Society 7 Church St. Woodstock, VT; woodstockvt.com Solo cello for the Solstice with Eugene Friesen. Annual Children’s Christmas Concert Dec. 10, 2018 Multi-Purpose Room Sippican School Tabor Academy 16 Spring St. Marion, MA tricountysymphonicband.org Following concert, follow the Sippican School’s Cottage Street Jam Band and march to Island Wharf to greet Santa. Concerts at the Point Dec. 10, 2017 | Ieva Jokubaviciute, Solo Piano Westport Point United Methodist 1912 Main Rd., Westport, MA concertsatthepoint.org

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St. Petersburg Men’s Ensemble Dec. 17, 2017 Emmanuel Church 42 Dearborn St. Newport, RI emmanuelnewport.org Russian choral music and seasonal folk songs. The Glenn Miller Orchestra – “In The Mood” for Christmas Dec. 18, 2017 Grand Ballroom Omni Mount Washington Resort 310 Mt. Washington Hotel Rd. Bretton Woods, NH brettonwoods.com Three-course dinner and dancing, $85 pp. Limited seating/ reservations recommended. The Greater New Bedford Choral Society Jan. 7, 2018 | Winter Concert Location: TBA

Continued on page 64 NEWENGLANDMONTHLY.COM | DECEMBER 2017 79

be seen

Head of the Charles Regatta The 54th Head of the Charles Regatta, held October 20–21, attracted thousands of athletes and spectators to the banks of the Charles River. With unusually warm—but much appreciated—weather, the weekend will be recorded as a complete success and one of the most memorable in its proud past. All who are associated with this historic event should feel proud for producing another fabulous competition on the river. H

80 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

visit our digital version on our website to see more images of the event

NEWENGLANDMONTHLY.COM | DECEMBER 2017 81

itinerary Continued from page 61 gnbcs.org Jonathan Babbitt, Director; Raymond Buttero, Accompanist.

GALA EVENTS

Seaglass Theater Company Dec. 9 & 10, 2017 | Christmas Concerts Grace Episcopal Church 133 School St. New Bedford, MA seaglasstheater.com ART The Foundry Artist Show Opening Reception: Nov. 30, 2017 | 5–9 p.m. Dec. 1 12–8 p.m.; Dec. 2–3 10 a.m.–6 p.m. Dec. 8 12–8 p.m.; Dec. 9–10 10 a.m.–6 p.m. The Pawtucket Armory Center for the Arts 172 Exchange St. Pawtucket, RI Silent Auction will benefit the Providence Animal Rescue League. Admission to the show is free. Please consider donating a few extra nonperishable food items for the RI Food Bank; foundryshow.com Westport Art Group Annual Holiday Sale & Small Works Sale Dec. 2, 2017 1740 Main Rd.; Westport, MA westportartgroup.com

Terry’s Foundation for Muscular Dystrophy Winter Gala Dec. 4, 2017 Knafel Center 10 Garden St. Cambridge, MA terrysfoundationformd.org Supporting the Kunkel Lab at Boston Children’s Hospital. From Bench to Broadway Songs Where the Science Is Dec. 7, 2017 Koch Institute for Integrative Research 500 Main St. Cambridge, MA commitchange.com 9th Annual Cabaret concert to help fund lung cancer research. Holiday Dinner Dance Dec. 16, 2017 Great Hall at The Breakers 44 Ochre Point Ave. Newport, RI newportmansions.org

Cocktail hour on the loggia, three-course seated dinner, and dancing in the Music Room. Black tie, valet parking. Reservations required. A Midnight Masquerade in the Ballroom Dec. 31, 2017 ProvidenceG 100 Dorrance St., Providence, RI; providenceg.com New Year’s Eve Celebration Dec. 31, 2017–Jan. 1, 2018 Weekapaug Inn 25 Spray Rock Rd. Westerly, RI oceanhouseevents.com New Year’s Eve Gala: James Bond Dec. 31, 2017–Jan. 1, 2018 Ocean House 1 Bluff Ave. Watch Hill, RI oceanhouseevents.com

82 DECEMBER 2017 | NEWENGLANDMONTHLY.COM

The Paintings of Christopher W. Benson from 1975–2017 Through Dec. 31, 2017 Newport Art Museum 76 Bellevue Ave.; Newport, RI newportartmuseum.org Closed Mondays. Lines of Thought: Drawing from Michelangelo to Now From the British Museum Through Jan. 7, 2018 RI School of Design 20 North Main St. Providence, RI; risdmuseum.org EXHIBITIONS Coming Away: Winslow Homer and England Show runs through Feb. 4, 2018 Symposium: Dec. 8, 2017 | with Dr. Sarah Burns A day of talks: Dec. 9, 2017 | with noted scholars Worcester Art Museum 55 Salisbury St. Worcester, MA; worcesterart.org Show on view at the Milwaukee Art Museum following its run in Worcester. Registration required for symposium and talks.

The View from Plato’s Man Cave Through Dec. 10, 2017 Atelier 200 Bellevue Ave.; Newport, RI ateliernewport.com David Barnes ~ Jeremy Miranda Georgia O’Keeffe: Art, Image, Style Dec. 16–April 1, 2018 Peabody Essex Museum East India Square;161 Essex St. Salem, MA; pem.org Artist in Exile: Expressions of Loss and Hope Through Dec. 31, 2017 Yale University Art Gallery 1111 Chapel St. New Haven, CT artgallery.yale.edu Pierre Cardin: 70 Years of Innovation Through Jan. 1, 2018 Rosecliff Mansion 548 Bellevue Ave. Newport, RI newportmansions.org Exhibit is included in mansion tour admission. Greater Fall River ART Association Through Jan. 2, 2018 | Historic Sites / Nostalgic Places 80 Belmont St. Fall River, MA greaterfallriverartassoc.org Coming Away: Winslow Homer and England Through Feb. 4, 2018 Worcester Art Museum 55 Salisbury St. Worcester, MA; worcesterart.org On view at the Milwaukee Art Museum March 2–May 10, 2018. The Immediacy of Abstraction Through Feb. 18, 2018 The Art Complex 189 Alden St. Duxbury, MA; artcomplex.org Diane Novetsky – Jo Ann Rothschild MUSEUMS Sandwich Glass Museum Through Dec. 30, 2017 | 8th Annual Glassblowers’ Christmas Through March 21, 2018 | Considering Cartoons: The Art of Animation 129 Main St. Sandwich, MA sandwichglassmuseum.org Storrowton Village Museum Dec. 2–3, 2017 | Yuletide Festival 1305 Memorial Ave.

West Springfield, MA storrowtonvillage.com Beautifully decorated 18th & 19th century buildings, musical performances, craft demonstrations, ice sculpting, kids events, and more. National Museum of American illustration Vernon Court 492 Bellevue Ave. Newport, RI americanillustration.org Off Season Hours: Friday 11 a.m.–5 p.m. TOURS 31st Holiday House Tour & Tea Nov. 18–Jan. 1, 2017 Dec. 9, 2017 Tea at the Parish Hall St. Gabriel’s Episcopal Church Marion, MA sippicanwomansclub.org Proceeds benefit Marion students pursuing bachelor’s degrees. 26th Annual Holiday House Tour Dec. 9, 2017 | Candlelight Tour Dec. 10, 2017 | Afternoon Tour Optional: Sunday Pre-tour brunch

at the Wamsutta Club. 427 County St. New Bedford, MA nbpreservationsociety.org Christmas at the Newport Mansions Through Jan. 1, 2017 The Breakers, The Elms, and Marble House Newport, RI newportmansions.org Thousands of poinsettias, fresh flowers, Evergreens, and wreaths. Visit website for additional highlights. Marion Holiday House Tour & Tea Presented by the Sippican Woman’s Club Saturday, Dec. 9, 2017, 10 a.m.–4 p.m. Advance ticket sales: $20/Day of Tour: $25 Available at The General Store and Serendipty by the Sea in Marion or Isabelle’s at the Ropewalk, Mattapoisett. Tour begins at 152 Front Street, Marion, MA, and benefits scholarships for SouthCoast students.

ANTIQUES /AUCTIONS Skinner, Inc. Through Nov. 5, 2017 Dec. 2, 2017 | American Indian & Ethnographic Art Dec. 5, 2017 | Fine Jewelry Dec. 7–15, 2017 | Asian Art online* Dec. 7–15, 2017 | Discovery Interiors online* Dec. 14, 2017 | 20th Century Design skinnerinc.com Christie’s Dec. 5, 2017 | Fine Printed Books & Manuscripts Including Americana Dec. 6, 2017 | Magnificent Jewels Dec. 7, 2017 | Watches Dec. 7, 2017 | Russian America and PolarExploration: Highlights from The Martin Greene Library Dec. 8, 2017 | Finest & Rarest Wines, An Evening Sale Dec. 8, 2017 | Finest & Rarest Wines and Spirits Dec. 12 & 13, 2017 | Interiors Dec. 14, 2017 | Design 20 Rockefeller Plaza New York, NY; christies.com

Sotheby’s Dec. 6, 2017 | ICONS Dec. 7, 2017 | Fine Jewels Dec. 11, 2017 | Fine Books & Manuscripts Dec. 12, 2017 | History of Science and Technology Dec. 13, 2017 | Tiffany: Dreaming in Glass Dec. 13, 2017 | Important Design Dec. 13, 2017 | Masterworks by Tiffany Studios: The William A. Richardson Collection sothebys.com Grogan & Company Dec. 7, 2017 | Fine Oriental Rugs and Carpets 20 Charles St. Boston, MA; grogan.com Auction The Philadelphia Antiques & Art Show Preview Party: April, 19, 2018 Show: April 20–22, 2018 The Navy Yard 11th Street and Kittyhawk Ave. Philadelphia, PA philadelphiaantiquesandartshow.com Benefits the Philadelphia Museum of Art and Penn Medicine.

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RFC Winter Cat Show Jan. 6 & 7, 2018 Cumberland, RI; cffinc.org Ragdoll Fanciers’ Club

Middletown, RI newportvineyards.com Please RSVP!

BOOKS/LECTURES/FILM Animals on the Move: A Story of Migration and Dispersal Over Land and Under the Sea Dec. 7, 2017 Buttonwood Park Zoo 425 Hawthorn St. New Bedford, MA; bpz.org Please pre-register.

SPECIAL EVENTS Christmas Stroll on Nantucket Through Nov. 5, 2017 Dec. 1–3, 2017 Nantucket, MA nantucketchamber.org

Renoir: An Intimate Biography Dec. 10, 2017 Museum of Fine Arts Avenue of the Arts 465 Huntington Ave. Boston, MA; mfa.org Ticket required.

33rd Annual Wassail Weekend Dec. 8, 2017 Woodstock Village Woodstock, VT; woodstockvt.com Wreaths Across America Dec. 16, 2017 | Noon Common Burying Ground 30 Warner St. Newport, RI 919-999-0234; wreathsacrossamerica.org Honoring our veterans through laying wreaths on the graves of our county’s fallen heroes. Sponsored by the Surface Navy Association.

Nathaniel Philbrick Jan. 13, 2018 Liberty Hall Marstons Mills Public Library 2150 Main St. Marstons Mills, MA nathanielphilbrick.com Lecture / Q&A / Signing DELICIOUS

CFF National Show Dec. 16 & 17, 2017 Seaport Inn Fairhaven, MA; cffinc.org Cat Fanciers’ Federation Cat Show

Holiday Fireside Live Music Friday: Grayson Ty Dec. 1, 2017 Newport Vineyards 909 East Main Rd.

roundthebendfarm.org Non-GMO and grass-fed meat, seasonal veggies, honey, maple syrup, and herbal teas are available to purchase. Family friendly tours 11 a.m.

FAMILY New York Theatre Ballet: The Nutcracker Dec. 9, 2017 Colonial Theatre 95 Main St. Keene, NH; thecolonial.org Gardens Aglow Through Dec. 30, 2017 Heritage Museums & Gardens 67 Grove St. Sandwich, MA heritagemuseumsandgardens.org A treasured family tradition. Holiday Classic Cluster – Eastern Dog Club Dog Show Dec. 7–10, 2017 Better Living Center 1305 Memorial Ave. West Springfield, MA easternstatesexposition.com All-breed show, obedience, and rally competitions. Open Farm Days Dec. 16, 2017 92 Allens Neck Rd. South Dartmouth, MA

COMEDY Kate & Casey Dec. 1, 2017 Wage House 560 Mineral Spring Ave. Pawtucket, RI; wagehouse.com Dashing Through the Snow Through Dec. 31, 2017 Newport Playhouse Newport, RI newportplayhouse.com The Bit Players: Award-Winning Improv Comedy Dec. 31, 2017 | 7 p.m., 9 p.m. & 11 p.m. Firehouse Theater 4 Equality Park Place off Broadway Newport,RI; firehousetheater.org GREAT OUTDOORS Friends of Ballard Park Hazard Road entrance Newport, RI ballardpark.org

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