Premier Collections: Art & Interiors - January 26, 2024 by Neal Auction

Premier Collections: Art & Interiors January 26, 2024

PREMIER COLLECTIONS Art & Interiors January 26, 2024 Featuring: Fine and Decorative Arts, and Important French Furniture from the Collection of Dr. Bruce Wilson, Memphis, TN Property from the Collection of Michael W. Murphy, El Dorado, AR

Friday, January 26, 2024 begins at 11:00 a.m., lots 1-548

EXHIBITION

Beginning Monday, January 15 through January 26, 10 a.m. to 5 p.m.

SATURDAY PREVIEW

Saturday, January 20, 10 a.m. to 5 p.m.

EVENING PREVIEW

Tuesday, January 23, 5-7 p.m.

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Neal Auction Company Auctioneers of Antiques & Fine Art

4038 Magazine Street, New Orleans, LA. 70115

| 504.899.5329

LA Auc. Lic., Neal Auction Co. #AB-107 | Leckert #1514

COLLECTION OF BRUCE WILSON Neal Auction is pleased to present property from the Collection of Dr. Bruce Wilson. The prominent Memphis, Tennessee cardiologist and Francophile assembled his noted collection of antique French furniture and decorations over a period of several decades, shopping at auction houses and carriage trade dealers in New York and abroad. The collection encompasses Louis XV and XVI furniture including examples with rare woods inlays, lacquer, boullework and gilding. The seating furniture is upholstered in periodappropriate silks. There are Sevres and Paris porcelains, bronze and marble statuary, lavish Continental paintings and fine gilttooled leather books, some made for royal libraries. There is also a lovely collection of iron garden furnishings and ornaments. The depth and breadth of the Bruce Wilson Collection offers a rare opportunity for the aficionado of all things French.

LIVE AUCTION Friday, January 26, 11 a.m. LOTS 1-548

1. Pair of Georgian-Style Carved Mahogany Console Tables, 20th c., inset marble top, gadrooned molding, foliate pierced carved frieze with drawer, acanthus carved cabriole legs, scrolled toes. h. 33 in., w. 54 1/2 in., d. 24 in. [$1000/1500]

2. Pair of Chinese Chippendale-Style Ebonized Armchairs, 20th/21st c., reticulated splat, blind carved fretwork legs, H-form stretcher, h. 41 in., w. 24 in., d. 20 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

3. English Carved Oak Wake Table, 19th c., drop leaves, shaped apron, gateleg supports, h. 29 in., dia. 55 3/4 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

4. Pair of William IV-Style Parcel Gilt Mahogany Side Tables, inset specimen marble tops, bead molded edge, turned standard, incurvate triangular plinth, scrolled claw feet, h. 29 in., dia. 25 1/2 in. [$1500/2500]

5. Queen Anne Inlaid and Burl Walnut Chest-on-Chest, early-to-mid 18th c., molded cornice, upper case with two short drawers above three long drawers, lower case two short drawers above three long drawers, bracket feet, h. 72 3/4 in., w. 41 in., d. 22 in. [$1200/1800] Provenance: Manheim Galleries, New Orleans.

6. Georgian Inlaid Oak Chest of Drawers, late 18th/early 19th c., mahogany banded top and drawers, two short drawers over three long drawers, bracket feet, h. 42 in., w. 39 3/4 in., d. 20 3/4 in. [$700/1000]

7. Queen Anne Oak Lowboy, 18th c., molded notched top, kneehole configuration of drawers, scalloped skirt, cabriole legs, pad feet, h. 29 1/2 in., w. 32 1/4 in., d. 21 1/4 in. [$700/1000] 8. Georgian-Style Satinwood Inlaid Mahogany Oval Tilt-Top Table, late 19th/early 20th c., banded top, turned standard, saber legs, brass paw feet, casters. h. 29 in., w. 77 1/2 in., d. 53 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

9. Set of Six Queen Anne Carved Mahogany Dining Chairs, 19th c., labeled W. Walker & Sons, London, shaped crest rail, carved splat, cabriole legs, pad feet, h. 39 1/2 in., w. 21 1/2 in., d. 18 1/2 in. [$700/1000]

10. George III Inlaid Mahogany Cellarette, 18th c., banded hexagonal top, molded conforming case, stand with square legs, casters, h. 24 in., w. 16 in., d. 16 in. Note: losses to banded inlay on top [$400/600]

11. Pair of French Neoclassical BronzeMounted Mahogany Demilune Tall Commodes, early 19th c., galleried inset marble top, upper case with tambour door and fitted interior, lower case with shelf interior, tapered legs, brass cuffs, h. 43 3/4 in., w. 24 1/2 in., d. 12 1/2 in. [$2000/4000] Provenance: Parc Monceau Antiques, Atlanta, GA.

12. Georgian Carved Walnut Chest of Drawers, 19th c., molded top, three drawers, bracket feet, h. 31 in., w. 35 in., d. 18 1/2 in. [$700/1000]

13. Georgian Inlaid Mahogany Chest of Drawers, 19th c., molded top with a banded inlay, two short drawers over three graduated drawers, shaped apron, turned bun feet, h. 39 in., w. 36 1/2 in., d. 22 in. [$1000/1500]

14. Georgian Mahogany Partner’s Desk, 19th c., tooled leather top, one side with three frieze drawers over banks of drawers, plinth base, casters, h. 30 3/4 in., w. 66 in., d. 41 in. [$1000/1500]

15. Near Pair of Neoclassical Silver Gilt Ewers, one by Henry Chawner, London, 1821; the other indistinct French marks, probably early 19th c., each handle with Egyptian motifs, body with foliate decoration and chased cattails, h. 12 in., total. wt. 44.40 troy ozs. [$1500/2500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

16. Continental .800 Silver Gilt Dessert Service, D. Vollgold & Sohne, Berlin, late 19th/early 20th c., incl. 12 forks (l. 7 1/4 in.), 12 dessert/fruit knives (hh, l. 8 in.), 12 spoons (l. 5 3/4 in.) and serving spoon (l. 8 1/2 in.), script monogram “M”; together with Reed & Barton “Kings” pattern silverplate ice tongs (l. 7 1/2 in.); total wt. (weighable) 33.60 troy ozs. (38 pcs.) [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

17. Georgian Sheffield Plate Meat Dish, Warming Stand and Domed Cover, early 19th c., retaining original tinned backs, the well-and-tree meat dish with gadroon border interspersed with acanthus and flowers, the hot water compartment with acanthus and flower bracketed foliate feet and baluster handles, domed cover with foliate scroll handle marked “J*P”, overall h. 14 1/2 in., w. 23 1/2 in. d. 18 in. [$700/1000] 6

18. Late Georgian Sheffield Plate Soup Tureen, early 19th c., open hand mark, probably William Padley & Son, Sheffield, inset silver shields with engraved crest, cover with removable foliate scroll handle, body with gadroon, shell and acanthus rim, acanthus loop handles and acanthus and shell bracketed paw feet, h. 10 3/4 in., w. 16 1/2 in. [$500/700]

19. Georgian Rococo Sterling Silver Kettle-on-Stand, London, probably mid-18th c., marks rubbed; globular kettle with flat chased decoration, acanthus scroll handle, spout and stand with shell pad feet, associated burner hallmarked London, 1820; h. (to top of handle) 12 7/8 in., w. 9 in., wt. 53.45 troy ozs. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 20. Pair of English Silverplate Candlesticks in the Adam Taste, Goldsmiths & Silversmiths Co. Ltd., London, probably early 20th c., each with urn-form candle cup with tapered shaft and spreading foot, neoclassical decoration throughout, removable bobeches, h. 12 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

21. Set of Three Antique English Silverplate Candlesticks in the Georgian Taste, William Hutton & Sons, Sheffield, early 20th c., octagonal stepped form with gadrooned borders, 2 with removable bobeches, h. 11 1/8 in. [$250/350] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

22. Pair of Antique English Silverplate Candlesticks, 19th c., urn-form candlecups, removable bobeches, foliate banding, weighted bases, h. 11 in. [$200/400]

23. Late Georgian Sheffield Plate Footed Tray, early 19th c., circular with rocaille scroll rim, molded cavetto, flat-chased well with stippled ground, inset silver shield with engraved crest and motto “Fortiter et Fideliter” (Bravely and Loyally), reticulated scroll feet, h. 2 in., dia. 25 1/2 in. [$300/500]

24. Pair of Crested George IV Sterling Silver Chamber Candlesticks, Thomas & John Settle, Sheffield, 1821-1822, gadroon borders, removable bobeches, conical snuffers, each h. 4 1/4 in., w. 6 3/4 in., combined wt. 22.15 troy ozs. [$300/500] 7

25. Fine American Sterling Silver Repousse Tea and Coffee Service, Howard & Co., New York, NY, act. 1866-1937, incl. kettle-on-stand with burner (h. to top of handle 13 3/4 in.), teapot, coffee pot (h. 8 1/2 in.) and covered sugar, overall floral repousse, total wt. 172.90 troy zs. (4 pcs.) [$5000/7000]

26. English Victorian Silverplate Revolving Breakfast Tureen, late 19th c., oval retracting cover with foliate decoration, Neo-Grec apron and legs, interior with two removable trays, h. 11 in., w. 16 1/2 in. [$300/500]

27. Antique English Silverplate Meat Dome, late 19th c., beaded loop handle and rim, Greek key border, h, 10 3/4 in., w. 18 in., d. 13 3/4 in. [$250/350] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

28. English Silverplate Revolving Breakfast Tureen, Atkin Brothers, Sheffield, 20th c., reeded revolving domed cover, tall reeded legs, with 2 associated interior liners, h. 9 in., w. 14 1/4 in., d. 9 1/2 in. [$100/200]

29. Vintage English Silverplate Covered Entree Dish in the Georgian Taste, oblong with gadroon, acanthus and shell border, removable loop handle, w. 11 in., d. 7 in. [$50/100]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

30. Antique English Silverplate Meat Dome, T. & J. Creswick, Sheffield, mid-19th c., robust reeding, gadrooned border with shell and acanthus decoration, foliate loop handle, tinned interior has been silvered, exterior with old lacquer surface, should be professionally removed, h. 11 1/2 in., w. 17 1/4 in., d. 12 1/4 in. [$250/350]

31. Set of Twelve Gorham “Strasbourg” Sterling Silver Bread Plates, pattern no. 1137, monagrammed, dia. 6 in., wt. 36.80 troy ozs. [$300/500]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

32. Suite of Gorham “Strasbourg” Sterling Silver Candelabra, incl. a pair with five-lights, and a pair with three-lights, each with detachable candlearms converting to single candlestick, weighted base, h. 14 in. [$300/500]

33. Twelve Sterling Silver Goblets, 20th c., incl. 6 Shreve & Co., San Francisco, no. 7023, h. 4 in.; and 6 International no. WP 412, h. 4 3/4 in.; total wt. 24.00 troy ozs. [$300/500]

34. Antique Gorham Sterling Silver Repousse Water Pitcher, pattern A4138, pyriform with scroll handle and spreading foot, floral and scroll repoussé, scroll cartouches with script monograms, h. 13 3/8 in., wt. 51.75 troy ozs. [$1500/2500]

35. Reed & Barton “Burgundy” Pattern Sterling Silver Coffee Pot and Covered Sugar, coffee pot h. 9 3/4 in., total wt. 51.90 troy ozs. (2 pcs.) [$500/700]

37. Gorham “Fairfax” Pattern Sterling Silver Flatware Service, pat. 1910, incl. 12 forks (l. 7 7/8 in.), 8 knives (hh) (l. 9 5/8 in.), 12 salad forks, 10 oval soup spoons (l. 6 3/4 in.), 10 cocktail forks, 12 teaspoons, 12 butter knives (hh), 2 cream soup spoons, 2 pierced tablespoons, tomato server, gravy ladle, sugar spoon, master butter knife (hh), cake/pie server (hh) and flat server (hh), no monograms, total wt. (weighable) 89.50 troy ozs. (90 pcs.) [$1200/1800]

36. Gorham “Plymouth” Pattern Sterling Silver Coffee and Tea Service, incl. coffee pot (h. 9 in.), teapot, covered sugar, creamer and waste bowl; nos. 2441, 2442, 2413, 2414 & 2415, all with date symbol for 1958, total wt. 67.05 troy ozs. (5 pcs.) [$1200/1800]

38. Tiffany “Hampton” Pattern Sterling Silver Flatware Service for Twelve, pat. 1934, incl. 12 each: forks (l. 7 1/8 in.), knives (l. 9 1/4 in., hh), salad forks, dessert/oval soup spoons, teaspoons and butter knives (fh), 2 tablespoons, cold meat fork, gravy spoon, sugar spoon, cake knife (hh), cheese knife (hh), and master butter knife (hh), monogrammed, total wt. (weighable) 119.35 troy ozs. (80 pcs.) [$3500/4500]

39. Gorham “Circa 70” Sterling Silver Coffee and Tea Service, designed by Donald Colflesh, c. 1958, comprised of coffee pot, teapot, covered sugar, creamer and sterling silver and formica tray; marked 1461, 1462, 1463, 1464 and 1468 respectively; also marked with Gorham date symbol for 1960, coffee pot h. 12 in., tray w. 26 3/8 in., wt. (weighable/without tray) 88.40 troy ozs.; with original brochure and 9/14/61 receipt. [$8000/12000] 10

40. Fine George III Satinwood and Olivewood Inlaid Mahogany Breakfront Bookcase, c. 1800, inlaid with floral swags, molded cornice, glazed doors, over drawers, plinth base, h. 88 in., w. 87 in., d. 23 in. [$5000/7000] Provenance: Manheim Galleries, New Orleans, Dec. 28, 1973.

41. Georgian-Style Satinwood Inlaid Mahogany Breakfast Table, 20th c., circular top with segmented veneers, turned standard, saber legs, casters, h. 29 in., dia. 72 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

42. Fine Set of Twelve Georgian Burl Walnut Dining Chairs, 19th c., scrolled crest rail, padded back and seat, scrolled arms, shaped seat rail, shell carved knees, cabriole legs, h. 41 in., w. 27 in., d. 23 in. [$2500/3500]

43. Hepplewhite Satinwood Inlaid Mahogany Serpentine Sideboard, late 18th c., frieze drawers flanked by deep drawers, tapered legs, spade feet, h. 36 in., w. 72 in., d. 30 in. [$2000/3000] Provenance: Manheim Galleries, New Orleans, May 25, 1973.

44. George I-Style Carved Mahogany Three Pedestal Dining Table, benchmade by Maneheim Galleries, New Orleans, with two leaves, molded top, fluted pedestals with standards, acanthus carved legs, scrolled toes, h. 30 1/2 in., w. (closed) 104 in., w. (open) 146 in., d. 52 in. [$2500/3500] Provenance: Manheim Galleries, New Orleans, May 25, 1973. 11

45. Set of Twelve ChippendaleStyle Mahogany Dining Chairs, benchmade by Manheim Galleries, incl. 2 armchairs and 10 side chairs, carved crest rail, pierced carved splats, cabriole legs, ball and claw feet. side chair h. 38 in., w. 22 in., d. 20 in., armchair h. 38 1/2 in., w. 25 in., d. 21 1/2 in. [$3000/5000] Provenance: Manheim Galleries, New Orleans.

46. Rare Boston Chippendale Carved Birch Secretary Bookcase, c. 1770-1780, attr. to John Cogswell, inscribed on back December 27, 1804, finialed broken arch pediment, shaped paneled doors, slant front lid with fitted interior, serpentine case with four graduated drawers, ball and claw feet, h.101 in., w. 42 in., d. 21 1/2 in. [$6000/9000] Provenance: H & R Sandor Inc.; Robert Goodwin, New Hope, PA purchased May 9, 1977. 47. Georgian Carved Mahogany Chest-on-Chest, 19th c., molded cornice, reeded stiles, upper case with three short drawers over three long, lower case with dressing slide over three drawers, bracket feet, h. 72 in., w. 39 3/4 in., d. 21 in. [$1200/1800]

48. Antique Georgian-Style BrassBound Mahogany Cellarette on Stand, 19th c., hexagonal form, lift top, later conforming stand, reeded legs, h. 26 1/2 in., dia. 18 1/4 in. [$600/900] 12

49. Edwardian/Late Victorian Satinwood Inlaid Mahogany Vitrine, late 19th c., molded cornice, glazed doors, bottom case with lift top, square stretchered legs, h. 67 3/4 in., w. 29 1/2 in., d. 18 in. [$1000/1500]

50. George III Carved Mahogany Serpentine Partner’s Desk, 19th c., carved molded edge, tooled leather top, three frieze drawers over two banks of drawers, molded plinth base, h. 30 in., w. 54 in., d. 34 1/2 in. [$2000/3000]

51. English Inlaid Mahogany Cellarette, 18th c., domed lift top, fitted interior, square tapered legs, casters, h. 26 in., w. 16 in., d. 15 1/2 in. [$700/1000]

52. English Late Victorian Inlaid Mahogany Serpentine Front Display Cabinet, late 19th c., stamped Edwards & Roberts, molded cornice with center scrolls, glazed door flanked by conforming glass panels, two drawers, tapered legs, spade feet, h. 86 1/2 in., w. 46 1/2 in., d. 16 1/4 in. [$1500/2500]

53. Georgian Carved Walnut Chest of Drawers, 19th c., two short drawers over three long drawers, bracket feet, h. 41 1/4 in., w. 41 in., d. 21 1/4 in. [$700/900]

54. Sevres Polychrome Porcelain Vase, marked, applied flowers, h. 8 in. [$150/250] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

55. Pair of Sevres Polychrome and Gilt Porcelain Potpourri a’ Vaisseau Vases, 18th/19th c., marked, h. 19 1/2 in., w. 16 in., d. 9 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

57. Three Sevres Biscuit Porcelain Figures, 18th/19th c., bases incised “F” for Falconet, h. 9 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

56. Pair of German Polychrome and Gilt Porcelain Figures, modeled as musical courting couple with animals on scrolled bases, h. 9 in. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

58. Pair of French White Biscuit Porcelain Figural Groups, 18th/19th c., possibly Luneville and modeled by Paul Cyffle, h. 11 7/8 in.; together with antique French biscuit porcelain figure, h. 9 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 13

59. Pair of Paris Gilt and Grisaille Porcelain Urns, 19th c., reserved with courting couples, h. 12 3/4 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

60. Empire Bronze-Mounted Bleu de Roi Porcelain Jardiniere, lion’s head handles, h. 13 1/2 in., w. 15 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

61. Berlin KPM Porcelain Porcelain Plaque of Prussian Queen Louise of Mecklenburg-Strelitz, 19th c., signed lower right, sight h. 8 7/8 in., w. 6 in.; mounted in an elaborate carved giltwood frame, h. 18 in., w. 13 in. [$1500/2500]

64. American Late Classical Mahogany Dining Table, mid-19th c., molded circular top, cluster column standard, quadripartite base, three later leaves, h. 28 1/4 in., dia. (closed) 46 3/8 in., w. (open) 106 1/2 in. [$700/1000]

62. Meissen Burnished and Matte Gilt Porcelain Vase (Schlangenhenkelamphora), early 19th c., reserved with polychrome flowers, h. 15 1/4 in., now mounted as lamp, h. (to finial) 25 in.; together with another porcelain urn, h. 12 in. (2 pcs.) [$1500/2500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

63. Sevres-Style Gilt Bronze-Mounted Porcelain Covered Urn, reserved with flowers and putti, maiden-form handles, columnar base, floral swags, 68 in., w. 16 in., d. 16 in. [$2000/4000]

65. American Classical Parcel Gilt Mahogany Pier Table, early 19th c., New York, marble top, bolection frieze, columnar supports with foliate capitals, incurvate plinth, mirrored back flanked by pilasters, tapered melon feet, h. 37 in., w. 41 1/2 in., d. 18 in. [$700/1000] Provenance: According to collection label, 24 Arlington Place, Buffalo, NY.

66. American Neo-Grec Ebonized and Carved Sofa, 19th c., New York, possibly Alexander Roux, scrolled crest rail centered by shell, padded griffin arms, turned tapered legs with acanthus carving, h. 44 in., w. 89 1/2 in., d. 24 in. [$1000/1500]

67. American Neo-Grec Ebonized Carved Settee, 19th c., New York, possibly Alexander Roux, carved scrolled crest rail centered by shell, padded griffin arms, turned tapered legs with acanthus carving, h. 44 in., w. 71 1/2 in., d. 24 in. [$1000/1500]

68. American Neo-Grec Ebonized and Parcel Gilt Pedestal, late 19th c., Killian Bros., New York, octagonal beveled top, fluted supports with rosettes, circular base, scrolled feet. h. 36 in., w.17 in., d. 13 in. [$700/1000]

69. Rare Newcomb College Art Pottery Tyg, 1898, high-glaze, designed by Frances Devereux Jones, signed and dated “F.D. Jones/Dec. 13 ‘98”, stamped “NEWCOMB COLLEGE” and stamped “Q” for buff clay body, unusual twisting handles, three reserves decorated by chimera-like figures amongst a background of vapors, above a ring of tridents, surmounted by a Latin phrase translated to “What’s good for me, is good for you, is good for our friendship”, h. 8 1/2 in., w. incl. handles 8 1/2 in., dia. at foot rim 6 3/8 in. [$8000/12000] Note: From Poesch, Jessie Newcomb Pottery..., 1984, “Enrolled as a Special Art student from 1889-1893, Frances Jones (Mrs. H.U. Hall) completed her course studies and received her Diploma in Arts in 1894. Miss Jones joined the faculty of the Newcomb Art School for the 1895-96 term as an Instructor in Drawing. She served faithfully in this capacity from 1895-1901 when Miss Amelie Roman replaced her. A talented artist, Miss Jones distinguished herself in the field of pottery decoration”, p. 100. She illustrated Grace King’s book New Orleans: The Place and the People. She later moved to Pennsylvania and continued studies at the Pennsylvania Academy of the Fine Arts. Provenance: Onsite auction to benefit the J.M. Davis Arms & Historical Museum, Claremore, OK, July, 2019.

70. Three New Orleans Whiskey and Condiment Crocks, 19th c., incl. “Horse Shoe Pickle Works, Ltd.”; “L.L. Lyons & Co.”; and “Harry Hyman & Co. Pickles”, tallest h. 16 3/4 in., dia. 10 1/2 in. [$300/500]

71. Four Monroe, Louisiana Whiskey Jugs, 19th c., three from R.P. Webb, one from J.Y. Covington, largest h. 17 1/2 in., dia. 10 3/4 in. [$300/500] 15

72. Pair of Antique Carved and Polychrome Carousel Horses, with painted names “SELINA” and “JOKER”, glass eyes, original leather reins, h. 31 in., w. 43 in., d. 9 in. [$700/1000]

73. Antique Carousel Horse, solid and hollow carved construction, remnants of iron hardware and polychrome paint, h. 46 in., w. 50 in., d. 12 in., mounted, overall h. 48 in. [$700/1000]

Provenance: The Estate of Caroline P. Ireland.

74. Pair of Bisected Ammonites, h. 14 in., w. 12 in., d. 2 1/2 in. [$600/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

76. Two Choctaw Double-Weave Baskets, by Jeanell Anderson, Conehatta, MS, swamp cane, taller h. 16 1/4 in., dia. 11 3/4 in. [$200/300]

78. Suite of Michael Taylor “Bamboo” Patinated Metal Seat Furniture, 21st. c., incl. 2 settees and 2 lounge chairs, armchair h. 33 in., w. 28 in., d. 25 1/2 in., settee h. 33 in., w. 46 1/2 in., d. 26 in. [$2000/3000]

75. Pair of Small Cast Iron Urns, scroll handles, black paint, h. 10 1/4 in., w. 16 in., d. 11 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

77. Set of Six Michael Taylor “Bamboo” Patinated Metal Dining Chairs, incl. 2 armchairs and 4 side chairs, armchair h. 33 in., w. 19 1/2 in., d. 17 1/2 in., side chair h. 33 in., w. 19 1/2 in., d. 17 1/2 in. [$2000/3000]

79. Janus et Cie. Painted Plank Top Dining Table, 21st c., labeled Janus et Cie, square legs, h. 30 in., w. 66 in., d. 39 1/2 in. [$500/700]

80. Pair of West Indies or Caribbean Hardwood Planters Chairs, 19th c., swing out arm extensions, caned seat, turned stretchered legs, h. 28 in., w. 50 1/2 in., d. 24 1/2 in. [$800/1200]

81. Contemporary Specimen Marble and Wrought Iron Coffee Table, 21st c., rectangular inlaid geometric pattern top, h. 20 in., w. 55 3/4 in., d. 27 in. [$500/700] Provenance: Michael W. Murphy, El Dorado, AR.

82. Regency-Style Satinwood Inlaid Mahogany Dining Table, 20th c., benchmade by Scholete Furniture, Atlanta, two leaves, double pedestal, satinwood banded, turned standard, acanthus sabre legs, casters, h. 29 1/4 in., w. (with leaves) 118 in., w. (without leaves) 80 1/2 in., d. 48 in. [$1000/1500] 83. Pair of Chippendale-Style Carved Mahogany Tester Beds, 1978, benchmade by David Pruitt, Natchez, MS, signed and dated, flat cloth tester, scalloped headboard, fluted tapered posts, ball claw feet, h. 95 in., l. 74 1/2 in., w. 54 1/2 in. [$2500/3500]

84. American Southern Carved Cherrywood Chest of Drawers, 19th c., probably Kentucky or Tennessee, deep drawer over three drawers, ring-turned tapered legs, h. 45 in., w. 45 in., d. 19 1/4 in. [$1000/1500] Provenance: Descended in the Family of John Henry Ballantine of McLean County, Kentucky. Shown here, the Ballantine-Gatlin House, near Owensboro, Kentucky.

85. American Federal Maple Inlaid Cherrywood Butler’s Desk, 19th c., probably Kentucky or Tennessee, fall-front flanked by two short drawers over three long drawers, “French” feet, h. 45 1/4 in., w. 43 3/4 in., d. 19 3/4 in. [$1200/1800] Provenance: Descended in the Family of John Henry Ballantine of McLean County, Kentucky. Shown here, the Ballantine-Gatlin House, near Owensboro, Kentucky.

86. Will Henry Stevens (American/Louisiana, 1881-1949), “Mountain Landscape”, 1942, watercolor and pastel on paper, signed and dated lower left, 15 3/4 in. x 19 7/8 in., unframed. [$4000/6000]

87. Will Henry Stevens (American/Louisiana, 1881-1949), “Abstract Landscape”, 1945, pastel on paper laid on board, signed and dated lower right, 20 in. x 16 1/8 in., framed, overall 26 1/8 in. x 21 1/8 in. x 1 1/4 in. [$3000/5000]

88. Fred William Becker (American, 1888-1974), “Good Timber”, oil on masonite, signed lower right, remnant of poem attached en verso, 17 3/8 in. x 22 in., framed, overall 23 in. x 27 3/8 in. x 2 1/2 in. [$800/1200]

89. Carroll Thayer Berry (American, 1886-1978), “ Rock Salt Mine”, 1945, oil on canvas, signed and dated lower right, 26 in. x 30 in., framed, overall 39 1/8 in. x 37 in. x 2 1/4 in. [$1000/1500]

90. Annette Parmentier Moran (American/New York, 1835-1904), “Untitled: Head of a Woman”, charcoal on paper, signed lower right, 2 exhibition labels, one with artist and title, and handwritten label with artist on backing paper, 21 5/8 in. x 18 in., framed, overall 31 3/4 in. x 26 1/2 in. x 1 1/2 in. [$600/800] Exh.: “Drawn From New Orleans”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 4 - June 3, 2007.

91. Gideon Townsend Stanton (American/Louisiana, 18851964), “Ship on the Mississippi”, oil on board, signed on backing paper, 11 3/4 in. x 16 in., framed, overall 12 1/2 in. x 16 3/4 in. x 1 in. [$600/800] 18

92. C. T. Breaux (American/ Louisiana, 20th c.), “French Quarter Scene”, 1939, oil on canvas board, signed and dated lower right, signed and inscribed en verso, 19 7/8 in. x 15 7/8 in., framed, overall 28 in. x 24 in. x 1 3/4 in. [$600/900] 93. Marie Atkinson Hull (American, 1890-1980), “Toucan”, oil on canvas, signed en verso, sight 6 in. x 7 in., framed, overall 8 in. x 9 1/8 in. x 5/8 in. [$2500/3500] Provenance: Acquired from the artist; Anthropologist Dr. Frank G. Speck (1881-1950); thence by descent. 94. Joseph Rusling Meeker (American/Louisiana, 18271887), “The Land of Evangeline”, oil on canvas, signed lower right, titled en verso, inscribed with artist on stretcher, 30 in. x 20 in., framed, overall 35 3/4 in. x 25 5/8 in. x 2 3/4 in. [$7000/10000] 95. Harold Rudolph (American/ Louisiana, 1850-1884), “Portrait of Babette Schwartz Myers (1828-1894)”, 1874, oil on canvas, signed and dated mid-right, 36 1/8 in. x 25 in., framed, overall 39 5/8 in. x 34 5/8 in. x 6 1/2 in. [$800/1200]

Provenance: Descended in the family of the sitter.

96. Harold Rudolph (American/ Louisiana, 1850-1884), “Portrait of John Myers (1822-1881)”, 1874, oil on canvas, signed and dated midright, 30 1/8 in. x 25 in., framed, overall 39 1/2 in. x 34 5/8 in. x 6 1/2 in. [$800/1200] Provenance: Descended in the family of the sitter.

97. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou”, oil wash on board, signed lower right, partial label on backing paper, 4 7/8 in. x 20 in., framed, overall 6 in. x 21 1/8 in. x 1 in. [$1200/1800]

98. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Oak Trees and Waterlilies”, 1916, oil wash on board, signed and dated lower right, 15 in. x 19 7/8 in., framed, overall 17 1/4 in. x 22 1/4 in. x 1 1/4 in. [$2000/3000]

99. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Pirogue”, oil wash on board, signed lower left, 10 in. x 29 3/8 in., framed, overall 15 3/4 in. x 35 5/8 in. x 1 in. [$1500/2500]

100. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Live Oaks”, oil wash on board, signed lower right, 6 in. x 20 in., framed, overall 7 5/8 in. x 21 1/2 in. x 1 in. [$1000/1500]

101. Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Scene with Live Oaks”, oil wash on board, signed lower right, 10 in. x 24 in., framed, overall 12 1/2 in. x 32 1/2 in. x 1 in. [$1200/1800]

103. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Live Oaks”, oil wash on board, signed lower left, 6 in. x 20 1/8 in., framed, overall 8 1/2 in. x 22 1/4 in. x 1 in. [$1200/1800]

102. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Large Oak”, oil wash on board, signed lower right, 19 7/8 in. x 30 in., framed, overall 23 1/2 in. x 33 1/2 in. x 1 1/2 in. [$2500/3500]

104. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Cypress Trees”, 1916, oil wash on board, signed and dated lower right, 15 in. x 20 in., framed, overall 17 5/8 in. x 22 5/8 in. x 1 1/2 in. [$2000/3000]

105. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou with Live Oak”, oil wash on board, signed lower right, 6 in. x 20 in., framed, overall 7 1/2 in. x 21 1/2 in. x 1 1/8 in. [$1200/1800]

106. Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Scene with Live Oak”, oil wash on board, signed lower left, 15 in. x 40 in., framed, overall 26 1/4 in. x 51 1/2 in. x 1 1/2 in. [$2500/3500] 21

107. Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Scene with Two Live Oaks”, 1915, oil wash on board, signed and dated lower right, 20 1/4 in. x 30 in., framed, overall 23 5/8 in. x 33 1/8 in. x 1 1/2 in. [$2000/3000]

108. Chestee Harrington (American/Louisiana, b. 1941), “The Graveyard”, 1977, oil on carved wood, signed and dated lower left, 10 3/4 in. x 13 7/8 in., framed, overall 15 7/8 in. x 19 1/4 in. x 2 1/2 in. [$500/700]

111. Emmitt Thames (American/Mississippi, b. 1933), “A Pail of Blueberries”, 1977, watercolor on paper, signed lower right, signed, titled, dated and artist stamp en verso, 22 1/2 in. x 30 3/8 in., framed, overall 34 in. x 41 1/2 in. x 1 1/2 in. [$400/600] 22

109. Chestee Harrington (American/ Louisiana, b. 1941), “Feeding the Chickens”, oil on carved wood, signed lower left, partial sketch en verso, 13 7/8 in. x 11 3/4 in., framed, overall 19 in. x 16 in. x 1 in. [$600/800]

110. Chestee Harrington (American/Louisiana, b. 1941), “Somewhere Along the Bayou Teche”, oil on carved wood, signed lower left, titled and inscribed en verso, 13 7/8 in. x 21 in., unframed. [$800/1200]

112. Emmitt Thames (American/Mississippi, b. 1933), “Fallen Apples”, 1972, watercolor on paper, signed and dated lower right, signed, titled, dated and inscribed en verso, 22 1/4 in. x 30 1/2 in., framed, overall 30 1/2 in. x 38 1/2 in. x 1 in. [$500/700]

113. Marcel Stockmans (Belgian/ Mississippi, 1936-2009), “Crawfishing”, oil on masonite, signed lower right, label with artist and title on backing paper, sight 9 3/4 in. x 7 3/4 in., framed, overall 14 1/4 in. x 12 1/4 in. x 1 3/4 in. [$400/600]

114. Clementine Hunter (American/Louisiana, 1886-1988), “Big Chicken Pulling a Wagon with Flowers”, oil on canvas board, monogrammed mid-right, partial sketch and inscribed en verso, 14 in. x 18 in., framed, overall 15 in. x 19 in. x 3/4 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. [$3000/5000]

115. Clementine Hunter (American/Louisiana, 1886-1988), “Zinnias”, oil on board, monogrammed lower right, “Paintings of Plantation Life in Louisiana by Clementine Hunter” information label en verso, 18 in. x 23 1/2 in., framed, overall 19 1/4 in. x 25 1/4 in. x 1 1/2 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. [$5000/7000] Provenance: Acquired from the artist; Estate of pecan brokers Charles & Elaine Pyle, Pauls Valley, OK; Neal Auction, Feb. 8, 2014, lot 440.

116. Clementine Hunter (American/Louisiana, 1886-1988), “Going to Gin”, oil on board, monogrammed lower right, inscribed and 2 “The Louisiana Cotton Museum” exhibition labels, one with artist and one with title, en verso, 18 in. x 24 in., framed, overall 19 in. x 25 in. x 1 3/4 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. [$4000/6000] Exh.: “Clementine Hunter”, The Louisiana Cotton Museum, Lake Providence, LA, May 16, 1996.

117. Clementine Hunter (American/Louisiana, 1886-1988), “Flower Garden”, oil on canvas board, monogrammed lower right, inscribed en verso, 12 in. x 24 in., framed, overall 13 1/2 in. x 25 5/8 in. x 1 1/2 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. [$4000/6000]

118. Clementine Hunter (American/Louisiana, 1886-1988), “Big Chicken Pulling a Wagon of Flowers”, oil on canvas board, monogrammed lower right, inscribed en verso, 16 in. x 20 in., framed, overall 20 3/8 in. x 24 1/2 in. x 1 1/2 in. Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. [$4000/6000] 23

119. American Federal Gilded Mahogany Mirror, late 18th c., probably New York, surmounted by a flower and urn finial, swan’s neck crest, foliate mounts, carved pendants, h. 50 in., w. 19 3/4 in. [$800/1200]

120. Regence-Style Carved Giltwood Mirror, 20th c., foliate and scroll crest, h. 61 in., w. 30 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: The Stanley Weiss Collection, Providence, RI.

121. Regence Carved Giltwood Mirror, c. 1720, pierced mirrored crest with birds and a military trophy, mirrored border with acanthus and foliate spandrels, h. 67 in. w. 36 in. [$2000/3000]

Provenance: Sotheby’s, New York, May 3, 1986, lot 25; Collection of Dr. Bruce Wilson, Memphis, TN.

122. Pair of Regence-Style Carved Giltwood Mirrors, 20th c., foliate and scroll crest, h. 72 in., w. 35 in. [$1500/2500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

123. Monumental Antique Regence-Style Giltwood Mirror, scroll and foliate design, h. 104 in., w. 54 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

124. Regence-Style Giltwood Mirror, 20th c., foliate and scroll crest, h. 61 in., w. 31 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

125. Italian Rococo-Style Carved Giltwood Mirror, bird crest, scroll and foliate border, h. 64 in., w. 34 in. [$700/900]

126. Antique French Carved Giltwood Pier Mirror, floral and scroll crest, h. 82 in., w. 43 in. [$500/700]

127. Louis Philippe Giltwood Mirror, 19th c., fleur de lis and ribbon decoration, h. 53 in., w. 39 in. [$500/700]

128. Louis Philippe Giltwood Mirror, 19th c., h. 29 1/2 in., w. 22 in. [$500/700]

129. Pair of Chinese Chippendale-Style Giltwood Mirrors, pagoda crest, foliate and bird surround, h. 58 in., w. 31 in., d. 1 3/4 in. [$800/1200] Provenance: Michael W. Murphy, El Dorado, AR.

130. Georgian Inlaid Walnut Dressing Mirror, shaped case with three drawers, h. 22 in., w. 18 1/4 in., d. 8 1/2 in. [$300/500]

131. Pair of American or English Giltwood Bullseye Mirrors, early 19th c., surmounted by a carved eagle, molded surround, foliate pendant, h. 42 1/2 in., w. 26 in. [$2500/3500] Provenance: Ginsburg & Levy Antiques, New York; The Stanley Weiss Collection, RI.

132. Fine French or Italian Carved Giltwood Console, 18th c., molded marble top, C scrolled corners with shell center, dragon surmounted stretcher, scrolled toes, h. 33 1/2 in., w. 48 1/2 in., d. 20 1/2 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

133. Pair of Moorish Bone and Motherof-Pearl Inlaid Octagonal Tabourets, inset molded tops, conforming paneled bases, arched supports, h. 28 1/2 in., dia. 19 1/2 in. [$700/900]

135. French Provincial Carved Fruitwood Bonnetiere, 19th c., molded cornice, paneled door, cabriole legs, h. 80 in., w. 45 in., d. 26 1/2 in. [$800/1200]

134. Louis XV/Provincial Carved Walnut Armchair, 19th c., molded crest rail, scrolled padded arms, cabriole legs, h. 40 1/2 in., w. 25 in., d. 20 in. [$500/700]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

136. French Restauration Carved Fruitwood Commode, 19th c., molded top, frieze drawer over three drawers, columnar supports, turned feet, h. 36 in., w. 51 in., d. 24 in. [$700/1000]

137. French Giltwood Center Table, late 20th/early 21st c., molded marble top, pierced carved frieze with festooned swags, fluted tapered legs, urn surmounted stretcher, h. 34 in., w. 61 in., d. 33 3/4 in. [$2000/3000] Provenance: DuMouchelles October 9, 2021, lot 1059, Collection of Dr. Bruce Wilson, Memphis, TN.

138. Louis XV-Style BronzeMounted Chinoiserie Bombe’ Commode, 20th/21st c., molded black marble top, two drawers, shaped apron, flared feet, h. 35 in., w. 45 1/2 in., d. 20 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

139. Empire-Style Kingwood Parquetry Triangular Pedestal, 20th/21st c., inset rouge marble top, paneled sides, plinth base. h. 32 in., w. 16 in., d. 16 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

140. Eight Louis XV-Style Creme Peinte Dining Chairs, 20th c., molded crest rail, caned back, padded seat, cabriole legs, h. 39 in., w. 20 in., d. 17 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

141. Louis XV-Style Creme Peinte Settee, 19th c., carved molded crest rail, padded conforming arms, shaped apron, cabriole legs, toile de jouy upholstery. h. 36 1/2 in., w. 62 in., d. 33 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

142. Pair of French Gilt and PaintDecorated Tabourets, X-form supports, turned stretchers , h. 16 1/2 in., w. 19 in., d. 16 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

143. Empire-Style Parcel Gilt and Paint Carved Easel, 19th c., garland swags, dolphin supports, h. 108 in., w. 26 in., d. 24 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

144. Louis XV Carved Giltwood Console, 18th c., shaped molded breche violette marble top, reticulated carved frieze, acanthus carved cabriole leg, volute foot, h. 29 in., w. 47 1/2 in., d. 21 1/2 in. [$2000/3000]

Provenance: Gift of Miss Susan Dwight Bliss, Dec. 14, 1951; Christie’s, New York, Oct. 26, 2001, lot 354; Collection of Dr. Bruce Wilson, Memphis, TN.

145. Set of Six Louis XVI Gilt and Creme Peinte Fauteuil Frames, 18th c., one chair stamped “ C L V M”, molded crest rail, conforming seat rail, stop-fluted tapered legs, h. 36 in., w. 23 1/2 in., d. 19 1/4 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

146. Regence-Style Bronze-Mounted Kingwood Parquetry Commode, 19th c., molded marble top, three short drawers over two long drawers, flared feet, h. 35 1/2 in., w. 49 in., d. 24 3/8 in. Note: Missing one handle and a foot mount [$1000/1500]

147. Louis XV Carved Beechwood Canape, 18th c., shaped crest rail, caned back and seat, conforming seat rail, cabriole legs, h. 38 in., w. 74 in., d. 22 in. [$800/1200]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

149. Large Italian Majolica Rabbit Centerpiece, marked, h. 22 1/2 in., w. 18 in., d. 10 in. [$400/600]

148. Italian Majolica Asparagus Covered Tureen, marked, h. 11 in., w. 11 in., d. 10 in.; together with 2 ladles, larger l. 16 1/2 in. (3 pcs.) [$300/500]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

150. Pair of Delft Blue and White Porcelain Wall Plaques, marked, depicting harbor and windmill scenes, h. 23 in, w. 19 in. [$300/500]

151. Meissen “Blue Onion” Porcelain Dinner Service, marked, incl. 10 plates, dia. 10 in.; 8 bowls, dia. 9 1/2 in.; 7 pierced rim plates, dia. 9 1/2 in.; 7 plates, dia. 8 1/4 in.; 7 saucers, dia. 7 in.; 3 dishes, dia. 5 1/2 in.; 2 covered tureens, h. 6 in.; covered butter, l. 6 3/4 in.; 4 egg cups, h. 3 in.; 2 oval dishes, l. 9 3/4 in.; figural serving dish, l. 6 in.; square dish, l. 8 1/4 in.; sauce boat with attached underplate, l. 9 1/4 in.; and cup, h. 3 in. (approx. 59 pcs.) [$1000/2000] 152. Pair of Meissen Polychrome and Gilt Porcelain Reticulated Floral Compotes, blue crossed swords marks, h. 6 3/4 in., dia. 8 3/4 in. [$500/700] 28

153. Pair of Worcester Polychrome and Gilt Porcelain Salt Cellars, marked, inscribed “Flight Barr & Barr Worcester”, urn-form, h. 2 1/8 in. [$100/200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

154. Pair of Herend Reticulated and Polychromed Porcelain Covered Boxes, marked, fruit finials, h. 6 in.; together with a Herend box of egg form, l. 4 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

155. Pair of Paris Porcelain Polychrome and Gilt Reticulated Baskets, 19th c., marked “Rihouet à Paris”, h. 5 1/2 in., dia. 9 1/4 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

156. Herend “Queen Victoria” Porcelain Handled Serving Dish, marked, dia. 14 1/2 in. [$150/250] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

157. Group of Royal Copenhagen “Flora Danica” Porcelain Tableware, marked, incl. 2 cups and 2 saucers, dia. 2 3/4 in.; 2 sauce tureens, larger l. 8 3/8 in., 3 butter pats, dia. 3 in., and 4 plates, largest dia. 13 3/4 in. (13 pcs.) [$700/900]

159. Paris Porcelain Gilt and Bisque Figural Corbeille, early 19th c., Louis Andre et Cie., iron-red stenciled marks, navette form basket with gilt diapering on green ground, winged supports, conforming plinth, paw feet, h. 17 1/4 in., w. 18 1/2 in., d. 10 in. Note: restoration to one neck. [$2000/3000] 158. Royal Copenhagen Flora Danica Porcelain Covered Dish, marked, numbered “20” over “3567”, impressed “3567”, other initials, h. 7 1/2 in., w. 15 3/8 in., d. 12 1/4 in. [$1500/2500]

160. Dresden “Empress” Porcelain Tea Service, various marks, incl. teapot, h. 10 1/2 in.; covered sugar, h. 3 1/2 in.; creamer, dish, dia. 5 1/4 in.; bowl, dia. 4 1/2 in.; cake plate, dia. 9 in.; 2 serving dishes, l. 10 in. and 12 in.; 3 Dresden-style “Royal” plates, dia. 8 in.; and 6 Bareuther Bavaria plates, dia. 7 1/2 in. (25 pcs.) [$500/700] Provenance: Michael W. Murphy, El Dorado, AR.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

161. Dresden Floral Porcelain Table Service, marked, incl. 16 plates, dia. 8 1/4 in.; 12 plates, dia. 10 3/4 in.; bowl, dia. 9 in.; 5 plates with reticulated rims, dia. 10 in.; 4 plates with reticulated rims, dia. 7 3/4 in.; 4 plates with reticulated rims, l. (larger) 11 in.; bowl and underplate with reticulated rims, dia. 9 1/2 in.; together with porcelain basket with applied flowers, marked, h. 5 in.; and porcelain dish with applied flowers, reserved with insects, l. 9 in. (48 pcs.) [$700/900] 29

162. Louis XVI Carved Giltwood Settee, 19th c., oval guilloche carved back, foliate ribbon carved crest rail, acanthus carved padded arms, stop-fluted tapered legs, h. 41 in., w. 55 in., d. 23 1/2 in. [$1000/1500 Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

163. Directoire-Style Chinoiserie and Gilt Decorated Bureau Cylindre, 19th c., brass galleried inset marble top, retracting cylinder lid with slide out writing surface, two frieze drawers, tapered legs, h. 42 in., w. 38 1/4 in., d. 22 in. [$1000/1500]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

164. French Empire-Style BronzeMounted Mahogany and Parquetry Center Table, pierced gallery, bronze classical maiden supports, plinth base with finial, h. 31 in., dia. 35 1/2 in. [$1500/2500] 165. Italian Neoclassical Parcel Gilt and Ebonized Demilune Console, 19th c., underside of marble inscribed “Made in Italy”, molded marble top, eagle head terminals, X-form stretchers, paw feet, h. 35 in., w. 31 1/2 in., d. 15 1/2 in. [$700/900] 166. French Provincial Carved Fruitwood Bonnetiere, late 18th c., molded cornice, incised panels, block feet, h. 75 1/2 in., w. 38 1/2 in., d. 25 in. [$500/700]

167. Louis XVI Carved Giltwood Demilune Console, 19th c., molded marble top, swag hung frieze, urnmounted stretcher, fluted tapered legs, h. 34 in., w. 41 1/2 in., d. 21 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

168. Regence Bronze-Mounted Kingwood Parquetry Commode, 18th c., by Francois Mondon, stamped MONDON, molded conforming marble top, two short drawers over two long drawers, h. 32 in., w. 50 1/2 in., d. 24 in. [$3000/5000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

169. English Louis XIV-Style Brass Inlaid and Ebonized Vitrine, 19th c., labeled Edwards & Roberts, London, molded arched cornice, brass molded glazed doors, inlaid frieze, shaped apron, h. 86 3/4 in., w. 46 1/2 in., d. 20 1/2 in. [$1200/1800]

170. Louis XV Carved Creme Peinte Console, 18th c., molded shaped marble top, pierced carved frieze, C scrolled cabriole legs, h. 30 1/2 in., w. 44 ion., d. 17 1/2 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

171. Louis XVI-Style Carved Giltwood Daybed, early 20th c., silk damask upholstery, foliate crest rails, fluted tapered legs, h. 35 in., l. 85 in., w. 33 1/2 in. [$2000/3000]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

172. Pair of Louis XVI-Style Carved Giltwood Footstools, 20th c., carved frieze, rosette corners, fluted tapered legs, faux leopard upholstery, h. 9 in., w. 12 in., d. 10 in. [$250/350] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

173. Louis XVI-Style Carved Giltwood Demilune Console, 19th c., molded marble top, pierced carved frieze, fluted tapered legs, finialed stretcher, h. 37 in., w. 71 1/2 in., d. 23 in. [$2500/3500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

174. Louis XVI Inlaid Tulipwood Serpentine Commode, late 18th/early 19th c., molded breche d’Aleps marble top, three conforming molded drawers, h. 34 in., w. 30 in., d. 15 1/2 in. [$500/700]

175. Baroque-Style Stone Center Table, 20th c., rectangular pietra dura top with lapis, sienna, malachite and other semi-precious stones, scrolling sandstone piers, h. 29 in., w. 72 in., d. 36 in. [$2000/3000] Provenance: Neal Auction October 6, 2007, lot 172; Collection of Dr. Bruce Wilson, Memphis, TN.

176. Pair of Louis XV Carved Beechwood Fauteuils, 19th c., molded crest rail, conforming seat, cabriole legs, h. 37 in., w. 24 5/8 in., d. 20 1/2 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

177. Pair of Neoclassical-Style Bronze Gueridons, 20th c., molded black marble tops, tripod base, X-form stretchers, h. 27 1/2 in., dia. 17 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

178. Louis XVI Provincial Highly Carved Walnut Armoire, late 18th/early 19th c., leafcarved molded cornice, foliate carved doors, stile incised “1803”, dentil molded base, block feet, h. 93 1/2 in., w. 66 1/2 in., d. 26 in. [$1000/1500] Provenance: The Estate of Caroline P. Ireland, Neal Auction June 22, 2019, lot 63; Collection of Dr. Bruce Wilson, Memphis, TN.

179. John Gould (British, 1804-1881), “Lesbia Amaryllis” and “Erythronota Sophæ”, 2 hand-colored lithographs enhanced with gum Arabic, from Hummingbirds, sights 20 3/4 in. x 13 3/4 in., framed, each overall 30 in. x 23 in. x 1 in. (2 pcs.) [$600/900]

180. Attributed to John Nost Sartorius (British, 1755-1828), “Huntsman and Hounds at an Alehouse”, oil on canvas, unsigned, period label with artist and title on stretcher, 17 5/8 in. x 22 5/8 in., framed, overall 22 in. x 27 in. x 1 1/2 in. [$1500/2500]

181. Edmund Thornton Crawford (British, 1806-1885), “Equestrian Portrait”, 1845, oil on canvas, signed and dated lower right, partial “Bell Punch Co., LTD” inventory label with artist, title and date on stretcher, 33 in. x 28 1/8 in., framed, overall 38 1/4 in. x 33 1/2 in. x 2 in. [$1000/1500] 182. John Henry Foley (Irish, 1818-1874), “Bust of a Gentleman”, 1870, carved marble, signed and dated on truncation, h. 18 in., w. 9 1/4 in., d. 6 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

183. David Dalby (British, 1794-1836), “Cicero at His Villa”, oil on canvas, unsigned, inscribed “D.Dalby (restored 1874)” en verso, “T. Roger & Co. Packers LTD., London” label on stretcher, 4 “Christie’s” labels on stretcher and on reverse of frame, 23 in. x 35 in., framed, overall 29 1/2 in. x 42 1/8 in. x 2 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

184. Alfred Fontville De Breanski, Jr. (British, 1877-1957), “Castle on the River”, oil on canvas, signed lower right, 10 in. x 16 in., framed, overall 13 5/8 in. x 19 1/8 in. x 2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 33

185. After Thomas Gainsborough (British, 1727-1788), “The Market Cart”, oil on canvas, inscribed “T. Gainsborough / 1786” lower left, “Christie’s” label on reverse of frame, partial “McCough & Burns, St. Louis” label on backing paper, 24 in. x 18 in., framed, overall 30 1/2 in. x 24 5/8 in. x 2 in. [$400/600] Provenance: “Property from Moundsmere Manor, Hampshire”, Christie’s, London, June 8, 2005, lot 1037; Collection of Dr. Bruce Wilson, Memphis, TN.

186. Continental School, 19th c., “Father and Two Children”, oil on canvas, unsigned, partial “E. E....Rose & Crown, London, S.W.” label on stretcher, 42 1/4 in. x 37 1/2 in., framed, overall 49 1/2 in. x 43 5/8 in. x 2 in. [$800/1200]

187. American School, 19th c., “Lady in White”, oil on canvas, unsigned, “prepared by Edward Dechaux, New York” stamp en verso, 29 7/8 in. x 25 in., framed, overall 35 5/8 in. x 30 3/4 in. x 2 3/4 in. [$1000/1500]

188. After Manuel Joachim de Franca (Portuguese/American, 1808-1865), “Portrait of Three Children, the Eldest Boy with a Bow and Arrow”, oil on canvas, signed “Copy by Elliot Torrell after M. de Franca” on stretcher, 52 in. x 42 in., framed, overall 62 1/2 in. x 52 1/2 in. x 4 in. [$1500/2500] Provenance: Neal Auction, Apr. 23, 2017, lot 801.

189. Hermann Knopf (Austrian, 1870-1928), “Winged Visitor”, oil on canvas, signed and inscribed “Munchen” lower left, 26 in. x 35 in., framed, overall 33 1/4 in. x 42 1/2 in. x 2 in. [$700/1000] 34

190. Pair of Continental School Miniature Still Life Paintings, each unsigned, sights 4 5/8 in. x 4 5/8 in., framed alike, each overall 10 5/8 in. x 11 in. x 2 in. (2 pcs.) [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

191. Attilio Pratella (Italian, 18561949), “On the Shore”, oil on panel, signed lower right, “R. Jackson & Sons, Liverpool” label en verso, 8 5/8 in. x 13 3/4 in., framed, overall 14 in. x 19 in. x 1 1/4 in. [$800/1200] 192. Attilio Pratella (Italian, 18561949), “Busy Day in the Harbor”, oil on panel, signed lower left, “R. Jackson & Sons, Liverpool” label en verso, 8 5/8 in. x 13 3/4 in., framed, overall 14 in. x 19 in. x 1 1/4 in. [$800/1200] 193. Continental School, 20th c., “Landscape with Figures”, watercolor on board, signed “I. Sabatini” lower right, 15 1/8 in. x 21 3/4 in., framed, overall 26 3/4 in. x 32 5/8 in. x 1 3/8 in. [$800/1200]

194. Continental School, 19th c., “Still Life with Peaches, Grapes, Apricots and Cherries”, oil on canvas, unsigned, 30 in. x 25 in., framed, overall 36 5/8 in. x 31 1/2 in. x 3 1/4 in. [$800/1200]

195. Enrico Falange (Flemish, 17th c.), “The Goddess Minerva and Father Time”, 1641, oil on canvas, signed and dated lower left, “Christie’s” labels on backing board, 46 in. x 35 1/4 in., unframed. [$3000/5000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

196. Carved Italian Marble Figural Group of “The Wrestlers”, after the antique in the Uffizi, Florence, indistinctly inscribed “P. Col... /Firenze” on self-base, h. 17 in., w. 22 in., d. 11 1/2 in. [$1200/1800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

197. Bronze Figure of the “Farnese Hercules”, after the antique in the Museo Nazionale, Naples, h. 29 1/2 in., w. 13 1/2 in., d. 11 in. [$600/800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 35

199. PItalian School, 16th c., “Nude Man Kneeling”, graphite and white chalk on blue paper, “Aiston Fine Art Services, Queens, NY” label on backing board, sight 12 1/2 in. x 8 1/2 in., framed, overall 18 5/8 in. x 14 7/8 in. x 1 1/2 in. [$200/400]

198. Carved Marble Figure of “Capitoline Antinous”, after the antique in the Musei Capitolini, Rome, h. 26 in., w. 8 in., d. 8 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

200. Continental School, 19th c., “Male Nude Figure Studies”, 4 graphite and charcoals on paper, 3 double-sided, each unsigned, each sight 23 3/4 in. x 18 in., framed alike, each overall 33 5/8 in. x 27 1/8 in. x 1 1/2 in. (4 pcs.) [$600/800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

201. Patinated Bronze Figure of “Narcissus”, after the antique in the Museo Nazionale, Naples, h. 25 1/4 in., w. 11 1/2 in., d. 10 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 202. Bronze Figure of a Roman Warrior, inscribed “J. Castano” on proper left ankle, h. 20 in., w. 25 1/2 in., d. 14 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 36

203. “School of Paul Bril (Belgian/Italian, 1554-1626)”, “Figures by the Cottage”, oil on copper, signed lower right, “Christie’s” label on reverse of frame, 6 in. x 9 1/2 in., framed, overall 11 3/4 in. x 14 7/8 in. x 1 3/4 in. [$6000/8000] Provenance: Christie’s East, New York, Jan. 8, 1990, sale 6943, lot 351; Collection of Dr. Bruce Wilson, Memphis, TN.

204. Attributed to Tobias Verhaecht (Belgian, 1561-1631), “Capriccio of a Seaport”, oil on canvas, unsigned, “Christie’s” label on stretcher, 15 in. x 18 3/8 in., framed with artist plaque, overall 20 7/8 in. x 24 1/4 in. x 3 in. [$4000/6000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

205 Nine Antique Lithographs of Classical Scenes, published by Longman, London, sights 14 1/2 in. x 19 1/4 in. to 20 3/4 in. x 15 1/2 in., framed alike, overall 25 1/2 in. x 32 1/2 in. x 2 1/4 in. to 32 1/2 in. x 25 1/2 in. x 2 1/4 in. (9 pcs.) [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

206 Bronze Equestrian Group of “Marcus Aurelias”, after the antique in the Piazza de Campidoglia, Rome, h. 15 in., w. 7 3/4 in., d. 13 in., marble base, overall h. 22 1/2 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

207. Bronze and Marble Bust of Julius Caesar, h. 28 1/2 in., w. 25 1/2 in., d. 13 in. marble base, overall h. 37 in. [$700/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

208. Carved Marble Torso in the Classical-Style, h. 23 in., w. 12 in., d. 8 in., granite base, overall h. 31 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

209. Italian School, early 18th c., “Landscape”, oil on canvas, unsigned, “Christie’s” label on stretcher, 31 in. x 41 7/8 in., framed, overall 36 1/2 in. x 47 1/8 in. x 2 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

210. Richard MacDonald (American/California, b. 1946), “Three Graces”, 1999, patinated bronze on marble base, signed, dated and numbered “53/90” on self-base, h. 45 1/2 in., w. 28 in., d. 15 in., painted metal pedestal, overall h. 80 1/2 in.; accompanied by a certificate of authenticity from the artist. [$15000/25000]

211. Italian School, 18th c., “A Capriccio of Classical Ruins” and “Ruins”, one oil on panel, one oil on canvas laid on masonite, each unsigned, one with “Christie’s” labels en verso, 35 5/8 in. x 42 1/8 in. and 35 1/4 in. x 45 in., framed alike, overall 41 3/4 in. x 48 5/8 in. x 1 3/4 in. and 41 1/4 in. x 48 3/8 in. x 1 7/8 in. (2 pcs.) [$6000/8000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 38

212. Italian School, 18th c., “Pair of Capriccios”, 2 oils on canvas, each unsigned, each with “Sotheby’s Beverly Hills” shipping label and other labels on stretcher, 105 1/2 in. x 37 in. and 105 1/2 in. x 40 in., framed alike, overall 107 1/4 in. x 38 3/4 in. x 1 1/8 in. and 107 1/4 in. x 41 3/4 in. x 1 1/8 in. (2 pcs.) [$1200/1800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

213. Louis Bozzachi (Continental, 18th/19th c.), “Fisherman”, 1905, bronze, signed “L. Bozzacchi” and dated on self-base, h. 37 1/2 in., w. 14 1/2 in., d. 10 3/4 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

214. Italian School, 18th c., “Rustic Landscape”, oil on canvas, unsigned, “Christie’s” label on stretcher, 93 in. x 46 in., unframed. [$600/800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

215. Continental School, 19th c., “Ships in a Storm”, oil on canvas, unsigned, 25 1/2 in. x 39 1/2 in., framed, overall 34 3/4 in. x 49 in. x 2 3/4 in. [$400/600] 216. Continental School, 19th c., “Classical Maiden”, oil on canvas, unsigned, 26 in. x 20 1/4 in., framed, overall 33 in. x 27 1/8 in. x 2 1/4 in. [$500/700]

217. Circle of Giovanni Battista Tiepolo (Italian, 1696-1770), “The Banquet of Cleopatra”, oil on canvas, unsigned, “Christie’s” label on stretcher, 20 in. x 25 2/3 in., framed, overall 27 3/4 in. x 33 1/2 in. x 2 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 39

218. Continental Carved Marble Bust of a Maiden, late 19th/early 20th c., inscribed “E VAX” on truncation, h. 33 in., w. 17 1/2 in., d. 10 1/2 in., marble base, overall h. 38 in. [$2000/3000] Provenance: “19th Century Furniture, Decorations and Works of Art”, Sotheby’s, New York, June 24, 1988, lot 79A; Collection of Dr. Bruce Wilson, Memphis, TN.

220. Venetian-Byzantine School, 16th c., “The Crucifixion”, oil on cradled panel, unsigned, “Christie’s” labels on cradle and reverse of frame, 15 1/4 in. x 13 in., framed, overall 20 in. x 18 in. x 1 1/2 in. [$600/800] Provenance: “Fine Old Master Paintings”, Christie’s, New York, Apr. 6, 1989, lot 71; Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

221. Continental School, 18th c., “The Miracle of the Loaves and Fishes”, oil on panel, unsigned, 43 3/8 in. x 98 3/4 in., unframed; accompanied by frame, interior 44 1/4 in. x 99 1/2 in., overall 53 in. x 108 in. x 5 3/4 in. [$3000/5000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

222. Continental School, 18th c., “Saint Jerome”, oil on canvas, unsigned, 19 1/2 in. x 14 3/8 in., framed, overall 26 7/8 in. x 21 3/4 in. x 2 1/2 in. [$600/800]

219. Italian Carved Marble Figural Group of a Nude Maiden with Heron, 1856, indistinctly dated and inscribed on self-base, h. 49 1/2 in., w. 25 in., d. 22 in. [$5000/7000]

223. Marble Figure of a Seated Woman, after Pietro Magni, cast signature and date “Pietro Magni 1873” proper right, h. 21 in., w. 10 1/2 in., d. 11 in., carved giltwood base, overall h. 23 in. [$1000/2000]

224. Circle of Adam van Noort (Flemish, 1561-1641), “The Adoration of the Shepherds”, oil on cradled panel, unsigned, “Christie’s 09-Oct-13 / sale 2776 / lot 572” label en verso, 38 1/2 in. x 49 1/4 in., framed, overall 43 1/2 in. x 55 in. x 2 1/2 in. [$3000/5000]

225. Italian School, 18th c., “The Meeting of David and Abigail”, oil on canvas, unsigned, “Christie’s” labels on stretcher and reverse of frame, 38 1/4 in. x 53 1/2 in., framed, overall 45 1/2 in. x 60 1/4 in. x 2 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

226. Pair of German Miniature Porcelain Plaques, after “Jesus Christ in the Temple” by Henrich Hofmann (1824-1911) and “Self-Portrait” by Peter Paul Rubens (15771640), former illegibly signed lower right, each with impressed marks, labels and former inscribed “Jesusknabe nach H. Hofmann” on reverse, one with “H.P. Whitmore, Omaha, NE” label on backing board, each 3 1/2 in. x 2 3/4 in., each overall 6 in. x 5 in. x 1 in. (2 pcs.) [$400/600]

227. Attributed to Charles Lebrun (French, 1619-1690), “The Judgment of Solomon”, oil on canvas, unsigned, 41 3/4 in. x 62 in., framed with artist plaque, overall 49 in. x 69 1/4 in. x 3 in. [$1500/2500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

228. Chinese Black Lacquer and Gilt-Mounted Cabinet on Dutch Carved Giltwood Stand, cabinet late 18th/early 19th c., stand late 17th/early 18th c., cabinet with fitted architectural interior, h. 58 in., w. 35 in., d. 24 in. [$2500/3500] Provenance: Phillips, London April 20, 1999, lot 1, Collection of Ghezzi Family, Christie’s, Mar. 14, 2018, lot 3; Collection of Dr. Bruce Wilson, Memphis, TN.

229. Pair of NeoclassicalStyle Bronze-Mounted Cut Crystal Urns, paw feet, h. 20 1/2 in., dia. 9 1/2 in. [$800/1200]

230. Pair of Large Cut Crystal Flare Vases, h. 12 in., dia. 8 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

231. Neoclassical-Style Gilt BronzeMounted Cut Glass Compote, 19th c., mounted with beribboned garlands and frieze with lion-drawn chariots, putti, and pairs of phoenix birds, h. 9 1/4 in., dia. 9 5/8 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

232. Seven Gianni Versace for Rosenthal Crystal Medusa Lumiere Champagne Flutes, marked, h. 12 in.; with original boxes. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

233. Eight Gianni Versace for Rosenthal Crystal Medusa Lumiere Double Old-Fashioned Glasses, marked, Medusa head on bottom, h. 3 1/2 in., dia. 3 1/4 in.; with authenticity cards and original boxes. (8 pcs.) [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

235. Group of Bohemian Ruby Cut-to-Clear Stemware, incl. 18 wine, 11 water, 12 champagne coupes and 23 various cordials, tallest h. 7 1/2 in. (64 pcs.) [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 42

234. Napoleon III Gilt BronzeMounted Cut Crystal Dresser Box, 19th c., cover inset with miniature of a lady, interior with beveled mirror, h. 3 1/8 in., dia. 3 1/4 in. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

236. Group of Forty-Three Baccarat Glassware, marked, incl. 6 red wine, 6 white wine, 11 large rocks, 10 shot, 6 champagne, and 4 cognac, tallest h. 9 3/8 in. [$500/700]

238. Le Verre Francais Cameo Vase, early 20th c., signed on base, with stylized floral design, h. 14 1/4 in., dia. 6 3/4 in. [$700/1000]

237. Pair of Favrile Art Glass Vases, h. 8 1/4 in., dia. 3 1/8 in. [$150/250]

239. Louis XVI Carved Giltwood Five-Panel Folding Screen, 19th c., each panel with molded border, upholstered panels, handles, h. 39 1/2 in., l. 98 in., d. 1 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

240. Pair of Louis XV-Style Gris Peinte Side Chairs, 19th c., molded crest rail, conforming seat rail, cabriole legs, h. 37 1/2 in., w. 22 1/2 in., d. 19 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

241. Regence Gilt BronzeMounted Palisandre Bibliotheque, 18th c., molded cornice, glazed bronze molded doors, shaped base, h. 89 1/2 in., w. 50 in., d. 17 in. [$7000/10000] Provenance: Galerie Jacques Ollier, Paris; Hindman, Mar. 2, 2021, lot 31; Collection of Dr. Bruce Wilson, Memphis, TN.

242. Pair of George III-Style Carved Giltwood Torcheres, 19th c., marble top, frieze with ram’s head and floral swags, tapered legs, hoof feet, h. 47 in., w. 15 in., d. 15 in. [$2000/3000] Provenance: Christie’s East, New York, Nov. 5, 1985; Collection of Dr. Bruce Wilson, Memphis, TN.

243. Regence Bronze-Mounted and Inlaid Tulipwood Commode, 18th c., bombé form, conforming rouge marble top, two short drawers over two long drawers, flared feet, h. 34 1/2 in., w. 51 5/8 in., d. 24 3/4 in. [$3000/5000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

244. Regence-Style Carved Giltwood Canape à Oreilles, 19th c., molded crest rail, shaped padded wings, conforming seat rail, cabriole legs, scrolled toes, h. 37 in., w. 52 in., d. 24 1/2 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

245. Pair of Louis XVI-Style Bronze-Mounted Mahogany Gueridons, marble top, fluted tapered legs, h. 30 in., dia. 33 in. [$1500/2500]

247. French Empire Parcel Gilt and Painted Tabouret, c. 1805, attr. to Jacob Freres, nearly identical to the one provided to Empress Josephine at Malmaison, fine silk upholstery, X-form frame, turned stretchers, h. 21 in., w. 22 1/2 in., d. 18 in. [$3000/5000]

246. Baroque-Style Carved Giltwood Center Table, chinoiserie coromandel top, heavily festooned skirt, carved and blocked legs with medial stretcher, toupie feet, h. 35 in., dia. 39 1/2 in. [$2000/4000] 44

Provenance: Christie’s, New York, Apr. 1-2, 2003, lot 602; Collection of Dr. Bruce Wilson, Memphis, TN.

248. Empire Giltwood Swan Bed, 19th c., possibly Italian, after the Empress Josephine swan bed at Malmaison by Jacob Desmalter, later oval canopy mounted with carved swan, elaborate Scalamandre silk hangings, swan carved headboard, acanthus carved splayed hoof feet; together with six matching curtain panels, h. 51 in., l. 73 in., w. 53 in. [$7000/10000] Provenance: The Balean Collection, removed from Crailing Hall, Jedburgh, Scotland, Christie’s Scotland Apr. 29, 1992, lot 649; Collection of Dr. Bruce Wilson, Memphis, TN.

249. Pair of Louis XV-Style Creme Peinte Side Chairs, 20th c., fine silk upholstery, carved crest rail, shaped carved seat rail, cabriole legs, h. 36 1/2 in., w. 21 1/2 in., d. 18 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 250. Louis XV Bronze-Mounted Tulipwood Parquetry Three-Tiered Stand, 19th c., molded top, shaped apron, cabriole legs, h. 30 in., w. 22 1/2 in., d. 14 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

251. Specimen Marble and Bronze Low Table, 20th c., circular top inset with various marbles in geometric pattern, reticulated frieze, columnar supports, h. 19 in., dia. 35 1/4 in. [$1000/1500]

252. Louis XVI-Style Carved Giltwood Demilune Console, 19th c., molded marble top inscribed “54” on underside, pierced carved frieze, floral swags, fluted tapered legs, urn surmounted stretcher, h. 35 in., w. 44 5/8 in., d. 20 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 45

253. Louis XV Carved Giltwood Fauteuil, 19th c., foliate carved crest rail, padded scrolled arms, serpentine seat rail, cabriole legs, h. 38 1/2 in., w. 29 in., d. 28 in. [$300/500]

254. Pair of Large Continental Malachite Obelisks, typical form, h. 29 in., w. 6 1/2 in., d. 6 1/2 in. [$800/1200]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

255. Pair of Louis XVStyle Bronze Four-Light Candelabra, after a model by Caffieri, h. 20 in., dia. 12 in. [$700/900]

256. Pair of Napoleon III Gilt Bronze Figural Two-Light Candelabra, winged cherubs holding foliate arms, bases cast with horn, torch and a quiver, h. 15 in., w. 14 in., d. 7 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

258. Empire Gilt Bronze-Mounted Hardstone Etui, early 19th c., incl. scissors, spoon, pencil, etc., h. 4 in., w. 1 1/2 in., d. 3/4 in. [$300/500] 257. Napoleon III Gilt Bronze Encrier, octagonal paneled inkpots and sander on cartouche form stand, h. 4 3/8 in., w. 14 in., d. 9 1/2 in. [$500/700]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

259. Pair of Louis XIV Bronze-Mounted Boullework Stands, late 18th/early 19th c. or earlier, with grotesque masked paw feet, h. 9 1/2 in., w. 1 1/4 in., d. 10 1/4 in., top surface 9 1/2 in. x 8 1/2 in. Note: Top has mounting holes. [$3000/5000] Provenance: The Jaime Ortiz-Patino Collection, Sotheby’s New York, May 20, 1992, lot 53, Collection of Dr. Bruce Wilson, Memphis, TN. 46

260. Napoleon III Gilt Bronze Four-Light Candelabrum, mounted as a lamp, green tole peinte shade, h. 46 in., dia. 20 1/2 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

261. Pair of Antique French Gilt Bronze Candlesticks, fluted and tapered shaft, h. 10 1/8 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

262. Pair of Antique French Plaster Figural Groups, maidens holding satyr children with floral cornucopiae, painted wood bases, h. 32in., dia. 11 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

263. Empire Gilt-Bronze Figural Centerpiece, early 19th c., reticulated basket, over three maidens holding wreaths, tall base mounted with swags and masks, h. 35 in., dia. 15 1/2 in. [$2000/3000] Provenance: Heritage Auction, Dallas, TX, Dec. 7, 2021, lot 61002, Collection of Dr. Bruce Wilson, Memphis, TN. 264. Louis XIV Gilt Brass-Mounted Kingwood and Rosewood Coffre-Fort, late 17th c., fleur-de-lis straps, void interior, fall-front reveals two drawers, h. 11 in., w. 19 in., d. 11 in. [$800/1200] Provenance: Sotheby’s, London, January 17, 2019, lot 47; Collection of Dr. Bruce Wilson, Memphis, TN.

265. Louis XV-Style Gilt Bronze Candlesticks, tapered shaft, h. 10 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

266. Louis XV Gilt Bronze TwoLight Candle Lamp, 18th c., adjustable screen, foliate candle nozzles and base, h. 23 1/2 in., w. 9 in., d. 4 3/4 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

267. Pair of Empire Gilt Bronze TwoLight Figural Candelabra, early 19th c., each winged putto holding a quiver, torch, and wreath crest, h. 14 1/4 in., w. 8 1/2 in., d. 4 1/4 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 268. Pair of Empire-Style Bronze and Rouge Marble Candlestick Lamps, with beaded shade, h. 19 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

269. Nine Continental Rock Crystal Obelisks, tallest h. 14 in., w. 2 1/8 in., d. 2 1/8 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

270. American 18-Inch Floor Globe, c. 1925, Rand McNally, Chicago, mahogany stand, h. 41 in. [$600/900]

271. Antique French Copper and Brass Scale, standard with foliate, mask and cherub mounts, h. 41 1/2 in., w. 34 in., d. 11 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

272. Antique Scottish Inlaid Mahogany Barometer, signed “Ant. Gally/Glasgow”, with weather dial and thermometer, h. 39 in., w. 9 1/2 in., d. 2 1/4 in. [$600/900]

273. Louis XV Bronze-Mounted Inlaid Amaranth, Kingwood and Tulipwood Marquetry Tric-Trac Table, c. 1750, by Jean-Pierre Latz, stamped twice I.P LATZ, one drawer stenciled 6281, removable top, interior gaming surfaces, cabriole legs, h. 30 in., w. 48 in., d. 30 1/2 in. [$30000/50000] Provenance: Mrs. Peter Hastings; Christie’s, London, Dec. 4, 1975; Marquis De Goulaine, Chateau De Goulaine, Christie’s, Monaco, June 20, 1994; Collection of Dr. Anton C.R. Dressman Inventory D-148: Christie’s, London, April 10, 2002, lot 330; Collection of Dr. Bruce Wilson, Memphis, TN.

274. Louis XV/XVI Bronze-Mounted Tulipwood, Marquetry and Table Mecanique, early 19th c., in the manner of Jean-Francois Oeben, mechanical conforming sliding molded marquetry top, frieze drawer with writing surface, cabriole legs, sabots, h. 29 1/2 in., w. 30 1/2 in., d. 17 1/2 in. [$1000/1500] Provenance: Butterfield & Butterfield, San Francisco, Mar. 24, 1993, lot 3549; Collection of Dr. Bruce Wilson, Memphis, TN.

275. Louis XIV-Style Bronze-Mounted Brass Inlaid Tortoiseshell and Ebonized Bibliotheque, mid-19th c., by Eugene-Paul Caillaux, Paris, stamped twice CAILLAUX, in the style of Andre’-Charles Boulle model in the Louvre Museum, Paris, egg and dart border, breakfront, center glazed door flanked by glazed scrolled doors, tapered legs, h. 43 1/2 in., w. 67 in., d. 17 1/2 in. [$7000/10000] Provenance: Alberto Pinto Collection, Sotheby’s, New York, March 1999; Collection of Dr. Bruce Wilson, Memphis, TN.

276. Fine Louis XIV Bronze-Mounted Inlaid Tortoiseshell, Boulle Marquetry and Ebonized Commode, c. 1725, attr. Nicolas Sageot, later verte marble top, two short drawers above two long drawers, h. 34 in., w. 47 in., d. 17 1/2 in. [$50000/75000] Provenance: Sotheby’s, Zurich, Nov. 27, 2000, lot 341; Collection of Dr. Bruce Wilson, Memphis, TN.

277. Louis XIV Bronze-Mounted Inlaid Tortoiseshell, Boulle Marquetry and Ebonized Commode, late 17th/early 18th c., att. to Nicolas Sageot, some later bronze mounts and feet, boulle inlaid molded top, three drawers with extensive inlay, bronze tapered feet, h. 33 in., w. 47 1/2 in., d. 25 1/2 in. [$30000/50000] Provenance: Christie’s, New York, May 21, 2003, lot 288; Collection of Dr. Bruce Wilson, Memphis, TN.

278. Regence Bronze-Mounted, Brass Inlaid and Ebonized Bibliotheque, 18th c., bronze molded cornice, grillework doors, bronze molded plinth base, h. 82 in., w. 53 in., d. 21 in. [$3000/5000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

279. Fine Pair of Louis XIV Bronze-Mounted Ebony-Veneered, Tortoiseshell and Brass-Inlaid Boulle Marquetry Pedestals, c. 1715, attr. to Andre’-Charles Boulle (1642-1732), pedestals stamped I and II on base, molded top, tapered frieze, lambrequin apron, flanked by scrolling ormolu mounts, tapered case, bracket feet, h. 49 5/8 in., w. 21in., d. 15 1/2 in. [$70000/100000] Provenance: Partridge Fine Arts, London; The Greenberg Collection, Sotheby’s, New York, May 21, 2004, lot 13; Collection of Dr. Bruce Wilson, Memphis, TN.

280. French School, 19th c., “Romantic Picnic in the Countryside”, oil on canvas, unsigned, period label with handwritten illegible inscription on stretcher, “Butterfield & Butterfield” labels on reverse of frame, 27 in. x 36 1/2 in., framed, 38 in. x 43 1/2 in. x 5 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

281. Manner of Francois Boucher (French, 1703-1770), “Pastorale”, oil on canvas, unsigned, “Christie’s” label on stretcher, 39 3/8 in. x 28 7/8 in., framed, overall 45 5/8 in. x 35 1/8 in. x 2 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

282. Circle of Jean-Baptiste Huet (French, 1745-1811), “A Shepherdess Reclining in a Landscape”, late 18th c., oil on canvas, unsigned, “Christie’s” labels on stretcher and reverse of frame, 43 in. x 44 1/2 in., framed, overall 49 1/2 in. x 50 1/2 in. x 3 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

283. Manner of Jean-Honore Fragonard (French, 1732-1806), “The Lover Crowned” and “Love Letters (The Declaration of Love)”, 20th c., 2 oils on canvas, each unsigned, one with “B. A. Framer” label on reverse of frame, each 26 1/2 in. x 19 in., framed alike, each overall 31 in. x 23 3/4 in. x 1 3/4 in. (2 pcs.) [$600/800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

284. Manner of Jean-Honore Fragonard (French, 1732-1806), “The Pursuit” and “The Meeting (Storming the Citadel or The Surprise)”, 20th c., 2 oils on canvas, each unsigned, one with “Christie’s” label on stretcher, each 26 1/2 in. x 19 1/4 in., framed alike, each overall 31 in. x 23 7/8 in. x 2 in. (2 pcs.) [$600/800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

285. After Jean-Honore Fragonard (French, 1732-1806), “La Bonne Mère”, mid-18th c., oil on canvas, “Christie’s” labels on reverse of frame, 18 1/4 in. x 15 1/4 in., framed, overall 23 3/4 in. x 20 1/2 in. x 2 1/4 in. [$1500/2500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

286. Manner of Nicolas Lancret (French, 1690-1743), “Plaisirs Champetres”, oil on canvas, unsigned, “Christie’s” label en verso, “American Art Association Anderson Galleries” label with artist and title on stretcher, 21 3/4 in. x 36 1/4 in., framed, overall 28 5/8 in. x 43 1/8 in. x 2 3/4 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

287. School of Nicolas Lancret (French, 1690-1743), “Children Playing Blind-Man’s Bluff”, mid-18th c., oil on canvas, unsigned, “Christie’s” labels on reverse of frame, 31 in. x 35 in., framed, overall 38 1/2 in. x 42 7/8 in. x 4 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

288. Louis-Joseph Watteau de Lille (French, 1731-1798), “The Soldier’s Farewell” and “Two Gentleman and their Ladies”, 1771, 2 oils on cradled oak panel, each initialed and dated, former lower left, latter lower center, each with “Christie’s” tags on reverse of frame and attached to wire, one with “Sotheby’s” label on reverse of frame, each with “Rose Art Museum Brandeis University, Waltham, Mass” label with artist and title and handwritten label with artist on reverse of frame, one with printed label with artist, date and provenance information on cradle, each 9 1/4 in. x 11 1/4 in., framed alike with artist plaques, each overall 13 in. x 15 1/4 in. x 2 1/8 in. (2 pcs.) [$7000/10000] Provenance: Wildenstein & Co., New York; Estate of Ethel Tod Humphreys; Parke-Bernet, New York, Nov. 10, 1956, lot 405; Collection of Oscar M. Lazrus, New York; The Rose Art Museum, Brandeis University, Waltham, MA, by donation 1964; Sotheby Parke-Bernet, New York, June 7, 1978, lot 34; Private Collection, New Jersey; Sotheby’s, New York, Jan. 15, 1987, lot 107; Christie’s, New York, June 16, 2022, lot 76; Estate of Dr. Bruce Wilson, Memphis, TN. Ref.: J.A. Donson, “College Art News”, Art Journal, XXIV, no. 4, summer 1965, p. 380. 53

289. Circle of Jean-Antoine Watteau (French, 1684-1721), “Le Jouer du Flageolet”, early 18th c., oil on canvas, unsigned, stamped en verso, “Christie’s 24-Oct-12 / sale 2762 / lot 109” labels on stretcher and reverse of frame, one French period label on stretcher, 23 3/4 in. x 29 1/2 in., framed, overall 33 1/4 in. x 38 1/4 in. x 3 1/2 in. [$8000/12000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 290. Jean-Jacques Bachelier (French, 1724-1806), “A Female Bather”, black and white chalk on paper, signed and inscribed “falconet in / Bachelier. fecit” lower left, “Christie’s” labels on backing paper, 9 1/2 in. x 8 in., framed, overall 18 5/8 in. x 17 1/8 in. x 2 1/4 in. [$700/1000] Provenance: Christie’s, London, Sept. 10, 2009, lot 15; Collection of Dr. Bruce Wilson, Memphis, TN.

291. Jacques-Louis David (French, 17481825), “Deux Prelats (Herauts)”, double-sided graphite on paper, both sides signed in pen and brown ink by artist’s sons Jules David and Eugene David, one side inscribed in French lower center, 6 3/4 in. x 4 1/2 in., framed, overall 13 3/8 in. x 11 1/4 in. x 1 1/4 in. [$2000/3000]

Provenance: Michael W. Murphy, El Dorado, AR.

292. Mary Cassatt (American, 1844-1926), “Looking in the Hand Mirror (No. 2) (B.202)”, c. 1906, drypoint etching, unsigned, starburst or flower design watermark visible, pencil-inscribed with artist and title en verso, “Christie’s” labels on backing paper, 8 in. x 5 in., framed, overall 15 in. x 12 1/2 in. x 2 in. [$700/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

293. Pierre-Auguste Renoir (French, 1841-1919), “Femme Nue Couchée (Tournée à Droite) 1ère”, 1906, drypoint etching, stamp signature lower margin, state II of II, 2 “Christie’s” labels on backing paper and attached to wire, 5 in. x 7 3/4 in., framed, overall 15 1/4 in. x 17 3/4 in. x 1 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

294. Attributed to Pierre-August Renoir (French, 1841-1919), “Mére et Fils”, graphite on paper, unsigned, partial floral sketch en verso, inscribed with artist and title on backing board, 8 1/4 in. x 5 in., framed with artist plaque, overall 14 1/4 in. x 11 1/4 in. x 1 in. [$2500/3500]

Provenance: Michael W. Murphy, El Dorado, AR. 55

295. Pierre-Joseph Redoute (French, 1759-1840), “Les Liliacees”, 1805, 6 hand-colored engravings, each unsigned, each with corresponding text on backing paper, sights 20 1/2 in. x 13 1/4 in., framed alike, each overall 26 in. x 18 3/4 in. x 1 1/4 in. (6 pcs.) [$1000/1500]

296. Raoul Maucherat De Longpre (French, 1843-1911), “Lilac and Roses”, gouache on board, signed and inscribed “fils” lower right, “Harry P. Whitmore, Omaha, NE” label with artist and title on backing paper, 14 1/2 in. x 21 1/8 in., framed, overall 20 1/8 in. x 26 3/4 in. x 1 7/8 in. [$1200/1800]

297. Follower of Jean-Joseph-Xavier Bidauld (French, 1758-1846), “Washerwoman on the Banks of a Canal”, oil on panel laid on panel, unsigned, “Christie’s” labels en verso and on reverse of frame, 7 1/2 in. x 9 in., framed, overall 12 1/4 in. x 14 5/8 in. x 2 1/4 in. [$1000/1500]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

298. Felix Francois Georges Philibert Ziem (French, 1821-1911), “The Bacino at Venice”, oil on canvas, signed lower left, exhibition label with artist and title and “Christie’s” label on stretcher, “Christie’s 09-Oct-13 / sale 2776 / lot 540” labels on reverse of frame, 19 3/8 in. x 30 1/8 in., framed, overall 26 3/4 in. x 38 1/4 in. x 2 1/2 in. [$4000/6000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

299. Manner of Hubert Robert (French, 1733-1808), “Villa with Monumental Staircase”, oil on canvas, unsigned, “Page O’Connor Fine Arts, Destin, FL” and “Christie’s” labels on backing paper, 21 3/4 in. x 15 in., framed, overall 25 1/8 in. x 18 3/8 in. x 1 3/4 in. [$1200/1800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

300. Attributed to Adrien Manglard (French, 1695-1760), “Figures Coming to Shore”, oil on canvas, unsigned, 12 7/8 in. x 18 1/4 in., framed, 18 7/8 in. x 24 1/4 in. x 2 7/8 in. [$1000/1500] Provenance: Bonhams, Los Angeles, CA, Nov. 13, 2018, lot 87; Collection of Dr. Bruce Wilson, Memphis, TN.

301. Pair of French Terracotta Busts of Young Boys, 19th c., after Fernando Ciancianini, possibly depicting children of the Valois family, inscribed “Ferdinand Cian/ Paris”, marble bases, taller 19 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

302. French Terracotta-Colored Plaster Bust of a Boy, late 18th c., attributed to Augustin Pajou, possibly depicting the Son of Jacques Poiterin, inscribed “Pajou”, marble base, h. 20 1/4 in., w. 13 in., d. 8 1/2 in. [$500/700] Provenance: European Works of Art and Sculpture”, Sotheby’s, London, UK, Dec. 8, 1988, lot 273; Collection of Dr. Bruce Wilson, Memphis, TN.

303. After Jean-Baptiste Greuze (French, 1725-1805), “Portrait of a Child”, oil on canvas, unsigned, 16 in. x 12 7/8 in., framed, overall 20 7/8 in. x 17 7/8 in. x 2 3/4 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

304. School of Jean-Baptiste Greuze (French, 1725-1805), “Young Girl”, oil on canvas, unsigned, inscribed “No.39” and “46” en verso, partial wax stamp and “Christie’s 12-Oct-1989 / sale 6910 / lot 87” label on stretcher, 16 in. x 13 in., framed with plaque, overall 20 1/2 in. x 17 in. x 2 1/4 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

305. Attributed to Francois Boucher (French, 1703-1770), “Shepherd Girl”, oil on canvas, unsigned, 19 in. x 16 in., framed, overall 26 3/4 in. x 23 3/4 in. x 3 in. [$1500/2500]

Provenance: Sotheby’s New York, Feb. 2, 2013, lot 477; Private Collection, Mobile, AL; Collection of Dr. Bruce Wilson, Memphis, TN.

306. Attributed to Jean-Marc Nattier (French, 1685-1766), “Jean-Victor de Rochechouart, Duc de Mortemart, in the Ceremonial Dress of a Colonel of the Order of Saint Louis (1712-1771)”, 1756, oil on canvas, signed and dated mid-left, “Christie’s” label on reverse of frame, 32 in. x 25 3/4 in., framed, overall 42 in. x 35 1/2 in. x 3 1/4 in. [$4000/6000]

Provenance: “Old Master Paintings”, Sotheby’s, New York, Apr. 5, 1990, lot 259; Collection of Dr. Bruce Wilson, Memphis, TN. Ref.: De Nolhac, Pierre. Nattier: Peintre de la Cour Louis XV. Paris: Henry Floury, 1925, p. 227.

307. Attributed to Michel-Ange Houasse (French, 1680-1730), “Flora and Zephyr”, oil on canvas, unsigned, “Christie’s” labels on stretcher and reverse of frame, 63 1/2 in. x 65 1/2 in., framed, overall 68 1/2 in. x 70 1/2 in. x 3 in. [$2500/3500]

Provenance: Christie’s, New York, June 5, 2013, sale 2710, lot 36; Collection of Dr. Bruce Wilson, Memphis, TN.

309. After Francois Boucher (French, 1703-1770), “Venus Desarmant L’Amour”, oil on canvas, unsigned, inscribed “Delarroque” en verso, label with title on stretcher, “Christie’s” labels on backing and reverse of frame, 13 in. x 9 1/2 in., framed with title plaque, overall 16 3/4 in. x 13 1/2 in. x 2 in. [$3000/5000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

308. Attributed to Michel-Ange Houasse (French, 1680-1730), “Cupid and Psyche”, oil on canvas, unsigned, “Christie’s” labels on stretcher and reverse of frame, 63 in. x 65 3/4 in., framed, overall 68 1/4 in. x 71 in. x 3 in. [$2500/3500]

Provenance: Christie’s, New York, June 5, 2013, sale 2710, lot 36; Collection of Dr. Bruce Wilson, Memphis, TN.

310. Circle of Noel Halle (French, 1711-1781), “Apollo and the Cumean Sibyl”, oil on canvas, unsigned, “Christie’s 24-Oct-12 / sale 2762 / lot 214” and other labels on reverse of frame, “Christie’s” and other labels on stretcher, 47 in. x 37 in., framed, overall 53 3/4 in. x 46 1/4 in. x 3 in. [$5000/8000] Provenance: “Old Master Paintings”, Christie’s, New York, Oct. 19, 2000, lot 111; Collection of Dr. Bruce Wilson, Memphis, TN.

312. Attributed to Jean-Hughes Taraval (French, 1729-1785), “Mythological Scene”, oil on canvas, unsigned, “Sotheby’s” label with artist and title on reverse of frame, 20 in. x 25 7/8 in., framed, overall 26 1/4 in. x 35 1/4 in. x 3 1/2 in. [$5000/8000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

311. Attributed to Jean-Hughes Taraval (French, 1729-1785), “The Altar of Love (Sacrifice to Venus)”, mid-18th c., oil on canvas, unsigned, 2 “Christie’s 10-Oct-90 / sale 7126 / lot 123” one on stretcher, other reverse of frame, 36 1/4 in. x 26 7/8 in., framed, overall 51 in. x 35 in. x 1 1/4 in. [$3000/5000]

Provenance: Christie’s, New York, Oct. 10, 1990, lot 123; Collection of Dr. Bruce Wilson, Memphis, TN.

313. After Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824), “The Sleep of Endymion”, oil on canvas, unsigned, “Christie’s” hanging tags, 38 in. x 49 in., framed, overall 45 1/2 in. x 57 1/4 in. x 3 1/2 in. [$1500/2500] Provenance: Christie’s, New York, June 6, 2018, sale 16184, lot 12; Collection of Dr. Bruce Wilson, Memphis, TN. 60

314. Attributed to Philippe De La Salle (French, 1723-1804), “Personification of Music”, 1756, oil on canvas, monogrammed and dated lower right, “Christie’s 09-Oct13 / sale 2776 / lot 566” labels on stretcher and reverse of frame, “Christie’s”, “Sotheby’s” and other labels on stretcher, 53 1/4 in. x 41 1/4 in., framed, overall 62 1/4 in. x 50 1/4 in. x 3 1/4 in. [$7000/10000] Provenance: Mrs. Gaby Solomon; Christie’s, London, June 1, 1973, lot 63 (as Carl Van Loo); Sotheby’s, New York, May 19, 1995, lot 102 (as P***J***Ch***); Collection of Dr. Bruce Wilson, Memphis, TN.

315. Louis XVI Carved Giltwood Lit d’Alcove, 19th c., arched carved crest rail center cartouche with monogram CA, padded back and sides, stop-fluted tapered legs, h. 54 in., w. 72 in., d. 47 in. [$2500/3500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

316. Pair of Louis XVI-Style Carved Giltwood Fauteuils, 19th c., foliate carved crest rail, padded back and seat, acanthus carved padded arms, twist fluted tapered legs, h. 38 3/4 in., w. 29 in., d. 22 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

317. Louis XVI-Style Carved Giltwood Settee, 19th c., foliate carved crest rail, padded back and seat, acanthus carved padded arms, twist fluted tapered legs, h. 41 1/2 in., w. 53 1/2 in., d. 23 ½ in. [$2500/3500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

319. French Tulipwood Parquetry Table en Chiffoniere, late 19th/early 20th c., shaped molded top, frieze drawer, cabriole legs, h. 28 in., w. 15 in., d. 11 in. [$700/1000] 318. Pair of Louis XVI Carved Giltwood Fauteuils, 19th c., foliate crest rail, padded back and seat, acanthus carved padded arms, conforming seat rail, carved tapered legs, h. 40 in., w. 25 5/8 in., d. 24 in. [$2000/3000]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

320. Set of Eight Chippendale-Style Carved Mahogany Dining Chairs, 20th c., incl. 2 armchairs and 6 side chairs, pierced carved splat, molded seat rail, acanthus knees, ball and claw feet, armchair h. 40 /12 in., w. 25 5/8 in., d. 21 3/8 in., side chair h. 40 1/2 in., w. 24 7/8 in., d. 20 1/2 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

321. Louis XV/XVI Bronze-Mounted Inlaid Bois Satine and Amaranth Bibliotheque, 18th c., made by Antoine Pierre Jacot, stamped A.P.Jacot and JME, molded cornice, glazed doors, cabriole legs, sabots, h. 89 in., w. 41 in., d. 16 in. [$5000/7000] Provenance: Property from the J. Paul Getty Museum, Sotheby’s, New York, Apr. 7, 1984, lot 93; Christie’s, New York, 31 1996 lot 362; Collection of Dr. Bruce Wilson, Memphis, TN.

322. Pair of Louis XV-Style Bronze-Mounted Marquetry and Mahogany Gueridons, foliate molded top, cabriole legs, h. 30 in., dia. 28 1/2 in. [$500/700]

323. Fine Monumental Prosper-Guillaume Durand Fils (act. 1834-1860) French Rosewood Full Tester Bed, mid-19th c., bearing a brass plaque on the inside left rail, “Durand Fils-R du Harley no 5 Paris-Ebeniste du Roi”, elaborate tester with crests centering rosettes on each side, lobed finials, square outset corners with bead molding, elaborate pendant reticulated Gothic fretwork, barley twist posts, arched headboard with pierced scrolling crest centering cabochon cartouche, sleigh form rails with scrolled molded corners centered with a strapwork cartouche on a stepped plinth over large toupie feet, h. 138 in., l. 77 in., w. 58 in., together with complimentary custom mattress. [$8000/12000] Provenance: This monumental bed descended in a well-known New Orleans family and was for many years the centerpiece of a celebrated collection found on Second Street near St. Charles Avenue in the Garden District.

Note: Prosper-Guillaume Durand was part of the family of celebrated Parisian cabinetmakers who gained recognition with founder Louis Durand who began the firm in the regime ancien and ascended to notoriety in the Restauration period. Prosper-Guillaume Durand succeeded his father and guided the award-winning firm through the 19th Century. 62

324. Napoleon III Bronze-Mounted, Ebonized, Inlaid Tortoiseshell and Brass Parlor Cabinet, 19th c., shaped top with egg and dart edge, arched glazed panel doors, stiles mounted with mythological masks, conforming plinth base, h. 44 in., w. 74 1/2 in., d. 20 1/4 in. [$4000/6000]

325. Pair of Regence-Style Gilt Bronze Candlesticks, matte and burnished surface, h. 9 7/8 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

326. Pair of Empire-Style Gilt Bronze Three-Light Candelabra, central torch standard, scroll arms, h. 12 3/4 in., dia. 8 3/4 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

327. Eight Joseph Dufour Wallpaper Panels from “Les Incas”, 1818, one sequence of four panels (7 ft. 11 in. x 16 ft.); one sequence of three panels (7 ft. 11 in. x 10 ft. 6 in.; and one single panel (7 ft. 11 in. x 2 ft. 3/4 in.; from the panorama chronicling the invasion of the Incas by Pizarro, 8 panels total [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

328. Continental Malachite Veneered Pedestal, stepped paneled form, faux marbre base, h.40 in., w. 13 in., d. 13 1/4 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

329. Pair of French Crystal and Hardstone Three-Light Girandoles, marked “FRANCE”, with faceted prism and apple-form pendants, h. 18 in., dia. 11 1/2 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

330. Pair of French Gilt and Patinated Bronze Figural Three-Light Candelabra, putto standards, electrified, h. 20 in., w. 6 1/4 in. [$250/350] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

331. Empire-Style Verdigris Patinated Bronze Urn, cherub and goat handles, h. 34 in., w. 24 in., d. 17 in. [$500/700]

332. Pair of French Variegated Marble Columns, plinth base, h. 39 in., dia. 10 in., base 13 in. x 13 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

333. Pair of French BronzeMounted Reeded Marble Columns, plinth base, h. 39 in., dia. 11 in., base 16 in. x 16 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

334. Pair of Neoclassical-Style Carved Marble Covered Urns on Pedestals, carved with floral swags and lion’s masks, h. 62 in., dia. 24 in. [$3000/5000]

Provenance: Bonhams, San Francisco, Mar. 18, 2013; Collection of Dr. Bruce Wilson, Memphis, TN. 335. Pair of French BronzeMounted Marble Columns, fluted, plinth base, h. 39 in., dia. 11 in., base 16 in. x 16 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

337. French Cast Iron Crucifix, h. 56 in., w. 34 in. [$400/600] 336. Neoclassical-Style Carved Marble Sarcophagus-Form Jardiniere, 19th c., acanthus corners, paw feet, h. 11 1/2 in., w. 18 1/2 in., d. 11 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

338. French Gilt Bronze Fireplace Tools, incl. shovel, tongs and brush, allover foliate design, h. 37 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

339. Two French Brass-Bound Oak Wine Jugs, scroll handles, taller h. 24 1/2 in., dia. 10 in. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

340. Antique French Marquetry Cave a Liqueur, late 19th c., shaped case with scroll and foliate design, interior with removable tray, fitted with four decanters and fifteen cordials, h. 10 1/2 in., w. 12 1/2 in., d. 10 1/2 in. [$1000/1500]

342. Pair of English Brass Andirons, 19th c., ball finial, legs centered by lion mask, h. 21 1/2 in., w. 9 3/4 in., dl. 9 1/4 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 341. Regency Rosewood Marquetry SarcophagusForm Tea Caddy, 19th c., interior with two compartments, lacking mixing bowl, h. 7 1/4 in., w. 13 1/2 in., d. 6 1/4 in. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

343. Five Rock Crystal Balls, largest dia. 4 3/8 in. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

344. Pair of George III Inlaid Mahogany Knife Boxes, 19th c., fitted interior, h. 13 in., w. 8 1/2 in., d. 9 in. [$800/1200] 65

345. Pair of Continental Carved Sienna Marble Urns, each with lobed bowl, plinth base, h. 14 in., dia. 19 1/2 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

346. George II-Style Giltwood Console Table, late 19th/early 20th c., molded breche violette marble top, carved frieze, acanthus carved legs, h. 32 in., w. 60 in., d. 24 1/2 in. [$3000/5000]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

347. Pair of Louis XV-Style Bronze-Mounted Mahogany and Vernis Martin Cabinets, marble tops, single door, cabriole legs, h. 42 1/2 in., w. 38 1/2 in., d. 18 in. [$3000/5000]

348. Fine Louis XVI Bronze-Mounted Marquetry and Parquetry Games Table, 19th c., inset Paris label, molded foldover top with trophy inlay, base pulls revealing fitted backgammon board, fluted tapered legs, sabots, cup feet, h. 30 in., w. 36 1/2 in., d. 20 1/2 in. [$1000/1500]

Provenance: Michael W. Murphy, El Dorado, AR.

349. French Bronze-Mounted Kingwood and Marquetry Commode, late 19th/early 20th c., breche d’alep marble top, two drawers, layed feet, h. 35 3/4 in., w. 43 in., d. 22 1/2 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

350. Louis XV/XVI-Style Carved Crème Peinte Canape, 19th c., later paint, foliate carved crest rail, scrolled padded arms, conforming carved seat rail, cabriole legs, scrolled toes, h. 42 in., w. 65 in., d. 31 1/2 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 66

351. Louis XVI Bronze-Mounted Kingwood Parquetry Bibliotheque, 18th c., attr. to Pierre IV Migeon (1696-1758), molded rouge marble top, grillework doors, bronze molded base, h. 62 in., w. 53 in., d. 17 in. [$2000/3000]

352. Pair of Regence Bronze-Mounted Amaranth Encoignures, 18th c., shaped molded marble top, brass inlaid stop-flutes flanking cupboard doors, h. 33 1/2 in., w. 27 1/2 in., d. 18 in. [$4000/6000]

Provenance: Sotheby’s, New York, Dec. 7, 1991, lot 44; Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

353. Pair of Louis XV Carved Giltwood Bergères, 20th c., crimson silk damask upholstery, arched molded crest rail, cabriole legs, scrolled toes, h. 39 in., w. 27 in., d. 19 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

354. Four Louis XV/Regence Carved Giltwood Side Chairs, 19th c., carved crest rail, conforming seat rail, acanthus knees, cabriole legs, scrolled toes, h. 37 in., w. 20 1/2 in., d. 17 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

355. Pair of Empire Parcel Gilt and Painted Columns, 19th c., fluted, faux marbre plinth base, h. 43 1/2 in., w. 15 1/4 in., d. 15 1/4 in. [$1000/1500] Provenance: Sotheby’s, New York, Oct. 24-25, 2002, lot 1427; Collection of Dr. Bruce Wilson, Memphis, TN.

356. Regence-Style Bronze-Mounted Parcel Gilt and Ebonized Commode, 20th c., molded granite top, gilt geometric designs on sides and drawers, three drawers. h. 33 1/4 in., w. 45 1/2 in., d. 24 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

357. Louis XV-Style Gilt Bronze Clear and Amethyst Rock Crystal Fourteen-Light Chandelier, cage form, scrolled arms hung with drops, beads, and flowerheads, h. 47 in., dia. 30 in. [$2500/3500]

Provenance: Sotheby’s, New York, Oct. 24, 2013, lot 152; Collection of Dr. Bruce Wilson, Memphis, TN.

358. Louis Philippe Gilt Bronze Ten-Light Chandelier, 19th c., foliate corona, lion masks issuing foliate arms, central baluster shaft, h. 50 in., dia. 21 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

359. Four Empire-Style Bronze Two-Light Sconces, torch-form standard, foliate arms, h. 21 1/2 in., w. 15 in., d. 8 in. [$1500/2500]

360. Pair of Regency-Style Giltwood Two-Light Sconces, centered by porcelain medallions, h. 30 1/2 in., w. 18 in., d. 7 in. [$400/600]

361. Louis XVI-Style Three-Light Bouillotte Lamp, adjustable black tole shade, h. 29 in., dia. 13 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

362. Neoclassical-Style BronzeMounted Marble Lamp, h. 25 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

363. Pair of Beaux Arts Gilt Bronze FiveLight Candelabra, foliate arms with floriform candlecups, vasiform standard, columnar base, h. 24 in. w. 14 in., d. 11 1/2 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 68

364. Pair of Antique French Gilt Bronze Candle Lamps, late 19th c., standard with three female terms, with shades, h. 30 1/4 in., dia. 12 1/4 in. [$500/700]

365. Pair of French Brass and Tole Two-Light Bouillotte Lamps, adjustable oval shades, swan candle arms, fitted with two bulb fixture, h. 25 1/4 in., w. 13 in., d. 9 1/4 in. [$300/500]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

366. Louis XVI-Style Gilt Bronze, Clear and Rock Crystal Ten-Light Chandelier, scroll arms, h. 46 in., dia. 39 in. [$1500/2500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

367. Louis XVI-Style Bronze and Cut Crystal Sixteen-Light Chandelier, scroll arms, h. 40 in., dia. 27 in. [$1000/1500]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

368. French Industrial Floor Lamp, early 20th c., with mica shade, on wood casters, adjustable h. 59 in. to 68 in. [$600/900]

369. Pair of French NeoclassicalStyle Bronze Gueridons, molded inset rouge marble tops, bamboo-style supports, stretcher surmounted with finial, hoof feet, h. 29 3/4 in., dia. 22 in. [$1000/1500] Provenance: Michael W. Murphy, El Dorado, AR.

370. Louis XVI Brass-Mounted Mahogany Drop-Leaf Extension Dining Table, late 18th c., 4 later leaves, brass molded edge, drop-leaf ends, tapered legs, casters, h. 30 1/2 in., w. (closed) 44 3/8 in., w. (open) 132 1/2 in. [$3000/5000]

Provenance: Christie’s, New York, Mar. 6, 1991, lot 52; Collection of Dr. Bruce Wilson, Memphis, TN.

371. Set of Ten Queen Anne-Style Dining Chairs, padded arms and seats with silk damask upholstery, cabriole legs, pad feet, h. 39 1/2 in., w. 23 in., d. 20 in. [$1000/1500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

372. Pair of Adam-Style Paint-Decorated Satinwood Demilune Games Tables, likely Edwardian period, segmented top with floral swags and figural roundels, foldover top, baize playing surface, spade feet, h. 30 1/4 in., w. 36 1/4 in., d. 16 in. [$2500/3500] Provenance: Manheim Galleries, New Orleans, Nov. 23, 1973.

373. Pair of Louis XIV-Style Carved and Parcel Gilt Benches, nailhead trim, pierced apron, foliate scroll legs, finialed stretcher, h. 24 in., w. 18 1/2 in., d. 18 1/2 in. [$800/1200]

374. Louis XVI Carved Giltwood Settee, 18th c., blue upholstery, arched molded crest rail, conforming seat rail, stop-fluted tapered legs, h. 39 1/4 in., w. 63 3/4 in., d. 23 3/4 in. [$3000/5000]

Provenance: Christie’s, New York, Sept. 29, 1994, lot 246; Collection of Dr. Bruce Wilson, Memphis, TN.

375. Louis XV Bronze-Mounted Kingwood, Fruitwood, Parquetry and Marquetry Bureau à Pente, mid-18th c., by Nicolas Petit, stamped N. Petit, slant front, fitted interior, cabriole legs, sabots, h. 33 1/2 in., w. 28 1/2 in., d. 15 in. [$3000/5000] Provenance: Touzain, France; Christie’s, New York, Apr. 10, 1980, lot 219; Barbara Lowe Fallas, Sotheby’s, New York, Sep. 26, 1987, lot 187; Collection of Dr. Bruce Wilson, Memphis, TN.

376. Louis XV/XVI Kingwood Parquetry Occasional Table, 18th c., by Pierre Flechy, stamped P FLECHY, molded top, three drawers, cabriole legs, h. 28 1/2 in., w. 12 1/2 in., d. 16 in. [$1500/2500]

Provenance: William Doyle Galleries, New York, October 30, 1991, lot 646; Collection of Dr. Bruce Wilson, Memphis, TN.

377. Louis XV/XVI Bronze-Mounted Tulipwood Marquetry Table Tambour, late 18th c., attr. to Charles Topino (17421803), illegible pencil signed underneath, inlaid galleried top, tambour door, three drawer fitted interior, cabriole legs, stretcher shelf, h. 29 in., dia. 13 in. [$1000/1500]

Provenance: Butterfield & Butterfield, San Francisco, March 24, 1993, lot 3552; Collection of Dr. Bruce Wilson, Memphis, TN.

378. Pair of Louis XVI Carved Giltwood Demilune Consoles, 19th c., marble top, conforming frieze, fluted tapered legs, urn centered stretcher, h. 33 in., w. 21 in., d. 21 in. [$700/1000]

Provenance Christie’s, New York, Nov. 14, 1985, lot 78; Collection of Dr. Bruce Wilson, Memphis, TN.

379. Pair of Regence-Style Pewter Inlaid Caskets on Stands, 20th c., Borghese finish, silvered carved acanthus knees, cabriole legs, X-form finialed stretcher, paw feet, h. 47 in., w. 25 in., d. 18 in. [$2000/4000]

380. Georgian Chinoiserie Tallcase Clock, c. 1795, John Startudge, Plymouth, h. 99 in., w. 17 in., d. 8 5/8 in. [$1000/1500]

381. Louis XV Bronze-Mounted and Tortoiseshell Bracket Clock, c. 1750, dial and movement signed “Andre Hory a Paris”, surmounted by a figure of Poseidon, cartoucheform case, front with a cast mount of Amphitrite being pulled on a shell by dolphins, tapered bracket, h. 53 in., w. 18 1/2 in., d. 10 in. [$1200/1800]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

382. Louis XV Gilt Bronze-Mounted Painted Bracket Clock, c. 1750, white enamel dial with Roman and Arabic numerals, two-train movement, cartoucheform case, glazed door and side panels, foliate mounts, tapered bracket, painted with floral sprays on burgundy ground, h. 47 in., w. 19 in., d. 10 1/2 in. [$1000/1500]

Provenance: Sotheby’s, New York, April 28, 1990, lot 51; Collection of Dr. Bruce Wilson, Memphis, TN.

383. American Chippendale Mahogany Tall Case Clock, c. 1787, Philadelphia, brass dial signed “Tho. Wagstaffe, London”, broken pediment centered by flame finial, h. 96 in., w. 22 1/2 in., d. 12 1/2 in. [$3000/5000] Provenance: H. & R. Sandor Inc., New Hope, PA.

384. Pair of Reproduction 1784 Hawkins Flintlock Pistols, 58 caliber, walnut stocks, 8-inch brass barrels, silver-plated mounts, with felt-lined mahogany case [$700/1000]

385. The Louisiana Houses of A. Hays Town, Baton Rouge, Louisiana State University Press, 1999, oblong, 10 in. x 12 in., with dj., signed on halftitle, text by Cyril E. Vetter, photographs by Philip Gould, 161 pp. [$300/500]

386. Racinet, Auguste, Le Costume Historique, Paris, Firmin-Didot, 1888, 6 vols., 4to, 9 in. x 8 in., 3/4 red leather, with 500 plates, most in color, Note: some covers separated. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

387. [Leather Bindings], The Works of Edgar Allan Poe, London, Kegan Paul, Trench & Co, 1884, 6 vols., 3/4 red leather, 8 in. x 5 1/2 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

388. Medailles sur Les Principaux Evenements du Regne de Louis le Grand avec Explications Historiques, Paris, L’Imprimerie Royale, 1702, 4to, contemporary tree calf, engraved illustrations, 292 pgs. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

389. Defoe, Daniel, The Life and Strange Surprizing Adventures of Robinson Crusoe of York, Mariner..., London, John Stockdale, 1790, two vols., 4to, full leather, illustrated by Thomas Stathard. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

390. Montfaucon, Bernard de, L’Antiquitee Expliquee et Representee en Figures, Paris, 1722-1724, folio, 15 in. x 10 in., second edition, incl. Vol. I; Vol. 3 (second part); Vol. 4 (first and second part); and Vol. 2 of the Supplement (1724), full calf, gilt lettering, with numerous engravings of ancient Egyptian, Greek, Etruscan and Roman art and architecture. [$700/1000]

391. Oeuvres de Monsieur de Montesquieu Nouvelle Edition..., London, Chez Nourse, 1767, octavo, full calf, with two fold-out maps by Vaugondy. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

393. [French Armorial Bindings], three Almanach Royals, 8to, in red morocco, with gilt lettering, fillets, devices, with central arms from the following: Charles Philippe de France, Comte d’Artois, later Charles X (1781); Chretien Guillaume de Lamoignon de Malesherbes (1775); and Jean Charles Pierre Le Noir (1788), 3 vols. [$600/900]

392. [Leather Bindings], The Percy Anecdotes, Original and Select, London, T. Boys, 1823, 18 vols. (of 20, lacking vols. 1 and 20), 32mo, 5 1/2 in. x 3 1/2 in., 1/4 leather. [$100/150]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

394. [Leather Bindings], Works of William Edward Hartpole Lecky, New York, London, Longmans, Green & Co., 1866-1903, 17 vols., 4to. full red leather. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

395. Les Metamorphoses d’Ovide Gravees sur les dessins des meilleurs peintres Francais..., Paris, Basan and Le Mire, 1767-1770, octavo, full red leather with gilt filets, green silk moire endpapers, 141 engravings by Choffard, Baquoy, Basan, Duclos, after Boucher, Eisen, and others. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

397. Flavius, Josephus, Quae in hoc volumine continentur haec sunt: Periocha viginti libror[um] antiquitatis judaicae [and other texts], Milan, Alessandro Minuziano for Ludwig Hornken, 1513, folio, 13 1/2 in. x 9 in., later 1/2 calf binding, with signature of the scholar and historian Etienne Baluze (16301718). [$500/700]

Provenance: Swann Galleries, April 19, 2004, lot 124; Collection of Dr. Bruce Wilson, Memphis, TN.

396. Metamorphoses d’Ovide en Rondeaux, Paris, Imprimerie Royale, 1676, octavo, modern brown leather, with 226 text illustrations by Sebastien Le Clerc and Francois Chauveau. [$400/600] Provenance: Swann Gallery, New York, Oct. 2, 2002, lot 275; Collection of Dr. Bruce Wilson, Memphis, TN.

398. [French Architecture], Fels, Comte de Ange-Jacques Gabriel Premier Architecte du Roi, Paris, Emile-Paul, 1912, folio, 14 in. x 11 in., 3/4 leather, number 59/300 printed on Holland, with 44 plates. [$150/250] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

399. [Sevres Porcelain], Laking, Guy Francis, Sevres Porcelain of Buckingham Palace and Windsor Castle, London, Bradbury, Agnew & Co., 1907, folio, 13 in. x 10 3/4 in., 1/4 leather, 203 pp. catalogue of 371 pieces or sets of Sevres in the Royal collection. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

400. [Biscuit de Sevres], Bourgeois, Emile Le Biscuit de Sevres au XVIIIe Siecle, Paris, Goupil, 1909, two folios, 12 1/2 in. x 10 in., with text and plates loose as issued. [$150/250] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

401. [J. P. Morgan French Porcelain Catalogue], de Chavagnac, Le Comte Xavier Roger Marie. Catalogue des Porcelaines Francaises de M. J. Pierpont Morgan, Paris, Imprimerie Nationale, 1910, octavo (12 in. x 9 1/4 in.), light brown moroccan, five raised bands, extensive gilt tooling, marbled endpapers, 163 pgs., frontispiece, 151 plates, incl. 50 color lithograph plates. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

402. Salignac, Francois, Oeuvres de M. Francois de Salignac de la Mothe Fenelon, Precepteur des Enfants de France, Paris, Franc. -Amb. Didot, 1787, 2vols. octavo, full tree calf. [$100/150] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

405. [Rare French Woodworking Folios], Roubo, Andre Jacob, L’Art du Menuisier, Paris, Academie des Sciences, 1770-1775, 3 vols. (lacking vol.1), folio, 17 in. x 11 1/2 in., calf, incl. L’Art du Menuisier, Seconde Partie; L’Art du Menuisier Ebeniste, IIIe Partie; and L’Art du Treillageur, ou Menuisier des Jardins, with text and 223 copper-plate engravings, many foldout, Note: covers detached or starting. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

407. [Leather Bindings], Oeuvres Completes de Alfred de Musset, Paris, Charpentier et Cie., 1884, 11 vols., 4to, 1/4 red leather. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 74

403. Choix des Memoires de L’Academie Royale des Inscriptions et Belles-Lettres, London, Becket and Elmsly, 1777, 2 vols, octavo, full calf. [$100/150] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

404. Engravings of Paris, Paris and its Environs Displayed in a Series of Two Hundred Picturesque Views, from Original Drawings, Taken Under the Direction of A. Pugin..., London, Jennings and Chaplin, 1829-1831, 2 vols., small folio, 10 3/4 in. x 8 1/4 in., with descriptions in French and English. [$150/250] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

406. Dictionnaire de L’Academie Francoise, Revu, Corrige, et Augmente par L’Academie ElleMeme, Paris, Bossange et Masson, 1814, 2 vols., octavo, full tree calf. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

408. [Leather Bindings], The Writings of Bret Harte, Boston and New York, Houghton Mifflin, 1900, 20 vols., 3/4 red leather, 4to, illustrated with photogravures. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

409. [Leather Bindings], The Cambridge Modern History, Cambridge, University Press, 1907-1912, 14 vols., octavo, full red leather, all edges gilt. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

410. [Leather Bindings], The Works of William Shakespeare, edited by William Aldis Wright, New York, Macmillan & Co., 1894, 20 volumes, 3/4 leather, 10 3/8 in. x 7 1/4 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

412. Moliere, Jean-Baptiste Poquelin de, Oeuvres de Moliere Nouvelle Edition, Paris, avec Privilege du Roy, 1734, 6 vols., full calf, engraved portrait of Moliere by Lepicie after Coypel, 34 plates, and 198 vignettes. [$700/1000] 411. Breviarium Parisiense..., Paris, for the Parisian booksellers, 1736, 4 vols., 4to, red morocco, first edition of the new breviary of Paris; together with Breviaire de Paris, Paris, Usages du Diacese, 1742, 8 vols., red morocco, total of 12 vols. [$600/900]

Provenance: Swann Galleries, New York, April 19, 2004, lot 186; Collection of Dr. Bruce Wilson, Memphis, TN

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

414. Lydekker, Richard, The Royal Natural History, London/New York, Frederick Warne, 1893-1896, 6 vols. octavo, 1/2 leather, gilt lettering, illustrated with numerous chromolithographs. [$200/300] 413. [Leather Bindings], Burton, Richard, The Book of the Thousand Nights and a Night..., Benares, Printed by the Kamashastra Society for Private Subscribers only, 1885-1886, 17 vols., 1/2 red leather, Burton Society edition, numbered 4/250. [$400/600]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

415. [Leather Bindings], The Works of Francis Bacon..., London, Haynes and Son, 1824, 10 vols, full calf. [$100/150] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

416. [Leather Bindings], Norroena Anglo Saxon Classics, London/ Stockholm, Norroena Society, 1906, 15 vols., 8vo, red leather. [$150/250] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

418. Masson, Frederic, Napoleon et Son Fils, Paris, Goupil & Cie., 1904, quarto, 12 in. x 9 in., full leather with gilt tooling. [$200/300] 417. [Leather Bindings], Historical Romances of William Harrison Ainsworth, Philadelphia, Printed for Subscibers only by George Barrie & Sons, n.d., c. 1900, 20 vols., 8vo, blue 1/2 leather. [$200/300]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

419. Antique Persian Carpet, cream ground, red border, allover foliate design, 10 ft. 2 in. x 16 ft. 8 in. Note: Areas of heavy wear. [$500/700]

422. Sarouk Carpet, blue ground, red border, overall foliate design, 8 ft. 9 in. x 12 ft. 4 in. [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

420. Antique Runner, 3 ft. x 25 ft. 6 in. [$300/500]

421. Versace Carpet, black ground, gold border, 8 ft. x 9 ft. 7 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

424. Antique Aubusson Carpet, central cartouche, foliate designs in rose, cream, gold, and green, 9 ft. 8 in., x 20 ft. 7 in. [$800/1200]

423. Persian Carpet, red ground, foliate design, 9 ft. 9 in. x 14 ft. 5 in. [$800/1200]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

426. Caucasian Runner, repeating diamond pattern, 2 ft. 8 in. x 9 ft. 9 in. [$200/300]

425. Navaho-Style Rug, red and cream, diamond patterns, 4 ft. 4 in. x 6 ft. 4 in. [$200/300] 76

427. Aubusson Carpet, 7 ft. 8 in. x 10 ft. [$700/1000]

429. Continental Tapestry, two women and cherubs in a landscape, 4 ft. 4 in. x 5 ft. 11 in. [$800/1200]

428. Continental Tapestry, sylvain landscape, 5 ft. x 6 ft. 8 in. [$800/1200]

431. Persian Karaja Runner, 2 ft. 4 in. x 12 ft. 6 in. [$900/1200]

432. Persian Hamadan Carpet, red ground, repeating medallions, 3 ft. 5 in. x 6 ft. 9 in. [$550/850]

435. Persian Tabriz Carpet, overall floral design, 7 ft. 10 in. x 9 ft. 11 in. [$2000/3000]

430. Persian Mezhlagan Runner, repeating medallion, 1 ft. 10 in. x 11 ft. 8 in. [$600/800]

433. Persian Turkman Carpet, 3 ft. 6 in. x 6 ft. 10 in. [$600/800]

436. Persian Kerman Carpet, red ground, blue border, foliate design, 9 ft. 5 in. x 13 ft. [$4000/6000]

434. Antique Persian Hahal Carpet, red ground, overall foliate design, 10 ft. 7 in. x 13 ft. 7 in. [$2000/3000]

437. Persian Kerman Carpet, red ground, overall foliate design, 9 ft. 11 in. x 10 ft. 10 in. [$4000/6000] 77

438. Suite of Cast Iron Garden Figures of the Four Seasons, tall pedestals, h. 59 in., w. 24 in., d. 24 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

439. Antique Lead Grouping of Leda and the Swan, h. 32 in., w. 16 in., d. 15 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

441. Pair of Monumental Regency-Style Cast Iron Garden Urns, 20th c., lidded campagna form, volute handles with lion masks, foliate covers and bodies, elaborate socles, square plinth bases, h. 87 in., dia. 37 in. [$3000/5000]

Provenance Neal Auction, New Orleans May 4, 2008, lot 1032; Collection of Dr. Bruce Wilson, Memphis, TN.

440. Cast Iron Figure of a Boy Holding a Goose, h. 31 in., w. 16 in., d. 14 in. [$400/600]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

442. Pair of Cast Iron Garden Urns, h. 33 in., dia. 29 in. [$700/1000]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

443. Pair of Cast Metal Garden Benches, black paint, h. 30 in., w. 46 in., d. 19 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

444. Pair of Cast Metal Garden Benches, after the mid-19th c. Gothic pattern, white paint, h. 34 in., w. 58 in., d. 19 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

445. Cast Iron Garden Bench in the Gothic Pattern, black paint, h. 35 in., w. 46 in., d. 18 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 446. Pair of Empire-Style Cast Iron Urns, 20th c., white paint, floral swags, swan handles, octagonal base, h. 27 in., w. 21 in., d. 13 in. [$600/900] Provenance: Neal Auction, New Orleans February 11, 2017, lot 462; Collection of Dr. Bruce Wilson, Memphis, TN.

447. Pair of Cast-Iron Garden Urns, cherub and swag design, on tall pedestals, h. 60 in., dia. 29 in. [$600/900] Collection of Dr. Bruce Wilson, Memphis, TN.

448. Pair of Cast Iron Garden Urns, h. 33 in., dia. 29 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

449. Pair of Cast Iron Garden Urns, h. 33 in., dia. 29 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

450. Pair of Small Cast Iron Urns, h. 16 in., dia. 12 in. [$300/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

451. Pair of Cast-Iron Garden Urns, on pedestals, h. 40 in., dia. 19 in. [$500/700]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

452. Pair of Monumental WroughtIron Gates, arched form, with scrolled, foliate and lattice-work design, 126 in., w. 99 in., d. 3 1/2 in. [$2000/3000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

453. Pair of Wrought Iron Garden Gates, scroll and cornucopia design, h. 73 in., w. 50 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

454. Pair of Wrought Iron and Tole Garden Gates, scroll and foliate design, h. 78 in., w. 110 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

456. Pair of Cast Iron Urns, scroll handles, h. 22 in., w. 12 in., d. 8 in. [$200/300] 455. Wrought Iron Balcony Railing, black paint, h. 35 in., w. 144 in., d. 4 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 80

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

457. Pair of DirectoireStyle Bronze-Mounted Mahogany Planters, lion monopod legs, removable liners, h. 33 1/2 in., dia. 23 in. [$800/1200]

458. Teakwood Dining Table, 21st c., labeled Barlow Tyrie, Braintree, England, pattern “Arundel”, h. 27 3/4 in., w. 94 1/4 in., d. 42 3/4 in. [$500/750]

459. Pair of Teakwood Lounge Chairs and Side Table, 21st c., labeled Giati, Santa Barbara, pattern “Tessuto”, cushions, table with limestone top, table h. 18 in., w. 21 in., chair h. 30 1/2 in., w. 31 1/4 in., d. 39 1/2 in. [$500/700]

460. Teakwood Patio Set, 21st c., labeled Giati, Santa Barbara, pattern “Paradiso”, incl. 6 chairs, round table, table h. 30 1/8 in., dia. 60 in., chair h. 33 3/4 in., w. 23 1/4 in., d. 22 1/2 in. [$700/1000] Provenance: Michael W. Murphy, El Dorado, AR.

462. Large Cast Iron Urn on Pedestal, putto handles, white paint, h. 49 in., w. 50 in., d. 34 in. [$700/1000]

461. Teakwood Patio Set, 21st c., labeled Giati, Santa Barbara, pattern “Paradiso”, includes 6 chairs, round table, table h. 30 1/4 in., dia. 60 in., chair h. 33 3/4 in., w. 23 1/4 in., d. 22 1/2 in. [$700/1000]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Michael W. Murphy, El Dorado, AR.

463. Pair of Large Cast Iron Garden Vases, baluster form, cast with foliate design, h. 51 in., dia. 21 in. [$1200/1800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

464. Pair of Cast Iron Figural Torcheres, on pedestals, h. 89 in., w. 13 in., d. 16 in. [$1200/1800]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

465. Cast Iron Figure of the Crouching Venus, after the Antique, h. 35 in., w. 14 1/2 in., d. 17 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

466. Set of Five Cast Metal Urns, on pedestals, h. 44 in., dia. 20 in. [$700/1000] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

467. Pair of Cast Iron Urns, h. 21 in., dia. 23 1/2 in. [$400/600]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

468. Pair of Cast Metal Urns, on pedestals, white paint, h. 44 in., dia. 20 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

470. Pair of Cast Iron Garden Urns, scroll handles, tall plinth base, h. 30 in., w. 28 in., d. 20 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

469. Pair of Cast Iron Garden Urns, lobed rim, plinth base, h. 22 in., dia. 24 in. [$600/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

471. Pair of Cast Metal Benches, after the mid-19th century Gothic Pattern, black paint, h. 35 in., w. 44 in., d. 19 in. [$500/700] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

473. Pair of Cast Metal Urns, on pedestals, h. 30 in., dia. 15 in. [$200/300]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

472. Large Cast Metal Garden Bench, after the mid-19th c. Gothic pattern, black paint, h. 34 in., w. 61 in., d. 19 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN. 82

474. Thirteen Gianni Versace for Rosenthal Crystal Medusa Lumiere Martini Glasses, marked, h. 6 3/4 in.; with authenticity cards and 13 original boxes. (13 pcs.) [$800/1200] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

475. Eight Gianni Versace for Rosenthal Porcelain “Trésors de la Mer” Bread and Butter Plates, marked, dia. 7 1/4 in.; with authenticity cards and 8 original boxes. [$400/600]

476. Eight Gianni Versace for Rosenthal Porcelain “Trésors de la Mer” Cups, marked, inscribed “FORM IKARUS PAUL WUNDERLICH”, h. 2 1/2 in.; with authenticity cards and 8 original boxes. [$400/600]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

477. Four Gianni Versace for Rosenthal Porcelain “Trésors de la Mer” Bowls, marked, dia. 8 7/8 in.; with authenticity cards and 4 original boxes. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

478. Eight Gianni Versace for Rosenthal Porcelain “Trésors de la Mer” Salad Plates, marked, dia. 8 3/4 in.; with authenticity cards and 8 original boxes. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

481. Sevres Bronze-Mounted Polychrome and Gilt Porcelain Dresser Box, marked, reserved with courting couples and classical landscapes, h. 2 in. [$200/300] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

479. Eight Gianni Versace for Rosenthal Porcelain “Trésors de la Mer” Dinner Plates, marked, dia. 10 5/8 in.; with authenticity cards and 8 original boxes. [$400/600]

480. Gianni Versace for Rosenthal Porcelain “Tresors de la Mer” Service Plates, marked, dia. 12 1/8 in., with original boxes. [$400/600]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

482. Art Deco Cartier Yellow Gold, Diamond and Enamel Pill Box or Compact, marked “CARTIER MADE IN FRANCE”, “CC 1”, “5297”, “S658”, other various marks, lid with inlay motif and central hand painted floral ornament, h. 5/8 in., w. 2 7/8 in., d. 1 1/2 in.; 56.00 dwts.; with antique fitted Cartier leather case [$700/900]

483. Cartier Ronde Croisiere Steel and Rose Gold Watch, ref. W2RN0005, automatic, 42mm, grey guilloche dial, sapphire crystal, calendar window, black leather strap with deployant buckle. [$1800/2500] 83

484. Richard Osterweil (American/New York, b. 1953), “Manet - Lady with Parrot”, oil on tiles laid on panel, initialed lower right, inscribed lower left, 51 5/8 in. x 38 1/8 in., metal frame, overall 53 3/8 in. x 39 1/4 in. x 1 1/2 in. [$2000/3000] Exh.: “Deconstruction/Reconstruction: Tile Paintings”, SK417 Fine Art Gallery, New York, NY, May 6 - 31, 2003.

485. Richard Osterweil (American/New York, b. 1953), “Manet - The Fifer”, oil on canvas, initialed lower right, inscribed “Manet” en verso, “The House of Heydenryk, New York, NY” label on reverse of frame, 24 in. x 18 in., framed, overall 26 in. x 20 in. x 1 1/2 in. [$2000/3000]

486. Richard Osterweil (American/New York, b. 1953), “Manet - Flower Still Lifes”, 4 oils on canvas, each initialed lower right, each 12 in. x 10 in., framed, overall 13 in. x 11 in. x 1 in. to 13 3/8 in. x 11 3/8 in. x 1 3/8 in. (4 pcs.) [$1200/1800] Provenance: Acquired from artist. 84

487. Richard Osterweil (American/New York, b. 1953), “Monet’s Studio with Early Waterlily Paintings”, oil on canvas, initialed lower right, “The House of Heydenryk, New York, NY” label on reverse of frame, 32 1/8 in. x 40 in., framed, overall 39 1/4 in. x 47 1/4 in. x 1 3/4 in. [$1200/1800]

488. Ray Donley (American/Texas, b. 1950), “Spanish Gentleman”, 2002, oil on canvas, signed upper right, signed and dated en verso, 20 in. x 16 in., framed, overall 24 1/2 in. x 20 1/2 in. x 1 1/8 in. [$1000/1500] Provenance: F8 Gallery, Austin, TX, 2002.

489. Amy Marx (American/ Maryland, 20th c.), “The Dark Fantastic”, oil on paper, signed lower right, handwritten label with title on backing paper, 76 in. x 51 1/4 in., framed, overall 84 in. x 59 in. x 2 in. [$1000/1500]

Exh.: “Portent”, The Athenaeum, Alexandria, VA, 2013; Ill.: Hafesh, Louis B. “Taking the Art World by Storm”, The Artist’s Magazine, Mar. 2009: 52.

490. Thomas Mann (American/Louisiana, b. 1947), “The Gadget”, 1999, mixed media sculpture, signed, titled, dated and stamped on plaque, presented on a stand with painted case, h. 29 in., w. 12 3/4 in., d. 16 in. [$2000/3000] Exh.: Racine Art Museum’s Charles A. Wuston Museum of Fine Arts, Racine, WI; Philadelphia Art Museum Craft Show; Gallery I/O, New Orleans, LA.

491. Bunny Matthews (American/Louisiana, 1951-2021), “His Royal Highness”, 1981, “April”, 1982, “I Only Want Red Beans”, 1983 and “The Sleeping Chihuahua”, 1980, 4 inks on paper, each signed and dated lower right, 2 titled lower left, one titled lower center, one inscribed “Book-Page 24 Jan 30” upper right, 13 3/8 in. x 14 1/2 in. x 10 1/8 in. x 16 1/2 in., unframed. (4 pcs.) [$1200/1800]

492. Bunny Matthews (American/Louisiana, 1951-2021), “James Brown Debates the Devil”, 1985/86, “Big Alfred”, 1982, “Real Life”, 1985/86 and “Teaching an Old Dog”, 1983, 4 inks and color pencil on paper, each signed and dated lower right, each titled lower left, each 11 in. x 14 in., unframed. (4 pcs.) [$1200/1800] 85

493. George Rodrigue (American/Louisiana, 1944-2013), “Mardi Gras Dogs”, 1993, silkscreen, signed lower right, inscribed “Artist Proof” lower left, edition of 190 plus artist proofs, sight 19 3/4 in. x 26 in., framed, overall 37 1/4 in. x 43 3/8 in. x 1 1/2 in. [$1500/2500] Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970-2007. New York: Harry N. Abrams, Inc., 2008, p. 88.

495. James Michalopoulos (American/Louisiana, b. 1951), “French Quarter Scene”, 1994, oil on canvas, signed lower left edge, signed “Mitchell” and “Michalopoulos” and dated en verso, 27 in. x 20 1/4 in., unframed. [$3000/5000] 86

494. George Rodrigue (American/Louisiana, 1944-2013), “Mardi Gras Dog”, 1992, silkscreen, signed and numbered “174/225” lower left, sight 24 1/2 in. x 30 1/4 in., framed, overall 32 in. x 37 1/2 in. x 2 in. [$2000/3000]

Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970-2007. New York: Harry N. Abrams, Inc., 2008, p. 57.

496. James Michalopoulos (American/Louisiana, b. 1951), “Cravascular”, 2017, oil on canvas, signed lower left, signed, titled and dated en verso, 60 in. x 36 in., framed, overall 63 1/2 in. x 38 1/2 in. x 2 3/4 in. [$6000/8000]

497. David Harouni (Iranian/Louisiana, b. 1962), “Untitled: Faces”, oil on gallery-wrapped canvas, signed lower center, 120 in. x 120 in., unframed. Note: Stretcher designed by artist to fold. [$10000/15000]

498. Andrew LaMar Hopkins (American/Louisiana, b. 1977), “New Orleans Voodoo Queen Marie Laveau #1”, 2017, acrylic on canvas board, signed and dated mid-right, signed, titled and dated en verso, 16 in. x 12 in., framed, overall 20 in. x 16 1/4 in. x 1 3/4 in. Note: This painting is the first depiction of Marie Laveau created by the artist. [$7000/10000]

499. Douglas Bourgeois (American/Louisiana, b. 1951), “Marilyn Monroe”, 1973, oil on canvas, signed and dated lower right, 28 1/4 in. x 22 in., unframed. [$2500/3500]

500. Christina Juran (American/Louisiana, 20th c.), “Sunflowers”, 2001, acrylic on canvas, signed and dated lower right, tag on backing paper with artist, 39 in. x 44 in., framed, overall 43 7/8 in. x 48 in. x 2 in. [$400/600]

501. Christina Juran (American/ Louisiana, 20th c.), “Wildflowers”, 1993, acrylic on canvas, signed lower right, signed, titled and dated en verso, 33 1/4 in. x 25 in., framed, overall 40 1/2 in. x 32 5/8 in. x 1 1/2 in. [$300/500]

502 Rise Delmar Ochsner (American/Louisiana, b. 1944), “Pigeons”, 2000, acrylic on gallerywrapped canvas, signed and dated lower left, signed “Rise” twice en verso, 71 7/8 in. x 47 7/8 in., unframed. [$1000/1500]

503. Rise Delmar Ochsner (American/Louisiana, b. 1944), “Polo”, 1999, acrylic on gallery-wrapped canvas, signed and dated lower left, 60 in. x 72 in., unframed. [$1000/1500]

504. George Valentine Dureau (American/Louisiana, 1930-2014), “Portrait with Cherubs”, charcoal on paper, signed and inscribed “for delmar” (Rise Delmar Ochsner) lower center, sight 28 in. x 21 7/8 in., framed, overall 35 1/2 in. x 28 1/4 in. x 1 in. [$400/600] 88

505. Marcel Renee von Herrfeldt (French, 1889-1965), “Two Male Nudes on the Shore”, oil on canvas, signed lower right, inscribed “Prof. Marcel Herrfeldt 787 Munich 7942 Paris” en verso, 46 1/2 in. x 58 3/4 in., framed, overall 53 1/2 in. x 66 1/4 in. x 2 1/2 in. [$5000/8000] Provenance: Sotheby’s, London, Oct. 8, 1986, lot 357; Sotheby’s, London, Nov. 16, 1994, lot 297; Collection of Mr. Seymour Stein; Sotheby’s, New York, June 27, 2019, lot 9; Collection of Dr. Bruce Wilson, Memphis, TN.

506. Andrew Potter (British, 20th c.), “After the Sun”, 2014, oil on canvas board, monogrammed lower right, 16 in. x 20 in., framed, overall 21 1/2 in. x 24 1/2 in. x 1 in.; accompanied by a copy of a certificate of authenticity from Adonis Art Gallery, Manchester, England with artist, title and date. (2 pcs.) [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

507. Noemi (Naomi) Schindler (Israeli, 1919-1991), “Seated Figure”, bronze, signed and numbered “9/25” on side, h. 8 1/2 in., w. 8 in., d. 7 3/4 in. [$400/600]

508. Marc Chagall (Russian/ French, 1887-1985), “Anne Invoque L’Eternal”, 1956, etching, signed in plate, plate 58 from La Bible, handwritten label with artist and title and “Christie’s” labels on backing paper, sheet 17 1/2 in. x 13 in., framed, overall 19 in. x 16 5/8 in. x 3/4 in. [$400/600] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN.

509. Sirak Melkonian (Iranian, b. 1931), “Untitled: Abstract Composition”, 1968, watercolor on paper, signed and dated lower left, 20 1/4 in. x 36 1/8 in., unframed. [$3000/5000]

510. Peter Max (German/New York, b. 1937), “Floating in Peace”, 1972, color screenprint, pencil-signed and dated lower right, numbered “214/300” and blind stamp lower left, artist bio on backing paper, sight 15 in. x 17 in., framed, overall 16 3/4 in. x 18 3/4 in. x 1 1/2 in. [$1000/1500]

511. Marc Clauzade (French, b. 1975), “Coco Paris Mode”, gouache on paper, signed lower right, 19 11/16 in. x 13 13/16 in., framed, overall 29 3/4 in. x 32 3/4 in. x 2 in.; accompanied by a certificate of authenticity from the artist. (2 pcs.) [$800/1200] 89

512. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Great Heron or Bittern on Nest”, c. 1960-65, watercolor and graphite on paper, 2 “Luise Ross Gallery, New York, NY” labels with artist, title and date on backing, 10 7/8 in. x 8 1/2 in., framed, overall 19 1/4 in. x 16 3/4 in. x 1 in. [$8000/12000] Provenance: Estate of the artist; Luise Ross Gallery, New York, NY.

513. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Single Tern”, linocut on wallpaper, unsigned, “Drop Match 62362 Run No. 2” printed along top edge under mat, sheet 21 in. x 33 in., framed, overall 31 1/4 in. x 41 in. x 1 in. [$700/1000]

Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, p. 68.

514. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Rococo Rooster”, linocut on paper, unsigned, inscribed “Rooster” en verso, sheet 23 3/4 in. x 17 5/8 in., framed, overall 38 1/4 in. x 31 3/4 in. x 1 in. [$1000/1500]

Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, p. 80.

515. Walter Inglis Anderson (American/Mississippi, 1903-1965), “The Frog Prince #1”, woodblock on paper, unsigned, sight 78 in. x 20 1/2 in., framed, overall 80 1/2 in. x 22 1/2 in. x 1 in. [$3000/5000]

Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, p. 90.

516. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Tony’s Camp”, 1938, gelatin silver print, signed and dated lower right, 8 in. x 9 7/8 in., unframed. [$800/1200]

517. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Boy Fishing at Bayou Brulow”, 1939, gelatin silver print mounted to board, signed, titled and dated on mount, 7 1/2 in. x 9 1/2 in., unframed. [$800/1200]

518. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Acadian Marshlands”, 1940, gelatin silver print, signed and dated lower left, titled, dated and inscribed en verso, 10 in. x 8 in., unframed. [$800/1200]

519. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Mr. Crab”, 1940, gelatin silver print mounted to board, signed, titled and dated on mount, 7 5/8 in. x 9 5/8 in., unframed. [$700/1000]

520. After Ernest J. Bellocq (American/Louisiana, 1873-1949), “Untitled: Storyville Girl with Dog”, negative creation date c. 1912, print date c. 1960, gelatin silver print, printed from original glass negative by Dan Leyrer (American/Louisiana, 1898-1978), sheet 15 7/8 in. x 19 3/4 in., framed, overall 24 7/8 in. x 27 3/4 in. x 1 1/4 in. [$2000/3000]

521. Luis Gonzales Palma (Guatemalan, b. 1957), “La Loteria I: Angel”, 1989, toned and hand-painted gelatin silver print, pencil-signed and inscribed en verso, 19 7/8 in. x 19 7/8 in., framed, overall 28 1/8 in. x 28 1/8 in. x 1 1/4 in. [$1500/2500]

522. Nathan Oliveira (American, 1928-2010), “Dancer”, 2004, drypoint with color aquatint, pencil-signed, dated, blind-stamped and inscribed “TPC” lower margin, “Crown Point Press, San Francisco, CA” label with artist, title and date on backing board, edition of 30, printed by Dena Shuckit, sight 15 3/4 in. x 12 3/4 in., framed, overall 27 in. x 23 in. x 1 1/4 in. [$700/1000]

523. Champagne Mixed Lot, Dom Pérignon Brut 1978, 1 bottle, 750ml. and Laurent-Perrier Grand Siècle 1985, 1 bottle, in box, 750ml.; Dom fill level 1 cm.; label has scuffs, scratches and light tears; capsule has wrinkling and light scratches; Laurent fill level 1.5 cm.; label and top label have very light wrinkling; back label peeling slightly; capsule has light scratches and dents. (2 pcs.) [$400/500] 524. Champagne Mixed Lot, Dom Pérignon Brut 1983, 1 bottle, 750ml., Dom Pérignon Brut 1993, 1 bottle, 750ml., Veuve Cliquot Bicentanaire 1772-1972 N.V., 1 bottle, 750ml., Perrier-Jouët Grand Brut N.V., 1 bottle, 750ml., 1983 fill level 1 cm, label has scuffs, light peeling and areas of loss, capsule has flaking, scattered losses and scratches, back label has light peeling and scuffs; 1993 label has light peeling; Veuve fill level 1.5cm, label and top label have marks, scuffs, light dirt and light losses, capsule has scratches and light scattered losses; Jouet fill level 1 cm, label has light peeling, capsule has loss and scratches. (4 bottles) [$800/900] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

525. Opus One 2002, 1 bottle, 750ml. [$150/250]

Provenance: Collection of Dr. Bruce Wilson, Memphis, TN 526 Caymus Vineyards Cabernet Sauvignon 1976, 1 bottle, 750ml.; fill level base neck; left side of label missing with associated tears and stains, rest of label has stains, damp stains, peeling, small tears, surface losses and surface dirt; capsule has scratches, dents, surface dirt and pin point hole in top; slightly depressed cork. [$300/400] Provenance: Michael W. Murphy, El Dorado, AR.

527. Red Bordeaux Mixed Lot, “Château Palmer Grand vin de Château Palmer Grand Cru Classé 1977, 1 bottle, 750ml, Château Beychevelle Saint-Julien Grand Cru Classé 1977, 1 bottle, 750ml, Château Duhart-Milon-Rothschild Pauillac Grand Cru Classé 1982, 1 bottle, 750ml, Château Beychevelle Saint-Julien Grand Cru Classé 1996, 1 bottle, 750ml; Palmer fill level mid-shoulder, label has scuffs, scratches, wrinkles and losses, capsule has scratches, dents and trimmed bottom, slightly depressed cork, Beych 77 fill level mid-shoulder, label has dirt, stains, scuffs and losses, capsule has dirt, losses, scratches, dents, wrinkles, discoloration and trimmed bottom, slightly depressed cork; Rothschild fill level top shoulder, label has stains, damp stains, scuffs and small losses, capsule has wrinkles, scratches, losses, nicks and dents; Beych 96 fill level neck, label has light scuffs. (4 bottles) [$400/500] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

528. Château Margaux Mixed Lot, Château Margaux Pavillon Rouge du Château Margaux 1982, 1 bottle, 750ml., Château Margaux Premier Grand Cru Classé 2000, 1 bottle, 750ml, 1982 fill level to base neck, label has light scuffs, capsule has light scratches and dents; 2000 fill level to neck, label has scuffs and light scratches, capsule has light scratching and dents on top. (2 bottles) [$700/800] Provenance: Collection of Dr. Bruce Wilson, Memphis, TN

529. Warre’s Mixed Lot, Warre’s Vintage Port 1960 & 1966, 2 bottles, 750ml., 1960 fill level high shoulder; label and back label has light wrinkling, light stains, scuffs and light dirt; band label is stained and torn over top; wax capsule has light seepage ; 1966 fill level to mid-shoulder; label and back labels have light wrinkling, light stains, scuffs and light dirt; band label has stains and torn on top; wax capsule is brittle and has loss exposing cork; cork has light seepage. (2 bottles) [$200/300]

530. Quinta do Noval Vintage Port 1963, 1 bottle, 750ml., fill level to base neck; label and top label have scratches, scuffs, light losses, light fading and light dirt; band label has wrinkling light discoloration; metal capsule has wrinkling, dents, scuffs and light dirt. [$200/300]

531. Quinta do Noval Mixed Lot, Quinta do Noval Vintage Port 1970 & 1985, 2 bottles, 750ml.; 1970 fill level to neck; label has scratches, scuffs, light damp stains, very light surface losses; band label has discoloration, small tears and embrittlement; metal capsule has light dents, scratches and scuffs; 1985 fill level base neck; label has light scuffs, and scratches; band label is gone except for small stained remnant; metal capsule has light wrinkling, light scratches; cork is slightly depressed with very light seepage. (2 bottles) [$200/300]

532. Taylor Fladgate Vintage Port 1970, 7 bottles, 750ml., fill levels 3 base neck, 4 top shoulder; each label and back label has stains, damp stains, scuffs, marks and varying degrees of surface loss; 2 partial band labels, 3 stained band labels, 2 band labels with light tears ; all wax capsules embrittled, all with varying degrees of loss, 2 with exposed corks, 2 with partially exposed corks, one depressed cork, each cork with varying degrees of seepage. (7 bottles) [$500/600] 93

533. Fonseca Vintage Port 1970, 3 bottles, 750ml., fill levels to neck, base neck and mid-shoulder; each label has scuffs, marks and light losses, 1 has stains; metal capsules have varying degrees of dents, flaking and scratches, each capsule has trimmed lower section, one trimmed to below lip; one cork slightly depressed. (3 bottles) [$400/500]

534. Dow’s Vintage Port 1970, 4 bottles, fill levels 1 to neck, 3 to base neck, each label has scratches, scuffs, marks and light wrinkling; 2 band labels stained; each metal capsule has wrinkling, dents and scratches; 2 slightly depressed corks, 2 with light seepage. (4 bottles) [$300/400]

535. Smith Woodhouse Vintage Port 1977, with wood case, 12 bottles, 750ml.; all labels, back labels and band labels have varying degrees of light wrinkling, stains, damps stains, scuffs, light tears, light peeling, light losses and surface dirt; all metal capsules have varying degrees of light wrinkling, scratches and dents. (12 bottles) [$500/600]

536. Dow’s Vintage Port Silver Jubilee 1977, 17 bottles, each label and back label have marks, scuffs and light dirt; 1 has torn back label; 1 has partial band label; 2 have loose capsule; 3 have light seepage and stained band labels. (17 bottles) [$700/1000]

537. Cockburn’s Vintage Port 1983, 6 bottles, 750ml.; all labels have dirt, scuffs and stains, 1 has tears and losses; 3 torn band labels, 2 stained; 3 wax capsules with loss and partially exposed corks; 2 with light seepage. (6 bottles) [$300/400] 94

538. Dow’s Vintage Port 1983, with wood case, 12 bottles, 750ml.; each label with varying degrees of scuffs, scratches, light losses, light dirt and light wrinkling; each metal capsule with varying degrees of wrinkling, scratches and dents; 5 bottles with small paint marks for storage. (12 bottles) [$500/600]

539. W. & J. Graham’s Vintage Port 1985, with wood case, 12 bottles, 750ml.; each label with varying degrees of scuffs, marks, surface dirt and light stains, 6 with wrinkling, 5 with damp stains, 2 peeling, 1 torn and peeling; all back labels have varying degrees of scuffs, light marks, light wrinkling, and damp stains, 1 back label detached, all capsules have varying degrees of light wrinkling, scratches and dents. (12 bottles) [$500/600]

540. Fonseca Vintage Port 1985, 12 bottles, 750ml.; labels have light scuffs and light dirt, 1 has small losses and scratches; band labels have light wrinkling; back labels have light scuffs and dirt, 1 missing back label; metal capsules have light nicks and scratches, 1 slightly depressed cork. (12 bottles) [$600/700]

541. Dow’s Vintage Port 1977, original unopened wood case, 12 bottles, 750ml. [$600/700]

543. Dow’s Vintage Port 1983, original unopened wood case, 12 bottles, 375ml. [$200/300]

542. Dow’s Vintage Port 1977, original unopened wood case, 12 bottles, 750ml. [$600/700]

544. Smith Woodhouse Vintage Port 1997, original unopened wood case, 12 bottles, 750ml. [$300/400]

545. Bernard Grivelet Pere & Fils Longe Prospicio Bonnes-Mares 1973, 4 bottles, 750ml.; each label has varying degrees of stains, damp stains, and surface dirt, 1 has loss; each back label has varying degrees of scuffs, stains and surface dirt; each capsule has varying degrees of dents, scratches, light wrinkling and surface dirt; 2 corks slightly depressed. (4 bottles) [$500/600]

546. Château André Ziltner Gevrey-Chambertin Premier Cru Champeaux 1996, 6 bottles, 750ml.; all labels have varying degrees of scuffs, stains, damp stains, light wrinkling, marks and surface dirt; 2 top labels have very small tears. (6 bottles) [$300/400] Provenance: Michael W. Murphy, El Dorado, AR.

Provenance: Michael W. Murphy, El Dorado, AR.

547. Joseph Drouhin Marquis de Laguiche Montrachet Grand Cru 2005, 6 bottles, 750ml. [$1500/2500] Provenance: Michael W. Murphy, El Dorado, AR.

Neal Auction would like to thank Liz Dowdy Mitchell, Advanced Sommelier, Head of Wine at Vinovest and John Mitchell Food & Beverage Director at the Windsor Court Hotel for their assistance with cataloguing this lot.

548. Vincent Girardin Laticières-Chambertin Grand Cru 2000, 3 bottles, 750ml.; 1 label damp stained; 1 capsule has light wrinkling. (3 bottles) [$300/400] Provenance: Michael W. Murphy, El Dorado AR.

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November 16-18, 2023

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•

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Auction Results

0001 - 488 0002 - 832 0003 - 160 0005 - 2560 0006 - 3200 0007 - 915 0008 - 160 0009 - 1586 0010 - 256 0011 - 576 0012 - 1920 0013 - 549 0014 - 256 0015 - 244 0016 - 94 0017 - 625 0018 - 384 0019 - 448 0020 - 512 0021 - 416 0022 - 256 0023 - 152.5 0024 - 1024 0025 - 640 0026 - 976 0027 - 448 0028 - 448 0029 - 288 0030 - 1408 0031 - 160 0032 - 256 0033 - 793 0034 - 156 0035 - 640 0037 - 384 0038 - 160 0039 - 416 0040 - 640 0041 - 896 0042 - 15360 0043 - 9600 0044 - 11590 0045 - 2432 0046 - 2432 0047 - 4800 0048 - 512 0049 - 384 0050 - 7680 0051 - 1536 0052 - 192 0053 - 544 0054 - 768 0055 - 512 0056 - 640 0057 - 384 0058 - 384 0059 - 256 0060 - 384 0061 - 544 0062 - 384 0063 - 875 0064 - 448 0065 - 274.5 0066 - 544 0068 - 384 0069 - 128 0070 - 73.2 0074 - 512 0075 - 512 0076 - 768

VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS CONDITIONS OF SALE; WAIVERS OF WARRANTY; LIMITATIONS OF LIABILITY Registering for and/or placing a bid at auction constitutes the acceptance of and agreement to these Conditions of Sale; WAIVERS OF WARRANTY; and LIMITATIONS OF LIABILITY (collectively, the “Conditions of Sale”). These Conditions of Sale are binding and enforceable on all bidders and buyers.

1. WARRANTY WAIVERS; LIABILITY LIMITATIONS. All lots are sold “AS IS, WHERE IS” – WITH ALL FAULTS and WITH NO EXPRESS OR IMPLIED WARRANTIES. No statement or description regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, value, size, or quality of a lot, whether made orally at the auction or at any other time, in electronic messages, online, in writing, or in a catalogue, website, correspondence, advertising, literature, or elsewhere, is or shall be construed to be a guarantee, an express or implied warranty, or assumption of liability, obligation, or responsibility. The bidder or buyer WAIVES any such warranty, WAIVES any warranty of fitness for ordinary use or for any intended use, and further WAIVES any warranty against redhibitory vices and defects, whether latent, hidden, or apparent, and whether imposed by the Louisiana Civil Code or any other applicable statute, law, jurisprudence, or legal authority. The buyer further WAIVES any rights or remedies in redhibition to a return or reduction of the purchase price for any lot, including for any lot with any defect rendering the lot useless, inconvenient, or of diminished usefulness. All sales are final, without exception.

Each bidder and buyer agrees and acknowledges that: (a) the bidder or buyer is not relying on Neal Auction Company’s actual, perceived, or expressed skill, expertise, experience, knowledge, or judgment in deciding to purchase any lot; (b) no oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value is the cause of or reason behind the buyer’s purchase of any lot; (c) the buyer would have purchased any lot regardless of any oral, written, or electronic statement or description about attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value, made in a catalogue, website, correspondence, advertising, literature, or elsewhere; (d) Neal Auction Company did not know, nor should it have known that attribution, authenticity, authorship, character, condition, kind, period, provenance, size, quality, or expressed value is the cause or reason why the buyer decides to purchase any lot; (e) the buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; (f) Neal Auction Company did not know, nor should it have known, that any oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere would cause a pecuniary or nonpecuniary loss to any bidder or buyer; (g) the bidder or buyer has had the opportunity prior to bidding to make independent inspections of, and conduct due diligence on, all lots being offered; (h) there is no inspection or examination period after the auction bidding; (i) the bidder’s or buyer’s failure to be fully informed as to the attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value of a lot will not be grounds for any reduction of the purchase price or rescission of the sale; (j) Neal Auction Company shall not be liable, obligated, or responsible for the presence of lead-based paint or any other environmental or other hazard of any lot; (k) Neal Auction Company shall not be liable, obligated, or responsible to the buyer as to third parties who may claims rights to or interests in any lot; (l) the buyer is buying at the buyer’s sole risk and peril; (m) Neal Auction Company shall not be liable, obligated, or responsible for any errors or omissions in any oral, written or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere. Each bidder and buyer WAIVES and RELEASES any and all claims arising out of the matters expressed above. All such waivers, releases, and limitations of liability shall apply to Neal Auction Company and its owners, officers, directors, representatives, insurers, agents, and employees. 2. Fine Art. Subject to the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, with respect to authorship of works of fine art, the following phrases have the following meanings: ARTIST - In our qualified opinion, we believe the work is by the artist named.

Attributed to ARTIST - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “ARTIST” - In our qualified opinion, the signature, monogram, or other indication of authorship is a signature of the artist. School of ARTIST - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of ARTIST - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After ARTIST - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “ARTIST” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist. 3. Discretionary Rescission. Notwithstanding the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale of a work of fine art on the basis of authenticity of authorship only under the following terms, conditions, and LIMITATIONS OF LIABILITY, all of which apply, and the buyer WAIVES and RELEASES any other rights, relief or remedies: A. Neal Auction Company shall not grant rescission of any lot identified by the terms “attributed to,” “signed,” “school of,” “manner of,” “after,” or “bears signature.”

B. Neal Auction Company shall not grant rescission of any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights or interests of the original buyer are not transferrable, inheritable, or assignable. E.

Neal Auction Company shall not grant rescission when: (a) there is a conflict of expert opinion as to the authorship; (b) expert opinion supported authorship at the time of auction, although expert opinion may have changed afterward; and (c) scientific or other tests, examinations, investigations, research, or processes that were unavailable, expensive, or impractical at the time of the auction have revealed since that time that the author, character, condition, kind, provenance, period, quality, or value Neal Auction Company believed to be accurate at the time of sale was inaccurate.

100

In any dispute between Neal Auction Company and the bidder or buyer regarding authorship of a work of fine art, rescission of the sale and refund of the purchase price paid shall be the buyer’s sole recourse or remedy, if any is available. Neal Auction Company (and its owners, officers, directors, representatives, agents, insurers, and employees) shall not be liable, obligated, or responsible for any damages (including compensatory, general, incidental, consequential, exemplary, or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorneys’ fees, or any other monetary, declaratory, equitable, or injunctive relief or remedy. The buyer WAIVES and RELEASES any and all such damages, relief, and remedies. AUCTION BIDDING AND SALE 1. The auctioneer shall have absolute discretion in determining the highest and best bid on each lot. The auctioneer may decide that any original bid is not commensurate with the value of the lot offered, or that any advance thereafter is not of sufficient amount, and the auctioneer may reject or refuse to recognize that bid or advance.

2. At the fall of the auctioneer’s hammer, the bidder acknowledged by the auctioneer, whether in person or absentee, thereupon assumes the obligation to pay for the offered lot, and shall pay the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. 3. Title to the offered lot shall pass to the bidder acknowledged by the auctioneer upon payment of the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. The buyer thereupon assumes full risk, obligation, and responsibility for the lot.

4. At any time before the sale of a lot, Neal Auction Company reserves the right to withdraw the lot or any part of the lot, to combine lots, or to separate items within a lot. 5.

No lots will be released before the end of the auction.

6. If the buyer fails to comply with any of these Conditions of Sale, Neal Auction Company reserves the right to (a) hold such defaulting buyer liable, obligated, and responsible for the total amount due and to commence legal proceedings to recover the entire amount along with interest, reasonable attorneys’ fees, expenses, and costs; (b) charge outstanding amounts to the buyer’s credit card; (c) apply any payments to outstanding amounts chosen by Neal Auction Company notwithstanding the instructions of the buyer; (d) cancel the sale, retaining as liquidated damages any payment made by the buyer; (e) resell the lot without reserve at public auction, online-only auction, or privately on seven calendar days’ notice to the buyer; (f) enforce specific performance of the sale; (g) require a deposit in future auctions; (h) exclude the buyer from future auctions or bidding on particular lots; (i) exercise the rights and remedies of a person holding security and/or privilege over property in Neal Auction Company’s possession, whether by pledge, security interest or any other mechanism, to the full extent allowed under Louisiana law, and Neal Auction Company may hold the property of the buyer as collateral security for the buyer’s obligations; (j) and/or take such other actions allowed by law in Neal Auction Company’s sole discretion. If Neal Auction Company resells the lot, the defaulting buyer shall be liable, obligated, and responsible for the payment of any deficiency in the purchase price and any damages, including but not limited to all costs and expenses of both sales, such as, by way of example only, storage, handling, insurance, repairs, illustrations, consultations, examinations, moving, shipping, promotions, advertising, reasonable attorneys’ fees, commissions, and incidental damages. 7. Virtually all lots offered have been subject to use over a considerable period of time. No mention of cracks, scratches, chips, tears, breaks, weaknesses, or any damages or wear will be included in oral, written, or electronic statements or descriptions in the catalogue, website, correspondence, advertising, or literature. Condition reports may be provided upon request, but condition reports may not mention all cracks, scratches, chips, defects, hazards, tears, breaks, weaknesses, or other damages or wear. Neal Auction Company makes no representations or warranties as to the accuracy or completeness of any information or description in a condition report or elsewhere, whether oral, written, electronic, or online. Neal Auction Company reserves the right to decline to provide a condition report for any specific lot, at its sole discretion. 8. Neither high nor low estimates in a catalogue, website, advertising, correspondence, literature, or elsewhere should be relied on as a representation, prediction, appraisal, guarantee, or warranty that a particular lot will sell for a particular price or that a particular lot has a particular value.

9. Neal Auction Company has absolute discretion to admit a bidder to the auction premises, to expel a bidder from the auction premises, or to refuse a bidder from participating in the auction.

10. Neal Auction Company and its auctioneers shall not be liable, obligated, or responsible for failure to recognize or execute any bids for any reason whatsoever, or for no reason. Bidders and buyers WAIVE and RELEASE any rights to damages, and equitable, declaratory, and injunctive relief arising out of the failure or rejection of any bid, or any errors or omissions relating to the bidding process. 11.

Interfering with the auction in any way is prohibited.

13.

Canvassing or solicitating on the auction premises is prohibited.

12. Bid rigging is strictly prohibited. Any agreement, understanding, or arrangement not to bid against another or otherwise to dampen the bidding is unlawful. The auctioneer reserves the right to bid on behalf of the consignor for the protection of the consignor if this illegal activity by two or more bidders is detected, disclosed, alleged, or suspected. 14.

The auctioneer has the sole discretion as to the increments of bidding, the recognition of any bid, the acceptance of the final bid, and resolving any disputes among bidders.

15. Neal Auction Company represents the consignors only and is not acting as agent or representative of bidders or buyers. The payment of the buyer’s premium by the buyer does not indicate a dual agency relationship. Neal Auction Company is to be paid a fee or commission by the consignor pursuant to a separate written agreement between the consignor and Neal Auction Company. The consignor is the seller of the lot sold. Neal Auction Company is the consignment agent or representative, not the seller.

16. The successful bidder is obligated to pay the purchase price in full unless Neal Auction Company has consented in writing at the time of the bidder’s registration that the bidder is acting as an agent on behalf of an identified person and that said principal is obligated to pay the purchase price in full. Neal Auction Company reserves the right to require an advance deposit for such bids.

17. Prior to placing any bid, all bidders must complete a standard Neal Auction Company Registration Form in use at the time of the auction. 18.

Dealers must provide Neal Auction Company with proper documentation prior to bidding.

20.

Bids are required to be made in U.S. dollars.

19. 21.

First time bidders are required to produce a valid state-issued identification card or passport. Neal Auction Company may require a bidder or buyer at any time to produce financial, banking, or trade references and information.

22. All bidders are required to provide credit card information (such as but not limited to the type of card, card number, name as it appears on the card, billing zip code, expiration date, and security code).

23. All bidders are required to select, and notify Neal Auction Company of, a method of payment (cash, check, wire, or credit card) in writing at the time of registration. 24. Neal Auction Company reserves the right to describe or to make photographic, video, or audio recordings of the auction, or any part thereof, and to publish such descriptions, photographs and/or recordings.

25. Lots may be offered subject to a reserve, which is the confidential minimum hammer price below which the lot will not be sold, for the protection of the consignor. Such reserve will not exceed the low estimate for the lot. The auctioneer may open the bidding on any lot by placing a bid on behalf of the consignor, auctioneer, or an absentee bidder that is below the reserve. The auctioneer may continue to bid on behalf of the consignor, auctioneer, or absentee bidder up to the amount of the reserve, by placing consecutive bids or by bidding in response to other bidders. Neal Auction Company may sell a lot at a hammer price below the reserve at its discretion, subject to its agreement with the consignor. ABSENTEE/TELEPHONE/ONLINE BIDS 1. All absentee bids and/or telephone bids must be received by Neal Auction Company by 5 p.m. Central Time 24 hours prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of Neal Auction Company. Each lot must have a minimum low estimate of $500 for telephone bidding. Absentee bids are accepted for any lots regardless of estimate, at the discretion of Neal Auction Company.

3. Neal Auction Company intends to endeavor to protect the confidentiality of absentee/telephone bids. In the event that the identity of absentee/telephone bidders or buyers or of the amounts of absentee/ telephone bids is disclosed, Neal Auction Company shall not be liable, obligated, or responsible for such disclosure, and each bidder and buyer WAIVES and RELEASES Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any claims arising out of such disclosure. 4. Neal Auction Company reserves the right, in its sole discretion, to require that any advance bids be accompanied by a security deposit.

5. Neal Auction Company shall not be liable, obligated, or responsible for any failure, design flaw, error, act, omission, or negligence of third party sites or their agents. Bidders WAIVE and RELEASE any rights to damages and equitable, declaratory, and injunctive relief and remedies arising therefrom. 6. Prior to placing any absentee, telephone, or online bid, all bidders are required to complete the applicable Registration Form prior to such bidding. 7. In the event of ambiguity, uncertainty, or discrepancy, the lot number and not the lot description on any bid will be deemed to be the lot on which the bid is made.

8. If more than one absentee bid on a particular lot is received with the same maximum bid amount, and that bid amount is the highest and best bid for the lot, the lot will be sold to the bidder whose absentee bid was accepted first by Neal Auction Company after receiving it. If a bid placed on a lot by a bidder who is physically present at the auction is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is physically present at the auction. If a bid placed on a lot by a bidder who is present at the auction (in person or by telephone) is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is present at the auction (in person or by telephone). 9. Neal Auction Company reserves the right to record any telephone bidding or conversation relating to said bidding, or any part thereof, and to publish said recordings. By participating in telephone bidding, the bidder consents to such recording and publication, notwithstanding the laws or regulations of the state or jurisdiction of the bidder. PAYMENT

1. The successful bidder shall pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check, or wire transfer within 5 calendar days of the auction, the buyer’s premium will be discounted to 22%. 2. The successful online bidder shall pay a buyer’s premium in the amount of 30% of the hammer price on each lot. A discount for payments made by cash, check, or wire transfer is not available for purchases made by online bidders. 3.

In the event of any dispute, the Neal Auction Company sale record is conclusive.

4. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

5. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate. 6. Payment in full of the purchase price must be made by the successful bidder in U.S. Dollars within 15 calendar days of the auction. Interest charges of one and one-half percent per month shall apply to invoices paid after this period expires. Neal Auction Company reserves the right to require payment in full of the purchase price immediately following declaration of the successful bidder.

HANDLING AND STORAGE

Unless other arrangements are made and confirmed in writing by Neal Auction Company, all lots must be removed within 15 calendar days of the auction. On the first business day following that time period, any lots remaining in the Neal Auction Company gallery may be turned over to a storage facility, at Neal Auction Company’s discretion. The buyer will be responsible for all handling and storage charges. Handling charges shall be a minimum of $50 per lot. Storage costs shall be a minimum charge of $50 per month per lot. Storage charges accrue monthly and must be paid in full before any lots purchased by the buyer are released. At its discretion, Neal Auction Company may charge the full amount of any storage and handling charges, on a periodic basis, on the buyer’s credit card, including interest at the rate of one and one-half percent per month.

All purchased lots will be handled and stored at the buyer’s sole risk and peril. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for handling or storage, or for any damage to or loss of, any lot after the sale. The buyer WAIVES and RELEASES all such claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees). INTELLECTUAL PROPERTY RIGHTS

Neal Auction Company retains the copyright and other intellectual property rights to all photographs, video, illustrations, text, and other works in its catalogue, website, advertising, correspondence, literature, and elsewhere. Such photographs, video, illustrations, text, and other works may not be used, copied, published, exhibited, revised, or displayed without the prior written permission of Neal Auction Company. Neal Auction Company and the consignor make no representation or warranty that the buyer of a lot will acquire any copyright or other intellectual property right or interest in the lot. IMPORT/EXPORT

Lots made of or incorporating endangered or protected wildlife materials, irrespective of age or amount of material, may require a license or certificate authorizing export from the United States as well as relevant authorizations from the country of import. It is the responsibility of the bidder or buyer to determine and be satisfied that the requirements of any applicable laws and regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport lots containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale or discount of the purchase price. Although licenses may be obtainable to export certain types of endangered species, some types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the bidder or buyer in attempting to obtain the appropriate licenses and/or certificates, and bidders and buyers can be given no assurance that an export license or certificate can be obtained. Each bidder should verify with an attorney or qualified shipping company if uncertain as to whether a lot is subject to export/ import license and certificate requirements and any other restrictions or prohibitions on the interstate transportation or exportation from the United States. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for any oral, written, or electronic advice given or representations made by it or by any shipping company, legal counsel, or other person. Buyers WAIVE and RELEASE any and all claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) relating to such advice and representations. MANDATORY AND EXCLUSIVE FORUM SELECTION; CHOICE OF LAW

Any action of any nature brought by a bidder or buyer against Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Every bidder and buyer agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all objections or challenges to such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the bidder or buyer and Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of laws principles. MISCELLANEOUS LEGAL PROVISIONS

If any part of these Conditions of Sale is held to be invalid, null, or unenforceable, that part shall be reformed so as to implement the intent of the parties as expressed herein, and any such holding shall not affect the remaining provisions of these Conditions of Sale, which shall remain in full force and effect, subject to reformation to implement the intent of the parties as expressed herein. The paragraph headings contained herein are for convenience of reference only and shall not affect the meaning or interpretation of these Conditions of Sale.

7. Payment for all jewelry purchases must be made by cash, check or wire transfer.

All prior and contemporaneous representations, communications, and agreements, if any, between the bidder or buyer and Neal Auction Company (and any of its owners, officers, directors, representatives, insurers, agents, and employees) relating to any of the lots offered for sale or to the auction or sale are hereby superseded and merged into these Conditions of Sale, which are the entire and only contract between the bidder or buyer and Neal Auction Company relating to the subject matter herein.

Any modifications, amendments, or waivers of these Conditions of Sale must be made in a writing signed by both Neal Auction Company and the bidder or buyer.

8. VISA, MasterCard, Discover, and American Express are accepted for payment of invoices (except jewelry) up to $25,000 per buyer.

Checks must be drawn on a U.S. bank. All lots shall be held by Neal Auction Company until the check clears.

10. The buyer’s signature on a registration form (or other writing with the buyer’s credit card number) gives Neal Auction Company permission to charge the buyer’s credit card the full amount of the buyer’s invoice if full payment is not received within 5 calendar days of the auction or, in Neal Auction Company’s discretion, to charge the buyer’s credit card later, with interest at the rate of one and one-half percent per month. PACKING, MOVING, SHIPPING, AND DELIVERY

Neal Auction Company may furnish information on packers, movers, or shippers for bidders or buyers making packing, moving, shipping, and delivery arrangements, but Neal Auction Company shall not be liable, obligated, or responsible therefore, and buyers retain packers, movers, and shippers at their own risk and peril. Shipping, moving, packing, and delivery arrangements and agreements are strictly between the buyer and the shipper, mover, or packer. Neal Auction Company shall not be liable, obligated, or responsible for any damage to property, including vehicles, or for any personal injuries of buyer or any third parties involved in packing, moving, shipping, or delivery. Buyers WAIVE and RELEASE Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any and all claims relating to packing, moving, shipping, and delivery of purchased lots, and any damage or injuries to persons or property arising therefrom.

In the event of any disputes arising out of the auction or sale of lots or these Conditions of Sale, Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated or responsible for any general, special, exemplary, incidental, or consequential damages (including but not limited to lost profits and attorneys’ fees). Every bidder and buyer WAIVES and RELEASES any rights to such damages. This LIMITATION OF LIABILITY does not, and is not intended to, enlarge or expand any rights or interests of a bidder or buyer that are restricted or limited elsewhere in these Conditions of Sale (including but not limited to the WARRANTY WAIVERS and LIABILITY LIMITATIONS set forth herein). These Conditions of Sale constitute a binding legal contract between Neal Auction Company and each bidder or buyer. Each bidder and buyer acknowledges having read and understood these Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY. All bidders and buyers further acknowledge that they enter into these Conditions of Sale of their own free will, with full authority, and under no duress or coercion.

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January 26, 2024

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Artist Index

A American School, 187 Walter Inglis Anderson, 512-515 B Jean-Jacques Bachelier, 290 Fred William Becker, 88 Ernest J. Bellocq (aft), 520 Carroll Thayer Berry, 89 Jean-Joseph-Xavier Bidauld (follower), 297 Francois Boucher, (mnr) 281, (attr) 305, (aft) 309 Douglas Bourgeois, 499 Louis Bozzachi, 213 Alfred Fontville De Breanski, Jr., 184 C. T. Breaux, 92 Paul Bril (school), 203

I Italian School, 199, 209, 211, 212, 214, 225 J Christina Juran, 500, 501

C Mary Cassatt, 292 Marc Chagall, 508 Fernando Ciancianini (aft), 301 Marc Clauzade, 511 Continental School, 186, 190, 193, 194, 200, 215, 216, 221, 222 Edmund Thornton Crawford, 181

K Hermann Knopf, 189

D David Dalby, 183 Jacques-Louis David, 291 Ray Donley, 488 Alexander John Drysdale, 97-107 George Valentine Dureau, 504

M Richard MacDonald, 210 Pietro Magni (aft), 223 Adrien Manglard (attr), 300 Thomas Mann, 490 Amy Marx, 489 Bunny Matthews, 491, 492 Peter Max, 510 Joseph Rusling Meeker, 94 Sirak Melkonian, 509 James Michalopoulos, 495, 496 Annette Parmentier Moran, 90

F Enrico Falange, 195 John Henry Foley, 182 Jean-Honore Fragonard, (mnr) 283, (mnr) 284, (aft) 285 Manuel Joachim de Franca (aft), 188 French School, 280 G Thomas Gainsborough (aft), 185 German School, 226 John Gould, 179 Jean-Baptiste Greuze, (aft) 303, (school) 304

102

H Noel Halle (circle), 310 Chestee Harrington, 108-110 David Harouni, 497 Marcel Renee von Herrfeldt, 505 Andrew LaMar Hopkins, 498 Michel-Ange Houasse (attr), 307, 308 Jean-Baptiste Huet (circle), 282 Marie Atkinson Hull, 93 Clementine Hunter, 114-118

L Nicolas Lancret, (mnr) 286, (school) 287 Charles Lebrun (attr), 227 Louis-Joseph Watteau de Lille, 288 Raoul Maucherat De Longpre, 296

N Jean-Marc Nattier (attr), 306 Adam van Noort (circle), 224 O Rise Delmar Ochsner, 502, 503 Nathan Oliveira, 522 Richard Osterweil, 484-487

P Augustin Pajou (attr), 302 Luis Gonzales Palma, 521 Andrew Potter, 506 Attilio Pratella, 191, 192 R Pierre-Joseph Redoute, 295 Pierre-Auguste Renoir, 293, (attr) 294 Hubert Robert (mnr), 299 George Rodrigue, 493, 494 Anne-Louis Girodet de Roucy-Trioson (aft), 313 Harold Rudolph, 95, 96 S Philippe De La Salle (attr), 314 John Nost Sartorius (attr), 180 Noemi Schindler, 507 Gideon Townsend Stanton, 91 Will Henry Stevens, 86, 87 Marcel Stockmans, 113 T Jean-Hughes Taraval (attr), 311, 312 Emmitt Thames, 111, 112 Giovanni Battista Tiepolo (circle), 217 V Venetian-Byzantine School, 220 Tobias Verhaecht (attr), 204 W Jean-Antoine Watteau (circle), 289 Theodore “Fonville” Winans, 516-519 Z Felix Francois Georges Philibert Ziem, 298

John R. Neal (1940-2018), Founder Michelle LeBlanc Leckert, CAI President Katherine Hovas Marc Fagan Vice President Consignments Senior Vice President

CONSIGNMENTS

ADMINISTRATION Director of Administration & Finance Michelle LeBlanc Leckert, CAI Client Services / Accounts Receivables Rebekah Abernathy Database Management / Internet Auction Administrator Lisa Weisdorffer Marketing & Social Media Cameron McHarg General Manager Jason Leckert Administrative Assistant Claire Whitmore GRAPHICS Graphics Director / Catalogue Design David Roberts Photography Gerard Lewis Jason Leckert

Graphics Staff Stephanie Do Ouro Amanda Torres

Books, Maps & Natural History Prints, Modern Furniture Marc Fagan Antique Furniture & Decorative Arts Jason Leckert Silver & Decorative Arts Katherine Hovas Jewelry & Couture Cameron McHarg Fine Art Inventory Manager, Wine & Spirits Casey Foote Consignments Administrator Heather Munch AUCTION SERVICES Trust & Estates Advisor Henry G. McCall Appraisals Marc Fagan, Cameron McHarg

OPERATIONS Operations Staff Charlie Clay Jerry Major

Paintings, Prints & Photography, Sculpture Marney Robinson; Sophie Hirabayashi; Casey Foote; Renee Longon

Adam Trepagnier

Decorative Arts Inventory Management Charlie Clay AUCTIONEERS Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935 Marney Robinson #2155 Cameron McHarg #2184

CATALOGUE CONSULTANTS Asian Arts & Special Projects Bettine Field Carroll Decorative Arts & Victoriana Ann M. Masson Jewelry - GIA Graduate Gemologist Stephen A. Moses