CLASSES + WORKSHOPS CONTINUING EDUCATION FALL 2015
2 CLASSES + WORKSHOPS
HELLO! WELCOME TO CONTINUING EDUCATION AT THE SCHOOL OF THE MUSEUM OF FINE ARTS, BOSTON. SEPTEMBER 8–DECEMBER 21, 2015
DATES TO REMEMBER TUESDAY, SEPTEMBER 8
WEDNESDAY, NOVEMBER 11
CE classes begin
Veterans Day; no classes
MONDAY, OCTOBER 12 Columbus Day; no CE classes
WEDNESDAY, NOVEMBER 26– SUNDAY, NOVEMBER 29
OFFICE HOURS Monday–Thursday, 9 am–7 pm Friday, 9 am–5 pm Saturday, 8:30 am–1:30 pm
Thanksgiving Break; no classes
TUESDAY, NOVEMBER 10 Substitute Wednesday’s class schedule
MONDAY, DECEMBER 21
GET IN TOUCH
CE classes end
230 The Fenway, Boston, MA 02115
Note: Workshops begin throughout the semester. See detailed calendar, 18.
617-369-3644 smfa.edu/ce coned@smfa.edu
Cover image: Karl Stephan, Night Fall, 2015. Charcoal, eraser, chalk, oil, and oil stick on canvas.
SMFA CE FALL 2015
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TABLE OF CONTENTS COURSES 5
CERAMICS
5
DIGITAL MEDIA + WEB DESIGN
5
DRAWING
6
GRAPHIC DESIGN + ILLUSTRATION
8
METALS
9
MULTI-DISCIPLINARY
9
PAINTING
10
PHOTO + FILM
11
PRINTMAKING
11
SCULPTURE
COURSES + WORKSHOPS
FALL 2015
WORKSHOPS
YushanLiu, Green 1, 2013. Oil on canvas. (left) Michael Bourque, Dreaming in Color, 2015. Photograph, 24 x 56 in. (right)
Our CE programs embrace artists and designers of all ages and backgrounds—high school students, second-career students, art teachers, individuals ready to take their studio practice to the next level and those who are just beginning to explore art-making. SMFA’s extraordinary faculty, all professional practicing artists or designers, mentor and motivate every student in their practice.
12
DRAWING
12
MULTI-DISCIPLINARY
12
PAINTING
13
PHOTOGRAPHY CERTIFICATES + PROGRAMS
14
CERTIFICATES
14
STUDIO DIPLOMA
15
POST-BACCALAUREATE
15
SMFA CREDIT/NON-CREDIT COURSES
15
PRE-COLLEGE SUMMER STUDIO GENERAL INFORMATION
SMFA offers individual classes, certificates and
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GENERAL INFORMATION
specialized programs for all levels. Continuing
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HELPFUL TIPS
Education courses at the School allow you to immerse
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HOW TO REGISTER
18
CLASS + WORKSHOP SCHEDULES
19
REGISTRATION FORM
yourself in art-making and creativity while maintaining your work and family schedules. SMFA offers individual classes, certificates and specialized programs for all levels. Register now and become a part of an extraordinary community of working artists and designers.
SMFA.EDU
CLASSES + WORKSHOPS
Emily Reinauer, Mother of Prosperity, 2014. Additive woodcut.
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SMFA CE FALL 2015
5 COURSES + WORKSHOPS
COURSES CERAMICS BEGINNING CERAMICS: HAND-BUILDING AND CONSTRUCTION Jason Pacheco Tuesdays 6:30 pm–9:45 pm CER 1018-C1 2 Credits / Tuition: $940 Clay, a tactile material with an amazing range of possibilities, can be used to create functional, decorative and sculptural ceramics. In this course you will explore a variety of construction techniques including wheelthrowing, hand-building, glazing and firing methods such as raku and gas firing. Demonstrations and slide presentations will provide technical instruction and creative inspiration. All techniques are open to personal interpretation.
DIGITAL MEDIA + WEB DESIGN
DRAWING
INTRODUCTION TO WEB DESIGN
Gerry Hoag Tuesdays 6:30 pm–9:45 pm DRW 2011-C1 2 Credits / Tuition: $940
Saul Baizman Saturdays 1:00 pm–4:15 pm CMP 2035-C1 2 Credits / Tuition: $940 This course will teach the fundamental skills necessary to plan, organize, design, and build modern standards-compliant websites. Students will learn the basic building blocks of the web (HTML5, CSS3, and JavaScript) and theoretical and practical approaches to interface design. Participants will also come to understand the web as a series of delicately choreographed visual, conceptual, and navigational systems.
Prerequisite: experience with digital imaging software such as Adobe Photoshop.
Prepare to get your hands dirty in this introductory wheel-throwing course. We will start by learning the basics of creating a simple vessel and move on to more refined techniques that push the limitations of this versatile media. Through demonstrations and hands-on learning, we will cover the use high-fired stonewares and colored slips. You will be provided with an opportunity to explore a variety of wheel-throwing techniques and various glazing methods. This course is designed for beginner throwers.
This course is designed to improve your concept and understanding of the human figure by studying the underlying skeletal structure and how it affects surface appearance. This is the first of a two-part study; the musculature is the focus of the spring course. You will gain an improved sense of observation, proportion, perspective, planes, structure, volume, weight, space, clarity of articulation and the visual dynamics of body movement and resultant formal changes. Class meetings will include observations and drawing from the model (gesture and long pose), illustrated lectures, the skeleton plaster casts, occasional slide lectures and more. There will be periodic long studies from the model during which you will test your
CERAMICS: WHEEL THROWING Ji-Eun Kim Saturdays 9 am–12:15 pm CER 2036-C1 2 Credits / Tuition: $940
ANATOMY: SKELETON
IMAGE ANIMATION Stephen St. Francis Decky Tuesdays 6:30 pm–9:45 pm CMP 1039-C1 2 Credits / Tuition: $940 This course is designed to help students bring still and moving images to life via Photoshop, After Effects, Premiere Pro, and QuickTime Pro. In the process, by becoming familiar with and understanding the software’s interface, students will also develop a deeper understanding of creative editing. Students will learn to create simple animated GIF’s, make movies “out of nothing”, and learn the best use of Layers and Puppet Tools in Photoshop and After Effects. The lessons will be presented in a manner that will expose the similarities in each program’s interface and encourage students to use computers and software as tools for their own design and creativity. Students will be expected to bring an external storage device, such as a thumb drive, or an external hard-drive.
memory of bone structure in relationship to surface form. Homework is required (one hour per week minimum). Anatomy study is best suited for students who have had at least a beginning course in drawing.
EXPERIMENTAL LIFE DRAWING Robert Siegelman Thursdays 6:30 pm–9:45 pm DRW 2090-C1 2 Credits / Tuition: $940 This course is open to individuals at any level and will focus on figure drawing as an experimental medium. By using the figure as a focus and as a point of departure, we will explore various approaches for developing personal connections to drawing and content. Representation, abstraction, expressionist and conceptual possibilities will be discussed. We will look at different ways of using drawing to expand creativity and enhance your willingness to take risks. Experimentation, process, materials and learning to critique will be emphasized in this fun and supportive, yet challenging course.
SMFA.EDU
6 CLASSES + WORKSHOPS
DRAWING (continued)
WORKS ON PAPER: MIXED MEDIA DRAWING Robert Siegelman Mondays* 6:30 pm–9:45 pm DRW 1027-C1 2 Credits / Tuition: $940
GRAPHIC DESIGN + ILLUSTRATION BEGINNING GRAPHIC DESIGN Sofie Hodara Mondays* 6:30 pm–9:45 pm DES 1012-C1 2 Credits / Tuition: $940
DESIGN GENERATION WITH PHOTOSHOP + ILLUSTRATOR Alexa Thayer Wednesdays 6:30 pm–9:45 pm DES 1015-C1 2 Credits / Tuition: $940 This course begins with basic Adobe Photoshop techniques such as selecting
Sofie Hodara Saturdays 9 am–12:15 pm DES 1012-C2 2 Credits / Tuition: $940
objects, copying and pasting, color correction,
and duotones. The basics of scanning reflective
new process or project will be introduced.
Kelsy Stromski Wednesdays 9 am–12:15 pm DES 1012-C3 2 Credits / Tuition: $940
Experimentation, interpretation and process
This intensive course explores the potential
graphics application used by designers. You
of graphic design. We will focus on the creation
will learn basic Illustrator skills such as drawing,
of a concept to amplify content while also
type, layers, masks, painting and gradients
developing sensitivity to the relationships
and then you will apply these basic techniques
between typography and image, symbolism,
to design issues related to logo and type
language and text. Throughout the course,
design with the integration of Illustrator
emphasis will shift from idea generation and
and Photoshop.
This high-energy class will explore drawing using a variety of materials and approaches: both wet and dry, including collage, text, artists’ books, and more. We will investigate and work from the observational, the abstract, and from the imaginative and narrative. Each week a
will be stressed to help find one’s personal connection to drawing and art making. Developing content will be a focus. Taking risks will be encouraged to expand one’s range of possibilities. Feedback, group critique and discussions, as well as individualized instruction will be frequent. Students new to drawing as well as experienced artists are all welcome to join this class. Bring your curiosity, prepare yourself to have fun and be challenged.
features using layers, masks, paths, colorizing art, negatives, slides and video capture will help you gain an understanding of resolution and output options. The second half of the course
design theory to technical skills. Lectures on creativity, design and color theory, graphic design and letterform history and typography are a regular part of the course. The course of design with a conscious understanding of the intention with which elements are chosen, organized and created. The course accommodates beginners and more advanced students who are building a portfolio.
DRAWING FOR ILLUSTRATORS + NARRATIVE REALISTS Ethan Haynes Wednesdays 6:30 pm–9:45 pm DES 1060-C1 2 Credits / Tuition: $940 This course combines drawing sessions at the Museum of Fine Arts’ galleries, drawing exercise homework, and in-class workshop assignments. Emphasis will be placed on utilizing the Museum’s historic collection as drawing subject matter. Projects include academic exercises from the golden age of illustration and expressive drawing exercises based on a method acting approach. The course will also cover picture composition, pictorial viewpoint, perspective, and expressive light and shade. SMFA CE FALL 2015
Students will then incorporate more advanced
will focus on Adobe Illustrator as a high-level
will focus on the harmonization of all elements
Regina Papalia, Dissociation #1, 2015. C print.
photo retouching, montage and collage.
FUNDAMENTALS OF 2D DESIGN Kevin Dacey Tuesdays 6:30 pm–9:45 pm DES 1021-C1 2 Credits / Tuition: $940 Kevin Dacey Thursdays 6:30 pm–9:45 pm DES 1021-C2 2 Credits / Tuition: $940 2-D Design is an introductory lecture/studio course that offers students an opportunity to discover and search out basic principles, language and concepts inherent in 2dimensional visual language systems. Through hands-on projects students will learn to evaluate art and design work, to apply principles to class work, develop a visual vocabulary, to think visually and to analyze critically. A balance between traditional hand manipulation and computer based exercises will most accurately respond to the reality artists and designers find themselves in today. Lectures, demonstrations, group discussions and critiques are complemented by hands-on studio problems designed to stimulate student exploration and experimentation.
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Raul Gonzalez Tuesdays 6:30 pm–9:45 pm DES 1017-C1 2 Credits / Tuition: $940 Graphic Novels and cartooning are in the midst of a new golden age. Publishers such as
ILLUSTRATING CHILDREN’S BOOKS: BEGINNING TO INTERMEDIATE Ilse Plume Saturdays 1:00 pm–4:15 pm DES 1016-C1 2 Credits / Tuition: $940
COURSES + WORKSHOPS
GRAPHIC NOVEL
INTERMEDIATE ILLUSTRATION Erling Saevarsson Mondays* 6:30 pm–9:45 pm DES 2063-C1 2 Credits / Tuition: $940 This course continues your exploration of
Fantagraphics, Nobrow, IDW as well as on-line
Experience firsthand the wonder of children’s
illustration by simulating the experience of
comics have helped to redefine what a comic
book creation. The objective of this course is
a professional freelance illustrator. Through
book can be. Join award winning artist and
the production of your own children’s book
homework assignments students will learn the
cartoonist Raul Gonzalez III in a course that will
“dummy,” a mock-up suitable to present for
importance of disciplined, practical working
explore the history of cartooning from the early
publication. More advanced students may work
methods from concept to sketches, to finished
days of newspaper strips through today’s most
toward submitting illustrations to the Bologna
art. Technical instruction will focus on a digital
exciting creators. In this course you will begin
Book Fair. We will focus on issues of style,
approach but lectures will also cover topics that
creating the ideas for your very own projects.
color and design, and discuss topics such as
can apply to any traditional illustration medium.
You will learn how to create concept drawings,
layout, characterization, pace and mood and
Each class will consist of the presentation of a
book layouts, penciling and various inking
their relationship to illustration. Assignments
topic, samples of artful illustration, and critiques
and finishing techniques. The course will also
will focus on experimenting with various media
of assignments. This seminar-style course
show you how to begin sharing your ideas with
and working toward a consistent style. As
utilizes group participation and accommodates
the greater cartooning community through
your work develops, your manuscript will be
individual needs.
digital media.
continually cross-critiqued by the instructor and the other students. We also will examine the
ILLUSTRATION: AN INTRODUCTION
various types of children’s books currently in the marketplace and you will become familiar with the current demands of editors, publishers and
Glenna Lang Mondays* 6:30 pm–9:45 pm DES 2045-C1 2 Credits / Tuition: $940
agents in the publishing industry.
This course begins your exploration of
ILLUSTRATOR AS DESIGNER
illustration by working on essential drawing skills, introducing you to many of the techniques an illustrator uses, and exploring this art that exists in a special partnership with the written word. Through weekly assignments begun in
Prerequisite: A beginning illustration course or equivalent, and some drawing experience.
Prerequisite: A beginning illustration course or some drawing experience.
Melissa Yasko Fridays 9:00 am–12:15 pm DES 1023-C1 2 Credits / Tuition: $940
INTERMEDIATE GRAPHIC DESIGN Joanne Breiner Thursday 6:30 pm–9:45 pm DES 2066-C1 2 Credits / Tuition: $940 This course is for students who have taken Beginning Graphic Design or an equivalent course and are looking to gain further experience solving real-world graphic design problems while producing portfolio pieces.
class and finished at home and weekly in-class
This course explores the role of illustrator
Emphasizing hands-on studio work on the
critiques, the course emphasizes idea and
as graphic designer, with a focus on the
computer with minimal lecture time, this course
visual metaphor development and the search
fundamentals of designing with imagery,
will focus on learning efficient work habits and
for a personal style. You will work with a variety
the relationship between verbal and visual
on developing an arsenal of problem solving
of material—both fiction and non-fiction—for
communication, and the complementary
techniques. Discussions about conceptual ideas
diverse venues, beginning with small whimsical
partnership between graphic design and
and design development through completed
spot illustration in black and white before
illustration. During this course, students will
projects will include analysis of typography,
moving on to color, larger pieces, and
create infographics, illustrated book covers
color, layout and content decisions and
sequential images. Power point presentations
and posters, and develop brand advertising
options. By the end of the course, you will
on the work of accomplished illustrators—
based in illustration techniques and
have created four to five portfolio pieces
and also painters and printmakers of interest
materials. Students are encouraged to
suitable for presentation at job interviews.
to illustrators—are a regular part of the course.
have some fundamental experience with
The class is designed to accommodate
computers before enrolling in this course,
beginners seeking a foundation and those
but will focus on using illustration mediums
interested in strengthening their skills. While
as the primary tools for creating content.
students are encouraged to try traditional analog media, they may also work digitally if they wish.
* NO CLASS ON COLUMBUS DAY.
SMFA.EDU
8 CLASSES + WORKSHOPS
GRAPHIC DESIGN + ILLUSTRATION (continued)
INTRODUCTION TO ADOBE ILLUSTRATOR Alexa Thayer Wednesdays 2:00 pm–5:00 pm DES 2028-C1 2 Credits / Tuition: $940 This course has two objectives: to help you become proficient in Illustrator, a premier design application, and to develop your ability to use Illustrator in solving a range of graphic design problems. You will learn basic Illustrator skills such as drawing, type, layers, masks, painting and gradients, and how to apply these basic techniques to design issues related to logo and typographic design, touching briefly on the integration of Illustrator and Photoshop. If you have some experience with the Macintosh computer and want to learn what you can accomplish in graphic design using the computer as a tool, this introductory course will
INTRODUCTION TO TYPOGRAPHY
METALS
Charles Gibbons Tuesdays 6:30 pm–9:45 pm DES 1014-C1 2 Credits / Tuition: $940
AROUND THE RING: BEGINNING JEWELRY
This introductory course leads to the knowledge of creating and organizing letters, words, sentences and paragraphs to visually communicate an idea, and promises to help
Rings are one of the most popular and
develop your creative processes in new and
meaningful forms of jewelry; highly visible, they
powerful ways. Topics include the anatomy of
can be symbols of commitment and belonging,
letterforms, type history and classification
indicators of power and status, expression of
systems, how to choose type, legibility,
personal taste. We will research the history
readability and the expressive qualities of
and explore contemporary adaptations of the
type. Course methods include discussions
ring, while learning basic skills that allow you to
and critiques, slide show lectures and
make rings. Students will conduct independent
demonstrations, as well as hands-on
investigation, research and model making to
problem-solving exercises and assignments.
explore function and scale of the ring and its
While this is not a software-based course,
relationship to the body. Through presentations,
there will be frequent use of Macintosh
discussions and hands-on demonstrations
computers. This course is suitable for
students will acquire a solid set of tools to
beginning and intermediate graphic designers
develop both concept as well as becoming
or for individuals developing their professional
competent with basic jewelry and metal working
skills in visual communications.
skills, including piercing, forming, soldering, polishing, mold making and stone setting.
provide the requisite Adobe Illustrator skills.
Working in a variety of materials, precious and
VISUALIZING INFORMATION Taikyu Lim, MFA, 2014. Oil on canvas.
Linda Priest Tuesdays 6:30 pm–9:45 pm MTL 1015-C1 2 Credits / Tuition: $940
Charles Gibbons Wednesdays 6:30 pm–9:45 pm DES 2058-C1 2 Credits / Tuition: $940 Our lives are full of facts we need to sift through in order to make sense of the world. Which T line gets me to South Station? Where do my taxes really go? Will it rain on my cookout? How do I set up my smart phone? Sometimes a simple explanation suffices, but frequently we need to draw connections between seemingly
non-precious you will create a collection of rings utilizing techniques, ranging from traditional to alternative. “If you like it, you should put a ring on it” Beyonce.
CHASER’S EDGE: INTERMEDIATE JEWELRY Linda Priest Wednesdays 6:30 pm–9:45 pm MTL 2110-C1 2 Credits / Tuition: $940
unrelated items, events, people, processes,
Metal is a wonderful, versatile material—it
conditions, etc. This course is devoted to
can be domed, soldered into forms, set with
exploring some of the ways a picture really can
different materials, and sometimes even
be worth a thousand words. The course breaks
anodized to achieve bright colors. This course
into two major sections. The first explores the
presents interesting ways to create jewelry
principles that shape good information design;
and small objects in nonferrous metal. We will
the second focuses on putting those principles
hammer metal to make a domed bracelet, learn
to work. Throughout, we’ll emphasize three
how to bend a single piece of metal to fabricate
hallmarks of excellence in information graphics:
a hollow constructed ring and add a little
clarity, precision, and efficiency. Expressing
sparkle to a piece by setting a faceted stone in
this trio through our creativity will allow us to
a bezel setting. We will explore simple fusing
create designs that share, and deepen our
and hinge-making as well as color-reactive
understanding of the world around us.
metals. We also will experiment with different ways to create interesting patterns on metal.
SMFA CE FALL 2015
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MULTIDISCIPLINARY ART AS PROCESS Kata Hull Wednesdays 6:30 pm–9:45 pm FND 1010-C1 2 Credits / Tuition: $940
COURSES + WORKSHOPS
Marta Mendes, Aqua 1, 2014. Acrylic on collage on canvas.
COLOR THEORY FOR ARTISTS, DESIGNERS + THE COLOR CURIOUS Gerri Rachins Wednesdays 6:30 pm–9:45 pm CRX 1040-C1 2 Credits / Tuition: $940 Have you ever wondered about the mystery of color? What is it, where does it come from,
This workshop is for individuals who want the
how has it been used historically, symbolically,
challenge of investigating new and unique
culturally across many disciplines, and why
ways of making art. This is an intensive class
does it continue to have profound significance
that focuses on experimentation and the
on virtually all areas of art, design and
creative process rather than a pre-imagined end
contemporary culture? Whether you are
product. Each week a different project will be
interested in fashion, interior design, graphic
introduced, worked on and completed. We
design, textile design, fine art, business,
will explore painting, drawing, sculpture and
marketing, or if you are simply interested in
other media with an eye toward combining
learning about color and its practical
materials in unusual ways. Abstraction, realism
applications, this hands-on studio course is for
and conceptual approaches will be discussed
you. You will be introduced to a variety of color
and explored through a variety of hands-
systems and terminology based on the theories
on projects. Open to all, from beginners to
of artists and scientists such as Johannes Itten,
advanced artists, Art as Process is particularly
Albert Munsell, Josef Albers, Isaac Newton
useful for those interested in exploring and
and others. Upon successful completion of
developing their own creative abilities,
the course, you will be able to see, mix, speak
assembling a portfolio for art school or
and understand the language of color. Most
exploring the idea of a professional art career.
importantly, you will understand how to utilize
The course also provides something of a unique
color relationships practically and professionally
preview to students who might be interested in
in new and meaningful ways. You may even
a Museum School education, as it exemplifies
develop a new theory! This course is open to
the School’s open approach to making art.
anyone who is interested in learning about color, including beginners.
PAINTING MAPPING: DRAWING AND PAINTING Heidi Whitman Mondays* 2:00 pm–5:00 pm PAI 2051-C1 2 Credits / Tuition: $940 Maps evoke images of journeys and unexplored places, offering a universal graphic appeal and fascination. In this hands-on course you will create drawings, paintings and collages inspired by maps, both as material and metaphor. Conceptual projects may include mapping aspects of neighborhoods, apartments, bodies or daily life. You will use the language of cartography—the art of creating maps—and the re-imagining of map shapes to create works that may or may not resemble actual maps. Throughout the course you will use drawing tools, water-based paint and collage and experiment with different combinations of media to develop personal imagery. The course includes class discussions, critiques, slide and digital presentations, and visits to the Leventhal Map Center and artists’ studios. Open to all levels and abilities.
* NO CLASS ON COLUMBUS DAY.
SMFA.EDU
10 CLASSES + WORKSHOPS
PAINTING (continued)
PAINTING FROM THE GROUND UP Laura Fischman Thursdays 6:30 pm–9:45 pm PAI 2002-C1 2 Credits / Tuition: $940 How it is that oil paintings seem to glow from within? How do painters build different levels of depth and texture in their works? In this course, we will look at varying strategies, surfaces, mediums and paint application techniques to unlock some of the mysteries of oil painting. Each week we will look at different steps in the process, from surface preparation and monochrome under-paintings, to working with value and color to create a sense of body and space, to developing texture, and glazing and scumbling. Students will select source images/
PORTRAIT PAINTING + DRAWING
SPLASH: WATERCOLOR AND WATER-BASED MIXED MEDIA
Patrick Carter Tuesdays 6:30 pm–9:45 pm PAI 2050-C1 2 Credits / Tuition: $940
Heidi Whitman Mondays* 9:00 am–12:15 pm PAI 1093-C1 2 Credits / Tuition: $940
Portraiture is specific and general, timely
In this course you will work on projects from
and timeless. It informs us about a particular
a variety of sources: still-life, found materials
individual while telling us something about us
including photographs, journals, and maps
all. The portrait, whether a painting or drawing,
and the imagination. We will discuss ways to
involves technical, organizational, spiritual and
effectively use and combine media such as ink,
philosophical concerns basic to any work of
watercolor, gouache, acryla gouache, Flashe,
art. The initial objective is to produce a physical
acrylic, collage and drawing materials. You will
resemblance to the model, but it is even more
work on a variety of papers and panels in this
important to progress toward the elusive
mixed-media course; this experimentation
“other” inner life, sometimes at the expense of
will help you to develop your technique
physical likeness. Several approaches will be
and personal imagery. Weekly out of class
introduced to help you discover a natural and
assignments will expand on in-class work.
personal direction. You will use drawing and
Class discussions, critiques, slide and digital
painting materials such as charcoal, graphite,
presentations and visits to galleries, artists’
acrylics, ink washes, water-based paint and
studios and the Museum of Fine Arts are
oil-based media.
integral to the course.
REALIST PAINTING
PHOTO + FILM
Christopher Chippendale Saturdays 9:00 am–12:15 pm PAI 2052-C1 2 Credits / Tuition: $940
DIGITAL PHOTOGRAPHY I
material to work from throughout the semester and will execute several paintings of their image utilizing different approaches—from the slow building up of layers to more direct impasto painting, all heading toward the goal of developing the skills and understanding of color interactions, transparency and paint application. Students will be introduced to the properties of oil paint to create depth, space, volume and unique mark making. This course will incorporate demonstrations, some brief
Saturdays 1:00 pm–4:15 pm PAI 2052-C2 2 Credits / Tuition: $940
Allison Cekala Thursdays 6:30 pm–9:45 pm PHT 1030-C1 2 Credits / Tuition: $940 The challenge of digital photography is to
an array of oil painting styles. You don’t need
Saturdays 9:00 am–4:15 pm PAI 2052-C3 4 Credits / Tuition: $1,880
to be an expert painter to take this course, but
This multi-level course in realist painting
hands-on practice, you will learn to operate
requires no significant prior experience in this
digital cameras and to utilize them as precise
particular discipline, and invariably attracts
tools for image capture. Discussions include
new and returning students with a range of
the camera and equipment options available to
backgrounds and skill levels. We will focus
digital photographers and how to establish a
on the means and language of direct painting
digital workflow. As you develop technical
techniques in the service of illusionism, as well
and aesthetic skills, you will explore shooting
as a broad and supple set of painting skills
techniques, composition and framing and the
fundamental to observational painting (firm color
basics of light control. Other topics include
mixing, synthetic ways of seeing and making,
image management, using camera RAW,
the material use of paint and reading tone
adjustment and editing in Photoshop and
through color). Ancillary to our studio focus,
printing digital images. Whether your interest
we will examine modes and models of realist
is in fine art or simply in making the move
painting, past and present, from the standpoint
from film to digital, this course provides a
of their painting language. There will be in-class
solid foundation.
readings, and lots of looking at artists (from old masters to contemporary painters) working in
students should come to class with some basic painting experience and lots of curiosity.
observational painting from the model and the model in a larger environment (model sessions typically last three to four sessions).
SMFA CE FALL 2015
manage this rapidly developing technology and still remain creative in your image making. Through discussion, demonstration and
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PRINTMAKING
SCULPTURE
Dan O’Connor Saturdays 9:00 am–12:15 pm PHT 2050-C1 2 Credits / Tuition: $940
LITHOGRAPHY: NUTS + BOLTS
INSTRUMENT DESIGN: GUITAR AND DULCIMER
Digital photographs hold endless adjustment and alteration possibilities, so much so that their very truthfulness can often be questioned. This class is an exploration of Photoshop as both a practical post-production application and as an art creation tool. Students will examine how photographs are refined and altered in print media and online by photographers and graphic artists, and use these examples as inspiration for your own creative image making. Photoshop will be used to process, color correct, and
Carolyn Muskat Mondays* 6:30 pm–9:45 pm PRT 2011-C1 2 Credits / Tuition: $940 Printmaking allows an artist the opportunity
layers, layer masks and advanced selection tools. Intermediate camera techniques and basic lighting techniques will also be introduced as part of the greater photographic workflow. The end goal of this class is for you to maximize the potential of your photographs.
Walter Stanul Wednesdays 6:30 pm–9:45 pm SCP 1086-C1 2 Credits / Tuition: $940
to explore an image in depth through multiple
This course is designed to develop fine
reworkings, all while keeping the history of past
woodworking skills and give a solid foundation
impressions. This class will focus on the con-
for building your own stringed musical
cept of the progressive proof, allowing you to
instrument. You will start by designing and
develop an image or concept over the semester
building a uniquely American instrument: the
and to really examine all the variations possible.
Appalachian, or mountain, dulcimer. This
We will focus on lithography, in editions and as
beautiful instrument is relatively easy to both
singular monoprints. All levels are welcome.
build and play. Even those with little or no woodworking background will be able to
composite photographic images; this will be done using tools such as layers, adjustment
COURSES + WORKSHOPS
DIGITAL PHOTO: PRACTICAL POST PRODUCTION
MONOPRINT Eun Gyu Lee Wednesdays 6:30 pm–9:45 pm PRT 4021-C1 2 Credits / Tuition: $940
complete a dulcimer. Students who finish in time may start a travel, or “back pack,” guitar. This popular instrument is light and easier to make than a full-size guitar. Both projects involve shaping, bending and joining wood into delicate yet amazingly strong structures—skills that can be applied to a wide range of other
A monoprint is an individual, one-of-a-kind
fabrications and sculptures. Please note:
print that can be made from traditional plates
Completing a dulcimer and a guitar will likely
INTRODUCTION TO FILMMAKING
such as metal, wood, cardboard, plexiglass
require shop time outside of class.
Gregory Mahoney Thursdays 6:30 pm–9:45 pm FLM 1015-C1 2 Credits / Tuition: $940
basics in mixing inks, hand wiping and rolling
Designed for individuals with little or no previous experience, this course will provide an introduction to the technical and aesthetic aspects of film production. We will cover basic
or other nontraditional surfaces that are found or manipulated. This course will teach you the techniques and overprinting in multiple colors and plates. The making and printing of carborundum, plates, gum transfers and chine collé also will be taught. Students will develop an image through a related series of unique
to a wide range of production methods and creative strategies that encourage exploration and risk taking in all aspects of the medium. This course has a strong workshop component with a hands-on instructional approach. It proposes a stimulating, inspiring, and challenging environment that fosters the exchange of ideas, offers new ways of seeing, and promotes experimentation. Materials, including film, supplies, and lab expenses for film processing are not included in the tuition.
Nicole Farland Thursdays 6:30 pm–9:45 pm SCP 1140-C1 2 Credits / Tuition: $940
prints. Open to all levels, from beginners to
In this course you will learn a different fiber-
those who wish to investigate new techniques.
related technique each week, including knitting, crocheting, dying, weaving, flexible structures,
shooting, lighting, and editing techniques using 16mm equipment, and you will be introduced
SCULPTURAL FIBER
SCREENPRINTING: THE WHOLE STORY
felting and sewing by hand and machine. We also will explore the history of these processes and their uses in contemporary art and you will
Michael Hecht Mondays* 6:30 pm–9:45 pm PRT 2062-C1 2 Credits / Tuition: $940
gain a basic understanding of each technique
This course enables students to explore the
course is structured for beginner as well as
world of printmaking and screenprinting through
more advanced students.
by focusing on their sculptural capabilities. There will be demonstrations during each class meeting and time will be provided to work toward mastering different techniques. This
color separations, large format printmaking and the use of computer applications. We also will examine traditional screenprinting techniques in order to provide students with an understanding of the full spectrum of approaches. No printmaking or computer experience is required.
* NO CLASS ON COLUMBUS DAY.
SMFA.EDU
12 CLASSES + WORKSHOPS CERTIFICATES + PROGRAMS
WORKSHOPS THE BODY IN QUESTION
NEW! DELVE-YOUR UNIQUE STORY
Patrick Carter Twelve Weeks: Sept 12–November 28 Saturdays 1–4 pm DRW 1094-N1 Non-Credit / Tuition: $530
Andrea Wenglowskij + Sara Jones One-Day Workshop: October 24 Saturday 9am–4pm CRX 2050-N1 Non-Credit / $165
The human body is an infinite source of
You are the only artist in the world who does
inspiration and a subject expressed in
exactly what you do in your unique way.
innumerable styles and media. In this workshop, Learning to translate a 3-dimensional object
Communicating your professional art practice
we will explore traditional, expressive and
onto a flat 2-dimensional piece of paper, is
relies on writing about yourself and your work,
experimental approaches to drawing and
learning to see around a curve. In this class,
and the visual representation of everything you
painting the body. The workshop will be built
students will learn how to move into the zone, or
do. This workshop covers the crucial steps to
around individual concerns, issues and personal
flow state, and engage their whole brain in order
telling the story that represents your work,
sensibilities with the nude model as a founda-
to see more fully. Through a series of focus and
especially when you are not there in person to
tion and point of departure. We will refer to a
drawing exercises, students will explore the
talk about your work. During the first half, you will
varied group of artists such as Francis Bacon,
fundamentals of composition, perspective, line
write and outline your unique story and elevator
William Beckman, Richard Diebenkorn, Lucian
and shading both visually and intuitively. Using
pitch. During the second half, we will examine
Freud, Alberto Giacometti, Henri Matisse,
charcoal, we’ll explore special relationships and
how to tell a story with your images. You have the
Nathan Oliveira and other contemporary artists
proportion learning to put what you see on the
ability to control how your work is documented
who have found new inspiration in this timeless
page. This is an ideal class for people who want
and shown to the world: including 2D, 3D,
subject. Bring materials of your choice
to improve their skills by learning a new way to
performance, installation, and time based work.
(charcoal, water-based paint, oils, etc.) and
see for the purpose of drawing. Appropriate for
We’ll share examples of successful artists.
be prepared to work at the first meeting.
DRAWING NEW! DRAWING IN THE ZONE Sloat Shaw Six Weeks: October 13–November 17 Tuesdays 6:30 pm–9:45 pm DRW 1023-N1 Non-Credit/ $325
new and intermediate students.
PORTRAIT DRAWING Patrick Carter Twelve Weeks: Sept 12–November 28 Saturdays 9 am–12 pm DRW 1050-N1 Non-Credit / Tuition: $350
MULTIDISCIPLINARY NEW! CULINARY AESTHETICISM
PAINTING COLOR FOR REAL Gerri Rachins Six Weeks: September 29–November 3 Tuesdays, 6:30 pm–9:45 pm PAI 1090-N1 Non-Credit / Tuition: $325
and photography. Portraiture tells us about a
Stephen Shellenberger Five Weeks: October 19–November 16 Mondays 7pm–9pm CRX 1027-N1 Non-Credit / Tuition: $375
particular individual while revealing something
This hands-on course about aesthetics
each individual color in its many endless
universal. In this workshop you will learn
through the lens of the culinary arts,
combinations with all other colors.” “Color for
technical, organizational, spiritual and
particularly beverage, will build aesthetic
Real” goes beyond theory, and into the real
philosophical skills basic to any work of art.
strategies to describe what is often thought
world to build upon the knowledge gained from
The initial objective is to produce a physical
to be indescribable by entering the realm of
previous introductory color courses. Each week
resemblance to the model and then progress
non-linguistic thought. We will abstract up and
will be devoted to painting from observation. A
toward exposing the elusive “other” inner life
down three iconic cocktails and then taste our
colorful “theory infused” set-up will be created
(sometimes at the expense of physical likeness).
way through the major creative linkage
as source material for weekly exploration. Using
Although this workshop focuses on drawing,
strategies best exemplified in others. We will
acrylic paint, you will learn the techniques of
you will explore several approaches to
build an Italian style amaro then finish by
subtractive color mixing, how to set up your
portraiture using charcoal, graphite, acrylics,
applying aesthetic principles to decoding the
palette effectively, and how to look for, find, and
ink washes and water based paint.
most complex of all culinary artifacts, vermouth.
paint color relationships based upon what you
The workshop will be peppered with the ideas
see and what you know about color theory. Your
of Hans Hoffman, Wassily Kandinsky, and
palette choices will become more intentional
Leonard Koren. Connections between modern
and the color in your paintings will become more
culinary and great traditions like abstract
informed and personal. This workshop is open
expression will be revealed and the creation of
to all levels. Students should be familiar with
food & beverage artifacts will be seen as the
some basic color theory terminology and paint
new painting.
mixing techniques.
The portrait is essential to virtually every form of fine art, from painting and sculpture to video
SMFA CE CEFALL FALL2015 2015
Johannes Itten wrote, “He who wants to become a master of color must see, feel, and experience
13
Ria Brodell Weekend Workshop: October 17–October 19; Saturday, 9 am–4 pm; Sunday, 1–4 pm PAI 1030-N1 Non-Credit / Tuition: $150 In this workshop we will explore the versatile medium of acrylic paint. You will learn
INK PAINTING + CHINESE CALLIGRAPHY Sue Yang Five Weeks: November 7–December 12 Saturdays 9 am–4 pm (No class on November 28) PAI 1043-N1 Non-Credit / Tuition: $470
WATERCOLOR BOOTCAMP Carl Ferrero Two Days: December 5 and December 12 Saturdays 9 am–4 pm PAI 1032-N1 No Credit/ Tuition: $200
COURSES + WORKSHOPS
PAINTING WITH ACRYLICS
This intensive two-week workshop will introduce watercolor painting techniques and concepts to
fundamental painting skills and techniques while
Chinese calligraphy and ink painting allow
students new to the medium. You will leave the
working from still life objects, personal imagery,
artists to develop focus, balance, composition
course proficient in the use of watercolor; the
the MFA’s collection or your own imagination.
and mark-making vocabularies—skills which
class will cover all basics, including creating a
You will develop your own personal style while
translate to other art forms as well. Through
portable watercolor easel, tearing paper, paint
learning methods of paint application, elements
demonstrations and individual instruction,
handling, color mixing, creating washes and
of composition, color relationships, mixed
you will create contemporary artwork using
gradients, under-drawing, composition, color
media and a variety of surface textures. You will
traditional Chinese brush painting techniques,
usage and planning pictures. We will view and
leave the workshop with a solid foundation in
learn basic Chinese calligraphy brushwork as
discuss watercolors by known artists and learn
acrylic painting techniques and the ability to use
well as Chinese painting themes including
how to fully exploit the medium in creative and
the versatile qualities of acrylics.
bamboo, orchids, plum blossoms and
expressive ways.
chrysanthemums. You will study at the MFA, Boston, exploring their collection of Chinese
STEP-BY-STEP: OIL PAINTING FOR BEGINNERS Paola Page Weekend Workshop: November 14–15; Saturday, 9 am–4 pm; Sunday, 1–4 pm PAI 1141-N1 Non-Credit / Tuition: $150 An introduction to the materials and techniques of painting with oil-based paint. Through demonstrations and critiques, you will learn how to develop a painting from start to finish. Lessons include blending and shading, the color wheel, using value, hue and chroma, shapes and composition, and tools of the trade such as brushes, mediums and painting surfaces.
calligraphy and examine the works of Western artists such as Robert Motherwell, Jackson Pollock and Ross Bleckner. Learn how the unique skills of traditional Chinese calligraphy and painting can make lively contributions to your art practice.
WATERCOLOR + INVENTIVE THINKING Vico Fabbris Five Weeks: November 2–November 30 Mondays* 6:30–9:45 pm PAI 1087-N1 Non-Credit / Tuition: $280 In this workshop you will experiment, invent and create new combinations of figurative or
WATERCOLOR: THE BASICS
abstract images with watercolor or acrylic wash.
Paola Page Five Weeks: October 1–October 29 Thursdays 6:30–9:45 pm PAI 1055-N1 Non-Credit / Tuition: $270
Using visualization, imagination and your own
Do you want to create a watercolor painting, but
This course is appropriate for beginners and
aren’t quite sure where or how to start? In this
advanced students. Individual attention is given
workshop you will learn the tools and methods
to students at various levels of ability and allows
necessary to explore the transparent medium of
them to progress at their own pace. All the
watercolor, including wet into wet, dry brushing,
elements of painting are introduced in guided
scraping, layering, grated washes, salting, and
exercises both inside and outside the studio.
negative painting, as well as an introduction to
Works can be done in any scale with watercolor
your color palette, brushes, and other materials.
or Acrylic wash on Aquabord or preferred
You will paint from still-lives and photographs
watercolor paper. Flexibility and open-minded-
with the intent to discover and embrace the
ness are essential to reach your full potential.
intuition this course will assist you to unlock your “inventive thinking”. You will develop an image that does not exist in the real world and experiment with techniques to create works of art that appear complex, yet easy to produce.
PHOTOGRAPHY LIGHTING YOUR IMAGE-FROM DIY TO PRO-STUDIO Aaron Bourque 4 Weeks: October 3–October 24 Saturdays 1–4 pm PHT 2055-N1 Non-Credit / Tuition: $225 Photography is a form of “writing with light,” and its essential for photographers to know how to read light and how to light an image. Lighting is about more than technology, it’s about expressing vision. This intensive workshop will introduce a wide range of lighting techniques for photographic applications. Students will learn how to set up their camera and how to deal with different characteristics of light in order to document art, create product and still life photography, and make complex portraits. Together we will workshop “do-it-yourself” lighting and studio options, learn on-camera and remote flash, create studio and on-location set ups, use hot lights and studio strobes, and learn about various light modifiers. Working in close collaboration we will troubleshoot projects, and design lighting ranging from simple set-ups to complex scenarios, all while building the know-how to work with whatever tools are available.
* NO CLASS ON COLUMBUS DAY.
versatility of watercolor painting. SMFA.EDU
14 CERTIFICATES + PROGRAMS
CERTIFICATE PROGRAMS SMFA’s certificate programs in graphic design and illustration provide credentials that represent proficiency and skill, leading toward a career in either graphic design or illustration. With the guidance of an advisor, you will construct a highly personalized path of study to achieve your artistic and creative potential.
ILLUSTRATION CERTIFICATE The certificate program in Illustration provides you with a solid foundation in the basic practical and theoretical skills of illustration. You may choose to focus on a particular aspect of illustration—commercial illustration, computer illustration, animation or book illustration—or you may acquire general skills to be used in a wide variety of activities within the field.
Certificate programs are intended for students with limited formal training
REQUIRED COURSES
in art and design as well as for those with a fine arts background or
– Illustration: An Introduction
experience in their field. Consisting of five required and five elective
– Fundamentals of 2-D Design
courses, the program may be completed in two years of part-time study
– Drawing for Illustrators + Narrative Realists
or one year of full-time study.
– Illustrator as Designer
Fundamental courses in design and illustration enable you to begin building your portfolio and to develop new creative skills. The flexible and multidisciplinary education offered at SMFA allows you to select electives from the wide range of studio courses offered each term. You also may participate in the internship program, which offers hands-on opportunities with art organizations, design firms and other local businesses.
– Intermediate Illustration SUGGESTED ELECTIVE COURSES
– Anatomy: Skeleton – Color Theory for Artists, Designers, and the Color Curious – Digital Photography I – Illustrating Children’s Books: Beginning to Intermediate
Please contact the Continuing Education office for more
– Introduction to Adobe Illustrator
information on applying to the certificate program.
– Introduction to Typography
P: 617-369-3644 E: coned@smfa.edu
– Visualizing Information – Lithography: Nuts + Bolts
GRAPHIC DESIGN CERTIFICATE The certificate program in Graphic Design provides you with the practical and theoretical skills of a design professional. Throughout the program, you will work alongside a team of faculty with extensive teaching
– Painting From the Ground Up – Book Cover Illustration + Design – Graphic Novel – Realist Painting – Screenprinting: The Whole Story
experience and recognition in their field. REQUIRED COURSES
DIPLOMA
– Fundamentals of 2-D Design – Beginning Graphic Design
An art program for the aspiring artist. SMFA’s Studio Diploma program
– Introduction to Typography
offers you the rare opportunity to pursue your creative vision your way,
– Intermediate Graphic Design
on your time.
– Visualizing Information
The Studio Diploma program reflects SMFA’s longstanding commitment to the tradition of studio practice as the core of an artist’s
SUGGESTED ELECTIVE COURSES
experience, combined with a wide range of 21st-century skills and an
– Color Theory for Artists, Designers and the Color Curious
interdisciplinary approach.
– Digital Photography I – Book Cover Illustration + Design – Graphic Novel – Illustrator as Designer – Design Generation with Photoshop + Illustrator – Foundations in Interactive Design – Introduction to Adobe Illustrator – Image Animation
Students receive an immersive, innovative learning experience that’s entirely studio art focused—there are no academic course requirements. Students in the program are able to create a manageable schedule that fits their lifestyle, through day, evening, weekend and summer courses. The Studio Diploma program offers a full-time, five-semester track to completion or a part-time track, depending on the needs of each student’s schedule.
– Introduction to Web Design
The Studio Diploma program provides solid cohort building, professional
– Screenprinting: The Whole Story
artists mentors and an artist seminar, available for all students whether full or part-time. Students in the program learn how to prepare for life outside of school, through a curriculum that teaches them not only how to navigate the professional art world, but also how to manage the business aspects of an independent art practice.
SMFA CE CEFALL FALL2015 2015
15 CERTIFICATES + PROGRAMS
Patricia Hautea, Bones II, 2014. Ink on paper.
POST-BACCALAUREATE
PRE-COLLEGE SUMMER STUDIO
The Post-baccalaureate Certificate is a one-year program that offers
The SMFA Pre-College Program is a rigorous summer program for high
intensive studio art study and practice, closely advised and supported
school students interested in the visual arts. The core of the curriculum
by SMFA faculty. The program is ideal for students who have completed
centers around an interdisciplinary approach, combining studio work,
a bachelor’s degree and want to immerse themselves in rigorous studio
critique and discussion, building a solid foundation of artistry, concep-
art-making. Whether you have recently graduated or are changing
tualization and technical skills. Students from a variety of backgrounds
careers, the Post-Baccalaureate Certificate also provides excellent
and countries spend four weeks on SMFA’s campus, utilizing the studios,
preparation for graduate study in art or for professional practice as
working with expert faculty and graduate mentors,building their portfolios,
an artist.
exploring the Museum of Fine Arts and Boston’s cultural and historic landmarks. Graduates of the program can earn up to four college credits
SMFA CREDIT + NON-CREDIT CLASSES CE students who are looking for daytime classes, a specific class or instructor may take a course from SMFA’s full-time course schedule. Course availability varies, and students must register during the School’s add/drop period with the instructor’s written approval. CE students taking day courses may not exceed six semester credits. Contact the CE Office for the course catalog and more information. – 2-Credit courses: $2,970; Non-credit (audit fee): $940 – 4-Credit courses: $5,940; Non-credit (audit fee): $1,880
towards undergraduate study at the School of the Museum of Fine Arts.
FOR ADDITIONAL INFORMATION ON REQUIRED CREDITS, PROGRAM DETAILS AND OTHER FREQUENTLY ASKED QUESTIONS, CONTACT:
Debra Samdperil, Director of Non-Degree Programs dsamdperil@smfa.edu 617-369-3643
SMFA.EDU
16 REGISTRATION + INFORMATION SCHEDULE
GENERAL INFORMATION CREDIT, GRADES AND HOURS OF INSTRUCTION
TRANSCRIPTS
Credit is awarded on the basis of two credits for every 45 contact hours
Office. Transcript Request Forms may be downloaded online at
of instruction. Grading is on a pass/fail basis. If you require a letter
smfa.edu/request- a-transcript, or a signed, written request addressed
grade to transfer credit to another school or for professional development
to the Office of the Registrar may be mailed, which should include: name
purposes, please indicate at the time of registration. Credit and grades
at the time of attendance, dates attended, current address, current phone
will not be granted for courses designated as non-credit.
number, date of birth, Social Security number, address to which the
Official transcripts from SMFA must be requested from the Registrar’s
transcript should be sent, and payment. There is a $10 fee for each
TUITION AND FEES General registration fee: $50 (nonrefundable, due once per semester) – 2-CE Credit course: $940 – 4-Credit course: $1,880 – Workshop prices vary Note: Some courses may require additional lab fees or the purchase of additional supplies at the recommendation of the instructor. COURSE CANCELLATIONS AND CHANGES
transcript ordered.
ACCREDITATION The School of the Museum of Fine Arts, Boston, is recognized by the Department of Education as an institution of higher education. It is accredited by the National Association of Schools of Art and Design, the United States Department of Justice for foreign students and the Veterans Administration for training under Public Law 550 and Chapter 35, Title 38, United States Code.
The School reserves the right to cancel any course that does not meet minimum enrollment requirements. A full refund of tuition and fees will be made if a suitable substitute course is not found. The School also reserves the right to make changes in course scheduling, faculty and course content.
DISCOUNT OFFERS EARLY BIRD REGISTRATION
Individuals who register on or before Monday, August 10 will receive a $25 discount off the cost of all studio art courses taken for credit. This offer may be combined with other discounts. SMFA ALUMNI AND HIGH SCHOOL STUDENTS
– 25% tuition discount off the cost of courses taken for credit
LICENSING RIGHTS The SMFA Communications/Marketing Office reserves the right to photograph students and their artwork on campus for the purpose of promoting the School and its programs.
SPECIAL NEEDS The Americans with Disabilities Act of 1990 (ADA) protects physically and mentally disabled persons from discrimination by requiring the provision of “reasonable accommodation.” SMFA is committed to assisting all qualified students who are in need of “reasonable accommodation.” If you feel you meet these requirements and need assistance, please notify the Continuing Education Office. The facilities of the School are accessible to
– Alumni must be a diploma or degree graduate of the School
individuals with disabilities. The School, through its parent institution, the
MEDICI GROUP MEMBERS AND MFA MEMBERS
Internal Revenue Code as a nonprofit institution.
Museum of Fine Arts, Boston, is approved under Section 501(c)(3) of the
– $50 discount on courses taken for credit
NONDISCRIMINATION POLICY WITHDRAWALS AND REFUNDS
SMFA does not discriminate on the basis of race, color, national origin,
Tuition refunds are made when a Continuing Education Drop Form is
age, sex, disability, illness such as AIDS and HIV infection, religion, sexual
received by the Registrar’s Office. The date that such notice is received
orientation or other classifications protected by applicable city, state and/
will be the effective date of withdrawal. A 100% refund of tuition is made
or federal laws or ordinances in admission to, treatment in or employment
when written notice of the withdrawal is received by the Registrar’s Office
in its programs and activities.
by the dates below: – For two and four credit courses, notice must be received BEFORE the second class meeting. – For non-credit workshops, notice must be received at least one
PARKING CE students receive discounted parking at the Museum Road Garage.
week in advance of the first class meeting.
ACCESS TO FACILITIES During the school year, the Museum School is open to CE students: Monday–Friday: 6 pm–12 am Saturdays + Sundays: 8 am–12 am SMFA CE CEFALL FALL2015 2015
17
SMFA’s Café des Arts is open daily and offers homemade, healthy and freshly prepared meals as well as hot and cold beverages. CE students also receive a discount at Courtyard Café, New American Café and Bravo at the Museum of Fine Arts by showing their SMFA student ID card at the time of purchase.
HOW TO REGISTER Continuing Education welcomes students of any level or art background. Register online, by fax, mail or walk-in.
ID CARDS
ONLINE
ID cards are issued and validated during check-in at the Continuing
smfa.edu/register
Education Office at the start of classes. A valid SMFA ID is required for access to all Museum School facilities. If you have an ID from a previous semester, it can be validated with the current semester sticker. Your ID entitles you to free admission to the Museum of Fine Arts, Boston, the Isabella Stewart Gardner Museum, and the Institute of Contemporary Art, Boston. Your ID also entitles you to discounts at the Museum Shop and parking facilities, as well as discounts at select art supply stores, museums and theaters. There is a $10 fee to replace lost ID Cards. We accept either cash or check.
REGISTRATION + INFORMATION
MEALS
Payment must be made in full with a credit card at the time of registration. MAIL Office of the Registrar School of the Museum of Fine Arts, Boston 230 The Fenway, Boston, MA 02115 Complete the registration form on the last page of this booklet and mail it to the above address.
COMPLIMENTARY MUSEUM ADMISSION CE students receive free admission to the Museum of Fine Arts, the Isabella Stewart Gardner Museum and the Institute of Contemporary Art with their SMFA student ID card.
Payment must be made in full with a credit card or a check. WALK-IN Register in person during regular business hours
SMFA AND MFA LIBRARIES
QUESTIONS?
Continuing Education students have access to SMFA’s W. Van Alan
Having trouble choosing a class? We’re available
Clark Jr. Library and the MFA’s William Morris Hunt Memorial Library at
by phone or email to answer questions and
Horticultural Hall have combined holdings that total more than 320,000
assist you in finding the right class. Contact us
items. SMFA’s library collection focuses on contemporary art and studio
at 617-369-3644 or coned@smfa.edu.
practice and the Hunt Library’s collection reflects the strengths of the Museum’s collections: Art of Asia, Oceania, and Africa; Art of the
OFFICE HOURS
Americas; Art of the Ancient World; Art of Europe; Musical Instruments;
Monday–Friday 9 am–5 pm
Prints, Drawings and Photographs; and Textile and Fashion Arts. WHEN EVENING CLASSES ARE IN SESSION
TOURS SMFA welcomes visitors to the campus throughout the year and
Monday–Thursday, 9 am–7 pm Friday, 9 am–5 pm Saturday, 8:30 am–1:30 pm
provides tours for those interested in diploma, undergraduate or graduate programs. Please visit the Admissions Office or call 617-369-3626 to schedule a tour.
CONTINUING EDUCATION ADVISING SMFA’s CE advisors can help you choose a course that is right for you, plan a path of study based on your strengths and interests and guide you in building a portfolio. 617-369-3644 / coned@smfa.edu
CAREER SERVICES CE students enrolled in full-semester credit- bearing courses have
HEALTH AND SAFETY It is the responsibility of all students, when they are on School property, to adhere to the School’s verbal or written health and safety instructions and guidelines.
SMOKE-FREE SCHOOL POLICY The Museum School is a smoke-free environment.
access to our Office of Career Services. We offer numerous professional development supports and resources including job links, internships, and community partnership opportunities. smfa.edu/career/ smfa.edu/artsource
INCLEMENT WEATHER CLOSING Call 617-369-3900. SMFA.EDU
18 COURSE + WORKSHOP SCHEDULE
COURSE START DATES + TIMES
MONDAYS 9:00 AM–12:15 PM WEDNESDAYS 6:30 PM–9:45 PM PAI 1093 C1
Splash: Watercolor and Water-Based Mixed Media
FND 1010 CI
Art as Process
MONDAYS 2:00 PM–5:00 PM CRX 1040 C1 Color Theory for Artists, Designers, + Color Curious PAI 2051 C1
Mapping: Drawing and Painting
PRT 4021 C1
Monoprint
MONDAYS 6:30 PM–9:45 PM DES 1015 C1 Design Generation with Photoshop + Illustrator DES 1012 C1
Beginning Graphic Design
SCP 1086 C1
Instrument Design: Guitar + Dulcimer
DES 2063 C1
Intermediate Illustration
DES 1060 C1
Drawing for Illustrators + Narrative Realists
DRW 1027 C1
Works on Paper: Mixed Media Drawing
DES 2058 C1
Visualizing Information
PRT 2062 C1
Screenprinting: The Whole Story
PRT 2011 C1
Lithography: Nuts + Bolts
DES 1021 C2
Fundamentals of 2D Design
DES 2045 C1
Illustration: An Introduction
DES 2066 C1
Intermediate Graphic Design
THURSDAYS 6:30 PM–9:45
TUESDAYS 6:30 PM–9:45 PM DRW 2090 C1 Experimental Life Drawing DES 1017 C1
Graphic Novel
FLM 1015 C1
Introduction to Filmmaking
CMP 1039 C1
Image Animation
PHT 1030 C1
Digital Photography 1
DRW 2011 C1
Anatomy: Skeleton
PAI 2002 C1
Painting from the Ground Up
DES 1021 C1
Fundamentals of 2-D Design
SCP 1140 C1
Sculptural Fiber
DES 1014 C1
Introduction to Typography
MTL 1015 C1
Around the Ring: Beginning Jewelry
PAI 2050 C1
Portrait Painting + Drawing
MTL 2110 C1
Chaser’s Edge Intermediate Jewelry
CER 2036 C1
Ceramics: Wheel Throwing
CER 1018 C1
Beginning Ceramics: Handbuilding + Construction
PAI 2052 C1
Realist Painting
FRIDAYS 9:00 AM–12:15 PM DES 1023 C1
Illustrator as Designer
SATURDAYS 9:00 AM–12:15 PM
WEDNESDAYS 9:00 AM–12:15 PM PAI 2052 C3 Realist Painting DES 1012 C3
Beginning Graphic Design
PHT 2050 C1
Digital Photo: Practical Post Production
WEDNESDAYS 2:00–5:00 PM DES 1012 C2 Beginning Graphic Design DES 2028 C1
Introduction to Adobe Illustrator
WORKSHOPS
START THROUGHOUT THE SEMESTER
TUESDAYS, SEPTEMBER 29–NOVEMBER 3, 6:30 PM PAI 1090 N1
SATURDAYS 1:00–4:15 PM CMP 2035 C1
Introduction to Web Design
DES 1016 C1
Illustrating Children’s Books: Beginning to Intermediate
PAI 2052 C2
Realist Painting
Color for Real (Six weeks)
MONDAYS, OCTOBER 19–NOVEMBER 16, 7:00 PM CRX 1027 N1
Culinary Aestheticism (Five Weeks)
SATURDAYS, SEPTEMBER 12–NOVEMBER 28, 9:00 AM SATURDAY, OCTOBER 24, 9:00 AM DRW 1050 N1
Portrait Drawing (Twelve Weeks)
CRX 2050 N1
DELVE-Your Unique Story (ONE-DAY)
SATURDAYS, SEPTEMBER 12–NOVEMBER 28, 1:00 PM MONDAYS, NOVEMBER 2–NOVEMBER 30, 6:30 PM DRW 1094 N1
The Body in Question: Drawing & Painting (Twelve Weeks)
PAI 1087 N1
Watercolor and Inventive Thinking (Five Weeks)
SATURDAYS NOVEMBER 7–DECEMBER 12, 9:00 AM THURSDAYS, OCTOBER 1–OCTOBER 29, 6:30 PM PAI 1043 N1 Ink Painting + Chinese Calligraphy PAI 1055 N1 Watercolor: The Basics (Five Weeks) (Five Weeks: no class on Nov. 28) SATURDAYS, OCTOBER 3–OCTOBER 24, 1:00 PM SATURDAY, NOVEMBER 14 + SUNDAY, NOVEMBER 15, 9:00 AM PHT 2055 N1
Lighting your Image—From DIY to Pro-Studio (Four weeks)
PAI 1141 N1
Step by Step: Oil Painting for Beginners (Weekend Workshop)
TUESDAYS, OCTOBER 13–NOVEMBER 17, 6:30 PM SATURDAY, DECEMBER 5 + SATURDAY, DECEMBER 12, 9:00 AM DRW 1023 N1
Drawing in the Zone (Six weeks)
SATURDAYS, OCTOBER 17 + SUNDAY, OCTOBER 18, 9:00 AM PAI 1030 N1
SMFA CE FALL 2015
Painting with Acrylics (Weekend Workshop)
PAI 1032 N1
Watercolor Bootcamp (Two Days)
CLASS INFORMATION
FALL 2015
REGISTRATION
CLASS NUMBER + NAME
$ TUITION
CLASS NUMBER + NAME
$ TUITION
CLASS NUMBER + NAME
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CLASS NUMBER + NAME
$ TUITION
ALT. CLASS NUMBER + NAME
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FULL NAME
SOCIAL SECURITY NUMBER OR TAX ID (REQUIRED FOR CREDIT COURSE ENROLLMENT)
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STATE
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ZIP
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DISCOUNT / VOUCHER: $ SEMESTER REGISTRATION FEE: $50
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DIPLOMA
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CE
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SIGNATURE OF PARENT OR GUARDIAN IF APPLICANT IS UNDER 18 YEARS OF AGE BY SIGNING THIS APPLICATION I HAVE READ AND AGREE TO THE ACKNOWLEDGEMENT AND RELEASE AGREEMENT (SEE BELOW), UNDERSTAND THE REFUNDS AND WITHDRAWALS POLICY, AND AM AGREEING TO BE REGISTERED FOR THE ABOVE MENTIONED SEMESTER. ACKNOWLEDGEMENT AND RELEASE AGREEMENT: I (WE), BY SIGNING, ACKNOWLEDGE THAT MANY OF THE ACTIVITIES OF THE SCHOOL OF THE MUSEUM OF FINE ARTS, BOSTON (SMFA) INVOLVE WORK WITH POTENTIALLY DANGEROUS MATERIALS AND EQUIPMENT, AND I (WE) ACKNOWLEDGE THAT SMFA MUST AND DOES RELY UPON EACH STUDENT OR PARTICIPANT IN ITS ACTIVITIES TO ASSUME RESPONSIBILITY FOR ACTING AT ALL TIMES TO PRESERVE HIS OR HER OWN SAFETY AND THE SAFETY OF OTHERS. I (WE) ACKNOWLEDGE AND ACCEPT THE RESPONSIBILITY OF THE STUDENT OR PARTICIPANT TO INQUIRE AND TO SATISFY HIMSELF OR HERSELF AS TO SAFE PROCEDURES, SAFE USE OF ARTISTIC MATERIALS, AND THE SAFETY OF SCHOOL ACTIVITIES GENERALLY, AND TO INFORM ONE OF THE ADMINISTRATIVE DEANS IN WRITING OF ANY PROCEDURES, ACTIVITIES, INSTRUCTION, OR CIRCUMSTANCES AT SMFA THAT THE STUDENT OR PARTICIPANT BELIEVES MAY POSE A THREAT TO SAFETY. I (WE) EXPRESSLY ACKNOWLEDGE THAT SMFA DOES NOT ASSUME RESPONSIBILITY TO SUPERVISE STUDENTS OR PARTICIPANTS OR TO ASSURE THEIR SAFETY. I (WE) HEREBY RELEASE SMFA, THE MUSEUM OF FINE ARTS, BOSTON (THE “MUSEUM”), AND THEIR OFFICERS, EMPLOYEES, REPRESENTATIVES, AGENTS, AND MEMBERS OF THEIR GOVERNING BOARDS FROM AND HEREBY AGREE TO INDEMNIFY AND HOLD THEM HARMLESS FROM ANY LIABILITY FOR INJURY, DAMAGES, OR LOSS ARISING FROM ACTIVITIES AT OR CONNECTED WITH SMFA OR THE MUSEUM, UNLESS SUCH INJURY, DAMAGE, OR LOSS IS SOLELY CAUSED BY THE NEGLIGENCE OR INTENTIONAL MISCONDUCT OF THE MUSEUM AND/OR SMFA OR ANY OF THEIR OFFICERS, EMPLOYEES, REPRESENTATIVES, OR AGENTS. I (WE) FURTHER RELEASE AND AGREE TO INDEMNIFY AND HOLD HARMLESS ALL STUDENTS AND OTHER INDIVIDUALS AND ENTITIES ASSOCIATED WITH OR ACTING ON BEHALF OF SMFA OR THE MUSEUM (AS DESCRIBED ABOVE), FOR ANY INJURY, DAMAGES, OR LOSS ARISING OUT OF TRIPS SPONSORED BY SMFA. THIS ACKNOWLEDGMENT AND RELEASE AGREEMENT IS INTENDED TO TAKE EFFECT AS A SEALED INSTRUMENT AND SHALL BE GOVERNED BY THE LAWS OF THE COMMONWEALTH OF MASSACHUSETTS.
SCHOOL OF THE MUSEUM OF FINE ARTS 230 THE FENWAY BOSTON, MA 02115
SMFA.EDU
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CLASSES + WORKSHOPS CONTINUING EDUCATION FALL 2015
Learn about undergraduate, graduate, and certificate programs at
smfa.edu/programs-of-study