verge may 2010 by matt plocha

verge augusta

in this

issue

may 2010

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contents 9

An Encounter with Shama Cartwright PM Rogers captures the essence of Rebel Lion Den’s owner

Making Marriage Matter

The Sixth Annual Loft Tour

The Man Behind the Beauty of LINES ballet

Guitar Virtuoso Thom Bresh and His Dad

Eighth Street Grows Business by Business

Bringing Abstract Art Down to Earth

A Weekend of BBQ and Bluegrass

The Art of Busking: Joshua Kendrick

Prologue to A Column

The Inkling Now Accepting Submissions

Aiken’s FAMCO provides tools for long-lasting marriages

Gould Hagler brings a fresh face to this year’s downtown tour

Alonzo Davis speaks about his vision and passion for dance

Night of film and music pays homage to Merle Travis

Three new businesses join growing community

Brian Rutenberg joins the Morris’ Terra Cognita series

Papa Joe’s Banjo-B-Que promises a real hootenanny of a time

Even as success comes, he loves making music on the streets A new monthly column dedicated to the written word

Second annual literary journal will publish in September

experience more

5 7 21 21 24 27 27 29 31 34 37 39 39 41 41 45

volume three issue three

smatterings discover downtown & meet your d(a)2 art : the photographs of kay duvernet theatre : quickies! 10-minute play festival pipeline : may’s highlights chefspeak : will harrison of the boll weevil beers locals like : choice brews for warm days uptown : augusta & columbia county across the river : north augusta & aiken music : justin townes earle at sky city on the flip side : jemani and tommy od & the survivors cut the fat : part ten fresh food : gurosik’s farm at saturday market past times : the union baptist parsonage in progress : the emporium part III the last word

on the cover: cool bass by ann delorge

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verge publisher Matt Plocha editor Lara Plocha pipeline editor Claire Riche web guy Mr. Verge photographers Katie McGuire Chris Selmek Editorial content of verge is the opinion of each contributing writer and is not necessarily the opinion of verge, its staff or its advertisers. Reproduction in whole or in part without written permission is prohibited.

smatterings / notes from the publisher Thank you, Augusta! When we began verge over two years ago, we made a commitment – to focus on the great events, people and places that make up our local community. verge has had laser vision in regards to building up community relationships while challenging our readers to step outside of everyday normal comfort zones and become part of the larger community. We have encouraged our readers to aspire for a safer, cleaner and more community-centric city. We have promoted change in our thought processes and how we go about living in a community by putting it and others first. We have encouraged growth of that community by being inclusive and inviting you to become a part of the community family. We have challenged the community to rise above self interest by encouraging readers to be an active participant in it. All of the messages that verge has promoted over the past two plus years will continue and grow stronger. Our vision has not changed; it has just been given a chance to grow more.

verge is printed on 50% recycled stock. It may be recycled further, please do your part.

On Friday, April 29, the announcement came out that verge and the Metro Spirit have joined forces. While that news may surprise some, amaze a few and, maybe even, shock some, the concept of merging two companies who are committed to serving our community provides a greater opportunity to build on the unique qualities and energy of both companies.

The owners of Portico Publications and verge are of one mind when it comes to serving the community through responsible reporting, challenging the

verge is a free monthly publication

advertising publisher@vergelive.com got a story tip? editor@vergelive.com free event listings pipeline@vergelive.com letters to the editor editor@vergelive.com mail P.O. Box 38 Augusta GA 30903 submit your ideas editor@vergelive.com

status quo and fulfilling the needs of our community through responsible partnerships. We are truly humbled to be the stewards of this newly formed partnership (editor’s note: Matt will become the publisher of both Metro Spirit and verge). What does this mean for verge? verge will continue to publish monthly and provide the same excellence in media responsibility to the Augusta market that you have come to know and depend on. Our writers will continue to seek out those people who are doing great things (often quietly) for our community, those events that shape our community and the places that set our community apart. With all change, there comes great responsibility and we are ready for that calling. This partnership between two great media companies could not have happened without the unwavering support and loyalty of verge’s business partners, readers, supporters. For that, my family and I thank you! We are looking toward the future – developing and delivering timely, well-written and thought provoking publications to our readers. Our commitment and vision remain true and Portico Publications embraces this vision and the accompanying responsibility it brings in serving our community. We consider it a privilege to be in such great company and we are looking forward to being the steward of this message to the Augusta market with fair, balanced, challenging, uplifting and responsible products. Our concentration will be to partner with and build up relationships in the

got news? we want to hear it Whether it’s a new product line or an addition

to your menu, a new employee or a new title, an addition to the family or a request for help, verge wants to hear from you. Send your “quick clips” to editor@vergelive.com by the 20th of each month for inclusion in the next issue.

cover artist: ann delorge “I am

a native Southerner and moved to New Orleans, Louisiana, in 1971 where I began my painting career in watercolors. As my love for the medium grew, I began producing limited edition serigraphs and painted several sets of prints for New Orleans Images gallery in the French Quarter to reproduce exclusively. Katrina carved out some changes in the New Orleans gallery scene but I still have work in some that are left. As my painting gradually evolved, I started experimenting with acrylics on canvas while listening to contemporary jazz. These two new interests melded into what I call my “Jazz Art.” I’ll be living in Georgia now until... but will continue painting the jazz I love and other things I find interesting...with a New Orleans flavor.

”

VERGELIVE.COM

Ann deLorge now lives in Augusta, Georgia, and her work can be found at Art on Broad (1028 Broad Street). You can also meet her in person at the Saturday Market on the River. JAZZARTPAINTINGS.COM

Augusta market. The combination of our new family of publications; the Metro Spirit, verge and Metro Augusta Parent will have positive impact on the market. We are looking forward to working with the staff at the Metro Spirit and are confident that combining our passions we will be able to serve you more effectively. So, if you read this again and count all the times I’ve mentioned community, you can be reassured that our vision is unwavering. Great things are afoot – we invite you (again) to be part of that vision. See you downtown! Matt

Publisher’s side note: Happy Mother’s Day to all the Moms! Happy Birthday Adam!

advertiser index 6 34 18 46 42 4 40 2 4 47 10 10 28 4 30 8 20 40 28 42 26 38 8 32 38 36 28 12 8 44 14 44 44 20 30 16 4 22 10 30 20 40 26

1102 Bar & Grill 1102 Back Bar Events 8th Street Tobacco A.B. Beverage Michelob Ultra Andy Jordans Lock to Lock Ride Artistic Perceptions Augusta Canal Augusta Tatoo Convention Blue Sky Kitchen Boll Weevil Cafe The Book Tavern Booz Gallery Brigans Land of Enchantment Casella Eye Center Curiosity Shop Downtown Dental DuJuor Fine Foods Edge Salon Elduets Treasures of the World Global Spectrum Halo Salon & Spa Health Central Imported Auto Exchange James Brown Arena Le Chat Noir The Loft Malibu Jack’s Manuel’s Bread Cafe Moon Beans/New Moon Café Nacho Mamas PeachMac Perry & Company PowerServe Rebel Lion Den re-fresh Rock Bottom Music Sanford, Bruker & Banks Soy Noodle House Stillwater Taproom Three Monkeys Gifts Vintage Ooollee The Well Zimmerman Gallery

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shop

discover downtown dine

play

live

Crosby’s Ladies Apparel

Caribbean Soul

Gunslinger Tattoo Parlor

Time in Design

Earnestine Thompkins is one of many customers who frequent Crosby’s Ladies Apparel because they say it is unique. “I find something new here every time I browse, and when friends of mine come to find the same thing they always end up finding something that suits them even better,” she explains. Crosby’s receives designer clothes from as far away as California and New York and specializes in church and special occasion clothes like dresses and hats. And if you can’t find exactly what you’re looking for on the rack, owner Mina Hinkle is happy to special order items. Crosby’s Ladies Apparel is open Monday through Saturday,

When Caribbean Soul opened, their goal was to bring to Augusta the authentic flavor and hospitality of the islands. One year later, people are still coming in who have never heard of the restaurant and want to experience it for themselves, according to cook Lovern Mentis. Jerk Chicken, seasoned to perfection with spices from the islands, is one of the most popular dishes, along with Caribbean soda or Fruit Punch. The restaurant is also open late on the weekends for the after-hours crowd, when the room fills up and orders for beef and chicken patties flood the kitchen. Caribbean Soul is open 11 a.m. to 4 p.m. Monday and Tuesday, 11 a.m. to 10 p.m. Wednesday and Thursday, 11 a.m. to 4 a.m. Friday and Saturday, and 1 p.m. to 6 p.m. on Sunday. Details: 706.814.7841

Customers won’t notice many stock images on the wall when they walk into Gunslinger Tattoo. That’s because everything they do is custom designed, the flash is only there to start generating ideas. According to artist Kyle Holt, “that only makes people want to get a tattoo more, because they know whatever they decide on is going to be unique for their body. Nobody else will have it.” Gunslinger features three tattoo artists with over 20 years of designing experience between them. The parlor is comfortable and the artists are happy to make suggestions or listen to ideas for designs. They also pride themselves on word of mouth advertising, which brings back customers who want quality work. Gunslinger Tattoo Parlor is open Tuesday through Saturday from noon to 9 p.m. Details: 706. 722.6211

Time in Design and Classic Impressions are two companies housed under one roof, but while the first deals mainly in cooperate advertising, the second features an in-house studio equipped for photographing boudoir photos, maternity photos or weddings. Amazingly, one man controls it all. “The difference between Classic Impressions and a studio like Walmart is that we use more dramatic lighting effects instead of just hard lighting,” said owner Donald Tilton. “We have more control of lighting and effects and I have twenty years of experience doing it.” Customers can expect to pay $500 and up for a shoot, which can be scheduled by calling 706.836.4393. CLASSICIMPRESSIONS.COM

970 Broad Street

10 a.m. to 6 p.m. Details: 706.722.3016

873 Broad Street

908B Broad Street

908A Broad Street

article and photos by CHRISTOPHER SELMEK

david hutchison, president / meet your d(a)² board The Downtown Augusta Alliance is a member-based non-profit group of downtown business owners and residents joining together to promote downtown Augusta as a destination and neighborhood. Over the next several months, verge will introduce you to each of the 2010 Board of Directors. David Hutchison currently serves as President. Name: David Hutchison Position: President Day job: owner of The Book Tavern How long have you lived in Augusta? I moved here in May of 2002 because of family and thoughts of opening the bookstore, so it’s been almost eight years now. After graduating college, I thought about getting a real job and said, nah, I’ll just retire early into my bookstore. That was when I fell in love with Augusta, although I had lived in Aiken as a kid so I kind of knew the neighborhood already. What does the Downtown Augusta Alliance mean to you? The organization is first and foremost here to foster relationships and develop downtown’s retail, restaurant and professional interests. The organization is much bigger than just the board; we only try to steer which way the organization is going to head. With the loss of Augusta’s Main Street Program, we didn’t have any organization that did exactly that, although there are a lot of good organizations that get involved in downtown, like the DDA [Downtown Development Authority]. Why did you decide to become a member? Being a board member is a way to give back to the community; a community that has fostered me in particular. What do you see as your role on the board? We have a really awesome board this year. Facilitator might be a good word for me. Technically, I am the leader but, in reality, I am coordinating the

energy of all eleven board members, which has actually been pretty easy so far. I have to maintain a face for the board by getting on television and the radio and forging relationships with other groups and businesses. Really, every board member is in some way responsible for the same things that I am, so my role is a lot of leading by example. What do you have planned for May? Our next big thing will be the Summer Solstice Stroll in June. May is kind of a light month for us, so I’m going to focus on some organizational details. There are some downtown businesses that have not yet approached us, and my goal is to increase our membership from 90 to 150 by the end of the year. What is your favorite thing about the downtown area? The people. It is one of the things that is super attractive about a downtown. You really get to know people in a way you wouldn’t in a mall or strip center. Although I can’t get everything I need downtown, most of my needs are met by the shops and services we have right here, and I get to see the same people while I’m shopping or relaxing that come into my store when they are doing the same. What are some of your favorite places in downtown Augusta? I am a super big fan of the Roosters Beak and Soy Noodle House. Even though Soy’s only been open a few weeks, I’ve been there to eat at least a dozen times already; it’s past time we have a really fine Asian cuisine place like that in Augusta. I also love Garden City Organics and I am a member of their CSA which means I get fresh fruits and vegetables, meats and you-name-it delivered every week, which is something anyone who lives downtown should look into. For more information on how to get involved in the Downtown Augusta Alliance, visit dasquared.com or catch David downtown. interview and photo by CHRISTOPHER SELMEK

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front porch / shama shammah cartwright

an encounter with the owner of rebel lion den

Walking down the 900 block of Broad, on the west side in late afternoon, it is a warm day but cool in the shade on this side of the street. Following the scent of incense, because it reminds us of our life before the kids, the mortgage, and television evenings, we stop at the entrance of Rebel Lion Den. The sign above, on the face of the building is “Rebel Lion Den, Lion of Judah, Culture Shop” in red and green lettering over a yellow background, and includes a coat of arms. We were in a hurry because you can’t miss the previews, but inside, while talking to the owner Shama Shammah Cartwright, you relax and I browse. Something about the man puts you at ease. He is stringing stones, making necklaces at the back counter. He wears black, red, yellow and green, in that order, from his brow going back. The beanie covering his head is very bright. You ask him about the colors and he says, “Together the colors represent African independence, the colors of life—red for blood, gold for sun, green for land, black for the people.” You give him a sidelong look and ask, “Black for the people?” I am thinking of the earth we all come from. He consoles you by saying “Black is all colors,” speaking of pigments. There are jars on the back counter containing sticks. He tells you it is real licorice. You tell him about loving black licorice when you were a child because it made your teeth black, but that now you hate it. To try the real thing you buy one for fifty cents. There are several types, flavored with essential oils, but you choose the plain and insist on chewing the stick then. I am trying to smell incense through a box when you ask him about the posters of Lauren Hill, Bob Marley, and others. He says that when he first listened to reggae, he questioned the lyrics of Bob Marley. You ask about the bass guitar nearby, leaning in a corner. Yes, he plays, and has CDs upfront from a band he played in called First Born—back when he worked at Ambassa Gift Shop. You tell him you like the name Rebel Lion because it is rebellion. He smiles, looks up and out towards the street and says it was his MC name. You are biting on the stick, silent, trying to figure him out like you do with everybody. “What was your name again?” You ask. “Shama Shammah Cartwright,” he says, and possibly because of your confused expression he adds, “Shama means obedient sent. Shammah means lord is present.” You insist on knowing more, and I am surprised at how relaxed the man is answering all your questions. He says he was born 1970 in Chicago during the ”self-consciousness movement,” explaining his name, and moved to Augusta in 1986. He says he went through a bit of culture shock, moving to the South. I hold back the laugh because I’ve been watching culture shock on your face since we walked in the place. In 1987 he was enrolled in the Upper Bound Program. He says he “lived on campus during the summertime” and that the program prepared him for college. After high school he joined the Navy and was an Interior Communications Electrician onboard a supply ship. He served in Desert Storm. His store has been in this building since 2002 and it will be eight years in May. He also tells you that he bartends at Tribeca Buddha Lounge and Shoe Bar. You ask, “Do I

have to leave my shoes at the door?” I’m walking around, moving clothing on the racks to see it better. When I am near again, I hear him say, “I had to create my own library because they don’t teach everything in school.” You agree. He says, “I read the Bible but read other books too, to broaden.” He suggests you read “The Kybalion,” an anonomously written book from 1908 about Hermetic Principles. He talks about universial laws. The law of vibration he says is that everything is in motion and never rests. You are listening intently as he talks about the law of rhythm, that “it’s like a pendulum.” Then he says something about duality, and cause and effect, and one flesh. I sidle up next to you—done touring. Shama says “We are creator creatures expressing our creative talents.” “Yes!” You say, excited, “We are made in his image.” He tells you that God’s law is love and about how thought becomes action if we are not “watching what we do, watching what we think.” You ask him about the poster in the front window. It has a black and white picture of a man who looks like he is on African safari. He even has one of those hard, brimmed hats on that could be used to bail water out of a boat, except for the holes in the top. The man’s name is Haile Selassie I. Below the poster there is a print out: “And one of the Elders saith unto me, ‘Weep not: behold, the Lion of the Tribe of Judah, the Root of David, hath prevailed to open the book and loose the seven seals thereof.’” The verse is from the book of Revelations. Shama tells us that Haile Selassie I is called His Majesty. That he was crowned in 1930, as Emperor of Ethiopia. That he was a descendant of the Line of David. You ask about the Rastafarian movement but his phone rings and he has to take the call. He needs to go pick up his son. As we are walking out with Shama he invites us to ride with him—he could tell us more. We decline, but you say we will be back soon. When he leaves we stand looking at the front display window, reading about “Universal Law” and “Universal Mathematics.” I drive on the way home and don’t interupt as you write in a notebook. I don’t mind the silence. When we get home you pay the babysitter too much, in my estimation. We check on the kids. Our five-year-old is still up. I tell you “I will read to him tonight.” I know you. You won’t be in bed till late. You remember everything Shama said and everything you saw. You won’t sleep until you’ve exhausted the Google machine—you have to know. I grab “The Hitchhiker’s Guide to the Galaxy” from the bookcase while you are starting up the laptop. He doesn’t understand all of it as I read, but he kind of laughs when I laugh, and it’s nice. by PM ROGERS photo KATIE MCGUIRE

from the writer’s notebook “Humanity by nature is gifted to think freely, but in order that his free thought should lead him to the goal of liberty, and independence, his way of thinking must be shaped by education.” HIS IMPERIAL MAJESTY, EMPEROR HAILE SELASSIE I

See Haile Selassie I on the cover of Time magazine from November 3, 1930: http://www.time.com/time/covers/0,16641,19301103,00.html It is believed that Haile Selassie is a descendant of Menelik I, the offspring of King Solomon and the Queen of Sheba, and that Menelik I brought the Ark of the Covenant to Ethiopia. Experience for yourself: Rebel Lion Den is located at 910 Broad Street.

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community / what’s love got to do with it?

building a strong foundation for marriage with FAMCO We can argue about anything. Who did the dishes last, who forgot to water the rhododendrons, why the dog ran away, and because we do not understand, we will quarrel over the etymologies of the words marriage and agapē. Or we can sit down, converse like adults, communicate, and prove through the action of listening that we do, in fact, love one another. The Family & Marriage Coalition of Aiken, Inc. (FAMCO) is an organization that seeks to preserve, enhance, and restore marriages, as well as guide future marriages through premarital counseling, not only for the benefit of couples that seek guidance, but also for the benefit of the community. Roger Rollins founded FAMCO because of the degeneration of society he saw in the community. He decided to become involved and took action with the creation of FAMCO. The organization established partnerships within the community, secular and church based to assist couples in need. FAMCO, depending on the nature of the problem, directs those seeking assistance to a party that can address their needs specifically and effectively.

When two people are under the influence of the most violent, most insane, most delusive, and most transient of passions, they are required to swear that they will remain in that excited, abnormal, and exhausting condition continuously until death do them part. GEORGE BERNARD SHAW Robert Murphy of FAMCO cited the book of Matthew while discussing the importance of premarital counseling. He explained the correlation between building on a foundation of rock versus building on a foundation of sand [Matthew 7:24-27] and beginning marriage with knowledge and preparation versus the parroting of vows not understood. He referenced statistics that show how “cohabitation before marriage raises the failure rate.” “People try to do things their own way, arbitrarily outside the owner’s manual,” said Murphy, pointing out that many young couples rush into marriage without the knowledge that a healthy marriage takes work, commitment, patience, understanding, and love. Through premarital counseling, FAMCO gives young couples the knowledge and tools they will need to work through the troughs of long term commitment. FAMCO is attempting to bring the premarital counseling of churches into the 21st century. Murphy emphasized that FAMCO “does not desire to circumvent the church,” only augment the counseling methods to address cultural pressures and influences that undermine marriages in modern society. By doing so, FAMCO preemptively “saves marriages and saves the community.” Although FAMCO is still a young organization, the premarital counseling has proven to be a success. Murphy said that many couples have extended their gratitude for the counseling they received, relating that the lessons they learned in counseling are still a resource in their daily lives as a couple.

In every marriage more than a week old, there are grounds for divorce. The trick is to find, and continue to find, grounds for marriage. ROBERT ANDERSON The mention of rising divorce rates is common in newscasts, but the alarming trend is overshadowed by the latest crisis or propagation of “what ifs” designed to stimulate fear so the viewer stays tuned. “Statistically speaking,” said Murphy “in any other institution, for instance a 50% drop in the housing market, will catch the attention of the president, of the world.” Nevertheless, the preservation and enhancement of interpersonal relationships is not an endeavor the government was designed to pursue—it is the responsibility of individuals and the community. FAMCO “promotes marriage,” said Murphy “because it is the demise of our culture to do otherwise, or nothing.” To support the necessity of promoting marriage, he cited statistics that show there are a disproportionate number of juveniles from single parent households in long-term correctional facilities. Divorce has a “generational effect on our children, and on our children’s children,” he said.

FAMCO teaches struggling couples the original design of marriage, how two are joined into one flesh—why divorce is such a painful separation. Couples are taught the true meaning of the word love. “Love is with the other person in mind,” Murphy said, clarifying that “God defined love as doing something for someone else.” To have an understanding of love is to know it is not merely emotion—love is action.

Like good wine, marriage gets better with age - once you learn to keep a cork in it. GENE PERRET Communication is the key to enjoying marriage, or any relationship—without it there is misunderstanding which leads to dispute. Murphy advised that when in an argument, one should not resort to rhetoric, merely trying to win. He said to “use love as a filter for the words that pass between your lips.” In other words, one should not say anything that is not from love.

Robert Murphy teaching at a Conflict Resolution by Design workshop.

He used an open water bottle to illustrate the point. “Everything, as we talk, comes from the heart,” he said holding the bottle. “What comes out of it was already there,” he said shaking the container in a circular motion. “What comes out of your heart is what you filled it with” he said, watching the water spill out. His point was that if one allows anger and fear into one’s heart, then one’s words are colored by that negativity, especially in the heat of argument. What comes out in an argument, under the duress of turbulence, he said, is the “word that is written on your heart.” Therefore, love is needed as a filter. He extended the lesson and said that couples need to be aware of “how culture uses words,” of how the “original intent of words are confused.” The word love, defined as emotion, is an example. “If you can get a truth concept of love, it will radically change” the way you see the world, others, and will affect your actions and thinking. Couples often have “two different ideas of love,” he said, and need “to go to an impartial, absolute truth” for reference. The impartial, absolute truth serves as a foundation for mutual understanding. Murphy suggested reading War of Words: Getting to the Heart of Your Communication Struggles by Paul David Tripp, as an aid for communication.

In a time when nothing is more certain than change, the commitment of two people to one another has become difficult and rare. Yet, by its scarcity, the beauty and value of this exchange have only been enhanced. ROBERT SEXTON

the face of a happy marriage: Cleve (a FAMCO board member) and Barbara Walker

And Pharisees came up to him and tested him by asking, “Is it lawful to divorce one’s wife for any cause?” He answered, “Have you not read that he who created them from the beginning made them male and female, and said, ‘Therefore a man shall leave his father and his mother and hold fast to his wife, and the two shall become one flesh’? So they are no longer two but one flesh. What therefore God has joined together, let not man separate.” They said to him, “Why then did Moses command one to give a certificate of divorce and to send her away?” He said to them, “Because of your hardness of heart Moses allowed you to divorce your wives, but from the beginning it was not so. And I say to you: whoever divorces his wife, except for sexual immorality, and marries another, commits adultery.” The disciples said to him, “If such is the case of a man with his wife, it is better not to marry.” But he said to them, “Not everyone can receive this saying, but only those to whom it is given. MATTHEW 19:3-11 [ESV] For more information: AIKENFAMCO.COM by PM ROGERS photos courtesy of FAMCO

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living / an intimate look at downtown living

new chair gould hagler brings fresh face to annual loft tour LOFT TOUR BASICS The sixth annual Loft Tour,

sponsored by Historic Augusta Inc., will take place May 7 and 8 at historic locations in the downtown area to give residents and tourists a peek behind the closed doors of Augusta’s past. The tour begins at 6 p.m. Friday evening, Local restaurants will donate appetizers for each of the ten sites along the selfguided tour, which will run until 9 p.m. in conjunction with the First Friday festivities. The tour continues from noon to 5 p.m. Saturday. “We hope people will come out not only for the tour, but also have dinner and enjoy our downtown and everything it has to offer,” said Julia Jackson, Programs and Marketing Director for Historic Augusta, Inc. Guests with the official tour lanyard will be admitted to any tour building in any order, though a tent set up on Broad Street in front of the New Moon Café will provide maps of the area and historical data on each of the ten sites. “That makes it more interesting, not only do they get to look at the architecture and furnishings, but they also get to know about the place in a historical context,” said Jackson. “Everybody likes looking behind closed doors, and this gives them an opportunity to see how people lived in Augusta a long time ago.” Sights on this year’s tour will include the Imperial Theatre, the Emporium, the Parsonage behind Union Baptist Church, Enterprise Mill, the Slusky Building, the Stovall-Barnes House, Marbury Center and a single family home at 611 Telfair. “Downtown is definitely a mixed use neighborhood, which includes family housing as well as office spaces, stores and churches, so the tour can’t only cover lofts,” said Jackson. “We try to showcase the diversity of buildings and how they continue to be of use today.” Jackson, who has helped to plan the last four loft tours in addition to this one, said that Historic Augusta Inc. makes an effort to choose places of historic interest and to make the experience unique for every visitor, as well as choosing a variety of finished and in-progress renovations.

“Everybody likes looking behind closed doors and this gives them an opportunity to see how people lived in Augusta a long time ago.” - JULIA JACKSON, HISTORIC AUGUSTA

“It really is neat to have been a part of it this many years because we change sites every tour,” she said. “When we do use a building twice, we try to make sure it’s either a different loft within the same building or the building has changed residents, that way the public is never seeing the exact same thing twice. It’s a different experience every time.” “It’s a wonderful way to get out and learn about the community,” she continued, “and ultimately it’s a good way to support Historic Augusta, Inc.” Historic Augusta is a nonprofit historic preservation association

THE TOUR’S FRESH FACE: GOULD HAGLER The annual Loft Tour has increased in popularity due to exciting sites, interesting architecture, and providing the opportunity to see inside someone’s private residence, experience their unique decor and relationship to the space they inhabit. Each space on the tour is unique, with distinct features and history that showcase Augusta’s history and celebrate the preservation of that history. The tour has a fresh approach this year due in large part to tour chair Gould Hagler.

Hagler originally joined Historic Augusta to take a date to the annual and widely loved Cotton Ball. However, his youthful energy and love for Augusta soon led him to become actively involved in Historic Augusta. He brings a decidedly youthful outlook and energy to the tour. He is ardent about making the living potential of downtown Augusta known to its citizens. Even though Hagler grew up in Augusta, there were still surprises for him on the tour. “For me the coolest building on the tour is the Thomas & Maxwell Furniture Building. I was really excited to see that it was on the tour because that place is such a presence on Broad. I’ve liked that building since I was a kid, so I was happy to hear that there was a loft up there,” Hagler said. However, for Hagler, the tour’s potential runs much deeper than showcasing the properties themselves. The ultimate goal of the tour is to show Augustans what downtown living is like. While many people might come downtown to work or dine, they have no idea about the unique and beautiful living opportunities downtown has to offer. Hagler sees it as a way for Augustans to observe the quality of life that can be enjoyed from just being downtown.

that’s worked to save historical buildings all over Augusta. Downtown Augusta is a historic district, as well as being nationally registered, and it contains a variety of historic buildings. “We’ve started to encourage the reuse of these buildings, and the loft tour is a fun way for the public to get a look at places they might not regularly see,” said Jackson. Tickets are $15 in advance, or $20 on the day of the tour, and can be purchased by visiting Historic Augusta or from the New Moon, Sheehan’s Irish Pub or Mellow Mushroom. by CHRISTOPHER SELMEK photo KATIE MCGUIRE

“The downtown community is a gem within Augusta, but downtown has a stigma that it can’t get away from; a stigma that it is somehow unsafe. I read sometimes that people are fearful of crime that happens downtown. Crime happens everywhere, it’s not more prevalent in one area or another. My entire life, I have never experienced a problem, and, if someone has, I hope that it would not be serious enough to deter them from [downtown] the rest of their lives.” Hagler explained. Hagler’s sentiments are echoed by Julia Jackson of Historic Augusta. While some might associate downtown living with younger generations, Jackson says people might be surprised to see that living downtown “doesn’t only attract the young hipsters.” Jackson notes, “People of all stages of life live and work downtown. It’s nice for young professionals or retirees looking to downsize, or young families. There are lots of different people living downtown, all who enjoy it for different reasons.” One such inspiring property on this year’s tour is the Stovall-Barnes House on Greene Street. The property was on Historic Augusta’s endangered properties list – historic sites throughout Augusta that are in danger due to chronic vacancy or neglect. The Stovall-Barnes House was recently purchased and carefully restored by three Historic Augusta board members. A three bedroom apartment in the home will be on the tour. By taking the tour, guests will have the opportunity to meet the people that weave the fabric of downtown Augusta’s community and be able to see the benefits and enjoyments that living downtown can provide. Through celebrating the rich architecture and history of Augusta, citizens today will contribute to the preservation of that history while simultaneously celebrating history in the making. by CAITLIN READE O’GRADY photo KATIE MCGUIRE

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dance /alonzo king and the science of ballet

the alchemist of choreography creates an intriguing wonder “Great lives are great dances. You witness in

them the balance of law and spirit, logic and feeling, irony and obstacle, as well as the equilibrium of truth and the great alchemy of unstoppable will.” ALONZO KING

Alonzo King founded LINES Ballet of San Francisco in 1982, combining cultural traditions and classical ballet into a unique art form that communicates not only music but also shared humanity. Since its inception, LINES Ballet has traveled the world and performed before capacity crowds, speaking the internationally interpreted language of dance and bringing a message of global unity. In advance of LINES Ballet’s Augusta performance, Alonzo King, artistic director, spoke to verge about the production, its vision, and how growing up in Georgia influenced his craft. KING: Ballets like Swan Lake, Giselle, Copellia and Sylphides are what people think of when they think “ballet.” These are constructions that use the movement science known as ballet to create these particular dances. These constructions created by choreographers from a specific period in time have become what people define as ballet. The look and style of these choreographies are not ballet, but have more to do with the ideas and belief systems at a particular time in European history.

VERGE: What’s new for LINES Ballet this year, and which production will you bring to Augusta? KING: LINES just completed a ten-week domestic and European tour, and we are about to begin our San Francisco Home Season with a premiere with singers from San Francisco Opera’s Adler Fellows. These four singers will be interwoven into the new work of art songs, dancing onstage as well as singing. After the season, I go to create a premiere for Les Ballets de Monte Carlo and then join the company for a week of performances at Maison de la Danse in Lyon, France. We then have two weeks of performances at the Montpellier Dance Festival, where LINES will be filmed performing live by the European PBS ARTE. We continue to the Edinburgh Festival and performances in Seoul, Korea and China after that. We are bringing two beautiful works to Augusta, RASA and REFRACTION. Both are danced by the full 10-member company, the first composed by tabla master Zakir Hussain, and the latter by jazz star Jason Moran. VERGE: LINES opened a school in 2001 and also has a Dance Center that offers classes to the general public. What is it about ballet, and dance, that creates such a universal appeal and speaks to so many people without saying a word? KING: Movement is the principle expression of life. We know that things are alive by their movement, whether its brain waves, breath or physical action. We all have the same physical instrument in common — the body — and it’s interesting to watch people communicate with that instrument. All that is codified in ballet, or what I prefer to call Western Classical Dance, is found in nature. Straight line and circle compose all that exists. Everything is dancing — fixed stars that have shimmered in place for eons through gravity’s magnetic pull; the human being striving to maintain poise against obstacles, radiating in joy or collapsing in suffering. Great lives are great dances. You witness in them the balance of law and spirit, logic and feeling, irony and obstacle, as well as the equilibrium of truth and the great alchemy of unstoppable will. VERGE: It’s been said that you “understand ballet as a science.” What, exactly, does that statement mean?

The origin of ballet, contrary to most ballet history books, has its rise in Persian, Indian and Islamic cultures. The term arabesque, the pavane — which predated the waltz — all speak of other origins. Arabia rose to great power in the seventh and eighth centuries. Arabs conquered and converted peoples from India to Spain, and from the borders of China to northern Egypt. However, their chief contribution to the progress of this Dark Age was the scientific learning which they received mostly through their contact with the decayed but still glorious civilization of India, and which the Arabs disseminated to the Europeans. Many great universities dotted the Moslem world and influenced the later universities of Paris, Oxford and other European centers. The University of Cairo boasted 12,000 students from all parts of the world, so great was the Arab fame for knowledge in mathematics, physics, chemistry, medicine, pharmacy and the use of anesthetics. The introduction of the so-called Arabic numerals, brought from India, was a great stimulation to the European mind. In algebra and spherical trigonometry, the Arabs made great strides; they built astronomical observatories and produced some of the best astrologers of the time. From the Chinese, with whom they traded, came their knowledge of the manufacture of paper and the use of the magnetic needle in navigation. While the monastery schools in Europe were teaching the flatness of the earth, the Arabs were using globes to teach geography. Arabic translations of Aristotle and other Greeks were the introduction of Europe, in the 15th century, to the genius of Grecian thought and literature. Thus it was that the Arabs played a great constructive part in the onward march of progress. It would be a laughable mistake to think that they didn’t bring the geometric understanding of what we call ballet. Ballet is a science of movement that produces specific results and can be manipulated in countless variations and manifestations. Like yoga, it is based on universal physical principles and modalities. Viewing the present as the peak of civilization that has emerged from an inferior past is a misconception which future historians, in the light of much fuller research and more unfettered minds, will discard. VERGE: The Augusta performance is a return to your home state, as you were born in Albany to parents who were civil rights activists. How did their courage and strength, and the lessons you learned from them, impact LINES productions and your goals for bringing dance as a unifying medium to the world? KING: People who actually have aligned what they want to do and what they should do are teachers for all of us. People who actually live what they preach are an inspiring example of how life can be lived. When observing anything, most of us are concerned with motive. What is causing this person, animal,

plant, to do this. A motive that is unselfish and considers the concern of others is alarmingly beautiful. Who wouldn’t want to dance like that? My beginnings in Georgia continue to be an encyclopedia of information on the human condition. VERGE: With so many awards, collaborations and accomplishments to your credit, what continues to challenge you, and what remains to be accomplished for both you and LINES Ballet? KING: Who am I? What is the meaning of life? Where did I come from and where will I be going after death? These are the serious questions that take up a lifetime of discipline, excavation work and discovery. Awards are wonderful acknowledgements, and accomplishment feels good, but the overarching goal is self-realization for all of us. Alonzo King’s LINES Ballet is presented by the Augusta Ballet as part of their Seventh Annual Gala. The Gala will be held immediately following the performance at The Richmond Hotel. Gala tickets include the performance and the gala. However, tickets to the ballet can be purchased separately. by ALISON RICHTER photos courtesy of LINES BALLET

plan to go date FRIDAY MAY 7 venue THE IMPERIAL THEATRE event ALONZO KING’S LINES BALLET time 7 PM tickets $17 to $35

gala tickets $135

more AUGUSTABALLET.ORG | 706.261.0555

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film & music / guitar virtuoso thom bresh

honoring his father merle travis in a night of film and music Promoter Mike Deas and Augusta Amusements will present another night of movies and music on May 29 at Fort Discovery’s Paul Simon Theater. This month’s event rolls out the red carpet and honors active military with the classic film From Here To Eternity. The movie features the hit single “Re-Enlistment Blues,” by Merle Travis. In honor of this legendary artist, his son, Thom Bresh, will perform after the screening. Calling Thom Bresh a guitar virtuoso would be an understatement. A 2001 inductee into the Thumbpickers Hall of Fame, Bresh has a gift that literally defies written words. He is often described as an entertainer because his performances involve more than song after song, but song after song would be enough, as Bresh makes the instrument speak in ways that are rarely heard. And while his technique is inimitable, he’s the first to say that it’s more than the fingers; it’s the heart. Thom Bresh spent almost two hours talking to verge about guitars, music, guitars and music. The following is an excerpt.

“We used to make good music that people remembered twenty years later.

What do they do now?

They’re going for songs to hit whoever is buying.” THOM BRESH

VERGE: Let’s begin with an update. BRESH: I moved from Nashville to Arizona. I’m in the mountains and desert, and I’m working a lot. I’m shooting videos and a documentary, and recording an album called @home. I’m also rehearsing, because I’m going on the road with Nokie Edwards [of The Ventures]. We’ve known each other for years, and we’re having a ball putting together this show. It’s just us. I still do my impressions and a salute to my father, but there’s the added dimension of Nokie, and people get to hear another side of him, because he is so much more than “Wipe Out” and “Pipeline.” VERGE: How far along are you with your home studio? BRESH: It’s basically done. It’s a project studio, not a tracking studio. During the last 10 years or so, recording has become a process where you track, pick up your hard drive, pay the bill, go to your project studio and overdub. My studio here is all operating; I’m in the process of, as I work, finding out what isn’t gelling right. It’s all computer-based. I have three Macs, three 57inch and a couple of 40-inch and a 17-inch monitor, preamps, outboard, analog to digital interface — once it leaves the mic it’s all in the digital realm — and an assortment of mics. VERGE: Your stage setup is basic and you’re widely recognized for your acoustic guitar work, but you have clearly embraced technology. BRESH: When MIDI came out, I was waiting for a MIDI guitar. I followed people who were doing things with early MIDI, and nobody had done an album where every instrument was controlled by the guitar. I didn’t want a band. I wanted to play all the instruments, and I did not want a drum machine or loops, so I got a MIDI guitar setup and they were horrid. You would hit a note and half a second later it comes out, and you had to go through and take out all the notes from just moving your hand. It took two and a half years for them to make the next generation. The guitar is pure on top of my setup. [Bresh goes synth into stereo DI.] No one says anything if you have five guys in a band, but if you do it all yourself ... it’s the same thing, but I trigger the instruments with a guitar. Now, you can plug into a Mac with GarageBand and rock out and it’s incredible.

VERGE: How do you feel about today’s music? BRESH: Music is emotion, that’s all it is. It’s hard to find now because nobody records emotional music. Studio recordings are just machines. It’s new and improved Tide. It’s not about the song. They’ll spend three or four months of studio time tuning the vocal because the singer can’t sing. You don’t need talent anymore. We used to make good music that people remembered 20 years later. What do they do now? Everything is electronic. They’re going for songs to hit whoever is buying. It’s a bittersweet day. I’m happy to see record companies sinking in their tar pits. They gave us wonderful things in a day and age when they understood that music is an emotion that touches the heart. It’s not about taking the hum out of a guitar and tuning every note to perfection. Listen to “When a Man Loves a Woman” — it’s not perfectly in tune, but it sure gets the point across. I’m not saying everything has to be old-fashioned, but a lot of what I hear — great songwriters in Nashville can’t get recorded. Kris Kristofferson would never get signed today.

I love and embrace technology and the Internet, but I wish people would buy music, for the sake of the writers who have to get paid. People find things on the Internet, think it’s cool, they download it and pass it around, and at 1000 times five cents, you rob somebody. This generation doesn’t understand the concept of paying for music. Reserved seats for the May 29 movie and concert can be purchased at www.augustaamusements.com for $25 and $20. From Here to Eternity will begin promptly at 6:30 p.m. Thom Bresh will take the stage at the conclusion of the movie. BRESHMAN.COM by ALISON RICHTER photos courtesy of THOM BRESH

I get all worked up because it doesn’t need to be that way, and it shouldn’t be that way. People are getting robbed. If you are over the age of 26, most likely you will not get a record deal. It has nothing to do with your voice. What they shove down our throats versus what people care about are two different things. Get out of a three-mile radius of Music Row and people want to hear good songs.

plan to go

The plus side is that the dinosaurs are yelling. The record companies — I hear you squawking; go ahead, you’re going in the tar pit. Your long necks are still out there, but the rest of you is submerged. It’s not about payoffs and being on the radio, because you can get on the Internet stations. It’s all changing and it’s all good, because the music is out there and you’ve got a worldwide audience.

event A SALUTE TO MERLE TRAVIS:

date SATURDAY MAY 29 venue FORT DISCOVERY’S PAUL SIMON

THEATER AN EVENING WITH THOM BRESH

time 6:30 PM tickets $20 to $25 more AUGUSTAAMUSEMENTS.COM

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new business /eighth street revival continues three new diverse businesses join growing community

The stretch of 8th Street between Broad and Greene has always been home to some of Augusta’s most unique businesses. Rock Bottom Music Shop, at one end, has long been a starting place for those looking to take the stage, while Eighth Street Tobacco specializes in hard to find cigars, beer and wines, and provides a comfortable setting for college students and other young adults. Eighth Street Tobacco’s forthcoming restructuring and possible expansion on 8th Street is only one of several changes that have made the block popular with the Augusta arts scene. “It’s always good to keep things moving and change things up a little,” said Andrew Gordon, one of the managers at Eighth Street Tobacco. “The whole city is getting good on every street, but 8th Street in particular is becoming really popular lately.” I Zoom studio, featuring Keep It Forward Records, signs and records musical artists looking to make it big time. The artists of Studio 222 recently began working on the ground floor. Chiropractic Express recently opened next door at 224 8th Street. The Pieces of Sweets Boutique is making major plans to draw attention to the area. “We have a lot of good businesses here, but I think it’s all a matter of how you run it,” said Gordon. “If you have good people running your businesses then you’re going to improve the whole city as a result, and we have some great people.” I ZOOM STUDIO Marcus Curtis, also known as DJ El-Ra or Fonk-C, opened I Zoom studio about a year ago as a venue for promoting his own label, Keep It Forward Records. Curtis got his start fifteen years ago as a DJ for clubs including Soul Bar. He was inspired to return to his hometown following the death of James Brown in December of 2006. “After he wasn’t there anymore, they said we had a responsibility to bring the old kind of soul music back to Augusta,” said Curtis. “There was also something like 500 studios in Atlanta and only five here, so I knew I would find a place.” Curtis handles the production, recording, mixing and arrangement for Keep It Forward’s six or seven artists, and is always looking to recruit new ones. He’s also cooperated with Pyramid Music to create the Second Saturday Beat Battle, an opportunity for DJs to visit his store and learn more about their unique skill set, though anyone is invited to drop by. “There’s a whole conglomerate of musicians here other than just rappers. There’s also a lot of untapped talent in this part of Georgia. I’d like to see representatives from some major corporations come out here and have a look at first Friday and see what kind of talent

our area has to offer.” Curtis usually does his recordings in the evening after 4 or 5 p.m., and welcomes walk-ins, as well as those who dial 706-294-6386 for an appointment. STUDIO 222 Studio 222, on the other hand, has sporadic hours but plans to be open more regularly from 11 a.m. to 5 p.m. Monday, Wednesday and Friday. Jack Ginsburg has been involved with the studio since he retired in 1994. “I’ve been painting seriously since 1994, when I retired as a physiologist at MCG,” he said. “Really I started when I was a kid, because I always liked to draw and paint and I wanted to be an artist. I was interested and was always doing it, but retirement is what really allowed me to start doing it seriously.” The walls of the studio are covered with Ginsburg’s own work, which consist of landscape scenes as well as figure drawings. “People come in here sometimes,” he said. “They look through the windows and see what’s going on, then ask if they can take a look around, and of course I’m always thrilled to let them in. I think I would get more business if I kept regular hours instead of just writing them. I am in the studio very occasionally, and I’d like to start making more of a business out of it if I can.” Studio 222 has already begun drawing a crowd with their Life Drawing Classes on Thursday evenings, which draw a regular crowd and cost $10 per session. Al Bezer, professor of studio art at USC Aiken, offers assistance and criticism to anyone who’d like to incorporate live models into their artwork. PIECES OF SWEETS BOUTIQUE The newest addition to the 8th Street family is Jocelyn Russell’s Pieces of Sweets Boutique, which has only been open since January, but aspires to become more. “This is an accessory and fashion handbag boutique, and it’s going to be a beauty lounge coming up in May,” said Russell. “I also have plans to open up a professional makeup studio because I am a professional makeup and nail technician as well.” The beauty lounge is due to open in the middle of May, and will offer coffee and pastries for anyone with a boutique membership. Russell has already begun planning Soul Food Saturdays, the first Saturday of every month which includes food and refreshments available between 1 and 8 p.m. for $5 per plate. Russell is also planning a June Teen and Makeup Extravaganza, June 19, in which she will seat 15 young women between 14 and 17 and give them tips about skin care, makeup, self image and esteem issues. Tickets are $10 and each participant gets a free beauty bag

at the class. In addition, Pieces of Sweets is expanding their hours to 11 a.m. to 8 p.m. Tuesday through Saturday, and invites anyone to drop by and see what’s available. article and photos by CHRISTOPHER SELMEK

community /tuesday round table reconvenes

The next Tuesday Round Table meeting will be May 11, 11:30 a.m. at Mi Rancho on the Riverwalk. This provides an opportunity for community leaders to gather, network and discuss current issues facing Augusta. Everyone is invited to attend. “We like to keep people abreast of what’s actually happening in Augusta instead of just the perception of it,” said roundtable sponsor Janie Peel of Prime Commercial Properties. The group hasn’t been meeting for several months because, according to Peel, “things have just been going so smoothly, there hasn’t been any need to meet on important issues.” The last really significant thing the Tuesday Round Table was involved in was passing the most recent Special Purpose Local Option Sales Tax to fund the Trade, Exhibition and Event Center. “We had worked hard on getting SPLOST voted through, and we were all worn out and decided to take a break. The next one’s main focus will be on a diverse, across the board group of points,” Peel said. Until recently, the group had been meeting every Tuesday to discuss old problems facing the city and give community leaders opportunities to fix new ones. “We met every Tuesday for eight years, that’s how much info there was and how many things there were to work on,” said Peel. “We’ve gotten so much accomplished just by bringing the problem solvers together to network and

figure out how to deal with these issues – it’s amazing.”

According to Peel, most everyone at the Round Table is also involved in other city organizations, such as the Downtown Augusta Alliance, the Downtown Development Authority, Arts Council and Augusta Tomorrow. There are generally ten to forty people at any meeting depending on how controversial is the topic, and everyone has their own area of concern. “There’s a lot of things to do, and that’s what’s fun about Augusta,” said Peel. Everyone who attends one of the meetings is given the opportunity to speak on behalf of their business, non-profit organization or special interest group. Others, like Kelley New, come merely for the opportunity to listen and to find out how they can help. “It was just interesting to hear what everyone brings up, and it keeps you informed about what’s happening downtown,” said New. “It’s a fun group filled with a lot of passionate people, and everybody is pretty serious about what they’re doing.” Peel says she has enjoyed organizing the meetings, and hopes to continue doing so for many more years and seeing what more she can do for her city. “It’s what I’ve been doing for a while and it’s really paid off because of the group that was there,” said Peel. “I enjoy the people and I enjoy the accomplishment.” by CHRISTOPHER SELMEK

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art / the homeplace: photographs by Kay DuVernet at the morris museum of art through june 20th

One does not always know what to expect when visiting a photography exhibit. Black-and-white, stoic shots of architecture? Picturesque country landscapes? Abstract composition pieces featuring a single shoe and several marbles? The point being that photography is a mixed bag. It is an ambitious medium where the artist is attempting to show us the art in front of our very eyes. Sometimes, such displays are impressive, contemplative, and appealing. Sometimes, they score a miss in a hit-and-miss genre. But, when viewing Kay DuVernet’s pieces, you may forget you are looking at photography at all. The Homeplace showcases over thirty of Kay DuVernet’s color photographs accompanied by selections of her original accompanying poems. With a talent for poetry that matches her expertise in photography, The Homeplace is truly a sight to see. DuVernet’s knack for finding the beautiful and mystical in the nondescript and decrepit is awe-inspiring. This is an exhibit in which every piece will have you poring over its every inch. It took this observer several minutes to realize that the bright white orb featured in the photograph Boxcar Moon II was, well, on the side of a boxcar. Out of the ordinary in DuVernet’s photography is not just her choice of subjects, but their striking colors and contrasts. The bio posted on the wall confirmed that she never touched up or enhanced any of her pieces. It seems she just had the ability to find the art in nature that many others try to recreate on easels. Each piece is thoroughly unique and disparate, but the exhibit as a whole expresses a love for nature and the variety of everyday life that photography yearns to extol.

plan to go

Kay DuVernet passed away in late 2009 at the age of 62. A native of Albany, Georgia, she lived there for her last years following many spent in New Orleans. She said she found her inspiration by “wandering.” She preferred to be a passive observer rather than an active one to find her subjects. In her words, “I like to be the mist hovering over a pond in the early morning.” She received much acclaim for both her photography and poetry, and worked very closely with The Morris Museum of Art to open her first exhibit. Many of the pieces came from her personal collection.

date THRU JUNE 20, 2010

The Homeplace blurs the line between paint and pixel. It makes the ordinary extraordinary, and it may very well leave you with a brand-new appreciation for photography.

open TUE to SAT 10 am to 5 pm | SUN 12 pm to 5 pm

by MARCUS PLUMLEE art TIBOCHINA PETALS by KAY DUVERNET. undated. Morris Museum of Art, Gift of Kay DuVernet

venue THE MORRIS MUSEUM OF ART the event THE HOMEPLACE: PHOTOGRAPHS OF KAY DUVERNET tickets REGULAR MUSEUM ADMISSION | FREE ON SUNDAYS more THEMORRIS.ORG

theatre /quickies! 10-minute play festival

sherwood brings unique concept to le chat

smaller. For those newcomers, the 10-minute play format can be a great experience builder, used as a springboard to propel these new actors into other projects. Who are the authors of the plays? What are the plays like? How many will be performed? Featured plays include original works by Jezibell Anat, Jonathan Cook and Rick Davis, as well as a number of published works. What do you hope the performers will take from this experience? I hope that the performers as well as the directors come away from this festival with some positive, educational production experience. For those new to acting or directing, I hope this festival will encourage them to continue to pursue these crafts and to audition for or direct other shows.

The brainchild of Melissa Sherwood, Quickies! 10-Minute Play Festival promises an evening of wit and drama, showcasing local playwrights, directors and actors. The festival includes eight 10 minute plays - found through an open audition process. The showcase runs on Friday, May 14 and Saturday May 15 at Le Chat Noir, a perfect venue for this type of intimate - yet, quick concept. Sherwood explains the ideas behind Quickies!: What kind of people were you hoping would audition? I was hoping we would get veteran actors but also get a number of new faces at auditions, which we did. For new or aspiring actors, the 10-minute play format is incredibly accessible. Many people wishing to be in stage production are intimidated by the commitment of a full length show. The 10-minute play format provides a very reasonable risk for theatre newcomers. And the rehearsal time needed to stage one of these plays is much

What do you expect the audience to like about the festival? I think the audience will enjoy the variety of plays being preformed. Comedy to drama to even a sci-fi inspired play, original works to Shakespeare, this festival really has something for everyone. I also think the audience will enjoy the unique format of the evening. As each play only lasts 10-minutes, the plays are very quick moving, quick with the “set-up”, quick with the conflict and quick the resolution. This wont’ be a boring evening of theatre – anything but! How did you come up with this idea? Many people aren’t familiar with the 10-minute play format but it’s one that is becoming more and more popular and one that has been around for nearly 40 years. The format itself was pretty much pioneered in the 1970s by the Actors Theatre of Louisville, when the company created a new American Plays festival, featuring a 10-Minute play competition. That festival continues today. I am excited to be a part of a group bringing this unique form of theatre to Augusta. I hope that we will be able to bring Quickies! back each year. by MARCUS PLUMLEE

THE QUICKIES! LINE-UP 1 | WYRD SISTER

written and directed by Jezibell Anat

2 | The Philadelphia

written by David Ives, directed by Dana Cheshire

3 | Henry’s Ear

written and directed by Rick Davis

4 | The Tempest: featured scene

written by W. Shakespeare, directed by Jezibell Anat

5 | Close to Home

written by Jonathan Cook, directed by Brett P. Hall

6 | Us and Them

written by David Campton directed by Emily Hammond

7| Hamlet: featured scene

written by W. Shakespeare, directed by Jezibell Anat

8 | Sure Thing

written by David Ives,directed by Dana Cheshire

plan to go date FRIDAY MAY 14 & SATURDAY MAY 15 venue LE CHAT NOIR event QUICKIES! 10-MINUTE PLAY FESTIVAL time 8 PM (both nights) more LCNAUGUSTA.COM

tickets $10

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art / rutenberg brings abstract down to earth

terra cognita series at the morris continues on may 13

Some may argue that “abstract” art is simply shape and color, random chaos created to occupy space. Many may have that approach when they first view one of Brian Rutenberg’s paintings. On the surface, Pavillion is simply a wonderful kaleidoscope of color spread across canvas; vivid hues of lime, poppy, and wisteria streak through the shapes. But if you soften your gaze and let the lines blur, you can almost imagine a rural summer sunrise. As Mr. Rutenberg tells me,

“I have always believed that an eye not told what to see sees more.” -BRIAN RUTENBERG

VERGE: What inspired you to begin painting? Are there any specific memories about your first experiences in art? RUTENBERG: I grew up along the coast of South Carolina and had the pleasure of spending my youth around the water: fishing on the beach, walking along rivers, and daydreaming on little boats on the salt marsh. The air is thick and fragrant. Water has a subtle but alluring effect on light thus color and this is what made me an artist. I have no painters in my family and had little exposure to visual art until college. I just had a deep desire to make things; the idea of creating something from nothing is still a driving force in my work. I attended the College of Charleston. I was completely self-driven in the art department there and the faculty recognized this and gave me enormous autonomy. There was never an option; I will do what ever it takes to make my work, unconditionally. VERGE: Why abstract? Have you ever dabbled in other forms/ mediums? Why your focus on this particular style? RUTENBERG: I love drawing in pencil and have worked in gouache and acrylic but nothing compares to the rich creaminess of oil. My paintings in college were made of shaped canvases that were assembled to hang on the wall and come out on the floor and across the ceiling; content arose not from looking at an image but from dealing with the painting as a thing occupying space. The notion of painting as a physical act is still at the core of my thinking 25 years later. A painting is a process about process. “Abstract” is a confusing word I think, I define abstraction only as an action and not a style, to abstract means to remove and you have to abstract from something. VERGE: You have a very unique color palette. Is it derived from any image or emotion, or do the colors simply appeal to you? RUTENBERG: I will spend the rest of my life trying to master color and I study it everywhere I look: in nature, in other art, pop culture, clothing, automobiles, etc. I have a love affair with color and I try to push it as far as I possibly can. Living in New York City I see a lot of contemporary painting and there are not many painters who really use color. Artists appear to be using color to fill in shapes, but there are not many who realize the full

dimensional power of color in the way Hans Hofmann, Al Held, or Joan Mitchell and other masters did: color is content. My use of color has always been intuitive and I always, always trust my gut. I simply make paintings that I want to look at. VERGE: From the images of your studio, you are very kinetic in your technique. Describe your process in making art. RUTENBERG: My studio is an extension of me, there is no separation. My studio has paint everywhere and I usually do too. I can’t imagine any other way to make a painting. I choose to have my studio separate (in Chelsea) from my home because when I am with my family I want to be fully with them. Oil paint is a greasy, obdurate material and I thrive on the struggle of trying to make it sing, trying to imbue it with light. I work on several paintings at once and always for a scheduled exhibition, this helps me create an overall mood which binds the show together. I begin by toning the white canvas in general masses which are usually middle or dark in value; by starting in midvalues you have the option to go lighter or darker later. Starting with large masses also establishes the weight and displacement of weight in my composition; “start like a bricklayer and end like a jeweler.” I begin with planes of color which automatically create lines. Hans Hofmann said that real painting is based on a planar concept not linear. VERGE: What inspires your art? RUTENBERG: I will defer to a great quote from Chuck Close: “inspiration is for amateurs, the rest of us just show up and get to work”. I can work anywhere anytime. I consider it a privilege to wake up, take my kids to school, and go to my studio and make paintings. VERGE: Do you have any mentors or muses? RUTENBERG: My role model is actually not a painter at all: Glenn Gould is a late Canadian pianist and philosopher. In 1986. I was working in my studio and heard J.S. Bach’s Goldberg Variations come on the radio, the second version Gould recorded in 1981. I had to stop working, sit and just listen. A humanity and vitality came across so clearly that I had to learn more about this person and thus began a journey of discovery that continues

to this day. My interest in Gould has nothing to do with music but more about how one goes through life as an artist and how one protects that life. He was also an exquisite craftsman. He did not take himself very seriously but he took his work very seriously, advice I give to young artists all the time. He was not interested in trends and fashion but only in his personal vision and rigorously disciplined method of expressing it. VERGE: What is the role of an artist in society? What role does your art play in society? RUTENBERG: The role of the artist in society is a very important one but I fully recognize that it is not as immediately critical as a doctor or firefighter. I get annoyed when artists complain how hard it is to make art. It is hard to run into a burning building with 50 pounds of gear on to save lives or to do a c-section in minutes to save a baby’s life. Mixing phthalo green, quinacridone magenta, and titanium white to make warm and cool grays is not vital to anyone but the artist. With that said, the role of art is essential and always has been. Art represents the very best of human endeavor. Art offers us the opportunity for unhurried reflection in which time itself becomes a tangible source of pleasure. Looking at painting helps us to see with greater acuity, quickens our sense of experience, and reminds us of the miraculous. Contemporary art is a reflection of our society, there is no way it can not be. All art is political, the very act of making a painting is a political act in that it tries to affect or change someone’s way of seeing the world in a subversive way. I also believe in beauty as promulgated by the ancient Greeks and Romans; proportion, line, composition are all content in and of themselves. An eye not told what to see sees more. Painting does things that nothing else can do, delicate skins of color that offer a purely visual experience, a moment of true and tender human communication one to one. That is damn important. EDITOR’S NOTE: Brian Rutenberg joins the Morris Museum of Art Terra Cognita lecture series with a discussion of his vision of abstract painting. BRIANRUTENBERGART.COM

by ASHLEY PLOCHA art PAVILLION by BRIAN RUTENBERG

plan to go date THURSDAY MAY 13 venue MORRIS MUSEUM OF ART event TERRA COGNITA: BRIAN RUTENBERG time 5 PM to 7 PM more THEMORRIS.ORG

tickets FREE

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7 may

DFA Film Festival

friday may 7 • 3:45 pm • $1 to $3 davidson fine arts school Student films may invoke images of poorly delivered, cliche dialog and shaky camera-work. Raise your standards to a new level: attend the Davidson Fine Arts Film Festival. Songs about books and dental floss? Check. Conspiracies and Eastern European mafias? Check. Conjunctivitis virus gone rampant? Check. Girl with a mustache? Check. From serious to seriously crazy, all sorts of short films have been produced by DFA’s Broadcast and Film classes. From 6th graders to seniors, all kinds of students have joined together to protect the genre that is “Student Film.” And from your teething nephew to your toothless grandma, all are sure to enjoy. Concessions will be available. All proceeds from the event will help purchase new equipment for the Broadcast and Film department. DAVIDSON.RCBOE.ORG

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highlights from the pipeline

8 may

15 may

Archeology Day

saturday may 8 • 10 am to 4 pm ezekiel harris house • free Discover the history found through archeology during the aptly named Archeology Day on Saturday May 8 at the 1797 Ezekiel Harris House. In honor of Georgia Archeology month, the Augusta Museum of History and Augusta Archaeological Society presents family-friendly activities from flint knapping to primitive weapon demonstrations. Archaeologists will be on hand to identify and classify prehistoric and historic artifacts and artifact collections; Paleo-Indian and Dalton period projectile points will be formally recorded; and artifacts from local historic sites will be on display. The 1797 Ezekiel Harris House is located at 1822 Broad Street in the Harrisburg neighborhood. In case of rain, the event will move to the Augusta Museum of History. AUGUSTAMUSEUM.ORG

8 may

B.B. King Live in Concert

saturday may 8 • the bell auditorium • 8 pm • $45 to $70 The King of the Blues comes to the hometown of the Godfather of Soul on May 8th. Over the past sixty plus years, guitarist B.B. King has been performing to audiences worldwide and recording almost as often. King grew up sharecropping in Mississippi and learned to play gospel music on the guitar when he was a teenager. In the late 1940s he turned to playing blues and moved to Memphis, TN to start a music career. After popular performances in clubs and on radio, he kicked off his recording career with “Three O’Clock Blues” (1951), a top hit on the R&B charts. King’s early records in the ‘50s produced some R&B hits, but mainstream success eluded him. He and his band toured almost non-stop, performing hundreds of shows a year and building an audience. He finally had breakthrough success in the late 1960s, when white audiences began to discover rock’s debt to the blues. Guitarists like Eric Clapton and Keith Richards sang his praises. King began performing in rock and jazz clubs and had crossover hits like “Paying The Cost To Be The Boss” (1968) and “The Thrill Is Gone” (1970). King has recorded more than 50 albums, won 13 Grammys and received dozens of awards and honors over the years. He still performs four or five nights a week. GEORGIALINATIX.COM

Thunder Over Augusta

saturday may 15 • augusta common 2 to 10 pm • free On Armed Forces Day, May 15, Army helicopters and tanks, military robots, hummers, aerial commandos, explosive-sniffing dogs, Para-Commandos, NASCAR automobiles and trick bikes take over downtown Augusta in an annual tribute to our military. “He has always been known as patriotic,” Shane Thompson says of his father Donnie, who started the event in 2008. Within two short years, he’s turned Thunder Over Augusta into one of the area’s premier family events. Following the day’s varied demonstrations and interactive exhibits by the military and others, Thunder Over Augusta will culminate in a spectacular fireworks display put on by the Zambelli family. Thompson explains his father began the event to “give the public an opportunity to honor the troops.” In keeping with that commitment, the event is free to the public while VIP treatment is provided for the members of the Wounded Warriors. The day long event will include multiple exhibits and demonstrations downtown, most occurring in the Augusta Common and stretching across Reynolds to the river. The Navy and the Army will appear in full force with a Navy SEAL accelerator, an interactive Navy nationwide tour along with demonstrations of military dog tactics and wild parachute stunts. Fans of NASCAR will have several vehicles on display while those interested in a more hands-on experience have a rock wall to climb and a football toss. Live music will include well-known country musician Jamie Buckley, Eryn Eubanks and the Family Fold, and Sassy Brass. The pinnacle of Thunder Over Augusta is the massive fireworks display that closes out the night. The fireworks this year promises to be even larger than last year. “It will be an amazing show,” Thompson says. “It is the coolest experience,” he admits, while affording people the chance to thank the soldiers for all they have done. The fireworks will be shot from the levee. The main entertainment for the day will be FMX East performing extreme stunts in the middle of Reynolds Street at the Augusta Common. Team FMX East is a group of professional motocross riders who perform air-defying stunts on a course that includes ramp jumps. Check them out online at www.teamfmxeast.com for a preview of the spectacle. Thunder Over Augusta starts at 2 p.m. on May 15 and ends around 10 p.m. THUNDEROVERAUGUSTA.COM by DINO LULL

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more to see more to hear more to do

14 may

18 may

Films on Friday: Stormy Weather friday may 14 • morris museum of art noon • free

One of the few major Hollywood musicals produced in the 1940s with primarily African-American casts, Stormy Weather tells the looselybased tale of its star – dancer and actor Bill “Bojangles” Robinson. The notable cast of this musical feast includes Lena Horne, Cab Calloway and Fats Waller. The film took on even greater significance as it was Robinson’s final film before his death in 1949. Considered a mold-breaking film, where actors of color were given the opportunity to showcase their talent while breaking the stereotypical roles typically cast. In 2001, Stormy Weather was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” View the film and then discuss as Morris Museum Director Kevin Grogan leads. Bring your own lunch. THEMORRIS.ORG

In Faith and Fear

tuesday may 18 • sector 7G 6 pm • $12 After playing almost every night during their April race through Europe, In Fear and Faith descends upon Sector 7G headlining the Rise Records Toru 2010 for one night before joining the Vans Warped Tour – for the entire two months of concerts. The genre of heavy metal is quickly becoming oversaturated – from hardcore, metal, screamo, to emo, it seems any sextet can scream out a few words, bang out a few melodies and get picked up by a recording label. But In Faith and Fear stands out, mainly because of the amazing harmony their lead singers (actually, singer and screamer) achieve. My first thought when listening to In Fear and Faith’s debut album, Your World On Fire, was “How does this guy scream sing and not lose his voice every single night?” Amazingly, the blend of Cody Anderson’s brutal screamo vocals with Scott Barnes soaring melodies displays a sensitivity and harmony many hardcore bands never attain. Check out their remake of “Gangsta’s Paradise” at MYSPACE. COM/INFEARANDFAITH. In Faith and Fear will be joined by The Bled, Of Mice and Men and The Color Morale. KAPIRO.COM

14 may

Amelia’s Mechanics

friday may 14 • stillwater taproom 10 pm • $4 What happens when two beautiful, yet earthy women pick up guitars and strap on a name like “Amelia’s Mechanics?” Intricate, lush harmonies intertwine offering up a sophisticated take on Americana music. The two Mollys (McGinn and Miller) create a sound that’s been dubbed “vintage country with a moonshine concerto.” Joined by Kasey Horton (viola), the Greensboro, NC, group comes to Stillwater Taproom on May 14th, midway through their first Southeastern tour. Produced by Jim Avett (yes, that’s the father of our favorite Avett Brothers), their debut album, North, South, was just released in February, 2010. The band, whose name, album title and lyrics are inspired by the accomplishments of Amelia Earhart and other early aviators, explorers and pioneers, writes and sings about the mechanics underlying life’s triumphs and tragedies. This is the group’s first full tour. “We have a lot of family and friends in the Greensboro area, and nobody knows who we are outside of here,” McGinn recently joked with the Charleston City Paper. “We’re going to find out if our friends are lying.” AMELIASMECHANICS.COM

may

The Hellblinki and Cripps Puppet Spectacular saturday may 22 • Le Chat Noir • 8 pm• $15 to $20

You may think that ghostly white faces and top hats are just for Halloween, but think again. This summer, kick the season off with a punk-cabaret that is sure to blow your mind: The Hellblinki and Cripps Puppet Spectacular. Andrew Benjamin, the band’s ringleader, describes Hellblinki as a “theatrical travelling band” whose goal is to transport the audience to another world. For years, the group has been costuming up and performing with a variety of sideshows from belly dancers to an aerialist. The band returned to their hometown of Asheville, North Carolina and began performing with the Royal Peasantry sideshow. Upon meeting street-puppeteer Madison J. Cripps, Benjamin began formulating a concept that is now reality: a collaborative, live music and puppet show entitled “The Devil Takes All.” “This show is a storyline pulled from our songs; it’s dark, creepy and fun,” he comments. “It is a truly visual extravaganza, incorporating various types of puppetry with video and stage trickery.” At the end of 2009, Hellblinki took the show for a tour in the northeast, including a performance on a moonlit cruise around Manhattan Island. The band, now on a Southern oriented tour, will bestow its Spectacular upon Augusta at Le Chat Noir. Valerie Meiss, Helblinki’s guerilla opera singer and accordionist will perform solo and Madison will delight the audience with his own show, “Strings Attached,” before a short intermission. Afterwards, both band and puppeteer will join onstage to present their truly spectacular Puppet Spectacular. Tickets: 706.722.3322 HELLBLINKI.COM Disclaimer: the show includes a poisoning scene and solitary swear. Benjamin warns that while the band thinks it’s a great show for kids to see, it is not designed as a children’s performance. Benjamin, however, notes: “My 4-year-old Oliver has seen the show twice and loves it.”

get the complete pipeline of may’s downtown events

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26 / may 2010 / verge

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verge / may 2010 / 27

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chefspeak / meet will harrison

son takes over as head chef of boll weevil

beers locals like

choice beers for warm days I can’t remember the last Masters in which sunscreen was actually needed for all four days of tournament play. The gods were good to us, my friends, and, now that May is here, let’s hope they stay good to us before it gets too hot to remember we were in coats just over a month ago. That’s right. Summer is on the way, and there’s one great way to stay cool (or at least try to stay cool). Below please find a few libations (all brewed in the South) useful in paying homage to the gods but better if consumed in their entirety.

SEVEN SISTERS ABBEY STYLE ALE | This selection from Asheville, North

Carolina’s Highland Brewing Company highlights a true niche that domestic breweries are doing more and more of – facsimiles of European beers. It’s true that there are few to no Trappist monks living in Asheville, but one taste of this refined (and a bit sweet) ale and you’ll feel like you just hopped the rail to Brussels. The dark sugars dovetail beautifully with the choice hops used in a blend that includes Trappist yeast for that tinge of Belgian savor that helps to define this variety of beer. If anybody (anybody?) read my column on Samuel Smith beers, I think this beer is America’s answer to the Yorkshire Stingo.

#’s ALE | The Atlanta Brewing Company has put out

more than a select few products in recent history and #’s Ale is not one to miss. Technically, and as per the award on the label, it’s a bitter and the first sip let’s you know it. Admittedly, I am not well-versed in this category of beers. I would, however, consider #’s Ale a rather user-friendly bitter and a great one to try if you’re curious about this variety of beer. The bitter bite is countered by a subtle sweet undertone that yields a full and significant taste that pleases the palate but doesn’t linger like some bitters can. Try it with chicken salad and fresh fruit.

SON OF A PEACH WHEAT ALE | It

tastes like homemade peach ice cream… enough said! One sip of this RJ Rockers Brewing Company product and you’re sitting in a lawn chair at the Trenton, SC Peach Festival with a big bowl of peach ice cream. Seriously, this Spartanburg beer is brewed with more than a dash of peaches. That’ll save you the trouble of cutting up an orange, as is customary to garnish a wheat ale. The peach flavor, which works perfectly, is more than subtle. So, if you like peaches, you’ll be fine. However, if the fuzzy fruit isn’t your thing, I would recommend this beer as a way of giving our state’s namesake a well-deserved second chance. Oh, and it tastes like peach ice cream – not even joking. These and more quality ales, lagers, and whatnots can always be found at Eighth Street Tobacco. by BEN CASELLA Ben Casella has been to the Peach Festival of Trenton (pronounced without the second ‘t’), South Carolina. He hasn’t been in a while but recommends it and assumes it still occurs. The homemade peach ice cream, however, died with his Uncle Edgar. Ben dedicates this month’s column to his memory.

Nestled in its own corner of downtown Augusta, The Boll Weevil Cafe and Sweetery has delighted casual diners and gourmands for years. The smell of sweet bread and homemade desserts perfumes the riverside air, drawing the hungry into a comforting yet delightful setting for any meal. Once a cotton warehouse, the restaurant now wears a rustic, well-preserved facade. Will Harrison now takes hold of the family trade that has been passed down for almost a century. Harrison grew up in a Southern family that simply loved food. “My mom and grandmother were excellent cooks. We always had family recipes that were passed down,” he says. “To this day, whenever I visit my mom we spend the majority of our time in the kitchen.” He pursued a degree in the Culinary Arts from Trident Technical College in Charleston, South Carolina. “I love the creative aspect of cooking. Being able to look at random ingredients and come up with something tasty is very satisfying.” Also satisfying is the menu. The Boll Weevil proffers a bounty of Southern classics, from fried green tomatoes to corn chowder (see recipe). Lunch-goers can look forward to the Curious George, a delicious turkey sandwich topped with provolone cheese and homemade spinach dip, while those supping on a later meal can opt for peppercorn sirloin served with a delightful cream sauce. And no matter the time of day, the cafe always has a variety of heavenly homemade desserts (my personal favorite is the Bourbon Pecan Pie). Welcome Will Harrison as he takes management of one of the most delightful Downtown eateries! The Boll Weevil is located at 10 Ninth Street in downtown Augusta and open everyday of the week: Monday to Thursday from 11 a.m. to 10 p.m.; Friday and Saturday from 11 a.m. to 11 p.m.; Sunday from noon to 10 p.m. Details: 706.722.7772 THEBOLLWEEVIL.COM

by ASHLEY PLOCHA photo KATIE MCGUIRE

THINGS IN THE KITCHEN WILL CAN’T LIVE WITHOUT:

MY 7 INCH WUSTHOF SANTOKU KNIFE | A LARGE BRAISING PAN CHIPOTLE PEPPERS | ANDOUILLE SAUSAGE MY GIRLFRIEND (TO HELP WASH THE DISHES)

from will’s kitchen : SMALL BATCH CORN CHOWDER Serves eight.

INGREDIENTS: 4 cups corn kernels 1 1/2 quart water 1 cup diced celery 1/4 lb unsalted butter (1 stick) 1/2 cup diced onion 1/4 lb flour (around 3/4 cup to 1 cup) 1/2 cup diced carrots Salt to taste 1 diced chipotle pepper White pepper to taste 1 pint heavy cream DIRECTIONS: 1. Finely dice celery, carrots, and onions. 2. In a large stock pot melt butter and add celery, onions carrots, chipotle pepper and 1 cup corn. Sauté until soft. 3. Puree remaining corn with 1 cup of the heavy cream. Add puree mixture to the sautéed vegetables. Let simmer. 4. Stir in flour to make a roux, let simmer for five minutes on low heat. 5. Add water to mixture and bring to a boil. 6. Once boiling stir in heavy cream and allow to come back to a boil. 7. Add salt and white pepper to taste.

28 / may 2010 / verge

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uptown : augusta & columbia county theatre /misfit rendition of sweeney todd The Misfit Theatre Group presents their tribute to Sweeney Todd, 11 p.m. May 6 at Club Argos, which is only the latest in an ever increasing repertoire the troop has performed. Misfit Theatre, formerly Erotic Nightmares, started by performing tributes to The Rocky Horror Picture Show, but since 2002 has begun branching out to embrace other cult classic films. The troop specializes in “shadow theatre”, wherein the actors present the action and lip sync while the movie plays in the background, and has already brought to life Moulin Rouge, REPO: The Genetic Opera and others. “The Rocky Horror Picture Show is our main show and always will be; we try to put on a production of it at least twice a year,” said Misfit Theatre director and founder Robert Seawell. “We started branching out in 2002 to embrace films like The Nightmare Before Christmas, Little Shop of Horrors, and others that we’ve really enjoyed watching.” The troop also enjoys “Splattervision,” which comes in handy during especially gory scenes when the actors burst fake blood packs that can splatter members of the audience. They have also been known to interact with their viewers by wrestling chairs away from seated patrons and speaking directly to members of the audience, all in character and keeping with the dialog of the movie. “I’m pretty sure that in every single play I’ve been in I’ve done something to surprise the audience,” said Buffy Duncan, who plays Johanna in the upcoming production and has been participating with the troop for nearly 15 years. “For us to do any play it needs to be in a certain category; if there’s not at least some gore then we’re not interested.”

“We always want the audience to feel like they’re actually a part of the show rather than just watching it,” said Seawell. “We encourage people to dress up and have fun. We’re called Misfit Theatre for a reason.” Most shows are performed one time only at Club Argos, but because the club admits only patrons over 21 the troop occasionally offers encore presentations at Sector 7G, when their production appeals to a broader demographic and a younger fan base. “Argos is our home club, and a really good venue to put on all our shows,” said Seawell. “They serve theme drinks on the nights that we perform, and they let us use their basement for rehearsals. We’re also trying to get more involved over at Sector 7 so we can reach all ages with our performances.” “All our shows are intimate venues,” he added. “There are no bad seats at any of our productions.” Sweeney Todd is a musical that tells the story of Todd, played by Seawell, a barber who returns to Victorian London seeking revenge against the judge who falsely imprisoned him. It is based on the 2007 movie directed by Tim Burton and starring Johnny Depp and Helena Bonham Carter. Other cast members in this performance include Jezibell Anat as Mrs. Lovett, Joseph Zuchowski as Judge Turpin, Melissa Pryor as Lucy, Bam as the Beadle, Chris Bowman as Pirelli, and Alex Koszegi as Toby. The $6 price of admission goes toward the troop’s next production, the July 16 presentation of The Rocky Horror Picture Show. For more information about the troop, future productions and how to audition, visit MYSPACE.COM/MISFITTHEATREGROUP.COM article and photo by CHRISTOPHER SELMEK

sports /meet the marine challenge

Arts in the Alley

saturday may 8 morris museum of art• free Head on out to Thomson for their second Annual Arts in the Alley on Saturday, May 8. The fine arts festival will feature local visual, performance and literary artists – most from the greater McDuffie County region. Right in the heart of Thomson’s historic district, artists will line the brick-paved Journal Street, showcasing pottery, painting, metal work, sculpture, photography, illustration, folk art and fine craft. Children will enjoy interactive art activities. The daylong cultural event will take place rain or shine. Manna will accept food donations as admission to the event. MCDUFFIEARTSCOUNCIL.ORG

The third annual Marine Mud Challenge at Fort Gordon is not for weaklings. This is a grueling competition through rough, wet and dirty terrain. It is a battle of endurance, strength, and sheer gumption. At the same time, it’s a family-friendly fun event. For the winners, there will be glory, trophies, and medals with the paw print logo of the Marine Mud Challenge stamped into the metal. For those not competing to win, participating still gives the satisfaction of completing the fourand-a-half mile journey through obstacles that nature and the Marines have designed: from woods, water and rocks to concrete tunnels, nets and hurdles. But, best of all, is the mud – a formula that turns dirt into a peanut butter consistency perfect for sucking shoes into the muck and slowing the pace of the race. From its inception in 2008, the Marine Mud Challenge divides contestants into four categories based on their fourperson teams: male, female, co-ed, and paramilitary (this means firemen, police, security, etc). All members must be at least 13 years old and all team members must complete all obstacles and cross the finish line. Last year, almost 700 people showed up and organizers are predicting at least 1000 for this year’s event. For those under 13, there is a onemile children’s challenge with adult supervision.

The Marine Mud Challenge will be held on the corner of 3rd Avenue and 30th Street behind the Fort Gordon Dinner Theater at Parcours Fitness Trail. Online registration is encouraged – the fee is lower and includes a gift bag with an event t-shirt. Fees before May 1 are $25 per person and $30 per person after May 1. The children’s challenge begins at 8 a.m. on Saturday, May 15 and adult runs begin at 9 a.m. with five teams going at once. From the start, the teams will get covered in mud as they ascend an eight foot dirt hill. This is just the beginning of a race that takes roughly two hours to walk with the best time for completion in the past being about forty-five minutes. This is no cake walk as the course is designed by Marines. But don’t let that turn you off. The important thing is to have fun and push yourself. See what you are made of. This off-road challenge will leave clothes muddy and wet, so a change of clothes is suggested. After all is said and done, showers will be provided and an award ceremony held. For more information: MEETUP.COM/AUGUSTA-ADVENTURE-ANDACTIVITIES/CALENDAR/12835416 FACEBOOK.COM/PAGES/ FT-GORDON-MARINE-MUDCHALLENGE/337338934951 by DINO LULL photos courtesy of MARINE MUD CHALLENGE

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across the river : north augusta & aiken festival / aiken’s 26th annual lobster race

thoroughbred crustaceans compete for freedom

Although not as well known as the Steeplechase, Aiken’s annual Lobster Race is a family oriented and charitable event that continues to grow in popularity. The race is expected to attract around 12,ooo people this year, its 26th, according to Kara Flanders. The genesis of the race is rumored to have taken place when a group of folks, perhaps disoriented and somewhat bored, decided it would be entertaining to watch lobsters race. The official story differs slightly, in that the event was started as a spoof of the Kentucky Derby and to pay homage to the influence of the horse industry in Aiken. The first race was held in 1984 by a small group of friends. Although records are scarce as to the name of the winning invertebrate, it was apparently a grand time because the race has grown to the point that it is now considered to be Aiken’s largest reunion. “ You may not have seen a person all year and you’ll see them there,” said Flanders. The race and perchance reunion with an old friend are reasons enough to attend, but the event has other attractions. There are food vendors, several performance stages for different genres of music, and children’s rides. The main stage, fittingly, features a beach band. Then there is the most sought after cuisine. One need not lament that the losers are often given away to an organization—they have served well, entertaining and will satiate appetites. The winner is returned to the ocean, but as of yet, the winners of the race seem to lack communication skills, or are very good at spreading the word. Instead of crawling forward towards the finish line and liberty, some of the participants head the other direction. In fact, convincing crustaceans that winning is paramount is more complicated than one might imagine. The promise of freedom for the victor and the unenviable fate of a bright, red exoskeleton and butter bath is not motivation enough for the delectable creatures. They fail to grasp the concept, it seems. The process by which the lobsters are stimulated into movement is more scientific. The water must be a precise temperature or the racers will not move down the track and will instead huddle together. The lobster race is more than a good time. The event involves and benefits the local community. It is staffed by local clubs and organizations, including the Boy Scouts. Proceeds are used locally to assist the mentally and physically disabled. Organizations donated to include the Aiken County Special Olympics, The Tri-Development Center, and Hitchcock Healthcare. The race is held the first Friday in May, at the Newberry Street Festival Center In downtown Aiken, from 6 to 11 p.m. Tickets are five dollars and children under six years of age get in free. One can purchase a 2010 Lobster Race T-shirt ahead of time at several participating locations and wear it as admission. Wristbands for all-night admittance to the rides are also available for $25 each if purchased in advance ($30 at the gate). The shirts and wristbands are on sale at All-Star Rents, Atlantic Broadband, Hitchcock Healthcare, Ingrate Pharmacy, Lionel Smith Ltd. and Screenprint Factory. by PM ROGERS

plan to go

date FRIDAY, MAY 7

time 6 PM TO 11 PM

venue NEWBERRY STREET FESTIVAL CENTER (DOWNTOWN AIKEN) event 26th ANNUAL LOBSTER RACE tickets $5 | KIDS UNDER 6 FREE

ride ickets $25 to $30

buy tickets LOBSTERRACE.COM or 803.646.0523

The Fantasticks

aiken community playhouse may 21, 22, 28, 29 at 8 pm | may 30 at 3 pm | june 4, 5 at 8 pm • $9 to $20 “It is a delight - bewitching, bright and tasteful,” says the New York Journal American. The Fantasticks, the world’s longest running Broadway musical recently celebrated its 50th anniversary, and with good reason: at the heart of its breathtaking poetry and subtle theatrical sophistication is a purity and simplicity that transcends cultural barriers. The result is a timeless fable of love that manages to be nostalgic and universal at the same time. A delightful and whimsical musical with familiar melodies like “Try To Remember” and “Soon It’s Gonna Rain,” The Fantasticks makes you believe once again in chivalry, dreams and young love. AIKENCOMMUNITYPLAYHOUSE.COM

Aiken Choral Society: American Composers St. Paul’s Lutheran Church 961 Trail Ridge Road, Aiken may 14 at 7:30 pm • $7 to $10

The Aiken Choral Society has a long and well-respected tradition of bringing classical music to the area. This year’s engaging and uplifting Spring Concert is no exception, but with a twist. These classic pieces are all the creations of American Masters, including composers William Billings, Julia Ward Howe and William Steffe (a South Carolinian), Stephen Sondheim and Leonard Bernstein. The dance choruses from Scott Joplin’s 1908 operetta “Treemonisha” are sure to be a uniquely toe-tapping treat. The popular men’s chorus, “South Boundary,” will also perform. GABN.NET/AIKENCHORAL

The Life Healthy Lifestyle Expo

usc aiken convocation center • saturday may 22 • 10 am to 5 pm • free Aiken’s premiere Health and Lifestyle expo features a full day of healthy living festivities. Aiken Regional Hospital will provide health screenings and demonstrations throughout the day, including blood pressure checks, glaucoma screenings, vision screenings, PSA testing and more. Learn how to cook healthy too with hourly cooking demonstrations. Adventure Aiken spices up the expo with bold and daring activities – rock climbing, camping demonstrations, outdoor outfitters. Learn more about holistic approaches to health. Kids will enjoy the JAKES event sponsored by the Wild Turkey Federation. USCATIX.COM

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THE CROSSTIE WALKERS

For 20 years, the Crosstie Walkers (vocalist Charlie Knox – vocals/guitar, Don Powers – guitar/lap steel/ dobro/vocal, Tommy Powers – guitar/bass/mandolin/ harmonica/vocals, Greg Purvis – drums and Scott Roberts – lead guitar/vocals) have been an integral part of the local music scene. Based in Thomson, Ga., the self-described “rock quintet” are part and parcel of making the annual Blind Willie Blues Festival (www.blindwillie.com, May 15) a success. They’re also recording a new album at Powers’ home studio, and this year they’re part of the Papa Joe’s Banjo-B-Que Bluegrass Festival on May 28-29 at the Hippodrome in North Augusta. “We’re really happy to playing on this bill,” says Powers. “Joe Pond’s family, and their company, A.B. Beverage, are longtime supporters of the Blind Willie Blues Festival, and Chatham County Line [also performing at the Banjo-B-Que Festival] have played in Thomson several times, as well as playing the blues festival last year. They’re a great Americana band and we’re always happy to be onstage with them.”

“You learn through experience and influences around you as you move through life. You learn what works and what doesn’t, and hopefully that’s the definition of wisdom.” - DON POWERS, CROSSTIE WALKERS

Over the years, the Crosstie Walkers have progressed through various styles of music, says Powers. “We go through phases of being more acoustic than electric, and then vice versa. But the lineup stays the same, and we’re at our best with two guitars, bass, drums and vocals. We may add particular people from time to time, and some of our children are old enough to participate — my son plays bass, violin and drums with us sometimes. But some of us have been friends for 45 years; we’ve grown up together, and in that sense the band will never change. What is different now is that we all contribute to the songwriting. When the band started, a couple of guys shouldered all of the writing, and now everybody plays a part in it. We also used to lean on cover songs, but we became an all-original band. Our writing and production have also become more varied. The music we play and record is hard to pigeonhole. Our influences come from bluegrass, country, blues, folk and rock, and we meld those together to be fairly originally both onstage and when we write.” The Crosstie Walkers concentrate most of their live shows within the CSRA, with select outof-town gigs when schedules permit. “Music, at varying stages of our lives, is predominant,” says Powers, “but we all work day jobs. We’re not making our mortgage payments based on sales on iTunes, and we don’t care. We want people to hear our music, we think it’s great when they buy our music, and we love to share our music with new people who have not heard us before. The Internet has been amazing for that. We get comments periodically from people distances away who have seen our music online and learned about us through the blues festival. Music is almost instant now. You can record something today and it can be heard around the world tonight. Our audience is mostly local; they’re raising families, and the things we do are the things they do. We record what’s going on in our musical lives, what we think, write, feel and perform at particular times. We enjoy documenting those things through our recordings.” A unique feature of the Crosstie Walkers is that all of the band members play guitar. “At various times we all play during the night,” says Powers, “and we have a couple of different styles of playing within the band. At times we are a full-out rock combo. Scott is from Atlanta, and he is an incredible walking encyclopedia of music. The other guitars accentuate the melody lines and play lead breaks. We hear each other play and play off of each other. Another thing that makes this band different is the number of instruments we all play. We have electric and acoustic guitars, lap steel, mandolin and violin. And at the very core of that are the drums and bass, and then everything falls in around the vocals. Charlie always plays acoustic guitar with his vocals, and it’s not hard to fall in behind him. He sings, and every song becomes his when he does.” Powers believes that the Crosstie Walkers’ sound has matured and taken on a more “laid back” approach. “Part of the key to being a musician is knowing when not to play, when to accelerate and when to back off,” he says. “That’s a result of age. You don’t push as hard as you did when you were 25 or 30. It’s different. You learn through experience and influences around you as you move through life. That’s purely a function of getting older and learning what works for us now, as opposed to continuing to try to do what fit 15 or 20 years ago. People change as they get older. You learn what works and what doesn’t, and hopefully that’s the definition of wisdom.” by ALISON RICHTER

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bluegrass & pigs / papa joe’s banjo-b-que festival promises a real southern hootenanny THE LITTLE ROY & LIZZY SHOW For over 60 years, the Lewis Family has been

a part of music history, not only in the CSRA but also on a national, and even international, level. Fans of bluegrass, gospel and country know their name and unique sound.

all the weekend’s details Papa Joe’s Banjo-B-Que is a shindig of enormous proportions, especially for its first year. Combining the best of bluegrass music, BBQ from across the country and more fun than a pig in a poke, the festival promises great fellowship and good times for the entire family.

the main DETAILS date

FRIDAY MAY 28 and SATURDAY MAY 29

venue

THE HIPPODROME (NORTH AUGUSTA)

the show PAPA JOE’S BANJO-B-QUE tickets FRI ONLY $15 | SAT ONLY $20 to $25

2-DAY PASS $30

buy tix TIXONLINE.COM

friday’s SCHEDULE time

5 PM to 10 PM

food

GREAT STEAK COOK OFF

music

DARYLE SINGLETARY

fun

CHARITY BETTING ON PIG RACES

saturday’s SCHEDULE time

11 AM to 11 PM

food

KCBS SANCTIONED BBQ COOK-OFF + BEER

GARDEN SALOON + LOTS MORE

music

DOUG & THE HENRY’S + CROSS-TIE WALKERS +

PEACHTREE STATION + LITTLE ROY & LIZZIE +

CHATHAM COUNTY LINE

big show RICKY SKAGGS + OLD CROW MEDICINE SHOW for kids PETTING ZOO + MECHANICAL RIDES exhibits DRAFT HORSES + ANTIQUE TRACTORS

the CAUSE all proceeds benefit the JOSEPH R. POND MEMORIAL FOUNDATION

more INFO BANJOBQUE.COM

old crow medicine show

When the Lewises announced their retirement last year, Roy Lewis — “Little Roy” to friends, family and fan base — made the decision to keep on pickin’, and why not? At 68, he’s just a kid compared to fellow legends like Willie Nelson and Chuck Berry, and in 58 and a half years of performing, he has only missed one show, because of active duty in the National Guard. So it made sense that the banjo player/guitarist would forge ahead. To do so, he partnered with multi-instrumentalist/vocalist Lizzy Long to create the Little Roy and Lizzy Show. With band members Al Hoyle – guitar, Doug Flowers – mandolin and Lisa McClung - bass, the group has been logging hundreds of miles, playing for enthusiastic crowds and recording the kind of traditional music that’s based as much on unbridled emotion as it is God-given talent. Roy Lewis is known as an all-around entertainer who makes audiences laugh, sing and join in the musical celebration. What is sometimes overlooked, however, is that fact that Lewis, with his Gibson banjos and Martin guitars, is a virtuoso, although you’d be hard-pressed to get this humble gentleman to admit to it. “I’m just happy that anybody likes what I’m doing and wants to label me at all,” he says. “I like to entertain as much as I like to play guitar, bass, autoharp and anything else. When I pick up an instrument, I always try to play the tune of the song and think about how would Earl Scruggs or Don Reno have played this, or when I pick up the autoharp, how would Mother Maybelle [Carter] have played this. So I’m not upset if people don’t realize what I can do, because if they see me onstage, they know I’m doing my job right.” The Lewis Family is based in Lincolnton, Ga., where Roy Lewis was practically born with a banjo in his hands. “I was raised on blues and gospel and listening to Bill Monroe,” he says. “When we got our television program in Augusta [The Lewis Family had a weekly program on WJBF for 55 years], people would ask, ‘What kind of music are you?’ and we didn’t know until someone titled us ‘The Number One Family of Bluegrass.’ We just played our music.” While Lewis’ style is unquestionably his and his alone, Earl Scruggs and Don Reno shaped his playing and picking. “I got a good dose of gospel music growing up,” he says, “and I always loved somebody who could really play the piano. My banjo style has some of that in it. I could never do what Earl Scruggs and Don Reno did on the banjo, but I put all of those things together and thought about how gospel players did it. If they didn’t do it on a piano, they did it with a banjo. My first memory of guitar pickin’ was the blues players around here in Lincolnton, and then hearing Earl Scruggs’ early recordings. My favorite rhythm player of all time was Lester Flatt, so I take all three of those styles, change them over, and that’s what makes my playing different.” Lewis remembers the impact that programs like the Porter Wagoner Show had on him, and that was key to naming his new group the Little Roy and Lizzy Show — to convey to audiences that he and Long do more than stand onstage and perform the same set list every night. Their magical sound is clearly making an impact: “When We Fly,” from their multi-Dove nominated CD Breaking Like Dawn, was awarded Bluegrass Recording of the Year last month at the Dove Awards. A new album, Straight From The Heart Of Dixie, has just been released. There’s no auto-tune, pitch control or multi-track

overdubbing on Little Roy and Lizzy Show albums. What you see, and hear, is what you get, and what you get is nothing short of perfect, all done the oldfashioned way: with raw talent. “When you go back to artists like Webb Pierce and Lester Flatt, they sang a little off key, but it was from the heart,” says Lewis. “Lester Flatt would sound like he wasn’t going to get to the end of a note; he’d be a little bit flat, just like his name. Webb Pierce was the same way. It is sickening to me to know that they can tune you in the studio. I don’t even like that word, but that’s the way it’s done now. Back then, everybody sounded so good: Johnny Cash, the Statler Brothers, Charlie Pride, everybody. You’d turn the radio on and you could tell the difference between them. It was tough back then, too, recording on reel-to-reel with no headsets. Now they make it all perfect. You used to see a 15- or 18-foot mixing board in the studio. Now it’s just a little screen.” Regardless of what technology has done to the industry, true artists like Roy Lewis — rare though they may seem at times — continue to carry the torch and inspire young players. “I enjoy making music as much now as I ever did,” he says. “I just love to be onstage.” The Little Roy and Lizzy Show will perform at Papa Joe’s Banjo-B-Que Bluegrass Festival at the Hippodrome in North Augusta. LITTLEROYANDLIZZY.COM by ALISON RICHTER

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music /coming to townes

earle brings back country’s roots

Justin Townes Earle is “living proof there are still artists out there who revere the deep roots of the American musical tradition.” - POPMATTERS.COM With two albums (The Good Life, and Midnight at the Movies) and an EP (Yuma) since 2007, country singer Justin Townes Earle has brought back the roots of an ancient tradition to modern country music. Justin Townes Earle is influenced by both his father, the legendary musician Steve Earle, and his namesake, Townes Van Zandt. Coming from these roots, Justin Townes Earle launched his own career in Nashville with two bands: the Distributors and the Swindlers. He also toured with Steve Earle’s band The Dukes and appeared on the 2003 album Just An American Boy. Yuma was released on Justin Townes Earle’s own J-Trane Music Label in 2007 when the young musician struck out on his own and the next year he released The Good Life on Bloodshot Records, a well-known alternative country label based out of Chicago. Early last year, Midnight at the Movies came out on Bloodshot. Earle has already landed on the Grand Ole Opry as well as making a name for himself in such periodicals as Nashville Scene. Instead of riding on the coattails of his famous name, Justin Townes Earle is “living proof… there are still artists out there who revere the deep roots of the American musical tradition,” as PopMatters.com describes the singer. That is what truly sets Earle apart, his ability to channel what came before and retool it for a modern audience. But Justin Townes Earle is not your average musician. He’s lived the life of a road-weary star, delving into the demons that come with that whole lifestyle. Almost as a sharp contrast, Earle also brings to light the style of a simpler time through his introspective music, reintroducing the classic tunesmith to fans with his Hank Williams-saturated music and emotionally charged lyrics. Currently, Justin Townes Earle is on the road in support of his newest release Midnight at the Movies. After popping in around the world’s music venues, Justin Townes Earle will come back to the United States. While back here, Earle will kick off Augusta’s very own Blind Willie McTell Blues Music Festival with a show at Sky City on May 15. There is something about Justin Townes Earle that makes him stand out above other musicians, both in mainstream country and the alternative country scene. The ability to date SATURDAY MAY 15 transcend the boundaries of both popular venue SKY CITY and underground music while revitalizing a style many have looked at for inspiration the show JUSTIN TOWNES EARLE is just some of what makes Justin Townes showtime 8 PM tickets $10 Earle a force to watch while simultaneously breaking free of the confines and boundaries buy tickets SKYCITYAUGUSTA.COM

plan to go

set by contemporary country music. by DINO LULL

more JAMESEARLETOWNES.COM

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verge / may 2010 / 35

music / reveling in the art of busking

local musician joshua kendrick sings for his supper I’ll always be playing on the streets, it’s

what I love.

What more can you ask for?” The Broad Street sidewalk cools as the last hours of sun fade into the early evening; traffic is slow on the streettoo late for lunch, too early for dinner. A 20-something with a guitar slung across his back bikes up to the curb and waves slightly while chaining his cruiser. He clips his purple ray-bans to the collar of his t-shirt and smiles. It’s strange to see him out of the element I have associated him with- cross-legged on the concrete, acoustic in lap and tin can tilted toward the passerby. Yet soon enough, our stilted exchange turns into a comfortable dialogue as we settle on to the Book Tavern’s leather couch and begin discussing what Joshua Kendrick loves most- music. The story is familiar- musician since a young age, chorus boy by day and guitar student by night. “I started playing the streets in Greensboro,” he comments. “I was really just playing for a few friends in front of a coffee shop, but people asked me to come back, gave me tips. And I thought, ‘This could be a pretty easy job.’” He explains his path to Augusta- during a visit to his friend stationed at Fort Gordon, he was “kidnapped.” “I didn’t have anything else going on,” he laughs. “I was in this transition period.” Kendrick plays a wide variety of music on the street, from Mayday Parade to Taylor Swift. His niche, however, is pop-punk rock. The genre has been growing in popularity over the past decade; as Kendrick says, it’s “familiar but fresh.” His knack for writing catchy melodies and penning lyrics that stick in your head led him to be the lead singer of the new band, My Aim Is True. “I’d just joined Say Vandelay when they lost their drummer, and the group was almost history,” he says. “Then Chris and I spent weeks in the house, writing and rewriting. We changed the name of the band and took the songs to the studio.” The band scraped for funds and went for broke to produce the album and hire a PR company to promote them. My Aim Is True is looking to tour the summer, having already broken into the Augusta scene this April. Their debut album will even be available on ITunes as a free download come late May. Despite all this fortune, Joshua keeps himself grounded. “I’m just like anyone else,” he grins. “No need to get a rockstar complex.” He understands that there is the chance of failure, but remains optimistic. “If it doesn’t happen, if we don’t get big, I’ve still put myself out there. I’ll always be playing on the streets, it’s what I love. What more can you ask for?” by ASHLEY PLOCHA photo KATIE MCGUIRE

busking : a centuries old tradition dating back to the middle ages in which traveling minstrels entertained in public places in hopes of spectators tossing some coins into an upturned hat.

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on the flip side /Jemani + Tommy OD & The Survivors John “Stoney” Canon and Jacob Beltz delve into the Augusta music scene, taking a look at two musicians virtually “on the flipside” of the musical spectrum. In their own words, artist share their personal musical make-up and thoughts on the other’s different style – exposing the similarities as well. In this fourth segment, our guys hit up a couple of area guitarists who, while different musically, have been connected via the Augusta music scene for the better part of 10 years – Sonny Won of rip hip band Jemani and guitarist Doug James of blue outfit Tommy OD & the Survivors.

DOUG JAMES

SONNY WON

GUITARIST | TOMMY OD & THE SURVIVORS

GUITARIST | JEMANI Since their arrival on the music scene approximately 10 years ago, Augusta rip hop band Jemani has consistently blasted area ears and stages with a sound and show unlike any other in the CSRA. Whether it’s riling up the crowd at huge shows such as Bloodfest XV or 12 Bands of Christmas or stealing the thunder of national acts like Sevendust (which Jemani did, not just once but twice, a few years back at River Rave), this high energy music machine made up of a brutal mix of hip hop and hard rock never fails to deliver. Still ripping it up in 2010, there seems to be no slowing down in Jemani’s future.

Tommy O. D. and the Survivors have made their way into every nook and cranny of Augusta since their inception in 2008. Every week, whether it’s Tuesday evening, Thursday morning or right smack-dab in the middle of a Saturday night, someone somewhere is getting a message alerting them of the band’s next conquering appearance. And, though their movement is frequent, it is not light. Seven core members of the band that includes many of Augusta’s most representative talent dominate the audience at every night club, bar room, or dance hall to which they shed light. Fiery soul and unstoppable funk have been imbued in this group from the beginning and they are setting themselves up now for a distinguished seat in Augusta’s future.

As a founding member of Jemani, guitarist/vocalist Sonny Won is a vital piece of the Jemani machine. As a songwriter he contributes much of the band’s music and as a performer provides blistering guitar work as well as a powerful singing voice and way above average rap skills. He’s a man of short words - who makes up for his brevity by allowing his music to speak for him. In a band made up of so many talented individuals such as Jemani, Won holds his own. STONEY: What made you decide you wanted to be in Jemani?

Doug James is the lead guitarist and part of the core songwriting spirit of Tommy O. D. He already has a well-known name from his time with 420 Outback. Doug now finds himself in the midst of a passionate and performance-heavy group, a group that sees the frequent changes of backing musicians as challenge and part of what makes Tommy O. D. and the Survivors truly unique.

SONNY: Ike and I actually met in 1999 and started

JACOB: What made you decide you wanted to be

Jemani together with just the two of us. Our goals for music as well as spiritual were the same. We sat down and wrote our very first song “Don’t Know S***” on the first day we ever met. The result of us as a song writing team said it all in one breath for me. I knew it was on. STONEY: What do you feel you contribute most as

a member of the band?

SONNY: Over the years I would say my ability to

keep Ike with a stack of new songs to write lyrics to has been the most productive. I also take practice very seriously. I have been known to overdo it, but it pays off very well when you see us on stage. STONEY: What do you feel sets Jemani apart from

other local bands?

SONNY: I personally try to keep away from comparative thoughts but, if I had to answer, I would say we are extremely strict on not just writing cliche songs. We put a lot of thought into each guitar riff, drum beat, bass line and lyric to make every impression on our fans count. It’s the same with our stage show as well. There is also a little something to be said for staying together for almost eleven years now. STONEY: What about Tommy OD & the Survivors do

you feel would be attractive to the fans of Jemani?

SONNY: Our fan base is often gauged by the listeners

believing that we’re real when we deliver a song. The members of Tommy OD are not only family of ours socially but they are very much on the same page.

get more Jemani listen online DREDNECK.COM see them live SKY CITY date SATURDAY JUNE 5 - THE RETURN SHOW!

Sonny Won (left) and Doug James (right)

in Tommy O.D. and the Survivors?

DOUG: After 420 [Outback; James’ former band]

came to its end, it was time to look in a different direction. 420’s music had been growing progressively heavier as time was passing and, as much as I like the music, it just wasn’t as close to my heart as the blues and the jazz that I was raised on. So, I made a phone call to Randy Carver who, in my opinion, is probably the purest bluesman I’ve ever had the pleasure to meet. We started jamming together. Everything just snowballed from there and before I knew it, the band had seven members and it turned out to be a perfect mechanism to tap into my creativity which had slowed to a crawl. JACOB: What do you feel you contribute most as a member of Tommy O.D.? DOUG: So far it’s the writing that I’ve contributed most to the band. Not so much lyrics, but musical

writing. I’m not the only writer in the band, though. Woody [Wood; Vocals] and Colin [Heslip; Bass] contribute a significant portion of their talents into our music and the horn players are quite literally off-the-chain. Combine all of that talent with a dynamic drummer like, James Reed and the result you end up with is more fun than any self-respecting musician should be allowed to experience at one time. JACOB: What do you feel set Tommy O.D. apart from other local bands? DOUG: Apart from the sheer square footage we take up on a stage? Our choice of covers. To me the covers that you select are just as important as original songs you play because your covers are the songs that are more likely to stick in the mind of a new listener, and the last thing any band needs is to be forever chained to some cheesy cover. The covers we play are by the artists that have influenced the band the most; Freddie King, Ray Charles, James Brown, Howlin’ Wolf, Robert Johnson. These are all pioneers that I have no problem at all linking my band to. JACOB: What about Jemani do you feel would be attractive to the fans of Tommy O.D.? DOUG: Even though the music is nothing alike aurally, the passion for the songwriting is the

same. Both bands go through great pains to make sure our original songs are up to the standard of the musicians playing it. There’s no one associated with these two bands that has not been playing music “professionally” for a substantial amount of time and that really shows when the bands take the stage. The key ingredient that both Jemani and Tommy OD share is passion. Plain and simple.

get more Tommy O.D. & The Survivors listen online MYSPACE.COM/TOMMYODANDTHESURVIVORS see them live SKY CITY date SATURDAY MAY 15 by JACOB LYNDON BELTZ and JOHN ‘STONEY’ CANON photo KATIE MCGUIRE

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cut the fat / i’m a loser part X

drop the weight, not the plate

saturday market / gurosik’s

local farm grown fruits & veggies

“To eat is a necessity, but to eat intelligently is an art.” – FRANCOIS DE LA ROCHEFOUCAULD 17th century French author

Now I don’t have a clue who the above French author is, but, one thing is certain, Francois was definitely ahead of his time. It is highly unlikely that anyone in the 17th century was snacking on rice cakes and sweating to classic oldies by Bach and Charpentier. It’s even less likely that concerned shoppers were scouring over barnyard animals in search of nutrition facts labels to make healthy choices. Still, good ol’ Frenchy knew, while it was necessary to eat daily, the key was to eat smart. I get asked almost daily “what are you doing to lose weight?” and the question is usually accompanied by a facial expression that says “I know what you’re going to say BUT I hope you say something different.” The look is understandable. I think deep down we all know how to lose weight… but we hope that someone reveals a miraculous new, easy way of losing weight. If you’re like me, you have a bookshelf somewhere in your house dedicated to all the “diet’ books you’ve spent money on over the years. Trust me, you’re not alone. My shelf has everything from the Atkins Diet to the South Beach Diet. While they all have some good points, they fail to mention that a by-the-numbers plan is not going to work for everyone. We’re all different and our bodies react differently. The best plan is a mix of healthy, natural foods catered to your needs. It’s that simple. It may take some time to figure out what works best for you. It took some testing before I came up with a combination of several ideas that are ideal for my body and health situation. The way I break down my intake is based on the 4-3-2-1 Biggest Loser Pyramid from the Biggest Loser Cookbook. The pyramid, basically, breaks daily intake down to: 4 servings of fruits and vegetables (leaning more towards vegetables than fruits) 3 servings of protein foods (seafood, poultry, low fat dairy, protein veggies) 2 daily servings of whole grains of 1-cup serving each 200 calories of extraordinary extras (this includes seasonings and spices such as mustard, salsa, Tabasco, nuts, seeds, olives, garlic, vinegar). I spread my food intake over a combination of five small meals and snacks - I eat every three hours; the last being no later than three hours before I am due to go to bed. I also drink 15 to 18 ounces of water each main meal. I eat carbs for lunch, for energy when I workout, and to lower my sugar content as the day goes on - choosing proteins and vegetables over carbs and sweets after 3 p.m. It may sound complicated and, while it’s not a complete breeze, all it takes is a little time, effort, and some getting used to in coming up with a plan that works for you. But, I can honestly say that the time you take now to create an accommodating yet healthy way to eat for the rest of your life will pay off when you are losing weight and eating foods that you enjoy. OK, so maybe it won’t be that piece of chocolate cake or that greasy diner burger that makes you feel better when you’re bummed out. But, once you find the foods that make you happy that are healthy. You’ll be happier and healthier all the time. No one said that you can NEVER have that cake or burger ever again – you just have to save them for the extra, super rare special occasion… kind of like a good piece of art.

do you have what it takes to challenge the champ? Stoney lost 51 pounds in the last Health Central Biggest Loser Round. Now, take the challenge and join him now for the Champs Challenge. Original Weight: End of First Biggest Loser Round: Last Month’s Weigh in: Weigh in on March 26:

405 354 328 319

for Biggest Winner Contest Info: Michael Clark at michaelclark@uh.org by JOHN CANNON photos KATIE MCGUIRE

“Diggin’ the River” is the slogan of the newly revamped Saturday Market on the River, and it seems that was just what attendants of the inaugural Saturday market were doing on April 17th. An unofficial count by local bookseller, David Hutchison, estimated the crowds reached close to 2,000 people. Over 40 vendor tents stretched the entire length of the plaza on both sides, from Reynolds to the opening of the Riverwalk. After the reins to the market were handed to Brooke Buxton, a local plant vendor and market devotee, the Saturday Market at the Reynolds and 8th Street Plaza has taken on a decidedly eclectic and cosmopolitan feel bringing in local artists, musicians, craftsmen and women, as well as foreign and domestic food vendors. The highest compliment of the day came from a now local artist who told Buxton that “it made her feel like home.” Ann DeLorge relocated to Augusta after Hurricane Katrina hit her beloved New Orleans. DeLorge used to paint and sell her art in Jackson Square in the French Quarter, and now she offers her creativity to her new home here in Augusta. [Ann’s art graces the cover of this month’s verge] Even with new and exciting changes taking place in the market’s look and experience, the heart of the market has not lost the hometown charm and essence of being the place to buy locally grown produce. Whatever fruits, vegetables, jellies, jams, honeys, or butters are in season, are bound to be found at the Saturday Market. Gurosik’s Farm, a longtime vendor and supporter of the market, grows strawberries and a world of other delights. Clyde and Marilyn Gurosik started their pick-your-own strawberry farm 20 years ago after Clyde retired from SRS, picking up his family’s business where his folks left off with their own farm in Pennsylvania. Marilyn laments that “there isn’t one single fresh thing in the supermarket. For example, it takes one month for asparagus to make its way to the grocery shelves from Peru”. The Gurosik’s have been bringing their fresh produce to the market in Augusta for years: “It brings the small town to the city.”

“When the produce is ready, it’s ready!” says Gurosik , so it’s important that patrons can count on the Saturday Market to provide their weekly produce needs. Gurosik says her employees love working the Saturday Market stand because the time goes by so quickly, as loyal regulars and first-time visitors alike, line up to purchase the strawberries and blackberries that have made them locally celebrated. Gurosik’s also offers seasonal vegetables like fresh spinach, leaf lettuce, asparagus, bell peppers, green beans, cucumbers, and more as the season dictates. Gurosik’s Farms produces jams, jellies and fruit butters using all the tricks in the locally-grown book to make the most of the season’s finest offerings. The Augusta Market is a showcase of the best the CSRA has to offer. Look for great entertainment, weekly training runs with the area’s running clubs, local artists and musicians, and an array of quality produce every Saturday, 8 a.m. to 2 p.m. from now until the end of October. article and photos by JENNIFER MASLYN

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past times / 411 broad street in progress / the emporium union baptist parsonage

truly a community project (III)

Multiple projects have been moving forward at intervals within The Emporium building, with some weeks moving slowly and others lurching forward to bring the interior closer to what it will look like when the condos are ready to sell. Building owner Natalie McLeod says she has been very pleased with Carpers and Associates, the general contractors who subcontract for the specialized portions of the building.

The Union Baptist Church Parsonage, located at 411 Eleventh Street, was constructed around 1879 to serve the adjacent Greene Street Church. Since then it has served not only as a parsonage, housing the church pastor and his family, but also – briefly -- as a school, and as a rental property, providing financial support to the church. It is in this last capacity, initiated for the first time in 1938 when the church found itself in a difficult financial situation, that past catches up with present. Serving once again as a rental property, the parsonage is providing much needed funds to maintain the recent rehabilitation of both the Union Baptist Church sanctuary, and the parsonage itself.

the union baptist church parsonage a brief history 1879 The residence of The Reverend W. H. Francis, pastor of Greene Street Methodist Church,

was listed in the city directory as “west side Kollock 1st south of Greene,” describing the location of the current parsonage. By the following year, Francis’ residence was given an address: 414 11th Street. The parsonage maintained this address until 1905, when it was changed to 411 11th St.

1879

Also in this year, the Union Baptist Church congregation was founded and their first minister, The Reverend Arthur Johnson, was selected.

1882

Johnson is associated with a private school held in the parsonage from 1882-1883. In 1883 the congregation of Union Baptist Church purchased the parsonage and the church building from the Methodist congregation.

1886

By this time, Johnson had taken the parsonage as his residence, thus marking the beginning of the building’s 52 years of service as an active residence for the ministers of the Church.

1888

Under the guidance of The Reverend John W. Dunjee, the church and parsonage were remodeled.

1920

The parsonage was inhabited by young The Reverend Calvin Stalmaker (30 years old) and his family, including his 23 year old wife, Celeste, 11 year old brother, Jasper, and 13 year old sister, Alice. Highly regarded by the congregation for his commitment to the education of the church’s children, Stalmaker left the Union Baptist Church in 1924 to accept a pastorate in Toledo, Ohio. There, he worked diligently to improve race relations, serving as a representative for the Toledo Interracial Commission, and eventually becoming the first African American elected as President of the Toledo Ministers Association.

1938

“It’s been going good,” said General Superintendant Dennis Bearden. “We’ve been making a lot of progress. One week it will seem like not much is getting done, and the next it’ll move real fast. It goes in phases, and there always seems to be one limiting factor.” “There are changes happening fast enough that I can stop by every day and there are usually questions I need to answer,” said McLeod. “I figure if they see me every day it will make the workers more likely to ask me those questions and get problems solved early.” Some of those problems have come unexpectedly, like the steel support pipe no one knew was inside a wall downstairs. This necessitated moving a doorway on the second floor, which led to a whole series of architectural changes. “Alan Venable’s help has been invaluable even at this stage of the project,” said McLeod of the project architect. “There are always changes to be made and he has been there to help at every new turn. Other problems have been organizational. The second review from the state historical organization suggested several changes to the front of the building, while the federal review only added to this list. Of particular interest

are the exact type of windows and how thick should be the glass. “We’re tweaking the outside to make them happy, but I see us coming to a final decision very shortly,” said McLeod. “We can’t order the storefront until then.” Inside the building, the elevator companies have finally begun removing the old elevators from the shafts to make way for new ones. The reason two elevator companies are needed, McLeod suspects, is because she wants the rear elevator to be slightly taller to make it easier to move furniture into the finished apartments. “We’ve already ordered the elevator, but first they send you preliminary drawings and then you have to tell them exactly what you want. Then they do it again,” she said. “Right now we have the shop drawings, so we hope it will only be another 8 to 10 weeks before we can begin installing them in the building.” To finish the many other systems necessary to make the building function, Capers and Associates have assembled the talents of many different agencies, all while construction continues on the garage and walls. “The plumbers have just started doing what they can, though it’s kind of limited, and the electric workers have begun doing the same, and that also goes for the ductworks people,” said McLeod. “We’ve even had the flooring company come in and lay down different samples so we know what it will look like when we’re finished.”

The Reverend Proctor Wren, Stalmaker’s successor, announced his resignation due to failing health. As the church had fallen on difficult financial times, they accepted the offer of The Reverend M.J. Whitaker to serve without compensation, and the parsonage was rented out in order to provide financial support for the Church.

According to McLeod, this project stretches out into the community to embrace local businesses as well as generating much needed jobs for Augusta residents.

1990s The parsonage was sporadically rented and, eventually, fell vacant, deteriorated and was

“This reaches out into the community because it gets a lot of different companies involved and spurs the whole local economy,” she said. “Every company here is from around Augusta, so this has been a project for the whole community.”

sometimes occupied by the homeless.

2003

Union Baptist Church and Historic Augusta, Inc. formed a partnership to oversee the rehabilitation of the Church building. The parsonage was determined to be structurally sound, but uninhabitable without significant rehabilitation.

Today Rehabilitation of the parsonage was completed in 2010, and the rental income it generates will help to support maintenance of the church. The Union Baptist Parsonage will be a featured stop on Historic Augusta’s Downtown Loft Tour. Tickets: 706.724.0436 or HISTORICAUGUSTA.ORG by KELLEY STROUP photo KATIE MCGUIRE Kelley Stroup is a dual master’s degree candidate at Savannah College of Art and Design, studying architectural history and historic preservation. When she isn’t staring at the blank pages of a thesis document, she volunteers with Historic Augusta, Inc.

Follow the progress of renovations to The Emporium from vacant, derelict property to a vibrant residential/commercial gem. Missed an episode? Check out back issues at VERGELIVE.COM article & photos by CHRISTOPHER SELMEK

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the written word /prologue to a column Yesterday he woke to birdcalls. He’d left the windows open to cool the room and

Then she asked for him to pull down a branch that was out of her reach. He

around seven heard the birds, mad, yelping in the trees and the calm whooping

refused. “Why not?” She pleaded, wanting to capture the lizard there, resting in

of an owl. He saw the tall pine trunks. The windowsill had a fine dusting of

the sun.

southern snow. A stiff breeze blew into the room. The pages that covered the

“One day you will be able to reach it on your own. Now go inside—I’m writing,”

walls flapped and rustled, loud. The writer turned to the wall and said, “Why do

he said flat.

you confuse men with goats? Is it that we climb mountains, or do you think we

“Mama says you should come inside or you’ll get sick.”

are fond of eating trash?”

“How will I get sick?” She pointed at him and yelled, “You’re yellow!” Then laughing.

Outside, plumes of yellow dust drifted from the trees in slow, falling sheets. He

“I am not yellow! Go inside!”

watched the display for some minutes, then got up and made a cup of instant decaf. The cup shook, spilling on his hand, the hardwood floors, the steps

When she was gone and he no longer heard the crying, he regretted raising his

and cement, as he walked to the front porch where he wrote and smoked fake

voice at the five-year-old. He could relate to letters, to words. He could write and

cigarettes.

it would stay as written and be read only when desired. It did not interrupt, or yell, or change. He could relate to ink, to reliability, to permanence.

He wrote with the intention of becoming a celebrity orator—in long, commaspliced, wounding sentences—about the shanty lived in, halfway up Cider Cap

He traced the outline of a ring on his left hand. He filled in the mark with

Mountain in Bend, Kansas. About looking up the incline at the daily light

sweeping motions, pressing the ink into his ring finger and then started to write

between the towering trailers of the neighborhood where clotheslines stretched

out Robert Frost’s “The Pasture,” but it changed in the writing. He wrote, “I am

across the alley, appearing stacked up, with garments hanging like words and

going out to the pasture to write in the stream with a stick and to poke cows …

letters—a tattered page from the unedited notebook of all the people.

you come too.” It was no good. The chainsaws blared. Thin pine chips traversed tight-mowed lawns, flitting to the ground. The place smelt of burnt sap. A five-

The poem was interrupted by the whine of chainsaws. A few houses up the street,

foot section from the top of a tree hit the dirt with a resounding thud he felt

a neighbor, fearful of widow makers, was cutting down all the pines in his yard.

through the planks of the porch.

The writer walked inside, started a pot of strong, Mediterranean coffee, listened

He left. He drove to the café downtown. It was three o’clock in the afternoon.

to the brewing and tried to approach the subject in logic. He thought about the

Inside, all the tables were occupied. Outside, he saw her at a table with others and

view from the bottom of a well, of that face peering down over the lip. Then,

an empty seat. He thought of Paris as he approached, of the writers once gathered

he wavered on the point of approach and whether to employ an objective or

there for discourse and drink. He remembered when the café was quiet at that

subjective reasoning for the work. He had written the last sentence, the pages

time of day, years before. Now there were many there, doling out their lives in

before it, and on into the work backwards until the walls were covered, and in

coffee cups and draught. They lived on the government check, waiting for work.

some places layered.

There were hipsters there too, wearing tight jeans rolled up, showing their ankles. They left to work in the kitchens near five but the rest stayed into evening.

He remembered a footnote in Plato’s Symposium: when the Greeks drank they usually diluted it, having three parts water with two parts wine. He thought then,

The writer said, “Hello darling,” when he sat down. “Hello darling,” she replied.

to recount the binge-drunk discussions of James Joyce and Ernest Hemingway,

He was introduced to names forgot. He joined the conversation, engaged her,

but the effort to write a dialogue of that magnitude meant sobriety.

they began to talk. The pace quickened. Accents were employed. They fell into their dialect and talked quick, in concept and with force. They interrupted each

He poured the real coffee and sipped it while walking back to the front porch.

other without blame to finish a sentence. They reversed logics and made sense of

There he sat Indian style on the painted boards, lit a real cigarette and wrote using

nothing. They laughed in symbiosis and did not see the concerned expressions

the words of Alan Watts: “The desire for security and the feeling of insecurity are

around them, standing up, saying, “They talk nonsense,” walking away.

the same thing.” When the wheel of their talk slowed she said, “Please do something! I’m ‘ungry!” A wind pushed through the trees. His eyes closed. After the wind stopped he

He retorted, “I will darling! I know Will. He will help. You know, most people

waited for the pollen to settle. He saw the yellow layer that covered everything.

think that his name is short for William, or that he responds to Willie or Billy or

The page was veiled. He wrote through the dust, quoting Lu Chi the warrior poet:

Bill. No it’s Will. I should know. I use his name often in conversation—so I must

“When the language is common, the image must be telling. When the thinking is

know him! I will do this. I will do that. He will help. Be patient!”

clumsy, the language must move smoothly.” They laughed. When she laughed his insides bent. They noticed, after time, that The writer thought then, that perhaps it was better to write on the dust until he

the others had left. They were content. They both thought

knew what was needed. No matter if the wind took the words, the worthwhile

that someone should write it down.

phrase would stay until written, in thought, without mercy. Sitting there in the silence, in content, he wrote the He was recalling all the ideas and images that kept him from sleep, going

prologue:

through the list, when the child walked up in her bouncing gait, “That’s crisscross applesauce!” She exclaimed. “What is? What is applesauce?” He asked,

They will see us darling, reader, carried by the beat of

bewildered.

paper starlings on the horizon near evening. And they

“The way you’re sitting! Crisscross applesauce hands in your lap!”

may worry at the sight of our undulations, the sudden

He corrected her: “I am sitting Indian style.”

break and reformation, the occasional loud, declarative

“Nuh-uh! You can’t say that! It’s mean! It’s crisscross applesauce hands in your

laughter, the stark silhouette. They may fear our gaping

lap!”

turns, ambrosial dreams, startled beauty and step away

“Who told you that?”

from the window yelling, “That is no way to live—STOP—

“I learned it at school.”

come back!” Let them have fear and worry about fear. We will live betrothed to the word—at the beginning.

by PM ROGERS When he is not writing about writing, composing poems and fiction, or talking about the

EDITOR’S NOTE PM Rogers captures everyday downtown moments – from love to fear, anger to

work that is writing, PM is often doing things that are here, not printed.

creativity, noisy neighbors to yellow pollen – and turns them into portraits of words. This first foray into a column of sorts begins, therefore, with a writer struggling to write a prologue.

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sound bites / lokal

music by stoney

Pulitzer prize winning author Edwin Way Teale once wrote “The world’s favorite season is the spring. All things seem possible in May.” This sentiment rings no truer than right here in the Garden

City where the azaleas in full bloom and the music community continues to rise up and blossom. Spring is in the air and that means love aplenty. Time and time again, the Augusta music community wears its hearts on its collective sleeve and, in May, the love is amplified as we dish it out in droves over the rocking moms that contribute a little musical TLC to our musical family.

Who needs Lady Gaga when there’s musical mommas

like TARA SCHEYER (Mudpuppy Band), MINDY STEPHENS (Livingroom Legends), TRACEY STEELE (ex-Joe Graves & the Dirty left Hand) and more balancing the blessed title of motherhood and bombastic power of rock & roll. If the great spring weather isn’t enough to get you in a festive mood, perhaps a funky birthday party will help you “feel good.” May is the perfect month to do so as the music world celebrates the birthday of the late JAMES BROWN on May 3rd. More than just a music artist, the “Godfather of

Soul”

was

innovator, creator, and instigator of music; dabbling

several

the last word

words / old, heavy things

a mother’s day vignette

Even though it was cold and the sky was heavy with rain and your ears and nose were red from the wind, you wanted to walk downtown and look. I kept expecting you to complain, but you didn’t; and I anticipated your mood changing on the way back to the car, but it didn’t. No, you wouldn’t get upset that day until the T.V. wouldn’t work. You insisted we go inside the antique store, the one with the double green doors and vintage, white wicker baby carriage out front. You love that store best. I know by the way you squeeze my hand and pull me along. I know, because you tell me the minute we set foot inside. It seems strange to me, someone so young enjoying a place reserved for old and often crumbling touch-me-nots, but as your eyes jump from item to item, I begin to understand. Of course, you would love a place like this. There are infinite amounts of things—all sorts of things. Some made of heavy wood, cut glass, faux fur, cool satin, smooth marble, warm, plush velvet—hardly a single piece of plastic in the store. The things here, the stuff of the “olden’ days,” you could feel … touch … lift. They had weight and substance. Now everything is ultralite, sleek but boring, and has no smell. A couch from 1962 has a smell and a telephone from the 1940’s is heavy. Despite the things, there is also the allure of the grand staircase. It’s huge, like something from Gone with the Wind, not that you are familiar with the book, or the film, and it leads us to an open space on the second floor. At least the space is meant to be open. Instead it is another garden of antique wingback chairs, red or pink chaise lounges, ancient writing desks, and unbelievable chandeliers. You weave in and out of furniture, testing each chair, exclaiming about imaginary tea parties. The floorboards creak beneath the weight of your youthful enthusiasm. After some time, I am able to lure you down the grand staircase and toward the door, but first, we have to examine an eclectic set of silver and crystal dining utensils—for some of the pieces, you invent new ways of using them.

the way, he created

Finally, right before the door, you look down into a mirror laying flat on a table, “It feels like we’re falling.” Your face is reflected in the mirror, the fancy, molded ceiling makes an elegant backdrop.

an additional genre

“Yes,” I say, “falling into the ceiling.”

genres of music. Along

(funk) an became an influence

many

types of music and

by J. CRAIG After rummaging through her desk for antique pens that still write, J. Craig composes imagery. Well … when she has time—when she isn’t traipsing after her seven-year-old daughter Victoria.

artists while crossing all

color

barriers.

So, this month, do yourself a favor and show a little love to Mr. Brown and get the funk out! Over the past few years, Augusta has become the latest home for artists taking an insane amount of time in recording and releasing new product. THE CUBISTS leaked out tracks well over a year before releasing Mechanical Advantage followed by SHAUN PIAZZA who, a few months ago, finally released the magnificent CD When the Stars Fall after just about the same amount of time. Not to be outdone by The Cubists, Piazza, Tom Sholtz of 70’s/80’s arena rock band Boston or even Axl W. Rose, area Americana band 48VOLT has encountered more starts and stops than an elementary school bus in trying to create their official debut release. With basic tracks now complete and only mixing and mastering left to be done, it would appear that 2010 may be the year that 48Volt contributes to the CSRA sounds of summer. While fans will soon be able to gaze upon 48Volt’s new CD, what they won’t be able to see is guitarist BRIAN REYNOLDS, who recently announced his departure from the band, at shows in support of the album. Make sure you check out the Pipeline each month online at VERGELIVE.COM for great live shows. Get out, get an earful and support what’s happening in Augusta music. Stop by and listen to me rant with my good buddy Brian “Stak” Allen each week on CONfederation of LOUDness, which can be found ironically enough at CONFEDERATIONOFLOUDNESS.COM. We have some cool guests planned for May! Til next time… Make it LOKAL, Keep it Loud, by JOHN “STONEY” CANNON To keep up with what’s going down in Augusta music, check out Stoney long-running website LOKALLOUDNESS.COM.

and one last idea

the inkling opens call for submissions In celebration of the art of the written word, verge is now accepting entries for this year’s edition of The Inkling, a literary journal discovering the best in local prose, poetry and art. Named in honor of the informal Oxford literary club of the 30s and 40s, which included famed authors J.R.R. Tolkien and C.S. Lewis, The Inkling mirrors the desire to encourage pursuit of the written word, while providing mind-stimulating stories, essays and poems for consumption. Last year, over 150 submissions were received and the final edition featured twenty one writers and artists. A few submission guidelines: • Prefer works that are previously unpublished unless the author has retained the rights to submit a previously published piece to other publications. • Stories or personal essays: up to 3,000 words; Poems: up to 1,000 words • Original art (literary cartoons, photography, paintings and drawings) may also be submitted for consideration. • Include a short biography and contact information (phone, address and email). • Entries must be received by midnight on July 15, 2010. • To receive more details end/or send submissions: editor@vergelive.com or PO Box 38, Augusta 30903. The Inkling will be inserted into September’s verge.