Produce Art!

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Produce Art!

bridging the gap between sites of production and sites of consumption Produce Art! is a hybrid art and agriculture program located on the large Prairie Pines lot in Lincoln, NE. The program combines a non-profit artist-in-residence program with an organic apple orchard and the existing community crops. The development of the site’s architecture and landscape close the gap between sites of production and sites of consumption - the production of art and the exhibition of art, the cultivation and the consumption of quality food. Through architectural and landscape design this site blurs the boundaries between public and private spaces as well as integrates traditionally separated functions. The institution combines the artist-in-residence program (3 month residency) with space for visiting artists (6 month residency). In addition to this there are both indoor and outdoor exhibition spaces. The artists in residence are provided with space to work and in return they care for the orchard that they live within. The hybrid program does not simply juxtapose the two functions, but combines their operations.

Spring 2014 Ecological Context Professor: Jeffrey Day Partner: Melissa Hywood



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Both row houses and fields exist in

Both row house and feilds exist in a row system, a row system, only establishing not only aestablishing grid system but anot rhythm as well. The row configuration highas density a grid system but aprovides rhythm well. yet efficient use of space.

The row configuration provides high density yet efficient use of space.

ARCH 360/311_M1 SPRING 2014 PROFESSOR: Jeffrey L. Day, AIA

The row condition allows for easy

The row condition allows for easy expansion as expansion asorientation. well as well as flexibility in If youflexibility want to growin just add a row. If you want to grow, just orientation.

add a row.

With every row comes a void. These

With every row comes a void. These intermediate intermediate spaces are an opportunity spaces are an opportunity for movement and convergence. for movement and convergence.

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PLANTING

Initial Planting

The flexibility in orientation of a row

FIRST THINNING

First Thinning

Second Thinning

SECOND THINNING

The flexibility in orientation of a row allows design allows design ofto takeandadvantage of to take advantage sunlight shade.

sunlight and shade.

PROGRAM AN

INVENTORY / ANALYSIS

20’

20’

Standard apple trees will grow 20-30 feet. Because of their growth pattern, they are first planted on a 20’ square grid and thinned over the years.

GRID UNIT

Light Harvesting

ARCH 311_M1 SPRING 2014

Professor: Jeffrey L. Day, AIA

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light harvesting


Prairie Pines is a 145-acre property that has been transformed from farmland to an area of diverse woodland and grassland habitats. Included in this land are 20 acres of woody plants, 10 acres of virgin prairie, and 30 acres ofis located seeded prairie. Also Prairie Pines on a 145-acre property that has been transformed from farmland to an area of present areandfield windbreaks diverse woodland grassland habitats. Included in this property are 20 acres of woodland containing and waterways. more than 200 species of woody plants, 10 acres of

virgin prairie, and 30 acres of seeded prairie grasses and wildflowers. Also present are field windbreaks and waterways. A Christmas tree plantation encompasses 10 acres.

Community Crops is a The purposenon-profit of Prairie Pines is to provide an local, gardening environmental refuge, enhanced arboretum, and horticultural study area in northeast Lincoln, andon cooperative located eventually to integrate county extension services, community recreation, and4wildlife research approximately acres ofand the education. site in USDA growing zone 5.

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CULTIVATION SCHEDULE

JANUARY

Cultivation Schedule

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The apple orchard rows are contour-defined based upon the site. The practice of contour farming helps preserve precious top soil from erosion and slows the downhill flow of water, allowing increased absorption. This configuration also provides long sightlines down much of the site, while limiting a direct visual of the residencies located around the curve.


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Configuration B: SISYLANAgalleries MARGORP Situating between 2 studios allows for flexible collaboration space. The residence is separated by the studio space allowing it to be fully private.

Configuration C: Adjacent, alternating galleries create small courtyard areas. Residence remains lofted and separate.

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ACCESS Access& COURTYARDS & Courtyards

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OVERALL ROOFLINE STRATEGY

Roofline Strategy The form of the residencies pulls from the vernacular barn architecture. The traditional pitched roofline is spanned across the community - uniting the buildings, yet giving them each an individual form. 20’

INTERNAL FORM

SKIN

PUSH/PULL

25’

35’

25’

15’

20’

25’

27’

35’

25’

15’

25’

15’

25’

35’

25’

25’

DIMENSIONS

20’

Internal Form The internal forms are constructed of a translucent polycarbonate to provide well lit work space and hint at the activity inside. Skin To provide shading and privacy, the polycarbonate forms are wrapped in a wood slat skin.

Push/Pull Finally, one unit of each structure is pushed back to create separation of units and provide small courtyard spaces in front and back.


VEGETATION

VEGETABLE GARDEN

PROGRAM

COMMUNITY CROPS

USER FREQUENCY

FOREST


The artists’ community is nestled into the rows of the orchard, with a larger public gallery located at the top of the hill as the final destination point. The integration of programs and flow of the site allow the art and agriculture communities to become more seamless. 11

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1.

ORCHARD ARTIST WORK & RESIDENCE

9

10

1. CAFE & SHOP 2. COMMUNITY CROPS 3. ARTIST'S RESIDENCE 4. ARTIST GALLERY

SCALE: 1” = 100’

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LIVING ROOM LIVING ROOM LIVING ROOM LIVING ROOM

The layout of the artists’ residencies and studios allows for privacy and prime views of the orchard by locating the ‘living’ areas in the back of the units. The circulation path through the community creates a street-like condition that each units’ gallery faces. This feature defines courtyard segments in between a cluster of units to foster community and collaboration. The individual galleries are able to be opened up to the studio space and even further into the adjoining unit in order to create a larger, collaborative gallery.

GALLERY GALLERY

KITCHEN

KITCHEN

STUDIO AND FLEX GALLERY

STUDIO AND FLEX STUDIO AND FLEX GALLERY GALLERY

GALLERY

LIVING ROOM

KITCHEN

BATH

BEDROOM BEDROOM

SCALE: 1/16”=1’0”

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ARCH 360/311_M1 SPRING 2014 PROFESSOR: Jeffrey L. Day, AIA

COURTYARD

PRODUCE ART!




The Produce Art! community fosters an environment of collaboration between the arts and agriculture, blurring the lines between public and private, and ultimately bridges the gap between sites of production and consumption.



Michelle McCullough 311 N 8th St #320 Lincoln, NE 68508 402.450.5506 michellee987@gmail.com


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