168 — representing museum technologies
Illustration Credits Anne Frank House: p.36 img 1.5; p.38 img 1.6; p.126 img 4.6; p.128 img 4.7 Aram Bartholl: p.130 img 4.8; p.132 img 4.9 Atelier Brückner: p.8 “previous page”;
Beat Hächler, Sibylle Lichtensteiger: p.88 img 3.1; p.90 img 3.2 Christian Dindler and Ole Iversen: p.122 img 4.4; p.124 4.5; Cloud 10 Communications: p.28 img 1.1 ; p.30 img 1.2
Expertise Centre for Digital Media: p.110 “previous page”; p.118 img 4.1; p.120 img 4.2; p.120 img 4.3 Fabrica: p.18 “previous page”; p.44 img 1.9; p.46 img 1.10 Fabrique: p.32 Iimg 1.3; p.34 img 1.4
Jack Long, The National Film Board of Canada: p.136 “previous page” Local Projects: p.100 img 3.7; p.102 img 3.7; Nicolai Wolff: p.70 img 2.7; p.72 img 2.8
Parul Vora, Kevin Collins, Dan Maynes-Aminzade, Scott Doorley, and Björn Hartmann: p.74 img 2.9; p.76 img 2.10; Rachelle Viader Knowles and Kathleen Irwin: p.96 img 3.5; p.98 img 3.6 StoryCorps: p.80 “previous page”; p.104 img 3.9;
Studio Azzurro: p.58 img 2.1; p.60 img 2.2; p.92 img 3.3; p.94 img 3.4; p.159 “previous page” The Natural History Museum: p.66 img 2.5; p.68 img 2.6 The British Museum, BBC: p.40 img 1.7; p.42 img 1.8
YouAreNotHere.org: p.50 “previous page”; p.62 img 2.3; p.64 img 2.4