CHARLIE’S COUNTRY
With no way to live a traditional lifestyle in his Aboriginal community, aging Charlie struggles to make his own way in life. “This is an arthouse winner.” – Screen Daily FeStiVaL ScreeningS: May 22 / 11:00 / Debussy Theater May 22 / 16:30 / Debussy Theater May 23 / 13:00 / Bazin Theater
IT FOLLOWS
After a strange sexual encounter, a teenager finds herself plagued by disturbing visions and the inescapable sense that something is following her. An artful, genre-bending work of horror from David Robert Mitchell, whose debut The Myth of the American Sleepover premiered at Critics’ Week in 2010 and was widely distributed. Market Screening: TODAY / 13:30 / Riviera 4
10.000 KM
One year apart, with a continent between them, a couple must rely on modern technology to keep their relationship alive. “[A] beautifully acted love story.” – Variety “Well-crafted, tightly controlled and emotionally probing.” – The Hollywood Reporter “An insightful, moving romance for the technology age.” – Indiewire
52 TUESDAYS
16-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans to gender transition and their time together becomes limited to Tuesday afternoons. “Boast[s] breakout talent both in front of and behind the camera.” – Variety “52 Tuesdays feels highly personal and is never less than absorbing or sincere.” – The Hollywood Reporter “A remarkably assured and striking debut.” – Screen Daily
I WON’T COME BACK
SHE’S LOST CONTROL
A young teacher fleeing an unfounded criminal charge goes on the run with an orphaned girl who is searching for her long-lost grandmother.
The professional and personal life of a sexual surrogate begin to unravel when she starts working with a new client. “Sustains tension and is arrestingly lit and shot, exhibiting a sharp eye for expressive composition.” – The Hollywood Reporter
“A resonant, poignant drama.” – Sound On Sight
“Engrossing.” – Indiewire
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5/15/14 10:29 AM