Screen Cannes Daily Day 2

Page 67

CHARLIE’S COUNTRY

With no way to live a traditional lifestyle in his Aboriginal community, aging Charlie struggles to make his own way in life. His 14th film and the 4th to premiere in official selection at Cannes, de Heer collaborates again with legendary actor David Gulpilil to create a moving tale about contemporary Aboriginal culture, a subject close to his heart. Market ScreeningS: May 17 / 16:00 May 18 / 9:30 (Private Buyers Screenings)

IT FOLLOWS

FeStiVaL ScreeningS: May 22 / 11:00 / Debussy Theater May 22 / 16:30 / Debussy Theater May 23 / 13:00 / Bazin Theater

After a strange sexual encounter, a teenager finds herself plagued by disturbing visions and the inescapable sense that something is following her. An artful, genre-bending work of horror from David Robert Mitchell, whose debut The Myth of the American Sleepover premiered at Critics’ Week in 2010 and was widely distributed. Market ScreeningS: May 18 / 14:00 / Palais I May 19 / 13:30 / Riviera 4

10.000 KM

FeStiVaL ScreeningS: May 17 / 11:30 / Miramar May 17 / 17:00 / Miramar May 17 / 22:00 / Miramar May 18 / 8:30 / Miramar

One year apart, with a continent between them, a couple must rely on modern technology to keep their relationship alive. “[A] beautifully acted love story.” – Variety “Well-crafted, tightly controlled and emotionally probing.” – The Hollywood Reporter “An insightful, moving romance for the technology age.” - Indiewire Market ScreeningS: TODAY / 15:30 / Palais J May 16 / 13:30 / Palais J May 17 / 13:30 / Riviera 4

52 TUESDAYS

16-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans to gender transition and their time together becomes limited to Tuesday afternoons. “Boast[s] breakout talent both in front of and behind the camera.” – Variety “52 Tuesdays feels highly personal and is never less than absorbing or sincere.” – The Hollywood Reporter “A remarkably assured and striking debut.” – Screen Daily Market Screening: TODAY / 9:45 / Palais G

I WON’T COME BACK

SHE’S LOST CONTROL

A young teacher fleeing an unfounded criminal charge goes on the run with an orphaned girl who is searching for her long-lost grandmother.

The professional and personal life of a sexual surrogate begin to unravel when she starts working with a new client.

“A resonant, poignant drama.” – Sound On Sight

“Sustains tension and is arrestingly lit and shot, exhibiting a sharp eye for expressive composition.” – The Hollywood Reporter

Market ScreeningS: TODAY / 13:30 / Riviera 4

“Engrossing.” – Indiewire

May 16 / 9:30 / Riviera 2

Ryan Kampe rk@visitfilms.com +1 646 548 4700

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Aida LiPera al@visitfilms.com +1 646 371 8673

Lorna-Lee Sagebiel lls@visitfilms.com +1 646 421 4574

CANNES OFFICE Lerins S8 +33 6 59 27 39 08

www.visitfilms.com info@visitfilms.com

5/12/14 8:34 AM


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