Scottish Silver & Applied Arts by Lyon & Turnbull

Scottish Silver & Applied Arts

Wednesday, 15th August 2018 33 Broughton Place Edinburgh

Scottish Silver & Applied Arts

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

2 Lyon & Turnbull

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

Scottish Silver & Applied Arts Wednesday, 15th August, 2018

at 10am Sale Number LT530

Viewing Sunday, 12th August 12 noon - 4pm Monday, 13th August 10am - 5pm Tuesday, 14th August 10am - 5pm Morning of sale from 9am

Enquiries Lyon & Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 Email. info@lyonandturnbull.com www.lyonandturnbull.com

Catalogue: ÂŁ15

Front Cover Lot 131 (detail)

Inside Front Cover Lot 514 (detail)

Inside Back Cover Lot 124 (detail)

2 Lyon & Turnbull

Buyer’s Guide This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to advise you.

Buyer’s Premium & Other Charges

Registration

Catalogue descriptions

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all fist time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person (public viewing times listed in every catalogue), our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

25% up to £100,000/20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale). Additional VAT † VAT at the standard rate payable on the hammer price

1 – Government issued photo ID (Passport/ Driving licence)

* 5% import VAT payable on the hammer price

2 – Proof of address (utility bill/ bank statement).

No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). Bidding & Payment For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. Removal of Purchases Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser.

Import/Export Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. Endangered Species Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http:// www. defra.gov.uk/ahvla-en/ imports-exports/ cites

Scottish Silver & Applied Arts

Meet the Specialists At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot or just want to find out more about the auction process.

John Mackie

Olivia Ross

Furniture, Ceramics & Works of Art

Department Administrator

john.mackie@lyonandturnbull.com

olivia.ross@lyonandturnbull.com

Colin T. Fraser

Kier Mulholland

Consultant: Silver, Jacobite Memorabilia, Arms & Armour

Junior Specialist, Jewellery & Silver

colin.fraser@lyonandturnbull.com

kier.mulholland@lyonandturnbull.com

How to Find Us in Edinburgh Lyon & Turnbull

York Place Tram Stop

Waverley Station, Princes Street

4 Lyon & Turnbull

Order of Sale Wednesday, 15th August, 2018 at 10am

1-49

Furniture & Works of Art

50-74 Mauchlineware 75-234

Wemyss Ware

235-263

Ceramics & Works of Art

264-350

A Private Collection of Toddy Ladles

351-449

Scottish Provincial Silver

450-514

Hallmarked Silver

515-522

Works of Art

523-528

A Collection of Quoiting Medals

529-533

Boxes & Snuff Mulls

534-537 A Private Collection of Royal Presentation Gifts 538-554

Boxes & Snuff Mulls (continued)

555-571

Jacobite Works of Art

572-639 Militaria, Arms & Armour, and Highland Dress 640-641 From the Collection of The Late Baron Earlshall 642-650 Other Properties

Lot 611

Furniture & Works of Art 1 GORDON, ROBERT SCOTIA ANTIQUA: MAP OF SCOTLAND [Amsterdam: Blaeu,] 1653, hand-coloured in outline, framed 42cm x 55cm

£600-800

2 BLAEU, JOAN - TIMOTHY PONT GROUP OF FOUR 17TH CENTURY MAPS to include PREFECTURA KIRKUBRIENSIS / THE STEUARTRIE OF KIRKCUBRIGHT [SIC.], [Amsterdam: Blae, 1654 or later]], hand-colouring, framed, 43cm x 55cm; GLOTTIANA PRAEFECTURA INFERIOR / THE NETHER WARD OF CLYDS-DAIL [Amsterdam : Blaeu, 1654 or later]], hand-colouring, framed, 39cm x 54cm; COILA PROVINCIA / THE PROVINCE OF KYLE [Amsterdam : Blaeu, 1654 or later]], hand-colouring, framed, 46cm x 58cm; CUNINGHAMIA / CUNNINGHAM [Amsterdam : Blaeu, 1654, or later], hand-colouring, framed, 43cm x 57cm (4) £800-1,200

3 GORDON, ROBERT SCOTIA ANTIQUA: MAP OF SCOTLAND [Amsterdam: Blaeu,] 1653, hand-coloured in outline, heightened in yellow, framed 43cm x 56cm

£700-900

4 AFTER TOM SCOTT RETURN TO HAWICK FROM HORNSHOLE, 1514 Engraving by Charles Oliver Murray, signed by artist and engraver in pencil to margin, and margin featuring hand drawn coat of arms with motto TERIBUS YE TERI ODIN 40cm x 65cm (15.75in x 25.5in)

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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5 A SCOTTISH OAK-CASED LONGCASE CLOCK BY GEORGE HARDY, OLD DEER LATE 18TH CENTURY the twin train movement with arched painted dial decorated with roses to the arch and inscribed GEO. HARDY/ OLD DEER, includes pendulum but no weights 46cm wide, 208cm high, 24cm deep

£1,500-2,000

6 A WEDGWOOD MEDALLION DEPICTING ADAM SMITH AFTER JAMES TASSIE, LATE 18TH CENTURY reserved on a black jasperware ground, moulded inscription ADAM SMITH/ ON HIS 64TH YEAR/ 1787/ TASSIE, impressed mark verso WEDGWOOD, in an ebonised frame 10.5cm x 8cm

£200-300

7 A GEORGIAN GREEN GLASS MALLET-SHAPED BOTTLE CIRCA 1740 of conventional dumpy form with moulded rim and deep indent to base 21.5cm high

£200-300

8 AN UNUSUAL SCOTTISH REGENCY MAHOGANY BREAKFAST OR OCCASIONAL TABLE, IN THE MANNER OF WILLIAM TROTTER, EDINBURGH EARLY 19TH CENTURY decorated with beaded mouldings, the rectangular top with drop-flaps, above two drawers and raised on curved legs linked by bobbin-turned stretchers open 88cm wide, 77cm high, 62cm deep, closed 43cm wide, 77cm high, 62cm deep

£1,200-1,800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

9 A SET OF EIGHT SCOTTISH REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with leather upholstered and moulded decoration, each with rope twist turned top rails and upholstered panels above drop-in upholstered seats on sabre legs, includes two carver chairs (8) each 56cm wide, 82cm high, 52cm deep

£2,000-3,000

10 A PART SET OF SCOTTISH HORN CUTLERY BY HILLIARD, EDINBURGH CIRCA 1880 comprising 10 dinner knives; 9 dinner forks; 6 side knives; and 11 dessert forks, each with horn handles and steel blades and tines, the blades marks HILLIARD/ CUTLER TO THE QUEEN/ EDINBURGH; also a SERVING FORK and SHARPENING STEEL, each with horn handles (38) Notes: Harvey Hilliard was ‘Cutler & Surgical Instrument Maker to the Queen’ and was based at 7 Nicolson Street, Edinburgh.

£300-500

11 A SCOTTISH REGENCY MAHOGANY TWIN-PEDESTAL DINING TABLE EARLY 19TH CENTURY with beaded mouldings, the rounded rectangular top with one additional leaf raised on twin turned pedestals with hipped and moulded sabre legs terminating in brass caps and castors 183cm long (extended), 73cm high, 122cm deep

£7,000-9,000

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12 A SCOTTISH REGENCY MAHOGANY FOLDOVER CARD TABLE, IN THE MANNER OF WILLIAM TROTTER, EDINBURGH EARLY 19TH CENTURY the crossbanded and rounded rectangular top with baize-lined interior, above a fluted frieze on four curved supports and hipped sabre legs with brass caps and castors open 96cm wide, 72cm high, 96cm deep, closed 96cm wide, 74cm high, 40?cm deep

£3,000-4,000

13 JOHN KAY (1742-1826) FOURTEEN COLOURED CARICATURES, 1790S-1815 various sizes, some dated and signed, with inscriptions/titles, including portraits of the Earl of Moira, Lt. Gen. Alexander Leslie, Sir James Campbell of Ardkinglas, Major Fisher, Capt. Mingay, Gen. James Grant of Ballindalloch, Lord Adam Gordon, Lt. Gen. Vyse, Ensign MacDougal, Henry Dundas, Sir James Grant, Col. Crichton and a piper, in later glazed frames, with various labels verso (14) largest 21cm x 13.5cm

£400-600

14 A PAIR OF SCOTTISH LATE REGENCY MAHOGANY AND EBONY SIDE CHAIRS EARLY 19TH CENTURY the scroll carved top rails with ebony roundels and centred by a flower head, above drop in padded seats, raised on reeded sabre legs (2) 46cm wide, 88cm high, 44cm deep

£300-500

15Y AFTER ALEXANDER NASMYTH PORTRAIT MINIATURE OF ROBERT BURNS, 19TH CENTURY of oval form, watercolour on ivory, in a glazed brass frame 9cm high Provenance: Purchased Lincoln Fine Art

£150-250

Scottish Silver & Applied Arts

16 A SCOTTISH REGENCY CAST IRON BOOT SCRAPER EARLY 19TH CENTURY the scraper with pierced and scrolling supports on a ovoid and galleried tray base 41cm wide, 31cm high, 27cm deep

£200-300

17 A SCOTTISH REGENCY MAHOGANY BOOKCASE, ATTRIBUTED TO WILLIAM TROTTER, EDINBURGH EARLY 19TH CENTURY with boxwood inlaid decoration, the moulded and beaded cornice above burr walnut tablet and two glazed doors, with lancet arched astragals, over a single drawer with two panelled doors below, raised on reeded bun feet, includes two keys 127cm wide, 225cm high, 49cm deep

£5,000-7,000

Notes: William Trotter was born into a family of merchants in 1772, descended on the maternal side from the family of John Knox. He became a member of The Merchant Company in 1797 and by 1809 he was sole proprietor of the firm Young & Trotter. Often regarded as the most eminent of all Scottish cabinet makers, his success was in part due to his appreciation for his client’s taste. Using the finest quality materials, Trotter developed a distinctive Regency style typically characterised by bold carving, bead moulding and reeded legs. Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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18 A SCOTTISH REGENCY BURR ELM WORK TABLE EARLY 19TH CENTURY the rounded rectangular top with drop flaps, above a single drawer with curved support below and three brass ‘lyre’ uprights, the base with concave square column on four sabre legs open 74cm wide, 73cm high, closed 42cm wide, 73cm high

£1,500-2,000

19 AN EARLY VICTORIAN MAHOGANY CASED LONGCASE CLOCK BY ROBERT WILKIE, CUPAR CIRCA 1840 the painted dial painted to the arch with a scene depicting Burns Mausoleum in Dumfries, inscribed BURNS MAUSOLEUM/ WILKIE CUPAR, the case with swan neck pediment 122cm high

£400-600

20 A SCOTTISH VICTORIAN OAK-CASED WALL CLOCK, BY ANDREW BARRIE, EDINBURGH CIRCA 1840 the circular dial with single train movement and Gothic numerals inscribed ANDREW BARRIE EDINBURGH, the moulded case with foliate and Gothic carved decoration, includes pendulum 42cm wide, 60cm high

£600-800

DANCKERTS, THODORUS

A SCOTTISH MAHOGANY FRAMED COCKPEN CHAIR

NOVISSIMA ET ACCURATISSIMA TOTIUS ANGLIAE, SCOTIAE ET HIBERNIA: MAP OF SCOTLAND, ENGLAND AND IRELAND Amsterdam: [1685], hand-coloured, framed

EARLY 20TH CENTURY the fretwork back above drop-in seat on cluster column flared legs

50cm x 58cm

58cm wide, 86cm high, 46cm deep

£700-900

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

23 A SCOTTISH VICTORIAN WALNUT AND BURR WALNUT SIDE TABLE CIRCA 1850 with ebonised mouldings and floral and foliate marquetry inlay, the rectangular top above a single drawer on fluted tapering legs with lappetcarved toupie feet and reeded knop capitals 107cm wide, 73cm high, 50cm deep

£2,000-3,000

24 A SCOTTISH MAHOGANY FRAMED WALL CLOCK BY JAMES IVORY, DUNDEE LATE 18TH CENTURY the circular silvered dial with single train movement, inscribed JAMES IVORY/ DUNDEE, within a circular moulded case 40cm diameter, 14 cm deep Notes: James Ivory (1729-1793) is probably the best known clock maker from Dundee in the 18th century. Apprenticed in London he returned to Dundee to set up what turned out to be a successful if not a large business. His output covered all types of clocks from pocket watches to the clock in St Andrews Parish Church in Dundee - still going to this day. His output was not prolific as he didn’t employ a lot of staff and he was very much hands on in the workshop as well as at the front counter. He did produce a few watches and clocks whilst I London and signed pieces with London are well sought after. As well as a clock and watch maker he was a particularly competent engraver and this is shown by the individuality of decoration of his timepieces. The parts often made by hand in Dundee rather than ‘bought in’ There are various references to his work in many of the standard works on horology

£500-800

25 AN EARLY VICTORIAN SCOTTISH MAHOGANY SIDE TABLE BY JAMES MEIN OF KELSO CIRCA 1840 the rounded rectangular moulded top above a single drawer and turned pendant finials to each angle, the base with tapered scroll supports linked by stretchers and raised above carved bun feet, bears paper maker’s label to drawer JAS. MEIN/ CABINET MAKER & UPHOLSTERER/ ROXBURGH STREET/ KELSO/ NO. 31609 108cm wide, 77cm high, 60cm deep Notes: The Mein family are recorded as cabinet makers in Kelso from 1784- 1851. James Mein the Elder, the founder, established the firm as makers of fine quality furniture and when he died in 1830 his nephew, also called James Mein, took over the business until it went bankrupt in 1851. Their many important patrons included the 5th & 6th Dukes of Roxburghe at Floors Castle and the Earl of Haddington at Mellerstain.

£3,000-5,000

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26 A PAIR OF FIGURED MAHOGANY BUFFETS, BY WHYTOCK & REID, EDINBURGH CIRCA 1930 each with shallow relief carved decoration, the shaped three quarter gallery above rectangular top and open shelf with two drawers below, fitted with brass ring handles and mother-of-pearl heart-shaped escutcheons, the whole raised on cabriole legs terminating in pointed pad feet, includes glass preserves and single key (2) 142cm wide, 94cm high, 49cm deep

£5,000-7,000

27 A SCOTTISH MAHOGANY TOILET MIRROR, BY WHYTOCK & REID, EDINBURGH CIRCA 1930 the shaped and bevelled glass plate with corresponding frame, held by moulded square uprights and raised on trestle supports with pad feet 53cm wide, 84cm high, 36cm deep

£700-900

28 A SCOTTISH CAST IRON FIRE BACK LATE 19TH CENTURY cast with a central thistle flanked by a fleur-de-lis and rose above a lion rampant 76cm wide, 65cm high

£500-700

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

29 ANDREW CURRIE (1812-1891) STONE FIGURE OF THE VIRGIN, CIRCA 1840 the figure shown in prayer, her foot standing on a serpent, an apple in its mouth 103cm high Notes: Andrew Currie was a prominent sculptor who is perhaps best known for producing the stone monument of King Robert the Bruce at Stirling Castle. After working as a mill-wright in the Scottish Borders for many years, Currie began sculpting in his mid-forties exhibiting at the Royal Scottish Academy from 1855 to 1877. This sculpture of the Virgin Mary was purchased in 1891 by George Paterson Sutherland, founder of one of Scotland’s foremost sculpting and masonry firms, George Sutherland and Sons. Other notable works by Currie include the poet James Hogg at St. Mary’s Loch and the figures of Edie Ochiltree and Old Mortality on the Scott Monument in Edinburgh.

£800-1,200

30 A SCOTTISH MAHOGANY CASED LONGCASE CLOCK BY JOHN RUSSELL, FALKIRK EARLY 19TH CENTURY the steel and brass arched dial with twin train movement, and subsidiary seconds and date dials, inscribed JNO. RUSSELL FALKIRK, the case with swan neck pediment and blind fretwork panels 219cm high Notes: John Russell, born in 1745, was Watchmaker in Scotland to the Prince Regent.

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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31 TWO SCOTTISH EAST COAST POTTERY NEWHAVEN FISHWIFE FIGURES EARLY 19TH CENTURY probably Rathbone’s Pottery, Portobello, each figure modelled carrying a basket of fish, 24 and 22.5cm high; and another SCOTTISH POTTERY FIGURE, of a Newhaven Fishwife, 19cm high (3) Notes: Based in Portobello, the Rathbone pottery was known for producing fine painted and printed earthenware pieces. Decorated in an array of colours the firm produced a range of these charming figures, thought to be based on humorous observations of local characters.

£300-500

32 A SCOTTISH PINE AND ELM-FRAMED ORKNEY CHAIR EARLY TO MID-19TH CENTURY the curved woven straw back above solid seat above panelled sides on square moulded legs 61cm wide, 105cm high, 44cm deep Notes: A product rooted in local tradition, the Orkney Chair has evolved over time from a low round stool completely covered in straw, to a distinctive low chair with a straw back. Some designs feature a hood, thought to provide shelter from any draughts. Later, inset seats began to replace solid wooden bases and the chairs were made commercially by local craftsmen such as David Kirkness. Retailers such as Liberty of London regularly sold Orkney chairs during the early 20th century.

£400-600

33 A SCOTTISH MAHOGANY ROCKING CHAIR MID-19TH CENTURY the brander back with shaped mid rail above curved open arms and solid seat with single drawer to one side, the whole raised on square legs with applied rockers 55cm wide, 97cm high, 42cm deep

£600-800

SCOTTISH SCHOOL

A SCOTTISH EAST COAST POTTERY TEAPOT AND COVER BY BELFIELD POTTERY, PRESTONPANS

MONTROSE FISHING BOAT PASSING THE BASS ROCK oil on canvas, unsigned 20.5cm x 51cm

£100-200

CIRCA 1870 the body moulded with bound bamboo design, maker’s mark to base BELFIELD & C./ PRESTONPANS/ FIREPROOF, 19cm high; and another SCOTTISH POTTERY TEAPOT, with ribbed decoration, unmarked, 9cm high (2) £100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

36 A SCOTTISH ANTLER CHANDELIER CIRCA 1900 formed as an arrangement of antlers and suspending seven asymmetrically arranged light fittings, with hanging chains and corresponding ceiling rose 131cm diameter, 78cm high

£1,500-2,000

37 A FOURTEEN POINT ‘ROYAL’ STAGS HEAD DATED 1925 neck mounted on an oak shield, each antler with seven well grouped points, bears label CUMLODEN/ 1925 antler spread 80cm

£1,000-1,500

38 A TWELVE POINT ‘ROYAL’ STAGS HEAD DATED 1964 neck mounted on an oak shield, each antler with six well grouped points, bears label SKIBO/ 18.12.64/ MARGARET THOMPSON antler spread 83cm

£800-1,200

A PAIR OF SCOTTISH CURLING STONES

A SCOTTISH CHILDS ANTLER CHAIR AND STOOL

EARLY 20TH CENTURY each turned stone with threaded brass and ebonised wood handle (2)

CIRCA 1900 the chair with antler framed upholstered back over stuffover seat on deer feet, with corresponding stool (2)

26cm diameter, 20cm high

£300-500

chair 33cm wide, 74cm high, 27cm deep, stool 25cm wide, 18cm high, 22cm deep

£1,000-1,500

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41 A SCALE MODEL OF PS WAVERLEY MODEL BUILT CIRCA 1970 painted wood and ply, raised on a stand 99cm long, 33cm high

£200-300

Notes: Built in 1946, by shipbuilders A. & J. Inglis of Glasgow, PS Waverley was launched in October 1946. She entered service with the London and North Eastern Railway in June 1947, working the LNER’s Firth of Clyde steamer route from Craigendoran Pier, near Helensburgh, up Loch Long to Arrochar. In her first year in service she wore that company’s red, white and black funnel colours. After a revival of fortunes in the 1950s, the 1960s saw a gradual change in holiday habits that led to a decline in passenger numbers and the closure of many of the small piers. Caledonian MacBrayne (CalMac) withdrew Waverley after the 1973 season as she was too costly to operate and needed significant expenditure. By then the Paddle Steamer Preservation Society (PSPS) had been set up and had bought the near-derelict small River Dart paddler PS Kingswear Castle. CalMac, keen to ensure that the ship was preserved, sold Waverley

to the PSPS for the token sum of one pound. Neither side really believed that the vessel would return to steam but, just in case, Caledonian MacBrayne stipulated that she should not sail in competition with their remaining cruise vessel, TS Queen Mary. A public appeal was launched to secure funding for the return of the Waverley to service and the fund-raising operation was successful. The PSPS found itself running a cruise ship operation, “Waverley Excursions”. Since then Waverley has been joined in the PSPS fleet by PS Kingswear Castle and MV Balmoral and has had a series of extensive refits and much restoration work, including a new boiler and improvements to meet modern safety standards. She has circumnavigated Great Britain and every year makes extensive sailings around the country.

42 A CAST IRON RAILWAY BENCH SIGN ’LUMPHANAN’, CIRCA of rounded rectangular form with bullnose moulding, cast in relief LUMPHANAN, later paintwork 91cm x 10.7cm

Notes: Lumphanan was a two platform station built in the 1850s on the second phase of the Deeside line. Closing in 1966 there is no longer any trace of this station.

£400-600

43 A CAST IRON RAILWAY BENCH SIGN ’BALLATER’, CIRCA of rounded rectangular form with bullnose moulding, cast in relief BALLATER, later paintwork 71cm x 10.7cm

£800-1,200 Notes: The Deeside Railway was a passenger and goods railway between Aberdeen and Ballater. A railway to serve Deeside was first suggested in 1845 and was authorised in July 1846, but it was decided to wait for the Aberdeen Railway to open first. Shareholders wanted their money back when the railway mania bubble burst, but it survived because the Aberdeen Railway bought a large number of shares. Interest was restored after Prince Albert purchased Balmoral Castle, to which the Royal Family made their first visit in 1848, and the Aberdeen Railway was able to sell their shares. Investors were still hard to find, but by limiting the railway to a line between Ferryhill, in Aberdeen, and Banchory the Deeside Railway was able to apply to Parliament for permission in 1852. Permission was granted, and the railway opened on 7 September 1853. A new company, the Aboyne Extension, was formed to reach Aboyne, completed in 1859 . As the line was extended up Deeside, closer to Balmoral, the terminus at Ballater became the royal station, welcoming Royal visitors once a year in the summer. The station was destroyed by fire in 2015 but has since been re-built.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

44 A CAST IRON RAILWAY BENCH SIGN ’CORNHILL’, CIRCA of rounded rectangular form with bullnose moulding, cast in relief CORNHILL, later paintwork 70.5cm x 10.7cm Notes: Cornhill railway station was an intermediate station on the Great North of Scotland Railway (GNoSR) line from Cairnie Junction to Tillynaught. Opened in 1859 by the Banff, Portsoy and Strathisla Railway, it was absorbed by the GNoSR in 1867 until grouping in 1923, passing into British Railways ownership in 1948. Passenger and freight services were withdrawn in May 1968 although most of the station buildings are still in existence.

£400-600

Scottish Silver & Applied Arts

45 AN EARLY VICTORIAN SCOTTISH MAHOGANY LONGCASE CLOCK, BY J. &W. MITCHELL, GLASGOW CIRCA 1840 the circular painted dial with subsidiary seconds and date dials inscribed J. & W. MITCHELL, GLASGOW, the case with elaborately carved hood, two weights and a pendulum included 57cm wide, 216cm high, 29cm deep

£3,500-4,500

46 A PAIR SCOTTISH POTTERY JUGS BY J. AND M.P. BELL, GLASGOW CIRCA 1870 moulded with fishermen and fishwives, painted in colours, moulded maker’s mark to base J&MPB&CO/ GLASGOW (2) 19cm high

£200-300

47 A ‘BUTTERFLY’ PATTERN FOOTED PUNCH BOWL BY J & M.P. BELL POTTERY, GLASGOW LATE 19TH CENTURY transfer printed and painted with roundels of flowers and butterflies, printed maker’s marks to base 25cm diameter

£100-200

48 A SCOTTISH OAK FRAMED DESK CHAIR BY FRANCIS SMITH, GLASGOW CIRCA 1890 the leather-upholstered back and arms above curved spindle-filled back and moulded solid seat raised above cabriole legs linked by stretchers, bears maker’s label FRANCIS SMITH/ CABINET MAKER/ 78 GORDON STREET/ GLASGOW, stamped mark to leg WB/ 1058 56cm wide, 85cm high, 44cm deep Notes: Other examples of Francis Smith’s furniture can be seen in the Victoria and Albert Museum, London. Most notably, the Glasgow cabinetmaker executed many designs for Charles Rennie Mackintosh, for example the ladder-back chairs for Miss Cranston at the Willow Tearooms.

£800-1,200

49 TWO VICTORIAN WOOL PAISLEY SHAWLS EARLY TO MID 19TH CENTURY one with woven bands of boteh to each end on a cream ground, 320cm x 150cm; the other with exuberant boteh design in deep purple shades with cream central panel, 326cm x 162cm (2) Provenance: James Archibald Morris and by descent, Savoy Croft, Ayr

£200-300

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Mauchlineware

A GROUP OF MAUCHLINE ‘TARTAN WARE’

A GROUP OF MAUCHLINE WARE SNUFF BOXES

SMITH, WILLIAM & ANDREW

LATE 19TH CENTURY comprising a CRIBBAGE BOX, 12cm long and a ROWENTREES CHOCOLATE BOX, 10.5cm across in Stuart tartan; a REEL BOX, in Prince Charlie tartan, 6.5cm high; a CRIBBAGE BOX, in Chisholm tartan, 26.5cm long; a CIGAR BOX, in McLean tartan, 15.5cm long; and a SNUFF BOX, in Campbell tartan, by Smith of Mauchline, 7.5cm across (6)

LATE 19TH CENTURY comprising ELEVEN RECTANGULAR BOXES, various sizes and transfer printed designs (11)

£300-500

51 A GROUP OF MAUCHLINE WARE SNUFF BOXES LATE 19TH CENTURY comprising SIX CIRCULAR BOXES, including a TARTANWARE example, 7.5cm diameter; one with penwork decoration of Glamis Castle; and another in Partridge wood inscribed BOUGHT AT THE LORD LOVAT SALE 1885 (6) 8.5cm diameter approx.

£200-300

3.5cm - 9cm across

£300-500

53 WILLIAM EWART GLADSTONE INTEREST A COLLECTION OF MAUCHLINE WARE MEMORABILIA, LATE 19TH CENTURY comprising a framed PANEL, printed on sycamore with a portrait of W.E. Gladstone with facsimile signature and copy of letter to the manufacturers verso from 10, Downing Street passing on the admiration of the Prime Minister for the product, 23cm x 14cm ; an AXE, bearing portrait and inscription, 15.5cm; a SNUFF BOX, 8.5cm across; and a SPILL VASE, inscribed MADE FROM THE TREE FELLED BY THE RIGHT HON. W.E. GLADSTONE £300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

AUTHENTICATED TARTANS OF THE CLANS AND FAMILIES OF SCOTLAND Mauchline, Ayrshire: W. & A. Smith, [1850]. 4to, map, 69 colour plates, each mounted into book, text (Introductory Essay on the ‘Scottish Gael’ by a Member of the Society of Antiquaries of Scotland), original embossed red cloth gilt rebacked with later spine; and two other copies, each with 69 plates, lacking maps, one copy lacking text (3) £250-350

55 A GROUP OF MAUCHLINE ‘TARTAN WARE’ LATE 19TH CENTURY comprising a PIN CUSHION, one side in McBeth tartan, the other painted with a lakeside scene inscribed LOCH KATRINE, 5cm diameter; a CAMERON TARTAN BROOCH, set embossed and chased silvered thistles set with facetted coloured paste stones, 4.5cm diameter; and a TARTAN BUTTON, with gilded rim, 2.2cm diameter (3) £300-500

Scottish Silver & Applied Arts

A GROUP OF MAUCHLINE WARE

A MAUCHLINE ‘TARTAN WARE’ INKSTAND

A GROUP OF MAUCHLINE ‘TARTAN WARE’

LATE 19TH CENTURY covered in Leslie tartan with two moulded glass inkwells, the covers in Clan Ronald tartan, centred by an arched handle and flanked by two pen dishes with single drawer below, flattened bun feet

LATE 19TH CENTURY comprising THREE NEEDLE CASES, Rob Roy, Prince Charlie and Caledonia tartans, 6.5, 7.5 and 7.5cm across; a LUGGIE PIN CUSHION, Macbeth tartan, 6.5cm diameter; a DOMED VESTA BOX, McPherson tartan, 8.5cm high; an EGG-SHAPED ETUI, Stuart tartan, 5cm long; and a BOTTLE-SHAPED ETUI, Mcbeth tartan, 7.5cm long (7)

LATE 19TH CENTURY comprising a ‘TARTANWARE’ BADGE, 5cm across; a similar BADGE, transfer printed with a scene of LUSS CHURCH, 5cm across; and a BRACELET, one panel with BRIDGE OF CLUNIE, PITLOCHRIE, retailer’s mark verso T. RUSSELL/ PITLOCHRIE (3) £300-500

24cm wide

£500-700

57 A GROUP OF MAUCHLINE WARE PIN CUSHIONS LATE 19TH CENTURY comprising ELEVEN PIN CUSHIONS, various shapes and printed scenes, 3.5-5.5cm across; and a STAR-SHAPED BADGE of St John’s College, Cambridge, 5cm across (12) £300-500

58 A GROUP OF MAUCHLINE WARE PIN CUSHIONS LATE 19TH CENTURY comprising THIRTEEN PIN CUSHIONS, various shapes and printed scenes, 3.5-6.5cm across (13) £300-500

£200-300

A GROUP OF MAUCHLINE ‘TARTAN WARE’

LATE 19TH CENTURY comprising THREE CIRCULAR STAMP BOXES, Malcolm and McPherson tartans, 4, 4 and 5cm diameter; TWO RECTANGULAR STAMP BOXES, Albert and McLean tartans, 7.3cm and 6.5cm across; a BLOTTER, Prince Charlie tartan, 12cm across; a LETTER OPENER, Hay & Leith tartan, 30cm long; and a LETTER RACK, Albert tartan, 10.5cm across (8) £200-300

A GROUP OF MAUCHLINE ‘TARTAN WARE’ LATE 19TH CENTURY comprising TWO BOOKS, with McPherson (‘Waverley’ by Scott) and McLean (Rokeby by Scott) tartan covers, 12cm long; a CALLING CARD CASE, McLean tartan, 9cm long; and a NOTEPAD AND PENCIL, Hay and Leith pattern, 9.5cm long (4) £150-250

20 Lyon & Turnbull

60 63

A GROUP OF MAUCHLINE ‘TARTAN WARE’

LATE 19TH CENTURY comprising a SPECTACLE CASE, containing a pair of white metal spectacles, 15.5cm long; a SCISSORS CASE, containing three steel scissors, Stuart tartan 17cm long; a SPOON, Stuart tartan, 9.5cm long; a BROOCH, 5cm diameter; a POCKET MIRROR, Princess Louise tartan, 6cm across and a ROUGE POT, 3cm diameter (6)

LATE 19TH CENTURY comprising SIX NAPKIN RINGS, Caledonia, Scott and Drummond tartans, largest 5cm diameter; a LETTER OPENER, Drummond tartan, 6cm long; a SCISSORS CASE, Caledonia tartan, 15.5cm, long; and a SNUFF BOX, 5.5cm long (9)

’MCDUFF’ TARTAN, LATE 19TH CENTURY comprising a THREAD BOX, 14 x 14cm; a TRINKET BOX, 10.5 x 7.5cm; a LETTER OPENER, 22cm long; a PENCIL LEAD HOLDER, 5.5cm long; a NEEDLE HOLDER, 9.5cm long; and a PIN CUSHION, 5cm diameter (6)

£300-500

£200-300

A GROUP OF MAUCHLINE ‘TARTAN WARE’

’STUART’ TARTAN, LATE 19TH CENTURY comprising SIX NAPKIN RINGS, LARGEST 5.55.5cm diameter; a CIRCULAR BOX, 6cm diameter; a SPOOL DISPENSER, 5.5cm high, a BEZIQUE SCORE COUNTER, 7.5cm high; and a TRINKET BOX, 9 x 6cm (10)

LATE 19TH CENTURY comprising FOUR NAPKIN RINGS, Rob Roy, Ross and Robertson tartans, 5cm diameter; a ROUND BOX, Robertson tartan, 4.5cm diameter; a NEEDLE CASE, Ross tartan, 5cm high; a MATCH CASE, Campbell tartan, 5.5cm high; and a THIMBLE BOX, Robertson tartan, 4cm high (8)

THREE MAUCHLINE TARTAN WARE BUTTONS LATE 19TH CENTURY each of circular form (3) Diameter: 1.3cm

£150-200

£300-500

Scottish Silver & Applied Arts

A GROUP OF MAUCHLINE ‘TARTAN WARE’

A GROUP OF MAUCHLINE TARTAN WARE’

A GROUP OF MAUCHLINE ‘TARTAN WARE’

’MCLEAN’ TARTAN, LATE 19TH CENTURY comprising EIGHT NAPKIN RINGS, largest 5cm diameter; a SNUFF BOX, 7cm diameter; a THREAD BOX, 9.5cm diameter; together with a BODKIN HOLDER, Caledonia tartan, 9cm long (11)

’MCPHERSON’ TARTAN, LATE 19TH CENTURY comprising EIGHT NAPKIN RINGS, 5cm diameter; TWO BEZIQUE SCORE COUNTERS, 7.5cm long; a STRAIGHT EDGE RULER, 15cm long; a TOOTHPICK BOX, 6cm high; a CYLINDRICAL BOX, 15.5cm long; and a SNUFF BOX, the cover with applied decoration, 7.5cm diameter (14)

LATE 19TH CENTURY comprising THREE NAPKIN RINGS, McFarlane tartan, 5cm diameter; a THIMBLE BOX, McFarlane tartan, 4.5cm high; a BOOKMARK, McFarlane tartan, a SMALL CIRCULAR BOX, 6cm diameter; and a LARGE CIRCULAR BOX, Fraser tartan., 9cm diameter (7)

£300-500

70 A GROUP OF MAUCHLINE ‘TARTAN WARE’

£300-500

LATE 19TH CENTURY comprising FOUR NAPKIN RINGS, Buchanan and MacIntosh tartans, 5cm diameter; a SMALL CIRCULAR BOX, McIntosh tartan, 4cm high; and a TRINKET BOX, MacIntosh tartan, 9 x 6.5cm (6)

£300-500

74 A GROUP OF MAUCHLINE ‘TARTAN WARE’ ’PRINCE CHARLIE’ TARTAN, LATE 19TH CENTURY comprising FOUR NAPKIN RINGS, 5cm diameter; a BOBKIN HOLDER, 9cm long; a SCISSORS CASE, 15cm long; a NEEDLE CASE, 5.5cm long; and a PIN CUSHION, 5cm diameter (8)

A GROUP OF MAUCHLINE ‘TARTAN WARE’ LATE 19TH CENTURY comprising THREE NAPKIN RINGS, McBeth tartan, 5cm diameter; a SMALL CIRCULAR BOX, McBeth tartan, 6cm diameter; and a STRING BOX, Cameron tartan, 8.5cm diameter (5) £300-500

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Lyon & Turnbull

Wemyss Ware

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

75 A WEMYSS WARE KENMORE VASE ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola, impressed mark WEMYSS, painted retailer’s mark T. GOODE & CO./ LONDON 36cm high

£600-800

76 A SMALL WEMYSS WARE COMBE JARDINIÈRE ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO. 18.5cm diameter

£200-300

77 A PAIR OF WEMYSS WARE VASES ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY each decorated by Karel Nekola, with painted and impressed mark WEMYSS 28cm high

£600-800

78 A SMALL WEMYSS WARE TRAY ’RED AND YELLOW ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed mark WEMYSS 19cm x 19cm

£200-300

A PAIR OF WEMYSS WARE KINTORE CANDLESTICKS

A WEMYSS WARE COMB TRAY

A WEMYSS WARE GORDON DESSERT PLATE

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted marks WEMYSS (2)

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO.

’DOG ROSES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S.

25.5cm across

20.5cm diameter

23.5cm high

£150-200

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

24 Lyon & Turnbull

82 A WEMYSS WARE GORDON DESSERT PLATE ’DAMSONS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 20.5cm diameter

£200-300

83 A WEMYSS WARE GORDON DESSERT PLATE ’BLACKCURRANTS PATTERN’, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 20.5cm diameter

£200-300

84 A WEMYSS WARE GORDON DESSERT PLATE ’RASPBERRIES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 20cm diameter

£200-300

85 A WEMYSS WARE PLATE ’GRAPES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 19cm diameter

£300-400

86 TWO WEMYSS WARE PLATES CIRCA 1900 comprising a ‘RASPBERRIES’ example, 18.5cm diameter; and a ‘STRAWBERRIES’ example, 18.5cm diameter, each with impressed mark WEMYSS WARE/ R. H. & S., and printed retailer’s mark T. GOODE AND CO. (2) £150-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

87 A WEMYSS WARE GORDON DESSERT PLATE ’FUCHSIAS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. (restored) 21cm diameter

£600-800

88 A WEMYSS WARE HEART-SHAPED TRAY ’DAFFODILS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 30cm long

£300-500

89 A WEMYSS WARE COMB TRAY ’BLACKCURRANTS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailers mark T. GOODE & CO. 25.5cm across

£400-600

90 A GROUP OF THREE WEMYSS WARE GORDON DESSERT PLATES EARLY 20TH CENTURY comprising one ‘GREEN APPLES’ example; and two ‘APPLES’ examples variously marked, 20.5cm diameter (3) £300-400

91 A WEMYSS WARE BISCUIT BARREL AND COVER ’REDCURRANTS PATTERN’, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO. 16.5cm high

£200-300

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92 A SMALL WEMYSS WARE COMMEMORATIVE VICTORIA GOBLET DATED 1897 probably decorated by Karel Nekola, depicting the royal crown and monogram of Queen Victoria within a field of roses, thistles and acorns, bearing inscription THE SIXTIETH YEAR OF QUEEN VICTORIA’S REIGN/ 1837-1897, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 14.5cm high

£200-300

93 TWO LARGE WEMYSS WARE EDWARD VII COMMEMORATIVE MUGS EARLY 20TH CENTURY each decorated with the Royal crown within shamrocks, roses, thistles and pierced hearts, bearing inscription FEAR GOD/ HONOUR/ THE KING/ ER, one dated 1906, impressed marks WEMYSS (2) 14cm high

£250-350

94 ROYAL DOULTON - WEMYSS CENTENARY GOBLET AND PRESENTATION BOX, DATED 1980 number 90 of a limited edition of 500, inscribed ‘TO HONOUR QUEEN ELIZABETH THE QUEEN MOTHER AND MARK THE WEMYSS CENTENARY’, to the reverse inscribed ‘WEMYSS 1880-1980’ 19cm high

£150-200

ROYAL DOULTON - WEMYSS

A WEMYSS WARE HEARTSHAPED INKWELL

CENTENARY GOBLET AND PRESENTATION BOX, DATED 1980 number 37 of a limited edition of 500, inscribed ‘TO HONOUR QUEEN ELIZABETH THE QUEEN MOTHER AND MARK THE WEMYSS CENTENARY’, to the reverse inscribed ‘WEMYSS 1880-1980’ 19cm high

’PHEASANTS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S.

£150-200

15.5cm long

£250-350

Scottish Silver & Applied Arts

97 A RARE WEMYSS WARE PORRIDGE BOWL DATED 1915 decorated by Karel Nekola, depicting a speckled cockerel within a foliate band on a yellow ground, bearing inscription WILLIE GARDNER/ HIS PORRIDGE PLATE, impressed mark WEMYSS WARE/ R. H. & S., painted mark WEMYSS/ KN/ 1915 16.5cm diameter

£500-800

98 A WEMYSS WARE HEART-SHAPED TRAY ’BROWN COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO. 29cm long

£500-800

99 A LARGE WEMYSS WARE GYPSY FLOWER POT ’BROWN COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO. 25.5cm diameter

£600-800

100

101

102

A GROUP OF WEMYSS WARES

A LARGE WEMYSS WARE MUG

’BROWN COCKEREL AND HENS’ PATTERN, EARLY 20TH CENTURY comprising an UNUSUAL BREAD DISH WITH SHAPED OUTLINE, 26.5cm across; a CHESHAM FERN POT; 10cm high; a SMALL ‘BONJOUR’ PLATE, 12cm diameter; and a LARGE PLATE, 21.5cm diameter, variously marked (4)

’BROWN COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO.

’BROWN COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS/ R. H. & S.

14cm high

£120-180

£200-300

14cm high

£120-180

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

28 Lyon & Turnbull

103 A LARGE WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO. 44 cm long

£1,000-1,500

104 A LARGE WEMYSS WARE PIG ’SHAMROCKS’ PATTERN, EARLY 20TH CENTURY painted and impressed mark WEMYSS 43cm long

£1,000-1,500

105 A LARGE WEMYSS WARE PIG CIRCA 1900 covered in a brown glaze, impressed mark WEMYSS WARE/ R. H. & S., retailer’s label for T. GOODE & CO. (restored ears) 46cm long

£1,000-1,500

106 A LARGE PLICHTA CAT MID 20TH CENTURY painted with Clovers, printed mark PLICHTA/ LONDON/ MADE IN ENGLAND 26cm high

£200-300

Scottish Silver & Applied Arts

107 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE / R. H. & S., printed retailer’s mark T. GOODE AND CO. 16cm long

£400-600

108 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO. 16cm long

£400-600

109 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a puce glaze, impressed maker’s mark WEMYSS WARE / R. H. & S. 16.5cm long

£200-300

110 A SMALL PLICHTA PIG MID 20TH CENTURY decorated by Joe Nekola with Thistles, painted mark ‘NEKOLA/ PINXT’, printed mark PLICHTA/ LONDON/ ENGLAND 16.5cm long

£200-300

111 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a green glaze, impressed mark WEMYSS WARE / R. H. & S. 16.5cm long

£200-300

112 A SMALL PLICHTA PIG MID 20TH CENTURY decorated by Joe Nekola with Shamrocks, painted mark ‘NEKOLA/ PINXT’, printed mark PLICHTA/ LONDON/ ENGLAND/ MADE IN ENGLAND 16cm long

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

30 Lyon & Turnbull

113 A GROUP OF FOUR WEMYSS WARE BEAKER VASES EARLY 20TH CENTURY comprising a ‘DAISIES’ example, 11cm high; a ‘SWEET PEAS’ example, 11cm high; a ‘PURPLE PLUMS’ example, 11.5cm high; and an ‘IRIS’ example, 11.5cm high, variously marked (4) £250-350

114 A LARGE AND RARE WEMYSS WARE MUG EARLY 20TH CENTURY decorated with a frieze of primroses within floral and foliate borders, impressed mark WEMYSS 14.5cm high

£300-400

115 A LARGE WEMYSS WARE MUG ’THISTLES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO. 14cm high

£250-350

116 A GROUP OF WEMYSS WARE VASES ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a PAIR OF GROSVENOR VASES, 20cm high; a NEAR PAIR OF LADY EVA VASES, tallest 15cm high; and a NEAR PAIR OF BEAKER VASES, tallest 12cm high, each with painted and impressed mark WEMYSS (6) £300-500

Scottish Silver & Applied Arts

117 AN UNUSUAL WEMYSS WARE FRILLED VASE ’CLEMATIS’ PATTERN, EARLY 20TH CENTURY decorated on a coloured ground, impressed mark WEMYSS 13.5cm high Notes: This piece was said to be a special commission by a Mr Matheson of Thornton as a Christmas gift to his wife

£250-350

118 A RARE WEMYSS WARE GYPSY JARDINIÈRE DATED 1915 decorated by Karel Nekola with cabbage roses and butterflies on an all-over foliate ground, painted mark WEMYSS/ KN/ 1915 22cm diameter

£2,000-3,000

119

120

A LARGE WEMYSS WARE MUG

A WEMYSS WARE LOVING CUP

’SWEETPEAS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE / R. H. & S.

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, impressed and painted mark WEMYSS, painted retailer’s mark T. GOODE & CO.

14cm high

£150-250

21cm diameter

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

32 Lyon & Turnbull

121 TWO LARGE WEMYSS WARE LADY EVA VASES ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY one decorated by James Sharp, variously marked (2) 30cm high approx

£200-300

122 A WEMYSS WARE ELGIN VASE ’CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. (restored rim) 43cm high

£200-300

123 A MEDIUM WEMYSS WARE BASKET ’CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE / R. H. & S., printed retailer’s mark T. GOODE AND CO. 30cm across

£150-250

Scottish Silver & Applied Arts

124 AN EARLY WEMYSS WARE VASE CIRCA 1890 of ovoid form, with cylindrical collar, covered in a yellow glaze, with incised decoration depicting lions in a landscape, impressed mark WEMYSS/ 10 20.5cm high

£150-250

125 AN EARLY WEMYSS WARE SELF-COLOURED JARDINIÈRE LATE 19TH CENTURY of lobed and flared circular form, covered in a green glaze, impressed maker’s mark WEMYSS 37.5cm diameter

£150-200

126 A GROUP OF EARLY SELF-COLOURED WEMYSS WARES LATE 19TH CENTURY each covered in a sang de boeuf glaze, comprising a LARGE TWIN-HANDLED DOUBLE GOURD VASE, incised mark 67, 37cm high; a PAIR OF BOTTLE VASES, impressed mark 77, 26cm high; a PAIR OF SQUAT VASES, impressed 12, 12cm high; and a TWIN-HANDLED VASE, impressed 118, 12cm high, all with impressed maker’s mark WEMYSS (6) £200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

34 Lyon & Turnbull

127 A RARE WEMYSS WARE PORRIDGE BOWL CIRCA 1900 decorated by Karel Nekola with a brown cockerel within a moulded and painted foliate border, bearing inscription DINNA SKAUD YER MOU’ WI ITHER FOLKS KAIL., impressed mark WEMYSS WARE/ R. H. & S. 16cm diameter

£300-400

128 A WEMYSS WARE MATCHBOX COVER ’BLACK COCKEREL’ PATTERN, EARLY 20TH CENTURY decorated by David Grinton, painted marks WEMYSS / T.GOODE & CO./ LONDON 6.7cm across

£250-350

129 A SMALL WEMYSS WARE MUG ’BLACK COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO. (hairline) 9.5cm high

£150-200

130 A LARGE WEMYSS WARE MUG ’BLACK COCKEREL AND HENS’ PATTERN, CIRCA 1900 impressed mark WEMYSS (restored handle) 14 cm high

£150-200

Scottish Silver & Applied Arts

131 A RARE WEMYSS WARE SLEEPING PIG ’THISTLES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS (minor restoration to ear) 16.5cm long

£3,000-5,000

132

134

136

A GROUP OF WEMYSS WARES

A WEMYSS WARE PLATE

’BLACK COCKEREL AND HENS’ PATTERN, EARLY 20TH CENTURY comprising a TEAPOT, 11.5cm high; a BONJOUR SUGAR BOWL, 7.5cm diameter; and TWO SMALL BONJOUR PLATES, 12cm diameter, variously marked (4)

’LEMONS ‘ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted mark WEMYSS, 17.5cm diameter (restored); together with FOUR SMALL ‘ORANGES’ PLATES, all decorated by Joe Nekola, painted mark WEMYSS, 12cm diameter (5)

TWO WEMYSS WARE BISCUIT BARRELS AND COVERS

£200-300

’CHERRIES’ PATTERN, EARLY 20TH CENTURY 17.5cm high; together with FIVE SMALL ‘CHERRIES’ PLATES, largest 14.5cm diameter, variously marked (7) £150-250

£200-300

133

135

137

THREE WEMYSS WARE PLATES

A GROUP OF WEMYSS WARES

A MEDIUM WEMYSS WARE BASKET

EARLY 20TH CENTURY comprising and ‘ORANGES’ BREAD AND BUTTER PLATE, 26cm diameter; a SMALL ‘BLACKBERRIES’ PLATE, decorated by Edwin Sandland, 14cm diameter; and a ‘SWEET PEAS’ GORDON DESSERT PLATE, decorated by James Sharp, 20.5cm diameter, variously marked (3)

EARLY 20TH CENTURY comprising an ‘APPLES’ PRESERVE JAR AND COVER, 13cm high; a SMALL ‘APPLES’ PLATE, 14cm diameter; together with a SMALL ‘PURPLE PLUMS’ CHESHAM FERN POT, 10cm diameter, variously marked (3)

’CHERRIES’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, 29.5cm across; together with a ‘CHERRIES’ DOUBLE INKWELL, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO., 26cm across (2)

£150-200

£150-240

£100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

36 Lyon & Turnbull

138 A LARGE WEMYSS WARE MUG ’GEESE’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 15cm high

£300-500

139 A SMALL WEMYSS WARE MUG ’GEESE’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 9cm high Provenance: Rogers de Rin, London

£200-300

140 A SMALL WEMYSS WARE BEAKER ’GEESE’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO. 11cm high

£250-400

141

142

A WEMYSS WARE QUAICH

’GREENGAGES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO.

’STRAWBERRIES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland on a black ground, painted and impressed mark WEMYSS

26cm diameter

£250-350

26cm diameter

£200-300

143

144

145

A WEMYSS WARE QUAICH

TWO WEMYSS WARE PRESERVE JARS AND COVERS

A GROUP OF WEMYSS WARE

’APPLES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S. 27cm long

£120-180

EARLY 20TH CENTURY comprising a ‘STRAWBERRIES’ example, decorated by Edwin Sandland, 10cm high; and an ‘ORANGES’ example, 10cm high, each with applied modelled fruited knop covers and painted mark WEMYSS (2) £150-250

EARLY 20TH CENTURY comprising a SMALL ‘CHERRIES’ JUG, decorated by Edwin Sandland, painted mark WEMYSS, 7cm high; TWO ‘CHERRIES’ PLATES, decorated by Edwin Sandland, painted and impressed mark WEMYSS, 10cm diameter; a PLICHTA ‘CHERRIES’ BOX & COVER, stamped marks, 11cm across; a ‘CHERRIES’ MATCHBOX COVER, EARLY 20TH CENTURY, printed retailer’s mark T.GOODE & CO., 8cm across; a ‘CHERRIES’ LOW POMADE, EARLY 20TH CENTURY, decorated by David Grinton, painted and impressed marks WEMYSS, printed retailer’s mark T, GOODE & CO., 9cm diameter; and a copy of ‘WEMYSS WARE: A DECORATIVE SCOTTISH POTTERY’ by Davis, P. and Rankine, R., Scottish Academic Press, Edinburgh and London, 1986 (5) (7) £300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

146 A WEMYSS WARE HEART-SHAPED TRAY ’LILACS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 29.5cm long

£500-800

147 A WEMYSS WARE GORDON DESSERT PLATE ’LILACS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE R. H. & S 20.5cm diameter

£400-600

148 A PAIR OF WEMYSS WARE LOW CANDLESTICKS ’CARNATIONS’ PATTERN, EARLY 20TH CENTURY each with impressed mark WEMYSS 18cm high

£200-300

149 A NEAR PAIR OF WEMYSS WARE TALL CANDLESTICKS ’CARNATIONS’ PATTERN, CIRCA 1900 impressed marks WEMYSS WARE/ R. H. & S. (2) 30.5cm high approx.

£400-600

38 Lyon & Turnbull

150 A LARGE WEMYSS WARE MUG ’VIOLETS’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland on a black ground with blue ribbon swags, painted mark WEMYSS 15cm high Provenance: The Iris Fox Collection

£500-700

151 A SMALL WEMYSS WARE BISCUIT BARREL AND COVER ’VIOLETS’ PATTERN, EARLY 20TH CENTURY bearing inscription BISCUITS, decorated by David Grinton, painted and impressed mark WEMYSS 12.5cm high

£400-600

152 A GROUP OF WEMYSS WARES ’VIOLETS’ PATTERN, EARLY 20TH CENTURY comprising a PIN TRAY, bearing inscription I LOOKED FOR/ SOMETHING SWEET/ TO/ SEND YOU/ AND/ THE VIOLETS/ ASKED/ IF THEY WOULD DO.,15cm across; a SMALL PLATE, decorated by Edwin Sandland, 12cm diameter; and a HAIR TIDY, decorated by David Grinton, 6.5cm high, variously marked (3) £400-600

153

154

155

A GROUP OF WEMYSS WARE

A WEMYSS WARE PLATE

TWO SMALL WEMYSS WARE PLATES

20TH CENTURY comprising a ‘SWEET PEAS’ HAIR TIDY, 6cm high; ‘SWEET PEAS’ CANDLESTICK DRIP TRAY, 7.5cm diameter; a SMALL ‘CABBAGE ROSES’ JUG, 7cm high; a SMALL ‘CABBAGE ROSES’ JAR, 5.2cm high; TWO PLATES, one painted with cherries, the other with greengages, 8.5cm diameter, variously marked; and a copy of ‘WEMYSS WARE: A DECORATIVE SCOTTISH POTTERY’ by Davis, P. and Rankine, R., Scottish Academic Press, Edinburgh and London, 1986 (7)

’BUTTERCUPS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., 20.5cm diameter; a WEMYSS WARE PORCELAIN OVAL DISH, ‘DOG ROSES’ PATTERN, EARLY 20TH CENTURY, decorated by Joe Nekola, painted mark WEMYSS, 29cm wide; and a WEMYSS WARE PEN TRAY, ‘CABBAGE ROSES’ PATTERN, CIRCA 1900, impressed mark WEMYSS, 24cm long (3)

EARLY 20TH CENTURY comprising a ‘TULIPS’ example, impressed mark WEMYSS WARE/ R. H. & S., 12.5cm diameter; and a ‘VIOLETS’ example, impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO., 14cm diameter (2)

£200-300

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£150-250

Scottish Silver & Applied Arts

156 A WEMYSS WARE HONEY BOX, COVER AND STAND ’BEES & HIVE’ PATTERN, EARLY 20TH CENTURY painted marks WEMYSS Box and cover: 14cm across; tray 19.5cm across

£300-500

157 A WEMYSS WARE BUTTON CIRCA 1900 decorated by Karel Nekola, depicting a bee within a circular black band, impressed mark WEMYSS 3.5cm diameter

£500-700

158 TWO WEMYSS WARE PRESERVE JARS AND COVERS ’BEES AND HIVE’ PATTERN, EARLY 20TH CENTURY comprising a PRESERVE JAR AND COVER, impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO., 13cm high; and a BISCUIT BARREL AND COVER, impressed mark WEMYSS WARE/ R. H. & S., 16cm high (2) Provenance: Robert Rankine collection

£150-250

159 A WEMYSS WARE HONEY BOX, COVER AND STAND ’BEES AND HIVE’ PATTERN, EARLY 20TH CENTURY painted marks WEMYSS/ T. GOODE & CO. Box 14cm wide; stand 19cm wide

£400-600

40 Lyon & Turnbull

160 A WEMYSS WARE HEART-SHAPED INKWELL ’FORGET-ME-NOT’ PATTERN, EARLY 20TH CENTURY with associated liners, impressed mark WEMYSS WARE, printed retailer’s mark T. GOODE & CO. 17cm across

£300-500

161 A LARGE WEMYSS WARE BASIN ’CAMPANULA’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS (hairlines) 39cm diameter

£700-900

162 A WEMYSS WARE CHAMBER POT ’IVY’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 22cm diameter

£200-300

163 A WEMYSS WARE FRILLED BOWL ’POPPIES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark, T. GOODE & CO. 14cm diameter

£300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

164 A RARE WEMYSS WARE CAT CIRCA 1900 covered in a yellow glaze, with inset glass eyes, impressed maker’s marks WEMYSS WARE/ R.H.&S. 32.5cm high

£4,000-6,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

42 Lyon & Turnbull

165 A WEMYSS WARE BISCUIT BARREL AND COVER ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated on a black ground, bearing inscription BISCUITS, painted mark WEMYSS 16cm high

£200-300

166 A WEMYSS WARE LOVING CUP ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, the central frieze of roses on a black ground, painted and impressed mark WEMYSS (minor hairlines) 21cm diameter

£200-300

167 A WEMYSS WARE EWER AND BASIN ’CABBAGE ROSES PATTERN’, EARLY 20TH CENTURY each with impressed mark WEMYSS and painted retailer’s mark T. GOODE AND CO./ LONDON (2) Ewer: 24cm high; basin: 40cm diameter

£250-350

168

169

170

A WEMYSS WARE SLOP PAIL

A GROUP OF WEMYSS WARES

’CABBAGE ROSES’ PATTERN, CIRCA 1900 with attached wicker handle, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 28.5cm high

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a EWER, 25cm high; a CHAMBER POT, 22cm diameter; a SPONGE DISH AND LINER, 19.5cm diameter, variously marked (restorations) (3)

£200-300

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a TEAPOT,13cm high; a TEACUP AND SAUCER, cup 9cm diameter; a MILK JUG, 7cm high; a SUGAR BOWL, 6.5cm diameter; a SMALL JAM POT AND COVER, 8cm high; a DOUBLE INKWELL, 15cm across; and a COMB TRAY, decorated by Karel Nekola, 26cm across, variously marked (7) £150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

171 A SMALL WEMYSS WARE MONEYBOX PIG ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY painted and impressed mark WEMYSS 16cm long

£500-700

172 A SMALL WEMYSS WARE PIG ’SHAMROCKS’ PATTERN, EARLY 20TH CENTURY painted mark WEMYSS 16cm long

£200-300

173 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/R. H. & S. 16.5cm long

£400-600

174 A SMALL WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE / R. H. & S., printed retailer’s mark T. GOODE AND CO. 16cm long

£400-600

175 A SMALL WEMYSS WARE PIG CIRCA 1900 covered in a pink glaze, impressed mark WEMYSS WARE/ R. H. & S. (re-stuck trotter) 16cm long

£200-300

176 A SMALL WEMYSS WARE MONEYBOX PIG EARLY 20TH CENTURY covered in a green glaze, impressed mark WEMYSS 16cm long

£200-300

44 Lyon & Turnbull

177 A LARGE WEMYSS WARE PIG CIRCA 1900 sponged black on white, impressed mark WEMYSS WARE/ R. H. & S. (right facing ear re-stuck) 43cm long

£800-1,200

178 A LARGE WEMYSS WARE PIG POST 1930 decorated by Joe Nekola with Shamrocks, painted mark WEMYSS WARE/ 3./ MADE IN/ ENGLAND 43cm long

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

179 TWO LARGE WEMYSS WARE GEESE FLOWER HOLDERS CIRCA 1900 impressed marks WEMYSS WARE/ R. H. & S., one with printed retailer’s mark T. GOODE AND CO. (2) 20.5cm high

£300-500

180 A WEMYSS WARE ‘BONJOUR’ SUGAR BOWL ’GEESE’ PATTERN, EARLY 20TH CENTURY bearing inscription BONJOUR, impressed mark WEMYSS 7.5cm diameter

£150-250

181 A WEMYSS WARE PEN TRAY ’GEESE’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 14.5cm across

£300-500

182

183

A GROUP OF WEMYSS WARES

EARLY 20TH CENTURY comprising a ‘CABBAGE ROSES’ FRILLED BOWL, 14.5cm diameter; a ‘CABBAGE ROSES’ MILK JUG, 5.5cm high; and a ‘DOG ROSES’ SMALL PLATE, 18.5cm diameter, variously marked (3)

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY comprising a LARGE BEAKER VASE, decorated by Joe Nekola, 28cm high; a JAPAN VASE, decorated by Edwin Sandland, 21cm high; and a TRAY, decorated by Joe Nekola, 28cm long; each with painted and impressed marks WEMYSS (3)

£150-250

£200-300

184

185

186

A GROUP OF WEMYSS WARES

A LARGE WEMYSS WARE MUG

EARLY 20TH CENTURY comprising a SMALL ‘YELLOW IRISES’ JAPAN VASE, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO., 15cm high; together with a SMALL ‘THISTLES’ CHESHAM FERN POT, painted and impressed mark WEMYSS, 9cm diameter (2)

’DOG ROSES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO, 14cm high; together with a ‘DOG ROSES’ FRILLED BOWL, decorated by David Grinton, painted and impressed mark WEMYSS, 12cm diameter (2)

A LARGE WEMYSS WARE TWIN-HANDLED MUG

£150-250

£100-200

’CLOVER’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. (restored handle) 14cm high

£100-200

46 Lyon & Turnbull

187 A PAIR OF WEMYSS WARE TALL CANDLESTICKS ’CHERRIES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, each with impressed and painted marks WEMYSS (2) 31cm high

£200-300

188 A WEMYSS WARE BISCUIT BARREL AND COVER ’APPLES’ PATTERN, CIRCA 1900 bearing inscription BISCUITS, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE AND CO. 12cm high

£250-350

189 A SMALL WEMYSS WARE BASKET ’PEARS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE R. H. & S. 20cm across

£300-400

190 A PAIR OF WEMYSS WARE TALL CANDLESTICKS ’APPLES’ PATTERN, CIRCA 1900 each with impressed maker’s mark WEMYSS WARE / R. H. & S., printed retailer’s mark T. GOODE AND CO. (2) 29.5cm high

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

191 A SMALL WEMYSS WARE BASKET ’TULIPS’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO. 20.5cm across

£300-400

192 A LARGE WEMYSS WARE LOVING CUP ’TULIPS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 25cm diameter

£600-800

193 A WEMYSS WARE COMB TRAY ’TULIPS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 25.5cm across

£300-400

194 A LARGE WEMYSS WARE MUG ’PEACOCK’ PATTERN, CIRCA 1900 with impressed mark WEMYSS 14cm high Provenance: Dame Agatha Christie, Greenway House, Churston Ferrers, South Devon

£400-600

195 WEMYSS WARE GROUP OF BOOKS, PAMPHLETS AND EXHIBITION CATALOGUES including DAVIS, PETER; DE RIN, VICTORIA; MACMILLAN, DAVID & RANKINE, ROBERT ‘WEMYSS WARE, A DECORATIVE SCOTTISH POTTERY’ Edinburgh: Scottish Academic Press, 1986. First edition, oblong 4to, original cloth, dust wrapper; also WEMYSS WARE 1880-1930, Rogers de Rin exhibition catalogue , 17th - 23rd November 1976; WEMYSS WARE; THE DEVELOPMENT OF A DECORATIVE SCOTTISH POTTERY C. 1883-1930, Scottish Arts Council exhibition catalogue, 18th September - 10th October 1971; and various other catalogues, auction catalogues and magazine pertaining to Wemyss Ware (qty.) £100-200

48 Lyon & Turnbull

196 A WEMYSS WARE LETTER RACK ’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY painted maker’s and retailer’s mark WEMYSS/ T. GOODE & CO. (hairline) 22.5cm across

£400-600

197 A WEMYSS WARE GORDON DESSERT PLATE ’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY probably decorated by James Sharp, painted and impressed mark WEMYSS, printed retailer’s mark T. GOODE & CO. 21cm diameter

£150-250

198 A GROUP OF WEMYSS WARES ’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY comprising a SMALL GROSVENOR VASE, 14cm high; a BEAKER VASE, 11.5cm high; and a FRILLED BOWL, 12cm diameter, variously marked (3) £200-300

199 A WEMYSS WARE COMB TRAY ’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 25.5cm across

£150-250

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

200 A WEMYSS WARE DOUBLE INKWELL ’CHRYSANTHEMUMS’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, with associated glass liners, painted and impressed mark WEMYSS, painted retailer’s mark T. GOODE & CO. 18.5cm wide (widest point)

£300-500

201 A SMALL WEMYSS WARE EWER AND BASIN ’CHRYSANTHEMUMS’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, with painted or impressed mark WEMYSS, painted retailer’s mark T. GOODE & CO. (2) Ewer 15cm high; basin 28cm diameter

£300-400

202 A LARGE WEMYSS WARE PANELLED VASE ’CHRYSANTHEMUMS’ PATTERN, DATED 1930 decorated by Joe Nekola, painted mark WEMYSS/ 1930/ J.N. (restored neck) 53cm high Notes: The Wemyss factory closed in 1930. Joe Nekola then moved the production of Wemyss ware to the Bovey Tracey factory in Devon.

£400-600

203 A WEMYSS WARE COMMEMORATIVE CANTERBURY JUG EARLY 20TH CENTURY decorated with pink ribbons, and a cypher, impressed mark WEMYSS, 19cm high; and a WEMYSS WARE ‘CANTERBURY BELLS’ CANTERBURY JUG, painted and impressed mark WEMYSS, 19cm high (2) £150-250

50 Lyon & Turnbull

204 A WEMYSS WARE COMBE JARDINIÈRE ’IRIS’ PATTERN, CIRCA 1900 impressed marks (twice) WEMYSS WARE/ R. H. & S. 28cm diameter

£600-800

205 A SMALL WEMYSS WARE BASKET ’IRIS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark, T. GOODE & CO. 20.5cm across

£500-700

206 A MEDIUM WEMYSS WARE BASKET ’CARNATIONS’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 30cm across

£250-350

207 A MEDIUM WEMYSS WARE LOVING CUP ’CARNATIONS’ PATTERN, EARLY 20TH CENTURY impressed mark WEMYSS 21cm diameter

£600-800

208 A WEMYSS WARE COMB TRAY ’CARNATIONS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE R. H. & S. 25cm across Provenance: The Iris Fox Collection

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

209 A WEMYSS WARE ‘EARLSHALL’ TOILET SET

210 A WEMYSS WARE ‘EARLSHALL’ JUG

EARLY 20TH CENTURY each piece decorated with windmills, rooks and trees in a landscape, painted marks EARLSHALL, comprising a EWER & BASIN, ewer 25cm high, basin 40cm diameter; a CHAMBER POT, 22.5cm diameter; a BEAKER VASE, 11.5cm high; a SOAP DISH, LINER & COVER, 15cm diameter; and a SPONGE DISH & LINER, 20.5cm diameter (6) £1,000-1,500

DATED 1914 decorated with crows and trees in a landscape and bearing inscription OR WHILES A CLAN O’ ROOSTY CRAWS CANGLE THEGITHER./ EARLSHALL FAIRE. A.D. 1914, painted and impressed mark WEMYSS 14cm high

£300-400

211 A LARGE WEMYSS WARE ‘EARLSHALL’ MUG EARLY 20TH CENTURY decorated with huntsmen, hounds and birds in a landscape, apparently unmarked 14cm high

£400-600

212 A SMALL WEMYSS WARE ‘EARLSHALL’ EWER EARLY 20TH CENTURY decorated with windmills, crows and trees, painted mark EARLSHALL 15.5cm high

£250-350

52 Lyon & Turnbull

213

214

A WEMYSS WARE ‘JOLLY SAILOR’ TOBY JUG

A WEMYSS WARE ‘FAIR MAID OF PERTH’ JUG

EARLY 20TH CENTURY decorated by Karel Nekola, painted mark WEMYSS (restored rim)

EARLY 20TH CENTURY painted on a yellow ground, painted mark WEMYSS (restored rim)

18cm high

Literature: McNeill, Carol, ‘Kirkcaldy Potteries’, Fife Council, 1998, p.37

£200-300

21.5cm high

Notes: The ‘Fair Maid of Perth’ jug was made for a fair in 1906 to raise money for Perth City and County Conservative Association; special lines were also made for the Randolph Wemyss Memorial Hospital fetes.

£150-250

215 A SMALL WEMYSS WARE ‘FIFIES’ MUG EARLY 20TH CENTURY painted with fishing boats on the Fife coast of the Firth of Forth, impressed mark WEMYSS, printed retailer’s mark T. GOODE AND CO. 9cm high

£300-500

216 A WEMYSS WARE COMB TRAY CIRCA 1900 depicting a pair of curling tongs on a fire, impressed mark WEMYSS WARE/ R. H. & S., printed retailer’s mark T. GOODE & CO. 25.5cm across

£300-400

217

218

219

A SMALL WEMYSS WARE BISCUIT BARREL AND COVER

A WEMYSS WARE GYPSY FLOWER POT

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY bearing inscription BISCUITS, painted mark WEMYSS

’CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S.

13cm high

’DOG ROSES’ PATTERN, EARLY 20TH CENTURY bearing inscription BISCUITS, decorated by James Sharp, painted and impressed mark WEMYSS

£150-200

12cm high

£200-300

£150-200 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

20cm diameter

Scottish Silver & Applied Arts

220 A WEMYSS WARE PIN TRAY EARLY 20TH CENTURY decorated by Karel Nekola, depicting three flower pots on a garden bench, bearing inscription SOIS SATISFAIT DES FRUITS DES FLEURS, MEME DES FEUILLES,/ SI C’EST DANS TON JARDIN A TOI QUE TU LES CUEILLES., painted mark WEMYSS 14.5cm across

£300-500

221 AN UNUSUAL WEMYSS WARE TWIN-HANDLED POT AND COVER ’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola, painted mark WEMYSS 12cm high

£250-350

222 A WEMYSS WARE PIN TRAY ’VIOLETS’ PATTERN, EARLY 20TH CENTURY bearing inscription I LOOKED/ FOR SOMETHING/ SWEET/ TO SEND YOU/ AND THE VIOLETS/ ASKED/ IF THEY WOULD DO., painted mark WEMYSS 14.5cm across

£150-250

223 A WEMYSS WARE BISCUIT BARREL AND COVER ’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY bearing inscription BISCUITS, painted and impressed mark WEMYSS 12.5cm high

£150-250

224 A GROUP OF WEMYSS WARES ’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY comprising a LARGE PRESERVE JAR AND COVER, decorated by Edwin Sandland, 12.5cm high; a SMALL PRESERVE JAR AND COVER, 7.5cm high; and a HAT PIN HOLDER, bearing inscription HAT PINS, 15cm high, variously marked (3) £200-300

54 Lyon & Turnbull

225 A WEMYSS WARE PLATE CIRCA 1900 decorated by Karel Nekola depicting a hind in a grassy field, impressed mark WEMYSS WARE/ R. H. & S., painted retailer’s mark T. GOODE & CO. 18.5cm diameter

£500-800

226 A RARE WEMYSS WARE BREAD AND BUTTER PLATE ’COWS’ PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S. 25cm diameter

£400-600

227 A WEMYSS WARE PLATE CIRCA 1900 decorated by Karel Nekola depicting a hind in a grassy field, impressed mark WEMYSS WARE/ R. H. & S., painted retailer’s mark T. GOODE & CO. 18.5cm diameter

£500-800

228

229

A LARGE WEMYSS WARE TEAPOT

A WEMYSS WARE TAZZA

’PURPLE PLUMS’ PATTERN, EARLY 20TH CENTURY decorated by David Grinton, painted and impressed mark WEMYSS

’CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, on a black ground, painted mark WEMYSS

11cm high

14cm high

£150-200

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

230* A RARE WEMYSS WARE LOVING CUP ’THREE WISE MONKEYS’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola, bearing inscription I HEAR NO EVIL./ I SEE NO EVIL./ I SPEAK NO EVIL., impressed mark WEMYSS 14cm high

£1,000-1,500

231 A WEMYSS WARE SLOP PAIL ’GRAPES’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola with fruiting vines on a black ground, with attached wicker handle, painted and impressed mark WEMYSS, painted retailer’s mark T. GOODE & CO./ LONDON 28cm high (handle down)

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

56 Lyon & Turnbull

232 A LARGE WEMYSS WARE MUG ’DRAGONFLIES PATTERN’, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed mark WEMYSS 18cm high

£300-400

233 A WEMYSS WARE LOW POMADE ’DRAGONFLIES’ PATTERN, EARLY 20TH CENTURY decorated by James Sharp, painted and impressed marks WEMYSS 9.5cm diameter

£600-800

234 A WEMYSS WARE EWER AND BASIN ’DRAGONFLIES’ PATTERN, EARLY 20TH CENTURY each decorated by Edwin Sandland, with painted and impressed mark WEMYSS (2) Ewer: 24cm high; basin: 39.5cm diameter

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Other Ceramics & Works of Art 235 TWO SEATON POTTERY MARRIAGE BOWLS DATED 1898 the first bearing inscription A PRESENT FROM ABERDEEN and dated 1898, 42cm diameter; the second bearing inscription MRS McALLAN and also dated 1898, 38cm diameter (2) £200-300

236 A GROUP OF SEATON POTTERY CIRCA 1898 comprising a CHEESE DISH & COVER, 24cm high; a LUGGED BOWL, with inscription JESSIE HARDIE 1888, 22cm diameter; and a SMALL PIG MONEY BANK, 11cm long (3) £200-300

237 A GROUP OF FIVE SEATON POTTERY STORAGE JARS 1888-1898 inscribed MRS DAVIDSON 1898, includes cover, 25cm high; MRS HARROW, 1888, cover lacking, 23.5cm high; SUGAR 1891, cover lacking, 22cm high; MRS PETRIE FORFAR 1893, includes cover, 23cm high; and MRS MASSON 1888, cover lacking, 15cm high (5) £200-300

238 A GROUP OF TWELVE SCOTTISH POTTERY CARPET BOWLS 19TH CENTURY comprising a large white example, approx. 8cm diameter; two blue checked examples, largest approx. 8cm diameter; two red checked examples, approx. 8cm diameter; two green checked examples, approx. 7.5cm diameter; and five with sponged floral decoration, largest approx. 8.5cm diameter (12) £200-300

239 A SCOTTISH POTTERY PIG MONEYBOX BY MORRISON & CRAWFORD, KIRKCALDY CIRCA 1890 covered in mottled glazes 18cm long

£200-300

240 A GROUP OF SCOTTISH POTTERY MONEYBOXES BY MORRISON & CRAWFORD, KIRKCALDY CIRCA 1890 comprising a STEMMED GLOBE, 17cm high; two further OVOID BOXES, 13 and 10cm high; a BARREL, 9cm high; and a DOG, 10cm high; also a TEA CUP & SAUCER, cup 8cm high; and a JUG, 13cm high (7) £200-300

58 Lyon & Turnbull

241 A GROUP OF THREE VICTORIAN BEER ADVERTISING SHEETS LATE 19TH CENTURY each in a different colourway and bearing inscription CAMPBELL & CO’S ALES/ EDINBURGH, later framed and with printer’s marks M. JOHNSON & SONS PRINTERS 56 HATTON GARDENS LONDON, framed (3) each 64cm x 37cm

£800-1,200

242 A SCOTTISH VICTORIAN PUB MIRROR BY T.J. FORD, EDINBURGH CIRCA 1890 etched and painted mirrored glass, bears inscription BERNARD’S CELEBRATED PALE ALE, with maker’s mark T.J. FORD, EBURGH 102cm x 121cm

£1,200-1,800

243 A GROUP OF DUNMORE POTTERY LATE 19TH CENTURY each covered in a sang-de-boeuf glaze, comprising a LARGE CHARGER, moulded with a Chinoiserie scene of a warrior in a landscape, impressed mark DUNMORE, 36cm diameter; a PAIR OF EWER VASES, of flattened ovoid form, 30cm high; and a SMALL ADVERTISING SAMPLE BOWL, inscribed to side DUNMORE POTTERY/ DEPOT ROYAL EMPORIUM/ 34 CASTLE ST./ EDIN., 6cm diameter, unmarked (4) £200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

244 A SCOTTISH CAST IRON GARDEN BENCH BY J. BEGBIE, HADDINGTON FOUNDRY 19TH CENTURY cast with ferns and blackberries and bearing makers marks MANUFACTURED BY J BEGBIE HADDINGTON FOUNDRY 1862; the reverse with design registration lozenge; with cast iron seat slats cast NORTHBURN AND STEEL; later painted 150cm long, 90cm high Notes: During the late 19th century, the Scottish ironworks trade thrived as the industrial revolution brought more efficient manufacturing processes and better access to natural resources. Initial designs for garden furniture were relatively simple, however, they became increasingly stylised as the demand for decorative cast-iron products grew. This particular example draws on the Coalbrookdale style; featuring a brightly coloured ornamental pattern of blackberries and scrolled ferns, popular motifs of the Victorian era.

£800-1,200

245 A SCOTTISH CAST IRON GARDEN BENCH 19TH CENTURY similar to the previous lot but unmarked, cast with ferns and blackberries, slatted wooden seat and later overpainted 144cm long, 90cm high

£600-800

246 A SCOTTISH CHILD’S OAK-FRAMED ORKNEY CHAIR EARLY 20TH CENTURY the cowled back above open arms and drop-in cord seat raised on square tapering legs united by stretchers 55cm wide, 83cm high, 31cm deep

£300-500

247 A GRADUATED SET OF THREE SCOTTISH OAK-FRAMED ORKNEY STOOLS MID TO LATE 20TH CENTURY each with cord seats on square tapering supports linked by stretchers (3) largest 47cm wide, 44cm high, 36cm deep

£150-250

60 Lyon & Turnbull

248 A SCOTTISH CHILD’S OAK-FRAMED ORKNEY CHAIR MID-20TH CENTURY with woven straw back and drop in cord seat raised on square tapered legs linked by stretchers 54cm wide, 85cm high, 53cm deep

£300-500

249 A SCOTTISH OAK-FRAMED ORKNEY ROCKING CHAIR MID TO LATE 20TH CENTURY with woven straw back and open arms above a drop-in cord seat on square tapering supports linked by stretchers and raised on rockers 40cm wide, 65cm high, 50cm deep

£200-300

250 A SCOTTISH OAK-FRAMED ORKNEY CHAIR MID TO LATE 20TH CENTURY with cowled woven straw back and open arms above a dropin cord seat on square tapering supports linked by stretchers 63cm wide, 143cm high, 44cm deep

£300-500

251 A SCOTTISH MINIATURE MAHOGANYFRAMED ORKNEY CHAIR MID TO LATE 20TH CENTURY with woven straw back and open arms above a solid seat on square tapering supports linked by stretchers 29cm wide, 44cm high, 29cm deep

£150-250

252

253

A SCOTTISH OAK-FRAMED ORKNEY CHAIR

A SCOTTISH CHILD’S WALNUT-FRAMED ORKNEY CHAIR

MID TO LATE 20TH CENTURY with cowled woven straw back and open arms above a drop-in cord seat on square tapering supports linked by stretchers

62cm wide, 143cm high, 44cm deep

45cm wide, 117cm high, 39cm deep

£300-500

£300-400

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

254 A GROUP OF BOUGH POTTERY CIRCA 1925 each decorated by Richard Amour with fruits and comprising a LARGE BOWL & COVER, with twin handles, painted maker’s marks “BOUGH”/ R.A./ 1925, 28cm across; a MILK JUG, 14.5cm high; and a FRUIT BOWL, 27cm across, each with printed and painted maker’s marks (3) £250-350

255 A MAK’ MERRY POTTERY BOWL AND COVER DATED 1922 decorated with green apples and dog roses on a blue ground, bearing inscription HE THAT WOULD THRIVE; MUST RISE AT FIVE/ HE THAT HAS THRIVEN; MAY HE TILL SEVEN, with painted marks to bowl and cover MAK’ MERRY/ XXII bowl 21cm diameter Notes: Mak’ Merry Pottery was established in 1920 by Catherine Blair as a trading arm of the Scottish Women’s Rural Institute. Using pottery as vehicle for artistic expression, she gave lonely and isolated country women a sense of independence as well as an opportunity to socialise and make money for their rural economy.

£200-300

256 A GROUP OF BOUGH POTTERY CIRCA 1925 comprising a TEAPOT AND STAND, decorated by Arthur H. Amour, painted marks to each piece BOUGH/ 1924/ A.H.A., teapot 14.5cm high; a TEAPOT, decorated by Richard Amour with Magnolia and grapes, 15cm high; and a MATCHING PLATE, 23cm diameter, painted and printed maker’s marks (4) £200-300

257

258

A GROUP OF BOUGH POTTERY

CIRCA 1925 comprising a SQUARE JARDINIÈRE, by Richard Amour, 15cm across; a COVERED BOWL, by Richard Amour, 13cm across; TWO COVERED BOWLS AND STANDS, by Richard Amour and Cissie Amour, 15cm across and TWO COVERED BOXES, by Richard Amour, 12.5cm and 9cm across, each with painted and printed maker’s marks (6)

CIRCA 1925 comprising a SQUARE JARDINIÈRE, by Richard Amour, 16cm across; a BISCUIT BARREL & COVER, by Cissie Amour, 13.5cm high; a TOBACCO JAR & COVER, decorated by Elizabeth Amour, 10.5cm high; a JAM POT & COVER, by Cissie Amour, 7cm high; a BUTTER DISH & COVER, by Cissie Amour, 7.5cm across; a BUTTER DISH & COVER, by Richard Amour, 17.5cm long; and a TWINHANDLED COVERED BOWL, by Cissie Amour, 13cm across (7)

£200-300

62 Lyon & Turnbull

259 VAN JONES (BRITISH FL.1927-1941) FLOWER OF SCOTLAND Signed, oil on board 76cm x 64cm (30in x 25in)

£2,000-3,000

260 A BOUGH POTTERY GINGER JAR AND COVER CIRCA 1925 decorated by Elizabeth Amour with Sweet Peas, 26cm high; and a VASE, decorated by Richard Amour with Camellias, both with painted and printed marks, 22cm high (2) £250-350

261 MAJEL DAVIDSON (1885–1969) PAINTED POTTERY FIGURE, CIRCA 1930 depicting a seated man wearing a tunic, painted signature verso M. DAVIDSON, 30cm high; and a JESSIE M. KING EGG CUP, painted with flower sprigs, rabbit, Greengate and initials JMK to base, 5cm high (2) £200-300

262

263

A GROUP OF BOUGH POTTERY

A GROUP OF SCOTTISH ARTIST’S POTTERY

CIRCA 1925 comprising a LOVING CUP, decorated by Richard Amour with Aquilegia flowers, 15cm high; and THREE PLATES, each painted with a stylised tree, maker’s marks verso BOUGH, 25cm across (4) £200-300

CIRCA 1930 to include a MAK’ MERRY JUG and matching GINGER JAR, 13cm and 10cm high; THREE MAK’ MERRY QUAICHS, 20.5cm across; and an EMMA GILLIES COVERED JAR, marked to base E. GILLIES/ “POTS”, 12cm across (6) £200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

Scottish Silver

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

64 Lyon & Turnbull

A Private Collection of Scottish Provincial Toddy Ladles Collected over a period of twenty years, with great thought

From aspects of the town arms, seen in the pot of lilies for

and care, this collection is perhaps the most comprehensive

Dundee, or the unknown meaning of the sporran and dog marks in

compendium of makers presented at auction applied to one type

Aberdeen many interesting and rare marks are showcased within

of object. By the very nature of the medium it covers a tight but

these lots.

arguably one of the most interesting periods of Provincial silver in Scotland.

While predominantly of Fiddle Pattern (the most prolific and popular pattern in Scotland for a generation) local variations and

The traditional Toddy or ‘Het Pint’, warm in nature consisting of a

patterns can also be seen. Whether it be the elongated Fiddle of

concoction of whisky, honey, cinnamon and cloves can be linked

Aberdeen or the single struck King’s and Queen’s pattern most

back to the pagan celebrations of Winter Solstice. This tradition

commonly associated with Glasgow, the style

has carried through to what we now know as Hogmanay and to the

of Scotland is always present.

modern celebrations of Burn’s night. The toddy ladle in practice is smaller than a normal ladle but still features the long handle which allows it to reach the bottom of the punch bowl. Uniquely Scottish in design (as an aid for celebration) we see the spread of craftsmen originating from towns and centres of importance throughout the growing nation of late 18th century Scotland. The toddy ladle illustrates the social context of Scotland in the 18th/ 19th century. Much of the interest and fascination in collecting Scottish provincial silver is the array of marks struck to wares by silversmiths in the furthest reaches of Scotland. Coincidentally this variety is at its height at the period of the toddy ladle. The diversity of marks from Wick in the north to the Greenock and Castle Douglas on the West tell many stories of maker and location however of course many meanings are still unknown.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

264

269

ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE

VARIOUS MAKERS to include William Byres, marked WB, A, B, D; three by Peter Ross (one a sifter ladle) and two by Peter Gill & Sons, all of Fiddle pattern (6)

ALEXANDER GRANT marked AG, fleur de lys, thistle, fleur de lys, AG, of Fiddle pattern

269

16.5cm long, 31.7g

£300-500 270

£300-400

270 265 ABERDEEN - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES VARIOUS MAKERS to include, George Booth & Sons, marked GB., ABD, AB, another marked GB, AB, GB, AB; another marked GB, A, B, D, N; another marked GB, ABD, AB; together with George Jamieson, London, 1845 and another, George Jamieson, Edinburgh 1841, all of Fiddle pattern (6) £250-350

266 ABERDEEN - A GROUP OF THREE SCOTTISH PROVINCIAL TODDY LADLES JAMES HARDY, WILLIAM BYRES, PETER LAMBERT marked JH, A,B,D,N, of Fiddle pattern; marked WB, Gothic Q, of Old English pattern engraved initials to terminal; marked PL, thistle, of Old English pattern, engraved initials to terminal (3) 15.5cm, 15cm, 15cm long, 72g

£180-220

267 ABERDEEN - A GROUP OF THREE SCOTTISH PROVINCIAL TODDY LADLES WILLIAM JAMIESON, WILLIAM WHITECROSS, WILLIAM JAMIESON marked WJ, ABD, of elongated Fiddle pattern, engraved italic H to terminal; WW, A,B,D,N, of Fiddle pattern engraved italic C to terminal; marked WJ&Co, ABD, of Celtic Point pattern (3) 17cm, 16cm, 15.5cm, 83g

£150-280

268 ABERDEEN - A SCOTTISH PROVINCIAL SUGAR SPOON JOHN GARDEN marked JG, A, B, D, N, of Fiddle pattern, italic AEF engraved to terminal 16cm long, 25g

£200-300

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE J WALKER marked J., WA, LK, ER, of Fiddle pattern, engraved italic J to terminal

271

16.5cm long, 33g

£150-180 272

271 ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE JAMES BEGG marked JB, sporran, dog, of Old English pattern, italic JM engraved to terminal

275

18cm long, 23.4g

275

£150-180

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE

272

JAMES MORRISON marked JM, ABD, JM, of Celtic point pattern, italic AJ engraved to terminal

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE JAMES BEGG, EDINBURGH, 1881 marked JB, Edinburgh 1881, A,B,D,N, of Fiddle pattern, italic J engraved to terminal

16cm long, 20.7g

17cm long, 41g

276

£120-180

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE

273

JOHN FINDLAY marked, JF, AB, DN, of Fiddle pattern; together with James McDonald, marked JM; John Duncan, marked J.D, ABDN, both of Fiddle pattern; John Leslie marked IL, Omega device; John Ewan, JoE, thistle, both of Old English pattern (2)

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE JAMES ERSKINE marked E, triple turret, hand and dagger, of Old English pattern, italic M engraved to terminal; together with a sugar sifter, George Wyllie, marked GW ABD, GW, of Fiddle pattern and a toddy ladle George Sangster, Edinburgh 1860, baleen handle George Sangster, Edinburgh, 1860 (3)

£200-300

16cm long, 4.8oz combined

£220-280

277

£180-220

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE

274

PETER CROMBIE marked PC, A, B, D, D, of Fiddle pattern; together with a pair of Nathaniel Gillet, marked flower NG, mallet of Celtic Point pattern, foliate JH engraved to terminal (3)

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE JAMES GARDNER marked JG, A B D N, of Fiddle pattern, italic ARC engraved to terminal 18cm long, 31.6g

15.5cm 86g (combined)

£150-250

£150-180 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

66 Lyon & Turnbull

284 ABERDEEN - TWO SCOTTISH PROVINCIAL TODDY LADLES 278

285

279

289

JAMES WATSON AND JAMES PIRIE marked, J.W., flower, J.W., flower, JW, and J.P., ABDN, J.P., both of Fiddle pattern, italic R and W engraved to terminal (2) 15cm and 17cm long, 62g

£200-300

285 281

290

ABERDEEN - TWO SCOTTISH PROVINCIAL TODDY LADLES JOHN ROBERTSON marked J.R., A, B, D, both of Fiddle pattern, italic M engraved to terminal (2)

282

291

16cm, 15.5cm long, 63g

£180-220

286 284

292

278

281

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE

ABERDEEN - TWO SCOTTISH PROVINCIAL TODDY LADLES

ROBERT YULE & SON marked Y&S, A B D N, of Fiddle pattern, italic L engraved to terminal 17cm long, 33.9g

DAVID PIRIE AND EMSLIE & MOLLISON marked DP, ABDN, DP and E&M, A,B,D,N, both of Fiddle pattern, engraved initials to terminal (2)

£200-300

16cm and 17cm long, 63g

£200-300

279 ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE WILLIAM FILLIAN marked WF. A, B, D, of Fiddle pattern, italic GL engraved to terminal 16cm long, 32.4g

£150-180

282 ABERDEEN - TWO SCOTTISH PROVINCIAL SUGAR SPOONS PETER GILL marked PG, stylised plant / thistle thrice, one of Fiddle pattern, the other of Fiddle and Shell pattern, italic G engraved to terminal (2) 15cm long, 48g

280

£200-300

ABERDEEN - THREE SCOTTISH PROVINCIAL TODDY LADLES

283

WILLIAM JAMIESON, WILLIAM WHITECROSS, JAMES GORDON marked WJ, A, B, D, WJ, engraved initials to terminal; marked W.W, A, B, D, italic J engraved to terminal both of Fiddle pattern; marked IG, of Old English pattern (3)

ABERDEEN - TWO SCOTTISH PROVINCIAL TODDY LADLES

£200-300

15cm long, 49g

JAMES BEGG marked, JB, sporran, dog; marked, thistle, JB, turret, both of Fiddle pattern, engraved initials to terminal £200-300

ABROATH - A SCOTTISH PROVINCIAL TODDY LADLE ANDREW DAVIDSON marked AD, pot of lilies, pot of lilies, portcullis, of Fiddle pattern, italic PL engraved to terminal 16cm long, 32.5g

£250-350

287 ARBROATH - A COLLECTION OF PROVINCIAL TODDY LADLES GEORGE RITCHIE marked GR, thistle, GR, of Fiddle and Shell pattern, foliate J engraved to terminal; together with another Edinburgh 1849, of single struck King’s pattern 17cm, 14.5cm long, 75g

£220-280

288 BANFF - A SCOTTISH PROVINCIAL TODDY LADLE GEORGE ELDER marked, urn, GE, B incuse flower head, of Fiddle pattern 16cm long, 34.8g

£150-180

289 BANFF - A SCOTTISH PROVINCIAL TODDY LADLE GEORGE ELDER marked G.E. mother and child, script B, of Fiddle pattern, italic O engraved to terminal 17cm long, 49.7g

£150-180 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

290

296

BANFF - A SCOTTISH PROVINCIAL TODDY LADLE

CUPAR - A SCOTTISH PROVINCIAL TODDY LADLE

JOHN KEITH marked IK, salmon, R, B, of Old English pattern, italic M engraved to terminal

ROBERT ROBERTSON marked, R, fleur de lys, thistle, R, of Fiddle pattern

16.5cm long, 30.1g

15cm long, 35.5g

£300-500

£600-900

291

297

BANFF - A SCOTTISH PROVINCIAL TODDY LADLE

CUPAR - A SCOTTISH PROVINCIAL TODDY LADLE

JOHN McQUEEN marked BA, thistle, McQ, of Fiddle pattern, italic W engraved to terminal

THOMAS DALL marked TD, S, crown, urn, thistle, of Fiddle pattern

16cm long, 29.7g

15cm long, 28.6g

£200-300

£120-150

292

298

BANFF - A SCOTTISH PROVINCIAL TODDY LADLE

DUMFRIES - A SCOTTISH PROVINCIAL TODDY LADLE

WILLIAM SIMPSON marked, WS, thistle, B, of Fiddle pattern, italic U engraved to terminal

ARCHIBALD DALZIEL marked AD, ruined castle, thistle, gothic D, oak tree, of Fiddle pattern

16cm long, 46.7g

15cm long, 36.2g

£200-300

£300-500

293

299

BANFF - TWO SCOTTISH PROVINCIAL TODDY LADLES

DUMFRIES - TWO SCOTTISH PROVINCIAL TODDY LADLES

JOHN ARGO, JOHN KEITH one marked IA the other marked H, IK, B, both of Celtic Point pattern, engraved italic initials to terminal (2) 15cm, 17cm, 56g

DAVID GRAY marked anchor, unicorn, G, anchor, DG, foliate Q to terminal; marked unicorn, G, anchor, DG, crest and initials to terminal, both of Fiddle pattern (2)

£200-300

16cm, 16.5cm long, 71g

34cm long, 5.93oz

£400-600

298

301

301 DUMFRIES - A SCOTTISH PROVINCIAL TODDY LADLE HENRIE MOUNCIE marked italic 2, K, anchor, stag’s head, HM, of Fiddle pattern, italic P engraved to terminal 16cm long, 41.4g

£220-280

ADAM BURGESS marked AD, ruined castle, thistle, Gothic D, oak tree of Fiddle pattern with deep oval bowl

295

296

294 CASTLE DOUGLAS / DUMFRIES - A SCOTTISH PROVINCIAL SOUP LADLE

300 DUMFRIES - TWO SCOTTISH PROVINCIAL TODDY LADLES JOSEPH PEARSON & MARK HINCHSCLIFFE marked e, stag, anchor, JP, italic H engraved to terminal; marked stag, K, anchor, Hinchcliffe M, Gothic D engraved to terminal, both of Fiddle pattern

£300-500

302 DUNDEE - A COLLECTION OF PROVINCIAL TODDY LADLES WILLIAM CONSTABLE, JAMES DOUGLAS, JAMES IVORY marked, pot of lilies thrice marked WC, of Fiddle pattern; DOUGLAS, crowned heart, heart, ID of Celtic Point pattern, italic initials engraved to terminal; marked IJ BUSH, D, acorn, of Old English pattern italic J engraved to terminal (3) £120-180

303 DUNDEE - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

ADAM BURGESS marked AB, ruined castle, D, anchor, of Fiddle pattern, italic K engraved to terminal

VARIOUS MAKERS to include, Alex Cameron marked AC, C, thistle, pot of lilies, AC, crest engraved to terminal; another marked AC, C, thistle pot of lilies, both of Fiddle pattern; marked CAM/ ERON, C, thistle, pot of lilies, DUN/DEE, together with David Manson marked DM, pot of lilies, DM, of Fiddle pattern (4)

16cm long, 32.6g

£180-220

295

15.5cm, 17cm long, 70g

CASTLE DOUGLAS / DUMFRIES - A SCOTTISH PROVINCIAL TODDY LADLE

£250-350

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

68 Lyon & Turnbull

311 DUNDEE - TWO PROVINCIAL TODDY LADLES 306

313

308

314

ROBERT DONALDSON & AUSTEN marked, RD, pot of lilies twice, DUN/DEE; marked AUS/TEN, DUN/DEE, both of Fiddle pattern 16cm, 17cm long, 66g

£250-350

312 309

315

310

316

304

307

DUNDEE - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE

WILLIAM CONSTABLE marked, WC, pot of lilies, WC; WC, pot of lilies, WC; WC, pot of lilies, WC, all of Old English pattern, italic initials engraved to terminal; together with another, WC, Edinburgh 1809 of Celtic Point pattern, initials engraved to terminal (4)

EDWARD LIVINGSTONE marked EL, pot of lilies, EL, m, of Old English pattern, italic DLB engraved to terminal

£180-220

DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE

305 DUNDEE - A SCOTTISH PROVINCIAL SOUP LADLE

19.5cm long, 45.4g

£220-280

308

ROBERT FARQUHARSON marked, pot of lilies, pot of lilies, pot of lilies, RF, of single struck King’s pattern

WILLIAM SCOTT marked WS, pot of lilies, WS M, of Old English pattern, engraved JMW to terminal

17cm long, 36.6g

36cm long, 5.9oz

309

Provenance Dr W Guthrie Collection, Lyon & Turnbull ‘Scottish Silver’ 17th August 2009, lot 379

£400-600

306 DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE ALEX. DAVIDSON marked pot of lilies, thistle, pot of lilies, AD, of Fiddle pattern, italic ML engraved to terminal 16cm long, 30.5g

£150-180

£300-500

DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE WALTER LEIGHTON marked W.L, pot of lilies thrice, of Fiddle pattern, italic CS engraved to terminal 15.5cm long,32.2g

£150-180

310 DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE WILLIAM YOUNG marked WY, pot of lilies, D, pot of lilies, of Fiddle pattern, italic P engraved to terminal 15.5cm long, 23.7g

£150-180

DUNDEE - TWO SCOTTISH PROVINCIAL TODDY LADLES WILLIAM YOUNG & THOMAS SHANNON marked AM, eagle, AM, of Celtic Point pattern, engraved JCA to terminal; marked pot of lilies, thistle, pot of lilies, TS, of Fiddle pattern, italic W engraved to terminal; together with another Roberts & Slater, Sheffield 1847 of Fiddle pattern (3) £120-180

313 ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE CHARLES FOWLER marked CF, ELGIN, St. Giles, of Fiddle pattern, italic ML engraved to terminal 16cm long, 32.2g

£250-350

314 ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE J POZZI & R STEWART marked, J, P, ELn, R S, of Fiddle pattern, italic J engraved to terminal 15cm long, 31.5g

£250-350

315 ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE JOSEPH POZZI marked, JP, ELn, thistle, of Fiddle pattern, italic J engraved to terminal 16.5cm long, 35.8g

£250-350

316 ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE JOHN SELLAR marked, JS, tree and baubles thrice, of Fiddle pattern 15cm long, 33.7g

£300-500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

317

323

ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE

FORRES - A SCOTTISH PROVINCIAL TODDY LADLE

THOMAS STEWART marked TS, ELn, of Old English pattern, oval bowl with vacant terminal

JAMES & PATRICK RIACH marked IPR, tower, of Old English pattern, italic C engraved to terminal

165cm long, 34.8g

17.5cm long, 46g

£250-350

£2,000-3,000

318

324

ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE

GLASGOW - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

WILLIAM FERGUSON marked WF, ELGIN, of Fiddle pattern, oval bowl, script initial P engraved to terminal

VARIOUS MAKERS various dates, makers and patterns (6) £120-180

325

319

GREENOCK - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

17cm long, 49.9g

£150-180

JAMES ORR & HERON James Orr, Edinburgh 1805, of Celtic Point crest engraved to terminal; HERON, Edinburgh 1816, of Fiddle pattern, initials engraved to terminal; together with a mustard spoon, Heron, Glasgow 1825, of Fiddle pattern, foliate G engraved to terminal (3)

320

JAMES R MCKAY marked MACKAY, ELGIN, B, of Fiddle pattern with vacant terminal 17.5cm long

£100-200

326 GREENOCK - A COLLECTION OF TODDY LADLES ALEX CAMPBELL & THOMAS DAVIE marked AC, oak tree, anchor; marked TD, anchor, O, oak tree, both of Old English pattern, italic initials engraved to terminal (2) 16cm long, 63g

321

£300-500

ELGIN - TWO SCOTTISH PROVINCIAL TEASPOONS

327

JOHN SELLAR AND ROBERT MCGREGOR marked JS, tree with baubles, tree with baubles, tree with baubles, R.McG, tree with baubles, thistle tree with baubles, both of Fiddle pattern, engraved initials to terminal (2)

GREENOCK - A SCOTTISH PROVINCIAL TODDY LADLE

14cm long, 38g

£200-300

JOHN HERON marked JH (in script), anchor, G, oak tree, of Fiddle pattern with vacant terminal 16.5cm long, 33g

18.8cm long, 31.5g

£120-180

330 GREENOCK - A SCOTTISH PROVINCIAL TODDY LADLE

16.5cm long, 28g

£300-500

331 INVERNESS - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES DONALD FRASER, ALEXANDER MCLEOD, & CHARLES JAMIESON two by Donald Fraser marked DF, INS, both Fiddle pattern; a single struck King’s pattern example by Alexander McLeod marked AML, INS, device thrice; and a Fiddle pattern example by Charles Jamieson marked CJ, INS, J (4) £250-350

INVERNESS - A SCOTTISH PROVINCIAL TODDY LADLE

328 ELLON (POSSIBLY) - A SCOTTISH PROVINCIAL TODDY LADLE

WILLIAM CLARKE marked WC, ANCHOR, oak tree, part twisted stem with ball finial and deep circular bowl

332

£220-280

322

GREENOCK - A SCOTTISH PROVINCIAL TODDY LADLE

WILLIAM MCMASTER marked anchor, oak tree, anchor, WMcM, of Fiddle pattern

£180-220

ELGIN - A SILVER PLATED SCOTTISH PROVINCIAL TODDY LADLE

330

329

£250-350

WILLIAM FERGUSON marked WF, Edinburgh 1841, ELGIN, of Fiddle pattern with script initials RW engraved to terminal

321

323

16cm long, 29.6g

ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE

GREENOCK - A SCOTTISH PROVINCIAL TODDY LADLE

JOHN MACKIE marked JM, JM, EL, of Fiddle pattern, italic WR engraved to terminal

JOHN SUMMERS marked gothic JS, G, urn, thistle, ship in sail, of Fiddle and Shell pattern, italic J engraved to terminal

15.5cm, 30g

15cm long, 28.5g

£400-600

£200-300

ALEXANDER MCLEOD marked AML, INS, flower, of Fiddle pattern, gothic F engraved to terminal 15cm long, 37g

£100-200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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337

336

342

MONTROSE - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

PERTH - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

WILLIAM MILL marked WM, rose, rose, rose, of Fiddle pattern and WM, rose, rose, rose, of Old English pattern, initials engraved to terminal; together with another William Hannay, Glasgow, 1820, of Fiddle pattern (3)

ROBERT KEAY AND WILLIAM RITCHIE to include three examples by R Keay (one R&R Keay) all of Fiddle pattern and an Old English pattern example by William Ritchie (4) £180-220

£220-320

343 337 338

MONTROSE - A SCOTTISH PROVINCIAL TODDY LADLE JAMES STURROCK marked mitre, mitre, JS, of Fiddle pattern

340

15.5cm long, 27g

£180-220

338 346

333 INVERNESS - A SCOTTISH PROVINCIAL TODDY LADLE JOHN MCRAE marked JMcR, INS, bird, thistle, of Fiddle pattern, italic JAL engraved to terminal 15.5cm long, 39.1g

£200-300

334 INVERNESS - TWO SCOTTISH PROVINCIAL TODDY LADLES JOHN MCRAE & ROBERT NAUGHTON marked, JMcR, INS, thistle, initials engraved to terminal; marked RN, cornucopia, thistle, both of Fiddle pattern 15cm, 18cm long, 72g

£220-280

335 INVERNESS AND MONTROSE- TWO SCOTTISH PROVINCIAL TODDY LADLES WILLIAM MASON & BENJAMIN LUMSDEN marked WM, INS, of Fiddle pattern with vacant terminal; marked B.L, rose head, of Celtic Point pattern with initial M to terminal (2) 18cm and 4.5cm long, 50g

£250-350

MONTROSE - A SCOTTISH PROVINCIAL TODDY LADLE JOHN GLENNY marked M, IG in script, IG in capitals, hammer, hammer, hammer, of Fiddle pattern, initials engraved to terminal 17cm long, 32g

£200-300

339 PAISLEY - A SCOTTISH PROVINCIAL SALT LADLE

PERTH - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES VARIOUS MAKERS marked CM, eagle, CM, eagle; marked DMcL, acorn, eagle, acorn, eagle, both of Fiddle and Shell pattern, initial engraved to terminal; together with another marked eagle, DG, eagle, DG; marked urn, eagle, urn, O, SI, both of Fiddle pattern £200-300

344 PERTH - TWO SCOTTISH PROVINCIAL TODDY LADLES JOHN URQHART marked, JC, U, double headed eagle, U, S, foliate F engraved to terminal; marked URQUART, Edinburgh 1822, PERTH, engraved initials to terminal, both of Fiddle pattern (2) 16cm, 15.5cm 62g

JOHN ALLEN marked I.A, anchor, I.A, of Old English pattern with script initial W engraved to terminal

£200-300

10cm long , 8g

PETERHEAD - A SILVER PLATED SCOTTISH PROVINCIAL CONDIMENT LADLE

£120-180

340 PAISLEY - A SCOTTISH PROVINCIAL TODDY LADLE J & G HERON marked I & G H, anchor, I & G H, of Old English pattern, italic M engraved to terminal

345

C BRUCE marked C.BRUCE, PHEAD, of Fiddle pattern with round bowl 13.5cm long

£120-180

18cm long, 32g

346

£120-180

PETERHEAD - A SCOTTISH PROVINCIAL TODDY LADLE

341 PERTH - A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES JAMES WRIGHT, JOH PRINGLE, JAMES STOBIE marked J.W. star S, eagle, of Old English pattern; marked I.P eagle, I.P, eagle; marked J.S. eagle, J.S. both of Fiddle pattern (3) 16cm, 17cm 83g (combined)

£180-220 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

WILLIAM SMITH marked WS, PHd, anchor, of Fiddle pattern, engraved S to terminal 15cm long, 28g

£1,000-1,500

Scottish Silver & Applied Arts

Scottish Provincial Silver 349

375

351 ABERDEEN - A SCOTTISH PROVINCIAL TABLESPOON

349

JAMES GORDON bottom marked IG, ABD, of Old English pattern with double drop heel 20cm long, 1.8oz

£120-180 350

352 347 TAIN - A SCOTTISH PROVINCIAL TODDY LADLE ALEXANDER STEWART marked A.S., TAIN, wheat sheaf, of Fiddle pattern 17cm long, 30g

£800-1,200

348 TWO SCOTTISH PROVINCIAL TEASPOONS JAMES WRIGHT PERTH & ALEX CAMERON DUNDEE marked JW, oak tree, S, eagle, of Fiddle pattern, foliate K engraved to terminal; marked CAM/ERON, hallmarked for Chester 1896 both of Fiddle pattern; together with a sugar spoon, William Jamieson, WJ, ABD, of Fiddle pattern (3) £120-180

349 WICK - A SCOTTISH PROVINCIAL TODDY LADLE JOHN SELLAR marked JS, WICK, JS, of Fiddle pattern, italic JML engraved to terminal 15cm long, 28.3g

£800-1,200

350 WICK - A SCOTTISH PROVINCIAL TODDY LADLE JOHN SELLAR marked JS, WICK, of Fiddle pattern, italic Q engraved to terminal 17cm long, 35g

£800-1,200

ABERDEEN - A SCOTTISH PROVINCIAL TABLESPOON JOHN EWAN marked lion mask, JoE (smaller punch), lion mask, of Fiddle pattern with foliate initials to terminal 21cm long, 53g

£120-180

360

356 ABERDEEN - A PAIR OF SCOTTISH PROVINCIAL SALT SPOON EMILIE & MOLLISON Mollison marked E&M, A, B, D,N, of single struck Fiddle Thread and Shell pattern with gilt bowls; together with a pair of Aberdeen egg spoons by William Jamieson marked WJ A, B, D, WJ (4) £200-300

357

353

ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL TEASPOONS AND MASKING SPOON

ABERDEEN- A COLLECTION OF SCOTTISH PROVINCIAL SUGAR SPOONS

WILLIAM JAMIESON marked WJ, ABD, of Old English pattern with script initials to terminal (7)

William Jamieson, marked WJ, A, B, D, WJ; Alexander Mollison, marked A.M. A, B, D; William Jamieson, marked WJ, ABD; James Begg, marked J.B. thistle, ABD, all of Fiddle pattern; together with two teaspoons for Montrose, one by Benjamin Lumsden and one by William Mills (6)

masking spoon 16cm long, 3.4oz

15cm, 3.5oz combined

£200-250

354 ABERDEEN - A SCOTTISH PROVINCIAL FISH SLICE GEORGE & ALEXANDER BOOTH marked GB, ABD, AB, of Fiddle pattern with engraved crest and initials, the shaped blade with pierced central panel 29.5cm long, 4.5oz

£150-180

355 ABERDEEN - A SCOTTISH PROVINCIAL SGIAN DUBH ALEXANDER & JOHN SMITH, ABERDEEN Marked A&J.S, ABDn to scabbard, The roe deer antler handle with simple brass cap and clasping mount, the steel blade with single fuller and scalloped back edge signed ‘A&J SMITH / ABERDEEN’ 18cm long

£220-280

£120-180

358 ABERDEEN - A SET OF TWELVE SCOTTISH PROVINCIAL TEASPOONS WILLIAM JAMIESON marked WJ, A, B, D, WJ, of Short Fiddle pattern with script initials E engraved to terminal (12) 13.8cm long, 5.8oz

£120-180

359 ABERDEEN- A SET OF SIX SCOTTISH PROVINCIAL DESSERT SPOONS JAMES ERSKINE marked three towers, E, hand holding dagger, of Old English pattern, engraved initials to terminal (6) 18cm long, 6.4oz

£300-350

360 ABERDEEN- A SET OF SIX DESSERT SPOONS PETER GILL & SON marked Gothic Q, PG&Son, Gothic Q, of Fiddle pattern 18cm long, 5.5oz

£300-350

72 Lyon & Turnbull

362 364

365

361 ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS PETER ROSS marked PR, ABD, PR, of Fiddle and Shell pattern with engraved crest to terminal (6) 21.5cm long, combined weight 13.2oz Notes: The crest of a standing cockerel appears to be for the Leslie family.

366 363 ARBROATH - A SCOTTISH PROVINCIAL EGG SPOON GEORGE RITCHIE marked to stem GR and to terminal GR, stylised thistle, GR, of Fiddle pattern with initials to terminal; together with a Dundee example by J Austen marked DUN/DEE, pot of lilies thrice, AUS/TEN, numbered 6 to heel (2)

BALLATER - A SCOTTISH PROVINCIAL CADDY SPOON WILLIAM ROBB marked ROBB / BALLATER, Edinburgh 1908, of typical form with heart shaped bowl, chased scene of Balmoral castle; together with an Iona style caddy spoon marked STERLING (2) £180-250

Although a standard pattern in English silver and occasionally encountered in Edinburgh or Glasgow made flatware Scottish provincial examples are rare.

£200-300

£400-600

BALLATER - A SCOTTISH PROVINCIAL CADDY SPOON

362

WILLIAM ROBB marked ROBB / BALLATER, Edinburgh 1905, the heart shaped bowl with chased scene of Balmoral Castle, with thistle stem and crowned shield terminal

WILLIAM ROBB marked WR, BLTR, Edinburgh 1918, of wish bone form engraved with initial H, Earl’s coronet above and to other side in engraved ‘handwriting ‘with the very best wishes of an old friend 11-12-19’

9cm long, 21g

11.2cm long, 18.9g

£300-500

£120-180

4cm wide, 10.2g

365

368

Notes:

BALLATER - A SCOTTISH PROVINCIAL CADDY SPOON

BALLATER - A PAIR OF SCOTTISH PROVINCIAL WISHBONE SUGAR TONGS

AYR - A RARE PAIR OF SCOTTISH PROVINCIAL WINE LABELS JOHN LYALL marked J.LYl, AYR, of simple rounded oval form with integral suspension loops and fine belcher link chain, inscribed for WHISKY and SHERRY (2)

These wine labels are a very unusual production for John Lyall. His mark is almost exclusively seen on souvenir items made from wood of the Auld Brig o’ Ayr and mounted in silver or gold. These are among a very small handful of items recorded by him exclusively in silver.

£300-500

367 364

WILLIAM ROBB marked ROBB / BALLATER, Edinburgh 1906, the heart shaped bowl with chased scene of Balmoral Castle, with thistle stem and crowned shield terminal

BALLATER - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONG

WILLIAM ROBB each marked W.R, BLTR, Edinburgh 1915, of conventional form with simple plain tapered arms and nip points

8.5cm long, 20g

12cm long, 22.3g

£300-500

£150-180

Scottish Silver & Applied Arts

369

374

BALLATER - TWO PAIRS OF SCOTTISH PROVINCIAL WISHBONE SUGAR TONGS

DINGWALL (POSSIBLY) - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS

WILLIAM ROBB each marked W.R, BLTR, Edinburgh 1923, of conventional form with simple plain tapered arms and nip points (2)

MAKER UNKNOWN marked A.R to both arms, of Old English pattern with bright cut border and bowls

377

14cm long, 45.5g

£300-500

11cm long, 14.9g

£200-300

375

370

DINGWALL - A RARE SCOTTISH PROVINCIAL TEASPOON

BALLATER - A SCOTTISH PROVINCIAL QUAICH

marked A.S, DWL, sunburst, of Fiddle pattern with engraved initials AS and numbered 5

WILLIAM ROBB, ROBB / BALLATER, EDINBURGH 1905 of simple shallow form with twin shaped lugs and collet foot, the centre of bowl engraved ‘Ceud Mile Failte’

14.5cm long, 18g

10.5cm wide across lugs, 44.4g

£250-350

371 BALLATER - A GROUP OF THREE SCOTTISH PROVINCIAL BROOCHES JOHN KNOWLES & SONS each marked J.K.&S, BLTR, (one with STG mark), each of simple annular form, engraved decoration, one set with stone to centre (3) 4cm, 3.5cm, 3cm diameter

£300-500

372 BANFF - A SCOTTISH PROVINCIAL SOUP LADLE JOHN KEITH marked IK, fish, r, b, of Fiddle pattern with foliate script initials engraved to terminal 33.5cm long, 8oz

£800-1,200

373 CUPAR - A PAIR OF SCOTTISH PROVINCIAL TEASPOONS ROBERT ROBERTSON marked RR, fleur de lys twice, RR, of Fiddle pattern with initial CG and numbered to terminal (2) 14.5cm long, 37g

£600-800

378

379

Notes: for a full write up and discussion of a spoon bearing these marks see ‘The Finial’ July/ August 2017 ~ Vol. 27/06 and January/February 2017 ~ Vol. 27/03 by Kenneth Reid.

380

£800-1,200

376 DUMFRIES - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS JOHN MCLEAN marked stag, JM, anchor, of simple Fiddle pattern with shaped bowls 14.5cm long, 45.2g

£150-250

377 DUMFRIES - A SCOTTISH PROVINCIAL TEASPOON DALZIEL & HUNTER (ATTRIBUTED) bottom marked with makers mark D&H only, of early Old English pattern, simple initials JR engraved to terminal 12.5cm long, 9.7g

£120-180

378 DUMFRIES - A SCOTTISH PROVINCIAL FISH SLICE MARK HINCHCLIFFE marked, K, stag, K, anchor, M with HINCHSCLIFFE around, of Fiddle pattern with script initials, the shaped blade pierced and engraved with fish and scroll borders 30cm long, 5.2oz

£300-500

379 DUMFRIES - A SCARCE SCOTTISH PROVINCIAL TABLESPOON JOHN O’RAILY makers mark JORAILY, Fiddle pattern, script initial engraved to terminal 22.6cm long, 71.6g

£300-500

380 DUNDEE - A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS EDWARD LIVINGSTON Marked EL, pot of lilies, EL, M, of Celtic Point pattern with foliate script initials engraved to terminal (2) 22.25cm long, 4.2oz

£200-300

381 DUNDEE - A SCOTTISH PROVINCIAL TODDY LADLE EDWARD LIVINGSTON marked EL, shield, D, crowned heart, of Celtic Point pattern with script initials to terminal 15cm long, 23.4g

£200-300

382 DUNDEE - A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS EDWARD LIVINGSTON marked EL, pot of lilies, M, of Old English pattern with feathered edges 14.5cm long, 34.6g

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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385

390

392

393 397

383

386

389

DUNDEE - A SCOTTISH PROVINCIAL SOUP LADLE

DUNDEE - A RARE SCOTTISH PROVINCIAL GOLD RING

ALEXANDER CAMERON marked CAM/ ERON, Newcastle 1806, DUN / DEE, of Fiddle pattern with large oval bowl

ALEXANDER CAMERON marked AC twice, of simple form with D section band

32.cm long, 6.9oz

WILLIAM SCOTT marked WS, pot of lilies, WS, M, of feather edged Old English pattern with engraved crest and motto engraved to terminal

£120-180

35cm long, 6.6oz

Notes:

Kier check crest

Although simple gold bands such as this example must have been in stock in trade for all silversmiths and jewellers in Scotland to find marked examples are very rare. This appears to be one of only two recorded Dundee examples.

384

£400-600

A COLLECTION OF SCOTTISH FLATWARE

387

1.7cm diameter, 1.9g

VARIOUS MAKERS to include a set of six teaspoons by J Douglas of Dundee with part Edinburgh marks; a William Ritchie of Perth teaspoon; M Craw toddy ladle; together with various other items (qty)

DUNDEE - A SCOTTISH PROVINCIAL SOUP LADLE

£300-500

EDWARD LIVINGSTONE marked E.L, pot of lilies, E.L, M, of Celtic Point pattern with foliate initial S to terminal

390

37.5cm long, 6.3oz

17.5oz combined weight

£200-300

J POZZI & R STEWART marked J, P, ELn, thistle, RS, of Fiddle pattern with crest engraved to terminal

£200-300

ELGIN - A SCOTTISH PROVINCIAL TABLESPOON

388

22cm long, 2.1oz

385

DUNDEE - A SET OF SIX TODDY LADLES

£250-350

DUNDEE - A SCOTTISH PROVINCIAL FISH SLICE

BSB (UNKNOWN) marked pot of lilies thrice, BSB, of Fiddle pattern with vacant terminal (6)

391

UNKNOWN MAKER marked D, pot of lilies thrice, of Fiddle pattern with vacant terminals, the pieced shaped blade with floral borders and engraved thistle above reticulate section

15cm long, 5.2oz

£600-800

ELGIN - A SCOTTISH PROVINCIAL SOUP LADLE THOMAS STEWART marked TS, ELn, of Old English pattern with vacant terminal

30.5cm long, 5.2oz

33.5cm long, 5.6oz

£250-350

£500-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

392

398

ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE

GREENOCK - A SCARCE SCOTTISH PROVINCIAL TABLESPOON

JL (UNKNOWN) marked JL, tree with baubles thrice, of Fiddle pattern, engraved rose to terminal

396

15cm long, 34g

NN (unknown) marked NN, G, urn, thistle, ship in full sail, of Fiddle pattern with engraved crest to terminal

£200-300

22.5cm long, 67.6g

398

£200-300

393 ELGIN - A SCOTTISH PROVINCIAL TODDY LADLE JL (UNKNOWN) Marked JL, tree with baubles thrice, of Fiddle pattern with engraved crest to terminal

399 GREENOCK - A SCOTTISH PROVINCIAL TABLESPOON

15cm long, 34.2g

THOMAS DAVIE marked TD, anchor, ship in sail, G, oak tree, of Fiddle pattern with script initial H to terminal

£250-350

23.5cm long, 2.2oz

£150-180

394 ELGIN - A SCOTTISH PROVINCIAL EGG SPOON WILLIAM FERGUSON marked WF, ELGIN, thistle, of Oar pattern with foliate initial A engraved to terminal

400 GREENOCK - A PAIR OF SCOTTISH PROVINCIAL BASTING SPOONS

13cm long, 15.8g

THOMAS DAVIE marked TD, ship in sail, anchor, tree, of Celtic Point pattern with plain terminals (2)

£200-250

30cm long, 5.9oz

£600-800

395 GLASGOW - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS marked S, Glasgow, WM, Of Hanoverian pattern with IW engraved to terminal 22cm long, 14oz

£300-500

401 IONA - A SCOTTISH PROVINCIAL LETTER OPENER HIGHLAND HOME INDUSTRIES marked HHI, Edinburgh 1944, IONA, of sword form with Celtic knot work to hilt and foliate terminal

396

10.5cm long, 11.6g

GLASGOW - A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS

£120-180

PETER FRAZER marked PF, Glasgow town mark, PF, Glasgow town mark, of Old English pattern with script initials GF to terminal (2)

402

23cm long, 4.2oz

to include a kilt pin of sword and targe form by Alexander Ritchie; a cased set of coffee spoons I McCormick; a pendant and chain in Ritchie style and a pair of buckles (qty)

Notes: for reference to these spoons see, The Finial September/October 2010 (Volume 21/01)

£200-300

404

IONA - A COLLECTION OF SCOTTISH PROVINCIAL SILVER VARIOUS MAKERS

£200-300

397Y GLASGOW - A SCOTTISH PROVINCIAL TEAPOT TAYLOR & HAMILTON marked T&H, Glasgow town mark, of tapered urn form with chased scroll bride, acanthus swags and foliate girdle, the curved spout with cast details, with hinged domed cover with cast finial and C scroll handle, raised on a pedestal foot with beaded edge 23cm high, 25oz

£1,500-1,800

403 IONA - TWO SCOTTISH PROVINCIAL SPOONS ALEXANDER RITCHIE a traditional caddy spoon with Celtic handle and scoop bowl, marked AR, IONA; together with a honey spoon with open galleon terminal, Birmingham 1933 (2) 12cm and 11.5cm long

£200-300

404 IONA - A SCOTTISH PROVINCIAL CROSS ALEXANDER RITCHIE marked AR, IONA, the large open cross with all over Celtic interlace decoration 6.5cm high, 16.5g

£250-350

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412 INVERNESS - A SCOTTISH PROVINCIAL GOLD SHOOTING CLUB FOB 416

CHARLES D DALGLEISH marked CD, INVss, Edinburgh 1906, 9ct, the engraved circular fob with crossed rifles and a man in crouching shooting stance, engraved ‘Carbine HR GAV CLUB 1906; together with a stags head brooch by the same maker marked CD, INVSS, camel (2) fob 3cm high, 5.7g

£500-700

408

405

409

IONA - TWO SCOTTISH PROVINCIAL MARRIAGE BROOCHES

IONA - A SCOTTISH PROVINCIAL BROOCH

ALEXANDER RITCHIE of typical form with engraved gothic M’s to the annular form with swing pin (2)

ALEXANDER RITCHIE marked A.R, IONA (both incuse), ICA, Birmingham 1934, the shield shaped brooch with intertwined birds heads enclosing a galleon with motto IONA and a face below

£200-300

406

4cm high

IONA - THREE SCOTTISH PROVINCIAL BROOCHES

£200-300

ALEXANDER RITCHIE to include a large annular example with swing pin; an open galleon brooch and a similar example with ivy leaf border (3)

410

£300-500

407 IONA - A GROUP OF SCOTTISH PROVINCIAL BROOCHES ALEXANDER RITCHIE comprising two interlace brooches with bird head terminals; an open galleon brooch and a knot work penannular (4) £400-600

408 IONA - AN UNUSUAL SCOTTISH PROVINCIAL PENANNULAR BROOCH ALEXANDER RITCHIE marked AR, IONA, ICA (all incuse), Birmingham 1913, with cast figural terminals and integral swing pin 6cm wide

£120-180

IONA - A SCOTTISH PROVINCIAL BROOCH ALEXANDER RITCHIE marked AR, IONA, of annular form with trailing ivy leaf decoration and swing pin; together with a small group of Scottish silver jewellery (qty) £150-250

411 IONA - A SCOTTISH PROVINCIAL BROOCH

413 INVERNESS - A SCOTTISH PROVINCIAL PICKLE LADLE FERGUSON & MACBEAN marked F&M, camel, INVSS, the diminutive bowl with socket attachment to baleen handle; together with collection of Edinburgh and provincial silver spoons (qty) 35cm long

£400-600

414 INVERNESS - A SCOTTISH PROVINCIAL TODDY LADLE JOHN MCRAE Marked JMcR, INS, of Fiddle pattern with vacant terminal; together with another example by Peter Gill of Aberdeen marked PG, thistle, ABD, PG with script initial H (2) £220-280

415 IONA - A SCOTTISH PROVINCIAL STANDING CROSS ALEXANDER RITCHIE, BIRMINGHAM 1934 marked AR, IONA, ICA, the standing cross on a stepped marble base 10.2cm high

ALEXANDER RITCHIE C.1930 marked AR, IONA, the circular brooch with galleon to centre and blue enamel sea; together with handwritten letter and envelope, the envelope addressed ‘Miss Honor Evertson, Isle of Jethou, Gurnsey, Channel Isles’ the letter on Iona Celtic Art headed paper, reads ‘By request of Mr Compton McKenzie,’ an signed AR

£300-500

brooch 2.5cm diameter

£180-220

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

416 INVERNESS - A SCOTTISH PROVINCIAL TODDY LADLE JOHN MCRAE marked JMcR, INS, bird, of elongated Fiddle pattern with vacant terminal 16.5cm long, 31.7g

Scottish Silver & Applied Arts

422

423

424

417

420

INVERNESS - A SCOTTISH PROVINCIAL FISH SLICE

INVERNESS - A SCOTTISH PROVINCIAL MASKING SPOON

ALEXANDER MCLEOD marked AML, INS, device, of Fiddle pattern with script initials to terminal, the shaped blade with pierced and recirculated central, section with fish motif

CHARLES JAMIESON marked CJ, J, the tapered stem with part twisted section and pointed finial, the reverse of the bowl with (later) engraved initials EC

32cm long, 5.5oz

1635cm, 15.7g

Notes: The third mark has always remained a mystery, when seen it is always poorly struck, possibly by a worn or damaged punch. This example is slightly clearer than others and suggests a fleur de lys or tied bunch of corn stalks

£150-180

£300-500

FERGUSON & MCBEAN marked F&M, camel, INVS, the flattened curved horn with applied cartouche to body and plaque to hinged cover, the tapered terminals with snuff measure built in

418 INVERNESS - A SCOTTISH PROVINCIAL SOUP LADLE ALEXANDER MACLEOD marked AMcL, INS device thrice, of Fiddle pattern with script initials to terminal

INVERNESS - A SCOTTISH PROVINCIAL SNUFF MULL

£500-800

£200-300

422 INVERNESS - A SCOTTISH PROVINCIAL CLAN BADGE

JAMIESON & NAUGHTON marked J&N, INS, cornucopia twice, of Fiddle pattern with script initial engraved to terminal, the shaped blade with reticulated section

FRASER, FERGUSON & MACBEAN marked F.F&M, camel, INVS (makers and town mark incuse), the cantle of arched form with Jacobite ring and dot decoration and deeply hand engraved Celtic knot work bores, with seal skin, the five tassels with silver ball caps cantle 15cm wide

£120-180

INVERNESS - A SCOTTISH PROVINCIAL FISH SLICE

INVERNESS - A SCOTTISH PROVINCIAL SPORRAN

421

33cm long, 7.5oz

419

423

424 INVERNESS - A SCOTTISH PROVINCIAL SPORRAN FRASER, FERGUSON & MACBEAN marked F.F&M, Edinburgh 1937, INVSS, the simple arched cantle with ring and dot decoration with compressed finial, the white seal skin pouch with three tassels and brown leather backing cantle 14.5cm wide

£400-600

D F FERGUSON marked D.F.FERGUSON / INVSS, of belted garter form with applied crest of a hand wearing a gauntlet and holding a cross 4.5cm wide, 26g

£150-250

30cm long, 5.1oz

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

78 Lyon & Turnbull

426

430

425 MONTROSE - A PAIR OF SCOTTISH PROVINCIAL TABLESPOON JAMES STURROCK marked Bishop’s mitre struck four times, JS, of Fiddle pattern script initials DMR engraved to terminal (2) 22cm long, 4.3oz

£220-280

426 MONTROSE - A RARE SCOTTISH PROVINCIAL TABLESPOON THOMAS JOHNSTONE marked T.I, Rose, B, f Hanoverian pattern with original script initials ‘MO’ to reverse of terminal, the deep bowl with facetted heel 20.8cm long, 70.2g Notes: Examples by Thomas Johnstone are rare. His known production of hollow ware to date are the mid-18th century pair of communion cups for the Parish of Marykirk. A small group of Hanoverian or Scot’s Fiddle pattern spoons have appeared in the market place on occasion

429

432

PERTH - TWO SCOTTISH PROVINCIAL PUNCH LADLES

A GROUP OF SCOTTISH PROVINCIAL DESSERT SPOONS

CHARLES MURRAY AND ROBERT KEAY marked CM, eagle, CM, the other RK, eagle, RK, each with shallow oval bowls with everted rim, socket attachment with part twisted baleen handle; together with an Edinburgh example George McHattie, Edinburgh 1810 (3)

To include J Cornfute of Perth, makers mark struck twice; Charles Murray of Perth and William Mill of Montrose; together with a feather edged example by William Dempster of Edinburgh (4) 4.1oz combined weight

£200-300

36cm long

£250-400

433

430

PERTH - A SCOTTISH PROVINCIAL TABLESPOON

PERTH - A RARE SCOTTISH PROVINCIAL TODDY LADLE J&A MCNAB marked McN, eagle, McN, eagle, S, of Fiddle pattern with script initial P to terminal

JAMES CORNFUTE marked IC (in script), eagle, IC, eagle, of Old English pattern with a script initial B to terminal 21cm, 69g

£250-350

£120-180

431

434

PERTH - A SCOTTISH PROVINCIAL FISH SLICE

PERTH - A SET OF TWELVE TABLESPOONS

ROBERT KEAY marked RK, eagle ,RK, eagle, RK, eagle, of Fiddle pattern with vacant terminal, pierced and shaped blade

WILLIAM RITCHIE marked WR, eagle, of Fiddle pattern with foliate H engraved to terminal (12)

32cm long, 4.6oz

£300-500

22cm long, 25oz

£200-300

£400-600

427 PAISLEY - A SCOTTISH PROVINCIAL DESSERT SPOON I & G HERON marked I&GH, rat, I&GH, of Fiddle pattern with script initial engraved to terminal 18cm long, 27g

£180-220

428 PERTH - A SET OF TWELVE PROVINCIAL SCOTTISH TABLE SPOONS ROBERT KEAY marked RK, eagle, RK, eagle, of Fiddle pattern, italic L engraved to terminal (12) 23cm long, 26.7oz

£600-700 437

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

438

439

435

437

439

PERTH - A SCOTTISH PROVINCIAL SOUP LADLE

PERTH - A SCOTTISH PROVINCIAL MUG

PERTH - A SCOTTISH PROVINCIAL MASONIC JEWEL

WILLIAM RITCHIE marked WR, eagle, WR, eagle, of Celtic Point pattern with initial M to terminal; together with an Aberdeen example by James Erskine and an Edinburgh example (3) 17oz combined

ROBERT KEAY marked Edinburgh 1841, RK, of straight sided upper body with baluster lower section, with receded acanthus S scroll handle and domed stepped foot 10.5cm high, 3.7oz

£400-600

£300-500

438 436 PERTH - A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS

PERTH - A SCOTTISH PROVINCIAL MUSTARD POT

CHARLES MURRAY marked CM twice, of circular outline with rope twist border, inner border of a pierced arch and diamond inscribed ‘LODGE No10 MON A’ with a snake biting its own tail with and engraved in script ‘This medal was presented to Bro P A W Nott For his services in having filled the NA Chair May 1819 Bristol’, with twin suspension loops and belcher chain 8.5cm diameter, 16oz

J & F BROWN marked IB, armorial, FM, of slender Hanoverian pattern with initials M / WM / AM engraved to terminal and elongated rat tail to bowl (2)

CHARLES MURRAY marked Cm, Edinburgh 1818 of rounded rectangular outline with baluster body and gadrooned rim, the domed hinged cover with ball finial and engraved script initial B, with angular handle and raised on four ball feet

20.7cm long, 3.4oz

9.5cm across, 4.5oz

Notes: The working careers of John and his son Francis Brown is somewhat confused. Although recorded in Perth as early as 1724 they appear to have worked in Edinburgh and possibly Elgin as well. No marks have been confidently ascribed to either of these periods and all their work is tied to Perth.

£400-600

CHARLES MURRAY marked to each leg, CM, eagle, of simple form with oval lenses, folding and retractable legs

£250-350

440 PERTH - A RARE PAIR OF SCOTTISH PROVINCIAL SPECTACLES

10cm wide

£250-350

The marks they used fall into three groups (all with the very recognisable IB and FB maker’s marks), with PERTH in full, a large Fleur de Lys, as seen on this spoon, what appears to be an armorial bearing. The use of the armorial punch has not been explained and the use is certainly their rarest. Its large size means that when encountered it is often poorly struck leaving details hard to ascertain. For another example of this mark see Scottish Silver & Applied Arts, Lyon & Turnbull, 16th August 2017 lot 322.

£600-800

440

80 Lyon & Turnbull

444

441

445

448

441

444

446

PETERHEAD - A RARE SCOTTISH PROVINCIAL WINE LABEL

TAIN - A RARE SCOTTISH PROVINCIAL TABLESPOON

A SILVER MOUNTED AND SHELL CRUET

WILLIAM FERGUSON marked WF, PHD, Edinburgh 1826, of shaped rectangular form with embossed foliate scroll border with rose heads to corners, integral suspension loops, engraved to centre CLARET, suspended from original belcher link chain

JOHN SELLAR marked JS, of Old English pattern with script initials JM to terminal and numbered 9

42mm wide, 10.9g Provenance: Thomson Roddick and Metcalf 10th November 2003 lot 459 Notes: This wine label, a rare survival for Peterhead matches another likely from the same original set still known to survive. For the other example inscribed for Madeira of the same pattern and date see Woolley & Wallis 21st January 2014, lot 795, illustrated.

£800-1,200

442 TAIN - A SCOTTISH PROVINCIAL TABLESPOON ALEXANDER STEWART marked AS, TAIN, wheat sheaf, of Old English pattern with engraved initials ‘JM’ and number 5 23cm long, 76g

23.5cm long, 79.3g Notes: John Sellar’s work is well recorded in Wick and is the most prolific of the two makers recorded there. However, less well known, is that Sellar also worked and marked silver in Elgin seen with ‘ELGIN’ and tree and bauble town marks, and in Tain. His work in Tain is without doubt his rarest and dates between 1821 – 1825. During this time two maker’s punches are attributed to him, JS with incurved sides and a matching town punch and the example under discussion. The punch seen to the following three lots is distinctively different to the one he uses in Wick as the proportion and spacing of the J and S is much wider and the punch slightly more crudely cut. The tablespoon is perhaps the most important example of this mark extant as it has obviously been made to match or extend a set of Alexander Stewart made Tain spoons. This and the direct family provenance from the Tain area give additional confirmation of the origin. For further examples and discussion see ‘The Tain Silver Collection, in Tain and District Museum’ page 72 - 73

£600-800

TAIN - A SCOTTISH PROVINCIAL DESSERT SPOON ALEXANDER STEWART marked AS, Tain C, of Old English pattern with engraved script initials GM to terminal 18.5cm long, 38g

strainer 12cm long

£200-300

447 AN EIGHTEENTH CENTURY SCOTTISH LUCKENBOOTH BROOCH UNMARKED of conventional open heart form with intricate pierced ‘crown’ surmounting, engraved to reverse DF Mc LOVE; together with another similar with maker’s mark er (2)

£200-300

448 AN EARLY EIGHTEENTH CENTURY QUAICH CIRCA 1700 unmarked, the shallow bowl with engraved stave lines and raised on simple collet foot, the twin lugs with engraved initials MN and IM 11.5cm wide (across lugs), 1.7oz

445 443

UNMARKED comprising two salt and a strainer ladle (maker’s mark stuck three times), each formed of a limpet shell with simple scalloped silver mounts (3)

WICK - A SCOTTISH PROVINCIAL TABLESPOON JOHN SELLAR marked JS, WICK, JS, JS, of Fiddle pattern with vacant terminal 23cm long, 2.2oz

£600-800

£400-600

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

£800-1,200

Scottish Silver & Applied Arts

449 WICK - AN EXTREMELY RARE SCOTTISH PROVINCIAL WINE FUNNEL JOHN SELLAR marked JS, WICK to side of bowl, the tapered baluster bowl with engraved crest of a griffins head above a torse, the slender tapered spout with reeded detail at base of bowl, the pull out double muslin rim with reeded border 11cm long, diameter of bowl 7cm, 3.09oz

ÂŁ10,000-15,000

Notes: Considered one of the classic rarities of Scottish silver the survival of Wick made silver has always been considered rare. However unlike Tain silver, with whom it is often ranked amongst the rarest, Wick hollowware is extremely rare. Tain has in excess of twenty items of holloware by Hugh Ross I and II alone, while Wick only has four items by either of the recorded makers.

Of the recorded surviving Wick hollowware it would appear that only three of the items can be considered Wick made and one highly likely bought in and marked by Sellar. The known survival of Wick hollowware is limited to two mugs (one later decorated), a wine funnel (Inverness Art Gallery & Museum), and the wine funnel under discussion. Almost certainly made in Wick unlike the other surviving example, appears likely to have been bought in and later marked by John Sellar. The style is certainly Edinburgh or London with cast gadrooned border and shell clip, both features that would seem unlikely to have been made in a workshop the size of Sellarâ&#x20AC;&#x2122;s.

82 Lyon & Turnbull

Hallmarked Silver

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

455

450

453

456

A MODERN THREE PIECE TEA SERVICE

A SET OF SILVER CROSS BELT MOUNTS

A VICTORIAN SCOTTISH PIGGIN

BROOK & SON, SHEFFIELD 1932 comprising tea pot, twin handled sugar bowl and milk jug, all of circular form, clasped C scroll handles, sun beam border, raised on a stepped domed foot with similar border, retailed by Brook & Sons Edinburgh (3)

MACKAY AND CHISOLM, EDINBURGH 1908 comprising buckle, chape and slider, each with engraved Celtic knotwork panels and bosses buckle 7.8cm wide

HAMILTON & INCHES, EDINBURGH 1891 the tapered body with twin reeded bands and twin quaich like handles, the interior gilded; tougher with another plated example with engraved bark staved effect, marked JC, SPECIAL (2)

Height: 18cm, weight (all in): 39oz

£150-180

each 6cm high, 5.4oz

£300-500

454 451

A LATE VICTORIAN SCHOOL MEDAL

457

SCOTTISH APPLE CORER

BLACKWATCH INTEREST - A PAIR OF REGIMENTAL TOASTRACKS

12cm wide 3oz

HAMILTON & INCHES maker’s mark only, the round medallion with acanthus border and scroll suspender, engraved ‘Roses Academical Institution Nairn Grigor Medal’ the reverse engraved ‘Gained by Ada Aird 1898’

£100-120

57mm diameter, 81.6g

13.5cm wide, 8oz

£150-250

£250-350

455

458

A LATE VICTORIAN TREASURY INKSTAND

A VICTORIAN GRADUATED SET OF SIX HORN BEAKERS

HAMILTON & INCHES, EDINBURGH 1898 the large rectangular body with ovolo borders and raised on four bracket feet, the top section with twin silver mounted glass inkwells and central stamp box, and a deep dished pen recess

HENRY T BROCKWELL, LONDON 1885 the tapered beakers of polished horn with glass bases and applied silver rims, the bodies with shield cartouche engraved with crest, the largest rim engraved ‘Barton & Mrs Scobell to Edwin Lascelles 1885’

31.5cm wide, 77oz

largest beaker 18.2cm high

£1,500-2,500

£400-600

HAMILTON & INCHES, EDINBURGH 1917 of open circular form with eight section and central corer, the whole with twin loop handles

HENRY ATKINS, SHEFFIELD 1888, the rectangular bases with compressed ball feet and five bar divisions, twin regimental crest to each (2)

452 A CASED SET OF FISH KNIFES AND FORKS LAWSON & CO, GLASGOW 1910 comprising twelve each of fish knives and three pronged forks, of ribbed Celtic Point pattern with engraved crest, in original fitted case knife 20cm long, 36oz

£300-500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

84 Lyon & Turnbull

462

461

459

461

463

A COLLECTION OF SILVER

A VICTORIAN WINE FLAGON

A WILLIAM IV THREE PIECE TEA SET

HAMILTON & INCHES to include a set of five teaspoons, Edinburgh 1874; a twin handled sugar bowl, Edinburgh 1871; and a trefoil dish Edinburgh 1896 (qty)

G & M CRICHTON, EDINBURGH 1867 the slightly bellied body with engraved ivy leaf panels with horns of plenty and fruit, the twin oval cartouches with classical figures, cast pelican to spout, gadrooned rim and foot, the hinged cover with cast sea horse finial, angular handle with rosette to base

THOMAS A FINDLAYSON, EDINBURGH 1831, comprising teapot, twin handled sugar bowl and milk jug, each of compressed baluster form with embossed floral garlands and shell cartouches (3)

460

30cm high, 46oz

£500-800

A VICTORIAN THREE PIECE TEA SERVICE

£2,500-3,500

MACKAY, CUNNINGHAM & CO, EDINBURGH 1870 comprising teapot, twin handled sugar bowl and milk jug, each of baluster form with finely chased floral borders and interlaced garlands (3)

462

A WILLIAM IV CHAMBER STICK

A PAIR OF VICTORIAN GOBLETS JOHN MITCHELL, GLASGOW 1843 of plain form, slight flared rim, knopped stem, raised on a domed stepped foot

MARSHALL & SONS, EDINBURGH 1836 the shallow dished base with reeded edge an C scroll handle set with conical snuffer, the centrally set sconce with reeded rim

21.5cm high, 30.4oz

14cm diameter, 10.9oz

teapot 17cm high, combined weight 31.7oz

£800-1,200

£300-400

combined weight 13oz

£200-300

teapot 16cm high, 50oz

464

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

465 EDINBURGH PHRENOLOGICAL INTEREST - AN EARLY 19TH CENTURY AMERICAN SILVER TWO HANDLED PRESENTATION VASE JAMES THOMSON, NEW YORK CIRCA 1839 marked to the underside four times ‘Jas Thomson’, the rising bold leaf clasped handles to a baluster vase shaped body, decorated with leaf framed cartouches framing profiles of gentlemen related to The Phrenological Society, central cartouche engraved inscription to George Combe from students at lectures in New York 1839 and praising his knowledge, leaf clasped stem to a spreading foot with framed vignettes of various animals and birds, further engraved round the foot rim stating Thomson awarded a medal from the American Institute for the quality of workmanship in the vase, contained in the original fitted mahogany box, hinged lid, brass carry handles, together with the original hand written list of subscribers 41.5cm high including stand, 47oz Notes: George Combe born and named after his father in Edinburgh. After attending the High School of Edinburgh and the University of Edinburgh, Combe entered the legal profession in 1804, and in 1812 he began his own practice. The Combe family lived together at 25 Northumberland Street in the New Town until at least 1833. He founded the Edinburgh Phrenological Society in 1820 and was the author of the highly influential The Constitution of Man (1828). The Edinburgh Society was the first and foremost phrenological grouping in Great Britain; more than forty phrenological societies followed in other parts of the British Isles. The Society’s influence was greatest over the next two decades but declined in the 1840s; the final meeting was recorded in 1870. At the home of the Phrenology museum in Chamber’s Street in Edinburgh there are four heads at the top of the windows, those of Combe, and other leading members, Franz Joseph Gall and Johann Gaspar Spurzheim; these appear to be the same as the ones on the piece offered here for sale. James Thomson, silversmith: First recorded in New York in 1834 at 129 William Street NY and later in Brooklyn. He followed his father William in the trade and James’ brother, also a silversmith, took control in 1840 and then sold to Zalmon Bostwick around 1845. Thomson was very well respected in the New York trade and made several award-winning pieces including the lot offered here which was awarded a gold medal from the American Institute for Superior Workmanship. One other piece by Thomson which was also a medal winner was the McKeon vase designed by Sculptor Robert Ball Hughes in 1837. Strong similarities can be seen in the decorative work and also the engraving on this vase and the Combe vase.

£2,000-3,000

86 Lyon & Turnbull

466 A RARE SET OF EIGHT VICTORIAN SCOTTISH DINNER PLATES JOHN MCKAY, EDINBURGH 1849 the plates of shaped circular outline with cast gadrooned and shell order, the rim engraved with full armorial and mottos (8) 25cm diameter, 151oz combined weight Heraldry: engraved with the arms of John Hamilton of Broomhill, the 1st Lord Belhaven and Stenton. Quarterly 1st and 4th Gules a sword palewise argent hilted and pommelled or between three cinquefoils of the second (for Hamilton of Broomhall) 2nd Gules a mullet argent between three cinquefoils ermine (for Hamilton of Udston) 3rd a man's heart proper shadowed or between three cinquefoils ermine (for Hamilton of Raploch), with motto Ryde Through. The whole arms are enclosed within a circlet which has engraved the motto 'Fax mentis honesta gloria (Glory of the light of a noble mind) with badge of the Baron of Nova Scotia suspended and Barons coronet above.

£6,000-8,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Notes: The armorials engraved to these plates are somewhat of a historic anomaly. There is no question they are original to the plates but seem to be engraved as almost a historic memorial. At the time of manufacture there was no extant baronetcy in this branch of the Hamilton family, and indeed they appear to most closely resemble the arms of John Hamilton of Broomhill in the County of Fife (born 1623 died 17th June 1679). He was an illegitimate son of James Hamilton, 1st Lord Hamilton who was latterly legitimised. Perhaps these plates were engraved by another family member with great pride in such a lineage and connection to such an important Scottish Family These plates are not the only example of this family creating such memorials to ancestors; a Meissen Porcelain service with the crest, motto and pendant badge of a Baron of Nova Scotia (as seen on these silver examples) is recorded. Its provenance although slightly unclear it is known to have been in the family of Lord Belhaven and Stenton around 1830. It has also been discussed these plates could have been re fashioned from an earlier set with a direct provenance to the earlier baronetcy. It should also be noted how rare the survival of Scottish plates is. Other than a few single examples, approximately seven sets are recorded between 1671 and 1840, including the important set by Henry Bethune of 1722.

Scottish Silver & Applied Arts

467

471

A WILLIAM IV SCOTTISH QUAICH

A SCOTTISH GEORGE IV TWIN HANDLED PRESENTATION CUP

ELDER & CO, EDINBURGH 1833 the shallow hemispherical bowl with engraved stag surmounted mountain top, twin waisted lugs and raised on a simple collar foot 11cm across lugs, 86g

£500-700

468 A GEORGE IV WATERPOT JOHN MCKAY, EDINBURGH 1827 the compressed baluster body with engraved crest and armorial, with presentation inscription ‘The Highland Society of Scotland to John Carstairs of Springfield for a satisfactory report made by him of an improvement of a tract of moss 1829’, with Bacchanalian figure to spout and simple S scroll handle 21cm high, 26oz

£500-800

469 AN EARLY NINETEENTH CENTURY WINE FUNNEL DAVID CRICHTON RAIT, GLASGOW 1830 the baluster bowl with cast foliate rim and pierced grill, foliate K engraved to body, the spout with three strengthening staves

WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1825, of campana form demi-fluted body, raised on spreading pedestal foot, ornate S scroll and leaf clasped handles, cartouches to the body, one vacant, one with presentation engraving ‘By the workmen of the Elgin Colliery to Mr. John Henderson... 24cm high, 31oz Notes: This presentation cup from the workers at Elgin Colliery to their manager “As a testimony of their esteem for his Disinterested exertions in promoting their Happiness” Altogether a rather confusing inscription.

470

The Elgin colliery referred to is The Elgin and Wellwood Colliery near Dunfermline in Fife. Records show it was started around 1825-27 and it may be John Henderson was the first manager. The Elgin family owned the mine until the mid 19th century. Owing to pressure with bank debt, the mine eventually closed in 1950 after a pithead fire and was deemed uneconomical to restart.

£600-800 470

15.3cm, 4oz

£600-800

470 A GEORGE IV SCOTTISH PUNCH BOWL DAVID MACDONALD, GLASGOW 1826 the hemispherical bowl with cased borders of trailing flower heads within foliage, with large rococo scroll cartouche with presentation inscription’ ‘Presented to William Tomlinson Esq., London by Alexander McWhinnie, John McWhinnie & Mrs Nicholas Scott, surviving children of Agnes Nairn, wife of Gilbert McWhinnie, Glasgow, and sister to the late George Nairn of Queen Street, London, as a memorial of respect from them being an old acquaintance of their uncles, also for his attention in their interest at the final settlement of his affairs, Glasgow Novr. 1828.’, raised on an inswept stem and spreading foot with chased foliate rim

472 A GEORGE IV OCTAGONAL SUGAR CASTER GEORGE MCHATTIE, EDINBURGH 1824 of octagonal baluster from with moulded rim, pierced and engraved pull off cover and stepped octagonal foot, the body engraved with a crest and motto 21.cm high, 11.7oz

£800-1,200

473 A GEORGE III BUN PEPPER GEORGE FENWICK, EDINBURGH 1817 of tapered form, raised on a slender stem and slightly domed foot, the pull off domed cover with receded rim and pierced central section

26cm diameter, 46oz

£800-1,200

80mm high, 62g

£250-350 472

88 Lyon & Turnbull

480 A GEORGE III PRIZE WINE LABEL WILLIAM PEAT, EDINBURGH 1814 of shaped outline with cast and chased birds. Bacchus, grapes and scrolls, the centre engraved ‘to Mrs M Whytock HOME MADE WINE From Cal. Hort. Soc. 1816, suspended from a belcher link chain 70mm wide, 36g

£300-500

481 A RARE SCOTTISH GEORGE III GOLD AND ENAMEL RING WILLIAM & PATRICK CUNNINGHAM marked WPC, Edinburgh 1814, the simple gold band with blue enamel and initials ‘MD’ within decoration, the blue enamel head of the ring of rounded form with central glazed panel (glass lacking)

474

20mm diameter, 4.8g

474

477

A PAIR OF GEORGE III GOBLETS

TWO SCOTTISH SOUP LADLES

GEORGE MCHATTIE, EDINBURGH 1814 of campana form with gadrooned lower section, the upper section engraved ‘Presented to Walter Rutherford Esq as a mark of gratitude & esteem on the occasion of his marriage by the Managers of his father’s various establishments in Edinburgh & Glasgow 14th November 1848’, with knopped short stem and domed stepped foot

one Glasgow one Edinburgh, of single struck Kings pattern (2)

16.5cm high, 10.4oz and 10.2oz

£1,500-1,800

475

18.2oz

£250-350

478 A COLLECTION OF SCOTTISH FLATWARE VARIOUS MAKERS to include Edinburgh George III examples and some provincial Aberdeen etc. (qty) 12.5oz

£200-300

A COLLECTION OF FLATWARE VARIOUS MAKERS Edinburgh various dates and makers, Fiddle and Shell pattern some crested (qty)

479 A GROUP OF SCOTTISH TODDY LADLES

£250-350

VARIOUS MAKERS of Fiddle pattern with various Edinburgh and Glasgow makers and dates, to include one sifter ladle (9)

476

8.7oz combined

A GROUP OF THREE SCOTTISH SOUP LADLES

£190-220

24oz

Edinburgh all of Fiddle Pattern, various dates and makers (3) 22.5oz

£300-500

Notes: Although gold work and indeed rings would have been a mainstay of 18th and 19th century Edinburgh goldsmiths their survival is remarkably few. This is perhaps in part that only a small percentage were marked, making this example more unusual, and that many were recycled and as the gold within was too precious to be kept as a memento on the death of the original owner. Unusually the ring is in blue enamel rather than the traditional black so is not a memorial ring but more likely a love token.

£300-500

482 A PAIR OF GEORGE III GOBLETS JAMES MCKAY, EDINBURGH 1813 each of campagna form with gadrooned lower section and raised on a short knopped stem with domed foot, the upper sections with presentation inscription reading ‘Presented to Alexander Greig, Teacher in Edinburgh on his election to the Parish School Aberdour. Presented at the sixth anniversary meeting of the pupils of the late Mr John Greig held at Edinburgh December 2nd 1814’ (2) 17.5cm high, each 11oz

£1,000-1,500

483 A SCOTTISH BASTING SPOON CHARLES DALGLEISH, EDINBURGH 18134 of Fiddle pattern, foliate script Y engraved to terminal; together with another, Robert Wilson, Edinburgh 1798, of Celtic Point pattern, italic G engraved to terminal (2) 31cm long, 6.6oz

£150-250 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

484 A PAIR OF LARGE GEORGE III GOBLET JAMES GLEN (OF GLASGOW), EDINBURGH 1807 with deep slightly baluster bowl raised on multi knopped stems and a domed circular foot (2) 25cm high, 20oz and 19oz

£100-1,200 485

485 A THREE PIECE GEORGE III CRUET WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1812 comprising mustard pot and twin open salts, each of simple form with tongue and dart borders and gilded interior mustard pot 8cm high, salts 9cm wide, 12oz combined weight

488

489

£800-1,200

A GEORGE III WINE FUNNEL

A GEORGE III TWIN HANDLED CUP

EDINBURGH 1808 of conventional form with reeded rim and simple clip, the pull off curved spout with muslin ring and simple reeded decoration

GEORGE MCHATTIE, EDINBURGH 1808 the straight sided bowl with engraved and chased border of fruiting vine and the lower section with acanthus clasped leave, the reeded twin handles with foliate terminal, raised on a simple stem and spreading foot with wriggle engraved border

486 A PAIR OF GEORGE III DESSERT FORKS GEORGE FENWICK marked POUCH, G.F.TOBAGO, Edinburgh 1812, GF, of Old English pattern with vacant terminals (2) 16cm long, 86g Notes: George Fenwick II was apprentice to his father George Fenwick I who had been a successful Edinburgh silversmith most noticeably in partnership with George McHattie (as McHattie & Fenwick from around 1800).

16cm long, 3.1oz

£600-800

22cm high, 22oz

£1,000-1,500

George Fenwick II moved to Tobago in September 1821 but his time there was sadly short as he died only a few months later. The marks to these handles prove interesting as it would appear that George Fenwick II possibly bought these items of old stock from his father and additionally stamped them for his new market in Tobago.

£200-300

487 A GEORGE III WINE FUNNEL WILLIAM & PATRICK CUNNINGHAM, EDINBURGH CIRCA 1810 date letter lacking, of typical form with curved spout and pierced grill 13.5cm high, 3.2oz

£300-500

489

90 Lyon & Turnbull

490 A SCARCE SET OF TWENTY FOUR GEORGE III DESSERT SPOONS JOHN MCKAY EDINBURGH 1804 of Old. English pattern with crest engraved to terminals (24) 17.5cm long, 20oz

£300-500

491 A GEORGE III BOWL EDINBURGH CIRCA 1800 marks rubbed, of bulbous form with gadrooned rim and flared foot, the body engraved with armorial 17cm diameter, 14oz

£300-400

492 A SCARCE GEORGE III CENTREPIECE WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1797 the boat shaped bowl with twin reeded handles and chased pierced scroll border, engraved crest in a cartouche, raised on out swept supports to beaded rim with four slender legs, acanthus and paw terminals, each support surmounted by a foxes mask suspending cast border for fruiting grape vines 492

bowl 35.5cm wide, overall height 45cm, 57.6oz Notes: Note: The fox masks and the grapes depict the story of the Fox and the Grapes, one of the fables by Aesop. Originally oral in tradition, the fables were passed down through generations and collated into the Perry Index. The fox and the grapes is number fifteen. The fable tells the story of a fox who cannot reach some delectable grapes, instead of walking away admitted defeat, the fox declares the grapes unappetising anyway and so the phrase 'sour grapes' was coined.

£4,000-6,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

493

494

A PAIR OF GEORGE III SALVERS

GEORGE III TWIN HANDLED PRESENTATION CUP

WILLIAM ROBERTSON, EDINBURGH 1794 of circular outline with reeded rim and engraved armorial to centre, raised on three stepped bracket feet (2)

WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1792 the tapered bowl with finely engraved trailing foliate border with pendant swags, twin oval cartouches surrounded by ribbon tied swags one engraved with initials ‘WM’ the other engraved ‘ Presented to W Maxwell by J Thomson & Co in gratitude for favours confferd’, raised on a short spreading stem and octagonal base

21.5cm diameter, combined weight 30oz The arms as engraved are those of the family of Fullerton. They may be blazoned as follows:

16cm high, 25.5oz

£1,000-1,500

Arms: Argent three otters’ heads erased gules [differenced with a crescent] Crest: A camel’s head and neck erased proper Motto: Lux in tenebris [Light in darkness] Notes: Upon the balance of probability and without any evidence to the contrary, this pair of salvers was in the possession of a second son of the family of Fullerton, of Ballintoy Castle in the County of Antrim. The family are said to have settled in Ulster from Scotland sometime during the reign of King James I. The progenitor of the family at Ballintoy was a Fergus Fullarton. The surname of Fullerton or Fullarton is derived from the Barony of Fullarton near Irvine in the County of Ayrshire. So, saying it is thought that the Fullertons were anciently of either AngloSaxon or Norman origin who settled in Scotland at the beginning of the 12th Century. The first known member of the Ayrshire Fullartons from an evidential point of view was Alanus de Fowlertoun, who was born during the early 13th Century and who died around the year 1280.

£800-1,200

494

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

92 Lyon & Turnbull

495 A RARE SUITE OF TWENTY FOUR GEORGE III SCOTTISH SILVER GILT TABLE AND DESSERT KNIVES DAVID MARSHALL, EDINBURGH CIRCA 1785 - 1795 (DATE LETTER LACKING) comprising twelve table knives and twelve dessert knives, each with rounded silver gilt handles, beaded edges and oval cartouches with ribbon tied surmount each engraved with crest and armorials, simple steel blades (24) table knives 25cm long, dessert knives 22.5cm Notes: Scottish hallmarked knives are incredibly rare in any quantity. Sets such as this of both table and dessert knives are virtually unheard of. The poor survival rate and likely limited production levels due to supply from specialist cutler’s / knife makers in Sheffield and London undercutting the Scottish makers.

£600-800

496 A GEORGE III SALVER JAMES HEWITT, EDINBURGH 1784 of simple circular outline with beaded rim, raised on three simple bracket feet 30.5cm across, 29oz

£1,000-1,500

497 A GEORGE III TOASTING FORK MAKERS MARK UNCLEAR, EDINBURGH 1781 the handle of a polished Antelope horn, with simple pommel cap, socket set with a shaped two prong fork 53cm long

£500-800 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

498

Notes:

A RARE SET OF GEORGE III TEA CANISTERS AND SUGAR BOX IN ORIGINAL MAHOGANY CADDY

Produced at the end of the ‘Edinburgh’s Golden Age of the Goldsmiths art’ these caddies show the height of skills practiced by Scottish goldsmiths at the time and expertly portray the rare survival of rococo design in Scotland.

ALEXANDER GAIRDNER, EDINBURGH 1772 each marked to bases, comprising a set of two tea caddies and a sugar box, each of bombe form with bold rococo foliate scrolls to corners and beaded shells clasped to rim, the panels with scroll and foliate formed vacant cartouches with shell and gadrooned rim, each raised on four scroll supports, the slightly domed pull off covers with gadrooned rim and foliate formed panels. Contained in an original flame mahogany veneered caddy of rectangular form with incurved corners, ebonised stringing and brass lock escutcheon, raised on four foliate and paw supports and with hinged scroll handle, all in gilt bronze, the fitted interior with velvet lined apertures for each piece Caddies 12.7cm high, 7.3oz and 7.5oz, Sugar box; 12.5cm high, 9.4oz; Mahogany caddy; (excluding handle) 19.5cm high, 30cm wide Provenance: Sotheby’s 12th June 1969, lot 94 Bought by Baroccki, £85 Grandtully Antiques, Perthshire circa 1970’s Private Collection References: Compendium of Scottish Silver II, R & J Dietert, page 497

The survival of Scottish silver tea caddies pre 1800 is surprisingly rare. Of the references given the example under discussion being one of only two sets of three and the only set still in their original wooden outer caddy. While not all examples would have originally been housed in a wooden caddy any silver caddies without a lock, which covers most pre 1800 examples, would likely have been housed in a wooden caddy as the security of the expensive commodity was essential. It is often mooted that the fashion for rococo design passed Scotland by and that the simple plain lines of the earlier George II / III periods over shone the tastes in Scotland. While rococo is indeed rare and likely not as fashionable with the masses in Scotland items such as these tea caddies expertly show that when offered the opportunity the makers could supply clients who demanded the highest rococo tastes. Although rare some of the finest mid to late 18th century Scottish tea wares, including important examples for Leith race prizes, tea kettles, coffee urns and rare chocolate pots show these fashionable ideas were being created. Alexander Gairdner is a maker often overlooked by collectors due to such contemporaries as William Dempster, William & Patrick Cunningham and Patrick Robertson all of whom were supplying the Edinburgh public at the same time and received many important commissions. Gairdner is no less important just perhaps overlooked at a time of strong competition. He was one of Edinburgh’s longest serving goldsmiths working from 1754 (after his apprenticeship to William Aytoun) until his death in 1803, a career of some 49 years perhaps only bettered by the 51 years of James Mitchelson. During this period he took some 14 apprentices, including his son John in 1773. He acted as Deacon of the Incorporation of Goldsmiths of the City of Edinburgh for one term between 1772 - 1774, interestingly when these caddies were made. Gairdner also appears to have been one of a very small handful of Scottish goldsmiths who received Royal patronage, this is noted on the occasion of the marriage of the Prince of Wales to Princess Caroline of Brunswick (8th April 1795), The Caledonian Mercury noted that ‘Mr. Gairdner, Jeweller to his Royal Highness for Scotland, had a beautiful representation of the Prince’s feathers in small lamps on the front of his shop, which had a very fine effect, and attracted much notice’. He also uses a variant of his maker’s mark which features Prince of Wales feathers within the punch., This has so far only been recorded on a very fine Freedom box for the Burgh of Dumfries, given to Sir Henry Dundas.

£4,000-6,000

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Provenance:

A RARE GEORGE III ARGYLL

Sir John Noble of Ardkinglas collection

DANIEL KER, EDINBURGH 1765 the plain body with tapered upper section, domed hinged cover, simple gadrooned rim and cast acorn finial, the lower body section flared with V shaped spout, hinged cover and long slender S scroll spout to opposing side, with wicker bound S scroll handle 11.5cm high, 9.3oz The crest as engraved is upon the balance of probability that of the family of M’Lean. It may be blazoned as follows: Crest: A salmon naiant proper Although there is a dearth of information upon this family of M’Lean, several authorities state that this crest was borne by the family who were at one-time resident at Dundee in the County of Angus. Although it is not known whether the M’Leans, of Dundee were related to the M’Leans, of Duart, Coll, Mull or Ardgour and other branches of the family on Scotland’s western seaboard, the Dundee M’Leans certainly bear one or two similar charges in their arms.

Bonham’s Edinburgh, ‘Jewellery, Silver, European Ceramics & Glass’, 13th December 2012 lot 357 Notes: Scottish silver Argyll’s are remarkably rare with as few as two recorded. The only other recorded within The Compendium of Scottish Silver is dated 1776 by Patrick Robertson of Edinburgh and is in the collections of the National Museum of Scotland. There seems no simple explanation for this rarity as the use and need for such items would have been as standard in Scotland as it was in England and further afield. The Argyll takes its name from the story that it was ‘invented’ in the mid-18th century by the Duke of Argyll (it is assumed the 3rd Duke of Argyll due to the earliest known surviving example being London made in 1755). It was considered necessary as gravy was arriving cold to the dining room after its long journey from the kitchens on the lower levels of the house. The simple addition of a second wall of, well in the base filled with hot water or in some cases a capsule for a hot metal bar to be inserted meant that the heat emanating from the hot water / bar would keep the gravy warm.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

They were also produced in ceramics and in 1774 it is noted Josiah Wedgewood was selling ‘Gravy Cups’ which were his very similar answer to the same problem. They were produced from around the 1750’s till 1800 and while never common graced many important dining rooms around Britain.

£3,000-5,000

500 A GEORGE III SALVER JOHN ROBERTSON, EDINBURGH 1761, of shaped circular outline, cast foliage and scroll border, the centre with further chased foliage and scroll border, raised on three hoof feet 20.5cm diameter, 10oz

£400-600

Scottish Silver & Applied Arts

501 OF JACOBITE INTEREST - A FINE SET OF FOUR MID EIGHTEENTH CENTURY CANDLESTICKS LOTHIAN & ROBERTSON, EDINBURGH 1758 AND 1759 the cast candlesticks with shell clasped shaped square bases with incurved sides, with spooled and knopped stem and leaf clasped upper section and simple socket scone, with quatrefoil scones with leaf clasped corners, both base and sconces all engraved with matching crest and motto 20cm high, width of base 11.5cm combined weight 61.5oz Heraldry; With crest of a moors head with motto GANG FORWARD above, for STIRLING Provenance; By tradition Judge James Graham of Airth By descent to Mary Stirling nee Airth (second daughter of James Graham of Airth) who married John Stirling of Kippendavie By descent Private Collection Notes: These candlesticks have descended through two important Jacobite families connected with the ‘15 and the ‘45. Perhaps the most important member was Judge James Graham who is well recorded defending the Jacobite prisoners being not only a supporter but self-proclaimed defender of the Jacobites after the defeat in 1715.

James Graham worked on behalf of the Peers’ and other captives at their trials in 1716 trying to provide some defence for the prisoners and while his duty seemed destined to fail, with the full weight of Hanoverian monarchy and hierarchy against him, the case he fought was considered a victory. Although appealing for leniency, and not the death penalty, was obviously his goal the likelihood of winning such terms was minimal. Some consider the precedents he set in 1716 as the cornerstone for the treatment of prisoners after the ‘45, in particular the ‘Four Peers’, nobleman of the nation, were only hung rather than their original sentence to be hung, drawn and quartered. The important collection of Jacobite items and relics held by the Stirling family compares to that held by the Thriepland’s of Fingask and it seems their place within the Jacobites was not only important at the time but in protecting the legacy of the Cause. These relics were sold in these rooms within the ‘Jacobite, Stuart & Scottish Applied Arts’ auction 13th of May 2015, perhaps the most iconic of which was a Four Peers Ring, lot 20.

This original set of four Scottish candlesticks is a very rare survival with only a small number of similar sets recorded. Although by the hallmarking over two years it may at first appear they are two pairs, rather than a set of four, this is erroneous. It seems certain that they were sent to be hallmarked within a few days of each other which just happened to extend over the change in the hallmarking year in September 1759. They are obviously of the same hand and time and the engraved crest to each is certainly been done originally by the same person. Sending items in when they were ready rather than in one parcel is seen regularly however it is only on these rare occasions when it crosses ‘two years’ that it is noticeable. This set is made even more interesting by the fact that not only is it over the two hallmarking ‘years’ of 1759 but over the two distinct styles of hallmarking with and without the ‘Assay Master’ and ‘Thistle’ marks applied.

£6,000-8,000

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most important collections of Scottish silver.

AN IMPRESSIVE GEORGE II PORRINGER WITH COVER

That of Gavin 1st Marquess and 7th Earl of Breadalbane. His collection, while now dispersed, is perhaps the best known of the period, not by its contents alone, nor auction catalogue as testament, but by the virtually unique applied collector’s mark he used on pieces within the collection.

KER & DEMPSTER, EDINBURGH 1755 of traditional form, two loop handles, demifluted body, with similarly decorated lid and finial of knopped form, later Breadalbane marked to base and cover 22cm high with lid, 36.28oz The rarity of such a piece is due to a combination of two defining aspects; that of craftsmanship and that of provenance. The word Porringer is derived from the French ‘potager’, a vessel for stew, and porringers were common throughout the 18th and 19th centuries, but one of this scale of Scottish manufacture is rare if not unique. The presence of the cover also enables us to view this item in its entirety to imagine the way it was utilised in the mid 18th century. While many porringers would originally have had covers, most are now lost or perhaps were not supplied with them in the first instance. The craftsmen Ker & Dempster are synonymous with Edinburgh silversmith’s finest wares. After an apprenticeship with James Ker 1739-1742 William Dempster, married Ker’s daughter and set up Ker & Dempster which lasted until William Dempster’s death. James Ker himself had many connections with landed families in the borders of Scotland with his Mother related to the Earls of Haddington. A member of parliament for Edinburgh 1747-54.

Breadlabane was among the earliest scholars of Scottish silver and helped in the discovery and attribution of many makers and town marks. Many of these marks and his attributions (some now considered erroneous) formed the main reference for the Scottish sections in Sir Charles Jacksons’ first (and later) editions of English Goldsmiths and Their Marks in 1905. Gavin Campbell was born in 1851 and succeeded his father John, 6th Earl in 1871. The succession of his father in 1867 had not been a simple one as he was not descended from the main Breadalbane line and was a cadet branch, the Campbells of Glenfalloch. When considering the importance the family had in Scotland and the lands they held, in excess of 450,000 acres from Perthshire to the Atlantic Ocean, this five-year dispute set legal history. Educated at St Andrews he succeeded his father as 7th Earl of Breadalbane, Earl of Holland; Viscount of Tay and Paintland; Lord Glenorchy, Benederaloch, Ormelie and Weik; and Baronet of Nova Scotia. He was created

The unmistakeable ‘Breadalbane’ in script struck incuse confirms without doubt that this originates from one of the earliest and arguably

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Baron Breadalbane in 1873; and Earl of Ormelie and 1st Marquis of Breadalbane in 1885. He married in 1872, Lady Alma Imogen Carlotta Leonore Graham, the youngest daughter of the 4th Duke of Montrose. A favourite of Victorian society he held many important roles within the country, notably Lord-inWaiting to the Queen, Treasurer to the Royal Household 1880 - 1885, Privy Councillor 1880, Lord Steward of the Household 1892 - 1895, Lord High Commissioner to the General Assembly of the Church of Scotland 1883 - 1885, A.D.C. to King Edward VII, Keeper of the Privy Seal of Scotland, 1907, Brigadier-General of the Royal Company of Archers - the Royal Body Guard for Scotland, Colonel of the Highland Cyclists Battalion; Colonel of the 5th Volunteer Battalion Royal Highlanders, Chairman of the St. Andrew’s Ambulance Association, Deputy Lord Lieutenant of Argyllshire, from 1914 and Member of the Fisheries Board. In 1893 he was created a Knight of the Garter and was also a Knight of Justice of the Order of St. John and a Knight of the Swedish Order of the Seraphim. His collection was dispersed after his death in various auctions, nay of the most important items now reside in institutional collections. This would appear to be the largest piece which is still in private hands and available to collectors. Provenance: ’Catalogue of the major portion of the choice collection of antique silver, formed by the late Most Hon. Gavin, Marquess of Breadalbane, K.G., P.C., now the property and sold by instructions of the Right Hon. the Earl of Breadalbane, M.C.’ Dowell’s Ltd, Edinburgh 30th and 31st May 1935, lot 360

£3,000-5,000

Scottish Silver & Applied Arts

503

503 A PAIR OF GEORGE II TWIN-HANDLED PORRINGERS KER & DEMPSTER, EDINBURGH 1754 each of slightly bellied straight sided form with chased floral and foliate swags emanating from lion masks, with twin cast serpent handled (2) 9.5cm high, 15oz combined

£1,500-2,000

504 A GEORGE II SALVER DOUGAL GED, EDINBURGH 1750 Assay Master Hugh Gordon, of shaped circular outline with cast foliage and scroll border, the centre with chased foliage and scroll border, raised on three hoof feet 20cm wide, 9oz

£400-600

505 A GEORGE II SPIRIT KETTLE AND STAND WILLIAM AYTOUN, EDINBURGH 1749 Assay Master Hugh Gordon, the body of inverted pear shape with finely chased border of flower head clusters within scroll and shell borders, twin vacant cartouches, the domed hinged cover with spiralled foliate decoration emanating from a cone finial, the whole raised on a tripod stand with leaf capped S scroll and shell supports with integral burner 36cm high, 56.3oz

£4,000-6,000 505 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

98 Lyon & Turnbull

507

506

507

510

A GEORGE II HASH SPOON

A PAIR OF GEORGE II SALVERS

A QUEEN ANNE DOGNOSE SPOON

WILLIAM DEMPSTER, EDINBURGH 1757 Assay Master Hugh Gordon, of Hanoverian pattern with engraved crest to reverse of terminal, the bowl with chamfered drop and later armorial

WILLIAM AYTOUN, EDINBURGH 1748 Assay master Hugh Gordon, Edinburgh 1748, of shaped circular outline, scroll and shell border, the flat with engraved border, foliate, shell and scrolls, raised on three hoof feet, initialled H to underside of base and with engraved scratch weights (2)

RICHARD RAE Edinburgh 1706, of rounded end form with central lobe, the reverse of terminal with engraved initials TF / MMF /W (likely later), with slender rat tail to bowl

diameter 25cm, 29oz

The previously unrecorded makers mark is undoubtedly for Richard Rae of Edinburgh, a maker known through original documents but until now not seen in extant work. Rae was born in 1677 and started his apprenticeship with Andrew Gilmour in 1691. Upon the death of his Master Rae transferred his apprenticeship to Edward Cleghorne where he completed his indenture and was admitted to the Incorporation of Goldsmiths of the City of Edinburgh in 1703.

36cm long, 6.2oz Heraldry: with contemporary crest to reverse of terminal for the Whiteford family of Blairquhan and Ballochmyle. With additional later armorial to reverse of bowl for Lockhart. Notes: Originally made for Sir John Whiteford of Blairquhan, this spoon was likely inherited by his son and heir Sir John Whiteford of Ballochmyle. The younger Sir John was perhaps most famous as one of Robert Burns’ earliest patrons. Sir John Jnr and Robert Burns met when the latter was tenant at Mossgiel Farm near Ballochmyle. They served together as, the Master and the Depute Master of the St. James Masonic Lodge, where their friendship blossomed. Whiteford later helped Burns with introductions in Edinburgh after the poet moved to the city. Although without conclusive proof, a case has been put forward that this close connection of Whiteford and Burns may suggest this spoon was used to serve Burns at one of the many meetings between him and his patron. Reference: ’Reconstructing the Past through Material Culture: ‘Facts’, Imagination, Poetry and a 1757 Silver Ragout Spoon from Edinburgh’, K. Brown, History Scotland magazine, May/June 2013 issue.

£1,200-1,800

508 A GEORGE II SUGAR BOWL DOUGAL GED, EDINBURGH 1733 the slight baluster body with scalloped everted rim, shell rocaille and scroll decoration, the body with later chased floral garlands, raised on three scroll and hoof feet 12.3cm diameter, 5.6oz

£300-500

509 AM EARLY QUEEN ANNE TABLESPOON ALEXANDER KINCAID, EDINBURGH 1702 of Hanoverian pattern with original initials JS / JK / 1702 engraved to terminal, long rat tail to bowl

19cm 52g Notes:

Due to scarcity of his work little can be said about his career, but Richard Rae was obviously an active maker. Through his career he took four apprentices, Patrick Murray II being the final in 1718. It is with this reference that Rae is last mentioned with the records of the Incorporation of Goldsmiths and although he likely worked past this date no more is known.

£600-800

20.5cm long, 2.3oz

£200-300

£400-600 510 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

512

511

511 THE HOPETOUN SALTS - A SET OF FOUR MID EIGHTEENTH CENTURY SALTS JAMES KER, EDINBURGH 1745 The slight bellied bodies with corded rim and with engraved monogrammed cipher and coronet above, raised on three stepped and hoof feet, the interiors gilded and with later liners (4) 7.3cm across, 12.8oz Provenance: Commissioned by John Hope, 2nd Earl of Hopetoun The monogram and coronet engraved to these salts is recorded on a fine Montieth by James Ker, hallmarked 1746, which likely formed part of this original commission which included these salts, see ‘Silver; Made in Scotland’ NMS 2008, item 4.37, illustrated page 80. Also Georgina Lee, British Monteiths p 106, item 310 The Hopetoun family for two generations, Charles and John Hope 1st and 2nd Earls, were perhaps the most important commissioners of silver in Scotland. Their influence on the Edinburgh trade appears to have not only given many valuable and important commissions but raised the challenge of the goldsmiths to new heights to create truly fashionable and important items. As with all family commissions the success of the family closely compares to the need for silver, the expansion of Hopetoun House and its formal rooms necessitated the purchase of new and fashionable silver from Edinburgh’s finest makers.

Although now, in parts, dispersed through auctions in 1953 and 1977, the collection of silver held within the house was vast and it epitomises the status that silver brought to families and the much discussed idea of wealth held in silver and reflected their status. No doubt much was re worked and melted over the decades into new fashionable wares but a number of key pieces are still extant. Important silver bearing this provenance can be seen within institutional collections, including a unique pair of wall sconces and a fine five-piece tea service both made in Edinburgh which form part of a wider collection of Hopetoun silver within the National Museum of Scotland collection (see Silver; Made in Scotland, NMS 2008 for illustration of these and other items) and a monumental wine cooler and cistern made in London by William Lukin, housed within the Victoria & Albert Museum.

512 A FINE QUEEN ANNE DOGNOSE TABLESPOON CHARLES DUNCAN, EDINBURGH 1709 of Dognose pattern with large swollen knop to finial, the reverse of terminal with original initials ‘H / IT’ the bowl with long rat rail 19.6cm long, 75.3g Notes: This post 1700 example of an Edinburgh Dognose spoon perfectly illustrates the evolution in design for the pre 1700 Wavy End spoon to the true Dognose. Wavy End spoons are often erroneously termed Dognose but unless the terminal has the swollen / domed end it should be considered a separate pattern.

£1,500-2,000

The importance having a client such as the Hope family cannot be over stated and the status this must have given the Goldsmiths would surely have impacted on their wider business. In the small world of 18th century Goldsmiths of Edinburgh it is interesting to note the choice of Hope to follow a ‘family’ of makers and support it for decades. This is seen with some of the earliest pieces by James Penman, perhaps the most influential maker of his time, who trained both Harry Bethune and Thomas Ker, who in turn trains James Ker and continuing with successful training and partnership of James Ker and William Dempster. All these makers are closely connected with the Hopetoun story and owe a great debt to this relationship over 50 years.

£800-1,200

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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513

Notes:

A RARE GEORGE I CASKET ARCHIBALD URE (ATTRIBUTED), EDINBURGH 1729 with makers mark lacking, Assay Master Archibald Ure, of canted rectangular form with stepped foot rim, the hinged domed cover engraved to centre with Barons coronet above initials KH

This previously unrecorded Scottish toilet box / casket appears to have only one comparable which survives. That example forms part fo the highly important Kier Toilet Service by Colin Mckenzie of Edinburgh made in 1703. Its design is very similar and the sizes and weight closely match. See ‘Silver Made in Scotland’, Dalgleish and Fothringham item 4.10 page 62 for further detail on this service.

31.5cm wide 74.7oz

No other box of this period and size is known to survive.

£6,000-8,000

Although apparently lacking a makers mark it seems highly likely that Archibald Ure’s mark is seen to this both representing him as maker and Assay Master. The role of Assay Master did not preclude the holder making silver and running a workshop and in some cases items are found with the makers mark struck twice to denote this. It seems in the example however that was not deemed necessary and it was only struck once to denote both ‘positions’.

514 A SCARCE GEORGE I APPLE FORMED TEAPOT JAMES MITCHELSON, EDINBURGH 1722, of simple tapered apple form with flat lid with moulded hinge and acorn finial raised on a domed foot, with silver S scroll handle with wooden insulators and a tapered straight spout 11.5cm high, 18.6oz Provenance: Thomas Lumley, London 1958 Sotheby’s New York, 23rd April 1993 lot 299 Exhibited: Royal Ontario Museum, Canada References: Compendium Scottish silver, Volume 2, R & J Dietert, page 459

£5,000-8,000

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

101

Works of Art

515 A COLLECTION OF SCOTTISH FOOTBALL INTERNATIONAL MEDALS AND CAP AWARDED TO WILLIAM WISEMAN comprising a blue cap with gilt emblem and dated 1929 - 30; yellow felt blazer badge 1929-30; a group of 9ct gold medals, PBC Messrs Wilks and Jacks Hong Kong Cup 1909; Ayr Charity Cup 1923; Paisley Charity Cup 1925; Scottish Football Association Scotland vs Wales 1926-27; Scotland vs England (amateur) 1929; Scottish Football Association Scotland vs Ireland 22nd February 1930; N.E Sector Football Winners of League II - Iceland 1931; and a Queens Park F.S Life Members badge (qty)

Wiseman was educated at Fordyce Academy, Portsoy and Aberdeen University, leaving in 1916. He signed up to the local regiment the Gordon Highlanders during WWI. He served on the Western front and was wounded, gassed and report missing in action for a week. On his return from the war he trained as an engineer and worked with the British Army in India. His career in engineering continued in Banffshire, Glasgow and Dumbarton. By the time of the Second World War he was recruited as a Major in the Royal Engineers and worked recruiting and training with recruits on large scale engineering projects towards the war effort. His football career was spent at Queens Park where he made 264 appearances from 1922 - 1930 and played for Scotland at amateur level six times and full level twice playing at left back.

£1,000-1,500

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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517

522

516

519

521

A SCOTTISH MARKET VESTA CASE

A VICTORIAN PLAID BROOCH

A VICTORIAN SCOTTISH BROOCH

CHESTER 1890 of rectangular form the cover inlaid with various Scottish agates and hardstone, with striker to back edge; together with a sword and targe kilt pin set with a paste (2)

ROBERT & HENRY KIRKWOOD, EDINBURGH 1888 of annular form with vacant centre, the border finely engraved with Celtic bosses and knotwork beasts

19TH CENTURY unmarked, finely engraved and pierced with Celtic knotwork between crowns, the centre set with saltire and crown

vesta case 4.3cm wide

8cm diameter, 2.3oz

Provenance:

£300-400

£250-350

Scottish Silver & Applied Arts sale Lyon & Turnbull 17th August 2016, lot 103

517

520

£200-300

A BASKET HILTED SWORD LETTER OPENER

INVERNESS - A SCOTTISH PROVINCIAL PLAID BROOCH

HAMILTON & INCHES, EDINBURGH 1918 the pierced basket conventionally formed with felt lining, simple tapering blade

ARTHUR MEDLOCK marked MEDLOCK, INVSS, of shaped circular outline wit cast panels of hunting scenes and deer etc, the reverse engraved ‘Florence Skinner Westoe, South Shields’

21cm long

£200-300

7.5cm diameter, 205oz

518 A CITRINE SET PLAID BROOCH R W FORSYTH, EDINBURGH 1929 of shaped circular outline with Celtic scroll borders, with eight alternating panels of Celtic beasts and knotwork around a claw set citrine 8.5cm diameter

£300-400

£300-500

5.7cm wide 28.1g

522 OLA GORIE - A LARGE 9CT GOLD BROOCH HALLMARKED OMG, EDINBURGH the interlace panel formed of a Celtic zoomorphic beast with surrounding knotwork, hinged pin and additional safety chain 6.2cm wide, 18.2g

£200-300

Scottish Silver & Applied Arts

103

A Collection of Quoiting Medals 527

523

525

527

A MID VICTORIAN QUOITING MEDAL

A VICTORIAN CURLING MEDAL

Edinburgh 1851, the heavy cast scroll border with plate to centre, engraved to obverse ‘Kelso Quoiting Club’ and to revere ‘Gained by J B Scott Aug 6th 1852’; together with two quoiting medals and a quoits lapel pin (4)

unmarked, of circular outline with belted garter borders, the central shield engraved Dunscore Curling New Club 1879’ in leather box

A LARGE VICTORIAN QUOITING MEDAL

4cm wide

£120-180

4.2cm wide

R. L. CHRISTIE, 1889 formed as a large quoit engraved ‘Dunnottar Quoiting Trophy, winners presented 1890 - 1893’ with armorial and motto; together with two smaller quoiting medals (3) 14.5cm diameter

£180-220

£250-350

526 524

A VICTORIAN QUOITING MEDAL

A COLLECTION OF QUOITING MEDALS

THOMAS ROSS & SONS, GLASGOW 1895 formed as a quoit engraved ‘Wellpark Brewery Athletic Club challenge quoit won by...’ with three winners from 1896; together with a small quoiting medallion, of circular form with reeded border engraved ‘Glasgow Saint Georges Quoiting Club Junior Class’ to reverse Instituted March 1st 1859’ (2)

528

9.8cm and 4.3cm diameters

9cm high, 40.7g

£200-300

£150-180

to include a medallion for ‘Dalkeith Gymnastic Games for Quoits 1841’; a 9lb quoit pin; a quoit formed medallion dated 1892; and two other engraved medallions (4) £200-300

A VICTORIAN QUOITING MEDAL the oval medallion with laurel leaf border, engraved to obverse with man mid throw and ‘Dunscore single handed Quoiting Club Medal to be played for annually 1874’ the reverse with winner until 1880, with simple ring suspension and chain

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

104 Lyon & Turnbull

Boxes & Snuff Mulls 529 A WILLIAM IV SNUFF BOX JAMES NASMYTH, EDINBURGH 1831 or rounded rectangular form with engine decoration and crest to cover; together with an unmarked oval snuff box with engraved initials to cover 8.5cm and 7.5cm wide

£200-300

530 A GEORGE IV SNUFF BOX JOHN MCKAY, EDINBURGH 1824, of standing rectangular form with rounded ends, the body with chased borders of flowers within rococo scrolls, the flush hinged cover similar decorated and with crest and motto, the inside gilded and with presentation inscription to cover ‘Presented to James Innes Esqr in token of regard 27 May 1826’ 5.8cm high, 3.3oz

£300-500

531 A GEORGE III NUTMEG GRATER JAMES NASMYTH, EDINBURGH CIRCA 1800 date letter lacking, of rectangular form with engine turned decoration, with hinged lid and base, steel grater to the interior 3.5cm wide

£800-1,200

532 A WILLIAM IV SCOTTISH HARDSTONE VINAIGRETTE JAMES NASMYTH, EDINBURGH 1832 of canted square form, the hinged cover formed from a moss agate panel, the body and base with engine turned decoration, the gilded interior with pierced and engraved grill with foliate scrolls, cornucopia with fruit and flowers 4cm wide Unlike larger centres of silversmithing makers in Edinburgh (and indeed Scotland as whole) were predominantly general makers who reacted to the needs of their clients, rather than specialising in one area. However, the output of James Nasymth would appear to be an exception to this rule. Although he did produce general wares a large percentage of his work is boxes, from small snuff boxes to fine presentation boxes and vinaigrettes such as this. When looked at overall he seems to have made a large percentage of boxes in Edinburgh through this period and was likely regarded as the specialist in Edinburgh.

£400-600

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533 A RARE NINETEENTH CENTURY SCOTTISH GOLD BOX JAMES MCKAY, EDINBURGH 1825 18ct gold, the rectangular body with slightly baluster sides to the body with scroll formed corners and chased floral panels emanating to surround cartouche of classical buildings and castle the base with flat chased rococo scroll borders, the hinged cover with simple thumbpiece and chased with vacant scroll formed cartouche and surrounded by scrolls and classical buildings, the interior of the cover engraved ‘Presented to Robert Steuart Esq of Palmerston by The Members of the East Lothian Club as a mark Gratitude & respect for his service as their secretary 1826’ 8.5cm wide, 153.5g Provenance: Sotheby’s London, 19 November 1965, lot 138 Private Family Collection

£8,000-12,000

Notes: 19th century Scottish gold boxes are extremely rare. Currently as few as four are recorded. one by James Erskine of Aberdeen (Aberdeen Art Gallery & Museum Collection). One by James McKay with presentation curling scene (Institutional Collection), and another of the same pattern as this by MacKay & Cunningham. For the only comparable example to this see ‘TWO GREAT SCOTTISH COLLECTIONS: PROPERTY FROM THE FORBES OF PITSLIGO AND THE MARQUESSES OF LOTHIAN’ Sotheby’s London 28th March 2017 lot 53

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106 Lyon & Turnbull

A Private Collection of Royal Presentation Gifts 534 A RARE GOLD JOHN BROWN MEMORIAL LAPEL PIN MIDDLETON RETTIE & SONS, ABERDEEN CIRCA 1883 unmarked, the circular pin head with profile portrait of John brown flanked by initials and dated 1883, the reverse with VR cipher, on a simple part twisted pin head 1.4cm diameter, 6.4g Notes: Although unmarked these gold and silver stickpins are known to have been supplied to Queen Victoria by Rettie & Sons of Aberdeen. Leaders in the production of Scottish pebble and granite jewellery it is believed that she was a regular customer personally buying gifts for visitors and family at Balmoral. They were commissioned soon after the death of her favourite and closest attendant at Balmoral who had helped her through the difficult time after her husband’s death. This close relationship is well recorded and much evident in the production of these pins. The pins were given to the estate workers and residents as a memento of John Brown and is recorded by Lytton Strachey’s 1921 biography of Victoria ‘following Brown’s death in 1883…. A Brown memorial brooch - of gold, with the late gillie’s head on one side and the royal monogram on the other - was designed by Her Majesty for presentation to her Highland servants and tenants, to be worn by them on the anniversary of his death, with a mourning scarf and pins’ For another example in gold see ‘The Scottish Sale’ Bonham’s 19th - 21th August 2009, lot 283

£1,500-2,500

535 A ROYAL PRESENTATION SCOTTISH HARDSTONE BROOCH the brooch of circular form mounted with varied Scottish hardstones, centrally set with a saltire with a crown, the engraved crown set with cabochon garnets and a pearl, engraved to the reverse ‘Georgina Rose Lambert from HM the Queen 1878’ 4cm diameter Notes: Georgina Rose Lambert was a cook in the Royal Household in London. The date of this presentation was her 30th birthday.

£600-800

536 A ROYAL PRESENTATION SNUFF MULL unmarked, the well coiled polished cow horn with simple silver band engraved ‘From the hand of Queen Victoria to George Hutchison Balmoral 22nd Sept 1859’, the hinged domed cover embossed with thistles and centrally set with a facetted crystal 14.5cm long Notes: In 1859 a large Highland Games was held in the grounds of Balmoral Castle in front of Queen Victoria and HRH Prince Albert. The gathering was attended by the local men and Highlander Regiments and prizes were supplied and presented by the Royal family. From the Aberdeen Journal of the following week it is recorded that George Hutchison was presented this mull for third place in tossing the caber, his competitors in first and second place winning a brace of pistols and a claymore respectively.

£1,500-2,500

537 A SILVER JOHN BROWN MEMORIAL LAPEL PIN MIDDLETON RETTIE & SONS, ABERDEEN CIRCA 1883 unmarked, the circular pin head with profile portrait of John Brown flanked by initials and dated 1883, the reverse with VR cipher, on a simple part twisted pin head 1.4cm diameter, 5.2g

£700-900 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

Boxes & Snuff Mulls Continued 538 A LATE EIGHTEENTH CENTURY LARGE CURLY HORN SNUFF MULL Unmarked, the large polished horn body with well coiled tip, set with twin girdles and suspension chain, the hinged cover with flat chased border of shell and flower heads surrounding a polished Montrose agate panel 15cm long

£300-500

539 A SILVER MOUNTED NOVELTY HORN SNUFF MULL CIRCA 1820 the polished cow horn body formed as an elephant’s head with bone inset eyes and rabbit teeth tusks 82mm long

£300-400

540 A FINE MID EIGHTEENTH CENTURY EBONY AND MOTHER OF PEARL BALUSTER SNUFF MULL CIRCA 1740 of conventional baluster shape with alternating staves of mother of pearl and ebony, with silver mounted rim and foot, intricately pierced and engraved thumb piece, the hinged cover similarly formed with central oval applied cartouche and an engraved crest of an eagle and motto above 5.6cm high The crest as engraved dating to circa 1740 is that of Agnew of Lochnaw. It may be blazoned as follows: Crest: An eagle issuant and reguardant proper Motto: Consilio non impetu [By counsel not by force] This snuff mull was undoubtedly in the possession of the Nova Scotia baronetcy family of Agnew of Lochnaw in the County of Wigtownshire in south west Scotland. Given its presumed date the leading candidate for its ownership was Sir Andrew Agnew of Lochnaw, the 5th Baronet (born 21st December 1687 died 21st August 1771). Sir Andrew served as Lieutenant General in the British Army and Governor of Tinmouth Castle in 1750. He married Eleanor Agnew of Lochryan (died 29th May 1785), the daughter and eventual sole heir of Thomas Agnew of Lochryan in Agnew’s home county of Wigtownshire on the 12th May 1714. Andrew and Eleanor had several children and on his death in 1771, his fifth son Stair succeeded as the 6th Baronet of Lochnaw. The Agnews of Lochnaw together with several other Wigtownshire branches of the family all stemmed from Andrew Agnew, Constable of Lochnaw who was appointed to the office of Sheriff of Wigton in 1451. Provenance: Sir John Noble of Ardkinglas collection Bonham’s Edinburgh, ‘Jewellery, Silver, European Ceramics & Glass’, 13th December 2012 lot 358

£3,500-4,500

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541

547

AN EARLY EIGHTEENTH CENTURY SNUFF MULL

A VICTORIAN STANDING TABLE SNUFF MULL

unmarked, the full silver snuff mill with hinged cover, engraved to lower section of body ‘ALAXANDER; DINGUALL:’ and to the base ‘AD Kingsbarns 18 June 1724’

apparently unmarked, circa 1880, of hoof form, the hinged cover with inset foil backed cairngorm chased border, engraved initials, claw and ball hinge, engraved acanthus scroll border, scrolling support, the hoof also with silver shoe

6cm high

£600-800

542

13.5cm high

TWO HORN SNUFF MULLS

£200-400

both of polished cow horn, one formed as a boot with pull off horn cover; the other example of conventional curled form with silver butterfly hinge and cartouche engraved ‘Wm Edwards’ (2) 10.5cm and 10.5cm long

£300-500

548 AN UNUSUAL CURLY HORN SNUFF MULL white metal mounts, unmarked, the hinged cover with large inset quartz cabochon, plain band with lower scallop shell border 10cm high

543

£300-400

A CURLY HORN SNUFF MULL white metal mounts, horn lid, inset engraved silver disc; together with a small curly horn snuff mull, unmarked, curly horn, white metal mounts, the cover with engraved disc with initials (2) 9cm & 7cm high

£300-500

544 A STANDING TABLE SNUFF MULL makers mark only to interior of hinged lid P.W, the cover with inset foil backed Cairngorm, chased thistle border and sides, cartouche engraved initials and 10th Hussars, gilt interior and supported by strut frame 14cm high, 21cm long tip to toe

£300-500

545 A VICTORIAN SILVER MOUNTED HORN VINAIGRETTE JC & S Birmingham, the hinged cover with inset foil backed Cairngorm, engraved thistle detail, gilt interior with pierced lid, chain suspension 5.5cm high

£200-400

546 A SMALL CURLY HORN SNUFF MULL plain white metal mounts, thistle shaped hinges, slight engraving to band; together with a curly horn snuff mull, plated mounts, unmarked, the granite hinged cover with onset shield engraved initials, plain band (2) 5cm high

£300-500

549 A LARGE EIGHTEENTH CENTURY WHITE METAL MOUNTED CURLY HORN MULL unmarked, the mounts on a later applied plaque, engraved name C Ross, bright cut engraving, simple band mount, the horn with good tight curl; together with a Victorian curly horn snuff mull the hinged cover with applied plaque, engraved initials and mounts (2) 12.5cm wide

£300-500

550 A NINETEENTH CENTURY TABLE SNUFF MULL unmarked mounts small inset foil backed Cairngorm to the plain domed cover, plain mounts, with chains and appendages 11cm high, 11cm wide

£300-400

551 A GEORGE II / III COWRIE SHELL SNUFF BOX UNMARKED the polished shell with flush hinged cover, finely engraved borders and hinge with rococo scroll panel with mask 6.5cm long

£200-300

552

552 A LARGE EIGHTEENTH CENTURY BRASS DOG COLLAR CIRCA 1780 The simple collar with moulded rim and five spaced settings and large brass lead ring, engraved in script ‘Her Grace the Duchess of Buccleuch, Montagu House, White Hall, London, Dalkeith Palace, Edinburgh’ Diameter approx. 20cm Notes: Elizabeth Scott was born Lady Elizabeth Montagu in 1743. She was the daughter of George Montagu, the 1st Duke of Montagu and Mary Montagu, Countess of Cardigan and later Duchess of Montagu. After Mary’s father died, her husband was named Duke of Montagu, taking her father’s title. Elizabeth married Henry Scott, 3rd Duke of Buccleuch in 1767 to become Duchess of Buccleuch. In 1767, her portrait was painted by well-known artist Thomas Gainsborough. She died in 1827, at the very advanced age of 84. Sir Walter Scott wrote about her, saying “she was a woman of unbounded beneficence to, and even beyond, the extent of her princely fortune. She had a masculine courage, and great firmness in enduring affliction, which pressed on her with continued and successive blows in her later years.” There were two Montagu houses in London. Both are now demolished. The first one was given to the British Museum when the area of Bloomsbury became unfashionable. The first house, after a fire in the late 17th century that destroyed the original on the first site, was designed by Pierre Pouget in a French inspired design with Mansard roof and French interiors and gardens. The second house, where Elizabeth Scott would have grown up, was on the Thames in Whitehall, London. It was a relatively modest mansion when compared with grand period houses and had seven bays and a pediment. In 1767, Elizabeth Scott married in the Whitehall house. It was demolished in the mid-19th century and replaced with a Victorian house which was demolished in 1950. Dalkeith Palace in Edinburgh was built in 1702, on the site of an earlier palace. It served as the seat of the Montagu family until the 1920’s. It was designed by James Smith, the preeminent classical architect in Scotland at the time. It was based on William of Orange’s Netherlands palace and the engravings were done by Grinling Gibbons. Today, the palace is a historical site.

£800-1,200

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553

Notes:

A RARE MID SEVENTEENTH CENTURY SCOTTISH ‘DEID BELL’

This rare mid-17th century Scottish hand bell would appear to be one of only six known by James Montieth and indeed the only small example. The other five recorded bells are all large church bells and can be found in St. Andrews, North Berwick, Auchinleck and Alloway.

JAMES MONTIETH, EDINBURGH CIRCA 1642 the deep bell with short simple stalk handle the main body with reeded decoration with one border reading ‘IACOBUS MONTIETH ME FECIT 1642’ 20cm high, 15cm diameter

£2,000-3,000

It seems likely the small hand bell would have been used in a smaller parish / town as an official town or church bell likely used on market days, processions and to announce proclamations etc. Bells of this type in Scotland are often called ‘Deid Bells’ as they were also used in funeral processions and services and became so closely connected with death and the assosicated services. The maker, James Monteith, is well recorded in the records of Edinburgh and the Incorporation of Hammermen, he is recorded as a Pewterer and like many other members of the Hammermen he obviously turned his hand to varied trades to help make ends meet. His name is also seen on a brass cannon, dated 1642, which is within the collection of National Museums Scotland. This cannon is an exceptionally rare survival in Scotland and is thought to have been used by the Army of the Solemn League and Covenant. Monteith’s connections with the Covenantor cannot be overlooked as he appears to have acted as an armourer for them and likely produced other cannon, guns, armour and musket balls etc. It is recorded that he was not paid for this work until 1649 when a special act of Parliament was needed to settle his account of over £5000 Scots. Being owed such a sum must have weighed heavily on his business and within this act it is said of him ‘if some speedy course be not taken for his present subsistence, the supplicant would have cause to desert his family’

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110 Lyon & Turnbull

554 A FRAMED SECTION OF THE STONE OF DESTINY the small fragment deeply set within a card mount, set above a letter stating ‘This is to certify that the small piece of Sandstone...... was taken from the Stone of Destiny when it was being repaired by me in March, 1951’ hand signed ‘Robert Gray A.T, T.P City of Glasgow’ section of stone approx 1.4cm long The Stone of Destiny (also known as the Stone of Scone) and the Coronation Stone has witnessed coronations for nearly a thousand years. Before the 13th century, it was kept at the monastery of Scone. The origins of the stone before it was in Scone are unclear. In some stories the stone is associated with Fergus son of Eric, the first king of the Scots who died in 501 AD. In other stories, the stone is associated with Jacob from the Old Testament, with him using it as a pillow while he dreamt of Jacob’s Ladder.

On its discovery, and now in two pieces, Robert “Bertie” Gray, a stonemason was commissioned to repair it. Gray would have been an obvious choice, because he was a stonemason and active in the nationalist movements in Scotland, having helped to establish the National Party of Scotland in 1928. After his repair, the stone was left at Arbroath Abbey on 11 April, 1951 by Gray and Ian Hamilton, who had helped to steal it. It was subsequently returned to Westminster Abbey and was used in Queen Elizabeth’s 1953 coronation.

The stone was the subject of several medieval conflicts. In 1296, it was brought to England by King Edward I, who had captured it in war. It was ensconced in Westminster Abbey and made part of the throne there. In 1328, as a result of the Treaty of Northampton, England agreed to return the stone, but mobs of English protesters kept this from taking place. During the period of Stuart rule, even though the Stuarts were originally Scottish, the stone was not returned.

Mystery still surrounds the Stone and even as recently as 2008 the stone in Westminster’s authenticity has been called into question. This has been further fuelled by Gray’s son and daughter who claimed he made two stones and kept the real one. His children also claimed he contemplated stealing it in the 20’s and had made a copy stone to practice carrying it. Alex Salmond, former First Minister of Scotland claimed the stone in Westminster Abbey was a fake, and that the Scottish monks kept the original in 1296.

Perhaps one of the most famous episode in the Stone’s repatriation to Scotland was Christmas day 1950. In a daring escapade, it was stolen from Westminster Abbey by university students who were Scottish nationalists. Unfortunately, while stealing it, it was broken in two pieces. The pieces were shuttled around various hiding places, including (unbeknownst to him) the Consulate’s Public Affairs Officer’s basement.

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The stone would finally be returned to Scotland in 1996 and is now exhibited beside the Honours of Scotland at Edinburgh Castle.

£1,000-3,000

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Jacobite Works of Art

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112 Lyon & Turnbull

555 JACOBITE SILVER MEDALLION - PRINCESS CLEMENTINA ESCAPE FROM INNSBRUCK OTTONE HAMERANI (1694 - 1764), STRUCK 1719 Obverse; bust of Princess Clementina with legend CLEMENTINA. M. BRITIAN. FR. ET. HIB. REGINA. Reverse; Princess hurriedly escaping in a horse and carriage with Rome in the distance with legend FORTVNAM. CAV. SAMQVE. SEQVOR and in exergue DECEPTIS. CVSTODIBVIS. MDCCXIX 48mm across, 47.8g Notes: As the last in line to the Stuart throne it was important for King James to marry and marry well giving him further ‘rights’ and power in the continental Royal courts. He sent Charles Wogan to scour the courts of Europe for an appropriate bride. By 1718 he had arrived at the Sobieski Court in Ohlau and an agreement was made that Clementina would become his bride. The now betrothed Clementina travelled incognito to meet James in Bologna with her mother accompanied by James Murray. However, word had likely reached King George of the planned union and he was rightly worried this signalled the future of the Stuart line, meaning the marriage had to be stopped from taking place. To this end he ordered Emperor Charles VI to hold the wedding party at Innsbruck; a ruler who felt compelled to obey, surely down to reasons of state and his own protection. By September both Clementina and her mother were being held prisoner in Innsbruck by which time James had arrived in Bologna to meet them. On hearing the news, in October, he sent Charles Wogan to rescue his bride and bring her to him so they could be married. In cavalier style Wogan saved the Princess, substituting her for a maid servant and leaving her mother to explain all when the plot would be discovered the day after. They both fled to Bologna to meet James, who by this time had left as there was hope of support from Spain. Clementina was married to James in Bologna by proxy with James Murray standing in his stead before they left to unite James with his bride. It has been said that this medal was ordered by Pope Innocent XI as the Sobieski’s were staunch Catholics, with the hope that when James and Clementina married they would secure the Catholic Stuarts a place back on the throne.

£300-500

556 A JACOBITE FIRING GLASS 18TH CENTURY the drawn bowl engraved with open rose head flanked by open and closed buds, the reverse with displayed thistle with star above, raised on short stem an thick slightly domed foot 10.7cm high

£1,000-1,500

557 A JACOBITE WINE GLASS 18TH CENTURY the deep pan topped bowl engraved with trailing border of flowers including honeysuckle, grapes, rose etc, raised on a swollen knopped air twist stem and a slightly domed circular foot 17cm high

£1,000-1,500

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Scottish Silver & Applied Arts

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558 AN ‘OAK SOCIETY’ JACOBITE GLASS the small drawn trumpet bowl finely engraved with open rose head flanked by open and closed buds and foliate, raised on a multi air twist stem and domed foot, the foot engraved to front and back sides ‘Redi’ within a sprig of oak leaves 15cm high Provenance; Sotheby’s 11th June 1936, lot 50 from the Mrs H F Thomas of Elstree Collection (Part one) Bought by Arthur Churchill (£38) Reference: History in Glass, page 9 illustrated glass 32 where it is described as an ‘Oak Society Glass’ and it states ‘five of these glasses came from one house, and we know of no others. Of the five, one has been lost, one broken and one retained by the owner, and possibly disposed of since, as three specimens are traceable’ Old English Drinking Glasses, G Francis page 191 Investing in Georgian Glass, Ward Lloyd page 130 The Jacobite’s and their Drinking Glasses, G. Seddon plate 71 Notes: The Oak Society was one of many pro-Jacobite clubs which sprung up after the defeat at Culloden. They met in London at the Crown & Anchor on the corner of Arundel Street and the Strand. It has been previously discussed that the medallions they produced were done so to commemorate the visit of Prince Charles, in the upmost secrecy, to London and the Society in 1750. It is also considered that the motto ‘Redi’ to the foot of this glass relates to these clandestine visits of Prince Charles to London. The supposition being that ‘Redi’ was a contraction of ‘Redii’ meaning ‘I have returned’ so in relation to the visits rather than the beginning of the ‘45 and Charles’s arrival in Scotland.

£1,500-2,500

559 A FINE JACOBITE WINE GLASS ENGRAVER B (ATTRIBUTED) the slender bowl with engraved open rose flanked by foliage and simple bud, raised on an acorn multi knopped stem and domed circular foot 18cm high Provenance: The Seton Veitch Collection, of Early English Drinking Glasses, Delomosne & Sons, item 17c Notes: A very similar example to this glass is in the Garton Collection which now forms part of The Museum of London collection.

£3,500-4,500

560 A JACOBITE LIGHT BALUSTER WINE GLASS MID 18TH CENTURY the trumpet bowl engraved with open rose head flanked by foliage and a single bud, raised on a multi knopped stem and dome foot with folded rim 17.2cm high Notes: Other examples of this glass, possibly from the same original set, can be found within the Garton Collection which now forms part of The Museum of London collection. The Ron and Mary Thomas Collection of English Glass, Bonhams London 4th June 2008 lot 189 and The Drambuie Collection (see The Jacobites and Their Drinking Glasses, colour plate 40).

£2,000-3,000

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114 Lyon & Turnbull

561 A PAIR OF EIGHTEENTH CENTURY JACOBITE GLASSES The trumpet bowls engraved with open rose head flanked by foliate displays, the reverse of the bowl with engraved moth / butterfly, raised on a multi white enamel twist stem and a simple spreading foot (2) 16cm high

£600-800

562 AN EIGHTEENTH CENTURY JACOBITE GLASS The trumpet bowl engraved with open rose head flanked by foliate displays, the reverse of the bowl with engraved moth / butterfly, raised on a multi white enamel twist stem and a simple spreading foot 17cm high

£600-800

563 PRINCE CHARLES EDWARD STUART, A GLASS PASTE PORTRAIT MEDALLION the white glass medallion with profile bust of Prince Charles, inscribed to neck ‘Charles grandson of James II born at Rome 31st de 1720 and died there 31 Jan 1788’ signed Weder, in oval wooden frame and mount 14.5cm high

£400-600

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Scottish Silver & Applied Arts

115

564 A RARE JACOBITE TOASTING GLASS ENGRAVER B (ATTRIBUTED) the drawn bowl finely engraved with open rose head flanked by open and closed rose bus, on a simple stem and domed foot with folded rim 17.8cm Provenance: Sir Gilbert Inglefield, former Lord Mayor of London (1965-66) collection Leslie Antiques, New York Private Collection

£2,000-3,000

565 AN EARLY EIGHTEENTH CENTURY SCOTTISH / ENGLISH STALWART GLASS CIRCA 1725 the heavy baluster glass with deep thistle shaped bowl with flared upper section, engraved foliate border raised on a multi knopped stem and domed circular foot 17.8cm high Provenance: The Seton Veitch Collection, of Early English Drinking Glasses, Delomosne & Sons, item 10c Notes: Although various examples of these Stalwart glasses are known to survive there is still no consensus on their origin. As quoted in the catalogue of the Seton Veitch collection’ Some have suggested they might be Dutch. Despite the strange proportions and the Continental character of the engraving, this seems unlikely. Perhaps the form of the bowl suggests a Scottish glasshouse. Despite its unusual looks the glass is extremely competently made. For the pair to this glass in The Museum of London collection see ‘The Garton Collection of English Table Glass’, John Haye, Museum of London 1965, plate 20.

£2,000-3,000

566 AN UNUSUAL EIGHTEENTH CENTURY JACOBITE GLASS the deep baluster bowl with flared rim engraved with open rose head flanked by open and closed buds, with FIAT, star and oak leaf to reverse, raised on a squat swollen knopped stem and raised on a domed foot 16cm high Notes: For an example with identical engraving and of similar bowl form by engraver C in the Drambuie Collection see also ‘The Jacobite’s and their Drinking Glasses’ G Seddon, colour plate 21.

£1,000-1,500

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116 Lyon & Turnbull

567 A SCARCE STAFFORDSHIRE JACOBITE COMMEMORATIVE PLATE 18TH CENTURY of shaped circular outline, moulded rim and low relief lattice and basket weave panels with scrolls between, the centre with finely enamelled portrait of Prince Charles Edward Stuart in armour wearing Garter sash, laurel wreath above, suspending two pennants for battle of Preston Pans and Falkirk, scroll cartouches between with initials C S, the ribbon below the bust inscribed ‘Success to Bonnie Prince Charlie’ 24.5cm diameter

£1,500-2,500

568 A SILVER AND TORTOISESHELL BOX, ENGRAVED WITH JACOBITE SYMBOLS MID 18TH CENTURY unmarked, plain silver moulded rims to lid and base, plain tortoiseshell base, the slightly rounded lid with delicately engraved landscape, with a tiled floor, table with crown jewels and a mitre, the sky with sun moon and eye 12.4cm across Provenance Scottish Silver and Applied Arts sale Lyon & Turnbull 17th August 2016, lot 495

£2,000-3,000

Notes: The hidden Jacobite symbolism on this box is not perhaps as obvious as those on glasses and other snuff boxes, however its meaning is deep within the Stuart cause. As discussed by Prof. J. H. Plumb, Vice Master of Christ’s College, Cambridge: “The son (pun on the ‘sun’) of Charles I - will return or emerge (as the moon is doing from the eclipse) from the Boscobel Oak (the oak tree with the Welsh mountains behind, which was commonly used as a symbol for Charles II at the time of the Commonwealth) to his kingdom (indicated by the engraved city on the right) or this might read from Breda (I have not seen an engraving of this city, but it might be related to a city with twin spires) and restore the succession (the crown), royal authority (orb), the church (mitre), bring peace (the spectre laid across the sword) restore the coinage (the bits of gold on the table), and hang (the halter) his enemies. There is the picture of a peaceful and plentiful countryside to the left. The

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fact of the guineas on the table, suggests, I think, that the box can be dated just after 1696 when the re-coinage by the government of William III created great difficulty for most people and brought about a chronic shortage of cash. Also I think that this emblematic description of restoration of the Stuarts is cast in an historic form so that it could not be regarded as treasonable. It could be argued that it only depicted what had happened in 1660, although the implication, of course is clear enough: what happened once might happen again”. For similar examples with this iconography see; Delieb, “Silver Boxes”, published by Ferndale, London 1979, illustrated pp 41-42, 45. ”The Swords and Sorrows”, National Trust for Scotland, London 1996 No 7:1

Scottish Silver & Applied Arts

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569 AN EIGHTEENTH CENTURY JACOBITE PORTRAIT RING unmarked, the oval head with portrait behind glass after Alexis-Simon Belle, in a scalloped silver mount with yellow gold shank, in later leather box head 1cm Notes: Portrait rings and other jewellery have been recorded as used and gifted by the Stuart Royal family from as early as King Charles I, to commemorate his execution, to the restoration of King Charles II. This medium, however, was seldom used by the Jacobite court, although some very rare portrait rings of Prince Charles from the mid-18th century and later are known. Much Jacobite jewellery consists of later supporters’ jewellery, rather than period pieces, and are not as closely connected to the Court, such as this. This ring is a very rare and early example, depicting the Old Pretender and likely dating to the uprising of 1715 when King James was still the figurehead of the Jacobite cause. The portrait appears to be after the Belle portrait while James III was Prince of Wales in c1700 or the portrait of him immediately after taking the title of King in 1702. While there are similarities to both the fact that James appears to be wearing a wig of white hair rather than as in the portraits his natural hair does show some artistic license. The portrait shows James in the finery associated with his position as rightful King and notably even in such a small scale with his sash of the Order of the Garter, making sure this claim to his Royal lineage is prominent. References: Corp, Edward, ‘The King Over The Water, portraits of the Stuarts in Exile after 1689’, Scottish National Portrait Gallery, 2001

£2,000-3,000

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118 Lyon & Turnbull

570 J. BOND (EIGHTEENTH CENTURY SCOTTISH SCHOOL) LADY CHARLOTTE STUART, DAUGHTER OF PRINCE CHARLES EDWARD Inscribed on stretcher verso, oil on canvas, unframed 76cm x 63.5cm (30in x 25in) Provenance: The Hardy Collection, Christie’s London 22nd January 1954 English Country House Collection Private Collection

£3,000-5,000

Notes: Charlotte Stuart Duchess of Albany 1753-1789 The heir to the Jacobite throne, Charlotte was born to Charles Edward Stuart and his Scottish mistress Clementina Walkinshaw at Liège in October 1753. Her parents, unmarried, it was only in 1784 when Charles legitimised her and created her Duchess of Albany in the Jacobite Peerage on his death bed. This is particularly so, as she was his only child to survive infancy. On March 30, 1783, Charles as King Charles III signed an Act of Legitimation by which he recognised his natural daughter, Charlotte. This Act of Legitimation was forwarded to King Louis XVI of France who confirmed it and had it registered in the Parlement de Paris. When Charlotte moved to live with Charles in Florence at the Palazzo San Clemente in October 1784, Charlotte nursed her father and in the latter years of his life ensured he returned to the Palazzo Muti in Rome. She sacrificed everything to be with him including her mother and her own illegitimate children.

Her letters home to her mother while living with Charles in Italy reflect her agonising conflict of loyalty to both parents. Clementina had removed Charlotte from Charles at a young age, raising her in convents across the continent. Charles’s refusal to acknowledge her mother meant that she was never to see her mother or her children which were a secret she kept all her life from her father. On her death the Cardinal Duke of York revoked her claim and those relating to her. However there has been much conversation around her heirs and it is through Charlotte that the Jacobite sentiment is alive today. Furthermore, the romanticism of the Duchess of Albany has been epitomised throughout history and nonetheless by Robert Burns This lovely maid’s of nobel blood, That ruled Albion’s kingdoms three; But Oh, Alas! for her bonie face, They hae wrang’d the lass of ALBANIE.

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

571 A MAUCHLINE SNUFF BOX OF JACOBITE INTEREST 19TH CENTURY the round wooden snuff box painted to cover with man on horseback in front of a gathered army, inscribed below ‘Wha wouldna follow thee, Bonnie Prince Charlie’ 8cm diameter Notes: Although the scene to the cover does not at first appear Jacobite, the motto relates to a pro Jacobite song by James Hogg and arranged for piano forte by Niel Gow, where the first verse ends ‘Charlie, Charlie, wha wadna follow thee? King of the Highland Hearts, Bonnie Prince Charlie’

£200-300

Scottish Silver & Applied Arts

119

Militaria, Arms & Armour, and Highland Dress Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

572

574

573

575

572

574

577

A RARE 2ND EDINBURGH RIFLES VOLUNTEER CORPS OFFICERS HELMET

A BLACK WATCH OFFICERS CLOTH HELMET

A VICTORIAN OFFICER’S FEATHER BONNET

the black cloth helmet of tradition form with plated spike, and chain chin strap, applied with regiment plate to front, the leather and silk interior inscribed ‘Hill Bros military outfitters London’

the black cloth body with applied plated mounts, spike and chin strap, applied regimental badge, silk and leather interior with tailor’s name ‘Ascher’

circa 1900, of conventional form with four tail, with red and white diced head band and regimental badge of Egyptian sphinx battle honour with white feather plume; in original tin case

£400-600

£300-500

575 573 A SCARCE FIFESHIRE VOLUNTEER CORPS OFFICERS CLOTH HELMET the traditional formed helmet with plated screw off spike, chin strap and ;large regimental badge. the silk and leather interior with indistinct tailor’s names; together with original tin case with painted initials GF to cover £400-600

A RARE FIFE LIGHT HORSE OFFICERS HELMET the all metal helmet with applied regiment badges with gilt brass highlights, with original horse hair plume, the chain link chin strap with traces of red silk lining, with leather interior

578 A MODERN OFFICER’S FEATHER BONNET with five tails and red and white diced head band, badge lacing but with red feather plume; in modern carry case £150-180

£600-800

579 576 AN OFFICER’S FEATHER BONNET circa 1920, of traditional form with five ostrich tails and red and white diced woollen head band £150-180

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

A COLLECTION OF SCOTTISH REGIMENTAL HEAD WEAR to include a Seaforth Highlanders officers glengarry with four piece badge and another similar; a Lovat Scouts bonnet with white metal OR’s badge; a Cameronians / Scottish Rifles black glengarry with badge (4) £150-250

Scottish Silver & Applied Arts

121

580 A VICTORIAN OFFICER’S SILVER CARTRIDGE POUCH WJ& CO, BIRMINGHAM 1866 the curved leather box with silver bullion inlay, the hinged silver cover with engraved foliate border and applied gilt crowned VR cipher 19cm wide

£250-350

581 A FINE VICTORIAN PLAID BROOCH RETAILED BY R & S GARRARD, LONDON Saul Infeld, London 1871, the large annular brooch with open centre the outer ropetwist border enclosing a trailing border of thistle heads with inner border inscribed ‘HIGHLAND. BORDERS’; in fitted Garrard box 10cm diameter,

£400-600

582 AN EARLY 20TH CENTURY HIGHLAND LIGHT INFANTRY PLAID BROOCH unmarked but tests as silver, the large circular brooch with engraved foliate border around displayed battle honours with two colour regimental badge 10cm diameter

£300-500

583 A LATE VICTORIAN GORDON HIGHLANDER PLAID BROOCH JOSEPH JENNENS & CO, BIRMINGHAM 1899 the circular brooch with applied battle honours and three dimensional badge 9.5cm diameter

£300-400

584

585

A 6TH VOLUNTEER BATTALION HIGHLAND LIGHT INFANTRY PLAID BROOCH

A CAMERON HIGHLANDERS OFFICER PLAID BROOCH

unmarked, the annular brooch with thistle sprays and Egypt battle honour around St Andrew on the cross and motto, stamped to reverse

unmarked, of cast annular form, thistle border around battle honours, with scratch engraved initial W to reverse

10cm diameter

7cm diameter

£150-180

£120-180

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586 A BLACK WATCH WHITE METAL PLAID BROOCH W ANDERSON & SONS marked to reverse, the large circular brooch with engraved scroll border and cast thistle border, applied with regimental badge of St Andrew on the cross; together with a similar plated example (2) 10cm diameter

£200-300

587 A RARE GEORGIAN SILVER 78TH HIGHLANDERS (SEAFORTHS) OFFICER’S CROSS BELT PLATE unmarked, the oval silver plate with raised rim and engraved CUIDICH ‘N’ RHI 78th around Royal crown and GR cipher, the reverse with twin lug and fixed pin 6cm high

£300-500

588 A RARE ROYAL MAUCHLINE VOLUNTEER’S BRASS SHOULDER BELT PLATE the large oval plate engraved Royal Mauchline Volunteers around a large Royal crown and thistle, the reverse with fixed pin and twin lugs 8.5cm high

£200-300

589 AN OFFICER’S PLAID BROOCH unmarked but tests as silver, the annular plaid brooch with engraved Celtic knotwork the centre with a raised claw set paste, engraved to reverse ‘Luit James Deans, 2nd 21st AHRV’ 10cm diameter

£250-280

Scottish Silver & Applied Arts

123

590 A VICTORIAN SILVER MOUNTED DRESS SPORRAN R & H B KIRKWOOD Edinburgh 1881, the large arched cantle with finely engraved Celtic knot work and beasts with engraved pendant, backed with black leather, the white goat hair body with twin black goat hair tassels with matching engraved silver bells, with tooled leather body and pocket to reverse cantle 17.5cm wide

£400-600

591 AN OTTER MASK SPORRAN the mask sporran with folding access to pouch, with simple leather backing 19cm approx at widest point

£300-500

592

594

A GROUP OF THREE ROYAL SCOTS PLAID BROOCHES

A GROUP OF SCOTTISH REGIMENTAL PLAID BROOCHES

one large example with applied crown, thistle border and regimental name with St Andrew on cross, engraved to reverse ‘3RS / I’ and marked to R & H B Kirkwood; together with two small examples with thistle border and applied two colour regimental badge, one by R & H B Kirkwood, the other J Stewart & Sons (3)

all base metal, to include Highland Light Infantry, Camerons and Argyll & Sutherland Highlanders; together with a large Argyll & Sutherland Highlanders badge (4)

11.5cm and 9.5cm diameter

595

£300-500

A SMALL BRASS PLAID BROOCH

593

CIRCA 1690 of annular form, with engraved six pointed star bosses, the pin lacking

A VICTORIAN ROYAL ARCHERS CAP BADGE

8cm diameter

CIRCA 1900 the gilt metal star and cross inscribed to arms Queens Body Guard of Scotland, the centre with displayed thistle surrounded by green enamel border with motto ‘NEMO ME IMPUNE LACSSET’

Provenance: Auchtertool House, Fife

£200-300

9cm wide Provenance: Scottish Silver & Applied Arts sale Lyon & Turnbull 17th August 2016, lot 465

£200-300

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

124 Lyon & Turnbull

596 A VICTORIAN SILVER MOUNTED DRESS SPORRAN unmarked, the large arched cantle with finely engraved Celtic knot work flanking a central circular cartouche with engraved crest, the white goat hair body with five black goat hair tassels, matching engraved silver bells, tooled leather body and pocket to reverse Cantle 17.8cm wide

£400-600

597 A LATE NINETEENTH CENTURY VOLUNTEER BATTALION SEAFORTH HIGHLANDERS SPORRAN the white metal cantle engraved with thistle displays flanking an applied regimental badge, the black horse hair body with two white horse hair tassels with matching engraved bells, morocco leather body and pocket to reverse cantle 17cm wide

£250-350

598 A QUEEN’S OWN CAMERON HIGHLANDERS OFFICERS SPORRAN the large gilt brass cantle with embossed thistles and battle honours set with silver regimental badge, the brown horse hair body with six knotted bullion and double silk tassels, with red morocco leather backing 50cm long

£600-800

599 A GORDON HIGHLANDERS OFFICER’S DRESS SPORRAN the arched cantle with engraved thistle displays surrounding an applied silver regimental badge, the white horse hair body with five knotted bullion tassels, red morocco leather backing 46cm long

£400-500

600

602

A MODERN SPORRAN

A LIVERPOOL SCOTTISH SPORRAN CANTLE

HAMILTON & INCHES Edinburgh 1952, the arched cantle with Celtic knot work panels flanking a crest of a boars head, the white seal skin pouch with three tassels a with simple ball bells, the reverse of red leather with change purse; together with silver plated sporran chain

the white metal arched cantle with engraved thistles and applied regimental badge, horse hair body heavily cut down; together with a plain sporran cantle on distressed body (2)

cantle 15.5cm wide

603

£300-500

AN ARGYLL & SUTHERLAND HIGHLANDERS OFFICERS SPORRAN

601 the cantle of red velvet with applied silver thistle and border, the white hair body with six tassels with gilt thistle decorated bells; in original tin case

ANDERSON & SONS, EDINBURGH the shaped hinged cantle with gilt metal borders around patent leather centre, with applied silver cipher and regimental badges, the white horse hair body with five gold bullion tassels

45cm long

49cm long

£200-300

AN EARLY NINETEENTH CENTURY DRESS SPORRAN

£150-250

Scottish Silver & Applied Arts

125

604 A LATE EIGHTEENTH CENTURY JACOBITE BRASS SPORRAN the arched cantle with pierced saltines and copper studs, hinged opening to leather back, the brown leather bag with four tassels in the earlier 18th century style Cantle 16cm wide For similar earlier 18th century example see Jacobite, Stuart & Scottish Applied Arts, Lyon & Turnbull 13th May 2015, lot 115

£600-800

605 A BLACKWATCH OFFICERS DRESS SPORRAN the gilt brass arched cantle with thistle head border and regimental badge, the white horse hair body with four gold bullion and red silk tassels, red morocco leather backing 45cm long

£300-500

606 A FINE MID VICTORIAN HIGHLAND LIGHT INFANTRY OFFICERS DRESS SPORRAN the gilt arched cantle with engraved displays of thistles and set with a silver and gilt regimental badge to centre, the white goat hair body with six gold bullion and red tassels, the back and pouch in red morocco leather; contained in original tin case with name plaque ‘Capt Giles 3rd Bn H.L.I’ 47cm long

£500-800

607 AN UNUSUAL ARGYLL & SUTHERLAND HIGHLANDERS SPORRAN R G LAWRIE OF GLASGOW the shaped white metal cantle with embossed thistles and applied regimental badge with battle honours, the white horse hair body with two black tassels 47cm long

£300-500

608 A VICTORIAN ARGYLL & SUTHERLAND OFFICERS SPORRAN the badger mask sporran with brass cantle and red morocco leather backing, set with glass eyes and suspended with five gilt metal and white horse hair bells 35cm long

£400-600 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

126 Lyon & Turnbull

612

613

609

611

613

A VICTORIAN PORTRAIT OF AN ARGYLL & SUTHERLAND HIGHLANDERS OFFICER

A VICTORIAN GILT BRONZE MODEL OF A PIPER

A 71ST (HIGHLAND LIGHT INFANTRY) PIPE BANNER

the standing figure in full highland dress playing pipes, on a naturalistic base, raised on a canted rectangular wooden base

the silk pennant embroidered to one side with crown, regimental badge and cipher with thistle sprigs, the reverse with crest motto and initials of commanding officer, the whole with gold fringed border

CIRCA 1850 watercolour on paper with Officer standing in dress uniform in an interior setting, oval card mount and tooled leather case oval 24.5cm high

£150-250

610 AN ARGYLL & SUTHERLAND HIGHLANDER OFFICER BELT AND BUCKLE the gold bullion dress belt with red leather backing and gilt brass buckle, applied regimental badge overall 90cm long

£150-180

overall 41cm high Although with some slight differences in uniform it would appear this model is of William Ross, Piper to Queen Victoria at Balmoral. It is likely based on the famous image of him in ‘The Highlanders of Scotland, portraits illustrative of the principal clans and following and the retainer of the Royal Household at Balmoral’ by Kenneth Macleay RSA

£400-600

612 A 74TH REGIMENT (ARGYLL SHIRE REGIMENT) 2ND BATTALION HIGHLAND LIGHT INFANTRY PIPE BANNER the silk pennant with gold fringing, embroidered to one side with regimental badge, number and battle honours with foliate border and to the other with full armorial of commanding Officer Kelham; in original tin case 55cm long

£500-800

61cm long

£300-500

614 A CALCUTTA SCOTTISH PIPE BANNER EARLY 20TH CENTURY gold and coloured threads on a silk ground, bearing inscription CALCUTTA SCOTTISH inscribed with the motto PER ARDUA STABILIS ESTO (Be firm through difficulties), and to the reverse with a coat of arms for Richardson, later mounted on an early 19th century mahogany pole screen, adapted banner 51cm x 32cm, screen height 154cm Notes: The Calcutta Scottish was a regiment of volunteers of Scottish descent raised in 1914 as an infantry regiment of the British Indian Army. The regiment formed part of the army reserves of the Auxiliary Force, India (AFI). The regimental dress uniform was Hunting Stewart tartan. The regiment was disbanded following India’s independence in 1947.

£250-350

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615 A RARE GEORGIAN OFFICERS BELT AND DIRK FROG with green velvet ground with gold and silver bullion trailing thistles, with green leather backing and belt, with matching dirk frog belt 94cm long

£200-300

616 AN EARLY TWENTIETH CENTURY KILT, JACKET AND TREWS all of matching tartan and of typical form, the jacket with gilt bullion edging and with velvet cuffs (3) £100-200 615

617 SCOTTISH OFFICER’S LEVÉE DRESS SHOE BUCKLES the cased set comprising a pair of large and a pair of small rectangular buckles with gilt thistle and rose border around a black patent leather centre, with blue steel backing 6cm and 2.8cm wide

£200-300

618 AN UNUSUAL GEORGE III / IV CARTRIDGE CASE CIRCA 1800 / 1820 the curved rectangular body formed of polished cow horn with engraved border and rim, with fine detail of clasped thistle spays, suspended from a silver bullion cord, the interior with six cylindrical division for cartridges 12cm wide

£300-500

619 ROYAL SCOTS FUSILIERS - A CARVED BUGBEAR COCONUT CUP the polished coconut shell with open rim to top, naively engraved with house in a landscape a mermaid, Noah’s ark, fish a shooting party, named in a simple banner ‘John Polson Serjant 21 Royal Scotch Fusiliers’ the cup with later turned wooden stand 14cm high

£250-350

620 A SILVER MOUNTED COCONUT CUP UNMARKED the polished coconut shell bowl with applied foliate rim, raised on a trumpet stem and spreading foot engraved ‘Redheugh 21st June 1909, Won by WS’ 13.5cm high

618

£200-300 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

128 Lyon & Turnbull

621

622

623

A RARE INVERNESS-SHIRE ARTILLERY VOLUNTEERS OFFICER SWORD

AN EARLY NINETEENTH CENTURY MILITARY OFFICERS BASKET HILTED SWORD

A RARE 1ST ROYAL LANARKSHIRE MILITIA BASKET HILTED SWORD

FRASER & SONS, INVERNESS the artillery pattern sword with etched blade with makers name, regimental emblems and initials A.T.F.F, the open hilt with original fish skin and wire bound grip, in original metal scabbard and with silver bullion knot to hilt blade 81cm overall 101cm long Notes: The initials ATFF to the blade are for Archibald Thomas Frederick Fraser,. He was made 2nd Lieutenant in 1865 and further promoted to Captain in 1876. his portrait hangs in Inverness town hall. Archibald Fraser’s family had a long important connection with the area being directly related to Simon Lord Lovat the infamous Jacobite supporter hung for his part in the rebellion. Archibald was in fact the last surviving male of Simon’s line and descended from the third son of Lord Lovat Archibald Campbell Fraser.

£400-600

blade 80cm, overall 95cm long

HENRY WILKINSON, LONDON the basket hilt of typical form with rounded bar construction, pierced heart and ramshorn decoration guards, with wire bound fish skin grip and domed pommel, the blade numbered 16898 and etched one third of the length, with regimental badge, Royal cipher etc, in original full metal scabbard

£500-800

blade 84cm long, overall 100cm long

PROSSER, LONDON both scabbard and blade engraved Prosser, 9 Charing Cross London. the 1821 pattern basket hilt with red felt lining and wire bound fish skin grip, the blade with double fuller, with original all metal scabbard

£800-1,200

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624 A RARE 1ST LANARKSHIRE MILITIA OFFICERS DIRK the blaster black wood handle with applied silver studs, thistle mount to collet set foil backed crystal, the leather covered scabbard set with bi knife (inscribed John Sellars) and fork, the mounts embossed with thistles and the top mount with ‘1st Lanarkshire Militia’ within banners blade 28cm long, overall 44cm

£1,500-2,500

625 A GORDON HIGHLANDERS OFFICERS DIRK AND SGIAN DUBH R & H B KIRKWOOD, EDINBURGH 1906 the sgian dubh fully hallmarked, the dirk makers mark only, the irk with black wood baluster handle with silver studs, the oak leaf gallery with collet set foil backed crystal, the leather covered scabbard set with bi knife and fork with applied thistle mounts and regimental badge; with matching sgian dubh (2) dirk blade 30cm long, overall 43.5cm; sgian dubh 19.5cm long

£1,200-1,800

626 AN ARGYLL & SUTHERLAND HIGHLANDER DIRK AND SGIAN DUBH BROOK & SONS, EDINBURGH 18994 AND 1893 the dirk with finely carved black wood handle studded in silver, with Celtic knotwork pommel mount to foil backed crystal, the double fuller blade with etched decoration, the leather covered scabbard set with bi knife and fork in embossed Celtic and regimental mounts; the sgian dubh of matching pattern with curved blade and applied cipher to handle (2) dirk blade 30cm long, overall 45cm long; sgian dubh 20cm long

£1,500-2,500

627 A 79TH (CAMERON HIGHLANDERS) OFFICERS PRESENTATION DIRK the basket weave carved handle with brass studs, set with a thistle decorated pommel, regimental badge to top, the leather scabbard with thistle mounts with regimental number to top mount, the reverse of the scabbard with applied silver plaques engraved ‘Presented by Major AL Collier MC 1935 and five consecutive winners blade 31cm long, overall length 47cm

£600-800

628 A CAMERONIANS (SCOTTISH RIFLES) DIRK HENRY WILKINSON, LONDON mounts unmarked, the black wood baluster handle with studded detail, foil backed crystal to pommel, the leather covered scabbard with engraved mounts with regimental badges; the single fuller blade with etched decoration blade 28cm long, overall 47cm

£600-800

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

130 Lyon & Turnbull

629 A VICTORIAN BOY’S DIRK CIRCA 1900 unmarked, the wooden grip finely carved with applied studs, the pommel set with a floral mount enclosing domed glass cabochon, single fuller blade, the velvet scabbard with embossed scroll mounted set with bi knife and fork 41cm long

£300-500

630 AN INFANTRY OFFICER DIRK LOCKWOOD BROTHERS, SHEFFIELD the narrow wooden grip with basket weave carved decoration, simple pin top pommel, the single fuller blade signed, the tooled leather scabbard set with bi knife and fork and the mounts with applied crown, badge and initials blade 30cm long, overall 45cm long

£700-900

631 SCOTTISH LOWLAND DIRK CIRCA 1830 with a cut steel thistle on the pommel and the two cross guards, round section root wood grip ,with shallow diamond section double edge blade tapering to a sharp point 35cm long

£300-400

632

634

A GEORGE VI OFFICERS BASKET HILTED SWORD

A GROUP OF MILITARY SGIAN DUBHS

the simple basket formed of flattened sheets, leather bound grip, the blade etched with Royal badge and cipher, in original metal scabbard Blade 80cm long, overall 96cm long

to include a brass mounted Cameron Highlanders example, a Seaforth Highlanders example and a silver mounted Argyll & Sutherland Highlanders example (3)

£120-180

£300-500

633

635

A VICTORIAN OFFICER’S BASKET HILTED SWORD

A GROUP OF CIVILIAN SGIAN DUBHS

of typical military pattern with flattened bars and pierced guards, wire bound fish skin grip and reeded pommel, the blade with etched decoration, together with original metal scabbard

to include a plated example by RW Forsyth, with paste set pommel; a silver example by the same maker with etched blade; and a stag horn handled example with finely engraved mounts (3)

blade 83cm long, overall 100cm long

£280-320

£250-350

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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131

636 A FINE SCOTTISH HIGHLAND DIRK CIRCA 1720 the carved bog oak grip with Celtic interlace and scallops underneath the pommel, brass mount and pommel cap, the blade formed from a cut down sword blade with flat back edge and single fuller 42cm overall, blade 31cm long For other similar examples see “Scottish Swords and Dirks”, Arms and Armour Press, 1970, figs 60, 61, 62 and 63.

£2,000-2,500

637 A VICTORIAN DIRK EDINBURGH 1896 the carved wooden grip with simple collet set paste, the leather scabbard with engraved interlace mounts and with bi knife and fork 43cm long

£800-1,200

638 INVERNESS- A SCOTTISH SILVER MOUNTED HIGHLAND BOY’S DIRK FERGUSON & MACBEAN marked F&M, camel, INVS, engraved pommel above carved interlace hardwood grip with silver pinheads, the single edge blade inscribed FERGUSON & MACBEAN / INVERNESS, the leather scabbard with bi fork and missing bi knife

639

21cm long

A MODERN DIRK

£500-600

EDINBURGH 1987 carved wooden handle set with plain pommel cap, single fullered blade, the leather scabbard with plain mounts and bi knife and fork 44cm long

£600-800

132 Lyon & Turnbull

From the Collection of The Late Baron Earlshall

640 THE CAMERON FAMILY SWORD - AN EIGHTEENTH CENTURY AND EARLIER SCOTTISH BASKET HILTED BROADSWORD the early 18th century basket of Stirling form with flattened round bars enclosing bold ram’s horns and S bars, the pierced knuckle guards with scalloped edges and pierced lozenge and circular designs, the reeded pommel with screw fitting, the fish skin covered grip copper flat wire bound with similar ferrule, the earlier large double edged blade with twin short fullers and orb and cross bladesmiths mark, engraved the length ‘Yis Suerd was brukyt be Ht Cameron at ye Batttailly off Stirling Bryg MCCXCVII and Bannockburn MCCCXIIIII & Feili Melle’, at the join of blade and hilt a loose fitting plaque is engraved ‘Yis Thrusande Claiffoff Metell gud aeft Tynt 3 hits Shynn in Saxonys Blud’, original leather tooled scabbard blade 81cm long, overall length 98cm Notes: The tradition of re mounting family historic blades by antiquarian members of families is will recorded, with many important families still having such items within their collections. This can be seen in other relics / trophies such as the Preston Blunderbuss sold within these room ‘Jacobite, Stuart & Scottish Applied Arts’ 13th May 2015, lot 124. This blade is unusual in its mounting seems much earlier than the usual early 19th century fashion for the Scottish revival fueled by Sir Walter Scott culminating in the visit of George IV to Edinburgh. Sadly its provenance is now almost lost and the story which follows it has been handed down verbally rather than written. Repute which follows this blade suggests that it was remounted in the early 18th century (the basket hilt being commissioned at that time) to be taken to the Jacobite risings and follow Prince Charles where it was not only used but continued the families connection and involvement with the protection and support of the nation.

£8,000-12,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

Scottish Silver & Applied Arts

641 AN IMPORTANT EARLY SEVENTEENTH CENTURY SILVER MOUNTED SCOTTISH BASKET HILTED SWORD C1620 the basket formed of flat sheet and curved boars with shaped guards with toothed border and incised linear details, profusely applied with silver mounts, icons and mottos, large compressed pommel with conical, the leather bound wooden grip with lattice bound twisted wire, the single edged blade with triple fuller and signed to both sides blade 83cm, overall 102cm long Notes: This important early basket hilted sword offers an insight into not just the traditions of use and significance of swords in Scotland, but also reflects the long-standing pride Jacobite families held across the generations. While it is easy to consider this sword as a romantic fancy, a family relic which has been ‘improved’ by the addition of silver mounts, this would be short-sighted. The closest comparison to this sword in its overall outline and formation of the basket is the highly important ‘Twysden Sword’ in the collection of the Metropolitan Museum of Art, New York. The fine silver encrusted basket hilted sword that is believed to have belonged to Sir William Twysden (1566 - 1628) who was closely connected with the Royal Stuart court and was knighted by King James I in 1603. While it cannot be said the Earlshall sword under discussion is by the same hand it must be agreed that the similarities in style offer a close connection. The distinctive silver mounts that encrust the basket of Earlshall sword are a key area of interest. The precise date of each of the mounts still remains a matter of debate, some being original to the early 17th century manufacture of the hilt and others added around 1707 and the Act of Union. The two classical medallions to the pommel appear to be contemporary to the manufacture and have comparisons to the Twysden sword and others in the Wallace Collection. The addition of mounts in the early 18th century, reflect a high-status family strong and very public in their support of the Jacobite cause choosing to make a political and nationalistic statement with their family relic. This was likely around the time of the union under Queen Anne or perhaps a little earlier at the time of the initial Jacobite uprisings. The addition of St. Andrew on the cross, thistles and overt naming of James Stuart are obvious and common icons of this period. Equally, the motto to the knuckle guard can leave nobody in doubt owner’s allegiances, “Prosperity to Schotland, No union, God save ye Kings James VIII.” A motto emblazoned in the centre of the sword - in full view when worn by the side or drawn in action - would have been a bold and to some a controversial statement. This motto can be seen on other Jacobite relics of c.1700, most notably to a group of basket hilted sword blades which bear the same motto and unusual spelling of Scotland. For a fine example of this blade type see ‘Two Great Scottish Collections; property from the Forbes of Pitsligo and the Marquesse of Lothian’ Sotheby’s 28th March 2017 lot 108, for the sword of Alexander, 4th Lord Forbes of Pitsligo. The spelling of ‘Schotland’ has long been explained by the manufacture of the blades in Germany before their movement to Scotland to be hilted, a common practice on the 17th and 18th centuries. It is believed that a group of blades, engraved with strong Jacobite sentiment, were commissioned on the Continent for distribution around Scotland to capitalise on the growing antiUnion sentiment. The mounting of this particular blade on such a prestigious hilt may be a reflection of the high status, perhaps even Royal connections, of the owner. While there is much to be discussed around the Earlshall sword, including its early provenance, it is certain that it is a historically important piece of Scottish arms, reflecting a key moment in the country’s history.

£20,000-30,000

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Other Property 642 A RARE EARLY EIGHTEENTH CENTURY SCOTTISH BASKET HILTED BACK SWORD CIRCA 1700 the iron hilt with large pommel the basket composed of circular bars, the edges of the main knuckle guard and broad shields cut with fish-tailed merlons, with S bars joining the wrist guard decorated with two saltires at the terminals of the back guards, the wooden grip covered with worn black leather with a twist of copper wire, with remnants of leather and velvet lining. the single edge blade struck in the fuller in each side +ANDREA +FERARA and with blade smith marks, the black leather scabbard with iron mounts with cut squares at the base of the locket, top and base of the middle locket and top of the chape blade 86.4cm long Notes: for a very similar sword with the distinctive S bars see Cyril Mazansky BRITISH BASKETTYPE SWORD HILTS 2005 page 91.a, for an example within Glasgow Museum Kelvingrove ( E.1954.118) illustrated and a similar sword ‘Swords and Sorrows Exhibition 1996 Culloden’ item 1:29 from the Jenkinson Collection. Much has been discussed regarding the bold S bars to hilts such as this with various strong theories around them represent the support of the Stuarts or the origins of such swords from the important Stirling workshops of makers such as Walter Allen.

£4,000-6,000

643 A SCOTTISH BASKET HILTED BROAD SWORD CIRCA 1700 the basket formed from panels pierced with hearts and circles mounted within flat section bars decorated with wide central grooves and flanked by incised lines, with large dome-shaped pommel with reeded decoration, wooden grip and leather liner, the double edged blade with a wide shallow central fuller struck with ANDREA FARARA signed to both sides 86cm long Notes: For similar swords made in the same style by John Simpson of Glasgow see Cyril Mazansky, “British Basket Hilted Swords”, Boydell Press, 2005 fig F16a for a sword in Kelvingrove Museum in Glasgow, F7 in the Royal Armouries.

£2,500-3,500 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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644 SCOTTISH SEVENTEENTH CENTURY LARGE FLATTENED COW POWDER HORN DATED 1677 decorated with traditional Celtic strap-work to the outer side initials DF 1677 with integral suspension, pierced pewter muzzle protector, metal loop above the hardwood base plate 33cm long

£1,000-2,000

645 A MODERN HIGHLAND DIRK

646 A LATE NINETEENTH CENTURY DIRK the interlace carved wooden handle with wide haunches, simple cap to pommel, simple tapered blade, the leather scabbard with steel mounts for bi knife and fork, each with similar carved handles and mounts

ALISTAIR F. CAMPBELL, EDINBURGH 2003 the finely carved blackwood handle with interlace, bonnet and crossed swords, collet set to pommel with interlace engraved mount enclosing a facetted citrine, pierced and scalloped back blade, the leather covered scabbard set with bi knife and fork with engraved mounts and chape with intertwined Celtic beasts, with leather belt frog 48cm long

£1,000-1,500

blade 35cm long, overall 48cm

£500-800

647 SCOTTISH FLATTENED COW HORN POWDER FLASKS CIRCA 1730 the polished cow horn body engraved with initials AMT and geometric six pointed star with circular border, the nozzle missing; another similar shape and size but un-decorated and with replacement stopper (2) 24cm long overall

£300-500

649

648

A LATE EIGHTEENTH CENTURY SILVER PLATED BASKET HILTED SWORD

in an 17th/18th century style, the annular brooch with cast detail of figures and animal, the reverse inscribed

the simple basket formed of flat bars with pierced gaurds with lozenge and circular decoration with rams horn curls, with compressed ball pommel, the leather bound grip with wire binding, the tapered double edged blade with simple ricasso

8.4cm diameter

blade 80cm long, overall length 100cm

£200-300

£1,500-1,800

A BRASS PLAID BROOCH

136 Lyon & Turnbull

650 A RARE SEVENTEENTH CENTURY SCOTTISH LEFT-HA NDED SNAPHAUNCE BELT PISTOL DATED 1648 the all steel stock and with rams horn but and screw off pierced pricker and simple shaped ball trigger, with applied engraved brass lock plate engraved to pan ‘1648’, with belt hook to reverse, the four stage barrel with fluted breech and facetted muzzle with reeded sections dividing barrel 33cm long, overall 48cm long Notes: for likely the same pistol see ‘The Collector’s Illustrated Guide to Firearms’ Martin Miller Page 49

£8,000-12,000 Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

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NORMAN WILKINSON (BRITISH 1979-1971) TITAN CRANE [DETAIL] Signed and dated 1944, oil on canvas 83cm x 126cm (32.75in x 49.5in)

FIVE CENTURIES:

FURNITURE, PAINTINGS & WORKS OF ART FROM 1600

AUCTION 14 NOVEMBER 2018 IN EDINBURGH â&#x20AC;¢ CLOSING DATE FOR ENTRIES 06 OCTOBER For a valuation or to discuss selling works in this auction, please contact Nick Curnow on 0131 557 8844 or email nick.curnow@lyonandturnbull.com

138 Lyon & Turnbull

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Scottish Silver & Applied Arts

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SONGYE POWER FIGURE NKISI £25,000-30,000

MODERN BRITISH & CONTEMPORARY ART AUCTION 16 AUGUST AT 11AM • EDINBURGH ALISON WATT O.B.E. (SCOTTISH B.1965) PLANTERS [DETAIL] Signed, Glasgow School of Art label verso, oil on canvas 76cm x 60cm (30in x 23.5in)

£15,000-20,000

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Conditions of Sale CONDITIONS OF SALE FOR BUYERS (UK) The Auctioneer carries on business with bidders, Buyers and all those present in the auction room prior to, or in connection with, a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Hammer price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” means several lots with a total lower estimate value of £30,000 or above; “High Value Lot” means a lot with a lower estimate of £30,000 or above; “Lot” means each Item offered for sale by Lyon and Turnbull; “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “You”, “Your” means the Buyer; “Us”, “Our”, “We” etc. refers to Lyon and Turnbull Ltd, The singular includes the plural and vice versa as appropriate. 2. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and do not give advice to Buyers. When Lyon and Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 3. B IDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security and credit references or arrangements before entering the auction room to view or bid; (b) High Value Lots and High Cumulative Value of Lots: If you wish to bid on any High Value Lot (a lot with a lower estimate of £30,000 or above) or if you are bidding on several lots with a total lower estimate value of £30,000 or above, you are invited to complete the High Value Lot pre-registration. After you have successfully registered as a bidder with Lyon and Turnbull, you should complete the High Value Lot pre-registration before the date of sale by contacting the Office Manager or

on the date of sale at the registration area. Unless otherwise agreed by us, you will be permitted to bid for High Value Lots only if Lyon and Turnbull has confirmed your payment of deposit and your completion of the High Value Lot pre-registration before the sale. The Deposit required will be 10% of the lower estimate. Upon pre-registration, you should pay the deposit or such other sum as determined by Lyon and Turnbull dependant on circumstances, by way of bank transfer or credit card(s) acceptable to Lyon and Turnbull. Please note that Lyon and Turnbull does not accept payment from third parties and this also applies to agents. If you are not successful in any bid and do not owe Lyon and Turnbull any debt, the deposit will be refunded to you by way of wire transfer or such other methods as determined by Lyon and Turnbull. Please make sure that you provide your bank details in the preregistration form. The exchange rate provided to us by the bank on the date of exchange is final. We will arrange to refund the deposit to you within seven days after the date of sale, however we do not guarantee when you will receive the payment due to the variance in time for banks to process fund transfers. Upon successful pre-registration, you will be given a numbered High Value Lot paddle for identification purposes. The auctioneer will usually only accept bids made with the High Value Lot paddle or by its High Value Lot registered bidder. This applies to saleroom, telephone and absentee bids. Lyon and Turnbull has the right to change the High Value Lot pre-registration procedures and requirements from time to time without notice. (c) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. (d) Our right to bid on behalf of Sellers is expressly reserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved. (f) Commission Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. (g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in bidding by telephone.

We do not accept liability for failure to do so or for errors and omissions in connections. (h) Online Bidding: We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. 4. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 5. THE PURCHASE PRICE For each lot purchased a Buyer’s Premium of 25% of the hammer price of each lot up to and including £100,000, plus 20% from £100,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the hammer price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 6. RESERVES Unless indicated by a insert symbol (∆ ), all lots in this catalogue are offered subject to a reserve. A reserve is the confidential hammer price established between Lyon and Turnbull and the seller. The reserve is generally set at a percentage of the low estimate and will not exceed the low estimate for the lot. 7. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value Added Tax on the hammer price of 5% is payable. This indicates that a lot has been imported from outwith the European Union. This reduced rate is applicable to Antique items. (3) Lots affixed with [Ω]: Standard rate of Value Added Tax on the hammer price and premium is payable. This applies to items that have been imported from outwith the European Union and do not fall within the reduced rate category outlined above. 8. DROIT de SUITE This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in

the last 70 years. This royalty will be charged to the Buyer on the hammer price and in addition to the Buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk. 9. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. (b) Please note that we do not accept cash payments over £5,000. (2) Any payments by you to us may be applied by us towards any sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 10. T ITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide you with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for lots not collected by the appropriate time. (5) Export of goods: Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the lot.

Scottish Silver & Applied Arts

11. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the contract for sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). (d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and to recover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 7 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or which become due to you towards the settlement of the total amount due by you and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisfied. 12. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are given. Please note that photographs/ images provided may not be fully

representative of the condition of the lot and should not be relied upon as indicative of the overall condition of the lot. (2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the lot is merely an expression of opinion of the Seller or Lyon and Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any contract between Lyon and Turnbull and the Buyer. The condition reports do not affect the Buyer’s obligations in any way. (3) Estimates: Estimates are placed on each lot to help Buyers gauge the sums involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. (5) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (6) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. Lyon and Turnbull provide no guarantee as to the originality of any wood/material contained within the item. (7) Wine: may only be sold to persons aged of 18 years and over. By registering to bid, you affirm that you are at least that age. On collection, you must provide positive proof of age should this be requested. Buyers of wines must make appropriate allowances for natural variations of ullages, conditions of corks and wine. Lyon and Turnbull can provide no

guarantees as to how the wine may have been stored. There is always a risk of cork failure and allowance by the buyer must be made. Wine is sold “as is” and quality of the wine is entirely at the risk of the Buyer and no warranties are given. (8) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 13. BOOKS, CLOCKS & WATCHES (1) Books-Collation: If on collation any named item in the sale catalogue proves defective, in text or illustration the Buyer may reject the lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the catalogue, or at the time of sale, nor in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, Lyon and Turnbull makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that Lyon and Turnbull cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. 14. CITES Please be aware that all lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites Lyon and Turnbull accepts no liability for any lots which may be subject to CITES but have not be identified as such. 15. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private

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treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon and Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 16. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 17. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email if not available then first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon and Turnbull should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent. No act, omission or delay by Lyon and Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 18. AUTHENTICITY GUARANTEE Lyon and Turnbull guarantees that the authorship, period, or origin (collectively, “Authorship”) of each lot in this catalogue is as stated in the BOLD or CAPITALISED type heading in the catalogue description of the lot, as amended by oral or written saleroom notes or announcements. Lyon and Turnbull makes no warranties whatsoever, whether express or implied, with respect to any material in the catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event Lyon and Turnbull in its reasonable opinion deems that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the

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lot the hammer price and applicable Buyer’s Premium paid for the lot by the original purchaser. This Guarantee does not apply if: (i) the catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in Lyon and Turnbull’s reasonable opinion) to have caused damage to the lot or likely to have caused loss of value to the lot; or (iii) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the lot must: (i) notify Lyon and Turnbull in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the lot number, date of the auction at which it was purchased and the reasons for such dispute; and (ii) return the Lot to Lyon and Turnbull’s registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. Lyon and Turnbull has discretion to waive any of the above requirements. Lyon and Turnbull may require the original purchaser of the lot to obtain, at the original purchaser of lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to Lyon and Turnbull and the original purchaser of the lot. Lyon and Turnbull shall not be bound by any reports produced by the original purchaser of the lot, and reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original purchase price paid (the successful hammer price, plus the buyer’s premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon and Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

19. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon and Turnbull’s services, or as required by law, we may ask the Buyer to provide personal information about themselves or obtain information about the Buyer from third parties (e.g. credit information). Lyon and Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 20. FORCE MAJEURE Lyon and Turnbull shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 21. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

CONDITIONS OF SALE FOR SELLERS (UK) 1. DEFINITIONS In these Conditions of Sale (Sellers): “Auctioneer” means Lyon and Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or its authorised auctioneer, as appropriate; “Buyer” is the person who makes the highest possible bid or offer accepted by the auctioneer, and/or such person’s principal where bidding as agent; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Guide to Prospective Buyers and an amount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by the auctioneer by the fall of the hammer or in the case of a postauction sale, the agreed sale price; “Item” means each and every item consigned for sale following express written agreement between Lyon and Turnbull and the Seller; “Lot” means each Item offered for sale by Lyon and Turnbull;

“Lower Estimate” means the low estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Lyon and Turnbull” means the company which has its registered office at 33 Broughton Place, Edinburgh, EHI 3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, less commissions and other charges, of the Lot sold, to the extent received by Lyon and Turnbull in cleared funds; “Proposed Sale” means the intended sale through which the items will be sold on “Purchase Price” is the Hammer Price and applicable Buyer’s Premium; “Reserve” means the lowest price below which an item cannot be sold; “Terms of consignment” means the stipulated terms and rates of commission on which the Auctioneer accepts instructions from Sellers or their agents; “Upper Estimate” means the high estimate provided by Lyon and Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon and Turnbull holds on behalf of the Seller; “Without reserve” where there is no minimum price at which a lot may be sold (whether at auction or private treaty); “You”, “Your” means the seller. The Seller means you are the owner of the lot or, if you are not the owner of the lot (whether or not you have notified us that you are acting as an agent for a principal), you are duly authorised by the owner of the lot to sell it. “Us”, “Our”, “We” etc refers to Lyon and Turnbull Ltd The singular includes the plural and vice versa as appropriate. 2. WARRANTY OF TITLE AND AVAILABILITY The Seller warrants:(a) that you are the true owner of the property consigned or are properly authorised by the true owner to consign it for sale and are able to transfer good and marketable title to the property free from any third party claims. (b) that all requirements have been complied with, legal or otherwise, relating to any export or import of the property consigned, all duties and taxes in respect of the export or import of the lot have (unless agreed in writing with us) been paid and, so far as you and any principal for whom they are acting in relation to the lot are aware, all third parties have complied with such requirements in the past. (c) that you have provided Lyon and Turnbull with any and all information concerning the item’s provenance or any concerns expressed by third parties concerning its ownership, condition, authenticity, attribution, and export or import history; and (d) Unless the Seller advises Lyon and Turnbull in writing to the contrary

on delivery of the item to Lyon and Turnbull, there are no restrictions on Lyon and Turnbull rights to reproduce photographs or other images of the item in connection with the sale or any other marketing which will be done in accordance with good taste and decency. 3. PREPARATION FOR SALE (a) Lyon and Turnbull shall decide the way in which a lot may be included in the sale, how any lot is described and illustrated in the catalogue or any report, and the marketing, promotion, date, place and conduct of the sale. (b) Lyon and Turnbull will instruct, consult with, and rely on, any outside experts or restorers, agents or other third parties, and carry out such other due diligence, inquiries, research or tests in relation to the property or its provenance, either before the Proposed Sale as it may deem appropriate in its reasonable discretion. (c) Any oral or written estimate or evaluation or report provided by Lyon and Turnbull is a genuinely held opinion only. It may not be relied on as a prediction of the selling price or value of the Item, and may in Lyon and Turnbull’s absolute discretion be revised at any time. (d) The Seller acknowledges that attribution of Items is a matter of opinion and not of fact, and is dependent upon (amongst other things) information provided by the Seller, the condition of the property, the degree of research, examination or testing that is possible or practical in the circumstances, and the status of generally accepted expert opinion at the time of cataloguing. 4. TERMS OF SALE The Seller acknowledges that lots are sold subject to these Conditions and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 5. STANDARD SELLER FEES AND CHARGES (Subject to VAT) (1) Commission: 15% is charged on the selling price of each lot, (subject to a minimum charge of £45). Loss and damage warranty: 1.5% on value of lots sold. Photography: min charge £30. Online Listing: £10 per lot. (2) Transport: Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process. When organised on the Seller’s behalf the provision of transport will be contracted to third parties. Fees for transport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will be borne by the Seller , unless agreed otherwise prior. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. RESERVES (a) The lots will be sold subject to the

Scottish Silver & Applied Arts

Reserve. If the Reserve is not mutually agreed between us and confirmed by you in writing before the sale, the Reserve will be fixed by us in our sole discretion on the basis of our reasonable opinion as to the probable level of bids for the lots. The reserve cannot be above the low estimate. We shall in no circumstances be liable if bids are not received at the level of the reserve. We shall however be entitled to sell the lots below the reserve. If we do so, we shall be obliged to account to you as if the Hammer Price was equal to the Reserve. (b) Firm reserves may be no greater than lower pre-sale estimate level. (c) A reserve once set cannot be changed except with our agreement. (d) You may not bid or instruct or permit any other person to bid on your behalf on your own property. If the Seller breaches this prohibition, Lyon and Turnbull may treat the Seller as bound as Seller and as Buyer but without the benefit of Lyon and Turnbull Authenticity Guarantee or the reserve, and/or pursue other remedies. 7. LOSS & DAMAGE WARRANTY (a) Subject to condition 7(c) below Lyon and Turnbull will assume liability for loss or damage to an item, commencing at the time that item is taken into physical control and possession by Lyon and Turnbull and ceasing on the earliest date of; (i) when risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, when the lot is released to the Seller, or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon and Turnbull for items still in the possession of Lyon and Turnbull but not consigned for sale (unless part of a long-term storage agreement). (b) Lyon and Turnbull shall charge a loss and damage warranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during the period identified in paragraphs (a) above, Lyon and Turnbull’s liability to compensate the Seller in respect of that loss shall be restricted to a maximum of the upper estimate, or actual loss incurred, whichever is lower. This compensation will be subject to a deduction of a 1.5% loss & warranty fee (subject to VAT). 8. UNSOLD ITEMS (1) If an item is unsold it may, with your consent, be re-offered at a future sale. Where in our opinion an item is not suitable for a future sale we may either request (a) you collect such items from the saleroom promptly on being so informed. We shall be entitled to charge you for storage costs, charges shall be made at a reasonable daily rate;or (b) suggest that the item be transferred to a secondary saleroom for sale without reserve. All transferred lots will be sold for the best price on the day, this may not bear any reflection on the item’s original estimate. Lyon and Turnbull

are not liable for any items (whether it be selling price or loss & damage) when transferred. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at the agreed reserve price or above, for up to 48 hours after the original auction. In which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Conditions apply. 9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, a withdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (b) if withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancillary charges incurred (such as photography), all subject to VAT at the current rate. (c) Lyon and Turnbull may withdraw a lot from the proposed sale without any liability if: (i) Lyon and Turnbull reasonably believes that there is any doubt as to the lot’s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of the Seller’s warranties; or (iii) the Seller breaches any provisions of the Conditions of Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not in the state in which it was when Lyon and Turnbull took delivery of it. (d) if an item is withdrawn from sale under Condition 9(c) (i), or (iv), the Seller shall not be charged a withdrawal fee and the item shall be returned to the Seller or dealt with pursuant to Clause 8, as the Seller decides. 10. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST The Seller authorises us to deduct commission at the stated rate, and all expenses incurred for your account from the hammer price, and consents to our right to retain beneficially the premium paid by the Buyer in accordance with these Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 11. NON-PAYMENT BY THE BUYER (a) Lyon and Turnbull will, where it considers appropriate, take reasonable steps to investigate the ability of bidders to pay for lots and will use reasonable endeavours, in consultation with the Seller, to enforce payment of the Hammer Price by any Buyer. (b) Lyon and Turnbull, in consultation with the Seller, will decide whether to pursue any of the remedies available to it, including those set out in Condition 10 of the Condition of Sale (Buyers) including the right to cancel the sale

and return the property to the Seller. Lyon and Turnbull will inform the Seller of any action which it contemplates taking against the Buyer. (c) lf the Seller elects to take action against any Buyer on its own behalf Lyon and Turnbull will provide the Seller with such assistance as may be reasonably necessary to pursue that action. (d) The Seller hereby agrees to inform Lyon and Turnbull of any action which it chooses to take against the Buyer to enforce payment of the amount due to the Seller. (e) In the event that a Buyer fails to pay for a lot in accordance with the Conditions of Sale for Buyers, that lot will be treated in the same way as an unsold or collected lot. 12. SETTLEMENT PAYMENTS Subject to full payment by the Buyer, payment of the net proceeds of sale due to you will be made over to you 28 working days following a sale. Provided we have received cleared funds. Payment will be made by cheque or BACS (if requested). 13. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Sellers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) Lyon and Turnbull undertakes to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale. 14. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 15. GENERAL (a) We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (b) Any notice to any Buyer, Seller, bidder or viewer may be given by email, or if not available then first class mail, in which case it shall be deemed to have been received by the addressee 48 hours after posting. (c) Notices to Lyon and Turnbull should be in writing and addressed to the Managing Director at 33 Broughton Place, Edinburgh EH1 3RR, quoting the reference number specified at the beginning of the sale catalogue. (d) Should any provision of these Conditions of Sale be held

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unenforceable for any reason, the remaining provisions shall remain in full force and effect. (e) These Conditions of Sale are not assignable by either party without the other’s prior written consent, but are binding on the seller’s successor and representatives. No act, omission or delay by Lyon and Turnbull shall be deemed a waiver or release of any of its rights. (f) The contract between the parties may be varied by the parties by agreement and in writing. 16. RECISSION OF SALES Lyon and Turnbull may rescind the sale where it reasonably believes that the lot falls within the terms as defined by Lyon and Turnbull’s Authenticity Guarantee (see Buyer’s conditions), in this event Lyon and Turnbull shall send the Seller notice of such rescission. The Seller agrees to return to Lyon and Turnbull the Net Sale Proceeds received from the sale of such lot with any additional expenses incurred by Lyon and Turnbull. Lyon and Turnbull will return the property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented in doing so by reasons outwith Lyon and Turnbull’s control. 17. AGENCY Lyon and Turnbull acts as agent solely for and in the interests of the Seller. We do not act for Buyers in this role and does not give advice to Buyers. When Lyon and Turnbull make a statement about a lot it is doing so on behalf of the Seller of the lot. The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers. 18. DATA PROTECTION In connection with the management and operation of our business and the marketing and supply of Lyon and Turnbull’s services, or as required by law, we may ask the Seller to provide personal information about themselves or obtain information about the Seller from third parties (e.g. credit information). Lyon and Turnbull will not give out personal information except as may be required by law. If you would like further information on Lyon and Turnbull policies on personal data, or to make corrections to your information, please contact us on 0131 557 8844. 19. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply. 18.4

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Guide to Bidding & Payment Registration

How to Bid

Payment

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, by fax or on our website. Please note that all first time bidders at Lyon & Turnbull will be asked to supply the following documents in order to facilitate registration:

By phone A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

In writing Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. All bids must be received an hour before the sale. This service is entirely at the bidder’s risk.

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. Bidding At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable.

On the internet A fully-illustrated catalogue is available on our website. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Live online bidding is also available: • L&T Live – Access through our website or download the live bidding app L&T Live, service offered for no additional fee. • Invaluable – Access through invaluable.com. Invaluable charge an additional 5% for their service. • The-Saleroom – Access through The-Saleroom.com. The-Saleroom charge an additional 3% for their service.

Bank Transfer Account details are included on any invoices we issue or upon request from our accounts department. Credit or Debit Cards Payment can be made by Visa Debit, Maestro, Mastercard or Visa Credit cards. Online Card Payments We no longer accept card payments by phone. Please use our online payment service (provided by Cardstream/Credorax).

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Cash Cash payments can be made at the accounts desk during or after a sale. Cash payments limited to £5,000.

Scottish Silver & Applied Arts

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

4 Lyon & Turnbull

33 Broughton Place, Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel. +44 (0)141 333 1992 Fax. +44 (0)141 332 8240

Other fees apply in addition to the hammer price, please see the ‘Buyer’s Guide’ section on page 2

22 Connaught Street, London W2 2AF Tel. +44 (0)207 930 9115