DESIGNER SHOWCASE 07
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07 The swaying palms are a perfect backdrop to the new stonework flooring and comfy seating at the Coconut Grove Lanai. 08 Floral touches complete the island aesthetic of the guestroom. 09 A handsome Koa desk and Savage prints adorn the walls at the concierge and reception area. 10 Traditional Koa rockers and a Matson print welcome guests to sit and enjoy the view of the Pacific Ocean at the Lurline Lanai.
Royal Hawaiian that Modern Perch, “is perched on a lava shelf above the deep blue South Pacific ocean giving it a front row seat.” Edges and opening frames accent this dramatic position with no sacrifice to the livability of the home. Staub points out that the breathtakingly framed views help to, “draw in the drama of the power of the water,” into the interior action of the house, effectively creating a seamless visual transition between nature and synthetic design. Philpotts accomplishes no easy task by creating contrast between design and nature, without competition–firstly, because the company wants to focus on the site and secondly, because it may not be wise to compete with a site as idyllic as this one. Through materiality, views and its subsequent composition, Philpotts effectively created a win-win situation for both inhabitant and designer.
Marion Philpotts-Miller and Lowell Tom employed its “sense of place” concept to enhance the Royal Hawaiian’s colorful heritage and signature style. “The warmth of the iconic exterior is brought inside using rich standards classic forms; newly designed, lavishly colored rugs, decorative grillwork and signature lighting set a rich tone,” says Philpotts-Miller. “Updated classic elements pay tribute to the hotel’s majestic heritage with artwork by Eugene Savage, vintage koa furniture, and exotic furnishings reminiscent of the days when steamships regularly brought well-heeled travelers to Hawaii.” Through historical accuracy and nostalgic images, the arrival felt by visitors of old is recreated by using, “bold greens, pinks and browns mixed with floral carpets, textured wall coverings and
Philpotts Interiors achieves a Pacific Modern sensibility through “tying in and referencing site, but not trying to replicate or over embellish it through the interior.” Since, “indigenous design is fundamental to [its] design foundation,” projects like Modern Perch and Royal Hawaiian Hotel can authentically recall things such as site-specific materiality, local culture and history, effectively providing a reflection of that periodicity and location, to the people that interact with the company’s interiors.
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vintage photographs.” Guests settle into fresh, elegant rooms reminding themselves that, “the journey is as important as reaching the destination.” The new Royal Hawaiian presents a fresh renovation and a “new style for five-star resorts around the world.” In completion, the old Pink Palace stands revitalized and its facelift makes it a “Modern Day Classic.”
FALL 2012