Architecture Portfolio

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LUCÍA BALBOA QUESADA ARCHITECTURE PORTFOLIO



CONTENTS

CV

PROJECTS ROMAYLA Alhambra & Town Hall

PORT BUILDING Competition Winner

ROLY POLY IFAC’16

HAIRDRESSER Furniture design

MÁLAGA’S RECTORATE Competition Finalist

EPPUR SI MUOVE Alonso Cano Award

CEMETERY IN CHURRIANA DE LA VEGA Master thesis

ÁLVARO SIZA M57 ARQUITECTOS


LUCĂ?A BA LBOA Q UESA DA A restless person since I can remember. I love to learn every day and continue to amaze me. I am enthusiastic and very consistent. My passion is to travel. I have studied in La Sapienza in Rome and worked in the study of Ă lvaro Siza in Porto when I won the Arquia scholarship.

+34 667508351

lubalboaq@gmail.com

Detailed CV


PROFESSIONAL EXPERIENCE • Jan - Nov 2013

PORTO

• September 2017 - Actual GRANADA

• July - October 2017 GRANADA

• February - Augost 2017 GRANADA

• September 2016 ALMERÍA

• February - June 2016 GRANADA

• October 2011- February 2012

GRANADA

• October 2011 - June 2012 GRANADA

Architect. Álvaro Siza

Arquia scolarship and continuity in the studio

Architect. Patronato de la Alhambra y Generalife

Assistance in design and restoration of heritage projects in Alhambra

Architect. Freneda&Zamora Architects

Basic and Execution Project. Port Operations Building. Port of Motril

Town Architect

Town Hall of Granada

Tutor IFAC 2016

International Festival of Art and Construction

Architect. M57 Arquitectos

Design and development of residencial projects

Restoration of Torres Bermejas. Patronato de la Alhambra

Colaboration in Phd. Javier Gallego Roca studio

Undergraduate Research Scholarship

Architectural Restoration Laboratory. University of Granada

EDUCATION • Sept 2006 - Dic 2015 GRANADA

• September 2009 - July 2010

ROMA

Architect. ETSA Granada Project average score: 9.31/10.

La Sapienza. Rome Erasmus Program

COMPETITIONS • May 2016

GRANADA

• May 2016

GRANADA

• July 2016

VALENCIA

Arquia Scolarship winner. Álvaro Siza Ranked 1/10 best project academic records

1st ALONSO CANO AWARD to artistic creation Exhibition at Palace of La Madraza. University of Granada

FINALIST Award PIAM Matimex Exhibition of the project “Rolling box” in Almanzora, Castellón, Spain.

SOFTWARE LANGUAGES

Spanish English Portuguese Italian



ROMAYL A ALHAMBRA & TOWN HALL 2017 ALHAMBRA (GRANADA)



PORT BUILDING COMPETITION WINNER FRESNEDA&ZAMORA 2017 MOTRIL (GRANADA)


despachos

1a. Tecnic room - machines 1b. Tecnic room - control 2a. Public toilet 2b. Public toilet - adapted 3. Changing room - 15 pax. 4. Changing room - 50 pax. 5. Boss office 6. Border operative group office 7. Caniles

circulaciรณn interior

รกrea privada sala de reuniones

PLANTA BAJA

5

4

3 6

2 1b

PORT BUILDING

COMPETITION

7

2 1a MOTRIL (SPAIN)


8. 9. 10. 11. 12. 13. 14. despachos

patio

รกrea privada

circulaciรณn exterior

caniles

circulaciรณn interior

Meeting room Archive Toilets Operative group office transcript Head transcript office Additional head border office Head border office

PLANTA PRIMERA

12

11

8

14 13 10

9

11



ROLY POLY

2016 LOS BAÑOS DE SIERRA ALHAMILLA (ALMERÍA)


ROLY POLY I FAC 2 016

ONLINE DOSSIER LOS BAÑOS DE SIERRA ALHAMILLA (ALMERÍA) ARCHITECTS LUCÍA BALBOA QUESADA ANTONIO JIMÉNEZ QUESADA COLLABORATORS PARTICIPANTES DE IFAC 2016

<100 € / 8 days of construc- ring water, gathering people. tion / 6 people. We seek to create a space to Roly Poly is a temporary in- enjoy the place and the diffetervention in the upper part rent textures of the shadows. of the Sierra Alhamilla va- A meeting place that interacts lley which was selected for with the environment trying to IFAC’16 (International Festival catch it. of Art and Construction). In a period of economic crisis, we propose to build affordable and self−made architecture. Thus, architecture should not be only a matter of money, but a resource to be useIt is conceived as a metaphor ful to anyone, making it fast, to the old water tanks from affordable and available to Almería, but instead of gathe- everyone. It is based on a sequence of wooden arches with mountain silhouette and filled with reeds, clay, sand and straw from the environment.

IFAC 2016

SEPTEMBER 2016



ROLY POLY

IFAC 2016

ALMERÍA (SPAIN)


17



HAIRDRESSER FURNITURE 2016 GRANADA


HAIRDRESSER FURNITURE The project consists of desig- The panels are knotted pine ning a furniture for a hairdres- without knots with a thickness of 30mm. ser in Granada. The idea is to reuse the wood of existing furniture in the hairdresser and respond with them to the workflow of this place.

ONLINE DOSSIER GRANADA FURNITURE DESIGN LUCÍA BALBOA QUESADA RAÚL RODRÍGUEZ

It seeks functionality, balance and elegance.

The longitudinal furniture is storage and for the washing area, the counter for custoThe space is minimal and the- mer service and box, and the refore the design had to be glass shelves are the exhibitor very precise. It is realized with That is why its symmetrical a budget of 900 €. The wood doors on the front are sliding, is reused and the necessary giving the customer the option wooden planks for the neces- to decide what composition of sary modules are purchased. holes he wants to leave.

PELUQUERÍA

NOVIEMBRE 2016




RECTORATE OF MÁL AGA’S UNIVERSITY FINALIST COMPETITION 2016 GRANADA


+53.40 +48.90

+53.40

s1 Sección por accesos a Pabellón de Gobierno y Paraninfo. E 1:500

MÁLAGA’S RECTORATE

COMPETITION

MÁLAGA (SPAIN)


+53.40

+48.90

25



EPPUR SI MUOVE 1ST ALONSO CANO AWARD GRANADA 2016


EPPUR SI MUOVE 1 S T A LO N S O C A N O AWA R D

DOSSIER ONLINE UNIVERSITY OF GRANADA AWARD TO ARTISTIC CREATION 2016 AUTHORS LUCÍA BALBOA QUESADA ANTONIO JIMÉNEZ QUESADA

The project is located in the current administrative area of ​​La Madraza, patrimonial building of 1349, and consists of the design of a new store for the University of Granada.

tive as well as to offer a place for scientific dissemination and also commercial university.

The furniture is prepared to slide on guides to respond to the patrimonial space with a flexiThe proposal starts from an ble project that links the univeridea of ​​recycling of the furniture sity collective with an identity of the present store located in and making it participate in it. the street Pavaneras. From them The project responds to multiple is created a changing and flexi- functions according to activity. ble furniture, a furniture that Therefore, the university collecmoves. tive can take advantage of this The project seeks to respond to emblematical space. functions of the university as a dynamic and changing collec1ST ALONSO CANO AWARD

MAY 2016



UGRCERRADA

SL

SHOPUGR

CONFERENCEUGR

STORYTELLINGUGR

WORKSHOPUGR

ST

STORAGE + EXHIBITOR

EPPUR SI MUOVE

STORYTELLINGS

1ST ALONSO CANO AWARD

MAY 2016


ST

SL

SL

CONFERENCES

EXHIBITOR SEQUENCE

31



CEMETERY IN CHURRIANA DE LA VEGA MASTER THESIS A NEW WATER DIVISOR IN THE CROP LAND GRANADA 2015


CEMETERY IN CHURRIANA DE LA VEGA MASTER THESIS EXHIBITION: “VIVA LA VEGA” FESTIVAL

ONLINE LAYOUTS ONLINE DOSSIER CHURRIANA DE LA VEGA GRANADA 2015 UNIVERSITY OF GRANADA ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA

The project is located in Churriana de la Vega (Granada). The connection point between Churriana and crops is the water. Rivers and canals draw lines that articulate the territory. Water morphologies are studied to tackle the project. La Vega (crops land), a place for rest, inspires an architecture for silence. An architecture that reflects on life as an adrift journey. The project is conceived as an irrigating canal divisor at the end of the tour from the village MASTER THESIS

to the cemetery. A flowing space like this landscape. It seeks to create sensory journeys determined by water and its rhythms. Two water guidelines aimed articulate the proposal. The project is built based on the different sensations that water generated. Paying attention to elements such as sound, reflection, movement, sealing. Understanding the ditch divisor as a beginning of the route (spring) and the end of each guideline as a final (pond).

2016


N

TA

AR

RA

M

O

PROYECTO NUEVO CEMENTERIO

A

Q CE

UI

A

T

CEMENTERIO ACTUAL

5.ANTIGUO LAVADERO (PUERTA A LA VEGA)

A 2 4

1 B

3

D

1.BAÑOS ÁRABES HAMMAN

ACE

4

E 5 9

C 3

6 7

8

35

QU IA

ARA

BULEILA


WATER TOURS

6

5

5’

4

4’

3

3’

2

1 CEMETERY

MASTER THESIS

2016


6

4’ 5

5’

4

3’

3

1

2

37


POINT WHERE WATER IS BORN. HERE THE ROUTES START AND SEPARATE.

THE WATER LINE OF THE CEMETERY FLOWS IN THE DIRECTION OF THE CEMETERY.

THE WATER EXPANDS IN THE ENCLOSURE OF THE PANTHEONS LOOKING FOR CALM.

UN NUEVO PARTIDOR

PFC

2016


CEMETERY ELEMENTS

PANTHEONS

NICHES

GRAVES

BIODEGRADABLE URN

39


CEMETERY

MASTER THESIS

2016


41


ÁLVARO SIZA ARQUIA SCHOLARSHIP 2012 PORTO JANUARY-NOVEMBER 2013



PAVILHÃO DO BRASIL Á LVA R O S I Z A SOUTO DE MOURA PARQUE IBIRAPUERA, SÃO PAULO BRASIL 2013

Design of the Brazilian Pavilion with Álvaro Siza and Souto de Moura, discussing aspects of the design through the visualization of models to different scales, reaching up to 1.10, for carpentry details. Colaboration in the design process Realization of models at different scales

SIZA

2016


45




CAPILLA EN MILJANA MILJANA CROACIA 2013

Re-adaptation of the chapel to the plot change. From smooth to uneven ground. Two proposals were made to study the accesses. Design of entrance masonry and project coordination with the Croatian architect. Project Coordination Colaboration in the design process Masonry design Realization of models at different scales

SIZA

2016


49




GAETA SCULPTURE GAETA’S PICTURE GALLERY ITALY 2013

DESENHO 13

D7 D8

DESENHO 2

E2 E6

D9 D10 D11 D12

DESENHO 1

DESENHOS

E7

E8 E1

DESENHO 3 D4

SALA 1

D5

SALA 2

SALA 3

D6

SALA 4


DESENHOS SALA 1 DESENHO 1

DESENHO 2

DESENHO 3

DESENHO 4

DESENHO 5

DESENHO 6

DESENHO 7

DESENHO 8

DESENHO 9

DESENHO 10

DESENHO 11

DESENHO 12

DESENHO 13

ESCULTURAS SALA 2 E1

E2

SALA 3 E6

E7

E8

E4

E5

SALA 4 E3


GAETA SCULPTURE Á LVA R O S I Z A GAETA’S PICTURE GALLERY ITALY

PORTO 2013

Las esculturas diseñadas por Siza para la exposición en la Pinacoteca de Gaeta (Italia) fueron delicadamente escogidas. Se realizaron varios conjuntos de esculturas repartidas por las salas que había destinadas para Siza en Gaeta.

dibujos fue algo maravilloso porque era discutir cara a cara con Siza.

Recuerdo con mucha emoción el momento en que vi las esculturas. Llevar el seguimiento de la construcción de las esculturas con el taller de Simoes fue Algunos dibujos también fue- toda una experiencia muy graron seleccionados para ser tificante. expuestos en una sala. Toda la Hay un libro redactado de la disposición de las esculturas y exposición: “PERSONAGGI dibujos estaba estudiada y di- ÁLVARO SIZA/LINDE BURbujada en planos. Así como el KHARDH” del cual guardo una diseño del bastidor. copia que me trajo el propio El proceso de digitalizar los Siza tras la exposición. SIZA

2013



M57 ARQUITECTOS GRANADA 2016 ARCHITECT RUBENS CORTÉS CANO




LU CÍA BAL BOA QUESADA + 3 4 6 67 5 0 8 3 51 lubalboaq@gmail.com

Detailed CV



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