The Cleveland Orchestra October 25, 26, 27 Concerts by Live Publishing

THE CLEVELAND ORCHESTRA

FALL SEASON

F R ANZ WELSER-MÖST M U SIC DI R ECTOR

Music. Pure + Simple.

12 13 SEASON

clevelandorchestra.com

October 25, 26, 27 RACHMANINOFF’S SECOND PIANO CONCERTO

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What some kids would rather be doing. That’s why we’re so proud to support The Cleveland Orchestra’s music education programs for children, making possible the rewards and beneﬁts of music in their lives. WILLOUGHBY HILLS: LEXUS, BMW, MINI MENTOR: CADILLAC, SAAB, CHEVROLET, FIAT, FORD, LINCOLN, HYUNDAI, MAZDA TOYOTA SCION VOLKSWAGEN PAINESVILLE: BUICK, GMC STREETSBORO: HONDA, NISSAN, KIA DRIVECLASSIC.COM AUTO GROUP

THE CLEVELAND ORCHESTRA T A B L E

O F

1213 SEASON

C O N T E N T S

WEEK 6 7

In the News Perspectives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Spotlight Photo: A Look Back . . . . . . . . . . . . . . . . 8 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Distinguished Service Award . . . . . . . . . . . . . . . . 65

About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . . Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . Education and Community . . . . . . . . . . . . . . . . . . Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . .

11 15 22 61 71 88 92

Concerts — Week 6 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: October 25, 26, 27 . . . . . . . . . . . . . . 35 Introducing the Program . . . . . . . . . . . . . . . . . . . . 37 LIADOV

The Enchanted Lake . . . . . . . . . . . . . . . . . . . . . . 39 RACHMANINOFF

Piano Concerto No. 2 . . . . . . . . . . . . . . . . . . . . . 43 SIBELIUS

Symphony No. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Conductor: Robin Ticciati . . . . . . . . . . . . . . . . . . . . 57 Soloist: Simon Trpčeski . . . . . . . . . . . . . . . . . . . . . . 59

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Center for Future Audiences . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

48 66 67 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program. These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

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Perspectivesfrom the Executive Director Autumn 2012 Welcome to the new season — Franz Welser-Möst’s eleventh year as music director. The months ahead promise exciting music and creative innovation, alongside our continuing dedication to artistic excellence and community service. The Cleveland Orchestra and Franz have just returned from this summer’s European Festivals tour. Once again, their performances were lauded and applauded from Scotland to Salzburg and from Lucerne to Linz. Many music critics, in the midst of praising the Orchestra’s overall artistry, focused on the extraordinary string section — including this quote from Südwest Presse: “This string section can clearly do anything perfectly, and Welser-Möst was able to demonstrate that fact with brio.” Additional excerpts of reviews from the European Festivals tour can be found on page 25 of this program book. The Cleveland Orchestra is devoted to nourishing hearts and minds — through musical performances and education programs. We are devoted to economic vitality — as Ohio’s most visible international ambassador, proudly carrying the name of our great city everywhere we go. And we are devoted to community service. The Orchestra is in the midst of a renaissance of spirit, as we commit ourselves to being ever more relevant to our hometown in a modern and changing world. Over the summer, we announced a series of new and innovative programs for the coming season. These include the Orchestra’s first fully staged performances of Tchaikovsky’s The Nutcracker, presented with The Joffrey Ballet the week after Thanksgiving at PlayhouseSquare. We’re also continuing our return to the public schools, with a fourth year of performances at area high schools. And we’re introducing the expansion of “Under 18s Free” to select concert series here at Severance Hall. Next spring, we continue our collaborative partnership performing at the Cleveland Museum of Art, and we launch the Orchestra’s first Neighborhood Residency in Cleveland’s Gordon Square Arts District. Details of these and other programs can be found beginning on page 26 of this program book. We owe a debt of gratitude to the generous donors and sponsors who are funding these new activities alongside our core programming. And we invite you, our loyal friends, to consider your own investment in the continuation of these initiatives. Please be counted among the many who ensure the success of this great orchestra, through your participation and financial support.

Gary Hanson P.S. Included in this fall’s elections is an operating levy for the Cleveland Metropolitan School District. Promoted as the “Right Plan, Right Now,” the success of this funding initiative for education will make a critical difference for Northeast Ohio’s future — and I urge everyone to learn more, to volunteer, and to support the campaign by visiting www.rightplanrightnow.com. Severance Hall 2012-13

Perspectives

CLEVELAND ORCHESTRA ARCHIVES

IN THE SPOTLIGHT

— Conductor Nikolai Sokoloff and composer Sergei Rachmaninoff with Natalia Rachmaninoff (left), Cleveland Orchestra Manager Adella Prentiss Hughes (center), and Lyda Sokoloff (far right).

CLEVELAND 1923

U N D E R T H E L E A D E R S H I P of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The partnership with Franz Welser-Möst, now in its eleventh season — and with a commitment to the Orchestra’s centennial in 2018 — has moved the ensemble forward with a series of new and ongoing initiatives, including:

the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base, including an ongoing residency at the Vienna Musikverein (the first of its kind by an American orchestra); an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presentations and collaborations

About the Orchestra

The Cleveland Orchestra

(based on successful educational programs pioneered over the past nine decades at home in Cleveland); concert tours from coast to coast in the United States, including annual appearances at Carnegie Hall; regular concert tours to Europe (including biennial residencies at the Lucerne Festival) and Asia (including a residency at Tokyo’s Suntory Hall in 2010); ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of symphonies by Anton Bruckner; additional new residencies at Indiana University and at New York’s Lincoln Center Festival; an expanded offering of education and community programs in Northeast Ohio, designed to make music an integral and regular part of everyday life; the 2012-13 season includes a new neighborhood residency program that will feature a week of activities and performances in Cleveland’s Gordon Square Arts District; creative new artistic collaborations, including staged works and chamber music performances, with arts institutions in Northeast Ohio and in Miami; an array of new concert offerings (including Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable; a concentrated and ongoing effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media offers and promotion, and student ticket programs; continuing and expanded educational partnerships with schools, colleges, and universities from across Northeast Ohio and in the Miami-Dade community; the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season includes the Orchestra’s first fully staged performances of Tchaikovsky’s The Nutcracker. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2012-13

The Orchestra Today

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T H E M U S I C AL ARTS AS SOCIATION

as of June 2012

operating The Cleveland Orchestra, Severance Hall, and Blossom Festival O F F I C E R S A ND E X E C UT I VE C O MMIT T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Raymond T. Sawyer, Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford Michael J. Horvitz Douglas A. Kern

Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley Larry Pollock

Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt

Christopher Hyland James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill

The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Neil Sethi Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Thomas A. Waltermire Geraldine B. Warner Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)

Herbert Kloiber (Germany) Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFI C I O Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Ruth Ann Krutz, State Chair, Blossom Women’s Committee TR U S TE E S E M ERI T I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS T EES FOR LIFE Allen H. Ford Gay Cull Addicott Robert W. Gillespie Francis J. Callahan Dorothy Humel Hovorka Mrs. Webb Chamberlain Robert F. Meyerson Oliver F. Emerson Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2012-13

Gary Hanson, Executive Director

Musical Arts Association

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

P H OTO BY D O N S N Y D E R

T H E 2 0 1 2 - 1 3 S E A S O N marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is enlarging and enhancing its community programming at home, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst became general music director of the Vienna State Opera in September 2010. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. The initiative continues and expands upon Mr. Welser-Möst’s active participation in community concerts and educational programs, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories and universities across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a new biennial residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, and Sean Shepherd. Franz Welser-Möst has led a series of opera performances during his tenure

Severance Hall 2012-13

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director SvenEric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2012-13 season, his Vienna performances include Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème, and Berg’s Wozzeck. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan, as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast in seventy countries worldwide; he will conduct the New Year’s Day concert again in 2013 and will also lead the Philharmonic in a series of concerts at New York’s Carnegie Hall in March 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions and numerous revivals. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of Bruckner symphonies, presented in three accoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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12 13 SEASON

THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR Kelvin Smith Family Chair

Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero PRINCIPAL GUEST CONDUCTOR , CLEVELAND ORCHESTRA MIAMI

James Feddeck ASSISTANT CONDUCTOR Elizabeth Ring and William Gwinn Mather Chair

MUSIC DIRECTOR, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

Robert Porco DIRECTOR OF CHORUSES Frances P. and Chester C. Bolton Chair

Lisa Wong ASSISTANT DIRECTOR OF CHORUSES DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS

Ann Usher DIRECTOR, CLEVELAND ORCHESTRA CHILDREN’S CHORUSES

ASSISTANT DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS

Suzanne Walters ASSISTANT DIRECTOR, CLEVELAND ORCHESTRA CHILDREN’S CHORUSES

P H OTO BY R O G E R M A S T R O I A N N I

Daniel Singer

Severance Hall 2012-13

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST M U S I C D I R E C TO R Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Lev Polyakin

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut VIOLAS Robert Vernon *

Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka Mark Jackobs

CELLOS Mark Kosower*

Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

12 13 O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

HORNS Richard King *

TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa*

Margaret Allen Ireland Chair

Donald Miller Tom Freer Marc Damoulakis KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Carol Lee Iott DIRECTOR

Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

BASS TROMBONE Thomas Klaber

Louise Harkness Ingalls Chair

PERCUSSION Jacob Nissly *

Michael Miller

E-FLAT CLARINET Daniel McKelway

BASSOONS John Clouser *

Otto G. and Corinne T. Voss Chair

Tom Freer 2

Knight Foundation Chair

Jesse McCormick Hans Clebsch Richard Solis Alan DeMattia

Shachar Israel 2

BASS CLARINET Linnea Nereim

TIMPANI Paul Yancich *

George Szell Memorial Chair

Michael Mayhew §

Linnea Nereim

Stanley L. and Eloise M. Morgan Chair

SEASON

EUPHONIUM AND BASS TRUMPET Richard Stout

ENDOWED CHAIRS CURRENTLY UNOCCUPIED ASSISTANT PRINCIPAL HARP

Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

Barrick Stees 2 Sandra L. Haslinger Chair

Jonathan Sherwin CONTRABASSOON Jonathan Sherwin

Severance Hall 2012-13

The Orchestra

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2012 European Festivals Tour draws praise for Welser-Möst and Cleveland Orchestra The following are excerpted from press reviews of the Orchestra’s performances during its European Festivals Tour August 18 to September 3: “If the strings are the heart and soul of the symphony orchestra, then The Cleveland Orchestra is essentially in terrific shape. . . . It was the full-bodied attack of the strings in the gutsy opening bars, and their brilliantly delicate and muted virtuosity in the second movement, that were the icing on the cake.” —The Scotsman, August 22, 2012 “The Cleveland Orchestra is often described as the aristocrat among American orchestras. If ‘aristocratic’ means spellbinding finesse in sound and style, then their first Edinburgh Festival concert certainly came up trumps. . . . The music we heard gave a lot of pleasure, largely because it was shrewdly chosen to show off the Clevelanders’ fabulous sheen and warmth. —Telegraph, August 22, 2012 “In this one heard a courageous Bruckner, unafraid of dissonances, magnificently brought alive by Franz Welser-Möst and his Cleveland Orchestra.” —Deutschland Radio, August 25, 2012

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“Representing the ruins of a demolished tower of concrete and lead, Matthias Pintscher orchestrates a catastrophic destruction in his Chute d’Étoiles (‘Falling Stars’). Metallic explosions of sound run into the calm of a post-apocalyptic ‘sea of lead,’ and it is left to two solo trumpets to drive this cycle of destruction and new creation forward. . . . Michael Sachs and Jack Sutte performed with great verve and in a mirage-like whisper, using idioms not far removed from free jazz; they gradually soar to a state of golden splendor.” —Die Südotschweiz, August 27, 2012 “The host of strings (eight double basses, an unusual complement of twelve violas seated on the conductor’s right, etc.) was amazing — a sound mass with a lot of fighting power. . . . This string section can clearly do anything perfectly, and WelserMöst was able to demonstrate that fact with brio.” —Südwest Presse, August 29, 2012 “[In Smetana’s Má Vlast] Welser-Möst had the harpist touch the strings with great subtlety, and the wiry immediacy of the strings (with William Preucil as concertmaster) was striking.” —Stuttgart Nachrichten, August 29, 2012

Severance Hall 2012-13

Cleveland Orchestra News

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“[In Smetana’s The Moldau] the coloring was precise, almost pointillistic, the tempo flowing and animated, with furious explosive power and dramatic brio in the passage of the cataracts, and with silky sparkle in the violins for the scene of the mermaids in the silvery moonlight. The conductor thoroughly cleansed this earworm from all the patina of spa concerts. The familiar sounded excitingly new — this was definitely worth listening to carefully.” —Esslinger Zeitung, August 29, 2012

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Cleveland Orchestra continues innovations in programming and community engagement New programs and expansion include neighborhood residency, ballet, free tickets, and school partnerships and performances

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

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In the 2012-13 season, The Cleveland Orchestra continues its innovations in programming and community engagement, seeking to build on the success of recent initiatives. The coming season’s innovations include new program and audience development activities at Severance Hall, alongside expanded activities outside the concert hall. The Orchestra will venture even farther outside its University Circle home with new programs downtown and on Cleveland’s West Side. At PlayhouseSquare, the Orchestra will collaborate with The Joffrey Ballet, while the organization’s ground-breaking residency program, developed and refined by the Orchestra in cities including Vienna and Miami, will come home to Northeast Ohio with the launch of a new program of Neighborhood Residencies. The first annual Cleveland Orchestra Neighborhood Residency will take place in Gordon Square the week of May 13-19, 2013. Also this season, the initiative that brought the full Orchestra back into the schools in 2009 will continue and become a permanent part of the annual schedule thanks to a newly-created endowment fund, and a new partnership with Breakthrough Charter Schools begins in October 2012. Meanwhile, “Under 18s Free,” a program first established for the 2011 Blossom Festival, will come inside Severance Hall for selected concerts, and as the unique Fridays@7 Series enters its fourth season, a bold repertoire move sees world music migrating from the @fter-party entertainment to the main-stage concert with the Orchestra. The KeyBank Fridays@7 series opened on October 5 featuring the music of Stewart Copeland, founder and drummer of The Police, and a collaboration with the Rock and Roll Hall of Fame & Museum. In announcing the new initiatives in August, Gary Hanson, executive director of The Cleveland Orchestra, said, “We want to build on the success of our many recent community engagement initiatives, and in the coming season we are further diversifying our schedule and

programs. Our goal is to be even more relevant to our community.” CLEVELAND ORCHESTRA NEIGHBORHOOD RESIDENCY The Cleveland Orchestra Neighborhood Residency is a new program to immerse the Orchestra in local communities with an intense schedule of performances and activities. The first of these annual residencies in Northeast Ohio takes place the week of May 13-19, 2013, in Gordon Square. The centerpieces of the Residency will be free Cleveland Orchestra concerts at St. Colman Church for neighborhood residents and students, and musicians will perform as soloists and in ensembles in non-traditional locations and in local schools. The Cleveland Orchestra Neighborhood Residency at Gordon Square is funded in part by the Machaskee Fund for Community Programming, an endowed fund created by Alex and Carol Machaskee. Sean Watterson, co-owner of the Happy Dog bar, restaurant, and music venue in Gordon Square, said, “We’re incredibly enthusiastic about the Orchestra coming to Gordon Square. We’re thrilled that people in our community will be able to experience their world-class performances at a series of events for all ages throughout the neighborhood. We’re proud to welcome the world to Gordon Square to join us for this unique experience.” HIGH SCHOOL PERFORMANCES PERMANENTLY ENDOWED The Cleveland Orchestra returned to performing in Cleveland high schools in 2009, after an absence of more than three decades. On Thursday, October 11, 2012, the Orchestra’s performance at Shaker Heights High School is the first to be supported by a newly established fund that permanently endows annual Cleveland Orchestra performances in area high schools. The Alfred Lerner In-School Performance Fund, a gift of $1 million from Mrs. Norma Lerner and The Lerner Foundation, will support concerts in high schools in perpetuity. Performances are being

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OrchestraNews planned for Cleveland Metropolitan School District High Schools in 2013 and 2014.

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“UNDER 18s FREE” EXPANDS FROM BLOSSOM TO SEVERANCE HALL The Cleveland Orchestra’s “Under 18s Free” at Blossom program is expanding to Severance

Hall. This follows the unprecedented success of the program for Blossom Festival concerts, where, since its inception in 2011, more than 23,000 young people have attended Cleveland Orchestra concerts. “Under 18s Free” at Severance Hall tickets are available for all KeyBank Fridays@7 concerts, as well as for the Orchestra’s two regular matinee series: Friday Mornings at 11 and Sundays at 3. Free tickets are offered for young people ages 7-17 on a one-for-one basis with paid adult admissions. “Under 18s Free” tickets are available by contacting the Severance Hall Ticket Office. “Under 18s Free” is supported in part by The Cleveland Orchestra’s Center for Future Audiences. The Center, created with a lead endowment gift from the Maltz Family Foundation, was estabThe Joffrey Ballet performs lished to fund programs to The Nutcracker with The develop new generations Cleveland Orchestra Noof audiences for Cleveland vember 29-December 2. Orchestra concerts in Read more on page 72. Northeast Ohio.

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NEW PARTNERSHIP WITH BREAKTHROUGH CHARTER SCHOOLS The Cleveland Orchestra begins an educational partnership with Breakthrough Charter Schools in October 2012. All of the students from participating schools will attend a Cleveland Orchestra concert at Severance Hall, and their teachers will participate in professional development workshops and concert preparation. The Orchestra’s award-winning Learning Through Music program includes ongoing visits from Cleveland Orchestra musicians in the schools. The pilot partnership will eventually expand to incorporate all nine Breakthrough Schools. The Cleveland Orchestra partnership with Breakthrough Schools is funded in part by Cliffs Natural Resources. Breakthrough Charter Schools are a nationally-recognized network of high-performing, free, public charter schools operating in partnership with the Cleveland Metropolitan School District.

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OrchestraNews Telecast of Cleveland Orchestra video recording of Bruckner Symphony No. 4 to be shown on WVIZ on Monday, October 29

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Channel 25 WVIZ/PBS ideastream® will broadcast the world premiere of The Cleveland Orchestra in Performance: Bruckner Symphony No. 4 on Monday evening, October 29, beginning at 9:00 pm. Conducted by Franz WelserMöst, the performance was filmed earlier this year at the beautiful 17th-century baroque Abbey of St. Florian in Austria. Emmy Awardwinner Brian Large directed the video recording. This is the first video produced of the recent critical edition of the 1888 version of Bruckner’s Fourth Symphony, edited by Benjamin Korstvedt and published in the Bruckner Collected Works edition (Vienna, 2004). Nicknamed “Romantic” by Bruckner himself, the Fourth Symphony is Bruckner’s most popular and most-performed work. Composer Anton Bruckner was a choirboy at the monastery of St. Florian, and later served as organist there.

Although he moved to Vienna, he chose to be buried in a crypt below the Abbey of St. Florian. Internationally recognized for his presentation and interpretation of Bruckner’s symphonies, Cleveland Orchestra Music Director Franz Welser-Möst has conducted Bruckner symphonies with The Cleveland Orchestra at Severance Hall in Cleveland, the Musikverein in Vienna, Suntory Hall in Japan, Seoul Arts Center in South Korea, Lincoln Center in New York, and the Abbey of St. Florian in Austria. This recording of Bruckner’s Symphony No. 4, which is the fifth in a series of recordings that includes Bruckner Symphonies Nos. 5, 7, 8, and 9, will be released commercially by Clasart. These Cleveland Orchestra recordings were made possible in part with support from Raiffeisenlandesbank Oberösterreich and Tele München Group for electronic media projects.

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OrchestraNews A.R.O.U.N.D T.O.W.N Recitals and presentations featuring Orchestra musicians Upcoming local performances by members of The Cleveland Orchestra include:

The third of Mitsuko Uchida’s albums of Mozart concertos with The Cleveland Orchestra has been released — and is now available for purchase at the Cleveland Orchestra Store at Severance Hall. The album features Piano Concertos Nos. 9 and 21, recorded in live performances at Severance Hall. One of the previous discs from this collaboration received a Grammy Award in 2011. Reviews of this new album include these comments from Audiophile Audition: “Conducting Mozart concertos from the piano has a long and honored tradition, originating with the composer himself. . . . Uchida performs on a new Hamburg Steinway whose action remains uniformly light and resonant, especially as Uchida does not mince her dynamics. . . . We need only audition this fine collaboration to enjoy the scintillating energy of the outer movements [of Concerto No. 9] and the internal rigors of the Andantino. The last movement virtually bubbles with infectious wit and digital confidence. . . . [In Concerto No. 21] the give-and-take response between Uchida and The Cleveland strings and winds attractively beguiles us. Then, her seamless runs and arpeggios move inexorably to a bravura cadenza almost early Beethoven in its briefly pearly wit that rushes to a coda spread over three octaves. Superb!”

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Cleveland Orchestra musicians Sonja Braaten Molloy (violin), Mark Jackobs (viola), Charles Bernard (cello), and Charles Carleton (bass) join with soprano Jung Oh and pianist Christina Dahl in performing a recital on Sunday afternoon, November 4, presented by Heights Arts at a home in Shaker Heights. The performance begins at 3:00 p.m. and features Schubert’s “Trout” Quintet and Schumann’s Piano Quartet in E-flat major. Seating is limited, reservations required by calling 216-371-3457. Tickets are $50 (or $40 for Heights Arts members). This is the first of four Heights Arts “Close Encounters” recitals during the season, created under the artistic direction of Cleveland Orchestra violinist Isabel Trautwein.

New album with Cleveland Orchestra and Mitsuko Uchida is now available . . .

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Cleveland Orchestra musicians Carolyn Warner (piano), Paul Yancich (timpani), and Jacob Nissly (percussion) with pianist Sandra Shapiro join together to perform a special pre-concert performance on Wednesday, October 31, at the Cleveland Institute of Music. The performance of Bartok’s Sonata for Two Pianos and Percussion begins at 6:15 p.m. in Mixon Hall. This pre-concert event also features a student performance of Darius Milhaud’s Concerto for Two Pianos and Percussion. At 8 p.m., a concert presents chamber music of Milhaud. Both events are free and open to the public.

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Comings and goings As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to the concert. Severance Hall 2012-13

As a courtesy to the performers on stage and the entire audience, latearriving patrons cannot be seated until the first break in the musical program.

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Silence is golden

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OrchestraNews Family Concert series begins on October 28 with Spooktacular III

Cleveland Orchestra’s Distinguished Service Award presented to Maltzes

The Cleveland Orchestra’s season of Family Concerts opens on Sunday afternoon, October 28, with “Halloween Spooktacular III.” Intended for children ages 7 and older, the series is designed to introduce young people to classical music. Subscription packages for all three concerts in the series, as well as individual tickets, are now available. In addition to each one-hour Orchestra concert, the Family Concert Series features free, pre-concert activities, including an “Instrument Discovery” in which children can try playing various instruments. At “Halloween Spooktacular!” on Sunday, October 28, families are invited to wear Halloween costumes and join The Cleveland Orchestra for an afternoon of fun ghost tales in this story-based program featuring Halloween favorites including Night on Bald Mountain (Mussorgsky), Danse Macabre (Saint-Saëns), “Infernal Dance” from The Firebird (Stravinsky), and the Tale of Baba Yaga (Mussorgsky). The concert is led by conductor Kelly Corcoran. The series continues in 2013 with “Symphony Under the Sea” on Friday evening, March 8, led by conductor Robert Franz, followed by “Fables, Fantasies, & Folklore” on Sunday afternoon, May 12, led by conductor Michael Butterman.

The Cleveland Orchestra’s seventeeth annual Distinguished Service Award was presented to Milton and Tamar Maltz at the start of the Orchestra concert on October 6. The award, created in 1996, honors a person or organization that has provided continuing exemplary service to the Musical Arts Association, the non-profit parent organization that operates The Cleveland Orchestra, Severance Hall, and Blossom Festival. The Maltzes have demonstrated exceptional and continuous dedication to The Cleveland Orchestra and the arts community in Northeast Ohio across four decades. They have been generous contributors to the Orchestra’s Annual Fund and to special projects such as, in 2000, the internationally acclaimed renovation of Severance Hall. In 2010, their visionary leadership helped launch The Cleveland Orchestra’s Center for Future Audiences, which was generously endowed with a lead gift of $20 million from the Maltz Family Foundation. The Center was established to create and fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The complete award citation can be read on page 65 of this book.

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OrchestraNews Welcome to new musician!

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F.A.M.I.L.Y N.E.W.S

Radio station WCLV celebrates its 50th anniversary of providing classical music to Northeast Ohio with a special public open house and day of live music performances on Thursday, November 1. Since 1965, 104.9 classical FM WCLV has been the radio home of The Clevelnd Orchestra, and the Orchestraâ&#x20AC;&#x2122;s first broadcast on WCLV, from September 23 that year, will be aired during the celebrations on November 1. Also featured that day will be a live performance by the Cleveland Orchestra Youth Orchestra and performances by many other local musicians. WCLVâ&#x20AC;&#x2122;s new studios at the Idea Center at PlayhouseSquare in downtown Cleveland will be open to the public from 10 a.m. to 9 p.m., with birthday cake and opportunities to meet WCLV announcers and hear the live musical performances in person. â&#x20AC;&#x153;WCLV has been an outstanding partner with The Cleveland Orchestra â&#x20AC;&#x201D; and all the arts in Northeast Ohio,â&#x20AC;? Orchestra executive director Gary Hanson said in sending congratulations earlier this month. â&#x20AC;&#x153;This community can truly celebrate this milestone with WCLV, and thank them for being the â&#x20AC;&#x2DC;radio homeâ&#x20AC;&#x2122; not just for The Cleveland Orchestra but for classical music and the arts in general. Happy Birthday, and thank you, WCLV.â&#x20AC;?

YEARS

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Please join in extending congratulations and warm wishes to: Frank Rosenwein (oboe) and Jung-Min Amy Lee (violin), who were married June 10. Martha Baldwin (cello) and Micah Leibowitz, whose baby daughter, Zoe Kathleen, was born on August 14. Robert Woolfrey (clarinet) and Tanya Ell (cello), who were married on September 8.

Radio station WCLV celebrates 50 years on the air on Nov. 1 â&#x20AC;&#x201D; radio home of The Cleveland Orchestra since 1965

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'HEXW RI WKH QHZ &OHYHODQG 3236 &KRUXV 1RYHPEHU 30 6HYHUDQFH +DOO WLFNHWV FOHYHODQGSRSV FRP Severance Hall 2012-13

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The Cleveland Orchestra welcomes oboe Mary Lynch, who was appointed last February and began playing with the Orchestra in August. Born in Washington D.C., Ms. Lynch completed her master of music degree earlier this year at the Juilliard School, where she studied with Elaine Douvas and Nathan Hughes. She also holds a bachelor of music degree from the New England Conservatory, where she studied with John Ferrillo, and was a student of Daniel Stolper at the Interlochen Arts Academy. She was principal oboe of the New York String Orchestra in 2009 and 2010. While a student in Boston, she performed as co-principal oboe of the Discovery Ensemble (2008-10) and as a frequent substitute with the Boston Philharmonic Orchestra.

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LEARNING MORE ABOUT THE MUSIC

SEASON

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. October 25, 26, 27 “Mood and Melody” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

November 8, 9, 10 “From Myth to Mysticism” with Rose Breckenridge

November 23, 24, 25 “Ebony, Ivory, and Melody: Pianist-Composers as Lyrical Poets” with guest speaker Eric Charnofsky, lecturer, musicology and keyboard, Case Western Reserve University

December 6 and 8 “Portraits of America” with guest speaker Susan McClary, professor of musicology, Case Western Reserve University

January 10, 11, 12 “New Beginnings” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer For Concert Preview details, visit clevelandorchestra.com

Severance Hall 2012-13

Concert Previews

Remarkable

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in helping to build audiences for the future through an annual series of BakerHostetler Guest Artists

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CHICAGO CINCINNATI CLEVELAND COLUMBUS COSTA MESA DENVER HOUSTON LOS ANGELES NEW YORK ORLANDO WASHINGTON, DC

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Thursday evening, October 25, 2012, at 8:00 p.m. Friday morning, October 26, 2012, at 11:00 a.m. * Saturday evening, October 27, 2012, at 8:00 p.m.

Robin Ticciati, conductor

SEASON

anatoli liadov

The Enchanted Lake, Opus 62 *

sergei rachmaninoff

Piano Concerto No. 2 in C minor, Opus 18

(1855-1914)

(1873-1943)

1. Moderato 2. Adagio sostenuto 3. Allegro scherzando SIMON TRPČESKI, piano

INTERMISSION*

jean sibelius

(1865-1957)

Symphony No. 2 in D major, Opus 43 1. 2. 3. 4.

Allegretto Andante, ma rubato Vivacissimo Finale: Allegro moderato

This weekend’s concerts are supported through the generosity of the BakerHostetler Guest Artists series sponsorship. Simon Trpčeski’s appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from the Payne Fund. The evening concerts will end at approximately 9:50 p.m. each evening.

The Cleveland Orchestra’s Friday Morning Concert Series is endowed by the Mary E. and F. Joseph Callahan Foundation.

* The Friday morning concert is performed without intermission and features

the works by Rachmaninoff and Sibelius. The concert will end at about 12:25 p.m.

CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), on Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

Severance Hall 2012-13

Concert Program — Week 6

‘‘

Music is enough for a lifetime, but a lifetime is not enough for music.

—Sergei Rachmaninoff

The Cleveland Orchestra

INTRODUCING THE PROGRAM

Shimmering Ideas& Ideals THIS WEEKEND’S CONCERTS

feature three musical works written within ten years of each other one hundred years ago, at the start of the 20th century. The music looks forward and backward, with both progressive and conservative musical ideas. The evening concerts begin with a charming work by Anatoli Liadov, a Russian composer who reportedly lacked self-confidence to the extreme, but who nonetheless managed to write several mesmerizing musical portraits. The Enchanted Lake, from 1908, is a brief and beautiful evocation of the shimmering, shifting translucence within the glasslike surface of a lake. Here, Liadov created a Russian landscape through the impressionistic musical lens most often associated with Claude Debussy. The two longer works on the program represent something like stylistic opposites. The unabashed Romantic warmth and melodies of Rachmaninoff’s Second Piano ConJean Sibelius certo, from 1900-01, stir with strong emotional feelings. Sibelius’s Second Symphony, from 1901-02, while equally passionate and melodic, rumbles between a kind of distilled heat and strong, chilling passions. If Rachmaninoff was more than happy to wear his emotions on his sleeve, Sibelius was more intent on contemplating his emotions — and letting them out carefully, for effect. Rachmaninoff’s concerto is filled with grand feelings, while the Sibelius symphony is rendered as a magnificent experience. —Eric Sellen

Severance Hall 2012-13

Introducing the Program

November 8, 9, 15 and 16 at 7:30 pm November 10 and 17 at 4 pm and 8 pm November 11 and 18 at 2 pm Book by James Goldman Music and Lyrics by Stephen Sondheim Directed by Victoria Bussert

www.bw.edu/news/follies Tickets: 440-826-2240

Box Office hours: Monday-Friday, 12-5 pm

The Enchanted Lake, Opus 62 composed 1908 A LT H O U G H L AC K I N G

Anatoli

LIADOV born May 11, 1855 St. Petersburg died August 28, 1914 Polynovka, Novgorod Russia

Severance Hall 2012-13

the stature of a Tolstoy or a Dostoyevsky, Russian novelist Ivan Goncharov (1812-1891) created at least one figure that became immortal for capturing a state of mind prevalent in 19th-century Russian society. Oblomov, the hero of Goncharov’s novel of the same name from 1858, was the epitome of the physical and intellectual sloth who was also denounced in so many of Anton Chekhov’s works. The word oblómovshchina found its way into every Russian dictionary, with the meaning of “laziness, indolence, inactivity.” Unable to get up in the morning, Oblomov lay in bed for a long time trying to come to a decision; at last, “looking at his slippers, he began lowering one foot down towards them, but at once drew it back again.” As English musicologist Gerald Abraham observed years ago, “the supreme example of oblómovshchina in music is a composer born just three years before Goncharov published his book, Anatoli Liadov.” Liadov’s proverbial laziness seems to have had much to do with psychological factors — an almost pathological lack of self-confidence and a shyness in public that made all kinds of social interaction, and even the carrying out of his duties as a professor at the St. Petersburg Conservatory, extremely difficult for him. When Liadov was a student at the same conservatory, he had been expelled after failing to show up in class for an extended period of time; he was later re-admitted on account of his obvious and exceptional musical talent. But time and again, works of his that had been scheduled for performances had to be cancelled because he had been unable to finish them. A famous episode with the ballet impresario Sergei Diaghilev and the Ballets Russes was by no means the only example of this — after giving up hope that Liadov would ever deliver the promised score, Diaghilev turned to the young and unknown Igor Stravinsky, whose score for The Firebird made history. Despite his “oblómovism,” Liadov was supremely gifted, a fact that did not go unrecognized in Russian musical circles. He was a spiritual child of the moguchaya kuchka (a group of influential Russian composers also known as “the Five”), and a pupil and friend of Nikolai Rimsky-Korsakov. Other members of “the Five,” including Mussorgsky and Borodin, thought very highly of Liadov. One of his own students described Liadov with About the Music

great warmth and admiration, calling him “the veritable image of old Russia . . . a very extraordinary representative of the now dying type of Russian craftsmanship and art morals.” Saminsky described him as a brilliant teacher who hated to teach, a man who was strangely aloof most of the time but could make casual remarks that provided inspiration for years. (Another Liadov student, a boy named Sergei Prokofiev who entered the St. Petersburg Conservatory at the age of 13, was much less appreciative of Liadov’s teaching methods.) Liadov, as everyone in Russian musical circles knew, was working on an opera for decades, but never got around to actually writing it. He was at his best in short character pieces for piano, chorus, or orchestra. His most successful orchestral works are Baba Yaga, The Enchanted Lake, and Kikimora. Shorter than most symphonic poems, these pieces, instead of telling a story with contrasting episodes, present single musical tableaux. Each shows Liadov’s excellent mastery of the orchestra and some interesting parallels with French music of his generation, especially with some of Debussy’s impressionistic techniques. Liadov referred to The Enchanted Lake as skázochnaya kartinka (a “fairytale picture”). The use of the word “picture” is significant. The piece seems to depict the motionless surface of a lake, without placing it explicitly in the context of any particular fairytale. Russian musicologist Boris Asafyev wrote that Liadov had been inspired in part by a forest pond near his home in Polynovka, and in part by his reading of the Finnish folk epic Kalevala (in which lakes play an important role and which also inspired the Finnish composer Jean Sibelius.) Musically, the piece was undoubtedly inspired by Wagner’s “Forest Murmurs” from the opera Siegfried, where considerable rhythmic activity ultimately serves to depict total immobility. Liadov’s work almost completely dispenses with thematic material in the traditional sense; it is animated by the ever-changing combinations of instrumental colors. The lack of true motivic development results in a feeling of placidity and timelessness that, according to one writer, is “akin to that induced by the telling of an oft-repeated and much loved fairytale.”

At a Glance Liadov composed the orchestral legend Volshebnoye ozero (“The Enchanted Lake”) in 1908. The first performance was given in February 1909, with Nikolai Tcherepnin leading the orchestra of the St. Petersburg Conservatory. This work runs just over 5 minutes in performance. Liadov scored it for 3 flutes, 2 oboes, 3 clarinets, 2 bassoons, 4 horns, timpani, bass drum, harp, celesta, and strings. The Cleveland Orchestra presented The Enchanted Lake at the first ”Popular Concert” of its first season, in December 1918, with Nikolai Sokoloff conducting. It was programmed regularly during the subsequent two decades before fading from the Orchestra’s general repertoire. The most recent performances were in December 1996, when Jahja Ling included it on a weekend of Severance Hall concerts.

—Peter Laki

Severance Hall 2012-13

About the Music

THE CLEVELAND MUSEUM OF ART

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Piano Concerto No. 2 in C minor, Opus 18 composed 1900-01 RACHMANINOFF

Sergei

RACHMANINOFF born April 1, 1873 Semyonovo, Russia died March 28, 1943 Beverly Hills, California

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was born into what had been a wealthy family. Unfortunately, his spendthrift father had squandered much of their wealth, and the forced sale of estates triggered a move to St. Petersburg. One advantage of the relocation was that the artistically inclined young boy now found himself in Russia’s most musical city. Early piano lessons expanded into formal study of piano and composition at the St. Petersburg Conservatory, and later at the Moscow Conservatory, from which he graduated with honors in 1892. Various early successes followed, both as pianist and as composer. Yet the 1897 premiere of his First Symphony under the appalling leadership of a literally drunken conductor was, in Rachmaninoff ’s own words, “a fiasco.” Beaten down by the merciless criticism, and utterly unwilling to risk further humiliation, he swore off composition in favor of performing as a pianist. Three years passed, years of success at the keyboard. Yet Rachmaninoff still held back from composition. At last, his family persuaded him to seek professional help. The young composer began frequent consultations with Dr. Nicolai Dahl, a pioneer in techniques of hypnotism, and, not incidentally, an avid amateur musician. Rachmaninoff later described the experience of his treatment: “I heard the same hypnotic formula repeated day after day while I lay half asleep in an armchair in Dahl’s study: ‘You will begin to write your concerto. You will work with great facility. The concerto will be of excellent quality.’ It was always the same, without interruption. Although it may sound incredible, this cure really helped me.” After three months of hypnotic sessions, he again found the courage to compose — and completed his Second Piano Concerto within a few months. Its premiere was given to great acclaim in Moscow on November 9, 1901, with the composer himself as soloist. A compositional career was reborn. In gratitude, Rachmaninoff dedicated the score to Dr. Dahl, perhaps the only hypnotist ever to earn such an honor from a major composer. As a virtuoso pianist, Rachmaninoff composed for the instrument not only according to his own tastes but also according to his own strengths. For later performers, the results are further complicated by the fact that Rachmaninoff was a tall and lanky man with an astonishing reach to his hands. Pianists About the Music

SERGEI RACHMANINOFF 1873-1943

Sergei Rachmaninoff, circa 19xx.

2 1

Rachmaninoff

The Cleveland Orchestra

1. Sergei Rachmaninoff (third from left in the back row) with his teacher Nikolai Zveref and classmates in the 1880s. (The composer Alexander Scriabin is seated on the left in the first row.) 2. Proofing his Third Piano Concerto at his estate Ivanovka in 1910. 3. A formal portrait around 1900. 4. With a redwood tree in California in 1919. 5. Formal portrait from the mid-1920s. 6. At his piano in Switzerland. 7. On an ocean voyage in the 1930s.

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Rachmaninoff

of small proportions need not apply, and even those of average size will find challenges. The great pianist Vladimir Ashkenazy observed in an interview with Gramophone magazine that for playing Rachmaninoff, he wishes his fingers were a centimeter longer. Moreover, as Rachmaninoff could play both quicksilver, lightning-fast runs and also strong and powerful chords with equal mastery, he includes both in his piano parts, requiring a highly varied technique. For the pianist, it is not music for the faint of heart, yet the rewards are worth the challenge for performers and audiences. The first movement of Rachmaninoff ’s Concerto No. 2 opens with dark, paired chords for the soloist, building into stormy runs. Only belatedly does the orchestra join in with the first of the main melodies, rich and lyrical, while the soloist provides color and sparkle. As the movement develops, additional melodic themes appear, generally assertive in nature. By contrast, the second movement is gentle, sweetly romantic, like a candlelit dinner. Frequently, Rachmaninoff gives beautiful themes to the woodwinds, making this concerto especially satisfying for this central family in the orchestra. Drama returns in the final movement, with a march-like beat in the first bars, demanding runs for the soloist, and at last a grand, flowing melody to overlie those runs. Rachmaninoff builds a strong sense of motion that drives all the way to the final bars. More often than not, it is the orchestra — not the soloist — that has the melodies, while the soloist colors and underscores the action, drawing the eye and ear, even if it is with the orchestra that a listener is humming. In later years, Rachmaninoff ’s reputation as a gifted craftsman of melodies led various songwriters of the 20th century to borrow his themes for their songs. Those familiar with pop music will find within this concerto the source material for “Full Moon and Empty Arms,” “Ever and Forever,” “If This is Goodbye,” and “This is My Kind of Love.” Of special interest may be the 1975 hit “All By Myself ” by Eric Carmen, who is the nephew of Muriel Carmen, who served as a violist in The Cleveland Orchestra from 1951 to 1994. —Betsy Schwarm © 2012 Betsy Schwarm spent twenty years as a classical radio announcer and producer. She currently teaches music at Metropolitan State College of Denver, writes program notes, and serves as recording engineer for Colorado’s Central City Opera.

Severance Hall 2012-13

About the Music

At a Glance Rachmaninoff composed the second and third movements of his Second Piano Concerto in the summer and early autumn of 1900. This incomplete version was heard at a charity concert in Moscow on October 14, with the composer at the keyboard and Alexander Siloti conducting. Rachmaninoff finished composing the work’s opening movement the following spring. The completed concerto was premiered exactly one year after the earlier preview, on October 14, 1901; Rachmaninoff and Siloti performed with the orchestra of the Moscow Philharmonic Society. This concerto runs about 35 minutes in performance. Rachmaninoff scored it for an orchestra with pairs of woodwinds (2 flutes, 2 oboes, 2 clarinets, 2 bassoons), 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, and strings. The Cleveland Orchestra first performed Rachmaninoff’s Second Piano Concerto in February 1921, with pianist Ossip Gabrilowitsch and conductor Nikolai Sokoloff. It has been performed frequently since that time, including performances with Rachmaninoff as soloist in 1923 and 1942, and, most recently in regularly scheduled performances, in April 2011 when Horacio Gutiérrez played it under the direction of Jirí Belohlávek.

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Sound for the Centennial The Cleveland Orchestra’s artistic health and financial well-being depend on the dedicated and ongoing support of music-lovers throughout Northeast Ohio. The Orchestra’s continued excellence in community service and musical performance can only be ensured through ongoing annual support coupled with increased giving to the Endowment and special fundraising. As the Orchestra approaches its centennial celebration in 2018, the individuals and organizations listed on these pages have made longterm commitments to secure the financial stability of our great Orchestra. This listing represents multi-year commitments of annual and endowment support, and legacy gift declarations, as of September 2012. The Cleveland Orchestra and Musical Arts Association gratefully recognize the transformational support and extraordinary commitment of these individuals, corporations, and foundations toward the Orchestra’s future. To join your name to these visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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John P. Bergren* and Sarah M. Evans Mr. and Mrs.* Harvey Buchanan Robert and Jean* Conrad Mr. and Mrs. Matthew V. Crawford Nancy and Richard Dotson Sidney E. Frank Foundation David and Nancy Hooker James D. Ireland III Trevor and Jennie Jones Dr. Vilma L. Kohn Mr. and Mrs. Alex Machaskee

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Symphony No. 2 in D major, Opus 43 composed 1901-02 JEAN SIBELIUS

Jean

SIBELIUS born December 8, 1865 Hämeenlinna, Finland died September 20, 1957 Järvenpää, Finland

Severance Hall 2012-13

was more than Finland’s greatest composer of international reputation. For the Finns, he was — and still is — a national hero, who expressed what was widely regarded as the essence of the Finnish character in music. In his symphonic poems, Sibelius drew on the rich tradition of the ancient Finnish epic, the Kalevala, both for his storylines and for the rhythms of its speech turned into music. And in his seven symphonies, he developed a style that has come to be seen as profoundly Finnish and Nordic. It was a logical continuation of the late Romantic tradition inherited from Johannes Brahms, Edvard Grieg, and Pyotr Tchaikovsky, and at the same time a highly personal idiom to which he held steadfastly in the midst of a musical world filled with an increasing multiplicity of new styles. Each of Sibelius’s symphonies has its own personality. The Second is distinguished by a predilection for melodies that sound like folksongs — although Sibelius insisted that he had not used any original folk melodies in the symphony. We know, however, that he was interested in the folk music of his country and, in 1892, he visited Karelia, the Eastern province of Finland known for the archaic style of its songs. It was perhaps Sibelius’s avowed interest in folksong that prompted commentators to suggest a patriotic political program for the Second Symphony. The conductor Georg Schnéevoigt, a close friend of Sibelius and one of the most prominent early performers of his music, claimed that the symphony’s first movement depicted the quiet pastoral life of the Finnish people, with the subsequent movements outlining, in turn, the Russian oppressors, the awakening of national resistance, and finally the triumph over foreign rule. These ideas were certainly timely as the 19th century turned into the 20th, when Finland was in fact ruled by the Russian Czar and nationalist sentiments were growing. But Sibelius himself never made any statements about such a “program” within the Second Symphony. In the first movement, Sibelius “teases” the listener by introducing his musical material in bits and pieces, and taking an unusually long time to establish connections among the various short motifs introduced. The gaps are filled in only gradually. Eventually, however, the outlines of a symphonic form become About the Music

0DNLQJ WKH ZRUOG D EHWWHU SODFH NQRZV QR UHOLJLRQ That’s why last year, the Jewish Federation of Cleveland raised and allocated nearly $127 million to social service, educational and humanitarian organizations that support Cleveland’s Jewish and general communities, as well as those in more than 70 countries around the world. Through the generosity of our donors, the Jewish Federation of Cleveland is Ohio’s largest grantmaking organization. Together, we do extraordinary things.

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evident and by the end of the movement everything falls into place. In his 1935 book on Sibelius’s symphonies, Cecil Gray observed: “Whereas in the symphony of Sibelius’s predecessors the thematic material is generally introduced in an exposition, taken to pieces, dissected, and analyzed in a development section, and put together again in a recapitulation, Sibelius in the first movement of the Second Symphony inverts the process, introducing thematic fragments in the exposition, building them up to an organic whole in the development section, then dispersing and dissolving the material back into its primary constituents in a brief recapitulation.” The second movement (“Tempo andante, ma rubato”) opens in a quite exceptional way — a timpani roll followed by an extended, unaccompanied passage of low strings (double basses and cellos in turn) played pizzicato (“plucked”). This gives rise to the first melody, marked lugubre (“mournful”) and played by the bassoons. This continues the exclusive use of low-pitched instruments in this opening section, but slowly and hesitatingly, the higher woodwinds and strings enter. Little by little, both the pitch and the volume rise, and the tempo increases to Poco allegro, with a climax marked by fortissimo chords in the brass. As a total contrast, a gentle violin melody, played very very softly at triple pianissimo and in a new key, starts a new section. The lugubre theme, its impassioned offshoots, and the new violin melody dominate the rest of the movement. The movement ends with a closing motif derived from this last melody, made more resolute by a fuller orchestration. The third movement (“Vivacissimo”) is a dashing scherzo with a short and languid trio section. The singularity of the trio theme, played by the first oboe, is that it begins with a single note repeated no less than nine times, yet it is immediately per-

Garrick Ohlsson

Each of Sibelius’s symphonies has its own personality. The Second is distinguished by a predilection for melodies that sound like folksongs — although Sibelius insisted that he had not used any original folk melodies in writing the work.

Thursday, Nov. 1, 8 p.m. Finney Chapel, Oberlin Tickets: $15-$42

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Works by Brahms, Liszt, and Granados

NEXT PERFORMANCE: Steven Isserlis ’80, cello

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Severance Hall 2012-13

About the Music

Jeremy Denk ’90, piano Tuesday, Feb. 5, 2013

ceived as a melody. The rest of the theme is eminently melodic, with a graceful tag added by the two clarinets. After a recapitulation of the scherzo proper, the trio is heard another time, followed by a masterly transition that leads directly into the triumphant finale without a break. The first theme of the fourth-movement Finale is simple and pithy. It is played by the strings at a forte (“loud”) dynamic, to a weighty accompaniment by low brass and timpani. The haunting second theme has a four-line structure found in many folksongs, and is played by the woodwinds much softer than the first theme, though eventually rising in volume. After a short development section, the triumphant first and the folksong-like second themes both return. Repeated several times with the participation of ever greater orchestral forces, the second theme builds up to a powerful climax. The first theme is then restated by the full orchestra as a concluding, triumphant gesture. —Peter Laki © 2012 Peter Laki is a musicologist and frequent lecturer on classical music. He is a visiting associate professor at Bard College.

At a Glance

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The Cleveland Orchestra played it for the first time in November 1927, under the direction of Nikolai Sokoloff. The most recent performances were at Severance Hall in April 2009 conducted by Colin Davis and as part of the 2008 Blossom Festival led by Jahja Ling. A memorable live performance of Sibelius’s Symphony No. 2 by The Cleveland Orchestra conducted by George Szell in Japan in 1970 (it was one of Szell’s last concerts with the Orchestra) was released in 1993 as part of The Cleveland Orchestra Seventy-Fifth Anniversary Compact Disc Edition and was also included in the “George Szell Live in Tokyo” compact disc released in 2001.

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j l 20 t 22 july 20-august 22

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About the Music

2013

Sibelius composed much of his Second Symphony during the spring of 1901 while in Italy and completed it in Finland during the winter of 190102. It was first performed on March 8, 1902, in Helsingfors (Helsinki) with Sibelius conducting. The symphony was published in 1903 with a dedication to Axel Carpelan, who had made Sibelius’s Italian trip possible. This symphony runs about 45 minutes in performance. Sibelius scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, and strings. Sibelius’s Second was first performed in the Cleveland area on March 16, 1917, by the New York Philharmonic conducted by Joseph Stransky.

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All concerts beginbegin at 3:00 pmpm at at All concerts at 3:00 Cleveland State University’s Waetjen Cleveland State University’s Waetjen Auditorium, Euclid 21stSt. St. Auditorium, EuclidAve. Ave.and and E. E. 21st ForFor more information more information call call 216.687.5018 216.687.5018 visitwww.csuohio.edu/concert www.csuohio.edu/concertseries/kc ororvisit series/kc series/kc

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Robin Ticciati British conductor Robin Ticciati is principal conductor of the Scottish Chamber Orchestra and principal guest conductor of the Bamberg Symphony. Each season, he strives to maintain a balance between his orchestral engagements and operatic performances. He is making his Cleveland Orchestra debut with this weekend’s concerts. Born in London in 1983, Robin Ticciati is a violinist, pianist, and percussionist by training, and also studied music at the University of Cambridge. His paternal grandfather was a composer and arranger, and his brother is a violinist. He was a member of the National Youth Orchestra of Great Britain when he turned to conducting, at age 15, under the guidance of Colin Davis and Simon Rattle. Mr. Ticciati founded the chamber ensemble Aurora, which made its debut in 2005, the year in which he received a Borletti Buitoni Trust Fellowship. Recent and future conducting engagements include concerts with the Bavarian Radio Symphony Orchestra, Filarmonic della Scala, Leipzig Gewandhaus Orchestra, London Symphony Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra, Rotterdam Philharmonic, Royal Concertgebouw Orchestra, and the Swedish Radio Symphony. In addition to his current positions, he served as artistic advisor and chief conductor of the Gävle Symphony Orchestra (2006-09) and was music director of Glyndebourne on tour (2007-09). In opera, Mr. Ticciati’s schedule includes Mozart’s Don Giovanni at Glyndebourne Festival Opera and the Zurich Opera, Mozart’s The Marriage of Figaro at Glyndebourne and the Salzburg Festival, Humperdinck’s Hansel and Gretel at the Metropolitan Opera, Tchaikovsky’s Eugene Onegin at London’s Royal Opera House, and Britten’s Peter Grimes at La Scala Milan. When he becomes music director of the Glyndebourne Festival Opera in 2014, he will be the first Tour director to be named music director of the full Glyndebourne Opera company. Robin Ticciati’s discography includes Berlioz’s Symphonie fantastique with the Scottish Chamber Orchestra, released earlier this year. With the Bamberg Symphony, he has conducted a recording of Brahms’s Haydn Variations and Serenade No. 1, and an album of choral works by Brahms in collaboration with the Bavarian Radio Chorus; the latter recording received Germany’s Echo Klassik award.

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THIRD ANNUAL RABIN MEMORIAL LECTURE Whose Land Is It Anyway?: Theology and Secular Politics In The Land Of Israel/Palestine

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The Cleveland Orchestra

Simon Trpčeski Macedonian pianist Simon Trpčeski first performed with The Cleveland Orchestra in July 2009. He is making his Severance Hall debut with this weekend’s concerts. Born in the Republic of Macedonia in 1979, Simon Trpčeski grew up in a musical family and was steeped in his country’s folk music. He began piano studies at age nine. He is a 2002 graduate of the University of St. Cyril and St. Methodius in Skopje, where he currently teaches. Mr. Trpčeski has won prizes in piano competitions in the Czech Republic, Italy, and United Kingdom. From 2001 to 2003, he was a member of the BBC New Generation Scheme. In 2009, he received the Presidential Order of Merit for Macedonia and, in 2011, was named the first-ever National Artist of the Republic of Macedonia. Mr. Trpčeski made his BBC Proms debut in 2004 with the Scottish Chamber Orchestra. He continues to perform extensively across the United Kingdom, with the Bournemouth Symphony, City of Birmingham Orchestra, London Philharmonic, London Symphony Orchestra, Philharmonia Orchestra, and Royal Liverpool Philharmonic. He has also appeared with Amsterdam’s Royal Concertgebouw Orchestra, Danish National Symphony, German Symphony Orchestra Berlin, Hong Kong Philharmonic Orchestra, New Zealand Symphony Orchestra, Russian National Orchestra, Strasbourg Philharmonic Orchestra, Sydney Symphony Orchestra, and the Toronto Symphony. Since making his United States debut with the Seattle Symphony in 2002, Simon Trpčeski’s performances here have included engagements with the orchestras of Baltimore, Chicago, Los Angeles, New York, Philadelphia, Pittsburgh, and San Francisco. In recital, Mr. Trpčeski has performed in Amsterdam, Florence, Hamburg, Hong Kong, London, Milan, New York, Paris, Prague, San Francisco, and Tokyo. As a chamber musician, he has appeared at the Aspen, Risor, Tuscan Sun, and Verbier festivals. With the support of Macedonia’s Ministry of Culture and KulturOp, Mr. Trpčeski works regularly with young musicians in his homeland. Simon Trpčeski’s recordings appear on the EMI and Avie labels. His first EMI recording, featuring music by Russian composers, received both the Editor’s Choice and the Debut Album awards from Gramophone. Both of his Rachmaninoff albums on Avie received Gramophone Editor’s Choice and Diapason d’Or distinctions. He appears in concert by arrangement with IMG Artists. For more information, please visit www.trpceski.com. v

Simon Trpceski will sign compact discs at the Cleveland Orchestra Store in the Lerner Lobby on the ground floor of Severance Hall at intermission on Thursday and Saturday, and post-concert on Friday and Saturday.

Severance Hall 2012-13

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The Cleveland Orchestra

The Cleveland Orchestra: Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R M A S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestraâ&#x20AC;&#x2122;s founding in 1918 and have remained a central focus of the ensembleâ&#x20AC;&#x2122;s actitivities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestraâ&#x20AC;&#x2122;s educational and community programs reach more than 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

School buses delivering students to Severance Hall. More than four million schoolchildren have been introduced to symphonic music in nine decades of Cleveland Orchestra education concerts. Severance Hall 2012-13

Education & Community

T H E

C L E V E L A N D

El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the official providers of Scherl & Roth violins for the El Sistema@ Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.

The Cleveland Orchestra helps celebrate the seasons and special events throughout the year. Above, the Orchestra’s horn section got into the Halloween spirit for a special fun-filled Family Concert.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning. Education & Community

The Cleveland Orchestra

O R C H E S T R A

At the Orchestra’s annual Community Open House, participants pose for a photo at the “Picture Yourself at Severance Hall” activity, giving everyone the thrill of being center stage.

THANK YOU The Cleveland Orchestra’s Education and Community programs are made possible by many generous individuals, foundations, and corporations, including:

The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Giant Eagle Muna & Basem Hishmeh Foundation Invacare Corporation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lincoln Electric Foundation The Lubrizol Corporation Medical Mutual of Ohio The Nord Family Foundation Ohio Arts Council Ohio Savings Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation The Sherwin-Williams Foundation The South Waite Foundation Surdna Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Severance Hall 2012-13

Education & Community

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

More than 1,200 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the 26 years since its founding in 1986.

The Cleveland Orchestra

Distinguished Service Award The Musical Arts Association is proud to honor Milton and Tamar Maltz as the 2012-13 recipients of the Distinguished Service Award, recognizing extraordinary service to The Cleveland Orchestra.

PREVIOUS RECIPIENTS

Richard Weiner 2011-12 Distinguished Service Award Committee Marguerite B. Humphrey, Chair Ambassador John D. Ong, Vice Chair Richard J. Bogomolny Dr. Jeanette Grasselli Brown Robert Conrad Gary Hanson Carol Lee Iott Dennis W. LaBarre Robert P. Madison Clara Taplin Rankin

Robert Conrad 2010 -11 Clara Taplin Rankin 2009-10 Louis Lane 2008- 09 Gerald Hughes 2007- 08 John D. Ong 2006-07 Klaus G. Roy 2005 - 06 Alex Machaskee 2004 - 05 Thomas W. Morris 2003 -04 Richard J. Bogomolny 2002- 03 John Mack 2001-02 Gary Hanson 2000-01 Christoph von Dohnรกnyi 1999-2000 Ward Smith 1998-99 David Zauder 1997-98 Dorothy Humel Hovorka 1996-97

Distinguished Service Award

The Cleveland Orchestra

Presented to Milton at the concert of October 6, 2012

and Tamar Maltz

M I LT O N A N D TA M A R M A LT Z

believe in creating a better world. This conviction has ignited decades of inspirational and transformative philanthropy. Great music of many kinds has a permanent place in Milton and Tamar’s vision. Their devotion to music has ranged from helping develop the Rock and Roll Hall of Fame and Museum to supporting the success and growth of The Cleveland Orchestra. The couple have been Cleveland Orchestra subscribers across four decades and are devoted to the Orchestra’s Blossom Festival. They have been generous contributors to the Orchestra’s Annual Fund and to special projects such as the renovation of Severance Hall. In 2010, their visionary leadership helped launch the Orchestra’s Center for Future Audiences with a $20 million lead endowment gift. The Center was established to create and fund programs to develop new generations of audiences for Cleveland Orchestra concerts. These programs include the Orchestra’s “Under 18s Free” program, which has to date granted free Blossom admission to over 26,000 young people. Milton began his career as a child actor in radio dramas. He majored in journalism at the University of Illinois and served our country as a code breaker in the U.S. Navy before founding Malrite Communications Group in 1956. During Milton’s tenure as chairman and CEO, Malrite became one of the country’s top broadcasting companies, boasting radio and television stations from coast to coast. Milton’s successes include receiving the Dively Award for Entrepreneurship, and being inducted into the Cleveland Business Hall of Fame. Tamar earned her education degree from Chicago’s Roosevelt University, and then taught in Maryland, Michigan, and Ohio. She met her husband during a radio audition, and later loaned him $6,000 to start Malrite. She serves on the board of directors of the Brain & Behavior Research Foundation and works to create social and recreational opportunities for people suffering from mental illness, for which she received the “Trailblazer of the Year” award from the Planned Life Assistance Network. Together with their children, Milton and Tamar created the Maltz Family Foundation to channel their success into a greater Northeast Ohio. The Foundation has supported programs in everything from the arts to medicine, including the Cleveland Museum of Art, Cleveland Play House, Cleveland Clinic Foundation, and Case Western Reserve University. The Foundation also launched The Maltz Museum of Jewish Heritage, which sponsors an annual “Stop the Hate” essay contest, awarding $100,000 in scholarships and prizes to the winners. Milton and Tamar believe that music is an essential part of life. Their exceptional philanthropy helps ensure that great music performed by The Cleveland Orchestra can continue to inspire everyone, forever. For their enduring commitment to the Orchestra, for their exemplary generosity in strengthening the Northeast Ohio community, and for their unwavering devotion to music, the Musical Arts Association is pleased to present Milton and Tamar Maltz with its highest award for distinguished service. Severance Hall 2012-13

Distinguished Service Award

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Center-funded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

ENDOWED FUNDS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU

for helping develop tomorrow’s audiences today.

Center for Future Audiences

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2012

Generous contributions to the endowment have been made to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to the Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Guest Artists

Artist-in-Residence Malcolm E. Kenney

Artistic Collaboration Keithley Fund

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

International Touring Frances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

Concert Previews Dorothy Humel Hovorka

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Radio Broadcasts Robert and Jean Conrad

Unrestricted John P. Bergren and Sarah S. Evans Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, was established to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler Fund

Endowed Funds listing continues

Severance Hall 2012-13

Endowed Funds

THE CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice B. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley Education Fund The William N. Skirball Endowment

Education Concerts Week The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Machaskee Fund

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall: Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

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Severance Hall 2012-13

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The Cleveland Orchestra

CLE E H T

D LAN

T HES

Meet the Musicians Cleveland Orchestra musicians participate in a variety of community and education activities beyond the weekly orchestral concerts at Severance Hall. These activities include masterclasses and recitals, PNC Musical Rainbows, the Learning Through Music school partnership program, and coaching the Cleveland Orchestra Youth Orchestra. PHOTOGRAPHS BY ROGER MASTROIANNI

FRANK ROSENWEIN

oboe BORN: Evanston, Illinois ROLE MODELS: John Mack

and my mother. CLEVELAND ORCHESTRA HIGHLIGHT:

Playing in Vienna’s Musikverein. FREE TIME: Read The New Yorker,

and learn Korean. ON MY MP3 PLAYER: These days I’m an old

school vinyl and CD aficionado. WHY A MUSICIAN: To devote my life to understanding and being an ambassador for the greatest works of art. FAVORITE ORCHESTRAL WORKS: Bach’s Saint Matthew Passion.

EMMA SHOOK

MARK ATHERTON

violin

bass

BORN: Portland, Oregon ON MY MP3 PLAYER: I don’t own an MP3

BORN: Bangor, Maine ON MY MP3 PLAYER: Oscar Peterson, Ella

player; on my stereo or radio, I listen to all types of music, from classical to jazz to bluegrass and beyond. ROLE MODEL: Jane Goodall, chimpanzee expert and environmental ambassador. FREE TIME: Hiking, gardening, good food, good friends, playing chamber music. BIG DREAM: Resurrection of good public education; big music and arts programs in all the schools.

Fitzgerald, Bob Dylan, opera, the Beatles. CLEVELAND ORCHESTRA HIGHLIGHT: Playing Dvořák’s opera Rusalka at the Salzburg Festival. FREE TIME: Playing golf, biking, working in the yard. FAVORITE CLEVELAND: I love Cleveland area golf courses and the Metroparks. WHY A MUSICIAN: Music teachers in my family, including my father.

Severance Hall 2012-13

Meet the Musicians

OrchestraNews The Cleveland Orchestra performs Tchaikovsky’s “The Nutcracker” with The Joffrey Ballet at PlayhouseSquare Five performances Nov 29 thru Dec 2 Tickets are now on sale for the holiday event of the season, as The Cleveland Orchestra presents The Joffrey Ballet’s complete silver anniversary production of Tchaikovsky’s The Nutcracker. Five performances will be presented at PlayhouseSquare’s State Theatre November 29 thru December 2. The production will be conducted by Tito Muñoz and mark the first time The Cleveland Orchestra has performed Tchaikovsky’s The Nutcracker in a fully-staged presentation. Conceived and originally directed in 1987 by Robert Joffrey, with choreographic contributions from Gerald Arpino, this production of The Nutcracker features more than 40 company dancers, 200 brilliant costumes, and larger-than-life scenery. The Chicago Sun-Times called the Joffrey’s Nutcracker “a grand showcase of classical technique that spotlights the particular talents of many of the company’s ensemble dancers,” the Chicagoist calls it “a first-class celebration of one of the greatest holiday productions ever,” and the Washington Post praised it as “a theatrical event of irresistible power.” The Cleveland cast of The Nutcracker will include sixty Northeast Ohio young dancers, who will be selected by audition, dancing side-by-side with the Joffrey company. The Cleveland Orchestra Children’s Chorus, comprised of fift y members, also joins the performances to sing in the beautiful “Snow Scene.” “Our company looks forward to once again joining The Cleveland Orchestra” says Joffrey Ballet artistic director Ashley Wheater, “and in extending our wonderful partnership into a complete production. Our previous performances together at Blossom have included elements of a full ballet, but this time we’ll have all the sets, costumes, lighting, and the magnificent choreography of our founder Robert Joffrey.”

TICKETS On-sale now! 216-241-6000 or playhousesquare.org 72

Cleveland Orchestra News

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY KeyBank

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$1 MILLION TO $5 MILLION

PARTNERS IN EXCELLENCE $300,000 AND MORE

$5 MILLION AND MORE

Baker Hostetler Bank of America Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch NACCO Industries, Inc. Parker Hannifin Corporation The Plain Dealer PNC Bank PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of September 2012.

gifts of $2,500 or more during the past year, as of September 10, 2012

KeyBank The Lubrizol Corporation NACCO Industries, Inc. The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

Baker Hostetler Eaton Corporation Forest City Enterprises, Inc. PNC PARTNERS IN EXCELLENCE $100,000 TO $199,999

Google, Inc. Medical Mutual of Ohio Parker Hannifin Corporation $50,000

$99,999

Exile LLC Jones Day Quality Electrodynamics (QED) Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation $25,000 TO $49,999 Bank of America Dix & Eaton Giant Eagle Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire, Sanders & Dempsey (US) LLP Thompson Hine LLP

$2,500 TO $24,999 Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation BDI Brouse McDowell Conn-Selmer, Inc. Eileen M. Burkhart & Co LLC Buyers Products Company Cedar Brook Financial Partners, LLC The Cleveland Wire Cloth & Mfg. Co.

Severance Hall 2012-13

Corporate Annual Support

The Cliffs Foundation Community Behavioral Health Center Consolidated Graphics Group, Inc. Dealer Tire LLC Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Gallagher Benefit Services Genovese Vanderhoof & Associates The Goodyear Tire & Rubber Company Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Houck Anderson P.A. (Miami) Hunton & Williams, LLP (Miami) The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Miba AG (Europe) MTD Products, Inc. Nordson Corporation North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Olympic Steel, Inc. Oswald Companies PolyOne Corporation The Prince & Izant Company Richey Industries, Inc. Satch Logistics LLC SEMAG Holding GmbH (Europe) The Sherwin-Williams Company Stern Advertising Agency Swagelok Company TriMark S.S. Kemp Trionix Research Laboratory, Inc. Tucker Ellis United Automobile Insurance Company (Miami) Ver Ploeg & Lumpkin, P.A. (Miami) Ricky & Sarit Warman — Papa John’s Pizza (Miami) WCLV Foundation Westlake Reed Leskosky The Avedis Zildjian Company Anonymous (3)

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestraâ&#x20AC;&#x2122;s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

John P. Murphy Foundation $1 MILLION TO $5 MILLION

Ann and Gordon Getty Foundation GAR Foundation The George Gund Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Knight Foundation (Cleveland, Miami) Andrew W. Mellon Foundation David and Inez Myers Foundation National Endowment for the Arts The Payne Fund The Reinberger Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of September 2012.

Severance Hall 2012-13

gifts of $2,000 or more during the past year, as of September 10, 2012

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation Andrew W. Mellon Foundation The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation (Miami) John P. Murphy Foundation David and Inez Myers Foundation Ohio Arts Council $100,000 TO $249,999

Sidney E. Frank Foundation GAR Foundation The George Gund Foundation John S. and James L. Knight Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Martha Holden Jennings Foundation The Mandel Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Elizabeth Ring Mather and William Gwinn Mather Fund The Payne Fund Surdna Foundation $20,000 TO $49,999 The Abington Foundation Akron Community Foundation The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. Ann and Gordon Getty Foundation The Margaret Clark Morgan Foundation The Nonneman Family Foundation The Nord Family Foundation Peacock Foundation, Inc. (Miami) The Sisler McFawn Foundation

$2,000 TO $19,999 Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund The Eva L. and Joseph M. Bruening Foundation The Collacott Foundation Mary and Dr. George L. Demetros Charitable Trust Elisha-Bolton Foundation Fisher-Renkert Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Helen Wade Greene Charitable Trust The Hankins Foundation The Muna and Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Kangesser Foundation The Kridler Family Fund of The Columbus Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation Laura R. & Lucian Q. Moffitt Foundation National Endowment for the Arts Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Jean C. Schroeder Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Taylor-Winfield Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of September 10, 2012 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)

Daniel R. and Jan R. Lewis (Miami) INDIVIDUAL GIFTS OF $200,000 TO $499,999

$5 MILLION TO $10 MILLION

Irma and Norman Braman (Miami) Francie and David Horvitz (Miami) The Walter and Jean Kalberer Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mr. and Mrs. Albert B. Ratner Anonymous

INDIVIDUAL GIFTS OF $100,000 TO $199,999

$1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. Callahan Mrs. Anne M. Clapp Mr. George Gund III Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of September 2012.

Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Norma Lerner Peter B. Lewis and Janet Rosel (Miami) Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Janet and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz James D. Ireland III Mr. and Mrs. Dennis W. LaBarre

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

Individual Annual Support

The Cleveland Orchestra

INDIVIDUAL GIFTS OF $20,000 TO $24,999

R. Kirk Landon and Pamela Garrison (Miami) Mr. Randy Lerner Toby Devan Lewis Ms. Beth E. Mooney Mr. and Mrs. Alfred M. Rankin, Jr. James and Donna Reid Barbara S. Robinson David A. and Barbara Wolfort Anonymous INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami) Mr. and Mrs. Geoffrey Gund George Gund Trevor and Jennie Jones Giuliana C. and John D. Koch Foundation (Cleveland, Miami) Dr. Vilma L. Kohn Mr. and Mrs. S. Lee Kohrman Charlotte R. Kramer Ms. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Brian and Patricia Ratner Charles and Ilana Horowitz Ratner Luci and Ralph* Schey Mary M. Spencer (Miami) Mr. and Mrs. Franz Welser-Möst INDIVIDUAL GIFTS OF $25,000 TO $29,999

Mr. William P. Blair III Margaret Fulton-Mueller Dr. and Mrs. Hiroyuki Fujita Elizabeth B. Juliano Dr. and Mrs. David Leshner Mr. and Mrs. Jon A. Lindseth Mr. and Mrs. Edward A. Lozick Mrs. Jane B. Nord Mr. and Mrs. James A. Ratner Hewitt and Paula Shaw Richard and Nancy Sneed Junior Committee of The Cleveland Orchestra Paul and Suzanne Westlake

Gay Cull Addicott Mr. and Mrs. William W. Baker Jill and Paul Clark Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Andrew and Judy Green Gary Hanson and Barbara Klante Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mrs. Marguerite B. Humphrey William J. and Katherine T. O’Neil Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Dr. and Mrs. Neil Sethi R. Thomas and Meg Harris Stanton Mr. and Mrs. Donald Stelling (Europe) Anonymous gift from Switzerland (Europe) Anonymous INDIVIDUAL GIFTS OF $15,000 TO $19,999

Randall and Virginia Barbato Jayusia and Alan Bernstein (Miami) Scott Chaikin and Mary Beth Cooper Mr. and Mrs. Peter O. Dahlen George* and Becky Dunn Colleen and Richard Fain (Miami) Jeffrey and Susan Feldman Mr. Allen H. Ford Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) Tati and Ezra Katz (Miami) Jonathan and Tina Kislak (Miami) Robert M. Maloney and Laura Goyanes Mr. Thomas F. McKee Miba AG (Europe) Lucia S. Nash Mr. Gary A. Oatey Brian and Patricia Ratner David and Harriet Simon Mr. Joseph F. Tetlak Rick, Margarita and Steven Tonkinson (Miami) LNE Group — Lee Weingart (Europe) Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* Glickman Mr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe) listings continue

Severance Hall 2012-13

Individual Annual Support

THE CLEVELAN D ORCHESTRA

INDIVIDUAL GIFTS OF $10,000 TO $12,499

Tim and Linda Koelz Mr. and Mrs. Richard A. Manuel Mr. and Mrs. Arch J. McCartney Mr. and Mrs. Stanley A. Meisel Edith and Ted* Miller Mrs. Sydell L. Miller The Estate of Walter N. Mirapaul Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. Ruckman Mr. Larry J. Santon Dr. E. Karl and Lisa Schneider Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Mr. Eric Sellen and Mr. Ron Seidman Kim Sherwin Mr. and Mrs. Steven Spilman Lois and Tom Stauffer Mrs. Blythe Sundberg Dr. Russell A. Trusso Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Wells Family Foundation, Inc. Anonymous

Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr. Augustine* and Grace Caliguire Mr. and Mrs. R. Bruce Campbell Richard J. and Joanne Clark Martha and Bruce Clinton (Miami) Mr. and Mrs. William E. Conway Mrs. Barbara Cook Bruce Coppock and Lucia P. May (Miami) Mr. and Mrs. Matthew V. Crawford Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Ms. Dawn M. Full Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Robert K. Gudbranson and Joon-Li Kim Jeffrey and Stacie Halpern Sondra and Steve Hardis David and Nancy Hooker Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr. Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch

INDIVIDUAL GIFTS OF $7,500 TO $9,999

Crescendo

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson Jack Harley

Iris Harvie Brinton L. Hyde Randall N. Huff Elizabeth Kelley David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, educational activities, and community projects. The Crescendo Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Hayden Howland, Manager of Leadership Giving, by calling 216-231-7545.

Laurel Blossom Dr. and Mrs. Jerald S. Brodkey Dr. Thomas Brugger and Dr. Sandra Russ Ellen E. & Victor J. Cohn Supporting Foundation Mr. Owen and Mrs. Victoria Colligan Mr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard Dotson Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Pamela and Scott Isquick Allan V. Johnson Judith and Morton Q. Levin Mr. Jeff Litwiller Mrs. Robert H. Martindale Mr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Pannonius Foundation Douglas and Noreen Powers Rosskamm Family Trust Patricia J. Sawvel Carol and Albert Schupp Dr. Gerard and Phyllis Seltzer Naomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. Smith Mr. and Mrs. Donald W. Strang, Jr. Bruce and Virginia Taylor Sandy and Ted Wiese Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami)

Individual Annual Support

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THE CLEVELAN D ORCHESTRA listings continued

Fred G. and Mary W. Behm Dr. and Mrs. Nathan A. Berger Mr. William Berger Dr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Mr. Robert W. Briggs Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. Conway Corinne L. Dodero Foundation for the Arts and Sciences Mrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami) Mr. and Mrs. Thomas S. Davis Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Mr. David J. Golden Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Harry and Joyce Graham Mr. Paul Greig David and Robin Gunning Clark Harvey and Holly Selvaggi In memory of Philip J. Hastings Henry R. Hatch and Robin Hitchcock Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller T. K. and Faye A. Heston Amy and Stephen Hoffman Joan and Leonard Horvitz Bob and Edith Hudson (Miami) Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Rudolf D. and Joan T. Kamper Andrew and Katherine Kartalis Milton and Donna* Katz Dr. and Mrs. William S. Kiser Mrs. Justin Krent Mr. James and Mrs. Patricia Krohngold Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb

Shirley and William Lehman (Miami) Mr.* and Mrs. Leo Leiden Mrs. Emma S. Lincoln Heather and Irwin Lowenstein Mr. and Mrs. Alex Machaskee Mr. and Mrs.* Robert P. Madison Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. Miller Mr. and Mrs. William A. Mitchell Ann Jones Morgan Robert Moss (Miami) Mr. and Mrs. Stephen E. Myers Mr. and Mrs. Herbert Newman Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Claudia and Steven Perles (Miami) Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. Proctor Ms. Rosella Puskas Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Paul A. and Anastacia L. Rose Dr. Tom D. Rose Mr. and Mrs. Robert C. Ruhl David M. and Betty Schneider Linda B. Schneider Larry and Sally Sears Mrs. Frances G. Shoolroy Marjorie B. Shorrock Laura and Alvin A. Siegal David Kane Smith Jim and Myrna Spira George and Mary Stark Charles B. and Rosalyn Stuzin (Miami) Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr. Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Charles Winans Anonymous (7)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Dr. and Mrs. D. P. Agamanolis Mr. and Mrs. Robert H. Baker Ms. Delphine Barrett Mr.* and Mrs. Russell Bearss Mr. and Mrs. Jules Belkin Dr. Ronald and Diane Bell Suzanne and Jim Blaser Dr. Ben H. and Julia Brouhard Dr. and Mrs. William E. Cappaert Ms. Mary E. Chilcote Drs. Mark Cohen and Miriam Vishny

Diane Lynn Collier Marjorie Dickard Comella Pete and Margaret Dobbins Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Mrs. Joan Getz (Miami) Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Matthew D. Healy and Richard S. Agnes Hazel Helgesen and Gary D. Helgesen

Individual Annual Support

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Helen and Erik Jensen Joela Jones and Richard Weiss Dr. Gilles and Mrs. Malvina Klopman Dr. James and Mrs. Margaret Kreiner Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard listings continue

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $3,500 TO $4,999 CONTINUED

Mr. Lawrence B. and Christine H. Levey Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne Lugibihl Elsie and Byron Lutman Joel and Mary Ann Makee Martin and Lois Marcus Susan and Reimer Mellin Dr.* and Mrs. Hermann Menges, Jr. Dr. Susan M. Merzweiler Mr. and Mrs. Peter R. Osenar Mrs. Ingrid Petrus Mr. and Mrs. John S. Piety Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak William and Gwen Preucil Dr. Robert W. Reynolds

Mrs. Charles Ritchie Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Bob and Ellie Scheuer Ms. Freda Seavert Charles Seitz (Miami) Ginger and Larry Shane Mr. Richard Shirey Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz Howard Stark M.D. and Rene Rodriguez (Miami) Mrs. Barbara Stiefel (Miami) Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Leonard K. Tower

Robert and Marti Vagi Mr. and Mrs. Mark Allen Weigand Mr. Peter and Mrs. Laurie Weinberger Robert C. Weppler Nancy V. and Robert L. Wilcox Ms. Rosina Horvath

Mr. George and Mrs. Beth Downes Ms. Mary Lynn Durham George* and Mary Eaton David and Margaret Ewart Harry and Ann Farmer Carl and Amy Fischer Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Monte Friedkin (Miami) Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Peggy and David* Fullmer Richard L. Furry Jeanne Gallagher Barbara and Peter Galvin Joy E. Garapic Mrs. Georgia T. Garner Barbara P. Geismer* Mr. Wilbert C. Geiss, Sr. Dr. Kevin and Angela Geraci Anne and Walter Ginn Mr. and Mrs. David Goldberg Mr. and Mrs. David A. Goldfinger Dr. and Mrs. Ronald L. Gould Mr. and Mrs. Robert T. Graf Nancy Green (Miami) Mr. and Mrs. Brent R. Grover The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. George B. P. Haskell Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Mr. and Mrs. Edmond H. Hohertz Thomas and Mary Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Mark and Ruth Houck (Miami)

Dr. Randal N. Huff and Ms. Paulette Beech Ms. Charlotte L. Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Dr. Michael and Mrs. Deborah Joyce Barbara and Michael J. Kaplan Dr. and Mrs. Richard S. Kaufman Rev. William C. Keene Mr. Karl W. Keller Elizabeth Kelley Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust Bruce and Eleanor Kendrick Mr. James Kish Natalie Kittredge Fred and Judith Klotzman Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms. Sherry* Latimer Mr. Donald N. Krosin Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. Israel Lapciuc Kenneth M. Lapine Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Jon E. Limbacher and Patricia J. Limbacher Isabelle and Sidney* Lobe Holly and Donald Loftus Martha Klein Lottman Mary Loud Marianne Luedeking (Miami) Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Ms. Nancy A. Adams Stanley I. and Hope S. Adelstein Norman and Rosalyn Adler Family Philanthropic Fund Mr. Gerald O. Allen Norman and Helen Allison Mr. and Mrs. Robert J. Amsdell Rev. Dr. and Mrs. Kenneth J. Anderson Mr. and Mrs. Jeffrey R. Appelbaum Mr. and Mrs. Stanley H. Arkin (Miami) Geraldine and Joseph Babin Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Julia & David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill and Zeda Blau Mr. Doug Bletcher Mr. and Mrs. Dennis A. Block John and Anne Bourassa Lisa and Ron Boyko Mrs. Ezra Bryan Ms. Mary R. Bynum and Mr. J. Philip Calabrese Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Leigh and Mary* Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Suzan Cheng Dr. and Mrs. Chris Chengelis Mr. and Mrs. Homer D. W. Chisholm Mr. and Mrs. Robert A. Clark Mr. and Mrs. David J. Cook Dr. Dale and Susan Cowan Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White

Individual Annual Support

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listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mr. and Mrs.* Duane J. Marsh Mrs. Meredith T. Marshall Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Jim and Diana McCool William and Eleanor McCoy Stephen and Barbara Messner Mr. Stephen P. Metzler Mr. and Mrs. Roger Michelson (Miami) MindCrafted Systems Mr. Raymond M. Murphy Joan Katz Napoli and August Napoli Richard B. and Jane E. Nash Mr. David and Mrs. Judith Newell Mort and Milly Nyman (Miami) Richard and Jolene O’Callaghan Nedra and Mark Oren (Miami) James P. Ostryniec (Miami) Mr. and Mrs. Robert D. Paddock Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel K. Pudelski Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Dr. Barbara Risius Carol Rolf and Steven Adler Dr. and Mrs. Michael Rosenberg (Miami) Michael and Roberta Rusek Mrs. Florence Brewster Rutter Dr. Harry S. and Rita K. Rzepka Nathan N. and Esther Rzepka Family Philanthropic Fund Dr. and Mrs. Martin I. Saltzman Ms. Patricia E. Say Mr. Paul H. Scarbrough Mr. James Schutte Dr. John Sedor and Ms. Geralyn Presti Lee G. and Jane Seidman Drs. Daniel and Ximena Sessler Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Ms. Linda M. Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr. and Mrs.* Lawrence E. Stewart Ms. Evelyn H. Stroud

Dr. Kenneth F. Swanson Mr. Taras G. Szmagala Jr. Mr. Nelson S. Talbott Ms. Suzanne Thaxton Mr. Karl and Mrs. Carol Theil Parker D. Thomson Esq. (Miami) Mr. and Mrs. Robert J. Tomsich Mr. and Mrs. Lyman H. Treadway Steve and Christa Turnbull Miss Kathleen Turner Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Ricky & Sarit Warman — Papa John’s Pizza (Miami) Mr. and Mrs. Joseph F. Wasserbauer Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Mrs. Mary Wick Bole Richard Wiedemer, Jr. Dr. Paul R. and Mrs. Catherine Williams Mr. and Dr. Ann Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Rad and Patty Yates Fred and Marcia Zakrajsek Mr. Kal Zucker and Mrs. Mary Frances Haerr Anonymous (10) member of the Leadership Council (see page 76)

* deceased

The Cleveland Orchestra is sustained through the annual support of thousands of generous patrons, including members of the Crescrendo Patron Program listed on these pages. Listings of all donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA.COM For information about how you can play a supporting role for The Cleveland Orchestra’s artistic excellence and community partnerships, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

Individual Annual Support

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

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The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Eighth Symphony recorded live at Severance Hall under the direction of Music Director Franz Welser-Möst in 2010 and released in May 2011. And, released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival. Writing of the Rusalka performances, the reviewer for London’s Sunday Times praised the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.” Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011. Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

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the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

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2012 Larchmere Holiday Stroll ~ Thanksgiving weekend ~ Friday, November 23 & Saturday, November 24 ~ 10am-5pm

Severance Hall 2012-13

THE CLEVELAND C O N C E R T

C A L E N D A R

FALL SEASON Thursday October 25 at 8:00 p.m. Friday October 26 at 11:00 a.m. Saturday October 27 at 8:00 p.m. THE CLEVELAND ORCHESTRA Robin Ticciati, conductor Simon Trpčeski, piano

LIADOV The Enchanted Lake * RACHMANINOFF Piano Concerto No. 2 SIBELIUS Symphony No. 2 * not part of Friday Morning concert Sponsor: BakerHostetler

Sunday October 28 at 2:00 p.m. THE CLEVELAND ORCHESTRA Kelly Corcoran, conductor FAMILY CONCERT

Spooktacular III Back by popular demand for a third year! Join The Cleveland Orchestra for an afternoon of terrifying tales and friendly fun in this (ghost)story-based program of great Halloween favorites, including Night on Bald Mountain and Danse Macabre. Sponsor: The Giant Eagle Foundation

Saturday November 3 at 7:00 p.m. THE CLEVELAND ORCHESTRA Carlos Miguel Prieto, conductor Yo-Yo Ma, cello GALA CONCERT

Yo-Yo Ma

A special night of celebration and music brings internationally renowned cellist Yo-Yo Ma to Severance Hall to perform Dvořák’s famed Cello Concerto with The Cleveland Orchestra. A limited number of concert-only tickets are available by calling the Severance Hall Ticket Office at 216-231-1111 or online at clevelandorchestra.com. .

Thursday November 8 at 8:00 p.m. Friday November 9 at 11:00 a.m. Saturday November 10 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Michael Sachs, trumpet * Jack Sutte, trumpet *

BEETHOVEN Symphony No. 4 BEETHOVEN Grosse Fuge PINTSCHER Chute d’Étoiles * (for two trumpets) SCRIABIN The Poem of Ecstasy * not part of Friday Morning concert

Sunday November 11 at 7:00 p.m. CLEVELAND ORCHESTRA YOUTH ORCHESTRA James Feddeck, conductor

DVORÁK Carnival Overture PROKOFIEV Lieutenant Kijé Suite HANSON Symphony No. 2 (“Romantic”) Friday November 23 at 8:00 p.m. Saturday November 24 at 8:00 p.m. Sunday November 25 at 3:00 p.m. THE CLEVELAND ORCHESTRA Jaap van Zweden, conductor Louis Lortie, piano

CHOPIN Piano Concerto No. 2 RACHMANINOFF Symphony No. 2 Thursday November 29 at 7:00 p.m. Friday November 30 at 7:00 p.m. Saturday December 1 at 2:00 p.m. Saturday December 1 at 7:00 p.m. Sunday December 2 at 2:00 p.m. THE JOFFREY BALLET and THE CLEVELAND ORCHESTRA conducted by Tito Muñoz

The Nutcracker

A holiday must-see, full of magic and marvels and featuring Tchaikovsky’s beloved score performed by The Cleveland Orchestra. The Joffrey Ballet’s production has been captivating audiences for a quarter century with brilliant costumes, larger-than-life scenery, entrancing storytelling, and breathtaking dancing. Presented at PlayhouseSquare in downtown Cleveland. Tickets: 216-241-6000 or www.playhousesquare.org

Thursday December 6 at 8:00 p.m. Saturday December 8 at 8:00 p.m. THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Béla Fleck, banjo

ADAMS Short Ride in a Fast Machine FLECK Banjo Concerto COPLAND Suite from Billy the Kid GERSHWIN An American in Paris

Sponsor: NACCO Industries, Inc.

Concert Calendar

The Cleveland Orchestra

ORCHESTRA

1213 SEASON I N

T H E

S P O T L I G H T

Friday December 7 at 7:00 p.m. THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Béla Fleck, banjo KEYBANK FRIDAYS@7

ADAMS Short Ride in a Fast Machine GERSHWIN An American in Paris FLECK Banjo Concerto Sponsor: KeyBank

Thursday December 11 at 8:00 p.m. THE CLEVELAND ORCHESTRA William Eddins, conductor CELEBRITY SERIES

Charlie Chaplin’s Modern Times

For a second year, the Orchestra presents a classic silent film with live orchestral accompaniment. Don’t miss this iconic film of the Little Tramp in his adventures amidst the industrialization of modern life.

Friday December 14 at 10:00 a.m. Saturday December 15 at 11:00 a.m. PNC HOLIDAY RAINBOW

Christmas Brass Quintet Enjoy the Christmas spirit with brass music in this favorite Cleveland Orchestra holiday treat. A festive program of holiday music for young people and their families, suitable for ages 3 and up. Sponsor: PNC

Tuesday December 18 at 8:00 p.m. Wednesday December 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA James Feddeck, conductor CELEBRITY SERIES

Pink Martini: Joy to the World

The group Pink Martini returns to Severance Hall for a special holiday celebration with a globally-inclusive holiday concert for the 21st century.

Cleveland Orchestra

CHRISTMAS

Friday December 14 at 8 p.m. Saturday December 15 at 3 & 8 p.m. Sunday December 16 at 3 p.m. Friday December 21 at 8 p.m. Saturday December 22 at 3 & 8 p.m. Sunday December 23 at 3 & 7 p.m. THE CLEVELAND ORCHESTRA Robert Porco, conductor Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

Celebrate the holiday season with a favorite Cleveland tradition — with The Cleveland Orchestra and Chorus in these annual offerings of music for the Christmas Season. Including sing-alongs and holiday cheer, all in the festive yuletide splendor of Severance Hall.

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com. Cleveland Orchestra Radio Broadcasts: Radio broadcasts of current and past concert performances by The Cleveland Orchestra can be heard as part of regular weekly programming on WCLV (104.9 FM), with programs broadcast on Saturday at 8:00 p.m. and Sunday at 4:00 p.m.

Severance Hall 2012-13

Concert Calendar

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com 91

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A NC E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting opentable.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to reserve you place for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering provided by Sammy’s. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2012-13

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K ET SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

At Severance Hall . . .

YO-YO MA PLAYS DVOŘÁK

WELSER-MÖST CONDUCTS BEETHOVEN

Saturday November 3 at 7:00 p.m. THE CLEVELAND ORCHESTRA Carlos Miguel Prieto, conductor Yo-Yo Ma, cello

Internationally-acclaimed cellist Yo-Yo Ma joins The Cleveland Orchestra for one special evening, performing Antonin Dvořák’s magnificently majestic Cello Concerto. The program under guest conductor Carlos Miguel Prieto also includes Copland’s rollicking El Salón México, and Revueltas’s dark and disturbing Sensemayá. Ma also partners with the Orchestra for John Williams’s tranquil Elegy, built upon fragments from the score to the movie Seven Years in Tibet. Tickets are on sale now for this special gala event of the season, raising funds to support the Orchestra’s education and community programs. Diamond Sponsors: The Lerner Foundation Diamond Sponsors: KeyBank

Thursday November 8 at 8:00 p.m. Friday November 9 at 11:00 a.m. Saturday November 10 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Michael Sachs, trumpet Jack Sutte, trumpet

Franz Welser-Möst leads two works by Beethoven — the classic Fourth Symphony and the gripping Grosse Fuge for string quartet, rendered here by full string orchestra. The program ends with Scriabin’s mesmerizing musical paean to life and love, The Poem of Ecstasy, and also features the United States premiere of a brand-new work by Matthias Pintscher, a concerto for two trumpets and orchestra titled “Falling Stars” [Chute d’Étoiles]. Concert Sponsor: NACCO Industries, Inc.

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Severance Hall concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra

If you want to be remembered, do something memorable . SM

Leave your mark on your community by partnering with the Cleveland Foundation. We are the largest grantmaker in Northeast Ohio, giving about $80 million annually in grants to worthy causes here. You can give to all of your favorite causes through the Cleveland Foundation. For nearly 100 years, we have helped people like you give back in memorable ways. Join us and experience the satisfaction of knowing your gift will keep giving forever.

216.861.3810 877.554.5054 www.ClevelandFoundation.org