Architecture & Design Portfolio - Katherine Johnson by Katherine Johnson

CONTENTS

04:

E XPERIENCE THROUGH SUBTR AC TION | CR ANBROOK WELLNESS CENTER

14:

B R A N D I N G A S A B A C K D R O P | O S H K O S H B ’ G O S H C R E AT I V E S E R V I C E S

22:

U P D AT I N G A L A N D M A R K | 1 1 4 5T H A V E N U E

28:

E N T RY I N T E R FAC E | S C H O O L O F A R C H I T EC T U R E A N D I N T E R I O R D E S I G N

38:

O P E R AT I V E A G G R E G AT I O N | H I G H D E N S I T Y H O U S I N G

46:

O N R E P E AT | F U R N I T U R E P R O T O T Y P E

50:

D E L A M I N AT I O N & I N T E G R AT I O N | C E N T R A L C O M M U N I T Y H O U S E

56:

ARCHITECTURE AS A LEARNING TOOL | PRIMARY SCHOOL CL ASSROOM

64:

U N F O L D I N G U T I L I T Y | R E S E A R C H S TAT I O N

76:

A WORKING COMMUNIT Y | APPDIREC T HE ADQUARTERS

EXPERIENCE THROUGH SUBTRACTION

CRANBROOK WELLNESS CENTER B LO O M F I E L D H I L L S , M I

K AT H E R I N E J O H N S O N |

2012

The new wellness center building must fit into the existing fabric of the Cranbrook campus while strengthening its existing organizational structure. The n a t u r e o f t h e s p a p r o g r a m , h o w e v e r, requires a cer tain amount of privacy to assure the comfor t of guests. This building will address the privacy needs of the spaâ&#x20AC;&#x2122;s occupants, while remaining a par t of the campusâ&#x20AC;&#x2122;s social and experiential infrastructure.

EXPERIENCE THROUGH SUBTRACTION |

2012

The issue of privacy is addressed by placing the guest ser vices to the nor th of the site in dialogue with the woods. The spa program is ar ticulated as an experiential space and is pulled away from the ser vice block and into the public realm of the grand allee. The building presents a unified facade towards the formal side of the Cranbrook campus. The consistent usage of perforated metal panels along the south side of the building is varied according to programmatic considerations.

EXPERIENCE THROUGH SUBTRACTION |

2012

The therapy baths, sauna and steam rooms, and massage therapy rooms interact with the facade in dif ferent ways to create unique e x p e r i e n ce s o n th e walk way b el ow. Each programmatic volume also has skylights specifically ar ticulated according to the quality of light desired in each space.

CO RRE S P O N D I N G PERFO R AT I O N S 10

EXPERIENCE THROUGH SUBTRACTION |

2012

I N SO L AT I O N VA LU E S 11

The massage therapy rooms, therapy baths, sauna, and studio are lif ted above the public ground plane to retain an element of privacy and create a public path beneath the building. This path has a direct relationship with the experiential programming above it. This walk way integrates the building into the grand allee and the surrounding campus by allowing the general public to interact with the building, rather than reserving the experiences for those staying at the w e l l n e s s c e n t e r.

SKYLIGHT GLAZING WINDOW AND SKYLIGHT MULLIONS CONCRETE PAVERS INSULATION

INTERIOR FINISH GLAZING AND SPANDREL PANELS

ALUMINUM SECONDARY STRUCTURE WITH INTEGRATED DOWNSPOUT PERFORATED METAL PANELS EXTERIOR CONCRETE WALKWAY CONCRETE STRUCTURE

EXPERIENCE THROUGH SUBTRACTION |

2012

BRANDING AS A BACKDROP

O S H K O S H B ’ G O S H C R E AT I V E S E R V I C E S N E W Y O R K C I T Y, N Y

C O M P L E T E D D U R I N G E M P LOY M E N T WITH STUDIOS ARCHITECTURE

K AT H E R I N E J O H N S O N |

2011

This project was featured in Interior Design Magazine. Osh Kosh B ’G osh’s his tor ically rugged image provided inspiration for the company ’s new creative s e r v i c e s o f f i c e s i n N e w Yo r k C i t y . A branded environment designed with restraint, the materials, tectonics, and lighting allow the color ful clothes to take center stage. The home for this children’s clothing company is decidedly mature and tasteful.

BRANDING AS A BACKDROP |

2011

Designed around the working habits of the OKB creative team, an ex tensive and varied amount of storage was provided for garments and products at all stages of development. Display was also a high priority with such a visually oriented client. Pin up and full garment display space accounted for a large amount of the project â&#x20AC;&#x2122;s square footage. Area was also programmed for small groups to meet comfor tably around display spaces.

BRANDING AS A BACKDROP |

2011

My responsibilities for the Osh Kosh B ’G osh of f ices included du ties in both the design development and construction administration phases. I developed renderings and presentation materials to convey STUDIOS’ ideas to our clients at meetings. Working under the super vision of a STUDIOS’ principle, I also represented the firm at construction meetings, reviewed and returned submittals, and prepared sketches and bulletins. I also worked with the general contractor to resolve on-site issues.

BRANDING AS A BACKDROP |

2011

U P D AT I N G A L A N D M A R K

1 1 4 5 T H AV E N U E NEW YORK, NY

C O M P L E T E D D U R I N G E M P LOY M E N T WITH STUDIOS ARCHITECTURE

K AT H E R I N E J O H N S O N |

2 0 1 23

O w n e d b y a m a j o r N YC d e v e l o p e r, STUDIOS was in charge of updating the historic building at 11 4 5 th Ave and thereby increasing its appeal to future tenants. Due to its landmark status, any ex terior alterations were presented in detail to the Landmarks Preservation Committee (LPC) for approval. My responsibilities included assisting in the design of the storefront renovations, as well as, preparing graphics, drawings, and renderings for the LPC approval presentation.

3/4” PLYWOOD SHEATHING

ALIGN

THINSET TILE MORTAR BED ST1 TILE

PLAN DETAIL @ 5TH AVE LOBBY ENTRANCE DOOR JAMB

SCALE: NTS

EXISTING METAL FRAME TO REMAIN, PAINTED BLACK

1/2" GYPSUM WALL BOARD SEALANT

NEW STOREFRONT FRAMING SYSTEM, PAINTED BLACK

EXISTING GRILLE

GLAZING AS SCHEDULED

DOOR JAMB DETAIL @ 5TH AVE LOBBY ENTRANCE

SCALE: NTS

LEVEL 1 MEZZ 10' - 6" GLAZING AS SCHEDULED NEW STOREFRONT FRAMING SYSTEM PAINTED BLACK

DOOR DIMENSION POINT

GLAZING AS SCHEDULED

DOOR HEAD DETAIL @ 5TH AVE LOBBY ENTRANCE

SCALE: NTS

GLAZING AS SCHEDULED

CONCEALED FASTENER, TYP. KD98 STAINLESS STEEL WALK-OFF GRILLE

LEVEL 1 0' - 0"

12 TRANSON JAMB DETAIL @ 5TH AVE LOBBY ENTRANCE

SCALE: NTS

U P D AT I N G A L A N D M A R K |

2013

OUT OF SCOPE

3/4" TALL STRIP LIGHTING

SECURITY CAMERA

LEVEL 2 20' - 5 1/2" PROPOSED CEILING HEIGHT IN MAIN LOBBY

5' - 6"

EXISTING CEILING HEIGHT IN MAIN LOBBY

PAINT EXISTING GRILLE BLACK

CLEAR LOW IRON LAMINATED GLASS WITH ANTI-REFLECTIVE COATING

3' - 7"

AND 3" WINDOW STILES

LEVEL 1 MEZZ

10' - 6" 4" DOOR HEADER 9' HIGH DOORS WITH 4" DOOR STILES STRAIGHT STAINLESS 9' - 0"

STEEL DOOR PULL EXTERIOR "J" STAINLESS STEEL DOOR PULL INTERIOR 2" DIAMETER IN GRADE LIGHTING

LEVEL 1 3"

6' - 4"

0' - 0" 25

During the design development and construction documentation phases, I prepared drawings and details for the project ’s storefront upgrade, lobby renovation, and restroom remodels. I was also responsible for specif ying interior materials.

1/2" GYPSUM WALL BOARD LINEAR LED WALL WASH FIXTURE AS SCHEDULED, WHERE OCCURS IN RCP

PARTITION AS SCHEDULED

3 1/2"

10"

1' - 0"

1/2" GYPSUM WALL BOARD

2 1/2"

SEE RCP

GWB CEILING ON 7/8" CHANNELS PER NYC CODE CEILING ASSEMBLY

ST1 TILE

THINSET TILE MORTAR BED 3/4" PLYWOOD SHEATHING

PARTITION AS SCHEDULED

SECTION DETAIL @ 5TH AVE LOBBY COVE - NEW RATED WALL

SECTION DETAIL @ 5TH AVE LOBBY BASE - NEW RATED WAL

SCALE: NTS

FLOOR OPENING FOR BUS DUCT PENETRATION. SIZE & LOCATION TO BE COORDINATED WITH ELECTRICAL REQUIREMENTS, STRUCTURE, & ANY OBSTRUCTIONS

8" 7" 8"

11"

2 2

MECHANICAL 104

2 2

2 2 A

2 4

2 A-823

104 2.0

2UP 26

2 2

A-823

3' - 3 1/2" VIF

3' - 4" V

ALIGN

6 A-1122

STAIR C 103

ST1 TILE

THINSET TILE MORTAR BED

3/4" PLYWOOD SHEATHING

1 1/2" SLAB TO SLAB KINDORF FRAMING @ 16" O.C.

FLOOR OPENING FOR GENERATOR EXHAUST & INTAKE DUCTS. SIZE & LOCATION TO BE COORDINATED WITH MECHANICAL REQUIREMENTS, STRUCTURE, & ANY OBSTRUCTIONS

2 A-941

SEE ELEVATION

M1 BARSTOCK

ENLARGED PLAN @ 5TH AVENUE LOBBY

SCALE: 1/4" = 1'-0"

M2 METAL CLADDING

BLOCKING AS REQUIRED

1" SHAFTWALL UNDER BOARD

SEE ELEVATION

1' - 0"

10"

M2 METAL CLADDING M2 CLAD ELEVATOR DOOR, AS SCHEDULED

5' - 0"

A-823

KA 1 A-823

10" KM

M2 CLAD ELEVATOR DOOR, AS SCHEDULED STAINLESS STEEL ELEVATOR DOOR THRESHOLD, AS SCHEDULED. INSTALL FLUSH WITH FINISH FLOOR TERAZZO FLOORING AS SCHEDULED. INSTALL FLUSH WITH SIDEWALK & ENTRANCE GRILLE

LEVEL 1 0' - 0"

SECTION DETAIL @ 5TH AVE LOBBY ELEV. DOOR

SCALE: NTS

ENLARGED RCP @ 5TH AVENUE LOBBY

SCALE: 1/4" = 1'-0"

10"

3' - 0" 1' - 2"

2' - 0"

U P D AT I N G A L A N D M A R K | ELEVATOR CAB ELEVATOR CAB

EXISTING WALL CONSTRUCTION BLOCKING AS REQUIRED

ST1 TILE

M2 CLAD ELEVATOR DOOR, AS SCHEDULED

THINSET TILE MORTAR BED 3/4" PLYWOOD SHEATHING BLOCKING AS REQUIRED M1 BARSTOCK TERAZZO FLOORING AS SCHEDULED. INSTALL FLUSH WITH SIDEWALK & ENTRANCE GRILLE

M1 BARSTOCK

1 1/2" SLAB TO SLAB KINDORF FRAMING @ 16" O.C. 0' - 2"

3/4" PLYWOOD SHEATHING

0' - 6"

M2 CLADDING ON 3/4" PLYWOOD

1 1/2" SLAB TO SLAB KINDORF FRAMING @ 16" O.C.

M1 BARSTOCK

3/4" PLYWOOD SHEATHING

THINSET TILE MORTAR BED

ST1 TILE

1 1/2" SLAB TO SLAB KINDORF FRAMING @ 16" O.C.

ST1 TILE

CUSTOM ELEVATOR LANTERN SIGNAL

PLAN DETAIL @ 5TH AVE LOBBY ELEV. SIGNAL

SCALE: NTS

PLAN DETAIL @ 5TH AVE LOBBY ELEV. DOOR JAMB

SCALE: NTS

SECURITY TURNSTILE

SHEETCONSTRUCTION INFILL KEYNOTES TO MATCH ADJ. EXISTING

A-823

D.1

3' - 3 1/2" VIF

3' - 3" VIF

3' - 3 1/2" VIF

4' - 3 1/2" VIF

3' - 3 1/2" VIF

2 6

A-822

7 A-1123

3' - 0" 5 A-823

A-823

3 A-823

LOBBY 102

2' - 6"

TYP

1 A-1020

4 CUSTOM RECEPTION DESK, SEE DETAILS

4' - 4" VIF

24' - 0"

102 6.1

TO CENTERLINE OF GLASS

A-822

A-823

8' - 0"

1' - 3"

101 6.2

TYP

5' - 7" VIF

9 A-1120

5' - 9 1/2"

VESTIBULE 101

2 6

6 A-1121

1' - 6 3/8" VIF

4 A-823

SLOT DIFFUSER, SEE MEP. 8

57' - 11 3/8"

A-823

4"4" D.1

8 A-1120

A-823

KF SD 1' - 0"

5 A-823

23' - 2"

5' - 0" KB

18' - 8" CL1

2 A-824

27' - 6"

A-823

4' - 3"

A-824

SLOT DIFFUSER, SEE MEP.

CUSTOM CHANDELIER FIXTURE, KC 10"

1' - 0"

EQ 29' - 7 3/8" VIF KA

3' - 2" TYP

6 A-823

16' - 6" CL1

11' - 3 7/8" VIF

10"

3' - 8 1/8"

3' - 6 1/8"

VIF

2013

4" 4 A-823

MFR STANDARD DOOR HEADER W/ CONCEALED CLOSER & ELECTRIC STRIKE

e n t r y i n t e r fa c e

SCHOOL OF ARCHITECTURE AND INTERIOR DESIGN C I N C I N N AT I , O H

I N C O L L A B O R AT I O N W I T H : T Y L E R W A LT E R

K AT H E R I N E J O H N S O N |

2 0 1 23

This project was honored with the 2014 ACSA Design-Build Award. This design-build studio focused on the design, fabrication, and installation of strategic inter ventions located in the main corridor of the School of Architecture and Interior Design. L o c a t e d d o w n a n o n d e s c r i p t h a l l w a y, the main of fice of the school lacked the tectonic, material, and functional expression fitting for the main face of a design school. A s e r i e s o f f u l l s c a l e m o c k- u p s were completed to explore the f u n c t i o n a l i t y, m a t e r i a l a p p l i c a t i o n , and detailing of possible inter ventions.

E N T R Y I N T E R FA C E |

2013

Ta k i n g a d v a n t a g e o f a n o m a l i e s i n t h e original construction of the building, a second skin of metal studs was layered upon the existing cmu wall. Acr ylic vitrines were then hung from the stud backing.

E N T R Y I N T E R FA C E |

2013

The contents of the display boxes, the expression of detailing, and the layering of construction techniques all reference the design and construction values of the School of Architecture and Interior Design.

E N T R Y I N T E R FA C E |

2013

E N T R Y I N T E R FA C E |

2013

O P E R AT I V E A G G R E G AT I O N

HIGH DENSITY HOUSING C I N C I N N AT I , O H

K AT H E R I N E J O H N S O N |

2 0 1 21

The Nor thside neighborhood in Cincinnati, Ohio is a vibrant community that values the diversity and uniqueness of its residents. Long k n o w n a s a n a r t i s t â&#x20AC;&#x2122; s c o m m u n i t y, the area has a high concentration of small businesses and a thriving downtown area. A new housing project will explore how architecture can nurture the neighborhoodâ&#x20AC;&#x2122;s spirit of creativity while preser ving the diversity of t h e c o m m u n i t y. Sitting at a prominent intersection in Nor thside, the building meets the ground as an open retail space housing a consignment shop for use by the residents. The building is then raised above the ground as it follows the existing greenway diagonally across the site. Only the structural suppor ts meet the ground here as they define stalls to be used for the neighborhood farmer â&#x20AC;&#x2122;s market. The building then ex tends back to meet the road and define two triangular green spaces for public and private use.

O P E R AT I V E A G G R E G AT I O N |

2011

Individual housing units are designed on a modular grid system which can e a s i l y b e a g g r e g a t e d t o g e t h e r. These joints between the units are activated to promote interaction b e t we e n r e s i d e n t s. Vo i d s created between apar tments are programmed to allow for plantings and garden space. Unit living spaces that are oriented onto a shared terrace are manipulated to provide collaborative work spaces. Walls and floors that are continuous between units are also ar ticulated as bookcases and storage to be utilized in reciprocal spaces.

O P E R AT I V E A G G R E G AT I O N |

2011

The individual apar tments are placed together into one uniform mass before being pulled, pushed, and slid apar t to create voids for growing, outdoor relief space, and circulation. The voids are communal spaces where the residents are free to gather and socialize. Circulation takes place predominately on the back side of the unit block with paths leading residents through communal spaces on the way to the units. The circulation path between elevator and unit closely hugs the back of the building, creating a journey around units and across shared terraces.

O P E R AT I V E A G G R E G AT I O N |

2011

O N R E P E AT

FURNITURE PROTOTYPE C I N C I N N AT I , O H

I N C O L L A B O R AT I O N W I T H : CHRISTIAN PECK

K AT H E R I N E J O H N S O N |

2 0 1 21

An exploration in chair typologies, this prototype combines two seating positions in one form. A simple rotation of the form changes the angle and depth of the seat plate and chair back. Constructed out of stacked ply wood, the tolerances in each piece were carefully controlled to create a smooth sur face for the seats, while the hollow interior was varied to create visual ef fect.

O N R E P E AT |

2011

D E L A M I N AT I O N A N D I N T E G R AT I O N

CENTRAL COMMUNITY HOUSE COLUMBUS, OH

I N C O L L A B O R AT I O N W I T H : A M A N D A B R U O T & K AT E S Z E P

K AT H E R I N E J O H N S O N |

2 0 01 92

By delaminating select interior stud walls, the visual and spatial boundaries are questioned and broken down. By eliminating solid planes of division between space, groups and individual persons are no longer isolated.

D E L A M I N AT I O N A N D I N T E G R AT I O N |

2009

By enveloping furniture and functional elements, the woven walls take on cer tain per formance qualities that interact directly w i t h t h e u s e r. T h e w a l l s p r o v i d e occupants with tangible settings for interaction and communication.

D E L A M I N AT I O N A N D I N T E G R AT I O N |

2009

ARCHITECTURE AS A LEARNING TOOL

PRIMARY SCHOOL CLASSROOM RURAL UGANDA

K AT H E R I N E J O H N S O N |

2009

Communities in remote Central Uganda have little or no educational facilities. Any existing infrastructure is deteriorated and does not create a successful learning environment. As a result only 57% of Ugandan children will finish primar y school. The first step in improving Ugandaâ&#x20AC;&#x2122;s educational infrastructure involves providing districts with physical school buildings to house classes. Each classroom consists of a central general education area, with specialized learning sections organized around the outside. In each, walls with interactive components supplement a traditional African education focused on oral tradition and storytelling, while also remaining relevant to the increasingly favored Wes tern education sys tem.

L I T E R A C Y: D r u m s u s e d t o i l l u s t r a t e p a t t e r n s o f r y t h m n

H I S T O R Y: I n t e r a c t i v e t i m e l i n e s u s e d t o c h a r t e v e n t s

SCIENCE: Simple machines used to

o illustrate physics

ARCHITECTURE AS A LEARNING TOOL |

2009

M AT H : G e o m e t r i c b l o c k s u s e d t o v i s u a l i z e b a s i c f u n c t i o n s

A single classroom unit will provide an interactive learning space that reflects its surrounding environment, and is constructed using traditional building methods that are sensitive to the environment and climate. The classrooms are constructed using wattle and daub materials, which are appropriate for a warm, humid climate. The wattle f r a m e, s i mila r to wo o d li g h t- f r a m e construction, is woven with reeds to provide a backing for the application of the daub.

ARCHITECTURE AS A LEARNING TOOL |

2009

In the section dedicated to science, a field of pegs is used to experiment with simple machines, graphs, and cause and ef fect webs. In math, baskets ac t as placeholders in an equation where wood shapes are placed as tangible representations of values in problems and riddles. African Drums are used for communication, stor y telling, and memorization exercises in the literature area. The histor y section has large-scale moveable timelines that allow students to see correlations between dif ferent times.

ARCHITECTURE AS A LEARNING TOOL |

2009

unfolding utility

R E S E A R C H S TAT I O N H I M A L AYA N M O U N TA I N R E G I O N , I N D I A

I N C O L L A B O R AT I O N W I T H : CHANCE CARR, MICHAEL HADDY & LEVY NGUYEN

K AT H E R I N E J O H N S O N |

2012

The intense geological diversity of the himilayan mountains is the impetus for the many research expeditions that travel to the area, but high altitude and rough terrain make the journey treacherous. Researchers must be concerned with altitude sickness, high winds, flash flooding, unstable terrain, and UV exposure. The ideal research situation would provide the researchers with shelter af ter minimal setup, sufficient sleeping space, food storage and preparation area, a w a y t o h a r n e s s n a t u r a l e n e r g y, privacy from other team members, and a horizontal work surface. A semi-permanant base structure is first established in a set location. During periods when it is occupied by researchers, the structure is unfolded to provide bases upon which each researcher assembles his or her tent.

UNFOLDING UTILITY |

2012

T h e p e r ma n e n t s t r u c t u r e o f t h e o u tpost is organized around a central load-bearing core which houses a wind turbine, cook station, and data collection equipment. The central core is drilled into the ground using a two-man auger and will remain in place until the outpost is moved to a dif ferent location in the future. The outpost is detailed and constructed with materials and processes that are meant to fall within a f a i r l y r e s t r i c t i ve b u d g e t . A li gh tweight frame assembled from extruded aluminum members provides suppor t for rigid insulation panels covered in a U V-resis tent membrane. Each researcher travels with a tent specifically designed to lintegrate with the permanent structure of the outpos t , as well as ac t as a self-sup por ting tent when detached from the structure.

PHOTOVOLTAIC CELLS

VESTIBULE MEMBRANE

EXTRUDED ALUMINUM CHANNEL RIGID INSULATION COVERED WITH UV RESISTENT TYVEK EXTRUDED ALUMINUM FRAME HEAVY-DUTY HINGE MECHANISM

ADJUSTABLE LEVELING FEET SELF-SUPPORTING, DETACHABLE TENT

UNFOLDING UTILITY |

2012

Ever y pound counts when hiking at high altitudes, and of ten steep slopes. Because each researcher is asked to carr y his or her own tent in addition to research supplies, a balloon harness was developed in conjuction with the research station. The research balloon, when filled, will provide approximately 10 pounds of lif t. This lif t will help of fset weight from carrying a tent, clothing, food, and field samples. The balloon also acts as a distress s i g n a l , g p s l o c a t o r, c a m e r a , a n d power source.

UNFOLDING UTILITY |

2012

A WORKING COMMUNITY

APPDIRECT HEADQUARTERS SAN FRANCISCO, CA

C O M P L E T E D D U R I N G E M P LOY M E N T WITH FME ARCHITECTURE + DESIGN

K AT H E R I N E J O H N S O N |

2012

Designed for a company tr ying to bridge the gap between For tune 500 e n te r p r i s e a n d t h e s t a r t- u p, te ch world, the new AppDirect of fices combine elegance with flexible work areas and plenty of play ful community gathering space. Multiple, spacious breakrooms and cof fee bars encourage employees to congregate and collaborate. Careful and creative lighting gives t hi s b u d g e t- co n s ci o us p r oj e c t t h e e l e g a n c e o f a n u p s c a l e i n t e r i o r, while dr y erase walls provide an outlet for the lively side of the organization.

A WORKING COMMUNITY | SMALL C O NFERENC E 2520

O FFIC E 2521

TO UC H DO WN AREA 2523

O FFIC E 2522

TO UC H DO WN AREA 2524

LARG E C O NFERENC E 2501

(N) GYP BD 9' - 11"

2012

2 A9.4 A2.2

O FFIC E 2504

O FFIC E 2502

5 L1

MED. C O NFERENC E 2519

D L1

LO UNG E 2525

R D

E R

GYP. BD. 7' - 10"

C O FFEE 2526

L3 L3 L3 L3 L3

O FFIC E 2505

L1 L1 O PEN O FFIC E 2503

L10 L10 L10 L10 L10 L10 L8

GYP. BD. 7' - 0"

O FFIC E 2506

E L8

G AME RO O M 2527 L8

R R4

R L3

L2 R

(E) ACT 8' - 7"

GYP. BD. 7' - 10"

RESTRO O M

BREAKO UT RO O M 2517

R C O RR.

4 L13 A9.1

8 A9.1

L13

MEETING RO O M 2509

TYP ALL ROOMS MEETING RO O M 2510

L8 L8

MEETING RO O M 2508

C O RR.

L8 L8

L13

IDF 2514

LO UNG E 2515

L1 L8

(E) ACT 8' - 7"

R STAIR

L13

GYP. BD. 7' - 10"

STAIR

L3 L8

C ALL C ENTER 2507

L3 L3 L3 L3

L8 BREAK RO O M 2518

ELEV. LO BBY 2530

O FFIC E 2511

L8 L7

O PEN O FFIC E 2516

L1 R1

O PEN O FFIC E 2512

1 O PEN O FFIC E 2513

C O NSTRUC TIO N RC P 1/8" = 1'-0"

REFLEC TED C EILING PLAN KEYNO TES R1

R2 R3 R4 R5 R6 R7 R8 R9

PROVIDE (N) LIGHTING THROUGHOUT U. N.O. PINNACLE EDGE DIRECT/INDIRECT EX4 SUSPENDED FIXTURE. ALLOW FOR FIXTURES TO BE SPACED 10'-0" O.C. CONTACT JENNIFER LA VINS 510-645-2562 PROVIDE CLG. MTD. MOTION SENSOR S THROUGHOUT FOR LIGHTING CONTROL PAINT (E) SOFFITS TO MA TCH (N) SOFFITS, TYP. ALL MODIFY (E) CEILING AN D INFILL AS REQUIRED. INFILL ACT CONTRACTOR TO PROVIDE BALANCE OF CEILING TILES FROM LIGHT RELOCATION WOOD SLATS ALIGN WITH DOOR JAMB. WOOD SLATS ATTACHED TO SUSPENDE D T-BAR SYSTEM, BRACE AS REQUIRED. WOOD SLATS SAME HEIGHT AFF TO BOTTOM OF SLATS.

REFLEC TED C EILING PLAN NO TES 1. FINISHED CEILING TO MATCH EXISTING IN HEIGHT, OR AT HEIGHT INDICATED ON REFLECTED CEILING PLAN. 2. AT ACOUSTICAL TILE CEILINGS, NEW SPRINKLER HEADS TO BE CENTERED IN CEILING TILES. FOR ALL OTHER CEILING TYPES, LOCATE SPRINKLER HEADS SYMMETRICALLY AND HARMONIOUSLY IN ALIGNMENT WITH RESPECT TO OTHER CEILING FIXTURES, U.O.N. SUBMIT DRAWINGS INDICATING SPRINKLER HEAD LAYOUT FOR APPROVAL BY ARCHITECT BEFORE SPRINKLER PERMIT SUBMISSION. 3. NEW LIGHT FIXTURES AND LAMPS TO MATCH BUILDING STANDARD, U.O.N. 4. ALL 2 X 2 FLUORESCENT LIGHT FIXTURES TO BE ORIENTED NORTH/SOUTH.

IN THE SAME DIRECTION, I. E. TUBES RUNNING EAST/WEST OR

5. NEW DOWNLIGHTS AND WALL WASHERS TO BE CENTERED IN CEILING TILE, U.O.N. 6. ALL INCANDESCENT LIGHTS TO BE AND MATCH TOGGLE SWITCHES.

CONTROLLED BY DIMMER SWITCHES. DI

MMER SWITCHES SHALL BE GANGED WITH

7. WOOD GRILLE TO PRICE: OPTION 1: 9 WOOD: 1100 STYLE CROSS PIECE GRIL LE 1122-6, WESTERN HEMLOCK (SOLID, CLEAR, VERTICAL GRAIN) W/ DUNN EDWARDS DE 6228 'PLAY ON GREY' WITH 80% SHEEN, 1 3/8"X 1 3/8" X 1/2" OPTION 2: 9 WOOD: 1100 STYLE CROSS PIECE GRILLE 1122-6 ENGLISH SYCAMORE (QUATER SLICED VENEER) 1 3/8"X 1 3/8" X 1/2" CONTACT: DAN BOUSTEAD 888.767.9990

I participated in the schematic design, design development, construction documentation, and construction administration phases o f this fas t- paced, design -build project. During SD and DD, I was involved in design iteration, graphic representation, and material and furniture selections. I was also heavily involved in the preparation of the CD set. During construction, I worked with the contrac tor and client to ensure the space coming together as planned. The review and approval of submittals and issuance of bulletins and sketches were also my responsibilities.

3 A9.3

4 A9.3

13'-1 1/2"

6 A9.3

10'-1 1/2"

GYP. BD. SOFFIT

3 EQ. CABINETS 3'-0"

12 A9.3

WT-1

5 A9.3

SS-1

1 A9.3

13 A9.3

1'-5 1/2"

PL-1

SS-1

7'-10"

3'-4"

PT-1

SOFFIT HEIGHT SEE RCP

3'-6 1/2"

PT-1

3'-6"

2'-10"

3'-6"

PL-1

PL-1 25TH FLOOR 0' - 0" 3'-6"

1'-9"

1'-4"

PT-1

6'-6" CLEAR

ELEVATIO N @ BREAKRO O M C O UNTER 1/2" = 1'-0"

48"

38"

15"

20 1/2"

36"

CLEAR

ELEVATIO N 1/2" = 1'-0"

A WORKING COMMUNITY |

2012

3 A9.3

15'-5 3/8" 6 EQ. CABINETS GYP. BD. SOFFIT SOFFIT HEIGHT SEE RCP

WT-1

R PL-1

PL-1

1 '-9 "

1 '- 9 "

EQ .

1 '-3 "

25TH FLOOR 0' - 0"

25TH FLOOR 0' - 0" 32"

19'-9 1/8"

@ BREAKRO O M BAR

1 A9.3

2'-10"

5 A9.3

2 A9.3

SS-1

7'-0"

SS-1

1'-5 1/2"

1 A9.3

10 A9.3

2'-8 1/2"

PL-1

18"

38"

40"

36"

22 1/4"

CLEAR

ELEVATIO N @ C O FFEE RO O M C ASEWO RK 1/2" = 1'-0"

K AT H E R I N E J O H N S O N 1 3 8 5 H a n o v e r C o u r t k j o h n s o n . a r c h @ g m a i l . c o m C i r c l e v i l l e O H 4 3 1 1 3 http://cargocollective.com/k _ johnson 740 497 0123

E D U C AT I O N

M . A R C H C A N D I D AT E , U N I V E R S I T Y O F C I N C I N N AT I , C I N C I N N AT I , O H I O Expected Graduation June 2014 G PA : 3 . 8 / 4 . 0 Graduate A ssistant June 201 1 - Sept 201 1 , August 2013 - May 201 4 B . S . I N T E R I O R D E S I G N , T H E O H I O S TAT E U N I V E R S I T Y, C O L U M B U S , O H I O G r a d u a t e d w i t h D i s t i n c t i o n , M a g n a C u m L a u d e , J u n e 2 0 0 9 C u m u l a t i v e G P A : 3 . 7 / 4 . 0

EXPERIENCE

S T U D I O S A R C H I T E C T U R E , N E W Y O R K C I T Y, N E W Y O R K A r c h i t e c t u r a l I n t e r n M arch 20 1 1 - Aug 20 13 ( 9 M on ths) Project type: Production: Commercial Of fice, Law Construction Docs., Construction Admin (Bulletins, Of fice, Branded Environment, Submi t t als , Sketches , Cons tr uc tion M eetings), S D & Education, Storefront, Core, & D D P a c k a g e s , M a r k e t i n g Te s t f i t s , S i g n a g e P a c k a g e s , Shell Renovation Millwork Design, Material Specifications

FME ARCHITECTURE AND DESIGN, SAN FR ANCISCO, C ALIFORNIA A r c h i t e c t u r a l I n t e r n June 2012 - Dec 2012 Project type: Adaptive Reuse, Commercial Office, Small Business I n c u b a t o r, G a l l e r y, F i t n e s s Locker Room

Production: Construction Docs., Construction Admin(Bulletins, Submi t t als , Sketches), Millwor k D esign, Programming , Material Specifications

G R O V E C I T Y T O W N C E N T E R , N O N - P R O F I T O R G A N I Z AT I O N , G R O V E C I T Y, O H I O Marketing Projec t Coordinator June 2010 - Sept 2010 Project type: Marketing for Central Business District, Local Business Advocacy

Production: Marketing Materials for New Business Recruitment, Branding Strategy for Neighborhood Revitalization Ef for t s , Vacant Proper t y Documentation and Lis tings

LIMITED BR ANDS STORE PL ANNING, COLUMBUS, OHIO S t o r e D e s i g n I n t e r n Sept 2008 - Dec 2008 Project type: Flagship Retail ( Victoria's Secret), Branded Environment

SO F T WA RE

Production: Construction Docs., Programming and Space Planning, SD & DD Packages, Furniture and Finish Plans, Millwork Design, Storefront Design

A d o b e C S 5 ( 9 y r s) , Rev i t A r chi te c t u r e (4y r s) , Au to C A D ( 9 y r s) , S ke tch u p (6y r s) Rhino 3 D M o deling ( 9y r s), G rasshopp er (2y r s), Eco tec t (2y r s), M a x well (1y r), V Ray ( 3y r s), Flamingo Renderer ( 9y r s), M aya (1y r), M S O f f ice (15 y r s) References Available Upon Request

thank you K AT H E R I N E johnson 74 0 . 49 7. 0 1 2 3 kjohnson.arch@gmail.com