KYLE BENEVENTI PORTFOLIO ARCHITECTURE
URBAN DESIGN
2016 VISUALIZATION
2 |
ARCHITECTURE 07 ADAPT - VERTICAL ARCOLOGY
First Place: Super Sky Scrapers International Competition
11 SILO REVIVAL - REDTORY
Competition Entry - Guangzhou China
14 AMEGY BANK
Pickard Chilton Architects - Houston, TX
19 MINNESOTA CAPITOL OFFICE BUILDING Pickard Chilton Architects - St. Paul, MN
23 GA TECH - SCIENCE BUILDINGS Pickard Chilton Architects - Atlanta, GA
27 1144 FIFTEENTH
Pickard Chilton Architects - Denver, CO
URBAN DESIGN 33 ROCINHA - URBAN INTERVENTION Thesis Project - Rio de Janeiro, Brazil
39 RESEARCH AND MAPPING
Studies and Competition Entries - Various Cities
41 REANIMATE THE RUINS - DETROIT Parallel Projections LLC - Select Entries
VISUALIZATION 53 CASA DE LA CIUDAD
Personal Visualization Project - Oaxaca, Mexico
59 BIGELOW CHAPEL - HGA ARCHITECTS Personal Visualization Project - New Brighton, MN
63 PARK & SHORE - STRATEGIC CAPITAL The Seventh Art - Newport, NJ
67 287 PARK AVENUE SOUTH - CLI INVESTMENTS The Seventh Art - New York, NY
75 520 PARK AVENUE - ZECKENDORF DEVELOPMENT The Seventh Art - New York, NY
4 |
ARCHITECTURE 07 ADAPT - VERTICAL ARCOLOGY
First Place: Super Sky Scrapers International Competition
11 SILO REVIVAL - REDTORY
Competition Entry - Guangzhou China
14 AMEGY BANK
Pickard Chilton Architects - Houston, TX
19 MINNESOTA CAPITOL OFFICE BUILDING Pickard Chilton Architects - St. Paul, MN
23 GA TECH - TECHNOLOGY SQUARE Pickard Chilton Architects - Atlanta, GA
27 1144 FIFTEENTH
Pickard Chilton Architects - Denver, CO
ADAPT - VERTICAL ARCOLOGY PERSONAL COMPETITION
HONG KONG
First place finalist in an international design competition for a vertical arcology in Hong Kong. There are two integral components to the success of an arcology; the Social Sustainability and the Environmental Sustainability. The coordination of these responsibilities gives the programming and structural design to the tower. Taking cues from successful urban neighborhoods, social sustainability is about the integration of residential, commercial, and business interests into a flexible and expandable community. Environmental sustainability is demonstrated through passive systems and the organization of technology. Industrial and agricultural processes are composed to complement each other by the flow of waste, water, energy and food.
VERTICAL NEIGHBORHOOD Residential Levels Public Levels
STRUCTURE, CIRCULATION, FLEXIBLE PROGRAM
AGRICULTURE Farming Fish + Water Algae + Energy
RECREATION VERTICAL NEIGHBORHOOD Residential Levels Public Levels
BUILDINGS ADAPTS IN RESPONSE TO NEED
AGRICULTURE Farming Fish + Water Algae + Energy
ENVIRONMENTAL SITE ANALYSIS
EDUCATION VERTICAL NEIGHBORHOOD Residential Levels Public Levels
ARENA STREET + PUBLIC Museum Space Retail
TRANSIT ARCHITECTURE | ADAPT - VERTICAL ARCOLOGY | 7
SOCIAL SUSTAINABILITY
EXTERIOR CIRCULATION
INTERIOR CIRCULATION
GREEN / PUBLIC SPACE
RETAIL / SERVICE
COMMERCIAL: BUSINESS / OFFICE
RESIDENTIAL: STUDIO / 1 BR
RESIDENTIAL: 2 AND 3 BR
RESIDENTIAL: MULTI-FAMILY
8 | ARCHITECTURE | ADAPT - VERTICAL ARCOLOGY
Taking cues from successful urban neighborhoods, the tower is divided into several strategically composed “Vertical Neighborhoods” which reflect the diversity of the traditional street and provide all essential services. Each vertical neighborhood starts with a large public plaza surrounded by shops, businesses, and service industry offerings. As one moves vertically from this urban center, program becomes less dense and more residential; mimicking the gradient of a metropolis becoming individual suburbs and offering the ability to live, work, and play without leaving your neighborhood. Each micro-community benefits from the next: creating a socially sustainable network.
ENVIRONMENTAL SUSTAINABILITY WATER COLLECTION Channels in the top of each concentric ring captures rainfall filters it and distributes to Cisterns, while piping in the bottom of the ring moves waste water to treatment plants and programs in the building for reuse.
ENERGY COLLECTING MESH Surface make use of Solar Panels Wind Turbines fill Mesh Gaps
DEVELOPMENT SYSTEMS 3D printing on tracks Construction components
SOLAR + DAY LIGHT The core is hollowed to create a light well, furthered by expansive openings within each unit’s facade. The ring’s infrastructure is also capped with an array of solar panels, capturing solar energy. The energy produced by the building is used throughout the tower.
FARMING + GRAZING PLANES Orchard Production Greenhouse Horticulture Fisheries Algae Fuel
CROP + AQUACULTURE Orchard Production Greenhouse Horticulture Fisheries Algae Fuel
RECREATIONAL SPACES WIND + VENTILATION A permeable skin allows energy generation and passive cooling throughout the building. Furthermore, large wind speeds at high altitudes will be captured with turbines inserted into the building’s mesh facade.
Open Air Sports Fields Swimming Pools Bike + Running Tracks
RESIDENTIAL NEIGHBORHOODS Developable Greenspace Gardens + Parks Interstitial Open Space
ARCHITECTURE | ADAPT - VERTICAL ARCOLOGY | 9
SILO REVIVAL - REDTORY PERSONAL COMPETITION
GUANGZHOU, CHINA
This project aims to embody the creative process in built form. This process is embodied by both the construction of the silo and within its program, where artists and designers are free to express and collaborate with other artists in classrooms, computer labs, and critique spaces on each level’s balcony. At any point in this process, an idea may be generated which projects out at the tangent point of its inception, altering the creative process and moving toward final product. This idea is represented by the circular form of the silo and by the bridges that cantilever out to form connections between the creative suites of the silo, and the brick buildings which house the fabrication labs and administrative offices.
+2
+1
The creative process is not linear, but an ever changing movement between tangible and ethereal, practical and experimental. Researching previous projects and seeing other artist’s work informs final design, and the iterative nature of that de sign process refines the product. Once presented, this final design can inform the next creator and start the entire creative process anew. This organic and dynamic movement is constantly circulating and may be experienced by one or many artists simultaneously.
0
-1
ARCHITECTURE | SILO REVIVAL, REDTORY | 11
All of the creating and collaborating happens inside the silo, where studios and workshops for every kind of artistic expression are housed. These glass studio cubes face each other and spill out onto balconies intended for pin-up and crit-space. The existing brick buildings linked by the bridges, on the other side of the reflecting pool, are renovated and restored to house service program such as a cafe, office spaces, rest rooms, utility rooms. This keeps the center for artistic creation and expression separate yet connected to these complimentary amenities.
12 | ARCHITECTURE | SILO REVIVAL, REDTORY
ARCHITECTURE | SILO REVIVAL, REDTORY | 13
AMEGY BANK, TX PICKARD CHILTON ARCHITECTS
HOUSTON, TX
Amegy Bank’s new headquarters is prominently located within Post Oak Park in Houston’s Uptown District. The tower features fifteen levels of offices atop an enclosed eight-level parking podium. The tower’s curved glass façades maximize views of downtown Houston and the Galleria. The tower is accessed through a double-height, light filled lobby, elegantly detailed in natural surfaces of wood and stone. The high-performance enclosure with 10 foot floor-to-ceiling insulated glass introduces natural light deep within the offices while mitigating solar heat gain. The on-site employee-only dining conservatory offers healthful food options and provides an informal space for spontaneous collegial meetings. All work is the property of and was a collaborative effort of Pickard Chilton Architects.
1
TOP OF CROWN
EL 443' - 6"
EL 443' - 6"
73' - 0"
TOP OF CROWN
1
1
COOLING TOWERS
A315
A363
73' - 0"
A351
REFLECTIVE TRANSLUCENT GLASS (GL-4)
ROOF EL 370' - 6"
LEVEL 24 EL 354' - 9"
EL 325' - 3" 14' - 9" 14' - 9" 14' - 9"
LEVEL 16 EL 236' - 9"
LEVEL 15 EL 222' - 0"
OFFICE
LEVEL 14 EL 207' - 3"
OFFICE
LEVEL 12 EL 192' - 6"
OFFICE
EL 163' - 0"
14' - 9"
REFLECTIVE SPANDREL LEVEL 10 GLASS EL 163' - 0" (GL-2)
LEVEL 10
PARKING
ARCHITECTURAL LOUVER (LVR-1) EAST LOBBY
WEST LOBBY
OVERHEAD COIL DOORS TO MATCH (AL-1)
EL 120' - 0"
13' - 0"
EL 130' - 0"
LEVEL 7 ARCHITECTURAL EL 120' - 0" PRECAST PANELS (APC-1)
10' - 0"
10' - 0"
10' - 0"
LEVEL 7
LEVEL 6 EL 110' - 0"
10' - 0"
LEVEL 6 EL 110' - 0" LEVEL 5
LEVEL 5
EL 100' - 0"
EL 100' - 0"
LEVEL 4
LEVEL 4
EL 90' - 0"
EL 90' - 0"
LEVEL 3
LEVEL 3
EL 80' - 0"
EL 80' - 0"
REFLECTIVE TRANSLUCENTLEVEL 2 GLASS EL 70' - 0" (GL-8)
10' - 0"
LEVEL 8
LEVEL 2 EL 70' - 0"
LEVEL 1
LEVEL 1
EL 58' - 0"
EL 58' - 0"
LOWER LEVEL 1
LOWER LEVEL 1
EL 46' - 0"
EL 46' - 0"
85' - 0"
PARKING
EL 130' - 0"
10' - 0"
PARKING
EL 143' - 0"
10' - 0"
PARKING
EL 143' - 0" REFLECTIVE TRANSLUCENT GLASS (GL-5) LEVEL 8
10' - 0"
PARKING
12' - 0"
TYPICAL PARKING LEVEL
13' - 0"
REFLECTIVE VISION GLASS LEVEL 9 / CONFERENCE LEVEL 9 / CONFERENCE (GL-1) LEVEL LEVEL
CONFERENCE CENTER
REFLECTIVE TRANSLUCENT GLASS (GL-5)
LEVEL 11 EL 177' - 9"
20' - 0"
OFFICE
LEVEL 11 EL 177' - 9"
20' - 0"
2
14' - 9"
14' - 9"
LEVEL 12 EL 192' - 6"
14' - 9"
14' - 9"
LEVEL 14 EL 207' - 3"
14' - 9"
14' - 9"
LEVEL 15 EL 222' - 0"
10' - 0"
OFFICE
14' - 9"
14' - 9"
LEVEL 16 EL 236' - 9"
85' - 0"
OFFICE
14' - 9" 14' - 9"
LEVEL 17 EL 251' - 6"
14' - 9"
LEVEL 17 EL 251' - 6"
10' - 0"
OFFICE
GROUND FLOOR
14' - 9"
LEVEL 18 EL 266' - 3"
14' - 9"
LEVEL 18 EL 266' - 3"
10' - 0"
OFFICE
10' - 0"
3
A312
14' - 9"
LEVEL 19 EL 281' - 0"
14' - 9"
LEVEL 19 EL 281' - 0"
300' - 6"
LEVEL 20 EL 295' - 9"
14' - 9"
LEVEL 20 EL 295' - 9"
227' - 6"
LEVEL 21 EL 310' - 6"
OFFICE
CONFERENCE TERRACE
LEVEL 22
EL 310' - 6"
OFFICE
A402
14' - 9"
EL 325' - 3" REFLECTIVE VISION GLASS (GL-1) LEVEL 21
14' - 9"
OFFICE
LEVEL 23 EL 340' - 0"
14' - 9"
OFFICE
ZONE FOR ARCHITECTURAL LIGHTING: REFER TO ENLARGED DETAILS
LEVEL 23 EL 340' - 0" REFLECTIVE SPANDREL GLASS (GL-2) LEVEL 22
12' - 0"
OFFICE
14' - 9"
14' - 9"
LEVEL 24 EL 354' - 9"
12' - 0"
OFFICE
TYPICAL TOWER FLOOR PLATE
14' - 9"
15' - 9"
ROOF EL 370' - 6"
15' - 9"
PENTHOUSE
ARCHITECTURE | AMEGY BANK, TX | 15
16 | ARCHITECTURE | AMEGY BANK, TX
8
A
BACKLIT TRANSLUCENT GLASS
BACKLIT TRANSLUCENT GLASS LEVEL 19
ALUMINUM MULLION (AL-1)
LEVEL 19
EL 281' - 0"
EL 281' - 0"
5' - 0"
4' - 9" 10' - 0"
SPANDREL GLASS (GL-2)
TRANSLUCENT GLASS (GL-3)
TRANSLUCENT GLASS (GL-3)
9' - 9"
LIGHT PAD RE: LIGHTING
SPANDREL GLASS (GL-2)
TRANSLUCENT GLASS (GL-3)
LEVEL 4 EL 90' - 0" TRANSLUCENT GLASS (GL-5)
TRANSLUCENT GLASS (GL-5)
SILICONE BUTT JOINT (JS-1)
ALUMINUM FIN (AL-1) VISION GLASS (GL-1)
14' - 9"
11
10' - 0"
A452 PRECAST BROW (APC-1)
Amegy HQ VISION GLASS (GL-1)
VISION GLASS (GL-1)
Houston, Texas
VISION GLASS (GL-1)
VISION GLASS (GL-1)
CAR CABLE SAFETY RAIL (SST-1)
8' - 6"
TRANSLUCENT GLASS (GL-8)
H
O
A
4400 Post Oak Parkway Houston, Texas 77027 www.amegybank.com
LEVEL 3
4 H w
EL 80' - 0" BACKLIT TRANSLUCENT GLASS
Development Manager
BACKLIT TRANSLUCENT GLASS LEVEL 18
2800 Post Oak Boulevard Houston, Texas 77056 tel. 713 621 8000 fax. 713 966 2636 www.hines.com
EL 266' - 3"
TRANSLUCENT GLASS (GL-3)
Pickard Chilton
SPANDREL GLASS (GL-2)
TRANSLUCENT GLASS (GL-3)
2 H te w
D
4' - 9"
SPANDREL GLASS (GL-2)
10' - 0"
H
LEVEL 18 EL 266' - 3"
3 A451 LIGHT PAD RE: LIGHTING
Design Consultant
SILICONE BUTT JOINT (JS-1)
D
ALUMINUM MULLION (AL-1)
Hines 12 A451
5' - 0"
TRANSLUCENT GLASS (GL-8)
A
Owner
Amegy Bank of Texas
P
TRANSLUCENT GLASS (GL-3)
980 Chapel Street New Haven, Connecticut 06510 tel. 203 786 8600 fax. 203 786 8610 www.pickardchilton.com
9 N te w
8 A451
Architect of Record
Kendall/Heaton Associates, Inc.
PRECAST FIN (APC-1) 3
VISION GLASS (GL-1)
VISION GLASS (GL-1)
VISION GLASS (GL-1)
6
10' - 0"
711 Louisiana Street Houston, Texas 77002 tel. 713 844 0000 fax. 713 844 0001 www.gensler.com VISION GLASS (GL-1)
A422
14' - 9"
MECHANICAL DIFFUSER VISION GLASS (GL-1)
9' - 9"
LEVEL 2
3 H te w
MECHANICAL SHADE LIGHT FIXTURE RE: LIGHTING
Interiors Architect
Gensler
EL 70' - 0"
K
(NIC)
3050 Post Oak Boulevard, Suite 1000 Houston, Texas 79056 tel. 713 877 1192 fax. 713 877 1360 www.kendall-heaton.com
9' - 0"
26' - 10 1/2"
TRANSLUCENT GLASS (GL-8)
TRANSLUCENT GLASS (GL-8)
A
A402
Structural Engineer
W
1 H te w
Mechanical and Electrical Engineer
M
I.A. Naman + Associates, Inc. 12' - 0"
TRANSLUCENT GLASS (GL-8)
8' - 6"
TRANSLUCENT GLASS (GL-8)
BACKLIT TRANSLUCENT GLASS
Two Greenway Plaza Suite 700 Houston, Texas 77046 tel. 713 860 3600 fax. 713 860 3799 www.ianaman.com
RAISED ACCESS FLOORING
BACKLIT TRANSLUCENT GLASS
I
LEVEL 17
LEVEL 17
EL 251' - 6"
EL 251' - 6"
Landscape Architect
C
10401 Stella Link Road Houston, Texas 77025 SPANDREL GLASS (GL-2) tel. 713 871 1414 fax. 713 871 0888 www.clarkcondon.com
3
TRANSLUCENT GLASS (GL-3)
TRANSLUCENT GLASS (GL-3)
1 H te w
SPANDREL GLASS (GL-2)
Civil Engineer
C
ALUMINUM MULLION (AL-1) PRECAST BASE (APC-1)
0' - 8 1/2"
Ward, Getz & Associates, LLP LEVEL 1 EL 58' - 0"
2500 Tanglewilde, Suite 120 Houston, Texas 77063 tel. 713 789 1900 fax. 713 789 1901 www.wga-llp.com
5
4
Elevation 1/2" = 1'-0"
3
Elevation 1/2" = 1'-0"
2
Elevation 1/2" = 1'-0"
Elevation 1/2" = 1'-0"
1 Section
1/2" = 1'-0"
REVISIONS
2
1
Elevation 1/2" = 1'-0"
Section
1/2" = 1'-0"
1 2
T H te w
L
Clark Condon Associates, Inc.
A454
7 H te w
S
Walter P. Moore and Associates, Inc. 1301 McKinney Suite 1100 Houston, Texas 77010 tel. 713 630 7300 fax. 713 630 7396 www.walterpmoore.com
SILICONE BUTT JOINT (JS-1)
In
G
W
2 H te w
R
100% Schematic Design Design Development
15 April 2014 1 August 2014
1 2
1 A402
8
- 0"
5'
- 0"
5'
5'
- 0"
- 0"
5'
T7
9 A451
10 4 A402
5'
- 6"
5'
A451 13 A451
DESIGN DEVELOPMENT
3 A402
5
2
1
0° 135.0
A422
T p P fo re re co
- 0" 5'
A452
D
A402
A402
5'
- 0"
This drawing is not for construction or bidding purposes. Pickard Chilton has prepared this drawing solely to communicate architectural design intent. Pickard Chilton is not the Architect of Record and therefore is not responsible for preparing construction documents of for technical, legal, or constructionrelated matters. Pickard Chilton is not responsible for nor does it make any representation concerning dimensional accuracy of this drawing or coordination of this drawing with documents prepared by other disciplines.
12
- 6"
2 A451
7" 3"
NOT FOR CONSTRUCTION 5'
- 0"
A
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PODIUM ENCLOSURE - WEST - BASE
T N
11"
4 A453 5' - 0"
5' - 0"
5' - 0"
5' - 0"
6 Plan
5' - 0"
1/2" = 1'-0"
PROJECT: 1401 DATE: 1 August 2014 SCALE: 1/2" = 1'-0"
1 A443
3 Enlarged Plan 1/2" = 1'-0"
PARKING PODIUM CURTAIN WALL
The curtain wall for the parking podium uses precast concrete fins to add substantiality to the bass of the building. It is paired with metal screen which act as a framework for vines and vegetation to grow and provide a lush visual and passive cooling for the parking levels.
P D S
17 A451
SHEET NUMBER:
TB
S
A422
A
Copyright 2014 by Pickard Chilton. All rights reserved.
C
TOWER CURTAIN WALL
The tower curtain wall uses an alternating rhythm of long and short frosted glass fins to articulate the module and cast shadows across the facade, giving depth and richness to the tower as a whole.
ARCHITECTURE | AMEGY BANK, TX | 17
MN CAPITOL OFFICE BUILDING PICKARD CHILTON ARCHITECTS
ST. PAUL, MN
Sited directly northwest of Cass Gilbert’s historic 1905 State Capitol Building, the new Minnesota Senate Building has been designed to be a landmark in its own right, architecturally distinctive and worthy of the twenty-first century, purposefully facilitating greater interaction and communication with the citizens of Minnesota. Arcing along the radius of the Capitol’s dome, the building’s massing gently curves to maximize views back to the Capitol. The building is considered an extension of the Capitol with offices and support space for state senators and their staff, three large public hearing rooms, and several departments supporting the legislative process. All work is the property of and was a collaborative effort of Pickard Chilton Architects.
TYPICAL TOWER FLOOR PLATE
TYPICAL TOWER FLOOR PLATE
1
2
3
4
SHERBURNE AVENUE
185'-0"
5
195'-0"
6
7
200'-0"
Loading EL. 190'
1
A
Origin Point
A
EXIT EL. 200.33'
MINNESOTA CAPITOL OFFICE BUILDING
A EXIT EL. 184'
200'-0"
PARK STREET
SECONDARY ENTRANCE EL. 200.33'
TYPICAL TOWER FLOOR PLATE
SECONDARY ENTRANCE EL. 200.33'
STATE PROJECT NO. 02CP0036
B
195'-0 1/4"
CEDAR ST
EXIT EL. 183' B
CAPITOL BOULEVARD
EXIT EL. 200.33'
C
LANDSCAPED PLAZA REFER TO LANDSCAPE DWGS
C
VEHICULAR ENTRY EL. 188.5'
Exit EL. 188'
PRIMARY ENTRANCE EL. 181.66' EXIT EL. 187'
190'-0"
185'-0" 180'-0"
D
D
This document may be an electronic file or may be printed from an electronic file provided to the user. It is the sole responsibility of the user to ensure that the content and quality is consistent with the content and quality of the paper documents on file at BWBR. I hereby certify that this plan, specification or report was prepared by me or under my direct supervision and that I am a duly Licensed Architect under the laws of the State of Minnesota.
UNIVERSITY AVENUE W
Name Date 7/29/2014
Reg. No.
Issued For Item
E
Date
75% Schematic Design
11/22/13
100% Schematic Design
12/20/13
Schematic Design
05/21/14
100% Design Development
07/29/14
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N R FO TIO T O UC LY N TR N O S N CE N CO RE FE RE R FO F
F
This Sheet may be a Reduced Copy.
MLK BOULEVARD
The bar above is 1" long on a Full Size Sheet. Drawing Scales apply to Full Size Sheets.
This drawing is not for construction or bidding purposes. Pickard Chilton Architects, Inc. has prepared this drawing solely to communicate architectural design intent. Pickard Chilton Architects, Inc. is not the Architect of Record and therefore is not responsible for preparing construction documents of for technical, legal, or construction-related matters. Pickard Chilton Architects, Inc. is not responsible for nor does it make any representation concerning dimensional accuracy of this drawing or coordination of this drawing with documents prepared by other disciplines.
GENERAL NOTES:
STATE CAPITOL
1. STRUCTURE SHOWN FOR REFERENCE ONLY; REFER TO STRUCTURAL DRAWINGS FOR MORE INFORMATION.
G
G
2. INTERIORS SHOWN FOR REFERENCE ONLY; REFER TO INTERIORS DRAWINGS FOR MORE INFORMATION. 3. SITE AND TOPOGRAPHY SHOWN FOR REFERENCE ONLY; REFER TO CIVIL AND LANDSCAPE DRAWINGS FOR MORE INFORMATION.
Comm. No.
Drawn
1311
PCA
Sheet Title
ARCHITECTURAL SITE PLAN H
H
1
200.AS
Site Plan 1" = 30'-0"
1
1" = 30'-0" Sheet No.
Copyright Pickard Chilton
7/29/2014 9:14:29 AM
TYPICAL TOWER FLOOR PLATE 2
3
4
5
6
7
200.AS
ARCHITECTURE | CAPITOL OFFICE BUILDING, MN | 19
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2
3
4
5
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7
A
A
MINN CA OFFICE
STATE PROJE
B
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This document may b be printed from an e the user. It is the sol to ensure that the co consistent with the co paper documents on
I hereby certify that this plan, spe by me or under my direct superv Licensed Architect under the law
Name Date 7/29/2014 Issued For Item
100% Design Develo
E
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F T O N T S N CO F RE R FO F
F
The bar above is 1" Drawing Scales app
This drawing is not for c Pickard Chilton Architec solely to communicate a Chilton Architects, Inc. i therefore is not responsi documents of for techni matters. Pickard Chilton nor does it make any rep accuracy of this drawing documents prepared by
GENERAL NOTES:
1. STRUCTURE SHOW TO STRUCTURAL DRA INFORMATION. G
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2. INTERIORS SHOWN TO INTERIORS DRAW
3. SITE AND TOPOGRA ONLY; REFER TO CIVIL FOR MORE INFORMA
Comm. No. 1311 Sheet Title
INTERIOR AXONOM H
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Copyright Pickard Chilton
7/29/2014 9:06:18 AM
Sheet No.
1
3
2
4
3
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4
6
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600
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20 | ARCHITECTURE | CAPITOL OFFICE BUILDING, MN
/2014 10:45:39 AM
1
2
MARRIAGE OF HISTORIC AND MODERN The glass curtain wall and facade design for this iconic building is based on the golden ratio, just like the state capitol and many other historic buildings. The connection to the capitol building is not only visual; there is a tunnel below the street that connects the capitol to the ground floor of the Capitol Office Building, underneath the elevated plaza facing the Capitol.
ARCHITECTURE | CAPITOL OFFICE BUILDING, MN | 21
GA TECH - TECHNOLOGY SQUARE PICKARD CHILTON ARCHITECTS
ATLANTA, GA
Technology Square will inspire and realize a sustainable, innovative ecosystem that integrates Technology Square with the new interdisciplinary research and economic development potential. Sited across the bridge from GA TECH proper, this tower will encourage a collaborative community; linking students interested in tech and software with research labs and companies that can train them and facilitate their potential. This relationship is further strengthened by the High Performance Computing Center, which occupies the historic Crum and Forster building connected to the tower on the first four floors. All work is the property of and was a collaborative effort of Pickard Chilton Architects.
Building Section and Program Office
Office
669,849669,849 gsfgsf
618,848 rsf
618,848 rsf
99,564 gsf
Office
14’-8” F to F
21
66,568 rsf 294,982 gsf
17 16
23,082 gsf
1,087,477 gsf
Levels 12-22
14 Office
14’-8” F to F 26,100 x 14 = 365,400 gsf (24,304 rsf)
14
12
23,082 rsf
11 10 9
294,982 gsf
Twin Elevator 786 Options: Lobby Entry Stalls Parking
The historic building and the new glass
6
2 Office
Low-rise
14’-8” F to F 25,250 x 2 = 50,500 gsf
Levels 1-11
5
tower are joined by an all glass lobby at
4
ground level, allowing floods of natural
3
light into the space.
1
2
1,087,477 gsf
P5
708,498 rsf
Overall Total
P4 P3
14’-8” F to F 34,987 + (36,740 x 4) = 181,947 gsf
G LL1
28
20
27
25’-0” F to F 13,108 gsf
7 Parking
P1 - 11’-0” F to F P2-P7 - 10’-0” F to F
3 HPCC
Ground
19’-0” F to F
Mechanical
14,906 gsf
52,428 gsf 20’-0” F to F
25
17
24
16
23
15
22
19,564 gsf
21
13
20
12
19
19
11
18
10
17
9
17
14 Office
14’-8” F to F 26,100 x 14 = 365,400 gsf (24,304 rsf)
14 13
M HPPC 3
12
Mechanical
11
16
8
15
7
14
6
13
5
12
4
11
3
10
2
9
1
8
P7
7
P6
20’-0” F to F 71,578 gsf
20’-0” F to F 14,878 gsf
26
18
20
15 Mechanical
P2 P1
29
14
16
5 Enlarged Office
P7 P6
14’-8” F to F
30
21
18
8 7
Office
22 21
13
708,498 rsf
Retail
High-rise
M 22
19
8,186 gsf
18
786 Stalls
Overall Total
Mechanical
M
19
15
CONTEXT MODEL
19,564 gsf
20
23,082 rsf
Parking
8,186 gsf
22
gsf 99,56423,082 gsf
Retail
Mechanical
M
66,568 rsf
HPCC
HPCC
EL 48
EL 487’-0”
6
P5
5
P4
4
P3
3
P2
2
HPPC 2
P1
1
HPPC 1
G
G
LL1
LL1
10 9
T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
PICKAR D CH I LTON
7
20’
HIGHER ENTRY
HIGHER ENTRY
LOWER ENTRY
6
20’
10’
20’
10’
LOWER ENTRY
20’
HIGHER ENTRY
20’
20’
8
LOWER ENTRY
SKYLIGHT GAIN E LLOBBY E V AT O R L O B B I&E SOLAR S:
paces: GCrum and Forster ROUND LEVEL
E L E V AT O R L O B B I E S : LEVEL -0.5 LEVEL +1.5
LEVEL 2
2 Office
14’-8” F to F 25,250 x 2 = 50,500 gsf
5
E L E V AT O R L O B B I E S :
4
GROUND LEVEL LEVEL -1
3 2
5 Enlarged Office
14’-8” F to F 34,987 + (36,740 x 4) = 181,947 gsf
1 P7 P6 T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
PICKAR D CH I LTON
APRIL 17, 2015
60
P5 P4 P3
7 Parking
P1 - 11’-0” F to F P2-P7 - 10’-0” F to F
P2 P1 Crum and Forster Entrance
G LL1
DATA CENTER & HISTORIC ENTRY T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
PICKAR D CH I LTON
APRIL 17, 2015
14
Ground
19’-0” F to F
Mechanical
14,906 gsf
52,428 gsf 20’-0” F to F
ARCHITECTURE | TECHNOLOGY SQUARE, GA | 23
APRIL 17
HPCC: Level 2
Public Spaces: Ground Floor GROUND FLOOR PROGRAM
DATA CENTER AND PARKING
eet
tr eS
h St et
re
st
We
4t
tre
ch Pea
Ar ad
te
ms Pl ac
eet
e ing
Spr
Str
T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
24 | ARCHITECTURE | TECHNOLOGY SQUARE, GA
PICKAR D CH I LTON
APRIL 17, 2015
12
T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
PICKAR D CH I LTON
APRIL 17, 2015
Workspace: Tower Highrise
Workspace: Enlarged Floor Plans LOW RISE AND ATRIUM
HIGH RISE AND TERRACE
T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
PICKAR D CH I LTON
APRIL 17, 2015
34
T H E E X PA N S I O N O F T E C H N O L O G Y S Q U A R E INCLUDING A HIGH PERFORMANCE COMPUTING CENTER
PICKAR D CH I LTON
APRIL 17, 2015
ARCHITECTURE | TECHNOLOGY SQUARE, GA | 25
1144 FIFTEENTH PICKARD CHILTON ARCHITECTS
DENVER, CO
1144 Fifteenth is the first Class-A commercial office tower to be built in Denver in 30 years. The tower’s design harkens to the rocky mountains and fritted spandrel glass at the crown resembles the mountain’s frosty tops. The core separates two sculpted massings which “dance” with each other and offer gracious lease depths. This tower offers not only a site-sensitive and contextual design, it is a LEED Gold Certified workplace with a state-of-the-art air filtration system and under floor air. All work is the property of and was a collaborative effort of Pickard Chilton Architects.
10/15/2014 10:07:43 AM
LEVEL 1
1/8" = 1'-0"
A3.0
1 KHA PROJECT NO.
DRAWING NUMBER
LEVEL 1 DRAWING TITLE CAD FILENAME
NO. 1
DATE
ISSUE
15 OCT 14
DESIGN DEVELOPMENT
EXISTING FOUR SEASONS E 5' - 8" 8"
ENTER 9%
14%
10%
12' - 4"
EXIT
DN TO LEVEL B1
22' - 0"
DOWN FROM LEVEL 2 D
ENTER
UP FROM LEVEL B1
EXIT
+5217.55'
A5.02
18' - 7 5/8"
1
UP TO LEVEL 3
17% +5217.55' 11 A7.01
UP
7' - 8 3/4"
S
STAIR 3 P
DN
DN STAIR
P
+5216.65'
11" 4' - 6"
4' - 5"
9' - 6"
FIRE ENTRY
2' - 7"
1
DN
PRELIMINARY
13' - 0"
+5214.85' 151
5' - 8 5/8"
11 A7.03
UP
S
8' - 0 3/8"
43' - 4"
149 156
7' - 8" 9' - 6"
TEL-2
C
TEL-1 MAIL ROOM
LR-4 HR-4
SERVICE ELEVATOR LOBBY
Lighting Design Consultant PE-3
P
6' - 8"
S
16 A4.01
A5.01 LR-3
DOCK MASTER
3' - 4"
STAIR 4
HR-7 HR-3
16 A4.02
UP
LOW-RISE ELEVATOR LOBBY
SECURITY BREAK ROOM
SE-2
23' - 10"
Acoustical Consultant
PE-2
LR-6
HR-6
HIGH-RISE ELEVATOR LOBBY
Building Management & Controls, Building Secu
36' - 4"
LR-2
Graphic Design & Wayfinding
RETAIL 15.75 (0,0') FINISH FLOOR
SE-1
1
145' - 0"
Snow, Ice, Wind Consultant HR-2
Exterior Building Maintenance Consultant
DN UP
PE-1
FCC +5217.85'
LR-1
152
STAIR 2
LR-5
SERVER ROOM
Curtain Wall Consultant
HR-5 HR-1
LEED Consultant
LOADING 2' - 8 5/8"
B Vertical Transportation Consultant 153 UP
DN
Parking Consultant Geotechnical Consultant 1 A3.61
A5.04 1
Civil Engineer Landscape Architect 43' - 4"
LOBBY 15.75 (0,0') FINISH FLOOR
RETAIL 14.09 (-1.51') FINISH FLOOR
Mechanical, Electrical, Plumbing, Fire Protecti Structural Engineer Architect of Record Design Architect Owner
A 1 A4.01 A5.05
A5.01
1 9' - 11"
A5.07
16
30' - 0"
30' - 0"
30' - 0"
A5.08
1
30' - 0"
30' - 0"
30' - 0"
1
30' - 0"
10' - 0"
25' - 0"
254' - 11"
0.2
0.5
1
2
3
4
5
6
7
8
9
8.3
1144 FIFTEENTH
9
8
7
6
5
4
3
2
1
LEVEL 15 EL 173' - 0"
P I C K AR D CH I L T ON
2
6
19' - 0"
A407 2 A416
PODIUM 8 EL 140' - 0"
24' - 0"
14' - 0"
LEVEL 14 EL 154' - 0"
14' - 0"
Design Consultant
Pickard Chilton Architects, Inc.
14' - 0"
Structural and Civil Engineer
Martin/Martin, Inc.
Mechanical, Electrical, Plumbing, Fire Proection
M-E Engineers, Inc.
10' - 0"
Landscape Architects
10' - 0"
LEVEL 10 EL 100' - 0"
Design Workshop Geotechnical Consultant
CTL Thompson, Inc. LEVEL 9 EL 90' - 0"
Parking Consultant
10' - 0"
PODIUM 4 EL 84' - 0"
HWA Parking LEVEL 8 EL 80' - 0"
10' - 0"
14' - 0"
A464
LEVEL 11 EL 110' - 0"
10' - 0"
14' - 0" 14' - 0"
PODIUM 5 EL 98' - 0"
2
Kendall/Heaton Associates, Inc.
10' - 0"
PODIUM 6 EL 112' - 0"
SIM
Architect of Record
LEVEL 12 EL 120' - 0"
1
2
Owner / Development Manager
Hines
LEVEL 13 EL 130' - 0" PODIUM 7 EL 126' - 0"
A441
1144 Fifteenth Street Denver, CO
14' - 0"
PODIUM 3 EL 70' - 0"
LEVEL 7 EL 70' - 0"
Vertical Transportation Consultant
Person/Hahn Assocaites, Inc. LEED Consultant
Architectural Energy Corporation Curtain Wall Consultant
20' - 0"
Curtainwall Design & Consulting Inc.
PODIUM 2 EL 56' - 0"
14' - 0"
Exterior Building Maintenance Consultant
4
Snow, Ice, Wind Consultant
Rowan Williams Davies & Irwin, Inc. Building Management & Controls, Building Security
1
HMA Consulting, Inc. LEVEL 3 EL 30' - 0"
Acoustical Consultant
Shen Milsom & Wilke, LLC
15' - 0"
5
Olympique
LEVEL 4 EL 40' - 0"
10' - 0"
PODIUM 1 EL 42' - 0"
10' - 0"
LEVEL 5 EL 50' - 0"
Graphic Design & Wayfinding
D|G Studios LEVEL 2 EL 15' - 0"
Lighting Design Consultant
Lighting Design Alliance
15' - 0"
1 2
REVISIONS
A321 LEVEL 1 EL 0"
2
DD ISSUE
10/15/2014
2 A452
ELEVATION NOTES DESIGN DEVELOPMENT
1. Prefinished Aluminum Panel Canopy
This drawing is not for construction or bidding purposes. Pickard Chilton
ARCHITECTURE | 1144 FIFTEENTH, CO | 27
1144 F
0.2
0.5
1
2
3
4
5
6
7
8
8.3
9
254' - 11" 9' - 11"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
16
30' - 0"
10' - 0"
25' - 0"
1
A5.01
A5.17 1 A4.01
A
Des
Arch
Struc
Mechanical, Electric
43' - 4"
OPEN TO COOLING TOWER BELOW COOLING TOWER
Lands
Ci 1 A3.92
1
Geotec
A5.15
Park 30' - 0"
Vertical Tran
B
FAN ROOM FAN ROOM
LEE
FAN ROOM
Curtain
Exterior Building
STORAGE P
HIGH-RISE ELEVATOR MECH ROOM
MECH
Snow, Ice 36' - 4"
16 A4.02
S
SERVICE ELEVATOR MECH ROOM
Building Managemen
Acous 16 A4.01
FAN ROOM
145' - 0"
FAN ROOM
1 A5.01
DN
Graphic D
Lighting D
STAIR 2 C
PRE
1
43' - 4"
A5.13
22' - 0"
D
E
1
15 OCT 14
NO.
DES
DATE
CAD FILENAME
1144 F
DRAWING TITLE
1 A4.02
10/14/2014 6:31:15 PM
LEV
KHA PROJECT NO.
LEVEL 42 0.2
0.5
1
2
3
4
1/8" = 1'-0"
5
6
7
8
8.3
1
9
254' - 11" 9' - 11"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
16
30' - 0"
10' - 0"
25' - 0"
1
A5.01
A5.17
1 A4.01
A
Des
Arch
Struc
43' - 4"
Mechanical, Electric
Lands
Ci
Geotec 1 A5.15
Park
Vertical Tran
B
STAIR 3
LEE
P
DN HR-5
ELEC
MECH 1
S
Exterior Building HR-6
HR-2
P 1 A3.80
Building Managemen
HR-3
S DN
16 A4.01
Acous
UP
STOR
HR-4 DN
T
STAIR 2
AOR
STOR
STAIR 1
145' - 0"
MECH 2
UP
E
SERVICE ELEVATOR LOBBY TEL-2
Snow, Ice
RA
36' - 4"
O A
HIGH-RISE ELEVATOR LOBBY HR-7
P
16 A4.02
S
SE-1
JAN
Curtain
MEN EMR SE-2
O A RA 1 A5.01
Graphic D
Lighting D
TEL-1
WOMEN
HR-1
C
PRE
1
43' - 4"
A5.13
22' - 0"
D
E
1
15 OCT 14
NO.
DES
DATE
CAD FILENAME
1144 F
DRAWING TITLE
1 A4.02
10/14/2014 6:31:05 PM
LEV
KHA PROJECT NO.
LEVEL 39 0.2
0.5
1
2
3
4
1/8" = 1'-0"
5
6
7
8
8.3
1
9
254' - 11" 9' - 11"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
10' - 0"
25' - 0"
16 A5.01 1 A4.01
A
Des
Archi
Struc
43' - 4"
Mechanical, Electric
Lands
Civ 1 A3.75
Geotech
Parkin
TEL-2
Vertical Trans
B
STAIR 3
UP
STOR LR-1
LR-5
LEED
HR-5
ELEC
HR-1 MECH 1
Curtain
S
P
DN
Exterior Building
EMR S
HR-6
P
HR-2 O A
P
16 A4.01
E
DN
JAN
Graphic De
HR-4
Lighting D
T
STAIR 2
AOR
Acoust
MEN DN UP
105
LR-4
Building Management
HR-3 S
SERVICE ELEVATOR LOBBY MECH 2
Snow, Ice
RA
WOMEN HR-7 SE-1
145' - 0"
16 A4.02
SE-2
LR-3
36' - 4"
LR-6
LOW-RISE ELEVATOR LOBBY O A
UP
STAIR 1
TEL-1
LR-2
RA 1 A5.01
C
PREL
43' - 4"
22' - 0"
D
E
1
15 OCT 14
NO.
DESI
DATE
CAD FILENAME
1144 F
DRAWING TITLE
1 A4.02
10/14/2014 6:30:21 PM
LEVE
KHA PROJECT NO.
LEVEL 15-25 0.2
0.5
1
2
3
4
1/8" = 1'-0"
5
6
7
8
8.3
1
9
260' - 0" 5' - 1"
9' - 11"
30' - 0"
30' - 0"
30' - 0"
30' - 0"
1 A5.05
30' - 0"
30' - 0"
30' - 0"
10' - 0"
25' - 0"
16
1
1
A5.01
A5.07
A5.08
1 A4.01
A
Des
Arch - 5"
90°
5' 8 7/16"
Struc
75° 12' -
3' -
11 1/4"
8 1/2"
Lands
DN
1
Mechanical, Electric
43' - 4"
2' - 11 1/2"
14'
UP
Civ
A5.04
Geotech 1 A3.65
Parki
Vertical Tran
B
LEE
STORAGE
UP
PE-1
S
16 A4.02
DN
UP
HIGH-RISE ELEVATOR SHAFT
PARKING PARKING CROSSOVER CROSSOVER
Exterior Building
PARKING ELEVATOR LOBBY
STAIR 4
HIGH-RISE ELEVATOR SHAFT
SE-2
LOW-RISE ELEVATOR SHAFT
1
Snow, Ice 36' - 4"
STAIR 3 DN
Curtain
P
TEL-2
ELEC/EMR LOW-RISE ELEVATOR SHAFT
PE-2
Building Managemen
SE-1
S
16 A4.01
DN
PE-3
145' - 0"
UP
P
STORAGE
P
Acous
SERVICE ELEVATOR LOBBY
P
UP
S
DN
STORAGE
S
A5.01
Graphic De
STAIR 1 STAIR 2
Lighting D
TEL-1
C
PRE
MOTORCYCLE PARKING
43' - 4"
UP
DN 1
3' - 11"
5' - 9"
362
4' - 10"
A5.02
D 5' - 2"
STORAGE
22' - 0"
20' - 4"
14' - 0"
12' - 8"
8' - 4"
E EXISTING FOUR SEASONS 1
NO.
15 OCT 14
DES
DATE
CAD FILENAME
DRAWING TITLE
1 A4.02
LEVEL 0/15/2014 10:07:51 AM
28 | ARCHITECTURE | 1144 FIFTEENTH, CO
KHA PROJECT NO.
LEVEL 5,7,9,11
1/8" = 1'-0"
1
0.2
5' - 1"
0.5
1
30' - 0"
2
3
30' - 0"
4
30' - 0"
5
30' - 0"
6
30' - 0"
7
30' - 0"
8
30' - 0"
10' - 0"
8.3
9
A
B
43' - 4"
25' - 0"
C
36' - 4"
43' - 4"
0.2
E
D
22' - 0"
5' - 1"
9' - 11"
0.5
1
2
30' - 0"
LEVEL 40 OFFICE MEZZANINE 526' -Fire 0" Protection Mechanical, Electrical, Plumbing,
FOUR SEASONS
1
NO.
15 OCT 14
DATE
24' - 0" 10' - 0" 10' - 0"
10' - 0" 10' - 0"
10' - 0" 10' - 0"
10' - 0"
1 A5.06
LEVEL 14 154' - 0" LEVEL 13 130' - 0" LEVEL 12 120' - 0" LEVEL 11 110' - 0" LEVEL 10 100' - 0" LEVEL 9 90' - 0" LEVEL 8 80' - 0" LEVEL 7 70' - 0" LEVEL 6 60' - 0" LEVEL 5 50' - 0" LEVEL 4 40' - 0" LEVEL 3 30' - 0" LEVEL 2 15' - 0" LEVEL 1 0' - 0" LEVEL B1 DESIGN DEVELOPMENT -12' - 0" LEVEL B2 ISSUE -22' - 0"
10' - 0"
1 A5.10
10' - 0"
10' - 0" 10' - 0" 10' - 0" 10' - 0" 10' - 0" 10' - 0"
1 A5.03
LEVEL 14 154' - 0" LEVEL 13 130' - 0" LEVEL 12 120' - 0" LEVEL 11 110' - 0" LEVEL 10 100' - 0" LEVEL 9 90' - 0" LEVEL 8 80' - 0" LEVEL 7 70' - 0" LEVEL 6 60' - 0" LEVEL 5 50' - 0" LEVEL 4 40' - 0" LEVEL 3 30' - 0" LEVEL 2 15' - 0" LEVEL 1 0' - 0" LEVEL B1 -12' - 0" LEVEL B2 -22' - 0"
LEVEL 39 509' - 0" LEVEL 38 495' - 0" Civil Engineer LEVEL 37 481' - 0" 36 GeotechnicalLEVEL Consultant 467' - 0" LEVEL 35 Parking Consultant 453' - 0" LEVEL 34 439' - 0" Vertical Transportation Consultant LEVEL 33 425' - 0" LEED Consultant LEVEL 32 411' - 0" Curtain Wall LEVEL Consultant31 397' - 0" LEVEL 30 Exterior Building Maintenance Consultant 383' - 0" LEVEL 29 369' - 0" Snow, Ice, Wind Consultant LEVEL 28 355' - 0" Building Management & Controls, Building Security LEVEL 27 341' - 0" LEVEL 26 Acoustical Consultant 327' - 0" LEVEL 25 Graphic Design & Wayfinding 313' - 0" LEVEL 24 Lighting Design Consultant 299' - 0" LEVEL 23 285' - 0" LEVEL 22 271' - 0" LEVEL 21 257' - 0" LEVEL 20 243' - 0" PRELIMINARY LEVEL 19 229' - 0" LEVEL 18 215' - 0" LEVEL 17 201' - 0" LEVEL 16 187' - 0" LEVEL 15 173' - 0" Landscape Architect
10' - 0"
LEVEL 39 509' - 0" LEVEL 38 495' - 0" LEVEL 37 481' - 0" LEVEL 36 467' - 0" LEVEL 35 453' - 0" LEVEL 34 439' - 0" LEVEL 33 425' - 0" LEVEL 32 411' - 0" LEVEL 31 397' - 0" LEVEL 30 383' - 0" LEVEL 29 369' - 0" LEVEL 28 355' - 0" LEVEL 27 341' - 0" LEVEL 26 327' - 0" LEVEL 25 313' - 0" LEVEL 24 299' - 0" LEVEL 23 285' - 0" LEVEL 22 271' - 0" LEVEL 21 257' - 0" LEVEL 20 243' - 0" LEVEL 19 229' - 0" LEVEL 18 215' - 0" LEVEL 17 201' - 0" LEVEL 16 187' - 0" LEVEL 15 173' - 0"
1 A5.09
35' - 0"
LEVEL 41 MECHANICAL 542' - 0"
Structural Engineer
LEVEL 40 OFFICE MEZZANINE 526' - 0"
1 A5.12
19' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 17' - 0" 16' - 0" 13' - 0"12' - 6"
LEVEL 42 555' - 0"
Architect of Record
LEVEL 41 MECHANICAL 542' - 0"
10' - 0" 10' - 0" 10' - 0" 12' - 0" 15' - 0" 15' - 0" 10' - 0"
Design Architect
LEVEL 42 555' - 0"
12' - 0" 15' - 0" 15' - 0"
1 A5.14
TOP OF CURTAINWALL 602' - 6" Owner ROOF UPPER 567' - 6"
1 A5.16
10' - 0"
TOP OF CURTAINWALL 602' - 6" UPPER ROOF 567' - 6"
10' - 0"
24' - 0"
19' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 14' - 0" 17' - 0" 16' - 0" 13' - 0"12' - 6"
35' - 0"
9' - 11"
CAD FILENAME
DRAWING TITLE
ARCHITECTURE | 1144 FIFTEENTH, CO | 29
30' - 0"
30 |
URBAN DESIGN 33 ROCINHA - URBAN INTERVENTION Thesis Project - Rio de Janeiro, Brazil
39 RESEARCH AND MAPPING
Studies and Competition Entries - Various Cities
41 REANIMATE THE RUINS - DETROIT Parallel Projections LLC - Select Entries
ROCINHA URBAN INTERVENTION EDUCATIONAL - SENIOR THESIS
RIO DE JANEIRO
This informal settlement, first occupied by a small community of farmers in the 1930’s, developed swiftly and organically to its current state where the population is estimated to be 150,000 people. Most residents come to Rocinha for work, usually in trade. Independent stores and businesses are part of every day life and are often operated from their homes or off the street. Rocinha hosts a dynamic range of income levels, but the large majority of it’s residents live in poverty with a minimum monthly wage equivalent to $214/mo. Despite lacking many of the basic amenities necessary for a healthy standard of living, life in Rocinha is very vibrant and most people enjoy the lives they are building for themselves. Communities are tight knit and celebrations take place throughout the streets quite often.
one
two
33.42%
one
PRECEDENT RESEARCH
two
33.42%
three
28.66%
four
16.27%
11.14%
75%
LOCATION AND DENSITY
100%
four
75%11.14%
10.51%
100%
100%
50%
number of people own
per
household other
INCOME AND EMPLOYMENT rent
82.68%
household
per
16.27%
75%
10.51%
FAMILY AND HOUSEHOLD number of people
three
28.66%
100%
<two
dependent
four
three
22.40%
0.30%
2.80%
14.21%
26.20%
<2 3
<six
4
12.30%
16.00%
23.10%
5
<2
<two
three
22.40%
four
26.20%
<six
25%
4
12.30%
16.00%
23.10%
>6
3
50%
88%75%
100% 88% open seven days a week
5 >6
25%
50%
children type
BRAZIL 22 per/sq.km
RIO DE JANERIO 7353 per/sq.km
22
7353
pers/sq.km
property domicile own
R
100%
14.21%
75%
14.21%
82.68%
82.68%
rent 14.21%
PROPERTY OWNERSHIP
D
2.80%
75%
O 0.30%
rent
82.68%
100%
income
and
employment
income
and
employment
100%
100% 50%
Rocinha
one
two
33.42%
33,083 pers/sq.km
pers/sq.km
of
O
No Kids 75%
37% open twelve hours a day
37%
type
property domicile Have Kids
ROCINHA 33,083 per/sq.km
Rio de Janeiro
100%
household
own
100%
Brazil
of
per
75%
three
28.66%
four
16.27%
11.14%
75%
50%
own 82.68%
own
100%
82.68%
per
88% four
three
22.40%
26.20%
25%
23.10%
50%
other 0.30%
88%
household
88% open seven days a week
150,000 37% unofficial count
<2
<two
2.80%
14.21%
0.30%
2.80%
14.21%
dependent
rent
other
dependent
rent
number of people
10.51%
3
<six
16.00%
88% open seven days a week
75%
4
12.30%
37% open twelve hours a day
5 >6
100% 37% open twelve hours a day
37%
O
82.68%
R D
14.21% 2.80%
O 0.30%
type of property domicile 97,945 O R
D
82.68%
14.21%
2.80%
own
O 0.30%
rent
82.68%
income
and
employment
14.21%
75%
100%
100%
33,790
50%
4,513
2020
0.30%
2000
2.80%
14.21%
2010
other
dependent
rent
1990
1980
82.68%
1970
1960
1950
1940
1930
1920
own
88%
82.68%
R D
14.21%
income
2.80%
O 0.30%
1927
1971
1980
1986
Formation of a community of farmers employed in Gavea.
Brazil hosts Olympics
Brazil hosts World Cup.
employment
1993
386 shacks occupy the area.
and
2004
1938 1933
O
2014
37% open twelve hours a day
37%
Main road in Gavea is paved.
2016
88% open seven days a week
Rocinha occupied by 1300 policemen following internal drug dispute. 12 civilians killed.
Rocinha considered an administrative region
Rocinha adopted as a legitimate neighborhood.
Rocinha expands; considered largest Favela in Latin America
Inauguration of the Tunnel Dios Irmanos
URBAN DESIGN | ROCINHA | 33
BREAKING INTO ZONES A FIRST STEP TO HIERARCHY
In this proposal, the location of each public space is based on the characteristics unique to each zone: proximity to Infrastructure such as the cable cars, distance from Commercial activity currently only lining Estrada de Gavea, or using Topography to frame views across the favela in areas where linear plazas are required to follow contour lines. Public Plaza’s are tailored to these qualities and the resulting network connects each plaza, creating a very relevant plan that could improve the community on several different levels.
I C T ZONE 5
B R E A K I N G I N TO Z O N E S
I C T ZONE 1
D I S T R I B U T I N G S PA C E
I C T ZONE 4
I C T ZONE 2 I C T ZONE 3
34 | URBAN DESIGN | ROCINHA
Since vehicular mobility is so restricted in Rocinha, this hierarchy works to make Rocinha a very walk able city. Research indicates that the optimal preferred walking distance is 5 minutes, or 1/4 mile. The 5min walking radius is placed at the center of each main plaza and adjusted to consider Rocinha’s dramatic topography. This guide determines areas lacking relief space. Connecting corridors are chosen according to existing circulation patterns. Smaller spaces are introduced to fill gaps that the walking radii don’t cover between main plazas.
NAVIGATION AND RELIEF INTRODUCING HIERARCHY
5 M I N WA L K I N G R A D I I FROM MAIN PLAZAS
To provide a more dynamic and ordered system for Rocinha, it is important that the destination spaces remain pure public space. This unfortunately means uprooting several families and clearing houses. In this case, however, the benefit out weighs the cost. To maintain personal and vocational connections, a series of small towers were placed at interval locations along the corridors connecting public spaces. This allows for a smaller footprint which can be repeated throughout the favela, providing housing for the residents displaced and maintaining proximity to their communities.
ADJUST RADII FOR TO P O G R A P H Y
C O R R I D O R A C T I VAT I O N CONNECTING CORRIDORS
R E S U LT I N G H I E R A R C H Y
URBAN DESIGN | ROCINHA | 35
PAIRING BUILDING AND PLAZA A NEW VISIBLE HIERARCHY POTENTIAL FORMATS
Currently all commercial activity exists along Estrada de Gavea, the main road through Rocinha. The farther from this main road, the less access residents have to these amenities.
CENTRIPETAL
FRAMING VIEWS
Addition of the main plazas offer the opportunity of commercial access to more residents. Termination of sight lines along the corridor determine placement of Resettlement Housing Towers.
Smaller public spaces are paired with the towers as an extension of the street, to provide relief along the corridor connecting Estrada de Gavea and the large Plaza. 36 | URBAN DESIGN | ROCINHA
STREET LEVEL PLAZA
URBAN DESIGN | ROCINHA | 37
RESEARCH AND MAPPING CITY OF KORASTA
LIEPAJA, LATVIA
KLAKSVIK, FAROE ISLANDS
CARACAS, VENEZUELA
URBAN DESIGN | RESEARCH AND MAPPING | 39
REANIMATE THE RUINS PARALLEL PROJECTIONS LLC - SELECT ENTRIES This LLC researches and facilitates theoretical competitions focused on socially sustainable design. Our inaugural competition, aptly named Reanimate The Ruins, asked designers to propose new uses for the Packard Automotive Plant in Detroit, MI, while considering urban, architectural, and economic factors. This competition received over 300 entries from 28 different countries and results were covered in several architecture publications. I had the privilege of presenting select entries to developers and city officials who could use these ideas as a catalyst for implementing real change.
40 | URBAN DESIGN | PARALLEL PROJECTIONS
A short list of 30 entries were reviewed by a carefully curated panel of judges spanning diverse disciplines including; Dan Kinkead - Director of Detroit Future Cities, Adam Modesitt Associate Architect at SHOP Architects, John Lauter Published Packard Historian, and Daniel Patera Associate Professor of Architecture at Detroit Mercy School of Architecture. A catered Awards Gala was held, open to the public, to display the winners and short list finalists.
URBAN DESIGN | PARALLEL PROJECTIONS | 41
42 | URBAN DESIGN | PARALLEL PROJECTIONS
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44 | URBAN DESIGN | PARALLEL PROJECTIONS
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46 | URBAN DESIGN | PARALLEL PROJECTIONS
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48 | URBAN DESIGN | PARALLEL PROJECTIONS
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50 |
VISUALIZATION 53 CASA DE LA CIUDAD
Personal Visualization Project - Oaxaca, Mexico
59 BIGELOW CHAPEL - HGA ARCHITECTS Personal Visualization Project - New Brighton, MN
63 PARK & SHORE - STRATEGIC CAPITAL The Seventh Art - Newport, NJ
67 287 PARK AVENUE SOUTH - CLI INVESTMENTS The Seventh Art - New York, NY
75 520 PARK AVENUE - ZECKENDORF DEVELOPMENT The Seventh Art - New York, NY
CASA DE LA CIUDAD OAXACA CITY
OAXACA, MEXICO
In my 3rd year of school my eyes were opened to the beauty of Oaxaca Mexico, a UNESCO heritage site. The focus of this study abroad was on public spaces and cultural typology, and began with a case study on a building of our choosing. My selection, Casa de la Ciudad, is a cultural space and museum dedicated to promoting knowledge of Oaxaca and offer new interpretations of architectural research, restoration, and sustainable development within the city. The drawings in this set were hand drawn and traced with ink on mylar. The renderings were a self initiated learning project using a combination of 3DsMax, SketchUp, and Vray.
VISUALIATION | CASA DE LA CIUDAD | 53
54 | VISUALIATION | CASA DE LA CIUDAD
VISUALIATION | CASA DE LA CIUDAD | 55
56 | VISUALIATION | CASA DE LA CIUDAD
VISUALIATION | CASA DE LA CIUDAD | 57
BIGELOW CHAPEL HGA ARCHITECTS
NEW BRIGHTON, MN
The Bigelow Chapel is a beautiful addition to the United Theological Seminary in New Brighton MN, designed by local firm HGA. This was a personal project I used to improve my modeling workflow in SketchUp and practice photo-realistic rendering using 3DsMax and Vray.
VISUALIZATION | BIGELOW CHAPEL | 59
VISUALIZATION | BIGELOW CHAPEL | 61
75 PARK LANE STRATEGIC CAPITAL
NEWPORT, NJ
75 Park Lane is the modern luxury tower component of a two building development in Newport, NJ, developed by Strategic Capital. Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images. Technical rendering work was done by Binyan in Australia.
VISUALIZATION | PARK & SHORE | 63
64 | VISUALIZATION | PARK & SHORE
VISUALIZATION | PARK & SHORE | 65
2 SHORE LANE STRATEGIC CAPITAL
NEWPORT, NJ
2 Shore Lane is the sister building to 75 Park Lane, also developed by Strategic Capital. This building offers a modern spin on the warehouse lofts of TriBeCa and Brooklyn. Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images. Technical rendering work was done by Binyan in Australia.
VISUALIZATION | PARK & SHORE | 67
68 | VISUALIZATION | PARK & SHORE
VISUALIZATION | PARK & SHORE | 69
287 PARK AVENUE SOUTH CLI INVESTMENTS
NEW YORK, NY
This project brings modern luxury to a historic facade in Manhattanâ&#x20AC;&#x2122;s Flatiron district. This project will be developed by CLI Investments. Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images. Technical rendering work was done by VDP Design in Barcelona.
VISUALIZATION | 287 PARK AVENUE SOUTH | 71
72 | VISUALIZATION | 287 PARK AVENUE SOUTH
VISUALIZATION | 287 PARK AVENUE SOUTH | 73
520 PARK AVENUE ZECKENDORF DEVELOPMENT
NEW YORK, NY
520 Park Avenue will be one of Manhattanâ&#x20AC;&#x2122;s premiere residential towers. Designed by Robert A.M. Stern Architects and developed by Zeckendorf Development. Branding work was done by The Seventh Art. I served as the Creative Director and Project Manager for this set of images. Technical rendering work was done by VDP Design in Barcelona.
VISUALIZATION | 520 PARK AVENUE | 75
VISUALIZATION | 520 PARK AVENUE | 77
78 | VISUALIZATION | 520 PARK AVENUE
VISUALIZATION | 520 PARK AVENUE | 79
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